All language subtitles for 21. Actual Depiction 1 Depicting Large Parts

Hello.

This time, we describe the tentacles we worked with last time.

Next, let's formally work together on one of the major parts of the spring tomb temple.

First of all, when proceeding with the illustration, there are also people who proceed from head to toe from top to bottom.

In fact, if the illustration is very small, you can do this

Usually, when drawing a larger illustration, you enter the smaller part from the larger part

It is better to start from the contrasting larger health care into the contrasting smaller part, and to carry out the herd from the larger to the smaller.

Therefore, the brush will also change from a gradually enlarged brush to an air brush, and the brush size will change in order from large to small.

Therefore, we can first start with a large brush to describe

After proceeding, make fine in the details and put the shadows separate parts later.

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Last time we proceeded to the initial felling, we took a general look at the shape and position of the shadows

First, before the picture proceeded, the

For about ten seconds, please look at everyone's drawing, and then first check the parts that you can now draw first with the big brush.

For example, this illustration of a skirt and a hat, followed by a shawl

When you get into the big brushes, it's enough to describe the part, or the structure is not so complicated for the connecting part of this hat that

Or let me start by describing the part here where the foot tooth lace part can be simply accessed.

You can make three layers like this, like I did, and it's more comfortable to work on one layer that

I'll do a further depiction on the base layer.

If you're not confident that your work is progressing, it's best to keep copying layers.

As you proceed throughout and after, check periodically that the direction of the rain does not break and that the color does not change.

Press "Control First" and you can duplicate the layer. When painting with a large brush, the brush size is

If you've investigated recently, the

Don't think into it, when we put on makeup and stuff like that, there's wiping the cheeks to that extent.

You can't use a brush on your cheeks.

We usually use a big brush to press the ball touch a little bit so that when we paint a large area

It's much faster to take a brush that's a little bit bigger than you think and sort out something a little bit rough like that.

So with a big brush.

Better practice painting bigger now.

First of all, please look at the clear part of the Minyan competition.

This is the part, but don't zoom in too much on the drawing.

Capture the extent to which you can enter at a glance

Because the light is now coming from here in the shadows, this part and this part should be released slightly differently.

Dry the moon with a big brush.

Proceed in the direction.

After going in this way, this part is bounded again and has to be released, so I guess it's not a good idea.

So, when we celebrate, remember to release slowly in the direction where the game is.

And the further down the brush, the more competent and weaker the brush, so use a bigger brush

Please draw the area, and if possible, it is recommended not to drop the brush.

And I've only solved a few heights now

This has to be put in place too

If you see this folk change color, you can try to show more.

If you can't see any color at all, start with a slightly clearer, unnatural part

It's better to tidy up.

I'm going to split the description of what I see here into two sessions.

The lecture at the beginning will improve the completion very quickly.

The small part is described later because the brushes have become smaller, so it will be a slightly more time-consuming job.

The colors are all the same here, so it's going to be a little bit of a let-down.

Instead of bringing in white, use the existing color and paint it a little bit wider.

Relax slowly and let the gradient become natural.

This part too

Hit it once, come in.

Remove the color from the outside of this coming in, the

Reduce the tint and improve the hue.

And it's all a little thicker in itself.

It's best to express the side of going down like this together as well.

The prepared hand color is also enough color to use.

This color can also be painted while writing as well.

And this part of the group ton difference on the inside of the bright side, mainly need more contrast than this inside.

So it's more fragile and more careful to release it.

Some weak shallow me, only to work the full horns of the people visible as I went in.

In the process of finishing

Parts of layers like this are let down, and parts that have to be clamped

Raise the contrast a little bit and bring the game to life.

It's okay to paint this part a little smaller, right?

And that's not a very good way to end with fibers.

Now the colors that are caught are also unraveled again, and

Just look at this blurry part of the flying money from above.

How does it fall down?

In the structural expression, "to you" is the most important part of it.

Weakly all unraveled

In a way, when the shape ends

More than a little bit of a small brush when the other parts are used in the same way

Don't just go on the northern side of the road, don't go on the gentle side.

The direction of vertical release gradient.

If you think about it, even if you leave the touch stimulus to a minimum

00:07:52,805 instead of a rich fragrance.

Need to get a shave to give.

in the existing work, which has been carried out winning and losing, with an overall sense of structure.

If the gradient becomes scattered.

From then on, the brush gets smaller and it's OK to start finishing.

Sometimes these outer dirty parts had to appear.

Then we used the brush that we took off

It's a good idea to double-check the readability and finish of the images.

After that I hate this finishing process, so there is a way to do it all at once

There's nothing good about being buried.

And this part can't be seen clearly now when it's done with black hands.

Doing another scrub is also bull

When they're separated enough, they become visible.

Personally, I'm prone to insatiable appetite

Avoiding two different illustrations, so care more

If you feel good about the high level of sensation you receive, can you gradually weaken the process?

So, let's zoom in, draw the diagram.

Absolutely no hand-wringing to change many parts of the drawing.

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Only if you see the painting from a distance.

Shift when making corrections for significant changes

Obviously subtle differences are better magnified when making corrections.

Now, please sort out, again, the part in the middle cleanup

Not particularly skillful, but the process of improving the finish that you want

Just like you can watch it, you can simply play the music that you normally listen to when you're listening to it.

A little bit more of a spin on what you'd normally be curious about.

Easy viewing would be nice.

Usually, most of these

The small brushes are dedicated parts, and the small parts describe only small burns.

The degree of finish described in the section often differs significantly in the picture that

Even to point to that, it's better to try to use a variety of brushes in the big picture.

Take the character for example, the hand and

Like the thighs, the side bamboo window has the extreme part, and that part must have a lot of height

Is there a difference in the description of the two parts if you want to have a difference?

It's also particularly good to check.

00:12:08,461 And when you get these parts in order, please drop this border part, just drop into the brightness and the darkness, first

This state is enough. It's a little bit if you rearrange it by hand when you think

So the cleaner the lines are at each stage of finishing, the shorter the process will be.

So in the process now, except for the two kinds of dropper functions that appear when you press the Dart key when you almost press Mr. Durham and Mr. Duro

Rarely do you press other shortcut keys.

and add some darker faces for the hair

Needs more emphasis on dimensionality

Check at a distance if proceeding.

Then move on to the expansive section. "

This part also gives priority to the light and dark border aspects.

This part of the structure that needs to be smoothed out a little bit is unraveled, leaving the sharp part of the part

The important thing is to show the degree of 1000 degrees in favor of the game.

As an example, the wrinkles are a little bit clear here, but no problem.

A wide wrinkled part like this should be released, in the direction that this part needs to be released here, so with the pen along its vertical direction

naturally to reduce the money better.

Most of this one has a large brush, so it only leaves brush marks.

Pen marks

The texture will be very natural when the release direction is vertical.

So, in the depiction that I usually see, the time crossing part will show a lot of the structure that I want?

This check is most of the time just fine if it's too brightly placed and too soft.

Such a small part is finishing with a small brush, and then just flip over the part like this.

unit format release.

Catch again, it's the middle part of the bright side, so the whole cover once the bottom color

Feeding to keep the shadows from splattering

Because the cycle also passed smoothly

Release it

In this one, we pull the tune a little bit and hope to clearly cross the part that others can hit, but the part that is classified this way

Because it's a subtle tone, it's a little bit behind, but the intervals that must be unraveled will be folded vertically.

At the intersection of such tones, the

For a natural continuation, put two of each tone to give a sense of volume in the middle like this.

This bright part also has a slight tonal difference

Catch the face first.

Hardly catching the face first, now the details are depicted

00:15:44,910 walking in and then finishing with the little brush that you use when you open your hand

fold it down and sand the match all the way out.

At this point, please let a slight blue come in there as well then the shadows will become unaltered.

I think it's good to steam a little bit more on the neck part first.

Where these lines intersect

and where objects and objects are separated.

And, if you want to illustrate a little bit of thickness when dropping these parts, drop a little bit of bright color.

And then put that in properly a couple of times.

Hopefully so clear that the border sections are deliberately made a little bit darker in contrast and a little bit brighter in color.

If you let go of here, the

to explain this structure.

This structure this explanation

Because it is especially important in the luminous light-dark race some

In those areas, it's also better to deliberately increase the contrast effect.

As an example, please confirm that

The brush is smaller, so let's do the essentials part together now.

But using the light and dark scenery aspect as a benchmark, the bright side came in, and the front of the heard suddenly came in and became dark.

Thus fiery first separating the light from the darkness.

First find the shape of the shadow.

Just take some time to release this inside.

And then zoom in with a little brush.

in more detail.

The darker the makeup aspect, the slightly more separation will be added.

And this part is baked or raises the bow, so there is no need to describe it too intensively.

Even if you hate adding these tiny drawing groups, you must dig it.

We don't need to portray it in poetry, so even if we accumulate density

Because there's no sense of alienation

And, when I zoom in on these assumptions, I really like these.

A little bit of a hole, splitting this color almost too much, causing transitions.

Describe it together with the surrounding related parts to make this part more finished for once.

And this part is the closed part where the shadows are darkened, so the money is pressed overall as per the original version of the master

The other side blows up a little bit more, bull

Free rate brings color.

I can clarify this part of Joffrey a little bit more.

Same with the neck, right.

And again, if you describe some other parts of the

As the brush gets smaller, the

I study, organize, spit out couples, and then emphasize a little bit that

tidy up, get far enough away to catch my breath.

Same thing here.

Find out the details of the purslane with the brush made smaller.

adding them ahead of time.

Sort it out quickly

We'll consult later on this part.

It would be strange to put the pattern on such a simple shade.

It would be flat feeling. Selling the site to Windows

Adding dark colors and putting in patterns leaving only the pattern that

and trim the description like a book, so that the description hurts a little bit.

Then tidy up what's separate from the hair and go over.

This part is also a little bit of area that

Because darker shadows exist on the lower side, drop the upper degree to a slightly brighter color lower side.

This is the part that has some thickness to it.

It would be too thin to unravel than to release here.

Deliberately have the thickness a little darker and release it again to illustrate that the sense of thickness would be better.

80% of the wrinkles here.

The back side goes on to do the same.

The ear side is not the part that attracts the eye, it's just the part that's unnatural with a torch

It's enough to touch it first.

When this part of the brush becomes small, the

I cried a lot.

Like this, when the color is pressed with the controller, it sometimes sticks together completely.

Should decide which is darker and which is brighter.

It's a bit tricky to correct later.

As far as I'm concerned, this part is very close to me

As far as I'm concerned, this part will be darker and

How to click on this part

Let me take the tape apart.

The part of the negative that I unite usually takes a long time.

to become a stacked section of density.

This is very effective on a business card competition.

Rarely seen in clear city

Do not lose strength in such a sorry place Rodrigo

There are closed shadow marks inside.

So press the dark color in, don't blow it up

It's best to match the light with a big brooch placed slightly.

Same as here.

Put the slightly darker side into a bandit to make it more natural as you go up here.

Let them just stay in the game.

You agreed.

Please help me add a little more steam if there's no part.

The tape will also proceed to a certain point

And it's good to continue to confirm before and after.

If it gets soft, that's OK.

For wide parts, look at the parts with sharp boundaries first.

Then there's definitely a portion of this layer that, if it's not what I want, we'll go ahead and trim that

to make it soft.

In the opposite direction of the release

Parts like this.

The top wrinkle is very close and it will be very clear.

It's okay to try, but there should be more release underneath than expected.

So the brush size naturally becomes larger and the force is reduced in the hand, and by touching it several times

Stacked into a painting.

The crease lines drawn here are best replaced with business card regulars if possible, so that they all disappear as the stroke progresses.

If you have distinct parts, you can fold distinct melodies, and the parts that are gently turned over, the volume can certainly live out of your hand.

Carry on that natural leaving differences.

And then be sure to check the bulb to see if it's progressing well.

The sharp part

The obvious part is how excellent, natural, slightly larger cases are formed by the natural release of light the further down you go.

This part can have shadows, but they don't need to be obvious at the bottom.

Just keep unraveling like that.

and then cover it up.

Gives you time to soften it up.

Again, if you have such an unnatural description of light and dark, you'd better find it right away and go down and release it.

The brush naturally has to reside and rest in this way. If you go too far, it will jump out.

Put down the power of the gun, say thank you with the big brush, and catch it by the forest combo.

This part is also a great way to hate the military.

The lower you go, the weaker the contrast, the stronger the power

Just unlock it with the ice brush and press the door relatively on top.

Rear view

So that you become clear that

And inside unravels, naturally like the waves

This is the part where the effort is made and it's better to separate the blurred lines.

The brush naturally gets larger when the back is slack.

The sharpening part is intentional, the

There will be parts like that.

Take care of it and release it.

The sleeve part, the dark part and the blurred drop are better decided here.

What about which part, like I did, what's underneath would be a little bit darker, touch it again.

Instead, the bottom half is intentional

would fall to the lighter color.

catching the game again and releasing it, as it was once written

to illustrate the thickness of the garment.

Overall, in a large brush, the

You can see the small brush constantly changing.

There are also ambiguous broken parts.

And catch those parts

in a vertical direction.

When the top is clear, the bottom rotates naturally, the

It's best to capture the expression of the wrinkles.

If it rubs and gets it then the inside should go in carefully.

In addition to the people working, this description of the effort put in

Better hide it to the extent that it won't fly.

He painted with a brush to some extent and now uses a medium-sized brush to describe some fuzzy-sized wrinkles.

Also, just the bright mask here now, so go in very carefully.

That is, the disarmed insurance gives very weak power

You should wrap it up and blur the traces.

These parts are bright surface cleaning with components unraveled and definitely not blown.

The brush gets shorter when capturing such a clear part of

If possible, don't do it.

Folded and purchased.

If the game becomes clear, grab it.

Except for the border

Choi Eun-joo please make such a rich feeling.

Also, when you look at it from a distance, it's okay to cover it right away if you splash. The sun does not splash.

And it's going to be separated here so brightly, so slightly grabbing here that

After the body descends hard, then separate here into white for distinction.

And then make a little bit more for the inside.

Release the bottom.

Top chart

Drop a line like this.

It is better to fall to the surface of the bullet, so it is better to have enough area, on the contrary, this finishing

The plan had better be accurate.

Internally it's not special, a few times will do.

Surprisingly, small parts can be described calmly, the

A very large part is so large that it varies a lot, so the finish of the painting will improve quickly.

When designing, if only a very small part of the design is dense, commissioning the painting can also improve the finish.

In my world, you can change, it doesn't look big, but make sure to make a big part, which also works like that.

Very helpful when previewing.

Parts of things like this just break off, and to eliminate the feeling of breaking off

to naturally release this difference in color.

Now, let's use a fine brush to sort out that

Slowly do the peripheral cleaning.

Such a section would actually be divided enough compared to black in, no matter which one is in Trenton.

Instead of black, in distinguishing between escorting the cast of white

Soaked by the shaded colored paper, bringing darkness, it's better to write it out, right?

And in order to describe most of these, all around when dealing with the details

When that part is described, it's still nice to open up a part of the details a little bit to one layer and then move up to this state and see and stuff like that.

Like how far should the part here be caught, it's just good to see this while you're doing it.

From the back of this link.

Even if the shadows are easy to distinguish naturally with color, it is enough to separate them.

In contrast, when there are enough objects and objects in the space

To separate core cores, it is possible to rest with black.

And now that the top half is taken to a certain description, the bottom half might be a bit boring.

So, putting a little bit of a thickness section here, checking again that

Both places themselves will have some thickness.

This has nothing to do with giving a little bit of thickness like we just dropped the cake, this part will glow.

It works better if you put it in place and drop it on the back.

But use a small brush to tidy up this part of the unnatural stuff.

Right into the middle of the light

At this point, this color is a little softer than the continuing shadows.

Then after finishing the dirty part, the first time to improve the finish.

Continuing to confirm that at the far end.

This part of the lyre line, after our Marionette, it doesn't matter if we don't have to sol or seriously trim the font, the

Obviously, the financial drawing is symptomless.

The important thing is not to end.

Please take your time to sort it out.

The north core, although expressing the ambiguous part is also limited, distinguishes the whole address

The back-side description of a case like this is sorted afterwards to prevent two-handedness.

And coming here, the color here is also used up.

And as with this relationship, let's go a little bit deeper and

The reduction is uniformity.

A small portion went in

I carry on in a subtle key.

Let the forming part of these shadows fall precisely.

I would use a small brush if possible.

Please sort out the details part of today's game

Later, you can preview the mission results.

Nice thin section, didn't go in early, most of it ended, then came in.

because the glass was working, too.

Distinguishing distortions is necessary even for the sake of expression.

When this glass material needs to be polished

It usually becomes important, so it's better to re-enhance the finish in the second half rather than embarrass it.

So, mainly clean up, once the lobbying is over, it's a little bit

No dirty parts

Some of it was cleaned up after

for readability purposes, the pictures reduce the visual

If the tiny part of the wrinkle density is dense, the contrast will naturally become higher and will also attract the flow of the eye.

Therefore, if the finish is reduced, it will be very lossy.

During the finishing phase, the

If I need to calibrate the acceleration of the Newton

just roll it around a little bit.

Earlier in the year, the hair was burned out and

I guess that's a distinction for plastic surgery, but it's not good.

Need to add hair on purpose to make it fall into the rocket distribution color

Head trajectory

The hair part is better in a shot all done, but there is still such a blur, now sort it out.

At this point, we then apply a little more hand so that the thickness

The hair can be painted evenly and then wiped off the hair

Rewrite the line to organize it.

The connection then naturally creates a pile-up of negative space, resulting in a hair-specific spatial density.

Too much indiscriminate hair is not good.

Gently erase the part on the bookmark along the little summary

If you separate these places, mentally

The hair is straight and can be separated.

About 3 equal bodies are completed.

The rest of it is in the performance section, behind the serious, so let's do it once quickly.

In the case of sleepiness, the part that needs to be released is intuitive. Releasing this part, first of all

So, please release these shadows gently, the

00:46:00,023 and also carefully release from above, there's no business card game on this side

Even if it's locked, rest is good, and finishing immediately.

Please note the sequential division.

The stickers are best distinguished by shading.

The brush is very small.

Hidden like a thunderstorm

You have to pay attention to the saturation, because we changed the first tax amount to a wash of pink, so use this color

When you grab the painted rope, just make sure to put a little bit of light and dark at the clip.

If you get caught in the first group, the rescue gold is completely unexplainable, even if just a little bit, so that with the shadows divided into matches that

This part emphasizes the sense of structure.

Similarly, on the outer edge

Fold the hands again

Clean up, slightly more than with black

It's best to lay down the red light mix first and then tidy up the top.

Song said in the painting that

Because it's a gathering place, it's better to be careful about using black, right, and the blow will darken.

Using just a little bit of black on the outside, a little bit of bloody red light between the fingers and the

using a little bit of red with a yellow bar.

It's better to use it by hand only if you differentiate it.

This little part, by the way, is just the part that is loaded slightly this way with a small brush.

Even if the national manga is also separated, do you still re-trim it in the disk?

The finishing that needs to be corrected is just done in advance.

And the handle shading in this section is me

Then choose beauty

Lower the brightness, raise the saturation.

Make the shadows color at around the time of

Just override the post-processing with skin tones.

Finishing the sleeves again.

I'll shorten the working time later.

As with the wood, this part needs to be slightly perforated in order to achieve uniformity of design.

Make the color of the shade

A little thicker to distinguish.

This is a line that

tangent to the waist.

purposely blurred the wrinkles to make this friend even more indistinguishable from the funny, by the way

These looks every 4, as long as the sense of quantity is captured, you can reveal the homework time later.

Please catch the production shade.

Overall, the bundle of water bottles forms the periphery.

The ending is also ambiguous, so the prediction that

losing on one side, and cutting off the details again to make sure that element is stacked up enough.

Best to check in the dark.

When you find an awkward spot, run over to it immediately and make a greeting.

Line at the beginning of the line

Captures very well the small superminiatures without complex structures, so only the unnatural parts of such boundaries

Only the fog that I commonly call Trey unravels naturally, the

being able to close that

This part is too bright

Because the colors are separate from the dark colors, the size packet is intentionally placed on the book.

I'll release it carefully.

The hardest for those who learn to draw

A lot of times, for the ambiguities that I see in paintings that I've done well, I'm not sure that really the ambiguity is right.

That way, generally don't look at this loaded painting scene for a long time and continue to leave the process, it's important to compare and contrast the previous rear cars.

Only see the results to know, I really misread, or deal with this better.

The results are also the time to compare the process, if you see better than after the sale of Fu

It would be untrue to say that this is a good correction and that the result of the change does not make much sense.

Not a very good amendment for them.

Therefore, I must leave the drawing of this situation, and in the course of this process, flesh out the picture according to the intent, according to the intent

It is the case of periodically confirming the increase in completion.

It is especially worth mentioning that many objects are still not quite sure at the time of drawing, because it is difficult to see the bird's eye view.

Leave this course and see if it is easy.

Continue training on the part.

Garment pattern.

The hair was specially left, and now it doesn't matter that

When you describe a less certain

Please leave the course.

The painting will splash.

It's important to let these parts continue naturally.

If you check at a distance and there's something unnatural about the nails that

We sort each other out.

And please make sure that the overall description is not heterogeneous.

If there is a heterogeneous feeling between the description written in this part and the textbook used in this part, there is no uniformity in the description, so add a little more to this part

to release it.

And then down the line.

The crease will be placed on this side, so first of all, it's in the shape of

Exact

Marked

It will be mixed if we get to 6:00.

The contrast is too great at this point.

So

If possible, slightly overwrite with the original color and reduce the drinking contrast.

If possible, it is better to set the repeat description on this side to make the blood higher.

So, here

The game is over after a few times.

These parts

By the way, Big Brocillo

The part of these parts where the patch is crossed is the pink color of the skin, which will turn gray if the memory of the road is kept in state, but the color on the skin

A little bit higher, the

Overlap slightly on the boundary

Release with this color as a base.

Release it in the same way.

There is no back, but a natural mix of colors.

The back kind of part also reduces the game with high saturation, just like the soccer.

No sense of dissimilarity

You can't see objects with big feet.

stabbing the color in, first.

You can re-cap it and let the color rise naturally.

Stab wounds, mark color first, record small grass when finishing leaves

grid theorem

Dropped with a tooth-pulling multiplier.

Toes don't play alone, arms can look like one big individual.

The sunny part is also solid road

Please handle the cloth and organize this top a little bit, and the intuition will come up naturally.

Tone inside

Now it consists of almost one color, so the long part might become a bit boring that

At this point, use a darker color on the top, please

Add unblended bright colors to the bottom, even if it's a little rough at first

It's best to create tonal differences that allow this color to release wonderfully in the vicinity, while again increasing the density of the raw.

In that state, add a slightly darker color to the outer portion to aid the sense of clumping.

Hard replacement can be accomplished without a second thought.

LITTLE likewise

The legs and the rear are almost the same color, you need to determine which colors will be brighter.

In my case, there are 8 holes in the back midway

Except for Liu Bei, it's easy as long as it's dark and natural

This part is the same, right?

Organizing customers calmly.

Midway must be saved.

Don't pay too much attention to the toe expression.

Focusing on separating the feet (called legs) with dark colors.

later filling in the gaps with a weaker pitch difference, the

Very good.

Especially when the blue tones come into this interior

It's good to use these colors naturally to release the basic intake.

The part of the military section that remains in the mouth and teeth, with the poem knocking that

Sort it out for me, don't spill it out.

Don't touch too much if you untangle loosely.

Transfer directly to the next account.

There's a bit of a problem, please help me to confirm that this part is lit and revealed again.

I'll do the final work on the running part.

Rambling through

The news is probably the most time-consuming part for those learning to draw for the first time.

The more individuals there are and the more complex the structure between individuals, the more knowledge base there is in the process.

takes time and effort, and if you are designing a character for the first time

because the workflow itself is a little bit unfamiliar, the

When you want to practice, you either don't have the object or do the drawing that

Why don't you focus on completing this simple object, okay?

The part that usually catches the eye the most is

My attention is also blurred when I describe the opposite part of

is in conjunction with when we open our hands, in thinking about what we should put next

It's better if you draw.

Or to quickly organize this section.

Finish it later, and look a little bigger and physically better at the end.

Take me as an example of where I draw once

I don't really like to let go twice, if possible, the first time I start with my hand in that state

Leave it as it is.

Please organize it like this.

And from these parts, it's clearly half way, but because of the thickness, there are bright surfaces coming in?

Slightly put in some military uniforms that

There are also ways to have ancillary products.

Instead of perpetuating the

Outside set

Then gently press that direction to release.

Please make sure there are no unorganized areas.

Finally, this transparent part is also simple, the pleat direction

Add it when ready and finish it right away.

When the wrinkle crosses the

Here, we can make the color a little bit stronger, so let's just use that color to unravel it.

Shine on this skin tone.

Grab and release, then continue to place in the direction.

Again, there is now enough distinction here, but mining is indistinguishable.

Thus

To separate, put some bright colors, then loosen

Use color to separate objects that

Add a little wrinkle representation later and you're done.

Lightly mark the wrinkles from top to bottom.

When you're finishing this, you put it out.

Un-red, add wrinkles, the

Rolling down further, remaining finishing, from then on

Please sort it out with tax money.

And again, since there are small brushes, you better add some more details when you have them.

In a case like mine, put in another part like this as a closing line. Raena

This dermatological procedure

intentionally becomes a little bit blurry and then presses the top, again

A little bit up, the translucency becomes weaker.

As with the sides, the

Pressing up a little bit, then the wind gets a little bit blurry.

to emphasize that there's extra breath stopping.

and those places where we never ended the great abuse.

Sort it out again and separate it properly.

And we decided to put a hole in the details, so this part will get mixed up later on, the

giving that part space.

just to give the skin a little bit of translucent skin tone.

Tidy up

If you click it, it's like you dug a hole in the front of your skirt

It should go after this one.

Baek Jin-young after this

The white will come through, so add the white that

Put the details of the planned length in advance and put it in domestic.

Can be put back in later if needed.

After playing, they emphasize together that

And this translucent material covers the legs.

And bright colors on the legs

Light continues

Bringing them in contact.

Finally, we need to check if there is anything awkward about most of them.

These non-separated parts, for example

If something is not organized, I will find it and organize it again.

After that, the hair or the five senses are decorative

It is best to complete all basic descriptions before preparing details.

In all cases the baked little eye of the measuring machine also crosses sturdily.

Finally, the details can be entered

Please make sure the degree of completion, the brush will be smaller after sufficient rest.

Go to the next part of the woman's features, hair or details.

In the next time, we will see the details:hair and the five senses.

Sort out the hands or details one more time to complete this description of a

It was a long lecture to listen to, hard work. I'll see you next time.