All language subtitles for The Streets of San Francisco s02e16 Chapel of the Damned.eng

[ANNOUNCER READS
ON-SCREEN TEXT]

- Morning, Tom.
- How's it going today, Jesse?

Just great, thanks.

[CLICKING NEARBY]

[WOMAN SCREAMING]

[TYRES SQUEAL]

Hit it.

DOORMAN:
Dead.

It didn't go dead
until after she got in the elevator.

I seen her go in,
I seen the elevator go up.

I figured she was in there,
you know?

Okay, sir,
thank you very much for your help.

If you'd just give the officer
a description of the car.

Dick, when you call in,
tell Communications

I want two units to check the vicinity.

That car is gonna get dumped quick.

It was a maroon Thunderbird.

She's not dead. That I would know.

SLOANE: You sure?
- Yes.

SLOANE:
Well, then, what?

Where is she?

VASILIEV:
Now, listen to me, Adele. Listen to me.

You must have faith.
She will come back.

STONE:
Mrs. Sloane.

According to the doorman,

your daughter came in
a little before 6 this morning.

She in the habit
of staying out that late?

Recently.

She's been seeing this boy.
Having an affair, if they still call it that.

What's his name?

Dillon.

Mark Dillon.

He has long hair and no manners
and no prospects and no education.

Oh, and Julie just happened
to mention that he's been to jail.

The perfect son-in-law.

She was with him last night?

I assume so.

Where else would she be
until that hour?

Mike.

Oh, excuse me.

Got anything?

Yeah, the cable of the TV monitor
was gimmicked.

And all the leads
were cut and taped.

- This guy knew what he was doing.
KELLER: There were two.

One guy cut the cable,
the other went across the garage,

hid in the elevator,
then taped it up to look normal.

- What do you got?
- Over here.

Came in the morning mail.
The recorder was in the case.

MAN 1 [ON RECORDING]: Ha, ha.
Do you know where your children are?

WOMAN 1 [ON RECORDING]:
Yes, indeed.

MAN 2:
Kidnapped.

MAN 3: If you wanna get her back--
MAN 4: Just sit down, relax.

WOMAN 1: Take it easy.
MAN 5: Say nothing at all.

WOMAN 2: No cops.
MAN 6: No cops.

MAN 7: And we want a lot of--
MAN 8: Money.

MAN 9: Ha-ha-ha. We'll be in touch.
WOMAN 1: Sit tight.

MAN 10:
Say nothing.

MAN 9:
We'll call when--

WOMAN 3: At the tone,
the time will be 12 p.m. exactly.

The splicing tape.
Could be prints on that.

- Run it through the lab.
- Okay.

Case too.

- Who's the other lady?
- Friend of the family.

KELLER:
Bob, how you doing?

Phone is here.

And the junction box
is in the other room, let me show you.

What is that man doing?

Well, we would like
to monitor the phone.

You see, the people who have
your daughter will try to contact you.

And when they do,
he'll be able to trace the call

if the phone is monitored.

And then there'll be more police?

And the FBI?

Yeah, we can request the Bureau
to come in after 24 hours

if we really need them.

But I feel we could really use
the monitor on the phone.

All right.

But please, be careful.

He said no police.

If they find out...

They might...

Look, I don't care about catching them.
I just want my daughter back.

STONE: I understand how you feel,
Mrs. Sloane.

We'll do the best we can.

Ma'am, ma'am, uh,
please don't touch that, will you?

- There might be fingerprints.
VASILIEV: You won't find any.

STONE:
How do you know that?

Madame Vasiliev
has special powers.

She can sense things.

I conduct a circle of students

who are interested
in psychic phenomena.

Mrs. Sloane is a member
of my group.

I've seen her do
some incredible things.

She can help us. I know she can.

- May I?
- Yes, yes.

Now, what do you wanna do?
You want to, um, hold the recorder?

Yes, you see,
when people touch material objects,

they leave traces of their aura.

Yes, go ahead.

VASILIEV:
Thank you.

I...

I sense a Vishuddhi.

Hindu word.

Remember, Adele, we spoke
about the different chakras?

Yes.

A man with...

With some trouble in his mouth.

Throat.

Yes.

[SIGHS]

Nothing more is coming through.
I'm sorry, that's all.

I can't tell anything else. I'm sorry.

That's all.

KELLER:
Well, this case is as good as solved.

All we gotta do is find someone
with a "Vishuddhi" in his "chakra."

- Yeah, you like that "Vishuddhi," huh?
- What are you, a sceptic?

No, I'm just more interested in this part
of him than I am in this part of him.

We start with the boyfriend, right?

KELLER: Got his phone number
from the girl's address book.

Also, where he works.
You wanna take him?

No.

You go by yourself.

I'll grab a cab and go downtown
and check out his record.

- Okay.
- And Steve?

- Take it easy with him, will you?
- You got another idea?

No, but he's done time

and it won't hurt him to think
somebody wants to send him back.

- Why don't I go downtown?
STONE: What for?

I don't know, slip into a white suit,
get in a white car.

Oh, come on, now.
Get it started and get out, will you?

[KELLER WHISTLES EERILY]

I know, you and
your "Vishuddhi," huh?

COWAN: Hey, Dillon?
- Yeah?

COWAN:
Guy here wants to talk to you.

Hi, my name is Keller.

Is there, uh, anywhere we can talk
without catching pneumonia?

[KELLER SIGHS]

KELLER:
Phew.

How cold does it get in there,
anyway?

- Twenty degrees.
- Twenty degrees?

Must take you a while
to get used to it, huh?

Yeah, well, it's work.

- You said you want a few minutes?
- Yeah.

You know a girl
named Julie Sloane?

- Why?
- Were you with her last night?

Look, what's this all about?

- She was kidnapped.
- What?

About quarter to 6 this morning.
Somebody got her.

- Kidnapped.
- Were you with her last night?

Yeah.

Yeah, we caught a flick
and then we went back to my pad.

She left sometime this morning.
Went home.

- You took her home?
- No, no, like I told him.

I was asleep,
I don't even know what time she--

- You were asleep.
- That's right.

That's great, just great.

- And who did you call after she left?
- Nobody.

Look, I know
what you're trying to do.

- I'm asking you, who did you call?
- I didn't call anybody, I'm telling you.

- I don't know anything about it.
- You know the family's loaded, right?

And we know that you like
a good rip-off every now and then.

- That was a long time ago.
- Two years.

Just long enough
to build up a good appetite.

Yeah, grand theft auto.

A Ferrari.

All right,
so I got high with a bunch of guys

and I stole a car once, so what?

So don't try to con me!

You set up that Sloane girl,
didn't you?

- I didn't have anything to do with it.
- Sonny.

Your friends ran over a newsboy
when they came out of that garage.

He's dead
and we're talking about murder.

If we don't get that girl back,
you haven't got a prayer.

- Now, you understand me?
- All right, Mike, Mike.

Easy.
Why don't you get a cup of coffee.

I don't need a cup of coffee.

I know his type, I've seen them
on the streets for 20 years.

They're all alike.

They gotta make it big
and they gotta make it fast.

Well, I'm gonna tell you something,
sonny.

If you don't spit out the truth,
you and I are gonna have a talk.

And it's gonna be soon.

Coffee.

Your partner's crazy.

No, he's not.
No, he just thinks he's right.

They say when you've been around
long enough, you know.

You don't believe it, do you?

Keller, I'm telling you the truth
and you've gotta believe me.

You have to.

All right, let's go through it again.

Hey, Mike.

Just got a call. They found the car.

- Where?
- The Embarcadero.

- Tow truck just brought it in.
- Good.

STONE:
What do you say, Charlie? Anything?

Yeah, the paint looks like it matches
the flakes on the hit-and-run.

- Any prints?
- No, it's clean so far.

But we got a good heel mark
on the right front floor.

It's a man's shoe, narrow.
Probably an Italian-made or a copy.

STONE: What's this?
CHARLIE: Uh, that's sawdust.

This was down there too.

- Broken glass?
CHARLIE: Plastic.

- Contact lens.
- Can you trace it?

Well, it depends
on how much we have here.

Possible to run a prescription down
on it if we can reconstruct it.

- But that's a long shot.
- Keep shooting, will you?

Okay.

- Did you get anything?
- Maybe.

- How about the boyfriend?
- I let him go.

- Why did you do that?
- Because I believed him.

I believed you for a moment there.

I thought you were going
right down his throat.

You gotta yell at somebody
once in a while.

- Otherwise, you get an ulcer.
- Yeah, so I've noticed.

What do you mean?

Come on, we got exactly 20 minutes
till the next phone call at the Sloanes'.

Is everything all right?

Yes.

SLOANE:
Lieutenant, come on in.

- The call come?
SLOANE: No.

No, but Madame Vasiliev

has been trying to overlook the people
who took Julie.

Oh, that's good.
Now we've got two minutes left.

- Are you ready?
BOB: Yes, sir.

She has seen something.

I want you to listen to her.

I appreciate your faith in that woman,
Mrs. Sloane,

but I think
you'd better let us do this our way.

SLOANE:
Just what have you done?

Put a policeman in my living room.
What good does that do?

Look, I want you to listen to her.
She knows.

- Adele.
- Olga, will you tell them, please?

It's hard to explain to someone
who doesn't share our beliefs.

Look, if you, uh, feel something,
you should tell us.

It's how the lieutenant feels
that's important.

If he's as sceptical as he looks,
I'm sure he doesn't want to hear.

It's my business to be sceptical.
And I don't mean to offend you.

Oh, you haven't, you haven't,
not at all.

No, you're good at what you do.
Very good.

As a matter of fact,
I have great faith in you.

- Even if you have none in me.
STONE: Thank you, you're very kind.

Lieutenant.

All set?

Just keep calm.

And agree to everything they say.

Try to keep them talking.

Adele, trust him.

Hello.

MAN [OVER PHONE]:
Mrs. Sloane?

Yes, this is Mrs. Sloane.

Then you know who this is.

Yes.

Where's my daughter?

- Where's Julie?
- She's fine.

You just pay attention, you hear?

[STUTTERING]
Pay real good attention.

[OVER PHONE]
You go to the bank and get $100,000.

Old bills, you understand?

Then you go home and wait.

We'll tell you what to do
after you get the money.

You've got two hours.

Wait, wait, please.

You heard his voice?

Yeah.

I heard.

- Not enough time for a trace.
- You just stay with it.

Lieutenant, please, you heard his
voice. Won't you listen to Olga now?

I heard him say $100,000.
Can you get that much?

Yes.

Then you go out,
get it and bring it here.

Madame Vasiliev, before the call,
you said you saw something?

No, I didn't see anything.
I received a sense.

An aura of a certain place.

Where Julie is?

- I can't say that for certain, Adele.
- Well, where is this, uh, place?

Well, I can't tell you an exact location,
but the aura was blue.

KELLER:
A blue aura. Meaning what?

That's open to interpretation.

But for me it would be sky, water,
something cool.

Very cold.

- Is that it?
- Yes.

Things appear differently
on the astral plane

than they do in the material plane.

Well, I wish I could understand that.

But I'm afraid I'm going to have to stick
to my own plane.

Man, you must be something else
with a jigsaw puzzle.

No contest.

I don't think I ever finished one
in my life.

Don't let Mike hear you say that.

STONE:
Don't let Mike hear you say what?

CHARLIE: Easy, lieutenant, easy.
- Okay, okay.

- How you doing?
CHARLIE: Doing it.

Hey, why don't you two dudes
back off a little bit, okay?

- What's the matter, we troubling you?
- Yeah.

You're bugging me.

- Did you get the money?
- No, she's still at the bank.

They didn't have enough
old bills on hand.

We got time still.

Yeah, this is a smooth operation.

I don't think they'll go for a stall.

We still have to mark the money
when we get it together.

Mike?

STONE: Finally made it, huh?
- Yeah, just don't anybody sneeze.

"Central Optical Supply."

STONE: We know that's the company
that made the blank.

Hmm. I wish the prescription
was more complete.

Uh, some sort of astigmatism.

KELLER:
It was smashed into a million pieces.

It was the best the lab could do.

The company said
it was a special lens.

They also said that you were one
of a half a dozen people

who ordered it from them
within the last year.

Yes, according to this information,
it's a sports lens.

Designed for strenuous activity.

Has a groove around the edge
to hold it in place.

Now, I've only fitted one patient
with it recently, that I can recall.

Um...

Uh, here we go.

Rubiro. Carlos Rubiro.

- Got an address?
- Yeah. 92 Seven Street, Hotel Atlanta.

- You know this address is a year old?
- Yeah, residential hotel.

Probably still lives here.

Well, thank you. We can manage.

Search warrant.

This guy's been around.

Never mind where he's been.
I wanna know where he is.

He's got Mrs. Sloane's number
in his book.

Mike.

Yeah, could be him.

- Fits with the sports lens, all right.
- Here's the trophy.

STONE:
Mm-hm.

- Hey, here's some other trophies too.
- Hmm?

Look at this.

This guy really does get around.

At least we know what he looks like.

STONE:
Mm, skeet shooter.

KELLER: Think he's got the other?
- Maybe.

Looks like a 12 gauge.
Over and under.

Fancy too.

"555-7371."

- 7371?
- Yeah.

[KELLER CHUCKLES]

- Cal Pacific Airlines.
- How did you know that?

Now, you're not gonna pull those
parlour tricks on me too are you?

- I called it yesterday.
- Why is that?

I had a little time saved up.

- I thought I'd take a little--
- A vacation.

- Maybe.
- Behind my back.

It wouldn't be a vacation
if I was with you.

STONE: Go ahead. You wanna go
on a vacation, go on a vacation.

KELLER:
Who is this, Andy?

Keller, yeah, how you doing? Good.

Listen, could you run an APB for us?
Rubiro, R-U-B-I-R-O.

Carlos, male Caucasian.

About, ooh, 5-foot-10, 170 pounds.

Dark eyes, dark hair.

No. No make on the clothes.

Also, check with Cal Pacific Airlines.

See if his name is on
their passenger list, will you?

Good, thanks a lot. Bye-bye.

Read this.

"Waited till 9:30.
Where were you? Mark."

As in Mark Dillon, right?
The guy that you let go.

- A blue aura.
- What?

Madame Vasiliev, remember?

Says it could have something to do
with being cool.

That's calling the shots.

Next you'll be asking
what sign I was born under.

All right, forget about her.

What about the sawdust?
They got sawdust in an icehouse.

They sure do.

And I'll bet Dillon left some
on the squad room floor.

When you let him walk out.

- That's right.
- Aw...

Hey, Mr. Cowan.

COWAN: Hey, how you doing?
- Good, good.

Listen, uh, is Dillon around?

You're not gonna be seeing him
around here anymore.

Why is that?

- Look, you're a couple of cops, right?
- Yeah.

You gotta deal with that element.

- Me, I don't need the aggravation.
- You fired him?

Yeah, soon as he came back
from seeing you.

- You got an address?
- Sure, it's in the office.

Listen, would you mind
if we took a look around here first?

What's the matter?
You don't believe me?

No, it's not that,
it's just that we're here.

- Come on.
- We're here, Mike, we're here.

Okay.

Is there any place
he ever hung out by himself?

Was alone,
away from everybody else?

The storage room, I guess.

He was icing it up for a big order
we got coming in next week.

- Mind if we took a look?
- Sure, but nobody will be hiding there.

Unless he's part polar bear.
It's awful cold in that room.

Here, you better take this parka.

STONE: Hey, come on, buddy boy.
I get frostbite easy.

Buddy boy, huh?
Where do all these blocks come from?

Oh, they come from a shoot
over here.

Need a new batch anyway.

Stand back.
Keep your feet out of the way.

Mike.

KELLER:
Rubiro.

- Take the back.
- Right.

STONE:
Time for another talk, Dillon.

- Hold it.
- Mike.

- Where did he go?
- Nobody came out here.

KELLER:
He must have doubled back.

KELLER: I'm sorry, Mike.
- You didn't spook him, I did.

I let him go.
I didn't think he was the type.

That's all right.
Let's put out an APB on him.

Inspectors A-1.

MAN [ON RECORDING]:
You got the money?

SLOANE [ON RECORDING]:
Yes.

Is she all right?

- Let me talk to her, please.
MAN: Shut up and listen.

[STUTTERING]
Put the money in the case.

You get one more call
to tell you where to take it.

Five o'clock.

[DIAL TONE ON RECORDING]

- When did this come in?
- About ten minutes ago.

- Oh, dear God.
STONE: Mrs. Sloane.

- You don't-- I'm all right.
STONE: It's all right, sit down.

I'm all right. She's still alive, isn't she?
They won't hurt her?

- Not if I do everything they say.
- We'll never know that for sure.

We just have to keep working.
Now, listen carefully.

Please, get some water.

Right.

Listen to me, Mrs. Sloane.

Did you know a Carlos Rubiro?

Yes, why?

We found your name
in his address book.

It would help us if you told us
everything you know about him.

Well...

We were involved with each other
for a while.

My husband has been dead
for six years.

- Then he knew Julie.
SLOANE: Naturally.

But I haven't seen him recently.

Well, I became aware, after a while,

that his motives
were not what I thought they were.

STONE:
He wanted money?

Yes.

Looks like he found
another way to get it.

- Do you think he's one of them?
- Not anymore.

He's dead.

He could have been one of them,
but somebody dealt him out.

- Did he know Mark Dillon?
- No.

Yes. Yes.

Yes, they met here one night
when Julie came home late.

That boy did it, didn't he?
With Carlos.

- And now he's got Julie.
- Maybe, maybe.

- Where did you meet Rubiro?
- The chapel.

At the chapel?

Yes, The Chapel of the Mind.

Well, you've really
got to give her credit.

She knows
how to put a scene together.

Maybe you could get her
to decorate your apartment.

Lieutenant Stone,
what a pleasant surprise.

You mean to say
you didn't see us coming

in that little crystal ball of yours?

[VASILIEV CHUCKLES]

I see you have your information
about psychic matters

from the comic strips.

- I don't use a crystal.
- Well, that's too bad.

I thought you could look into it

and tell us something
about Carlos Rubiro.

Would you sit down, please?
Over here, please.

Carlos Rubiro.

Yes, please.

Now, what about him?

Well, I'd rather hear it
on your plane first if you don't mind.

Not at all.

He was a member of our group
for a while.

Very interested
in psychic phenomena,

but he had no ability.
A dilettante, really.

So eventually,
I asked him to leave the congregation.

When was this?

About six months ago.

Now, you haven't seen him
in six months?

No. Why?

Does he have anything to do
with what's happening?

Well, not anymore. He's dead.

- He's dead?
STONE: Murdered.

In a place that had a very cold aura.
An ice house.

- Oh, no.
- Mm-hm.

Then apparently
he was involved in what's happening.

Lieutenant.

Are you implying that I am too?

I'm not going to imply anything.
I'm gonna just lay it right flat out.

I don't think anybody could come up
with two long shots like you did.

First, the guy on the phone
and then Rubiro's body.

[VASILIEV CHUCKLES]

Well, I suppose I should be offended
by what you're saying, lieutenant.

But I'm used to it.

You're not the first person
who does not believe

that there are hidden mysteries

because you can't see them
or hold them in your hands.

Less than two centuries ago,

people were denying the existence
of electricity for the same reasons.

All right, getting back to Mr. Rubiro,
excuse me,

can you tell us anything else
about him?

Only that he existed in this world

by playing on the emotions
of wealthy women.

And you don't approve of that?

Lieutenant,

I have been as patient
as I feel I can be with you.

I've told you I'll do nothing
to interfere with your work.

I've told Adele Sloane to put herself
entirely in your hands.

In fact, it was I who advised her
to bring you people in

regardless of the message
on the tape recorder.

- You asked her to call us?
- Yes, she wasn't going to.

She was frightened
because of what the message said.

I see.

Well, then,
I guess I owe you an apology.

You owe me nothing, lieutenant,
but your assurance

that you'll do everything in your power
to keep Julie alive, please.

She's gotta have a record
as long as my arm.

I'm telling you,
Bunko says she's clean.

- What about aliases?
- None that show up, no.

Look, they checked that chapel out
the first day it opened

- like any other hustle. It all scans legit.
- I don't believe it.

Well...

I must say I don't believe what I see
coming through that door either.

Dillon, what the...?

- Keller, I need help.
- Okay, good, good.

- You gotta keep him away from me.
- No problem. Here, sit down.

Over there.

Look, Keller, what do I have to do
to convince you guys

that I haven't done anything?

Dillon, you ran.

I was scared.

I got the phone call.

And then your partner there
kicked in my front door.

- Now, wait a minute, what call?
- Some guy.

He said you were coming
to bust me.

Did you notice anything funny
about the way the guy talked?

Yeah, yeah, he stuttered.
How'd you know about that?

Mike?

I came here to talk to you, not him.

That's all right, son.

- Why did you come here?
- Well, where could I go?

How far could I get?

Look, whatever it is that's happening,
I need help.

I got no place else to go for it.

Did you write this?

- Where you get that?
- Did you write it?

- Yeah.
- To whom?

Julie, who else?

[PHONE RINGING]

Homicide, Stone.

Yeah, where?

Got it.

- Steve.
- Yeah.

Put somebody on him.
Mrs. Sloane got her call.

- Where are we going?
- Telephone booth, airport.

[PHONE RINGS]

Andrews.

[PHONE RINGS]

- Hello.
- You brought cops with you.

No, no, I came by myself,
as you said.

You're a liar.

There are cops all over the place.

You think we don't know
what's going on?

No, no, please, please.
Look, I brought the money.

Just tell me what to do with it.

All right, lady,
just shut up and listen.

[OVER PHONE]
You do exactly what I say.

Put the case on the ledge
next to the phone.

SLOANE [OVER PHONE]:
It's there.

Now, count to five
and then knock it over.

Make it look like an accident.

- Yes.
- Under the seat, there's another case.

Exchange them.

Then go down to the helicopter
waiting area and sit tight.

All right.

They told her to go someplace else.

Figures, they know we're around.
They're gonna try to shake us.

KELLER:
Something's wrong.

I'll sit next to her
and see what they said.

- No, they'd spot you.
- We gotta do something.

Well, let's give it
another ten minutes.

- Hey, Olga, you got it?
- Yes, I've got it.

And then he said he knew
that the police were there

and that he would kill her
and that there was this case

at the bottom of the phone booth
and that I should switch them

and then just come here and wait.

A matching case.
We should've figured that.

Well, you can't figure them all.
It's all right, Mrs. Sloane.

Come on, we'll drive you home.

- You think they'll let her go?
- We'll just have to wait.

Rob.

Check out that body.

I'll call an ambulance
and notify Homicide.

[MUFFLED MOANING NEARBY]

Baby.

- Baby.
- I'm all right.

- Are you all right?
- Yes, Mother, I'm all right.

- Honestly, Mother, I'm all right.
- Julie.

I'm Lieutenant Stone
of the police department.

Are you strong enough
to answer a couple of questions?

Yes, I think so.

Now, I know this is unpleasant,

but the man that was killed,
was he one of them?

Yes, he's the one I had to stay with.

Was there anybody else involved?

Carlos Rubiro.

Anybody else?

No, just the two of them.

No, there's gotta be a third
somewhere.

SLOANE: Mark Dillon.
- Mark?

SLOANE:
He's one of them, I know he is.

- If you find him--
- Mrs. Sloane, we know where he is.

At least for the last couple of hours.

Julie, the man that was killed,
did you hear the shot?

- Yes.
- Now, this is very important, Julie.

Do you know how much time it took
between the time you heard the shot

and the time the policemen
found you?

I'm not sure.
But I think it was just a few minutes.

Dillon couldn't have pulled
the trigger.

Well, he could have set it up.
Gave himself a perfect alibi.

How could I set up anything?
I was here all the time.

Could be the truth, son.

Or it could be a pretty smart move.

Print report they found
on the shotgun, Mike.

They belong to Dillon.

Well, that's beautiful.
What, he shoot the guy by ESP?

STONE:
Dillon, you heard the man.

Now, let's hear it from you.

How did your prints happen to get
on Rubiro's shotgun?

Rubiro set me up.

I was the real pigeon.
Rubiro, my friend.

That's why he offered me
a ride home that day.

He had the guns in the car.

"Here, Dillon,
look at the pretty little gun."

My fingerprints all over the place.

Well, we've only got
one suspect left.

ALL [SINGING]:
Preserve me

VASILIEV [SINGING]:
With the sword

ALL:
Destroy me

VASILIEV:
With the pentacle

ALL:
Redeem me

All right, party's over, madame.

Don't be disturbed, anyone.

I'll be back in a moment.
This way, please.

Will you hold this for me?
Thank you.

This time, I think you do owe me
an apology, lieutenant.

There's a sucker born every minute,
isn't there?

I beg your pardon?

All these years,
it's been nickels and dimes, hasn't it?

Nickels and dimes,
until you met Mrs. Sloane.

And then she was big money.
She was worthy of your best effort.

Only it had to be a perfect con job.

No witnesses.

That's why you killed
those two stooges

who did the kidnapping for you,
isn't it?

That left you $100,000
in unshared profit.

We never have communicated
very well, lieutenant.

But this time,
I'm not following you at all.

Oh, it's not a matter of you
following me.

It's always been me following you
right down the path that you laid out.

First, it was the broken lens
that led us right to Rubiro.

And then it was the sawdust, the note,
that led us right to Dillon

and he was the best one, wasn't he?

He was the perfect suspect.

Because once we found
his fingerprints on that shotgun,

he could cry innocent
all he wanted to

but we wouldn't believe him
because he was a perfect ex-con.

The perfect criminal type.

Ha, ha. Really, lieutenant?

It would have worked.
It really would have.

Except, he didn't react
like a criminal.

Do you know where he was
when you pulled that trigger?

Headquarters.

He's been there
since 5:00 this afternoon.

Are you finished?

No.

You are.

You're under arrest
for kidnapping and murder.

Arrest? You can't arrest me.

What are you going to use
for evidence?

Your fantasies?

No. No fantasies.

We figured you'd object
knowing the law the way you do.

So we brought along
a search warrant.

Mike, I got it.

You never should have looked.

Book her.

Well, the doctor wants
to keep her here overnight.

- But I can take her home tomorrow.
- Well, that's good.

I don't know if you can stand
any more good news,

but, um, we recovered
your money for you.

Oh, that's good.

I'd have gladly given it up though,
you know.

The important thing
is to get Julie back.

Look, Mrs. Sloane.

I realise that it's none of my business,
but Dillon, he's--

- What about him?
- Well, he just isn't all that bad.

He was very concerned
about what happened to Julie.

Yes, I suppose he was.

Well, that's really Julie's decision now,
isn't it?

And after all, she's old enough
to live her own life now.

Oh. Would you excuse me
a minute?

I must call Madame Vasiliev
and tell her what's happened.

Oh, no, I don't think I'd call her.

I'll bet she already knows
what happened.

Of course. Of course she does.

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