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These are the user uploaded subtitles that are being translated: 1 00:00:09,884 --> 00:00:15,091 THE BAND WAGON 2 00:01:38,059 --> 00:01:42,009 Yes, ladies and gentlemen, we are in luck today here in Los Angeles. 3 00:01:42,314 --> 00:01:44,686 Through the years, the Bullwinkle Galleries... 4 00:01:44,774 --> 00:01:46,482 have brought up for auction... 5 00:01:46,568 --> 00:01:50,780 many collections of the personal effects of your famous movie stars. 6 00:01:50,864 --> 00:01:51,943 AUCTION SALE 7 00:01:52,032 --> 00:01:55,282 But today is indeed a red-letter day. 8 00:01:55,369 --> 00:01:58,240 The personal effects of Tony Hunter! 9 00:01:58,622 --> 00:01:59,785 Lot 94. 10 00:01:59,957 --> 00:02:03,825 Ladies and gentlemen, let's start out with Lot 94. 11 00:02:04,462 --> 00:02:08,923 Some of the potpourri of Mr. Hunter's own personal costumes... 12 00:02:09,300 --> 00:02:12,883 that he used in his famous dancing-singing pictures. 13 00:02:13,096 --> 00:02:16,216 Remember this? Perhaps the most famous top hat... 14 00:02:16,307 --> 00:02:18,216 and stick of our generation. 15 00:02:18,309 --> 00:02:22,223 Yes, the one he used in Swinging Down to Panama... 16 00:02:22,313 --> 00:02:24,436 and all his other famous pictures. 17 00:02:24,816 --> 00:02:28,434 Let's start with $5. Do I hear $5? 18 00:02:28,987 --> 00:02:30,896 It's worth a lot more. 19 00:02:31,323 --> 00:02:33,648 All right. Let's start with $2. 20 00:02:34,201 --> 00:02:37,237 Well? 50 cents? 21 00:02:39,289 --> 00:02:40,569 Anything? 22 00:02:49,175 --> 00:02:52,509 Just one more for the road. About 20 minutes to New York. 23 00:02:52,595 --> 00:02:53,923 Bottoms up. 24 00:02:57,225 --> 00:03:00,060 - So you're from California? - That's right. Sunny Cal. 25 00:03:00,144 --> 00:03:02,552 - Sunny Cal? - Yeah. Sunny Cal. 26 00:03:02,856 --> 00:03:06,557 Say, you're from Sunny Cal. I bet you know a lot of movie stars out there. 27 00:03:06,651 --> 00:03:08,893 I got to confess. I'm just like you and me. 28 00:03:08,987 --> 00:03:11,395 Only get to see them in the movies. 29 00:03:11,490 --> 00:03:14,111 But I read about them. I know all about them. 30 00:03:15,285 --> 00:03:18,239 Boy, I'd sure like to meet that Ava Gardner. 31 00:03:18,622 --> 00:03:21,243 - You're a little late. She's married. - Yeah. 32 00:03:21,750 --> 00:03:23,659 - You know this one? - Who's that? 33 00:03:23,752 --> 00:03:26,955 - Tony Hunter. - Oh, him. The singing-dancing fella. 34 00:03:27,214 --> 00:03:31,294 My wife used to go see all his pictures. Almost broke up our home. 35 00:03:31,385 --> 00:03:33,461 "Tony Hunter! Tony Hunter!" 36 00:03:33,971 --> 00:03:35,880 He was good 12 or 15 years ago... 37 00:03:35,973 --> 00:03:38,262 but the columnists out there say he's through. 38 00:03:39,102 --> 00:03:42,720 Through? He's washed up. Hasn't made a picture in three years. 39 00:03:42,814 --> 00:03:45,898 - Did you say something, mister? - I said I agreed with you. 40 00:03:45,984 --> 00:03:47,562 That Tony Hunter's a has-been. 41 00:03:47,652 --> 00:03:49,395 - Got a match? - Yeah. 42 00:03:49,487 --> 00:03:53,615 I wouldn't go to see him if they gave away $5 bills with the ticket. 43 00:03:54,326 --> 00:03:55,441 Yeah. 44 00:03:57,621 --> 00:03:59,530 We should be pulling... 45 00:03:59,873 --> 00:04:04,535 The funny thing about what you're saying, boys, is that it's absolutely true. 46 00:04:04,837 --> 00:04:07,245 Here. Have an exploding cigar. 47 00:04:23,147 --> 00:04:25,472 - This the last of the bags, Mr. Hunter? - Yeah. 48 00:04:25,567 --> 00:04:28,485 Say, porter, could you see that they get put in a taxi... 49 00:04:28,570 --> 00:04:32,650 - and taken up to the Plaza Hotel? - Yes, sir. Thank you, sir. 50 00:04:33,658 --> 00:04:35,283 Everybody's getting off, sir. 51 00:04:35,368 --> 00:04:38,737 If you don't mind, I'll just sit for a minute or two. 52 00:04:38,830 --> 00:04:42,033 You couldn't just make up my berth for the night here, could you? 53 00:04:42,125 --> 00:04:44,248 No, sir. I couldn't do that. 54 00:04:55,931 --> 00:04:58,718 There's a mob of reporters and photographers out there. 55 00:04:58,809 --> 00:05:02,012 Yep. There must be some big shot aboard. Maybe the President. 56 00:05:02,104 --> 00:05:05,224 No, too many for that. Probably a movie star. 57 00:05:11,698 --> 00:05:14,272 - Hi, fellas. - Tony Hunter! Hello, Mr. Hunter! 58 00:05:14,617 --> 00:05:17,191 Thanks for the red-carpet bit. I didn't expect it. 59 00:05:17,287 --> 00:05:20,621 - What brings you to New York? - Just fooling around and relaxing. 60 00:05:20,707 --> 00:05:22,949 - Between pictures, Tony? - In a manner of speaking. 61 00:05:23,043 --> 00:05:26,044 Didn't I read something in Variety about you going into a show? 62 00:05:26,129 --> 00:05:29,664 Lily and Les Marton had something planned for me. I haven't decided yet. 63 00:05:29,758 --> 00:05:33,803 I haven't been on the stage in a long time. And you get into a different medium. 64 00:05:33,888 --> 00:05:35,928 - What it actually is... - Here she is, fellas! 65 00:05:36,015 --> 00:05:38,008 - Excuse me, Mr. Hunter. - See you later, Tony. 66 00:05:38,100 --> 00:05:39,131 Hi, Miss Gardner. 67 00:05:39,226 --> 00:05:41,634 Miss Gardner, hold it, please? Smile pretty. Thanks. 68 00:05:41,729 --> 00:05:45,394 - How long you going to be in town? - I have no definite plans. I thought... 69 00:05:45,483 --> 00:05:47,974 Tony! I had no idea you were on the train. 70 00:05:48,069 --> 00:05:50,109 This is a surprise. You going to be here long? 71 00:05:50,196 --> 00:05:52,521 - Perhaps a week or two... - Excuse me, Miss Gardner. 72 00:05:52,615 --> 00:05:55,450 Could the boys get one more shot of you coming out the door? 73 00:05:55,535 --> 00:05:58,204 Honestly, isn't all this stuff an awful bore? 74 00:05:58,288 --> 00:06:00,364 - Good to see you, Tony. - It's nice to see you. 75 00:06:00,457 --> 00:06:04,325 By the door, please, Miss Gardner. Once more! Here we go! Thank you. 76 00:06:04,419 --> 00:06:08,369 Miss Gardner, my paper would like to do a Sunday feature on you. 77 00:06:09,758 --> 00:06:13,257 Those poor movie stars. People just won't let them alone, will they? 78 00:06:13,345 --> 00:06:15,801 No. I don't know how they stand it. 79 00:06:19,351 --> 00:06:23,764 I'll go my way by myself 80 00:06:25,107 --> 00:06:28,690 like walking under the clouds 81 00:06:30,697 --> 00:06:34,777 I'll go my way by myself 82 00:06:35,869 --> 00:06:39,452 all alone in a crowd 83 00:06:41,625 --> 00:06:45,623 I'll try to apply myself 84 00:06:46,838 --> 00:06:50,124 and teach my heart how to sing 85 00:06:52,386 --> 00:06:56,300 I'll go my way by myself 86 00:06:57,349 --> 00:07:01,014 like a bird on the wing 87 00:07:03,022 --> 00:07:06,806 I'll face the unknown 88 00:07:08,110 --> 00:07:12,322 I'll build a world of my own 89 00:07:13,533 --> 00:07:17,994 No one knows better than I, myself 90 00:07:18,705 --> 00:07:23,866 I'm by myself alone 91 00:07:41,687 --> 00:07:44,605 Tony Hunter! There's Tony Hunter! 92 00:07:45,524 --> 00:07:50,103 HI TONY - WELCOME TONY TONY HUNTER FAN CLUB 93 00:07:52,448 --> 00:07:54,690 Did you kids paint those signs just for me? 94 00:07:54,784 --> 00:07:56,860 That's cute. Piggy. 95 00:07:58,079 --> 00:07:59,704 Let's get rid of this stuff. 96 00:08:00,415 --> 00:08:02,704 This is the biggest surprise I've had. 97 00:08:06,963 --> 00:08:10,712 - Mister, can I have your autograph? - You certainly can, gal, come here! 98 00:08:10,801 --> 00:08:12,212 That's my wife. Let go. 99 00:08:12,302 --> 00:08:14,674 Don't worry. I'll get around to you in a minute. 100 00:08:14,763 --> 00:08:16,720 - Who's he? - Never saw him before in my life. 101 00:08:16,807 --> 00:08:19,678 - Hello, piggy! - Hello, yourself, you two-headed creep! 102 00:08:19,768 --> 00:08:21,476 Why didn't you say when you were coming? 103 00:08:21,562 --> 00:08:22,842 We had to ask your agent. 104 00:08:22,938 --> 00:08:25,892 - Why didn't you send us a wire? - I wanted to sneak in quietly. 105 00:08:25,983 --> 00:08:30,063 Believe me, I didn't have any trouble. I want to see if you've changed in a year. 106 00:08:30,154 --> 00:08:33,570 No, Les, you haven't changed a bit. You look desperately ill, as usual. 107 00:08:33,658 --> 00:08:35,900 - What'd you have to say that for? - Just kidding. 108 00:08:35,993 --> 00:08:37,487 I've been feeling terrible all day. 109 00:08:37,578 --> 00:08:41,872 Kind of faint, light-headed, a lot of pressure here, queasy inside... 110 00:08:41,958 --> 00:08:43,500 - my pulse... - You look great. 111 00:08:43,585 --> 00:08:47,250 As for you, that New York pallor is like a breath of fresh air. 112 00:08:47,338 --> 00:08:51,550 You're too pretty to be a successful writer and much too pretty to be married to that. 113 00:08:51,635 --> 00:08:53,841 That's the prettiest compliment I've had all day! 114 00:08:53,929 --> 00:08:56,716 Come on, you two-headed lovebirds, there's work to be done! 115 00:08:56,807 --> 00:09:00,306 - Now I have here a script of a show! - Les, you didn't bring it. 116 00:09:00,394 --> 00:09:02,766 It's great. It's the best thing we've ever written. 117 00:09:02,855 --> 00:09:05,263 Take it, boy. Smell it! You can tell it's good. 118 00:09:05,357 --> 00:09:08,311 There's a great part in it for you, nice little parts for us. 119 00:09:08,402 --> 00:09:11,189 Wait. This boy must be starving. Let's take him to Sardi's. 120 00:09:16,285 --> 00:09:18,278 Only two blocks more, then Sardi's. 121 00:09:18,371 --> 00:09:21,372 - Shall we tell him, Lil, the big surprise? - You tell him, Les. 122 00:09:21,457 --> 00:09:23,533 Who do you think is going to do the show? 123 00:09:23,626 --> 00:09:27,754 Only the greatest director /producer in town, Jeffrey Cordova. 124 00:09:27,964 --> 00:09:29,873 - Who? - Jeff Cordova. 125 00:09:29,966 --> 00:09:32,753 We're meeting him tonight, backstage, right after the show. 126 00:09:32,844 --> 00:09:35,465 - What did you say his name was? - Jeffrey Cordova! 127 00:09:35,555 --> 00:09:36,753 You're not serious. 128 00:09:36,848 --> 00:09:39,090 I don't think he ever heard of this fella. 129 00:09:39,184 --> 00:09:42,185 What's the matter? Don't you get newspapers back in California? 130 00:09:42,271 --> 00:09:44,727 This genius directed Man in a Mousetrap... 131 00:09:44,815 --> 00:09:49,311 The Lost Nymph, and did them both while starring in Oedipus Rex. 132 00:09:49,403 --> 00:09:52,321 He's got three hits running, and he's starring in one of them. 133 00:09:52,406 --> 00:09:53,437 Only one? 134 00:09:53,532 --> 00:09:57,577 This fella's fabulous, phenomenal, fantastic! He can do anything. 135 00:09:57,662 --> 00:09:59,453 Has he ever directed a musical? 136 00:09:59,539 --> 00:10:01,615 What's the difference? He can do anything. 137 00:10:01,707 --> 00:10:04,743 He's theatre. He's a new kind of theatre man, Tony. 138 00:10:04,836 --> 00:10:07,208 The theatre’s changed. Lots of things have changed. 139 00:10:07,297 --> 00:10:08,839 They certainly have. 140 00:10:10,175 --> 00:10:12,464 What's happened to 42nd Street? 141 00:10:13,386 --> 00:10:17,004 I just can't get over it. I just can't understand it. 142 00:10:17,224 --> 00:10:20,723 This used to be the great theatre street of the town. The New Amsterdam. 143 00:10:20,811 --> 00:10:23,812 I had one of my biggest successes there. Ran a year and a half. 144 00:10:23,897 --> 00:10:26,933 Noel Coward and Gertie were here in Private Lives in the Selwyn. 145 00:10:27,025 --> 00:10:29,563 Strictly carriage trade, nothing but the finest. 146 00:10:29,653 --> 00:10:34,030 First show I ever did was at the Eltinge, and I don't believe that's here anymore. 147 00:10:34,491 --> 00:10:35,654 What's the matter? 148 00:10:35,743 --> 00:10:38,448 - I think he broke my leg. - Can you put your weight on it? 149 00:10:38,537 --> 00:10:40,695 - I'll try. - I'm sorry, fella! I didn't mean it. 150 00:10:40,790 --> 00:10:43,079 - Okay, forget it. - Let's get him a cab. 151 00:10:43,167 --> 00:10:44,495 Taxi! 152 00:10:45,461 --> 00:10:47,039 Here, let me carry you. 153 00:10:47,130 --> 00:10:50,713 My dear man, it's entirely my fault and I apologize. 154 00:10:50,800 --> 00:10:52,259 Here's for your trouble. 155 00:10:53,428 --> 00:10:54,708 Lean on me. 156 00:10:55,513 --> 00:10:58,431 - I can stand anything but pain. - You'll be all right. 157 00:10:58,516 --> 00:11:02,596 It's swelling. I'm getting a haematoma. The blood is spurting out. 158 00:11:03,188 --> 00:11:06,723 I want some cold compresses! Not hot, but cold. 159 00:11:06,817 --> 00:11:09,189 Listen, you go over to Sardi's. I'll see you later. 160 00:11:09,278 --> 00:11:11,235 Driver, take them on over. Order me a steak. 161 00:11:11,321 --> 00:11:12,696 I'll see you in a few minutes. 162 00:11:12,781 --> 00:11:16,779 PENNY ARCADE 163 00:11:22,124 --> 00:11:23,239 Excuse me. 164 00:11:23,334 --> 00:11:26,869 I'm just a little bit fuzzy. Wasn't this formerly the Eltinge theatre? 165 00:11:34,304 --> 00:11:36,427 What are you doing in there? 166 00:11:36,514 --> 00:11:40,512 The GORILLA'S BRIDE 167 00:12:00,122 --> 00:12:01,782 ELECTRICITY IS LIFE 168 00:12:31,321 --> 00:12:33,361 MADAME OLGA - PREDICTIONS 169 00:12:59,851 --> 00:13:03,849 TEST YOUR LOVE APPEAL 170 00:13:23,417 --> 00:13:27,082 When you feel as low as the bottom of a well 171 00:13:27,546 --> 00:13:29,871 and can't get out of the mood 172 00:13:31,342 --> 00:13:34,343 Do something to perk yourself up 173 00:13:34,554 --> 00:13:37,092 and change your attitude 174 00:13:38,182 --> 00:13:41,551 Give a tug to your tie Put a crease in your pants 175 00:13:42,061 --> 00:13:44,517 But if you really want to feel fine 176 00:13:45,690 --> 00:13:50,019 give your shoes a shine 177 00:13:53,240 --> 00:13:56,526 When there's a shine on your shoes 178 00:13:56,618 --> 00:13:58,658 there's a melody in your heart 179 00:13:59,121 --> 00:14:04,163 With a singable happy feeling a wonderful way to start 180 00:14:04,251 --> 00:14:06,742 to face the world every day 181 00:14:07,504 --> 00:14:09,580 with the deedle-dum-dee-dah-dah 182 00:14:09,673 --> 00:14:14,584 A little melody that is making the worrying world go by 183 00:14:14,679 --> 00:14:16,968 When you walk down the street 184 00:14:17,473 --> 00:14:19,596 with the happy-go-lucky beat 185 00:14:20,643 --> 00:14:24,261 You'll find a lot in what I'm repeating 186 00:14:24,522 --> 00:14:27,357 When there's a shine on your shoes 187 00:14:27,734 --> 00:14:30,023 There's a melody in your heart 188 00:14:30,236 --> 00:14:33,901 What a wonderful way to start the day 189 00:14:35,283 --> 00:14:38,154 Now there's a shine that you get in the barbershop 190 00:14:40,330 --> 00:14:43,165 There's a shine that you get in the Pullman car 191 00:14:45,377 --> 00:14:48,378 There's a shine that you get in the pool room 192 00:14:50,382 --> 00:14:53,300 There's a shine that you get in the school room 193 00:14:55,429 --> 00:14:57,718 But it doesn't matter where you get it 194 00:14:58,140 --> 00:15:00,927 It'll do a lot of good if you let it 195 00:15:01,018 --> 00:15:04,102 A little bit of polish will abolish what's bothering you 196 00:15:04,897 --> 00:15:07,933 When there's a shine on your shoes 197 00:15:08,526 --> 00:15:12,987 Melody in your heart Singable happy feeling 198 00:15:13,573 --> 00:15:15,233 Wonderful! 199 00:15:47,358 --> 00:15:50,442 Got a shine on my shoes Got a shine on my shoes 200 00:15:50,528 --> 00:15:53,529 Got a shine on my shoes Got a shine on my shoes 201 00:15:53,823 --> 00:15:57,109 Got a shine on my shoes Got a shine on my shoes 202 00:15:57,202 --> 00:16:00,369 Got a shine on my shoes Got a shine on my shoes 203 00:16:00,831 --> 00:16:04,117 Shiny shoes! Shiny shoes! Shiny shoes! Shiny shoes! 204 00:16:04,209 --> 00:16:07,376 Shiny shoes! Shiny shoes! Shiny shoes! Shiny shoes! 205 00:16:07,462 --> 00:16:10,914 I got a shine shoes Shiny shoes! Shiny shoes! Shiny shoes! 206 00:16:11,008 --> 00:16:13,926 Shine Shine Shine Shine on my shoes 207 00:16:14,011 --> 00:16:17,131 I got a shine on my shoes I got a shine on my shoes 208 00:16:17,223 --> 00:16:20,557 I got a shine on my shoes I got a shine on my shoes 209 00:16:20,643 --> 00:16:22,386 Got a shoeshine Got a shoeshine 210 00:16:22,478 --> 00:16:24,056 Got a shoeshine Got a shoeshine 211 00:16:24,146 --> 00:16:25,937 Got a shoeshine Got a shoeshine 212 00:16:26,023 --> 00:16:28,063 Got a shoeshine Got a shoeshine 213 00:16:57,848 --> 00:16:59,805 Yeah! Hooray! 214 00:17:41,352 --> 00:17:43,641 JEFFREY CORDOVA - OEDIPUS REX 215 00:17:43,729 --> 00:17:46,054 Adopted From The Original Greek by JEFFREY CORDOVA 216 00:17:46,148 --> 00:17:48,817 STARRING JEFFREY CORDOVA DIRECTED BY JEFFREY CORDOVA 217 00:17:48,901 --> 00:17:51,024 THE STRATTON THEATRE 218 00:17:51,153 --> 00:17:54,985 In such a time, indeed you must reap doubly 219 00:17:55,491 --> 00:17:58,409 with a twofold pain 220 00:17:58,494 --> 00:18:02,408 Kind friend, you alone are faithful to me. 221 00:18:02,707 --> 00:18:04,166 Blind though I am... 222 00:18:04,250 --> 00:18:08,118 I know that you are here, and your voice is known to me. 223 00:18:09,840 --> 00:18:14,751 Oh, man of dark deed, how did you find the heart to blind yourself... 224 00:18:14,845 --> 00:18:17,051 but deliver to all? 225 00:18:17,139 --> 00:18:20,175 Apollo, friends! Apollo! 226 00:18:21,935 --> 00:18:25,849 Come near me. Lay your hand upon a wretched man. 227 00:18:26,524 --> 00:18:28,267 Do not fear. 228 00:18:28,359 --> 00:18:32,357 My plague can touch no one but me. 229 00:18:33,322 --> 00:18:35,694 Seize me and drive me out! 230 00:18:35,783 --> 00:18:39,199 Send me, for God's sake, to some distant spot! 231 00:18:39,454 --> 00:18:41,779 Conceal me! Kill me! 232 00:18:42,707 --> 00:18:45,708 This guy is going to direct a musical? 233 00:18:47,045 --> 00:18:49,203 This guy can do anything. 234 00:18:53,635 --> 00:18:57,549 Therefore plan, for to death shall watch life's hand 235 00:18:58,473 --> 00:19:03,301 and can't all happy till thee pass the earth away 236 00:19:07,066 --> 00:19:09,189 Sweetie, we start on the left foot! 237 00:19:09,276 --> 00:19:12,194 Always the left! The whole exit depends upon... 238 00:19:12,279 --> 00:19:14,022 Lily, darling! How are you? 239 00:19:14,115 --> 00:19:15,526 Lester, how am I doing? 240 00:19:15,616 --> 00:19:17,656 - Jeff, this is Tony... - Excuse me. 241 00:19:19,245 --> 00:19:21,368 Underneath it all, very simple. 242 00:19:21,456 --> 00:19:23,164 Isn't he wonderful? 243 00:19:28,088 --> 00:19:30,923 Listen. Order me a corned-beef sandwich, will you? 244 00:19:31,007 --> 00:19:34,672 Lean, now, no fat, no gristle. And a cream soda and a pickle. 245 00:19:35,679 --> 00:19:38,597 - Mr. Cordova wants a... - Stay right here. It's all right. 246 00:19:38,682 --> 00:19:41,090 That maniac. Honestly! Say, Hal? 247 00:19:41,184 --> 00:19:43,342 - Yes, Miss Marton. - The maestro wants his... 248 00:19:43,437 --> 00:19:46,189 I know. The corned beef. It's in his dressing room already. 249 00:19:46,273 --> 00:19:47,388 Hal, this is Mr. Hunter. 250 00:19:47,483 --> 00:19:50,021 - This is Hal Benton, Jeff's manager. - Nice to meet you. 251 00:19:50,110 --> 00:19:51,901 - I'm a great admirer of yours. - Thank you. 252 00:19:51,987 --> 00:19:55,356 - When did you get in town? - I got off the train a couple of hours ago. 253 00:19:55,449 --> 00:19:58,533 - Wasn't that curtain slower tonight? - It was my fault. I'm sorry. 254 00:19:58,619 --> 00:20:02,403 No, don't change it. Keep it that way. It's wonderful. Doubles the applause. 255 00:20:02,498 --> 00:20:04,455 - Jeff, this is Tony Hunter. - How do you do? 256 00:20:04,542 --> 00:20:08,243 Sorry, kids. Be with you soon as I get out of this sackcloth and ashes... 257 00:20:08,338 --> 00:20:12,122 Max, what happened to that amber spot? It was way off. 258 00:20:12,217 --> 00:20:13,628 Must have more light on me there. 259 00:20:13,718 --> 00:20:15,924 Don't let us keep it a secret I'm in the show. 260 00:20:16,012 --> 00:20:17,340 - Excuse me. - Hello, sweetheart. 261 00:20:17,430 --> 00:20:19,173 - You look wonderful. - Thank you. 262 00:20:19,266 --> 00:20:23,180 Hal, call a full dialogue rehearsal, will you? Friday, for the full company. 263 00:20:23,270 --> 00:20:26,473 Sloppy diction. The original was in Greek, but this is in English. 264 00:20:26,565 --> 00:20:30,859 Don't let us keep it a secret it's in English. I want to catch the matinee tomorrow... 265 00:20:30,944 --> 00:20:33,696 - of Man in a Mousetrap. - Can't do. We got a drama lecture... 266 00:20:33,781 --> 00:20:35,489 Never mind. We'll work it out somehow. 267 00:20:35,574 --> 00:20:37,697 Jeff, this is Tony Hunter. 268 00:20:37,785 --> 00:20:39,694 Yeah, I know. We just met. 269 00:20:41,622 --> 00:20:42,737 Mr. Hunter. 270 00:20:42,832 --> 00:20:44,789 - I beg your pardon. - I'm glad to know you. 271 00:20:44,876 --> 00:20:46,156 So happy to meet you. 272 00:20:46,252 --> 00:20:49,123 You have no idea how delighted I am to see you. 273 00:20:49,213 --> 00:20:51,206 - Delighted and thrilled. - Thank you. 274 00:20:52,675 --> 00:20:55,047 We need our theatre greats right here. 275 00:20:55,136 --> 00:20:58,671 So when Lily and Lester said they were doing a show with Tony Hunter... 276 00:20:58,765 --> 00:21:00,674 that's all I had to know. 277 00:21:00,851 --> 00:21:04,516 I'm dropping every other project, and there are plenty, believe me. 278 00:21:05,355 --> 00:21:09,768 That's wonderful, Mr. Cordova, but all this... The classics... 279 00:21:10,402 --> 00:21:14,482 - Do you really want to do a musical? - Musical, musical! 280 00:21:14,573 --> 00:21:18,487 I'm sick of these artificial barriers between the musical and the drama. 281 00:21:18,828 --> 00:21:22,493 In my mind, there is no difference between the magic rhythms... 282 00:21:22,581 --> 00:21:26,365 of Bill Shakespeare's immortal verse and the magic rhythms... 283 00:21:26,460 --> 00:21:28,868 of Bill Robinson's immortal feet. 284 00:21:29,547 --> 00:21:32,168 Hal, write that down. I'll use it at Princeton. 285 00:21:32,258 --> 00:21:34,167 It's already down. You used it last week. 286 00:21:34,260 --> 00:21:36,929 I tell you, if it moves you, if it stimulates you... 287 00:21:37,013 --> 00:21:39,171 if it entertains you, it's theatre. 288 00:21:39,307 --> 00:21:42,593 When the right combination gets together and it spells theatre... 289 00:21:42,686 --> 00:21:45,889 I got to be right in there up to my armpits. 290 00:21:46,565 --> 00:21:48,024 That's higher than usual. 291 00:21:48,108 --> 00:21:50,564 Now, that's what I wanted Tony to hear you say. 292 00:21:50,652 --> 00:21:55,113 I tried to tell him how you feel, but I knew that you could say it so beautifully. 293 00:21:55,199 --> 00:21:57,607 Lily, you splendid animal. 294 00:21:57,785 --> 00:22:00,703 Take your hands off my wife and let's get down to business. 295 00:22:00,788 --> 00:22:03,908 Now I have here a script. It's great. It's ready to roll. 296 00:22:03,999 --> 00:22:07,582 Jeff, I want you to take this home. I want you to read it tonight... 297 00:22:07,670 --> 00:22:10,837 But before I do, give me a rough idea of the plot. 298 00:22:11,048 --> 00:22:13,586 - Now? - Throw it at me for a quick impression. 299 00:22:13,676 --> 00:22:15,669 - I'm dying to hear it. - You tell it, Lester. 300 00:22:15,762 --> 00:22:18,004 - You do it so much better. - Lester, honestly. 301 00:22:18,097 --> 00:22:20,588 - Please, Lily, tell them. - Lester, honestly. 302 00:22:21,434 --> 00:22:25,514 With Tony in mind, we naturally visualize a light and intimate show. 303 00:22:25,605 --> 00:22:29,603 We want to give him a chance to play a charming guy, with just enough plot... 304 00:22:29,693 --> 00:22:32,611 to make him do lots of gay and varied numbers. 305 00:22:33,030 --> 00:22:36,446 He's a writer and illustrator of children's books... 306 00:22:36,533 --> 00:22:38,111 but to get in the real dough... 307 00:22:38,202 --> 00:22:41,286 on the side, he writes lurid murder mysteries... 308 00:22:41,372 --> 00:22:43,697 full of violence and buckets of blood. 309 00:22:44,458 --> 00:22:47,210 The success of these makes him feel he's sort of... 310 00:22:47,294 --> 00:22:49,999 sold his soul to the Devil, but he keeps on doing it. 311 00:22:50,089 --> 00:22:53,423 There's lots of comedy implications with his friends, played by us. 312 00:22:53,509 --> 00:22:56,261 - And with his girl. - I love this. Terrific possibilities. 313 00:22:56,346 --> 00:22:58,552 And some of the best numbers we've ever written! 314 00:22:58,640 --> 00:23:02,934 Children's playground, a reform school, 12 showgirls playing softball! 315 00:23:03,019 --> 00:23:06,269 - And a number about a murder mystery! - You two are the end. 316 00:23:06,523 --> 00:23:10,106 - Tony, I'm so glad! - Some of the best lines we've written. 317 00:23:11,486 --> 00:23:13,479 What do you think, Jeff? 318 00:23:21,580 --> 00:23:23,489 Kids, you're geniuses. 319 00:23:23,624 --> 00:23:26,542 The whole thing is a brilliantly imaginative idea. 320 00:23:26,627 --> 00:23:28,038 Why, Jeff! 321 00:23:28,129 --> 00:23:31,747 You've hit on something that's not only great as a musical... 322 00:23:31,841 --> 00:23:34,676 but valid in terms of today, of modern life. 323 00:23:34,760 --> 00:23:36,587 Jeff, I'm so glad! 324 00:23:36,679 --> 00:23:40,344 Of course, these modern thrillers, he's got to keep turning them out. 325 00:23:40,433 --> 00:23:42,426 They make him fame, money. He's caught. 326 00:23:42,519 --> 00:23:44,144 It's a funny situation. 327 00:23:44,229 --> 00:23:47,894 Of course! It's brilliant, contemporary, perceptive. 328 00:23:48,149 --> 00:23:51,269 This story's a modern version of Faust. 329 00:23:52,863 --> 00:23:55,069 - Faust? - You're kidding, Jeff. 330 00:23:56,158 --> 00:23:59,693 I guess I didn't tell it right. I didn't bring out the point. 331 00:23:59,786 --> 00:24:04,080 But you did bring out the point admirably. You used the phrase: 332 00:24:04,166 --> 00:24:06,538 "He sells his soul to the Devil." 333 00:24:06,919 --> 00:24:10,086 Now, that's the line you have to follow straight through. 334 00:24:10,339 --> 00:24:13,008 Just like Faust, this man is tempted by the Devil... 335 00:24:13,092 --> 00:24:17,505 and his compromise, his sell-out, must end in eternal damnation. 336 00:24:18,181 --> 00:24:20,090 That'll leave them laughing. 337 00:24:20,183 --> 00:24:24,228 Kids, you've got a choice here between a nice little musical comedy... 338 00:24:24,312 --> 00:24:27,147 and a modern musical morality play... 339 00:24:27,232 --> 00:24:29,604 with meaning and stature! 340 00:24:30,318 --> 00:24:34,067 - But we don't want to write Faust. - You're taking me too literally. 341 00:24:34,155 --> 00:24:36,527 I want to do your story. I love it! 342 00:24:36,867 --> 00:24:39,536 But I want to angle it to bring out the analogy... 343 00:24:39,620 --> 00:24:42,325 between the Faust legend and this man's story. 344 00:24:42,915 --> 00:24:46,616 Won't this make it heavy? Is this a box-office idea? 345 00:24:46,710 --> 00:24:48,121 Is Faust box-office? 346 00:24:48,212 --> 00:24:51,747 Listen, Faust by Christopher Marlowe, Faust by Goethe, Faust by Gounod... 347 00:24:51,841 --> 00:24:52,920 Faust by Hector Berlioz. 348 00:24:53,008 --> 00:24:57,006 I tell you, anyone who's touched this legend has turned it into a gold mine. 349 00:24:57,096 --> 00:24:58,721 It's got to be a smash. 350 00:24:59,807 --> 00:25:02,642 It could still have all the fun in it, couldn't it? 351 00:25:02,727 --> 00:25:06,595 - Yeah, and some stature thrown in. - Now, kids, I'm happy about this. 352 00:25:06,898 --> 00:25:09,436 - Really happy. - So are we, Jeff. 353 00:25:09,526 --> 00:25:10,985 This publisher you mentioned... 354 00:25:11,069 --> 00:25:13,940 obviously, he could be the counterpart of the Devil. 355 00:25:18,743 --> 00:25:20,783 Evil personified! 356 00:25:21,413 --> 00:25:25,541 Leading all mankind into the paths of temptation! 357 00:25:26,293 --> 00:25:29,792 - But nobody could play it like you. - Nobody's going to. 358 00:25:29,880 --> 00:25:31,956 You mean you're going to play it? 359 00:25:32,299 --> 00:25:35,217 The part of the girl... Somebody fresh. 360 00:25:35,302 --> 00:25:39,086 Somebody with fire, charm, grace, beauty. Gabrielle Gerard. 361 00:25:39,265 --> 00:25:42,634 - Gerard? She's a ballet dancer. - She doesn't want to do a show. 362 00:25:42,727 --> 00:25:45,218 - She turns them all down. - Nobody ever turns me down. 363 00:25:45,313 --> 00:25:48,148 Do you really think you could get her? What a cast! 364 00:25:48,232 --> 00:25:52,859 Tony Hunter, Jeff Cordova, Gabrielle Gerard! Tony! Isn't this exciting? 365 00:25:52,946 --> 00:25:54,144 Yeah. 366 00:25:54,572 --> 00:25:58,321 Now, look, this is going to be a sort of modern Faust story. 367 00:25:58,994 --> 00:26:03,241 I play the Faust character. You play the Devil. It'll have stature, importance. 368 00:26:03,665 --> 00:26:06,583 - I have to dance with this ballet dancer? - She's wonderful. 369 00:26:06,668 --> 00:26:07,866 It'll be great. 370 00:26:07,961 --> 00:26:11,330 It'll be great for somebody. I'll pick up my marbles and go home. 371 00:26:11,423 --> 00:26:14,341 Fellas, bless you and good luck, but this just ain't for me. 372 00:26:14,426 --> 00:26:16,419 I know what I can do, and I'm sticking to it. 373 00:26:16,512 --> 00:26:19,632 That's the trouble. You've stuck to it, and you're stuck with it. 374 00:26:19,724 --> 00:26:22,262 - What? - Tony, nobody admires you more than I. 375 00:26:22,351 --> 00:26:25,471 I've seen every show and every movie you've ever done... 376 00:26:25,563 --> 00:26:27,271 but let's face some brutal facts. 377 00:26:27,356 --> 00:26:30,476 Times have changed, Tony. You haven't changed with them. 378 00:26:30,568 --> 00:26:34,613 - You've gone stale. - Then you certainly don't need me. 379 00:26:35,573 --> 00:26:37,032 Yes, we do! 380 00:26:37,117 --> 00:26:39,525 Because you can be greater than you ever were! 381 00:26:39,619 --> 00:26:43,237 We are going to make you explode on the theatre scene like a skyrocket! 382 00:26:43,331 --> 00:26:46,367 Not just the old trademark, with the top hat, tie, and tails... 383 00:26:46,460 --> 00:26:48,536 but a great artist at the peak of his powers. 384 00:26:48,629 --> 00:26:52,378 The new Tony Hunter. Tony Hunter, 1953! 385 00:26:52,466 --> 00:26:55,586 - But can I do it? - It's a challenge to all of us... 386 00:26:55,678 --> 00:26:58,252 but that's what the theatre’s about: a challenge. 387 00:26:58,347 --> 00:27:00,719 Whatever I am, whether it's a new me or an old me... 388 00:27:00,808 --> 00:27:02,599 remember, I'm still just an entertainer. 389 00:27:02,685 --> 00:27:05,176 What do you think I am? What do you think they are? 390 00:27:05,271 --> 00:27:07,940 What do you think the theatre is? It's all entertainment! 391 00:27:08,024 --> 00:27:11,144 Believe me, there is no difference between the magic rhythms... 392 00:27:11,235 --> 00:27:13,940 - of Bill Robinson's immortal feet... - You said that before. 393 00:27:14,030 --> 00:27:17,731 All right, what did Bill Robinson do? He danced on the stairs, didn't he? 394 00:27:17,826 --> 00:27:20,495 Now I happen to play Oedipus the king on the same stairs. 395 00:27:20,578 --> 00:27:23,069 What's the difference? We're all theatre. 396 00:27:24,165 --> 00:27:25,790 Show me the greatest tragic actor... 397 00:27:25,876 --> 00:27:28,082 or the lowest red-nosed comic in burlesque... 398 00:27:28,170 --> 00:27:30,708 and I'll show you an entertainer. We're all... 399 00:27:32,591 --> 00:27:34,584 Jeff, are you all right? 400 00:27:35,260 --> 00:27:37,751 Everything that happens in life 401 00:27:37,930 --> 00:27:40,302 can happen in a show 402 00:27:40,891 --> 00:27:44,094 You can make 'em laugh You can make 'em cry 403 00:27:44,520 --> 00:27:48,565 Anything, anything can go 404 00:27:51,235 --> 00:27:54,485 The clown with his pants falling down 405 00:27:54,572 --> 00:27:58,071 Or the dance that's a dream of romance 406 00:27:58,159 --> 00:28:02,204 Or the scene where the villain is mean 407 00:28:02,956 --> 00:28:05,530 That's Entertainment! 408 00:28:06,001 --> 00:28:09,121 The lights on the lady in tights 409 00:28:09,212 --> 00:28:12,961 Or the bride with the guy on the side 410 00:28:13,050 --> 00:28:17,214 Or the ball where she gives him her all 411 00:28:17,679 --> 00:28:20,253 That's Entertainment! 412 00:28:20,849 --> 00:28:24,052 The plot can be hot simply teeming with sex 413 00:28:24,562 --> 00:28:27,563 A gay divorcée who is after her ex 414 00:28:28,858 --> 00:28:31,314 It could be Oedipus Rex 415 00:28:31,402 --> 00:28:35,447 Where a chap kills his father and causes a lot of bother 416 00:28:35,531 --> 00:28:38,651 The clerk who is thrown out of work 417 00:28:38,743 --> 00:28:42,278 By the boss who was thrown for a loss 418 00:28:42,372 --> 00:28:45,907 By the skirt who is doing him dirt 419 00:28:46,251 --> 00:28:48,327 The world is a stage 420 00:28:48,420 --> 00:28:52,038 the stage is a world of entertainment 421 00:29:05,354 --> 00:29:07,596 That's Entertainment! 422 00:29:14,822 --> 00:29:16,482 All right! 423 00:29:19,702 --> 00:29:22,027 That's Entertainment! 424 00:29:29,879 --> 00:29:31,670 Look what I can do. 425 00:29:40,766 --> 00:29:42,308 It's still me! 426 00:29:57,158 --> 00:30:00,325 The doubt while the jury is out 427 00:30:00,411 --> 00:30:03,910 or the thrill when they're reading the will 428 00:30:03,998 --> 00:30:07,616 or the chase for the man with the face 429 00:30:08,753 --> 00:30:11,078 That's Entertainment! 430 00:30:11,798 --> 00:30:14,918 The dame who is known as the flame 431 00:30:15,010 --> 00:30:18,675 Of the king of an underworld ring 432 00:30:18,764 --> 00:30:22,429 He's an ape who won't let her escape 433 00:30:23,435 --> 00:30:25,724 That's Entertainment! 434 00:30:26,522 --> 00:30:29,606 It might be a fight like you see on the screen 435 00:30:30,234 --> 00:30:33,686 a swain getting slain for the love of a queen 436 00:30:34,572 --> 00:30:39,281 some great Shakespearean scene where a ghost and a prince meet 437 00:30:39,368 --> 00:30:41,111 and everyone ends in mincemeat 438 00:30:41,203 --> 00:30:44,323 the gag may be waving that flag 439 00:30:44,415 --> 00:30:47,998 that began with a Mr. Cohan 440 00:30:48,086 --> 00:30:51,870 Hip hooray, the American way 441 00:30:52,090 --> 00:30:53,833 The world is a stage 442 00:30:54,426 --> 00:30:59,587 the stage is a world of entertainment 443 00:31:03,101 --> 00:31:06,221 - You gone yet, Hal? - I'm in here, Jeff, on the phone. 444 00:31:06,355 --> 00:31:08,929 Drama desk? Hello, Mike. It's Hal. 445 00:31:09,066 --> 00:31:12,601 You know that item Mr. Cordova sent you about signing Gabrielle Gerard... 446 00:31:12,695 --> 00:31:13,858 for the Marton show? 447 00:31:13,946 --> 00:31:17,529 There's been a mistake. I wonder if there's still time to kill it. 448 00:31:17,616 --> 00:31:20,534 - Yeah. I'd appreciate it. Thanks, kid. - Why did you do that? 449 00:31:20,619 --> 00:31:23,193 To save you from making an idiot of yourself in print. 450 00:31:23,289 --> 00:31:25,697 - You know you can't get Gerard. - Why? 451 00:31:25,791 --> 00:31:29,290 Because Paul Byrd won't let her do a show. He's a tough customer. 452 00:31:29,379 --> 00:31:32,131 He's not only her choreographer, he's also her boyfriend. 453 00:31:32,215 --> 00:31:34,006 She doesn't make a move without him. 454 00:31:34,092 --> 00:31:36,049 That will be Paul Byrd now. 455 00:31:36,136 --> 00:31:39,505 - It's 3:00 in the morning. - Let him in, Hal, will you? 456 00:31:44,227 --> 00:31:45,721 - Hello, Paul. - Where are they? 457 00:31:45,812 --> 00:31:47,306 He's in there. 458 00:31:47,689 --> 00:31:48,852 Hello, Paul. 459 00:31:48,941 --> 00:31:50,316 - Where is he? - Who? 460 00:31:50,400 --> 00:31:52,974 - Oscar Hammerstein. - Home in bed, I hope, at this hour. 461 00:31:53,070 --> 00:31:55,691 - Who is it? Dick Rodgers? - What are you talking about? 462 00:31:55,781 --> 00:31:58,450 Didn't you say the greatest producer of musicals today... 463 00:31:58,534 --> 00:31:59,862 was here and wanted to see me? 464 00:31:59,952 --> 00:32:03,820 - That's me. I'm doing a musical. - Did you get me out of bed... 465 00:32:07,627 --> 00:32:09,169 I see what this is all about. 466 00:32:09,253 --> 00:32:13,121 You needn't go any further because the answer is no on Gabrielle Gerard. 467 00:32:13,216 --> 00:32:15,624 Gabrielle... Paul, I don't follow you. 468 00:32:15,718 --> 00:32:18,921 Gabrielle is not going to do a show. She's too important to ballet. 469 00:32:19,013 --> 00:32:20,721 This has nothing to do with Gabrielle. 470 00:32:21,266 --> 00:32:25,430 Paul, I want you to do the choreography for the greatest musical in years. 471 00:32:27,939 --> 00:32:30,062 - I'm sorry... - That's why I wakened you, Paul. 472 00:32:30,150 --> 00:32:34,018 I'm so keyed up I just can't sleep. You know how brilliant the Martons are. 473 00:32:34,112 --> 00:32:35,855 This time, they've excelled themselves. 474 00:32:35,948 --> 00:32:38,866 This show is a choreographer's dream, and only you can do it. 475 00:32:38,951 --> 00:32:41,656 - I wouldn't say that. - No time for false modesty. 476 00:32:41,745 --> 00:32:44,746 You're the greatest, and we know it. This is just your meat. 477 00:32:44,832 --> 00:32:49,459 A great classic theme. The story of Faust in a modern setting. 478 00:32:51,339 --> 00:32:54,210 Say, that sounds interesting. 479 00:32:54,300 --> 00:32:57,171 I've never been so excited about a project in my life. 480 00:32:57,262 --> 00:33:00,963 Now, there's Tony Hunter, myself, a great score by the Martons. 481 00:33:01,057 --> 00:33:03,429 Wonderful. My brain's beginning to churn already. 482 00:33:03,518 --> 00:33:07,302 Good. Now we must comb the country for a wonderful singer for the girl. 483 00:33:07,606 --> 00:33:11,271 Singer? Jeff, don't you think we ought to stress the dancing in that role? 484 00:33:11,359 --> 00:33:12,604 No, Paul. 485 00:33:12,694 --> 00:33:17,321 This girl has to be a virtuoso performer, with fire, charm, beauty... 486 00:33:17,449 --> 00:33:21,529 a great lady with a gamine quality. You know no dancer can give you that. 487 00:33:21,620 --> 00:33:25,665 Wait. Of course I wouldn't let her do it, but Gabrielle has all that and more. 488 00:33:25,749 --> 00:33:28,999 Gabrielle? Paul, I feel a little embarrassed. 489 00:33:29,086 --> 00:33:32,004 I think she's charming, within her limitations. Charming. 490 00:33:32,089 --> 00:33:33,832 She's a great artist, and you know it. 491 00:33:33,925 --> 00:33:37,424 - Sorry. I know how fond of her you are. - That has nothing to do with it! 492 00:33:37,512 --> 00:33:39,884 She can be one of the greatest stars in the theatre. 493 00:33:39,973 --> 00:33:41,467 Everybody's been trying to get her. 494 00:33:41,558 --> 00:33:43,800 For the right vehicle, something light and fluffy. 495 00:33:43,893 --> 00:33:45,553 Light and fluffy? Now, see here, Jeff. 496 00:33:45,645 --> 00:33:49,097 I'm not gonna do this show unless Gabrielle Gerard plays that part! 497 00:33:49,316 --> 00:33:53,017 Now, Paul, this throws a little monkey wrench into things, doesn't it? 498 00:33:53,111 --> 00:33:56,065 Never mind. You and I will work together sometime... 499 00:33:56,156 --> 00:33:59,406 Wait. At least do this. You come and see her in the ballet tomorrow. 500 00:33:59,493 --> 00:34:01,984 - Bring Hunter, bring the Martons. - No. Impossible. 501 00:34:02,079 --> 00:34:04,700 I have a performance. But I'll gladly send the Martons. 502 00:34:04,790 --> 00:34:08,325 We can get together afterwards and talk. Mind you, I'm promising nothing. 503 00:34:08,419 --> 00:34:10,210 Good night, sweetie. 504 00:34:12,590 --> 00:34:13,870 Drama desk? 505 00:34:13,966 --> 00:34:17,584 Mike. Hal again. Better print that item after all. 506 00:34:17,678 --> 00:34:22,091 And, Mike, after this, if Mr. Cordova tells you he's casting Tallulah... 507 00:34:22,266 --> 00:34:24,804 for Little Eva, believe him. 508 00:34:29,357 --> 00:34:30,732 COMMODORE THEATER Coutray Ballet Company 509 00:34:30,817 --> 00:34:33,023 Gabrielle Gerard Choreography by Paul Byrd 510 00:34:33,111 --> 00:34:36,065 IMAGE OF THE NIGHT - ENSEMBLE THE FIELDS - PHANTASY 511 00:35:44,185 --> 00:35:45,264 Well? 512 00:35:45,353 --> 00:35:48,473 She's fabulous, sensational, loveliest thing I've ever seen. 513 00:36:25,186 --> 00:36:26,929 A little tall, isn't she? 514 00:36:28,022 --> 00:36:29,564 Stage illusion. 515 00:37:06,270 --> 00:37:08,013 So you didn't care for it much? 516 00:37:08,105 --> 00:37:10,014 The girl's fantastic, beautiful... 517 00:37:10,108 --> 00:37:11,602 but I can't dance with her. 518 00:37:11,693 --> 00:37:13,187 Stop worrying! 519 00:37:16,739 --> 00:37:19,526 It isn't that I don't appreciate what she does. 520 00:37:19,617 --> 00:37:22,535 I tell you, I know she's magnificent. That's what scares me. 521 00:37:22,621 --> 00:37:26,286 But I haven't done ballet since I was a kid. I'd look silly. 522 00:37:26,625 --> 00:37:28,416 Hello, Lil. You look wonderful. Put your things over there. 523 00:37:29,503 --> 00:37:30,878 Hello, Mr. Hunter. How are you? 524 00:37:30,963 --> 00:37:32,920 - Hello, Les. Glad to see you. - How are you? 525 00:37:33,006 --> 00:37:35,331 What is this? The annual fur trappers' convention? 526 00:37:35,426 --> 00:37:37,668 - The boss is inside with big money. - His backers? 527 00:37:37,761 --> 00:37:40,217 - They're raising money for the show. - What show, ours? 528 00:37:40,306 --> 00:37:42,215 - Sure. - He hasn't read the script yet. 529 00:37:42,308 --> 00:37:44,051 - I better go back... - Sorry, Mr. Marton. 530 00:37:44,143 --> 00:37:47,310 You disturb the water, you scare the fish. They're biting tonight. 531 00:37:47,396 --> 00:37:50,350 - What's he telling them? - Whatever it is, it's going over big. 532 00:37:50,441 --> 00:37:52,101 - Come on, Lil. - Please don't go in yet. 533 00:37:52,193 --> 00:37:55,028 Wait here in the study. He's saving you for the big finale. 534 00:37:55,113 --> 00:37:56,144 Excuse me. 535 00:37:56,239 --> 00:37:58,232 - Lester, isn't this wonderful? - Yeah. 536 00:37:58,324 --> 00:38:00,613 - This is going to be great, Tony. - Why? 537 00:38:00,702 --> 00:38:02,944 Cordova. The dough for the show. No problems. 538 00:38:03,038 --> 00:38:05,446 How many times did we have to audition the last time? 539 00:38:05,540 --> 00:38:07,497 - Fifty. - A hundred, maybe more. 540 00:38:07,584 --> 00:38:11,582 Jeff might raise the backing tonight. We'll be ready to rehearse in three weeks. 541 00:38:13,048 --> 00:38:14,839 - Hello, Hal. - Hello, Paul. How are you? 542 00:38:14,925 --> 00:38:16,585 How nice to see you. Come right in. 543 00:38:16,677 --> 00:38:18,717 Hal, this is Miss Gerard. Mr. Benton. 544 00:38:18,804 --> 00:38:21,010 How do you do? Jeff's inside with the backers. 545 00:38:21,098 --> 00:38:23,007 Why don't you wait in the library? 546 00:38:23,100 --> 00:38:24,559 - Excuse me. - Thanks. 547 00:38:30,983 --> 00:38:33,189 Let's wait in here a minute, huh? 548 00:38:34,362 --> 00:38:36,687 Now, wait a second. I'm not ready yet. 549 00:38:36,781 --> 00:38:38,655 There's a lot to be cleared up first. 550 00:38:38,741 --> 00:38:41,197 This girl Gerard, it's not just her dancing. 551 00:38:41,286 --> 00:38:44,655 On top of everything, she's too tall for me. This girl is a giantess. 552 00:38:44,748 --> 00:38:46,824 She's not too tall for you. I know this girl. 553 00:38:46,916 --> 00:38:49,122 She comes up to here, maybe 2 inches shorter. 554 00:38:49,210 --> 00:38:51,582 You know I'm the perfect height for you. Now look... 555 00:38:51,671 --> 00:38:54,079 turn around. Measure. Look. You see? Isn't that fine? 556 00:38:54,174 --> 00:38:59,002 Listen. Gabrielle Gerard in her stocking feet is at the most 3-feet tall. 557 00:38:59,471 --> 00:39:03,385 Now relax. I'm going to find you a drink, and you can stop worrying about her. 558 00:39:03,475 --> 00:39:06,180 Jeff only wants her in the show because she's the best. 559 00:39:06,270 --> 00:39:08,726 We all gotta go along with him, too, Tony. 560 00:39:08,814 --> 00:39:10,972 In the show, one guy's got to be at the helm... 561 00:39:11,067 --> 00:39:13,605 and in Jeff, we got someone we can trust to... 562 00:39:13,694 --> 00:39:17,312 ...it is the Devil, come to claim the soul of the modern Faust man. 563 00:39:17,406 --> 00:39:20,324 With flapping wings and grinning evil eyes... 564 00:39:20,410 --> 00:39:23,197 he points the way to the yawning pits of Hades. 565 00:39:26,791 --> 00:39:27,906 Hallelujah. 566 00:39:29,127 --> 00:39:31,369 - I'm embarrassed. - Don't be childish. 567 00:39:31,463 --> 00:39:34,001 I'm sure Tony Hunter doesn't want me in this show. 568 00:39:34,090 --> 00:39:36,961 - What makes you say that? - Did he come backstage to see me... 569 00:39:37,052 --> 00:39:38,215 after the performance? 570 00:39:38,303 --> 00:39:40,212 He knew he was going to meet you here. 571 00:39:40,305 --> 00:39:44,137 - I'm just a ballet dancer... - You're a famous leading ballerina. 572 00:39:44,226 --> 00:39:47,560 What does he want with me? He's a famous movie and stage actor. 573 00:39:47,646 --> 00:39:50,398 He's practically a historical character by now. 574 00:39:50,482 --> 00:39:53,898 Dancing with him is like dancing with a statue of General Grant. 575 00:39:53,986 --> 00:39:55,528 Now look, Gaby. 576 00:39:55,946 --> 00:39:59,529 You know, this is a Cordova show. It's an important step for you. 577 00:39:59,617 --> 00:40:03,697 I'm going to do the choreography, so there's nothing for you to worry about. 578 00:40:03,788 --> 00:40:06,659 But I still think he doesn't want me in the show. 579 00:40:06,833 --> 00:40:08,244 Your nose is shiny. 580 00:40:08,334 --> 00:40:10,576 - Where's the... - Maybe this is it. 581 00:40:12,172 --> 00:40:16,964 He passes by all the writhing souls in torment paying for their deadly sins. 582 00:40:17,052 --> 00:40:18,879 Gluttony, avarice... 583 00:40:20,847 --> 00:40:22,341 It must be upstairs. 584 00:40:40,117 --> 00:40:41,991 Lester, what have we got ourselves into? 585 00:40:42,078 --> 00:40:45,530 The story he's telling them has nothing to do with the story we wrote. 586 00:40:45,623 --> 00:40:48,079 This will mean months of rewriting. 587 00:40:48,293 --> 00:40:51,496 He expects us to go into rehearsal in three weeks? 588 00:40:55,759 --> 00:41:00,587 Brimstone and flames. Save me. 589 00:41:07,688 --> 00:41:12,516 Corrupter of children. Purveyor of evil. Dungeon... 590 00:41:14,028 --> 00:41:18,441 ...bubbling cauldrons. Fiery furnaces of doom. 591 00:41:26,541 --> 00:41:28,997 - You're... - And you're... How do you do? 592 00:41:29,085 --> 00:41:30,876 How do you do? It's certainly a... 593 00:41:30,962 --> 00:41:33,998 - We've been waiting for you in there. - We just got here. 594 00:41:34,090 --> 00:41:36,415 We just got here ourselves, about five minutes ago. 595 00:41:36,509 --> 00:41:38,632 A little early, I guess. Mr. Cordova's busy. 596 00:41:38,720 --> 00:41:41,258 Yes, I know, and I rushed so to get here. 597 00:41:41,348 --> 00:41:43,839 - I'm a mess. - No. You look wonderful. 598 00:41:45,394 --> 00:41:48,478 - Will you have a cigarette? - No, thanks. I don't smoke. 599 00:41:48,605 --> 00:41:51,689 - Never? - I don't think a dancer should smoke. 600 00:41:51,775 --> 00:41:52,938 I see. 601 00:41:54,069 --> 00:41:56,940 - Is anything wrong? - No. 602 00:41:57,698 --> 00:41:59,738 - Pretty shoes. - Thank you. 603 00:42:00,034 --> 00:42:01,694 You always wear high heels? 604 00:42:01,786 --> 00:42:04,277 No. Not always. Sometimes toeshoes. 605 00:42:04,705 --> 00:42:05,985 Toeshoes. 606 00:42:06,207 --> 00:42:08,116 I'm afraid I've been awfully rude. 607 00:42:08,209 --> 00:42:10,830 I haven't told you how wonderful you were tonight. 608 00:42:10,920 --> 00:42:13,707 Thank you. I'm a great admirer of yours, too. 609 00:42:13,798 --> 00:42:16,585 - I didn't think you'd ever even heard of me. - Heard of you? 610 00:42:16,676 --> 00:42:19,428 I used to see all your pictures when I was a little girl. 611 00:42:19,512 --> 00:42:23,177 I'm still a fan. I recently went to see a revival of them at the museum. 612 00:42:23,266 --> 00:42:24,345 Museum? 613 00:42:24,434 --> 00:42:26,308 "Step right this way, ladies and gentlemen. 614 00:42:26,394 --> 00:42:28,303 "Egyptian mummies, extinct reptiles... 615 00:42:28,397 --> 00:42:31,232 "and Tony Hunter, the grand old man of the dance." 616 00:42:31,316 --> 00:42:32,395 I didn't mean... 617 00:42:32,484 --> 00:42:36,434 I want you to know that I can still thread a needle without my eyeglasses... 618 00:42:36,530 --> 00:42:39,365 and still occasionally do a soft-shoe shuffle. 619 00:42:39,450 --> 00:42:41,028 Nothing balletic, of course. 620 00:42:41,118 --> 00:42:43,027 You're not a ballet devotee, are you? 621 00:42:43,120 --> 00:42:45,741 Yes. I was going to the ballet before you were born. 622 00:42:45,831 --> 00:42:48,998 I saw Pavlova, Karsavina, all the real ballet greats. 623 00:42:49,085 --> 00:42:51,790 You don't see dancing like that nowadays. I'm sorry. 624 00:42:51,879 --> 00:42:54,584 That's okay. I don't expect you to class me with Pavlova. 625 00:42:54,674 --> 00:42:55,919 In fact, if she were around... 626 00:42:56,009 --> 00:42:58,251 I doubt if she'd be good enough to dance with you. 627 00:42:58,344 --> 00:43:00,420 You'd probably insist on an audition first. 628 00:43:00,513 --> 00:43:03,265 I sure would. I'd audition my own grandmother. 629 00:43:03,350 --> 00:43:06,968 Then why don't you audition mine? She'd be just about right for you. 630 00:43:07,062 --> 00:43:09,220 - I'm terribly sorry. - No, you're not. 631 00:43:09,314 --> 00:43:10,808 - No, I'm not. - Neither am I. 632 00:43:10,899 --> 00:43:11,978 Good. 633 00:43:16,697 --> 00:43:19,484 - Paul, I'm leaving. - What's the matter, darling? 634 00:43:19,575 --> 00:43:21,733 I can't work with that man. He's impossible. 635 00:43:21,827 --> 00:43:23,535 We just got here. It'll look funny... 636 00:43:23,621 --> 00:43:26,326 The whole thing is off. This girl is a monster. 637 00:43:26,415 --> 00:43:28,408 I have definitely had it. 638 00:43:29,752 --> 00:43:33,832 And now, ladies and gentlemen, the brains, the talent, the artists. 639 00:43:34,465 --> 00:43:36,873 Wonderful. Aren't they wonderful? 640 00:43:43,308 --> 00:43:45,550 You have no idea how well things are going. 641 00:43:45,643 --> 00:43:47,386 It's really wonderful. 642 00:43:48,480 --> 00:43:50,354 Ladies and gentlemen. 643 00:43:50,440 --> 00:43:52,848 I want you all to meet the happy little group... 644 00:43:52,943 --> 00:43:54,485 that's responsible for the show... 645 00:43:54,569 --> 00:43:57,819 that everyone will be clamouring to get seats for next season. 646 00:43:57,906 --> 00:44:00,658 The celebrated choreographer Paul Byrd. 647 00:44:03,203 --> 00:44:07,153 The authors you know: Lily and Lester Marton. 648 00:44:07,416 --> 00:44:09,076 Take a bow, Lily. 649 00:44:09,710 --> 00:44:11,667 And, ladies and gentlemen... 650 00:44:11,754 --> 00:44:13,996 my star, Tony Hunter. 651 00:44:14,090 --> 00:44:17,542 A name, a talent. Mr. Show Business himself. 652 00:44:20,263 --> 00:44:23,513 And, ladies and gentlemen, his new leading lady. 653 00:44:23,600 --> 00:44:27,680 That glamorous, delightful dancer from the magical world of ballet. 654 00:44:27,771 --> 00:44:31,816 Mr. Hunter's own personal choice, Gabrielle Gerard. 655 00:44:34,486 --> 00:44:38,151 I think, gentlemen, you will agree your investment is safe, yes? 656 00:44:38,240 --> 00:44:41,075 Now let's relax and have a drink, shall we? 657 00:44:42,661 --> 00:44:46,659 My dear, how do you authors ever think of these brilliant ideas? 658 00:44:46,749 --> 00:44:49,952 That damnation scene. Did you ever in your life hear... 659 00:44:50,044 --> 00:44:54,042 My boy. I had the pleasure of backing your last show, too. 660 00:44:54,465 --> 00:44:55,793 Jeffrey. How about... 661 00:45:12,525 --> 00:45:15,063 There it is, folks. The work light. 662 00:45:15,153 --> 00:45:18,107 Only an electric bulb, perhaps, but for the next four weeks... 663 00:45:18,198 --> 00:45:21,033 that will be our sun, our moon, our stars. 664 00:45:21,201 --> 00:45:24,487 These four walls will be our universe, our private world. 665 00:45:24,705 --> 00:45:27,908 We enter with nothing but a dream, but when we leave... 666 00:45:28,000 --> 00:45:29,660 we'll have a show. 667 00:45:29,793 --> 00:45:34,170 In between, there will be enthusiasms, frustrations, hot tempers... 668 00:45:34,256 --> 00:45:35,584 cold coffee. 669 00:45:35,674 --> 00:45:38,295 Some of us will fight, some fall in love... 670 00:45:38,386 --> 00:45:40,877 but all of us will work and adore it... 671 00:45:40,972 --> 00:45:43,926 because all of us are inspired by the same thing. 672 00:45:44,016 --> 00:45:47,765 The night that curtain goes up, it will go up on a smash hit. 673 00:45:47,979 --> 00:45:49,853 And believe me, kids... 674 00:45:50,106 --> 00:45:53,060 there's nothing in the world as soothing... 675 00:45:53,276 --> 00:45:55,185 as a smash hit. 676 00:46:48,000 --> 00:46:51,036 What do you think this is, summer stock or something? 677 00:47:07,019 --> 00:47:09,593 POSITIVELY NO SMOKING 678 00:47:12,442 --> 00:47:13,473 Go! 679 00:47:14,986 --> 00:47:19,363 That's it. That's wonderful. Why didn't you do it before? 680 00:47:19,449 --> 00:47:20,908 Good, men. 681 00:47:21,076 --> 00:47:23,697 Honey, would you try that cross, please, again for me? 682 00:47:23,787 --> 00:47:26,954 "The same kind of opportunistic snake that he is." 683 00:47:27,207 --> 00:47:29,994 "You got me wrong. I'm a self-made snake. 684 00:47:30,085 --> 00:47:33,454 "Listen, baby, we all live by the jungle: Eat or be eaten. 685 00:47:33,547 --> 00:47:37,711 "I just realized that I like to eat, and to eat caviar whenever possible. 686 00:47:37,801 --> 00:47:39,877 "Anything wrong with that?" 687 00:47:40,221 --> 00:47:42,926 "Anything wrong with that?" A bad line. 688 00:47:43,057 --> 00:47:47,636 What we need is some quick image, like "spreading ideals on a cracker." 689 00:47:47,728 --> 00:47:50,682 You all like that? "Ever try spreading ideals on a cracker?" 690 00:47:50,773 --> 00:47:52,232 Let me hear it, Tony. 691 00:47:52,316 --> 00:47:54,724 Did you ever try spreading ideals on a cracker? 692 00:47:54,819 --> 00:47:57,690 - Jeff. I don't... - Honey, just try that cross again for me. 693 00:47:57,780 --> 00:48:00,947 "The same kind of opportunistic snake that he is." 694 00:48:01,576 --> 00:48:04,245 "You got me wrong. I'm a self-made snake. 695 00:48:04,329 --> 00:48:07,164 "Listen, baby. We all live by the law of the jungle..." 696 00:48:07,249 --> 00:48:09,158 - Excuse me, Tony. - "...eat or be eaten." 697 00:48:09,251 --> 00:48:10,876 Pardon me, folks. 698 00:48:17,968 --> 00:48:19,759 You know about icebergs, don't you? 699 00:48:19,845 --> 00:48:22,799 One-eighth above the surface, seven-eighths below. That's you. 700 00:48:22,890 --> 00:48:25,891 You're giving me only that one-eighth. I'm greedy. I want more. 701 00:48:25,976 --> 00:48:27,767 All eight-eighths. Now let it rip, Tony. 702 00:48:27,853 --> 00:48:31,981 Give it too much. Go way over. Come along. The whole eight-eighths! 703 00:48:32,275 --> 00:48:33,650 Okay, Gaby. Same place. 704 00:48:33,734 --> 00:48:35,976 "The same kind of opportunistic snake that he is." 705 00:48:36,070 --> 00:48:38,110 You got me wrong. I'm a self-made snake! 706 00:48:38,197 --> 00:48:41,447 Listen, baby. We all live by the law of the jungle: Eat or be eaten! 707 00:48:41,534 --> 00:48:45,318 And I realized that I like to eat, and eat caviar whenever possible. 708 00:48:45,413 --> 00:48:48,284 Did you ever try spreading ideals on a cracker? 709 00:48:48,375 --> 00:48:51,162 Good boy, Tony. That's it. Eight-eighths. 710 00:49:03,599 --> 00:49:06,137 - Sorry. Butterfingers. - No. It's not your fault, Tony. 711 00:49:06,227 --> 00:49:08,267 It's an awkward pattern. I have a better idea. 712 00:49:08,354 --> 00:49:10,643 You hold your position right here, and Jimmy... 713 00:49:10,731 --> 00:49:14,147 suppose you pick up Gaby like that, and put her down... 714 00:49:14,235 --> 00:49:16,393 right here next to Tony? Now you see, Tony... 715 00:49:16,487 --> 00:49:18,895 I'd like to practice it with her two or three times. 716 00:49:18,990 --> 00:49:20,069 I think I could handle it. 717 00:49:20,158 --> 00:49:21,949 Do you mind if he tries it with Barbara? 718 00:49:22,035 --> 00:49:23,944 These are new toeshoes. They're killing me. 719 00:49:24,037 --> 00:49:26,658 Sure. You go ahead and rest. Barbara, come here. Try it. 720 00:49:26,748 --> 00:49:28,871 I think this is what's throwing you off. 721 00:49:28,958 --> 00:49:32,161 If you hold your balance so, like this, then grab her here by the... 722 00:49:32,254 --> 00:49:35,041 Paul, I think we're making a mistake here. 723 00:49:38,719 --> 00:49:40,628 I think we're wasting Tony in this scene. 724 00:49:40,721 --> 00:49:43,971 He's got the first-act finale right after this. The damnation scene. 725 00:49:44,057 --> 00:49:46,180 I don't want to dissipate his impact in that. 726 00:49:46,268 --> 00:49:50,562 Now, why not let him exit into the house and watch it from his balcony? 727 00:49:50,648 --> 00:49:52,190 - How'd that be? - Wonderful idea. 728 00:49:52,274 --> 00:49:54,765 See what that would do? Save your sock for the finale. 729 00:49:54,860 --> 00:49:56,058 Much better that way. 730 00:49:56,153 --> 00:49:58,442 Let's go back to the beginning positions. Gaby. 731 00:49:58,531 --> 00:50:00,524 Boys, get around up here, and the girls, yes. 732 00:50:00,616 --> 00:50:03,190 You were down here in the line like that. Not too close. 733 00:50:03,286 --> 00:50:05,113 This group's down here, you're up there. 734 00:50:05,204 --> 00:50:06,947 - Let's try it this way. - No! 735 00:50:07,040 --> 00:50:09,911 Let's not try it this way or any other way. 736 00:50:11,670 --> 00:50:15,798 I have had enough. I've had three weeks of these lovely rehearsals... 737 00:50:15,882 --> 00:50:19,381 three weeks of Chinese torture. I don't know what you're trying to do... 738 00:50:19,469 --> 00:50:22,174 except make me look like a complete fool. A clumsy idiot. 739 00:50:22,264 --> 00:50:25,598 I've tried. For three weeks, I've tried. I've taken everything. 740 00:50:25,684 --> 00:50:29,516 I've watched my part being changed, my numbers being cut out day after day... 741 00:50:29,605 --> 00:50:30,684 and I haven't said a word. 742 00:50:30,773 --> 00:50:33,229 Got to be cooperative, think of the good of the show. 743 00:50:33,317 --> 00:50:35,274 Let's get this straight: 744 00:50:35,653 --> 00:50:39,236 I am not Nijinsky. I am not Marlon Brando. 745 00:50:39,448 --> 00:50:42,864 I am Mrs. Hunter's little boy, Tony, song-and-dance man. 746 00:50:42,952 --> 00:50:45,988 I'm supposed to have entertained millions of people in my time. 747 00:50:46,080 --> 00:50:50,908 And I am not entertained by this little ballerina's snide insinuations... 748 00:50:51,002 --> 00:50:52,876 that I am a no-talent hoofer. 749 00:50:52,962 --> 00:50:55,998 I am sick of her superior smirk. I'm sick of her. 750 00:50:56,091 --> 00:51:00,041 I'm sick of Faust. I am sick of this show. Never mind saying it! 751 00:51:00,137 --> 00:51:02,924 Tony Hunter, 1953. 752 00:51:03,390 --> 00:51:05,762 I hereby declare my independence. 753 00:51:05,976 --> 00:51:09,179 Tony Hunter, 1776. 754 00:51:09,563 --> 00:51:10,891 Bless you. 755 00:51:21,117 --> 00:51:23,738 STAGE DOOR 756 00:51:25,746 --> 00:51:28,533 - Lester, where are you going? - I don't know. I was... 757 00:51:28,624 --> 00:51:32,871 What's happening to us? Let's try to keep our heads. It's only a show. 758 00:51:32,962 --> 00:51:34,753 I know. I'm sorry, baby. 759 00:51:34,839 --> 00:51:37,959 So am I. Let's try to be sensible about it. 760 00:51:38,093 --> 00:51:42,007 - Do you think we should try to find Tony? - I don't know. What do you think? 761 00:51:42,097 --> 00:51:44,386 - Maybe we should. - But Jeff said not to. 762 00:51:44,474 --> 00:51:47,143 And, of course, you mustn't disobey teacher. 763 00:51:47,227 --> 00:51:50,311 Right or wrong, someone has got to be at the helm. 764 00:51:50,397 --> 00:51:52,971 But to you, he's 100% right every time. 765 00:51:53,067 --> 00:51:56,566 If you say one more word to me about Jeff's hypnotic influence on me... 766 00:51:56,654 --> 00:51:59,441 - I'll scream. - He's got you so bulldozed... 767 00:51:59,824 --> 00:52:01,781 Someone's liable to think we're quarrelling. 768 00:52:01,867 --> 00:52:04,156 We're not quarrelling. We're in complete agreement. 769 00:52:04,245 --> 00:52:05,988 We hate each other. 770 00:52:12,003 --> 00:52:13,960 WE NEVER CLOSE - Cocktails 771 00:52:16,674 --> 00:52:20,886 Joe, tell Mrs. Marton I've gone to Tahiti... 772 00:52:21,471 --> 00:52:22,716 to paint. 773 00:52:47,957 --> 00:52:49,535 UNBREAKABLE 774 00:52:56,841 --> 00:53:00,257 - Hello, Mr. Hunter. - You must have the wrong apartment. 775 00:53:00,345 --> 00:53:03,512 No. I came to see you. May I come in a minute? 776 00:53:03,723 --> 00:53:04,886 Please. 777 00:53:06,309 --> 00:53:10,010 I was just about to slip into my bed of nails. 778 00:53:16,153 --> 00:53:17,564 I'm terribly sorry. 779 00:53:17,654 --> 00:53:21,699 That's all right. You couldn't have done it if I hadn't softened it up for you. 780 00:53:21,784 --> 00:53:23,278 - What? - Nothing. 781 00:53:24,245 --> 00:53:25,739 - Cigarette? - No, thanks. 782 00:53:25,830 --> 00:53:28,072 That's right. Dancers shouldn't smoke. 783 00:53:28,165 --> 00:53:31,083 - You mind if I do? - Yes. I mean, it's all right. 784 00:53:31,168 --> 00:53:32,366 Thanks. 785 00:53:36,257 --> 00:53:37,585 How lovely. 786 00:53:38,593 --> 00:53:41,629 I've never seen such wonderful prints in a hotel. 787 00:53:41,721 --> 00:53:45,766 They don't belong to the hotel yet. They're mine, and they're originals. 788 00:53:46,184 --> 00:53:47,429 Don't let that throw you. 789 00:53:47,519 --> 00:53:51,599 I don't know any more about art than I do about dancing. I'm just a Hollywood actor. 790 00:53:51,690 --> 00:53:54,015 I call my agent and say, "I've got a wall to cover. 791 00:53:54,109 --> 00:53:57,608 "Send me over 20 feet's worth of paintings in assorted colours." 792 00:53:59,323 --> 00:54:01,861 That's a very early Degas, isn't it? 793 00:54:02,868 --> 00:54:04,695 "1877." 794 00:54:06,455 --> 00:54:10,204 Yeah. I swiped it from his desk in school. Was he sore. 795 00:54:13,462 --> 00:54:14,790 What can I do for you? 796 00:54:14,881 --> 00:54:18,297 I know. You demand an apology. Okay, let's cut it short. I apologize. 797 00:54:18,384 --> 00:54:21,504 No, don't do that. I'm supposed to apologize to you. 798 00:54:22,096 --> 00:54:23,294 I mean... 799 00:54:23,389 --> 00:54:26,176 I see, the fellows got together, stuck a gun in your back... 800 00:54:26,267 --> 00:54:29,387 No, it was all my idea. I just wanted to tell you that... 801 00:54:29,479 --> 00:54:31,685 All right. It was Paul's idea. 802 00:54:31,815 --> 00:54:33,724 Why do I let him push me around? 803 00:54:33,817 --> 00:54:36,522 What do I want to apologize to you for anyway? 804 00:54:36,611 --> 00:54:38,485 You've been mean to me. 805 00:54:38,572 --> 00:54:41,941 You didn't want me in the show in the first place. 806 00:54:42,034 --> 00:54:43,149 What? 807 00:54:43,243 --> 00:54:45,948 And you think I'm a dime-a-dozen ballet dancer. 808 00:54:46,038 --> 00:54:47,069 No. 809 00:54:47,164 --> 00:54:50,699 And this whole thing's making me a nervous wreck and no show is worth it. 810 00:54:50,793 --> 00:54:53,913 I wouldn't apologize to you in a million years. 811 00:54:54,005 --> 00:54:58,133 Now, don't do that. Please, just calm down. Now take it easy. Look. 812 00:54:58,342 --> 00:55:01,011 I thought I was the only nervous wreck around here... 813 00:55:01,095 --> 00:55:03,004 and all this time you've been behaving... 814 00:55:03,097 --> 00:55:05,849 I've behaved horribly to you, and I know it. 815 00:55:05,934 --> 00:55:09,802 I'm not used to behaving horribly. It's a big strain. 816 00:55:10,814 --> 00:55:14,266 You just misunderstood me, that's all. I think you're terrific. 817 00:55:14,359 --> 00:55:18,024 I think everything in the show is probably terrific, except me. 818 00:55:18,113 --> 00:55:20,438 I've been scared to death of you... 819 00:55:20,532 --> 00:55:23,818 and scared to death of every last kid in the chorus. 820 00:55:27,039 --> 00:55:28,866 Don't be nice to me. 821 00:55:29,959 --> 00:55:32,995 It just makes me seem twice as ugly. 822 00:55:36,382 --> 00:55:39,917 I'd say you were more plain than ugly... 823 00:55:40,261 --> 00:55:42,966 - but at least you've got talent. - Thanks. 824 00:55:43,723 --> 00:55:45,965 Now look, Gaby. It's just plain silly... 825 00:55:46,059 --> 00:55:48,384 that we have never sat down and talked this out. 826 00:55:48,478 --> 00:55:51,764 We are the only animals given the greatest means of communication... 827 00:55:51,856 --> 00:55:52,935 human speech. 828 00:55:53,024 --> 00:55:56,358 - And all we do is snarl at each other. - I know. 829 00:55:56,444 --> 00:55:59,398 We're from two different worlds, two eras... 830 00:55:59,489 --> 00:56:02,573 but yet we're supposed to dance together, work together. 831 00:56:02,659 --> 00:56:04,319 No one consulted us... 832 00:56:04,411 --> 00:56:07,578 but we're the only things that matter in this whole thing. 833 00:56:07,915 --> 00:56:11,249 Not those geniuses out there, telling us what to do. 834 00:56:11,752 --> 00:56:15,251 You're right. We have to do the performing. 835 00:56:15,798 --> 00:56:18,336 We're the ones that have to get up on that stage... 836 00:56:18,426 --> 00:56:22,839 - and make idiots out of ourselves. - Tony, is that what's going to happen? 837 00:56:23,014 --> 00:56:26,098 No. Of course not. Things are going to be fine. 838 00:56:26,184 --> 00:56:29,719 I have a feeling that everything is going to be much better from now on. 839 00:56:29,812 --> 00:56:31,555 Yes, I know, but... 840 00:56:33,274 --> 00:56:35,812 Can you and I really dance together? 841 00:56:36,695 --> 00:56:38,154 I don't know. 842 00:56:39,281 --> 00:56:40,775 Let's find out. 843 00:56:46,121 --> 00:56:48,078 - Taxi, sir? - Yes, please. 844 00:56:53,754 --> 00:56:55,711 - El Morocco, please. - No. 845 00:56:56,423 --> 00:56:57,621 Stork? Waldorf? 846 00:56:57,716 --> 00:57:00,337 No. I'm not dressed. I just came from rehearsal. 847 00:57:00,428 --> 00:57:03,263 - I can't go to any of those places. - You look fine to me. 848 00:57:03,347 --> 00:57:05,589 - Never mind. Thanks. - Thank you. 849 00:57:11,314 --> 00:57:14,315 - Where to, sir? - Leave it to the horse. 850 00:57:24,035 --> 00:57:25,826 Look, trees. 851 00:57:26,538 --> 00:57:29,492 Yes, I remember now, dimly. Trees. 852 00:57:30,459 --> 00:57:32,582 And isn't that called grass? 853 00:57:33,462 --> 00:57:35,502 And, look, there's the sky. 854 00:57:36,340 --> 00:57:37,882 This has all been here... 855 00:57:37,967 --> 00:57:41,466 the whole time we have been shut up in our little sweatbox of the arts. 856 00:57:41,554 --> 00:57:43,345 Really? Amazing. 857 00:57:43,806 --> 00:57:47,092 Do you know what those are on those benches? People. 858 00:57:47,435 --> 00:57:48,598 Happy people. 859 00:57:48,686 --> 00:57:50,726 Would you believe it? They don't even care... 860 00:57:50,813 --> 00:57:54,147 whether we have a damnation scene in our show or not. 861 00:57:55,652 --> 00:57:57,111 Neither do I. 862 01:02:33,190 --> 01:02:36,974 New Haven THEATRICAL TRANSPORT CO. New Haven, Conn. 863 01:02:37,987 --> 01:02:40,063 NEW HAVEN THEATRE - STAGE ENTRANCE 864 01:02:41,282 --> 01:02:43,156 You can't get it into the elevators. 865 01:02:43,242 --> 01:02:46,777 And you take this one here, and it won't fit the finale. 866 01:02:46,912 --> 01:02:49,450 - How are we doing? - It's a disaster. 867 01:02:49,540 --> 01:02:52,624 We're in terrible trouble. We just can't open in three days. 868 01:02:52,710 --> 01:02:56,375 I told you from the beginning, you are overloading the show. 869 01:02:56,464 --> 01:02:58,836 You can't get all this scenery in the theatre. 870 01:02:58,925 --> 01:03:01,879 - Why isn't this hung? - We've been hanging all night. 871 01:03:01,970 --> 01:03:04,426 You've got more scenery in this show... 872 01:03:04,514 --> 01:03:06,720 than there is in Yellowstone National Park. 873 01:03:06,808 --> 01:03:09,679 Never mind. Get your blueprints. We'll go have a conference. 874 01:03:09,770 --> 01:03:12,226 Everything will work out all right. 875 01:03:17,111 --> 01:03:20,445 Hold it. I scored for brass, and all I hear is flute. 876 01:03:20,531 --> 01:03:22,239 I don't want so many long bows. 877 01:03:22,324 --> 01:03:25,325 Lester, I gotta cut 16 bars out of that dance. 878 01:03:25,911 --> 01:03:27,785 Sixteen bars! Hey, Lil. 879 01:03:28,331 --> 01:03:31,202 All right, I'll make the cut. Page to page. 880 01:03:31,292 --> 01:03:33,783 Would you ask Lily if she approves the cut? 881 01:03:33,878 --> 01:03:36,250 - Lil, how about this cut? - It's fine. 882 01:03:36,339 --> 01:03:38,082 Okay, Lester. Let's give it to her. 883 01:03:38,174 --> 01:03:41,460 This'll sound like hash. I better put some chords in for transition. 884 01:03:41,553 --> 01:03:44,839 Wait, just a minute. Sublime, time, dime, slime... 885 01:03:44,931 --> 01:03:47,054 You can't hear Tony in Lovelier Than You. 886 01:03:47,142 --> 01:03:50,760 - I'm already holding down the orchestra. - Maybe the key's too low. 887 01:03:51,480 --> 01:03:53,805 Ask Lester if Tony can take it a key higher. 888 01:03:53,899 --> 01:03:55,892 About Lovelier Than You, Les, a key higher? 889 01:03:55,984 --> 01:03:58,689 Don't you see I'm trying to make a cut? The key's perfect. 890 01:03:58,779 --> 01:04:02,148 - But Lily said you'd make the change. - The key is... 891 01:04:05,536 --> 01:04:08,241 Everyone on their toes for the transformation scene. 892 01:04:08,330 --> 01:04:11,117 - We're not ready. - Perfectly all right. Next. 893 01:04:11,208 --> 01:04:13,366 Watch it. I'll cue you for the transition music. 894 01:04:13,461 --> 01:04:15,169 Isn't it great? Herman. 895 01:04:15,254 --> 01:04:17,128 Everybody ready back there? 896 01:04:17,215 --> 01:04:19,373 We got to have more time to make the change. 897 01:04:19,467 --> 01:04:22,717 - I've got to have 16 more men. - I got elevators... 898 01:04:22,804 --> 01:04:24,215 Do the best you can. 899 01:04:24,305 --> 01:04:26,096 All right, everybody. This is it. 900 01:04:26,182 --> 01:04:29,017 Men in the elevators, watch the signal lights for your cues. 901 01:04:29,102 --> 01:04:32,269 Switchboards. Stand by to come down your number one batten on cue. 902 01:04:32,355 --> 01:04:35,309 Girls on stairs, take your positions, but don't be frightened. 903 01:04:35,400 --> 01:04:37,689 Men in armour, light your chandeliers. 904 01:04:37,778 --> 01:04:42,025 All right, make this great, everybody. Don't forget, it's the first-act finale. 905 01:04:43,659 --> 01:04:46,364 Are you guys all right in there? Now, watch your cue. 906 01:04:47,621 --> 01:04:49,080 Light change. 907 01:04:49,164 --> 01:04:50,362 Revolve. 908 01:04:55,004 --> 01:04:57,246 This is going to be beautiful. 909 01:04:57,673 --> 01:05:00,211 It will be a memorable moment. 910 01:05:00,593 --> 01:05:01,921 Memorable. 911 01:05:04,013 --> 01:05:06,006 This is real theatre. 912 01:05:06,099 --> 01:05:09,634 Everything's smooth as silk. 913 01:05:12,272 --> 01:05:16,934 No, Herman, that doesn't go up, it goes down. Take it down. 914 01:05:17,778 --> 01:05:19,735 What is this? Herman! 915 01:05:20,405 --> 01:05:23,074 I don't think you've got your cues right! 916 01:05:23,200 --> 01:05:24,778 No, stop! 917 01:05:25,285 --> 01:05:29,413 That one doesn't go down, it goes up. Take it up. 918 01:05:30,791 --> 01:05:33,709 For heaven's sake, look at your cue sheet. 919 01:05:35,880 --> 01:05:40,044 Take it up. No, not me. 920 01:05:41,010 --> 01:05:44,046 Herman, this cable has fouled. 921 01:05:58,069 --> 01:05:59,943 Calm down. Don't let us lose our heads. 922 01:06:00,030 --> 01:06:02,817 This is a setback, but that's what we come out of town for. 923 01:06:02,908 --> 01:06:04,071 We'll never make it work. 924 01:06:04,159 --> 01:06:07,575 Of course it will. You boys get together, think of something brilliant. 925 01:06:07,663 --> 01:06:10,913 You can't put Gaby on that thing. It's dangerous. I won't allow it. 926 01:06:11,000 --> 01:06:14,036 It's all right. After all, we expected to strike a snag or two. 927 01:06:14,128 --> 01:06:16,999 Get the full company in the lounge for dialogue rehearsal... 928 01:06:17,089 --> 01:06:20,754 while they're clearing the stage. We can't afford to waste a moment. 929 01:06:38,653 --> 01:06:41,322 Here. I'm sorry. I forgot. 930 01:06:47,704 --> 01:06:49,163 That help? 931 01:06:50,082 --> 01:06:51,576 All right? 932 01:06:54,920 --> 01:06:56,960 If you've quite finished, let's try this. 933 01:06:57,047 --> 01:06:59,716 We're going to get the stage soon. You don't know it yet. 934 01:06:59,800 --> 01:07:04,509 Paul, I'm afraid Gaby's kind of beat. Nobody's had any sleep for two nights. 935 01:07:04,680 --> 01:07:06,055 Can't you let her rest a while? 936 01:07:06,182 --> 01:07:09,053 If you don't mind, Tony, I've worked with her for many years. 937 01:07:09,143 --> 01:07:11,551 I happen to know her a good deal better than you do. 938 01:07:11,646 --> 01:07:12,974 All right, Gaby. Come on. 939 01:07:13,064 --> 01:07:14,689 Madame, may I have this dance? 940 01:07:14,774 --> 01:07:17,858 Cut the clowning. It's not going to seem so funny tomorrow night. 941 01:07:17,944 --> 01:07:19,319 All right, Adam. 942 01:07:28,664 --> 01:07:32,199 Okay, Paul, they're ready for you on-stage. Come on. 943 01:07:37,214 --> 01:07:41,082 This is the big moment. Hal, come on. Take it over there. 944 01:07:41,177 --> 01:07:45,257 Tony, Gaby, this is it. I want it to be outstanding. 945 01:07:45,640 --> 01:07:50,765 It must be beautiful, fabulous, warm, and fiery. 946 01:07:54,190 --> 01:07:57,191 Your cue is, "Dance, fools, dance!" 947 01:08:56,463 --> 01:09:00,377 Hal, it seems to be a little too much, doesn't it? 948 01:09:01,552 --> 01:09:02,797 Yes. 949 01:09:04,805 --> 01:09:07,806 Are we really supposed to open tomorrow night? 950 01:09:13,356 --> 01:09:15,645 "Dance, fools, dance!" 951 01:09:26,035 --> 01:09:28,953 The New Haven Theatre PRESENTS THE 952 01:09:29,039 --> 01:09:31,957 JEFFREY CORDOVA PRODUCTION OF The Band Wagon 953 01:09:32,042 --> 01:09:33,750 OPENING TONIGHT NEW GREAT MUSICAL 954 01:09:33,835 --> 01:09:36,670 ALL OF THE NATION'S GREATEST HITS 955 01:09:37,923 --> 01:09:40,628 Hello, there! It's a big night. 956 01:09:42,886 --> 01:09:46,255 Everybody is here from New York. Simply everybody. 957 01:09:46,348 --> 01:09:49,302 Do you hear that, my dear? Everybody from New York is here. 958 01:09:50,186 --> 01:09:52,891 Come on. Don't want you to miss the overture. 959 01:09:53,814 --> 01:09:55,723 Think we should get ready, boys? 960 01:09:55,816 --> 01:09:59,019 No, we can finish this hand. Nobody's made a pep talk yet. 961 01:09:59,487 --> 01:10:00,566 Pep talk? 962 01:10:01,155 --> 01:10:04,026 Yeah. I never seen an opening night yet without some guy... 963 01:10:04,117 --> 01:10:07,818 gets all the poor actors together and makes them a long speech: 964 01:10:07,912 --> 01:10:09,655 "They should be brilliant." 965 01:10:09,998 --> 01:10:12,489 On-stage, please. Everybody on-stage. 966 01:10:14,961 --> 01:10:16,918 Mr. Cordova wants to say a few words. 967 01:10:17,005 --> 01:10:20,374 Come on, girls. Hurry up. Let's go. Step right along. 968 01:10:26,807 --> 01:10:30,675 Company, a final word. You've all been just wonderful. 969 01:10:30,853 --> 01:10:32,431 Thanks for your cooperation. 970 01:10:32,521 --> 01:10:35,605 Tonight, we're about to perform before an audience in a theatre. 971 01:10:35,691 --> 01:10:38,526 It's not only a temple of the arts, but a place of business. 972 01:10:38,611 --> 01:10:41,897 And I feel we have here a venture that is successful on both counts. 973 01:10:41,989 --> 01:10:45,358 Nothing to be nervous about. We've got to keep our wits and do a show. 974 01:10:45,451 --> 01:10:47,942 There will be rough spots, but we'll smooth them out. 975 01:10:48,037 --> 01:10:50,575 Remember, that's what we came out of town for. 976 01:10:50,665 --> 01:10:53,619 Up to now, I've been giving you orders as director... 977 01:10:54,210 --> 01:10:57,709 but when next you see me, I shall be just as one of you... 978 01:10:57,797 --> 01:11:00,584 an eager ham, anxious to make good. 979 01:11:01,176 --> 01:11:04,011 Actors, let's go. 980 01:11:04,179 --> 01:11:06,670 All right, people. Get ready for the tableau, girls. 981 01:11:06,765 --> 01:11:09,386 Finish your make-up. Come on, girls. Let's go. 982 01:11:11,103 --> 01:11:13,060 I'm so glad you folks could come. 983 01:11:13,188 --> 01:11:16,224 And don't forget the big party at the hotel after the show. 984 01:11:16,317 --> 01:11:18,642 The whole cast will be there. You'll meet them all. 985 01:11:18,736 --> 01:11:22,816 Of course, I have to go backstage to congratulate them afterwards. 986 01:11:22,990 --> 01:11:25,196 I'll see you all at the party. 987 01:11:25,660 --> 01:11:27,451 All New York is here. 988 01:11:28,371 --> 01:11:30,364 Big party at the hotel after the show. 989 01:11:30,456 --> 01:11:33,825 I'll look for you. Big party, big show. Come on, now. 990 01:11:35,879 --> 01:11:38,915 We don't want to miss a thing. Now, don't forget the party. 991 01:11:39,007 --> 01:11:42,708 Evelyn, big party at the hotel after the show. 992 01:11:42,803 --> 01:11:44,428 I'll look for you. 993 01:11:45,889 --> 01:11:47,549 Champagne's on me. 994 01:11:49,351 --> 01:11:53,847 The Band Wagon WILL BE THE Great Hit OF THE YEAR 995 01:12:33,605 --> 01:12:36,772 Shall I drive you to the hotel, sir, to the party? 996 01:12:38,235 --> 01:12:39,515 No. Drive me to the station. 997 01:12:39,612 --> 01:12:42,530 Maybe I can still make the 11:40 back to New York. 998 01:12:42,615 --> 01:12:43,860 Yes, sir. 999 01:13:16,150 --> 01:13:19,768 - Good evening. - I was looking for The Band Wagon party. 1000 01:13:19,862 --> 01:13:21,440 This is it, sir. 1001 01:13:30,539 --> 01:13:33,244 Let's go. Hurry up. Champagne. 1002 01:13:39,924 --> 01:13:41,917 This way, please. 1003 01:14:14,418 --> 01:14:17,205 - Are you leaving, sir? - Yes. Good night. 1004 01:14:19,048 --> 01:14:21,171 We must do this more often. 1005 01:14:25,555 --> 01:14:30,182 Oh, give me something to remember you by 1006 01:14:32,687 --> 01:14:37,230 When you are far away from me 1007 01:14:40,070 --> 01:14:42,110 Some little something 1008 01:14:42,197 --> 01:14:44,071 It's all Annie's fault. 1009 01:14:45,242 --> 01:14:49,655 I should have listened to my mother. She told me only to be in hit shows. 1010 01:14:52,124 --> 01:14:53,749 Hi, I don't want to barge in. 1011 01:14:53,834 --> 01:14:56,408 I just want to tell you all how great I think you are. 1012 01:14:56,504 --> 01:14:58,461 I didn't get a chance to know you very well. 1013 01:14:58,548 --> 01:15:03,459 - I'm sorry I messed up the show for you. - Wait a minute, come on in, have a drink. 1014 01:15:03,553 --> 01:15:06,720 - I don't want to crash the party. - Give Mr. Hunter a drink. 1015 01:15:06,806 --> 01:15:09,511 - What do you say, Scotch, rye, or beer? - Beer's fine. 1016 01:15:09,601 --> 01:15:12,388 - One beer, coming up. - Want some pizza pie? 1017 01:15:12,479 --> 01:15:15,480 How about a sandwich? We've got ham and devilled egg. 1018 01:15:15,565 --> 01:15:18,186 I've had enough of both for one night. 1019 01:15:23,448 --> 01:15:27,861 Far away Me, oh, my 1020 01:15:27,953 --> 01:15:31,702 Only yesterday 1021 01:15:35,628 --> 01:15:38,629 There we were, the whole act, the 10 Tapping Troubadours. 1022 01:15:38,714 --> 01:15:40,790 The 10 Tapping Troubadours? 1023 01:15:40,883 --> 01:15:42,294 Yeah, believe it or not... 1024 01:15:42,385 --> 01:15:44,793 we were stranded in Pittsburgh with $3 between us... 1025 01:15:44,887 --> 01:15:47,888 crammed into one room the size of that closet. 1026 01:15:49,184 --> 01:15:52,268 Gaby, come on in. We're having a good old-fashioned wake. 1027 01:15:53,521 --> 01:15:55,348 I've been looking all over for you. 1028 01:15:55,440 --> 01:15:56,519 Where is Paul? 1029 01:15:56,608 --> 01:15:59,562 He's at a very exclusive wake with Jeff and the Martons. 1030 01:15:59,653 --> 01:16:01,942 Can I get you a drink, Gaby? How about a beer? 1031 01:16:02,030 --> 01:16:03,904 How about some popcorn? 1032 01:16:06,994 --> 01:16:08,987 Lily, Lester, come on in. 1033 01:16:09,830 --> 01:16:13,164 Are you sure? Don't you remember? We wrote that thing. 1034 01:16:13,250 --> 01:16:15,871 This is a wonderful party. Come on in. 1035 01:16:16,504 --> 01:16:19,838 Who's going to go out and get the beer? Okay, Sis, you're elected. 1036 01:16:19,924 --> 01:16:21,833 Tony, watch this! 1037 01:16:24,512 --> 01:16:25,923 More beer! 1038 01:16:27,056 --> 01:16:29,464 I'll never forget. You blew a gasket. 1039 01:16:29,559 --> 01:16:31,765 You were really gone. Come on. 1040 01:16:34,856 --> 01:16:37,857 Come on, Tony. Come on, get with it. 1041 01:16:37,943 --> 01:16:42,107 - How I love the glass of beer - More beer 1042 01:16:42,697 --> 01:16:47,359 - Beer goes very good with beer - More beer 1043 01:16:47,536 --> 01:16:52,198 When I'm drinking beer I'm thinking '"Ach, life is dear'" 1044 01:16:52,332 --> 01:16:57,208 But there's someone I love even more than beer 1045 01:16:58,964 --> 01:17:03,425 I love Louisa Louisa loves me 1046 01:17:03,844 --> 01:17:08,387 When we rode on the merry-go-round I kissed Louisa 1047 01:17:08,474 --> 01:17:12,554 And then Louisa Louisa kissed me 1048 01:17:13,104 --> 01:17:17,565 We were so happy So happy and free 1049 01:17:17,859 --> 01:17:22,236 Ach! Ach! But she's a beautiful Louisa 1050 01:17:22,322 --> 01:17:26,865 Ach! When I choose 'em I never want to lose 'em 1051 01:17:26,952 --> 01:17:31,531 Someday Louisa Louisa will be 1052 01:17:31,623 --> 01:17:34,624 More als just a Fräulein to me 1053 01:17:38,464 --> 01:17:42,758 - Frenchmen love a glass of wine - More beer 1054 01:17:42,843 --> 01:17:47,386 - The English think the whiskey's fine - More beer 1055 01:17:47,473 --> 01:17:51,886 But when I comb off all the foam off I drink a toast 1056 01:17:52,103 --> 01:17:54,890 To the Germans and the Mädchen 1057 01:17:54,981 --> 01:17:58,516 I love most 1058 01:17:58,693 --> 01:18:03,106 Ich liebe Louisa Louisa liebt mich 1059 01:18:03,281 --> 01:18:08,073 Wenn wir auf das Ringelspiel gehen Ich küsse Louisa 1060 01:18:08,161 --> 01:18:11,993 Und dann Louisa Louisa küsst mich 1061 01:18:12,082 --> 01:18:16,958 Wir sind so glücklich So glücklich sind wir 1062 01:18:17,045 --> 01:18:21,588 Ach! Ach! But she's a beautiful Louisa 1063 01:18:21,675 --> 01:18:26,337 Ach! When I choose 'em I never want to lose 'em 1064 01:18:43,990 --> 01:18:48,367 Ach! Ach! But she's a beautiful Louisa 1065 01:18:48,453 --> 01:18:52,747 Ach! When I choose 'em I never want to lose 'em 1066 01:18:52,833 --> 01:18:57,162 Someday Louisa Louisa will be 1067 01:18:57,254 --> 01:19:00,457 More than just a Fräulein to me 1068 01:19:00,549 --> 01:19:04,878 More beer! More beer! 1069 01:19:04,970 --> 01:19:08,671 More beer! 1070 01:19:24,365 --> 01:19:28,030 Gosh, with all this raw talent around, why can't us kids get together... 1071 01:19:28,119 --> 01:19:29,578 and put on ourselves a show? 1072 01:19:29,663 --> 01:19:33,447 Maybe we can find ourselves a barn or something, and maybe... 1073 01:19:37,045 --> 01:19:39,536 I could stand anything but failure. 1074 01:19:40,966 --> 01:19:43,374 - Where's the telephone? - In there. 1075 01:19:50,893 --> 01:19:53,431 Give me Jeff Cordova's room, please. 1076 01:19:54,605 --> 01:19:58,140 Hello, Jeff. This is Tony. Now, don't say anything. Just listen. 1077 01:19:58,234 --> 01:20:00,903 I'm here with all the kids, and we've come to a decision. 1078 01:20:00,987 --> 01:20:04,901 We're not closing this show, if you can call it a show. We're going on. 1079 01:20:04,991 --> 01:20:08,407 We're going to keep it on the road and redo it from top to bottom. 1080 01:20:08,495 --> 01:20:10,404 It won't be a modern version of Faust... 1081 01:20:10,497 --> 01:20:13,166 Pilgrim 's Progress, or the Book of Job in swing time. 1082 01:20:13,250 --> 01:20:16,002 It'll be our show, the show we started out to do... 1083 01:20:16,086 --> 01:20:18,755 the book the Martons wrote, with the songs you threw out. 1084 01:20:18,839 --> 01:20:21,793 It'll have laughs and entertainment. You remember entertainment? 1085 01:20:21,884 --> 01:20:23,924 Look, we'd love to have you with us, Jeff. 1086 01:20:24,011 --> 01:20:26,169 But if you're not, it won't make any difference. 1087 01:20:26,263 --> 01:20:27,757 We're going ahead just the same. 1088 01:20:27,848 --> 01:20:30,802 We're going to put this thing across, aren't we, kids? 1089 01:20:30,893 --> 01:20:34,060 - All right. What do you say? - Hello? There's nobody here. 1090 01:20:34,146 --> 01:20:37,064 This is the chambermaid, but if you want... 1091 01:20:37,149 --> 01:20:40,565 - I'll leave a message for Mr. Cordova. - Thank you, madam. 1092 01:20:41,112 --> 01:20:42,523 He isn't in. 1093 01:20:54,042 --> 01:20:56,450 Jeff, did you hear what I said? 1094 01:20:58,130 --> 01:21:01,546 Tony, I've learned one thing in the theatre, and it's this: 1095 01:21:01,633 --> 01:21:04,919 one man has to be at the helm, the rest take orders. 1096 01:21:05,804 --> 01:21:09,636 I believe in what you said. I got carried away in the wrong direction. 1097 01:21:09,725 --> 01:21:14,471 You've got to be the boss, Tony. I think you can pull this off brilliantly... 1098 01:21:15,731 --> 01:21:18,056 and I'd like to be a part of it. 1099 01:21:20,152 --> 01:21:21,315 Jeff, you're all right. 1100 01:21:21,404 --> 01:21:23,646 I must tell you one thing. There isn't any money. 1101 01:21:23,739 --> 01:21:27,025 Colonel Todd and the backers have stolen away into the night. 1102 01:21:27,118 --> 01:21:28,233 - We've got backers. - Who? 1103 01:21:28,328 --> 01:21:30,534 A bunch of painters. A fellow named Degas from... 1104 01:21:30,622 --> 01:21:33,658 - You wouldn't sell your paintings. - Sure, they love the theatre. 1105 01:21:33,750 --> 01:21:37,830 I figure we need five or six weeks on tour to do what we have to do with this show. 1106 01:21:37,921 --> 01:21:40,459 - Jeff, would you help us with bookings? - Of course. 1107 01:21:40,549 --> 01:21:43,883 Hal, have you got paper and pencil? We can send a telegram. 1108 01:21:46,388 --> 01:21:48,511 - Washington? Washington's open. - And Boston. 1109 01:21:48,599 --> 01:21:49,678 Boston's very good. 1110 01:21:49,766 --> 01:21:53,052 Can we go to Philadelphia, Detroit, then come on back to New York? 1111 01:21:53,145 --> 01:21:56,810 - Paul, aren't you excited? - Yeah. It's wonderful. 1112 01:21:57,858 --> 01:21:59,851 I wish them a lot of luck. 1113 01:22:01,362 --> 01:22:04,696 - This kind of leaves us out. - Why? 1114 01:22:05,157 --> 01:22:08,407 With Tony doing the dances, it's not going to be my kind of show. 1115 01:22:08,494 --> 01:22:11,281 Yours, either. I don't want you to do it. 1116 01:22:13,041 --> 01:22:15,366 I wouldn't think of leaving the show, Paul. 1117 01:22:15,460 --> 01:22:20,206 - I've worked too hard on your career to... - It's my career, and I want to stay. 1118 01:22:21,925 --> 01:22:25,128 I'm taking the 9:00 train tomorrow morning for New York. 1119 01:22:25,220 --> 01:22:27,213 I expect you to be there. 1120 01:22:28,974 --> 01:22:30,883 Have a nice trip, Paul. 1121 01:22:36,190 --> 01:22:38,811 Dancers, singers, the sketches. 1122 01:22:42,863 --> 01:22:46,149 Listen, kids, it's going to mean rehearsing every day... 1123 01:22:46,576 --> 01:22:48,734 all day, right up to curtain time. 1124 01:22:48,828 --> 01:22:52,197 We're going to put in new numbers, and learn them as fast as we can... 1125 01:22:52,290 --> 01:22:55,125 and we're going to yank out all that junk. 1126 01:22:56,461 --> 01:23:00,044 We've got our schedule all worked out, and it looks pretty good now. 1127 01:23:00,131 --> 01:23:03,251 Philadelphia, Boston, Pittsburgh... 1128 01:23:03,343 --> 01:23:05,668 Washington, Baltimore... 1129 01:23:07,389 --> 01:23:10,010 PHILADELPHIA 1130 01:23:21,570 --> 01:23:26,446 I see a new sun up in a new sky 1131 01:23:26,659 --> 01:23:31,286 And my whole horizon has reached a new high 1132 01:23:31,914 --> 01:23:36,576 Yesterday my heart sang a blue song 1133 01:23:36,669 --> 01:23:41,580 But today hear it hum a cheery new song 1134 01:23:41,674 --> 01:23:46,466 I dreamed a new dream I saw a new face 1135 01:23:46,596 --> 01:23:51,591 And I'm spreading sunshine all over the place 1136 01:23:51,685 --> 01:23:56,596 With a new point of view here's what greets my eye 1137 01:23:57,357 --> 01:23:59,563 New love 1138 01:23:59,651 --> 01:24:01,774 New luck 1139 01:24:01,862 --> 01:24:06,608 - New sun - And there's a new sun 1140 01:24:06,742 --> 01:24:11,700 In the sky 1141 01:24:14,792 --> 01:24:17,366 BOSTON 1142 01:24:21,174 --> 01:24:25,088 I guess I'll have to change my plan 1143 01:24:26,137 --> 01:24:30,265 I should've realized there'd be another man 1144 01:24:30,809 --> 01:24:35,138 I overlooked that point completely 1145 01:24:35,647 --> 01:24:39,894 Until the big affair began 1146 01:24:40,402 --> 01:24:44,151 Before I knew where I was at 1147 01:24:45,282 --> 01:24:49,327 I found myself up on the shelf And that was that 1148 01:24:50,079 --> 01:24:54,871 I tried to reach the moon But when I got there 1149 01:24:56,002 --> 01:24:59,336 All that I could get was the air 1150 01:24:59,422 --> 01:25:03,550 My feet are back upon the ground 1151 01:25:04,260 --> 01:25:09,088 I've lost the one girl I found 1152 01:26:08,452 --> 01:26:10,908 WASHINGTON 1153 01:26:15,918 --> 01:26:18,954 Get goin', Louisiana hayride 1154 01:26:19,046 --> 01:26:23,922 Get goin', we all is ready Start somethin', Louisiana hayride 1155 01:26:24,177 --> 01:26:26,419 No use for callin' the roll 1156 01:26:26,512 --> 01:26:29,679 Oh, I like that sport sittin' in the hay 1157 01:26:29,766 --> 01:26:32,008 Lovin' it away, oh, oh 1158 01:26:32,101 --> 01:26:35,221 For the time is short Crack your little whip 1159 01:26:35,313 --> 01:26:37,353 Get your little ship to go 1160 01:26:37,941 --> 01:26:40,977 Start somethin', Louisiana hayride 1161 01:26:41,069 --> 01:26:45,945 No foolin', we all is happy Get goin', Louisiana hayride 1162 01:26:46,325 --> 01:26:48,448 No use for callin' the roll 1163 01:26:48,952 --> 01:26:51,573 - Jasmine Washington - I is here 1164 01:26:51,663 --> 01:26:54,368 - Sweet Pea Oglethorpe - I is here 1165 01:26:54,458 --> 01:26:56,996 - Jonquil Jezebel - Here 1166 01:26:57,086 --> 01:26:59,660 - Lemon Verbena - I is here 1167 01:26:59,755 --> 01:27:02,626 Mo and Freddy Lily and Lettie 1168 01:27:02,717 --> 01:27:05,386 We is here We all here 1169 01:27:05,469 --> 01:27:10,464 - Zeke and Lemuel, Hiram and Samuel - We is here, we all here 1170 01:27:10,558 --> 01:27:13,310 - Primrose Paradise - I am here 1171 01:27:13,394 --> 01:27:15,802 - Daisy Dandelion - I is here 1172 01:27:15,897 --> 01:27:18,933 We all here We all here 1173 01:27:19,025 --> 01:27:20,140 Can't you see? 1174 01:27:20,235 --> 01:27:23,106 If you is really ready And you're goin' steady 1175 01:27:23,196 --> 01:27:25,865 Get goin', Louisiana hay 1176 01:27:25,949 --> 01:27:29,863 Louisiana hayride 1177 01:27:29,953 --> 01:27:34,745 Start something, Louisiana hay And no use to call, no use to call 1178 01:27:34,833 --> 01:27:38,617 - It's no use - No use to bother to call the roll 1179 01:27:38,712 --> 01:27:40,586 Get goin', get goin' 1180 01:27:40,673 --> 01:27:44,374 I like that sport, sittin’ in the hay Lovin’ it away, ow, ow 1181 01:27:46,178 --> 01:27:50,010 The time is short, crack your little whip Get your little ship 1182 01:27:50,099 --> 01:27:54,476 - Get your little ship - Get your little ship to go 1183 01:27:54,562 --> 01:27:57,563 Get goin' Louisiana hayride 1184 01:27:57,649 --> 01:28:02,145 Clear the way Watch out, kindly step aside 1185 01:28:02,654 --> 01:28:06,106 Get goin' 1186 01:28:06,283 --> 01:28:11,111 Louisiana hayride 1187 01:28:22,424 --> 01:28:27,003 The scene's only about two minutes. You won't have time to make the change. 1188 01:28:29,015 --> 01:28:32,384 I know it's a rough deal, but we won't make New York if we don't. 1189 01:28:32,477 --> 01:28:36,391 - As much rehearsal time as possible. - Better call them at 10:00. 1190 01:28:37,065 --> 01:28:40,979 Don't forget, everybody. Rehearsal, 10:00 on the dot, Baltimore. 1191 01:28:41,069 --> 01:28:44,734 That case is important. Tell you what we'll do, when we start. 1192 01:28:44,823 --> 01:28:46,899 Say, who's the pretty girl? 1193 01:28:47,367 --> 01:28:49,941 Why, this couldn't be the mousy little Miss Gerard. 1194 01:28:50,036 --> 01:28:53,654 You've been with the firm for years. I've never seen you with glasses on. 1195 01:28:53,749 --> 01:28:57,498 Say, you are beautiful. How are you, Gaby? 1196 01:28:57,711 --> 01:29:00,083 - I'm all right. Thanks. - Good. 1197 01:29:03,342 --> 01:29:06,378 Mr. Paul Byrd - 8485th Avenue New York, N.Y. 1198 01:29:06,929 --> 01:29:08,257 I'm sorry. 1199 01:29:09,140 --> 01:29:12,260 - You must be tired. - Yes, I am, a little. 1200 01:29:12,852 --> 01:29:16,019 - Bet you are, too. - A little. 1201 01:29:22,904 --> 01:29:26,403 Lester, look, I've got a problem with these two numbers. 1202 01:29:26,491 --> 01:29:29,278 The murder mystery has a jazz beat and I don't want it to... 1203 01:29:29,369 --> 01:29:33,948 - Anyone heard from Paul Byrd? - No, I haven't heard. 1204 01:29:34,040 --> 01:29:37,290 As a matter of fact, nobody has. At least they haven't mentioned it. 1205 01:29:37,377 --> 01:29:39,702 - Wasn't he going to... - What a rat. 1206 01:29:39,796 --> 01:29:42,501 Rat? Lester, wait a second. 1207 01:29:43,509 --> 01:29:46,463 He's a wonderful guy, wonderful and talented. 1208 01:29:46,553 --> 01:29:50,171 He's written... Listen, don't sell him short. That boy has got a lot... 1209 01:29:50,266 --> 01:29:54,050 He may be a little young, yes. He needs a little more experience. 1210 01:29:54,145 --> 01:29:56,517 - Just give him a few more years. - Yeah. 1211 01:29:56,606 --> 01:29:59,642 Probably when he settles down and gets married. 1212 01:30:01,277 --> 01:30:05,738 - You think he'll make a good husband? - And how. Great. 1213 01:30:05,824 --> 01:30:07,982 He'll make a great husband. Sure. 1214 01:30:08,076 --> 01:30:09,819 Listen, this kid is solid. 1215 01:30:09,911 --> 01:30:12,912 He knows all... It isn't gonna be easy. No. 1216 01:30:12,998 --> 01:30:17,660 Marriage and the theatre and two careers. Problems. It isn't all skittles. 1217 01:30:17,753 --> 01:30:20,540 - It's no bed of... - Is that why you never got married? 1218 01:30:20,631 --> 01:30:25,542 Who, me? You know, I'm the kind of fella... 1219 01:30:25,636 --> 01:30:29,171 You got the right slant. You're pretty happy as you are. 1220 01:30:29,640 --> 01:30:32,724 I like to kick around and have a lot of laughs. 1221 01:30:45,156 --> 01:30:48,074 Lester, I'm very much in love with this girl. 1222 01:30:48,159 --> 01:30:52,951 It's ridiculous, I know, things being as they are, but there it is. 1223 01:30:54,874 --> 01:30:57,958 Look, Tony, I don't know what the chances are... 1224 01:30:58,295 --> 01:31:01,249 but wait till we get to New York, and see how you stand. 1225 01:31:01,340 --> 01:31:03,796 Personally, I think the girl's crazy about you... 1226 01:31:03,884 --> 01:31:08,380 but what you can see in a beautiful, young and talented girl is beyond me. 1227 01:31:13,644 --> 01:31:16,431 BALTIMORE 1228 01:31:17,064 --> 01:31:19,222 SCENE 4 - "TRIPLETS" - (SUNG BY) 1229 01:31:19,317 --> 01:31:22,069 TONY HUNTER - LILY MARTON JEFF CORDOVA 1230 01:31:30,328 --> 01:31:32,119 Three little unexpected children 1231 01:31:32,205 --> 01:31:33,865 Simultaneously the doctor brought us 1232 01:31:33,957 --> 01:31:37,077 And you can see that we'll be three forever and A 1233 01:31:37,168 --> 01:31:41,213 E, I, O, You wouldn't know how agonizing being triple can be 1234 01:31:41,298 --> 01:31:44,999 Each one is individually the victim of the clinical day 1235 01:31:45,093 --> 01:31:49,802 E, I, O, Every summer we go away to Baden-Baden-Baden 1236 01:31:49,890 --> 01:31:53,176 Every winter we come back home to Walla Walla Walla 1237 01:31:55,229 --> 01:31:58,313 We do everything alike We look alike 1238 01:31:58,399 --> 01:32:00,107 We dress alike We walk alike 1239 01:32:00,192 --> 01:32:01,935 We talk alike And what is more 1240 01:32:02,028 --> 01:32:05,527 We hate each other very much We hate our folks 1241 01:32:05,740 --> 01:32:09,156 We're sick of jokes on what an art it is to tell us apart 1242 01:32:09,243 --> 01:32:12,742 - lf one of us gets the measles - Another one gets the measles 1243 01:32:12,830 --> 01:32:15,950 Then all of us gets the measles and mumps and croup 1244 01:32:16,501 --> 01:32:19,917 How I wish I had a gun A wittle gun 1245 01:32:20,005 --> 01:32:23,754 It would be fun to shoot the other two and be only one! 1246 01:32:25,510 --> 01:32:29,045 Mrs. Wifflepoofer loves to talk to Mrs. Hildendorfer 1247 01:32:29,139 --> 01:32:32,757 of the fatal natal day she had her silly Willy 1248 01:32:32,851 --> 01:32:36,303 Mrs. Hassencooper loves to talk to Mrs. Goldenwasser 1249 01:32:36,397 --> 01:32:39,849 of her major operation when she had her twins 1250 01:32:39,984 --> 01:32:43,400 But when Mother comes along she silences the others 1251 01:32:43,612 --> 01:32:47,277 She accomplished something that is very rare in mothers 1252 01:32:47,366 --> 01:32:50,818 MGM has got a Leo but Mama has got a trio 1253 01:32:50,912 --> 01:32:53,486 She is proud but says three is a crowd 1254 01:32:54,624 --> 01:32:58,752 We do everything alike We look alike, we dress alike 1255 01:32:58,837 --> 01:33:01,375 We walk alike, we talk alike And what is more 1256 01:33:01,464 --> 01:33:03,587 We hate each other very much 1257 01:33:03,758 --> 01:33:05,881 We hate our folks We're sick of jokes 1258 01:33:05,969 --> 01:33:08,543 On what an art it is to tell us apart 1259 01:33:08,638 --> 01:33:10,346 We eat the same kind of vittles 1260 01:33:10,432 --> 01:33:13,801 We drink the same kind of bottles We sit in the same kind of highchair 1261 01:33:13,894 --> 01:33:15,637 Highchair, highchair 1262 01:33:30,703 --> 01:33:33,372 Oh, I wish I had a gun, a wittle gun 1263 01:33:33,456 --> 01:33:38,083 It would be fun to shoot the other two and be only one 1264 01:33:47,846 --> 01:33:50,847 NEW YORK - OPENING TONIGHT 1265 01:33:51,683 --> 01:33:52,881 THE BANDWAGON 1266 01:33:52,976 --> 01:33:54,351 TONY HUNTER - GABRIELLE GIRARD 1267 01:33:54,436 --> 01:33:55,978 JEFFREY CORDOVA LESTER & LILY MARTON 1268 01:34:10,578 --> 01:34:13,745 - It's raining cats and dogs. - A rainy opening is good luck... 1269 01:34:13,831 --> 01:34:16,156 ...when it rains on opening night. 1270 01:34:16,584 --> 01:34:18,624 Good luck, Tony. 1271 01:34:18,711 --> 01:34:22,412 Sweetie, I just want to say that no matter what happens tonight, it's been... 1272 01:34:22,507 --> 01:34:24,381 I know. It's been that for me, too. 1273 01:34:24,467 --> 01:34:27,753 If this turns out to be a hit, you'll get sick of the sight of me... 1274 01:34:27,846 --> 01:34:30,681 six nights a week, two matinees. No escape. 1275 01:34:30,891 --> 01:34:33,809 Course, if it isn't, you won't have to see me at all. 1276 01:34:35,771 --> 01:34:38,262 Gaby, I've been wanting to ask you something. 1277 01:34:38,357 --> 01:34:42,770 It's been... I felt there's been an obstacle between us. 1278 01:34:43,445 --> 01:34:46,944 I wanted to... Is Paul coming tonight? 1279 01:34:47,408 --> 01:34:50,279 - Why, I think so. - I see. 1280 01:34:50,619 --> 01:34:53,075 What I wanted to ask... 1281 01:34:55,625 --> 01:34:57,203 Perhaps, I better not. 1282 01:34:57,293 --> 01:34:59,286 I wish you wouldn't, Tony. 1283 01:35:01,005 --> 01:35:04,873 - Tony, good luck tonight. - Good luck, Gaby. 1284 01:35:07,095 --> 01:35:11,045 THE BAND WAGON - Stratton Theatre 1285 01:35:11,975 --> 01:35:13,303 SCENE 1 - "NEW SUN IN THE SKY" 1286 01:35:13,393 --> 01:35:17,391 I see a new sun up in a new sky 1287 01:35:17,481 --> 01:35:18,596 TRIPLETS 1288 01:35:18,690 --> 01:35:21,525 - lf one of us gets the measles - Another one gets the measles 1289 01:35:21,610 --> 01:35:23,152 Then all of us gets the measles 1290 01:35:23,237 --> 01:35:24,316 "LOUISIANA HAYRIDE" 1291 01:35:24,404 --> 01:35:26,195 Get goin', Louisiana hayride 1292 01:35:26,281 --> 01:35:27,859 Get goin', we all is ready 1293 01:35:27,950 --> 01:35:32,114 "GIRL HUNT" - A Murder Mystery In Jazz 1294 01:35:48,346 --> 01:35:51,680 SHE HAD TO DIE! - GIRL HUNT 1295 01:36:06,365 --> 01:36:09,401 The city was asleep. The joints were closed. 1296 01:36:09,868 --> 01:36:13,154 The rats, the hoods, and the killers were in their holes. 1297 01:36:13,873 --> 01:36:15,451 I hate killers. 1298 01:36:16,292 --> 01:36:19,708 My name is Rod Riley. I'm a detective. 1299 01:36:21,964 --> 01:36:24,882 Somewhere in a furnished room... 1300 01:36:24,967 --> 01:36:27,885 some guy was practicing on a horn. 1301 01:36:28,346 --> 01:36:30,386 It was a lonesome sound. 1302 01:36:32,183 --> 01:36:34,259 It crawled on my spine. 1303 01:36:35,979 --> 01:36:40,273 I had just finished a tough case. I was ready to hit the sack. 1304 01:36:47,074 --> 01:36:51,072 I can smell trouble a mile off, and this poor kid was in trouble. 1305 01:36:51,662 --> 01:36:53,037 Big trouble. 1306 01:36:53,289 --> 01:36:57,369 She's scared, scared as a turkey in November. 1307 01:37:18,398 --> 01:37:23,309 There was nothing left of the guy, nothing at all, except... 1308 01:37:24,696 --> 01:37:29,358 a rag, a bone, and a hank of hair. 1309 01:37:30,285 --> 01:37:33,737 The guy had been trying to tell me something, but what? 1310 01:37:52,976 --> 01:37:55,728 So that's the way they wanted to play. All right. 1311 01:37:55,812 --> 01:37:59,015 Somewhere in the city there was a killer and that was bad. 1312 01:37:59,107 --> 01:38:01,479 Bad for the killer, because I shoot hard. 1313 01:38:02,360 --> 01:38:04,269 And I hate hard. 1314 01:38:14,873 --> 01:38:17,447 I was playing a hunch. 1315 01:39:00,796 --> 01:39:03,002 She came at me in sections. 1316 01:39:03,674 --> 01:39:05,999 More curves than a scenic railway. 1317 01:39:08,345 --> 01:39:11,381 She was bad, she was dangerous. 1318 01:39:11,474 --> 01:39:14,510 I wouldn't trust her any farther than I could throw her. 1319 01:39:14,602 --> 01:39:17,936 She was selling hard, but I wasn't buying. 1320 01:40:06,698 --> 01:40:10,067 This had to be Mr. Big. Get him and you get them all. 1321 01:40:38,606 --> 01:40:43,683 There was something about this kid that made you want to protect her for life. 1322 01:42:01,067 --> 01:42:02,976 That bullet was meant for me. 1323 01:42:06,614 --> 01:42:10,742 Maybe this was a long shot, but I've seen some funny ones pay off. 1324 01:42:32,224 --> 01:42:35,225 I was beginning to see daylight. 1325 01:42:49,992 --> 01:42:53,824 These mugs were smart, but they made one mistake. 1326 01:42:55,915 --> 01:42:57,409 They got me mad. 1327 01:43:01,755 --> 01:43:05,207 DEM BONES CAFE 1328 01:45:32,077 --> 01:45:35,945 Suddenly, all the pieces fitted together. I knew how the crime had been done. 1329 01:45:36,040 --> 01:45:39,076 The high note on the trumpet had shattered the glass. 1330 01:45:57,270 --> 01:45:59,595 The glass with the nitro-glycerine. 1331 01:46:01,650 --> 01:46:04,853 Now I knew who the killer was, but it didn't matter anymore. 1332 01:46:04,945 --> 01:46:06,819 Killers have to die. 1333 01:46:44,152 --> 01:46:47,486 Another page in the casebook of Rod Riley was finished. 1334 01:46:47,823 --> 01:46:51,358 The city was asleep. The joints were closed. 1335 01:46:51,535 --> 01:46:54,904 The rats, the hoods, and the killers were in their holes. 1336 01:46:56,248 --> 01:46:59,202 I felt good, but something was missing. 1337 01:47:01,462 --> 01:47:04,961 She was bad, she was dangerous. 1338 01:47:05,049 --> 01:47:08,169 I wouldn't trust her any farther than I could throw her. 1339 01:47:08,845 --> 01:47:11,716 But she was my kind of woman. 1340 01:47:44,423 --> 01:47:47,044 - Who's that? Somebody come in? - No one, Mr. Hunter. 1341 01:47:47,134 --> 01:47:50,717 - You sure? Did you look out in the hall? - Not a soul, Mr. Hunter. 1342 01:47:51,389 --> 01:47:55,469 I can't understand it. Are you sure this show's a hit? 1343 01:47:55,977 --> 01:47:58,729 A very big hit, Mr. Hunter. Congratulations. 1344 01:47:58,813 --> 01:48:00,640 It certainly doesn't feel like one. 1345 01:48:00,732 --> 01:48:05,193 I didn't expect them to pull my carriage through the streets or hurl flowers at me... 1346 01:48:07,030 --> 01:48:09,402 - Hal, come on, boy. Have a drink. - No, thanks. 1347 01:48:09,491 --> 01:48:12,611 - Got any notes for the cast for tomorrow? - No. 1348 01:48:12,744 --> 01:48:14,238 - Good night. - Say, look. 1349 01:48:14,329 --> 01:48:17,413 Doesn't anybody come backstage anymore on opening nights? 1350 01:48:17,499 --> 01:48:21,248 No. It's considered old-fashioned. Have a good night's rest, Tony. 1351 01:48:24,298 --> 01:48:26,089 Did Gaby go out with Paul? 1352 01:48:26,175 --> 01:48:29,342 Gaby? I don't know. I guess so. Good night, Tony. 1353 01:48:32,682 --> 01:48:34,924 Bobby, you know what I'm going to do? 1354 01:48:35,018 --> 01:48:37,426 I'm going out to the biggest nightclub I can find. 1355 01:48:37,520 --> 01:48:39,892 I'm going to get a glass of champagne and celebrate. 1356 01:48:39,981 --> 01:48:41,440 Fine idea, sir. 1357 01:48:51,785 --> 01:48:55,035 I'll go my way by myself 1358 01:48:56,123 --> 01:48:59,243 All alone in a crowd 1359 01:49:00,544 --> 01:49:03,545 I'll try to apply myself 1360 01:49:04,757 --> 01:49:07,462 And teach my heart how to sing 1361 01:49:09,136 --> 01:49:12,552 I'll go my way by myself 1362 01:49:13,182 --> 01:49:16,183 Like a bird on the wing 1363 01:49:17,687 --> 01:49:20,688 I'll face the unknown 1364 01:49:21,733 --> 01:49:24,983 I'll build a world of my own 1365 01:49:29,324 --> 01:49:33,903 He's a jolly good fellow He's a jolly good fellow 1366 01:49:34,162 --> 01:49:37,412 He's a jolly good fellow 1367 01:49:37,666 --> 01:49:41,913 That nobody can deny That nobody can deny 1368 01:49:42,379 --> 01:49:44,621 That nobody can deny 1369 01:49:44,715 --> 01:49:48,167 For he's a jolly good fellow 1370 01:49:48,260 --> 01:49:51,296 That nobody can deny 1371 01:49:54,350 --> 01:49:56,508 Tony, the whole company got together. 1372 01:49:56,602 --> 01:49:59,852 We all chipped in, and we bought you... nothing. 1373 01:50:00,648 --> 01:50:02,475 So we have nothing to give you... 1374 01:50:02,567 --> 01:50:05,817 but our gratitude, our admiration... 1375 01:50:06,613 --> 01:50:08,404 and our love. 1376 01:50:08,740 --> 01:50:10,697 The show's a hit, but we all feel... 1377 01:50:10,784 --> 01:50:14,829 no matter what might've happened to it, it was wonderful knowing you... 1378 01:50:16,039 --> 01:50:17,664 working with you. 1379 01:50:17,958 --> 01:50:21,292 Maybe some of us didn't see eye to eye with you at the beginning. 1380 01:50:21,378 --> 01:50:24,130 Maybe we thought we wouldn't work out together... 1381 01:50:24,798 --> 01:50:26,173 but we have. 1382 01:50:27,134 --> 01:50:29,708 Yes, there were obstacles between us... 1383 01:50:31,555 --> 01:50:33,844 but we've kissed them good-bye. 1384 01:50:35,059 --> 01:50:39,353 We've come to love you, Tony. We belong together. 1385 01:50:41,232 --> 01:50:43,438 The show's going to run a long time. 1386 01:50:44,527 --> 01:50:48,655 As far as I'm concerned, it's going to run forever. 1387 01:50:58,542 --> 01:51:01,377 - Tony. - May we say something? 1388 01:51:01,878 --> 01:51:05,045 A show that is really a show 1389 01:51:05,132 --> 01:51:08,715 Sends you out with a kind of a glow 1390 01:51:08,802 --> 01:51:12,586 And you say as you go on your way 1391 01:51:13,724 --> 01:51:16,298 '"That's Entertainment! '" 1392 01:51:17,144 --> 01:51:19,979 A song that is winging along 1393 01:51:20,064 --> 01:51:23,729 or a dance with a touch of romance 1394 01:51:23,818 --> 01:51:27,436 is the art that appeals to the heart 1395 01:51:28,656 --> 01:51:31,574 That's Entertainment! 1396 01:51:31,659 --> 01:51:35,360 Admit we're a hit and we'll go on from there 1397 01:51:35,455 --> 01:51:38,539 We played a charade that was lighter than air 1398 01:51:39,709 --> 01:51:42,461 A good old-fashioned affair 1399 01:51:42,587 --> 01:51:46,252 As we sing this finale we hope it was up your alley 1400 01:51:46,341 --> 01:51:49,675 No death like you get in Macbeth 1401 01:51:49,762 --> 01:51:53,261 No ordeal like the end of Camille 1402 01:51:53,349 --> 01:51:57,263 This good-bye brings a tear to the eye 1403 01:51:57,353 --> 01:52:01,102 The world is a stage The stage is a world 1404 01:52:01,190 --> 01:52:05,817 of entertainment 1405 01:52:08,406 --> 01:52:09,900 THE END 1406 01:52:09,991 --> 01:52:12,909 THE BAND WAGON119845