All language subtitles for Geddy Lee Asks Ep 02 Robert Trujillo - English Subtitles

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:27,260 --> 00:00:28,100 - Hey! 2 00:00:28,160 --> 00:00:30,300 - Olé! (Rob chuckles) 3 00:00:30,360 --> 00:00:32,600 - We don't need no stinking guitar players. - We don't. 4 00:00:32,670 --> 00:00:35,440 (theme song) 5 00:00:35,500 --> 00:00:36,940 (Geddy): I'm Geddy Lee. 6 00:00:37,000 --> 00:00:40,570 Bass player in the band Rush for almost five decades. 7 00:00:40,640 --> 00:00:42,540 But also, a bird photographer, 8 00:00:42,610 --> 00:00:48,050 a wine collector, baseball aficionado, you know, a nerd! 9 00:00:49,420 --> 00:00:53,020 Which got me wondering whether my fellow bass folk are more 10 00:00:53,090 --> 00:00:54,760 than just the shadowy figures 11 00:00:54,820 --> 00:00:57,430 we see skulking around the stage. 12 00:00:57,860 --> 00:01:02,100 I wanna know, "Are Bass Players Human Too?" 13 00:01:02,700 --> 00:01:03,960 (goat bleating) 14 00:01:06,170 --> 00:01:08,770 (heavy metal music) 15 00:01:08,840 --> 00:01:11,340 Topanga Canyon, California. 16 00:01:12,010 --> 00:01:14,180 Where the mountains meet the sea. 17 00:01:14,710 --> 00:01:20,150 A bohemian paradise nestled between Los Angeles and Malibu. 18 00:01:20,210 --> 00:01:24,050 For decades, artists of every stripe have lived here, 19 00:01:25,050 --> 00:01:27,290 Is that something a TV host would say? 20 00:01:27,360 --> 00:01:29,490 Beats me. I'm just a rookie. 21 00:01:30,790 --> 00:01:32,760 (director): And action! 22 00:01:32,830 --> 00:01:33,890 (hands clapping) 23 00:01:33,960 --> 00:01:35,660 (Geddy): I'm here to meet Robert Trujillo, 24 00:01:35,730 --> 00:01:38,130 bass player for Metallica. 25 00:01:39,930 --> 00:01:42,300 I've met Rob before in a musical context, 26 00:01:42,370 --> 00:01:44,840 but I'm eager to hang with him on a more human level. 27 00:01:44,910 --> 00:01:46,510 - What's going on, man? 28 00:01:46,570 --> 00:01:49,440 How you doin'? (Geddy): You could call it a bass players' play date. 29 00:01:49,510 --> 00:01:51,450 Great to see you, man. - Great to see you. 30 00:01:51,510 --> 00:01:53,250 How you feeling today? - I'm good. 31 00:01:53,310 --> 00:01:55,620 - Good day? Yeah. - I'm great. I'm awesome. 32 00:01:55,680 --> 00:01:57,320 Look at this place. - Yeah. 33 00:01:57,380 --> 00:01:59,620 - It just blows my mind on entry. 34 00:01:59,690 --> 00:02:03,490 Rob's wild Spanish-style home is really something to see. 35 00:02:03,560 --> 00:02:05,330 - We're actually gonna go through the kitchen. 36 00:02:05,390 --> 00:02:08,600 - How did this rocker land in such a magical place? 37 00:02:08,660 --> 00:02:11,030 (crowd cheering) 38 00:02:11,100 --> 00:02:15,470 - On the bass guitar, my friend, Roberto! 39 00:02:16,800 --> 00:02:20,040 (Geddy): Rob grew up a few miles away in Santa Monica. 40 00:02:20,110 --> 00:02:23,080 As a kid, he was an avid skateboarder and surfer, 41 00:02:23,140 --> 00:02:24,550 and he still is. 42 00:02:24,610 --> 00:02:26,950 In the 80s, you may have seen him in the crossover 43 00:02:27,010 --> 00:02:29,580 thrash band Suicidal Tendencies. 44 00:02:29,650 --> 00:02:32,450 - Mr. Robert Trujillo! 45 00:02:32,520 --> 00:02:36,460 (Geddy): And he spent much of the 90s playing bass with Ozzy! 46 00:02:36,520 --> 00:02:39,860 (* For Whom the Bell Tolls by Metallica) 47 00:02:39,930 --> 00:02:44,700 But in the early 2000s, he landed metal's most coveted gig. 48 00:02:44,770 --> 00:02:46,670 - We want you to be a real member of this band, 49 00:02:46,730 --> 00:02:48,870 not just a hired hand. - Right. Right, absolutely. 50 00:02:48,940 --> 00:02:50,670 - And um... (Rob): Oh, wow. 51 00:02:50,740 --> 00:02:53,510 - ...we'd like to offer you, just to show you how serious we are about this, 52 00:02:53,570 --> 00:02:54,710 offer you $1,000,000. 53 00:02:55,010 --> 00:02:57,650 (Geddy): Talk about a life-changing moment. 54 00:03:00,510 --> 00:03:03,150 For the past 20 years, he's been travelling the world 55 00:03:03,220 --> 00:03:07,790 with Metallica, metal's all-time monster band. 56 00:03:11,020 --> 00:03:12,590 (Robert beatboxing) 57 00:03:12,660 --> 00:03:14,600 On stage, he's a beast. 58 00:03:14,660 --> 00:03:16,230 (James shouts indistinctly) 59 00:03:17,060 --> 00:03:19,600 (Geddy): But is he human, too? 60 00:03:23,100 --> 00:03:25,340 (birds chirping) 61 00:03:25,410 --> 00:03:28,380 - We've got pineapples, piña. 62 00:03:28,440 --> 00:03:30,480 And bananas. You know, crystals. 63 00:03:30,540 --> 00:03:34,380 Chloé loves crystals, so you're gonna see a lot of crystals in the house. 64 00:03:34,950 --> 00:03:36,620 (Geddy): Rob lives in this wonderland 65 00:03:36,680 --> 00:03:38,420 with his wife, Chloé. 66 00:03:39,950 --> 00:03:41,120 Why, thank you very much. 67 00:03:41,190 --> 00:03:43,190 Keep talking, keep talking. (Chloé): Yeah! 68 00:03:43,260 --> 00:03:45,990 (Geddy): His daughter Lola, and his son, Ty, 69 00:03:46,060 --> 00:03:48,630 a monster bassist in his own right. 70 00:03:48,700 --> 00:03:50,060 - Awesome. - There ya go. 71 00:03:50,130 --> 00:03:51,800 - There ya go. Thank you. - My pleasure. 72 00:03:51,870 --> 00:03:53,170 - Stoked! 73 00:03:53,230 --> 00:03:54,800 (Geddy): Let's see the rest of the house. 74 00:03:54,870 --> 00:03:58,310 First up on our play date is the tour of their home. 75 00:03:58,370 --> 00:04:02,380 It's kinda like MTV Cribs, but for bass players. 76 00:04:02,440 --> 00:04:04,610 That's really a feast for the eyes. 77 00:04:04,680 --> 00:04:05,580 - Yeah. 78 00:04:06,250 --> 00:04:07,580 This is our library. 79 00:04:07,650 --> 00:04:10,950 Um, of course, there's an amp in almost every room 80 00:04:11,020 --> 00:04:12,620 and at least three basses. 81 00:04:12,690 --> 00:04:14,250 We've got five strings, 82 00:04:14,320 --> 00:04:17,160 we've got the Music Man Saber bass. 83 00:04:17,220 --> 00:04:19,760 And the good old T-Bird right here. 84 00:04:19,830 --> 00:04:20,860 (Geddy): Mm-hmm. 85 00:04:21,190 --> 00:04:24,330 - We're entering what I call the great room. 86 00:04:25,170 --> 00:04:28,500 We've got an upright bass here. (bass plucks) 87 00:04:29,370 --> 00:04:32,610 So, this area, this is, uh, temporary right now. 88 00:04:32,670 --> 00:04:34,980 During the pandemic, this was my zone 89 00:04:35,040 --> 00:04:39,950 where I was able to unleash new grooves, new song ideas. 90 00:04:40,010 --> 00:04:42,550 A lot of the new Metallica stuff that we were working on, 91 00:04:42,620 --> 00:04:45,720 that happened here. You've got the surf report right here. 92 00:04:45,790 --> 00:04:47,150 (laughs) 93 00:04:47,220 --> 00:04:48,920 Not the Pro Tools session right now. 94 00:04:48,990 --> 00:04:51,390 - It looks like a Pro Tools session. - You know? Yeah. 95 00:04:51,460 --> 00:04:52,860 - Different kind of waves. 96 00:04:53,990 --> 00:04:56,630 Your first introduction to bass, 97 00:04:56,700 --> 00:04:59,970 what was the song, what was the sound? 98 00:05:00,030 --> 00:05:02,540 What made you wanna be a bass player? 99 00:05:02,600 --> 00:05:07,440 - Let's go way back to hearing Motown bass lines, 100 00:05:07,510 --> 00:05:09,510 James Brown songs. - Mm-hmm. 101 00:05:09,580 --> 00:05:13,850 - All of that bass somehow resonated with me. 102 00:05:13,910 --> 00:05:15,220 I felt that. 103 00:05:15,280 --> 00:05:19,920 And then, my first concert was The Isley Brothers, 104 00:05:20,420 --> 00:05:23,520 an amazing funk rock band. 105 00:05:23,590 --> 00:05:26,260 And I remember everybody being on their feet 106 00:05:26,330 --> 00:05:29,030 and they were all rocking out and dancing. 107 00:05:29,100 --> 00:05:31,300 And what I did take from that was 108 00:05:31,370 --> 00:05:34,970 hey, this music is really driven by the rhythm section, 109 00:05:35,030 --> 00:05:38,510 the drums and the bass. It was all about the groove. 110 00:05:38,570 --> 00:05:41,810 And that was the first time that I realized that 111 00:05:41,880 --> 00:05:43,280 that's what I wanted to do. 112 00:05:43,340 --> 00:05:45,080 - Now, do you find every time you pick up 113 00:05:45,150 --> 00:05:48,620 a different instrument, it makes you play a tiny, little bit differently? 114 00:05:48,680 --> 00:05:49,950 - Absolutely, yeah. 115 00:05:50,020 --> 00:05:52,820 - And might inspire a different kind of creative spark? 116 00:05:52,890 --> 00:05:56,090 - This eight string is great 'cause of the chordal movements. 117 00:05:56,160 --> 00:05:57,830 It's a writing machine, you know. 118 00:05:57,890 --> 00:05:58,830 You can... yeah. 119 00:05:58,890 --> 00:06:01,330 (plucking) 120 00:06:07,270 --> 00:06:10,270 It's like having your guitar player and a bass player 121 00:06:10,340 --> 00:06:11,740 in the palm of your hands. 122 00:06:13,810 --> 00:06:14,980 - Yeah, yeah. 123 00:06:17,610 --> 00:06:21,520 (**) 124 00:06:24,220 --> 00:06:25,720 (waves crashing) 125 00:06:26,420 --> 00:06:29,660 (calm ethereal music) 126 00:06:29,720 --> 00:06:33,090 (Geddy): Yup, from sound waves to real waves, 127 00:06:33,160 --> 00:06:36,360 Rob is taking me to the beaches of Malibu 128 00:06:36,430 --> 00:06:40,370 to share another one of his lifelong passions. 129 00:06:46,170 --> 00:06:47,610 Although, I've got to admit, 130 00:06:47,680 --> 00:06:50,540 I'm kinda more into the birdwatching. 131 00:06:50,610 --> 00:06:53,710 I'm a 69-year-old Jewish man from Canada. 132 00:06:53,780 --> 00:06:57,450 (chuckles) So, uh, I know nothing about surfing. 133 00:06:57,520 --> 00:06:59,690 - Okay. - When you've finished a tour, 134 00:06:59,750 --> 00:07:02,260 how many times a week will you come down here? 135 00:07:02,320 --> 00:07:05,360 - If the waves are good, as much as possible. 136 00:07:05,430 --> 00:07:08,760 The minute I see the Pacific Ocean, it's already healing. 137 00:07:08,830 --> 00:07:12,870 (surf rock music) 138 00:07:18,810 --> 00:07:21,040 Conditioning is important in what we do, you know. 139 00:07:21,110 --> 00:07:22,710 - Absolutely. - The shows are long. 140 00:07:22,780 --> 00:07:24,340 - Yeah. - So, it is a workout 141 00:07:24,410 --> 00:07:26,080 and there's a lot of cardio involved, 142 00:07:26,150 --> 00:07:27,750 and rotating mic positions. 143 00:07:27,820 --> 00:07:32,590 And surfing's obviously great for your cardio and your exercise, 144 00:07:32,650 --> 00:07:35,560 but it's also therapeutic, you know? 145 00:07:35,620 --> 00:07:37,990 You can work out your problems in the ocean. 146 00:07:40,390 --> 00:07:42,630 It's also something that when you're on tour, 147 00:07:42,700 --> 00:07:47,270 it's a great way to kinda experience the world. 148 00:07:47,800 --> 00:07:50,240 Kirk and I, like, we've surfed all over the world, 149 00:07:50,300 --> 00:07:52,910 Australia or New Zealand, Hawaii. 150 00:07:52,970 --> 00:07:57,180 And of course, Kirk and I actually created this friendship 151 00:07:57,240 --> 00:08:00,380 and this bond before we were even playing in Metallica together. 152 00:08:00,450 --> 00:08:02,280 - Oh, really? - He surfed, I surfed, 153 00:08:02,350 --> 00:08:04,920 and I think that helped get the audition too, 154 00:08:04,990 --> 00:08:07,220 was because of him, as a surfer. (Geddy laughs) 155 00:08:07,290 --> 00:08:09,020 So, thank you, surfing. 156 00:08:09,090 --> 00:08:11,060 (wave rushes) 157 00:08:11,120 --> 00:08:12,630 - And so, you know, when... (laughs) 158 00:08:12,690 --> 00:08:14,860 I just saw somebody go under there. 159 00:08:14,930 --> 00:08:16,060 - Right, right, right. 160 00:08:16,130 --> 00:08:17,800 (playful music) - So, obviously, 161 00:08:17,870 --> 00:08:20,770 this is a death-defying sport, in many ways. 162 00:08:20,830 --> 00:08:23,440 - Oh, this is... - The digits, man. You gotta protect the digits. 163 00:08:23,500 --> 00:08:25,270 - Yeah, man. (Geddy laughs) 164 00:08:25,340 --> 00:08:27,370 There's obviously that risk. But with surfing, 165 00:08:27,440 --> 00:08:29,380 you just kinda gotta go 166 00:08:29,440 --> 00:08:30,910 with your instincts and your abilities. 167 00:08:30,980 --> 00:08:33,950 And you take your beatings and you accept it. 168 00:08:34,010 --> 00:08:38,690 (graceful orchestral music) 169 00:08:50,700 --> 00:08:52,070 (Rob): Oh! 170 00:08:52,570 --> 00:08:54,470 - That's awesome. - Feels good, right? 171 00:08:54,530 --> 00:08:55,870 - That's awesome. 172 00:08:55,940 --> 00:08:58,840 Little Pacific on my feet. - There you go. 173 00:08:58,910 --> 00:09:01,310 (Geddy): All right, all right, Rob's convinced me. 174 00:09:01,370 --> 00:09:03,280 This city boy from the Great White North 175 00:09:03,340 --> 00:09:05,010 needs to give surfing a go. 176 00:09:05,080 --> 00:09:09,650 (surf rock music) 177 00:09:11,690 --> 00:09:13,890 Hey, this ain't as tough as it looks. 178 00:09:13,950 --> 00:09:16,190 I'm already getting the hang of it. 179 00:09:16,260 --> 00:09:17,760 Don't snake me, Rob! 180 00:09:17,830 --> 00:09:20,690 - Geddy, you're such a Barney! 181 00:09:21,160 --> 00:09:29,100 - Whoo! 182 00:09:34,170 --> 00:09:37,480 (Geddy): Now, this ride is more my style. 183 00:09:37,540 --> 00:09:39,310 - Veer right, veer right. 184 00:09:41,280 --> 00:09:44,990 (Geddy): This is Dogtown, AKA Venice Beach, 185 00:09:45,050 --> 00:09:47,920 Rob's stomping grounds for much of his life. 186 00:09:47,990 --> 00:09:49,560 (Rob): Cop, cop, cop. 187 00:09:49,620 --> 00:09:50,760 Ooh! 188 00:09:50,820 --> 00:09:53,260 (Geddy): We're headed to the offices of "Juice," 189 00:09:53,330 --> 00:09:55,200 a skate and surf magazine that 190 00:09:55,260 --> 00:09:57,830 has featured Rob's love for boarding. 191 00:09:58,130 --> 00:09:59,400 Here, we meet Dan Levy, 192 00:09:59,470 --> 00:10:03,300 central figure of Dogtown's legendary skate culture. 193 00:10:03,370 --> 00:10:05,240 - Wow, this is a whole new thing! 194 00:10:05,310 --> 00:10:07,640 Between two bass players. - Between two bass players. 195 00:10:08,240 --> 00:10:11,210 Dan, can you give us a brief history 196 00:10:11,280 --> 00:10:12,510 in the culture of skating? 197 00:10:12,580 --> 00:10:15,550 (Dan): Where we are right now is just north Venice, 198 00:10:15,620 --> 00:10:17,220 like right where Santa Monica kind of starts. 199 00:10:17,280 --> 00:10:19,550 So, back in the day, there was a very famous pier 200 00:10:19,620 --> 00:10:22,390 called the POP Pier, which was Pacific Ocean Park Pier. 201 00:10:22,460 --> 00:10:24,930 (heavy metal music) 202 00:10:24,990 --> 00:10:26,830 That's where like, Tony Alva and Jay Adams 203 00:10:26,890 --> 00:10:28,160 and the Zephyr Team were formed. 204 00:10:28,230 --> 00:10:31,130 And then, surf-skate style and aggression was born. 205 00:10:32,430 --> 00:10:35,040 You hear about the attitude and punk rock. 206 00:10:35,100 --> 00:10:37,340 Performance-based atmosphere was all born right here. 207 00:10:37,400 --> 00:10:39,370 Not to mention the graffiti culture, 208 00:10:39,440 --> 00:10:41,510 the photography, everything, it's all here. 209 00:10:41,570 --> 00:10:44,580 Like, it's like a bohemian beach side of creativity. 210 00:10:45,780 --> 00:10:47,180 (Rob): I grew up here. 211 00:10:47,250 --> 00:10:50,320 As a little kid, this boardwalk here and the energy of it, 212 00:10:50,380 --> 00:10:53,850 it was very exciting and it was a little bit scary. 213 00:10:53,920 --> 00:10:55,520 You would see the Manson family 214 00:10:55,590 --> 00:10:58,230 walking down the boardwalk back in the 70s. 215 00:10:58,290 --> 00:11:01,290 The Hare Krishna community was very strong. 216 00:11:01,360 --> 00:11:03,900 I mean, I loved the percussion and everything, 217 00:11:03,960 --> 00:11:05,970 but that was like, wow, this is intense! 218 00:11:06,030 --> 00:11:10,170 - First thing that drew me when I walked in the room was this. 219 00:11:10,240 --> 00:11:12,970 - This was the first skate photo ever shot 220 00:11:13,040 --> 00:11:15,880 at the Venice Park before it was done being built. 221 00:11:15,940 --> 00:11:17,580 This is Jesse Martinez who, 222 00:11:17,640 --> 00:11:21,450 for Dogtown culture, is probably one of the epitomes of it. 223 00:11:21,510 --> 00:11:22,950 And this is about 6 in the morning. 224 00:11:23,020 --> 00:11:25,790 I don't know, you're lucky if you get one iconic song maybe, 225 00:11:25,850 --> 00:11:28,220 or one iconic photo, and this one, to me, is that. 226 00:11:28,290 --> 00:11:31,620 And it's in focus, which is a bonus for me, so I'm psyched. (Rob): There you go. 227 00:11:32,130 --> 00:11:34,590 (* For Whom the Bell Tolls * by Metallica) 228 00:11:34,660 --> 00:11:36,960 (Geddy): It was local skaters that led the initiative 229 00:11:37,030 --> 00:11:39,470 to build the Venice Skate Park. 230 00:11:43,200 --> 00:11:44,770 It's a vital community hub 231 00:11:44,840 --> 00:11:49,940 where local kids practise their grinds, rails, and fakies, 232 00:11:50,010 --> 00:11:51,510 whatever the hell those are. 233 00:11:52,650 --> 00:11:53,780 I'd step on that thing 234 00:11:53,850 --> 00:11:56,220 and I'd go flying in a heartbeat. - Same here. 235 00:11:56,280 --> 00:11:57,920 Yeah. - But you, 236 00:11:57,990 --> 00:11:59,990 you do that. - I don't ride these bowls. 237 00:12:00,050 --> 00:12:01,520 Hell no. 238 00:12:01,990 --> 00:12:03,360 That'd be my death wish. 239 00:12:04,560 --> 00:12:06,360 - Oh, is that what you call grinding? 240 00:12:06,430 --> 00:12:08,560 - Yeah. Yeah, that's grinding. 241 00:12:08,630 --> 00:12:10,530 He's the best at that. (crowd cheers) 242 00:12:10,600 --> 00:12:12,270 - He's really good. - He switched his feet around. 243 00:12:12,330 --> 00:12:14,770 - Yeah, yeah. - He just spun his feet around. 244 00:12:15,670 --> 00:12:18,070 - Yeah. - That's insane. 245 00:12:18,140 --> 00:12:19,670 (Rob): Like, watch this. 246 00:12:19,740 --> 00:12:21,240 He works the whole park. 247 00:12:21,670 --> 00:12:23,510 - You're amazing. - Yeah. - Thanks! 248 00:12:23,580 --> 00:12:24,680 - Incredible. 249 00:12:26,110 --> 00:12:29,820 (**) 250 00:12:34,520 --> 00:12:36,390 - Oh! 251 00:12:37,390 --> 00:12:40,290 - Skating kinda teaches you humility. 252 00:12:40,360 --> 00:12:42,560 - Yeah. Oh, yeah. - Because you're gonna fall. 253 00:12:42,630 --> 00:12:44,870 - Yeah. Yeah, exactly. - And you just gotta get back up again. 254 00:12:44,930 --> 00:12:46,200 - Yeah. 255 00:12:47,700 --> 00:12:49,070 Keep trying, right? 256 00:12:49,140 --> 00:12:52,870 (Geddy): Oh, yeah! Right on! 257 00:12:55,140 --> 00:12:56,410 (Rob): Yeah, bring it! 258 00:12:56,480 --> 00:12:58,980 Bring it over here! Come on, over here! Yeah, yeah! 259 00:12:59,050 --> 00:13:01,880 - That was major, dude! Major! 260 00:13:05,520 --> 00:13:06,950 (birds chirping) 261 00:13:07,020 --> 00:13:09,360 (Geddy): After being wowed by the skaters, 262 00:13:09,420 --> 00:13:11,120 it's back to Casa Trujillo, 263 00:13:11,190 --> 00:13:13,990 where Robert shares the twisted tale of what 264 00:13:14,060 --> 00:13:15,960 I consider to be one of the most 265 00:13:16,030 --> 00:13:18,730 important instruments on the planet. 266 00:13:18,800 --> 00:13:22,770 We're sitting in the presence of the bass. 267 00:13:22,840 --> 00:13:24,700 - The Bass of Doom. - The Bass of Doom. 268 00:13:24,770 --> 00:13:25,970 Jaco Pastorius. 269 00:13:26,040 --> 00:13:30,080 (* Portrait of Tracy by Jaco Pastorius) 270 00:13:31,380 --> 00:13:35,520 Jaco Pastorius, who was the Jimi Hendrix of bass, 271 00:13:35,580 --> 00:13:38,550 a unique and remarkable player 272 00:13:38,620 --> 00:13:42,660 that elevated jazz bass, funk bass, 273 00:13:42,720 --> 00:13:45,790 into a whole different area. 274 00:13:46,960 --> 00:13:49,230 - I saw Jaco play three times 275 00:13:49,300 --> 00:13:52,900 and I've known the Pastorius family for many, many years. 276 00:13:52,970 --> 00:13:55,300 Jaco had that long hair and he reminded me of 277 00:13:55,370 --> 00:13:58,910 all the skateboarder, surfers that I grew up with in the neighbourhood. 278 00:14:01,240 --> 00:14:04,580 - And not only was his playing pyrotechnic, 279 00:14:04,640 --> 00:14:07,980 but he had a sound that was haunting. 280 00:14:09,450 --> 00:14:12,950 Part of that beautiful tone was down to the instrument itself, 281 00:14:13,020 --> 00:14:15,990 a 1962 Fender Jazz Bass 282 00:14:16,060 --> 00:14:18,060 which, according to legend, 283 00:14:18,130 --> 00:14:22,830 Jaco modified by removing all of the frets with a butter knife. 284 00:14:22,900 --> 00:14:26,630 - The instrument itself has its own personality 285 00:14:26,700 --> 00:14:29,540 and its own existence. It's been through a lot. 286 00:14:29,600 --> 00:14:32,610 There's a lot of drama that's followed this thing around. 287 00:14:32,670 --> 00:14:36,040 Some people have even said, "That bass is haunted," you know. 288 00:14:36,110 --> 00:14:37,780 - You see old pictures of this bass. 289 00:14:37,840 --> 00:14:40,110 - You know, it doesn't look like this. 290 00:14:40,180 --> 00:14:43,520 - Right. - It got damaged at one point 291 00:14:43,580 --> 00:14:44,920 in the middle 80s. - Yeah. 292 00:14:44,990 --> 00:14:48,160 - And Jaco wanted a new laminate put on the front. 293 00:14:48,220 --> 00:14:50,660 - He did. He wanted a new, fresh look, front and back. 294 00:14:50,720 --> 00:14:52,690 But the neck is the same. The neck is... 295 00:14:52,760 --> 00:14:55,900 you can see it's been in traction, you know. 296 00:14:55,960 --> 00:14:57,460 You've got a... - Yeah, it's damaged. 297 00:14:57,530 --> 00:14:58,800 - ...a lot of damage here. 298 00:14:58,870 --> 00:15:01,430 But the feel is just... - It's just... 299 00:15:01,500 --> 00:15:04,170 (bass guitar sings deeply) 300 00:15:04,240 --> 00:15:06,470 - You can just do that. It's... 301 00:15:06,540 --> 00:15:07,940 and it's already singing. 302 00:15:10,510 --> 00:15:12,010 - There you go. 303 00:15:13,910 --> 00:15:17,150 (* Portrait of Tracy resumes) 304 00:15:18,050 --> 00:15:20,450 (crowd cheers and claps) 305 00:15:29,860 --> 00:15:31,030 - Nicely done. - Chords like that. 306 00:15:31,100 --> 00:15:32,030 - Yeah, yeah. - I mean, 307 00:15:32,100 --> 00:15:33,470 who does that? Who does...? 308 00:15:33,530 --> 00:15:35,500 (bass sings deeply) 309 00:15:36,870 --> 00:15:38,510 It's got the personality 310 00:15:38,570 --> 00:15:41,240 and can only sound like that on this instrument, you know. 311 00:15:41,310 --> 00:15:42,710 It just speaks. 312 00:15:42,780 --> 00:15:45,650 (**) 313 00:15:45,710 --> 00:15:48,320 (Geddy): Jaco lost the bass in 1986 314 00:15:48,380 --> 00:15:51,120 and tragically died a year later. 315 00:15:51,180 --> 00:15:54,490 Rob helped the family produce a film on Jaco's life, 316 00:15:54,550 --> 00:15:55,920 and it was around that time 317 00:15:55,990 --> 00:15:58,960 that the bass mysteriously resurfaced. 318 00:15:59,030 --> 00:16:00,530 (Rob): A collector had it. 319 00:16:00,590 --> 00:16:03,160 The family had no idea that 320 00:16:03,230 --> 00:16:05,330 the bass was even out there, you know. 321 00:16:05,400 --> 00:16:07,800 It'd been missing for so many years. 322 00:16:07,870 --> 00:16:10,000 So, there was a legal dispute 323 00:16:10,070 --> 00:16:14,640 and I basically sponsored the money 324 00:16:14,710 --> 00:16:16,710 as it was very important that 325 00:16:16,780 --> 00:16:19,810 the instrument gets back to the family 326 00:16:19,880 --> 00:16:21,280 and the family circle. 327 00:16:21,350 --> 00:16:23,850 - His life was not a straight line. 328 00:16:23,920 --> 00:16:25,720 It was up and down and there was some... 329 00:16:25,790 --> 00:16:26,950 - Yeah. - ...tragic moments. 330 00:16:27,020 --> 00:16:30,120 - Yeah. - And so, to see the bass back 331 00:16:30,190 --> 00:16:32,830 into the family hands, thanks to you, 332 00:16:32,890 --> 00:16:35,630 I think is what I would call a mitzvah. 333 00:16:35,700 --> 00:16:39,130 You know, you've done a good thing for the universe. 334 00:16:40,230 --> 00:16:43,070 - I'm gonna hand this over to the man. 335 00:16:43,140 --> 00:16:46,440 - I'm not gonna play any Jaco parts 'cause I can't. 336 00:16:46,510 --> 00:16:49,640 (bass guitar sings deeply) 337 00:16:49,710 --> 00:16:53,050 It's just a privilege to hold this instrument. - Yeah, it is. 338 00:16:59,220 --> 00:17:02,220 (**) 339 00:17:12,800 --> 00:17:15,300 (Geddy): My visit has been such a blast 340 00:17:15,370 --> 00:17:17,400 learning about surf and skate culture 341 00:17:17,470 --> 00:17:20,470 and noodling on one of the world's great basses. 342 00:17:21,010 --> 00:17:23,240 I'm not sure what could top that. 343 00:17:23,310 --> 00:17:24,410 (Rob): Hola! (Lala): Hi. 344 00:17:24,480 --> 00:17:27,110 (Rob speaking Spanish) 345 00:17:27,180 --> 00:17:29,520 (Geddy): Oh, yeah, LA tacos. 346 00:17:29,580 --> 00:17:31,780 They make everything better. 347 00:17:31,850 --> 00:17:34,190 Lala's Kitchen. (Rob): Yeah, Lala's Kitchen. 348 00:17:34,250 --> 00:17:36,120 Local style. - Love it. 349 00:17:36,190 --> 00:17:37,990 (Lala and Rob speaking Spanish) 350 00:17:38,060 --> 00:17:40,590 (Geddy): Put my stuff on. (Rob): Your salsa. 351 00:17:40,660 --> 00:17:42,200 This is deadly right here. 352 00:17:42,260 --> 00:17:44,530 Cilantro, savoyas. 353 00:17:44,600 --> 00:17:47,100 (Geddy): It's Saturday night in Santa Monica. 354 00:17:47,170 --> 00:17:49,940 Rob's son, Ty, has a band of his own called OTTTO, 355 00:17:50,000 --> 00:17:52,040 which has really piqued my curiosity. 356 00:17:52,110 --> 00:17:55,040 So, Ty's band is a three piece. (Rob): They are. 357 00:17:55,110 --> 00:17:57,780 Oh, yeah. - And how would you describe their sound? 358 00:17:57,840 --> 00:18:00,280 - They've got great melodies, 359 00:18:00,350 --> 00:18:03,380 heavy riffs, cool bass lines. 360 00:18:03,450 --> 00:18:04,880 A lot of energy up there. 361 00:18:04,950 --> 00:18:07,590 I get tired just looking at 'em. - Right on. 362 00:18:07,650 --> 00:18:09,590 - That really sucks ya into the pit. 363 00:18:09,660 --> 00:18:12,890 I mean, it's like, first song, you know, you're... 364 00:18:12,960 --> 00:18:15,530 you're 10 seconds in and it's like, wah! Psh! 365 00:18:15,600 --> 00:18:17,130 (laughs) You can't help yourself. 366 00:18:17,200 --> 00:18:20,000 So, there's a lot of fun music, you know. 367 00:18:20,070 --> 00:18:21,470 A lot of great bands. 368 00:18:21,530 --> 00:18:23,300 This is local style. This is how we do it. 369 00:18:23,370 --> 00:18:25,870 - Yeah, but this feels like community. - Yeah. 370 00:18:25,940 --> 00:18:28,640 - One thing I've really been impressed with today is 371 00:18:28,710 --> 00:18:30,440 that everywhere we went, 372 00:18:30,510 --> 00:18:32,380 there was a different sense of community. 373 00:18:32,450 --> 00:18:36,050 - Mm-hmm. - The surfing community, the skater community. 374 00:18:36,120 --> 00:18:38,820 - Mm-hmm. - And now, this feels like 375 00:18:38,890 --> 00:18:41,520 a family community gig. 376 00:18:41,590 --> 00:18:44,120 All supporting the next generation. 377 00:18:44,190 --> 00:18:46,930 That's a tribute to you and the life that you lead. 378 00:18:46,990 --> 00:18:48,960 - Well... - Very human life you lead. 379 00:18:49,030 --> 00:18:51,630 - Thank you. I believe in helping the youth, 380 00:18:51,700 --> 00:18:53,300 as much as possible. 381 00:18:53,370 --> 00:18:57,040 If they have a passion for music, 382 00:18:57,700 --> 00:19:00,570 for writing, acting, art, whatever it is, you know, 383 00:19:00,640 --> 00:19:02,280 creativity, us, as adults, 384 00:19:02,340 --> 00:19:06,210 should help the young generation cultivate that. 385 00:19:06,280 --> 00:19:10,080 - Well, you're giving them tools to have a creative and happy life. 386 00:19:10,150 --> 00:19:13,320 - We're doing the best we can. - I'll say cheers with this taco to them, man. 387 00:19:13,390 --> 00:19:14,490 - Cheers with that taco. - Yeah. 388 00:19:14,550 --> 00:19:16,820 (indistinct shouting in background) 389 00:19:16,890 --> 00:19:18,760 Is that them? - That's them. 390 00:19:18,830 --> 00:19:20,660 - All right, do we gotta go. 391 00:19:20,730 --> 00:19:22,230 - Yeah, let's do this. 392 00:19:22,300 --> 00:19:24,630 I'm gonna go jam out. I'll be right back! 393 00:19:24,700 --> 00:19:28,300 (energetic heavy metal music playing) 394 00:19:41,050 --> 00:19:43,780 (crowd cheers) 395 00:19:51,320 --> 00:19:53,330 (Geddy): What an eye-opening trip it's been 396 00:19:53,390 --> 00:19:54,990 for this Canadian snowbird. 397 00:19:55,060 --> 00:19:56,600 Whether he's surfing the waves 398 00:19:56,660 --> 00:19:58,130 or riding down the boardwalk, 399 00:19:58,200 --> 00:20:01,330 Rob is equally at home in all these worlds. 400 00:20:01,400 --> 00:20:03,240 He's involved. He's supportive. 401 00:20:03,300 --> 00:20:06,640 And that's the epitome of a caring human. 402 00:20:06,710 --> 00:20:08,880 (crowd cheers) 403 00:20:31,100 --> 00:20:33,030 - Oh, he's got some shades?? too, right? 404 00:20:33,100 --> 00:20:34,630 - Yeah! Yeah, yeah, yeah! 405 00:20:38,710 --> 00:20:40,740 Subtitling: difuze 29286

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