All language subtitles for Bent.S01E06.1080p.WEB-DL.DD.5.1.H.264-SbR_track3_eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic Download
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:11,212 --> 00:00:13,414 - NOT BAD, HUH? 2 00:00:13,447 --> 00:00:17,151 - KIND OF PERFECT. 3 00:00:24,258 --> 00:00:27,495 - ALEX, ALEX. 4 00:00:27,528 --> 00:00:29,263 WOW, YOU WERE OUT. 5 00:00:29,297 --> 00:00:30,398 DREAMING ABOUT ME. 6 00:00:30,431 --> 00:00:32,066 - I WASN'T TALKING WAS I? 7 00:00:32,100 --> 00:00:33,234 - NOT REALLY, JUST WEIRD NOISES. 8 00:00:33,267 --> 00:00:34,368 YOU READY TO GO WINE TASTING? 9 00:00:34,402 --> 00:00:35,436 - VERY. 10 00:00:35,469 --> 00:00:41,275 - LET'S GET DRUNK. 11 00:00:41,309 --> 00:00:43,411 - WELCOME BACK TO THE DOLL-HEAD OPEN. 12 00:00:43,444 --> 00:00:46,514 A TRADITION UNLIKE ANY OTHER. 13 00:00:46,547 --> 00:00:49,583 OKAY, THIS HOLE HAS BEEN BREAKING LEFT TO RIGHT ALL DAY. 14 00:00:49,617 --> 00:00:52,286 WIND HAS FINALLY DIED DOWN. 15 00:00:52,320 --> 00:00:56,124 OH, HE'S GOING WITH THE PAINT ROLLER POLE. 16 00:00:56,157 --> 00:00:57,858 HE HAD TROUBLE WITH THIS HOLE YESTERDAY. 17 00:00:57,891 --> 00:00:59,360 AND ONCE AGAIN THIS MORNING. 18 00:00:59,393 --> 00:01:01,862 - QUIET! - HE'S ASKING FOR QUIET. 19 00:01:01,895 --> 00:01:05,433 THIS IS FOR BIRDIE AND THE CHAMPIONSHIP. 20 00:01:05,466 --> 00:01:08,202 HE'S DONE IT, HE'S DONE IT. - YES! 21 00:01:08,236 --> 00:01:09,770 - THE FIRST AFRICAN-AMERICAN ELECTRICIAN 22 00:01:09,803 --> 00:01:11,205 EVER TO WIN THE DOLL-HEAD OPEN. 23 00:01:11,239 --> 00:01:12,373 - YEAH! 24 00:01:12,406 --> 00:01:16,110 - IT IS ABSOLUTE PANDEMONIUM HERE. 25 00:01:16,144 --> 00:01:17,245 HEY, ALEX IS BACK FROM NAPA. 26 00:01:17,278 --> 00:01:18,279 THEY'RE BACK AND THEY'RE EARLY. 27 00:01:18,312 --> 00:01:19,513 - WHAT IS GOING ON? 28 00:01:19,547 --> 00:01:20,848 HAVE YOU GOTTEN ANY WORK DONE? 29 00:01:20,881 --> 00:01:22,383 - I'M NOT GOING TO SUGARCOAT IT, NO. 30 00:01:22,416 --> 00:01:25,886 BUT WE DID BREAK THE COLOR BARRIER. 31 00:01:25,919 --> 00:01:27,255 - HOW WAS YOUR TRIP? - IT WAS AWESOME. 32 00:01:27,288 --> 00:01:28,422 WE NEVER LEFT THE HOTEL ROOM. 33 00:01:28,456 --> 00:01:30,858 - OH, WERE YOU SCARED TO GO SHIRTLESS BY THE POOL OR-- 34 00:01:30,891 --> 00:01:32,393 - AND MY KITCHEN KNIFE, WHY? 35 00:01:32,426 --> 00:01:34,595 - WELL, INITIALLY USED TO BEHEAD THE DOLL, 36 00:01:34,628 --> 00:01:38,199 BUT IT ACTUALLY MAKES FOR A PRETTY NIFTY MICROPHONE. 37 00:01:38,232 --> 00:01:39,433 I'M PETE RIGGINS, FROM ALL OF US HERE-- 38 00:01:39,467 --> 00:01:41,569 I'VE ACTUALLY JUST CUT MY FINGER. 39 00:01:41,602 --> 00:01:43,837 THAT'S PRETTY BAD, ACTUALLY. 40 00:01:47,575 --> 00:01:49,210 HOW ABOUT SOME LIDOCAINE? 41 00:01:49,243 --> 00:01:51,212 - AH, WISH I HAD SOME. - IT'S RIGHT HERE. 42 00:01:51,245 --> 00:01:53,781 - IS IT? WELL, I'M DONE. 43 00:01:53,814 --> 00:01:56,417 - I HAD THIS CRAZY SEX DREAM ABOUT PETE. 44 00:01:56,450 --> 00:01:57,551 - CRAZY? 45 00:01:57,585 --> 00:01:59,153 - CRAZY. 46 00:01:59,187 --> 00:02:00,821 WE'RE IN THIS KITCHEN, RIGHT? 47 00:02:00,854 --> 00:02:01,889 THIS BEAUTIFUL KITCHEN. 48 00:02:01,922 --> 00:02:03,824 MAYBE IT WAS SUPPOSED TO BE MY FINISHED KITCHEN. 49 00:02:03,857 --> 00:02:04,925 - GET OFF KITCHEN. 50 00:02:04,958 --> 00:02:08,462 - ANYWAY, SO HE'S COMING TOWARDS ME WITH THIS LOOK. 51 00:02:08,496 --> 00:02:13,201 I MEAN, AND THEN HE JUST GRABS ME AND HE PICKS ME UP 52 00:02:13,234 --> 00:02:15,203 AND HE SHOVES ME ON THE COUNTERTOP. 53 00:02:15,236 --> 00:02:18,406 AND THEN RIGHT WHEN WE'RE ABOUT TO KISS, 54 00:02:18,439 --> 00:02:19,840 BEN WOKE ME UP. 55 00:02:19,873 --> 00:02:21,542 - YOU KNOW WHAT'S CRAZY ABOUT YOUR SEX DREAM? 56 00:02:21,575 --> 00:02:22,876 THERE'S NO SEX IN IT. 57 00:02:22,910 --> 00:02:24,378 - THE WHOLE THING WAS SO OUT OF NOWHERE. 58 00:02:24,412 --> 00:02:25,879 - NOT REALLY. 59 00:02:25,913 --> 00:02:28,516 PETE PUT YOU IN THE FRIENDS BOX AND NOW YOU WANT OUT OF IT. 60 00:02:28,549 --> 00:02:29,783 - NO, I DON'T. - OW! 61 00:02:29,817 --> 00:02:32,253 - YOU OKAY? 62 00:02:32,286 --> 00:02:35,356 - YEAH, SO THIS WILL DEFINITELY SCAR. 63 00:02:35,389 --> 00:02:36,790 - OH, THAT'S A LOT OF STITCHES. 64 00:02:36,824 --> 00:02:38,492 - YEAH, I WAS HAVING FUN. 65 00:02:38,526 --> 00:02:40,561 - IT'S A PRETTY GOOD JOB, I MEAN, I USUALLY SELF-STITCH. 66 00:02:40,594 --> 00:02:42,930 - THANK YOU, BEN. 67 00:02:42,963 --> 00:02:44,265 ISN'T THAT WHAT WE SAY? 68 00:02:44,298 --> 00:02:45,266 - GRACIAS, BENJAMIN. 69 00:02:45,299 --> 00:02:48,236 HEY, UH, MY INSURANCE IS MOSTLY THROUGH PETCO 70 00:02:48,269 --> 00:02:50,271 AND PRIMARILY COVERS MY DOG, SO-- 71 00:02:50,304 --> 00:02:51,339 - OH, NO. NO CHARGE, MAN. 72 00:02:51,372 --> 00:02:52,940 I ENJOYED IT. 73 00:02:52,973 --> 00:02:55,809 AND I ENJOYED NAPA WITH YOU, LADY. 74 00:02:55,843 --> 00:02:57,811 - OKAY, ONE MORE SPLASH OF RUBBING ALCOHOL. 75 00:02:57,845 --> 00:02:59,313 THERE WE GO. 76 00:02:59,347 --> 00:03:00,414 OH, DOES THAT STING? - NO, THAT'S PERFECT. 77 00:03:00,448 --> 00:03:02,283 - OKAY, GOOD. I'M OUT OF HERE. 78 00:03:02,316 --> 00:03:03,617 FEELS GOOD, I GOT PETE'S BLOOD ON MY HANDS. 79 00:03:03,651 --> 00:03:05,286 - DON'T LET IT MIX WITH YOURS, 80 00:03:05,319 --> 00:03:08,556 YOUR DELICATE FRAME CAN'T HANDLE THE TESTOSTERONE BOOST. 81 00:03:08,589 --> 00:03:09,957 - HI. 82 00:03:09,990 --> 00:03:11,492 MAN WITH A BABY OUT HERE. 83 00:03:11,525 --> 00:03:13,227 - HEY, DAN. 84 00:03:13,261 --> 00:03:15,929 HI, COOPER. 85 00:03:15,963 --> 00:03:17,798 WHAT'S UP, BUDDY? HOW ARE YOU? 86 00:03:17,831 --> 00:03:19,900 - AWAKE NOW, THANKS TO THE DOLL HEAD 87 00:03:19,933 --> 00:03:21,602 THAT JUST BOUNCED OFF OF HIS WINDOW. 88 00:03:21,635 --> 00:03:23,471 THAT IS WEIRD TO HAVE HAPPEN, IT'S DISTURBING. 89 00:03:23,504 --> 00:03:25,005 IS THIS LIKE A MESSAGE OR SOMETHING? 90 00:03:25,038 --> 00:03:29,277 - HEY, CLEM, DAN BROUGHT BACK YOUR VICTORY HEAD. 91 00:03:29,310 --> 00:03:30,878 - THANKS, DAN-O, GOOD LOOKING OUT. 92 00:03:30,911 --> 00:03:31,779 - THIS CONSTRUCTION PROJECT, I'M SORRY, 93 00:03:31,812 --> 00:03:34,248 HAS JUST BEEN A REAL NIGHTMARE FOR US. 94 00:03:34,282 --> 00:03:35,416 - I KNOW, I AM SO SORRY ABOUT THE NOISE. 95 00:03:35,449 --> 00:03:37,985 - AND THE TRUCKS AND THE TOOLS THAT ARE ON MY FRONT LAWN 96 00:03:38,018 --> 00:03:38,952 AND BROKE MY SPRINKLER. 97 00:03:38,986 --> 00:03:40,821 - HEY, DAN, I'M GOING TO MAKE THIS RIGHT. 98 00:03:40,854 --> 00:03:42,990 YOU, ME, BEERS, WEDNESDAY NIGHT. 99 00:03:43,023 --> 00:03:45,993 - BEERS ON A WEDNESDAY NIGHT? THAT MAKES ME SO MAD. 100 00:03:46,026 --> 00:03:47,628 I HAVE NOT SLEPT SINCE JANUARY 7TH. 101 00:03:47,661 --> 00:03:49,263 - OKAY, IT GETS BETTER. 102 00:03:49,297 --> 00:03:50,331 - I'M TAKING YOU TO SMALL CLAIMS COURT. 103 00:03:50,364 --> 00:03:52,800 - OH, I WOULDN'T THAT, ATTORNEY. 104 00:03:52,833 --> 00:03:54,335 - NOT HER, YOU. 105 00:03:54,368 --> 00:03:59,373 YOU'VE BEEN SERVED BY COOPER AND ASSOCIATES. 106 00:03:59,407 --> 00:04:01,342 - YEAH, LOOKS ABOUT RIGHT. - PRETTY MUCH. 107 00:04:09,583 --> 00:04:11,285 - WHAT'S THAT SMELL? 108 00:04:11,319 --> 00:04:12,986 - STEAMED VEGETABLES, THAT'S ALL I'M EATING 109 00:04:13,020 --> 00:04:14,555 TILL OPENING NIGHT. 110 00:04:14,588 --> 00:04:16,557 - COME ON, POPS, YOU LOOK FINE. 111 00:04:16,590 --> 00:04:18,292 - NO, I'M A LOAD, SON. 112 00:04:18,326 --> 00:04:19,527 I'M A DISGUSTING LOAD. 113 00:04:19,560 --> 00:04:20,628 - HEY, WHERE'S THE BEER? 114 00:04:20,661 --> 00:04:22,296 - I THREW OUT ALL TEMPTATION. 115 00:04:22,330 --> 00:04:24,064 - I DON'T LIKE WHEN YOU DO LIVE THEATER. 116 00:04:24,097 --> 00:04:25,966 - IT'S A BIG NIGHT, I GOT A LOT OF INDUSTRY COMING. 117 00:04:25,999 --> 00:04:28,001 AND I NEED A NEW AGENT, SINCE TED DIED. 118 00:04:28,035 --> 00:04:29,837 FROM NOTHING, LIKE THAT. 119 00:04:29,870 --> 00:04:31,505 - YEAH, HE WAS 83. - YEAH. 120 00:04:31,539 --> 00:04:32,973 - ALL RIGHT, LET'S CRACK A WINDOW. 121 00:04:33,006 --> 00:04:34,308 IT SMELLS LIKE A CABBAGE SAUNA IN HERE. 122 00:04:34,342 --> 00:04:35,543 - PLEASE DON'T DO THAT, OKAY? 123 00:04:35,576 --> 00:04:36,844 I NEED THE HEAT. 124 00:04:36,877 --> 00:04:38,412 I GOT TO DROP TEN POUNDS BY FRIDAY. 125 00:04:38,446 --> 00:04:39,813 ALL RIGHT, HERE WE GO. 126 00:04:39,847 --> 00:04:41,081 - THANK YOU FOR CHOOSING MEDIATION, 127 00:04:41,114 --> 00:04:44,852 THE ALTERNATIVE TO SMALL CLAIMS COURT, WELCOME. 128 00:04:44,885 --> 00:04:47,054 AND WELCOME BACK, TO SOME. 129 00:04:47,087 --> 00:04:48,989 - I'M A BIT OF A FREQUENT FLYER, DANNY BOY. 130 00:04:49,022 --> 00:04:50,391 HOW ARE YOU, TASHA? 131 00:04:50,424 --> 00:04:51,959 - UH, MY FIANCE AND I BROKE UP. 132 00:04:51,992 --> 00:04:53,827 - WHAT? IS HE CRAZY? 133 00:04:53,861 --> 00:04:54,962 LOOK AT YOU. 134 00:04:54,995 --> 00:04:56,464 SHE'S VERY PRETTY. 135 00:04:56,497 --> 00:04:59,967 - SHE'S--YEAH, YOU'RE PRETTY. 136 00:05:00,000 --> 00:05:02,102 - UH, THE PURPOSE HERE OF MEDIATION 137 00:05:02,135 --> 00:05:04,004 IS TO COME TO AN AGREEMENT, SATISFACTORY TO BOTH PARTIES, 138 00:05:04,037 --> 00:05:05,873 SO WE DON'T HAVE TO GO BEFORE A JUDGE. 139 00:05:05,906 --> 00:05:07,375 - I KNOW, I'M ACTUALLY A LAWYER, SO-- 140 00:05:07,408 --> 00:05:08,609 - YEAH, SHE WANTED TO TAG ALONG. 141 00:05:08,642 --> 00:05:11,044 - BECAUSE I'M A LAWYER AND ALSO IT'S MY HOUSE. 142 00:05:11,078 --> 00:05:13,113 - I THINK IT'S BECAUSE SHE WANTED TO SEE ME IN A SUIT. 143 00:05:13,146 --> 00:05:15,583 - NO, IT ISN'T, ALTHOUGH IT'S THE ONE THING 144 00:05:15,616 --> 00:05:18,419 I ASKED HIM TO DO, WEAR A SUIT. 145 00:05:18,452 --> 00:05:23,624 - I ACTUALLY HAVE A VIDEO THAT I WOULD LIKE TO SHOW. 146 00:05:23,657 --> 00:05:25,125 - CLEM! - WHAT? 147 00:05:25,158 --> 00:05:26,427 - WHAT DO YOU WANT FOR LUNCH? 148 00:05:26,460 --> 00:05:28,061 - WHAT? - FOR LUNCH! 149 00:05:28,095 --> 00:05:30,097 - TURKEY SANDWICH! 150 00:05:30,130 --> 00:05:32,566 - EGG SALAD! GOT IT! 151 00:05:32,600 --> 00:05:35,102 OH, EGG SALAD IS JUST THIS HUGE CURVEBALL 152 00:05:35,135 --> 00:05:36,103 WHEN YOU WANT TURKEY. 153 00:05:36,136 --> 00:05:37,505 HE WAS SO ANGRY. 154 00:05:37,538 --> 00:05:41,875 - YEAH, I KNOW. 155 00:05:41,909 --> 00:05:43,143 - EGG SALAD? 156 00:05:43,176 --> 00:05:45,012 12 YEARS I BEEN WORKING WITH YOU, 157 00:05:45,045 --> 00:05:49,149 HAVE I EVER ORDERED EGG SALAD? 158 00:05:49,182 --> 00:05:50,884 PUMPERNICKEL, MOTHER? 159 00:05:50,918 --> 00:05:52,152 - HOW ABOUT A THANK YOU 160 00:05:52,185 --> 00:05:53,454 FOR THE SANDWICH? 161 00:05:53,487 --> 00:05:57,591 FACE. 162 00:05:57,625 --> 00:05:59,927 - THAT'S WHEN WE STARTED CLOSING COOPER'S WINDOW. 163 00:05:59,960 --> 00:06:02,129 - SMART. YOU KNOW, I THINK WE GET THE GIST. 164 00:06:02,162 --> 00:06:03,931 - WATCH THIS NEXT VIDEO. 165 00:06:05,433 --> 00:06:07,067 - YEAH, WE TOTALLY BLEW UP THAT WATERMELON. 166 00:06:07,100 --> 00:06:09,970 - DID YOU? 167 00:06:10,003 --> 00:06:11,171 - HEY, WHAT DO YOU KNOW? 168 00:06:11,204 --> 00:06:13,106 - OH, HI, GARY. 169 00:06:13,140 --> 00:06:17,010 - HEY, UM, I'VE BEEN MEANING TO ASK YOU, 170 00:06:17,044 --> 00:06:19,012 WOULD YOU LIKE TO DO SOMETHING SOMETIME? 171 00:06:19,046 --> 00:06:21,114 - SURE. - COOL, COOL. 172 00:06:21,148 --> 00:06:25,018 HEY, UH, SHOULDN'T-- AH. 173 00:06:25,052 --> 00:06:26,620 SHOULD WE MAYBE LOCK DOWN A SPECIFIC TIME? 174 00:06:26,654 --> 00:06:28,088 - HOW ABOUT FRIDAY? 175 00:06:28,121 --> 00:06:30,123 - THAT'S AWESOME. 176 00:06:30,157 --> 00:06:32,059 ISN'T WALT'S PLAY FRIDAY NIGHT? 177 00:06:32,092 --> 00:06:33,060 - YEAH, WE SHOULD GO TOGETHER. 178 00:06:33,093 --> 00:06:34,562 - I THOUGHT YOU WERE DOING CATERING FOR THAT. 179 00:06:34,595 --> 00:06:36,063 - I AM, YOU CAN HELP. 180 00:06:36,096 --> 00:06:41,569 IT'LL BE FUN. 181 00:06:41,602 --> 00:06:43,103 - COOL, COOL. 182 00:06:43,136 --> 00:06:45,038 AH. 183 00:06:45,072 --> 00:06:46,840 - SO, AT THE END OF THE DAY, WHILE MY CONTRACTOR 184 00:06:46,874 --> 00:06:49,877 IS BOTH JUVENILE AND INFURIATING-- 185 00:06:49,910 --> 00:06:51,445 - AN IRRESISTIBLE BLEND. 186 00:06:51,479 --> 00:06:53,046 - SUPER PROBATION. 187 00:06:53,080 --> 00:06:54,582 UH, I DON'T SEE HOW HE WAS IN VIOLATION 188 00:06:54,615 --> 00:06:56,083 OF HIS BUILDING PERMITS. 189 00:06:56,116 --> 00:06:56,950 - YOU KNOW, I'M INCLINED TO AGREE. 190 00:06:56,984 --> 00:06:59,553 PETE, APOLOGIZE, PAY FOR THE SPRINKLER, 191 00:06:59,587 --> 00:07:02,990 AND PROMISE TO KEEP IT DOWN. 192 00:07:03,023 --> 00:07:07,160 - DAN-O, I'M SUPER SORRY. 193 00:07:22,242 --> 00:07:25,946 - PUMPERNICKEL. SHH, SORRY. 194 00:07:28,716 --> 00:07:32,620 - CONGRATULATIONS, COUNSELOR. 195 00:07:32,653 --> 00:07:35,623 HEY, SO, THE SUBWAY TILES JUST CAME IN FOR THE BACKSPLASH. 196 00:07:35,656 --> 00:07:36,924 YOU WANT TO CHECK THEM OUT WITH ME? 197 00:07:36,957 --> 00:07:39,259 - SURE, UH, CAN WE DO SATURDAY THOUGH, 198 00:07:39,292 --> 00:07:41,128 BETWEEN 4:00 AND 5:00? 199 00:07:41,161 --> 00:07:42,763 - YEAH, I'LL HAVE TO MOVE SOME SURFING AROUND, 200 00:07:42,796 --> 00:07:44,264 BUT, YEAH, I CAN MAKE IT WORK. 201 00:07:44,297 --> 00:07:45,699 - GREAT. - IT'S A DATE. 202 00:07:45,733 --> 00:07:49,803 - IT'S A DATE, THEN. - A TILE DATE. 203 00:07:49,837 --> 00:07:52,873 HEY, CHECK IT OUT, DIGITS. 204 00:07:52,906 --> 00:07:54,742 - YOU GOT NATASHA'S NUMBER? 205 00:07:54,775 --> 00:07:55,743 - YEAH, SHE SLIPPED IT TO ME 206 00:07:55,776 --> 00:07:57,878 DURING MINUTE FIVE OF YOUR CLOSING ARGUMENTS. 207 00:07:57,911 --> 00:07:59,747 - WHEN ARE YOU GOING TO CALL HER? 208 00:07:59,780 --> 00:08:01,715 - WHEN WOULD YOU WANT ME TO CALL YOU? 209 00:08:01,749 --> 00:08:03,851 - I WOULDN'T. - COME ON. 210 00:08:03,884 --> 00:08:06,854 WE'RE FRIENDS, HELP ME GET SOME. 211 00:08:06,887 --> 00:08:09,823 - YOU'VE SHOWN GREAT PROFICIENCY GETTING SOME ALL ON YOUR OWN. 212 00:08:09,857 --> 00:08:12,593 - THAT MAY BE THE FIRST COMPLIMENT YOU'VE EVER GIVEN ME. 213 00:08:12,626 --> 00:08:13,827 - IT'S REALLY AMAZING THAT YOU'RE TAKING THAT 214 00:08:13,861 --> 00:08:15,195 AS A COMPLIMENT. 215 00:08:15,228 --> 00:08:17,565 - HUH, TWO, BACK TO BACK. 216 00:08:17,598 --> 00:08:22,703 I AM EN FUEGO. 217 00:08:22,736 --> 00:08:23,704 - OH, HEY, I JUST GOT A CONFIRMATION 218 00:08:23,737 --> 00:08:26,206 THAT AN AGENT FROM GREENSTEIN BECKER'S GOING 219 00:08:26,239 --> 00:08:27,708 BE HERE OPENING NIGHT. 220 00:08:27,741 --> 00:08:28,742 - OH, THEY'RE VERY GOOD. 221 00:08:28,776 --> 00:08:29,677 THE REP A LOT OF VOICEOVERS. 222 00:08:29,710 --> 00:08:31,712 - WHEN THE BURNING, ITCHING, REDNESS... 223 00:08:31,745 --> 00:08:32,680 - YOU ARE SO GOOD. HE'S GOOD. 224 00:08:32,713 --> 00:08:35,248 OF ATHLETES FOOT GETS TOO MUCH TO HANDLE-- 225 00:08:35,282 --> 00:08:36,750 - IT'S TOO MUCH, OKAY, I'LL BITE. 226 00:08:36,784 --> 00:08:39,152 WHAT IS WITH THE SILVER SPACE SUITS? 227 00:08:39,186 --> 00:08:42,322 - OPENING NIGHT LOOMS. 228 00:08:42,355 --> 00:08:45,292 - RIGHT, SO WHERE DID WE LAND ON CRUDITES? 229 00:08:45,325 --> 00:08:46,860 - OH, I DON'T THINK IT'S SPECIAL ENOUGH. 230 00:08:46,894 --> 00:08:48,128 - NOT TO ME. 231 00:08:48,161 --> 00:08:49,730 - HOW ABOUT A CARVING STATION? 232 00:08:49,763 --> 00:08:51,264 - WITH ROAST BEEF. 233 00:08:51,298 --> 00:08:54,735 - OH, MMM, AND NEW POTATOES JUST DRIZZLED IN BACON FAT. 234 00:08:54,768 --> 00:08:56,737 - YEAH AND A WHITE CHOCOLATE FOUNTAIN. 235 00:08:56,770 --> 00:09:00,808 - OH, HUGE ENOUGH SO I CAN LOLL ABOUT IN IT LIKE A WALRUS. 236 00:09:00,841 --> 00:09:03,644 - YOU GUYS NEED TO EAT SOMETHING. 237 00:09:03,677 --> 00:09:04,778 - YOU KNOW WHAT? 238 00:09:04,812 --> 00:09:05,713 I'VE ALWAYS WANTED TO DO THAT THING 239 00:09:05,746 --> 00:09:06,780 WHERE I ORDER FOR YOU. 240 00:09:06,814 --> 00:09:09,249 - GO FOR IT. - OKAY. 241 00:09:09,282 --> 00:09:12,920 THE LADY WILL HAVE THE SEA BASS. 242 00:09:12,953 --> 00:09:15,689 THE VEAL CH-- 243 00:09:15,723 --> 00:09:19,760 THE RISOTT--EH, YOU KNOW, WE'RE GOING TO NEED A SEC. 244 00:09:19,793 --> 00:09:21,762 THANK YOU. 245 00:09:21,795 --> 00:09:23,931 - IT'S JUST, YOU KNOW ME SO WELL. 246 00:09:23,964 --> 00:09:26,767 - ACTUALLY I FEEL LIKE I DO KNOW YOU. 247 00:09:26,800 --> 00:09:28,769 LIKE I'VE ALWAYS KNOWN YOU. 248 00:09:28,802 --> 00:09:30,170 - THAT'S SO SWEET. 249 00:09:30,203 --> 00:09:32,640 - I HAD AN AMAZING TIME IN NAPA. 250 00:09:32,673 --> 00:09:35,743 - ME TOO. 251 00:09:35,776 --> 00:09:39,747 - I LOVE YOU, ALEX. 252 00:09:39,780 --> 00:09:41,348 - WHAT'D YOU SAY? 253 00:09:41,381 --> 00:09:44,151 - I SAID I LOVED THAT HE LOVED ME. 254 00:09:44,184 --> 00:09:47,154 - OH, THAT IS SO NOT IN THE JEWELRY COMMERCIAL. 255 00:09:47,187 --> 00:09:49,723 - HE SAID HE KNEW IT WAS FAST, BUT THAT'S HOW IT FELT 256 00:09:49,757 --> 00:09:51,792 AND THAT HE DIDN'T EVEN NEED ME TO SAY IT BACK. 257 00:09:51,825 --> 00:09:53,894 - ALL RIGHT, THAT'S KIND OF SWEET. 258 00:09:53,927 --> 00:09:56,764 - IT WAS, IT REALLY, REALLY WAS. 259 00:09:56,797 --> 00:09:59,633 - SUPER AWKWARD. - ABSOLUTELY HORRIFYING. 260 00:09:59,667 --> 00:10:03,236 - REMEMBER THAT SUMMER WHEN BILLY RAFFERTY HAD THAT SKYLARK? 261 00:10:03,270 --> 00:10:05,773 - YEAH, IT WAS THE SUMMER OF '65. 262 00:10:05,806 --> 00:10:08,776 I HAD JUST TURNED 16. 263 00:10:08,809 --> 00:10:10,310 - AND WE WENT DOWN TO THE QUARRY AND BILLY-- 264 00:10:10,343 --> 00:10:12,780 NOT BILLY, UH, IT IS BILLY. 265 00:10:12,813 --> 00:10:14,281 WHAT'S THE LINE? 266 00:10:14,314 --> 00:10:15,415 - "DOWN ON THE QUARRY WHERE BILLY 267 00:10:15,448 --> 00:10:16,549 HAD SOME CHEEP CHERRY BRANDY." 268 00:10:16,583 --> 00:10:18,952 - THE SHOW OPENS TONIGHT AND YOU'RE STILL NOT OFF BOOK. 269 00:10:18,986 --> 00:10:20,353 - I'M FINE, I JUST NEED TO-- 270 00:10:20,387 --> 00:10:21,755 - THAT IS VERY, VERY UNPROFESSIONAL. 271 00:10:21,789 --> 00:10:23,190 - AND WHAT ABOUT YOU, PRINCESS? 272 00:10:23,223 --> 00:10:24,825 YOU WERE SUPPOSED TO SHAVE THAT MUSTACHE, REMEMBER? 273 00:10:24,858 --> 00:10:25,759 WHERE'S YOUR COMMITMENT? 274 00:10:25,793 --> 00:10:27,360 - WILL YOU STOP THAT INCESSANT HAMMERING? 275 00:10:27,394 --> 00:10:28,829 COME ON! 276 00:10:28,862 --> 00:10:30,163 - I'M GETTING LESS AND LESS DOWN 277 00:10:30,197 --> 00:10:31,765 WITH VOLUNTEERING MY TIME AROUND HERE, PETE. 278 00:10:31,799 --> 00:10:33,233 - IT'S A THOUSAND DEGREES. 279 00:10:33,266 --> 00:10:34,702 - ALL RIGHT, TEMPERS ARE RUNNING HOT. 280 00:10:34,735 --> 00:10:35,769 HOW ABOUT ANOTHER CABBAGE BREAK? 281 00:10:35,803 --> 00:10:37,771 - NO, THERE'S NO FOOD UNTIL AFTER CURTAIN CALL. 282 00:10:37,805 --> 00:10:38,839 WEIGH-IN WAS A DISASTER. 283 00:10:38,872 --> 00:10:40,741 - ABSOLUTE FIASCO. 284 00:10:44,812 --> 00:10:46,780 - WOW, YOU'RE LOOKING GOOD. 285 00:10:46,814 --> 00:10:51,752 - WELL, IT'S THE THEATER, YOU GOT TO BRING IT. 286 00:10:51,785 --> 00:10:53,320 - I LOVE YOU. 287 00:10:53,353 --> 00:10:54,354 - YOU'RE LOVELY. 288 00:10:54,387 --> 00:10:58,258 - I DON'T NEED TO HEAR IT BACK. IT'S HOW I FEEL. 289 00:10:58,291 --> 00:10:59,459 - GARY, WHERE ARE THE SPINACH PUFFS? 290 00:10:59,492 --> 00:11:02,796 - THE DISH WAS REALLY HOT AND I COULDN'T FIND ANY GLOVES. 291 00:11:02,830 --> 00:11:04,865 - I NEED THEM. 292 00:11:04,898 --> 00:11:06,767 - OKAY, YEAH, I'M ON IT. - THANK YOU. 293 00:11:06,800 --> 00:11:07,801 - CHARLIE. 294 00:11:07,835 --> 00:11:09,770 - WELCOME TO "THE FISHER BROTHERS," 295 00:11:09,803 --> 00:11:11,371 AN ORIGINAL WORK BY WALT RIGGINS. 296 00:11:11,404 --> 00:11:13,306 - LOOK AT YOU, YOU'RE SO OFFICIAL. 297 00:11:13,340 --> 00:11:14,742 - TONIGHT'S PERFORMANCE WILL BE THREE HOURS 298 00:11:14,775 --> 00:11:16,877 AND SEVEN MINUTES, NO INTERMISSION. 299 00:11:16,910 --> 00:11:18,846 - IS SHE SERIOUS? - I-- 300 00:11:18,879 --> 00:11:20,180 - ANY RECORDINGS OF THIS PERFORMANCE 301 00:11:20,213 --> 00:11:21,281 ARE STRICTLY PROHIBITED. 302 00:11:21,314 --> 00:11:22,750 - ARE WE OKAY WITH THAT? 303 00:11:22,783 --> 00:11:24,317 - YEAH, I DON'T NEED IT. - OKAY. 304 00:11:24,351 --> 00:11:25,753 OH, LOOK AT THIS. 305 00:11:25,786 --> 00:11:27,387 - HI. 306 00:11:27,420 --> 00:11:28,756 - WOW. 307 00:11:28,789 --> 00:11:31,925 - CAN YOU OPEN THAT? - OH. 308 00:11:31,959 --> 00:11:33,460 - SORRY. 309 00:11:33,493 --> 00:11:34,795 - THOSE ARE THE WRONG PUFFS. 310 00:11:34,828 --> 00:11:37,765 - WHAT'S UP, PEOPLE? 311 00:11:37,798 --> 00:11:39,332 - YOU GUYS REMEMBER NATASHA, RIGHT? 312 00:11:39,366 --> 00:11:40,500 - HI. 313 00:11:40,533 --> 00:11:43,771 - HEY. - HEY, HOW ARE YOU? 314 00:11:47,841 --> 00:11:49,877 - EXCUSE ME. 315 00:11:49,910 --> 00:11:51,845 COULD YOU STOP, PLEASE? 316 00:11:51,879 --> 00:11:53,346 YEAH? 317 00:11:53,380 --> 00:11:55,182 - I THOUGHT YOU GUYS MIGHT LIKE TO SEE THE PROGRAMS. 318 00:11:55,215 --> 00:11:57,484 - OH, YES. 319 00:11:57,517 --> 00:11:59,787 YOU PUT YOUR NAME FIRST? 320 00:11:59,820 --> 00:12:01,488 - YES. - BECAUSE? 321 00:12:01,521 --> 00:12:04,324 - BECAUSE I'M THE STAR. 322 00:12:11,398 --> 00:12:14,201 - SO THIS IS A FUN FIRST DATE. 323 00:12:14,234 --> 00:12:17,470 - THIRD DATE. - OH. 324 00:12:17,504 --> 00:12:18,939 - YOU'RE COUNTING THE MORNING, AREN'T YOU? 325 00:12:18,972 --> 00:12:20,808 - YEAH. WE HAD BREAKFAST. 326 00:12:23,811 --> 00:12:24,744 - I'M REALLY SORRY. 327 00:12:24,778 --> 00:12:28,181 PETE, YOUR DAD WANTS TO SEE YOU BACKSTAGE. 328 00:12:28,215 --> 00:12:31,218 - OH, THIS CAN'T BE GOOD. 329 00:12:36,957 --> 00:12:37,925 YEAH? 330 00:12:37,958 --> 00:12:39,893 - OH, MY GOD. 331 00:12:39,927 --> 00:12:43,797 - DARRELL QUIT, I'M NOT DOING THE SHOW. 332 00:12:43,831 --> 00:12:45,398 SO I WOULD LIKE YOU TO TELL EVERYONE. 333 00:12:45,432 --> 00:12:46,533 - THERE ARE AGENTS OUT THERE. COME ON, DAD. 334 00:12:46,566 --> 00:12:49,236 YOU'LL FEEL BETTER AFTER YOU EAT THAT TIN OF LASAGNA. 335 00:12:49,269 --> 00:12:50,270 - I CAN'T. 336 00:12:50,303 --> 00:12:51,939 - THE SHOW MUST GO ON. 337 00:12:51,972 --> 00:12:53,807 - THAT'S NOT A REAL SAYING. 338 00:12:53,841 --> 00:12:55,909 - THIS SHOULD BE INTERESTING. 339 00:13:01,949 --> 00:13:03,817 - WELCOME TO "THE FISHER BROTHERS," 340 00:13:03,851 --> 00:13:05,552 THE STORY OF TWO BROTHERS WHO GAVE THEIR LIVES 341 00:13:05,585 --> 00:13:08,555 TO THE POSTAL SERVICE AND NOW FACE RETIREMENT. 342 00:13:08,588 --> 00:13:11,859 TONIGHT'S RUNNING TIME WILL BE THREE HOURS AND SEVEN MINUTES. 343 00:13:11,892 --> 00:13:13,593 - THAT JUST CAN'T BE RIGHT. 344 00:13:17,230 --> 00:13:21,835 - YEAH, REMEMBER WHEN BILLY RAFFERTY GOT THAT NEW SKYLARK? 345 00:13:27,474 --> 00:13:32,379 THE SUMMER OF '65, I HAD-- I HAD JUST TURNED 16. 346 00:13:32,412 --> 00:13:34,882 - OH, YEAH, I COULD DO THREE HOURS OF THIS. 347 00:13:34,915 --> 00:13:36,884 - WE WENT DOWN TO THE QUARRY. 348 00:13:40,020 --> 00:13:44,557 - I LOVE LIVE THEATER, LOVE IT. 349 00:13:48,295 --> 00:13:50,063 - SO YOU JUST BROKE UP WITH YOUR FIANCE? 350 00:13:50,097 --> 00:13:51,865 - EIGHT MONTHS AGO. 351 00:13:51,899 --> 00:13:53,133 - OH, STILL RAW, HUH? 352 00:13:53,166 --> 00:13:54,935 - NO, I'M BETTER. 353 00:13:54,968 --> 00:13:56,904 - BRUTAL. 354 00:13:56,937 --> 00:13:58,205 WHERE'D YOU GO TO LAW SCHOOL? 355 00:13:58,238 --> 00:13:59,606 - STANFORD. 356 00:13:59,639 --> 00:14:01,875 - WHAT? - STANFORD. 357 00:14:01,909 --> 00:14:04,244 - OH, STANFORD. 358 00:14:04,277 --> 00:14:06,346 YOU SCARED OF THE EAST COAST? 359 00:14:06,379 --> 00:14:07,647 SOME PEOPLE ARE. 360 00:14:07,680 --> 00:14:10,317 - SO YOU DROPPED THE L-BOMB, HUH? 361 00:14:10,350 --> 00:14:12,052 - I DID. 362 00:14:12,085 --> 00:14:14,221 - MAN KNOWS WHAT HE WANTS. I RESPECT THAT. 363 00:14:14,254 --> 00:14:15,355 - IT'S HOW I FEEL. 364 00:14:15,388 --> 00:14:16,924 I DON'T NEED HER TO SAY IT BACK. 365 00:14:20,327 --> 00:14:24,031 - SUPER AWKWARD, HUH? - ALMOST UNBEARABLE. 366 00:14:24,064 --> 00:14:25,332 - I MEAN, YOU WERE GREAT. 367 00:14:25,365 --> 00:14:26,633 NO, NO, COME ON. 368 00:14:26,666 --> 00:14:28,268 I MEAN, YOU WERE THE GUY. 369 00:14:28,301 --> 00:14:29,202 YOU REALLY PULLED IT OFF. 370 00:14:29,236 --> 00:14:30,603 - THANKS, WALT. 371 00:14:30,637 --> 00:14:32,339 - HAVE YOU EVER THOUGHT OF ACTING AS A LIFE CHOICE? 372 00:14:32,372 --> 00:14:34,374 - AS A LIFE CHOICE? 373 00:14:34,407 --> 00:14:37,110 - HEY, WALT, I WANTED TO INTRODUCE MYSELF. 374 00:14:37,144 --> 00:14:38,946 TONY DODDS FROM GREENSTEIN BECKER. 375 00:14:38,979 --> 00:14:40,213 - A PLEASURE. 376 00:14:40,247 --> 00:14:43,316 I'M GOING TO NEED THE TABLE. 377 00:14:43,350 --> 00:14:44,952 - SO, I HEARD THE OTHER ACTOR DROPPED OUT 378 00:14:44,985 --> 00:14:46,619 AT THE LAST MINUTE. 379 00:14:46,653 --> 00:14:48,655 - YEAH, WELL, THE SHOW MUST GOING ON, TONY. 380 00:14:48,688 --> 00:14:50,157 THAT'S REAL. 381 00:14:50,190 --> 00:14:51,691 - WELL, I THOUGHT YOU WERE INCREDIBLE. 382 00:14:51,724 --> 00:14:53,360 - REALLY? 383 00:14:53,393 --> 00:14:56,396 I'D LOVE TO HEAR ABOUT THAT. 384 00:14:56,429 --> 00:14:59,366 SPECIFICS. 385 00:14:59,399 --> 00:15:02,970 - HEY, YOU WERE PRETTY GOOD UP THERE. 386 00:15:03,003 --> 00:15:04,637 - IT WAS KIND OF LAST MINUTE. 387 00:15:04,671 --> 00:15:08,641 - OH, YEAH? MR. COOL UNDER PRESSURE. 388 00:15:08,675 --> 00:15:10,043 SO WHAT DO YOU GOT GOING ON LATER? 389 00:15:10,077 --> 00:15:11,144 - NOTHING. 390 00:15:11,178 --> 00:15:11,979 - WOULD YOU WANT TO HELP ME CARRY OUT SOME OF THE-- 391 00:15:12,012 --> 00:15:14,081 - DO YOU EVER THINK THAT YOU'LL BE 392 00:15:14,114 --> 00:15:16,716 INTERESTED IN ME ROMANTICALLY? 393 00:15:16,749 --> 00:15:21,354 - WOW, UH, WELL... 394 00:15:21,388 --> 00:15:25,292 GARY, YOU ARE A REALLY GOOD GUY. 395 00:15:25,325 --> 00:15:26,994 SO PROBABLY NOT. 396 00:15:27,027 --> 00:15:31,031 - THEN I DON'T THINK I WILL 397 00:15:31,064 --> 00:15:35,335 BE ABLE TO WASH YOUR CAR. 398 00:15:35,368 --> 00:15:41,074 - I UNDERSTAND. 399 00:15:41,108 --> 00:15:42,275 - I WOULD LOVE TO TALK TO YOU 400 00:15:42,309 --> 00:15:43,643 ABOUT SOME VOICEOVER OPPORTUNITIES. 401 00:15:43,676 --> 00:15:47,214 - EXCUSE ME. THESPIAN DOWN. 402 00:15:47,247 --> 00:15:48,348 - IT'S GETTING LATE. 403 00:15:48,381 --> 00:15:50,083 - YEAH, I THINK WE'RE GOING TO HIT IT. 404 00:15:50,117 --> 00:15:51,351 - WHAT? YOU'RE GOING TO SLEEP? 405 00:15:51,384 --> 00:15:52,585 - I DIDN'T SAY THAT. 406 00:15:52,619 --> 00:15:56,656 - YOU'RE BOTH SO LAME. BOO! 407 00:15:56,689 --> 00:15:57,690 - MAYBE WE SHOULD HIT IT TOO. 408 00:15:57,724 --> 00:15:59,626 GO HOME AND GET A FIRE GOING IN THE LIVING ROOM? 409 00:15:59,659 --> 00:16:01,194 - WHAT ARE YOU TALKING ABOUT? 410 00:16:01,228 --> 00:16:04,364 WE HAVEN'T EVEN PLAYED THE BAR BASKETBALL THINGY-DINGY. 411 00:16:04,397 --> 00:16:06,299 - COME ON, COUPLE VERSUS COUPLE, BET YOU 20 BUCKS. 412 00:16:06,333 --> 00:16:07,067 - GAMBLING ADDICT. 413 00:16:07,100 --> 00:16:08,335 - DID YOU KNOW THAT ABOUT HIM? 414 00:16:08,368 --> 00:16:11,671 - SO AM I. - OH, PERFECT. 415 00:16:11,704 --> 00:16:14,407 COME ON, YOU GUYS. 416 00:16:14,441 --> 00:16:19,279 - 42, 44, 46, 48! 417 00:16:19,312 --> 00:16:23,083 OH, MY GOD! WOW, HEY. 418 00:16:23,116 --> 00:16:24,251 - HEY! YOU SUCK! 419 00:16:24,284 --> 00:16:26,686 YOU SUCK, NATASHA, YOU SUCK, PETE. 420 00:16:26,719 --> 00:16:31,391 YOU TWO, THE TEAM OF YOU TWO, WHO WE BEAT. 421 00:16:31,424 --> 00:16:33,326 IT'S JUST FOR FUN, YOU KNOW? 422 00:16:33,360 --> 00:16:34,761 - CAN I TALK TO YOU FOR A SECOND? 423 00:16:34,794 --> 00:16:36,163 - SURE. 424 00:16:36,196 --> 00:16:39,299 - 2,163. - WHAT'S THAT? 425 00:16:39,332 --> 00:16:43,270 - THAT'S THE NUMBER OF AUDITIONS I HAVE BEEN REJECTED AT. 426 00:16:43,303 --> 00:16:46,306 BUT I'M MADE OF TEFLON. BULLETS BOUNCE OFF OF ME. 427 00:16:46,339 --> 00:16:48,175 - BUT YOU KNOW THE EXACT NUMBER. 428 00:16:48,208 --> 00:16:51,411 - WITH SCREWSIE, YOU GOT TO BE BULLETPROOF, ALL RIGHT? 429 00:16:51,444 --> 00:16:53,380 SO I WANT YOU TO-- LISTEN TO ME. 430 00:16:53,413 --> 00:16:57,750 I WANT YOU TO PICK YOURSELF UP, PUT SOME PANCAKE ON YOUR FACE, 431 00:16:57,784 --> 00:17:01,621 AND GROW A PAIR. 432 00:17:01,654 --> 00:17:04,224 - YEAH. 433 00:17:04,257 --> 00:17:05,725 - YOU TOLD NATASHA SHE SUCKS? 434 00:17:05,758 --> 00:17:07,094 - AT BAR BASKETBALL. 435 00:17:07,127 --> 00:17:08,228 I MEAN, COME ON, SHE'S A BIG GIRL. 436 00:17:08,261 --> 00:17:10,230 - NO, YOU'VE BEEN WEIRD ALL NIGHT. 437 00:17:10,263 --> 00:17:12,832 - SHE MADE LIKE FOUR BASKETS IN TWO HOURS. 438 00:17:12,865 --> 00:17:14,267 - WHAT IS GOING ON WITH YOU? 439 00:17:14,301 --> 00:17:15,668 - WHAT DO YOU MEAN, "WHAT'S GOING ON?" 440 00:17:15,702 --> 00:17:17,337 WHAT'S GOING ON WITH YOU? 441 00:17:17,370 --> 00:17:19,272 "OH, LOOK, I GOT THESE DIGITS, WHEN SHOULD I CALL HER?" 442 00:17:19,306 --> 00:17:21,208 AND THEN, THE NEXT MINUTE, YOU'RE LIKE, 443 00:17:21,241 --> 00:17:23,076 "LET'S GO ON A DATE ON SATURDAY." 444 00:17:23,110 --> 00:17:25,178 - TO BUY TILE, A TILE DATE. 445 00:17:25,212 --> 00:17:26,613 - AND NATASHA? COME ON. 446 00:17:26,646 --> 00:17:28,348 HOT, LAWYER, BRUNETTE. 447 00:17:28,381 --> 00:17:31,084 I MEAN, SHE'S BASICALLY MY DOPPELGANGER. 448 00:17:31,118 --> 00:17:32,252 THAT'S A TWIN. 449 00:17:32,285 --> 00:17:33,653 - NO, I'M JUST STILL PROCESSING 450 00:17:33,686 --> 00:17:36,656 THAT YOU CALLED YOURSELF "HOT." 451 00:17:36,689 --> 00:17:39,159 - THAT WAS SO BAD. 452 00:17:39,192 --> 00:17:41,361 - I NEED TO TALK TO YOU FOR A SECOND. 453 00:17:41,394 --> 00:17:43,663 - OKAY, SURE. 454 00:17:47,400 --> 00:17:49,236 - I LIKE YOU. 455 00:17:49,269 --> 00:17:50,803 - I KNOW THAT. 456 00:17:50,837 --> 00:17:52,004 - AND YOU ACT ALL GLIB, BUT I KNOW WHO REALLY ARE. 457 00:17:52,038 --> 00:17:55,808 YOU'RE SWEET AND YOU'RE GENTLE AND YOU'RE A LITTLE BIT SHY. 458 00:17:55,842 --> 00:17:57,310 - UM, I DON'T THINK THAT'S ME. 459 00:17:57,344 --> 00:17:58,811 - OKAY, SHUT UP. IT IS. 460 00:17:58,845 --> 00:17:59,812 AND YOU DESERVE TO BE WITH A GOOD GUY 461 00:17:59,846 --> 00:18:03,316 AND I'M THAT GUY WHO YOU DESERVE TO BE WITH, 462 00:18:03,350 --> 00:18:07,387 WHO'S GOOD, GUY. 463 00:18:07,420 --> 00:18:08,655 - LET ME TELL YOU WHAT'S GOING ON HERE. 464 00:18:08,688 --> 00:18:09,822 - PLEASE, ENLIGHTEN ME. 465 00:18:09,856 --> 00:18:10,823 - YOU'RE WITH BEN. - YEAH. 466 00:18:10,857 --> 00:18:12,759 - AND I'M ON A DATE WITH A SMART, PRETTY GIRL 467 00:18:12,792 --> 00:18:13,893 AND YOU'RE FREAKING OUT. 468 00:18:13,926 --> 00:18:16,229 - COME ON, DID SHE REALLY GO TO STANFORD? 469 00:18:16,263 --> 00:18:17,630 - OH, MY GOD. 470 00:18:17,664 --> 00:18:20,267 I'M SORRY YOU DIDN'T GET INTO STANFORD. 471 00:18:20,300 --> 00:18:23,370 YOU'RE ALL OVER THE PLACE. 472 00:18:23,403 --> 00:18:24,871 - OKAY, GARY, I REALLY DON'T THINK THAT YOU-- 473 00:18:24,904 --> 00:18:25,872 - SHUT UP. 474 00:18:25,905 --> 00:18:29,442 - OKAY, WOULD YOU PLEASE STOP TELLING ME TO-- 475 00:18:32,679 --> 00:18:36,883 - WHAT DO YOU WANT? 476 00:18:36,916 --> 00:18:38,285 - WHAT DO YOU WANT? 477 00:18:38,318 --> 00:18:41,321 - FOR YOU TO SAY WHAT THE HELL YOU WANT. 478 00:18:45,358 --> 00:18:47,360 - I WANT YOU TO BE MY CONTRACTOR. 479 00:18:52,399 --> 00:18:54,367 - SOUNDS GOOD, BOSS. 480 00:19:26,733 --> 00:19:28,235 - YOU'RE LATE. 481 00:19:28,268 --> 00:19:29,636 - YEAH, SOME DUDE IN THE PARKING LOT 482 00:19:29,669 --> 00:19:33,373 TOOK UP TWO SPACES WITH HIS GIANT TRUCK. 483 00:19:33,406 --> 00:19:36,943 - SOUNDS LIKE A COOL GUY. 484 00:19:36,976 --> 00:19:38,645 - THIS LOOKS SO FAMILIAR. 485 00:19:38,678 --> 00:19:40,447 - YEAH, I SHOWED IT TO YOU IN THE CATALOG LIKE FIVE TIMES. 486 00:19:40,480 --> 00:19:41,781 - OH, YEAH. 487 00:19:41,814 --> 00:19:42,815 - IT'S MY FAVORITE. 488 00:19:42,849 --> 00:19:45,352 YOU KNOW, IT'D BE REALLY NICE IF YOU LISTENED. 489 00:19:51,391 --> 00:19:54,394 IT'S NOT BAD, HUH? 490 00:19:54,427 --> 00:19:58,265 - IT'S KIND OF PERFECT. 491 00:20:19,986 --> 00:20:22,255 - OKAY, I'M OUT OF TAPE. - LET'S DO THIS. 492 00:20:22,289 --> 00:20:25,792 - I'M SORRY I WORE GYM CLOTHES TO WORK, OKAY? 493 00:20:25,825 --> 00:20:27,260 I'M SORRY, OKAY? 494 00:20:27,294 --> 00:20:29,329 - APOLOGY ACCEPTED, BUT THERE IS A DRESS CODE, 495 00:20:29,362 --> 00:20:32,299 SO PUNISHMENT MUST BE HANDED DOWN. 496 00:20:32,332 --> 00:20:34,000 I DON'T FEEL GOOD ABOUT THIS. 497 00:20:34,033 --> 00:20:36,803 I FEEL GREAT. 498 00:20:36,836 --> 00:20:39,706 HIT IT, CLEM. 499 00:20:39,739 --> 00:20:41,941 - AH! 500 00:20:41,974 --> 00:20:43,810 GUYS, TURN IT OFF, I'M GOING TO BLOW. 501 00:20:46,679 --> 00:20:49,649 - GOD. 502 00:20:49,682 --> 00:20:52,452 - GARY GOES COMMANDO. 503 00:20:52,485 --> 00:20:55,388 - I DEMAND THAT YOU TAKE ME DOWN RIGHT NOW. 504 00:20:55,422 --> 00:20:56,923 - THAT WOULD BE INAPPROPRIATE, YOU KNOW? 505 00:20:56,956 --> 00:20:59,025 WITH THE NUDITY, IT'S NOW BECOME AN H.R. ISSUE. 506 00:20:59,058 --> 00:21:00,293 - NO, NO, NO, TAKE ME DOWN. 507 00:21:00,327 --> 00:21:01,961 VLAD, TAKE ME DOWN. COME ON, VLAD. 508 00:21:01,994 --> 00:21:03,896 - GRAB SOME LUNCH, SOUND GOOD? REVISIT IT. 509 00:21:03,930 --> 00:21:06,966 - VLAD, WE'RE FRIENDS, VLAD, VLAD, TAKE ME DOWN. 510 00:21:06,999 --> 00:21:09,302 CAN YOU GET ME A TURKEY BURGER WITH NO CHEESE? 36027

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.