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These are the user uploaded subtitles that are being translated: 1 00:00:48,310 --> 00:00:50,536 So I'm in my bedroom 2 00:00:50,560 --> 00:00:53,661 and I'm looking at the wall. 3 00:00:53,685 --> 00:00:56,911 And those are my neighbors' houses. 4 00:00:56,935 --> 00:01:01,286 What is this sorcery that is happening? 5 00:01:01,310 --> 00:01:03,644 Look at this... 6 00:01:04,019 --> 00:01:07,052 Watch, you'll see a car go past. 7 00:01:11,394 --> 00:01:14,870 I am confused at how this is happening. 8 00:01:14,894 --> 00:01:17,495 Has this ever happened to anybody? 9 00:01:17,519 --> 00:01:20,459 What dimension have I entered? 10 00:01:23,144 --> 00:01:26,317 Do you see them? 11 00:01:28,144 --> 00:01:30,745 - Are you in there? - Yes, and we can see you. 12 00:01:30,769 --> 00:01:32,263 Do you see us? 13 00:01:32,561 --> 00:01:33,662 Upside-down! 14 00:01:33,686 --> 00:01:38,539 - Here we are! - Here we are... 15 00:01:39,478 --> 00:01:42,120 Am I supposed to see something? 16 00:01:42,144 --> 00:01:44,478 If you hold the canvas like this... 17 00:01:44,978 --> 00:01:48,329 - Right... - Then move in slowly. 18 00:01:48,353 --> 00:01:50,780 Wow! But it's upside-down! 19 00:01:53,145 --> 00:01:56,829 Yeah, now, now, now I see! 20 00:01:56,853 --> 00:01:59,233 Yeah, I see you very well now. 21 00:01:59,770 --> 00:02:03,690 So, yes... How coming this one? My God! 22 00:02:03,978 --> 00:02:06,246 Elin, could you take a step back? 23 00:02:06,270 --> 00:02:07,954 Wow, I can see you! 24 00:02:07,978 --> 00:02:09,913 Looking good! 25 00:02:09,937 --> 00:02:12,996 Looking really good! Wow! 26 00:02:13,020 --> 00:02:14,607 Elin, do something. 27 00:02:17,103 --> 00:02:19,954 Damn, they're upside-down! 28 00:02:19,978 --> 00:02:22,621 - Back away. - No, they're too close now. 29 00:02:22,645 --> 00:02:25,399 Hey Simon, take a step back. 30 00:02:25,687 --> 00:02:27,246 More. 31 00:02:27,270 --> 00:02:28,904 Oh, holy moly! 32 00:02:28,937 --> 00:02:31,371 - Hang on... - There! 33 00:02:31,395 --> 00:02:33,775 - Cool! - Wave to us. 34 00:02:36,479 --> 00:02:38,871 How the hell does this work? 35 00:02:38,895 --> 00:02:42,663 - Inside my eyes it's like that? - Yes, like this. 36 00:02:42,687 --> 00:02:47,038 And then our brain, our human brain turns the image around. 37 00:02:47,062 --> 00:02:51,356 - Oh, my God! - So it's the same in the camera. 38 00:02:51,437 --> 00:02:54,424 - This is so cool! - Sure is. 39 00:02:54,687 --> 00:02:59,122 And it works without any technology, it's just a hole... 40 00:02:59,146 --> 00:03:03,439 - Where does the image come from? - From... the light! 41 00:03:04,729 --> 00:03:07,669 - That's incredible. - It's a natural phenomenon. 42 00:03:08,646 --> 00:03:09,997 Totally awesome! 43 00:03:10,021 --> 00:03:13,331 This is why photography is possible. 44 00:03:13,355 --> 00:03:17,695 We learned how to capture the image we see. 45 00:03:18,480 --> 00:03:21,247 So this is how all cameras work? 46 00:03:21,271 --> 00:03:24,818 Yes, and all photographic images. 47 00:03:29,438 --> 00:03:33,125 Science, bitch! 48 00:03:35,022 --> 00:03:37,542 It's 1828. 49 00:03:37,855 --> 00:03:40,414 A French inventor, Joseph Niépce, 50 00:03:40,438 --> 00:03:43,798 manages to save the image that appears in the dark. 51 00:03:44,563 --> 00:03:50,910 For 10 hours, he exposes a tin plate coated with bitumen to light. 52 00:03:52,230 --> 00:03:57,737 A new term is coined: Photography, "to draw with light". 53 00:04:00,147 --> 00:04:03,790 The view from Niépce's workshop, a backyard in Southern France, 54 00:04:03,814 --> 00:04:07,734 is the oldest preserved photograph of our world. 55 00:04:12,564 --> 00:04:14,623 A decade later, 56 00:04:14,647 --> 00:04:19,498 the technology has improved and only 10 minutes of exposure is required. 57 00:04:19,522 --> 00:04:22,665 When Louis Daguerre takes a photo from his window 58 00:04:22,689 --> 00:04:27,169 a man getting a shoe-shine is captured. 59 00:04:28,939 --> 00:04:33,279 It's the world's first photograph of a human being. 60 00:04:38,315 --> 00:04:41,161 California, 1858: 61 00:04:42,148 --> 00:04:44,761 Edward Muybridge makes a bet: 62 00:04:45,440 --> 00:04:49,313 When galloping, does a horse lift all four hooves off the ground? 63 00:04:49,565 --> 00:04:54,651 His cameras register what human eyes are unable to see. 64 00:04:55,857 --> 00:04:58,708 Later, when he flips through the images 65 00:04:58,732 --> 00:05:01,718 an illusion of movement appears. 66 00:05:02,482 --> 00:05:06,402 They are the world's first motion pictures. 67 00:05:12,065 --> 00:05:15,939 But what to do with these possibilities? 68 00:05:18,149 --> 00:05:22,815 At the time the author Elizabeth Eastlake writes about the camera: 69 00:05:24,024 --> 00:05:26,870 "Its nature is to give evidence of facts" 70 00:05:27,732 --> 00:05:32,539 "as minutely and impartially... as only a machine can do." 71 00:05:32,982 --> 00:05:36,375 "The camera records space and time simultaneously," 72 00:05:36,399 --> 00:05:40,333 "and every photograph becomes an authentic chapter" 73 00:05:40,357 --> 00:05:43,437 "in the history of our world." 74 00:05:57,691 --> 00:05:58,858 Bitch! 75 00:06:04,608 --> 00:06:07,709 Oh, my God! Look at that picture over there. 76 00:06:07,733 --> 00:06:10,580 There's the earth coming up. Wow, that's pretty! 77 00:06:10,733 --> 00:06:12,834 You got a color film, Jim? 78 00:06:12,858 --> 00:06:16,209 - Hand me a roll of color, quick! - Oh man, that's great! 79 00:06:16,233 --> 00:06:17,584 Quick! 80 00:06:17,608 --> 00:06:22,293 - Take several, take several! - Let's get the right setting here. 81 00:06:22,317 --> 00:06:24,277 Calm down, Lovell! 82 00:06:24,483 --> 00:06:27,283 Oh, that's a beautiful shot. 83 00:06:39,692 --> 00:06:42,585 All right... We had a baby! 84 00:06:43,650 --> 00:06:45,793 He came right out in the car! 85 00:06:45,817 --> 00:06:49,001 Oh, my God, babe... 86 00:06:49,025 --> 00:06:52,335 We'll have ice cream, candies, movies... everything. OK? 87 00:06:52,359 --> 00:06:55,377 - It's so ready to come out. - It is! One more little drop. 88 00:06:55,401 --> 00:06:57,314 Be brave. 89 00:07:02,567 --> 00:07:06,907 Oh, yes... Those are nice and clean! 90 00:07:19,193 --> 00:07:21,713 - We're gonna die! - Let's go! Let's Go! 91 00:07:22,651 --> 00:07:26,524 This is the camera we're going to use. It goes in your nose. 92 00:07:29,026 --> 00:07:30,193 Fuck. 93 00:07:32,151 --> 00:07:33,925 Pardon me. 94 00:07:34,860 --> 00:07:37,711 Pardon me, my apologies. 95 00:07:37,735 --> 00:07:40,086 Who the fuck is that? 96 00:07:40,110 --> 00:07:42,396 Is that somebody at my door? Fuck! 97 00:07:52,152 --> 00:07:54,711 - I can keep recording. - Turn it off or it's jail. 98 00:07:54,735 --> 00:07:56,961 For recording you? I'm sitting in my car. 99 00:07:56,985 --> 00:08:00,461 Turn the camera, go ahead, turn the camera, ma'am. 100 00:08:00,485 --> 00:08:02,086 Turn the camera. 101 00:08:02,110 --> 00:08:04,724 You with the blonde hair, turn the camera! 102 00:08:08,444 --> 00:08:11,104 I got it on camera! 103 00:08:23,027 --> 00:08:25,687 Watch out, let her walk! 104 00:08:26,792 --> 00:08:28,779 PRIVATE EYE 105 00:08:31,444 --> 00:08:34,587 Don't make unnecessary journeys! 106 00:08:34,611 --> 00:08:37,212 Don't take risks on treacherous roads. 107 00:08:37,236 --> 00:08:40,212 Fuck fake news! Fuck fake news! 108 00:08:40,236 --> 00:08:43,829 - This is extremely dangerous... - to our democracy. 109 00:08:44,403 --> 00:08:46,083 Say cheese! 110 00:08:49,598 --> 00:08:53,240 AND THE KING SAID, WHAT A FANTASTIC MACHINE 111 00:08:55,499 --> 00:08:58,719 Europe in the 1890s... 112 00:09:01,195 --> 00:09:07,587 Several different inventors find a way to project motion pictures. 113 00:09:07,611 --> 00:09:09,525 Now, watch that white sheet. 114 00:09:48,321 --> 00:09:49,534 That was Hyde Park. 115 00:09:50,571 --> 00:09:52,531 I recognized it. 116 00:10:03,071 --> 00:10:06,130 Where's it come from? Where's it gone to? 117 00:10:06,154 --> 00:10:09,630 Come and see the thrill of a century, pictures that move! 118 00:10:09,654 --> 00:10:11,797 Come have the thrill of your lifetime. 119 00:10:11,821 --> 00:10:15,130 Admission: one penny! One copper coin. 120 00:10:15,154 --> 00:10:19,728 A train entering the station so real that it will terrify you! 121 00:10:19,976 --> 00:10:21,968 A TRAIN COMES INTO A STATION. 122 00:10:25,030 --> 00:10:27,316 1895... 123 00:10:28,280 --> 00:10:33,086 These are the first moving images shown to a larger audience. 124 00:10:35,196 --> 00:10:38,506 The Lumière brothers, who filmed this train, 125 00:10:38,530 --> 00:10:43,057 regard the camera strictly as a scientific instrument. 126 00:10:51,030 --> 00:10:54,670 Shortly thereafter, two Englishmen hit on a business model: 127 00:10:55,989 --> 00:10:59,298 They film large crowds and sell tickets to those 128 00:10:59,322 --> 00:11:02,355 who wish to see themselves on the silver screen. 129 00:11:11,406 --> 00:11:16,726 The same people film the first tales of the Wild West in their garden. 130 00:11:18,864 --> 00:11:23,577 And in New York, someone films the first erotic motifs. 131 00:11:28,364 --> 00:11:33,638 Manchester United begins selling image rights to their games. 132 00:11:35,323 --> 00:11:36,382 And the news, 133 00:11:36,406 --> 00:11:40,513 visualizing telegraph reports, 134 00:11:40,864 --> 00:11:42,591 become a product. 135 00:11:44,615 --> 00:11:47,041 Meanwhile, in Paris... 136 00:11:48,406 --> 00:11:54,146 a man named George Méliès uses the camera to create popular illusions. 137 00:12:01,532 --> 00:12:06,852 This is one of the first examples of man manipulating the moving image... 138 00:12:08,282 --> 00:12:13,602 to entertain, and to produce new ways of experiencing reality. 139 00:12:25,532 --> 00:12:30,992 Later, Méliès is commissioned to film the coronation of the British King... 140 00:12:32,032 --> 00:12:34,550 which he stages in his studio, 141 00:12:34,574 --> 00:12:36,861 with French actors. 142 00:12:38,657 --> 00:12:44,444 The film premieres in England on the day of the actual coronation. 143 00:12:46,449 --> 00:12:49,762 The King is delighted by the film. 144 00:12:50,532 --> 00:12:54,639 "What a fantastic machine the camera is," he says. 145 00:12:54,824 --> 00:12:58,050 "It even found a way to record 146 00:12:58,074 --> 00:13:02,508 the parts of the ceremony that didn't take place." 147 00:13:05,366 --> 00:13:10,546 "Honorable Englishmen, you're being fooled," one reporter writes. 148 00:13:11,408 --> 00:13:16,588 "This something you will see, that we need to find the right word for..." 149 00:13:16,950 --> 00:13:23,950 "is a spectacle, a bluff, a simple theatrical trick." 150 00:13:58,284 --> 00:14:02,177 No man on earth can get in the way 151 00:14:02,201 --> 00:14:05,968 of the partisan troop of Kim Jong-un, 152 00:14:05,992 --> 00:14:09,959 proceeding with firm convictions! 153 00:14:24,792 --> 00:14:29,935 EARTHQUAKE HAITI 2010 154 00:14:30,326 --> 00:14:33,219 Haiti, 2010. 155 00:14:34,076 --> 00:14:37,016 A brutal earthquake ravages the island. 156 00:14:37,410 --> 00:14:40,723 Hundreds of thousands die. 157 00:14:41,785 --> 00:14:45,751 A photojournalist takes a photo of a dead girl. 158 00:14:47,743 --> 00:14:51,053 The photo is published in a Swedish newspaper. 159 00:14:51,077 --> 00:14:56,163 Alongside a beer commercial featuring Mads Mikkelsen. 160 00:14:59,993 --> 00:15:01,347 Probably... 161 00:15:01,827 --> 00:15:06,969 The photo goes on to win a "Press Photo of the Year" award. 162 00:15:06,993 --> 00:15:10,428 "The whole story of the earthquake in a single image," 163 00:15:10,452 --> 00:15:12,720 is the jury's motivation. 164 00:15:12,744 --> 00:15:16,757 But in connection with this award, another photo is published... 165 00:15:19,702 --> 00:15:24,275 The same situation, a different perspective. 166 00:15:27,494 --> 00:15:32,721 A lack of perspective can distort what the world looks like. 167 00:15:48,453 --> 00:15:54,426 To preserve an illusion, certain elements must be kept hidden. 168 00:15:58,286 --> 00:16:01,553 Come on, people -on your feet! 169 00:16:02,411 --> 00:16:05,865 I said: On your feet, Friends Arena! 170 00:16:08,120 --> 00:16:11,713 The stands as well, don't be so lazy. 171 00:16:12,286 --> 00:16:15,553 Let's party, it's the Eurovision finals! 172 00:16:17,287 --> 00:16:21,720 We're going live in five: Ramp it up! 173 00:16:23,453 --> 00:16:25,833 Get up! 174 00:16:28,078 --> 00:16:30,272 I said: On your feet! 175 00:16:31,828 --> 00:16:35,638 For you guys at home, please keep those votes coming 176 00:16:35,662 --> 00:16:37,805 while we move on to Poland. 177 00:16:37,829 --> 00:16:41,346 Hello, Poland and Mateusz Grezesinski. 178 00:16:41,370 --> 00:16:43,430 Good evening, Sweden. 179 00:16:43,454 --> 00:16:45,846 Thank you for inviting Poland again, 180 00:16:45,870 --> 00:16:48,430 and congratulations with the great show. 181 00:16:48,454 --> 00:16:51,138 - May we have your votes, please? - Yes, of course. 182 00:16:51,162 --> 00:16:54,896 8 points go to song number 6. 183 00:16:58,454 --> 00:17:02,607 10 points go to song number 11. 184 00:17:05,537 --> 00:17:11,371 And 12 points go to song number 10. 185 00:17:12,121 --> 00:17:17,301 Congratulations Margaret, for the first 12 points. 186 00:17:17,829 --> 00:17:21,222 Hello, Albania and Kleart Duraj. 187 00:17:21,246 --> 00:17:22,680 Hello. Good evening. 188 00:17:22,704 --> 00:17:24,722 Congratulations for the great show. 189 00:17:24,746 --> 00:17:27,472 - Thank you, may we have your votes? - Yes. 190 00:17:27,496 --> 00:17:31,043 Our 8 points go to song number 3. 191 00:17:32,121 --> 00:17:35,855 Our 10 points go to song number 10. 192 00:17:38,746 --> 00:17:42,013 And our 12 points go to song number 11. 193 00:17:43,622 --> 00:17:45,473 Thank you very much. 194 00:17:45,497 --> 00:17:48,577 Benjamin Ingrosso, congratulations. 12 points. 195 00:17:49,497 --> 00:17:53,930 Hello, Iceland and Felix Bergsson. 196 00:17:54,080 --> 00:17:57,014 Hello, David. Hello, Sweden. 197 00:17:57,038 --> 00:18:00,223 Thank you for a fantastic show. When it comes to Eurovision, 198 00:18:00,247 --> 00:18:03,234 you lead, the rest of us just follow. 199 00:18:08,205 --> 00:18:10,632 Approach from this side. 200 00:18:11,747 --> 00:18:14,140 Go back to the others. 201 00:18:14,164 --> 00:18:16,682 Is this really a good angle? 202 00:18:16,706 --> 00:18:20,206 Start with the greetings: How are you? May peace be upon you. 203 00:18:23,289 --> 00:18:26,682 - Let's go. - 1, 2, 3: action! 204 00:18:26,706 --> 00:18:28,946 Yemen, 2017. 205 00:18:29,497 --> 00:18:34,491 A group of ISIS fighters get together to shoot a propaganda video. 206 00:18:35,248 --> 00:18:38,474 They bring a script, props, 207 00:18:38,498 --> 00:18:40,784 and a trained bird of prey. 208 00:18:42,456 --> 00:18:46,283 This is part of the material they shot that day. 209 00:18:46,623 --> 00:18:52,474 Footage cut and discarded, never intended to be seen. 210 00:18:52,498 --> 00:18:55,182 Commander of the faithful, caliph of the Muslims, 211 00:18:55,206 --> 00:18:58,766 Abu Bakr al-Baghdadi, may God protect him. 212 00:18:58,790 --> 00:19:03,974 To you, we convey the finest greetings... To you, we convey... 213 00:19:03,998 --> 00:19:06,099 Sorry, I forgot what's next. 214 00:19:06,123 --> 00:19:08,877 Start over at: "To you, we convey..." 215 00:19:13,957 --> 00:19:16,141 - He forgot his lines. - He forgot that too? 216 00:19:16,165 --> 00:19:20,683 The wording makes you want to laugh. 217 00:19:20,707 --> 00:19:25,000 - Start from the beginning. - Can the bird be quiet? 218 00:19:31,832 --> 00:19:35,005 To you, we convey the finest greetings... 219 00:19:37,124 --> 00:19:41,137 - To you, we convey... - Come on... 220 00:19:43,332 --> 00:19:46,475 To you, we convey the finest greetings. 221 00:19:46,499 --> 00:19:51,267 Three years have passed since your caliphate came into being, 222 00:19:51,291 --> 00:19:56,051 around which God united the scattered Muslims... 223 00:19:58,666 --> 00:20:00,642 Start over at "scattered Muslims"... 224 00:20:00,666 --> 00:20:02,486 The scattered Muslims... 225 00:20:03,708 --> 00:20:05,574 Oh please... 226 00:20:07,791 --> 00:20:13,059 - Keep the script in front of you. - Really? 227 00:20:13,083 --> 00:20:15,510 - Is that okay? - Yes. 228 00:20:16,916 --> 00:20:20,392 Let him go on and repeat it. 229 00:20:20,416 --> 00:20:24,196 We can fix it later, in the edit. 230 00:20:32,042 --> 00:20:36,099 RECRUITMENT VIDEO PRODUCED BY ISIS 231 00:20:48,500 --> 00:20:52,747 Combat troops will not be returning to fight in Iraq. 232 00:20:56,625 --> 00:21:00,750 FLAMES OF WAR FIGHTING HAS JUST BEGUN 233 00:21:07,001 --> 00:21:09,310 Being behind the camera 234 00:21:09,334 --> 00:21:13,114 allows you to stage the image of reality. 235 00:21:16,084 --> 00:21:18,324 1934 236 00:21:18,709 --> 00:21:23,749 The Nazi Party hires Leni Riefenstahl to do just that: 237 00:21:24,501 --> 00:21:29,354 To craft an image of the Party's might and greatness. 238 00:21:32,459 --> 00:21:37,873 The techniques used by Riefenstahl were innovative and effective. 239 00:21:38,168 --> 00:21:43,686 She has influenced generations of modern filmmakers. 240 00:21:43,710 --> 00:21:47,686 Wasn't it difficult, since you had no knowledge of politics, 241 00:21:47,710 --> 00:21:51,352 to edit political speeches? 242 00:21:51,376 --> 00:21:55,477 That has nothing to do with politics, it's a technical matter. 243 00:21:55,501 --> 00:21:59,311 If a 2-hour speech, regardless of its content, 244 00:21:59,335 --> 00:22:03,061 whether it may be fish or politics, 245 00:22:03,085 --> 00:22:05,644 needs to be edited down to 5 minutes 246 00:22:05,668 --> 00:22:10,186 any editor will cut whatever they can. 247 00:22:10,210 --> 00:22:14,853 The speech needs a beginning and an end, 248 00:22:14,877 --> 00:22:19,478 and two or three important sentences in the middle. 249 00:22:19,502 --> 00:22:21,936 Everything else has to go. 250 00:22:21,960 --> 00:22:25,436 You need a real beginning, an end, 251 00:22:25,460 --> 00:22:30,978 and in the middle, something that gives people a thrill. 252 00:22:31,002 --> 00:22:35,645 This shot is one of my favorites. 253 00:22:35,669 --> 00:22:38,312 I obtained this effect 254 00:22:38,336 --> 00:22:42,489 and brought out the festive quality... 255 00:22:43,669 --> 00:22:47,687 by using a telephoto lens, 256 00:22:47,711 --> 00:22:51,729 which is why the lines of banners 257 00:22:51,753 --> 00:22:53,666 look so lush. 258 00:22:57,044 --> 00:23:00,145 And here's another interesting detail: 259 00:23:00,169 --> 00:23:04,229 The effect of the shots taken from the lift. 260 00:23:07,170 --> 00:23:10,104 Now, the camera sweeps... 261 00:23:10,128 --> 00:23:13,488 over to one side. 262 00:23:14,253 --> 00:23:16,726 To the right. 263 00:23:17,211 --> 00:23:19,854 And then it turns 264 00:23:19,878 --> 00:23:22,271 in the other direction, 265 00:23:22,295 --> 00:23:24,488 to the left. 266 00:23:25,087 --> 00:23:31,854 And these two angles combine to produce a circle, 267 00:23:31,878 --> 00:23:35,521 thereby creating a powerful impact. 268 00:23:35,545 --> 00:23:40,313 Here, the two lines of banners appear to be cutting each other. 269 00:23:40,337 --> 00:23:45,105 That was made possible by using different camera positions. 270 00:23:45,129 --> 00:23:48,646 And the editing lends it a ballet-like quality. 271 00:23:48,670 --> 00:23:50,910 It's cut in time to the music. 272 00:24:04,962 --> 00:24:07,389 Precisely in time with the march music. 273 00:24:20,754 --> 00:24:26,028 1945, the final days of World War II. 274 00:24:26,379 --> 00:24:29,939 Allied Forces witness the suffering in the camps 275 00:24:29,963 --> 00:24:33,230 and at the same time face a problem: 276 00:24:33,755 --> 00:24:37,731 How can we, in the aftermath of war propaganda, 277 00:24:37,755 --> 00:24:41,815 convince others of what we saw? 278 00:24:43,880 --> 00:24:45,793 My instructions... 279 00:24:47,005 --> 00:24:51,689 were to film everything which would prove one day, 280 00:24:51,713 --> 00:24:53,953 that this had actually happened. 281 00:24:55,088 --> 00:24:57,773 It would be a lesson to all mankind as well, 282 00:24:57,797 --> 00:25:00,481 as to the Germans, for whom 283 00:25:00,505 --> 00:25:03,648 the film we were putting together was designed 284 00:25:03,672 --> 00:25:06,565 to show to the German people. 285 00:25:06,589 --> 00:25:09,315 That's because most of them, on our way down, 286 00:25:09,339 --> 00:25:11,356 and on the troops' way down, 287 00:25:11,380 --> 00:25:14,565 had denied they knew anything about the camps. 288 00:25:14,589 --> 00:25:17,949 This would be the evidence which we could show them. 289 00:25:21,006 --> 00:25:23,982 We tried to make shots as long as possible, 290 00:25:24,006 --> 00:25:30,190 used panning shots, so there was no possibility of trickery. 291 00:25:30,214 --> 00:25:35,648 Going from respected dignitaries or high churchmen 292 00:25:35,672 --> 00:25:38,232 straight to the bodies and corpses, 293 00:25:38,256 --> 00:25:43,389 so it couldn't be suggested that we were faking the film. 294 00:25:45,256 --> 00:25:48,024 To try to make it as authentic as possible, 295 00:25:48,048 --> 00:25:52,815 it was most important that everybody, particularly the Germans themselves, 296 00:25:52,839 --> 00:25:56,524 should believe that this was true. 297 00:25:56,548 --> 00:26:02,055 That this horror had happened, and people had suffered to that extent. 298 00:26:35,549 --> 00:26:37,066 After the war, 299 00:26:37,090 --> 00:26:40,450 the Universal Declaration of Human Rights is adopted. 300 00:26:42,049 --> 00:26:44,755 Cinema faces competition from television, 301 00:26:45,340 --> 00:26:49,261 as the camera’s images are transmitted right into people's homes. 302 00:26:50,007 --> 00:26:53,733 A new opportunity arises to link humanity together, 303 00:26:53,757 --> 00:26:57,911 to learn from each other's experiences and living conditions. 304 00:26:58,000 --> 00:27:00,685 THE IRISH PRESIDENT LAUNCHES NATIONAL TELEVISION 305 00:27:00,716 --> 00:27:04,525 I am privileged in being the first to address you 306 00:27:04,549 --> 00:27:08,516 on our new service, the television. 307 00:27:09,674 --> 00:27:13,594 I hope this service will provide for you all 308 00:27:13,758 --> 00:27:19,778 sources of recreation and pleasure. 309 00:27:20,300 --> 00:27:22,493 But also... 310 00:27:23,341 --> 00:27:29,455 information, instruction, and knowledge. 311 00:27:31,008 --> 00:27:36,442 I must admit that sometimes when I think 312 00:27:36,466 --> 00:27:40,900 of television and radio and their immense power, 313 00:27:41,342 --> 00:27:44,188 I feel somewhat afraid. 314 00:27:45,550 --> 00:27:47,930 Like atomic energy, 315 00:27:48,967 --> 00:27:52,373 it can be used for incalculable good... 316 00:27:52,717 --> 00:27:57,104 but it can also do irreparable harm. 317 00:27:58,675 --> 00:28:00,568 Here we are! 318 00:28:00,592 --> 00:28:02,255 There's a bar... 319 00:28:02,287 --> 00:28:03,315 ENGLAND 1963 320 00:28:03,340 --> 00:28:04,806 We are anticipating... 321 00:28:04,831 --> 00:28:08,471 That's a man's face. There it is! 322 00:28:11,092 --> 00:28:13,426 That's the picture. 323 00:28:14,926 --> 00:28:17,632 You see it for yourself. 324 00:28:18,009 --> 00:28:20,949 There it is, it's a man. 325 00:28:22,426 --> 00:28:25,552 Mr. Booth looking anxiously at the quality... 326 00:28:25,717 --> 00:28:28,069 Delicate tuning to hold the toppling picture. 327 00:28:28,093 --> 00:28:31,485 There it is, the unmistakable image. 328 00:28:31,509 --> 00:28:37,527 There is the first live television picture across the Atlantic. 329 00:28:37,551 --> 00:28:40,735 Did you watch the Telstar broadcast last night? 330 00:28:40,759 --> 00:28:42,605 NEW YORK CITY, THE NEXT DAY Yes, I did. 331 00:28:42,630 --> 00:28:44,613 Could I talk to the lady first, please? 332 00:28:44,638 --> 00:28:47,236 Ma'am, how was the quality of the picture from Europe... 333 00:28:47,260 --> 00:28:49,611 - on the set you watched? - Very good. 334 00:28:49,635 --> 00:28:53,027 I really enjoyed the program. And being from Wisconsin, 335 00:28:53,051 --> 00:28:58,444 it's a wonderful opportunity for my little girl to watch these programs 336 00:28:58,468 --> 00:29:01,652 and to see something she'd never get to see. 337 00:29:01,676 --> 00:29:04,736 Do you think this type of an exchange would help 338 00:29:04,760 --> 00:29:09,361 - the understanding between people? - Undoubtedly, I think. 339 00:29:09,385 --> 00:29:12,978 It's a wonderful medium, it really is, television. 340 00:29:13,093 --> 00:29:14,820 Thank you very much. 341 00:29:24,177 --> 00:29:26,695 - Top quality. - Reliability. 342 00:29:26,719 --> 00:29:28,195 Satisfaction guaranteed. 343 00:29:28,219 --> 00:29:30,903 - A bigger selection. - The prices are fantastic. 344 00:29:30,927 --> 00:29:32,695 - More friendly. - Brand names. 345 00:29:32,719 --> 00:29:34,865 More, for less money. 346 00:29:46,261 --> 00:29:52,001 That's why we believe that Comfort belongs in your laundry routine. 347 00:30:00,803 --> 00:30:04,723 THURSDAY 348 00:30:47,012 --> 00:30:49,405 Meanwhile, on the factory floor, 349 00:30:49,429 --> 00:30:53,115 husband Daryl is anticipating the moment when he gets home. 350 00:30:53,387 --> 00:30:54,655 But home to what? 351 00:30:54,679 --> 00:30:57,655 After a long day at work, 352 00:30:57,679 --> 00:31:01,905 I don't think you want to do anything physical when you come home. 353 00:31:01,929 --> 00:31:05,655 Yeah. Just to sit down and relax in front of the television. 354 00:31:05,679 --> 00:31:09,572 You know, that's it for the night. I'm happy with that. 355 00:31:09,596 --> 00:31:11,182 Go on, move. 356 00:31:11,679 --> 00:31:13,499 Move! 357 00:31:17,762 --> 00:31:18,822 Can I...? 358 00:31:18,846 --> 00:31:20,822 Give me the comb! 359 00:31:20,846 --> 00:31:22,806 Give me the goddamn comb! 360 00:32:00,222 --> 00:32:04,095 Now, back to the studio. 361 00:32:04,805 --> 00:32:06,718 Thank you. 362 00:32:16,889 --> 00:32:19,531 Let's say the telly did go... 363 00:32:19,555 --> 00:32:23,073 Do you think it would change your relationship with each other? 364 00:32:23,097 --> 00:32:24,406 - You do? - Yeah, I do. 365 00:32:24,430 --> 00:32:27,931 - For the better? - Yes, I think so. 366 00:32:28,097 --> 00:32:31,907 I like the TV, I just wish we could turn it on and off. 367 00:32:31,931 --> 00:32:34,198 But Daryl has to have it on all the time, 368 00:32:34,222 --> 00:32:37,722 whether there's anything he wants to watch or not, it's on. 369 00:32:37,806 --> 00:32:40,792 Where I'd just rather watch it and turn it off. 370 00:32:41,389 --> 00:32:42,976 But not him. 371 00:32:47,848 --> 00:32:53,821 In the 60s, 90% of the households in the US buy a TV set. 372 00:32:54,931 --> 00:32:59,831 Commercial interests gain access to airtime in country after country. 373 00:33:00,973 --> 00:33:06,386 A new market emerges, with a direct channel to consumers. 374 00:33:06,931 --> 00:33:11,907 Only ratings matter in commercial television. 375 00:33:11,931 --> 00:33:14,358 It panders to the majority. 376 00:33:15,556 --> 00:33:17,449 Why is that so? 377 00:33:17,473 --> 00:33:19,283 Because... 378 00:33:19,307 --> 00:33:23,366 the channels have to sell 379 00:33:23,390 --> 00:33:30,063 the audience to brands and advertisers. 380 00:33:30,473 --> 00:33:34,908 - That’s the business model? - Exactly. That’s it. 381 00:33:34,932 --> 00:33:40,741 So we must always try and reach the largest possible audiences. 382 00:33:40,765 --> 00:33:45,116 And constantly... um... 383 00:33:45,140 --> 00:33:47,474 try to reach the majority. 384 00:33:47,682 --> 00:33:49,616 There is no ideology. 385 00:33:49,640 --> 00:33:53,783 There is no... 386 00:33:53,807 --> 00:33:56,908 There are no politics, there is no substance. 387 00:33:56,932 --> 00:34:00,526 Ratings are all that matters. 388 00:34:03,057 --> 00:34:06,992 Are you going to find gold in them there skies, Mr. Turner? 389 00:34:07,016 --> 00:34:10,700 I sure hope so. I don't want to die in debtors' prison. 390 00:34:10,724 --> 00:34:14,450 You've described your station as "escapist". 391 00:34:14,474 --> 00:34:16,659 What are you escaping from? 392 00:34:16,683 --> 00:34:18,784 The realities of the world we live in. 393 00:34:18,808 --> 00:34:23,241 Remember The Beverly Hillbillies? They probably showed it in England. 394 00:34:23,808 --> 00:34:25,021 Yes. 395 00:34:25,308 --> 00:34:30,284 Everybody's scared over here now. Everybody else is always telling us 396 00:34:30,308 --> 00:34:33,995 that gold's going up and the stock market's going down. 397 00:34:34,350 --> 00:34:36,909 Floods and earthquakes and everything... 398 00:34:36,933 --> 00:34:41,076 We show The Beverly Hillbillies and let them forget about it for a minute. 399 00:34:41,100 --> 00:34:43,576 That's what entertainment's supposed to do! 400 00:34:43,600 --> 00:34:46,868 It's supposed to make you forget your miserable life. 401 00:34:46,892 --> 00:34:49,085 And... action! 402 00:34:56,725 --> 00:34:58,358 Run, George! 403 00:35:05,267 --> 00:35:07,834 1979 404 00:35:08,934 --> 00:35:12,076 Companies like Nielsen start to measure the TV audience's 405 00:35:12,100 --> 00:35:14,868 physical and subconscious reactions. 406 00:35:14,892 --> 00:35:16,432 Run, George! 407 00:35:18,726 --> 00:35:22,118 Production companies buy this data 408 00:35:22,142 --> 00:35:24,616 and use it to design their shows. 409 00:35:30,642 --> 00:35:35,577 In a book, the CEO of France's first commercial channel 410 00:35:35,601 --> 00:35:37,141 describes his business. 411 00:35:40,351 --> 00:35:42,124 "Let's be realistic." 412 00:35:43,851 --> 00:35:47,771 "My job is to help Coca-Cola sell their products." 413 00:35:49,309 --> 00:35:52,110 "In order for a commercial to register," 414 00:35:52,768 --> 00:35:56,081 "the brains of the audience have to be accessible." 415 00:35:57,060 --> 00:36:00,952 "Our programming aims to make their brains accessible." 416 00:36:00,976 --> 00:36:04,430 "To keep them entertained and disconnected." 417 00:36:04,935 --> 00:36:08,622 "Our product is available brain time." 418 00:36:11,852 --> 00:36:15,036 What would happen if all the other stations decided 419 00:36:15,060 --> 00:36:18,078 to stop showing the news and show The Beverly Hillbillies? 420 00:36:18,109 --> 00:36:21,236 Because then I'd put on the news, you dummy! 421 00:36:21,292 --> 00:36:26,130 7 YEARS LATER TED TURNER FOUNDS THE NEWS NETWORK CNN 422 00:36:26,606 --> 00:36:28,997 TODAY 423 00:36:32,019 --> 00:36:35,411 Good morning, everyone. This is Today, Wednesday, July 12. 424 00:36:35,435 --> 00:36:39,161 In the news headlines this morning, the death toll... 425 00:36:39,185 --> 00:36:42,966 The increasing competition for viewers 426 00:36:43,102 --> 00:36:47,162 means that even the news take to entertainment. 427 00:36:47,186 --> 00:36:49,703 He found that given a choice of plain water, 428 00:36:49,727 --> 00:36:52,120 or water flavored with anise-flavored alcohol, 429 00:36:52,144 --> 00:36:55,578 the rats preferred the booze. And after a hard night of drinking, 430 00:36:55,602 --> 00:36:59,243 - your eyes would be pink too. - This is Today... 431 00:37:04,769 --> 00:37:07,412 - Why do you call this a show? - We don't. 432 00:37:07,436 --> 00:37:10,912 We periodically are reminded that it's not a show, it's a program. 433 00:37:10,936 --> 00:37:14,912 I think it implies some sort of dignity, because we are a news program. 434 00:37:14,936 --> 00:37:17,643 Sometimes we slip, and call it a show. 435 00:37:27,125 --> 00:37:29,068 DECISION NIGHT IN AMERICA 436 00:37:29,208 --> 00:37:32,583 US ELECTION TV PROMOS 437 00:37:35,437 --> 00:37:37,204 Election Night. ABC. 438 00:37:37,228 --> 00:37:41,708 We will make America great again! 439 00:37:41,888 --> 00:37:45,497 THE RACE ENDS HERE CNN 440 00:37:48,228 --> 00:37:51,355 The way only CNN can bring it to you. 441 00:37:52,614 --> 00:37:54,614 FROM THEH FIRST VOTES 442 00:37:54,638 --> 00:37:56,263 TO THE CRITICAL COUNT 443 00:37:57,700 --> 00:38:00,943 FOREIGN CORRESPONDENT SWEDISHH TELEVISION, MOSCOW 444 00:38:01,437 --> 00:38:03,117 Hello? 445 00:38:03,479 --> 00:38:04,645 Oh, hi! 446 00:38:06,062 --> 00:38:10,076 Sure. How long until I'm on the air? 447 00:38:11,437 --> 00:38:12,604 No? Okay. 448 00:38:12,646 --> 00:38:17,732 I think our camera is pretty much set up. 449 00:38:59,063 --> 00:39:02,289 - Can you stand up straight? - Yeah, but it's a few minutes... 450 00:39:02,313 --> 00:39:05,289 The problem was, last live you moved up a lot... 451 00:39:05,313 --> 00:39:08,039 Yeah. I'm going to tell you when it's one minute. 452 00:39:08,063 --> 00:39:10,397 It's so cold I can't stand still. 453 00:39:10,480 --> 00:39:12,498 We can go inside if you want. 454 00:39:12,522 --> 00:39:14,902 How long until I'm on, Göran? 455 00:39:20,272 --> 00:39:22,139 Two minutes? 456 00:39:22,355 --> 00:39:24,222 Two minutes to me. 457 00:39:33,272 --> 00:39:38,032 People in front of the camera play different roles. 458 00:39:39,064 --> 00:39:44,082 Over to our European correspondent, Ulrika Bergsten. 459 00:39:44,106 --> 00:39:45,290 The Expert... 460 00:39:45,314 --> 00:39:48,790 If you need a spokesperson video for your medical or health... 461 00:39:48,814 --> 00:39:49,981 The Tough Guy... 462 00:39:52,606 --> 00:39:53,819 The Provocateur... 463 00:39:57,023 --> 00:39:59,169 And the Trustworthy One. 464 00:39:59,606 --> 00:40:03,832 Welcome to the evening news. 465 00:40:03,856 --> 00:40:07,870 These roles are clearcut and recognizable. 466 00:40:08,815 --> 00:40:12,166 They're so familiar that we can imitate them... 467 00:40:12,190 --> 00:40:14,056 if necessary. 468 00:40:16,773 --> 00:40:19,060 2006 469 00:40:19,356 --> 00:40:23,833 Guy Goma comes to the BBC for a job interview in accounting, 470 00:40:23,857 --> 00:40:26,983 but is mistaken for the tech expert Guy Kewney. 471 00:40:27,690 --> 00:40:32,030 He is taken to a live-TV studio, 472 00:40:32,315 --> 00:40:36,291 and is asked to comment a new peer-to-peer copyright law. 473 00:40:36,315 --> 00:40:40,625 So what does this mean for the industry and the growth of music online? 474 00:40:40,649 --> 00:40:45,458 Guy Kewney is the editor of the technology website News Wireless. 475 00:40:45,482 --> 00:40:47,708 - Hello, good morning to you. - Good morning. 476 00:40:47,732 --> 00:40:50,708 Were you surprised by this verdict today? 477 00:40:50,732 --> 00:40:55,625 I was very surprised to see this verdict to come on me. 478 00:40:55,649 --> 00:40:58,000 Because I was not expecting that. 479 00:40:58,024 --> 00:41:01,291 When I came, they told me something else... 480 00:41:01,432 --> 00:41:03,992 I got an interview, it's a big surprise. 481 00:41:04,024 --> 00:41:07,417 - A big surprise? - Exactly. 482 00:41:07,441 --> 00:41:11,375 Um, with regards to the cost that's involved, 483 00:41:11,399 --> 00:41:16,917 do you think now more people will be downloading online? 484 00:41:16,941 --> 00:41:20,417 Actually, if you can go everywhere you are going to see 485 00:41:20,441 --> 00:41:23,709 lots of people downloading from the internet 486 00:41:23,733 --> 00:41:26,766 and websites, everything they want. 487 00:41:26,816 --> 00:41:28,542 But I think... 488 00:41:28,566 --> 00:41:32,792 it's much better for development and to improve people 489 00:41:32,816 --> 00:41:36,209 what they want, and to get on the easy way, 490 00:41:36,233 --> 00:41:38,876 and find faster the things they are looking for. 491 00:41:38,900 --> 00:41:42,667 This does really seem to be the way the music industry is progressing 492 00:41:42,691 --> 00:41:46,542 now that people want to go to onto the website and download music. 493 00:41:46,566 --> 00:41:47,733 Exactly. 494 00:41:47,775 --> 00:41:50,251 You can go everywhere 495 00:41:50,275 --> 00:41:52,668 on the cyber café and you can check. 496 00:41:52,692 --> 00:41:59,293 It's going to be very easy for everyone to get something through the internet. 497 00:41:59,317 --> 00:42:02,001 Guy Kewney, thanks very much indeed. I think we can 498 00:42:02,025 --> 00:42:05,418 now also speak to Rob Pitton, 499 00:42:05,442 --> 00:42:11,668 who's at the court for us this morning. Hello to you, Rob. 500 00:42:11,692 --> 00:42:13,668 What do you think this means... 501 00:42:13,692 --> 00:42:16,632 Imitating others is an instinct. 502 00:42:20,692 --> 00:42:25,499 We mimic behavior in order to build relationships. 503 00:42:26,109 --> 00:42:30,169 And learn from what we observe in our surroundings. 504 00:43:04,360 --> 00:43:06,553 Piece of shit! 505 00:43:09,401 --> 00:43:11,315 Kick me... 506 00:43:12,860 --> 00:43:14,820 Kick me. 507 00:43:23,277 --> 00:43:26,294 What was that? An exhibition? 508 00:43:26,318 --> 00:43:30,379 We need emotional content. 509 00:43:58,861 --> 00:44:02,127 Alright, I'm going to try this shit Rambo-style. 510 00:44:15,361 --> 00:44:18,861 Starting right now on ABC's This Week. 511 00:44:19,194 --> 00:44:22,087 - Deadly rampage. - Shots fired, shots fired! 512 00:44:22,111 --> 00:44:24,921 Breaking details on the California shooting spree. 513 00:44:24,945 --> 00:44:26,858 The moments of terror. 514 00:44:27,111 --> 00:44:28,837 The urgent calls for action. 515 00:44:28,861 --> 00:44:30,962 We don't have to live like this! 516 00:44:30,986 --> 00:44:33,921 And the chilling video and manifesto left behind. 517 00:44:33,945 --> 00:44:36,921 We've had 20 years of mass murders, 518 00:44:36,945 --> 00:44:42,129 throughout which I have repeatedly told CNN and our other media: 519 00:44:42,153 --> 00:44:46,588 If you don't want to propagate more mass murders, 520 00:44:46,612 --> 00:44:49,838 don't start the story with sirens blaring, 521 00:44:49,862 --> 00:44:52,288 don't have photographs of the killer, 522 00:44:52,570 --> 00:44:55,837 don't make this 24/7 coverage, 523 00:44:55,904 --> 00:44:59,963 do localize this story to the affected community, 524 00:44:59,987 --> 00:45:03,463 and make it as boring as possible in every other market. 525 00:45:03,487 --> 00:45:08,213 Because every time we have intense saturation coverage of a mass murder, 526 00:45:08,237 --> 00:45:11,255 we expect to see one or two more within a week. 527 00:45:11,279 --> 00:45:13,519 But hold on a second here... 528 00:45:18,817 --> 00:45:22,176 CHILDREN AT THE THEATER RIGA, 1978 529 00:46:44,322 --> 00:46:46,757 1969, 530 00:46:46,781 --> 00:46:49,441 in Papua New Guinea. 531 00:46:50,947 --> 00:46:53,757 The Biami people hear recordings of their own voice 532 00:46:53,781 --> 00:46:57,514 and see photos of themselves for the very first time. 533 00:47:28,156 --> 00:47:30,508 The anthropologist Edmund Carpenter 534 00:47:30,532 --> 00:47:36,972 notes that they, at first, do not understand what the photos represent. 535 00:47:38,990 --> 00:47:43,843 But that they slowly realize that it is an image of themselves. 536 00:47:54,824 --> 00:47:58,800 Carpenter describes how a man suddenly becomes self-conscious of his hat, 537 00:47:58,824 --> 00:48:00,690 and how it looks on him. 538 00:48:08,574 --> 00:48:10,721 He returns home 539 00:48:11,074 --> 00:48:15,741 and studies the photo of himself for more than 20 minutes. 540 00:49:54,951 --> 00:49:58,078 On three: 1, 2, 3! 541 00:50:03,618 --> 00:50:06,511 It's only natural to feel uncomfortable 542 00:50:06,535 --> 00:50:08,261 in front of the camera. 543 00:50:09,868 --> 00:50:14,955 It has the power to depict us exactly as we look. 544 00:50:15,493 --> 00:50:19,219 It creates a representation of our self. 545 00:50:19,243 --> 00:50:22,090 Everybody look over here. Come on... 546 00:50:22,202 --> 00:50:24,386 Listen, you can't sit like that. 547 00:50:24,410 --> 00:50:27,770 If you feel that way, you'd better move. 548 00:50:28,993 --> 00:50:32,120 Come on, look here! 549 00:50:34,202 --> 00:50:37,002 I was thinking of doing this... 550 00:50:40,785 --> 00:50:45,303 That's what you want? Take a step forward, please. 551 00:50:45,327 --> 00:50:48,034 Put both hands into your pockets. 552 00:50:50,369 --> 00:50:53,962 You know what, pull in your tongue too. 553 00:50:54,369 --> 00:50:57,356 And where's my camera? 554 00:50:59,244 --> 00:51:02,884 - I want to shut my eyes. It's fun. - All right. 555 00:51:03,119 --> 00:51:07,086 Nice. Show me a happy face. 556 00:51:08,452 --> 00:51:10,786 How about a smile? 557 00:51:11,911 --> 00:51:13,778 How about a smile? 558 00:51:14,869 --> 00:51:16,829 A smile, please. 559 00:51:17,411 --> 00:51:19,464 How about a smile? 560 00:51:21,036 --> 00:51:22,529 Now smile. 561 00:51:22,994 --> 00:51:25,888 - How about a smile? - No. 562 00:51:27,245 --> 00:51:29,251 No, this way. 563 00:51:33,495 --> 00:51:39,048 Every day, 300 million photographic images are published. 564 00:51:40,620 --> 00:51:42,860 What does this entail? 565 00:51:43,453 --> 00:51:48,846 New impressions, new references, new comparisons. 566 00:51:48,870 --> 00:51:52,179 How about trying one with your hands in your pockets? 567 00:51:52,203 --> 00:51:55,983 Or at least the thumbs, if it's too tight. 568 00:52:00,245 --> 00:52:03,792 And come just a little bit closer. 569 00:52:08,495 --> 00:52:11,669 Let me see a happy face. 570 00:52:12,329 --> 00:52:15,513 - Am I done now? - Yes, thank you. 571 00:52:15,537 --> 00:52:16,704 Next! 572 00:52:25,871 --> 00:52:33,197 Super ugly, super ugly, super ugly... 573 00:52:35,663 --> 00:52:38,976 I really don't think I look good in pictures. 574 00:52:39,038 --> 00:52:42,771 It sucks that I only like the ones that don't show my face. 575 00:52:43,704 --> 00:52:46,318 Maybe not as close this time? 576 00:53:36,833 --> 00:53:38,302 ALWAYS MATCHING WITH BESTIE 577 00:53:43,164 --> 00:53:44,331 TIME TO UPDATE YOUR LOOK? 578 00:53:56,914 --> 00:54:02,048 The digital revolution begins in the early 2000s. 579 00:54:02,414 --> 00:54:06,890 New technology enables anyone to share their images 580 00:54:06,914 --> 00:54:09,341 and consume those taken by others. 581 00:54:12,331 --> 00:54:17,185 We can consume these images anywhere, anytime. 582 00:54:27,748 --> 00:54:32,682 This technology changes not only our perception of the world, 583 00:54:32,706 --> 00:54:36,673 but also how we use the camera. 584 00:54:40,207 --> 00:54:44,599 Hi, guys... YouTube subscribers, 585 00:54:44,623 --> 00:54:46,058 everyone. 586 00:54:46,082 --> 00:54:50,308 When we produce stuff on YouTube and we put it up 587 00:54:50,332 --> 00:54:53,739 and we talk to each other and comment and rate... 588 00:54:54,582 --> 00:54:57,600 Are we producing reality? 589 00:54:57,624 --> 00:55:01,124 You know, are our identities real? 590 00:55:01,249 --> 00:55:04,683 Because right now I'm probably not who I'd be in real life 591 00:55:04,707 --> 00:55:07,850 because I'm not talking to a real-life person. 592 00:55:07,874 --> 00:55:11,683 To my knowledge right now, I'm looking at a camera. 593 00:55:11,707 --> 00:55:16,767 I had a mirror around here to show you guys, but... 594 00:55:16,791 --> 00:55:18,564 Oh, here it is! 595 00:55:19,916 --> 00:55:22,856 This is what I'm talking to. 596 00:55:23,541 --> 00:55:25,309 Not you -this. 597 00:55:25,333 --> 00:55:27,853 Well you... but this. 598 00:56:30,834 --> 00:56:32,887 More! Come on! 599 00:56:34,376 --> 00:56:36,242 Crazy! 600 00:56:36,292 --> 00:56:38,486 And beautiful. 601 00:56:44,584 --> 00:56:47,018 Those notes are so catchy! 602 00:56:47,042 --> 00:56:49,142 A little kid: 603 00:56:49,334 --> 00:56:51,808 5, 6, 7 years old... 604 00:56:52,209 --> 00:56:53,609 they can sing it. 605 00:56:55,209 --> 00:56:58,644 YouTube-dot-com 606 00:56:58,668 --> 00:57:02,435 You'll find the whole world for what you're looking for 607 00:57:02,459 --> 00:57:05,977 YouTube-dot-com 608 00:57:06,001 --> 00:57:10,019 It's a blessing for mankind that's for sure 609 00:57:10,043 --> 00:57:14,383 It's not too much to say that what Gutenberg did for writing, 610 00:57:14,750 --> 00:57:18,169 online video can now do for face-to-face communication. 611 00:57:18,201 --> 00:57:20,232 HOW WEB VIDEO POWERS GLOBAL INNOVATION 612 00:57:20,257 --> 00:57:23,394 So that primal medium, which your brain is exquisitely wired for, 613 00:57:23,418 --> 00:57:26,019 that just went global. 614 00:57:26,043 --> 00:57:28,603 YouTube's got the world in your eyes 615 00:57:28,627 --> 00:57:31,936 It's a wonder of the world today 616 00:57:31,960 --> 00:57:35,353 It should win the all-time Pulitzer Prize 617 00:57:35,377 --> 00:57:38,690 It should have an international holiday 618 00:57:39,585 --> 00:57:43,412 You're part of the crowd that may be about to launch 619 00:57:43,794 --> 00:57:46,061 the biggest learning cycle in human history. 620 00:57:46,085 --> 00:57:49,119 A cycle capable of carrying all of us, 621 00:57:49,169 --> 00:57:53,042 to a smarter, wiser, more beautiful place. 622 00:57:53,627 --> 00:57:55,120 Who's the teacher? 623 00:57:56,502 --> 00:57:57,561 You're the teacher! 624 00:57:57,585 --> 00:58:00,395 The whole world's looking for YouTube 625 00:58:00,419 --> 00:58:02,332 at YouTube 626 00:58:11,752 --> 00:58:14,739 Okay, so this is the cold-shock response... 627 00:58:15,794 --> 00:58:17,966 which really can be mitigated 628 00:58:17,991 --> 00:58:19,989 HOW TO SURVIVE A FALL THROUGH ICE BY KENTON WHITMAN 629 00:58:20,013 --> 00:58:22,802 if you just relax. 630 00:58:25,294 --> 00:58:27,721 And realize that it's going to pass. 631 00:58:29,003 --> 00:58:31,243 And that after it passes... 632 00:58:32,836 --> 00:58:36,243 you'll be able to do the 2nd part of your self-rescue. 633 00:58:37,378 --> 00:58:39,805 So I spread my arms out... 634 00:58:41,045 --> 00:58:44,545 So that I didn't get fully emerged and that gasp-response 635 00:58:44,836 --> 00:58:46,983 didn’t make me inhale water. 636 00:58:47,336 --> 00:58:49,623 So I've survived my... 637 00:58:50,795 --> 00:58:52,802 cold-shock response. 638 00:58:52,962 --> 00:58:54,854 Now to get out, 639 00:58:54,878 --> 00:58:57,632 instead of trying to pull myself straight up... 640 00:58:57,962 --> 00:59:00,248 I'm going to start to kick my feet... 641 00:59:01,003 --> 00:59:03,337 and raise them up behind me. 642 00:59:06,712 --> 00:59:09,092 And then kick... 643 00:59:14,087 --> 00:59:16,980 till I'm on flat ice. 644 00:59:17,866 --> 00:59:21,068 HOW TO MAKE A BOMB AT HOME BY ISIS 645 00:59:21,295 --> 00:59:23,271 Some white grains 646 00:59:23,295 --> 00:59:28,230 have appeared on the mixture's surface 647 00:59:28,254 --> 00:59:30,261 after the reaction. 648 00:59:30,962 --> 00:59:37,855 We now remove the mixture from the ice until it's matured. 649 00:59:37,879 --> 00:59:41,566 It may need between 24 to 48 hours. 650 00:59:45,421 --> 00:59:47,988 Hi guys! Oops. 651 00:59:48,292 --> 00:59:51,146 HOW TO DEFROST YOUR FREEZER by ARI PRIYANTI 652 00:59:51,171 --> 00:59:56,314 Welcome to my channel, my name is Ari Priyanti. 653 00:59:56,338 --> 01:00:01,022 In this video I want to give tips for removing the ice 654 01:00:01,046 --> 01:00:08,186 from the fridge freezer quickly and safely. 655 01:00:14,171 --> 01:00:15,852 2008 656 01:00:17,505 --> 01:00:22,312 Paige Reynolds involuntarily creates one of the first viral videos... 657 01:00:24,047 --> 01:00:28,200 when she films herself singing in her living room. 658 01:00:41,547 --> 01:00:44,347 In order to show her sister, 659 01:00:44,630 --> 01:00:47,244 she uploads her video on YouTube. 660 01:00:48,464 --> 01:00:51,398 But the clip quickly spreads 661 01:00:51,422 --> 01:00:53,942 and becomes a global sensation. 662 01:01:31,465 --> 01:01:34,171 The content that spreads the most 663 01:01:34,381 --> 01:01:36,808 is what triggers our instincts. 664 01:01:38,048 --> 01:01:41,608 What generates emotions without any detours. 665 01:01:41,632 --> 01:01:44,774 She's on the floor! 666 01:01:44,798 --> 01:01:48,998 This little French fry is named Turbo. 667 01:01:49,882 --> 01:01:52,915 He was born without any front legs. 668 01:01:54,757 --> 01:01:58,397 And he was being picked on by his brothers and sisters. 669 01:01:59,465 --> 01:02:01,799 It wasn't very nice. 670 01:02:06,467 --> 01:02:10,216 SIMBA'S FATHER DIES IN THE LION KING 671 01:02:11,299 --> 01:02:14,052 Oh, my God! Oh, my God!! 672 01:02:19,007 --> 01:02:21,341 Stop. 673 01:02:24,257 --> 01:02:27,524 Oh, my God... Please stop! 674 01:03:02,175 --> 01:03:04,041 Are you okay? 675 01:03:05,383 --> 01:03:06,693 Yeah... 676 01:03:06,717 --> 01:03:09,050 Well, come here, buddy. 677 01:03:15,175 --> 01:03:17,695 It's okay, my love... 678 01:03:43,634 --> 01:03:46,854 So as we see here, this is the brain. 679 01:03:47,134 --> 01:03:48,193 And... 680 01:03:48,217 --> 01:03:50,860 visual inputs are perceived by the brain 681 01:03:50,884 --> 01:03:54,244 and trigger different responses. 682 01:03:56,009 --> 01:03:59,527 For example, if you see an image, or a scene in a film, 683 01:03:59,551 --> 01:04:02,235 that causes you to feel fear, 684 01:04:02,259 --> 01:04:04,819 the limbic system will be activated, 685 01:04:04,843 --> 01:04:06,569 and trigger a bodily response 686 01:04:06,593 --> 01:04:09,393 through the release of adrenaline. 687 01:04:10,093 --> 01:04:14,246 And your body basically gets into fight or flight mode. 688 01:04:14,885 --> 01:04:18,431 But when you sit safely at home looking at an image, 689 01:04:18,593 --> 01:04:20,926 there is no actual threat. 690 01:04:23,718 --> 01:04:27,218 So the experience of the rush 691 01:04:27,551 --> 01:04:30,678 is quite analogous to riding a roller-coaster 692 01:04:31,718 --> 01:04:37,412 and provide the release of dopamine and a sense of reward afterwards. 693 01:04:38,635 --> 01:04:42,903 We can get the same feeling of reward following other strong inputs. 694 01:04:42,927 --> 01:04:45,528 For instance, images that trigger not only fear, 695 01:04:45,552 --> 01:04:49,192 but joy, or love, or lust, or anger. 696 01:04:50,510 --> 01:04:53,917 It's quite easy nowadays to get this feeling of reward 697 01:04:54,469 --> 01:04:56,382 over and over again. 698 01:05:02,177 --> 01:05:04,931 Give me the camera. Come on. 699 01:05:50,803 --> 01:05:52,696 Do you have a good grip? 700 01:05:52,720 --> 01:05:54,493 Are you sure? 701 01:05:55,887 --> 01:05:57,473 Let's go. 702 01:06:10,470 --> 01:06:12,570 I don't feel anything. 703 01:06:31,387 --> 01:06:34,841 - Okay, bye-bye. - Bye-bye! 704 01:06:35,304 --> 01:06:37,777 3, 2, 1... 705 01:06:37,846 --> 01:06:39,012 Yeah. 706 01:07:22,631 --> 01:07:26,755 STAR WARS TRAILER RELEASE EVENT 707 01:07:30,180 --> 01:07:32,513 Yes!!! 708 01:07:32,972 --> 01:07:36,378 Wow! Ooh!!! 709 01:07:43,014 --> 01:07:44,834 Holy shit! 710 01:07:48,055 --> 01:07:50,062 NO!!!! 711 01:07:50,972 --> 01:07:54,192 No!!! No!!! 712 01:08:25,264 --> 01:08:28,858 Checking up on what your buddy Tarzan's doing? 713 01:08:39,890 --> 01:08:41,896 What's he been up to? 714 01:08:52,598 --> 01:08:54,885 Oh, that's you! 715 01:08:55,723 --> 01:08:58,710 That's when you first met, huh? 716 01:09:08,849 --> 01:09:13,075 Through increased awareness of our biology, 717 01:09:13,099 --> 01:09:15,665 new business models are created. 718 01:09:17,474 --> 01:09:20,974 The goal is to capture the viewer's interest, 719 01:09:21,432 --> 01:09:25,352 and hold their attention as long as possible. 720 01:09:26,682 --> 01:09:30,443 And you made this -what seems a really interesting shift years ago. 721 01:09:30,468 --> 01:09:32,981 HOW NETFLIX CHANGED ENTERTAINMENT - AND WHERE IT'S HEADED - You used to ask people: 722 01:09:33,005 --> 01:09:37,617 "Here are ten movies, what do you think? Which ones are your best movies?" 723 01:09:37,641 --> 01:09:40,534 And then tried to match those movies 724 01:09:40,558 --> 01:09:42,825 with recommendations for what was coming. 725 01:09:42,849 --> 01:09:45,784 And then you changed away from that, talk about that. 726 01:09:45,808 --> 01:09:48,969 Sure. Everyone would rate Schindler's List five stars, 727 01:09:49,000 --> 01:09:50,202 REED HASTINGS NETFLIX CEO 728 01:09:50,226 --> 01:09:54,451 and then they'd rate Adam Sandler's The Do-Over, three stars. 729 01:09:54,475 --> 01:09:57,076 But in fact, when you looked at what they watched, 730 01:09:57,100 --> 01:09:59,992 it was almost always Adam Sandler. 731 01:10:00,016 --> 01:10:04,701 So what happens is, when we rate and are metacognitive about quality, 732 01:10:04,725 --> 01:10:07,742 that's sort of our aspirational self. 733 01:10:07,766 --> 01:10:10,367 It works out much better to please people 734 01:10:10,391 --> 01:10:12,993 to look at the actual choices they make. 735 01:10:13,017 --> 01:10:17,743 You know, we have some candy too, but we have lots of broccoli. 736 01:10:17,767 --> 01:10:22,076 And if you have a good mix, you get to a healthy diet. 737 01:10:22,100 --> 01:10:27,368 But isn't it the case that algorithms tend to point you away from the broccoli 738 01:10:27,392 --> 01:10:31,076 and towards the candy if you're not careful? We just had a talk about 739 01:10:31,100 --> 01:10:36,660 how on YouTube, algorithms tend to... Just by actually being smarter, 740 01:10:36,685 --> 01:10:41,351 tend to drive people towards more radical or specific content. 741 01:10:42,500 --> 01:10:44,576 HOW CARNIVOROUS PLANTS CATCH THEIR PREY 742 01:10:44,601 --> 01:10:46,827 It makes itself very attractive, 743 01:10:46,851 --> 01:10:50,957 oozing nectar across the brim of each leaf. 744 01:10:54,267 --> 01:10:58,202 But any visiting insect had better watch out 745 01:10:58,226 --> 01:11:01,399 for these six tiny hairs. 746 01:11:04,268 --> 01:11:06,928 If it strikes one hair... 747 01:11:08,393 --> 01:11:10,586 it can carry on feeding, 748 01:11:11,059 --> 01:11:13,766 but a timer has been set. 749 01:11:18,434 --> 01:11:21,369 A second strike in less than 20 seconds 750 01:11:21,393 --> 01:11:23,913 and the fly is doomed. 751 01:11:35,185 --> 01:11:37,369 If you had 24 hours with me, 752 01:11:37,393 --> 01:11:40,287 and I couldn't say no, what would we do? 753 01:11:40,435 --> 01:11:42,369 If you had 24 hours with me, 754 01:11:42,393 --> 01:11:45,100 and I couldn't say no, what would we do? 755 01:11:45,435 --> 01:11:48,661 If you had 24 hours with me, and I couldn't say no, 756 01:11:48,685 --> 01:11:49,786 what would we do? 757 01:11:49,810 --> 01:11:53,203 If you could have me for 24 hours. 758 01:11:53,227 --> 01:11:55,700 And I couldn't say no... 759 01:11:56,352 --> 01:11:57,995 What would we do? 760 01:11:58,019 --> 01:11:59,325 Sexual intercourse, 761 01:11:59,352 --> 01:12:02,953 that's the answer for all of these, every single one you that are: 762 01:12:02,977 --> 01:12:05,036 "What if you had 24 hours with me..." 763 01:12:05,060 --> 01:12:07,411 Sexual intercourse. Every single time. 764 01:12:07,435 --> 01:12:10,287 We don't need to do anymore. All done, you're so hot. 765 01:12:10,311 --> 01:12:13,787 Hubba-hubba, wanna have sex. That's it -no more! 766 01:12:13,811 --> 01:12:16,703 The dude that's like: "If I brought you Dominos," 767 01:12:16,727 --> 01:12:19,287 "and I worked at Dominos, what would you do?" 768 01:12:19,311 --> 01:12:22,078 I'd take the pizza and I'd have sex with you. 769 01:12:22,102 --> 01:12:24,245 'Cause you're so attractive. 770 01:12:24,269 --> 01:12:26,328 The girl: "If I worked at Starbucks" 771 01:12:26,352 --> 01:12:28,870 "and I gave you your drink that you pay for," 772 01:12:28,894 --> 01:12:31,329 "but I looked at you... What would you do?" 773 01:12:31,353 --> 01:12:34,579 Intercourse! I would take you to the back and have intercourse, 774 01:12:34,603 --> 01:12:37,245 because I can't resist you, okay? 775 01:12:37,269 --> 01:12:41,079 We're all done, there's no more. What more do we need...? 776 01:12:41,103 --> 01:12:44,090 I need to fucking delete this app, dude. 777 01:12:47,154 --> 01:12:51,419 AHEGAO FACE WITH HAMBURGER BY BELLE DELPHINE 778 01:13:06,228 --> 01:13:10,038 And one video went really big at the time. 779 01:13:10,062 --> 01:13:12,722 It was the "ahegao" face that I did, 780 01:13:12,812 --> 01:13:16,246 and it got big. And then I was like: 781 01:13:16,270 --> 01:13:19,621 I'm gaining some followers, I need to take advantage of this. 782 01:13:19,645 --> 01:13:23,913 I need to figure out a way for people to be interested in me. 783 01:13:23,937 --> 01:13:28,163 I've got the "taking cute pictures", but that's not going to really do it. 784 01:13:28,187 --> 01:13:30,496 There are so many cute girls on the internet, 785 01:13:30,520 --> 01:13:35,622 so I decided to do weird things in the combination, as well as being sexy. 786 01:13:35,646 --> 01:13:40,205 Like I'll be sexy and cracking an egg in my mouth or something. 787 01:13:40,229 --> 01:13:44,622 And people will share that, be like: "What the fuck, this girl's so weird 788 01:13:44,646 --> 01:13:47,413 - "and quirky", or whatever. - But they love you too. 789 01:13:47,437 --> 01:13:51,789 - But I'll also put my image out there. - Genius, I have to say. 790 01:13:51,813 --> 01:13:55,747 - That is genius. - I've got to say, I mean you... 791 01:13:55,771 --> 01:13:57,122 That's very smart. 792 01:13:57,146 --> 01:13:58,247 Hello, internet! 793 01:13:58,271 --> 01:14:03,080 So it's been really fun playing with you over the last couple of years. 794 01:14:03,104 --> 01:14:07,705 But I think now is finally the time that you've all been waiting for... 795 01:14:07,729 --> 01:14:12,081 This year, the 25th of December, Christmas Day, 796 01:14:12,105 --> 01:14:13,914 I'm going to be posting 797 01:14:13,938 --> 01:14:17,664 my hardcore porn 798 01:14:17,688 --> 01:14:20,161 onto my OnlyFans. 799 01:14:20,396 --> 01:14:23,616 And if you don't believe me, well... 800 01:14:24,188 --> 01:14:28,123 How much do you anticipate you'll be making after the release of this video, 801 01:14:28,147 --> 01:14:29,733 over the next month or so? 802 01:14:31,272 --> 01:14:34,373 Well, I don't know if I'm going to charge it yet. 803 01:14:34,397 --> 01:14:38,206 Like the pay-per-view thing, I'm not sure what I'm going to do with that. 804 01:14:38,230 --> 01:14:42,123 I'm still thinking about it, but I've seen... 805 01:14:42,147 --> 01:14:45,748 - Hold on, what is there to think about? - Well... 806 01:14:45,772 --> 01:14:48,873 Do you have a blanket deal? Are you selling this to... 807 01:14:48,897 --> 01:14:51,873 You should absolutely be doing a deal with OnlyFans. 808 01:14:51,897 --> 01:14:54,498 So not only will they have to pay the $35/month 809 01:14:54,522 --> 01:14:57,706 to get access... to even being able to buy the video, 810 01:14:57,730 --> 01:15:01,931 but now you're trying to figure out what you want to charge for the clip. 811 01:15:02,189 --> 01:15:05,873 - I'm still thinking about it. - Of course you will! 812 01:15:05,897 --> 01:15:07,665 What are you saying!? 813 01:15:07,689 --> 01:15:11,457 As your business advisor: obviously! 814 01:15:11,481 --> 01:15:15,748 One thing I know is that I did have the largest withdrawal ever. 815 01:15:15,772 --> 01:15:18,374 - Which was crazy! - Could tell us what that was? 816 01:15:18,398 --> 01:15:21,832 - It was 2 million in one withdrawal. - That's good. 817 01:15:21,856 --> 01:15:23,957 Good for you. Really good for you. 818 01:15:23,981 --> 01:15:26,361 - Wow. - Thank you. 819 01:15:26,534 --> 01:15:30,036 100 WAYS TO DISTRIBUTE, ENGAGE AND MONETIZE 820 01:15:30,189 --> 01:15:35,541 Hey, guys! It's Gio from Streann Media, We're in New York City at NAB. 821 01:15:35,565 --> 01:15:40,291 There's a lot of talk at the show about direct-to-consumer, 822 01:15:40,315 --> 01:15:43,332 and we're helping customers go direct-to-consumer. 823 01:15:43,356 --> 01:15:47,541 We're helping content providers create new strategies. 824 01:15:47,565 --> 01:15:52,932 Not only for going direct-to-consumers, but really to interact with them. 825 01:15:53,107 --> 01:15:56,374 And the most important piece: you need to monetize, right? 826 01:15:56,398 --> 01:15:59,624 Creators are having the best time. 827 01:15:59,648 --> 01:16:05,108 It's never been a better time to be in the content business than right now. 828 01:16:16,774 --> 01:16:18,734 2019 829 01:16:19,357 --> 01:16:23,837 Every day, Jesse Daugherty livestreams from his living room 830 01:16:23,899 --> 01:16:26,046 while he's gaming. 831 01:16:28,316 --> 01:16:31,909 He usually has an audience that only consists of a few people. 832 01:16:33,357 --> 01:16:38,000 But one day he falls asleep during his livestream, 833 01:16:38,024 --> 01:16:40,542 and attracts more than 200 viewers 834 01:16:40,566 --> 01:16:43,693 who pay to watch him. 835 01:17:16,275 --> 01:17:20,942 In many people's lives the camera is almost always turned on. 836 01:17:22,400 --> 01:17:25,947 Livestreaming your own life has become a job. 837 01:17:31,358 --> 01:17:35,932 When viewers figure out where the person they're looking at is, 838 01:17:36,234 --> 01:17:39,780 they can increase the entertainment value in real-time. 839 01:17:45,234 --> 01:17:47,847 Hello, I'm from the hotel. 840 01:17:48,400 --> 01:17:51,574 From the reception. Hello, do you hear me? 841 01:17:51,984 --> 01:17:55,204 - What? - Your brother is calling. 842 01:17:55,329 --> 01:17:56,750 PAUL DENINO LIFESTREAMER 843 01:17:56,900 --> 01:17:59,084 Oh, okay... I'll call my brother, 844 01:17:59,109 --> 01:18:03,335 Your brother has been calling 50 times. I don't know what's wrong, 845 01:18:03,359 --> 01:18:07,979 but he said you're going to miss your flight and you have to get up. 846 01:18:10,401 --> 01:18:12,221 Uber... 847 01:18:13,818 --> 01:18:16,919 Uber dropped me off at the wrong address, homie. 848 01:18:16,943 --> 01:18:17,943 Hello? 849 01:18:22,443 --> 01:18:25,196 Yo, what's up? I'm livestreaming... 850 01:18:25,818 --> 01:18:26,877 What's up? 851 01:18:26,901 --> 01:18:29,044 Your son's on the phone. 852 01:18:29,068 --> 01:18:31,252 Trying to meet you at my psychic shop? 853 01:18:31,276 --> 01:18:34,543 - Do you have a son? - No, I'm livestreaming. 854 01:18:34,776 --> 01:18:37,343 And they're fucking with you. 855 01:18:38,651 --> 01:18:42,753 I'm livestreaming, that's what it is. It's nothing, just hang up. 856 01:18:42,777 --> 01:18:45,544 - What? - People are calling my phone. 857 01:18:45,568 --> 01:18:49,022 You'd better stop before I knock your fucking bitch ass... 858 01:18:49,068 --> 01:18:52,878 We’re doing a livestream. I'm sorry, we don't mean to. 859 01:18:52,902 --> 01:18:55,211 - Who are you dealing with? - We're on YouTube. 860 01:18:55,235 --> 01:18:59,062 Sometimes the viewers, they call. They say stupid shit. 861 01:18:59,277 --> 01:19:03,086 - Okay, so? - Sometimes they say stupid shit. 862 01:19:03,110 --> 01:19:05,817 - Is everybody okay here? - Yeah. 863 01:19:07,152 --> 01:19:09,628 You haven't threatened to shoot somebody today? 864 01:19:09,652 --> 01:19:10,819 No. 865 01:19:11,819 --> 01:19:13,032 Hi. 866 01:19:13,057 --> 01:19:17,569 I'm getting about 30 calls about you on my phone, and I'm a gangster. 867 01:19:17,611 --> 01:19:20,587 So you'd better fucking leave here right now, 868 01:19:20,611 --> 01:19:23,795 before there's trouble for yourself. You understand that? 869 01:19:23,819 --> 01:19:27,087 You're fucking with the mob over here. You'd better leave now. 870 01:19:27,111 --> 01:19:29,753 - I apologize. - You'd better leave now. 871 01:19:29,777 --> 01:19:32,754 - What's going on? - The sooner you leave, the better. 872 01:19:32,778 --> 01:19:35,858 - I will be gone... - You're not gone yet. 873 01:19:36,403 --> 01:19:39,343 - You'd better go now. - I will be gone. 874 01:19:40,153 --> 01:19:42,629 - What the fuck's going on? - I don't know, bro. 875 01:19:42,653 --> 01:19:44,212 Am I muted right now? 876 01:19:44,236 --> 01:19:46,420 No, you're not. Hold... Stop, stop. 877 01:19:46,444 --> 01:19:48,311 That's a police officer. 878 01:19:48,653 --> 01:19:51,500 - What the fuck's going on? - What? 879 01:19:51,611 --> 01:19:54,421 Turn the car off. 880 01:19:54,445 --> 01:19:58,971 - Dude, we're in the middle of the road. - Oh, my God, it's a SWAT. 881 01:19:59,986 --> 01:20:02,833 You came at the wrong fuckin' time. 882 01:20:03,320 --> 01:20:06,260 - Oh, God... - Look, it's a SWAT. 883 01:20:08,570 --> 01:20:11,129 - What the fuck, dude? - Oh, God... 884 01:20:11,153 --> 01:20:12,833 Why is this happening? 885 01:20:13,945 --> 01:20:17,445 My phone's at 3%, do you have a charger? Goddamnit! 886 01:20:18,487 --> 01:20:21,046 - Dude... - Hands outside the vehicle! 887 01:20:21,070 --> 01:20:25,084 - Hold on, my fucking... - Roll the windows down! 888 01:20:25,612 --> 01:20:29,338 Oh God, a shotgun! He just cocked a shotgun! 889 01:20:29,362 --> 01:20:31,042 Oh, God... 890 01:20:31,779 --> 01:20:36,539 Oh, God. Do they think...? Somebody's said some bad shit. 891 01:20:38,820 --> 01:20:43,394 They literally have guns pointed at us and he cocked a shotgun. 892 01:20:44,696 --> 01:20:47,169 What the fuck, bro? 893 01:20:47,321 --> 01:20:48,922 Oh, God... 894 01:20:48,946 --> 01:20:52,866 Exit the vehicle slowly. 895 01:20:53,154 --> 01:20:54,834 Hands up! 896 01:20:57,654 --> 01:21:00,921 Put your cellphone on top of the car for me! 897 01:21:01,779 --> 01:21:03,380 Just lay it on the car! 898 01:21:03,404 --> 01:21:05,878 It doesn’t need to stand up. 899 01:21:06,904 --> 01:21:08,818 Just leave it on the car! 900 01:21:09,904 --> 01:21:12,089 People say I want it or something... 901 01:21:12,113 --> 01:21:15,753 Dude, I have fucking issues from this shit! 902 01:21:15,946 --> 01:21:19,400 You have no idea the amount of time and stress... 903 01:21:19,696 --> 01:21:23,663 that I put into letting the police know 904 01:21:24,071 --> 01:21:28,381 about what I do before I turn on the fucking stream! 905 01:21:28,405 --> 01:21:30,131 The police don't care, dude! 906 01:21:30,155 --> 01:21:34,381 They go to a situation, they think someone's fucking dead! 907 01:21:34,405 --> 01:21:37,339 It doesn't matter. Think they're going to listen to me 908 01:21:37,363 --> 01:21:41,173 'cause I tell them I'm going to be there before I get there?! 909 01:21:41,197 --> 01:21:43,298 It doesn't matter, man! 910 01:21:43,322 --> 01:21:45,002 Okay? 911 01:21:49,364 --> 01:21:51,370 There's nothing I can do 912 01:21:52,197 --> 01:21:55,417 if people want to be assholes! 913 01:21:56,114 --> 01:21:58,298 All I want to do is just stream. 914 01:21:58,322 --> 01:21:59,675 Now breathe out... 915 01:22:01,114 --> 01:22:04,256 Sigh out your pain, sigh out tension, 916 01:22:04,280 --> 01:22:06,661 sigh out heaviness. 917 01:22:19,281 --> 01:22:23,132 Please stay calm, it's very important to stay calm. 918 01:22:23,156 --> 01:22:26,376 We will rescue all of you, 919 01:22:26,823 --> 01:22:29,249 Please subscribe to my channel! 920 01:22:31,031 --> 01:22:36,257 And things might be a shit show, they might not. I will keep you posted. 921 01:22:36,281 --> 01:22:41,461 Soon, there will be 45 billion cameras in the world. 922 01:22:42,906 --> 01:22:49,673 Every single minute, over 500 hours of footage are published. 923 01:22:50,531 --> 01:22:54,918 We consume more than one billion hours daily. 924 01:22:56,323 --> 01:23:00,337 Every one of us takes their pick from an infinite number of choices, 925 01:23:00,573 --> 01:23:03,174 all competing for our attention, 926 01:23:03,198 --> 01:23:07,258 and are programmed to confirm our world view. 927 01:23:07,282 --> 01:23:10,299 Endless lies and disinformation. 928 01:23:10,323 --> 01:23:13,383 Fuck fake news! Fuck fake news! 929 01:23:13,407 --> 01:23:15,227 Fuck fake news... 930 01:23:16,532 --> 01:23:19,845 Fuck fake news! 931 01:23:22,240 --> 01:23:23,591 Fake mic, real news! 932 01:23:23,615 --> 01:23:25,925 Yeah fake mic -real news! 933 01:23:25,949 --> 01:23:29,309 That's my friend, now you got the real mic. 934 01:23:29,699 --> 01:23:33,508 My name is Gabriel Brown, GB0083 YouTube channel. 935 01:23:33,532 --> 01:23:36,175 Everybody go follow him! I've got 2000 people. 936 01:23:36,199 --> 01:23:38,508 Go follow him! We're rock-n-rolling! 937 01:23:38,532 --> 01:23:41,217 You know what? They're not going to cover the news, 938 01:23:41,241 --> 01:23:44,592 then they don't need this equipment. We'll cover it for them. 939 01:23:44,616 --> 01:23:48,967 We'll do it! We got the cameras, we got the freakin' voice. 940 01:23:48,991 --> 01:23:52,717 We're live and we're giving you the unscripted truth. 941 01:23:52,741 --> 01:23:57,425 This is raw and real. This is reality TV. This is not staged. 942 01:23:57,449 --> 01:24:00,384 We are the news! Make it a point, 943 01:24:00,408 --> 01:24:04,748 we all need to keep broadcasting, we are the news now. 944 01:24:04,958 --> 01:24:08,091 US CAPITOL, 2021 BY LUKE MOGELSON 945 01:24:08,450 --> 01:24:10,410 Knock! Knock! 946 01:24:10,741 --> 01:24:12,801 We're here! 947 01:24:12,825 --> 01:24:17,384 Look, it's a PR war, okay? You have to understand, it's an IO war. 948 01:24:17,408 --> 01:24:20,634 - We can't lose an IO war. - We're better than that! 949 01:24:20,658 --> 01:24:23,972 "Information Operation". 950 01:24:28,950 --> 01:24:31,343 I wanna tell you, just get a snap of that. 951 01:24:31,367 --> 01:24:33,467 Yeah, I took a picture. 952 01:24:36,325 --> 01:24:40,712 There's got to be something in here we can use against these scumbags. 953 01:24:42,575 --> 01:24:45,002 Quit acting a fool, man! 954 01:24:48,450 --> 01:24:50,635 This is good stuff. 955 01:24:50,659 --> 01:24:52,945 Quit acting a fool! 956 01:25:16,368 --> 01:25:20,010 "Greetings to the inhabitants of the universe 957 01:25:20,034 --> 01:25:25,354 "from the third planet Earth of the star Sun." ~ Odia 958 01:25:28,534 --> 01:25:31,969 "Greetings to our friends in the stars. 959 01:25:31,993 --> 01:25:34,793 "May time bring us together." ~ Arabic 960 01:25:38,993 --> 01:25:42,386 "Hope everyone's well. We are thinking about you all. 961 01:25:42,410 --> 01:25:45,210 "Please come to visit when you have time." ~ Mandarin 962 01:25:47,368 --> 01:25:49,328 1977 963 01:25:50,535 --> 01:25:55,715 The Voyager probe leaves Earth to explore our solar system. 964 01:25:58,035 --> 01:26:02,219 Its mission is to photograph planets and moons 965 01:26:02,243 --> 01:26:05,977 before entering interstellar space. 966 01:26:15,994 --> 01:26:18,928 Voyager carries greetings from humanity 967 01:26:18,952 --> 01:26:22,779 intended for possible life in the universe. 968 01:26:29,244 --> 01:26:31,720 Recordings of sounds, music, 969 01:26:32,396 --> 01:26:37,842 and 116 photos which try to convey who we are. 970 01:26:40,744 --> 01:26:42,887 A conscious choice is made 971 01:26:42,911 --> 01:26:48,138 to not include images of violence, suffering and antagonism. 972 01:27:53,871 --> 01:27:56,638 Before Voyager leaves our solar system, 973 01:27:56,662 --> 01:27:59,138 another decision is made: 974 01:27:59,162 --> 01:28:06,863 to turn the camera around towards Earth for one last photograph. 975 01:28:09,246 --> 01:28:15,453 The photo shows Earth as a pale blue dot. 976 01:28:24,288 --> 01:28:27,881 The camera saves what's in front of it. 977 01:28:30,871 --> 01:28:34,745 Now what to do with this possibility? 978 01:28:49,538 --> 01:28:51,125 Yeah! 72292

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