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All language subtitles for 1. Understanding the lines of a scene

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,458 --> 00:00:03,670 Another aspect to take into account when composing a shot 2 00:00:03,837 --> 00:00:06,840 is the natural architectural lines of a scene. 3 00:00:07,007 --> 00:00:10,593 As a viewer, it is natural to follow these lines with our eyes 4 00:00:10,593 --> 00:00:12,345 so we can use these lines to draw 5 00:00:12,345 --> 00:00:16,307 the viewer deeper into the frame or pull them out. 6 00:00:16,391 --> 00:00:20,103 Let's take a look at an example. 7 00:00:20,186 --> 00:00:23,565 Here we see a man standing against a stone wall. 8 00:00:23,648 --> 00:00:27,110 The horizontal lines of the image intersect with the subject 9 00:00:27,110 --> 00:00:29,112 at perpendicular angles. 10 00:00:29,112 --> 00:00:33,658 The lines do not draw us into the frame, but rather reinforce the grid 11 00:00:33,658 --> 00:00:37,954 like pattern of the background by shifting the camera to the side. 12 00:00:38,163 --> 00:00:42,083 We can get a very different perspective 13 00:00:42,125 --> 00:00:43,376 by implementing 14 00:00:43,376 --> 00:00:46,796 the rule of thirds and recognizing the lines of the background. 15 00:00:46,880 --> 00:00:50,341 We are able to create a much more dynamic image. 16 00:00:50,425 --> 00:00:53,344 The lines of the wall now run back into space. 17 00:00:53,344 --> 00:00:56,806 Drawing the viewer into the subject perspective 18 00:00:56,806 --> 00:00:59,768 lines can be used in other ways as well. 19 00:00:59,809 --> 00:01:02,771 Here we have positioned the subject so the lines direct 20 00:01:02,771 --> 00:01:06,066 the viewer's attention to the center of the frame 21 00:01:06,149 --> 00:01:09,652 by being aware of naturally occurring lines within your frame. 22 00:01:09,861 --> 00:01:13,615 You can create dynamic composition that work with the organic flow 23 00:01:13,615 --> 00:01:19,120 of an image that enables you to selectively emphasize dramatic elements 24 00:01:19,120 --> 00:01:22,123 by adjusting the scale of a particular subject 25 00:01:22,207 --> 00:01:25,001 to establish its importance within the story. 26 00:01:25,001 --> 00:01:27,337 Hitchcock used this to great effect 27 00:01:27,337 --> 00:01:31,091 by equating the size of an object in the frame to its importance 28 00:01:31,174 --> 00:01:35,178 because of these, some people refer to it as the Hitchcock's rule. 29 00:01:35,261 --> 00:01:39,307 We can establish tension and suspense by filling the frame with an object 30 00:01:39,516 --> 00:01:44,229 before our audience understands its significance by placing characters 31 00:01:44,229 --> 00:01:46,815 and objects deep within the frame. 32 00:01:46,815 --> 00:01:49,901 You cannot just a passive relationship between the character 33 00:01:49,901 --> 00:01:51,736 and their environment. 34 00:01:51,736 --> 00:01:55,115 It may take a bit more lighting and planning to successfully utilize 35 00:01:55,115 --> 00:01:59,619 great depth of field in your projects, but it can make a world of difference. 36 00:01:59,702 --> 00:02:03,706 This isn't to say there is a certain style that is preferable. 37 00:02:03,790 --> 00:02:07,794 It all depends on the story you're trying to tell. 3381