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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,237 --> 00:00:05,206 - KEEP 'EM CLOSED. NO PEEKING. 2 00:00:05,239 --> 00:00:06,574 - I'M FAMILIAR WITH THE "KEEP 'EM CLOSED" POLICY. 3 00:00:06,607 --> 00:00:08,242 YOUR HANDS SMELL LIKE PEANUT BUTTER. 4 00:00:08,276 --> 00:00:09,543 - DAMN IT, I KNEW YOU ATE MY PB&J. 5 00:00:09,577 --> 00:00:10,811 - GARY, CUE THE MUSIC. 6 00:00:10,844 --> 00:00:13,047 - UM...WHAT AM I DOING? AM I HUMMING? 7 00:00:13,081 --> 00:00:14,148 - WHERE'S THE BOOM BOX? 8 00:00:14,182 --> 00:00:15,783 - YOU TOLD ME TO TAKE EVERYTHING OUT OF THE ROOM. 9 00:00:15,816 --> 00:00:17,285 - OBVIOUSLY, THAT DIDN'T MEAN THE BOOM BOX! 10 00:00:17,318 --> 00:00:18,119 - WHAT IS THE BIG SURPRISE? 11 00:00:18,152 --> 00:00:19,453 DID YOU ACTUALLY FINISH SOMETHING? 12 00:00:19,487 --> 00:00:21,222 - DON'T LOVE THE TONE. GARY, HUM. 13 00:00:22,823 --> 00:00:25,093 - ALL RIGHT, THIS IS THE FIRST FINISHED WALL 14 00:00:25,126 --> 00:00:26,127 OF YOUR NEW KITCHEN. 15 00:00:29,497 --> 00:00:31,132 - THERE'S A HOLE IN IT. 16 00:00:31,165 --> 00:00:32,366 - YEAH, WELL IT'S NOT FINISHED FINISHED. 17 00:00:32,400 --> 00:00:33,834 WE'RE ABOUT 45 MINUTES AWAY. 18 00:00:33,867 --> 00:00:36,104 - SO HOW COME WE DIDN'T DO THIS IN, LIKE, 45 MINUTES? 19 00:00:36,137 --> 00:00:37,371 - 'CAUSE I GOT LUNCH WITH MY MOMS. 20 00:00:37,405 --> 00:00:39,240 - CAN'T SAY "MOMS." NOPE. 21 00:00:39,273 --> 00:00:40,074 - YEAH, SHE'S IN TOWN FROM LONDON, 22 00:00:40,108 --> 00:00:42,276 AND IF I COULD ASK YOU A HUGE FAVOR. 23 00:00:42,310 --> 00:00:43,377 - YOU'VE EARNED IT. 24 00:00:43,411 --> 00:00:45,779 - YOU'RE HELPING MY DAD WITH HIS WILL TODAY, RIGHT? 25 00:00:45,813 --> 00:00:47,248 PLEASE DON'T MENTION THIS TO HIM. 26 00:00:47,281 --> 00:00:48,149 - WHY? - 'CAUSE HE'S STILL 27 00:00:48,182 --> 00:00:50,384 IN LOVE WITH HER. - AW, THAT'S SO SWEET. 28 00:00:50,418 --> 00:00:51,852 - NO, IT'S GROSS. AND IF HE FINDS OUT 29 00:00:51,885 --> 00:00:53,053 THAT SHE'S IN TOWN, HE'S GONNA TRY 30 00:00:53,087 --> 00:00:55,289 TO GET BACK TOGETHER WITH HER, AND THE WHOLE THING WILL END 31 00:00:55,323 --> 00:00:56,857 WITH ME PICKING UP THE PIECES, 32 00:00:56,890 --> 00:00:59,160 AND I NEED TO BE IN A GOOD HEADSPACE FOR OUR WOO. 33 00:00:59,193 --> 00:01:00,294 - WHAT "WOO"? 34 00:01:00,328 --> 00:01:01,595 - BEN'S OUT OF TOWN. THIS IS OUR WOO-- 35 00:01:01,629 --> 00:01:02,863 "WINDOW OF OPPORTUNITY." 36 00:01:02,896 --> 00:01:03,897 NOT TO PUT A SHOT CLOCK ON IT, 37 00:01:03,931 --> 00:01:07,801 BUT WE GOT ABOUT 48 HOURS TO MAKE...THIS HAPPEN. 38 00:01:07,835 --> 00:01:09,337 - THERE'S NO WINDOW. THERE'S NO DOOR. 39 00:01:09,370 --> 00:01:12,240 THERE'S A WALL WITH A HOLE. 40 00:01:12,273 --> 00:01:13,407 FINISH IT. 41 00:01:13,441 --> 00:01:15,543 - IT'LL BE FINISHED BY THE END OF THE WORK DAY--3:00 P.M. 42 00:01:15,576 --> 00:01:18,212 - WHAT TIME HAVE YOU GUYS BEEN LEAVING? 43 00:01:18,246 --> 00:01:19,847 - DON'T JUDGE ME FOR BEING EFFICIENT. 44 00:01:21,315 --> 00:01:23,517 - ICE CREAM TRUCK! 45 00:01:23,551 --> 00:01:25,286 - NOT TODAY, CLEM. 46 00:01:25,319 --> 00:01:27,421 I MEAN--NOT ANY DAY. 47 00:01:32,426 --> 00:01:33,561 - I WANT TO MAKE ONE SMALL CHANGE. 48 00:01:33,594 --> 00:01:36,164 I WANT LEAVE ALL OF MY SHOES TO GO TO PETE. 49 00:01:36,197 --> 00:01:39,133 - WHY DON'T WE JUST GO AHEAD AND SAY PETE GETS YOUR CLOTHES? 50 00:01:39,167 --> 00:01:40,168 - OKAY. 51 00:01:40,201 --> 00:01:43,337 UH, WELL, ALL EXCEPT THE TIE I GOT MARRIED IN. 52 00:01:43,371 --> 00:01:45,139 - AND WHO GETS THAT WINDFALL? 53 00:01:45,173 --> 00:01:47,208 - UH, PETE'S MOM. 54 00:01:47,241 --> 00:01:48,809 - AH, THE EX. 55 00:01:48,842 --> 00:01:51,145 - WHAT DO--UH. 56 00:01:51,179 --> 00:01:52,480 WHAT DOES THAT MEAN? "AH, THE EX." 57 00:01:52,513 --> 00:01:54,915 - AH, SHE GETS YOUR TIE. 58 00:01:54,948 --> 00:01:57,151 - I KNOW, THERE'S SOMETHING-- SOMETHING'S OFF HERE. 59 00:01:57,185 --> 00:01:59,287 - NEXT ITEM. 60 00:01:59,320 --> 00:02:00,254 - YOU KNOW I READ PEOPLE AS PART OF MY CRAFT. 61 00:02:00,288 --> 00:02:02,923 NO, AND YOUR BODY LANGUAGE IS A--IS A MESS. 62 00:02:02,956 --> 00:02:05,526 LET'S SEE, YOU JUST-- YOU JUST SAW PETE 63 00:02:05,559 --> 00:02:08,562 AND YOU KIND OF FREAKED OUT WHEN I MENTIONED MY EX. 64 00:02:10,464 --> 00:02:13,434 I'M SORRY. OH, MY GOD. 65 00:02:13,467 --> 00:02:14,802 ALEX... 66 00:02:14,835 --> 00:02:17,938 HEY, COME ON, ALEX. 67 00:02:17,971 --> 00:02:19,373 BABY, I'M OLD ENOUGH TO BE YOUR DAD. 68 00:02:19,407 --> 00:02:20,841 - OH, NO, NO, NO, NO. 69 00:02:20,874 --> 00:02:23,311 - I'M FLATTERED. - NO, NO--DON'T BE! 70 00:02:23,344 --> 00:02:25,313 - YOU KNOW, I WISH IT COULD BE A TWO-WAY STREET, REALLY, 71 00:02:25,346 --> 00:02:27,281 BECAUSE, PERSONALITY-WISE, I JUST THINK 72 00:02:27,315 --> 00:02:29,283 YOU KNOW, WE CLICK-- - VANESSA'S IN TOWN! 73 00:02:29,317 --> 00:02:30,384 - WHAT'S THAT? 74 00:02:30,418 --> 00:02:34,255 - VANESSA'S IN TOWN. 75 00:02:34,288 --> 00:02:36,924 - CAN I JUST--CAN I JUST GET THAT TUNA SANDWICH? 76 00:02:36,957 --> 00:02:39,260 - ARE YOU SERIOUS? ICE CREAM CART TUNA--BOLD. 77 00:02:39,293 --> 00:02:40,561 - MISTAKE. - DISGUSTING. 78 00:02:40,594 --> 00:02:42,263 - OKAY, YOU KNOW, I'D REALLY LOVE IT 79 00:02:42,296 --> 00:02:44,232 IF YOU GUYS DIDN'T COMMENT ON EVERYTHING THAT I ATE. 80 00:02:44,265 --> 00:02:45,966 - NOTED. 81 00:02:45,999 --> 00:02:47,968 ALL RIGHT, YOU'RE GONNA EAT THIS SLOWLY, RIGHT? 82 00:02:48,001 --> 00:02:49,437 - DON'T MICROMANAGE, OKAY? 83 00:02:49,470 --> 00:02:50,838 GIVE IT UP, PETE. 84 00:02:50,871 --> 00:02:53,274 - HEY, GARY! - HI. 85 00:02:53,307 --> 00:02:54,542 - HI, SO HERE'S MY BOSS' CAT. 86 00:02:54,575 --> 00:02:55,909 - YEP, MM-HMM. 87 00:02:55,943 --> 00:02:57,611 - I'M SUPPOSED TO WATCH HIM THROUGH SUNDAY. 88 00:02:57,645 --> 00:02:59,247 YOU GOOD WITH THAT? - YEAH, IT'S ALL GOOD. 89 00:02:59,280 --> 00:03:00,180 SUNDAY. - YEAH? 90 00:03:00,214 --> 00:03:01,081 - ROGER THAT. - AND HERE'S HIS INSULIN. 91 00:03:01,114 --> 00:03:03,584 HE GETS A SHOT EVERY THREE OR FOUR HOURS. 92 00:03:03,617 --> 00:03:05,319 - DIABETIC? CHECK. - YEAH? 93 00:03:05,353 --> 00:03:08,422 AWESOME. YOU ROCK. 94 00:03:08,456 --> 00:03:11,459 - HEY DO YOU MAYBE WANNA HANG-- 95 00:03:14,395 --> 00:03:17,298 - ARE YOU TRYING TO GET LAID OR BE HER GREAT-AUNT? 96 00:03:17,331 --> 00:03:18,299 - NO, I GOT A PLAN. 97 00:03:18,332 --> 00:03:20,468 - YEAH, LOOKS LIKE IT'S REALLY COMING TOGETHER. 98 00:03:20,501 --> 00:03:23,271 - AAH! OHH! 99 00:03:23,304 --> 00:03:24,372 - ARE YOU OKAY THERE, BIG MAN? 100 00:03:24,405 --> 00:03:27,941 - AHH! - CAN YOU HEAR ME? 101 00:03:27,975 --> 00:03:29,109 - BRAIN FREEZE. 102 00:03:29,142 --> 00:03:31,879 - YOU ATE THE WHOLE THING. THAT WAS ABOUT TEN SECONDS. 103 00:03:31,912 --> 00:03:32,913 - WHOO! 104 00:03:32,946 --> 00:03:35,549 - LISTEN, YOU CAN'T TELL PETE THAT I TOLD YOU. 105 00:03:35,583 --> 00:03:37,485 - NO, I THOUGHT SHE-- SHE'S DOING CABARET IN LONDON? 106 00:03:37,518 --> 00:03:39,420 - HE THINKS THAT IF YOU SEE HER 107 00:03:39,453 --> 00:03:41,021 YOU'RE GONNA GET ALL IN YOUR HEAD. 108 00:03:41,054 --> 00:03:44,492 - RIGHT, SHE'S PROBABLY HERE BECAUSE HER SHOW CLOSED 109 00:03:44,525 --> 00:03:45,959 AND SHE'S TOO EMBARRASSED TO CALL. 110 00:03:45,993 --> 00:03:47,027 SHE THINKS WE'RE COMPETITIVE, 111 00:03:47,060 --> 00:03:51,499 AND THE TIMES WAS PARTICULARLY UNKIND TO HER. 112 00:03:51,532 --> 00:03:54,001 "MS. CARTER'S WOODEN PERFORMANCE 113 00:03:54,034 --> 00:03:56,337 WAS A PLAGUE ON THE ENTIRE PRODUCTION." 114 00:03:56,370 --> 00:03:57,338 OR SOMETHING. 115 00:03:57,371 --> 00:03:59,340 - SO AGREED THEN? 116 00:03:59,373 --> 00:04:00,408 CONE OF SILENCE. 117 00:04:00,441 --> 00:04:01,208 - I WANT TO SEE HER. 118 00:04:01,241 --> 00:04:03,944 I KNOW, I KNOW. IT'S COMPLICATED. 119 00:04:03,977 --> 00:04:06,046 AND I KNOW IT'S A LOT OF EMOTIONAL BAGGAGE. 120 00:04:06,079 --> 00:04:08,349 BUT TO BE FRANK, THERE'S A... 121 00:04:08,382 --> 00:04:11,352 THERE'S A CARNAL ATTRACTION THAT'S JUST PRIMITIVE 122 00:04:11,385 --> 00:04:13,287 IN ITS ESSENCE. 123 00:04:13,321 --> 00:04:14,388 BUT YOU KNOW ALL ABOUT THAT. 124 00:04:14,422 --> 00:04:15,823 - NO. 125 00:04:15,856 --> 00:04:18,392 - LOOK AT YOUR BODY LANGUAGE. - NO, I WASN'T-- 126 00:04:18,426 --> 00:04:20,528 - LOOK AT THAT. 127 00:04:20,561 --> 00:04:22,062 - HOW WAS LUNCH WITH YOUR MOM? 128 00:04:22,095 --> 00:04:22,863 - OH, IT WAS PRETTY GOOD, YOU KNOW? 129 00:04:22,896 --> 00:04:24,532 SHE DIPPED INTO THE BRITISH ACCENT 130 00:04:24,565 --> 00:04:25,999 NOW AND AGAIN, BUT SHE ALSO PAID. 131 00:04:26,033 --> 00:04:28,436 WHOA, WHAT HAPPENED TO YOU? 132 00:04:28,469 --> 00:04:29,837 - THAT CAT DOES NOT LIKE INSULIN. 133 00:04:29,870 --> 00:04:31,539 - WELL, YOU NEED TO DISINFECT THAT. 134 00:04:31,572 --> 00:04:33,941 VLAD, YOU GOT ANY OF THAT RUSSIAN WATER IN YOUR COOLER? 135 00:04:33,974 --> 00:04:38,546 - ARE WE SERIOUSLY WORKING TILL 3:00? 136 00:04:38,579 --> 00:04:42,516 - NAH, YOU GUYS ARE BURNT OUT. I'M CALLING IT. 137 00:04:46,520 --> 00:04:49,557 - OH, BEFORE I FORGET, I FOUND A PHOTO OF US 138 00:04:49,590 --> 00:04:53,927 FROM THAT HOUSE WE RENTED IN LAUREL CANYON. 139 00:04:53,961 --> 00:04:55,062 - WHEW, REMEMBER THIS GUY? 140 00:04:55,095 --> 00:04:58,098 - I WAS SO YOUNG. 141 00:04:58,131 --> 00:05:01,335 MAYBE I SHOULD GROW A MUSTACHE AGAIN. 142 00:05:01,369 --> 00:05:03,036 - WHY WAS MY HAIR SO SHOR-- 143 00:05:03,070 --> 00:05:06,039 OH, I KNOW, BECAUSE I HAD JUST BOOKED THAT RECURRING ON DAYS. 144 00:05:06,073 --> 00:05:07,441 - UH-HUH, AND I HAD THE 'STACHE 145 00:05:07,475 --> 00:05:12,012 BECAUSE I-- I WAS ON HOLD FOR THE, UM... 146 00:05:12,045 --> 00:05:14,515 HOW WAS LONDON? LES MIS, RIGHT? 147 00:05:14,548 --> 00:05:18,085 - CABARET. SMASHING SUCCESS. 148 00:05:18,118 --> 00:05:19,820 WE SOLD OUT EVERY NIGHT. 149 00:05:19,853 --> 00:05:20,954 - THAT'S--THAT'S GREAT. 150 00:05:20,988 --> 00:05:23,424 DID THE, UH, TIMES GET OUT THERE TO REVIEW IT? 151 00:05:23,457 --> 00:05:25,125 - DON'T GET COMPETITIVE. 152 00:05:27,127 --> 00:05:31,064 - WHAT ARE WE DOING HERE? 153 00:05:31,098 --> 00:05:33,934 - MISSED YOU. 154 00:05:33,967 --> 00:05:35,903 - WALTER. 155 00:05:35,936 --> 00:05:37,471 - CHECK, PLEASE. 156 00:05:43,110 --> 00:05:48,015 - LOOKS LIKE AN OLD DOG HAS LEARNED SOME NEW TRICKS. 157 00:05:48,048 --> 00:05:49,483 - HOW DO WE TELL THE SON? 158 00:05:49,517 --> 00:05:51,852 - THE SON HEARD! 159 00:05:51,885 --> 00:05:54,988 HEARD YOU LAST NIGHT AND I HEARD YOU THIS MORNING. 160 00:05:55,022 --> 00:05:57,024 IT'S ALL BAD. 161 00:05:59,660 --> 00:06:03,096 - MY FAMOUS FRENCH TOAST. 162 00:06:03,130 --> 00:06:05,999 - MMM. 163 00:06:06,033 --> 00:06:07,868 DECADENT. 164 00:06:07,901 --> 00:06:09,837 - SMELLS GOOD. 165 00:06:09,870 --> 00:06:11,038 WHERE'S THE SYRUP? 166 00:06:12,172 --> 00:06:14,508 - I THINK WE LEFT IT ON THE NIGHTSTAND LAST NIGHT. 167 00:06:14,542 --> 00:06:16,510 - OH, NO, I'LL EAT IT DRY. I'LL EAT IT DRY. 168 00:06:16,544 --> 00:06:19,046 SO, MOM, I HEAR YOU'RE LOVING LONDON. 169 00:06:19,079 --> 00:06:20,948 - OH, SMASHING. 170 00:06:20,981 --> 00:06:23,517 - OH, HOW ADORABLE IS THAT ACCENT? 171 00:06:23,551 --> 00:06:26,186 - HEY, GUYS, WHAT'S THE PLAN HERE? 172 00:06:26,219 --> 00:06:28,622 WHAT, UH--WE'RE NOT GETTING THE BAND BACK TOGETHER, ARE WE? 173 00:06:28,656 --> 00:06:30,123 - NO. 174 00:06:30,157 --> 00:06:32,092 - NO. 175 00:06:32,125 --> 00:06:33,927 - POPS, A WORD? 176 00:06:36,163 --> 00:06:38,866 DO I NEED TO BE WORRIED? - NO. 177 00:06:38,899 --> 00:06:41,635 IT WAS A BEAUTIFUL EVENING, SON. THERE'S NO EXPECTATIONS. 178 00:06:41,669 --> 00:06:44,572 - GOOD. - I MEAN, I'D, YOU KNOW... 179 00:06:44,605 --> 00:06:46,640 BE OPEN TO IT IF... IF SHE-- 180 00:06:46,674 --> 00:06:47,975 - POPS, SHE'S GOING BACK TO LONDON 181 00:06:48,008 --> 00:06:49,209 AND I'M NOT PICKING UP THE PIECES AGAIN. 182 00:06:49,242 --> 00:06:51,912 - ALL RIGHT, RELAX. WHATEVER HAPPENS... 183 00:06:51,945 --> 00:06:54,147 I'M A TOUGH OLD DOG. - EH, YOU'RE REALLY NOT. 184 00:06:54,181 --> 00:06:58,519 - TAKE THE SYRUP. DON'T BE A PRUDE. 185 00:06:59,620 --> 00:07:05,125 MISS US? - MMM, ALWAYS. 186 00:07:05,158 --> 00:07:09,096 - SO, MOM, I'M GONNA COME, UH-- I'M GONNA VISIT YOU IN LONDON 187 00:07:09,129 --> 00:07:11,231 AS SOON AS THIS, UH, KITCHEN GIG I'M DOING IS OVER. 188 00:07:11,264 --> 00:07:13,601 - YEAH, HE'S DOING A JOB FOR MY ATTORNEY, 189 00:07:13,634 --> 00:07:16,103 WHO, UH... HAS A LITTLE CRUSH ON ME. 190 00:07:16,136 --> 00:07:18,105 I'LL FILL YOU IN LATER. 191 00:07:18,138 --> 00:07:22,209 - YOU SHOULD COME VISIT ME ON SET THIS AFTERNOON. 192 00:07:22,242 --> 00:07:23,844 - WHAT SET? 193 00:07:23,877 --> 00:07:26,914 - OH, IT'S JUST A LITTLE MOVIE I'M DOING. 194 00:07:26,947 --> 00:07:27,915 - BUCKLE UP. 195 00:07:27,948 --> 00:07:29,617 - THAT'S GREAT. 196 00:07:29,650 --> 00:07:31,919 THAT IS-- CONGRATULATIONS. 197 00:07:31,952 --> 00:07:33,053 WHY DIDN'T YOU TELL ME ABOUT IT? 198 00:07:33,086 --> 00:07:35,188 - I KNOW YOU'RE BETWEEN GIGS. 199 00:07:35,222 --> 00:07:38,258 - DO YOU FEEL BAD FOR ME, VANESSA, HUH? 200 00:07:38,291 --> 00:07:40,994 WHY? BECAUSE I HAD TO BORROW A CONDOM FROM PETE LAST NIGHT? 201 00:07:41,028 --> 00:07:42,530 - OH, I THOUGHT I DREAMT THAT. 202 00:07:42,563 --> 00:07:44,965 - WELL, HOW'S, UH... 203 00:07:44,998 --> 00:07:48,101 HOW'S YOUR BOYFRIEND, ROMERO? 204 00:07:48,135 --> 00:07:50,270 - HE'S GAY. YOU BLOODY KNOW THAT. 205 00:07:50,303 --> 00:07:52,172 - REALLY? HE'S A CHOREOGRAPHER AND HE'S GAY? 206 00:07:52,205 --> 00:07:55,275 - OH--WELL, AT LEAST HE FILLS OUT A LEOTARD. 207 00:07:55,308 --> 00:07:57,511 - ALL RIGHT, YOU KNOW, I HATE YOUR ACCENT, VANESSA. 208 00:07:57,545 --> 00:08:00,147 - I THINK I SHOULD GO. - I--I'M SORRY. 209 00:08:00,180 --> 00:08:01,615 I'M, UM... 210 00:08:01,649 --> 00:08:02,950 - TA. MWAH! 211 00:08:02,983 --> 00:08:05,285 - PLEASE? I'M SORRY. 212 00:08:05,318 --> 00:08:07,955 VANESSA! I'M SORRY! 213 00:08:07,988 --> 00:08:10,090 VANESSA! 214 00:08:10,123 --> 00:08:13,026 VANESSA! 215 00:08:19,967 --> 00:08:22,002 - COME ON, NOW. 216 00:08:22,035 --> 00:08:24,271 MAKING IT RAIN! 217 00:08:24,304 --> 00:08:27,107 GETS HIS OWN BOARD! 218 00:08:27,140 --> 00:08:28,308 UNCONTESTED! 219 00:08:28,341 --> 00:08:31,144 SCOOP OF VANILLA, SCOOP OF CHOCOLATE, 220 00:08:31,178 --> 00:08:33,080 DON'T WASTE MY TIME! 221 00:08:33,113 --> 00:08:34,648 OH! 222 00:08:34,682 --> 00:08:36,149 OH! OH! LOOSE BALL, LOOSE BALL! 223 00:08:36,183 --> 00:08:37,651 - I'M ON YOUR TEAM! I'M ON YOUR TEAM! 224 00:08:37,685 --> 00:08:38,952 - HEY, INSULIN BREAK. 225 00:08:38,986 --> 00:08:41,154 INSULIN BREAK. - THANK GOD. 226 00:08:41,188 --> 00:08:43,891 - HEY! DO THE WINSTONS KNOW YOU'RE USING THEIR BASKET? 227 00:08:43,924 --> 00:08:44,892 - WELL, THEY WOULDN'T PUT A BALL IN THEIR UNLOCKED GARAGE 228 00:08:44,925 --> 00:08:45,693 IF IT WAS AN ISSUE. 229 00:08:45,726 --> 00:08:46,960 - PLANNING ON COMING TO WORK TODAY? 230 00:08:46,994 --> 00:08:48,028 - OH, YOU DIDN'T GET MY NOTE? 231 00:08:48,061 --> 00:08:48,829 - YEAH, AND I'M NOT COOL WITH YOU 232 00:08:48,862 --> 00:08:50,230 TAKING A "MENTAL HEALTH MORNING." 233 00:08:50,263 --> 00:08:51,264 - AND I'M NOT COOL WITH YOU 234 00:08:51,298 --> 00:08:52,933 TELLING MY DAD MY MOMS IS IN TOWN. 235 00:08:52,966 --> 00:08:54,001 - CAN'T SAY "MOMS." NOPE. 236 00:08:54,034 --> 00:08:56,269 - IT SLIPPED OUT, I'M SORRY. 237 00:08:56,303 --> 00:08:58,271 - YEAH, WELL, HE IS A MESS, AND I'M DISTRACTED. 238 00:08:58,305 --> 00:09:00,340 YOU'VE PUT OUR WOO IN JEOPARDY. 239 00:09:00,373 --> 00:09:02,109 - THERE'S NO WOO! 240 00:09:02,142 --> 00:09:03,010 - NOT IF YOU'RE GOING TO WEAR STUFF LIKE THAT. 241 00:09:03,043 --> 00:09:04,244 YOU KNOW, NOBODY'S BRINGING THEIR A-GAME. 242 00:09:04,277 --> 00:09:06,880 - I GET SO MANY COMPLIMENTS ON-- 243 00:09:06,914 --> 00:09:08,916 YOU HAVE TO FINISH MY WALL BY THE END OF TODAY. 244 00:09:08,949 --> 00:09:11,218 - YOU KNOW, YOU'RE FIXATED ON PUTTING WALLS UP. 245 00:09:11,251 --> 00:09:12,219 YOU SHOULD LOOK INTO THAT. 246 00:09:12,252 --> 00:09:13,120 YOU KNOW, METAPHORICALLY. 247 00:09:13,153 --> 00:09:15,155 - YOU SHOULD LOOK INTO NOT GETTING PAID. 248 00:09:15,188 --> 00:09:16,156 AND YOU SUCK AT HOOPS. 249 00:09:16,189 --> 00:09:17,190 - OH, DO I? YEAH? 250 00:09:17,224 --> 00:09:19,092 NO LOOK! 251 00:09:19,126 --> 00:09:21,028 - I'M ONLINE, DUDE. 252 00:09:21,061 --> 00:09:23,263 - AH, YEP, SHE GOT ME. 253 00:09:25,165 --> 00:09:27,034 - OH, IT'S MY DAD. 254 00:09:27,067 --> 00:09:29,269 WHAT'S UP, POPS? 255 00:09:29,302 --> 00:09:31,138 HE'S CRYING. 256 00:09:31,171 --> 00:09:32,372 YEAH, NO, I DON'T SEE THE WALL GOING UP TODAY. 257 00:09:32,405 --> 00:09:35,142 SO, WHAT'S GOING ON? 258 00:09:35,175 --> 00:09:37,878 - CLEM. - LOG OFF. 259 00:09:37,911 --> 00:09:40,614 - SO, LISTEN. UNTIL PETE GETS BACK, YOU'RE IN CHARGE. 260 00:09:40,648 --> 00:09:42,382 - OH. AS IN, IN CHARGE IN CHARGE. 261 00:09:42,415 --> 00:09:45,152 - NOT OF CALIFORNIA, JUST MY WALL. 262 00:09:45,185 --> 00:09:46,987 - OH, I'M ON IT. 263 00:09:47,020 --> 00:09:50,090 - HE'S ACTUALLY A MORE NATURAL NUMBER TWO. 264 00:09:50,123 --> 00:09:52,893 - YEAH, USUALLY HE'S NOT GOOD UNDER PRESSURE. 265 00:09:52,926 --> 00:09:54,094 - JOHNNY, WHAT HAPPENED TO YOUR FACE? ARE YOU ALL RIGHT? 266 00:09:54,127 --> 00:09:55,663 - JOHNNY? THAT'S NOT EVEN CLOSE. 267 00:09:55,696 --> 00:09:56,997 - I CAN DO THIS. 268 00:09:57,030 --> 00:09:58,298 I'M GOING TO COMPILE A LIST OF THINGS TO DO, 269 00:09:58,331 --> 00:09:59,900 AND, UH, YOU KNOW. 270 00:09:59,933 --> 00:10:01,368 I'M GONNA PRIORITIZE, RIGHT? 271 00:10:01,401 --> 00:10:02,936 I WANT TO MAKE SOME TEA. 272 00:10:02,970 --> 00:10:04,071 GARY, LET ME KNOW ABOUT THAT EARL GREY SITUATION. 273 00:10:04,104 --> 00:10:05,105 AND, UM-- IT'S TIME FOR CHANGE, RIGHT? 274 00:10:05,138 --> 00:10:06,106 - LET'S GET ON IT. 275 00:10:06,139 --> 00:10:08,241 - AND WE'RE OFF. - COOL! 276 00:10:08,275 --> 00:10:10,143 IN CHARGE. 277 00:10:10,177 --> 00:10:12,980 - WHY IS YOUR BOSS'S DIABETIC CAT 278 00:10:13,013 --> 00:10:14,281 SPENDING SO MUCH TIME AT MY HOUSE? 279 00:10:14,314 --> 00:10:16,149 - OH, I SUBCONTRACTED THAT OUT TO GARY. 280 00:10:16,183 --> 00:10:18,051 - YOU'VE GOT HIM ALL TURNED AROUND. 281 00:10:18,085 --> 00:10:20,053 - YEAH, HE'S LIKE WET CLAY. 282 00:10:20,087 --> 00:10:24,324 - YOU KNOW WHO'S LIKE DRY, HARD CLAY? PETE. 283 00:10:24,357 --> 00:10:27,094 - I'M GONNA LET YOU SIT WITH THAT FOR A SEC. 284 00:10:27,127 --> 00:10:28,261 - HE'S INFURIATING. 285 00:10:28,295 --> 00:10:29,963 I MEAN, HE'S SUCH A BABY. 286 00:10:29,997 --> 00:10:30,998 HIS MOM HOOKS UP WITH HIS DAD, 287 00:10:31,031 --> 00:10:32,165 AND NOW HE'S JUST ACTING OUT? 288 00:10:32,199 --> 00:10:33,400 - HUH. 289 00:10:33,433 --> 00:10:34,968 - WHAT? 290 00:10:35,002 --> 00:10:36,403 - DO YOU REMEMBER THAT ADDICT I DATED? 291 00:10:36,436 --> 00:10:37,705 - JAMES? 292 00:10:37,738 --> 00:10:39,139 - NO, NO, JAMES WAS JUST SKINNY. PERRY? 293 00:10:39,172 --> 00:10:41,108 - OH, THE ONE WHOSE PARENTS GOT IN THE HUGE FIGHT 294 00:10:41,141 --> 00:10:42,175 AT YOUR GRADUATION. 295 00:10:42,209 --> 00:10:44,277 - EXACTLY. ANY TIME THERE WAS DRAMA BETWEEN THEM, 296 00:10:44,311 --> 00:10:47,180 IT WAS A HUGE TRIGGER FOR HIM. 297 00:10:47,214 --> 00:10:48,181 - SO? 298 00:10:48,215 --> 00:10:50,017 - SO, I'M JUST SAYING, 299 00:10:50,050 --> 00:10:52,019 YOU SHOULD PROBABLY KEEP AN EYE ON PETE. 300 00:10:52,052 --> 00:10:54,121 I MEAN, PERRY WOULD TELL ME HE WAS GOING TO MEETINGS, 301 00:10:54,154 --> 00:10:55,222 AND THEN HE'D END UP OUT ALL NIGHT, 302 00:10:55,255 --> 00:10:56,890 PUTTING HIS PAYCHECK UP HIS NOSE-- 303 00:10:56,924 --> 00:10:58,959 NO. 304 00:10:58,992 --> 00:11:00,127 THAT WAS DAVID. 305 00:11:00,160 --> 00:11:04,097 - YOU KNOW WHAT? TUCK IT IN. 306 00:11:04,131 --> 00:11:04,932 TUCK IT IN TIGHT. 307 00:11:04,965 --> 00:11:07,200 AND AT LUNCHTIME? SHAVE YOUR FACE. 308 00:11:07,234 --> 00:11:08,268 YOU KNOW, IT'S DRIVING ME CRAZY. 309 00:11:08,301 --> 00:11:09,269 JUST SHAVE IT, YOU KNOW WHAT I MEAN? 310 00:11:09,302 --> 00:11:10,270 - WHAT'S UP, LADIES? 311 00:11:10,303 --> 00:11:11,271 - WHERE HAVE YOU BEEN AT, MAN? 312 00:11:11,304 --> 00:11:12,272 - THE ICE CREAM CART. 313 00:11:12,305 --> 00:11:13,707 - ROCKET POP TIME. 314 00:11:13,741 --> 00:11:15,042 - NO TIME FOR ROCKET POP, OKAY? 315 00:11:15,075 --> 00:11:17,444 - WELL, THEN, I'M GOING TO THE BATHROOM. 316 00:11:17,477 --> 00:11:19,012 - VLAD, SO HELP ME-- 317 00:11:19,046 --> 00:11:20,447 - WHERE'S PETE? HE'S NOT BACK YET? 318 00:11:20,480 --> 00:11:22,282 - YOU SEE PETE? THERE'S NO PETE HERE. 319 00:11:22,315 --> 00:11:25,152 NO PETE. PETE, PETE, PETE, PETE, PETE? 320 00:11:25,185 --> 00:11:26,319 YOU KNOW WHAT, I'M SORRY. 321 00:11:26,353 --> 00:11:27,921 THERE'S A LOT ON MY PLATE, I APOLOGIZE. 322 00:11:27,955 --> 00:11:29,056 - IT'S ALL RIGHT. 323 00:11:29,089 --> 00:11:31,158 ISN'T IT A LITTLE WEIRD THAT HE JUST HASN'T SHOWN UP? 324 00:11:31,191 --> 00:11:32,325 - HE WOULD DO IT ALL THE TIME BACK WHEN HE WAS GAMBLING. 325 00:11:32,359 --> 00:11:34,027 I'LL TELL YOU WHO'S GAMBLING, 326 00:11:34,061 --> 00:11:36,229 WE'RE GAMBLING WITH THE WIRING IN THIS WALL RIGHT HERE. 327 00:11:36,263 --> 00:11:38,031 THEY'RE ALL TOUCHING EACH OTHER. 328 00:11:38,065 --> 00:11:41,234 LOOK AT THIS. LOOK AT THIS! YOU KIDDING ME? 329 00:11:41,268 --> 00:11:42,903 WE'RE GONNA KILL OURSELVES. 330 00:11:47,307 --> 00:11:48,408 - YEAH? 331 00:11:48,441 --> 00:11:50,477 - OH. OH, HEY, WALT. 332 00:11:50,510 --> 00:11:52,112 HOW ARE YOU DOING? 333 00:11:52,145 --> 00:11:54,347 - ALL RIGHT. OH, I'M JUST TAKING A RIDE, YOU KNOW. 334 00:11:54,381 --> 00:11:56,016 CLEAR MY HEAD. 335 00:11:56,049 --> 00:11:58,919 THAT WHOLE VANESSA THING-- 336 00:11:58,952 --> 00:12:00,487 UNLESS YOU THINK I SHOULD STAY, YOU KNOW, 337 00:12:00,520 --> 00:12:02,089 BY THE PHONE, IN CASE SHE CALLS. 338 00:12:02,122 --> 00:12:03,290 - HAVE YOU SEEN PETE? 339 00:12:03,323 --> 00:12:04,224 'CAUSE IT'S REALLY WEIRD. 340 00:12:04,257 --> 00:12:06,326 HE WAS SUPPOSED TO BE BACK AT THE HOUSE, 341 00:12:06,359 --> 00:12:07,494 - NO, HE SAID SOMETHING ABOUT GOING OVER 342 00:12:07,527 --> 00:12:09,096 TO A G.A. MEETING OR SOMETHING. 343 00:12:09,129 --> 00:12:11,098 - REALLY? 344 00:12:11,131 --> 00:12:13,033 - MAYBE I SHOULD JUST RIDE TO HER HOTEL. 345 00:12:13,066 --> 00:12:15,969 YOU KNOW, FACE TO FACE. 346 00:12:16,003 --> 00:12:17,104 AND, UM, WELL WHY AM I ASKING YOU? 347 00:12:17,137 --> 00:12:19,139 YOU'RE NOT OBJECTIVE, BECAUSE YOU HAVE A CRUSH ON ME. 348 00:12:19,172 --> 00:12:21,108 - I'M LEAVING NOW. 349 00:12:21,141 --> 00:12:24,177 - OH, I'LL BET MY CELL ISN'T WORKING. 350 00:12:24,211 --> 00:12:26,146 THAT'S WHY SHE HASN'T CALLED. 351 00:12:26,179 --> 00:12:28,181 CAN YOU TRY CALLING ME, PLEASE? 352 00:12:28,215 --> 00:12:29,382 MY CELL IS NOT WORKING. 353 00:12:30,383 --> 00:12:32,886 AND THEN, UH, WELL, MY MOM AND DAD HOOK UP, 354 00:12:32,920 --> 00:12:35,522 WHICH IS JUST CHAOS. 355 00:12:35,555 --> 00:12:39,793 AND, AS YOU GUYS KNOW, I'M WORKING WITH THIS LADY. 356 00:12:39,827 --> 00:12:42,796 - YOUR BOSS, RIGHT. 357 00:12:42,830 --> 00:12:44,798 AND IT'S A COMPLICATED SITUATION. 358 00:12:44,832 --> 00:12:46,033 I WANT IT TO GO WELL. 359 00:12:46,066 --> 00:12:47,034 IT'S THE FIRST TIME IN A LONG TIME 360 00:12:47,067 --> 00:12:48,535 THAT I FEEL LIKE I MIGHT-- 361 00:12:55,042 --> 00:12:58,311 - UH--DON'T-- 362 00:12:58,345 --> 00:13:01,514 AS YOU WERE. DON'T MIND ME. 363 00:13:01,548 --> 00:13:04,151 - WHAT ARE YOU DOING HERE? 364 00:13:04,184 --> 00:13:06,854 - PETE, GAMBLERS ANONYMOUS IS OPEN TO EVERYONE. 365 00:13:06,887 --> 00:13:07,855 DO YOU WANT TO COME IN AND SHARE? 366 00:13:07,888 --> 00:13:09,022 - OH, NO-- 367 00:13:09,056 --> 00:13:11,324 - YEAH, YEAH, YOU SHOULD DEFINITELY COME IN AND SHARE. 368 00:13:11,358 --> 00:13:12,525 LET'S HEAR HER STORY, GUYS. 369 00:13:14,594 --> 00:13:17,898 - I, UH, I DON'T HAVE A GAMBLING PROBLEM. 370 00:13:17,931 --> 00:13:19,900 IF ANYTHING I'M TOO SELF-DISCIPLINED, 371 00:13:19,933 --> 00:13:21,034 THAT'S MY WEAKNESS. 372 00:13:21,068 --> 00:13:22,870 NOT THAT YOU ALL HAVE A WEAKNESS. 373 00:13:22,903 --> 00:13:24,204 I KNOW IT'S A DISEASE, RIGHT? 374 00:13:24,237 --> 00:13:27,908 - YOU'RE DOING GREAT. 375 00:13:27,941 --> 00:13:29,576 - HEY, I KNOW YOU. 376 00:13:29,609 --> 00:13:31,011 - OH, I DON'T THINK SO. 377 00:13:31,044 --> 00:13:33,013 - ANONYMOUS, IT'S GAMBLER'S ANONYMOUS. 378 00:13:33,046 --> 00:13:33,813 - YEAH, NO, I KNOW YOU, YOU-- 379 00:13:33,847 --> 00:13:35,916 THE FURNITURE STORE ON PICO. - YES. 380 00:13:35,949 --> 00:13:37,017 - YOU OWNED THAT BEAUTIFUL STORE. 381 00:13:37,050 --> 00:13:39,619 HE HAD THE MOST BEAUTIFUL FURNITURE STORE ON PICO. 382 00:13:39,652 --> 00:13:43,590 WHY DID THAT GO OUT OF BUSINESS? I MEAN, DID YOU-- 383 00:13:48,295 --> 00:13:49,930 - I'M NOT LIKING WHAT I'M SEEING HERE. 384 00:13:49,963 --> 00:13:51,999 WE'VE GOT TO TAKE CARE OF THIS. 385 00:13:52,032 --> 00:13:53,000 WHY ARE YOUR LIPS BLUE? 386 00:13:53,033 --> 00:13:54,034 - IT'S COLD. 387 00:13:54,067 --> 00:13:55,869 - UH-HUH. "MR. ROCKET POP" HERE 388 00:13:55,903 --> 00:13:57,170 NICKED A WIRE WITH A DRY WALL SCREW. 389 00:13:57,204 --> 00:13:59,172 - SO, WE JUST DISCONNECT IT FROM THE FUSE BOX. 390 00:13:59,206 --> 00:14:01,608 IT'LL BE A DEAD WIRE IN THE WALL, NO HARM, NO FOUL. 391 00:14:01,641 --> 00:14:05,612 - YEAH. 392 00:14:08,916 --> 00:14:10,617 HAVE A LITTLE PRIDE IN YOUR WORK, GENTLEMEN. 393 00:14:10,650 --> 00:14:12,352 - REALLY, SOMEBODY SHOULD LOOK AT THOSE TABLES, 394 00:14:12,385 --> 00:14:14,221 THEY'RE NOT STURDY. WHAT? 395 00:14:14,254 --> 00:14:16,356 - FIRST, YOU STALK ME DOWN AT THE BASKETBALL COURTS. 396 00:14:16,389 --> 00:14:18,025 - YOU WERE SUPPOSED TO BE AT WORK. 397 00:14:18,058 --> 00:14:19,159 - AND THEN YOU'RE "PINK PANTHERING" OUT HERE 398 00:14:19,192 --> 00:14:20,360 IN THE HALL DURING MY G.A. MEETING. 399 00:14:20,393 --> 00:14:21,628 - YEAH, OKAY. 400 00:14:21,661 --> 00:14:22,930 I WAS WORRIED THAT YOU WERE GAMBLING AGAIN. 401 00:14:22,963 --> 00:14:25,933 - YOU REALLY LIKE ME, HUH? 402 00:14:25,966 --> 00:14:28,001 - UGH, YOU'RE SUCH A JACK-- 403 00:14:28,035 --> 00:14:30,971 - WANNA HEAR IT, BUT I'M BLOWING UP. 404 00:14:31,004 --> 00:14:33,173 WHAT'S UP, MOM? 405 00:14:33,206 --> 00:14:35,943 I'LL BE RIGHT THERE. 406 00:14:35,976 --> 00:14:37,110 MY DAD JUST HAD A HEART ATTACK. 407 00:14:43,216 --> 00:14:44,317 - HOW IS HE? 408 00:14:44,351 --> 00:14:46,686 - OH, NOT GOOD. 409 00:14:46,719 --> 00:14:49,322 HE'S IN WITH THE CARDIOLOGIST NOW. 410 00:14:49,356 --> 00:14:51,324 HE CAME TO MY HOTEL. 411 00:14:51,358 --> 00:14:53,326 SOMEONE NAMED "ALEX" TOLD HIM TO RIDE A BIKE OVER. 412 00:14:53,360 --> 00:14:55,695 - THAT'S NOT EXACTLY WHAT I SAID. 413 00:14:55,728 --> 00:14:56,964 I'M SO SORRY. 414 00:14:56,997 --> 00:14:58,598 I'M ALEX. 415 00:14:58,631 --> 00:15:00,033 SO NICE TO MEET YOU. 416 00:15:00,067 --> 00:15:01,034 - OH, HI. 417 00:15:01,068 --> 00:15:03,370 HE WANTED ME TO STAY. 418 00:15:03,403 --> 00:15:05,005 BUT, YOU KNOW, I'VE GOT MY SHOW. 419 00:15:05,038 --> 00:15:07,340 THEN HE GOT REALLY UPSET, AND THEN HE JUST COLLAPSED. 420 00:15:07,374 --> 00:15:09,076 - OH, MY GOD. 421 00:15:09,109 --> 00:15:11,711 SOUNDS LIKE IT WAS MOSTLY FROM THE EMOTIONAL UPSET, THOUGH. 422 00:15:11,744 --> 00:15:13,546 - WELL, HE'S GOING TO BE OKAY, MOM, 423 00:15:13,580 --> 00:15:15,548 HE'S A TOUGH OLD DOG. 424 00:15:17,384 --> 00:15:20,053 OH, GOD, I HATE HOSPITALS. 425 00:15:20,087 --> 00:15:21,188 - HM. 426 00:15:21,221 --> 00:15:23,290 - LISTEN, YOU TALK TO HER. 427 00:15:23,323 --> 00:15:26,359 I'M GOING TO GO CHECK ON YOUR DAD. 428 00:15:26,393 --> 00:15:28,061 - I'M DR. PATEL, ARE YOU PETE? 429 00:15:28,095 --> 00:15:29,562 - HOW BAD IS IT? 430 00:15:29,596 --> 00:15:31,064 - HE'S TOTALLY FINE. IT WASN'T A HEART ATTACK. 431 00:15:31,098 --> 00:15:33,300 - OH. WELL THAT--THAT'S GOOD. 432 00:15:33,333 --> 00:15:34,334 WHAT WAS IT? 433 00:15:34,367 --> 00:15:36,069 - NOTHING. HIS EKG CAME BACK GOOD, 434 00:15:36,103 --> 00:15:38,705 IT WASN'T GAS, IT'S NOT A PANIC ATTACK, UH-- 435 00:15:38,738 --> 00:15:39,839 IT COULD HAVE BEEN THE BIKE SHORTS. 436 00:15:39,872 --> 00:15:42,142 THEY SNAPPED LIKE A FIRECRACKER WHEN WE CUT THEM OFF. 437 00:15:43,210 --> 00:15:44,311 - SO, DO YOU NEED TO KEEP HIM FOR OBSERVATION? 438 00:15:44,344 --> 00:15:45,712 - I'D RATHER NOT. 439 00:15:45,745 --> 00:15:50,417 HE KEEPS ASKING IF I HAVE BOLLYWOOD CONNECTIONS. 440 00:15:52,585 --> 00:15:55,288 - WE WERE SMART TO DO THIS. 441 00:15:55,322 --> 00:15:56,689 SEE THIS? 442 00:15:56,723 --> 00:15:58,558 ALL THIS CLOTH WIRING HAS GOT TO COME OUT. 443 00:15:58,591 --> 00:15:59,726 THAT'S CALLED "CLEM QUALITY." 444 00:15:59,759 --> 00:16:01,995 - I AM STUCK. 445 00:16:02,029 --> 00:16:03,296 - VLAD, YOU'RE STUCK IN THERE? 446 00:16:03,330 --> 00:16:04,631 - YEAH. 447 00:16:04,664 --> 00:16:06,299 - GARY, GO IN AND GET HIM. - YOU GO GET HIM. 448 00:16:06,333 --> 00:16:10,170 - GARY, I'M THE BOSS. GO IN AND GET HIM. 449 00:16:10,203 --> 00:16:12,605 HOLD ON, VLAD. GARY'S COMING IN. 450 00:16:12,639 --> 00:16:14,174 - OKAY. 451 00:16:14,207 --> 00:16:15,742 I SEE THE LAST WIRE! 452 00:16:15,775 --> 00:16:17,644 - YOU SEE IT? - YEAH. 453 00:16:17,677 --> 00:16:19,179 - I AUTHORIZE YOU TO PULL IT. 454 00:16:23,383 --> 00:16:25,718 APPARENTLY THAT WIRE WAS SUPER-IMPORTANT. 455 00:16:25,752 --> 00:16:29,222 - AND IT'S A CLICHE, BUT, 456 00:16:29,256 --> 00:16:30,290 THERE WAS THIS TUNNEL, 457 00:16:30,323 --> 00:16:32,359 AND THIS BEAUTIFUL LIGHT. 458 00:16:32,392 --> 00:16:36,563 AND, VANESSA, 459 00:16:36,596 --> 00:16:40,567 THERE WAS APPLAUSE LIKE YOU'VE NEVER HEARD BEFORE. 460 00:16:40,600 --> 00:16:44,304 - I AM NOT GOING BACK TO LONDON UNTIL YOU ARE WELL. 461 00:16:44,337 --> 00:16:47,274 - PLEASE, NO, I CAN'T ASK YOU TO DO THAT-- 462 00:16:47,307 --> 00:16:49,042 YOU'LL STAY WITH US. 463 00:16:49,076 --> 00:16:52,345 - HEY, GUYS, COULD YOU GIVE DAD AND ME A SECOND? 464 00:16:52,379 --> 00:16:56,616 - I'LL GO GET YOU SOME FLOWERS. 465 00:16:56,649 --> 00:16:59,652 - NOTHING THAT DIES. 466 00:16:59,686 --> 00:17:01,321 MAYBE A SUCCULENT. 467 00:17:01,354 --> 00:17:03,323 SOME SORT OF JADE. 468 00:17:03,356 --> 00:17:07,060 MAYBE A SMALL BONSAI. 469 00:17:07,094 --> 00:17:08,695 - GAVE US QUITE A SCARE THERE, DAD. 470 00:17:08,728 --> 00:17:11,198 - WELL, WE'RE NOT OUT OF THE WOODS YET. 471 00:17:11,231 --> 00:17:13,566 - NO, WE'RE NOT. NO, I TALKED TO THE DOCTOR. 472 00:17:13,600 --> 00:17:15,568 - THAT QUACK? 473 00:17:15,602 --> 00:17:16,836 SHE OWES ME A PAIR OF BIKE SHORTS. 474 00:17:16,869 --> 00:17:18,171 - YEAH, YOU FAKED IT. 475 00:17:18,205 --> 00:17:20,573 - WHAT ARE YOU TALKING ABOUT? 476 00:17:20,607 --> 00:17:22,142 - YOU DIDN'T WANT MOM TO GO, 477 00:17:22,175 --> 00:17:23,843 SO YOU PUT ON SOME RIDICULOUS DEATHBED SCENE. 478 00:17:23,876 --> 00:17:26,379 - IT WAS ANYTHING BUT RIDICULOUS. 479 00:17:26,413 --> 00:17:30,250 IT WAS SMALL, AND SUBTLE, AND ARCED ORGANICALLY. 480 00:17:30,283 --> 00:17:33,320 - OH, DAD. 481 00:17:33,353 --> 00:17:35,222 YOU NEED TO LET MOM GO BACK TO LONDON. 482 00:17:35,255 --> 00:17:37,390 OKAY, YOU'RE FAKE CRYING. 483 00:17:37,424 --> 00:17:38,825 ALL RIGHT? 484 00:17:38,858 --> 00:17:41,194 IF YOU DON'T TELL HER THE TRUTH, I WILL. 485 00:17:41,228 --> 00:17:43,330 - ALL RIGHT. 486 00:17:43,363 --> 00:17:44,331 BE GENTLE WITH HER. 487 00:17:44,364 --> 00:17:45,732 - YOU'RE DOING IT. 488 00:17:48,135 --> 00:17:49,035 IT SOUNDS STRESSFUL. 489 00:17:49,068 --> 00:17:52,805 ALTHOUGH THE HEART ATTACK WAS NOT REAL, 490 00:17:52,839 --> 00:17:56,176 THE SCENE WAS VERY TAXING. 491 00:17:56,209 --> 00:17:59,346 - OKAY. THERE'S NOTHING ORGANIC OR SUBTLE ABOUT THIS. 492 00:17:59,379 --> 00:18:01,281 YOU KNOW, THIS IS SOME OF THE WORST WORK 493 00:18:01,314 --> 00:18:02,315 I'VE EVER SEEN YOU DO. 494 00:18:02,349 --> 00:18:03,783 - PLEASE? 495 00:18:03,816 --> 00:18:05,685 - IT'S NOT GETTING ANY BETTER. 496 00:18:08,188 --> 00:18:10,890 YO, GUYS, IT'S 9:00, SEVEN HOURS PAST QUITTING TIME. 497 00:18:10,923 --> 00:18:12,325 - YO, WE'RE TAKING WALT 498 00:18:12,359 --> 00:18:14,161 TO THE TAQUERIA TO CHEER HIM UP, 499 00:18:14,194 --> 00:18:16,329 IF YOU GUYS HAVE FINISHED MY WALL, LET ME SEE IT. 500 00:18:16,363 --> 00:18:18,165 - OH, NOT YET, NOT YET. WE'RE STILL DOTTING SOME "I"s 501 00:18:18,198 --> 00:18:20,600 AND CROSSING SOME "T"s. 502 00:18:20,633 --> 00:18:22,402 PLUS, WE HAVEN'T FOUND THE RIGHT REVEAL PARTY MUSIC YET. 503 00:18:22,435 --> 00:18:23,803 YOU KNOW, YOU WANNA-- 504 00:18:23,836 --> 00:18:25,104 - I THOUGHT WE WERE DOING JUMP AROUND. 505 00:18:25,138 --> 00:18:27,274 - YOU KNOW, I LOVED IT, BUT VLAD THOUGHT IT WAS A LITTLE PLAYED. 506 00:18:27,307 --> 00:18:28,841 - ALL RIGHT, WELL, YOU KNOW, WE DON'T NEED MUSIC. 507 00:18:28,875 --> 00:18:30,610 - YEAH, WE DON'T NEED IT. 508 00:18:30,643 --> 00:18:31,778 - HOW'S WALT DOING? 509 00:18:31,811 --> 00:18:36,349 - OH, HE'S FINE, YOU KNOW, IT WAS, UH--IT WAS NOTHING. 510 00:18:36,383 --> 00:18:37,817 - IT NEEDS MUSIC. YEAH, YEAH. 511 00:18:37,850 --> 00:18:38,885 - REALLY? - AND WE NEED TO SWEEP IT UP. 512 00:18:38,918 --> 00:18:40,720 - I DON'T FEEL LIKE-- - WELL, YOU KNOW, IT JUST 513 00:18:40,753 --> 00:18:42,722 MAKES IT SUCH A NICE WALL. - BUT IT DOESN'T REALLY-- 514 00:18:42,755 --> 00:18:44,357 TRYING. 515 00:18:50,730 --> 00:18:52,365 - OH, HOW ABOUT THIS ONE? 516 00:18:52,399 --> 00:18:53,733 - MAYBE WALT JUST WANTS TO DRINK. 517 00:18:53,766 --> 00:18:55,202 SOME PEOPLE DO THAT WITHOUT HOOKING UP. 518 00:18:55,235 --> 00:18:56,336 - YOU KNOW, SHE'S RIGHT. 519 00:18:56,369 --> 00:18:58,205 THIS IS--JUST FEELS SO BASE. 520 00:18:58,238 --> 00:18:59,406 - JUST BUY A GIRL ONE DRINK, 521 00:18:59,439 --> 00:19:00,873 IT'LL HELP GET YOUR MIND OFF MOM. 522 00:19:00,907 --> 00:19:02,175 ALL RIGHT? I'LL STAKE YOU. 523 00:19:02,209 --> 00:19:04,377 - NO, IT'S TOO SOON. 524 00:19:04,411 --> 00:19:07,614 - OOH, HOW ABOUT COSMO AT 2:00? 525 00:19:07,647 --> 00:19:10,183 - SON, NO. IF I'M GONNA CLEANSE MY PALATE, 526 00:19:10,217 --> 00:19:12,619 I'M GONNA GO REDHEAD, 5 O'CLOCK. 527 00:19:12,652 --> 00:19:15,422 - ALL RIGHT THEN, LET'S ROLL. 528 00:19:15,455 --> 00:19:17,724 - YOU BET. 529 00:19:17,757 --> 00:19:18,958 - WHAT TIME ARE YOU CHOPPERING OUT OF HERE? 530 00:19:18,991 --> 00:19:21,594 - I THINK THEY HAVE ME ON A BIRD AT 0800. 531 00:19:21,628 --> 00:19:22,529 - HI, I'M PETE. 532 00:19:22,562 --> 00:19:25,298 THIS IS MY DAD, BRIGADIER GENERAL RIGGINS. 533 00:19:25,332 --> 00:19:26,799 - AT EASE. 534 00:19:26,833 --> 00:19:28,701 AH, TWO "'BU" AND COKES. 535 00:19:28,735 --> 00:19:29,702 STAND DOWN. 536 00:19:29,736 --> 00:19:32,739 - IS IT WEIRD THAT I THINK IT'S REALLY SWEET 537 00:19:32,772 --> 00:19:34,374 THAT HE'S HELPING HIS DAD GET LAID? 538 00:19:34,407 --> 00:19:36,409 - I DON'T KNOW, BUT IT'S GOING TO BE A ROUGH MORNING 539 00:19:36,443 --> 00:19:39,312 WHEN "RED" WAKES UP IN THE "BRIGADIER GENERAL'S" AEROBED. 540 00:19:39,346 --> 00:19:40,847 I'M GOING TO GET US SOME MORE "TO-KILL-YA." 541 00:19:45,385 --> 00:19:46,353 - HOW WE DOING? 542 00:19:46,386 --> 00:19:47,854 - OH, SOLID, YEAH. 543 00:19:47,887 --> 00:19:49,622 HE'LL BE DREAM WALKING INTO MY CONDOM STASH LATER TONIGHT. 544 00:19:49,656 --> 00:19:50,623 - YIKES. 545 00:19:50,657 --> 00:19:51,724 - HEY, UH-- 546 00:19:51,758 --> 00:19:52,725 CAN I TALK TO YOU ABOUT SOMETHING? 547 00:19:52,759 --> 00:19:53,793 - YEAH. 548 00:19:53,826 --> 00:19:55,762 - THIS MAY SOUND ODD, COMING ON THE HEELS OF ME 549 00:19:55,795 --> 00:19:58,431 DETAILING A FABRICATED MILITARY HISTORY FOR MY DAD, 550 00:19:58,465 --> 00:20:00,867 BUT, UM, 551 00:20:00,900 --> 00:20:04,771 I'M DONE PLAYING GAMES. 552 00:20:04,804 --> 00:20:06,339 - OKAY. - YEAH, I MEAN, I GET IT. 553 00:20:06,373 --> 00:20:08,741 LIKE, YOU'RE WITH BEN, AND I NEED TO ACCEPT THAT. 554 00:20:08,775 --> 00:20:10,009 YOU CHECKED UP ON ME 555 00:20:10,042 --> 00:20:13,813 IN MY G.A. MEETING, AND YOU WERE THERE FOR ME IN MY HOSPITAL-- 556 00:20:13,846 --> 00:20:16,649 YOU'RE MY FRIEND. AND, THAT'S, YOU KNOW, 557 00:20:16,683 --> 00:20:18,351 WHAT WE SHOULD BE, RIGHT? FRIENDS. 558 00:20:18,385 --> 00:20:21,321 - YEAH. ABSOLUTELY. 559 00:20:21,354 --> 00:20:24,657 - WHAT DID I MISS? 560 00:20:24,691 --> 00:20:28,761 - HEY. TO FRIENDSHIP. 561 00:20:28,795 --> 00:20:31,664 - FRIENDSHIP. 562 00:20:35,868 --> 00:20:37,270 - ALL RIGHT, NO PEEKING. 563 00:20:37,304 --> 00:20:38,638 GARY, MUSIC. 564 00:20:38,671 --> 00:20:39,939 - I TOTALLY FORGOT TO DO THAT. 565 00:20:39,972 --> 00:20:41,974 - UNBELIEVABLE. 566 00:20:42,008 --> 00:20:43,310 OKAY, TA-DA! 567 00:20:43,343 --> 00:20:44,677 - HEY! 568 00:20:44,711 --> 00:20:47,013 YOU GUYS ACTUALLY FINISHED SOMETHING. 569 00:20:47,046 --> 00:20:48,315 - STILL DON'T LOVE THE TONE. 570 00:20:48,348 --> 00:20:49,749 BIG MAN, LOOKS GREAT. 571 00:20:49,782 --> 00:20:50,983 - PIECE OF CAKE. 572 00:21:01,961 --> 00:21:04,664 - YEAH, THE CAT'S IN THE WALL. 40521

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