All language subtitles for Widows s01e03.eng

(Thames Telewsion music)

(Widows Theme Music)

(ducks quack)

- You alright?

- Just a minute.

l can'l get me breath back.

� You're pushing yourself
a bit ain�t ya giri?

- You got a fag?

- Keep your head between your legs,

I've been thinking�

I could get a team up like the old days.

I've still got plenty of friends.

(tyres crunching)

Now I'm working for Harry.

Anything he needs you give me a word.

- There's hundred here for you.

You never said anything to the Fishers

about Harry still being alive, did ya?

- Oh, that's good on.

I appreciate that.

I told 'em what to do with theirjob.

- So you told 'em?

- No. you told me not to.

- But you told 'em, didn't ya?

Didn't ya?

- They'll leave you alone.

- Harry wouldn't like that.

He doesn't want anyone
to know that he's alive.

You better take a
holiday. couple of months.

Know what i mean?

Why don't you see that kid of yours?

I'll get you another couple of hundred,

but don't come to the house.

I'll get in touch with
you later tonight. okay?

- Well, I'm still working for Harry?

- Yeah, jusl lie low, that's all.

(suspenseful orchestral music)

- Like Harry?

- Yeah, just like Harry.

- I haven't felt like this for years.

| feel the old adrenaline pumping.

Coming back.

- Yeah, you'll be as sharp as ever,

- Right.

- You iust get packed,

and I'll get in touch with
you later tonight, okay?

Why don't you feed the ducks?

(ducks quack in distance)

� You know, what's this 10
crates of cherry brandy?

- Look, sod that,

What about Boxer/I

You say he didn't come in last night.

-One thing atatime.

You have any trouble?

- Bit of aggro at the warehouse.

The Jag'li need a respray,
I may have been seen.

- May? Was it or not?

- Boxer Davis told you Harry
Rawlins is still alive.

- I told you what he said.

Now, let me get this sorted out.

This is, what, 18 grand's worth of booze?

I'll get it delivered for, what, six?

Maybe seven?

- I don't give a toss,

| just want to know whether
I'm running this show or not.

I don't want you wetting your knickers

every time something comes up.

- Right, then I lake a
leak and when I come back,

you're rabbiting on about
bleeding cherry brandy.

- It wasn�t on the list.

- Listen, the law get
hold of those ledgers

and all this goes.

Do you understand?

We haven't had a sniff of him solar.

Now suddenly, Harry Rawlins is alive.

� That's a load of crap.

Alive? Do me a favour.

We were at his sodding funeral.

You iust get that half-Wit
Boxer back in here.

- Funeral.

HlS CDUSln. Eddie RanlllS,

I'll go and see him.

- No rough stuff.

For God's sake, take it easy.

We're doing all right.

We're on top.

- We'll stay there.

You leave it with me.

� [Bella] Gets me up at the crack of dawn.

She realise l'm workin' nights.

It's no joke, this.

� [Linda] Well what about me?

I didn't ?nish till after 12 last night.

God, I'm freeZing.

- [Shirley] It must be important.

Terrible smell here.

What do you think, it's gonna work?

This thing With Boxei�?

� [Bella] What's this?

� Oh, he used to work for
Harry in the old days.

Got on the booze. alcoholic.

Ends up doing a bit of
bouncing for the Fishers.

- Those bastards?

- Yeah, well they're coming on heavy.

They want Harry's ledgers.

It won't work.

It's crazy.

� [Bella] What won't?

- Well, the only person

to keep the Fishers in line was Harry.

� He was even more of a bastard.

- Right.

Well, our little Dolly comes
up With this crazy idea.

She tells Boxer that Harry
Rawlins is still alive.

Puts a frightness on them instead of us.

Bloody stupid.

� You think so?

- Oh, you frightened the life out of me.

- |t'|| work.

Boxers already told him.

- I hope so.

That Tony gives me the creeps.

Last time--
- Look, I haven't

got much time, so let's cut the chat.

- We've already been
here for half an hour.

- Yeah, well I'm sorry, but it
takes me time to move around.

I've still got the law trekking after me.

- Are they out there?

- Of course not.

I�m at the hairdressers.

Right, instructions for the weekend.

All of you, get it up
here and destroy that.

- Yeah. I'll eat it.

- I'll set it up in Rickmansworth.

� Rickmansworth?

- We've gotta get out of
town and have a rehearsal,

Then we can see where the weak links are.

There's a number on that.

Any problems, contact me at that number.

Don't ring me at home.

Shirley?

- Okay.

- Nope.

- Right, see you at the weekend, then.

And you, stay off the booze.

You can get me at that number
until quite late tonight.

� Convent?

- Yeah. convent.

� Convent.

(woman coughs)

(hairdryers blow)

(indistinct chatter)

- Ready for a wash now, were we?

� You read this?

Addresses, Tesco, sanctuary.

Sanctuary?

� [Alec] Health club, all females.

- Oh, yeah, yeah.

Sainsbury's, convent.

Convent?

- [Alec] General sort of dogsbody place.

Kids playground. dinners.
that sort of thing.

- Convent. hairdresser.

Hairdresser? She spends a
lot of time there, don't she?

- [Alec] The only contact
we've seen her with

on three. four occasions. is Boxer DaVis.

(phone rings)

Detective Inspector Resnick's office.

Yeah, who's calling?

He won't give his name.

(knock at door)

I'll get it.

- Yeah, speaking.

(phone rings in distance)

Right.

- They picked up a kid last night.

He's admitted to a number of stolen cars.

You know. justjoyriding.

One ofthem was the car we were chasing

when the Rawlins mob copped it.

Do you want to see him?
- I�ll be right with you.

- Yeah, very good.

Look, that'd be Smythes.
he�s got something for me.

He's got a car.

- Andrew's just--
- Yeah, I just heard.

I want to speak to him, too.

Come on, let's go.

- You heard about your promotion yet?

- Listen. darling. we don't do something

about this case soon. there'ii
be none of that for any of us

least of all me.

- [Alec] Oh, a little bird
told me it was in the bag.

- Now, we all know about
little birds, don't we?

You turn around. they crap
on you from a great height.

(door closes)

(sultry music)

- Okay, cut it.

(music stops)

That's all right, darling.

25 a night.

- 25?

- Take it or leave it, darling.

Kenny, nextl

Well?

- 25?

Okay.

(silly music)

-0h. no.

Not her again.

Get him off!

(phone rings)

- Don't answer it.

Don't answer it, it's okay, l'll get it.

Oh, nearly broke rne neck.

- I didn't know you'd gone out.

- Oh, you were flat out.

I just nipped 'round the corner.

Surprise, you hungry?

� What was all the panic?

- It's Chinese.

Do you like Chinese?

� Oh, I better warm it up.

- Why don't you want
me to answer the phone?

- [Linda] i just don't.

- I'm not hungry.

- Look, you keep in mind Joe's relations.

| just don't want them to
know about us, not yet.

That�s all.

- What're you wearing?

N0. no. under.

- Sexy, innit?

� You went down like that?

- Only around the comer.

I wanted to bring it in on a tray.

all romantic like in the movies.

- Like a tart.

You look like a tart.

� What?

- Don't do it again.

Have more respect for yourself.

I don't like it.

- You don't like it.
- No I don't.

- Oh, you don't.

And who the hell are you
to tell me what to do?

I wear what I bloody well like.

and it you don't like it,
you know what you can do.

You Italians, you're the bleeding same.

- You're not my husband,

so don't think you can
treat me like some ex-wife.

Do you hear me?

(bag rustles)

� [Carlos] Get off.

- You're going then, are you?

Just like that?

Will I see you again?

Look, I'm sorry.

I'm sorry, all right?

i'm sorry, I shouldn't
have said what I said.

Oh, look, don't go.

No. don't go, please.

Please.

- You don't ever talk
to me that way again.

- No. just stay With me.

Just for a little longer.

- You'll give me a lift into town?

- Yeah.

- Okay.

- Yeah, that's it, right.

On the favourite, right.

Oh, and I'll tell you what.

Hang on a minute.

I'll have a tenner on Dragonfly.

That's it, Dragon?y, yeah.

Yeah, you must be ]oking, Ron.

The Way things are?

Yeah, yeah, Well of course, Ron.

Everybody's been hit by it, ain't they?

Yeah all right, will do. Ron.

Yeah, I promise.

Ta ta.

- Hello. Eddie.

- Hello, Tony.

You haven't seen my place, have you?

I'll show you around.

- No guided tour, darling.

ljust wanted to have a little jaw.

You know old Boxer Davis, don't you?

- Boxer Davis?

Yeah, he works for you, don't he?

He's a bit of a charity case. (laughs)

- You seen him lately, have you?

- No.

Care for a drink?

I'll get you one.

- He's been shooting his
mouth off about your cousin.

Telling the world Harry
Rawlins is alive and kicking.

We was at the funeral. remember?

Couldn't be true then. could it?

Could it?

(footsteps echo)

- What time did you call this in?

- Don't blame me, public transport mate...

You finished With the...

(wrapper crinkles)

Ta.

� What's so important?

� Said you wanted anything
on the Harry Rawlins mob.

(coughs)

Sorry.

There's a rumour spreading like the clap.

Someone's got hold of his ledgers.

- Oh yeah? Who?

- Be like having Aladdin's
bleeding lamp, know what i mean?

See, the way he worked, planted
fellows in security ?rms

years before he took--
� I know how he worked.

Just cut the verbals and give me a name.

- Boxer Davis.

N0. I'm serious.

He's spreading tenners around.
shooting his mouth off.

Even where he knows Ken.

Used to work for him.

Did a bit of business years back.

- Is that it?

- Yeah.

Now wait a minute.

What about--
- Listen. I don't pay

for rumours, and don't pull the coat.

I've just had it cleaned.

You should try it sometime.

I need fumigating around you.

(paper rustles)

Cheers.

(train approaches)

- They kicked me over.

That bastard. Fisher.

He nearly broke my nose.

Look, I'm telling you, there
must be some kind of leak.

Of course I didn't.

He knocked me all OVSl' the shop.

Now look, I'm telling you that he never

got anything out of me.

It's coming from Boxer DaVis.

Boxer Davis!

No way.

Look. look, I've been
thrown all over the place.

Oh. Jesus.

Yeah. I know where he is.

All right. yeah.

He'll be there.

(arcade sounds and music)

- That's Joe Perelli's missus.

- It's about time you showed up.

I've not had me dinner yet.

She's making a meal ofhim, all right.

- Her old man was Joe Perelli.
worked for Harry's mob.

- Oh?

Who's the new boyfriend, then?

- Hi. Boxer.

What're you doing here?

- I'm ]ust passing through.

� What's he Want?

- Change for a Barclays Bank

You're late.

- Don't be long.

- That the new boyfriend, is it?

- Complete stranger.

He was just helping me across the road.

- Well, how long do you think he'll be?

- Do you think he'd tell me

Your brother treats
this place like a hotel.

You're not better.

I ain't seen you in weeks.

- Well, where do you think he is?

� God knows.

He's gone all punk.

You should have a word with him.

- Me? He's your son.

Don't worry, I will have a word with him

when he comes in and all.

That car has never been
right since he sold it to me.

I mean, it stalls, itjustwon't start.

And I've got to have it for this weekend.

- Oh, going away, are we?

- No.

- What's so special
about the Weekend then?

- Nothing. I just want
it to go. that's all.

� You found someone?

-Oh. Mum.

- | wish I bloody could.

It's not for want of looking.

I know what I meant to tell you.

Guess who came past the
stall the other day.

Asked after you, he did.

Big, flashy car.

Those two moving up in
the world, all right.

Do you know their mum
still goes out cleaning?

Every morning, she does that
huge office block, up...

What was that place called?

Up near the Aldwych.

You wouldn't think she'd
have to, would you?

- Who are you talking about?

- Tony.

Tony Fisher.

- | only put a bit of pressure on him.

Slobbering like a kid.

- I told you I didn't want no rough stuff.

- I hardly touched him.

He was squirming about all over the place

like a bleeding rat.

You know. when I mentioned
Boxer DaVis's name, he laughed.

- What do you mean?

� Opened his mouth like this, ha, ha.

Oh Christ, it's like bleeding
Charing Cross in here.

Where's Gloria?

� Out. Yeah?

- I don't know why you've
got that stupid tart

working for you.

Give us a couple of minutes.

- That's all right, Carlos, come in.

- You wanted a respray on
the Jag, is that right?

No problems, held up all right, did she?

-Yeah, yeah.

I'll go and see Boxer then.

Have a serious talk with him.

- It'll need new plates.

- That'll cost.

- Plates? You must be ]oking.

I'll pick you up a set for a tenner.

- It's up to you.

I only use clean ones.

- All right, what's a feW extra quid.

- What is this?

Am I invisible or something?

Go on, you two carry on.

I've got all bleeding night.

Pick up Boxer then, shall I?

- [Arnie] Hey hey,
take it easy. I'm thinking.

- Really.

- Bring him in.

I want a be here when
you see him, all right?

And you can check the widows out.

Not the Rawlins one, just leave her alone.

But Miller and Perelli's. just
see if they know anything.

Nothing else.

- Perelli?

� She's a scrubber who works the arcade.

- Well. what's--
- You're paid

to ?x motors, petal.

Just keep this to yourself.

- Don't mind him.

Harry Rawlins' mob left
a few Widows behind

when they went up in smoke.

Vodka?

� [Carlos] Yeah.

� You know him?

- N0. 710.

- Something on the sofa for you.

(drink pours)

(footsteps echo)

- You got it?
- I can do it.

(scribbling)

(knock at door)

- [Landlady] Boxer, you in there?

- Yeah.

- [Landlady] You got someone to see you.

� What?

� You deaf? Open the door.

- What do you lock the
door for when you're in?

- What do you want?

- Someone to see you.

He's in, come on up.

- Who is it?

- I don't know.

- Eddie! (laughs) Eddie!

- Hello, Boxer, my old son.

How are you?
- Come in, come in.

- Nice to see you.

- Sit down. sit down.

Dolly told you Where to find me.

Sorry I can't offer you very much.

Cup of tea?

Nice cup of tea?
- No, no, let's have a drop

of the old stuff.

Look, your favourite.

Go on, get us a couple of mugs.

(arcade music and beeps)

- [Tony] Give me change.

- Oh, you must be joking.

Tony.

Tony Fisher, innit?

- You got somewhere we can
have a word, in private?

- Oh. lcan't leave the booth.

I'll tell you what, I'll
finish around 12, one o'clock.

Why don't you come back then?

Perhaps take me to that
swish club of yours.

- About one o'clock then.

Do you ever see that friend of yours?

Terry Miller's girl, Shirley?

- Shirley?

No. no, we never really got on.

Bit snobby; thinks she's
Miss World, know what I mean?

� So what's her address?

�Address? I don't know.

She moved in With her mom, Paddington.

I don�t know.

- About one o'clock then.

- [Linda] Yeah, you forgot this.

- You might earn that later.

� So Dolly told you all
about this, did she?

Told you Harry's got the ledgers, right?

- Clever geezer.

- [Landlady] Boxer! Boxer.
phone down here for you.

- Excuse me. (laughs)

it's like the old days.
(mimics punching sounds)

Hello, my old darling.

You lead me to it.

(train clacking in distance)

- [George] Any joy?

- Boxer lived there one.
about five, six years ago.

Geezer turned him out.

Behind on his rent.

- Don't believe it.

� He works for the Fishers.

Someone there's gotta know his pad.

- No, lwanna keep away from them.

Let's try the club, see if
we come up with something.

Give us a nudge when we
get back to town, then.

(car sputters, starts)

(train clacks)

- No. look, I'm packing.

Yes, and listen (laughs) I'll tell you

something that'll interest you.

You know Joe Perelli?

Yeah. well. his old lady
is having a ding-dong

with an Italian.

Yeah. the one that works for the Fishers.

You still there?

Listen, you'll never believe
who've come up to see me.

Dolly? You still there?

Yeah, an old friend of yours.

Come and see.
(bell rings)

- Come on, stop gassing all night.

We'll ?nish and then we'll go out west.

- Well, what are we Waiting for?

(T.V. theme song)

(raucous laughter)

- It's a tent, see,
and I'm still in there.

So i'm going for a knockout
and he keeps needling me, see?

Oh, sorry, I'm sorry.

Are you all right?

Yeah. and he keeps coming
in with his dialogue,

and he keeps rabbiting
and chatting and chatting.

He says, "Hit me, hit me, hit me!"

So I moved.

I made some MOVES. see.

Taste it.

So I goes down.

He thinks I'm off-balance.

Wrong!

I says, "This one is for you, son." Pow!

-All right. hey that's enough.

Get him out.

Out, out, go on.

- All right. come on.

We'll get him out the
back way, it'll be easier.

Come on, get his hand,
mate. let�s get him out.

Come on, Boxer boy.

Thanks. mate.

(footsteps)

(Boxer sputters)

All right. leave him alone.

Come on, I've got a few quid on me.

Let's get the dogs.

(car starts)

(tyres squeal)

(sultry music)

(applause)

� You Wanted to see me?

What a dump.

- Well, you said to keep on working.

This is a damn Sight easier
than being on the game.

I can tell you.

(vaudeville music)

- What's wrong.

- It's Linda, she's in a panic.

Seems this rumour about
your Harry hasn't paid off.

Tony Fisher paid hera visit.

Now he's after Shirley.

We can't get to her.

-Sliit.

- I got another gig.

Linda�s stuck in the arcade.

Don't let that bastard get to Shirley.

- lfyou see her, tell
her to stay at her mum's.

You've gotta start
looking after yourselves.

I can't be everywhere.

Did Linda say anything to you
about a boyfriend, Italian?

LOOk. tell her l wanna talk t0 her.

I'm not passing messages on through you.

I Wanna talk to her direct, okay?

- Right, see ya.

(arcade music)

- Look at that. eight bullseyes.

What's up?

- I don't know.

Ambulance nearly knocked the geezer over.

Someone up near the Sportsman.

I'm gonna take a look.

(gun cocks)

- The door's been kicked in.

Oh. Jesus.

Quick, get an ambulance.

- No, no more. (crying)

Please. no.
- It's all right,

it's all right. it's all right.

It's all right. it's okay, it's okay.

� What's up, is it a bomb?

Is it a bomb?

� God Almighty, someone's
just done Boxer Davis in.

I've never seen anything like it, eh?

His body's like a tyre track.

Blood everywhere.

You should have seen his face.

poor sod.
- What?

- He was in earlier. you remember?

You saw him.

I tell you, if you'd seen him now.

you wouldn't have recognised him.

I'm over the soup, see.

lwould have rowed up the walk.

- Oh, you love it, don't you.

Sick.

- I tell you, if you'd seen him.

I've never seen anything like that.

- You've got a customer.

(arcade beeps)

- Boxer wasn't even in.

l was sleeping.

- Yeah? But still, you couldn't recognise

whoever done all this to you?

- I've been up and down
them stairs all day.

Telephone ringing.

And this bastard.

He rang and rang.

l shouted to him. l said. V'EOXSVS not if].

�He ain't here."

Next minute, he's hitting me. (crying)

Smashing me head against the wall.

Shouting at me, "Where is he?

"Where is he?" (crying)

- Did you know where he was?

- I'd have bleeding told him, wouldn't l?

Wouldn't be in this state if! knew.

Bastard! Bastard.

- Yeah. but you couldn't
recognise him, could you?

- I don't want no trouble.

Go on. tell him I don't Want no trouble.

- It's just come through
- He just kept punching me.

- Boxers in intensive care.
- What?

-And dragged me up the stairs by me hair.

Did you see what he done to me dooi�?

- [George] Andrews, shut her up, will ya?

- It was a hit and run.
- He kept on hitting me.

- Somebody kept hitting for
a long time before they ran.

He's still alive but they
don't hold out much hope.

- All right.

LOOk. shove her in an ambulance.

You go with her. make
sure she's all right.

Then get her back to the factory.

I want this whole place done over.

Now listen, you are going to identify

Boxers visitor for me,
aren't you. darling?

Aren't you?

- I don't Want no trouble. (crying)

- I'm afraid you've got it.

(Landlady sobs)

(tense music)

- A bit monkeys this morning, eh?

Do you and your wife
come up the Bingo Sunday?

I don't know, some
people have all the luck.

ldon't go no more.

Never WDl'l SO much as a behZe. l did.

� Give us a pound of those, please.

- Sure, darling.

Tony, innit?

Tony Fisher.

Used to know your mum.

Shall I bag you three or four?

- How's Shirley?

- Shirley's ?ne.

Anything else?

� How much?

- Oh put that away

You have that on me.

Cold.
(truck engine roars)

You find it cold?

- Where's she IIVing now?

With you?

- Who, Shirley?

Yeah. she's with me,

Living back With me.

Took Terry's gone very hard.

You want to see her?

Give me your number, I'll
get her to give you a call.

- Do one better.

Where is she living?

� She moves around a
lot. with friends like.

She's mostly at my place.
- Excuse me.

� Piss off.

Now.

- Trying to do my business in?

That's a good customer.

- One move and this lot goes over.

Now where is she?

- Leave her be, Tony.

Now, please don't do that.

- [Shirley] Hello, Mum.

- Oh. hello.

I was just asking after you.

- Were you?

I was looking for Greg.

Car�s playing me up again.

- Let me give you something
past your ear to take home.

l was just telling Tony
you're living back with me.

Didn't believe you was back
With your old mum. did ya?

- Ta. Was there something
you wanted to see me about?

It's just that i'm in a bit ofa hurry.

- Oh that's all right.

ljust wanted to have a little
talk with you. that's all.

Where do you live, near here?

Why don't we go home, your place.

and have a little hatter.

(snoring)

- Learn anything?

What. dead? Is he dead?

Oh, blast the bugger.

- NO. Slf.

They're amazed he lived as long as he did.

He had terrible injuries.

- Yeah. I know.

Well. that's that then. innit?

Come on son, you can take me home.

- [Tony] Don't you ever lock your door?

- [Shirley] There's nothing worth nicking.

- I wouldn't say that.

You look nice. Shirl.

Really nice.

- I'm sorry about the mess.

Me mum's not much.

Do you want a cup of coffee?

- Feel nice. too.

- Oh, What have you done to your hands?

- You smoke?

(spoon clangs)

Do you smoke?

- No. ta.

We'll have to black. the milk was off.

- I've always fancied you.

Do you know that?

(siren in distance)

Come here.

- I'm making the coffee.

- Come here.

- No!

� Sit down.

That�s better.

I just want to know a few things.

Oh lovely.

- What do you want?

- In time, all in good time.

Very nice, ?rm.

You still doing the beauty circuits?

Hey. relax.

Relax.

What do you know about
Harry Rawlins' ledgers?

� What?

Oh no, please don't.

- Look. Shirl.

ldon't wanna hurt you.

Do you know Where they are?

- No. I swear! (screams)

- You're gonna tell me.

(Shirley cries)

Please yourself,

'cause I'm certainly
gonna enjoy finding out.

- i don't know anything!

- Don�t tell me lies.

I don't like it!

Understand?

- Oh, sorry.

Hello. Mr. Fisher.

- I ]ust want my coat.

(Shirley cries)

I got a terrific memory for faces.

- It's all right. Shirl, he's gone.

It's okay now.

(Shirley sobs)

- Where the bloody hell you been?

I've been trying to get
you all bleeding night.

- [Tony] All right, take it easy.

- What'd I tell you?

No rough stuff, I said.

I said, didn't I say, I
wanted to talk to him, rne?

- What are you talking about?

- You, you're a crazy son of a bitch.

You know. you bloody know.

- I don't.

I don�t know.

- Boxer Dayls. that's
who I'm talking about.

- Sorry?

- Sorry? Sorry?

When I want somebody wiped
out, l'll bleeding tell you.

- Wiped out? What are you talking about?

- You mean you don't know?

- What is this, a panel game?

What don't I know?

- Boxer�s dead.

- Eh?

- Somebody did him in last night.

Hitand run.

The whole of the West
End's talking about it.

And you don't even know.

It was even in the sodding papers.

Even had the law around
here asking questions.

They was here last night and all.

You was gonna see him. Wasn't you?

-Yeah, yeah. Iwent to see him.

He wasn�t there.

I swear.

- You didn't touch nothing, did you?

Pigs swarming all over his place.

The landlady took a hell of a beating.

Where was you last night?

You went to his place and he was out.

Then what, what'd you do?

- I couldn't find him, I
bought a couple ofjars.

Went up the track, picked up some bird.

I haven�t been back.

i had a wash at this
tart's place this morning.

then went over to see
Terry Millers widow.

Oh, yeah, and i saw Joe Perelli's missus

as l passed the arcade.

i just said hello. nothing else.

� Who'd wanna do Boxer in?

I thought it was you.

- Maybe it was an accident.

� Do me a favour.

He was like a minute steak
when they picked him up.

You didn't do nothing?

You better tell me.

-I]ustdid.

A few drinks with this bird all night.

- Where'd you do that?

Give me the other.

- It's nothing.

- Stupid git.

Anyone see you?

Well, I mean apart from the landlady.

- No.

- I'll pay her off then.

And you, go away someplace.

(dart thuds)

- Yeah. well I get a
meat pie on the way home.

Well, if you put yourearplugs in,

then you won't have to, will you?

(knock at door)
Come in.

Look, someone's ]ust come in.

I've got to go all right? Bye-bye.

- [Alec] You want us in
tomorrow, is that right?

- Blast it.

- It's Sunday, I've made arrangements.

-So have I.

� I've done 48 hours on the trot.

- Haven't we all. Fuller?

Look, Rawlins used four
men in that raid, right?

NOW. we know where those three are.

But as far as that fourth man's concerned.

we've had bugger all on him.

That is, until last night.

- I'm not With you.

- Rumour has it that Boxer Davis

gets his mitts on the ledgers, right?

So then he ends up in an alley.

Right professional job, too.

We haven't had any dabs off
them glasses found at his place.

Yeah, but that landlady of his.

I wanna know who gave her that thrashing.

She gets out of hospital
tomorrow. all right?

Iwant her down at the station.

She stays there until
she tells us who it Was.

'Cause I think it was the
fourth man, understand?

You coming down to boozei�?

- No. I'm off home.

Some of us have got one, you know.

- Don't push it.

Off you go.

- Night.

(dart thuds)

� Gotcha.

(mysterious music)

� She's arrived.

About bloody time and all.

- Oh, don't start. (Winces in pain)

(mysterious music)

(gravel crunches)

(mysterious music

(car door closes)

(discordant music)

- You got the sacks, then?

-Yeah.wide,

Rags are in the van.

We're all right to blow this.

There's no one around for miles.

- Is that a fact?

How's he gonna work out?

- He can handle the gun like a pro.

- Let's hope he can handle a van like one.

- No problem.

- All right, let's get on with it.

- [Dolly] I want a quick word.

Are you still seeing that fella?

� [Linda] What fella?

- [Dolly] Don't mess me about.

Italian. ain't he?

- [Linda] i ain't seeing anyone.

- [Dolly] You sure?

- [Linda] ljust said so, didn't I?

Why?

- [Dolly] Something Boxer said.

Just hope you're telling
the truth, that's all.

Boxer�s dead and it wasn't an accident.

- l heard he was loaded. dl'Ul'lk.

- Yeah, poor sod.

- Good idea of yours, wasn't it?

You've seen Shirley's face?

- That's all laid out.

It's the best we can do.

Those stones at the back
mark the security Waggon.

I've put bricks in the sacks for weight.

and these all cans up
front mark the lead truck.

- You got that lead truck yet, Linda?

The sooner we know we've
got it, the better.

- I'll keep me eyes peeled,

]ust ain't found the right one yet.

- [Dolly] Well don't look too long.

- I've put the rucksacks in the wreck.

� What about that cutter?

- In the wreck.

- Got the right length of the run, Bella?

- Yeah. that's about it,

iOO yard dash.

- We gotta halt the
security Waggon, climb out.

cut through the side. and--

- And we'll practise on the
wreck With a Sledgehammer.

- We've gotta haul the money on our backs.

and we've got four minutes.

- Four?

- Four.

(explosion)

- Piece of cake.

30 seconds.

I could get my old Granny through that hole.

- So that's one and a half
minutes to load the sacks.

Means we gotta make
that run in two minutes.

- [Terry] What?

- [Harry] The nearest factory,

they can get the cops down
there in four minutes.

There's an alarm system.

� [Joe] Four minutes?

- It's a ?ood alert alarm
system, directly to the cops.

Only gonna take one flash
bastard to have a go.

We'll ?nd ourselves taking our chances

against the local fire brigade.

On the other hand.

we do the ]0b in the time
limit, and we'll be away.

So let's see him drive.

I want to see about timing.

- Hey, Jimmy. give it a whirl.

(tense music)

- Go out to the ?nishing
line and time us.

- Hang on a minute,
she's in the van with us.

- [Dolly] No she isn't. she's
driving the front truck.

- Well, who's doing the saw?

She's the only one who could use it.

- [Dolly] Bella's driving the front truck.

- And who's doing the cutting?

- [Dolly] Shirley.

- Me?
� No she isn't.

- [Dolly] Yes she is.

- It's okay by me.

- No it isn't.

- Bella's taking the
most vulnerable position

because she was last in.

She's gotta keep the guards
at gunpoint whilst we run.

Anyone getting clobbered.
that's the position.

So shut up, unless you want it.

And that's where she stays
until I say otherwise. okay?

- I'm the driver.

- Nobody's arguing With you.

Get in the van.

(tense music)

- Five, four, three, two, one, go!

(tense music)

(panting)

- HoW long?

- Seven.

- Right, let's go again.

- You all right?

- Yeah. fine. ?ne.

(tense music)

� Go!

(tense music)

(panting)

- Law could've arrived and had a picnic.

Nine minutes.

- I can't handle that cutter.

It's too heavy, I can't lift it.

- Oh this is a bloody Waste of time.

Nine minutes. and that's only
allowed enough for the run.

We haven't even cut through the wreck yet.

- Let's go again.

This time. you take the cutter.

We've gotta get the money
into those sacks quicker.

What's the delay?

- [Linda] I'm the driver!

- You take the saw.

� Go! Go! Go!

(tense music)

(panting)

� What was that?

- You and Terry four and half.

Seven again, Harry.

(Harry pants)

- Let's face it. me old son.

You can't make the run.

- Harry, you drive the bread truck.

(sombre music)

- [Shirley] It's no good, Dolly.

You can't do it.

- [Dolly] Get it off, Bella.

Get it off!

- You can't take the run, Dolly.

- Let's go for a cut this time, okay?

- Just watch her go.

(tense music)

(car door closes)

(explosion)

(alarm blares)

(suspenseful music)

(Widows Theme Music)

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