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A SHOCHIKU PRODUCTION
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FROM THE 1953 CULTURAL FESTIVAL
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TOKYO STORY
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Screenplay by
KOGO NODA and YASUJIRO OZU
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Executive Producer
TAKESHI YAMAMOTO
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Photography by
YUHAHU ATSUTA
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Art Direction by
TATSUO HAMADA
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With
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SETSUKO HAHA
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CHISHU RYU
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CHIEKO HIGASHIYAMA
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HAHUKO SUGIMUHA
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SO YAMAMURA
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KUNIKO MIYAKE
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KYOKO KAGAWA
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EIJIRO TONO
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NOBUO NAKAMURA
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SHIRO OSAKA
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HISAO TOAKE
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TERUKO NAGAOKA
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Directed by
YASUJIRO OZU
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Good morning.
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Leaving today?
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Yes, this afternoon.
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Really?
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This is our chance
to see all our children.
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That's nice.
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They must be looking forward
to your arrival.
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00:03:31,846 --> 00:03:33,181
Well, I hope so.
30
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Keep an eye on our house
while we're gone, will you?
31
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Of course.
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Your children have all
turned out so well.
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You're very lucky.
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I suppose so.
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And what beautiful weather.
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Yes, indeed.
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You'll have a lovely trip.
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I still can't find it.
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No? It must be there.
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Oh, here it is.
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You found it?
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Yes, I did.
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The simple fact is
there are few images left.
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From up here you can see
everything's extremely built up.
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There are few images to be found.
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One has to dig for them
like an archeologist.
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One has to search
through this ravaged landscape
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to find anything at all.
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It's often tied up with risk, of course,
which I would never shun,
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00:54:13,251 --> 00:54:18,590
but I see so few people
today who dare
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to address our lack
of adequate images.
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We absolutely need images
in tune with our civilization,
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images that resonate
with what is deepest within us.
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We need to go into war zones if need be,
or anywhere else it takes us.
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00:54:44,916 --> 00:54:48,553
I'd never complain
about the difficulty,
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even if it meant climbing
25,000 feet into the mountains,
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to find images that are
pure and clear and transparent.
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There's almost nothing left here.
You really have to search.
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I'd go to Mars or Saturn
on the next rocket if I could.
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NASA's Skylab program,
for example, and the space shuttle.
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They take along biologists and others
to test new technologies in space.
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I wish I could go along with a camera.
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Because it's no longer easy
here on this earth
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to find that something
that gives images their transparency
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the way you could before.
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I'd go anywhere for that.
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You're going to be lonely
with them all gone.
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01:29:11,114 --> 01:29:13,816
It was really so sudden.
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01:29:15,118 --> 01:29:17,320
She was a headstrong woman,
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01:29:17,487 --> 01:29:19,756
but if I had known things
would come to this,
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01:29:19,922 --> 01:29:24,027
I'd have been kinder to her
while she was alive.
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01:29:25,561 --> 01:29:29,032
Living alone, I feel
the days will get very long.
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Lonely.
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You will be lonely.
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01:30:38,935 --> 01:30:42,105
THE END
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