All language subtitles for Smash s02e13 The Producers.eng

You just need one
really good death.

Previously on Smash...

I'm not
the star anymore, am I?

Guess you should
have slept with Derek when you had the chance.

I got you something.

It's the only project for us.
I knew you'd agree.

I cannot wait to see
what he's gonna do with City of Angels.

Right now,
what I care about is directing.

I've been a puppet,
a pauper, a pirate, a poet

Let's go to Broadway.

Gatsby would
have made me happy.

Then do Gatsby.

Nothing Jimmy has ever said
has checked out.

I wasn't a good person,
but ever since I met you, it's all I want to be.

Hey, hey,
it's time for you to leave.

You scare me, Jimmy.

You asked to get to know me,
and now you're walking away. Of course.

Once a year,
Broadway opens its generous arms

to musical theater students
all over the country.

They fly here to New York,
they see shows at night,

and during the day
they take master classes

with actual
Broadway performers.

Today, we've asked
Ivy Lynn and the cast of Bombshell

to teach these
eager students how to do "The 20th Century Fox Mambo."

Rah!

And that's why
I'm all dressed like this.

Hey, Ivy, girl.
What a whirlwind you have been on.

You did four shows
over the weekend,

and you flew out
to Los Angeles, did Leno last night,

got on the red-eye,
and here you are

with us today
on The Today Show.

It must be exhausting.

No, it's exhilarating,
Kathie Lee. Great.

Are you ready to
"Mambo" with me? I'm ready, girl.

Let's do it.
All right.

Okay, kids,
watch how it's done.

Sorry.

In this factory
where dreams can come true

Are you ready
to make someone new?

You're the team
that must teach me to do

The 20th Century Fox Mambo

Done the homework
and I'll pass the test

I'll do whatever
my teachers suggest

I can do it clothed
or undressed

The 20th Century Fox Mambo

Make it up, shake it up

Let the fantasies begin

Here's the dope

To get cast, change the past

Make the light just right
for CinemaScope

Take a gamble
'cause it's safe to bet

Where's Julia?

It's not like her
to miss out on something like this.

I left her a message.

I thought you two
were living together?

She moved out last week.
Hmm.

What? That was
always the plan.

She found
a really cute place... We're totally fine.

I think you and Julia
should probably be planning your next project together

after she's finished
writing Gatsby.

But... Gatsby?

I'm sorry.
You didn't know?

Scott Nichols
announced it to his board just earlier this week.

When we're finished
he'll never forget

The 20th Century Fox

A little
to your left, Ana.

Yep.

Just loosen up,
just let go. You don't...

You don't really want
to kill her, you know.

It's all in fun.

So you're still
seeing him?

Yes. I am.

Adam's funny.
He makes me laugh.

Okay, we are all set
with these two.

Now I need the guy.
He was supposed to be here two hours ago.

Yeah...

I'm sure he'll be here
any minute, Patrick.

You know he left in
his costume last night?

Rudin's called me
twice already this morning.

He's practically
writing a check to move Hit List to Broadway,

and he hasn't
even seen it yet.

Let him duke it out
with the 10 other producers that are coming.

That was a great idea,
having them come on the same night.

Mmm-hmm.

Yeah. Daryl Roth.
David Stone. Kevin McCollum.

I'll tell you what.
If a bomb goes off tonight,

Broadway as we know it
would probably cease to exist.

Derek, we need your help.

Where's Jimmy?

I left him
a bunch of messages.

I'm sure he just
has the wrong time.

They told me
they'd pull the cover if we didn't have him here.

It's obviously some
adolescent cry for help,

which I do not
have time for.

He's just under
a lot of pressure.

Oh, is he? Poor baby.
Well, so am I.

If he keeps this up,
he's not gonna see out the run.

Just get him here. Now.

Do you know where he is?

He didn't come home
last night.

Did you have fun?

Yes!

High-fives. Good job.

Chop-chop, Ivy,
you don't want to be late

for your signing
at the Macy's sweater sale.

You've got Agnes.

So, you've got the matinee,
and then you have the interview...

Tonight's show,
and then my own bed,

my DVR and
the entire season of Girls that I missed.

Wait, wait, wait.
You forgot about Broadway Talks Back.

Oh, my God.
The Tom and Julia Q&A.

Moderated by
their star, Ivy Lynn.

Don't worry, you'll make
half-hour before performance.

Marisa Tomei broke her leg.

Which means...

Moonstruck won't be going
to Broadway this season.

Imitation of Life is DOA.

The Lloyd Webber just posted
their closing notice.

So if we
stay open till June, that Tony is ours.

That may be harder
than we thought.

The advance sales aren't
what they should be.

We haven't gone
a day without being

on the TKTS board
since we opened.

What about we launch
a new radio campaign?

Not unless you have
a sugar daddy I'm not aware of.

Well, you better
pray for a miracle then.

Because we're gonna need one
to stay open till June.

So I started writing,

and it just flowed,
and I just lost track of time...

Please stop making excuses
and just tell me what you're doing with Gatsby.

Obviously I'm not
doing it as a musical.

I'm writing a play.

Gatsby is our
dream project.

We've been talking
about it for a decade.

Which is why I bought it
and wrapped it up in a bow for you.

You said
you didn't want it.

I wanted it.
I just didn't want it right at that second.

I thought I'd be tied up
directing for six months,

but then that never
came through.

I'm sorry about that,

but I've already
set things in motion.

I spoke with the estate.
I promised it to Scott.

Well, now you can
un-promise it,

and start working
on it with me.

Your partner.

See you tonight?

Patrick,
where are you going?

I waited three hours.
Your boy's not coming.

No, wait,
he's coming right now. He's on his way.

It'll be
an inside spread now,

but that's
still great, Derek.

Uh-huh.

Can somebody help us?

Nice.

Whoo!

Bye. Hey.

What'd I miss, huh?

No?

Hit it!

Five, six, seven, eight!

Hey.

Just when I thought
my day couldn't get any better.

Hi.
Hi.

Look at this.
Mmm.

It's a guest list
for tonight.

It's like the who's who
of American theater.

That's so great.

And I just
finished reading the most amazing opening scene

of this new play
I'm producing.

It's based on
The Great Gatsby,

and its writer is going to
win a Tony for it someday.

Scott...
I can't stop thinking about it.

It's not just an adaptation,
it stands on its own.

If you keep this up,
people are gonna be

doing your version
for years to come.

I screwed up.

Tom doesn't want
to let go of Gatsby.

He wants to
do it with me.

Of course he does.

I'm so sorry.

I know I said that I wouldn't
break another promise to you,

and now here I am
doing just that.

You gave Tom the choice
to do Gatsby. He said no.

He and I have
a history with the project. It's complicated.

No, it's simple.

He lost his directing gig,
and now he's scrambling.

Julia, you said that
we would work on this together.

I told my board.

I know.

Let me tell you something
you don't know.

In order to make Hit List
everything it needs to be,

I spent some of the reserves
of next season's budget on it.

If it doesn't
transfer to Broadway,

I have to follow up
with a home run, like Gatsby,

or I am out.

Hello, stranger.

I feel like
I see you on TV more than I do in real life.

I almost believe
you're avoiding my calls.

Of course not,
I'm just really busy right now.

Ticket sales haven't been
as good as Eileen had hoped,

so she's pimping me out
wherever she can.

Okay. Why don't I come by
after the show?

I can get you
off the streets for a night.

Can't.

I'm moderating
a Q&A for Tom and Julia at Table 46.

Fair enough.
How about tomorrow?

Group sales event.

Okay. Friday?

Uh, listen, Derek.
Can I call you back?

I have a phone interview
that's about to start.

Bye.

Where'd you go
last night? Oh! Ah.

I don't know.
There was a lot of tequila involved.

I hope it was worth it,

because you just
lost us the cover of New York Magazine.

You better get it together,
or seriously...

What? Or what?

The show's gonna close?

The run is sold out, Kyle.
Come on.

How's he doing?

He's detoxing. I hope.

Let me know
if you need any help.

Thanks.
I'm right here.

Are you guys
still together?

Of course.

I thought for sure
you'd have told him

about your
little affair by now.

Shut up.
I should have never told you about Tom.

Hey, hey.
There's no shame.

I was drunk.
And starstruck.

Oh, what,
the first time?

What about the other two
you told me about, huh?

Well, he's pretty great.

Oh, hey, is this where
the auditions for Jesse are happening?

There's a block
on the edge of this town no one talks about

Where the train doesn't stop
and the kids know they're not getting out

You live in a loop
A smoke's on the stoop

Counting the coins you got

You work at a bar
where all that you are

Is everything you're not

What the hell, Derek?

Excuse me,
this is a private audition.

For my part?

No, for your
understudy, genius.

We've been
seeing people all week.

You'd know that
if you were ever here.

This is Sam Strickland.

He was in the ensemble
of Bombshell.

Well, then he should
probably audition

for the ensemble of Hit List,
and not my part.

Guess what,
that's not your call.

Sam's a great talent.
He just hasn't found the right role yet.

Oh, I know that
you're a visionary, Derek,

but I think
you're losing your touch.

Get him
out of here, please.

Oh, no, don't worry.
I'm leaving. My buzz just wore off.

Bye-bye.
Jimmy...

So, now you see
why we're looking for his understudy.

Yeah. So...

What do you want to do?
You want me to start again?

Just take a minute.
We'll go from the top.

I'm sorry about that.

No, don't worry about it.

Don't worry about it.
Okay. I'll be right back.

What a jackass.
Adam was right.

I just don't want the show
to get screwed up

just because
I broke up with him.

It won't.

And look, even if it does,
that's not on you.

Yes, it is.

She begged him
to open up to her for months,

and when he finally did,
she didn't like what she heard and bailed.

And then
she brought her friend in to audition for his part.

That's not exactly
how that happened.

Actually, it is.

And since I seem
to be the only one who really cares about him,

I'm going to go
make sure he's okay.

Whatever.

Yes, we'd be
absolutely delighted to do a performance

at the Brighton Beach
Senior Center.

On Monday at 11:00
good for you?

Excellent. Terrific.
Thanks. Bye.

What's going on?

Did you know
half my producer clients

are going to see
Hit List tonight?

Good for them.

It seems MTW is trying
to move the show to Broadway this season.

Well, from what I saw
at the winter benefit,

I wouldn't have
said that the show was

big enough for
a Broadway transfer.

Apparently,
they've made some changes.

Just like that,
you have competition.

And what would you like me
to do with that information?

I'd like you
to get us two tickets,

so we can see
what kind of threat we have on our hands.

I'm sorry,
but that's a pass.

Eileen, everybody is looking
for their next project.

Maybe you should, too.

What did you think, Jimmy?

You'd just
go AWOL for a week and nothing would happen?

I was a little late
a couple times. I'm sorry.

I don't see
why everyone's making such a big deal about it.

People are coming tonight
who could bring this show to Broadway.

Our show.
It's what we always wanted.

Doesn't that mean
anything to you anymore?

Don't blow everything up
just because somebody broke your heart.

It sounds stupid,
but it's...

I don't know, I thought maybe
she was the one.

I'm not really sure
there is a "one."

Says the guy
who just cheated on his boyfriend.

I hate you.

No, you don't.
I keep you honest.

Look, my parents
are coming tonight.

We're taking Blake
to dinner before the show. They would love to see you.

Do you want to come?

Sure. What time?

All right, children.

Okay, good news and bad news.

The good news is,
I found your understudy,

so the next time
you go on a bender, the show won't suffer.

No, only the audience.

Yeah. And the bad news,

I have finally
lost my sense of humor.

This is the biggest night
in Hit List's life. All right?

It's bigger
than critic previews,

it's bigger
than opening night.

And if you don't
pull it off, sunshine,

Sam Strickland
is not gonna be your understudy tomorrow,

he's gonna be
your replacement.

Oh, my God.
Look at that.

"Book by Kyle Bishop."
Mom, shh.

Hey, I'm sorry.
I just wanted to say,

I'm a big fan.
I've seen the show like three times.

Oh, thank you so much.

You want
his autograph? Mom.

You want mine then?
I'm his mother. Oh, my God.

Will you please
make her stop?

What? You should be
enjoying this.

Look at all these people
lined up for your show.

That's what
I keep telling him.

We are so proud of you.
It's such a big achievement.

It's not just mine.
You should be proud of Jimmy, too.

Well, of course
we're proud of him.

I wish he would
have come out with us, so I could have told him.

Wanna see
if he's shown up yet?

Is he using again?
Marie.

Mom, please.

It's a fair question.

Look, you know
we love him,

but this is
your moment, honey.

I just want you
to make sure you really take it.

I am.

So how did Scott take it?

He didn't have to.

I'm doing Gatsby
with him in the fall.

I made a promise,
and I'm not going to break it.

What about
your promise to me? Your commitment to me?

I am totally
committed to you.

I will make you
the priority.

Anything that you want to do
with me comes first.

I'll work on Gatsby
in my spare time.

We're supposed to work
on everything together.

That's what a partnership is.

So if you had gotten
City of Angels, I would have directed it, too?

We didn't direct
Bombshell together.

And that was
a problem, apparently.

How was it a problem?
I was totally behind you.

Why wouldn't you do
the same for me? It's one play.

One play you optioned
in our company name.

Legally,
that makes it half mine.

Hey, guys.

Packed house in here.
You ready?

Hey, Daryl,
good to see you.

Hey, Daryl, I didn't
know you would be here. Hi, Kev.

Oh, yes. How are you?

Yeah, I thought you two
could arm wrestle a bit during intermission.

Winner takes
the show to Broadway.

Kevin's been working out.

It's 10 till.

What do you want me to do?

We'll have to cancel.

No. Please, give him
five more minutes.

You're late.

If we were on Broadway,
you'd get a fine.

But we're not, are we?

Not yet.

Are you going
to get out of my way, so I can go get dressed?

Oh, I'd love to.

Jimmy, it's places.

Yeah, ready.

I thought you said
there was no way in hell

Eileen Rand would ever
produce this show on Broadway.

There isn't.

What's she doing here?

Ladies and gentlemen,
we'd like to take this opportunity

to remind you that
the use of cell phones and other recording devices

is not only permitted,
but encouraged.

Record the show
in its entirety for all we care.

We don't own it
any more than you do.

And now I'm falling

Baby, through the sky
Through the sky

I'm falling, baby,
through the sky

Where is he?

There's a block
on the edge of this town no one talks about

Where the train doesn't stop
and the kids know they're not getting out

You live in the loop
A smoke's on the stoop

Counting the coins you got

You work at a bar
where all that you are

Is everything you're not

Rodgers and Hammerstein.

Lerner and Loewe.

Kander and Ebb.

Houston and Levitt.

You two have
one of the longest, most celebrated

writing partnerships
on Broadway.

It must be like a marriage.

It is.

With peaks and valleys.

Deep, deep valleys.

Tell us, what does it take
to keep your marriage alive?

Work. Hard work.

And communication.

And the ability
to put someone else's needs before your own.

And the ability
to put the partnership above everything else.

Okay. Let's talk
about process.

Say you're writing a song,
and you disagree on a lyric.

How do you decide
who gets their way?

We never really
disagree on lyrics.

Hmm. Because she writes them.

Well, what about
a story point, or characters?

I personally know that
Marilyn's mother, Gladys,

came in and out
of the story several times before you made a decision.

Then we talk about it
until we're both comfortable with the answer.

Or Julia gets her way.

Or Tom
acts passive-aggressive until he gets his way.

Or Julia makes a decision
without telling me,

and I find out
about it later.

Or Tom calls his lawyer.

Okay, uh, let's open
it up for some questions.

Um, yes, you, sir.

What are you doing next?

We're doing
The Great Gatsby.

No, no, we're not.

What he meant
to say is, I am.

As a play.

At Manhattan
Theatre Workshop.

With Scott Nichols directing.

So you're not working
together anymore?

Of course we are.
No.

We're not.

I wish I didn't need you

I wish I never knew love

I wish you were a bad girl

I wish you never knew love

Why is this pain so

Unforgettable?

Hey, Jesse.
Sorry I couldn't make it back here all day.

Have you written anything?

I've started
working on something,

but it's still in process,
you know.

Okay. Let's hear
what you got.

I wish you were a bad man

Can you try it?
Yeah.

Okay.
Ready?

I wish you were a bad man

I wish you made it easier

I wish you'd done something

Unforgivable

'Cause holding onto you
is all that I can do

Until I learn
the hands around my throat are my own

Don't let me know
if it hurts, if it hurts you

I don't wanna
be your friend that you turn to

That you won't pull me close

But you can't let me go

Don't let me know

Don't let me know

Don't let me know

Don't let me know

I wish I'd never met you

Now I gotta forget again

I wish you didn't know me

So damn well

Don't tell me
that you're scared

Every time she isn't...

He's not
supposed to walk away.

It's not anything I think
the audience will notice.

I notice.

Don't let me know
if it hurts, if it hurts you

I don't
wanna be your friend that you turn to

That you won't pull me close

But you can't let go

Don't let me know

Don't let me know

Don't let me know

Don't let me know

If you think
there's a chance you could fall again

What's going on?

Now what's he doing
in the middle of the dancers?

... stop loving me

Don't let me know
if it hurts, if it hurts you

I don't
wanna be your friend that you turn to

That you won't pull me close

But you can't let go

Don't let me know

Don't let me know

Don't let me know

Don't let me know

Did you mean
what you said in there, that the partnership's over?

If you were being honest,
you know that's what you think, too.

That couldn't
be further from the truth.

Come on.

Clearly you've been
unhappy with me.

You've been auditioning
new partners all year.

First it was Peter,
now it's Scott, Jimmy, Kyle.

You told me last week
that all you want to do is direct.

Look.
Maybe we're just going in different directions.

Or maybe this
partnership only works when it's all about you.

I have spent
the last six months taking care of you

after you dropped
the ball in Boston and your marriage fell apart.

But the moment
I get something I want,

you can't even wait
six months for me.

You didn't ask me to wait.

I didn't ask you
to take care of me, either.

But I am asking
that you be okay with me doing this.

Tom, I love it.

It is the first thing
that has really made me happy in years.

Thank you so much.

We have our answer.

That's not what I meant.

Yes, it is.

It's my calling, baby
Don't you cry, don't you cry

I'm falling down
through the sky

And I refuse to go...

Now what is he doing?

He's usually down left
with Gabe and Lexi.

Why didn't he catch her?

I'm sorry, Karen.
I'm so sorry. Come here.

I got you.
I got you. All right?

Karen. Karen.

I'm so sorry.
I totally screwed up.

Are you okay?
Oh, my God, your arm.

You don't get to ask me
how I am right now.

Are you all right?
I'm fine, it's just a scratch.

It was a mistake,
that is all.

You went on stage high.

You compromised
Karen's safety,

and you jeopardized
the entire bloody show.

Good work.

Karen, I'm so sorry.
You have to believe me.

Places. Last number.

The time has come

You're flying away

Mouth is numb

I don't know what to say

And although
you'll be out of sight, dear

Know I'll be right here

Right here forever,
ever, ever, ever

And when you look
to the night skies

Don't think of goodbyes

Think how I'm right here
ever, ever, ever

Come

No, I can't come with you

Stay

I wish I could

Goodbye-eye-eye-eye

I know it's hard to say

Come

No, you can't come with me

Stay

I wish I could

God-bye-eye-eye-eye

I know it's hard to say

Ouch

I know it hurts to say

I'd stay if I could

But the universe
won't let me

So please be good

And don't you forget me

And although
I'll be out of sight, dear

Know I'll be right here

Right here forever,
ever, ever, ever

And when you look,
when you look to the night skies

Don't think of goodbyes

Think how I'm right here

Ever, ever, ever,
ever, ever, ever, ever

Let's go.

Give me a minute.

You should go
and get this checked out tonight.

It could be a sprain.

I'm fine.

Karen, I'm so sorry.

He is totally
out of control.

What you just saw
was Jimmy's last performance.

I don't want him
around here if he can't get himself together.

And I very much
doubt that's possible.

What about the show?

We'll shut down
for a couple of days,

give Sam a chance
to get ready.

Just let me be the one
to tell him.

Okay. Go on, then.

Okay.

So what'd you think?

I don't know.
What do you think?

High energy, uh,
very talented.

Yes. Yes.

I don't know.
It seems a little cult-y,

like Hedwig, or Rocky Horror.
It's a little edgy to transfer.

Yeah. But Rent, Avenue Q.

You know I love edge.

There's edge,
and then there's cliff.

I don't see it.

Here they are,
the producers.

Hey.

Who's up for a drink?
I'm buying.

You were so good
tonight, honey.

Don't Let Me Know
sent chills down my spine.

Thank you.

Yeah, if you could just
sign this to "The Cohens."

Okay, let me
get this straight.

So when you're
doing those spins,

you don't have
anything holding you up?

No.
Wow. I'll be darned.

What? Not one bite?

Did you tell them
we've got Jimmy's replacement lined up?

They loved him.

They think
the show's too dark for an uptown crowd.

You've got to be kidding me.
I'll try Eileen.

Oh, all right.

Now the party can begin.
Whoo!

What's up, man?

Hey.

You proud of yourself?

You said
do a good job, and I did. I was on fire.

No, you were high,
and you hurt Karen and freaked everybody out.

And now Derek and Scott
are going to fire you.

No. No. They can't do that.

Yes, they can.
They already did.

Sam's going on
as soon as he can get off book.

And what did you say, Kyle?

I told them that it was
the right thing to do.

You took their side?

Jimmy, I have
been on your side my entire life.

I've stood up for you
when nobody else would.

I was the one
who got you out of the situation with Adam.

If it wasn't for me,
you'd probably be dead in a gutter somewhere.

I have to stop
helping you.

You have to start
helping yourself.

Right.

Hey. All right. Listen up!

Everybody!

Whoa, hey! Oh, wow.

Uh... Okay, look.
I just wanted to say

that it turns out
tonight was my final performance of Hit List.

I mean...
Yeah, yeah, apparently...

Apparently
the creative team has decided

that they no longer
require my services.

And when I say
"creative team,"

I mean that term,
like, very loosely,

seeing as I'm the only one
that did anything anyway. Right?

Uh, I would
like to thank Karen, Karen Cartwright,

for bringing this show
to life by stringing along its director

and for believing
in me as an actor so much

that she engineered
my replacement.

Which made perfect sense,
considering that real emotion,

on stage or off,
is way too scary for her.

I would also like
to thank, uh, Kyle, Kyle Bishop,

my lifelong friend
and writing partner,

for his unwavering loyalty
throughout this entire process.

Oh, wait,
did I say "loyalty"?

I meant for screwing me
the second he had the chance.

For the record, Blake,
Kyle was also screwing Tom Levitt last week,

you might want
to check in with him about that.

I mean, I know you guys
have, like, different rules

about that sort of thing.
Get off the bar.

Okay. You are stronger
than you look.

Blake. Please come back.

Don't talk to me.

What is the matter with you?
Karen and Kyle?

You could not find
two better friends.

They have done
nothing but love you.

Well, yes.

But only one of them
is in love with me,

and it is not
the one that I wanted.

Are you okay?

Uh, Ana, thank you, I...
Don't worry about it.

I have to tell Jimmy
how messed up that was. I have to go talk to him.

No, you don't.

He'll just apologize,
and say all the right things like he always does,

and nothing
will ever change.

You're right.

God. I should just
cut him off, you know.

Do you think
you can do that?

I'll do it tomorrow.

When he's sober,
and when I've had a chance to calm down.

No, you don't
wait until tomorrow.

If you wait until then,
you'll lose your courage.

Do it now.

Thank you, Karen.

You're right.

Oh, you know
how most producers are.

Taste doesn't motivate them,
money does.

And they just
didn't see the money.

What about you?

Taste is what
you're known for, after all.

I loved the show.

I didn't want to, but I did.

But you're not
going to move it.

I can't.
I don't have the money.

And even if I did,
I can't bet against myself this year.

Oh, come on.
People do it all the time.

Listen.
Your show is beautiful, and it's moving,

but people are right,
it's a hard sell.

And it's a risk I just
can't afford to take.

Okay.

I'm sorry, Derek,
I know how much you've put into this.

Thanks, darling.

Okay.

I'm gonna have
to call Tom, Agnes,

ask him and Julia
to reduce their royalties.

'Cause otherwise
I just don't see any way we're gonna get to the Tonys.

Today's sales are up 7%.

Looks like tomorrow's
are even better.

Guess all that publicity
paid off after all.

So maybe we hold off
on that call,

especially since
the competition is dead.

- Coming up next, the HBO
- original series, Girls.

Okay.

A question. Um...

What do you think it means

if a woman you thought
you were seeing

that you've called
five times in a day doesn't answer the phone?

Ooh, goodness.

She's probably
on the other line getting a restraining order.

That's very funny.

I'm sorry about tonight.

It's not your fault.

I don't mean about Jimmy.
I mean the show.

I can't believe
they all passed. Yeah.

I know how much you
wanted it to move.

So did I.

You know what's weird?

It never occurred to me
that it wasn't gonna get to Broadway.

We'll find something else.

I don't want something else.

You want another drink?

Yeah. I think
if I have another drink,

I might do something
I regret in the morning.

Two more, please.

This is our last goodbye

I hate to feel
the love between us die

But it's over

Just hear this
and then I'll go

You gave me more to live for

More than you'll ever know

Well, this is
our last embrace

Must I dream
and always see your face?

Why can't
we overcome this wall?

Maybe it's just because
I didn't know you at all

Kiss me
Please kiss me

Kiss me out of desire,
baby, no consolation

Oh, you know
it makes me so angry

'Cause I know that in time

I'll only make you cry

This is our last goodbye

Oh!

Goodnight.

Are you going to
walk me home or what?

It's for you.

Did you say, "No,
this can't happen to me"?

Did you rush
to the phone to call?

Was there a voice unkind
at the back of your mind

Saying maybe
you didn't know him at all?

You didn't know him at all
Oh, you didn't know

Oh, you didn't know

It's over

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