Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,283 --> 00:00:05,250
��� ������� �� ������
2
00:00:05,283 --> 00:00:07,883
,������� ����� �� ���������
3
00:00:07,916 --> 00:00:09,484
��� �� ������ �...
4
00:00:13,417 --> 00:00:16,849
������!
5
00:00:16,882 --> 00:00:20,282
- ��! - ��!
6
00:00:36,483 --> 00:00:40,682
��� ��� �����
7
00:00:40,715 --> 00:00:44,381
����� ������ ���� ���
8
00:00:44,416 --> 00:00:48,515
��� ��� �����
9
00:00:48,547 --> 00:00:52,614
��� ��� ���� ����
10
00:00:52,647 --> 00:00:56,647
��� ���� ����� ���
11
00:00:56,681 --> 00:01:00,215
IT'S FOLLOWED YOU AWAY
�� ��� �����
12
00:01:00,248 --> 00:01:04,315
��� ����, �����
13
00:01:04,348 --> 00:01:07,714
�� ������ ����� �����
14
00:01:07,747 --> 00:01:10,214
I'LL MISS THE WAY YOU SMILE
15
00:01:10,247 --> 00:01:11,781
AS THOUGH IT'S JUST FOR ME
16
00:01:11,814 --> 00:01:14,347
AND EACH AND EVERY NIGHT
17
00:01:14,380 --> 00:01:17,713
I'LL WRITE YOU FAITHFULLY
18
00:01:17,746 --> 00:01:22,780
��� ��� �����
19
00:01:22,813 --> 00:01:26,613
IT'S AWFUL HARD TO BEAR
20
00:01:26,646 --> 00:01:30,847
��� ��� �����
21
00:01:30,880 --> 00:01:34,347
GUESS I'LL ALWAYS CARE.
22
00:02:11,644 --> 00:02:14,145
THE MOST RIDICULOUS THING I'VE EVER HEARD.
23
00:02:23,945 --> 00:02:25,311
���� ���, �� ������
24
00:02:26,479 --> 00:02:29,177
���� ���, ���.
25
00:02:33,211 --> 00:02:36,511
���, ���� �������, ����� �����,
26
00:02:36,543 --> 00:02:38,478
���� �������� ����� ����� �� �����,
27
00:02:38,511 --> 00:02:40,244
������� ��� ���� �� ���,
28
00:02:40,277 --> 00:02:42,311
������ ����!
29
00:02:42,344 --> 00:02:45,478
�� ���� ��� �� ������ ���� ����.
30
00:02:45,511 --> 00:02:47,843
��� ����� ������ �� �� ������� ��
31
00:02:49,643 --> 00:02:52,510
�� ���� ����� ���� �� ����� ������� �����.
32
00:02:52,542 --> 00:02:56,310
���, ���� �� ����� �����?
33
00:02:56,343 --> 00:02:57,643
�� ��?
34
00:02:57,677 --> 00:02:59,443
�������� ���.
35
00:02:59,477 --> 00:03:01,542
������� ���. ���� ������� ���...
36
00:03:01,576 --> 00:03:04,276
������ ������
37
00:03:04,310 --> 00:03:06,343
�� �� ����! ����� ���� ����!
38
00:03:06,376 --> 00:03:07,909
��� �� 39, �����.
39
00:03:07,943 --> 00:03:09,642
��� ���� ���� ������� ���.
40
00:03:09,676 --> 00:03:12,210
��� �� ����� ������ ���� ���.
41
00:03:12,243 --> 00:03:13,876
MY MIND IS MADE UP, ALBERT.
42
00:03:13,909 --> 00:03:16,676
AS YOU KNOW, I'VE BEEN WITH ALMAELOU FOR EIGHT YEARS.
43
00:03:16,709 --> 00:03:19,175
I'VE BEEN MORE THAN JUST A SECRETARY TO YOU.
44
00:03:19,209 --> 00:03:21,942
OH, I GET IT NOW.
45
00:03:21,975 --> 00:03:23,875
YOU WANT A RAISE.
46
00:03:23,908 --> 00:03:26,509
WRONG! YOU KNOW WHAT I WANT, ALBERT.
47
00:03:26,541 --> 00:03:29,675
ROSIE, IF YOU'RE REFERRING
48
00:03:29,708 --> 00:03:33,242
TO ANYTHING OF A MORE PERMANENT NATURE...
49
00:03:34,309 --> 00:03:36,309
WELL, I'M JUST NOT READY FOR IT.
50
00:03:36,342 --> 00:03:37,908
BESIDES, THERE ARE RELIGIOUS DIFFERENCES.
51
00:03:37,942 --> 00:03:39,675
SPANISH IS NOT A RELIGION.
52
00:03:39,708 --> 00:03:41,808
IF IT'S PART OF THE COMPANY YOU'RE AFTER,
53
00:03:41,842 --> 00:03:43,575
THE ANSWER IS NO TO THAT TOO!
54
00:03:43,608 --> 00:03:46,175
ALMAELOU IS ME, MOMMA AND LOU.
55
00:03:46,209 --> 00:03:49,241
ANY CHANGE WOULD KILL THAT WONDERFUL WOMAN THAT BORE ME!
56
00:03:49,274 --> 00:03:52,208
NOTHING COULD KILL YOUR MOTHER, AL, EXCEPT A SILVER BULLET.
57
00:03:52,241 --> 00:03:55,242
AND I WON'T DROP POOR OLD LOU, EITHER.
58
00:03:55,275 --> 00:03:56,774
HE LOVED YOU, ROSE.
59
00:03:56,807 --> 00:03:58,374
OH, I LOVED LOU TOO.
60
00:03:58,408 --> 00:04:01,208
SURE, HE WAS WARM, HE WAS LOYAL, HE WAS LOVABLE.
61
00:04:01,241 --> 00:04:02,774
BUT HE DIED SIX YEARS AGO.
62
00:04:02,807 --> 00:04:04,941
BESIDES, HE WAS A WIRE-HAIRED TERRIER!
63
00:04:04,974 --> 00:04:07,806
ANYHOW, I DON'T WANT A PART OF THE COMPANY!
64
00:04:07,840 --> 00:04:09,475
THIS IS SOMETHING MUCH MORE IMPORTANT!
65
00:04:09,508 --> 00:04:11,806
YOU'RE GONNA DISCUSS WHAT I THINK YOU ARE,
66
00:04:11,840 --> 00:04:13,707
I'M IN NO MOOD TO DISCUSS IT!
67
00:04:13,740 --> 00:04:17,241
THERE'S NOTHING TO DISCUSS. CONRAD BIRDIE'S GOING INTO THE ARMY AND I QUIT!
68
00:04:17,274 --> 00:04:20,273
YOU CAN GIVE UP THE BUSINESS, GO BACK TO COLLEGE.
69
00:04:20,307 --> 00:04:22,539
ROSE, I AM UP TO MY EARS IN DEBT!
70
00:04:22,573 --> 00:04:25,906
CONRAD BIRDIE HAS A $50,000 GUARANTEE
71
00:04:25,940 --> 00:04:27,474
WHICH I CAN'T PAY,
72
00:04:27,507 --> 00:04:30,606
AND I HAVE JUST TAKEN A SEVERE OVERDOSE OF ASPIRIN.
73
00:04:33,606 --> 00:04:36,173
ALBERT, THIS MAY BE YOUR VERY LAST CHANCE.
74
00:04:37,939 --> 00:04:40,273
WILL YOU LISTEN TO ME, ALBERT
75
00:04:41,406 --> 00:04:43,306
I'M SERIOUS.
76
00:04:44,474 --> 00:04:48,207
HIS GOING IN THE ARMY IS THE BEST THING HE COULD DO
77
00:04:48,240 --> 00:04:50,905
NOW YOU'RE FREE TO START TO DO WHAT YOU WANTED TO
78
00:04:50,939 --> 00:04:55,839
ALBERT, ALBERT, ALBERT!
79
00:04:55,872 --> 00:04:58,872
I REMEMBER HOW YOU TOLD ME I SHOULD TRUST YOU FOR A YEAR
80
00:04:58,905 --> 00:05:01,171
IT WOULD JUST BE FOR A YEAR
81
00:05:01,205 --> 00:05:04,537
BUT IT'S EIGHT YEARS, ALBERT
82
00:05:04,571 --> 00:05:06,473
EIGHT LONG YEARS, ALBERT...
83
00:05:06,506 --> 00:05:08,438
IT TAKES TIME TO BUILD A BUSINESS, ROSIE.
84
00:05:08,472 --> 00:05:11,506
IT WAS ONLY A SIDELINE, THAT'S WHAT YOU SAID
85
00:05:11,538 --> 00:05:14,472
YOU JUST NEEDED SOME MONEY, THAT'S WHAT YOU SAID
86
00:05:14,505 --> 00:05:18,271
YOU WERE GOING TO COLLEGE AND GET AHEAD
87
00:05:18,305 --> 00:05:20,371
INSTEAD OF BEING A MUSIC-BUSINESS BUM
88
00:05:20,405 --> 00:05:25,604
YOU WERE GOING TO N.Y.U. AND BECOME...
89
00:05:25,637 --> 00:05:27,337
DON'T SAY IT, ROSIE.
90
00:05:27,370 --> 00:05:29,271
AN ENGLISH TEACHER!
91
00:05:29,305 --> 00:05:32,704
AND FURTHERMORE, YOU WROTE POETRY. IN THE N.Y.U. YEARBOOK,
92
00:05:32,737 --> 00:05:35,770
UNDER ALBERT PETERSON'S FAVORITE PIECE OF LITERATURE--
93
00:05:35,803 --> 00:05:38,304
YOU WANT TO KNOW WHAT IT SAYS "LITTLE WOMEN."
94
00:05:38,337 --> 00:05:41,871
AN ENGLISH TEACHER
95
00:05:41,904 --> 00:05:44,536
AN ENGLISH TEACHER
96
00:05:44,570 --> 00:05:51,170
IF ONLY YOU'D BEEN AN ENGLISH TEACHER
97
00:05:51,204 --> 00:05:55,304
WE'D HAVE A LITTLE APARTMENT IN QUEENS
98
00:05:55,337 --> 00:05:58,236
YOU'D GET A SUMMER VACATION
99
00:05:58,269 --> 00:06:01,702
AND WE WOULD KNOW WHAT LIFE MEANS
100
00:06:01,735 --> 00:06:05,602
A MAN WHO'S GOT HIS MASTER'S
101
00:06:05,635 --> 00:06:08,471
IS REALLY SOMEONE
102
00:06:08,503 --> 00:06:15,236
HOW PROUD I'D BE IF YOU HAD BECOME ONE
103
00:06:15,269 --> 00:06:19,169
IT COULD HAVE BEEN SUCH A WONDERFUL LIFE
104
00:06:19,203 --> 00:06:22,436
I COULD HAVE BEEN MRS. PETERSON
105
00:06:22,470 --> 00:06:24,734
MRS. ALBERT PETERSON
106
00:06:24,768 --> 00:06:29,202
MRS. "PHI BETA KAPPA" PETERSON
107
00:06:29,235 --> 00:06:36,202
THE ENGLISH TEACHER'S WIFE.
108
00:06:53,502 --> 00:06:55,401
ROSIE, I'LL MAKE A DEAL WITH YOU.
109
00:06:55,434 --> 00:06:57,435
STAY WITH ME.
110
00:06:57,469 --> 00:06:59,900
HELP ME GET THE MONEY TO PAY CONRAD'S GUARANTEE,
111
00:06:59,934 --> 00:07:03,633
AND I PROMISE AS SOON AS I'M OUT OF THE RED
112
00:07:03,667 --> 00:07:05,334
I WILL DISSOLVE THIS COMPANY
113
00:07:05,367 --> 00:07:08,633
AND GO BACK TO THE ACADEMIC LIFE.
114
00:07:15,334 --> 00:07:17,233
ALBERT, YOU'RE ON.
115
00:07:17,266 --> 00:07:19,267
OH, ROSIE, THAT'S GREAT.
116
00:07:19,301 --> 00:07:22,166
IT MAY TAKE ME A WHILE, BUT I'M SURE BY 1973--
117
00:07:22,200 --> 00:07:24,201
- PICK A NAME. - PICK A NAME
118
00:07:24,234 --> 00:07:25,333
WHAT ARE YOU TALKING ABOUT
119
00:07:25,366 --> 00:07:27,300
NEVER MIND. I'LL PICK ONE FOR YOU.
120
00:07:27,333 --> 00:07:30,300
MacAFEE. KIM MacAFEE.
121
00:07:30,333 --> 00:07:32,166
PRESIDENT AND RECORDING SECRETARY,
122
00:07:32,200 --> 00:07:35,300
CONRAD BIRDIE FAN CLUB NUMBER 2748,
123
00:07:35,333 --> 00:07:37,300
SWEET APPLE, OHIO.
124
00:07:37,333 --> 00:07:39,631
MARY, GET ME SWEET APPLE, OHIO,
125
00:07:39,665 --> 00:07:41,799
- CAPITOL 7820. - RIGHT.
126
00:07:41,833 --> 00:07:44,765
WHAT ARE YOU TALKING ABOUT WHO'S THIS KIM MacFRACKETY
127
00:07:44,798 --> 00:07:47,765
MacAFEE, ALBERT. KIM MacAFEE IS GONNA SEND YOU BACK TO COLLEGE
128
00:07:47,798 --> 00:07:50,233
WITH THE BIGGEST HIT SONG THIS INDUSTRY HAS EVER HEARD.
129
00:07:50,266 --> 00:07:53,265
IT'S CALLED... "ONE LAST KISS."
130
00:07:53,299 --> 00:07:55,832
- I NEVER HEARD OF IT. - YOU HAVEN'T WRITTEN IT YET.
131
00:07:55,865 --> 00:07:59,265
BUT WHEN YOU DO, AND WHEN THAT ONE LAST KISS IS FROM CONRAD
132
00:07:59,299 --> 00:08:03,365
ON HIS WAY INTO THE BIG, COLD ARMY FOR TWO LONG YEARS,
133
00:08:03,399 --> 00:08:05,932
AND HE GIVES THAT KISS TO ONE OF HIS FANS--
134
00:08:05,965 --> 00:08:08,332
CHOSEN AT RANDOM FROM 1,200,000
135
00:08:08,365 --> 00:08:10,498
SCREAMING, HYSTERICAL TEENAGERS,
136
00:08:10,530 --> 00:08:13,665
IT'LL MAKE MR. BIRDIE THE HOTTEST SOLDIER SINCE JOAN OF ARC!
137
00:08:13,698 --> 00:08:15,331
I'M BEGINNING TO GET THE POINT.
138
00:08:15,364 --> 00:08:17,332
WE CUT THE RECORD HERE IN NEW YORK--
139
00:08:17,365 --> 00:08:18,797
TAKE CONRAD BIRDIE TO SWEET APPLE--
140
00:08:18,831 --> 00:08:20,231
LET HIM KISS THIS KIM--
141
00:08:20,264 --> 00:08:21,465
THEN RELEASE THE RECORD!
142
00:08:21,498 --> 00:08:24,364
YOU'LL MAKE ENOUGH TO STAY IN COLLEGE THE REST OF YOUR LIFE!
143
00:08:24,398 --> 00:08:25,931
ROSIE, YOU'RE WONDERFUL!
144
00:08:25,964 --> 00:08:28,231
I PROMISE, THE MINUTE THIS IS SETTLED,
145
00:08:28,264 --> 00:08:30,931
IT'LL JUST BE THE TWO OF US TOGETHER IN PERFECT BLISS.
146
00:08:30,964 --> 00:08:33,430
I'LL GET A JOB TEACHING ENGLISH AND...
147
00:08:33,464 --> 00:08:36,231
BLISS. KISS.
148
00:08:36,264 --> 00:08:38,430
THAT RHYMES.
149
00:08:38,464 --> 00:08:40,796
WONDER IF ANYONE'S EVER USED IT BEFORE
150
00:08:40,830 --> 00:08:42,263
WHAT DIFFERENCE DOES IT MAKE
151
00:08:42,297 --> 00:08:44,263
IT'LL BE PERFECT FOR THE SONG.
152
00:08:45,663 --> 00:08:47,330
OH-- OH, ONE LAST KISS
153
00:08:47,363 --> 00:08:50,896
IT REALLY IS SUCH BLISS
154
00:08:50,930 --> 00:08:53,497
OUR LIPS WILL NEVER MISS
155
00:08:53,529 --> 00:08:54,896
JUST TURN YOUR HEAD LIKE THIS.
156
00:08:54,930 --> 00:08:58,163
- Mary: ROSIE, ALL THE LINES ARE BUSY. - NOT BAD.
157
00:08:58,197 --> 00:09:00,296
EVERY PHONE IN SWEET APPLE CAN'T BE BUSY.
158
00:09:00,329 --> 00:09:04,229
- WHAT'S GOING ON THERE - ( humming )
159
00:09:06,230 --> 00:09:09,162
Rose: KIM MacAFEE JUST GOT PINNED TO WHO
160
00:09:09,196 --> 00:09:10,695
WHOM.
161
00:09:12,962 --> 00:09:16,829
( telephones ringing )
162
00:09:20,962 --> 00:09:22,928
HI, NANCY
163
00:09:22,962 --> 00:09:24,628
HI, HELEN
164
00:09:24,662 --> 00:09:26,894
WHAT'S THE STORY, MORNING GLORY
165
00:09:26,928 --> 00:09:28,562
WHAT'S THE TALE, NIGHTINGALE
166
00:09:28,595 --> 00:09:30,694
TELL ME QUICK ABOUT HUGO AND KIM
167
00:09:30,727 --> 00:09:32,296
HI, MARGIE
168
00:09:32,329 --> 00:09:35,195
HI, ALICE
169
00:09:35,228 --> 00:09:37,261
WHAT'S THE STORY, MORNING GLORY
170
00:09:37,295 --> 00:09:39,195
WHAT'S THE WORD, HUMMINGBIRD
171
00:09:39,228 --> 00:09:41,228
HAVE YOU HEARD ABOUT HUGO AND KIM
172
00:09:41,261 --> 00:09:43,395
DID THEY REALLY GET PINNED
173
00:09:43,428 --> 00:09:45,527
DID SHE KISS HIM AND CRY
174
00:09:45,561 --> 00:09:47,727
DID HE PIN THE PIN ON
175
00:09:47,761 --> 00:09:49,794
OR WAS HE TOO SHY
176
00:09:49,828 --> 00:09:52,394
- I HEARD THEY GOT PINNED - YEAH, YEAH
177
00:09:52,427 --> 00:09:54,694
- I WAS HOPING THEY WOULD - UH-HUH
178
00:09:54,727 --> 00:09:57,160
- THEY'RE LIVING AT LAST - HE'S GONE
179
00:09:57,194 --> 00:09:59,627
- GOING STEADY FOR GOOD - HELLO, MR. MERKLE
180
00:09:59,661 --> 00:10:01,760
THIS IS HARVEY JOHNSON
181
00:10:01,793 --> 00:10:04,893
CAN I SPEAK TO URSULA, PLEASE
182
00:10:04,927 --> 00:10:07,194
- IS IT TRUE ABOUT KIM - URSULA
183
00:10:07,227 --> 00:10:09,526
- I KNEW IT SOMEHOW... - ABOUT OUR DATE...
184
00:10:09,560 --> 00:10:11,827
- I MUST CALL HER RIGHT UP... - Saturday
185
00:10:11,860 --> 00:10:14,927
I CAN'T TALK TO YOU NOW!
186
00:10:14,960 --> 00:10:16,927
- GOING STEADY - YOU KNOW IT, MAN
187
00:10:16,960 --> 00:10:19,293
- GOING STEADY - IT'S CRAZY, MAN
188
00:10:19,326 --> 00:10:21,827
- GOING STEADY - YOU KNOW IT
189
00:10:21,860 --> 00:10:23,692
IT WON'T LAST
190
00:10:23,725 --> 00:10:25,860
NOT A PRAYER
191
00:10:25,893 --> 00:10:27,926
SHE'S TOO COOL
192
00:10:27,959 --> 00:10:29,461
HE'S TOO SQUARE
193
00:10:29,494 --> 00:10:33,426
HELLO, MRS. MILLER, THIS IS HARVEY JOHNSON
194
00:10:33,460 --> 00:10:37,625
CAN I SPEAK TO DEBRA SUE
195
00:10:37,659 --> 00:10:39,625
HIYA, HUGO
196
00:10:39,659 --> 00:10:42,192
Hiya, stupid
197
00:10:42,225 --> 00:10:45,460
What ya wanna go get pinned for
198
00:10:45,493 --> 00:10:48,193
- I HEARD THEY GOT PINNED - HEY, YA MEATHEAD
199
00:10:48,226 --> 00:10:50,558
- I WAS HOPING THEY WOULD - Lost your marbles
200
00:10:50,591 --> 00:10:52,892
- THEY'RE LIVING AT LAST - Are ya nutty
201
00:10:52,926 --> 00:10:55,225
- GOING STEADY FOR-- - HELLO, MRS. GARFEIN...
202
00:10:55,258 --> 00:10:57,392
IS CHARITY HOME FROM SCHOOL YET
203
00:10:57,425 --> 00:11:00,493
- DID THEY REALLY GET PINNED - SHE SAW HIM
204
00:11:00,525 --> 00:11:03,258
- I WAS HOPING THEY WOULD - SHE DUG HIM
205
00:11:03,292 --> 00:11:04,891
- GOING STEADY - SHE NAILED HIM
206
00:11:04,925 --> 00:11:08,924
YA GOTTA GO, THAT'S THE WAY TO GO
207
00:11:08,957 --> 00:11:11,192
Men: WHEN THEY GOT YOU HOOKED
208
00:11:11,225 --> 00:11:12,857
THEN YOU'RE REALLY COOKED
209
00:11:12,890 --> 00:11:16,757
WHAT YA GONNA DO WHAT YA GONNA DO
210
00:11:16,790 --> 00:11:19,192
- I HEARD THEY GOT PINNED - OH, MAN
211
00:11:19,225 --> 00:11:21,157
- I WAS THINKING THEY WOULD - OH, MAN
212
00:11:21,191 --> 00:11:24,157
NOW THEY'RE LIVING AT LAST, GOING STEADY FOR GOOD
213
00:11:24,191 --> 00:11:26,723
- GOING STEADY, GOING STEADY - AH-OOH, AH-OOH
214
00:11:26,757 --> 00:11:29,357
STEADY FOR GOOD, GOING STEADY
215
00:11:29,391 --> 00:11:32,623
GOING STEADY, GOING STEADY, STEADY FOR GOOD
216
00:11:32,657 --> 00:11:34,424
HE'S IN LOVE WITH KIM
217
00:11:34,458 --> 00:11:36,757
KIM'S IN LOVE WITH HIM
218
00:11:36,790 --> 00:11:38,789
GOING STEADY, GOING STEADY
219
00:11:38,823 --> 00:11:40,890
DO TELL
220
00:11:40,924 --> 00:11:43,889
WELL, WELL, DO TELL
221
00:11:43,923 --> 00:11:46,889
- THAT'S THE WAY IT SHOULD BE - OH, YEAH
222
00:11:46,923 --> 00:11:49,391
- THEY'LL BE HAPPY, I KNOW - OH, YEAH
223
00:11:49,424 --> 00:11:51,556
- GOING STEADY'S FOR ME - OH, YEAH
224
00:11:51,589 --> 00:11:54,256
- THAT'S THE WAY YOU SHOULD GO - GOING STEADY...
225
00:11:54,290 --> 00:11:55,856
GOING STEADY, STEADY FOR GOOD
226
00:11:55,889 --> 00:11:59,223
( repeating ) GOING STEADY...
227
00:11:59,256 --> 00:12:02,389
OHHHH, YEAH!
228
00:12:08,423 --> 00:12:09,922
OH, YEAH!
229
00:12:09,955 --> 00:12:12,722
( telephone ringing )
230
00:12:14,688 --> 00:12:16,356
I'LL GET IT!
231
00:12:17,688 --> 00:12:19,022
HELLO
232
00:12:19,055 --> 00:12:22,489
KIM MacAFEE, WHAT DO YOU MEAN YOU'RE RESIGNING FROM THE FAN CLUB
233
00:12:22,521 --> 00:12:25,521
JUST BECAUSE HUGO PEABODY GAVE YOU HIS PIN
234
00:12:25,555 --> 00:12:29,155
DOESN'T MEAN YOU HAVE TO RETIRE FROM ALL SOCIAL LIFE.
235
00:12:29,189 --> 00:12:31,222
GOING STEADY IS VERY IMPORTANT,
236
00:12:31,255 --> 00:12:34,255
but some things are more important than very important.
237
00:12:34,289 --> 00:12:36,154
The Conrad Birdie Fan Club is one of them.
238
00:12:36,188 --> 00:12:38,621
KIM, WHERE ELSE CAN WE GIRLS GATHER
239
00:12:38,655 --> 00:12:41,421
TO WORSHIP SUCH A WONDERFUL CREATURE
240
00:12:41,455 --> 00:12:45,554
DO YOU REALIZE WHAT YOU WOULD BE GIVING UP, KIM
241
00:12:45,587 --> 00:12:47,887
I'M SORRY, URSULA, BUT I'VE MADE UP MY MIND.
242
00:12:47,921 --> 00:12:50,421
OF COURSE, I'LL STILL PLAY HIS RECORDS,
243
00:12:50,455 --> 00:12:51,754
BUT THINGS LIKE THE PLEDGE
244
00:12:51,787 --> 00:12:53,354
AND THE SCREAM ARE PAST ME NOW.
245
00:12:53,388 --> 00:12:55,619
YOU'RE GIVING UP THE SCREAM
246
00:12:55,653 --> 00:12:58,519
WHEN CONRAD BIRDIE SINGS ON TELEVISION,
247
00:12:58,553 --> 00:12:59,886
YOU'RE NOT GOING TO GO...
248
00:12:59,920 --> 00:13:02,220
( screams )
249
00:13:02,253 --> 00:13:04,554
OH, KIM!
250
00:13:04,587 --> 00:13:05,854
Woman: KIM, DEAR
251
00:13:05,887 --> 00:13:07,220
YES, MOTHER
252
00:13:07,253 --> 00:13:08,853
WOULD YOU PLEASE GET OFF THE PHONE
253
00:13:08,886 --> 00:13:10,853
I HAVE SOME CALLS TO MAKE.
254
00:13:10,886 --> 00:13:13,353
I'M SORRY, URSULA, I HAVE TO GET OFF THE PHONE.
255
00:13:13,387 --> 00:13:15,253
YOU'LL EXPLAIN EVERYTHING TO THE OTHER KIDS
256
00:13:15,287 --> 00:13:18,153
WELL, I SUPPOSE I HAVE TO.
257
00:13:18,187 --> 00:13:19,786
OH, KIM, ARE YOU SURE
258
00:13:19,820 --> 00:13:21,286
I MEAN, REALLY, KIM.
259
00:13:21,319 --> 00:13:24,886
I MEAN, AFTER ALL, ARE YOU ABSOLUTELY SURE
260
00:13:24,919 --> 00:13:27,886
I'M POSITIVE. IT'S TIME I SETTLED DOWN.
261
00:13:27,920 --> 00:13:29,752
( sighs )
262
00:13:29,785 --> 00:13:30,919
BYE, KIM.
263
00:13:30,952 --> 00:13:33,252
BYE.
264
00:13:38,286 --> 00:13:41,152
WHEN YOU'RE A SKINNY CHILD OF 15
265
00:13:41,186 --> 00:13:44,652
WIRED WITH BRACES FROM EAR TO EAR
266
00:13:44,685 --> 00:13:51,386
YOU DOUBT THAT YOU COULD EVER BE APPEALING
267
00:13:52,584 --> 00:13:54,885
THEN, HALLELUJAH, YOU'RE 17
268
00:13:54,919 --> 00:13:57,218
AND THE BRACES DISAPPEAR
269
00:13:57,251 --> 00:14:00,251
AND YOUR SKIN IS SMOOTH AND CLEAR
270
00:14:00,285 --> 00:14:08,185
AND YOU HAVE THAT HAPPY GROWN-UP FEMALE FEELING
271
00:14:13,884 --> 00:14:17,485
HOW LOVELY TO BE A WOMAN
272
00:14:17,517 --> 00:14:20,584
THE WAIT WAS WELL WORTHWHILE
273
00:14:20,617 --> 00:14:23,883
HOW LOVELY TO WEAR MASCARA
274
00:14:23,917 --> 00:14:27,384
AND SMILE A WOMAN'S SMILE
275
00:14:27,417 --> 00:14:30,817
HOW LOVELY TO HAVE A FIGURE
276
00:14:30,850 --> 00:14:33,683
THAT'S ROUND INSTEAD OF FLAT
277
00:14:33,716 --> 00:14:37,283
WHENEVER YOU HEAR BOYS WHISTLE
278
00:14:37,316 --> 00:14:40,217
YOU'RE WHAT THEY'RE WHISTLING AT
279
00:14:40,250 --> 00:14:43,250
IT'S WONDERFUL TO FEEL
280
00:14:43,284 --> 00:14:46,550
THE WAY A WOMAN FEELS
281
00:14:46,583 --> 00:14:49,149
IT GIVES YOU SUCH A GLOW
282
00:14:49,183 --> 00:14:50,816
JUST TO KNOW
283
00:14:50,849 --> 00:14:53,916
YOU'RE WEARING LIPSTICK AND HEELS
284
00:14:53,949 --> 00:14:57,483
HOW LOVELY TO BE A WOMAN
285
00:14:57,515 --> 00:15:00,849
AND HAVE ONE JOB TO DO
286
00:15:00,882 --> 00:15:03,915
TO PICK OUT A BOY AND TRAIN HIM
287
00:15:03,948 --> 00:15:07,482
AND THEN WHEN YOU ARE THROUGH
288
00:15:07,514 --> 00:15:14,216
YOU'VE MADE HIM THE MAN YOU WANT HIM TO BE
289
00:15:14,249 --> 00:15:17,549
LIFE'S LOVELY WHEN YOU'RE A WOMAN
290
00:15:17,582 --> 00:15:20,315
LIKE ME
291
00:15:20,348 --> 00:15:23,182
HOW WONDERFUL TO KNOW
292
00:15:23,215 --> 00:15:26,848
THE THINGS A WOMAN KNOWS
293
00:15:26,881 --> 00:15:29,182
HOW MARVELOUS TO WAIT
294
00:15:29,215 --> 00:15:30,780
FOR A DATE
295
00:15:30,815 --> 00:15:34,214
IN SIMPLY BEAUTIFUL CLOTHES
296
00:15:34,247 --> 00:15:37,482
HOW LOVELY TO BE A WOMAN
297
00:15:37,514 --> 00:15:40,714
AND CHANGE FROM BOYS TO MEN
298
00:15:40,748 --> 00:15:43,880
TO GO TO A FANCY NIGHT CLUB
299
00:15:43,914 --> 00:15:47,481
AND STAY OUT AFTER 10
300
00:15:47,513 --> 00:15:53,214
HOW LOVELY TO BE SO GROWN-UP AND FREE
301
00:15:54,747 --> 00:16:00,247
LIFE'S LOVELY WHEN YOU'RE A WOMAN
302
00:16:00,281 --> 00:16:03,747
LIKE ME.
303
00:16:05,846 --> 00:16:07,613
( music playing )
304
00:16:13,612 --> 00:16:18,180
Announcer: Robert Young...
305
00:16:18,213 --> 00:16:21,180
and Jane Wyatt...
306
00:16:21,946 --> 00:16:23,778
with Elinor Donahue, Billy Gray,
307
00:16:23,812 --> 00:16:26,447
- and Lauren Chapin... - ( telephone ringing )
308
00:16:26,480 --> 00:16:29,712
in "Father Knows Best."
309
00:16:29,746 --> 00:16:32,711
Man on TV: Don't come down the stairs like that, Bud,
310
00:16:32,745 --> 00:16:34,612
you sound like an elephant wearing golf shoes.
311
00:16:34,645 --> 00:16:38,912
- ( ringing continuing ) - Bud: Hello Oh, hi, Joe.
312
00:16:38,945 --> 00:16:42,611
No matter what it is you want, I can't do it.
313
00:16:42,645 --> 00:16:44,611
Sounds great, but I can't go.
314
00:16:44,645 --> 00:16:46,678
I'll ask my dad, but it's no use.
315
00:16:46,711 --> 00:16:48,845
- HELLO - Father: How do you know it's no use
316
00:16:48,878 --> 00:16:50,845
You shouldn't make up your mind in advance.
317
00:16:50,878 --> 00:16:53,545
You make me sound like your jailer instead of your father.
318
00:16:53,578 --> 00:16:56,446
Can I go with the fellas on our scooters to the quarry
319
00:16:56,479 --> 00:16:59,278
KIM, IT'S FOR YOU.
320
00:16:59,311 --> 00:17:03,510
THE OPERATOR SAYS SHE'S BEEN TRYING TO GET THROUGH FOR THREE-QUARTERS OF AN HOUR.
321
00:17:03,544 --> 00:17:07,311
- THANK YOU, DORIS. - SHE SAID IT WAS LONG DISTANCE--
322
00:17:07,344 --> 00:17:09,877
- WHAT DID YOU SAY - I SAID, "THANK YOU, DORIS."
323
00:17:09,911 --> 00:17:12,144
- GREAT. - HELLO
324
00:17:12,178 --> 00:17:15,710
YES, THIS IS SHE.
325
00:17:15,744 --> 00:17:17,811
YES, I'LL WAIT.
326
00:17:17,844 --> 00:17:19,644
THERE'S NO NEED TO BE UPSET.
327
00:17:19,677 --> 00:17:22,144
IT'S MODERN TO CALL YOUR MOTHER BY HER FIRST NAME.
328
00:17:22,178 --> 00:17:24,410
MAKES MOTHER AND DAUGHTER FEEL MORE LIKE PALS.
329
00:17:24,444 --> 00:17:27,677
- Doris: AND YOUR FATHER - I'LL CALL HIM HARRY, NATURALLY.
330
00:17:27,710 --> 00:17:30,277
BY THE WAY, I THINK HARRY TOOK THE NEWS
331
00:17:30,310 --> 00:17:32,410
ABOUT HUGO AND I AWFULLY WELL.
332
00:17:32,444 --> 00:17:34,843
I DON'T KNOW. YESTERDAY, I WAS A MOTHER.
333
00:17:34,876 --> 00:17:36,576
TODAY, I'M A PAL.
334
00:17:36,609 --> 00:17:38,509
COULDN'T YOU CALL ME MOM THAT'S MODERN.
335
00:17:38,543 --> 00:17:40,709
I'M SORRY. TIMES ARE CHANGING.
336
00:17:40,743 --> 00:17:43,142
YOU'VE GOT TO GO ALONG, OR YOU'RE GONNA BE
337
00:17:43,176 --> 00:17:44,509
LEFT BEHIND WITH THE OLD FOLKS.
338
00:17:44,543 --> 00:17:46,243
YES, I HEARD WHAT YOU SAID.
339
00:17:46,277 --> 00:17:48,477
CONRAD BIRDIE IS COMING HERE TO KISS ME.
340
00:17:48,509 --> 00:17:50,410
THANK YOU SO MUCH. BYE-BYE.
341
00:17:55,708 --> 00:17:58,176
Boy on TV: So long.
342
00:17:58,209 --> 00:18:00,109
Girl: Bye.
343
00:18:01,176 --> 00:18:04,142
Kim: DORIS
344
00:18:04,942 --> 00:18:06,775
MOMMY!
345
00:18:09,376 --> 00:18:11,176
MOMMA!
346
00:18:11,209 --> 00:18:13,242
- WHAT IS IT - IT'S CONRAD BIRDIE.
347
00:18:13,276 --> 00:18:14,607
HE'S GOING TO KISS ME!
348
00:18:14,641 --> 00:18:16,342
OH. THAT'S NICE, DEAR.
349
00:18:16,376 --> 00:18:17,908
NO, MOMMY, YOU DON'T UNDERSTAND.
350
00:18:17,941 --> 00:18:20,342
IT'S CONRAD BIRDIE--
351
00:18:20,376 --> 00:18:22,774
HE'S COMING HERE TO SWEET APPLE!
352
00:18:22,808 --> 00:18:25,141
HE'S GOING TO KISS ME GOODBYE!
353
00:18:25,175 --> 00:18:26,241
OH, MOMMY!
354
00:18:26,275 --> 00:18:27,874
MOMMY!
355
00:18:29,175 --> 00:18:31,208
I NEVER THOUGHT I'D SAY THIS,
356
00:18:31,241 --> 00:18:33,175
BUT GOD BLESS CONRAD BIRDIE.
357
00:18:55,274 --> 00:18:56,441
WELL, IT'S ABOUT TIME.
358
00:18:56,474 --> 00:18:59,307
- WHAT'S THE EMERGENCY - WAIT TILL EVERYONE GETS HERE.
359
00:18:59,340 --> 00:19:01,374
- WHAT'S UP - I'LL TELL YOU IN A MINUTE.
360
00:19:01,407 --> 00:19:03,239
Both: WHAT'S GOING ON WHAT'S SO IMPORTANT
361
00:19:03,273 --> 00:19:05,374
TAKE A DEEP BREATH AND I'LL TELL YOU.
362
00:19:05,407 --> 00:19:08,207
- ( inhaling together ) - IT'S ABOUT CONRAD BIRDIE.
363
00:19:08,240 --> 00:19:10,207
( screaming )
364
00:19:10,239 --> 00:19:12,606
HE'S COMING HERE IN PERSON.
365
00:19:12,640 --> 00:19:14,906
- TO SWEET APPLE! - OH, MY GOD!
366
00:19:14,939 --> 00:19:17,506
- ASK ME WHY. - Girls: WHY!
367
00:19:17,540 --> 00:19:20,206
HE'S GOING TO KISS KIM MacAFEE GOODBYE
368
00:19:20,239 --> 00:19:22,173
BEFORE HE GOES INTO THE ARMY.
369
00:19:22,206 --> 00:19:24,473
- KIM HOW COME - SHE WAS CHOSEN.
370
00:19:24,505 --> 00:19:26,806
- OH, MY GOD! - THAT LUCKY DUCK!
371
00:19:26,839 --> 00:19:29,338
WE'LL GET TO SEE HIM, MAYBE EVEN GET TO MEET HIM.
372
00:19:29,372 --> 00:19:31,806
IF HE SAID HELLO TO ME, I'D PASS OUT!
373
00:19:31,839 --> 00:19:34,205
I WOULDN'T KNOW WHAT TO SAY TO HIM!
374
00:19:34,238 --> 00:19:37,172
HOW ABOUT, "HAVE A NICE TIME IN THE ARMY"
375
00:19:37,205 --> 00:19:38,671
I DON'T THINK THEY DO.
376
00:19:38,704 --> 00:19:40,871
- WHAT WOULD YOU SAY - I DON'T KNOW.
377
00:19:40,905 --> 00:19:43,772
- YOU KNOW WHAT I'D SAY - WHAT
378
00:19:43,806 --> 00:19:49,604
BYE BYE, BIRDIE
379
00:19:49,638 --> 00:19:53,372
I'M GONNA MISS YOU SO
380
00:19:53,405 --> 00:19:57,871
BYE BYE, BIRDIE
381
00:19:57,905 --> 00:20:01,738
WHY'D YOU HAVE TO GO
382
00:20:01,771 --> 00:20:07,204
NO MORE SUNSHINE
383
00:20:07,237 --> 00:20:10,805
IT'S FOLLOWED YOU AWAY
384
00:20:10,838 --> 00:20:15,504
I'LL CRY, BIRDIE
385
00:20:15,537 --> 00:20:19,171
TILL YOU'RE HOME TO STAY
386
00:20:19,204 --> 00:20:21,737
I'LL MISS THE WAY YOU SMILE
387
00:20:21,770 --> 00:20:23,837
AS THOUGH IT'S JUST FOR ME
388
00:20:23,870 --> 00:20:26,203
AND EVERY SINGLE NIGHT
389
00:20:26,236 --> 00:20:30,869
I'LL WRITE YOU FAITHFULLY
390
00:20:30,903 --> 00:20:35,336
BYE BYE, BIRDIE
391
00:20:35,370 --> 00:20:39,303
IT'S AWFUL HARD TO BEAR
392
00:20:39,336 --> 00:20:44,203
BYE BYE, BIRDIE
393
00:20:44,236 --> 00:20:46,602
GUESS I'LL ALWAYS CARE
394
00:20:46,636 --> 00:20:49,269
WE'RE GONNA MISS HIM TERRIBLY
395
00:20:49,302 --> 00:20:52,170
IT'S GONNA BE REAL TOUGH
396
00:20:52,203 --> 00:20:54,602
TO EASE THE PAIN
397
00:20:54,636 --> 00:20:56,668
OF COURSE WE'VE GOT
398
00:20:56,701 --> 00:20:58,903
A LOT OF BIRDIE STUFF
399
00:20:58,936 --> 00:21:01,635
LIKE MY BIRDIE SWEATS, I WEAR THEM DAY AND NIGHT
400
00:21:01,668 --> 00:21:02,868
THEY'RE REALLY OUTTA SIGHT
401
00:21:02,902 --> 00:21:07,369
MY BIRDIE COLA COMFORTS ME AT ALL MY SODA BREAKS
402
00:21:07,402 --> 00:21:11,135
- AT EVERY BREAKFAST TIME, I MUNCH MY BIRDIE FLAKES... - ME, TOO!
403
00:21:11,169 --> 00:21:13,802
THE PLASTIC BIRDIE STATUETTES
404
00:21:13,835 --> 00:21:16,368
ARE REALLY WORKS OF ART
405
00:21:16,401 --> 00:21:20,867
I WEAR MY BIRDIE TRAINING BRA
406
00:21:20,901 --> 00:21:22,868
TO KEEP HIM NEAR MY HEART
407
00:21:22,902 --> 00:21:26,235
HERE ON MY CALENDAR I'VE MARKED THE FATEFUL DAY
408
00:21:26,269 --> 00:21:28,534
WHEN HE'LL REPORT TO UNCLE SAM
409
00:21:28,567 --> 00:21:33,201
AND BRAVELY MARCH AWAY...
410
00:21:33,234 --> 00:21:34,335
All: OHH!
411
00:21:34,369 --> 00:21:40,201
BYE BYE, BIRDIE
412
00:21:40,234 --> 00:21:44,368
THE ARMY'S GOT YOU NOW
413
00:21:44,401 --> 00:21:50,300
I'LL TRY, BIRDIE
414
00:21:50,333 --> 00:21:54,434
TO GO ON SOMEHOW
415
00:21:54,467 --> 00:21:59,133
I SIGH, BIRDIE
416
00:21:59,167 --> 00:22:02,467
EACH TIME YOU MOVE THOSE LIPS
417
00:22:02,500 --> 00:22:08,200
I DIE, BIRDIE
418
00:22:08,233 --> 00:22:10,434
WHEN YOU TWIST THOSE HIPS
419
00:22:10,467 --> 00:22:11,467
( shrieks )
420
00:22:11,500 --> 00:22:13,698
YOU REALLY TURN ME ON
421
00:22:13,732 --> 00:22:15,833
I'M LIKE A SAVAGE BEAST
422
00:22:15,866 --> 00:22:21,132
THE ARMY SHOULD MAKE YOU A GENERAL AT LEAST...
423
00:22:21,166 --> 00:22:22,332
OH, YEAH!
424
00:22:22,366 --> 00:22:27,132
BYE BYE, BIRDIE
425
00:22:27,166 --> 00:22:30,865
DO WHAT YOU HAVE TO DO
426
00:22:30,899 --> 00:22:35,531
COME BACK, BIRDIE
427
00:22:35,564 --> 00:22:40,198
I WILL WAIT FOR YOU
428
00:22:40,231 --> 00:22:47,298
WE'LL BE HERE FOR YOU.
429
00:22:47,331 --> 00:22:50,664
( sobbing )
430
00:22:58,864 --> 00:23:01,365
Man on PA: Porter to track number six.
431
00:23:01,398 --> 00:23:04,331
Porter to track number six.
432
00:23:06,164 --> 00:23:07,130
Your attention, please--
433
00:23:07,164 --> 00:23:10,830
train number 99, southeast service to Miami
434
00:23:10,863 --> 00:23:15,297
via Washington, Richmond, Norfolk, Wilmington...
435
00:23:15,330 --> 00:23:18,330
GIRLS, GATHER 'ROUND. WE HAVE TO REHEARSE THE CONRAD BIRDIE THEME SONG
436
00:23:18,364 --> 00:23:20,197
BEFORE THE REPORTERS GET HERE, ALL RIGHT
437
00:23:20,230 --> 00:23:21,530
NICE AND WIDE. ( hums )
438
00:23:21,563 --> 00:23:23,164
RIGHT ABOUT THERE. READY AND...
439
00:23:23,197 --> 00:23:25,763
WE LOVE YOU, CONRAD, OH YES, WE DO
440
00:23:25,797 --> 00:23:28,729
WE LOVE YOU, CONRAD, AND WE'LL BE TRUE
441
00:23:28,762 --> 00:23:31,164
WHEN YOU'RE NOT NEAR US, WE'RE BLUE
442
00:23:31,197 --> 00:23:34,297
- THAT'S RIGHT. - OH, CONRAD, WE LOVE YOU.
443
00:23:40,829 --> 00:23:44,196
- WHAT'S WRONG WITH YOU - I'M SAD...
444
00:23:44,229 --> 00:23:46,229
BECAUSE CONRAD BIRDIE IS GOING INTO THE ARMY.
445
00:23:46,263 --> 00:23:49,229
I'LL BE TOO OLD FOR HIM WHEN HE GETS OUT.
446
00:23:49,263 --> 00:23:53,496
I THINK YOU STILL HAVE A FEW GOOD YEARS LEFT.
447
00:23:55,262 --> 00:23:58,129
COME ON, THINGS CAN'T BE THAT BLACK.
448
00:23:58,163 --> 00:24:02,363
LITTLE GIRL, THIS IS AN ADULT SPEAKING.
449
00:24:02,396 --> 00:24:04,362
I ORDER YOU TO SMILE!
450
00:24:04,395 --> 00:24:05,595
HEH HEH!
451
00:24:05,629 --> 00:24:07,128
PLEASE
452
00:24:11,295 --> 00:24:13,395
GRAY SKIES ARE GONNA CLEAR UP
453
00:24:13,429 --> 00:24:16,861
PUT ON A HAPPY FACE
454
00:24:16,895 --> 00:24:19,861
BRUSH OFF THE CLOUDS AND CHEER UP
455
00:24:19,895 --> 00:24:22,895
PUT ON A HAPPY FACE
456
00:24:22,928 --> 00:24:26,461
TAKE OFF THE GLOOMY MASK OF TRAGEDY
457
00:24:26,494 --> 00:24:28,828
IT'S NOT YOUR STYLE
458
00:24:28,861 --> 00:24:31,561
YOU'LL LOOK SO GOOD THAT YOU'LL BE GLAD
459
00:24:31,594 --> 00:24:34,593
YOU DECIDED TO SMILE
460
00:24:34,627 --> 00:24:37,627
PICK OUT A PLEASANT OUTLOOK
461
00:24:37,660 --> 00:24:40,394
STICK OUT THAT NOBLE CHIN
462
00:24:40,428 --> 00:24:42,894
WIPE OFF THAT FULL-OF-DOUBT LOOK
463
00:24:42,927 --> 00:24:45,860
SLAP ON A HAPPY GRIN
464
00:24:45,894 --> 00:24:51,428
AND SPREAD SUNSHINE ALL OVER THE PLACE
465
00:24:51,461 --> 00:24:55,327
JUST PUT ON A HAPPY FACE
466
00:25:00,659 --> 00:25:03,692
PUT ON A HAPPY FACE
467
00:25:06,559 --> 00:25:09,493
PUT ON A HAPPY FACE
468
00:25:09,526 --> 00:25:12,626
AND IF YOU'RE FEELING CROSS AND BICKERISH
469
00:25:12,659 --> 00:25:15,292
DON'T SIT AND WHINE
470
00:25:15,325 --> 00:25:18,325
THINK OF BANANA SPLITS AND LICORICE
471
00:25:18,359 --> 00:25:21,160
AND YOU'LL FEEL FINE
472
00:25:21,193 --> 00:25:23,558
I KNEW A GIRL SO GLOOMY
473
00:25:23,591 --> 00:25:25,893
SHE'D NEVER LAUGH OR SING...
474
00:25:25,925 --> 00:25:27,125
( laughs )
475
00:25:27,159 --> 00:25:29,725
SHE WOULDN'T LISTEN TO ME
476
00:25:29,758 --> 00:25:32,125
NOW SHE'S A MEAN OLD THING
477
00:25:32,159 --> 00:25:38,225
SO SPREAD SUNSHINE ALL OVER THE PLACE
478
00:25:38,259 --> 00:25:42,425
JUST PUT ON A HAPPY FACE.
479
00:27:45,154 --> 00:27:47,320
( applause )
480
00:28:16,219 --> 00:28:18,585
Man on PA: Your attention, please.
481
00:28:18,619 --> 00:28:21,785
train number 463...
482
00:28:21,818 --> 00:28:23,286
ROSIE!
483
00:28:23,319 --> 00:28:24,751
WHAT ARE YOU DOING
484
00:28:24,785 --> 00:28:26,886
CARRYING OUR LUGGAGE WITH NO HELP FROM YOU, ALBERT.
485
00:28:26,919 --> 00:28:30,185
I DON'T SUPPOSE A GENEROUS TIP WOULD HELP
486
00:28:30,218 --> 00:28:33,252
WE'VE GOT TO GET TO THOSE REPORTERS BEFORE THEY GET TO CONRAD.
487
00:28:33,285 --> 00:28:35,785
- WAIT, I CAN'T GO. - WHY NOT
488
00:28:35,818 --> 00:28:37,352
I HAVE TO WAIT FOR MOMMA.
489
00:28:37,385 --> 00:28:39,517
YOU HAVEN'T TOLD HER ABOUT DISSOLVING ALMAELOU YET
490
00:28:39,550 --> 00:28:41,218
I COULDN'T, ROSE.
491
00:28:41,252 --> 00:28:42,252
YESTERDAY WAS THE ANNIVERSARY.
492
00:28:42,285 --> 00:28:43,884
- OF WHAT - LOU.
493
00:28:43,917 --> 00:28:47,550
SIX YEARS AGO, HE WAS HIT ON 181st STREET AND BROADWAY
494
00:28:47,583 --> 00:28:48,818
BY A LOADED BEER TRUCK.
495
00:28:48,851 --> 00:28:51,217
Woman: YOO-HOO!
496
00:28:51,251 --> 00:28:53,318
GEE, YOU SUPPOSE THAT COULD BE MOMMA
497
00:28:53,352 --> 00:28:56,184
- IT'S EITHER HER OR THE ALL CLEAR. - SONNY BOY!
498
00:28:56,217 --> 00:28:57,551
MOMMA! OH!
499
00:28:59,251 --> 00:29:00,884
MOMMA, WHAT'S THE MATTER
500
00:29:00,917 --> 00:29:02,617
DON'T WORRY ABOUT ME, SONNY BOY.
501
00:29:02,650 --> 00:29:04,750
I'M JUST A LITTLE FAINT FROM THE SUBWAY.
502
00:29:04,784 --> 00:29:07,351
MOMMA, I TOLD YOU TO TAKE A TAXI.
503
00:29:07,384 --> 00:29:09,384
TAXIS. WHAT DO I NEED WITH TAXIS
504
00:29:09,418 --> 00:29:11,384
I'LL LEAVE THE TAXIS FOR MY SUCCESSFUL SON.
505
00:29:11,418 --> 00:29:14,849
A MOTHER CAN RIDE CROWDED IN A DIRTY SUBWAY FULL OF FOREIGN PEOPLE
506
00:29:14,883 --> 00:29:17,849
WHO WOULDN'T GIVE YOU A SEAT IF YOUR LIFE DEPENDED ON IT.
507
00:29:17,883 --> 00:29:18,849
BUT WHAT'S THE DIFFERENCE
508
00:29:18,883 --> 00:29:22,316
NOWADAYS, A MOTHER IS LOWER THAT DIRT ANYWAY.
509
00:29:22,350 --> 00:29:24,750
SO HERE'S THE MONEY THAT I SAVED
510
00:29:24,784 --> 00:29:26,316
FROM NOT TAKING THE TAXI.
511
00:29:26,350 --> 00:29:28,583
BUY SOME CANDY WITH IT.
512
00:29:28,617 --> 00:29:29,883
WHO IS SHE
513
00:29:29,916 --> 00:29:32,516
MOMMA, YOU REMEMBER ROSE ALVAREZ FROM THE OFFICE
514
00:29:32,549 --> 00:29:35,283
THIS IS ROSE ALVAREZ
515
00:29:35,316 --> 00:29:38,549
PRETTY LITTLE ROSE ALVAREZ I CAN'T BELIEVE IT!
516
00:29:38,582 --> 00:29:40,215
ROSE, WHAT HAPPENED
517
00:29:40,249 --> 00:29:42,150
YOU HAD A SUDDEN SHOCK OR SOMETHING
518
00:29:42,183 --> 00:29:43,383
�����.
519
00:29:43,417 --> 00:29:46,182
���� ����, ���� ���, ��� ��� ��� �����.
520
00:29:46,216 --> 00:29:48,681
IT'S A WONDER SOME OLDER MAN DOESN'T SNATCH HER OFF.
521
00:29:48,715 --> 00:29:51,815
WHAT A CATCH YOU'D BE FOR A CONVALESCENT.
522
00:29:51,848 --> 00:29:54,515
- GOODBYE, ROSE. - GOODBYE, MAE.
523
00:29:54,548 --> 00:29:56,482
����� �� �� �������.
524
00:29:56,515 --> 00:29:59,148
�����!
525
00:30:00,449 --> 00:30:03,415
MOMMA, WHAT I WANTED TO TALK TO YOU ABOUT
526
00:30:03,448 --> 00:30:05,782
ACTUALLY INVOLVES ROSE.
527
00:30:05,815 --> 00:30:08,114
( clears throat ) MAYBE YOU SHOULD SIT DOWN, MOMMA.
528
00:30:08,148 --> 00:30:11,814
WHY I KNOW MY SONNY BOY. HE LOVES HIS MOMMA.
529
00:30:11,847 --> 00:30:14,514
HE ISN'T GOING TO SAY ANYTHING THAT'D BREAK HER HEART.
530
00:30:14,547 --> 00:30:17,114
GO AHEAD, DEAR. WHAT ABOUT, UH...
531
00:30:17,148 --> 00:30:18,415
- ROSE. - ROSE
532
00:30:18,448 --> 00:30:20,847
- IT'S ABOUT LOU, TOO. - LOU!
533
00:30:20,881 --> 00:30:22,148
LOU!
534
00:30:23,580 --> 00:30:25,248
WHERE ARE YOU, LOU
535
00:30:25,281 --> 00:30:27,214
STRUCK DOWN BY A BEVERAGE
536
00:30:27,248 --> 00:30:29,415
I CONSUMED FAITHFULLY FOR 32 YEARS.
537
00:30:29,448 --> 00:30:31,181
WHAT ABOUT LOU
538
00:30:31,214 --> 00:30:33,181
WELL, MOMMA...
539
00:30:33,214 --> 00:30:36,181
ROSE FEELS, AND I AGREE,
540
00:30:36,214 --> 00:30:39,380
THAT MAYBE I SHOULD GIVE UP ALMAELOU.
541
00:30:39,415 --> 00:30:40,714
- OH! - WHAT'S THE MATTER, MOMMA
542
00:30:40,747 --> 00:30:43,113
NOTHING IS THE MATTER. YOU KILLED ME, THAT'S ALL.
543
00:30:43,147 --> 00:30:45,646
LOU, I'M COMING! I'M ON MY WAY UP!
544
00:30:45,679 --> 00:30:46,679
MOMMA, YOU DON'T UNDERSTAND.
545
00:30:46,713 --> 00:30:48,846
IT'S JUST ROSE-- NEVER MIND.
546
00:30:48,880 --> 00:30:50,746
TAKE THE MONEY AND TAKE A TAXI.
547
00:30:50,780 --> 00:30:52,147
THE SUBWAY IS TOO CROWDED!
548
00:30:52,180 --> 00:30:53,880
NOTHING IS TOO CROWDED FOR A MOTHER.
549
00:30:53,913 --> 00:30:56,612
I'LL GO DURING THE RUSH HOUR. THAT'S THE WORST TIME.
550
00:30:56,645 --> 00:30:58,880
WAIT A MINUTE. HOW MANY BLOCKS IS IT
551
00:30:58,913 --> 00:31:01,279
ONLY 107 I'LL WALK.
552
00:31:02,347 --> 00:31:05,146
ENJOY YOURSELF, SON. TAKE CARE.
553
00:31:05,179 --> 00:31:07,113
WEAR YOUR HEAVY COAT.
554
00:31:07,147 --> 00:31:08,512
BE CAREFUL CROSSING THE STREET.
555
00:31:08,545 --> 00:31:10,646
KEEP YOUR MONEY IN YOUR INSIDE POCKET.
556
00:31:10,679 --> 00:31:13,779
AND, UH, WEAR YOUR RUBBERS.
557
00:31:15,279 --> 00:31:17,179
AND, UH...
558
00:31:18,413 --> 00:31:20,812
EAT A HOT LUNCH.
559
00:31:22,711 --> 00:31:24,146
Girl: HE'S HERE! HE'S HERE!
560
00:31:24,179 --> 00:31:26,878
����� ����� ���!
562
00:31:31,145 --> 00:31:33,146
Man on PA: Your attention, please.
563
00:31:33,179 --> 00:31:37,146
Announcing the departure of train number 314,
564
00:31:37,179 --> 00:31:39,311
express deluxe service
565
00:31:39,345 --> 00:31:43,278
to Scranton, Pittsburgh, Wheeling, Columbus,
566
00:31:43,311 --> 00:31:45,378
with connections to Zanesville,
567
00:31:45,411 --> 00:31:48,345
Sweet Apple and Moundsville,
568
00:31:48,378 --> 00:31:51,345
now departing, track number five.
569
00:31:51,378 --> 00:31:53,277
All aboard!
570
00:31:53,310 --> 00:31:55,511
HOW ABOUT ANSWERING A COUPLE OF QUESTIONS, CONRAD
571
00:31:55,544 --> 00:31:58,411
- SURE. - HOW DO YOU FEEL ABOUT GOING INTO THE ARMY
572
00:31:58,444 --> 00:32:01,444
HOW DOES HE FEEL YOU ASK HOW HE FEELS.
573
00:32:01,477 --> 00:32:03,210
HE'S MUCH TOO SHY TO TELL YOU,
574
00:32:03,244 --> 00:32:04,843
SO I'LL TELL YOU HOW HE FEELS.
575
00:32:04,877 --> 00:32:07,144
HE FEELS BRAVE AND EAGER
576
00:32:07,177 --> 00:32:08,610
STRANGELY HUMBLE
577
00:32:08,643 --> 00:32:10,877
PROUD TO BE A PLAIN G.I.
578
00:32:10,910 --> 00:32:14,110
HE WOULD GLADLY FACE THOSE BULLETS
579
00:32:14,144 --> 00:32:16,276
FOR HE'S NOT AFRAID TO DIE
580
00:32:16,309 --> 00:32:20,542
FOR HE'S A FINE, UPSTANDING, PATRIOTIC
581
00:32:20,575 --> 00:32:23,542
HEALTHY, NORMAL AMERICAN BOY...
582
00:32:23,575 --> 00:32:25,877
AND THAT'S WHY HE VOLUNTEERED.
583
00:32:25,910 --> 00:32:27,742
VOLUNTEERED I THOUGHT HE WAS DRAFTED.
584
00:32:27,776 --> 00:32:29,376
AND HE APPEALED THREE TIMES!
585
00:32:29,410 --> 00:32:33,776
- SING. - WE LOVE YOU, CONRAD, OH YES, WE DO
586
00:32:33,809 --> 00:32:37,343
WE LOVE YOU, CONRAD, AND WE'LL BE TRUE
587
00:32:37,376 --> 00:32:41,109
WHEN YOU'RE NOT NEAR US, WE'RE BLUE
588
00:32:41,143 --> 00:32:44,476
OH, CONRAD, WE LOVE YOU...
589
00:32:44,509 --> 00:32:48,209
- VERY NICE. - WHAT'S THE PICTURE ON YOU AND THAT HOLLYWOOD
590
00:32:48,243 --> 00:32:51,275
- ARE YOU TWO ENGAGED - IS HE ENGAGED
591
00:32:51,308 --> 00:32:52,876
IS CONRAD ENGAGED
592
00:32:52,909 --> 00:32:56,108
THERE'S ABSOLUTELY NOTHING TO THE RUMOR HE'S ENGAGED.
593
00:32:56,142 --> 00:32:59,275
SHE'S A REAL PAL, LIKE A SISTER
594
00:32:59,308 --> 00:33:02,375
BUT IT DOESN'T MEAN A THING
595
00:33:02,409 --> 00:33:05,441
AND THAT 18-CARAT DIAMOND
596
00:33:05,474 --> 00:33:07,841
IT WAS JUST A FRIENDSHIP RING
597
00:33:07,875 --> 00:33:12,774
FOR HE'S A FINE, UPSTANDING, PATRIOTIC
598
00:33:12,807 --> 00:33:16,242
HEALTHY, NORMAL AMERICAN BOY...
599
00:33:16,275 --> 00:33:18,107
THEN WHY WAS HER HUSBAND SO MAD
600
00:33:18,141 --> 00:33:20,707
- SING! - WE LOVE YOU, CONRAD
601
00:33:20,740 --> 00:33:22,774
- OKAY, OKAY. - OH YES, WE DO
602
00:33:22,807 --> 00:33:25,374
WE LOVE YOU, CONRAD, AND WE'LL BE TRUE...
603
00:33:25,408 --> 00:33:27,174
I'LL NEVER FORGET CONRAD'S FIRST WORDS
604
00:33:27,207 --> 00:33:29,374
WHEN HE HEARD HE'D BEEN ACCEPTED BY THE ARMED FORCES.
605
00:33:29,408 --> 00:33:31,141
"GEE, MR. PETERSON," HE CRIED EAGERLY,
606
00:33:31,174 --> 00:33:33,540
"YOU THINK THEY'LL ASSIGN ME TO ONE OF THOSE TRENCHES
607
00:33:33,573 --> 00:33:36,673
THAT WAY I'M SURE TO GET MY HANDS ON OF THEM DIRTY JERRIES!"
608
00:33:36,707 --> 00:33:38,774
- ALBERT. - OR WHOEVER'S DIRTY THIS TIME.
609
00:33:38,807 --> 00:33:42,807
IS IT TRUE YOU FOUND CONRAD IN A REFORM SCHOOL
610
00:33:42,840 --> 00:33:45,874
Together: THAT IS A LIE, A LIE THROUGH AND THROUGH
611
00:33:45,907 --> 00:33:48,240
I'LL TELL YOU WHERE HE CAME FROM
612
00:33:48,273 --> 00:33:50,141
HERE'S THE STORY, AND IT'S TRUE
613
00:33:50,174 --> 00:33:52,539
HE WAS BORN IN INDOCHINA
614
00:33:52,572 --> 00:33:54,340
HE WAS BORN IN OLD VIRGINNY
615
00:33:54,373 --> 00:33:57,773
- SON OF MISSIONARIES THERE - ON A 1000-ACRE FARM
616
00:33:57,806 --> 00:33:59,773
VERY POOR AND VERY HUNGRY
617
00:33:59,806 --> 00:34:02,139
FROM A LINE OF WEALTHY PLANTERS
618
00:34:02,172 --> 00:34:05,639
- WHAT A CRUEL LIFE TO BEAR - FULL OF GENTEEL SOUTHERN CHARM
619
00:34:05,672 --> 00:34:07,839
THEN HE DRIFTED DOWN TO HONG KONG
620
00:34:07,873 --> 00:34:10,638
- EVERY EVENING BY THE RIVER - TO A WATERFRONT SALOON
621
00:34:10,671 --> 00:34:12,639
IN THE MOONLIGHT THEY WOULD CROON
622
00:34:12,672 --> 00:34:14,872
THAT IS WHERE WE HEARD HIM SINGING
623
00:34:14,905 --> 00:34:16,305
THAT'S WHERE CONRAD STARTED SINGING
624
00:34:16,339 --> 00:34:18,272
'NEATH THAT DIRTY HONG KONG MOON
625
00:34:18,305 --> 00:34:19,838
'NEATH THAT OLD PLANTATION MOON
626
00:34:19,872 --> 00:34:23,872
Girls: WE LOVE YOU, CONRAD, OH YES, WE DO...
627
00:34:23,905 --> 00:34:26,439
Albert and Rosie: OH, BEAUTIFUL, FOR SPACIOUS SKIES
628
00:34:26,472 --> 00:34:30,172
FOR AMBER WAVES OF GRAIN
629
00:34:30,205 --> 00:34:33,570
AMERICA, AMERICA...
630
00:34:33,604 --> 00:34:36,670
WE LOVE YOU, CONRAD, WE'LL BE TRUE
631
00:34:36,704 --> 00:34:41,537
FOR HE'S A FINE, UPSTANDING, AVERAGE, MODEST
632
00:34:41,570 --> 00:34:45,204
PATRIOTIC, HEALTHY, NORMAL
633
00:34:45,238 --> 00:34:46,837
AMERICAN
634
00:34:46,871 --> 00:34:55,138
AMERICAN BOY.
635
00:34:55,170 --> 00:34:57,304
( screaming and cheering )
636
00:34:57,338 --> 00:34:58,804
( marching band playing )
637
00:35:07,137 --> 00:35:09,437
SHH! SHH!
638
00:35:09,470 --> 00:35:11,137
( music stops )
639
00:35:11,170 --> 00:35:12,503
( panting )
640
00:35:12,536 --> 00:35:15,137
CONRAD BIRDIE, WELCOME TO SWEET APPLE.
641
00:35:15,170 --> 00:35:18,169
BEFORE WE ESCORT YOU TO THE TOWN HALL,
642
00:35:18,202 --> 00:35:19,770
WHERE THE MAYOR HIMSELF IS WAITING,
643
00:35:19,803 --> 00:35:22,136
I WOULD FIRST LIKE TO INTRODUCE YOU
644
00:35:22,169 --> 00:35:23,870
TO THE GIRL UPON WHOM YOU HAVE CHOSEN
645
00:35:23,903 --> 00:35:26,403
TO BESTOW YOUR FINAL KISS UPON,
646
00:35:26,436 --> 00:35:27,736
AND WHO WILL NOW LEAD US
647
00:35:27,770 --> 00:35:31,236
IN THE RECITING OF THE CONRAD BIRDIE PLEDGE--
648
00:35:31,269 --> 00:35:32,370
KIM MacAFEE!
649
00:35:32,404 --> 00:35:34,835
( cheering )
650
00:35:38,835 --> 00:35:39,869
I...
651
00:35:39,902 --> 00:35:41,869
KIM MacAFEE,
652
00:35:41,902 --> 00:35:44,136
BEING OF SOUND MIND AND BODY,
653
00:35:44,169 --> 00:35:46,236
DO HEREBY PROMISE
654
00:35:46,269 --> 00:35:50,336
TO BE LOYAL, COURTEOUS, STEADFAST AND TRUE
655
00:35:50,369 --> 00:35:52,868
TO CONRAD BIRDIE
656
00:35:52,901 --> 00:35:55,336
AND THE UNITED STATES OF AMERICA,
657
00:35:55,369 --> 00:35:57,402
BOTH INDIVISIBLE,
658
00:35:57,435 --> 00:36:01,501
WITH LIBERTY AND JUSTICE FOR ALL!
659
00:36:01,534 --> 00:36:04,068
( marching band playing )
660
00:36:19,867 --> 00:36:21,768
ROSIE, I'M GOING TO GO WITH CONRAD.
661
00:36:21,801 --> 00:36:23,800
YOU STAY HERE AND WATCH THE BAGS.
662
00:36:23,833 --> 00:36:27,533
I'LL SEND A TAXI AS SOON AS I CAN-- IF I CAN FIND ONE.
663
00:36:28,566 --> 00:36:30,434
Kim: I CAN'T BELIEVE IT!
664
00:36:30,467 --> 00:36:33,067
( girls giggling )
665
00:36:39,167 --> 00:36:41,367
- OKAY. - OKAY, COME ON.
666
00:36:41,400 --> 00:36:43,733
KIM, BEFORE YOU GO, CAN I TALK TO YOU
667
00:36:43,767 --> 00:36:45,565
RIGHT NOW COULDN'T IT WAIT
668
00:36:45,599 --> 00:36:48,300
- WE'RE IN A HURRY. - I DON'T THINK SO, KIM. IT'S IMPORTANT.
669
00:36:48,334 --> 00:36:50,133
HUGO PEABODY, WHAT'S SO IMPORTANT
670
00:36:50,166 --> 00:36:52,267
THAT YOU HAVE TO TALK TO KIM NOW
671
00:36:52,300 --> 00:36:56,134
WHAT'S SO IMPORTANT! I'LL TELL YOU WHAT'S SO IMPORTANT!
672
00:36:56,167 --> 00:36:58,166
THE DAY AFTER I GIVE HER MY PIN,
673
00:36:58,199 --> 00:36:59,665
SHE GOES KISSING SOMEONE ELSE!
674
00:36:59,699 --> 00:37:02,732
I WANT YOU TO KNOW I'M QUITE UPSET ABOUT THIS.
675
00:37:02,766 --> 00:37:05,166
I'VE HAD SEVERAL HEADACHES AND A NOSEBLEED.
676
00:37:05,199 --> 00:37:08,332
WHY, YOU'RE ACTUALLY JEALOUS OF CONRAD BIRDIE.
677
00:37:08,365 --> 00:37:10,099
ME JEALOUS
678
00:37:10,133 --> 00:37:11,865
I'M THE OPPOSITE OF JEALOUS.
679
00:37:11,898 --> 00:37:13,664
I'M VERY JEALOUS,
680
00:37:13,698 --> 00:37:15,631
AND I HAVE EVERY RIGHT TO BE!
681
00:37:15,664 --> 00:37:17,165
KIM'S MY STEADY.
682
00:37:17,198 --> 00:37:20,465
THAT'S JUST IT, HUGO. I'M YOUR STEADY.
683
00:37:20,498 --> 00:37:22,832
I MEAN, I MAY ADMIRE CONRAD BIRDIE
684
00:37:22,866 --> 00:37:26,798
AS ONE ADMIRES A FAR DISTANT UNATTAINABLE IDEAL,
685
00:37:26,831 --> 00:37:29,498
BUT I'M PINNED TO YOU, HUGO,
686
00:37:29,531 --> 00:37:32,332
AND I DON'T CARE HOW COMMON AND ORDINARY YOU ARE.
687
00:37:32,365 --> 00:37:34,132
THAT'S HOW I'M GOING TO STAY.
688
00:37:34,165 --> 00:37:36,798
YOU'RE NOT JUST SAYING THAT TO MAKE ME FEEL BETTER
689
00:37:36,831 --> 00:37:39,197
OH, HUGO, NO.
690
00:37:39,231 --> 00:37:41,165
I MEAN EVERY WORD OF IT.
691
00:37:41,198 --> 00:37:44,865
CONRAD BIRDIE IS JUST A FLING.
692
00:37:44,898 --> 00:37:47,431
A STEADY IS FOREVER.
693
00:37:47,464 --> 00:37:52,663
ONE BOY, ONE SPECIAL BOY
694
00:37:52,697 --> 00:37:57,164
ONE BOY TO GO WITH, TO TALK WITH AND WALK WITH
695
00:37:57,197 --> 00:38:00,364
ONE BOY
696
00:38:00,398 --> 00:38:05,496
THAT'S THE WAY IT SHOULD BE
697
00:38:07,131 --> 00:38:11,797
ONE BOY, ONE CERTAIN BOY
698
00:38:11,830 --> 00:38:16,629
ONE BOY TO LAUGH WITH, TO JOKE WITH, HAVE COKE WITH
699
00:38:16,662 --> 00:38:19,829
ONE BOY
700
00:38:19,863 --> 00:38:26,163
NOT TWO OR THREE
701
00:38:26,196 --> 00:38:31,595
ONE DAY, YOU'LL FIND OUT
702
00:38:31,628 --> 00:38:36,162
THIS IS WHAT LIFE IS ALL ABOUT
703
00:38:36,195 --> 00:38:41,195
YOU NEED SOMEONE WHO
704
00:38:41,229 --> 00:38:46,595
IS LIVING JUST FOR YOU
705
00:38:46,628 --> 00:38:51,294
ONE BOY, ONE STEADY BOY
706
00:38:51,328 --> 00:38:56,528
ONE BOY TO BE WITH FOREVER AND EVER
707
00:38:56,561 --> 00:38:59,461
ONE BOY
708
00:38:59,494 --> 00:39:03,694
THAT'S THE WAY IT SHOULD BE
709
00:39:03,727 --> 00:39:08,061
THAT'S THE WAY IT SHOULD BE...
710
00:39:09,129 --> 00:39:12,694
OH, KIM, I FEEL SO MUCH BETTER NOW.
711
00:39:12,727 --> 00:39:15,128
ALL THOUGHTS OF A NOSEBLEED HAVE UTTERLY VANISHED.
712
00:39:15,161 --> 00:39:17,427
YOU WERE SILLY TO WORRY, HUGO.
713
00:39:17,460 --> 00:39:21,193
CONRAD BIRDIE MAY BE A GREAT PUBLIC FIGURE,
714
00:39:21,227 --> 00:39:24,626
BUT HE DOESN'T MAKE ME FEEL ALL FAINT AND DIZZY
715
00:39:24,659 --> 00:39:26,160
WHEN I THINK OF HIM.
716
00:39:26,193 --> 00:39:28,261
ONLY MY STEADY DOES THAT.
717
00:39:28,294 --> 00:39:32,360
WHY, EVEN WHEN I SAY HIS NAME, I DON'T FEEL A THING. LISTEN--
718
00:39:32,394 --> 00:39:35,060
CONRAD BIRDIE.
719
00:39:36,559 --> 00:39:38,327
CONRAD BIRDIE.
720
00:39:38,360 --> 00:39:40,593
CONRAD...
721
00:39:41,760 --> 00:39:43,060
BIRDIE.
722
00:39:45,460 --> 00:39:49,860
ONE BOY, ONE STEADY BOY
723
00:39:49,893 --> 00:39:55,092
ONE BOY TO BE WITH FOREVER AND EVER
724
00:39:55,126 --> 00:39:58,093
ONE BOY
725
00:39:58,127 --> 00:40:02,460
THAT'S THE WAY IT SHOULD BE
726
00:40:02,493 --> 00:40:07,326
THAT'S THE WAY IT SHOULD BE
727
00:40:07,359 --> 00:40:13,359
THAT'S THE WAY IT SHOULD BE.
728
00:40:33,891 --> 00:40:37,057
OH, ALBERT, YOU'RE DRIVING ME CRAZY.
729
00:40:41,157 --> 00:40:45,124
CAN'T SHAKE THAT DREAM OF YOU AND ME
730
00:40:45,157 --> 00:40:47,691
IN SOME LITTLE TOWN
731
00:40:47,724 --> 00:40:50,823
IF YOU'D SHAPE UP
732
00:40:50,857 --> 00:40:55,224
WE'D SETTLE DOWN
733
00:40:55,257 --> 00:41:00,491
LEAVE THE MESS AND THE STRESS OF BIG-CITY LIVING
734
00:41:00,523 --> 00:41:03,090
TRADE THAT GRABBING AND SHOVING
735
00:41:03,124 --> 00:41:05,857
FOR LOVING AND GIVING
736
00:41:05,890 --> 00:41:08,689
I'M TIRED OF YOUR TALKING
737
00:41:08,722 --> 00:41:13,457
I WANT IT NOW
738
00:41:13,491 --> 00:41:17,256
THAT HOUSE AND YARD WITH ONLY BIRDS
739
00:41:17,289 --> 00:41:19,856
BRINGING SONGS AROUND
740
00:41:19,889 --> 00:41:22,822
DON'T BE AFRAID
741
00:41:22,856 --> 00:41:25,423
TO SETTLE DOWN
742
00:41:25,456 --> 00:41:27,289
THAT GREEN STUFF'S GRASS
743
00:41:27,323 --> 00:41:30,255
AND THAT SMELL EVERYWHERE
744
00:41:30,288 --> 00:41:32,490
KNOW WHAT THAT IS
745
00:41:32,522 --> 00:41:41,089
FRESH AIR
746
00:41:41,123 --> 00:41:44,390
THE YEARS ARE GOING BY SO FAST
747
00:41:44,423 --> 00:41:50,122
HEY, IT'S TIME WE FOUND SOME PEACE OF MIND
748
00:41:50,155 --> 00:41:54,255
OUR PIECE OF GROUND
749
00:41:54,288 --> 00:42:00,520
LET'S SETTLE DOWN.
750
00:42:15,121 --> 00:42:18,488
- ( marching band playing ) - ( screaming and cheering )
751
00:42:24,587 --> 00:42:27,153
Woman: NOW BE CAREFUL, GIRLS!
752
00:42:32,453 --> 00:42:34,753
IT GIVES ME GREAT PLEASURE TO PRESENT TO YOU
753
00:42:34,786 --> 00:42:37,620
THIS GENUINE, 14-KARAT SOLID GOLD KEY
754
00:42:37,653 --> 00:42:39,753
SO GENEROUSLY DONATED BY THE MEN
755
00:42:39,786 --> 00:42:41,487
AT THE SWEET APPLE BRASS WORKS.
756
00:42:41,519 --> 00:42:44,652
AS I PRESENT THIS KEY TO YOU, CONRAD BIRDIE--
757
00:42:44,686 --> 00:42:46,152
- ( girl shrieks ) - HE SAID IT!
758
00:42:46,185 --> 00:42:48,853
HE SAID THE NAME!
759
00:42:48,886 --> 00:42:50,419
( screaming )
760
00:42:50,452 --> 00:42:53,186
WHAT HAPPENED ALL I SAID WAS "CONRAD BIRDIE."
761
00:42:53,220 --> 00:42:55,120
( screaming )
762
00:42:56,586 --> 00:42:59,452
IF YOU GIRLS DON'T STOP, I CAN'T FINISH MY SPEECH.
763
00:42:59,486 --> 00:43:01,585
WHO CARES ABOUT YOUR SPEECH
764
00:43:01,618 --> 00:43:04,220
WE WANT TO HEAR FROM CONRAD!
765
00:43:05,518 --> 00:43:08,352
SPEAK TO US, O BEAUTIFUL ONE!
766
00:43:08,386 --> 00:43:10,486
TELL US HOW YOU MAKE THAT WONDROUS SOUND
767
00:43:10,518 --> 00:43:13,419
THAT EVEN NOW, IN ANTICIPATION OF IT,
768
00:43:13,452 --> 00:43:16,118
HAS REDUCED ME TO A SNARLING, RAGING,
769
00:43:16,151 --> 00:43:18,752
PANTING JUNGLE BEAST!
770
00:43:22,651 --> 00:43:24,151
( guitar playing )
771
00:43:24,184 --> 00:43:28,851
YOU GOTTA BE SINCERE...
772
00:43:28,884 --> 00:43:31,185
- OHH... - EDNA, WHAT'S THE MATTER
773
00:43:31,219 --> 00:43:36,851
YOU GOTTA BE SINCERE
774
00:43:36,884 --> 00:43:39,150
YOU GOTTA FEEL IT HERE
775
00:43:39,183 --> 00:43:42,084
'CAUSE IF YOU FEEL IT HERE
776
00:43:42,118 --> 00:43:44,684
WELL, THEN, YOU'RE GONNA BE
777
00:43:44,717 --> 00:43:46,450
HONESTLY
778
00:43:46,484 --> 00:43:48,217
SINCERE
779
00:43:52,583 --> 00:43:56,183
IF WHAT YOU FEEL IS TRUE
780
00:43:56,217 --> 00:43:57,684
REALLY FEEL IT
781
00:43:57,717 --> 00:44:01,083
YOU MAKE THEM FEEL IT, TOO
782
00:44:01,117 --> 00:44:02,816
WRITE THIS DOWN NOW
783
00:44:02,850 --> 00:44:05,582
YOU GOTTA BE SINCERE
784
00:44:05,615 --> 00:44:08,350
HONESTLY SINCERE
785
00:44:08,384 --> 00:44:11,317
MAN, YOU GOTTA BE
786
00:44:11,350 --> 00:44:18,082
SINCERE
787
00:44:18,116 --> 00:44:20,417
IF YOU'RE REALLY SINCERE
788
00:44:20,450 --> 00:44:22,449
IF YOU'RE REALLY SINCERE
789
00:44:22,483 --> 00:44:24,782
IF YOU FEEL IT IN HERE
790
00:44:24,815 --> 00:44:28,116
THEN IT'S GOTTA BE RIGHT, OH, BABY!
791
00:44:28,149 --> 00:44:30,082
OH, HONEY!
792
00:44:30,116 --> 00:44:32,215
HUG ME
793
00:44:32,248 --> 00:44:34,349
SUFFER
794
00:44:39,483 --> 00:44:43,149
IN EVERYTHING I DO
795
00:44:43,182 --> 00:44:47,448
MY SINCERITY SHOWS THROUGH
796
00:44:47,482 --> 00:44:50,548
I LOOK YOU IN THE EYE
797
00:44:50,582 --> 00:44:53,748
DON'T EVEN HAVE TO TRY, IT'S AUTOMATIC
798
00:44:53,781 --> 00:44:57,848
- I'M SINCERE - OH! OH!
799
00:44:57,881 --> 00:45:02,315
WHEN I SING ABOUT A TREE
800
00:45:02,347 --> 00:45:06,513
I REALLY FEEL THAT TREE
801
00:45:06,546 --> 00:45:09,614
WHEN I SING ABOUT A GIRL
802
00:45:09,647 --> 00:45:11,513
OH, I REALLY FEEL THAT GIRL
803
00:45:11,546 --> 00:45:14,847
OH, I MEAN, I REALLY FEEL
804
00:45:14,880 --> 00:45:21,114
SINCERE
805
00:45:22,147 --> 00:45:23,546
IF YOU'RE REALLY SINCERE
806
00:45:23,580 --> 00:45:25,712
IF YOU'RE REALLY SINCERE
807
00:45:25,746 --> 00:45:27,847
IF YOU FEEL IT IN HERE
808
00:45:27,880 --> 00:45:29,579
THEN IT'S GOTTA BE RIGHT
809
00:45:29,612 --> 00:45:31,214
OH, BABY!
810
00:45:31,247 --> 00:45:33,313
OH, HONEY!
811
00:45:33,346 --> 00:45:35,314
HUG ME
812
00:45:35,347 --> 00:45:36,612
SUFFER
813
00:45:41,846 --> 00:45:45,612
YOU GOTTA BE SINCERE, OH, OH
814
00:45:45,645 --> 00:45:48,712
OH, MAN, YOU GOTTA FEEL IT HERE
815
00:45:48,746 --> 00:45:50,246
OH, MY BABY
816
00:45:50,279 --> 00:45:52,379
WHOA, MY BABY
817
00:45:52,413 --> 00:45:54,380
OH, YEAH
818
00:45:54,413 --> 00:45:56,578
OH, MY BABY
819
00:45:56,611 --> 00:45:58,079
WHOA, YEAH
820
00:46:05,511 --> 00:46:07,312
WELL, YOU GONNA BE SINCERE
821
00:46:07,345 --> 00:46:09,178
WELL, YOU GONNA BE SINCERE
822
00:46:09,212 --> 00:46:09,978
YEAH!
823
00:46:10,011 --> 00:46:12,078
WELL, YOU GONNA BE SINCERE
824
00:46:12,112 --> 00:46:14,112
- YOU GONNA BE SINCERE - YEAH!
825
00:46:14,145 --> 00:46:15,445
WELL, YOU GONNA BE SINCERE
826
00:46:15,479 --> 00:46:17,078
YOU GONNA BE SINCERE
827
00:46:17,112 --> 00:46:18,344
YEAH!
828
00:46:18,378 --> 00:46:20,145
OH, MY BABY
829
00:46:20,178 --> 00:46:22,177
OH, YEAH
830
00:46:22,211 --> 00:46:24,112
OH, MY BABY
831
00:46:24,145 --> 00:46:26,077
OH, YEAH
832
00:46:26,111 --> 00:46:27,543
WELL, YOU'RE GONNA BE SINCERE
833
00:46:27,577 --> 00:46:29,178
YEAH, YOU'RE GONNA BE SINCERE
834
00:46:29,212 --> 00:46:30,844
OH, MY BABY
835
00:46:30,877 --> 00:46:33,112
OH, YEAH
836
00:46:33,145 --> 00:46:35,077
OH, MY BABY
837
00:46:35,111 --> 00:46:36,745
OH, YEAH
838
00:46:36,778 --> 00:46:38,577
OH, MY BABY
839
00:46:38,610 --> 00:46:41,143
OH, YEAH
840
00:46:41,177 --> 00:46:43,111
OH, MY BABY...
841
00:46:43,144 --> 00:46:45,076
AAH!
842
00:46:47,577 --> 00:46:49,809
THANK YOU. THANK YOU VERY MUCH.
843
00:46:49,843 --> 00:46:52,077
OHHH
844
00:46:52,111 --> 00:46:57,642
YEAH, YEAH, YEAH.
845
00:46:58,676 --> 00:47:00,143
OHH...
846
00:47:00,176 --> 00:47:02,110
WHOO!
847
00:47:05,176 --> 00:47:07,675
( car doors shut )
848
00:47:09,243 --> 00:47:11,210
( faint voices approaching )
849
00:47:14,843 --> 00:47:18,243
IT IS SUCH AN HONOR TO HAVE YOU IN OUR HOME, MR. BIRDIE.
850
00:47:18,276 --> 00:47:22,076
CONRAD, LET ME SHOW YOU UP TO YOUR ROOM.
851
00:47:22,110 --> 00:47:24,442
HARRY WILL BE UP WITH YOUR LUGGAGE SHORTLY.
852
00:47:24,476 --> 00:47:27,442
RANDOLPH, TAKE MISS ALVAREZ AND MR. PETERSON'S UP.
853
00:47:27,476 --> 00:47:30,276
WE'D HAVE TO DO A LITTLE PHOTO SHOOT OR SOMETHING HERE.
854
00:47:30,310 --> 00:47:34,075
ED WOULD LOVE THIS. OH, MY GOODNESS.
855
00:47:34,109 --> 00:47:35,775
ALBERT, WHY ARE WE DOING THIS
856
00:47:35,808 --> 00:47:37,309
I MADE RESERVATIONS AT THE HOTEL.
857
00:47:37,342 --> 00:47:39,808
- THE HOTEL IS MILES AWAY. - AND YOU'D HAVE TO PAY.
858
00:47:39,842 --> 00:47:41,807
THAT'S RI-- THAT HAS NOTHING TO DO WITH IT.
859
00:47:41,841 --> 00:47:45,142
I THINK WE SHOULD KEEP A CLOSE WATCH ON CONRAD.
860
00:47:45,175 --> 00:47:46,707
WHY KEEP A CLOSE WATCH
861
00:47:46,741 --> 00:47:48,742
YEAH, WE SHOULD STAY HERE.
862
00:47:50,375 --> 00:47:52,541
I'M SURE YOU'D LIKE TO FRESHEN UP.
863
00:47:52,575 --> 00:47:54,141
WHY DON'T YOU GO RIGHT UPSTAIRS
864
00:47:54,174 --> 00:47:56,575
THANK YOU, MRS. MacAFEE, YOU'RE REALLY VERY KIND.
865
00:47:56,608 --> 00:47:59,640
NONSENSE, WE'RE THRILLED TO HAVE YOU STAY WITH US.
866
00:47:59,674 --> 00:48:01,707
MI CASA ES YOUR CASA.
867
00:48:01,741 --> 00:48:04,241
SI.
868
00:48:04,274 --> 00:48:06,540
OH, MRS. MacAFEE
869
00:48:06,574 --> 00:48:09,140
IF MY MOTHER SHOULD CALL, WOULD YOU LET ME KNOW
870
00:48:09,173 --> 00:48:12,374
IS SHE HERE, TOO WE'D LOVE TO HAVE HER STAY WITH US.
871
00:48:12,407 --> 00:48:13,773
I DOUBT SHE'LL BE COMING.
872
00:48:13,806 --> 00:48:17,107
SHE'S NOT IN THE BEST OF HEALTH. ( coughs )
873
00:48:18,307 --> 00:48:19,208
TAKE THEM UPSTAIRS, HARRY.
874
00:48:19,241 --> 00:48:21,440
MR. PETERSON WILL STAY IN THE SPARE ROOM.
875
00:48:21,474 --> 00:48:24,573
MISS ALVAREZ WILL ROOM WITH KIM. ISN'T THAT CUTE
876
00:48:24,606 --> 00:48:27,073
CONRAD BIRDIE IS STAYING IN OUR ROOM.
877
00:48:27,107 --> 00:48:28,840
- WHERE ARE WE STAYING - WITH RANDOLPH.
878
00:48:28,873 --> 00:48:30,374
ISN'T THAT CUTE
879
00:48:30,407 --> 00:48:32,140
( dog barking )
880
00:48:40,339 --> 00:48:42,140
( sighs )
881
00:48:52,672 --> 00:48:54,805
- ( snoring ) - ( sighs )
882
00:49:03,705 --> 00:49:06,205
( muffled ) AAH! OH!
883
00:49:09,205 --> 00:49:11,105
WHAT DO YOU WANT, THE WHOLE BED
884
00:49:11,138 --> 00:49:14,171
ROLL OVER. I CAN'T BREATHE.
885
00:49:14,205 --> 00:49:16,637
THEN STOP ROLLING UNDER ME.
886
00:49:16,671 --> 00:49:19,105
IT FEELS LIKE I'M SLEEPING ON A PEBBLE.
887
00:49:19,138 --> 00:49:20,771
NOT A PEBBLE. YOU MEAN A PEA.
888
00:49:20,804 --> 00:49:22,804
WHAT ARE YOU TALKING ABOUT, "A PEA"
889
00:49:22,838 --> 00:49:24,503
A PEA!
890
00:49:24,536 --> 00:49:27,105
GET UP AND GO TO THE BATHROOM, DEAR.
891
00:49:27,138 --> 00:49:29,371
NO, "THE PRINCESS AND THE PEA."
892
00:49:29,404 --> 00:49:32,437
THEY TESTED HER TO SEE IF SHE WAS A REAL PRINCESS.
893
00:49:32,471 --> 00:49:34,604
THEY PUT A TINY PEA UNDER HER MATTRESS
894
00:49:34,637 --> 00:49:36,437
TO SEE IF SHE COULD FEEL IT.
895
00:49:36,471 --> 00:49:38,170
AND SHE DID.
896
00:49:38,204 --> 00:49:42,104
SO I AM A REAL PRINCESS AFTER ALL!
897
00:49:42,137 --> 00:49:44,270
DAD!
898
00:49:47,803 --> 00:49:50,371
( girls singing hoarsely ) WE LOVE YOU, CONRAD
899
00:49:50,404 --> 00:49:52,636
OH YES, WE DO
900
00:49:52,670 --> 00:49:57,104
WE LOVE YOU, CONRAD, AND WE'LL BE TRUE
901
00:49:57,137 --> 00:50:01,703
WHEN YOU'RE NOT NEAR US, WE'RE BLUE
902
00:50:01,737 --> 00:50:05,670
OH, CONRAD, WE LOVE YOU.
903
00:50:05,703 --> 00:50:07,802
Helen: I'M TIRED, URSULA.
904
00:50:07,836 --> 00:50:10,169
WE'VE BEEN HERE ALL NIGHT.
905
00:50:10,203 --> 00:50:11,269
WELL, TOO BAD FOR YOU.
906
00:50:11,303 --> 00:50:14,336
WE PROMISED TO SING THE SONG 10,000 TIMES, DIDN'T WE
907
00:50:14,370 --> 00:50:17,634
WE STILL HAVE 5276 TO GO, SO SING!
908
00:50:23,470 --> 00:50:25,302
DORIS, WHERE'S MY PAPER
909
00:50:25,335 --> 00:50:27,068
DIDN'T THEY DELIVER IT THIS MORNING
910
00:50:27,102 --> 00:50:28,370
I GAVE IT TO MR. PETERSON.
911
00:50:28,403 --> 00:50:30,102
HE WAS ANXIOUS TO READ ABOUT CONRAD.
912
00:50:30,135 --> 00:50:33,168
MOTHER, DADDY, COULD YOU PLEASE KEEP YOUR VOICES DOWN
913
00:50:33,202 --> 00:50:34,568
CONRAD MIGHT STILL BE SLEEPING.
914
00:50:34,601 --> 00:50:37,801
I'M SURE HE'S VERY TIRED FROM MOVING HIS HIPS.
915
00:50:37,835 --> 00:50:39,002
DADDY, COULD YOU PLEASE HURRY
916
00:50:39,035 --> 00:50:42,102
I WANT TO HAVE THIS MESS CLEARED BEFORE CONRAD COMES DOWN.
917
00:50:42,135 --> 00:50:44,500
"THIS MESS," KIM, HAPPENS TO BE MY BREAKFAST.
918
00:50:44,533 --> 00:50:46,469
- I INTEND TO ENJOY IT. - MOTHER.
919
00:50:46,501 --> 00:50:48,800
KIM, DEAR, YOUR FATHER HAS A PERFECT RIGHT
920
00:50:48,834 --> 00:50:50,601
TO ENJOY HIS BREAKFAST,
921
00:50:50,634 --> 00:50:53,368
BUT I'M SURE HE WON'T MIND IF WE QUIETLY START
922
00:50:53,401 --> 00:50:55,334
CLEARING SOME OF THESE OTHER THINGS AWAY.
923
00:50:55,368 --> 00:50:57,334
I KNOW IT'S BEEN A HECTIC MORNING, DEAR,
924
00:50:57,368 --> 00:50:59,734
BUT KIM'S GONE TO A LOT OF TROUBLE TO MAKE
925
00:50:59,767 --> 00:51:01,567
A SPECIAL BREAKFAST FOR MR. BIRDIE.
926
00:51:01,600 --> 00:51:04,134
I WANT TO MAKE SURE EVERYTHING'S READY AND WAITING
927
00:51:04,167 --> 00:51:04,900
WHEN HE COMES DOWNSTAIRS.
928
00:51:04,934 --> 00:51:07,334
AFTER ALL, HE IS A NATIONAL FIGURE.
929
00:51:07,368 --> 00:51:09,401
I WANT TO SHOW THESE NEW YORK PEOPLE
930
00:51:09,434 --> 00:51:12,167
WE KNOW HOW TO TREAT A NATIONAL FIGURE IN SWEET APPLE.
931
00:51:12,201 --> 00:51:16,167
NOT THAT IT MATTERS MUCH TO ME PERSONALLY, BUT FOR KIM'S SAKE...
932
00:51:16,201 --> 00:51:17,734
THERE, ALL DONE.
933
00:51:17,767 --> 00:51:19,666
DID YOU ENJOY IT, DEAR GOOD.
934
00:51:19,699 --> 00:51:22,599
NOW IF YOU'LL HURRY ALONG, I'LL CLEAR AWAY THESE OTHER THINGS.
935
00:51:22,632 --> 00:51:25,234
DORIS, I AM NOT BUDGING FROM THIS TABLE
936
00:51:25,267 --> 00:51:27,733
TILL I'VE HAD MY COFFEE AND READ MY NEWSPAPER.
937
00:51:27,766 --> 00:51:30,367
I'M SORRY, WE ONLY HAVE ENOUGH COFFEE FOR OUR GUEST.
938
00:51:30,400 --> 00:51:32,300
HOW ABOUT A NICE WARM ROOT BEER
939
00:51:32,333 --> 00:51:34,467
MORNING, PA. HERE'S THE MORNING PAPER.
940
00:51:34,499 --> 00:51:38,467
HOPE YOU DON'T MIND, BUT I CUT OUT A FEW STORIES ABOUT CONRAD.
941
00:51:45,099 --> 00:51:46,466
( sighs )
942
00:51:47,733 --> 00:51:51,332
I HAVE TRIED TO RUN THIS HOUSEHOLD ON A DEMOCRATIC BASIS.
943
00:51:51,366 --> 00:51:54,099
I HAVE EXTENDED THE PRIVILEGE OF SELF-DETERMINATION
944
00:51:54,132 --> 00:51:57,366
TO BOTH THE WOMAN I'VE MARRIED AND THE CHILDREN I HAVE SIRED.
945
00:51:57,399 --> 00:51:59,232
THE VOTE HAS BEEN DENIED NO ONE
946
00:51:59,265 --> 00:52:01,565
FOR REASONS OF AGE, SEX OR POLITICAL AFFILIATION.
947
00:52:01,598 --> 00:52:04,765
THERE'S BEEN NO TAXATION WITHOUT REPRESENTATION,
948
00:52:04,798 --> 00:52:06,798
AND OPEN COVENANTS HAVE BEEN OPENLY ARRIVED AT.
949
00:52:06,832 --> 00:52:09,631
LAST NIGHT, I GAVE UP THE LAST PIECE
950
00:52:09,665 --> 00:52:12,597
OF MY FAVORITE PIE-- STRAWBERRY RHUBARB--
951
00:52:12,630 --> 00:52:16,331
TO A GUEST WHO REPEATEDLY REFERRED TO ME AS "FATS."
952
00:52:16,365 --> 00:52:18,831
TELEPHONE CALLS WERE MADE ON MY PHONE
953
00:52:18,864 --> 00:52:20,365
TO NEW YORK, CHICAGO,
954
00:52:20,398 --> 00:52:23,131
FAIRBANKS, ALASKA AND HONG KONG.
955
00:52:23,164 --> 00:52:25,198
ALL NIGHT LONG I LAY AWAKE
956
00:52:25,231 --> 00:52:27,831
WHILE OUTSIDE MY WINDOW THREE HARPIES SHRIEKED,
957
00:52:27,864 --> 00:52:30,430
"WE LOVE YOU, CONRAD, WE LOVE YOU, CONRAD,"
958
00:52:30,464 --> 00:52:34,163
4723 TIMES!
959
00:52:34,197 --> 00:52:36,198
I HAVE JUST LOST TWO FRIED EGGS!
960
00:52:36,231 --> 00:52:40,597
GENTLEMEN, THE DEMOCRACY IS OVER!
961
00:52:40,630 --> 00:52:42,464
PARLIAMENT'S BEEN DISSOLVED,
962
00:52:42,496 --> 00:52:44,163
THE MAGNA CARTA IS REVOKED,
963
00:52:44,197 --> 00:52:46,529
AND NERO IS BACK IN TOWN.
964
00:52:48,730 --> 00:52:51,730
OH FOLKS, WOULD YOU MIND STAYING OFF THE PHONE FOR A WHILE
965
00:52:51,763 --> 00:52:53,796
I'M EXPECTING A LONG-DISTANCE CALL FROM NEW YORK.
966
00:52:53,830 --> 00:52:56,197
HE'S COMING! HE'S COMING!
967
00:52:56,230 --> 00:52:58,130
- HE'S COMING! HE'S COMING! - HE'S COMING!
968
00:52:58,163 --> 00:52:59,796
I'LL GET THE EGGS! YOU CALL THE KIDS.
969
00:52:59,830 --> 00:53:02,830
GIRLS, HURRY IF YOU WANT TO WATCH HIM EAT!
970
00:53:02,863 --> 00:53:05,162
( shrieking )
971
00:53:05,196 --> 00:53:07,397
Woman: SORRY, DORIS, WE HAD TO COME TOO.
972
00:53:07,430 --> 00:53:10,628
WE'LL STAND QUIETLY BACK HERE.
973
00:53:10,662 --> 00:53:14,129
HERE HE IS! HERE HE IS! HERE HE IS!
974
00:53:16,762 --> 00:53:18,429
( yawns )
975
00:53:35,395 --> 00:53:37,161
( can hisses )
976
00:53:54,227 --> 00:53:56,128
AHH...
977
00:53:56,161 --> 00:53:56,794
( burps )
978
00:53:56,828 --> 00:53:59,294
- AHH... - AHH!
979
00:54:05,693 --> 00:54:08,327
DON'T CALL ME FOR LUNCH.
980
00:54:08,361 --> 00:54:09,693
HIYA, FATS.
981
00:54:12,227 --> 00:54:13,593
( can hisses )
982
00:54:21,426 --> 00:54:23,094
OHH.
983
00:54:24,159 --> 00:54:25,625
( burps )
984
00:54:27,160 --> 00:54:28,826
NOW LOOK HERE, DORIS--
985
00:54:28,859 --> 00:54:31,625
- HARRY, THE BOY'S JUST SHY. - KIM IS STILL IN HIGH SCHOOL--
986
00:54:31,659 --> 00:54:33,659
DADDY, PLEASE, NOT IN FRONT OF EVERYBODY!
987
00:54:33,692 --> 00:54:36,625
- I DON'T CARE WHO'S HERE. NO ILL MANNERED LOUT-- - TELL 'EM, PA.
988
00:54:36,659 --> 00:54:39,093
- SHUT UP. - YOU HAVE NO RIGHT. THE BOY'S OUR GUEST.
989
00:54:39,126 --> 00:54:41,059
- UNTIL YOU'RE 18-- - BUT DADDY--
990
00:54:41,093 --> 00:54:43,459
- WILL YOU SHUT UP - DADDY!
991
00:54:43,491 --> 00:54:47,092
- WILL YOU LEAVE ME ALONE! - MR. AND MRS. MacAFEE!
992
00:54:47,125 --> 00:54:48,591
KIM! RANDOLPH!
993
00:54:48,624 --> 00:54:52,158
IS THIS THE WAY YOU WANT 75 MILLION AMERICANS TO SEE YOU
994
00:54:52,192 --> 00:54:54,059
WHAT'RE YOU TALKING ABOUT
995
00:54:54,093 --> 00:54:57,292
- YOU'RE ALL GOING TO BE ON TELEVISION WITH CONRAD. - ON TELEVISION
996
00:54:57,325 --> 00:55:00,425
I JUST GOT THE CONFIRMATION CALL FROM ED SULLIVAN HIMSELF!
997
00:55:00,459 --> 00:55:04,192
YOU MEAN, WE'RE GOING TO BE ON THE "SULLIVAN SHOW"
998
00:55:04,225 --> 00:55:06,491
THAT'S RIGHT. THEY'RE GONNA CUT IN TO SWEET APPLE
999
00:55:06,524 --> 00:55:09,590
AT 8:05 THIS SUNDAY EVENING AND YOU'RE ALL GONNA BE ON.
1000
00:55:09,623 --> 00:55:11,325
THE ED SULLIVAN "SULLIVAN SHOW"
1001
00:55:11,359 --> 00:55:13,158
TO THAT GREAT AUDIENCE OUT THERE,
1002
00:55:13,192 --> 00:55:15,157
YOU ARE AN AMERICAN DREAM COME TRUE.
1003
00:55:15,191 --> 00:55:18,324
I BEG YOU, MR. MacAFEE, FOR THE SAKE OF THE FREE WORLD,
1004
00:55:18,358 --> 00:55:20,524
DON'T DESTROY THAT DREAM.
1005
00:55:23,124 --> 00:55:24,658
ME...
1006
00:55:24,690 --> 00:55:27,024
ON "THE ED SULLIVAN SHOW"
1007
00:55:28,757 --> 00:55:31,057
ED SULLIVAN...
1008
00:55:32,522 --> 00:55:36,123
ME, HARRY MacAFEE, APPEARING WITH...
1009
00:55:36,156 --> 00:55:38,458
ED SULLIVAN
1010
00:55:39,623 --> 00:55:41,423
ED
1011
00:55:41,457 --> 00:55:44,190
ED SULLIVAN
1012
00:55:44,223 --> 00:55:46,724
ED
1013
00:55:46,757 --> 00:55:51,357
ED SULLIVAN
1014
00:55:51,390 --> 00:55:54,723
- AHH - ED SULLIVAN
1015
00:55:54,756 --> 00:55:56,823
- AHH - ED SULLIVAN
1016
00:55:56,856 --> 00:55:57,823
ED
1017
00:55:57,856 --> 00:55:59,255
ED
1018
00:55:59,289 --> 00:56:00,256
SULL
1019
00:56:00,290 --> 00:56:02,056
SULL
1020
00:56:02,090 --> 00:56:04,156
ED SULLIVAN
1021
00:56:04,190 --> 00:56:06,488
ED SULLIVAN
1022
00:56:06,521 --> 00:56:11,488
WE'RE GONNA BE ON "ED SULLIVAN"
1023
00:56:11,521 --> 00:56:16,688
HOW COULD ANY FAMILY BE
1024
00:56:16,722 --> 00:56:21,422
HALF AS FORTUNATE AS WE
1025
00:56:21,456 --> 00:56:23,822
WE'LL BE COAST-TO-COAST
1026
00:56:23,855 --> 00:56:26,688
WITH OUR FAVORITE HOST
1027
00:56:26,722 --> 00:56:32,456
ED SULLIVAN
1028
00:56:33,487 --> 00:56:35,788
ED SULLIVAN
1029
00:56:35,822 --> 00:56:38,188
ED SULLIVAN
1030
00:56:38,221 --> 00:56:43,321
WE'RE GONNA BE ON "ED SULLIVAN..."
1031
00:56:43,355 --> 00:56:46,821
I'VE GOT A WONDERFUL WIFE, TWO SWELL KIDS,
1032
00:56:46,854 --> 00:56:48,687
GOOD JOB
1033
00:56:48,721 --> 00:56:49,787
AND NOW THIS.
1034
00:56:49,821 --> 00:56:52,187
I AM SO VERY HAPPY.
1035
00:56:52,220 --> 00:56:54,321
AHH
1036
00:56:54,355 --> 00:56:57,053
SOMEDAY WE'LL RECALL
1037
00:56:57,087 --> 00:57:00,053
THE GREATEST DAY OF ALL...
1038
00:57:00,087 --> 00:57:02,121
ED, I LOVE YOU.
1039
00:57:02,154 --> 00:57:10,454
ED SULLIVAN.
1040
00:57:18,187 --> 00:57:20,653
THIS IS IT, ALBERT. WHAT DO YOU THINK
1041
00:57:20,686 --> 00:57:22,719
ROSE, IT LOOKS GREAT. NOW LISTEN--
1042
00:57:22,752 --> 00:57:23,820
IT'S JUST AN OLD VAUDEVILLE THEATER,
1043
00:57:23,853 --> 00:57:26,752
BUT I THINK IT'LL BE PERFECT FOR THE "SULLIVAN SHOW."
1044
00:57:26,785 --> 00:57:30,119
- WHAT I WANTED-- - THEY'LL SEND CAMERAS AND LIGHTS AND COSTUMES.
1045
00:57:30,152 --> 00:57:31,518
WOULD YOU FORGET ABOUT THE "SULLIVAN SHOW"
1046
00:57:31,552 --> 00:57:34,819
THERE'S SOMETHING SERIOUS I WANT TO TALK ABOUT. IT INVOLVES YOU AND I.
1047
00:57:34,852 --> 00:57:36,552
"YOU AND ME," ENGLISH TEACHER.
1048
00:57:36,585 --> 00:57:38,319
ROSE, I'M SERIOUS.
1049
00:57:38,353 --> 00:57:41,318
I'M REALLY GLAD THAT YOU AND ME-- YOU AND I--
1050
00:57:41,352 --> 00:57:42,785
YOU AND ME, YOU AND I--
1051
00:57:42,819 --> 00:57:44,752
ARE OUT HERE AWAY FROM NEW YORK.
1052
00:57:44,785 --> 00:57:48,618
I WANT YOU TO KNOW I WROTE MOMMA AND TOLD HER NO MATTER WHAT HAPPENS,
1053
00:57:48,652 --> 00:57:50,752
I'M DEFINITELY GIVING UP ALMAELOU.
1054
00:57:50,785 --> 00:57:51,819
OH, ALBERT, YOU DIDN'T.
1055
00:57:51,852 --> 00:57:54,218
I WROTE TO HER THE DAY WE LEFT,
1056
00:57:54,251 --> 00:57:56,353
AND IT'S BEEN THREE DAYS AND THREE NIGHTS
1057
00:57:56,386 --> 00:57:58,484
- AND WE HAVEN'T HEARD A WORD. - OH, ALBERT!
1058
00:57:58,517 --> 00:58:01,285
THREE DAYS AND THREE NIGHTS ON A CROWDED BUS.
1059
00:58:01,318 --> 00:58:03,551
BUT WHAT'S THE DIFFERENCE I'M ONLY A MOTHER,
1060
00:58:03,584 --> 00:58:05,651
AND FOR A MOTHER, A BUS IS GOOD ENOUGH.
1061
00:58:05,684 --> 00:58:08,218
MOMMA, WHAT ARE YOU DOING HERE
1062
00:58:08,251 --> 00:58:10,185
DID YOU THINK I WOULDN'T COME
1063
00:58:10,218 --> 00:58:11,185
A WOMAN GETS A LETTER
1064
00:58:11,218 --> 00:58:13,418
OBVIOUSLY WRITTEN UNDER THE INFLUENCE OF DRUGS,
1065
00:58:13,452 --> 00:58:14,651
AND SHE SHOULD STAY HOME
1066
00:58:14,684 --> 00:58:19,051
"DEAR MOM, THIS IS TO LET YOU KNOW ALMAELOU IS DISSOLVED.
1067
00:58:19,085 --> 00:58:20,616
YOUR FRIEND, ALBERT."
1068
00:58:20,650 --> 00:58:23,184
"ALMAELOU IS DISSOLVED." DISSOLVE ME.
1069
00:58:23,217 --> 00:58:25,150
WHO AM I, ANYWAY A SICK OLD WOMAN,
1070
00:58:25,184 --> 00:58:26,452
PROBABLY WON'T LAST THE NIGHT.
1071
00:58:26,484 --> 00:58:29,217
ALL I WANT IS A SIMPLE STONE WITH ONE WORD--
1072
00:58:29,250 --> 00:58:30,750
"ALBERT'S MOTHER."
1073
00:58:30,783 --> 00:58:34,117
DON'T HIRE A LIMOUSINE TO TAKE ME TO THE FINAL RESTING PLACE.
1074
00:58:34,150 --> 00:58:35,583
I'LL WALK.
1075
00:58:35,616 --> 00:58:38,716
TELL THAT LADY FRIEND OF YOURS I FORGIVE HER.
1076
00:58:38,749 --> 00:58:40,750
SHE KNOWETH NOT WHAT SHE DONETH.
1077
00:58:40,783 --> 00:58:42,682
MOMMA, ROSE IS RIGHT HERE.
1078
00:58:42,716 --> 00:58:46,149
THIS IS ROSE
1079
00:58:46,183 --> 00:58:47,649
I CAN'T BELIEVE IT.
1080
00:58:47,682 --> 00:58:48,817
SHE LOOKS LIKE MARGO
1081
00:58:48,850 --> 00:58:50,782
WHEN THEY TOOK HER OUT OF SHANGRI-LA.
1082
00:58:52,483 --> 00:58:54,682
FOR HER OWN SAKE, SEND HER BACK TO TIBET.
1083
00:58:54,716 --> 00:58:56,416
AND DON'T WORRY ABOUT A SECRETARY.
1084
00:58:56,450 --> 00:58:59,682
I FOUND, ON THE BUS, A PERFECT SECRETARY--
1085
00:58:59,716 --> 00:59:02,515
A WONDERFUL, REFINED GIRL ON HER WAY TO AKRON,
1086
00:59:02,549 --> 00:59:05,148
BUT I PERSUADED HER TO COME HERE.
1087
00:59:05,182 --> 00:59:09,581
SONNY BOY, SAY HELLO...
1088
00:59:09,614 --> 00:59:12,249
TO GLORIA RASPUTIN.
1089
00:59:13,315 --> 00:59:16,149
YOU ARE SO CUTE!
1090
00:59:16,182 --> 00:59:19,549
MOMMA, I DON'T NEED ANOTHER SECRETARY.
1091
00:59:19,582 --> 00:59:20,648
I HAVE ROSIE.
1092
00:59:20,681 --> 00:59:22,115
OH, BUT I DON'T JUST TYPE.
1093
00:59:22,148 --> 00:59:24,648
- YOU DO OTHER THINGS - I TAP DANCE.
1094
00:59:24,681 --> 00:59:27,747
I FIGURE I COULD HELP YOU WITH THIS SECRETARY THING,
1095
00:59:27,780 --> 00:59:30,115
AND YOU COULD HELP ME BREAK INTO SHOW BUSINESS.
1096
00:59:30,148 --> 00:59:33,215
GET A LOAD OF THIS, AL. MAE, CAN YOU HUM "SWANEE RIVER"
1097
00:59:33,248 --> 00:59:35,082
MY FAVORITE SELECTION.
1098
00:59:35,115 --> 00:59:36,613
HIT IT!
1099
00:59:36,647 --> 00:59:39,281
( vocalizing "Swanee River" ) YEAH!
1100
00:59:39,314 --> 00:59:42,780
( vocalizing continuing )
1101
00:59:56,480 --> 00:59:57,747
THAT'S HER FAVORITE PART.
1102
01:00:10,713 --> 01:00:12,680
"BRAVE-O," "BRAVE-O."
1103
01:00:12,714 --> 01:00:14,713
SO DO I GET THE JOB
1104
01:00:14,746 --> 01:00:17,347
YOU CERTAINLY HAVE SOME WONDERFUL QUALIFICATIONS.
1105
01:00:17,380 --> 01:00:21,380
I AM USED TO WORKING WITH MISS ALVAREZ HERE.
1106
01:00:21,413 --> 01:00:24,213
DO YOU HAVE TO STAY DOWN THERE LIKE THAT
1107
01:00:24,246 --> 01:00:26,146
ONLY FOR A COUPLE OF MINUTES.
1108
01:00:26,180 --> 01:00:29,245
MAE, COULD YOU GIVE ME A LITTLE HELPING HAND
1109
01:00:29,279 --> 01:00:32,112
AL, IF YOU COULD GRAB THE OTHER ONE. EASY DOES IT!
1110
01:00:32,145 --> 01:00:35,612
SONNY, FOR THE MOVIES, THEY COULD ALWAYS CUT AWAY WHILE THEY JACK HER UP.
1111
01:00:35,646 --> 01:00:38,545
SONNY BOY, WHY DON'T YOU TAKE GLORIA SOMEWHERE
1112
01:00:38,578 --> 01:00:40,545
AND SEE HOW FAST SHE TYPES
1113
01:00:42,778 --> 01:00:46,312
WE DO HAVE ALL THOSE RELEASES TO GET OUT.
1114
01:00:46,346 --> 01:00:49,578
I'M SURE THAT GLORIA COULD HELP OUT WITH THOSE.
1115
01:00:49,611 --> 01:00:50,845
THAT IS--
1116
01:00:50,878 --> 01:00:55,677
THAT IS IF IT DOESN'T MAKE ANY DIFFERENCE TO YOU, UH...
1117
01:00:56,712 --> 01:00:58,711
- ROSE. - ROSE.
1118
01:00:58,744 --> 01:01:01,645
WHY SHOULD IT MAKE AND DIFFERENCE TO ME, UH, ALBERT
1119
01:01:01,678 --> 01:01:05,378
I'LL GO SEE IF I CAN FIND YOU A TYPEWRITER.
1120
01:01:08,211 --> 01:01:10,378
DO YOU USE THE...
1121
01:01:10,411 --> 01:01:11,744
TOUCH SYSTEM
1122
01:01:11,777 --> 01:01:13,711
WHENEVER POSSIBLE.
1123
01:01:26,344 --> 01:01:28,378
TYPE SOME RELEASES, ROSE.
1124
01:01:34,410 --> 01:01:36,277
MISS ALVAREZ
1125
01:01:36,310 --> 01:01:39,643
IT'S HUGO PEABODY. CAN I SPEAK TO YOU FOR A MINUTE
1126
01:01:41,477 --> 01:01:42,509
I'M LOOKING FOR KIM MacAFEE.
1127
01:01:42,543 --> 01:01:45,710
I WANT TO TELL HER SHE'S NOT TO KISS CONRAD BIRDIE
1128
01:01:45,743 --> 01:01:47,243
ON THAT "ED SULLIVAN SHOW."
1129
01:01:47,277 --> 01:01:49,309
IF SHE DOES, I THINK I HAVE TO--
1130
01:01:50,843 --> 01:01:54,177
MISS ALVAREZ, IS ANYTHING WRONG
1131
01:01:55,177 --> 01:01:56,142
MISS ALVAREZ,
1132
01:01:56,176 --> 01:01:57,742
CAN I-- CAN I DO ANYTHING FOR YOU
1133
01:01:57,775 --> 01:02:00,742
YES, HUGO, I THINK YOU CAN.
1134
01:02:14,708 --> 01:02:16,108
( bell ringing )
1135
01:02:22,342 --> 01:02:24,208
Sullivan: Now as you know,
1136
01:02:24,241 --> 01:02:25,675
in just about 14 hours,
1137
01:02:25,709 --> 01:02:28,208
one of show business' brightest talents
1138
01:02:28,241 --> 01:02:30,607
is going off to play a very special engagement.
1139
01:02:30,641 --> 01:02:32,507
Tonight, before he goes,
1140
01:02:32,541 --> 01:02:35,141
he wants to leave a certain lucky young lady
1141
01:02:35,175 --> 01:02:36,708
with one last kiss.
1142
01:02:36,741 --> 01:02:38,174
Ladies and gentlemen,
1143
01:02:38,207 --> 01:02:40,308
we take you to Sweet Apple, Ohio,
1144
01:02:40,342 --> 01:02:42,441
where a typical American family--
1145
01:02:42,474 --> 01:02:44,607
Mr. and Mrs. Harry MacAfee
1146
01:02:44,641 --> 01:02:46,640
and their children Randolph and Kim--
1147
01:02:46,673 --> 01:02:48,773
- WHERE'S ED - ...are gathered to bid farewell
1148
01:02:48,807 --> 01:02:51,207
to a typical American soldier--
1149
01:02:51,240 --> 01:02:52,606
Conrad Birdie.
1150
01:02:52,640 --> 01:02:55,307
( cheering )
1151
01:02:55,341 --> 01:02:58,140
( music playing )
1152
01:02:58,174 --> 01:03:00,572
- WHERE'S ED - OH, ONE LAST KISS
1153
01:03:00,605 --> 01:03:02,707
OH, GIVE ME ONE LAST KISS
1154
01:03:02,740 --> 01:03:06,274
IT NEVER FELT LIKE THIS, NO, NEVER FELT LIKE THIS
1155
01:03:06,307 --> 01:03:09,606
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
1156
01:03:09,640 --> 01:03:13,039
GIVE ME ONE LAST KISS
1157
01:03:14,606 --> 01:03:17,706
OH, ONE MORE TIME, OH, BABY, ONE MORE TIME
1158
01:03:17,739 --> 01:03:19,639
IT REALLY IS SUBLIME
1159
01:03:19,672 --> 01:03:21,739
AW, HONEY, SO SUBLIME
1160
01:03:21,772 --> 01:03:25,406
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
1161
01:03:25,440 --> 01:03:28,440
GIVE ME ONE LAST KISS
1162
01:03:29,440 --> 01:03:30,406
( snapping )
1163
01:03:30,439 --> 01:03:34,439
BAAA-BY
1164
01:03:34,472 --> 01:03:38,172
GIVE ME ONE LAST KISS
1165
01:03:38,205 --> 01:03:41,739
BAAA-BY
1166
01:03:41,772 --> 01:03:44,671
GIVE ME ONE LAST KISS
1167
01:03:44,705 --> 01:03:48,105
ONE LAST KISS, OH, GIVE ME ONE LAST KISS
1168
01:03:48,138 --> 01:03:52,205
IT NEVER FELT LIKE THIS, NO, NEVER FELT LIKE THIS
1169
01:03:52,238 --> 01:03:56,238
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
1170
01:03:56,272 --> 01:03:58,037
GIVE ME ONE LAST KISS
1171
01:04:00,105 --> 01:04:02,471
TURN BACK HISTORY'S PAGES
1172
01:04:02,503 --> 01:04:04,670
GO BACK THROUGH THE AGES
1173
01:04:04,704 --> 01:04:07,571
SEE HOW BRAVE SOLDIER BOYS OF YORE
1174
01:04:07,604 --> 01:04:09,603
SAID GOODBYE WHEN THEY WENT OFF TO WAR
1175
01:04:09,637 --> 01:04:15,237
- WENT OFF TO WAR - WENT OFF TO WAR
1176
01:04:17,503 --> 01:04:19,404
( laughing, cheering )
1177
01:04:19,438 --> 01:04:22,704
OH, ONE LAST KISS, OH, GIVE ME ONE LAST KISS
1178
01:04:22,737 --> 01:04:26,637
IT NEVER FELT LIKE THIS, NO, IT NEVER FELT LIKE THIS
1179
01:04:26,670 --> 01:04:30,271
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
1180
01:04:30,304 --> 01:04:32,703
GIVE ME ONE LAST KISS
1181
01:04:34,071 --> 01:04:38,136
OH, ONE MORE TIME, OH, BABY, ONE MORE TIME
1182
01:04:38,171 --> 01:04:41,769
IT REALLY IS SUBLIME, AW, HONEY, SO SUBLIME
1183
01:04:41,803 --> 01:04:45,803
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
1184
01:04:45,836 --> 01:04:49,370
GIVE ME ONE LAST KISS
1185
01:04:51,135 --> 01:04:54,601
BAAA-BY
1186
01:04:54,635 --> 01:04:58,402
GIVE ME ONE LAST KISS
1187
01:04:58,436 --> 01:05:02,436
BAAA-BY
1188
01:05:02,469 --> 01:05:05,402
GIVE ME ONE LAST KISS
1189
01:05:15,735 --> 01:05:19,169
OH, ONE LAST KISS, OH, GIVE ME ONE LAST KISS
1190
01:05:19,202 --> 01:05:22,601
IT NEVER FELT LIKE THIS, NO, IT NEVER FELT LIKE THIS
1191
01:05:22,635 --> 01:05:26,500
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
1192
01:05:26,534 --> 01:05:29,600
OH, GIVE ME ONE LAST KISS, ONE LAST KISS
1193
01:05:29,634 --> 01:05:31,735
ONE LAST KISS
1194
01:05:31,768 --> 01:05:34,500
OH, GIVE ME ONE LAST KISS
1195
01:05:35,567 --> 01:05:38,767
ONE LAST KISS, ONE LAST KISS
1196
01:05:39,633 --> 01:05:43,168
OH, GIVE ME ONE LAST...
1197
01:05:46,234 --> 01:05:48,533
BRACE YOURSELF, CHICK.
1198
01:05:48,566 --> 01:05:50,767
BRACE YOURSELF, CONRAD BIRDIE!
1199
01:05:56,566 --> 01:05:58,800
HUGO, YOU HIT HIM!
1200
01:05:58,833 --> 01:06:02,499
HE DESERVED IT! HE WAS A THIEF OF LOVE!
1201
01:06:02,533 --> 01:06:06,765
HUGO F. PEABODY, I DON'T EVER WANT TO SPEAK TO YOU AGAIN!
1202
01:06:06,800 --> 01:06:09,000
KIM!
1203
01:06:10,199 --> 01:06:12,700
I DEMAND TO KNOW WHO IS RESPONSIBLE FOR THIS!
1204
01:06:12,733 --> 01:06:15,598
- WHO LET THAT KID IN HERE - I DID, ALBERT.
1205
01:06:15,632 --> 01:06:19,032
IT'S SORT OF A FAREWELL PRESENT TO YOU AND MISS RASPUTIN.
1206
01:06:19,066 --> 01:06:22,765
- WEAR IT IN GOOD HEALTH! - ROSIE, YOU CAN'T LEAVE ME ALONE.
1207
01:06:22,799 --> 01:06:24,533
OH, YOU'RE NOT ALONE, ALBERT.
1208
01:06:24,566 --> 01:06:26,099
YOU'RE ON TELEVISION.
1209
01:06:43,598 --> 01:06:46,732
( weakly ) FOR HE'S A FINE, UPSTANDING
1210
01:06:46,765 --> 01:06:48,698
PATRIOTIC
1211
01:06:48,731 --> 01:06:52,298
HEALTHY, NORMAL AMERICAN BOY
1212
01:06:52,332 --> 01:06:56,497
FOR HE'S A FINE, UPSTANDING, PATRIOTIC
1213
01:06:56,531 --> 01:07:04,297
HEALTHY, NORMAL AMERICAN BOY.
1214
01:07:26,797 --> 01:07:31,097
EIGHT YEARS, EIGHT YEARS
1215
01:07:31,130 --> 01:07:35,363
THAT'S HOW LONG I WASTED ON HIM
1216
01:07:35,396 --> 01:07:39,463
THAT'S ALL, I'M THROUGH
1217
01:07:39,495 --> 01:07:43,029
ALBERT, DEAR, TO PUT IT SWEETLY
1218
01:07:43,063 --> 01:07:45,263
TO HELL WITH YOU!
1219
01:07:45,296 --> 01:07:48,063
THAT'S RIGHT, ALBERT. TO HELL WITH YOU.
1220
01:07:48,096 --> 01:07:50,129
FROM NOW ON, IT'S GOING TO BE ME,
1221
01:07:50,163 --> 01:07:51,729
ROSIE, ON THE TOWN,
1222
01:07:51,762 --> 01:07:54,430
DANCING AND SINGING AND HAVING A BALL,
1223
01:07:54,463 --> 01:07:56,329
TRYING TO MAKE UP FOR EIGHT YEARS
1224
01:07:56,362 --> 01:07:58,662
OF BEING IN LOVE WITH A MOMMA-CLUTCHING,
1225
01:07:58,696 --> 01:08:02,363
ASPIRIN-SPLITTING TOWER OF... APPLESAUCE!
1226
01:08:03,695 --> 01:08:06,495
WHAT DID I EVER SEE IN HIM
1227
01:08:06,529 --> 01:08:09,728
HOW COULD I EVER GET INVOLVED THAT WAY
1228
01:08:09,761 --> 01:08:12,561
NOW THAT IT'S OVER, I CAN SMILE AND SAY
1229
01:08:12,594 --> 01:08:16,628
WHAT DID I EVER SEE IN HIM
1230
01:08:16,661 --> 01:08:20,128
BOY, I WAS WAY OUT ON A LIMB
1231
01:08:20,162 --> 01:08:23,227
NOW THAT MY FEET ARE ON THE GROUND AGAIN
1232
01:08:23,261 --> 01:08:26,095
NOW THAT MY SENSES HAVE BEEN FOUND AGAIN
1233
01:08:26,128 --> 01:08:30,361
WHAT DID I EVER SEE IN HIM
1234
01:08:30,394 --> 01:08:33,362
IS HE TENDER NO, HE'S NOT
1235
01:08:33,395 --> 01:08:36,227
IS HE THOUGHTFUL NO, HE'S NOT
1236
01:08:36,261 --> 01:08:38,560
AM I CRAZY WHAT'S HE GOT
1237
01:08:38,593 --> 01:08:42,127
THAT I FOUND SO DAMN APPEALING
1238
01:08:42,161 --> 01:08:44,727
WHAT DID HE EVER DO FOR ME
1239
01:08:44,760 --> 01:08:47,794
WELL, TO BE HONEST, HE WAS SOMETIMES NICE
1240
01:08:47,827 --> 01:08:50,794
BUT STILL IT WASN'T WORTH THE AWFUL PRICE
1241
01:08:50,827 --> 01:08:53,592
IT WAS ROUGH FROM THE START
1242
01:08:53,626 --> 01:08:56,760
BROKEN DATES, BROKEN NAILS, BROKEN HEART
1243
01:08:56,793 --> 01:08:59,427
HOW DID I EVER, WHY DID I EVER
1244
01:08:59,460 --> 01:09:00,793
WHAT DID I EVER...
1245
01:09:00,826 --> 01:09:03,093
MISS ALVAREZ, DON'T BE SO UPSET.
1246
01:09:03,126 --> 01:09:05,427
ALL MEN CAN'T BE LIKE THAT.
1247
01:09:05,460 --> 01:09:07,060
EVERY SINGLE ONE OF THEM,
1248
01:09:07,093 --> 01:09:09,226
EXCEPT FOR MAYBE ALBERT SCHWEITZER,
1249
01:09:09,260 --> 01:09:11,026
AND I'M NOT HIS TYPE.
1250
01:09:11,060 --> 01:09:14,260
OH, THEY'RE ALL THE SAME FROM PUBERTY TO SENILITY,
1251
01:09:14,293 --> 01:09:16,792
FROM BENEDICT ARNOLD TO MUSSOLINI.
1252
01:09:16,825 --> 01:09:19,126
I NEVER UNDERSTOOD WHY INGRID BERGMAN
1253
01:09:19,160 --> 01:09:20,692
MARRIED HIM IN THE FIRST PLACE.
1254
01:09:20,725 --> 01:09:23,392
EGOTISTICAL, SELFISH HUMAN BEASTS!
1255
01:09:23,426 --> 01:09:25,591
WHAT ARE WE POOR WOMEN TO DO, MISS ALVAREZ
1256
01:09:25,625 --> 01:09:29,658
USE THEM. YES, USE THEM.
1257
01:09:29,692 --> 01:09:31,591
LET THEM BE OUR PLAYTHINGS
1258
01:09:31,625 --> 01:09:33,192
WHILE WE LIVE,
1259
01:09:33,225 --> 01:09:35,459
SIP FROM THE CUP OF LIFE.
1260
01:09:35,491 --> 01:09:37,625
MIX THAT POTION FULL AND STRONG,
1261
01:09:37,658 --> 01:09:39,124
AND DRAIN IT TO THE DREGS!
1262
01:09:39,158 --> 01:09:42,159
HOW DO YOU LIKE THEM APPLES, MR. PETERSON
1263
01:09:43,590 --> 01:09:46,224
DO WE NEED THEM NO, WE DON'T
1264
01:09:46,258 --> 01:09:49,025
DO WE WANT THEM NO, WE DON'T
1265
01:09:49,059 --> 01:09:51,557
- WILL WE LEAVE THEM - NO, WE WON'T
1266
01:09:51,590 --> 01:09:54,757
TELL ME, WHAT DID I SAY THAT FOR
1267
01:09:54,791 --> 01:09:57,657
WHAT DID WE EVER SEE IN THEM
1268
01:09:57,691 --> 01:10:00,791
HOW COULD WE EVER THINK THAT THEY WERE NICE
1269
01:10:00,824 --> 01:10:03,590
TAKE IT FROM US, WE'VE PAID AN AWFUL PRICE
1270
01:10:03,624 --> 01:10:06,524
IT WAS ROUGH FROM THE START
1271
01:10:06,557 --> 01:10:09,589
BROKEN DATES, BROKEN NAILS, BROKEN HEART
1272
01:10:09,623 --> 01:10:13,623
WHAT DID WE EVER SEE IN...
1273
01:10:13,656 --> 01:10:16,425
HUGO F. PEABODY!
1274
01:10:16,458 --> 01:10:19,657
HUGO! WHAT DID I EVER SEE IN HIM!
1275
01:10:19,691 --> 01:10:22,523
WHY, HE'S AS BAD AS MR. PETERSON, IF NOT WORSE!
1276
01:10:22,556 --> 01:10:25,656
MISS ALVAREZ, I'M COMING WITH YOU.
1277
01:10:25,690 --> 01:10:28,424
NOW, KIM, WHY DON'T YOU JUST STAY HOME
1278
01:10:28,457 --> 01:10:29,723
AND HAVE SOME MILK AND COOKIES
1279
01:10:29,756 --> 01:10:31,090
MILK AND COOKIES
1280
01:10:31,123 --> 01:10:33,023
MISS ALVAREZ, IT'S TOO LATE FOR THAT.
1281
01:10:33,057 --> 01:10:35,324
I WANT TO LIVE.
1282
01:10:53,423 --> 01:10:55,622
A-HA, THERE SHE IS.
1283
01:10:55,655 --> 01:10:57,588
THE TRAITOR WHO STABBED ME IN THE HEART
1284
01:10:57,622 --> 01:10:59,356
THE MINUTE MY BACK WAS TURNED!
1285
01:10:59,389 --> 01:11:00,722
STAY OUT OF MY WAY, ALBERT.
1286
01:11:00,755 --> 01:11:02,554
CAREFUL, SONNY. SHE MAY BE ARMED.
1287
01:11:02,587 --> 01:11:04,555
DON'T WORRY, MOMMA. I CAN HANDLE HER.
1288
01:11:04,588 --> 01:11:07,688
TAKE CONRAD UPSTAIRS AND MAKE SURE HE GETS INTO BED.
1289
01:11:13,056 --> 01:11:15,554
FOR THE LAST TIME, ALBERT, STAY OUT OF MY WAY.
1290
01:11:15,587 --> 01:11:17,621
I'M GOING OUT ON THE TOWN TONIGHT.
1291
01:11:17,654 --> 01:11:19,521
I DON'T WANT TO WASTE ANOTHER MINUTE.
1292
01:11:19,554 --> 01:11:21,454
NOT UNTIL I'VE HAD MY SAY, ROSE.
1293
01:11:21,487 --> 01:11:23,221
THANKS TO MOMMA'S QUICK THINKING,
1294
01:11:23,255 --> 01:11:25,720
THE KISS WILL TAKE PLACE AFTER ALL--
1295
01:11:25,753 --> 01:11:27,788
TOMORROW MORNING AT THE TRAIN STATION
1296
01:11:27,821 --> 01:11:30,054
JUST BEFORE CONRAD LEAVES.
1297
01:11:30,087 --> 01:11:33,787
AND SO YOU HAVE FAILED, MISS ROSE ALVAREZ,
1298
01:11:33,820 --> 01:11:35,654
AS ANYONE MUST FAIL
1299
01:11:35,688 --> 01:11:37,653
WHO TRIES TO BUCK AL PETERSON--
1300
01:11:37,687 --> 01:11:40,254
ONE OF THE GIANTS, ONE OF THE TITANS,
1301
01:11:40,287 --> 01:11:43,020
ONE OF THE KING KONGS OF THE MUSIC INDUSTRY!
1302
01:11:43,054 --> 01:11:45,287
( laughs ) ROSIE
1303
01:11:46,620 --> 01:11:47,686
ROSE
1304
01:11:49,220 --> 01:11:50,586
ROSE
1305
01:11:54,287 --> 01:11:55,619
( laughs )
1306
01:12:02,254 --> 01:12:04,353
WHERE DO YOU THINK YOU'RE GOING, YOUNG LADY
1307
01:12:04,386 --> 01:12:07,719
OUT WITH ROSIE, TO DRAIN DEEP THE DREGS
1308
01:12:07,752 --> 01:12:10,254
AND SIP FULL HEARTY THE BRIMMING CUP.
1309
01:12:10,287 --> 01:12:11,585
TO LIVE.
1310
01:12:11,619 --> 01:12:13,153
UPSTAIRS.
1311
01:12:13,186 --> 01:12:16,320
- BUT DADDY! - YOU HEARD ME, I SAID UPSTAIRS.
1312
01:12:16,353 --> 01:12:21,286
ROSIE WAS RIGHT-- YOU'RE ALL THE SAME,
1313
01:12:21,320 --> 01:12:23,552
FROM PUBERTY TO MUSSOLINI!
1314
01:12:23,585 --> 01:12:25,685
WHAT'S THAT YOU DARE SAY PUBERTY
1315
01:12:25,718 --> 01:12:27,551
IN FRONT OF YOUR OWN FATHER
1316
01:12:27,584 --> 01:12:29,685
NOT TO MENTION MUSSOLINI.
1317
01:12:31,252 --> 01:12:32,652
OH, DORIS.
1318
01:12:32,686 --> 01:12:35,419
WE HAVE FAILED AS PARENTS.
1319
01:12:37,718 --> 01:12:40,750
( sighs ) I NEVER ASKED FOR MUCH FROM MY CHILDREN,
1320
01:12:40,784 --> 01:12:44,650
JUST RESPECT-- A LITTLE RESPECT.
1321
01:12:44,684 --> 01:12:47,352
THAT'S ALL I ASK FOR-- RESPECT.
1322
01:12:47,385 --> 01:12:48,617
BUT DID I GET RESPECT
1323
01:12:48,650 --> 01:12:51,385
I DID NOT GET RESPECT. I GOT NO RESPECT.
1324
01:12:51,419 --> 01:12:53,151
I RESPECT YOU, PA.
1325
01:12:57,717 --> 01:13:01,517
I DON'T WANT YOUR RESPECT. YOU'RE A CHILD.
1326
01:13:01,550 --> 01:13:03,650
WHAT GOOD IS RESPECT FROM A CHILD
1327
01:13:06,051 --> 01:13:08,750
DORIS, I THINK YOU'D BETTER TAKE ME UPSTAIRS.
1328
01:13:08,784 --> 01:13:12,684
I'M NOT A WELL MAN.
1329
01:13:12,717 --> 01:13:16,417
CERTAIN WORDS I NEVER WANTED TO HEAR IN THIS HOUSE.
1330
01:13:16,450 --> 01:13:18,616
PUBERTY WAS ONE OF 'EM.
1331
01:13:18,649 --> 01:13:20,683
MUSSOLINI'S ANOTHER.
1332
01:13:20,716 --> 01:13:23,083
DREGS WOULD BE THE THIRD.
1333
01:13:27,582 --> 01:13:31,582
EIGHT YEARS, HUH, EIGHT YEARS
1334
01:13:31,616 --> 01:13:35,383
THAT'S HOW LONG I PUT UP WITH HER
1335
01:13:35,417 --> 01:13:38,149
WELL, THAT'S IT
1336
01:13:38,182 --> 01:13:40,649
FINIS
1337
01:13:40,683 --> 01:13:43,249
FROM NOW ON, I'M CARING ONLY
1338
01:13:43,282 --> 01:13:45,615
FOR ALBERT P...
1339
01:13:45,648 --> 01:13:49,416
WHEN I FOUND HER, SHE WAS JUST A SKINNY KID FROM PITTSBURGH, P.A.
1340
01:13:49,449 --> 01:13:52,015
DIDN'T EVER HEAR OF SMOKED SALMON,
1341
01:13:52,049 --> 01:13:53,748
AND NOW IT'S HER FAVORITE FOOD.
1342
01:13:53,782 --> 01:13:56,515
I TAUGHT HER EVERYTHING SHE KNOWS. TYPING, FILING, SHOPPING--
1343
01:13:56,548 --> 01:13:58,581
EVERYTHING! EVERYTHING! THIS IS THE GRATITUDE I GET!
1344
01:13:58,615 --> 01:14:00,714
WELL, MOMMA WAS RIGHT!
1345
01:14:04,248 --> 01:14:06,715
WHAT DID I EVER SEE IN HER
1346
01:14:06,748 --> 01:14:09,614
WHY DID I EVER LET HER IN MY LIFE
1347
01:14:09,647 --> 01:14:13,148
SHE HAD THE GALL TO WANT TO BE MY WIFE
1348
01:14:13,181 --> 01:14:16,281
WHAT DID I EVER SEE IN HER
1349
01:14:16,315 --> 01:14:18,048
( gurgling )
1350
01:14:18,081 --> 01:14:20,681
WHY DID I BUY HER JEWELS AND FURS
1351
01:14:20,714 --> 01:14:24,148
SO WHAT IF THEY WERE FAKE THEY STILL LOOK REAL
1352
01:14:24,181 --> 01:14:27,147
BELIEVE ME, I'LL SURVIVE THIS, NO BIG DEAL
1353
01:14:27,180 --> 01:14:30,580
WHAT DID I EVER SEE IN HER
1354
01:14:31,813 --> 01:14:35,047
FEELS SHE'S CLEVER, DO I CARE
1355
01:14:35,080 --> 01:14:37,781
SWEET, EFFICIENT, DO I CARE
1356
01:14:37,814 --> 01:14:40,646
SO SHE'S GORGEOUS, DO I CARE
1357
01:14:40,680 --> 01:14:43,314
NO, I'LL BE JUST FINE WITHOUT HER
1358
01:14:43,347 --> 01:14:46,780
ME, I DON'T NEED A GIRL, NO, SIR
1359
01:14:46,813 --> 01:14:49,546
FROM THIS DAY FORTH, I'M ON A SINGLE TRACK
1360
01:14:49,579 --> 01:14:52,680
I'LL MERELY LAUGH IF SHE COMES CRAWLING BACK...
1361
01:14:52,713 --> 01:14:56,213
HA, HA, HA! AND I'LL SAY, "SORRY, ROSE
1362
01:14:56,247 --> 01:14:59,013
IT'S BEEN FUN, BUT IT'S DONE, ADIOS"
1363
01:14:59,047 --> 01:15:01,679
HOW DID I EVER, WHY DID I EVER
1364
01:15:01,712 --> 01:15:03,247
WHAT DID I EVER...
1365
01:15:05,779 --> 01:15:09,313
OOH, I DON'T LOOK WELL. I'M ALL PALE.
1366
01:15:09,346 --> 01:15:12,247
OOH, I DON'T FEEL SO WELL, EITHER.
1367
01:15:12,280 --> 01:15:14,446
MY STOMACH MUST BE UPSET.
1368
01:15:15,712 --> 01:15:18,146
( groans ) MY TONGUE'S ALL COATED.
1369
01:15:18,179 --> 01:15:21,446
MY EYES LOOK PUFFY AND I FEEL KIND OF BLOATED.
1370
01:15:22,779 --> 01:15:24,678
WAIT A MINUTE.
1371
01:15:24,711 --> 01:15:27,612
COATED, BLOATED...
1372
01:15:27,644 --> 01:15:30,279
- ( snaps ) - THAT RHYMES.
1373
01:15:30,313 --> 01:15:32,345
SO YOU SEE, MISS ROSE ALVAREZ,
1374
01:15:32,378 --> 01:15:34,712
YOU HAVE FAILED TO SHAKE MY CONFIDENCE
1375
01:15:34,745 --> 01:15:36,744
OR DESTROY MY GIFT.
1376
01:15:36,778 --> 01:15:40,644
AM I NERVOUS NO, I'M NOT
1377
01:15:40,678 --> 01:15:43,644
THOUGH MY SPELLING'S NOT SO HOT
1378
01:15:43,678 --> 01:15:46,544
WHAT'S SO SPECIAL WHAT'S SHE GOT
1379
01:15:46,577 --> 01:15:50,245
BESIDES LOOKS AND BRAINS AND TALENT
1380
01:15:50,278 --> 01:15:52,711
SHE WASN'T REALLY RIGHT FOR ME...
1381
01:15:52,744 --> 01:15:56,511
OH, YOU WERE RIGHT, MOMMA. YOU WERE RIGHT.
1382
01:15:56,544 --> 01:15:59,311
OUR MARRIAGE WOULDN'T HAVE WORKED OUT AT ALL
1383
01:15:59,344 --> 01:16:02,411
LET'S FACE IT, SHE'S ABOUT AN INCH TOO TALL
1384
01:16:02,444 --> 01:16:06,710
WHAT DID I EVER SEE
1385
01:16:06,743 --> 01:16:11,677
IN HER
1386
01:16:13,742 --> 01:16:15,610
ARE YOU HAVING TROUBLE SLEEPING, DARLING
1387
01:16:19,810 --> 01:16:21,709
OF COURSE.
1388
01:16:22,642 --> 01:16:24,776
YOU WANT ME TO TELL YOU A STORY
1389
01:16:24,809 --> 01:16:26,709
NO.
1390
01:16:26,742 --> 01:16:29,209
HOW 'BOUT A LITTLE LULLABY
1391
01:16:29,243 --> 01:16:31,076
( sarcastically ) OH, PLEASE.
1392
01:16:32,776 --> 01:16:39,276
WYNKEN AND BLYNKEN AND NOD.
1393
01:16:39,310 --> 01:16:41,742
MOMMA, PLEASE DON'T SING.
1394
01:16:41,776 --> 01:16:44,708
ALL RIGHT. I'LL JUST HUM.
1395
01:16:46,076 --> 01:16:49,575
( humming )
1396
01:16:52,142 --> 01:16:54,076
I CAN'T SLEEP, MOMMA.
1397
01:16:56,342 --> 01:16:58,741
YOU WANNA COME DOWN AND LET ME RUB YOUR BACK
1398
01:16:58,775 --> 01:17:02,342
- PLEASE GO TO SLEEP. - MAYBE YOU WANT ME UP THERE AND RUB YOUR BACK.
1399
01:17:02,375 --> 01:17:04,275
GOOD NIGHT, MOMMA.
1400
01:17:04,309 --> 01:17:06,707
GOOD NIGHT, SONNY BOY.
1401
01:17:08,275 --> 01:17:10,607
( telephone ringing )
1402
01:17:13,541 --> 01:17:16,442
( ringing continuing )
1403
01:17:23,707 --> 01:17:24,707
YES
1404
01:17:24,740 --> 01:17:27,674
YES, THIS IS HIM-- HE-- HIM.
1405
01:17:29,206 --> 01:17:30,774
OH, HELLO, ED.
1406
01:17:30,807 --> 01:17:33,173
WELL, THAT IS VERY NICE OF YOU TO CALL.
1407
01:17:33,206 --> 01:17:37,539
WHAT OH, WELL, THAT WAS AN ACCIDENT, ED--
1408
01:17:37,572 --> 01:17:39,540
YOU KNOW, LIKE AN ACT OF GOD.
1409
01:17:39,573 --> 01:17:43,207
YES, I HEARD YOU. YOU'RE UPSET.
1410
01:17:43,241 --> 01:17:46,706
THE NETWORK'S UPSET. THE WHOLE COUNTRY'S UPSET.
1411
01:17:46,739 --> 01:17:48,639
WELL, UH... WELL, WELL, WELL...
1412
01:17:48,673 --> 01:17:52,307
I'M VERY SORRY, ED-- M-MR. SULLIVAN, SIR.
1413
01:17:52,340 --> 01:17:53,572
UH...
1414
01:17:56,739 --> 01:17:59,672
ROSIE, I NEED YOU.
1415
01:17:59,705 --> 01:18:01,706
SONNY BOY, WHERE ARE YOU GOING
1416
01:18:01,739 --> 01:18:03,505
I'M GOING OUT TO FIND ROSIE.
1417
01:18:03,538 --> 01:18:04,738
WHY
1418
01:18:04,772 --> 01:18:07,605
BECAUSE I LOVE HER AND I WANT HER BACK.
1419
01:18:07,638 --> 01:18:10,407
OH, IS THAT ALL
1420
01:18:10,440 --> 01:18:12,306
I THOUGHT IT WAS SOMETHING SERIOUS.
1421
01:18:12,339 --> 01:18:13,773
BY ALL MEANS, SONNY BOY,
1422
01:18:13,806 --> 01:18:16,039
FIND HER AND BRING HER BACK HERE.
1423
01:18:16,072 --> 01:18:19,605
BY THE WAY, DEAR, WHEN YOU GET BACK,
1424
01:18:19,638 --> 01:18:21,705
BE SURE TO STOP IN THE KITCHEN,
1425
01:18:21,738 --> 01:18:23,772
TAKE MY HEAD OUT OF THE OVEN,
1426
01:18:23,805 --> 01:18:26,438
AND TURN OFF THE GAS.
1427
01:18:28,571 --> 01:18:29,605
ONLY BEFORE YOU DO,
1428
01:18:29,638 --> 01:18:32,439
I BETTER GIVE YOU THE MESSAGE FROM CONRAD FIRST.
1429
01:18:32,471 --> 01:18:35,637
- WHAT MESSAGE - NOTHING TO WORRY ABOUT, DARLING.
1430
01:18:35,671 --> 01:18:37,737
HE JUST SAYS HE'S GOING OUT TONIGHT,
1431
01:18:37,771 --> 01:18:41,405
AND HE DOESN'T THINK HE'LL BE BACK IN TIME TO KISS KIM TOMORROW.
1432
01:18:41,438 --> 01:18:46,204
WHAT! MOMMA, WHY DIDN'T YOU TELL ME BEFORE
1433
01:18:46,238 --> 01:18:48,637
I TRIED TO, DARLING, BUT YOU KEPT BRINGING UP
1434
01:18:48,671 --> 01:18:51,004
A CERTAIN PARTY FROM SOUTH OF THE BORDER.
1435
01:18:51,038 --> 01:18:54,138
CONRAD! CONRAD, COME DOWNSTAIRS RIGHT NOW!
1436
01:18:56,703 --> 01:18:58,204
WHAT IS THE MATTER WITH HIM
1437
01:18:58,238 --> 01:18:59,671
HE KNOWS HOW IMPORTANT THIS IS.
1438
01:18:59,704 --> 01:19:01,670
MOMMA! MOMMA!
1439
01:19:01,703 --> 01:19:04,304
IT'S ELECTRIC! IT'S ELECTRIC.
1440
01:19:04,337 --> 01:19:06,170
JUST TAKE IT EASY. I'M COMING.
1441
01:19:06,203 --> 01:19:08,636
BEFORE YOU START TO HOLLER AT ME,
1442
01:19:08,670 --> 01:19:11,070
I WANT YOU TO KNOW I'VE MADE UP MY MIND.
1443
01:19:11,103 --> 01:19:13,736
I'M TIRED OF WAKING UP EVERY MORNING AT 9:00,
1444
01:19:13,770 --> 01:19:15,535
HAVING PEOPLE WATCH ME WHEN I EAT,
1445
01:19:15,568 --> 01:19:18,237
AND LETTING THAT KID GO POKING ME IN THE EYE.
1446
01:19:18,270 --> 01:19:21,103
I WANT TO GO OUT, I WANT TO HAVE SOME FUN,
1447
01:19:21,137 --> 01:19:23,336
I WANT TO FIND A COUPLE OF YOUNG CHICKS.
1448
01:19:23,369 --> 01:19:25,103
DON'T YOU GET IT, ALBERT
1449
01:19:25,137 --> 01:19:27,002
I AM TENSE.
1450
01:19:28,602 --> 01:19:31,969
MOMMA, DON'T JUST STAND THERE, DO SOMETHING.
1451
01:19:41,702 --> 01:19:43,336
CONRAD...
1452
01:19:43,369 --> 01:19:47,169
DID YOU EVER THINK IN TERMS OF A...
1453
01:19:47,202 --> 01:19:48,369
MORE MATURE WOMAN
1454
01:19:50,435 --> 01:19:51,635
Albert: MOMMA!
1455
01:19:55,567 --> 01:19:57,467
YOU CANNOT GO OUT WITHOUT MY PERMISSION.
1456
01:19:57,501 --> 01:20:00,602
IT'S IN YOUR CONTRACT. STAY THERE.
1457
01:20:00,635 --> 01:20:04,668
I'M SORRY, BUDDY, THIS IS MY LAST FREE NIGHT BEFORE I GO INTO THE ARMY.
1458
01:20:04,701 --> 01:20:07,035
I'M GOING OUT.
1459
01:20:09,567 --> 01:20:10,534
AH...
1460
01:20:10,567 --> 01:20:13,668
THERE ARE CHICKS
1461
01:20:13,701 --> 01:20:16,633
JUST RIPE FOR SOME KISSIN'
1462
01:20:16,667 --> 01:20:21,434
AND I MEAN TO KISS ME A FEW
1463
01:20:21,466 --> 01:20:24,134
MAN, THOSE CHICKS
1464
01:20:24,167 --> 01:20:27,566
DON'T KNOW WHAT THEY'RE MISSIN'
1465
01:20:27,600 --> 01:20:32,533
I GOT A LOT OF LIVIN' TO DO
1466
01:20:32,566 --> 01:20:35,066
SIZZLIN' STEAKS
1467
01:20:35,099 --> 01:20:37,533
ALL READY FOR TASTIN'
1468
01:20:37,566 --> 01:20:43,133
AND THERE'S CADILLACS ALL SHINY AND NEW
1469
01:20:43,166 --> 01:20:45,234
GOTTA MOVE
1470
01:20:45,267 --> 01:20:48,133
'CAUSE TIME IS A-WASTIN'
1471
01:20:48,166 --> 01:20:52,532
THERE'S SUCH A LOT OF LIVIN' TO DO
1472
01:20:52,565 --> 01:20:55,532
THERE ARE MEN
1473
01:20:55,565 --> 01:20:58,400
OF 19 OR 20
1474
01:20:58,433 --> 01:21:00,599
WHO ARE SUAVE
1475
01:21:00,632 --> 01:21:03,699
AND RECKLESS AND TRUE
1476
01:21:03,732 --> 01:21:06,032
OLDER MEN
1477
01:21:06,065 --> 01:21:08,632
WHO'LL GIVE A GIRL PLENTY
1478
01:21:08,666 --> 01:21:13,564
I'VE GOT A LOT OF LIVIN' TO DO
1479
01:21:15,098 --> 01:21:17,665
THERE'S MUSIC TO PLAY, PLACES TO GO
1480
01:21:17,698 --> 01:21:19,631
PEOPLE TO SEE
1481
01:21:19,665 --> 01:21:26,332
EVERYTHING FOR YOU AND ME...
1482
01:21:32,697 --> 01:21:34,598
HEY! HEY!
1483
01:21:34,631 --> 01:21:37,264
HEY, YOU KIDS LIVE AROUND HERE NOW, DON'T YOU
1484
01:21:37,298 --> 01:21:38,465
YES, MR. BIRDIE!
1485
01:21:38,498 --> 01:21:39,697
WHAT'S THE LOW-DOWN ON THIS TOWN
1486
01:21:39,730 --> 01:21:41,597
WHERE DO YOU GO TO HAVE A BALL
1487
01:21:41,630 --> 01:21:44,764
WELL, THERE'S THE CHURCH BASEMENT
1488
01:21:44,797 --> 01:21:46,564
AND THE SWEET SHOP.
1489
01:21:46,598 --> 01:21:49,398
- THE OLDER KIDS GO TO THE ICEHOUSE. - YEAH WHY
1490
01:21:49,431 --> 01:21:51,664
- WHAT'S THERE - IT HAPPENS, MR. BIRDIE,
1491
01:21:51,697 --> 01:21:53,563
THE ICEHOUSE IS WHERE THEY GO
1492
01:21:53,597 --> 01:21:55,630
WHEN THEY WANT TO BE ALONE.
1493
01:21:55,664 --> 01:21:58,663
HEY, YOU'RE THAT CHICK I WAS SUPPOSED TO KISS.
1494
01:21:58,696 --> 01:22:02,031
I AM NOT A CHICK. I'M A FULLY GROWN WOMAN,
1495
01:22:02,064 --> 01:22:04,597
AND I INSIST ON BEING TREATED AS SUCH.
1496
01:22:04,630 --> 01:22:07,063
AS A MATTER OF FACT, THAT'S WHY I'M LEAVING HOME.
1497
01:22:07,096 --> 01:22:10,696
NOW YOU'RE TALKING! COME ON, LET'S MOVE. WE GOT THINGS TO DO.
1498
01:22:13,763 --> 01:22:16,230
CRAZY CLOTHES
1499
01:22:16,263 --> 01:22:19,163
AND MOTORBOAT RACES
1500
01:22:19,196 --> 01:22:21,595
SOMEONE NICE
1501
01:22:21,628 --> 01:22:24,529
TO CUDDLE UP TO
1502
01:22:24,562 --> 01:22:27,063
BROADWAY LIGHTS
1503
01:22:27,096 --> 01:22:29,995
AND WIDE-OPEN SPACES
1504
01:22:30,029 --> 01:22:35,163
THERE'S SUCH A LOT OF LIVIN' TO DO
1505
01:22:35,196 --> 01:22:37,162
LOTS OF DATES
1506
01:22:37,195 --> 01:22:39,763
- AND NO ONE TO SCOLD YOU - Girl: OH YEAH!
1507
01:22:39,796 --> 01:22:42,396
LOOP-THE-LOOP
1508
01:22:42,429 --> 01:22:45,329
AND LAUGH AT THE VIEW
1509
01:22:45,362 --> 01:22:47,728
MOONLIGHT SWIMS
1510
01:22:47,762 --> 01:22:50,329
AND SOMEONE TO HOLD YOU
1511
01:22:50,362 --> 01:22:55,994
YEAH, WE'VE GOT A LOT OF LIVIN' TO DO
1512
01:22:56,028 --> 01:22:59,560
THERE'S MUSIC TO PLAY, PLACES TO GO
1513
01:22:59,594 --> 01:23:01,560
PEOPLE TO SEE
1514
01:23:01,594 --> 01:23:03,560
EVERYTHING...
1515
01:23:03,594 --> 01:23:04,694
- YEAH! - OH!
1516
01:23:07,261 --> 01:23:09,627
( police radio chatter )
1517
01:23:23,493 --> 01:23:25,627
SHH.
1518
01:23:25,661 --> 01:23:28,661
( softly ) LIFE'S A BALL
1519
01:23:28,694 --> 01:23:32,526
IF ONLY YOU KNOW IT
1520
01:23:32,559 --> 01:23:35,093
AND IT'S ALL
1521
01:23:35,127 --> 01:23:38,093
JUST WAITING FOR YOU
1522
01:23:38,127 --> 01:23:40,593
( louder ) YOU'RE ALIVE
1523
01:23:40,626 --> 01:23:43,294
SO COME ON AND SHOW IT...
1524
01:23:43,327 --> 01:23:46,227
- YEAH! - WE'VE GOT A LOT OF LIVIN'
1525
01:23:46,260 --> 01:23:49,159
SUCH A LOT OF LIVIN'
1526
01:23:49,192 --> 01:23:53,558
WHAT A LOT OF LIVIN' TO
1527
01:23:53,592 --> 01:23:57,426
DO.
1528
01:24:07,624 --> 01:24:09,692
- KIM! - KIM
1529
01:24:09,725 --> 01:24:12,058
- KIM! - KIM!
1530
01:24:12,091 --> 01:24:14,293
KIM, WHERE ARE YOU
1531
01:24:14,326 --> 01:24:15,524
( bicycle bell rings )
1532
01:24:15,557 --> 01:24:19,025
HUGO, HAVE YOU SEEN KIM
1533
01:24:19,058 --> 01:24:21,625
DON'T ASK ME.
1534
01:24:21,659 --> 01:24:24,325
- ASK CONRAD BIRDIE. - WHAT'RE YOU TALKING ABOUT
1535
01:24:24,358 --> 01:24:26,624
THEY'RE OUT HAVING MOONLIGHT SWIMS
1536
01:24:26,658 --> 01:24:28,591
AND MOTORBOAT RACES AND LOOP-THE-LOOP.
1537
01:24:28,624 --> 01:24:30,225
MOONLIGHT SWIMS
1538
01:24:30,258 --> 01:24:32,091
MOTORBOAT RACES
1539
01:24:32,125 --> 01:24:34,091
AREN'T YOU GOING TO DO ANYTHING ABOUT IT!
1540
01:24:34,124 --> 01:24:35,724
I'M GOING TO DO THE SENSIBLE THING
1541
01:24:35,758 --> 01:24:37,258
AND DRINK MYSELF TO DEATH.
1542
01:24:38,291 --> 01:24:41,091
"LOOP-THE-LOOP," DORIS. GET MY GUN.
1543
01:24:41,125 --> 01:24:44,491
HARRY, WHAT ARE YOU TALKING ABOUT YOU DON'T OWN A GUN.
1544
01:24:44,524 --> 01:24:45,657
WHERE'S THAT DAISY AIR RIFLE
1545
01:24:45,690 --> 01:24:47,690
- DAD, IT'S MINE. - YOU SHUT UP!
1546
01:24:47,723 --> 01:24:50,957
WHERE CAN I BUY BBs THIS TIME OF NIGHT
1547
01:24:53,657 --> 01:24:55,623
HERE'S THE DAISY AIR RIFLE.
1548
01:24:55,657 --> 01:24:57,623
I THINK IT'S BROKEN.
1549
01:24:57,657 --> 01:25:00,590
THE BOW AND ARROW SET WITH THE SUCTION TIPS
1550
01:25:00,623 --> 01:25:02,391
I BOUGHT YOU LAST CHRISTMAS
1551
01:25:02,424 --> 01:25:03,490
DON'T JUST STAND THERE!
1552
01:25:03,523 --> 01:25:06,590
YOUR SISTER'S RUN OFF TO LOOP-THE-LOOP WITH A FIEND!
1553
01:25:06,623 --> 01:25:09,089
GET ME A WATER GUN!
1554
01:25:10,357 --> 01:25:12,323
( sighs ) KIDS
1555
01:25:12,356 --> 01:25:16,123
I DON'T KNOW WHAT'S WRONG WITH THESE KIDS TODAY
1556
01:25:16,156 --> 01:25:19,956
KIDS! WHO CAN UNDERSTAND ANYTHING THEY SAY
1557
01:25:21,123 --> 01:25:23,689
KIDS! THEY ARE DISOBEDIENT
1558
01:25:23,722 --> 01:25:26,156
DISRESPECTFUL OAFS
1559
01:25:26,189 --> 01:25:28,756
NOISY, CRAZY, SLOPPY, LAZY LOAFERS
1560
01:25:28,789 --> 01:25:31,055
AND WHILE WE'RE ON THE SUBJECT
1561
01:25:31,088 --> 01:25:35,355
KIDS! YOU CAN TALK AND TALK TILL YOUR FACE IS BLUE
1562
01:25:35,389 --> 01:25:39,222
KIDS! BUT THEY STILL DO JUST WHAT THEY WANT TO DO
1563
01:25:40,588 --> 01:25:42,755
WHY CAN'T THEY BE LIKE WE WERE
1564
01:25:42,788 --> 01:25:44,655
PERFECT IN EVERY WAY
1565
01:25:44,688 --> 01:25:48,554
WHAT'S THE MATTER WITH KIDS TODAY
1566
01:25:50,021 --> 01:25:51,588
KIDS!
1567
01:25:53,488 --> 01:25:55,488
I DON'T MIND THE MOONLIGHT SWIMS.
1568
01:25:55,521 --> 01:25:58,054
IT'S THE LOOP-THE-LOOP THAT HURTS. KIDS!
1569
01:26:00,588 --> 01:26:03,154
WHY DON'T THEY LOWER THAT DRAFT AGE TO ABOUT 11
1570
01:26:03,187 --> 01:26:04,621
KIDS!
1571
01:26:07,421 --> 01:26:10,687
I DIDN'T KNOW WHAT PUBERTY WAS TILL I WAS ALMOST PAST IT.
1572
01:26:10,720 --> 01:26:13,454
LAUGHING, SINGING, DANCING, GRINNING MORONS
1573
01:26:13,487 --> 01:26:15,520
AND WHILE WE'RE ON THE SUBJECT
1574
01:26:15,553 --> 01:26:19,454
KIDS! THEY ARE JUST IMPOSSIBLE TO CONTROL
1575
01:26:19,487 --> 01:26:24,087
KIDS! WITH THEIR AWFUL CLOTHES AND THEIR ROCK AND ROLL
1576
01:26:24,121 --> 01:26:27,421
WHY CAN'T THEY DANCE LIKE WE DID
1577
01:26:27,454 --> 01:26:29,287
IN A ROMANTIC WAY.
1578
01:26:29,320 --> 01:26:31,454
HEY, PA. I GOT A PEASHOOTER.
1579
01:26:31,487 --> 01:26:34,620
NOW, WHAT GOOD IS-- GIVE ME THIS THING.
1580
01:26:34,654 --> 01:26:41,653
WHAT'S THE MATTER WITH KIDS TODAY
1581
01:26:48,753 --> 01:26:51,119
WHAT TIME DOES THE MEETING START
1582
01:26:51,152 --> 01:26:53,519
SOON AS HE CLOSES UP.
1583
01:27:03,019 --> 01:27:04,652
( clears throat )
1584
01:27:07,119 --> 01:27:09,518
- YEAH - GIVE ME A DOUBLE SCOTCH ON THE ROCKS--
1585
01:27:09,551 --> 01:27:12,252
- HEAVY ON THE ROCKS. - HOW OLD ARE YOU
1586
01:27:12,286 --> 01:27:14,585
- 32. - GET OUTTA HERE!
1587
01:27:14,618 --> 01:27:17,584
- WHAT ABOUT A BEER - I SAID,
1588
01:27:17,617 --> 01:27:19,718
"GET OUTTA HERE."
1589
01:27:19,752 --> 01:27:22,118
LET ME SIT HERE WITH AN EMPTY GLASS.
1590
01:27:22,151 --> 01:27:23,585
I WON'T MAKE ANY NOISE.
1591
01:27:23,618 --> 01:27:24,618
COULD I HAVE SOME WATER
1592
01:27:24,652 --> 01:27:27,584
I'M THROWING YOU OUT THE BACK DOOR, YOU KNOW WHY
1593
01:27:27,617 --> 01:27:29,151
- WHY - 'CAUSE YOU'RE A MINOR.
1594
01:27:29,184 --> 01:27:32,517
OKAY, BUT THAT'S THE LAST TIME
1595
01:27:32,550 --> 01:27:35,451
I DO MY DRINKING IN THIS PLACE!
1596
01:27:38,550 --> 01:27:41,118
AND DON'T COME BACK UNTIL YOU'RE 32.
1597
01:27:47,617 --> 01:27:49,650
DOUBLE BOURBON!
1598
01:27:54,550 --> 01:27:55,750
SCOTCH ON THE SIDE.
1599
01:27:55,783 --> 01:27:58,350
GOT YOU, YEAH.
1600
01:28:02,250 --> 01:28:04,549
AND PUT A CHERRY IN IT.
1601
01:28:04,583 --> 01:28:06,083
A CHERRY
1602
01:28:06,117 --> 01:28:07,482
MAKE THAT TWO CHERRIES,
1603
01:28:07,515 --> 01:28:09,549
AND BRING ON THE DANCING BOYS.
1604
01:28:09,583 --> 01:28:13,250
ALVAREZ IS THE NAME. CALL ME SPANISH ROSE.
1605
01:28:13,284 --> 01:28:15,715
OH, CUANTO LA GUSTA, LA GUSTA, LA GUSTA
1606
01:28:15,749 --> 01:28:17,616
LA GUSTA, LA GUSTA, YAY...
1607
01:28:17,650 --> 01:28:20,649
- WOULD YOU HOLD IT DOWN, PLEASE - WAIT A MINUTE,
1608
01:28:20,682 --> 01:28:23,515
I HAVE A RIGHT TO HAVE A DRINK HERE IF I CHOOSE,
1609
01:28:23,548 --> 01:28:26,383
AND GET AS LOUD AS I WANT IF I CHOOSE!
1610
01:28:26,416 --> 01:28:28,482
THIS IS SPANISH ROSE'S COMING-OUT PARTY.
1611
01:28:28,515 --> 01:28:30,515
WHEN I SAY "COMING OUT," I MEAN COMING OUT!
1612
01:28:30,548 --> 01:28:33,681
LOOK, IF THERE'S A MAN INVOLVED,
1613
01:28:33,714 --> 01:28:35,016
IT'S NOT WORTH IT.
1614
01:28:35,049 --> 01:28:37,481
TROUBLE IS, HE'S NOT A MAN,
1615
01:28:37,514 --> 01:28:39,116
HE'S A MOMMA'S BOY.
1616
01:28:39,149 --> 01:28:40,548
OH, THAT'S BAD.
1617
01:28:40,582 --> 01:28:42,148
AND HIS MOMMA HATES ME.
1618
01:28:42,181 --> 01:28:45,015
MOMMA'S BOYS' MOMMAS ALWAYS DO. WHAT'S THE PROBLEM
1619
01:28:45,048 --> 01:28:49,181
I'M JUST A SPANISH TAMALE, SHE LOVES TO SAY
1620
01:28:49,215 --> 01:28:53,048
RIGHT OFF THE BOAT FROM THE TROPICS, FAR, FAR AWAY...
1621
01:28:53,081 --> 01:28:54,648
WHICH IS KIND OF FUNNY,
1622
01:28:54,681 --> 01:28:57,315
SINCE I COME FROM ROMANTIC, EXOTIC
1623
01:28:57,348 --> 01:29:00,580
PITTSBURGH, P.A...
1624
01:29:00,613 --> 01:29:02,514
OH, SHE THINKS I'M SPANISH
1625
01:29:02,547 --> 01:29:04,546
I COULD SHOW HER SPANISH--
1626
01:29:04,580 --> 01:29:07,580
IF I EVER MARRY THAT MOUSE.
1627
01:29:07,613 --> 01:29:11,747
I'LL COOK THE TACO AND THE ENCHILADA
1628
01:29:11,780 --> 01:29:14,980
AND DAY AND NIGHT MY CASTANETS WILL CLICK
1629
01:29:16,381 --> 01:29:20,114
THE ONLY SONG I'LL SING WILL BE "GRANADA"
1630
01:29:20,147 --> 01:29:23,713
I'LL BE SO SPANISH, IT WILL MAKE HER SICK
1631
01:29:23,747 --> 01:29:27,980
SHE'LL VISIT IN OUR COZY HACIENDA
1632
01:29:28,014 --> 01:29:31,646
MY RED-HOT CHILI, IT WILL MAKE HER CRY
1633
01:29:31,679 --> 01:29:35,612
THE DAIQUIRIS WILL POUR OUT OF MY BLENDER
1634
01:29:35,646 --> 01:29:39,280
AND THEN WE DANCE FLAMENCO, AY-YI-YI
1635
01:29:39,313 --> 01:29:43,380
WATCH OUT FOR THE WILD SPANISH ROSE
1636
01:29:43,413 --> 01:29:47,313
THE WICKEDEST FLOWER THAT GROWS
1637
01:29:47,346 --> 01:29:51,213
HER SKIRT, SHE IS SPLIT, HER HIPS NEVER QUIT
1638
01:29:51,246 --> 01:29:54,979
THAT SPITFIRE SPANISH ROSE
1639
01:30:10,778 --> 01:30:15,312
- HEY, MRS. P., BE MY MAMACITA... - ( kissing )
1640
01:30:15,345 --> 01:30:18,611
A REAL LATINA DAUGHTER I WILL BE
1641
01:30:18,645 --> 01:30:23,045
TOGETHER WE WILL SHOP AT THE BODEGA
1642
01:30:23,078 --> 01:30:25,711
THEN WATCH THE SPANISH CHANNEL ON TV...
1643
01:30:25,745 --> 01:30:27,510
HOLA.
1644
01:30:27,543 --> 01:30:30,678
AND THEN BEFORE LONG, I SUPPOSE
1645
01:30:30,711 --> 01:30:34,544
YOU'LL HELP US PICK OUT BABY CLOTHES
1646
01:30:34,578 --> 01:30:38,644
FOR JUAN AND ENRIQUE, ROSA, ANITA
1647
01:30:38,677 --> 01:30:42,677
JOSE AND CARMEN, JESUS, CONSUELO
1648
01:30:42,710 --> 01:30:46,576
MOMMA, YOU CAN BET YOUR BOTTOM PESO
1649
01:30:46,609 --> 01:30:50,643
SOMEDAY I MAKE HIM ONE TERRIFIC WIFE
1650
01:30:50,676 --> 01:30:53,609
IT GIVES ME MUCHO HAPPINESS TO SAY SO
1651
01:30:53,643 --> 01:30:58,043
WITH ME, YOUR SONNY BOY COULD HAVE A LIFE
1652
01:30:58,076 --> 01:31:01,976
SO, BOYS, NOW YOU'VE MET SPANISH ROSE
1653
01:31:02,010 --> 01:31:05,542
THE WICKEDEST FLOWER THAT GROWS
1654
01:31:05,576 --> 01:31:09,676
I'M WILD, AND I'M FREE, I'M WHAT I MUST BE
1655
01:31:09,709 --> 01:31:12,410
DON'T WORRY 'BOUT ME
1656
01:31:14,310 --> 01:31:15,976
SPANISH ROSE.
1657
01:31:19,443 --> 01:31:20,608
( telephone rings )
1658
01:31:20,642 --> 01:31:22,276
- HELLO. - YES,
1659
01:31:22,309 --> 01:31:23,975
THIS IS ALBERT J. PETERSON SPEAKING.
1660
01:31:24,009 --> 01:31:25,508
IS ROSE ALVAREZ THERE
1661
01:31:25,541 --> 01:31:27,643
- WHO - CUANTO, CUANTO LA GUSTA.
1662
01:31:27,676 --> 01:31:30,675
I THINK I HEAR HER. COULD YOU PUT HER ON THE PHONE
1663
01:31:30,708 --> 01:31:33,142
CUANTO, CUANTO LA GUSTA, LA GUSTA.
1664
01:31:33,175 --> 01:31:35,507
SOME GUY NAMED PETERSON WANTS TO TALK TO YOU.
1665
01:31:35,540 --> 01:31:39,174
TELL THAT WEASELY LITTLE RAT I'M NOT HERE.
1666
01:31:39,208 --> 01:31:42,575
THAT PROVES IT'S HER. WHO ELSE WOULD KNOW I'M A WEASELY LITTLE RAT
1667
01:31:44,607 --> 01:31:48,408
- WHAT - ROSE, I HAVE TO TALK TO YOU ABOUT CONRAD.
1668
01:31:48,441 --> 01:31:50,641
EVEN IF I WERE THIS "ROSE," WHICH I AM NOT,
1669
01:31:50,674 --> 01:31:53,208
THE ONE THING THAT WOULD MAKE ME HANG UP
1670
01:31:53,241 --> 01:31:55,174
IS ANY MENTION OF ANYONE NAMED CONRAD!
1671
01:31:55,208 --> 01:31:58,540
NO, ROSE, ROSE! PLEASE DON'T HANG UP. PLEASE DON'T HANG UP.
1672
01:31:58,574 --> 01:32:01,141
I WON'T MENTION CONRAD.
1673
01:32:01,174 --> 01:32:02,607
We can talk about anything--
1674
01:32:02,641 --> 01:32:05,641
you and me.
1675
01:32:05,674 --> 01:32:08,641
YOU AND I.
1676
01:32:08,674 --> 01:32:10,274
ANYTHING.
1677
01:32:12,441 --> 01:32:16,174
OH, ROSIE, PLEASE...
1678
01:32:16,208 --> 01:32:20,040
TALK TO ME, BABY
1679
01:32:20,073 --> 01:32:21,940
WON'T YOU TALK TO ME
1680
01:32:23,640 --> 01:32:26,573
I DON'T CARE WHAT YOU SAY
1681
01:32:27,740 --> 01:32:31,073
BABY, TALK TO ME
1682
01:32:33,306 --> 01:32:35,539
Must you be
1683
01:32:35,573 --> 01:32:39,539
Oh, so far away from me
1684
01:32:39,573 --> 01:32:43,639
IT SEEMS ALL WRONG THIS WAY
1685
01:32:43,672 --> 01:32:47,040
TALK TO ME
1686
01:32:48,538 --> 01:32:51,172
- AND IF YOU MISS ME - Mmm
1687
01:32:51,207 --> 01:32:53,373
Tell me so
1688
01:32:53,406 --> 01:32:55,438
- Are you lonely - Mmm
1689
01:32:55,471 --> 01:32:57,406
TELL ME SO
1690
01:32:57,439 --> 01:32:59,438
SAY YOU LOVE ME
1691
01:32:59,471 --> 01:33:01,406
TELL ME SO
1692
01:33:01,439 --> 01:33:02,439
HONEY
1693
01:33:02,472 --> 01:33:04,572
Honey
1694
01:33:04,605 --> 01:33:06,306
Let me know
1695
01:33:06,339 --> 01:33:07,504
Mmm
1696
01:33:07,537 --> 01:33:09,472
TALK TO ME
1697
01:33:09,505 --> 01:33:13,672
TILL I PRESS YOU CLOSE TO ME
1698
01:33:13,705 --> 01:33:16,071
THEN YOU'LL SEE
1699
01:33:16,105 --> 01:33:20,671
WE WON'T HAVE TO TALK AT ALL
1700
01:33:20,704 --> 01:33:22,471
Must you be
1701
01:33:22,504 --> 01:33:27,537
Oh, so far away from me, baby
1702
01:33:27,571 --> 01:33:31,438
- I DON'T CARE WHAT YOU SAY - Oh, baby, talk
1703
01:33:31,471 --> 01:33:32,504
TALK TO ME
1704
01:33:32,537 --> 01:33:35,638
Go on, what can you lose It ain't gonna hurt
1705
01:33:35,671 --> 01:33:40,305
- AND IF YOU MISS ME - Tell him so
1706
01:33:40,338 --> 01:33:42,204
ARE YOU LONELY
1707
01:33:42,237 --> 01:33:44,304
Baby, baby, tell him so
1708
01:33:44,337 --> 01:33:46,603
SAY YOU LOVE ME
1709
01:33:46,637 --> 01:33:48,502
TELL ME SO
1710
01:33:48,535 --> 01:33:52,636
Honey, honey
1711
01:33:52,669 --> 01:33:56,636
LET ME KNOW, TALK TO ME
1712
01:33:56,669 --> 01:34:01,169
TILL I PRESS YOU CLOSE TO ME
1713
01:34:01,203 --> 01:34:04,136
THEN YOU'LL SEE
1714
01:34:04,169 --> 01:34:12,270
WE WON'T HAVE TO TALK AT ALL
1715
01:34:12,303 --> 01:34:15,402
Till I press you close to me
1716
01:34:15,436 --> 01:34:18,534
Then you'll see
1717
01:34:18,568 --> 01:34:22,236
WE WON'T HAVE TO TALK...
1718
01:34:22,270 --> 01:34:24,202
Ahh
1719
01:34:24,235 --> 01:34:27,035
Ahh
1720
01:34:27,068 --> 01:34:30,035
AT ALL
1721
01:34:30,068 --> 01:34:32,302
Talk to me
1722
01:34:32,335 --> 01:34:34,534
Talk to me
1723
01:34:34,568 --> 01:34:37,202
Talk to me
1724
01:34:37,235 --> 01:34:41,567
Talk to me
1725
01:34:41,600 --> 01:34:44,235
All: HMMMMM.
1726
01:34:48,701 --> 01:34:51,935
ROSE, ARE YOU ALONE
1727
01:34:53,634 --> 01:34:55,402
NO, I'M NOT ALONE, ALBERT.
1728
01:34:55,435 --> 01:34:57,401
I'M WITH FRIENDS. THANK YOU.
1729
01:34:57,434 --> 01:34:58,667
SEE YOU LATER, BOYS.
1730
01:34:58,700 --> 01:35:00,334
"SEE YOU LATER, BOYS"
1731
01:35:00,368 --> 01:35:02,034
AND THAT'S ONLY THE BEGINNING, ALBERT.
1732
01:35:02,067 --> 01:35:03,967
FROM NOW ON, THE SKY'S THE LIMIT.
1733
01:35:04,001 --> 01:35:06,500
PARTIES, BALLS, DANCES...
1734
01:35:06,533 --> 01:35:09,667
OH, CUANTO, CUANTO LA GUSTA.
1735
01:35:10,734 --> 01:35:13,500
- ROSIE RO-- - ( clicking )
1736
01:35:13,533 --> 01:35:15,532
ROSIE ROSE!
1737
01:35:24,699 --> 01:35:28,000
- HEY, WHAT GOES ON IN THERE - THAT'S A PRIVATE ROOM.
1738
01:35:28,033 --> 01:35:32,267
- PRIVATE FOR WHOM - FOR MEN ONLY, THAT'S FOR WHOM.
1739
01:35:32,300 --> 01:35:35,499
LISTEN, LADY, FINISH UP YOUR DRINK NOW, OKAY
1740
01:35:35,532 --> 01:35:37,133
I'M TRYING TO CLOSE UP.
1741
01:35:45,466 --> 01:35:46,999
MEN ONLY, HUH
1742
01:35:47,032 --> 01:35:49,267
THAT'S EXACTLY WHAT I'M LOOKING FOR.
1743
01:35:59,099 --> 01:36:01,731
Bartender: GENTLEMEN, BY THE POWER VESTED IN ME,
1744
01:36:01,764 --> 01:36:04,399
I DO HEREBY DECLARE THIS WEEKLY MEETING
1745
01:36:04,432 --> 01:36:06,665
OF THE MYSTIC ORDER OF THE EAST
1746
01:36:06,698 --> 01:36:08,498
IN SESSION.
1747
01:36:08,531 --> 01:36:10,497
FIRST I'D LIKE TO REMIND YOU
1748
01:36:10,530 --> 01:36:14,198
ABOUT OUR ANNUAL WEENIE ROAST ON AUGUST 4th,
1749
01:36:14,231 --> 01:36:16,398
AND TO THANK DRUCKER'S MEAT MARKET
1750
01:36:16,431 --> 01:36:18,298
FOR DONATING THE WEENIES.
1751
01:36:18,331 --> 01:36:20,231
NOW I'D LIKE TO BRING UP A SUBJECT
1752
01:36:20,265 --> 01:36:22,964
THAT I'M SURE IS ON EVERYBODY'S MIND TONIGHT.
1753
01:36:22,998 --> 01:36:26,298
IT'S A SUBJECT THAT'S DIFFICULT TO EXPRESS--
1754
01:36:26,331 --> 01:36:27,663
( Middle-Eastern music playing )
1755
01:37:24,728 --> 01:37:26,196
( growls )
1756
01:38:38,326 --> 01:38:40,691
( music fades out )
1757
01:38:57,125 --> 01:38:58,925
( music continues )
1758
01:39:07,224 --> 01:39:09,058
( groans, screams )
1759
01:39:14,292 --> 01:39:16,657
( shouting, screaming )
1760
01:39:30,124 --> 01:39:32,157
( screaming )
1761
01:39:40,191 --> 01:39:41,257
HEY!
1762
01:39:43,523 --> 01:39:44,557
HEY!
1763
01:39:47,689 --> 01:39:48,624
HEY!
1764
01:39:51,023 --> 01:39:52,056
HEY!
1765
01:39:53,390 --> 01:39:54,489
HEY!
1766
01:39:55,522 --> 01:39:56,588
HIYA!
1767
01:39:59,656 --> 01:40:00,521
HA!
1768
01:40:26,488 --> 01:40:27,587
HEY!
1769
01:41:06,987 --> 01:41:08,221
HEY!
1770
01:41:14,387 --> 01:41:18,254
WHEN I SING ABOUT A TREE
1771
01:41:20,585 --> 01:41:22,953
I REALLY FEEL THAT TREE
1772
01:41:26,519 --> 01:41:34,086
WHEN I SING ABOUT A GIRL, I REALLY FEEL THAT GIRL
1773
01:41:34,119 --> 01:41:42,086
I MEAN, I REALLY FEEL SINCERE.
1774
01:41:42,119 --> 01:41:44,253
( men shouting )
1775
01:41:47,719 --> 01:41:50,252
- SORRY. - OH, THANKS.
1776
01:41:50,285 --> 01:41:53,086
HUGO, WHAT ARE YOU DOING HERE
1777
01:41:53,119 --> 01:41:55,517
MY WHOLE WORLD IS COLLAPSING BEFORE ME.
1778
01:41:55,551 --> 01:41:57,419
KIM HAS RUN OFF WITH CONRAD BIRDIE.
1779
01:41:57,452 --> 01:41:59,218
( gasps ) WHERE'D THEY GO
1780
01:41:59,252 --> 01:42:01,718
MY GREATEST FEAR IS THEY'VE GONE TO THE ICEHOUSE.
1781
01:42:01,751 --> 01:42:04,484
WELL, LET'S GO.
1782
01:42:04,517 --> 01:42:06,118
RIGHT, HOP ON.
1783
01:42:17,417 --> 01:42:20,550
I DON'T KNOW WHY WE HAVE TO RUN AROUND LOOKING FOR SOMEONE
1784
01:42:20,583 --> 01:42:22,516
IT WOULD BE BETTER NOT TO FIND.
1785
01:42:22,550 --> 01:42:25,583
LISTEN TO ME, SONNY BOY, COME HOME, HAVE A CUP OF POSTUM
1786
01:42:25,617 --> 01:42:26,750
AND GO TO BED.
1787
01:42:26,783 --> 01:42:29,950
I TOLD YOU I'M NOT COMING HOME UNTIL I FIND ROSIE.
1788
01:42:29,984 --> 01:42:32,650
IF YOU WANT TO GO BACK HOME, IT'S FINE.
1789
01:42:32,683 --> 01:42:35,351
IT'S NOT A BAD IDEA. WHY DON'T YOU GO HOME, MOMMA
1790
01:42:37,084 --> 01:42:38,583
WHAT DID YOU SAY, DARLING SWEETHEART
1791
01:42:38,617 --> 01:42:41,683
I SAID, "WHY DON'T YOU GO HOME, MOMMA"
1792
01:42:43,649 --> 01:42:47,016
WOULD YOU MIND REPEATING THAT ONCE MORE, SUNSHINE OF MY EXISTENCE
1793
01:42:47,049 --> 01:42:50,284
I SAID, "GO HOME, MOMMA."
1794
01:42:51,682 --> 01:42:53,616
I DON'T NEED YOU ANYMORE.
1795
01:42:57,083 --> 01:42:59,983
SO IT'S COME AT LAST.
1796
01:43:00,016 --> 01:43:02,315
AT LAST, IT'S COME.
1797
01:43:02,349 --> 01:43:05,582
THE DAY I KNEW WOULD COME AT LAST HAS COME AT LAST.
1798
01:43:05,616 --> 01:43:08,682
MY SONNY BOY DOESN'T NEED ME ANY LONGER.
1799
01:43:21,449 --> 01:43:22,948
WELL, WHAT ARE YOU WAITING FOR
1800
01:43:22,982 --> 01:43:24,715
GET RID OF ME.
1801
01:43:24,748 --> 01:43:27,449
PUT ME OUT WITH THE GARBAGE.
1802
01:43:27,481 --> 01:43:31,148
JUST THROW ME OUT WITH THE USED GRAPEFRUITS
1803
01:43:31,182 --> 01:43:33,982
AND THE EMPTY CANS FROM THE TUNA FISH.
1804
01:43:34,015 --> 01:43:36,680
AND NEVER MIND PUTTING THE LID ON--
1805
01:43:36,714 --> 01:43:38,047
LEAVE IT OFF
1806
01:43:38,081 --> 01:43:40,181
SO A 100,000 PUSSYCATS
1807
01:43:40,214 --> 01:43:42,448
CAN WALK ALL OVER A MOTHER!
1808
01:43:42,480 --> 01:43:45,714
WHO BRONZED YOUR BABY SHOES,
1809
01:43:45,747 --> 01:43:49,214
KISSED EVERY LITTLE BRUISE
1810
01:43:50,714 --> 01:43:56,214
PICKED YOUR DIRTY SOCKS UP OFF THE FLOOR
1811
01:43:58,614 --> 01:44:02,480
YOU COUGHED AND WHO WAS THERE
1812
01:44:02,513 --> 01:44:06,614
IT'S JUST TOO HARD TO BEAR
1813
01:44:06,647 --> 01:44:11,579
A MOTHER DOESN'T MATTER ANYMORE
1814
01:44:14,679 --> 01:44:18,046
WITH BUNIONS ON MY FEET
1815
01:44:18,080 --> 01:44:22,045
I TRUDGED THROUGH SNOW AND SLEET
1816
01:44:22,079 --> 01:44:26,678
TO BRING YOU LICORICE FROM THE CORNER STORE
1817
01:44:29,413 --> 01:44:33,080
I SOLD MY TIFFANY LAMP
1818
01:44:33,113 --> 01:44:35,645
SO YOU COULD GO TO CAMP
1819
01:44:35,678 --> 01:44:37,279
MOMMA.
1820
01:44:37,312 --> 01:44:41,945
NOW A MOTHER DOESN'T MATTER ANYMORE...
1821
01:44:43,045 --> 01:44:45,145
THAT'S IT. I'M READY TO GO.
1822
01:44:45,179 --> 01:44:48,145
AND I DON'T WANT YOU TO SPEND A CENT.
1823
01:44:48,179 --> 01:44:50,545
FANCY FUNERALS ARE FOR RICH PEOPLE.
1824
01:44:50,578 --> 01:44:52,510
JUST WRAP ME IN A FLAG
1825
01:44:52,544 --> 01:44:55,612
AND DUMP ME IN THE RIVER ON MOTHER'S DAY.
1826
01:44:55,645 --> 01:44:58,511
AND, PRECIOUS, BY THE WAY
1827
01:44:58,545 --> 01:45:01,510
THE DOCTOR CALLED TODAY
1828
01:45:01,544 --> 01:45:05,345
- MOMMA. - WHAT I GOT'S A CONDITION
1829
01:45:05,378 --> 01:45:07,145
YES, HE'S SURE
1830
01:45:08,978 --> 01:45:12,445
THERE'S NOTHING THEY CAN DO
1831
01:45:12,477 --> 01:45:14,510
I'LL LAST A WEEK
1832
01:45:14,544 --> 01:45:16,245
OR TWO
1833
01:45:16,278 --> 01:45:21,278
BECAUSE FOR A CONDITION THERE'S NO CURE
1834
01:45:22,510 --> 01:45:25,978
THAT TIME YOU CAUGHT THE CROUP
1835
01:45:26,011 --> 01:45:29,544
WHO MADE YOU CHICKEN SOUP
1836
01:45:29,577 --> 01:45:31,610
AND READ YOU "BAMBI"
1837
01:45:31,643 --> 01:45:34,444
TILL HER THROAT WAS SORE
1838
01:45:35,977 --> 01:45:39,310
YOU SACRIFICE YOUR LIFE
1839
01:45:39,344 --> 01:45:43,576
THEN BANG! YOU GET THE KNIFE
1840
01:45:43,610 --> 01:45:49,043
NO, A MOTHER DOESN'T MATTER ANYMORE...
1841
01:45:50,176 --> 01:45:51,977
- ( groans ) - AH.
1842
01:45:52,010 --> 01:45:54,675
THERE, I FEEL BETTER NOW.
1843
01:45:54,709 --> 01:45:57,309
EVERYTHING IS AS IT SHOULD BE.
1844
01:45:57,343 --> 01:45:59,709
A MOTHER IS LYING ON TOP OF A SANITATION TRUCK
1845
01:45:59,742 --> 01:46:01,376
BOUND FOR THE CITY DUMP,
1846
01:46:01,409 --> 01:46:04,142
AND A SON IS RUNNING AROUND WITH A FLOOZY
1847
01:46:04,176 --> 01:46:06,309
WHO CAME LOOKING FOR A GOOD TIME
1848
01:46:06,343 --> 01:46:10,076
AND STAYED TO RUIN AN AMERICAN WOMAN'S LIFE.
1849
01:46:10,109 --> 01:46:12,674
WHO GAVE UP NIGHTS OF REST
1850
01:46:12,708 --> 01:46:17,175
TO RUB VICKS ON YOUR CHEST
1851
01:46:17,208 --> 01:46:19,674
WHO NURSED HER SONNY BOY
1852
01:46:19,708 --> 01:46:22,309
TILL HE WAS 4
1853
01:46:23,674 --> 01:46:26,408
MY LIFE HAS BEEN IN VAIN
1854
01:46:26,442 --> 01:46:30,008
THIS COUNTRY'S DOWN THE DRAIN
1855
01:46:30,041 --> 01:46:32,608
'CAUSE A MOTHER DOESN'T MATTER
1856
01:46:32,641 --> 01:46:36,041
NO, A MOTHER DOESN'T MATTER
1857
01:46:36,075 --> 01:46:45,574
YES, A MOTHER DOESN'T MATTER ANYMORE.
1858
01:46:55,573 --> 01:46:57,307
ARE YOU FINISHED, MOMMA
1859
01:46:57,341 --> 01:47:00,506
YES, SONNY BOY.
1860
01:47:02,707 --> 01:47:04,573
GOOD NIGHT, MOMMA.
1861
01:47:06,373 --> 01:47:07,640
GOOD NIGHT, SONNY BOY.
1862
01:47:12,672 --> 01:47:17,539
MY NAME IS NOT "SONNY BOY."
1863
01:47:25,139 --> 01:47:26,606
GOOD NIGHT, ALBERT.
1864
01:47:30,340 --> 01:47:32,471
GOOD NIGHT, MOMMA.
1865
01:47:36,605 --> 01:47:38,639
YOU'RE JUST LIKE YOUR FATHER!
1866
01:47:38,672 --> 01:47:40,605
YOU'D MARRY ANYTHING!
1867
01:47:53,439 --> 01:47:54,971
( crying )
1868
01:48:08,972 --> 01:48:10,503
WELL,THIS IS THE ICEHOUSE.
1869
01:48:10,537 --> 01:48:12,004
WHAT'S IN THERE
1870
01:48:12,037 --> 01:48:13,537
I DON'T KNOW, ICE, I GUESS.
1871
01:48:20,670 --> 01:48:22,238
ROSE
1872
01:48:23,637 --> 01:48:25,669
ROSIE!
1873
01:48:27,037 --> 01:48:28,004
ROSE!
1874
01:48:38,003 --> 01:48:39,103
ROSIE
1875
01:48:46,970 --> 01:48:48,436
( people shouting )
1876
01:48:50,170 --> 01:48:53,370
URSULA'S GONE-- DISAPPEARED!
1877
01:48:53,403 --> 01:48:55,935
SHE LEFT THE DINNER TABLE WITHOUT EATING DESSERT.
1878
01:48:55,969 --> 01:48:57,437
I THOUGHT HARVEY WAS DOING HIS HOMEWORK.
1879
01:48:57,469 --> 01:48:59,501
HE'S WORKING ON A SCHOLARSHIP TO URSINUS.
1880
01:48:59,535 --> 01:49:02,170
WHAT'S GOTTEN INTO KIM SHE'S A STRAIGHT A STUDENT.
1881
01:49:02,203 --> 01:49:04,702
- WE'VE GOT TO DO SOMETHING. - SHOULD WE DRAG THE RIVER
1882
01:49:04,735 --> 01:49:06,702
- WHAT'RE WE GONNA DO - THE SHERIFF'S OUT OF TOWN
1883
01:49:06,735 --> 01:49:08,501
AT A POLICE CONVENTION IN TOLEDO.
1884
01:49:08,535 --> 01:49:11,269
- SHOULD WE DRAG THE RIVER - WHAT ARE YOU ALL DOING HERE
1885
01:49:11,302 --> 01:49:14,301
CONRAD BIRDIE HAS RUN OFF WITH MY KIM.
1886
01:49:14,335 --> 01:49:16,135
IF I DON'T FIND THEM VERY SOON,
1887
01:49:16,169 --> 01:49:18,168
I INTEND TO CALL THE FBI.
1888
01:49:18,201 --> 01:49:20,002
NO, I'M GOING TO CALL THE CIA!
1889
01:49:20,035 --> 01:49:22,134
WHO'S THE HEAD, DEAR IS IT STILL PETER LAWFORD
1890
01:49:22,168 --> 01:49:24,635
WAIT A MINUTE! HOW DO YOU KNOW ALL THIS
1891
01:49:24,668 --> 01:49:27,401
HUGO PEABODY TOLD US THEY'D RUN OFF TOGETHER.
1892
01:49:27,435 --> 01:49:31,934
- I'M SURE IT'S NOT TRUE. - I'M SURE HE'S ABDUCTED HER, AS WELL.
1893
01:49:31,968 --> 01:49:33,134
I KNOW THAT'S NOT TRUE!
1894
01:49:33,168 --> 01:49:34,701
THEY'RE PROBABLY DOWN AT THE SWEET SHOP
1895
01:49:34,734 --> 01:49:36,335
HAVING A MALTED OR A PHOSPHATE.
1896
01:49:36,368 --> 01:49:38,401
- PHOSPHATE! - THE SWEET SHOP IS CLOSED.
1897
01:49:38,435 --> 01:49:39,934
WHAT ABOUT THE DAIRY QUEEN
1898
01:49:39,968 --> 01:49:42,634
CONRAD BIRDIE IS TURNING SWEET APPLE INTO A SLUM!
1899
01:49:42,667 --> 01:49:46,067
- ( shouting ) - ROSIE!
1900
01:49:46,100 --> 01:49:49,000
ROSIE, WHAT HAPPENED TO YOUR BLOUSE
1901
01:49:49,033 --> 01:49:50,701
WHAT'RE YOU DOING WITH A GUITAR
1902
01:49:50,734 --> 01:49:53,367
ALBERT, KIM AND CONRAD ARE AT THE ICEHOUSE.
1903
01:49:53,400 --> 01:49:55,000
WHAT IS THAT, A NIGHT CLUB
1904
01:49:55,034 --> 01:49:56,499
- NO, IT'S AN ICEHOUSE. - THE ICEHOUSE
1905
01:49:56,533 --> 01:49:58,434
- THE ICEHOUSE. - THE ICEHOUSE
1906
01:49:58,466 --> 01:50:00,666
- THE ICEHOUSE. - THE ICEHOUSE
1907
01:50:00,700 --> 01:50:03,267
DORIS, CALL OUT THE NATIONAL GUARD
1908
01:50:03,300 --> 01:50:05,000
AND THE R.O.T.C.!
1909
01:50:05,033 --> 01:50:07,966
CALL MR. KEEN, TRACER OF LOST PERSONS!
1910
01:50:07,999 --> 01:50:08,800
CALL THE SHADOW!
1911
01:50:08,833 --> 01:50:12,266
LOOK HIM UP UNDER LAMONT CRANSTON!
1912
01:50:16,066 --> 01:50:17,633
WHOO!
1913
01:50:17,666 --> 01:50:19,599
TO THE ICEHOUSE!
1914
01:50:33,433 --> 01:50:35,366
( angry shouting )
1915
01:50:44,032 --> 01:50:45,931
( cheering, laughing )
1916
01:51:43,996 --> 01:51:45,063
( softly ) THE ICEHOUSE!
1917
01:51:50,529 --> 01:51:53,561
( coughing )
1918
01:52:02,628 --> 01:52:05,095
WELL...
1919
01:52:05,128 --> 01:52:06,962
HERE WE ARE.
1920
01:52:11,062 --> 01:52:12,628
THIS IS THE ICEHOUSE.
1921
01:52:18,295 --> 01:52:20,094
IT'S FUN, ISN'T IT
1922
01:52:32,328 --> 01:52:35,894
( siren wailing )
1923
01:52:39,727 --> 01:52:44,894
WELL, WHEN YOU'VE BEEN HERE AS MANY TIMES AS I HAVE...
1924
01:52:53,560 --> 01:52:56,659
CONRAD, YOU SEEM A BIT NERVOUS.
1925
01:52:58,459 --> 01:53:01,026
MAYBE A DRAG ON THIS WEED WOULD HELP RELAX YOU.
1926
01:53:06,126 --> 01:53:09,692
HOW ABOUT ONE OF THOSE REEFERS I'VE READ SO MUCH ABOUT
1927
01:53:09,725 --> 01:53:12,559
I COULD GO OUT AND GET YOU A FIX...
1928
01:53:12,593 --> 01:53:14,492
IF YOU TELL ME WHAT IT IS.
1929
01:53:15,659 --> 01:53:18,960
( spits )
1930
01:53:20,726 --> 01:53:24,193
WHEN YOU'VE HAD A DONKEY ON YOUR BACK AS LONG AS I HAVE...
1931
01:53:26,059 --> 01:53:30,658
SO YOU SEE, I REALLY KNOW THE SCORE.
1932
01:53:30,692 --> 01:53:32,558
I EVEN KNOW SOME OF THE WORDS!
1933
01:53:35,625 --> 01:53:37,392
"CONNUBIAN."
1934
01:53:37,426 --> 01:53:39,625
"PRE-MARRY-AL."
1935
01:53:39,658 --> 01:53:41,326
JAILBAIT.
1936
01:53:41,359 --> 01:53:43,691
THERE YOU ARE, O SENSUOUS ONE!
1937
01:53:43,724 --> 01:53:45,625
WE'VE BEEN LOOKING FOR YOU EVERYWHERE!
1938
01:53:45,658 --> 01:53:47,958
THAT'S NICE. I THINK GOT TO GO NOW.
1939
01:53:47,991 --> 01:53:49,992
YOU DON'T UNDERSTAND-- WE'RE COMING WITH YOU.
1940
01:53:50,025 --> 01:53:52,991
YOU SAID IT-- WE'VE GOT A LOT OF LIVING TO DO!
1941
01:53:53,024 --> 01:53:55,991
- WAIT, WAIT. - WE'LL NEVER GO HOME AGAIN!
1942
01:53:56,024 --> 01:53:57,991
KIM, ARE YOU ALL RIGHT
1943
01:53:58,024 --> 01:54:00,691
OH, HUGO, I'M SO GLAD TO SEE YOU.
1944
01:54:00,724 --> 01:54:02,990
IT'S OKAY. IT'S OKAY.
1945
01:54:03,023 --> 01:54:05,657
LOOK, I'M YOUR STEADY.
1946
01:54:05,691 --> 01:54:07,958
( girls screaming )
1947
01:54:09,325 --> 01:54:13,225
NO, LISTEN. THAT STUFF IS NOT AS MUCH FUN AS IT SOUNDS.
1948
01:54:13,258 --> 01:54:15,157
LET'S HAVE AN ORGY!
1949
01:54:15,190 --> 01:54:17,225
( screaming )
1950
01:54:42,256 --> 01:54:44,423
( screaming )
1951
01:54:49,655 --> 01:54:52,022
THANK GOD YOU CAME!
1952
01:54:58,455 --> 01:55:01,356
OFFICER, ARREST THIS MAN!
1953
01:55:03,089 --> 01:55:05,021
OFFICER, YOU CANNOT ARREST THIS MAN!
1954
01:55:05,055 --> 01:55:07,454
- WHAT'RE YOU TALKING ABOUT - HE IS A FORMER EAGLE SCOUT
1955
01:55:07,487 --> 01:55:08,688
AND A SOON-TO-BE VETERAN.
1956
01:55:08,721 --> 01:55:11,188
HE IS A ROLE MODEL FOR THE YOUTH.
1957
01:55:11,222 --> 01:55:13,021
ALBERT, LET ME HANDLE THIS.
1958
01:55:13,055 --> 01:55:14,988
MR. MacAFEE, DO NOT ARREST HIM!
1959
01:55:15,021 --> 01:55:16,955
THIS IS ALBERT J. PETERSON SPEAKING!
1960
01:55:22,954 --> 01:55:25,955
WHY DON'T YOU GO BACK TO THE HOUSE
1961
01:55:25,987 --> 01:55:28,654
I'LL GO TO THE COURTHOUSE AND TALK TO THE MAYOR.
1962
01:55:28,688 --> 01:55:31,520
I DON'T THINK YOU UNDERSTAND. THIS IS THE NEW ALBERT.
1963
01:55:31,553 --> 01:55:33,587
I JUST TOLD MOMMA TO GO HOME!
1964
01:55:33,620 --> 01:55:36,454
- ALBERT, YOU DIDN'T! - OH YES, I DID.
1965
01:55:38,421 --> 01:55:42,321
I TOOK A GIANT STEP
1966
01:55:42,354 --> 01:55:44,653
I'M MIGHTY PROUD OF ME
1967
01:55:44,687 --> 01:55:48,986
TODAY I AM THE MAN I HAD TO BE
1968
01:55:49,019 --> 01:55:53,353
THOSE APRON STRINGS AT LAST ARE CUT
1969
01:55:53,386 --> 01:55:55,453
IT'S LIKE I GREW SOME WINGS
1970
01:55:55,486 --> 01:55:58,153
AND FLEW OUT OF MY OEDIPAL RUT
1971
01:55:58,186 --> 01:56:00,386
I LEAPED A GIANT LEAP
1972
01:56:00,420 --> 01:56:02,619
I MADE THE WINNING PLAY
1973
01:56:02,652 --> 01:56:04,686
IT AIN'T JULY, BUT HEY
1974
01:56:04,719 --> 01:56:06,986
IT'S INDEPENDENCE DAY
1975
01:56:07,019 --> 01:56:11,086
NO MORE "SONNY BOY," IT'S MR. ALBERT P.
1976
01:56:11,119 --> 01:56:13,320
I TOOK A GIANT STEP
1977
01:56:13,353 --> 01:56:15,518
A SELF-RELIANT STEP
1978
01:56:15,551 --> 01:56:18,686
A BRAVE, DEFIANT STEP
1979
01:56:18,719 --> 01:56:22,519
AND I'M FREE!
1980
01:56:28,018 --> 01:56:30,119
I CLIMBED A GIANT PEAK
1981
01:56:30,153 --> 01:56:31,952
A DARING THING TO DO
1982
01:56:31,985 --> 01:56:36,385
I'M WAY UP HIGH, OH, ROSIE, WHAT A VIEW
1983
01:56:36,419 --> 01:56:39,618
I SEE THE FUTURE AND IT'S BRIGHT
1984
01:56:39,651 --> 01:56:43,052
IT'S NO MORE, "MOMMA, ANYTHING YOU SAY"
1985
01:56:43,085 --> 01:56:44,651
FROM MORNING TO NIGHT
1986
01:56:44,685 --> 01:56:46,550
I TOOK A GIANT STEP
1987
01:56:46,584 --> 01:56:48,651
A WIMPY KID NO MORE
1988
01:56:48,685 --> 01:56:53,384
YOU NEVER SAW A TURNAROUND LIKE THIS BEFORE
1989
01:56:53,418 --> 01:56:57,052
IT'S JUST ONE SMALL STEP FOR MANKIND
1990
01:56:57,084 --> 01:56:59,984
BUT FOR ME
1991
01:57:00,017 --> 01:57:04,916
IT WAS A FORCEFUL STEP
1992
01:57:04,951 --> 01:57:06,984
A MOST RESOURCEFUL STEP
1993
01:57:07,017 --> 01:57:09,317
A BOLD AND BRASSY STEP
1994
01:57:09,350 --> 01:57:11,184
A SASSY, CLASSY STEP
1995
01:57:11,218 --> 01:57:13,083
A SELF-RELIANT STEP
1996
01:57:13,116 --> 01:57:15,218
A BRAVE, DEFIANT STEP
1997
01:57:15,251 --> 01:57:18,450
I TOOK A GIANT STEP
1998
01:57:18,483 --> 01:57:25,916
AND I'M FREE!
1999
01:57:25,950 --> 01:57:27,983
FREE!
2000
01:57:28,016 --> 01:57:29,217
OH!
2001
01:57:30,217 --> 01:57:32,150
ALBERT, OH, THAT'S TERRIFIC.
2002
01:57:32,183 --> 01:57:34,050
I'M GOING TO GO TO THE COURTHOUSE--
2003
01:57:34,083 --> 01:57:37,183
NO, ROSE. THE NEW ALBERT IS GONNA GO TO THE COURTHOUSE
2004
01:57:37,217 --> 01:57:39,216
AND DEAL WITH THE MAYOR. I'D APPRECIATE IT
2005
01:57:39,249 --> 01:57:41,183
IF YOU'D MEET ME AT THE TRAIN STATION
2006
01:57:41,217 --> 01:57:43,115
AT 6:30 TOMORROW MORNING.
2007
01:57:43,149 --> 01:57:45,150
I INTEND TO BE THERE WITH CONRAD.
2008
01:57:49,950 --> 01:57:51,548
BY THE WAY, ROSE,
2009
01:57:51,582 --> 01:57:54,949
HAVE I EVER MENTIONED THAT I LOVE YOU
2010
01:57:57,316 --> 01:57:59,382
NO, YOU HAVEN'T.
2011
01:58:02,982 --> 01:58:04,882
WELL, I DO.
2012
01:58:19,647 --> 01:58:23,081
ABOUT THAT DREAM OF HIM AND ME
2013
01:58:23,114 --> 01:58:25,614
IN SOME LITTLE TOWN
2014
01:58:25,647 --> 01:58:28,646
I SEE THE SIGNS
2015
01:58:28,680 --> 01:58:32,947
HE'S COMIN' 'ROUND
2016
01:58:32,980 --> 01:58:38,315
TO A SONG WE CAN SING CALLED "HAPPILY EVER AFTER"
2017
01:58:38,348 --> 01:58:40,479
QUIET TALKS BY THE FIRE
2018
01:58:40,513 --> 01:58:43,913
AND A LIFETIME OF LAUGHTER
2019
01:58:43,947 --> 01:58:46,546
OH, CAN IT BE HE'S READY
2020
01:58:46,580 --> 01:58:51,213
TO SETTLE DOWN
2021
01:58:51,246 --> 01:58:54,946
JUST TAKE THAT ONE LAST GIANT STEP
2022
01:58:54,979 --> 01:58:57,680
AND YOU'LL SEE WE'VE FOUND
2023
01:58:57,713 --> 01:59:00,513
A DREAM TO SHARE
2024
01:59:00,546 --> 01:59:04,680
WE'RE ALMOST THERE
2025
01:59:04,713 --> 01:59:09,946
WE'LL SETTLE DOWN.
2026
01:59:14,612 --> 01:59:16,213
( water splashes )
2027
01:59:21,511 --> 01:59:22,979
HIYA, ROSIE.
2028
01:59:24,979 --> 01:59:26,946
HAVE YOU GOT A MINUTE TO SPARE
2029
01:59:26,979 --> 01:59:28,679
FOR A HEART-TO-HEART WITH AN OLD FRIEND
2030
01:59:28,712 --> 01:59:31,679
OF COURSE I HAVE A MINUTE TO SPARE
2031
01:59:31,712 --> 01:59:34,378
FOR THE MOTHER OF THE MAN WHO LOVES ME.
2032
01:59:42,444 --> 01:59:45,178
MISS ALVAREZ, I'LL MAKE A DEAL WITH YOU.
2033
01:59:45,212 --> 01:59:48,443
I'LL GIVE YOU THE COAT OFF MY BACK IF YOU'LL GIVE HIM UP.
2034
01:59:48,476 --> 01:59:50,678
NOT A CHANCE... MOTHER.
2035
01:59:50,711 --> 01:59:53,978
THE CRUELEST WORD I EVER HEARD.
2036
01:59:54,011 --> 01:59:56,110
TO THINK I'D LIVE TO SEE THE DAY
2037
01:59:56,144 --> 01:59:58,111
THAT I'D HAVE RELATIVES IN EL SALVADOR!
2038
01:59:58,145 --> 02:00:00,577
ADIOS, MOMMA.
2039
02:00:00,610 --> 02:00:03,643
ADIOS, ROSE.
2040
02:00:06,977 --> 02:00:09,344
OH, CALL ME MRS. PETERSON.
2041
02:00:44,942 --> 02:00:46,909
COME ON OUT. THE COAST IS CLEAR.
2042
02:00:58,075 --> 02:01:00,409
MAN, YOU REALLY SAVED MY NECK.
2043
02:01:00,441 --> 02:01:01,608
I'LL NEVER FORGET THAT.
2044
02:01:01,641 --> 02:01:03,974
YEAH, BUT I STILL OWE YOU THAT GUARANTEE.
2045
02:01:04,007 --> 02:01:05,608
ALBERT, YOU DON'T OWE ME ANYTHING.
2046
02:01:05,641 --> 02:01:07,640
YOU GOT A CONTRACT WITH ME FOR LIFE.
2047
02:01:07,674 --> 02:01:09,875
LOOK.
2048
02:01:12,107 --> 02:01:13,942
THIS IS A BLANK PIECE OF PAPER.
2049
02:01:13,975 --> 02:01:15,674
I JUST SIGNED MY NAME TO IT.
2050
02:01:15,707 --> 02:01:18,375
YOU JUST PUT ON THAT WHATEVER YOU WANT.
2051
02:01:27,341 --> 02:01:29,607
THAT'S THE NICEST THING.
2052
02:01:32,007 --> 02:01:35,941
- IT'S OKAY. - Momma: HELLO, ALBERT.
2053
02:01:35,974 --> 02:01:37,973
ROSE, YOU LOOK GOOD FOR A CHANGE.
2054
02:01:39,240 --> 02:01:41,174
I KNOW ALL ABOUT THE TWO OF YOU.
2055
02:01:41,208 --> 02:01:43,340
DON'T WORRY. I WON'T MAKE A FUSS.
2056
02:01:43,373 --> 02:01:46,006
I'LL DO WHAT ANY INTELLIGENT MOTHER HAS TO DO.
2057
02:01:47,006 --> 02:01:48,941
GOODBYE, DEAR.
2058
02:01:53,006 --> 02:01:54,940
DON'T WORRY ABOUT THE COAT.
2059
02:01:54,973 --> 02:01:56,407
YOU'LL HAVE THREE MINK STOLES
2060
02:01:56,439 --> 02:01:58,506
AS SOON AS THE TRAIN PASSES OVER ME.
2061
02:02:00,373 --> 02:02:02,407
( train whistle blowing )
2062
02:02:14,939 --> 02:02:17,139
THE TRAIN'S COMING.
2063
02:02:17,172 --> 02:02:18,939
RIGHT ON SCHEDULE.
2064
02:03:06,703 --> 02:03:07,903
THERE YOU GO.
2065
02:03:09,204 --> 02:03:11,937
MOMMA, I HAVE NO TIME FOR ANY OF YOUR NONSENSE.
2066
02:03:11,970 --> 02:03:13,970
I WANT YOU TO GET ON THIS TRAIN.
2067
02:03:14,003 --> 02:03:16,936
- THE TRAIN RAN OVER MY HAT. - I DON'T CARE ABOUT YOUR HAT.
2068
02:03:16,969 --> 02:03:20,037
- A MOTHER DOESN'T NEED A HAT. - THE TRAIN'S MOVING. LET'S GO!
2069
02:03:20,070 --> 02:03:22,603
- GOODBYE, CONRAD. - ALBERT, WAIT!
2070
02:03:22,636 --> 02:03:24,303
- ALBERT! - BYE, MOMMA.
2071
02:03:24,336 --> 02:03:27,304
ALBERT, FOR GOD'S SAKES, DON'T LEAVE ME!
2072
02:03:27,337 --> 02:03:29,468
- BYE, CONRAD. - ALBERT!
2073
02:03:29,502 --> 02:03:30,937
BYE, MOMMA!
2074
02:03:42,502 --> 02:03:44,869
( train whistle blowing )
2075
02:04:03,001 --> 02:04:04,202
ALBERT, WHERE'S THE TRAIN
2076
02:04:04,235 --> 02:04:06,068
IT LEFT AT 6:25, ROSE...
2077
02:04:06,101 --> 02:04:08,601
- YOU TOLD ME TO BE HERE AT... - WITH CONRAD...
2078
02:04:08,634 --> 02:04:10,935
AT 6:30 SHARP. I KNOW--
2079
02:04:10,968 --> 02:04:12,501
AND MOMMA.
2080
02:04:13,667 --> 02:04:15,935
ALBERT, YOU WANTED US TO MISS THAT TRAIN
2081
02:04:17,434 --> 02:04:19,201
WELL, IT STANDS TO REASON, ROSE.
2082
02:04:19,234 --> 02:04:22,034
WHY WOULD WE GET ON A TRAIN TO NEW YORK CITY
2083
02:04:22,067 --> 02:04:25,934
WHEN WE HAVE TICKETS TO PUMPKIN FALLS, IOWA
2084
02:04:25,967 --> 02:04:28,368
PUMPKIN FALLS, IOWA WHAT'S IN IOWA
2085
02:04:28,402 --> 02:04:31,201
A TEACHING POSITION AT THE PUMPKIN FALLS JUNIOR HIGH SCHOOL.
2086
02:04:31,234 --> 02:04:33,067
I READ ABOUT IT IN THE NEWSPAPER.
2087
02:04:33,100 --> 02:04:34,434
THEY WANT SOMEONE TO TEACH
2088
02:04:34,466 --> 02:04:36,666
DOMESTIC SCIENCE AND ENGLISH,
2089
02:04:36,699 --> 02:04:39,201
BUT THEY WOULD PREFER IF THE APPLICANT WAS MARRIED,
2090
02:04:39,234 --> 02:04:42,067
SO I REALLY HOPE YOU'RE FINALLY READY TO SETTLE DOWN, ROSE.
2091
02:04:42,100 --> 02:04:44,866
OH, ALBERT, AM I EVER!
2092
02:04:48,133 --> 02:04:50,633
OH, ROSIE, DID I EVER TELL YOU
2093
02:04:50,667 --> 02:04:52,066
THAT'S THE MOST BEAUTIFUL NAME
2094
02:04:52,099 --> 02:04:54,066
IN THE WHOLE WORLD
2095
02:04:54,099 --> 02:04:59,098
I WAS NEVER CRAZY FOR FLOWERS
2096
02:04:59,132 --> 02:05:03,866
I CONFESS THAT NOTHING LEFT ME COLDER
2097
02:05:04,933 --> 02:05:09,400
I COULD WATCH A DAISY FOR HOURS
2098
02:05:09,433 --> 02:05:15,531
AND ALL I'D FEEL WAS SEVERAL HOURS OLDER
2099
02:05:15,565 --> 02:05:20,932
LILACS OR LILIES, ANY BLOOM YOU PLEASE
2100
02:05:20,965 --> 02:05:22,432
ALL THAT THEY DID
2101
02:05:22,464 --> 02:05:25,998
WAS MAKE ME SHRUG OR SNEEZE
2102
02:05:26,032 --> 02:05:31,165
BUT NOW I LOVE EACH BLOSSOM THAT I SEE
2103
02:05:31,199 --> 02:05:37,198
FOR A LOVELY LITTLE ROSE LOVES ME
2104
02:05:37,231 --> 02:05:40,931
NOW MY LIFE IS ROSY
2105
02:05:40,964 --> 02:05:44,931
SINCE I FOUND MY ROSIE
2106
02:05:44,964 --> 02:05:49,497
WITH A GIRL LIKE ROSIE
2107
02:05:49,530 --> 02:05:53,897
HOW COULD I BE BLUE
2108
02:05:53,931 --> 02:05:58,131
HAND IN HAND WE'LL MOSEY
2109
02:05:58,164 --> 02:06:02,298
ME AND LITTLE ROSIE
2110
02:06:02,331 --> 02:06:04,963
WE WILL BE SO COZY
2111
02:06:04,996 --> 02:06:10,964
BY A FIRE BUILT FOR TWO
2112
02:06:10,997 --> 02:06:15,629
OH, I ONCE HEARD A POEM THAT GOES
2113
02:06:15,663 --> 02:06:17,096
"A ROSE
2114
02:06:17,130 --> 02:06:18,230
IS A ROSE
2115
02:06:18,263 --> 02:06:19,629
IS A ROSE"
2116
02:06:19,663 --> 02:06:22,562
BUT I DON'T AGREE
2117
02:06:22,595 --> 02:06:24,663
TAKE IT FROM ME
2118
02:06:24,696 --> 02:06:26,528
THERE'S ONE ROSE SWEETER
2119
02:06:26,562 --> 02:06:28,397
THAN ANY THAT GROWS
2120
02:06:28,430 --> 02:06:31,995
AND THAT'S MY ROSIE
2121
02:06:32,029 --> 02:06:36,896
I'M SO GLAD YOU CHOSE ME
2122
02:06:36,930 --> 02:06:43,029
LIFE IS ONE SWEET, BEAUTIFUL SONG TO ME
2123
02:06:44,695 --> 02:06:47,129
NOW MY LIFE IS ROSY
2124
02:06:47,162 --> 02:06:49,261
OH, WE'LL BE HAPPY, I KNOW
2125
02:06:49,295 --> 02:06:51,362
SINCE I FOUND MY ROSIE
2126
02:06:51,396 --> 02:06:53,627
OFF TO THE PREACHER WE'LL GO
2127
02:06:53,661 --> 02:06:55,429
WITH A GIRL LIKE ROSIE
2128
02:06:55,461 --> 02:06:57,594
SO HOW COULD WE
2129
02:06:57,627 --> 02:07:02,161
- HOW COULD I - Both: BE BLUE
2130
02:07:02,195 --> 02:07:06,661
OH, WE'LL HAVE US A HOME OUT WEST
2131
02:07:06,694 --> 02:07:11,527
A NICE LITTLE SPLIT-LEVEL NEST
2132
02:07:11,561 --> 02:07:15,428
AND IN EVERY ROOM, ROSES IN BLOOM
2133
02:07:15,460 --> 02:07:17,561
BUT THERE'S ONE ROSE SWEETER
2134
02:07:17,594 --> 02:07:19,427
THAN ALL OF THE REST
2135
02:07:19,459 --> 02:07:22,894
AND THAT'S MY ROSIE
2136
02:07:22,928 --> 02:07:27,127
Both: I'M SO GLAD YOU CHOSE ME
2137
02:07:27,160 --> 02:07:32,327
LIFE IS ONE SWEET, BEAUTIFUL SONG
2138
02:07:32,360 --> 02:07:36,459
WHEN LOVE IS RIGHT, THEN WHAT CAN BE WRONG
2139
02:07:36,493 --> 02:07:43,860
LIFE IS ONE SWEET, BEAUTIFUL SONG TO ME.
150306
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof