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1
00:00:01,634 --> 00:00:02,734
(Tara)
PREVIOUSLY, ON UNITED STATES OF TARA...
2
00:00:02,734 --> 00:00:03,801
LOOK, WE KNEW
WHEN YOU WENT OFF THE MEDS
3
00:00:03,801 --> 00:00:04,968
THE WHOLE GANG
WOULD RESURFACE.
4
00:00:04,968 --> 00:00:07,501
I HATE YOU
FOR NOT FUCKING ME.
5
00:00:07,501 --> 00:00:09,234
I AM BUCK,
AND I WILL FUCK YOU SIDEWAYS.
6
00:00:09,234 --> 00:00:10,701
WAIT.
7
00:00:10,701 --> 00:00:13,167
I'M HAVING A MULTIPLE
PERSONALITY REUNION TOUR.
8
00:00:13,167 --> 00:00:15,501
IT IS REALLY HARD FOR METO SEE MY SISTER LIKE THAT.
9
00:00:15,501 --> 00:00:17,234
IT'S NOT EVEN
A REAL DISEASE, MAX.
10
00:00:17,234 --> 00:00:18,801
I THINK IT'S UNFAIR
THAT YOU GOTTA DO ALL THE WORK.
11
00:00:18,801 --> 00:00:20,200
CAN'T TARA
DO SOME OF IT?
12
00:00:20,200 --> 00:00:22,267
TOMORROW, I'M GONNA TALKTO MARSY'S TEACHER.
13
00:00:22,267 --> 00:00:24,000
WE'RE STILL TALKING ABOUT--
WE JUST THOUGHT A MAN-TO-MAN THING
14
00:00:24,000 --> 00:00:25,767
MIGHT BE THE WAY
TO PLAY THIS GUY.
15
00:00:25,767 --> 00:00:26,767
KNOCK, KNOCK.
16
00:00:26,767 --> 00:00:29,567
ROOM FOR ONE MORE?
17
00:00:29,567 --> 00:00:31,033
OH, MY GOD.
YOU SAVED MY LIFE. OH, PIFFLE.
18
00:00:31,033 --> 00:00:33,033
YOU'RE PROMISCUOUS.
YOU AREN'T GUARDING YOUR FLOWER.
19
00:00:33,033 --> 00:00:34,567
YOU MEAN A SLUT?
20
00:00:34,567 --> 00:00:37,667
A GIRL WHO SUCKS
AND FUCKS?
21
00:00:37,667 --> 00:00:39,767
I'M GOING TO WASH
YOUR MOUTH OUT WITH SOAP.
22
00:00:39,767 --> 00:00:41,634
[muffled gasping]
23
00:00:41,634 --> 00:00:42,667
HEY!
24
00:00:42,667 --> 00:00:44,000
OH, GOD.
I WANT OUT.
25
00:00:44,000 --> 00:00:45,734
ARE YOU HIRING?
26
00:00:45,734 --> 00:00:47,567
I'D LIKE TO FILL OUT
AN APPLICATION.
27
00:00:47,567 --> 00:00:50,334
I'M SORRY ABOUT ALICE,
BUT, HONEY, THAT'S CRAZY.
28
00:00:50,334 --> 00:00:53,367
MAYBE FROM NOW ON, LET ME
DOLE OUT THE PUNISHMENT, OKAY?
29
00:00:53,367 --> 00:00:56,367
I WAS JUST TRYING
TO HELP.
30
00:00:56,367 --> 00:00:58,601
DON'T YOU WANT
TO MAKE A BABY?
31
00:00:58,601 --> 00:01:00,167
NO.
32
00:01:04,200 --> 00:01:07,200
[whimsical melody]
33
00:01:07,200 --> 00:01:10,868
♪ ♪
34
00:01:10,868 --> 00:01:13,801
♪ OPEN UP THE SKY ♪
35
00:01:13,801 --> 00:01:17,400
♪ THIS MESS IS GETTING HIGH ♪
36
00:01:17,400 --> 00:01:23,901
♪ IT'S WINDY
AND HER FAMILY NEEDS A RIDE ♪
37
00:01:23,901 --> 00:01:28,834
♪ I KNOW WE'LL BE
JUST FINE ♪
38
00:01:28,834 --> 00:01:31,634
♪ WHEN WE LEARN
TO LOVE THE RIDE ♪
39
00:01:31,634 --> 00:01:35,434
[rock melody]
40
00:01:35,434 --> 00:01:40,501
♪ I KNOW WE'LL BE FINE ♪
41
00:01:40,501 --> 00:01:47,267
♪ WHEN WE LEARN TO LOVE
THE RIDE ♪
42
00:01:47,267 --> 00:01:52,133
♪ I KNOW WE'LL BE JUST FINE ♪
43
00:01:52,133 --> 00:01:56,567
♪ WHEN WE LEARN TO LOVE
THE RIDE ♪
44
00:02:02,801 --> 00:02:07,400
♪ GOOD MORNING, MY PRINCE ♪
45
00:02:07,400 --> 00:02:09,300
WHAT ARE YOUDOING, ALICE?
46
00:02:09,300 --> 00:02:11,968
I'VE BEEN READING A TASTEFUL
GUIDE TO THE FRENCH ARTS.
47
00:02:11,968 --> 00:02:15,167
CHAPTER FIVE SAYS
"WAKE HIM WITH YOUR MOUTH."
48
00:02:15,167 --> 00:02:16,467
THE FRENCH ARTS?
49
00:02:16,467 --> 00:02:21,000
TIPS AND TRICKS
FOR THE MARRIAGE BED.
50
00:02:21,000 --> 00:02:22,968
HOW KINKY.
51
00:02:22,968 --> 00:02:24,767
IF THERE'S ONE THING
I'VE LEARNED
52
00:02:24,767 --> 00:02:26,400
FROM YOUR CHILDREN
OVER THE YEARS,
53
00:02:26,400 --> 00:02:28,467
IT'S THAT WHIPPED TOPPING
MAKES NOT SO YUMMY THINGS
54
00:02:28,467 --> 00:02:29,734
TASTE YUMMIER.
55
00:02:29,734 --> 00:02:31,667
CUT IT OUT, ALICE.
56
00:02:31,667 --> 00:02:34,934
NO SEX.
NOT EVEN A BEEJ.
57
00:02:34,934 --> 00:02:38,567
WELL, FORGIVE ME
FOR BEING A POUTY PATTY.
58
00:02:38,567 --> 00:02:42,767
BUT I FEEL
VERY UNBECOMING RIGHT NOW.
59
00:02:42,767 --> 00:02:44,767
OH, COME ON, ALICE.
60
00:03:02,033 --> 00:03:04,167
WHAT THE DICKENS?
61
00:03:25,634 --> 00:03:31,567
[breathes heavily]
62
00:03:36,901 --> 00:03:40,300
WHY ARE WE EATING CEREAL
ON AN ALICE DAY?
63
00:03:40,300 --> 00:03:42,734
YEAH, SHE WAS GONNA MAKE
MICKEY MOUSE PANCAKES.
64
00:03:42,734 --> 00:03:45,267
HOW COME SHE'S NOT DOWN HERE
INFANTILIZING US LIKE USUAL?
65
00:03:45,267 --> 00:03:46,767
ALICE ISN'T IN
A GREAT MOOD TODAY.
66
00:03:46,767 --> 00:03:49,033
OH, I GET IT.
67
00:03:49,033 --> 00:03:52,601
SHE HAD TO STRAP ON ONE OF THOSE
GIANT MAXI PADS SHE WEARS.
68
00:03:52,601 --> 00:03:54,868
ALICE THINKS TAMPONS
ARE OF THE DEVIL.
69
00:03:54,868 --> 00:03:56,467
SHE CALLS THEM
"SIN MISSILES."
70
00:03:56,467 --> 00:03:58,067
WHAT ARE YOU GUYS
DOING TODAY?
71
00:03:58,067 --> 00:03:59,801
I START WORK
AT BARNABEEZ, DAD.
72
00:03:59,801 --> 00:04:01,934
TODAY, I GET TO SHADOW
ONE OF THE REGULAR BITCHES.
73
00:04:01,934 --> 00:04:03,067
AND IF I DO A GOOD JOB,
74
00:04:03,067 --> 00:04:04,901
I GET TO GO ON THE FLOOR
FOR REAL NEXT TIME.
75
00:04:04,901 --> 00:04:06,400
I STILL DON'T UNDERSTAND
HOW YOU GOT A JOB
76
00:04:06,400 --> 00:04:08,067
WITHOUT DOING
AN INTERVIEW.
77
00:04:08,067 --> 00:04:10,734
WHY?
LOOK AT ME.
78
00:04:10,734 --> 00:04:13,267
YEAH, BUT YOU DO REALIZE
YOU NEED TO BE NICE TO PEOPLE
79
00:04:13,267 --> 00:04:14,667
TO BE A WAITRESS?
80
00:04:14,667 --> 00:04:16,567
I JUST THINK YOU'RE JEALOUS
BECAUSE I'M GONNA BE RICH,
81
00:04:16,567 --> 00:04:17,701
AND YOU'RE STILL
GONNA BE WEARING CLOTHES
82
00:04:17,701 --> 00:04:18,834
THAT MAKE YOU SMELL
LIKE MEEMAW.
83
00:04:18,834 --> 00:04:20,400
VINTAGE.
84
00:04:20,400 --> 00:04:22,701
HEY, DAD,
I HAVE AN AUDITION TODAY.
85
00:04:22,701 --> 00:04:23,868
REALLY?
86
00:04:23,868 --> 00:04:25,567
YOU MEAN
YOU'RE GOING TO TRYOUTS?
87
00:04:25,567 --> 00:04:26,801
THIS ISN'T HOLLYWOOD, MARSH.
88
00:04:26,801 --> 00:04:28,834
IT'S A HIGH SCHOOL PRODUCTION
OF GREASE.
89
00:04:28,834 --> 00:04:30,267
WHAT ARE YOU GONNA BE,
A PINK LADY?
90
00:04:30,267 --> 00:04:32,300
I'M GOING FOR KENICKIE.
91
00:04:32,300 --> 00:04:35,267
GOOD LUCK, SON.
MM-HMM.
92
00:04:35,267 --> 00:04:38,167
WHY ARE WE EATING
THESE GHETTO, TORE-UP CHEERIOS?
93
00:04:38,167 --> 00:04:39,868
I MEAN, THEY COME IN A BAG.
94
00:04:39,868 --> 00:04:42,501
(Tara)BECAUSE THE NON-GHETTO ONESARE $1.50 MORE
95
00:04:42,501 --> 00:04:45,367
AND TASTE
EXACTLY THE SAME.
96
00:04:45,367 --> 00:04:47,367
MOM?
ALMOST.
97
00:04:47,367 --> 00:04:49,367
THANK CHRIST.
98
00:04:49,367 --> 00:04:51,834
CAN I GET YOU ANYTHING?
99
00:04:51,834 --> 00:04:55,334
A TOASTER WAFFLE?
SHOT OF PATRON?
100
00:04:55,334 --> 00:04:56,767
[laughs]
101
00:04:56,767 --> 00:04:58,033
I'M GOOD.
102
00:04:58,033 --> 00:04:59,567
I JUST NEED SOME HELP...
103
00:04:59,567 --> 00:05:03,968
JOINING THE DOTS.
104
00:05:05,968 --> 00:05:09,267
♪ MY COUNTRY 'TIS TO THE ♪
105
00:05:09,267 --> 00:05:12,634
♪ SWEET LAND OF LIBERTY ♪
106
00:05:12,634 --> 00:05:14,601
♪ OF THEE I SING ♪
107
00:05:14,601 --> 00:05:17,467
I CAN'T BELIEVE THEY'RE MOUNTING
SUCH A TRITE PRODUCTION.
108
00:05:17,467 --> 00:05:19,067
I WANTED TO DO
NO EXIT.
109
00:05:19,067 --> 00:05:22,267
EVEN SOMETHING MAINSTREAM,
LIKE MILLER,
110
00:05:22,267 --> 00:05:25,267
OR, GOD FORBID, WILDER
WOULD BE PREFERABLE TO THIS.
111
00:05:25,267 --> 00:05:27,501
SEX-CRAZED BOBBY SOXERS?
112
00:05:27,501 --> 00:05:30,467
IT'S NOT EVEN GOOD
ON AN IRONIC LEVEL.
113
00:05:30,467 --> 00:05:31,934
SO WHO DO YOU
WANT TO BE?
114
00:05:31,934 --> 00:05:33,300
SANDY.
115
00:05:33,300 --> 00:05:34,868
(man)THANK YOU VERY MUCH.NEXT.
116
00:05:34,868 --> 00:05:38,100
(girl)* AND I AM TELLING YOU... *
117
00:05:38,100 --> 00:05:40,367
JASON MAURIO'S AUDITIONING?
118
00:05:40,367 --> 00:05:41,901
NO WAY.
I THINK HE'S JUST ON CREW.
119
00:05:45,567 --> 00:05:47,167
I ALWAYS ASSUMED
HE WAS DUMB,
120
00:05:47,167 --> 00:05:49,934
YOU KNOW, BASED
ON THE WHOLE SANTANA FETISH.
121
00:05:49,934 --> 00:05:52,400
BUT HIS TAKE ON RASHOMON
IN FILM CLASS LAST WEEK
122
00:05:52,400 --> 00:05:54,267
WAS PRETTY GOOD.
123
00:05:54,267 --> 00:05:55,534
I BET.
124
00:05:55,534 --> 00:05:59,067
"DUH, IT WAS ALL, LIKE--
LIKE, BACKWARDS AND SHIT?"
125
00:05:59,067 --> 00:06:01,534
I THINK HE'S NICE.
126
00:06:01,534 --> 00:06:04,067
[loud, off-key singing]
* I DON'T WANNA BE FREE *
127
00:06:04,067 --> 00:06:07,033
♪ I'M STAYIN' I'M STAYIN' ♪
128
00:06:07,033 --> 00:06:09,133
♪ AND YOU AND YOU ♪
129
00:06:09,133 --> 00:06:11,601
HEY.
130
00:06:11,601 --> 00:06:14,667
♪ YOU'RE GONNA LOVE ME ♪
131
00:06:14,667 --> 00:06:16,767
♪ OH OOH OOH OOH ♪
132
00:06:18,701 --> 00:06:21,868
WHY IS THERE LIPSTICK
ON THE DESSERT TOPPING?
133
00:06:21,868 --> 00:06:23,634
OH, KATIE WAS HUFFING.
134
00:06:23,634 --> 00:06:24,901
IT'S NOT FUNNY.
135
00:06:24,901 --> 00:06:27,968
THIS IS ALICE'S SHADE, MAX.
FIRE AND ICE.
136
00:06:27,968 --> 00:06:29,367
I'D KNOW IT ANYWHERE.
137
00:06:29,367 --> 00:06:31,801
I'M THE ONE WHO HAS TO SCRUB
THE LIP PRINTS
138
00:06:31,801 --> 00:06:33,834
OFF THE GIN
AND THE COOKING SHERRY,
139
00:06:33,834 --> 00:06:35,000
AND EVERYTHING ELSE
SHE PRETENDS NOT TO DRINK.
140
00:06:35,000 --> 00:06:38,567
ALICE TRIED TO GET
IN MY PANTS THIS MORNING.
141
00:06:38,567 --> 00:06:39,767
[chuckles]
142
00:06:39,767 --> 00:06:42,367
SO SHE'S USING PROPS NOW?
143
00:06:42,367 --> 00:06:44,801
I DIDN'T TAKE THE BAIT,
I'LL HAVE YOU KNOW.
144
00:06:44,801 --> 00:06:46,300
HMM, I'M SURPRISED.
145
00:06:46,300 --> 00:06:50,000
DON'T YOU HAVE KIND OF
A MOMMY BONER FOR ALICE?
146
00:06:50,000 --> 00:06:52,067
SERIOUSLY, I DON'T FIND
ALICE ATTRACTIVE.
147
00:06:52,067 --> 00:06:54,734
BUT YOU DO LOOK KIND OF HOT
IN THAT ONE THING SHE WEARS.
148
00:06:54,734 --> 00:06:56,267
WHAT, THAT PSYCHO
PINAFORE THING
149
00:06:56,267 --> 00:06:58,200
THAT MAKES HER LOOK LIKE
150
00:06:58,200 --> 00:07:00,367
THE ROBOT GIRL
FROM SMALL WONDER?
151
00:07:00,367 --> 00:07:01,701
IS THAT
WHAT YOU'RE INTO NOW?
152
00:07:01,701 --> 00:07:02,968
YOU KNOW,
153
00:07:02,968 --> 00:07:06,133
KIND OF CUTE
IN A RETRO WAY.
154
00:07:06,133 --> 00:07:08,501
YOU WANNA FUCK ALICE.
155
00:07:08,501 --> 00:07:09,734
[scoffs]
THAT'S MESSED UP.
156
00:07:09,734 --> 00:07:10,934
WHO WOULD WANT TO FUCK
ALICE?
157
00:07:10,934 --> 00:07:12,634
YOU'D HIT THAT.
158
00:07:12,634 --> 00:07:15,300
I WOULD NOT HIT THAT.
159
00:07:15,300 --> 00:07:16,934
YOU, ON THE OTHER HAND...
160
00:07:16,934 --> 00:07:20,267
YEAH?
PROVE IT.
161
00:07:20,267 --> 00:07:23,200
GLADLY.
162
00:07:46,934 --> 00:07:50,167
WHAT'S WRONG?
163
00:07:50,167 --> 00:07:53,801
NOTHING.
164
00:07:53,801 --> 00:07:55,567
I'M JUST--I'M, YOU KNOW--
A LOT ON MY MIND.
165
00:07:55,567 --> 00:07:57,901
I'M TIRED.
166
00:07:57,901 --> 00:08:00,734
OH, OKAY.
167
00:08:00,734 --> 00:08:02,067
NO, HEY.
168
00:08:02,067 --> 00:08:05,033
NO, IT'S OKAY.
YOU HAVE TO GO TO WORK ANYWAY.
169
00:08:08,000 --> 00:08:10,767
I'VE GOTTA GETTO THERAPY,
170
00:08:10,767 --> 00:08:13,701
AND I'VE GOT THAT DESIGN CONSULT
WITH CHARMAINE'S NEW BOSS.
171
00:08:13,701 --> 00:08:16,901
LET'S--CAN WE
TRY THIS LATER?
172
00:08:26,734 --> 00:08:29,601
HOW'S THE NEW REGIME GOING?
OR LACK OF REGIME?
173
00:08:29,601 --> 00:08:31,868
[laughs]
I SHOULD SAY.
174
00:08:31,868 --> 00:08:35,267
IT'S FINE.
175
00:08:35,267 --> 00:08:38,100
WELL, IT'S CHAOS.
176
00:08:38,100 --> 00:08:42,267
BUT, UM, I STILL FEEL GOOD
ABOUT GOING OFF THE MEDS.
177
00:08:42,267 --> 00:08:44,200
YOU DO?
178
00:08:44,200 --> 00:08:47,601
WELL, IT SEEMED LIKE THERE WAS
NO ALTERNATIVE.
179
00:08:47,601 --> 00:08:48,868
YOU KNOW,
WHEN I WAS ON THE HALCYEM,
180
00:08:48,868 --> 00:08:50,467
I COULDN'T EAT,
I COULDN'T PAINT,
181
00:08:50,467 --> 00:08:56,400
I COULDN'T FUCK.
182
00:08:56,400 --> 00:08:58,300
AND THE KIDS, HOW ARE--
HOW ARE THEY DOING?
183
00:08:58,300 --> 00:09:03,167
THEY'RE GOOD, ACTUALLY.
184
00:09:03,167 --> 00:09:05,567
I THINK THEY'RE
KIND OF RELIEVED.
185
00:09:05,567 --> 00:09:08,300
[sighs]
186
00:09:10,767 --> 00:09:12,901
I'M KINDA WORRIED
ABOUT MAX THOUGH.
187
00:09:12,901 --> 00:09:15,033
YEAH.
188
00:09:17,400 --> 00:09:21,567
THE ALTERS HAVE BEEN,
UH, WELL...
189
00:09:21,567 --> 00:09:23,901
COMING ON TO HIM.
190
00:09:23,901 --> 00:09:26,467
REALLY?
191
00:09:26,467 --> 00:09:29,100
ALICE WANTS ME TO GET
HER PREGNANT AND HAVE A BABY.
192
00:09:29,100 --> 00:09:31,234
ALICE IS THE ONE
THAT'S REALLY OLD SCHOOL?
193
00:09:31,234 --> 00:09:34,367
YEAH.
194
00:09:34,367 --> 00:09:37,234
HEY, HAVE YOU EVER
WANTED TO FUCK THE DUDE?
195
00:09:37,234 --> 00:09:39,567
BUCK?
NO, FUCK YOU.
196
00:09:39,567 --> 00:09:41,234
[laughs]
197
00:09:41,234 --> 00:09:42,868
ALL RIGHT,
WELL, LOOK.
198
00:09:42,868 --> 00:09:45,868
IF ALICE HAS A BABY,
THAT'S A REAL BABY.
199
00:09:45,868 --> 00:09:47,033
LIKE, YOU HAVE
TO TAKE CARE OF IT.
200
00:09:47,033 --> 00:09:48,834
IT'S NOT SOME, LIKE,
201
00:09:48,834 --> 00:09:51,934
IMAGINARY BABY THAT JUST
COMES AND GOES, RIGHT?
202
00:09:51,934 --> 00:09:53,501
IT DOESN'T MATTER.
203
00:09:53,501 --> 00:09:54,934
IT'S WEIRD.
I'M NOT DOING IT.
204
00:09:54,934 --> 00:09:57,767
HE MADE OUT WITH T, AND THEN
STOPPED HIMSELF, LUCKILY.
205
00:09:57,767 --> 00:10:01,934
AND THEN ALICE CAME AT HIM
WITH A CAN OF WHIPPED CREAM.
206
00:10:01,934 --> 00:10:03,767
HE SAYS HE RESPECTS
OUR ARRANGEMENT,
207
00:10:03,767 --> 00:10:05,667
AND DIDN'T SLEEP WITH THEM,
BUT I DON'T KNOW.
208
00:10:05,667 --> 00:10:08,234
I THINK HE'S TEMPTED.
209
00:10:08,234 --> 00:10:10,133
AND YET, THIS MORNING,
WHEN I INITIATED SEX,
210
00:10:10,133 --> 00:10:12,100
HE COULDN'T GET HARD.
211
00:10:12,100 --> 00:10:14,000
SO AM I ONLY HOT
WHEN I'M A DIFFERENT PERSON?
212
00:10:14,000 --> 00:10:16,100
I MEAN...
213
00:10:16,100 --> 00:10:18,467
HOW INSULTING IS THAT?
214
00:10:18,467 --> 00:10:23,133
WELL, PEOPLE DESIRE
WHAT THEY CAN'T HAVE.
215
00:10:23,133 --> 00:10:26,834
HE CAN HAVE ME.
216
00:10:26,834 --> 00:10:30,367
HE CAN'T HAVE
ALL OF YOU.
217
00:10:32,767 --> 00:10:35,601
THE ALTERS?
218
00:10:35,601 --> 00:10:37,000
[laughs]
219
00:10:37,000 --> 00:10:40,334
THEY'RE NOT ME.
220
00:10:40,334 --> 00:10:43,067
I ENVY YOUR SEX LIFE, DUDE.
221
00:10:43,067 --> 00:10:46,000
YOU KNOW, IT'S LIKE YOU GOT
ONE OF THOSE
222
00:10:46,000 --> 00:10:47,234
THREE-PACKS OF CEREAL.
223
00:10:47,234 --> 00:10:49,868
YOU GET, LIKE, A FRUIT LOOP,
AND A HONEY SMACK.
224
00:10:49,868 --> 00:10:51,734
YOU JUST DUMP THE MILK
IN THE BOX,
225
00:10:51,734 --> 00:10:53,000
AND THEN CHUCK THE ONES
YOU DON'T LIKE.
226
00:10:53,000 --> 00:10:56,167
YEAH, WELL,
I AIN'T CHUCKIN' ANYONE.
227
00:10:56,167 --> 00:10:58,934
BUT I'M NOT EATING
THAT MUCH CEREAL.
228
00:10:58,934 --> 00:11:02,801
HOW IS THAT
EVEN POSSIBLE?
229
00:11:27,033 --> 00:11:28,968
HI!
230
00:11:28,968 --> 00:11:30,267
TIFFANY SAINT JOHN,
231
00:11:30,267 --> 00:11:31,300
BUT YOU CAN CALL ME TIFF.
232
00:11:31,300 --> 00:11:32,300
RUBEN, CLAY,
233
00:11:32,300 --> 00:11:33,968
GET OFF HER. OFF.
234
00:11:33,968 --> 00:11:36,200
COME HERE.
SORRY ABOUT THAT.
235
00:11:36,200 --> 00:11:37,200
TARA.
236
00:11:37,200 --> 00:11:38,567
NICE TO MEET YOU.
237
00:11:38,567 --> 00:11:40,267
THESE ARE THE KIDS.
COME ON IN.
238
00:11:40,267 --> 00:11:41,434
OH, YOU ARE A BAD BOY.
239
00:11:44,400 --> 00:11:46,167
GREAT SPACE.
240
00:11:46,167 --> 00:11:47,501
OH, THANKS.
241
00:11:47,501 --> 00:11:50,100
JUST GOT US A LITTLE SOMETHING
FOR US GIRLS TO NIBBLE ON.
242
00:11:50,100 --> 00:11:52,834
YEAH, SO, UH,
YOU WORK WITH MY SISTER?
243
00:11:52,834 --> 00:11:55,033
WELL, NOT SO MUCH WORK
AS A WAY OF LIFE.
244
00:11:55,033 --> 00:11:57,400
I'VE BEEN A PART
OF THE VITA-SELF TEAM
245
00:11:57,400 --> 00:11:59,000
SINCE I GRADUATED
SIX YEARS AGO.
246
00:11:59,000 --> 00:12:01,067
CAN YOU BELIEVE IT?
247
00:12:01,067 --> 00:12:02,534
CHARMAINE'S ENJOYING IT.
248
00:12:02,534 --> 00:12:06,067
YEAH, YOU KNOW, SHE IS REALLYGROWING AS A REPRESENTATIVE.
249
00:12:06,067 --> 00:12:08,434
NOW, IMPORTANT THINGS.
WHAT CAN I GET YOU TO DRINK?
250
00:12:08,434 --> 00:12:10,200
CAB SAUV, WHITE ZIN?
251
00:12:10,200 --> 00:12:11,467
IT'S NEVER
TOO EARLY FOR ME.
252
00:12:11,467 --> 00:12:14,868
UH, NO, JUST, UH,
SOME WATER FOR ME IS FINE.
253
00:12:14,868 --> 00:12:16,033
OKAY.
254
00:12:18,701 --> 00:12:21,267
I JUST GOT THESE
NEW STEMLESS GOBLETS.
255
00:12:21,267 --> 00:12:22,901
SO MODERN, RIGHT?
256
00:12:22,901 --> 00:12:25,501
I JUST THINK THE REGULAR KIND
ARE SO STUFFY.
257
00:12:25,501 --> 00:12:27,267
OKAY.
258
00:12:27,267 --> 00:12:30,534
UH, SO YOU KNOW,
I COULD START BY SHOWING YOU
259
00:12:30,534 --> 00:12:32,067
SOME OF THE MURALS
I'VE DONE RECENTLY.
260
00:12:32,067 --> 00:12:33,167
SAW YOUR WEBSITE ALREADY.
261
00:12:33,167 --> 00:12:34,968
I'M IN LOVE.
262
00:12:34,968 --> 00:12:37,634
LET'S JUST DIVE INAND TALK CONCEPT.
263
00:12:37,634 --> 00:12:40,334
HOW DO YOU SEE ME?
264
00:12:40,334 --> 00:12:43,667
WELL, I JUST--
I JUST MET YOU, SO...
265
00:12:43,667 --> 00:12:44,868
YEAH, BUT,YOU KNOW WHAT I MEAN,
266
00:12:44,868 --> 00:12:46,501
I'M, LIKE,A PRETTY EASY TELL, RIGHT?
267
00:12:46,501 --> 00:12:48,868
YOUNG, PROFESSIONAL
SINGLE GAL.
268
00:12:48,868 --> 00:12:51,501
A LITTLE BIT CRAZY.
SORRY.
269
00:12:51,501 --> 00:12:52,834
WHAT?
270
00:12:52,834 --> 00:12:54,000
NOTHING, NOTHING.
271
00:12:54,000 --> 00:12:56,033
UM, YOU KNOW WHAT
I'M THINKING IS?
272
00:12:56,033 --> 00:12:57,067
TELL MEIF I'M WRONG HERE.
273
00:12:57,067 --> 00:12:58,200
SOMETHING EXOTIC.
274
00:12:58,200 --> 00:12:59,601
YOU KNOW,I WANT SOMETHING
275
00:12:59,601 --> 00:13:03,300
THAT SAYS "THIS IS NOT A CONDO
IN OVERLAND PARK, KANSAS.
276
00:13:03,300 --> 00:13:05,133
THIS IS A CONDO
IN GUATEMALA."
277
00:13:07,701 --> 00:13:09,667
[laughter]
278
00:13:09,667 --> 00:13:11,534
IS THAT--
I'M A FREAK, RIGHT?
279
00:13:11,534 --> 00:13:13,100
NO, NO, I LOVE
THE HACIENDA LOOK.
280
00:13:13,100 --> 00:13:14,367
IT'S, UM--
281
00:13:14,367 --> 00:13:15,968
YEAH, A STREET SCENE,
282
00:13:15,968 --> 00:13:17,501
MAYBE THROW IN
A COUPLE BROWN BABIES,
283
00:13:17,501 --> 00:13:18,801
NOW YOU'RE TALKIN'.
284
00:13:18,801 --> 00:13:20,267
SALUD!
285
00:13:29,133 --> 00:13:31,334
HI, I'M KATE.
286
00:13:31,334 --> 00:13:34,033
I'M THE NEW SERVER.
287
00:13:34,033 --> 00:13:35,834
I'M SUPPOSED
TO BE TRAINING TODAY.
288
00:13:35,834 --> 00:13:40,334
OKAY, I'M TONYA.
289
00:13:43,000 --> 00:13:45,567
GENE.
290
00:13:45,567 --> 00:13:48,133
GENE'S GONNA LOVE YOU.
291
00:13:48,133 --> 00:13:49,400
REALLY?
292
00:13:49,400 --> 00:13:50,434
GOOD TO SEE YOU AGAIN.
293
00:13:50,434 --> 00:13:52,133
GENE STEWART,
GENERAL MANAGER.
294
00:13:52,133 --> 00:13:54,100
WE'RE GLAD TO HAVE YOU
AS A PROBATIONARY MEMBER
295
00:13:54,100 --> 00:13:55,734
OF THE BARNABEEZ FAMILY.
296
00:13:55,734 --> 00:13:58,000
HI!
297
00:13:58,000 --> 00:14:00,167
AND THANKS FOR COMING IN
ON SUCH SHORT NOTICE.
298
00:14:00,167 --> 00:14:02,434
ARE YOU KIDDING?
I AM TOTALLY PSYCHED.
299
00:14:02,434 --> 00:14:05,067
COME ON,
WE'LL START THE TOUR.
300
00:14:05,067 --> 00:14:07,200
OH, YOU'RE GONNA HAVE
TO GET RID OF THIS
301
00:14:07,200 --> 00:14:08,734
BEFORE I LET YOU
ON THE FLOOR.
302
00:14:08,734 --> 00:14:09,901
THIS IS A FAMILY RESTAURANT,
303
00:14:09,901 --> 00:14:13,234
NOT A, UH,
ROCK RECORD STORE.
304
00:14:13,234 --> 00:14:15,100
YEAH, NO PROBLEM.
305
00:14:28,033 --> 00:14:29,033
YO.
306
00:14:32,100 --> 00:14:34,634
HOW WAS, UM,
YOUR NEW JOB?
307
00:14:34,634 --> 00:14:35,934
AWESOME.
308
00:14:35,934 --> 00:14:37,300
HEY, DO YOU KNOW WHEN YOU ORDER
THE SALAD AT BARNABEEZ,
309
00:14:37,300 --> 00:14:39,133
IT'S ACTUALLY NOT
HARD-BOILED EGG?
310
00:14:39,133 --> 00:14:41,601
IT'S THIS TUBE OF EGG-COLORED
STUFF CALLED EGGULAR.
311
00:14:41,601 --> 00:14:44,200
OH, AND THEY ALSO REFILL
ALL THE CONDIMENTS
312
00:14:44,200 --> 00:14:45,734
WITH GENERIC
INSTEAD OF HEINZ.
313
00:14:45,734 --> 00:14:47,133
AND THEY REUSE
THE BREADSTICKS.
314
00:14:47,133 --> 00:14:49,000
BUT IT'S COOL.
315
00:14:49,000 --> 00:14:52,033
DID YOU KNOW ON A SATURDAY
YOU COULD MAKE $200?
316
00:14:52,033 --> 00:14:54,434
WHAT PRICE
DIGNITY?
317
00:14:54,434 --> 00:14:57,901
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
318
00:15:02,167 --> 00:15:03,834
HEY, HONEY.
HEY.
319
00:15:03,834 --> 00:15:05,234
IS THAT THE NEW THINGIE?
320
00:15:05,234 --> 00:15:07,968
YEAH, THE CONSULT
WENT GREAT.
321
00:15:07,968 --> 00:15:10,901
CHARMAINE ACTUALLY DID ME
A FAVOR FOR ONCE.
322
00:15:13,467 --> 00:15:16,200
IT'S A MURAL TOO,
NOT SOME BORING BATHROOM JOB.
323
00:15:16,200 --> 00:15:18,133
ARTSY.
324
00:15:18,133 --> 00:15:20,601
MM-HMM.
325
00:15:20,601 --> 00:15:22,334
I HAD THIS WEIRD FEELING
THOUGH TODAY,
326
00:15:22,334 --> 00:15:26,033
LIKE MAYBE CHARMAINE
TOLD THIS TIFFANY WOMAN
327
00:15:26,033 --> 00:15:28,400
ABOUT ME AND MY THING.
328
00:15:28,400 --> 00:15:30,367
CHARMIE SAYS SHE DIDN'T, BUT...
329
00:15:30,367 --> 00:15:32,868
I WOULDN'T WORRY ABOUT IT.
330
00:15:32,868 --> 00:15:35,868
I THINK WE NEED
NEW WINE GLASSES.
331
00:15:35,868 --> 00:15:38,734
WHOA, WHAT
ARE YOU DOING?
332
00:15:38,734 --> 00:15:41,200
I'M TRYING TO GET LAID.
333
00:15:41,200 --> 00:15:42,467
I'M SORRY.
334
00:15:42,467 --> 00:15:44,601
I HAVE TO GET
THESE CONCEPTS MARKED UP.
335
00:15:44,601 --> 00:15:47,167
I'M ACTUALLY BEING PRODUCTIVE
HERE FOR ONCE.
336
00:15:47,167 --> 00:15:50,434
I'M PRODUCTIVE.
DO ME.
337
00:15:50,434 --> 00:15:53,868
HONEY, I'M IN THE ZONE
RIGHT NOW.
338
00:15:53,868 --> 00:15:55,801
THIS IS KINDA
WHAT I NEED, YOU KNOW?
339
00:15:55,801 --> 00:15:59,367
LIKE, A CHANCE TO SHOW
THAT I CAN BE FUNCTIONAL,
340
00:15:59,367 --> 00:16:02,834
AND CREATE,
341
00:16:02,834 --> 00:16:06,434
AND CONTRIBUTE SOMETHING
OFF MY MEDS.
342
00:16:06,434 --> 00:16:09,367
OKAY, I'LL GIVE YOU SPACE.
343
00:16:11,701 --> 00:16:14,100
THANKS.
344
00:16:14,100 --> 00:16:16,367
GO.
345
00:16:20,234 --> 00:16:21,501
HEY.
346
00:16:21,501 --> 00:16:22,767
YEAH?
347
00:16:22,767 --> 00:16:25,501
YOU, ME, TOMORROW NIGHT.
348
00:16:25,501 --> 00:16:27,534
I MIGHT EVEN BRING
SOME PROPS.
349
00:16:30,100 --> 00:16:32,334
TOMORROW NIGHT.
350
00:16:33,601 --> 00:16:36,033
SHIT.
351
00:16:39,601 --> 00:16:41,501
HEY.
352
00:16:41,501 --> 00:16:43,734
OH, HEY, MAN.
353
00:16:43,734 --> 00:16:45,834
I WAS WONDERING
WHICH YOU LIKED BETTER,
354
00:16:45,834 --> 00:16:48,801
ABRAXAS OR MOONFLOWER?
355
00:16:48,801 --> 00:16:50,200
WHAT DO YOU MEAN?
356
00:16:50,200 --> 00:16:51,701
SANTANA.
357
00:16:51,701 --> 00:16:53,601
I WONDERED WHICH ALBUM
YOU LIKE BETTER?
358
00:16:53,601 --> 00:16:55,167
I KNOW MOST FANS
ARE PRETTY DIVIDED.
359
00:16:55,167 --> 00:16:56,767
I KNOW I AM.
360
00:16:56,767 --> 00:16:59,167
OH.
361
00:16:59,167 --> 00:17:01,334
OH, 'CAUSE OF THE T-SHIRT
I WAS WEARING YESTERDAY?
362
00:17:01,334 --> 00:17:03,000
YOU KNOW, MAN, I DON'T
REALLY KNOW ANY SANTANA MUSIC.
363
00:17:03,000 --> 00:17:04,834
MY DAD JUST PICKED IT UP
FOR ME AT A CONCERT.
364
00:17:04,834 --> 00:17:07,300
IT'S COMFORTABLE, SO I...
365
00:17:07,300 --> 00:17:08,901
OH.
366
00:17:08,901 --> 00:17:11,267
BUT, HEY, MAYBE YOU CAN PLAY ME
SOME OF THEIR STUFF SOMETIME?
367
00:17:11,267 --> 00:17:12,834
SURE.
368
00:17:12,834 --> 00:17:15,234
SO, UH, YOU TRYING OUT
FOR THIS, OR--
369
00:17:15,234 --> 00:17:16,701
ME? NO.
370
00:17:16,701 --> 00:17:17,901
NO, I DO A.V.
371
00:17:17,901 --> 00:17:19,834
LIGHTING AND DESIGN.
THAT SORT OF THING.
372
00:17:19,834 --> 00:17:22,033
BESIDES,
GREASE IS SO LAME.
373
00:17:22,033 --> 00:17:23,667
IT'S SO GAY, RIGHT?
374
00:17:23,667 --> 00:17:25,801
[nervous laughter]
375
00:17:27,667 --> 00:17:30,534
YOU KNOW, I--
I'M WORKING ON THIS...
376
00:17:30,534 --> 00:17:33,000
EXPERIMENTAL THEATRE THING
RIGHT NOW.
377
00:17:33,000 --> 00:17:35,601
WE'RE STILL CASTING.
YOU SHOULD COME CHECK IT OUT.
378
00:17:35,601 --> 00:17:38,767
EXPERIMENTAL?
YEAH.
379
00:17:38,767 --> 00:17:41,100
IT'S PRETTY CUTTING EDGE.
380
00:17:41,100 --> 00:17:43,133
YOU DON'T SEE STUFF LIKE THIS
IN OVERLAND PARK THAT OFTEN.
381
00:17:43,133 --> 00:17:44,567
COOL.
382
00:17:44,567 --> 00:17:45,868
YOU KNOW
REDEEMER FREE CHURCH?
383
00:17:45,868 --> 00:17:47,634
THE HUGE THING
OFF THE HIGHWAY 4?
384
00:17:47,634 --> 00:17:50,601
THAT'S WHERE WE MEET.
COME AROUND 8:00?
385
00:17:50,601 --> 00:17:53,567
YEAH.
SO...YEAH.
386
00:17:53,567 --> 00:17:56,968
SHOULD I BRING ANYTHING,
LIKE MOVEMENT CLOTHING?
387
00:17:56,968 --> 00:17:59,667
NAH, JUST YOUR BAD SELF.
388
00:17:59,667 --> 00:18:03,334
JUST MY BAD SELF.
389
00:18:03,334 --> 00:18:06,567
[bell rings]
390
00:18:06,567 --> 00:18:08,801
SO THIS PART HERE,
THE WATER,
391
00:18:08,801 --> 00:18:10,834
UH, WOULD HAVE KIND OF
A TROMPE L'OEIL TYPE FEEL.
392
00:18:10,834 --> 00:18:12,501
OH, LIKE A FAUX FINISH.
393
00:18:12,501 --> 00:18:13,601
KIND OF, YEAH.
394
00:18:13,601 --> 00:18:15,267
LIKE, UH, GIVES YOU
THE ILLUSION OF DEPTH.
395
00:18:15,267 --> 00:18:16,367
OH, I NEED THAT!
396
00:18:16,367 --> 00:18:19,133
OH, I LOVE IT.
I LOVE IT!
397
00:18:19,133 --> 00:18:22,634
I GOTTA SAY, TARA.
I AM IMPRESSED.
398
00:18:22,634 --> 00:18:24,767
YOU KNOW, I MEAN, I KNOW
YOU'VE BEEN THROUGH A LOT.
399
00:18:24,767 --> 00:18:26,334
BUT AS THEY SAY
AT VITA-SELF,
400
00:18:26,334 --> 00:18:27,834
YOU'VE REALLY
POWERJAMMED IT.
401
00:18:27,834 --> 00:18:29,067
YOU KNOW,
YOU'VE CONQUERED IT
402
00:18:29,067 --> 00:18:32,133
WITH YOUR CREATIVITY
AND YOUR TALENT.
403
00:18:32,133 --> 00:18:34,067
WHAT ARE YOU REFERRING TO?
404
00:18:34,067 --> 00:18:38,767
OH, UM, I KNOW ABOUT THE--
THE MPD.
405
00:18:38,767 --> 00:18:40,467
THE MULTIPLE PERSONALITIES.
406
00:18:40,467 --> 00:18:43,033
UM, MY COUSIN'S BEST FRIEND
FROM COLLEGE HAS IT,
407
00:18:43,033 --> 00:18:46,367
SO I TOTALLY KNOW
ALL ABOUT IT.
408
00:18:46,367 --> 00:18:48,334
IT'S D.I.D., ACTUALLY.
409
00:18:48,334 --> 00:18:50,200
THEY RECLASSIFIED IT.
410
00:18:50,200 --> 00:18:52,400
YOU KNOW,
THE WEIRD THING IS,
411
00:18:52,400 --> 00:18:54,534
IS, LIKE, I KINDA FEEL
LIKE EVERYONE HAS IT,
412
00:18:54,534 --> 00:18:56,067
YOU KNOW,
A LITTLE BIT.
413
00:18:56,067 --> 00:18:57,467
IT'S LIKE,
OVER THE COURSE OF A DAY,
414
00:18:57,467 --> 00:18:58,868
HOW MANY DIFFERENT WOMEN
DO WE HAVE TO BE?
415
00:18:58,868 --> 00:19:01,334
YOU KNOW,
THE WORK TIFFANY,
416
00:19:01,334 --> 00:19:05,367
OR SEXY TIFFANY,
OR DOG OWNER TIFFANY?
417
00:19:05,367 --> 00:19:06,667
YOU KNOW,
IT'S HARD, RIGHT?
418
00:19:06,667 --> 00:19:08,200
[door opens]
419
00:19:08,200 --> 00:19:09,868
HEY, YOU GUYS.
420
00:19:09,868 --> 00:19:11,868
OH, HEY!
421
00:19:11,868 --> 00:19:13,267
[dog barks]
422
00:19:13,267 --> 00:19:14,968
TARA.
423
00:19:14,968 --> 00:19:16,501
OH, UH, TIFFANY,
424
00:19:16,501 --> 00:19:18,567
I JUST WANTED TO DROP OFF
THE SALES REPORTS
425
00:19:18,567 --> 00:19:19,934
FROM LAST WEEK.
426
00:19:19,934 --> 00:19:21,501
YEAH, YOU CAN JUST PUT THEM OVER
THERE, SWEETIE, THANKS.
427
00:19:21,501 --> 00:19:23,701
CHARMAINE,
CAN I TALK TO YOU FOR A MINUTE?
428
00:19:23,701 --> 00:19:26,767
SURE.
429
00:19:29,567 --> 00:19:31,167
YOU TOLD HER?
430
00:19:31,167 --> 00:19:33,434
IT WAS A TEAM
TRUST BUILDING EXERCISE, OKAY?
431
00:19:33,434 --> 00:19:34,834
I MEAN, IT WAS INTENSE.
432
00:19:34,834 --> 00:19:36,400
WE WERE ASKED TO SHARE
OUR GREATEST TRIBULATION.
433
00:19:36,400 --> 00:19:38,801
YOUR GREATEST TRIBULATION,
NOT MINE.
434
00:19:38,801 --> 00:19:41,167
YOU HAD NO RIGHT.
IT WAS PRIVATE AND INTIMATE.
435
00:19:41,167 --> 00:19:43,734
MY TEAM LEADER WAS TALKING ABOUT
HIS ASS CANCER, FOR GOD'S SAKE.
436
00:19:43,734 --> 00:19:45,234
I'M LIKE ASS CANCER
TO YOU?
437
00:19:45,234 --> 00:19:47,100
[knocks]
NO.
438
00:19:47,100 --> 00:19:48,200
HEY, GUYS.
439
00:19:48,200 --> 00:19:50,300
LOOK, I DID NOT MEAN
TO CAUSE TROUBLE.
440
00:19:50,300 --> 00:19:52,467
I AM SO SORRY.
I WAS JUST--I WAS CURIOUS.
441
00:19:52,467 --> 00:19:54,934
BUT, TARA, I WANT YOUTO KNOW SOMETHING.
442
00:19:54,934 --> 00:19:56,300
I LIVE MY LIFE
443
00:19:56,300 --> 00:19:57,501
BY CERTAIN CREDOS.
444
00:19:57,501 --> 00:20:00,000
NO CROSS TALK
AND NO JUDGMENT, ALL RIGHT?
445
00:20:00,000 --> 00:20:02,200
SO YOU CAN TRUST ME.
446
00:20:02,200 --> 00:20:06,567
FINE.
447
00:20:06,567 --> 00:20:08,400
OKAY.
448
00:20:08,400 --> 00:20:11,400
I WAS MOLESTED.
449
00:20:11,400 --> 00:20:13,100
OH, MY GOD.
450
00:20:13,100 --> 00:20:15,067
YEAH, I KNOW.
451
00:20:15,067 --> 00:20:16,567
OH, MY GOD.
452
00:20:16,567 --> 00:20:18,501
I'M STRONGER FOR IT.
453
00:20:18,501 --> 00:20:19,968
I'M ACTUALLY GLAD IT HAPPENED,IN A WAY.
454
00:20:19,968 --> 00:20:22,701
SO YESTERDAY WE TALKED
ABOUT CONDUCT AND HYGIENE.
455
00:20:22,701 --> 00:20:23,734
TODAY, WE GET DOWN
TO BUSINESS.
456
00:20:23,734 --> 00:20:25,167
NOW, BEFORE YOU
SHADOW TONYA,
457
00:20:25,167 --> 00:20:26,400
I WANT TO SHOW YOU
A FEW LAST-MINUTE
458
00:20:26,400 --> 00:20:28,133
THINGS ABOUT OUR KITCHEN.
459
00:20:28,133 --> 00:20:30,634
THAT'S GRAMBO.
HE HAS A GLASS EYE.
460
00:20:30,634 --> 00:20:34,234
NOW HERE'S AN AREA OF INTEREST
FOR ALL SERVERS.
461
00:20:34,234 --> 00:20:36,000
THIS ISTHE PIZZAZZING STATION.
462
00:20:36,000 --> 00:20:37,300
THIS IS THE LAST STOP
463
00:20:37,300 --> 00:20:39,334
FOR EACH ORDER
BEFORE IT GOES TO THE CUSTOMER.
464
00:20:39,334 --> 00:20:40,801
NOW, IT'S YOUR JOB, KATE,
465
00:20:40,801 --> 00:20:42,400
TO PIZZAZZ IT UP.
466
00:20:42,400 --> 00:20:45,200
THIS CHART SHOWS
WHAT 'ZAZZ GOES WHERE.
467
00:20:45,200 --> 00:20:47,033
LIKE IT SAYS
IN YOUR PACKET,
468
00:20:47,033 --> 00:20:50,100
IT'S THE LITTLE DEETS
THAT MAKE A BIG DIFF.
469
00:20:50,100 --> 00:20:51,434
OKAY.
470
00:20:51,434 --> 00:20:54,467
[percussive music]
471
00:20:54,467 --> 00:21:02,400
♪ ♪
472
00:21:06,834 --> 00:21:09,100
♪ I'VE BEEN WAITING
IN THE CORNER ♪
473
00:21:09,100 --> 00:21:11,534
♪ I'VE BEEN SNEAKING
DOWN THE HALLWAY ♪ SHIT.
474
00:21:11,534 --> 00:21:14,334
♪ I'VE BEEN TAKING
ALL THE POTIONS ♪
475
00:21:14,334 --> 00:21:17,000
♪ GET MY SHARE OF EVERY ONE ♪
476
00:21:17,000 --> 00:21:19,167
♪ GET MY SHARE OF EVERY ONE ♪
477
00:21:19,167 --> 00:21:21,834
♪ I GET MY SHARE
OF EVERY ONE ♪
478
00:21:21,834 --> 00:21:27,801
♪ ♪
479
00:21:31,300 --> 00:21:34,133
KATE, GREAT JOB TODAY.
CAN I SEE YOU IN MY OFFICE?
480
00:21:39,434 --> 00:21:41,100
HERE'S MY OFFICE,
481
00:21:41,100 --> 00:21:45,501
IN CASE YOU'RE INTERESTED
IN UPPER MANAGEMENT SOMEDAY.
482
00:21:45,501 --> 00:21:50,234
AS YOU CAN SEE,
LIFE IS PRETTY SWEET.
483
00:21:50,234 --> 00:21:52,033
OH.
484
00:21:52,033 --> 00:21:54,634
THAT'S ME
WITH DON DOKKEN.
485
00:21:54,634 --> 00:21:56,868
WOW.
486
00:21:56,868 --> 00:21:58,167
WHEN THEY COME
THROUGH OVERLAND PARK,
487
00:21:58,167 --> 00:22:00,400
THEY WANT TO EAT
AT BARNABEEZ.
488
00:22:00,400 --> 00:22:01,834
REALLY?
489
00:22:01,834 --> 00:22:03,667
LIKE, WHO'S THE MOST FAMOUS
PERSON THAT YOU'VE SEEN?
490
00:22:08,767 --> 00:22:11,701
THERE'S SOMETHING I LIKE
TO SHOW EVERY NEW EMPLOYEE.
491
00:22:19,067 --> 00:22:21,601
WELL, WHAT IS IT?
492
00:22:21,601 --> 00:22:23,901
YOU MIGHT HAVE ALREADY HEARD
THIS ABOUT ME,
493
00:22:23,901 --> 00:22:26,667
BUT I USED TO WORK
AT THE GROUND ZERO BARNABEEZ.
494
00:22:26,667 --> 00:22:28,934
WHAT?
495
00:22:28,934 --> 00:22:31,000
THE LOWER MANHATTAN FRANCHISE.
496
00:22:31,000 --> 00:22:33,901
IT WAS A BLOCK,
MAYBE TWO, THREE BLOCKS
497
00:22:33,901 --> 00:22:36,567
FROM THE WORLD TRADE CENTER.
498
00:22:36,567 --> 00:22:39,834
I WAS THE, UH, ASSISTANT MANAGER
THERE FOR A YEAR.
499
00:22:42,634 --> 00:22:45,367
THEN, UH--
500
00:22:45,367 --> 00:22:47,400
THEN SHIT GOT REAL.
501
00:22:47,400 --> 00:22:51,567
WHAT WAS IT LIKE?
502
00:22:51,567 --> 00:22:56,200
IT WAS HORRIFYING.
503
00:22:56,200 --> 00:22:58,934
I WAS IN THE FLORIDA PANHANDLE
WHEN I GOT THE CALL.
504
00:22:58,934 --> 00:23:01,601
I WAS VISITING
A BUDDY OF MINE
505
00:23:01,601 --> 00:23:03,300
FROM RESTAURANT
MANAGEMENT SCHOOL.
506
00:23:03,300 --> 00:23:07,167
SOMEONE WAS ABLE
TO GRAB THIS FOR ME.
507
00:23:10,267 --> 00:23:12,868
SO WHAT, DID, LIKE, ANYONE
FROM THE RESTAURANT DIE?
508
00:23:15,033 --> 00:23:17,901
SURE AS HELL COULD HAVE.
509
00:23:22,000 --> 00:23:24,334
LOOK...
510
00:23:24,334 --> 00:23:26,200
I KNOW I MIGHT SEEM
LIKE A REAL TASK MASTER,
511
00:23:26,200 --> 00:23:28,567
BUT THAT'S PART
OF MY CAREER.
512
00:23:28,567 --> 00:23:31,634
I WORK HARD,
AND I PLAY HARD.
513
00:23:31,634 --> 00:23:34,534
NOW, IF YOU EVER
NEED ANYTHING,
514
00:23:34,534 --> 00:23:38,601
OR YOU, I DON'T KNOW,
JUST WANT TO RAP,
515
00:23:38,601 --> 00:23:40,167
LET ME KNOW.
516
00:23:46,067 --> 00:23:49,367
SHIT, UH,
THAT WAS MY LAST MATCH.
517
00:23:49,367 --> 00:23:50,934
WE'RE GONNA HAVE
TO MONKEYFUCK.
518
00:24:02,767 --> 00:24:05,767
[light acoustic music]
519
00:24:05,767 --> 00:24:13,734
♪ ♪
520
00:24:23,901 --> 00:24:26,834
TARA, I BELIEVE
WE HAVE A DATE.
521
00:24:36,801 --> 00:24:38,200
HELL HOUSE?
522
00:24:38,200 --> 00:24:40,300
IS THAT THE NAME
OF THE PLAY OR SOMETHING?
523
00:24:40,300 --> 00:24:42,067
OH, MY GOD,
I'VE HEARD OF THESE.
524
00:24:42,067 --> 00:24:43,300
HELL HOUSES.
525
00:24:43,300 --> 00:24:44,767
THEY'RE LIKE HAUNTED HOUSES,
526
00:24:44,767 --> 00:24:46,367
EXCEPT THEY'RE RUN
BY A CHURCH,
527
00:24:46,367 --> 00:24:49,267
AND INSTEAD OF DRACULA,
AND MONSTERS, AND SHIT,
528
00:24:49,267 --> 00:24:52,601
IT'S ALL FREAKY
JESUSY STUFF.
529
00:24:52,601 --> 00:24:55,000
IT'S HOMOPHOBICAND ANTI-FEMINIST,
530
00:24:55,000 --> 00:24:56,334
AND IT'S NOT THEATRE.
531
00:24:56,334 --> 00:24:58,267
I--UGH,
I'M OUTTA HERE.
532
00:24:58,267 --> 00:25:00,234
WAIT, COULD WE NOT JUMP
TO CONCLUSIONS
533
00:25:00,234 --> 00:25:01,234
FOR FIVE MINUTES?
534
00:25:04,968 --> 00:25:06,167
HEY.
535
00:25:06,167 --> 00:25:08,033
THANKS FOR COMING.
HI.
536
00:25:08,033 --> 00:25:10,400
HEY, MAN.
537
00:25:10,400 --> 00:25:13,000
UH, IS THIS
A RELIGIOUS THING?
538
00:25:13,000 --> 00:25:15,234
TECHNICALLY, YES.
539
00:25:15,234 --> 00:25:16,701
BUT IT DOESN'T MATTER
IF YOU'RE CHRISTIAN.
540
00:25:16,701 --> 00:25:18,400
IT'S ACTING.
541
00:25:18,400 --> 00:25:19,734
IT'S WAY MORE HARDCORE
THAN ANYTHING
542
00:25:19,734 --> 00:25:20,934
YOU GET TO DO IN SCHOOL.
543
00:25:20,934 --> 00:25:23,434
I GUESS.
544
00:25:23,434 --> 00:25:25,167
HEY, YOU CAN TRUST ME.
545
00:25:25,167 --> 00:25:26,667
ARE YOU COOL
WITH TAKING OFF YOUR SHIRT?
546
00:25:28,367 --> 00:25:32,100
WE NEED AN AIDS PATIENT
BEING FLOGGED IN HELL.
547
00:25:33,901 --> 00:25:36,701
WHAT ARE YOU
DOING HERE, BUCK?
548
00:25:36,701 --> 00:25:40,767
UH, I THINK YOUR OLD LADY
GOT A LITTLE GUN SHY.
549
00:25:40,767 --> 00:25:43,033
WHY'S THAT?
550
00:25:43,033 --> 00:25:44,801
NEVER HAD ANY PROBLEMS
IN THE BEDROOM BEFORE.
551
00:25:44,801 --> 00:25:47,067
THAT'S THE ONE PLACE
WE'RE NOT FUCKED UP.
552
00:25:47,067 --> 00:25:51,200
WELL, TARA THINKS YOU WANT
TO GET BUSY WITH THE ALTERS.
553
00:25:51,200 --> 00:25:53,467
T AND ALICE, I MEAN.
NOT ME.
554
00:25:53,467 --> 00:25:56,100
WE KNOW
YOU AIN'T NO HOMO.
555
00:25:56,100 --> 00:25:58,234
ANYWAY, SHE THINKS
YOU BEEN BANGIN' HER
556
00:25:58,234 --> 00:26:01,534
WHILE SHE WASN'T HER,
YOU KNOW WHAT I MEAN?
557
00:26:01,534 --> 00:26:03,634
YEAH.
558
00:26:03,634 --> 00:26:06,334
IT'S TOUGH.
559
00:26:06,334 --> 00:26:10,133
BECAUSE I JUST WANT TARA.
560
00:26:10,133 --> 00:26:11,834
I UNDERSTAND
WHY SHE DOESN'T WANT ME
561
00:26:11,834 --> 00:26:13,100
TO SLEEP
WITH THE ALTERS.
562
00:26:13,100 --> 00:26:14,968
SHE'S NOT EVEN CONSCIOUS.
563
00:26:14,968 --> 00:26:17,200
OH, HELL.
IT AIN'T ALL THAT BAD.
564
00:26:17,200 --> 00:26:18,734
IF I WERE YOU,
I'D TAKE FAIR ADVANTAGE
565
00:26:18,734 --> 00:26:20,534
OF THE SITUATION.
566
00:26:20,534 --> 00:26:22,801
OH, REALLY?
567
00:26:22,801 --> 00:26:25,234
YEAH, REMEMBER THAT CHICK
I SCORED WITH LAST YEAR?
568
00:26:25,234 --> 00:26:28,133
RUNS THE, UH--THE SNACK BAR
DOWN AT THE BOWLING ALLEY?
569
00:26:28,133 --> 00:26:29,901
MAN, SHE WAS DRUNK AS FUCK,
570
00:26:29,901 --> 00:26:31,667
BUT I DIDN'T
LET THAT STOP ME.
571
00:26:31,667 --> 00:26:33,300
OF COURSE,
I GOT CRABS.
572
00:26:33,300 --> 00:26:35,667
YEAH, I REMEMBER.
573
00:26:35,667 --> 00:26:36,834
WE'RE MEN, YOU KNOW?
574
00:26:36,834 --> 00:26:39,133
WE JUST NEED
TO STICK IT IN SOMEWHERE.
575
00:26:39,133 --> 00:26:43,133
LADIES ARE DIFFERENT.
THEY GOT HIGHS AND LOWS.
576
00:26:43,133 --> 00:26:47,567
YOU JUST GOTTA RIDE
THE LIGHTNING.
577
00:26:47,567 --> 00:26:48,801
[clears throat]
578
00:26:48,801 --> 00:26:50,834
I GUESS.
579
00:26:50,834 --> 00:26:53,901
ME, I TAKE IT
WHERE I CAN GET IT.
580
00:26:53,901 --> 00:26:55,968
IF I HADN'T HAVE GOT
MY DICK BLOWN OFF IN 'NAM,
581
00:26:55,968 --> 00:26:57,567
I'D BE
GETTIN' IT REGULAR.
582
00:26:57,567 --> 00:26:59,934
YOU WEREN'T IN 'NAM.
583
00:26:59,934 --> 00:27:03,167
YOU'RE ON THIN ICE, MAXIE.
584
00:27:03,167 --> 00:27:04,667
NOW WHAT YOU WANNA WATCH
ON THE IDIOT BOX?
585
00:27:04,667 --> 00:27:08,100
WE GOT UFC OR PORN.
586
00:27:08,100 --> 00:27:09,501
UH, PORN, I GUESS.
587
00:27:09,501 --> 00:27:11,901
WHAT KIND?
588
00:27:11,901 --> 00:27:15,300
I GOT BIG GIRLS,
BLACK GIRLS,
589
00:27:15,300 --> 00:27:17,367
BIG BLACK GIRLS,
590
00:27:17,367 --> 00:27:20,300
AMPUTEES.
AMATEURS.
591
00:27:20,300 --> 00:27:25,000
HECK, AIN'T WE ALL?
592
00:27:25,000 --> 00:27:27,200
WOW.
593
00:27:27,200 --> 00:27:31,634
THE SHORT AND CURLIESON A FINE FILLY.
594
00:27:31,634 --> 00:27:33,501
LOOK AT THESE
BIG GIANT TITTIES.
595
00:27:33,501 --> 00:27:36,234
LOOK AT THE SIZE OF THAT.
596
00:27:36,234 --> 00:27:38,367
IS THAT REAL?JUICIEST JUGS.
597
00:27:38,367 --> 00:27:40,534
THIS BITCH IS COOL.
598
00:27:40,534 --> 00:27:42,934
OH, MY GOD.THAT THERE IS A GOLDEN SHOWER.
599
00:27:42,934 --> 00:27:44,701
DON'T LOOK AT ME.
600
00:27:44,701 --> 00:27:47,968
[laughter]
601
00:27:47,968 --> 00:27:49,200
WHERE DO YOU GETTHIS STUFF?
602
00:27:49,200 --> 00:27:53,267
♪ GOD THROWS DARTS
AT STARS IN THE NIGHT ♪
603
00:27:53,267 --> 00:27:55,601
♪ I HAD A KITE ♪
604
00:27:55,601 --> 00:27:57,567
♪ YOU HAD A TRAMPOLINE ♪
605
00:27:57,567 --> 00:28:00,634
♪ AND A BMX BIKE ♪
606
00:28:00,634 --> 00:28:03,534
♪ YOU DIDN'T EVEN LIKE ♪
607
00:28:03,534 --> 00:28:06,567
Captioning by CaptionMax
www.captionmax.com
608
00:28:06,567 --> 00:28:08,767
♪ ♪
609
00:28:08,767 --> 00:28:09,834
♪ I DON'T WANT TO SAY ♪
610
00:28:09,834 --> 00:28:11,234
♪ IT'S BREAKING MY HEART ♪
611
00:28:11,234 --> 00:28:14,367
♪ BUT I DON'T KNOW
WHERE TO START ♪
612
00:28:14,367 --> 00:28:16,934
♪ OLD FRIENDS
ARE FALLING APART ♪
613
00:28:16,934 --> 00:28:19,767
♪ AND TIME ♪
614
00:28:19,767 --> 00:28:21,601
♪ LIKE A NAME ON MY MIND ♪
615
00:28:21,601 --> 00:28:24,367
♪ COVER THEM BOTH IN WINE ♪
616
00:28:24,367 --> 00:28:28,434
♪ I MISS THE STRAIGHT,
STRAIGHT LINES ♪
617
00:28:28,484 --> 00:28:33,034
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