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So I'm in my bedroom
2
00:00:50,560 --> 00:00:53,661
and I'm looking at the wall.
3
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And those are my neighbors' houses.
4
00:00:56,935 --> 00:01:01,286
What is this sorcery
that is happening?
5
00:01:01,310 --> 00:01:03,644
Look at this...
6
00:01:04,019 --> 00:01:07,052
Watch, you'll see a car go past.
7
00:01:11,394 --> 00:01:14,870
I am confused at how this is happening.
8
00:01:14,894 --> 00:01:17,495
Has this ever happened to anybody?
9
00:01:17,519 --> 00:01:20,459
What dimension have I entered?
10
00:01:23,144 --> 00:01:26,317
Do you see them?
11
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- Are you in there?
- Yes, and we can see you.
12
00:01:30,769 --> 00:01:32,263
Do you see us?
13
00:01:32,561 --> 00:01:33,662
Upside-down!
14
00:01:33,686 --> 00:01:38,539
- Here we are!
- Here we are...
15
00:01:39,478 --> 00:01:42,120
Am I supposed to see something?
16
00:01:42,144 --> 00:01:44,478
If you hold the canvas like this...
17
00:01:44,978 --> 00:01:48,329
- Right...
- Then move in slowly.
18
00:01:48,353 --> 00:01:50,780
Wow! But it's upside-down!
19
00:01:53,145 --> 00:01:56,829
Yeah, now, now, now I see!
20
00:01:56,853 --> 00:01:59,233
Yeah, I see you very well now.
21
00:01:59,770 --> 00:02:03,690
So, yes...
How coming this one? My God!
22
00:02:03,978 --> 00:02:06,246
Elin, could you take a step back?
23
00:02:06,270 --> 00:02:07,954
Wow, I can see you!
24
00:02:07,978 --> 00:02:09,913
Looking good!
25
00:02:09,937 --> 00:02:12,996
Looking really good! Wow!
26
00:02:13,020 --> 00:02:14,607
Elin, do something.
27
00:02:17,103 --> 00:02:19,954
Damn, they're upside-down!
28
00:02:19,978 --> 00:02:22,621
- Back away.
- No, they're too close now.
29
00:02:22,645 --> 00:02:25,399
Hey Simon, take a step back.
30
00:02:25,687 --> 00:02:27,246
More.
31
00:02:27,270 --> 00:02:28,904
Oh, holy moly!
32
00:02:28,937 --> 00:02:31,371
- Hang on...
- There!
33
00:02:31,395 --> 00:02:33,775
- Cool!
- Wave to us.
34
00:02:36,479 --> 00:02:38,871
How the hell does this work?
35
00:02:38,895 --> 00:02:42,663
- Inside my eyes it's like that?
- Yes, like this.
36
00:02:42,687 --> 00:02:47,038
And then our brain, our human brain
turns the image around.
37
00:02:47,062 --> 00:02:51,356
- Oh, my God!
- So it's the same in the camera.
38
00:02:51,437 --> 00:02:54,424
- This is so cool!
- Sure is.
39
00:02:54,687 --> 00:02:59,122
And it works without any technology,
it's just a hole...
40
00:02:59,146 --> 00:03:03,439
- Where does the image come from?
- From... the light!
41
00:03:04,729 --> 00:03:07,669
- That's incredible.
- It's a natural phenomenon.
42
00:03:08,646 --> 00:03:09,997
Totally awesome!
43
00:03:10,021 --> 00:03:13,331
This is why photography is possible.
44
00:03:13,355 --> 00:03:17,695
We learned how to capture
the image we see.
45
00:03:18,480 --> 00:03:21,247
So this is how all cameras work?
46
00:03:21,271 --> 00:03:24,818
Yes, and all photographic images.
47
00:03:29,438 --> 00:03:33,125
Science, bitch!
48
00:03:35,022 --> 00:03:37,542
It's 1828.
49
00:03:37,855 --> 00:03:40,414
A French inventor, Joseph Niépce,
50
00:03:40,438 --> 00:03:43,798
manages to save the image
that appears in the dark.
51
00:03:44,563 --> 00:03:50,910
For 10 hours, he exposes a tin plate
coated with bitumen to light.
52
00:03:52,230 --> 00:03:57,737
A new term is coined:
Photography, "to draw with light".
53
00:04:00,147 --> 00:04:03,790
The view from Niépce's workshop,
a backyard in Southern France,
54
00:04:03,814 --> 00:04:07,734
is the oldest preserved
photograph of our world.
55
00:04:12,564 --> 00:04:14,623
A decade later,
56
00:04:14,647 --> 00:04:19,498
the technology has improved and
only 10 minutes of exposure is required.
57
00:04:19,522 --> 00:04:22,665
When Louis Daguerre
takes a photo from his window
58
00:04:22,689 --> 00:04:27,169
a man getting a shoe-shine is captured.
59
00:04:28,939 --> 00:04:33,279
It's the world's first photograph
of a human being.
60
00:04:38,315 --> 00:04:41,161
California, 1858:
61
00:04:42,148 --> 00:04:44,761
Edward Muybridge makes a bet:
62
00:04:45,440 --> 00:04:49,313
When galloping, does a horse
lift all four hooves off the ground?
63
00:04:49,565 --> 00:04:54,651
His cameras register
what human eyes are unable to see.
64
00:04:55,857 --> 00:04:58,708
Later, when he flips through the images
65
00:04:58,732 --> 00:05:01,718
an illusion of movement appears.
66
00:05:02,482 --> 00:05:06,402
They are the world's
first motion pictures.
67
00:05:12,065 --> 00:05:15,939
But what to do with these possibilities?
68
00:05:18,149 --> 00:05:22,815
At the time the author Elizabeth
Eastlake writes about the camera:
69
00:05:24,024 --> 00:05:26,870
"Its nature is to give evidence of facts"
70
00:05:27,732 --> 00:05:32,539
"as minutely and impartially... as only
a machine can do."
71
00:05:32,982 --> 00:05:36,375
"The camera records space
and time simultaneously,"
72
00:05:36,399 --> 00:05:40,333
"and every photograph
becomes an authentic chapter"
73
00:05:40,357 --> 00:05:43,437
"in the history of our world."
74
00:05:57,691 --> 00:05:58,858
Bitch!
75
00:06:04,608 --> 00:06:07,709
Oh, my God!
Look at that picture over there.
76
00:06:07,733 --> 00:06:10,580
There's the earth coming up.
Wow, that's pretty!
77
00:06:10,733 --> 00:06:12,834
You got a color film, Jim?
78
00:06:12,858 --> 00:06:16,209
- Hand me a roll of color, quick!
- Oh man, that's great!
79
00:06:16,233 --> 00:06:17,584
Quick!
80
00:06:17,608 --> 00:06:22,293
- Take several, take several!
- Let's get the right setting here.
81
00:06:22,317 --> 00:06:24,277
Calm down, Lovell!
82
00:06:24,483 --> 00:06:27,283
Oh, that's a beautiful shot.
83
00:06:39,692 --> 00:06:42,585
All right... We had a baby!
84
00:06:43,650 --> 00:06:45,793
He came right out in the car!
85
00:06:45,817 --> 00:06:49,001
Oh, my God, babe...
86
00:06:49,025 --> 00:06:52,335
We'll have ice cream,
candies, movies... everything. OK?
87
00:06:52,359 --> 00:06:55,377
- It's so ready to come out.
- It is! One more little drop.
88
00:06:55,401 --> 00:06:57,314
Be brave.
89
00:07:02,567 --> 00:07:06,907
Oh, yes...
Those are nice and clean!
90
00:07:19,193 --> 00:07:21,713
- We're gonna die!
- Let's go! Let's Go!
91
00:07:22,651 --> 00:07:26,524
This is the camera we're going to use.
It goes in your nose.
92
00:07:29,026 --> 00:07:30,193
Fuck.
93
00:07:32,151 --> 00:07:33,925
Pardon me.
94
00:07:34,860 --> 00:07:37,711
Pardon me, my apologies.
95
00:07:37,735 --> 00:07:40,086
Who the fuck is that?
96
00:07:40,110 --> 00:07:42,396
Is that somebody at my door?
Fuck!
97
00:07:52,152 --> 00:07:54,711
- I can keep recording.
- Turn it off or it's jail.
98
00:07:54,735 --> 00:07:56,961
For recording you?
I'm sitting in my car.
99
00:07:56,985 --> 00:08:00,461
Turn the camera,
go ahead, turn the camera, ma'am.
100
00:08:00,485 --> 00:08:02,086
Turn the camera.
101
00:08:02,110 --> 00:08:04,724
You with the blonde hair,
turn the camera!
102
00:08:08,444 --> 00:08:11,104
I got it on camera!
103
00:08:23,027 --> 00:08:25,687
Watch out, let her walk!
104
00:08:26,792 --> 00:08:28,779
PRIVATE EYE
105
00:08:31,444 --> 00:08:34,587
Don't make unnecessary journeys!
106
00:08:34,611 --> 00:08:37,212
Don't take risks on treacherous roads.
107
00:08:37,236 --> 00:08:40,212
Fuck fake news! Fuck fake news!
108
00:08:40,236 --> 00:08:43,829
- This is extremely dangerous...
- to our democracy.
109
00:08:44,403 --> 00:08:46,083
Say cheese!
110
00:08:49,598 --> 00:08:53,240
AND THE KING SAID, WHAT A FANTASTIC MACHINE
111
00:08:55,499 --> 00:08:58,719
Europe in the 1890s...
112
00:09:01,195 --> 00:09:07,587
Several different inventors
find a way to project motion pictures.
113
00:09:07,611 --> 00:09:09,525
Now, watch that white sheet.
114
00:09:48,321 --> 00:09:49,534
That was Hyde Park.
115
00:09:50,571 --> 00:09:52,531
I recognized it.
116
00:10:03,071 --> 00:10:06,130
Where's it come from?
Where's it gone to?
117
00:10:06,154 --> 00:10:09,630
Come and see the thrill of a century,
pictures that move!
118
00:10:09,654 --> 00:10:11,797
Come have the thrill
of your lifetime.
119
00:10:11,821 --> 00:10:15,130
Admission: one penny!
One copper coin.
120
00:10:15,154 --> 00:10:19,728
A train entering the station
so real that it will terrify you!
121
00:10:19,976 --> 00:10:21,968
A TRAIN COMES INTO A STATION.
122
00:10:25,030 --> 00:10:27,316
1895...
123
00:10:28,280 --> 00:10:33,086
These are the first moving images
shown to a larger audience.
124
00:10:35,196 --> 00:10:38,506
The Lumière brothers,
who filmed this train,
125
00:10:38,530 --> 00:10:43,057
regard the camera
strictly as a scientific instrument.
126
00:10:51,030 --> 00:10:54,670
Shortly thereafter, two Englishmen
hit on a business model:
127
00:10:55,989 --> 00:10:59,298
They film large crowds
and sell tickets to those
128
00:10:59,322 --> 00:11:02,355
who wish to see themselves
on the silver screen.
129
00:11:11,406 --> 00:11:16,726
The same people film the first tales
of the Wild West in their garden.
130
00:11:18,864 --> 00:11:23,577
And in New York, someone
films the first erotic motifs.
131
00:11:28,364 --> 00:11:33,638
Manchester United begins selling
image rights to their games.
132
00:11:35,323 --> 00:11:36,382
And the news,
133
00:11:36,406 --> 00:11:40,513
visualizing telegraph reports,
134
00:11:40,864 --> 00:11:42,591
become a product.
135
00:11:44,615 --> 00:11:47,041
Meanwhile, in Paris...
136
00:11:48,406 --> 00:11:54,146
a man named George Méliès uses
the camera to create popular illusions.
137
00:12:01,532 --> 00:12:06,852
This is one of the first examples of man
manipulating the moving image...
138
00:12:08,282 --> 00:12:13,602
to entertain, and to produce
new ways of experiencing reality.
139
00:12:25,532 --> 00:12:30,992
Later, Méliès is commissioned to film
the coronation of the British King...
140
00:12:32,032 --> 00:12:34,550
which he stages in his studio,
141
00:12:34,574 --> 00:12:36,861
with French actors.
142
00:12:38,657 --> 00:12:44,444
The film premieres in England
on the day of the actual coronation.
143
00:12:46,449 --> 00:12:49,762
The King is delighted by the film.
144
00:12:50,532 --> 00:12:54,639
"What a fantastic machine
the camera is," he says.
145
00:12:54,824 --> 00:12:58,050
"It even found a way to record
146
00:12:58,074 --> 00:13:02,508
the parts of the ceremony
that didn't take place."
147
00:13:05,366 --> 00:13:10,546
"Honorable Englishmen, you're
being fooled," one reporter writes.
148
00:13:11,408 --> 00:13:16,588
"This something you will see, that
we need to find the right word for..."
149
00:13:16,950 --> 00:13:23,950
"is a spectacle, a bluff,
a simple theatrical trick."
150
00:13:58,284 --> 00:14:02,177
No man on earth
can get in the way
151
00:14:02,201 --> 00:14:05,968
of the partisan troop of Kim Jong-un,
152
00:14:05,992 --> 00:14:09,959
proceeding with firm convictions!
153
00:14:24,792 --> 00:14:29,935
EARTHQUAKE HAITI 2010
154
00:14:30,326 --> 00:14:33,219
Haiti, 2010.
155
00:14:34,076 --> 00:14:37,016
A brutal earthquake ravages the island.
156
00:14:37,410 --> 00:14:40,723
Hundreds of thousands die.
157
00:14:41,785 --> 00:14:45,751
A photojournalist
takes a photo of a dead girl.
158
00:14:47,743 --> 00:14:51,053
The photo is published
in a Swedish newspaper.
159
00:14:51,077 --> 00:14:56,163
Alongside a beer commercial
featuring Mads Mikkelsen.
160
00:14:59,993 --> 00:15:01,347
Probably...
161
00:15:01,827 --> 00:15:06,969
The photo goes on to win
a "Press Photo of the Year" award.
162
00:15:06,993 --> 00:15:10,428
"The whole story of the earthquake
in a single image,"
163
00:15:10,452 --> 00:15:12,720
is the jury's motivation.
164
00:15:12,744 --> 00:15:16,757
But in connection with this award,
another photo is published...
165
00:15:19,702 --> 00:15:24,275
The same situation,
a different perspective.
166
00:15:27,494 --> 00:15:32,721
A lack of perspective can distort
what the world looks like.
167
00:15:48,453 --> 00:15:54,426
To preserve an illusion,
certain elements must be kept hidden.
168
00:15:58,286 --> 00:16:01,553
Come on, people -on your feet!
169
00:16:02,411 --> 00:16:05,865
I said: On your feet, Friends Arena!
170
00:16:08,120 --> 00:16:11,713
The stands as well,
don't be so lazy.
171
00:16:12,286 --> 00:16:15,553
Let's party,
it's the Eurovision finals!
172
00:16:17,287 --> 00:16:21,720
We're going live in five:
Ramp it up!
173
00:16:23,453 --> 00:16:25,833
Get up!
174
00:16:28,078 --> 00:16:30,272
I said: On your feet!
175
00:16:31,828 --> 00:16:35,638
For you guys at home,
please keep those votes coming
176
00:16:35,662 --> 00:16:37,805
while we move on to Poland.
177
00:16:37,829 --> 00:16:41,346
Hello, Poland and Mateusz Grezesinski.
178
00:16:41,370 --> 00:16:43,430
Good evening, Sweden.
179
00:16:43,454 --> 00:16:45,846
Thank you for inviting Poland again,
180
00:16:45,870 --> 00:16:48,430
and congratulations with the great show.
181
00:16:48,454 --> 00:16:51,138
- May we have your votes, please?
- Yes, of course.
182
00:16:51,162 --> 00:16:54,896
8 points go to song number 6.
183
00:16:58,454 --> 00:17:02,607
10 points go to song number 11.
184
00:17:05,537 --> 00:17:11,371
And 12 points go to song number 10.
185
00:17:12,121 --> 00:17:17,301
Congratulations Margaret,
for the first 12 points.
186
00:17:17,829 --> 00:17:21,222
Hello, Albania and Kleart Duraj.
187
00:17:21,246 --> 00:17:22,680
Hello. Good evening.
188
00:17:22,704 --> 00:17:24,722
Congratulations for the great show.
189
00:17:24,746 --> 00:17:27,472
- Thank you, may we have your votes?
- Yes.
190
00:17:27,496 --> 00:17:31,043
Our 8 points go to song number 3.
191
00:17:32,121 --> 00:17:35,855
Our 10 points go to song number 10.
192
00:17:38,746 --> 00:17:42,013
And our 12 points go to song number 11.
193
00:17:43,622 --> 00:17:45,473
Thank you very much.
194
00:17:45,497 --> 00:17:48,577
Benjamin Ingrosso, congratulations.
12 points.
195
00:17:49,497 --> 00:17:53,930
Hello, Iceland and Felix Bergsson.
196
00:17:54,080 --> 00:17:57,014
Hello, David. Hello, Sweden.
197
00:17:57,038 --> 00:18:00,223
Thank you for a fantastic show.
When it comes to Eurovision,
198
00:18:00,247 --> 00:18:03,234
you lead,
the rest of us just follow.
199
00:18:08,205 --> 00:18:10,632
Approach from this side.
200
00:18:11,747 --> 00:18:14,140
Go back to the others.
201
00:18:14,164 --> 00:18:16,682
Is this really a good angle?
202
00:18:16,706 --> 00:18:20,206
Start with the greetings: How are you?
May peace be upon you.
203
00:18:23,289 --> 00:18:26,682
- Let's go.
- 1, 2, 3: action!
204
00:18:26,706 --> 00:18:28,946
Yemen, 2017.
205
00:18:29,497 --> 00:18:34,491
A group of ISIS fighters get together
to shoot a propaganda video.
206
00:18:35,248 --> 00:18:38,474
They bring a script, props,
207
00:18:38,498 --> 00:18:40,784
and a trained bird of prey.
208
00:18:42,456 --> 00:18:46,283
This is part of the material
they shot that day.
209
00:18:46,623 --> 00:18:52,474
Footage cut and discarded,
never intended to be seen.
210
00:18:52,498 --> 00:18:55,182
Commander of the faithful,
caliph of the Muslims,
211
00:18:55,206 --> 00:18:58,766
Abu Bakr al-Baghdadi,
may God protect him.
212
00:18:58,790 --> 00:19:03,974
To you, we convey the finest
greetings... To you, we convey...
213
00:19:03,998 --> 00:19:06,099
Sorry, I forgot what's next.
214
00:19:06,123 --> 00:19:08,877
Start over at: "To you, we convey..."
215
00:19:13,957 --> 00:19:16,141
- He forgot his lines.
- He forgot that too?
216
00:19:16,165 --> 00:19:20,683
The wording makes you want to laugh.
217
00:19:20,707 --> 00:19:25,000
- Start from the beginning.
- Can the bird be quiet?
218
00:19:31,832 --> 00:19:35,005
To you, we convey
the finest greetings...
219
00:19:37,124 --> 00:19:41,137
- To you, we convey...
- Come on...
220
00:19:43,332 --> 00:19:46,475
To you, we convey the finest greetings.
221
00:19:46,499 --> 00:19:51,267
Three years have passed
since your caliphate came into being,
222
00:19:51,291 --> 00:19:56,051
around which God united
the scattered Muslims...
223
00:19:58,666 --> 00:20:00,642
Start over at "scattered Muslims"...
224
00:20:00,666 --> 00:20:02,486
The scattered Muslims...
225
00:20:03,708 --> 00:20:05,574
Oh please...
226
00:20:07,791 --> 00:20:13,059
- Keep the script in front of you.
- Really?
227
00:20:13,083 --> 00:20:15,510
- Is that okay?
- Yes.
228
00:20:16,916 --> 00:20:20,392
Let him go on and repeat it.
229
00:20:20,416 --> 00:20:24,196
We can fix it later, in the edit.
230
00:20:32,042 --> 00:20:36,099
RECRUITMENT VIDEO PRODUCED BY ISIS
231
00:20:48,500 --> 00:20:52,747
Combat troops will not
be returning to fight in Iraq.
232
00:20:56,625 --> 00:21:00,750
FLAMES OF WAR
FIGHTING HAS JUST BEGUN
233
00:21:07,001 --> 00:21:09,310
Being behind the camera
234
00:21:09,334 --> 00:21:13,114
allows you to stage
the image of reality.
235
00:21:16,084 --> 00:21:18,324
1934
236
00:21:18,709 --> 00:21:23,749
The Nazi Party hires Leni Riefenstahl
to do just that:
237
00:21:24,501 --> 00:21:29,354
To craft an image
of the Party's might and greatness.
238
00:21:32,459 --> 00:21:37,873
The techniques used by Riefenstahl
were innovative and effective.
239
00:21:38,168 --> 00:21:43,686
She has influenced
generations of modern filmmakers.
240
00:21:43,710 --> 00:21:47,686
Wasn't it difficult, since you had
no knowledge of politics,
241
00:21:47,710 --> 00:21:51,352
to edit political speeches?
242
00:21:51,376 --> 00:21:55,477
That has nothing to do with politics,
it's a technical matter.
243
00:21:55,501 --> 00:21:59,311
If a 2-hour speech,
regardless of its content,
244
00:21:59,335 --> 00:22:03,061
whether it may be fish or politics,
245
00:22:03,085 --> 00:22:05,644
needs to be edited down to 5 minutes
246
00:22:05,668 --> 00:22:10,186
any editor will cut whatever they can.
247
00:22:10,210 --> 00:22:14,853
The speech needs
a beginning and an end,
248
00:22:14,877 --> 00:22:19,478
and two or three important
sentences in the middle.
249
00:22:19,502 --> 00:22:21,936
Everything else has to go.
250
00:22:21,960 --> 00:22:25,436
You need a real beginning, an end,
251
00:22:25,460 --> 00:22:30,978
and in the middle,
something that gives people a thrill.
252
00:22:31,002 --> 00:22:35,645
This shot is one of my favorites.
253
00:22:35,669 --> 00:22:38,312
I obtained this effect
254
00:22:38,336 --> 00:22:42,489
and brought out the festive quality...
255
00:22:43,669 --> 00:22:47,687
by using a telephoto lens,
256
00:22:47,711 --> 00:22:51,729
which is why the lines of banners
257
00:22:51,753 --> 00:22:53,666
look so lush.
258
00:22:57,044 --> 00:23:00,145
And here's another interesting detail:
259
00:23:00,169 --> 00:23:04,229
The effect of the shots
taken from the lift.
260
00:23:07,170 --> 00:23:10,104
Now, the camera sweeps...
261
00:23:10,128 --> 00:23:13,488
over to one side.
262
00:23:14,253 --> 00:23:16,726
To the right.
263
00:23:17,211 --> 00:23:19,854
And then it turns
264
00:23:19,878 --> 00:23:22,271
in the other direction,
265
00:23:22,295 --> 00:23:24,488
to the left.
266
00:23:25,087 --> 00:23:31,854
And these two angles
combine to produce a circle,
267
00:23:31,878 --> 00:23:35,521
thereby creating a powerful impact.
268
00:23:35,545 --> 00:23:40,313
Here, the two lines of banners
appear to be cutting each other.
269
00:23:40,337 --> 00:23:45,105
That was made possible
by using different camera positions.
270
00:23:45,129 --> 00:23:48,646
And the editing lends it
a ballet-like quality.
271
00:23:48,670 --> 00:23:50,910
It's cut in time to the music.
272
00:24:04,962 --> 00:24:07,389
Precisely in time
with the march music.
273
00:24:20,754 --> 00:24:26,028
1945,
the final days of World War II.
274
00:24:26,379 --> 00:24:29,939
Allied Forces witness
the suffering in the camps
275
00:24:29,963 --> 00:24:33,230
and at the same time face a problem:
276
00:24:33,755 --> 00:24:37,731
How can we, in the aftermath
of war propaganda,
277
00:24:37,755 --> 00:24:41,815
convince others of what we saw?
278
00:24:43,880 --> 00:24:45,793
My instructions...
279
00:24:47,005 --> 00:24:51,689
were to film everything
which would prove one day,
280
00:24:51,713 --> 00:24:53,953
that this had actually happened.
281
00:24:55,088 --> 00:24:57,773
It would be a lesson
to all mankind as well,
282
00:24:57,797 --> 00:25:00,481
as to the Germans, for whom
283
00:25:00,505 --> 00:25:03,648
the film we were putting together
was designed
284
00:25:03,672 --> 00:25:06,565
to show to the German people.
285
00:25:06,589 --> 00:25:09,315
That's because most of them,
on our way down,
286
00:25:09,339 --> 00:25:11,356
and on the troops' way down,
287
00:25:11,380 --> 00:25:14,565
had denied they knew
anything about the camps.
288
00:25:14,589 --> 00:25:17,949
This would be the evidence
which we could show them.
289
00:25:21,006 --> 00:25:23,982
We tried to make shots
as long as possible,
290
00:25:24,006 --> 00:25:30,190
used panning shots,
so there was no possibility of trickery.
291
00:25:30,214 --> 00:25:35,648
Going from respected dignitaries
or high churchmen
292
00:25:35,672 --> 00:25:38,232
straight to the bodies and corpses,
293
00:25:38,256 --> 00:25:43,389
so it couldn't be suggested
that we were faking the film.
294
00:25:45,256 --> 00:25:48,024
To try to make it
as authentic as possible,
295
00:25:48,048 --> 00:25:52,815
it was most important that everybody,
particularly the Germans themselves,
296
00:25:52,839 --> 00:25:56,524
should believe that this was true.
297
00:25:56,548 --> 00:26:02,055
That this horror had happened,
and people had suffered to that extent.
298
00:26:35,549 --> 00:26:37,066
After the war,
299
00:26:37,090 --> 00:26:40,450
the Universal Declaration
of Human Rights is adopted.
300
00:26:42,049 --> 00:26:44,755
Cinema faces
competition from television,
301
00:26:45,340 --> 00:26:49,261
as the camera’s images are
transmitted right into people's homes.
302
00:26:50,007 --> 00:26:53,733
A new opportunity arises
to link humanity together,
303
00:26:53,757 --> 00:26:57,911
to learn from each other's
experiences and living conditions.
304
00:26:58,000 --> 00:27:00,685
THE IRISH PRESIDENT
LAUNCHES NATIONAL TELEVISION
305
00:27:00,716 --> 00:27:04,525
I am privileged in being
the first to address you
306
00:27:04,549 --> 00:27:08,516
on our new service, the television.
307
00:27:09,674 --> 00:27:13,594
I hope this service
will provide for you all
308
00:27:13,758 --> 00:27:19,778
sources of recreation and pleasure.
309
00:27:20,300 --> 00:27:22,493
But also...
310
00:27:23,341 --> 00:27:29,455
information,
instruction, and knowledge.
311
00:27:31,008 --> 00:27:36,442
I must admit
that sometimes when I think
312
00:27:36,466 --> 00:27:40,900
of television and radio
and their immense power,
313
00:27:41,342 --> 00:27:44,188
I feel somewhat afraid.
314
00:27:45,550 --> 00:27:47,930
Like atomic energy,
315
00:27:48,967 --> 00:27:52,373
it can be used for incalculable good...
316
00:27:52,717 --> 00:27:57,104
but it can also do irreparable harm.
317
00:27:58,675 --> 00:28:00,568
Here we are!
318
00:28:00,592 --> 00:28:02,255
There's a bar...
319
00:28:02,287 --> 00:28:03,315
ENGLAND 1963
320
00:28:03,340 --> 00:28:04,806
We are anticipating...
321
00:28:04,831 --> 00:28:08,471
That's a man's face. There it is!
322
00:28:11,092 --> 00:28:13,426
That's the picture.
323
00:28:14,926 --> 00:28:17,632
You see it for yourself.
324
00:28:18,009 --> 00:28:20,949
There it is, it's a man.
325
00:28:22,426 --> 00:28:25,552
Mr. Booth looking
anxiously at the quality...
326
00:28:25,717 --> 00:28:28,069
Delicate tuning
to hold the toppling picture.
327
00:28:28,093 --> 00:28:31,485
There it is, the unmistakable image.
328
00:28:31,509 --> 00:28:37,527
There is the first live television
picture across the Atlantic.
329
00:28:37,551 --> 00:28:40,735
Did you watch
the Telstar broadcast last night?
330
00:28:40,759 --> 00:28:42,605
NEW YORK CITY, THE NEXT DAY
Yes, I did.
331
00:28:42,630 --> 00:28:44,613
Could I talk to the lady first, please?
332
00:28:44,638 --> 00:28:47,236
Ma'am, how was the quality
of the picture from Europe...
333
00:28:47,260 --> 00:28:49,611
- on the set you watched?
- Very good.
334
00:28:49,635 --> 00:28:53,027
I really enjoyed the program.
And being from Wisconsin,
335
00:28:53,051 --> 00:28:58,444
it's a wonderful opportunity for
my little girl to watch these programs
336
00:28:58,468 --> 00:29:01,652
and to see something
she'd never get to see.
337
00:29:01,676 --> 00:29:04,736
Do you think this type
of an exchange would help
338
00:29:04,760 --> 00:29:09,361
- the understanding between people?
- Undoubtedly, I think.
339
00:29:09,385 --> 00:29:12,978
It's a wonderful medium,
it really is, television.
340
00:29:13,093 --> 00:29:14,820
Thank you very much.
341
00:29:24,177 --> 00:29:26,695
- Top quality.
- Reliability.
342
00:29:26,719 --> 00:29:28,195
Satisfaction guaranteed.
343
00:29:28,219 --> 00:29:30,903
- A bigger selection.
- The prices are fantastic.
344
00:29:30,927 --> 00:29:32,695
- More friendly.
- Brand names.
345
00:29:32,719 --> 00:29:34,865
More, for less money.
346
00:29:46,261 --> 00:29:52,001
That's why we believe that Comfort
belongs in your laundry routine.
347
00:30:00,803 --> 00:30:04,723
THURSDAY
348
00:30:47,012 --> 00:30:49,405
Meanwhile, on the factory floor,
349
00:30:49,429 --> 00:30:53,115
husband Daryl is anticipating
the moment when he gets home.
350
00:30:53,387 --> 00:30:54,655
But home to what?
351
00:30:54,679 --> 00:30:57,655
After a long day at work,
352
00:30:57,679 --> 00:31:01,905
I don't think you want to do
anything physical when you come home.
353
00:31:01,929 --> 00:31:05,655
Yeah. Just to sit down and relax
in front of the television.
354
00:31:05,679 --> 00:31:09,572
You know, that's it for the night.
I'm happy with that.
355
00:31:09,596 --> 00:31:11,182
Go on, move.
356
00:31:11,679 --> 00:31:13,499
Move!
357
00:31:17,762 --> 00:31:18,822
Can I...?
358
00:31:18,846 --> 00:31:20,822
Give me the comb!
359
00:31:20,846 --> 00:31:22,806
Give me the goddamn comb!
360
00:32:00,222 --> 00:32:04,095
Now, back to the studio.
361
00:32:04,805 --> 00:32:06,718
Thank you.
362
00:32:16,889 --> 00:32:19,531
Let's say the telly did go...
363
00:32:19,555 --> 00:32:23,073
Do you think it would change
your relationship with each other?
364
00:32:23,097 --> 00:32:24,406
- You do?
- Yeah, I do.
365
00:32:24,430 --> 00:32:27,931
- For the better?
- Yes, I think so.
366
00:32:28,097 --> 00:32:31,907
I like the TV, I just wish
we could turn it on and off.
367
00:32:31,931 --> 00:32:34,198
But Daryl has to have it on
all the time,
368
00:32:34,222 --> 00:32:37,722
whether there's anything he wants
to watch or not, it's on.
369
00:32:37,806 --> 00:32:40,792
Where I'd just rather
watch it and turn it off.
370
00:32:41,389 --> 00:32:42,976
But not him.
371
00:32:47,848 --> 00:32:53,821
In the 60s, 90% of
the households in the US buy a TV set.
372
00:32:54,931 --> 00:32:59,831
Commercial interests gain access
to airtime in country after country.
373
00:33:00,973 --> 00:33:06,386
A new market emerges,
with a direct channel to consumers.
374
00:33:06,931 --> 00:33:11,907
Only ratings matter
in commercial television.
375
00:33:11,931 --> 00:33:14,358
It panders to the majority.
376
00:33:15,556 --> 00:33:17,449
Why is that so?
377
00:33:17,473 --> 00:33:19,283
Because...
378
00:33:19,307 --> 00:33:23,366
the channels have to sell
379
00:33:23,390 --> 00:33:30,063
the audience to brands and advertisers.
380
00:33:30,473 --> 00:33:34,908
- That’s the business model?
- Exactly. That’s it.
381
00:33:34,932 --> 00:33:40,741
So we must always try and reach
the largest possible audiences.
382
00:33:40,765 --> 00:33:45,116
And constantly... um...
383
00:33:45,140 --> 00:33:47,474
try to reach the majority.
384
00:33:47,682 --> 00:33:49,616
There is no ideology.
385
00:33:49,640 --> 00:33:53,783
There is no...
386
00:33:53,807 --> 00:33:56,908
There are no politics,
there is no substance.
387
00:33:56,932 --> 00:34:00,526
Ratings are all that matters.
388
00:34:03,057 --> 00:34:06,992
Are you going to find gold
in them there skies, Mr. Turner?
389
00:34:07,016 --> 00:34:10,700
I sure hope so.
I don't want to die in debtors' prison.
390
00:34:10,724 --> 00:34:14,450
You've described
your station as "escapist".
391
00:34:14,474 --> 00:34:16,659
What are you escaping from?
392
00:34:16,683 --> 00:34:18,784
The realities of the world we live in.
393
00:34:18,808 --> 00:34:23,241
Remember The Beverly Hillbillies?
They probably showed it in England.
394
00:34:23,808 --> 00:34:25,021
Yes.
395
00:34:25,308 --> 00:34:30,284
Everybody's scared over here now.
Everybody else is always telling us
396
00:34:30,308 --> 00:34:33,995
that gold's going up
and the stock market's going down.
397
00:34:34,350 --> 00:34:36,909
Floods and earthquakes and everything...
398
00:34:36,933 --> 00:34:41,076
We show The Beverly Hillbillies and
let them forget about it for a minute.
399
00:34:41,100 --> 00:34:43,576
That's what entertainment's
supposed to do!
400
00:34:43,600 --> 00:34:46,868
It's supposed to make you forget
your miserable life.
401
00:34:46,892 --> 00:34:49,085
And... action!
402
00:34:56,725 --> 00:34:58,358
Run, George!
403
00:35:05,267 --> 00:35:07,834
1979
404
00:35:08,934 --> 00:35:12,076
Companies like Nielsen start
to measure the TV audience's
405
00:35:12,100 --> 00:35:14,868
physical and subconscious reactions.
406
00:35:14,892 --> 00:35:16,432
Run, George!
407
00:35:18,726 --> 00:35:22,118
Production companies
buy this data
408
00:35:22,142 --> 00:35:24,616
and use it to design their shows.
409
00:35:30,642 --> 00:35:35,577
In a book, the CEO of France's
first commercial channel
410
00:35:35,601 --> 00:35:37,141
describes his business.
411
00:35:40,351 --> 00:35:42,124
"Let's be realistic."
412
00:35:43,851 --> 00:35:47,771
"My job is to help
Coca-Cola sell their products."
413
00:35:49,309 --> 00:35:52,110
"In order for a commercial to register,"
414
00:35:52,768 --> 00:35:56,081
"the brains of the audience
have to be accessible."
415
00:35:57,060 --> 00:36:00,952
"Our programming aims
to make their brains accessible."
416
00:36:00,976 --> 00:36:04,430
"To keep them entertained
and disconnected."
417
00:36:04,935 --> 00:36:08,622
"Our product
is available brain time."
418
00:36:11,852 --> 00:36:15,036
What would happen
if all the other stations decided
419
00:36:15,060 --> 00:36:18,078
to stop showing the news
and show The Beverly Hillbillies?
420
00:36:18,109 --> 00:36:21,236
Because then I'd put on the news,
you dummy!
421
00:36:21,292 --> 00:36:26,130
7 YEARS LATER TED TURNER
FOUNDS THE NEWS NETWORK CNN
422
00:36:26,606 --> 00:36:28,997
TODAY
423
00:36:32,019 --> 00:36:35,411
Good morning, everyone.
This is Today, Wednesday, July 12.
424
00:36:35,435 --> 00:36:39,161
In the news headlines
this morning, the death toll...
425
00:36:39,185 --> 00:36:42,966
The increasing competition
for viewers
426
00:36:43,102 --> 00:36:47,162
means that even the news
take to entertainment.
427
00:36:47,186 --> 00:36:49,703
He found that given
a choice of plain water,
428
00:36:49,727 --> 00:36:52,120
or water flavored
with anise-flavored alcohol,
429
00:36:52,144 --> 00:36:55,578
the rats preferred the booze.
And after a hard night of drinking,
430
00:36:55,602 --> 00:36:59,243
- your eyes would be pink too.
- This is Today...
431
00:37:04,769 --> 00:37:07,412
- Why do you call this a show?
- We don't.
432
00:37:07,436 --> 00:37:10,912
We periodically are reminded
that it's not a show, it's a program.
433
00:37:10,936 --> 00:37:14,912
I think it implies some sort of dignity,
because we are a news program.
434
00:37:14,936 --> 00:37:17,643
Sometimes we slip, and call it a show.
435
00:37:27,125 --> 00:37:29,068
DECISION NIGHT IN AMERICA
436
00:37:29,208 --> 00:37:32,583
US ELECTION TV PROMOS
437
00:37:35,437 --> 00:37:37,204
Election Night. ABC.
438
00:37:37,228 --> 00:37:41,708
We will make America great again!
439
00:37:41,888 --> 00:37:45,497
THE RACE ENDS HERE CNN
440
00:37:48,228 --> 00:37:51,355
The way only CNN can bring it to you.
441
00:37:52,614 --> 00:37:54,614
FROM THEH FIRST VOTES
442
00:37:54,638 --> 00:37:56,263
TO THE CRITICAL COUNT
443
00:37:57,700 --> 00:38:00,943
FOREIGN CORRESPONDENT
SWEDISHH TELEVISION, MOSCOW
444
00:38:01,437 --> 00:38:03,117
Hello?
445
00:38:03,479 --> 00:38:04,645
Oh, hi!
446
00:38:06,062 --> 00:38:10,076
Sure.
How long until I'm on the air?
447
00:38:11,437 --> 00:38:12,604
No? Okay.
448
00:38:12,646 --> 00:38:17,732
I think our camera
is pretty much set up.
449
00:38:59,063 --> 00:39:02,289
- Can you stand up straight?
- Yeah, but it's a few minutes...
450
00:39:02,313 --> 00:39:05,289
The problem was,
last live you moved up a lot...
451
00:39:05,313 --> 00:39:08,039
Yeah. I'm going to tell you
when it's one minute.
452
00:39:08,063 --> 00:39:10,397
It's so cold I can't stand still.
453
00:39:10,480 --> 00:39:12,498
We can go inside if you want.
454
00:39:12,522 --> 00:39:14,902
How long until I'm on, Göran?
455
00:39:20,272 --> 00:39:22,139
Two minutes?
456
00:39:22,355 --> 00:39:24,222
Two minutes to me.
457
00:39:33,272 --> 00:39:38,032
People in front of
the camera play different roles.
458
00:39:39,064 --> 00:39:44,082
Over to our European correspondent,
Ulrika Bergsten.
459
00:39:44,106 --> 00:39:45,290
The Expert...
460
00:39:45,314 --> 00:39:48,790
If you need a spokesperson video
for your medical or health...
461
00:39:48,814 --> 00:39:49,981
The Tough Guy...
462
00:39:52,606 --> 00:39:53,819
The Provocateur...
463
00:39:57,023 --> 00:39:59,169
And the Trustworthy One.
464
00:39:59,606 --> 00:40:03,832
Welcome to the evening news.
465
00:40:03,856 --> 00:40:07,870
These roles are clearcut
and recognizable.
466
00:40:08,815 --> 00:40:12,166
They're so familiar that
we can imitate them...
467
00:40:12,190 --> 00:40:14,056
if necessary.
468
00:40:16,773 --> 00:40:19,060
2006
469
00:40:19,356 --> 00:40:23,833
Guy Goma comes to the BBC
for a job interview in accounting,
470
00:40:23,857 --> 00:40:26,983
but is mistaken
for the tech expert Guy Kewney.
471
00:40:27,690 --> 00:40:32,030
He is taken to a live-TV studio,
472
00:40:32,315 --> 00:40:36,291
and is asked to comment
a new peer-to-peer copyright law.
473
00:40:36,315 --> 00:40:40,625
So what does this mean for the industry
and the growth of music online?
474
00:40:40,649 --> 00:40:45,458
Guy Kewney is the editor of
the technology website News Wireless.
475
00:40:45,482 --> 00:40:47,708
- Hello, good morning to you.
- Good morning.
476
00:40:47,732 --> 00:40:50,708
Were you surprised
by this verdict today?
477
00:40:50,732 --> 00:40:55,625
I was very surprised to see
this verdict to come on me.
478
00:40:55,649 --> 00:40:58,000
Because I was not expecting that.
479
00:40:58,024 --> 00:41:01,291
When I came,
they told me something else...
480
00:41:01,432 --> 00:41:03,992
I got an interview,
it's a big surprise.
481
00:41:04,024 --> 00:41:07,417
- A big surprise?
- Exactly.
482
00:41:07,441 --> 00:41:11,375
Um, with regards to
the cost that's involved,
483
00:41:11,399 --> 00:41:16,917
do you think now more people
will be downloading online?
484
00:41:16,941 --> 00:41:20,417
Actually, if you can go everywhere
you are going to see
485
00:41:20,441 --> 00:41:23,709
lots of people downloading
from the internet
486
00:41:23,733 --> 00:41:26,766
and websites, everything they want.
487
00:41:26,816 --> 00:41:28,542
But I think...
488
00:41:28,566 --> 00:41:32,792
it's much better for development
and to improve people
489
00:41:32,816 --> 00:41:36,209
what they want,
and to get on the easy way,
490
00:41:36,233 --> 00:41:38,876
and find faster
the things they are looking for.
491
00:41:38,900 --> 00:41:42,667
This does really seem to be the way
the music industry is progressing
492
00:41:42,691 --> 00:41:46,542
now that people want to go to onto
the website and download music.
493
00:41:46,566 --> 00:41:47,733
Exactly.
494
00:41:47,775 --> 00:41:50,251
You can go everywhere
495
00:41:50,275 --> 00:41:52,668
on the cyber café and you can check.
496
00:41:52,692 --> 00:41:59,293
It's going to be very easy for everyone
to get something through the internet.
497
00:41:59,317 --> 00:42:02,001
Guy Kewney, thanks very much indeed.
I think we can
498
00:42:02,025 --> 00:42:05,418
now also speak to Rob Pitton,
499
00:42:05,442 --> 00:42:11,668
who's at the court for us this morning.
Hello to you, Rob.
500
00:42:11,692 --> 00:42:13,668
What do you think this means...
501
00:42:13,692 --> 00:42:16,632
Imitating others is an instinct.
502
00:42:20,692 --> 00:42:25,499
We mimic behavior
in order to build relationships.
503
00:42:26,109 --> 00:42:30,169
And learn from what we observe
in our surroundings.
504
00:43:04,360 --> 00:43:06,553
Piece of shit!
505
00:43:09,401 --> 00:43:11,315
Kick me...
506
00:43:12,860 --> 00:43:14,820
Kick me.
507
00:43:23,277 --> 00:43:26,294
What was that? An exhibition?
508
00:43:26,318 --> 00:43:30,379
We need emotional content.
509
00:43:58,861 --> 00:44:02,127
Alright, I'm going to try this shit
Rambo-style.
510
00:44:15,361 --> 00:44:18,861
Starting right now on ABC's
This Week.
511
00:44:19,194 --> 00:44:22,087
- Deadly rampage.
- Shots fired, shots fired!
512
00:44:22,111 --> 00:44:24,921
Breaking details
on the California shooting spree.
513
00:44:24,945 --> 00:44:26,858
The moments of terror.
514
00:44:27,111 --> 00:44:28,837
The urgent calls for action.
515
00:44:28,861 --> 00:44:30,962
We don't have to live like this!
516
00:44:30,986 --> 00:44:33,921
And the chilling video
and manifesto left behind.
517
00:44:33,945 --> 00:44:36,921
We've had 20 years of mass murders,
518
00:44:36,945 --> 00:44:42,129
throughout which I have repeatedly
told CNN and our other media:
519
00:44:42,153 --> 00:44:46,588
If you don't want to propagate
more mass murders,
520
00:44:46,612 --> 00:44:49,838
don't start the story
with sirens blaring,
521
00:44:49,862 --> 00:44:52,288
don't have photographs of the killer,
522
00:44:52,570 --> 00:44:55,837
don't make this 24/7 coverage,
523
00:44:55,904 --> 00:44:59,963
do localize this story
to the affected community,
524
00:44:59,987 --> 00:45:03,463
and make it as boring as possible
in every other market.
525
00:45:03,487 --> 00:45:08,213
Because every time we have intense
saturation coverage of a mass murder,
526
00:45:08,237 --> 00:45:11,255
we expect to see one or two more
within a week.
527
00:45:11,279 --> 00:45:13,519
But hold on a second here...
528
00:45:18,817 --> 00:45:22,176
CHILDREN AT THE THEATER
RIGA, 1978
529
00:46:44,322 --> 00:46:46,757
1969,
530
00:46:46,781 --> 00:46:49,441
in Papua New Guinea.
531
00:46:50,947 --> 00:46:53,757
The Biami people hear recordings
of their own voice
532
00:46:53,781 --> 00:46:57,514
and see photos of themselves
for the very first time.
533
00:47:28,156 --> 00:47:30,508
The anthropologist Edmund Carpenter
534
00:47:30,532 --> 00:47:36,972
notes that they, at first, do not
understand what the photos represent.
535
00:47:38,990 --> 00:47:43,843
But that they slowly realize
that it is an image of themselves.
536
00:47:54,824 --> 00:47:58,800
Carpenter describes how a man suddenly
becomes self-conscious of his hat,
537
00:47:58,824 --> 00:48:00,690
and how it looks on him.
538
00:48:08,574 --> 00:48:10,721
He returns home
539
00:48:11,074 --> 00:48:15,741
and studies the photo of himself
for more than 20 minutes.
540
00:49:54,951 --> 00:49:58,078
On three: 1, 2, 3!
541
00:50:03,618 --> 00:50:06,511
It's only natural
to feel uncomfortable
542
00:50:06,535 --> 00:50:08,261
in front of the camera.
543
00:50:09,868 --> 00:50:14,955
It has the power
to depict us exactly as we look.
544
00:50:15,493 --> 00:50:19,219
It creates a representation of our self.
545
00:50:19,243 --> 00:50:22,090
Everybody look over here.
Come on...
546
00:50:22,202 --> 00:50:24,386
Listen, you can't sit like that.
547
00:50:24,410 --> 00:50:27,770
If you feel that way,
you'd better move.
548
00:50:28,993 --> 00:50:32,120
Come on, look here!
549
00:50:34,202 --> 00:50:37,002
I was thinking of doing this...
550
00:50:40,785 --> 00:50:45,303
That's what you want?
Take a step forward, please.
551
00:50:45,327 --> 00:50:48,034
Put both hands into your pockets.
552
00:50:50,369 --> 00:50:53,962
You know what, pull in your tongue too.
553
00:50:54,369 --> 00:50:57,356
And where's my camera?
554
00:50:59,244 --> 00:51:02,884
- I want to shut my eyes. It's fun.
- All right.
555
00:51:03,119 --> 00:51:07,086
Nice. Show me a happy face.
556
00:51:08,452 --> 00:51:10,786
How about a smile?
557
00:51:11,911 --> 00:51:13,778
How about a smile?
558
00:51:14,869 --> 00:51:16,829
A smile, please.
559
00:51:17,411 --> 00:51:19,464
How about a smile?
560
00:51:21,036 --> 00:51:22,529
Now smile.
561
00:51:22,994 --> 00:51:25,888
- How about a smile?
- No.
562
00:51:27,245 --> 00:51:29,251
No, this way.
563
00:51:33,495 --> 00:51:39,048
Every day, 300 million
photographic images are published.
564
00:51:40,620 --> 00:51:42,860
What does this entail?
565
00:51:43,453 --> 00:51:48,846
New impressions,
new references, new comparisons.
566
00:51:48,870 --> 00:51:52,179
How about trying one
with your hands in your pockets?
567
00:51:52,203 --> 00:51:55,983
Or at least the thumbs,
if it's too tight.
568
00:52:00,245 --> 00:52:03,792
And come just a little bit closer.
569
00:52:08,495 --> 00:52:11,669
Let me see a happy face.
570
00:52:12,329 --> 00:52:15,513
- Am I done now?
- Yes, thank you.
571
00:52:15,537 --> 00:52:16,704
Next!
572
00:52:25,871 --> 00:52:33,197
Super ugly, super ugly, super ugly...
573
00:52:35,663 --> 00:52:38,976
I really don't think I look good
in pictures.
574
00:52:39,038 --> 00:52:42,771
It sucks that I only like the ones
that don't show my face.
575
00:52:43,704 --> 00:52:46,318
Maybe not as close this time?
576
00:53:36,833 --> 00:53:38,302
ALWAYS MATCHING WITH BESTIE
577
00:53:43,164 --> 00:53:44,331
TIME TO UPDATE YOUR LOOK?
578
00:53:56,914 --> 00:54:02,048
The digital revolution
begins in the early 2000s.
579
00:54:02,414 --> 00:54:06,890
New technology enables anyone
to share their images
580
00:54:06,914 --> 00:54:09,341
and consume those taken by others.
581
00:54:12,331 --> 00:54:17,185
We can consume these images
anywhere, anytime.
582
00:54:27,748 --> 00:54:32,682
This technology changes
not only our perception of the world,
583
00:54:32,706 --> 00:54:36,673
but also how we use the camera.
584
00:54:40,207 --> 00:54:44,599
Hi, guys... YouTube subscribers,
585
00:54:44,623 --> 00:54:46,058
everyone.
586
00:54:46,082 --> 00:54:50,308
When we produce stuff on YouTube
and we put it up
587
00:54:50,332 --> 00:54:53,739
and we talk to each other
and comment and rate...
588
00:54:54,582 --> 00:54:57,600
Are we producing reality?
589
00:54:57,624 --> 00:55:01,124
You know, are our identities real?
590
00:55:01,249 --> 00:55:04,683
Because right now I'm probably not
who I'd be in real life
591
00:55:04,707 --> 00:55:07,850
because I'm not talking
to a real-life person.
592
00:55:07,874 --> 00:55:11,683
To my knowledge right now,
I'm looking at a camera.
593
00:55:11,707 --> 00:55:16,767
I had a mirror around here
to show you guys, but...
594
00:55:16,791 --> 00:55:18,564
Oh, here it is!
595
00:55:19,916 --> 00:55:22,856
This is what I'm talking to.
596
00:55:23,541 --> 00:55:25,309
Not you -this.
597
00:55:25,333 --> 00:55:27,853
Well you... but this.
598
00:56:30,834 --> 00:56:32,887
More! Come on!
599
00:56:34,376 --> 00:56:36,242
Crazy!
600
00:56:36,292 --> 00:56:38,486
And beautiful.
601
00:56:44,584 --> 00:56:47,018
Those notes are so catchy!
602
00:56:47,042 --> 00:56:49,142
A little kid:
603
00:56:49,334 --> 00:56:51,808
5, 6, 7 years old...
604
00:56:52,209 --> 00:56:53,609
they can sing it.
605
00:56:55,209 --> 00:56:58,644
YouTube-dot-com
606
00:56:58,668 --> 00:57:02,435
You'll find the whole world
for what you're looking for
607
00:57:02,459 --> 00:57:05,977
YouTube-dot-com
608
00:57:06,001 --> 00:57:10,019
It's a blessing for mankind
that's for sure
609
00:57:10,043 --> 00:57:14,383
It's not too much to say
that what Gutenberg did for writing,
610
00:57:14,750 --> 00:57:18,169
online video can now do
for face-to-face communication.
611
00:57:18,201 --> 00:57:20,232
HOW WEB VIDEO POWERS GLOBAL INNOVATION
612
00:57:20,257 --> 00:57:23,394
So that primal medium, which your brain
is exquisitely wired for,
613
00:57:23,418 --> 00:57:26,019
that just went global.
614
00:57:26,043 --> 00:57:28,603
YouTube's got the world
in your eyes
615
00:57:28,627 --> 00:57:31,936
It's a wonder of the world today
616
00:57:31,960 --> 00:57:35,353
It should win
the all-time Pulitzer Prize
617
00:57:35,377 --> 00:57:38,690
It should have an international holiday
618
00:57:39,585 --> 00:57:43,412
You're part of the crowd
that may be about to launch
619
00:57:43,794 --> 00:57:46,061
the biggest learning cycle
in human history.
620
00:57:46,085 --> 00:57:49,119
A cycle capable of carrying all of us,
621
00:57:49,169 --> 00:57:53,042
to a smarter, wiser,
more beautiful place.
622
00:57:53,627 --> 00:57:55,120
Who's the teacher?
623
00:57:56,502 --> 00:57:57,561
You're the teacher!
624
00:57:57,585 --> 00:58:00,395
The whole world's
looking for YouTube
625
00:58:00,419 --> 00:58:02,332
at YouTube
626
00:58:11,752 --> 00:58:14,739
Okay, so this is
the cold-shock response...
627
00:58:15,794 --> 00:58:17,966
which really can be mitigated
628
00:58:17,991 --> 00:58:19,989
HOW TO SURVIVE A FALL
THROUGH ICE BY KENTON WHITMAN
629
00:58:20,013 --> 00:58:22,802
if you just relax.
630
00:58:25,294 --> 00:58:27,721
And realize that it's going to pass.
631
00:58:29,003 --> 00:58:31,243
And that after it passes...
632
00:58:32,836 --> 00:58:36,243
you'll be able to do
the 2nd part of your self-rescue.
633
00:58:37,378 --> 00:58:39,805
So I spread my arms out...
634
00:58:41,045 --> 00:58:44,545
So that I didn't get fully emerged
and that gasp-response
635
00:58:44,836 --> 00:58:46,983
didn’t make me inhale water.
636
00:58:47,336 --> 00:58:49,623
So I've survived my...
637
00:58:50,795 --> 00:58:52,802
cold-shock response.
638
00:58:52,962 --> 00:58:54,854
Now to get out,
639
00:58:54,878 --> 00:58:57,632
instead of trying
to pull myself straight up...
640
00:58:57,962 --> 00:59:00,248
I'm going to start to kick my feet...
641
00:59:01,003 --> 00:59:03,337
and raise them up behind me.
642
00:59:06,712 --> 00:59:09,092
And then kick...
643
00:59:14,087 --> 00:59:16,980
till I'm on flat ice.
644
00:59:17,866 --> 00:59:21,068
HOW TO MAKE A BOMB AT HOME BY ISIS
645
00:59:21,295 --> 00:59:23,271
Some white grains
646
00:59:23,295 --> 00:59:28,230
have appeared on
the mixture's surface
647
00:59:28,254 --> 00:59:30,261
after the reaction.
648
00:59:30,962 --> 00:59:37,855
We now remove the mixture
from the ice until it's matured.
649
00:59:37,879 --> 00:59:41,566
It may need between 24 to 48 hours.
650
00:59:45,421 --> 00:59:47,988
Hi guys! Oops.
651
00:59:48,292 --> 00:59:51,146
HOW TO DEFROST YOUR FREEZER by ARI PRIYANTI
652
00:59:51,171 --> 00:59:56,314
Welcome to my channel,
my name is Ari Priyanti.
653
00:59:56,338 --> 01:00:01,022
In this video I want to give
tips for removing the ice
654
01:00:01,046 --> 01:00:08,186
from the fridge freezer
quickly and safely.
655
01:00:14,171 --> 01:00:15,852
2008
656
01:00:17,505 --> 01:00:22,312
Paige Reynolds involuntarily creates
one of the first viral videos...
657
01:00:24,047 --> 01:00:28,200
when she films herself singing
in her living room.
658
01:00:41,547 --> 01:00:44,347
In order to show her sister,
659
01:00:44,630 --> 01:00:47,244
she uploads her video on YouTube.
660
01:00:48,464 --> 01:00:51,398
But the clip quickly spreads
661
01:00:51,422 --> 01:00:53,942
and becomes a global sensation.
662
01:01:31,465 --> 01:01:34,171
The content that spreads the most
663
01:01:34,381 --> 01:01:36,808
is what triggers our instincts.
664
01:01:38,048 --> 01:01:41,608
What generates emotions
without any detours.
665
01:01:41,632 --> 01:01:44,774
She's on the floor!
666
01:01:44,798 --> 01:01:48,998
This little French fry
is named Turbo.
667
01:01:49,882 --> 01:01:52,915
He was born without any front legs.
668
01:01:54,757 --> 01:01:58,397
And he was being picked on
by his brothers and sisters.
669
01:01:59,465 --> 01:02:01,799
It wasn't very nice.
670
01:02:06,467 --> 01:02:10,216
SIMBA'S FATHER DIES IN THE LION KING
671
01:02:11,299 --> 01:02:14,052
Oh, my God! Oh, my God!!
672
01:02:19,007 --> 01:02:21,341
Stop.
673
01:02:24,257 --> 01:02:27,524
Oh, my God... Please stop!
674
01:03:02,175 --> 01:03:04,041
Are you okay?
675
01:03:05,383 --> 01:03:06,693
Yeah...
676
01:03:06,717 --> 01:03:09,050
Well, come here, buddy.
677
01:03:15,175 --> 01:03:17,695
It's okay, my love...
678
01:03:43,634 --> 01:03:46,854
So as we see here,
this is the brain.
679
01:03:47,134 --> 01:03:48,193
And...
680
01:03:48,217 --> 01:03:50,860
visual inputs are perceived by the brain
681
01:03:50,884 --> 01:03:54,244
and trigger different responses.
682
01:03:56,009 --> 01:03:59,527
For example, if you see an image,
or a scene in a film,
683
01:03:59,551 --> 01:04:02,235
that causes you to feel fear,
684
01:04:02,259 --> 01:04:04,819
the limbic system will be activated,
685
01:04:04,843 --> 01:04:06,569
and trigger a bodily response
686
01:04:06,593 --> 01:04:09,393
through the release of adrenaline.
687
01:04:10,093 --> 01:04:14,246
And your body basically
gets into fight or flight mode.
688
01:04:14,885 --> 01:04:18,431
But when you sit safely at home
looking at an image,
689
01:04:18,593 --> 01:04:20,926
there is no actual threat.
690
01:04:23,718 --> 01:04:27,218
So the experience of the rush
691
01:04:27,551 --> 01:04:30,678
is quite analogous to riding
a roller-coaster
692
01:04:31,718 --> 01:04:37,412
and provide the release of dopamine
and a sense of reward afterwards.
693
01:04:38,635 --> 01:04:42,903
We can get the same feeling of reward
following other strong inputs.
694
01:04:42,927 --> 01:04:45,528
For instance,
images that trigger not only fear,
695
01:04:45,552 --> 01:04:49,192
but joy, or love, or lust, or anger.
696
01:04:50,510 --> 01:04:53,917
It's quite easy nowadays
to get this feeling of reward
697
01:04:54,469 --> 01:04:56,382
over and over again.
698
01:05:02,177 --> 01:05:04,931
Give me the camera. Come on.
699
01:05:50,803 --> 01:05:52,696
Do you have a good grip?
700
01:05:52,720 --> 01:05:54,493
Are you sure?
701
01:05:55,887 --> 01:05:57,473
Let's go.
702
01:06:10,470 --> 01:06:12,570
I don't feel anything.
703
01:06:31,387 --> 01:06:34,841
- Okay, bye-bye.
- Bye-bye!
704
01:06:35,304 --> 01:06:37,777
3, 2, 1...
705
01:06:37,846 --> 01:06:39,012
Yeah.
706
01:07:22,631 --> 01:07:26,755
STAR WARS TRAILER RELEASE EVENT
707
01:07:30,180 --> 01:07:32,513
Yes!!!
708
01:07:32,972 --> 01:07:36,378
Wow! Ooh!!!
709
01:07:43,014 --> 01:07:44,834
Holy shit!
710
01:07:48,055 --> 01:07:50,062
NO!!!!
711
01:07:50,972 --> 01:07:54,192
No!!! No!!!
712
01:08:25,264 --> 01:08:28,858
Checking up on what
your buddy Tarzan's doing?
713
01:08:39,890 --> 01:08:41,896
What's he been up to?
714
01:08:52,598 --> 01:08:54,885
Oh, that's you!
715
01:08:55,723 --> 01:08:58,710
That's when you first met, huh?
716
01:09:08,849 --> 01:09:13,075
Through increased awareness
of our biology,
717
01:09:13,099 --> 01:09:15,665
new business models are created.
718
01:09:17,474 --> 01:09:20,974
The goal is to capture
the viewer's interest,
719
01:09:21,432 --> 01:09:25,352
and hold their attention
as long as possible.
720
01:09:26,682 --> 01:09:30,443
And you made this -what seems
a really interesting shift years ago.
721
01:09:30,468 --> 01:09:32,981
HOW NETFLIX CHANGED ENTERTAINMENT - AND
WHERE IT'S HEADED - You used to ask people:
722
01:09:33,005 --> 01:09:37,617
"Here are ten movies, what do you think?
Which ones are your best movies?"
723
01:09:37,641 --> 01:09:40,534
And then tried to match those movies
724
01:09:40,558 --> 01:09:42,825
with recommendations
for what was coming.
725
01:09:42,849 --> 01:09:45,784
And then you changed away from that,
talk about that.
726
01:09:45,808 --> 01:09:48,969
Sure. Everyone would
rate Schindler's List five stars,
727
01:09:49,000 --> 01:09:50,202
REED HASTINGS NETFLIX CEO
728
01:09:50,226 --> 01:09:54,451
and then they'd rate Adam Sandler's
The Do-Over, three stars.
729
01:09:54,475 --> 01:09:57,076
But in fact, when you
looked at what they watched,
730
01:09:57,100 --> 01:09:59,992
it was almost always Adam Sandler.
731
01:10:00,016 --> 01:10:04,701
So what happens is, when we rate
and are metacognitive about quality,
732
01:10:04,725 --> 01:10:07,742
that's sort of our aspirational self.
733
01:10:07,766 --> 01:10:10,367
It works out much better
to please people
734
01:10:10,391 --> 01:10:12,993
to look at the actual choices
they make.
735
01:10:13,017 --> 01:10:17,743
You know, we have some candy too,
but we have lots of broccoli.
736
01:10:17,767 --> 01:10:22,076
And if you have a good mix,
you get to a healthy diet.
737
01:10:22,100 --> 01:10:27,368
But isn't it the case that algorithms
tend to point you away from the broccoli
738
01:10:27,392 --> 01:10:31,076
and towards the candy if you're not
careful? We just had a talk about
739
01:10:31,100 --> 01:10:36,660
how on YouTube, algorithms tend to...
Just by actually being smarter,
740
01:10:36,685 --> 01:10:41,351
tend to drive people towards
more radical or specific content.
741
01:10:42,500 --> 01:10:44,576
HOW CARNIVOROUS PLANTS CATCH THEIR PREY
742
01:10:44,601 --> 01:10:46,827
It makes itself very attractive,
743
01:10:46,851 --> 01:10:50,957
oozing nectar across the brim
of each leaf.
744
01:10:54,267 --> 01:10:58,202
But any visiting insect
had better watch out
745
01:10:58,226 --> 01:11:01,399
for these six tiny hairs.
746
01:11:04,268 --> 01:11:06,928
If it strikes one hair...
747
01:11:08,393 --> 01:11:10,586
it can carry on feeding,
748
01:11:11,059 --> 01:11:13,766
but a timer has been set.
749
01:11:18,434 --> 01:11:21,369
A second strike in less than 20 seconds
750
01:11:21,393 --> 01:11:23,913
and the fly is doomed.
751
01:11:35,185 --> 01:11:37,369
If you had 24 hours with me,
752
01:11:37,393 --> 01:11:40,287
and I couldn't say no,
what would we do?
753
01:11:40,435 --> 01:11:42,369
If you had 24 hours with me,
754
01:11:42,393 --> 01:11:45,100
and I couldn't say no,
what would we do?
755
01:11:45,435 --> 01:11:48,661
If you had 24 hours with me,
and I couldn't say no,
756
01:11:48,685 --> 01:11:49,786
what would we do?
757
01:11:49,810 --> 01:11:53,203
If you could have me
for 24 hours.
758
01:11:53,227 --> 01:11:55,700
And I couldn't say no...
759
01:11:56,352 --> 01:11:57,995
What would we do?
760
01:11:58,019 --> 01:11:59,325
Sexual intercourse,
761
01:11:59,352 --> 01:12:02,953
that's the answer for all of these,
every single one you that are:
762
01:12:02,977 --> 01:12:05,036
"What if you had 24 hours with me..."
763
01:12:05,060 --> 01:12:07,411
Sexual intercourse.
Every single time.
764
01:12:07,435 --> 01:12:10,287
We don't need to do anymore.
All done, you're so hot.
765
01:12:10,311 --> 01:12:13,787
Hubba-hubba, wanna have sex.
That's it -no more!
766
01:12:13,811 --> 01:12:16,703
The dude that's like:
"If I brought you Dominos,"
767
01:12:16,727 --> 01:12:19,287
"and I worked at Dominos,
what would you do?"
768
01:12:19,311 --> 01:12:22,078
I'd take the pizza
and I'd have sex with you.
769
01:12:22,102 --> 01:12:24,245
'Cause you're so attractive.
770
01:12:24,269 --> 01:12:26,328
The girl: "If I worked at Starbucks"
771
01:12:26,352 --> 01:12:28,870
"and I gave you your drink
that you pay for,"
772
01:12:28,894 --> 01:12:31,329
"but I looked at you...
What would you do?"
773
01:12:31,353 --> 01:12:34,579
Intercourse! I would take you
to the back and have intercourse,
774
01:12:34,603 --> 01:12:37,245
because I can't resist you, okay?
775
01:12:37,269 --> 01:12:41,079
We're all done, there's no more.
What more do we need...?
776
01:12:41,103 --> 01:12:44,090
I need to fucking
delete this app, dude.
777
01:12:47,154 --> 01:12:51,419
AHEGAO FACE WITH
HAMBURGER BY BELLE DELPHINE
778
01:13:06,228 --> 01:13:10,038
And one video went really big
at the time.
779
01:13:10,062 --> 01:13:12,722
It was the "ahegao" face that I did,
780
01:13:12,812 --> 01:13:16,246
and it got big.
And then I was like:
781
01:13:16,270 --> 01:13:19,621
I'm gaining some followers,
I need to take advantage of this.
782
01:13:19,645 --> 01:13:23,913
I need to figure out a way
for people to be interested in me.
783
01:13:23,937 --> 01:13:28,163
I've got the "taking cute pictures",
but that's not going to really do it.
784
01:13:28,187 --> 01:13:30,496
There are so many
cute girls on the internet,
785
01:13:30,520 --> 01:13:35,622
so I decided to do weird things in the
combination, as well as being sexy.
786
01:13:35,646 --> 01:13:40,205
Like I'll be sexy and cracking an egg
in my mouth or something.
787
01:13:40,229 --> 01:13:44,622
And people will share that, be like:
"What the fuck, this girl's so weird
788
01:13:44,646 --> 01:13:47,413
- "and quirky", or whatever.
- But they love you too.
789
01:13:47,437 --> 01:13:51,789
- But I'll also put my image out there.
- Genius, I have to say.
790
01:13:51,813 --> 01:13:55,747
- That is genius.
- I've got to say, I mean you...
791
01:13:55,771 --> 01:13:57,122
That's very smart.
792
01:13:57,146 --> 01:13:58,247
Hello, internet!
793
01:13:58,271 --> 01:14:03,080
So it's been really fun playing with you
over the last couple of years.
794
01:14:03,104 --> 01:14:07,705
But I think now is finally the time
that you've all been waiting for...
795
01:14:07,729 --> 01:14:12,081
This year, the 25th of December,
Christmas Day,
796
01:14:12,105 --> 01:14:13,914
I'm going to be posting
797
01:14:13,938 --> 01:14:17,664
my hardcore porn
798
01:14:17,688 --> 01:14:20,161
onto my OnlyFans.
799
01:14:20,396 --> 01:14:23,616
And if you don't believe me, well...
800
01:14:24,188 --> 01:14:28,123
How much do you anticipate you'll be
making after the release of this video,
801
01:14:28,147 --> 01:14:29,733
over the next month or so?
802
01:14:31,272 --> 01:14:34,373
Well, I don't know
if I'm going to charge it yet.
803
01:14:34,397 --> 01:14:38,206
Like the pay-per-view thing, I'm not
sure what I'm going to do with that.
804
01:14:38,230 --> 01:14:42,123
I'm still thinking about it,
but I've seen...
805
01:14:42,147 --> 01:14:45,748
- Hold on, what is there to think about?
- Well...
806
01:14:45,772 --> 01:14:48,873
Do you have a blanket deal?
Are you selling this to...
807
01:14:48,897 --> 01:14:51,873
You should absolutely
be doing a deal with OnlyFans.
808
01:14:51,897 --> 01:14:54,498
So not only will they
have to pay the $35/month
809
01:14:54,522 --> 01:14:57,706
to get access...
to even being able to buy the video,
810
01:14:57,730 --> 01:15:01,931
but now you're trying to figure out
what you want to charge for the clip.
811
01:15:02,189 --> 01:15:05,873
- I'm still thinking about it.
- Of course you will!
812
01:15:05,897 --> 01:15:07,665
What are you saying!?
813
01:15:07,689 --> 01:15:11,457
As your business advisor: obviously!
814
01:15:11,481 --> 01:15:15,748
One thing I know is that I did have
the largest withdrawal ever.
815
01:15:15,772 --> 01:15:18,374
- Which was crazy!
- Could tell us what that was?
816
01:15:18,398 --> 01:15:21,832
- It was 2 million in one withdrawal.
- That's good.
817
01:15:21,856 --> 01:15:23,957
Good for you.
Really good for you.
818
01:15:23,981 --> 01:15:26,361
- Wow.
- Thank you.
819
01:15:26,534 --> 01:15:30,036
100 WAYS TO DISTRIBUTE, ENGAGE AND MONETIZE
820
01:15:30,189 --> 01:15:35,541
Hey, guys! It's Gio from Streann Media,
We're in New York City at NAB.
821
01:15:35,565 --> 01:15:40,291
There's a lot of talk at the show
about direct-to-consumer,
822
01:15:40,315 --> 01:15:43,332
and we're helping customers
go direct-to-consumer.
823
01:15:43,356 --> 01:15:47,541
We're helping content providers
create new strategies.
824
01:15:47,565 --> 01:15:52,932
Not only for going direct-to-consumers,
but really to interact with them.
825
01:15:53,107 --> 01:15:56,374
And the most important piece:
you need to monetize, right?
826
01:15:56,398 --> 01:15:59,624
Creators are having the best time.
827
01:15:59,648 --> 01:16:05,108
It's never been a better time to be
in the content business than right now.
828
01:16:16,774 --> 01:16:18,734
2019
829
01:16:19,357 --> 01:16:23,837
Every day, Jesse Daugherty
livestreams from his living room
830
01:16:23,899 --> 01:16:26,046
while he's gaming.
831
01:16:28,316 --> 01:16:31,909
He usually has an audience
that only consists of a few people.
832
01:16:33,357 --> 01:16:38,000
But one day he falls asleep
during his livestream,
833
01:16:38,024 --> 01:16:40,542
and attracts more than 200 viewers
834
01:16:40,566 --> 01:16:43,693
who pay to watch him.
835
01:17:16,275 --> 01:17:20,942
In many people's lives the camera
is almost always turned on.
836
01:17:22,400 --> 01:17:25,947
Livestreaming your own life
has become a job.
837
01:17:31,358 --> 01:17:35,932
When viewers figure out where
the person they're looking at is,
838
01:17:36,234 --> 01:17:39,780
they can increase the entertainment
value in real-time.
839
01:17:45,234 --> 01:17:47,847
Hello, I'm from the hotel.
840
01:17:48,400 --> 01:17:51,574
From the reception.
Hello, do you hear me?
841
01:17:51,984 --> 01:17:55,204
- What?
- Your brother is calling.
842
01:17:55,329 --> 01:17:56,750
PAUL DENINO LIFESTREAMER
843
01:17:56,900 --> 01:17:59,084
Oh, okay... I'll call my brother,
844
01:17:59,109 --> 01:18:03,335
Your brother has been calling 50 times.
I don't know what's wrong,
845
01:18:03,359 --> 01:18:07,979
but he said you're going to miss
your flight and you have to get up.
846
01:18:10,401 --> 01:18:12,221
Uber...
847
01:18:13,818 --> 01:18:16,919
Uber dropped me off
at the wrong address, homie.
848
01:18:16,943 --> 01:18:17,943
Hello?
849
01:18:22,443 --> 01:18:25,196
Yo, what's up? I'm livestreaming...
850
01:18:25,818 --> 01:18:26,877
What's up?
851
01:18:26,901 --> 01:18:29,044
Your son's on the phone.
852
01:18:29,068 --> 01:18:31,252
Trying to meet you at my psychic shop?
853
01:18:31,276 --> 01:18:34,543
- Do you have a son?
- No, I'm livestreaming.
854
01:18:34,776 --> 01:18:37,343
And they're fucking with you.
855
01:18:38,651 --> 01:18:42,753
I'm livestreaming, that's what it is.
It's nothing, just hang up.
856
01:18:42,777 --> 01:18:45,544
- What?
- People are calling my phone.
857
01:18:45,568 --> 01:18:49,022
You'd better stop before I knock
your fucking bitch ass...
858
01:18:49,068 --> 01:18:52,878
We’re doing a livestream.
I'm sorry, we don't mean to.
859
01:18:52,902 --> 01:18:55,211
- Who are you dealing with?
- We're on YouTube.
860
01:18:55,235 --> 01:18:59,062
Sometimes the viewers, they call.
They say stupid shit.
861
01:18:59,277 --> 01:19:03,086
- Okay, so?
- Sometimes they say stupid shit.
862
01:19:03,110 --> 01:19:05,817
- Is everybody okay here?
- Yeah.
863
01:19:07,152 --> 01:19:09,628
You haven't threatened
to shoot somebody today?
864
01:19:09,652 --> 01:19:10,819
No.
865
01:19:11,819 --> 01:19:13,032
Hi.
866
01:19:13,057 --> 01:19:17,569
I'm getting about 30 calls about you
on my phone, and I'm a gangster.
867
01:19:17,611 --> 01:19:20,587
So you'd better fucking
leave here right now,
868
01:19:20,611 --> 01:19:23,795
before there's trouble for yourself.
You understand that?
869
01:19:23,819 --> 01:19:27,087
You're fucking with the mob over here.
You'd better leave now.
870
01:19:27,111 --> 01:19:29,753
- I apologize.
- You'd better leave now.
871
01:19:29,777 --> 01:19:32,754
- What's going on?
- The sooner you leave, the better.
872
01:19:32,778 --> 01:19:35,858
- I will be gone...
- You're not gone yet.
873
01:19:36,403 --> 01:19:39,343
- You'd better go now.
- I will be gone.
874
01:19:40,153 --> 01:19:42,629
- What the fuck's going on?
- I don't know, bro.
875
01:19:42,653 --> 01:19:44,212
Am I muted right now?
876
01:19:44,236 --> 01:19:46,420
No, you're not.
Hold... Stop, stop.
877
01:19:46,444 --> 01:19:48,311
That's a police officer.
878
01:19:48,653 --> 01:19:51,500
- What the fuck's going on?
- What?
879
01:19:51,611 --> 01:19:54,421
Turn the car off.
880
01:19:54,445 --> 01:19:58,971
- Dude, we're in the middle of the road.
- Oh, my God, it's a SWAT.
881
01:19:59,986 --> 01:20:02,833
You came at the wrong fuckin' time.
882
01:20:03,320 --> 01:20:06,260
- Oh, God...
- Look, it's a SWAT.
883
01:20:08,570 --> 01:20:11,129
- What the fuck, dude?
- Oh, God...
884
01:20:11,153 --> 01:20:12,833
Why is this happening?
885
01:20:13,945 --> 01:20:17,445
My phone's at 3%,
do you have a charger? Goddamnit!
886
01:20:18,487 --> 01:20:21,046
- Dude...
- Hands outside the vehicle!
887
01:20:21,070 --> 01:20:25,084
- Hold on, my fucking...
- Roll the windows down!
888
01:20:25,612 --> 01:20:29,338
Oh God, a shotgun!
He just cocked a shotgun!
889
01:20:29,362 --> 01:20:31,042
Oh, God...
890
01:20:31,779 --> 01:20:36,539
Oh, God. Do they think...?
Somebody's said some bad shit.
891
01:20:38,820 --> 01:20:43,394
They literally have guns pointed at us
and he cocked a shotgun.
892
01:20:44,696 --> 01:20:47,169
What the fuck, bro?
893
01:20:47,321 --> 01:20:48,922
Oh, God...
894
01:20:48,946 --> 01:20:52,866
Exit the vehicle slowly.
895
01:20:53,154 --> 01:20:54,834
Hands up!
896
01:20:57,654 --> 01:21:00,921
Put your cellphone
on top of the car for me!
897
01:21:01,779 --> 01:21:03,380
Just lay it on the car!
898
01:21:03,404 --> 01:21:05,878
It doesn’t need to stand up.
899
01:21:06,904 --> 01:21:08,818
Just leave it on the car!
900
01:21:09,904 --> 01:21:12,089
People say I want it or something...
901
01:21:12,113 --> 01:21:15,753
Dude, I have
fucking issues from this shit!
902
01:21:15,946 --> 01:21:19,400
You have no idea
the amount of time and stress...
903
01:21:19,696 --> 01:21:23,663
that I put into letting the police know
904
01:21:24,071 --> 01:21:28,381
about what I do
before I turn on the fucking stream!
905
01:21:28,405 --> 01:21:30,131
The police don't care, dude!
906
01:21:30,155 --> 01:21:34,381
They go to a situation,
they think someone's fucking dead!
907
01:21:34,405 --> 01:21:37,339
It doesn't matter.
Think they're going to listen to me
908
01:21:37,363 --> 01:21:41,173
'cause I tell them I'm going to be there
before I get there?!
909
01:21:41,197 --> 01:21:43,298
It doesn't matter, man!
910
01:21:43,322 --> 01:21:45,002
Okay?
911
01:21:49,364 --> 01:21:51,370
There's nothing I can do
912
01:21:52,197 --> 01:21:55,417
if people want to be assholes!
913
01:21:56,114 --> 01:21:58,298
All I want to do is just stream.
914
01:21:58,322 --> 01:21:59,675
Now breathe out...
915
01:22:01,114 --> 01:22:04,256
Sigh out your pain, sigh out tension,
916
01:22:04,280 --> 01:22:06,661
sigh out heaviness.
917
01:22:19,281 --> 01:22:23,132
Please stay calm,
it's very important to stay calm.
918
01:22:23,156 --> 01:22:26,376
We will rescue all of you,
919
01:22:26,823 --> 01:22:29,249
Please subscribe to my channel!
920
01:22:31,031 --> 01:22:36,257
And things might be a shit show,
they might not. I will keep you posted.
921
01:22:36,281 --> 01:22:41,461
Soon, there will be
45 billion cameras in the world.
922
01:22:42,906 --> 01:22:49,673
Every single minute, over 500 hours
of footage are published.
923
01:22:50,531 --> 01:22:54,918
We consume more
than one billion hours daily.
924
01:22:56,323 --> 01:23:00,337
Every one of us takes their pick
from an infinite number of choices,
925
01:23:00,573 --> 01:23:03,174
all competing for our attention,
926
01:23:03,198 --> 01:23:07,258
and are programmed
to confirm our world view.
927
01:23:07,282 --> 01:23:10,299
Endless lies and disinformation.
928
01:23:10,323 --> 01:23:13,383
Fuck fake news! Fuck fake news!
929
01:23:13,407 --> 01:23:15,227
Fuck fake news...
930
01:23:16,532 --> 01:23:19,845
Fuck fake news!
931
01:23:22,240 --> 01:23:23,591
Fake mic, real news!
932
01:23:23,615 --> 01:23:25,925
Yeah fake mic -real news!
933
01:23:25,949 --> 01:23:29,309
That's my friend,
now you got the real mic.
934
01:23:29,699 --> 01:23:33,508
My name is Gabriel Brown,
GB0083 YouTube channel.
935
01:23:33,532 --> 01:23:36,175
Everybody go follow him!
I've got 2000 people.
936
01:23:36,199 --> 01:23:38,508
Go follow him!
We're rock-n-rolling!
937
01:23:38,532 --> 01:23:41,217
You know what?
They're not going to cover the news,
938
01:23:41,241 --> 01:23:44,592
then they don't need this equipment.
We'll cover it for them.
939
01:23:44,616 --> 01:23:48,967
We'll do it! We got the cameras,
we got the freakin' voice.
940
01:23:48,991 --> 01:23:52,717
We're live and we're giving you
the unscripted truth.
941
01:23:52,741 --> 01:23:57,425
This is raw and real.
This is reality TV. This is not staged.
942
01:23:57,449 --> 01:24:00,384
We are the news!
Make it a point,
943
01:24:00,408 --> 01:24:04,748
we all need to keep broadcasting,
we are the news now.
944
01:24:04,958 --> 01:24:08,091
US CAPITOL, 2021 BY LUKE MOGELSON
945
01:24:08,450 --> 01:24:10,410
Knock! Knock!
946
01:24:10,741 --> 01:24:12,801
We're here!
947
01:24:12,825 --> 01:24:17,384
Look, it's a PR war, okay?
You have to understand, it's an IO war.
948
01:24:17,408 --> 01:24:20,634
- We can't lose an IO war.
- We're better than that!
949
01:24:20,658 --> 01:24:23,972
"Information Operation".
950
01:24:28,950 --> 01:24:31,343
I wanna tell you,
just get a snap of that.
951
01:24:31,367 --> 01:24:33,467
Yeah, I took a picture.
952
01:24:36,325 --> 01:24:40,712
There's got to be something in here
we can use against these scumbags.
953
01:24:42,575 --> 01:24:45,002
Quit acting a fool, man!
954
01:24:48,450 --> 01:24:50,635
This is good stuff.
955
01:24:50,659 --> 01:24:52,945
Quit acting a fool!
956
01:25:16,368 --> 01:25:20,010
"Greetings to the inhabitants
of the universe
957
01:25:20,034 --> 01:25:25,354
"from the third planet Earth
of the star Sun." ~ Odia
958
01:25:28,534 --> 01:25:31,969
"Greetings to our friends in the stars.
959
01:25:31,993 --> 01:25:34,793
"May time bring us together." ~ Arabic
960
01:25:38,993 --> 01:25:42,386
"Hope everyone's well.
We are thinking about you all.
961
01:25:42,410 --> 01:25:45,210
"Please come to visit
when you have time." ~ Mandarin
962
01:25:47,368 --> 01:25:49,328
1977
963
01:25:50,535 --> 01:25:55,715
The Voyager probe leaves Earth
to explore our solar system.
964
01:25:58,035 --> 01:26:02,219
Its mission is to photograph
planets and moons
965
01:26:02,243 --> 01:26:05,977
before entering interstellar space.
966
01:26:15,994 --> 01:26:18,928
Voyager carries greetings
from humanity
967
01:26:18,952 --> 01:26:22,779
intended for possible life
in the universe.
968
01:26:29,244 --> 01:26:31,720
Recordings of sounds, music,
969
01:26:32,396 --> 01:26:37,842
and 116 photos which
try to convey who we are.
970
01:26:40,744 --> 01:26:42,887
A conscious choice is made
971
01:26:42,911 --> 01:26:48,138
to not include images of violence,
suffering and antagonism.
972
01:27:53,871 --> 01:27:56,638
Before Voyager
leaves our solar system,
973
01:27:56,662 --> 01:27:59,138
another decision is made:
974
01:27:59,162 --> 01:28:06,863
to turn the camera around
towards Earth for one last photograph.
975
01:28:09,246 --> 01:28:15,453
The photo shows Earth
as a pale blue dot.
976
01:28:24,288 --> 01:28:27,881
The camera saves what's in front of it.
977
01:28:30,871 --> 01:28:34,745
Now what to do with this possibility?
978
01:28:49,538 --> 01:28:51,125
Yeah!
72292
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