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[ OMINOUS MUSIC PLAYS ]
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[ WAVES CRASHING ]
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[ CHILDREN GIGGLING
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IN DISTANCE ]
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[ HAPPY CHATTER ]
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[ SHRIEKS PLAYFULLY ]
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[ SHOUTING IN JAPANESE ]
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[ CONVERSING IN JAPANESE ]
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[ SWALLOWING WITH DIFFICULTY ]
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ARE YOU HERE TO KILL ME?
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I KNOW WHAT THIS IS.
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I'VE SEEN ONE BEFORE...
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[ RATTLING ]
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...MANY, MANY YEARS AGO.
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IT BELONGED TO A MAN I MET
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IN A HALF-REMEMBERED DREAM.
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A MAN POSSESSED
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OF SOME RADICAL NOTIONS.
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Cobb: WHAT IS
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THE MOST RESILIENT PARASITE?
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A BACTERIA?
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A VIRUS?
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AN INTESTINAL WORM?
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UH...WHAT MR. COBB
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IS TRYING TO SAY --
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AN IDEA.
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RESILIENT.
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HIGHLY CONTAGIOUS.
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ONCE AN IDEA HAS TAKEN HOLD
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OF THE BRAIN,
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IT'S ALMOST IMPOSSIBLE
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TO ERADICATE.
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AN IDEA THAT IS FULLY FORMED,
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FULLY UNDERSTOOD --
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THAT STICKS.
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RIGHT IN THERE SOMEWHERE.
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FOR SOMEONE LIKE YOU
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TO STEAL?
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YES.
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IN THE DREAM STATE,
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YOUR CONSCIOUS DEFENSES
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ARE LOWERED,
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AND THAT MAKES YOUR THOUGHTS
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VULNERABLE TO THEFT.
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IT'S CALLED EXTRACTION.
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MR. SAITO,
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WE CAN TRAIN YOUR SUBCONSCIOUS
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TO DEFEND ITSELF
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FROM EVEN
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THE MOST SKILLED EXTRACTOR.
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HOW CAN YOU DO THAT?
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BECAUSE I AM
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THE MOST SKILLED EXTRACTOR.
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I KNOW HOW TO SEARCH YOUR MIND
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AND FIND YOUR SECRETS.
56
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I KNOW THE TRICKS.
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AND I CAN TEACH THEM
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TO YOU,
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SO THAT EVEN
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WHEN YOU'RE ASLEEP,
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YOUR DEFENSE
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IS NEVER DOWN.
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LOOK, IF YOU WANT MY HELP,
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YOU'RE GONNA HAVE TO BE
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COMPLETELY OPEN WITH ME.
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I NEED TO KNOW MY WAY
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AROUND YOUR THOUGHTS
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BETTER THAN YOUR WIFE,
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BETTER THAN YOUR THERAPIST,
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BETTER THAN ANYONE.
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IF THIS IS A DREAM,
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AND YOU HAVE A SAFE
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FULL OF SECRETS,
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I NEED TO KNOW
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WHAT'S IN THAT SAFE.
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IN ORDER
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FOR THIS ALL TO WORK,
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YOU NEED TO COMPLETELY
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LET ME IN.
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ENJOY YOUR EVENING, GENTLEMEN,
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AS I CONSIDER
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YOUR PROPOSAL.
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[ INDISTINCT CONVERSATIONS ]
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[ RUMBLING ]
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HE KNOWS.
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[ OBJECTS RATTLING ]
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WHAT'S GOING ON UP THERE?
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[ RATTLING CONTINUES ]
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[ WATCH TICKING;
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TICKING QUICKENS ]
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[ INDISTINCT SHOUTING
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IN DISTANCE ]
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[ EXPLOSIONS IN DISTANCE ]
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[ TICKING ]
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[ OBJECTS RATTLING ]
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SAITO KNOWS.
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HE'S PLAYING WITH US.
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DOESN'T MATTER.
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I CAN GET IT HERE. TRUST ME.
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THE INFORMATION
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IS IN THE SAFE.
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HE LOOKED RIGHT AT IT
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WHEN I MENTIONED SECRETS.
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WHAT'S SHE DOING HERE?
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JUST HEAD BACK
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TO THE ROOM.
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ALL RIGHT?
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I'LL TAKE CARE OF THIS.
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OKAY, MAKE SURE YOU DO.
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WE'RE HERE TO WORK.
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IF I JUMPED...
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WOULD I SURVIVE?
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WITH A CLEAN DIVE,
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PERHAPS.
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MAL, WHAT ARE YOU
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DOING HERE?
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I THOUGHT
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YOU MIGHT BE MISSING ME.
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YOU KNOW THAT I AM.
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BUT I...
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I CAN'T
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TRUST YOU ANYMORE.
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SO WHAT?
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LOOKS LIKE
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ARTHUR'S TASTE.
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ACTUALLY,
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THE SUBJECT IS PARTIAL
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TO POSTWAR
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BRITISH PAINTERS.
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PLEASE, HAVE A SEAT.
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TELL ME...
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DO THE CHILDREN MISS ME?
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YOU CAN'T IMAGINE.
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WHAT ARE YOU DOING?
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JUST GETTING
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SOME FRESH AIR.
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STAY WHERE YOU ARE, MAL.
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[ BREATHES DEEPLY ]
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COME ON. DAMN IT.
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[ GRINDING ]
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[ MUFFLED GUNSHOT ]
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[ MUFFLED GUNSHOT ]
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[ LOCK CLICKS,
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HINGES CREAK ]
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Saito: TURN AROUND!
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Mal: THE GUN, DOM.
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[ GRUNTS ]
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PLEASE.
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[ BREATHING HEAVILY ]
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NOW THE ENVELOPE,
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MR. COBB.
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DID SHE TELL YOU?
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OR HAVE YOU KNOWN ALL ALONG?
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THAT YOU'RE HERE
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TO STEAL FROM ME
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OR THAT WE ARE
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ACTUALLY ASLEEP?
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I WANT TO KNOW THE NAME
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OF YOUR EMPLOYER.
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[ GUN COCKS ]
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UH, THERE'S NO USE
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THREATENING HIM IN A DREAM,
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RIGHT, MAL?
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THAT DEPENDS
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ON WHAT YOU'RE THREATENING.
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KILLING HIM
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WOULD JUST WAKE HIM UP.
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BUT PAIN...
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[ GUNSHOT ]
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AAH! UGH!
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...PAIN IS IN THE MIND.
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AND JUDGING BY THE DECOR,
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WE'RE IN YOUR MIND,
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AREN'T WE, ARTHUR?
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[ MUFFLED GUNSHOT ]
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[ GRUNTS ]
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WHAT ARE YOU DOING?!
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IT'S TOO SOON!
179
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I KNOW.
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BUT THE DREAM'S COLLAPSING.
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I'M GONNA TRY TO KEEP SAITO
182
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UNDER A LITTLE BIT LONGER.
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WE'RE ALMOST THERE.
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[ MUFFLED GUNSHOTS ]
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[ GRUNTING ]
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HE WAS CLOSE.
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VERY CLOSE.
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[ SCREAMING ]
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AAH! STOP HIM!
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[ MUFFLED GUNSHOTS ]
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AAH!
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[ GUNSHOTS ]
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[ BEEPING ]
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[ GROANING SOFTLY ]
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THIS ISN'T GONNA WORK.
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WAKE HIM UP.
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AAH!
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HE WON'T WAKE!
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[ PANTING ]
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GIVE HIM THE KICK!
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WHAT?
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DUNK HIM.
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[ CREAKING ]
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[ DISTORTED,
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SLOW-MOTION SOUNDS ]
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[ GASPS ]
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AAH.
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NASH!
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[ GRUNTING ]
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HE'S OUT.
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[ BREATHING HEAVILY ]
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00:11:39,950 --> 00:11:43,579
[ INDISTINCT SHOUTING ]
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YOU CAME PREPARED, HMM?
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NOT EVEN MY HEAD OF SECURITY
215
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KNOWS THIS APARTMENT.
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HOW DID YOU FIND IT?
217
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IT'S VERY DIFFICULT
218
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FOR A MAN OF YOUR POSITION
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TO KEEP A LOVE NEST
220
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LIKE THIS SECRET,
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PARTICULARLY WHERE THERE'S
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A MARRIED WOMAN INVOLVED.
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SHE WOULD NEVER.
224
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YET, HERE WE ARE...
225
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WITH A DILEMMA.
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THEY'RE GETTING CLOSER.
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00:12:02,681 --> 00:12:03,932
YOU GOT
228
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WHAT YOU CAME FOR.
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WELL, THAT'S NOT TRUE.
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YOU LEFT OUT A KEY PIECE
231
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OF INFORMATION, DIDN'T YOU?
232
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YOU HELD SOMETHING BACK,
233
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BECAUSE YOU KNEW
234
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WHAT WE WERE UP TO.
235
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QUESTION IS,
236
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WHY'D YOU LET US IN AT ALL?
237
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AN AUDITION.
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AN AUDITION FOR WHAT?
239
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DOESN'T MATTER.
240
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YOU FAILED.
241
00:12:19,072 --> 00:12:21,866
WE EXTRACTED EVERY BIT OF
242
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INFORMATION YOU HAD IN THERE.
243
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BUT YOUR DECEPTION
244
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WAS OBVIOUS.
245
00:12:30,250 --> 00:12:31,835
[ TRAIN RATTLING ]
246
00:12:35,839 --> 00:12:38,049
[ TICKING QUICKENS ]
247
00:12:38,091 --> 00:12:40,135
[ TRAINS WHOOSHING ]
248
00:12:48,310 --> 00:12:51,021
[ BEEPING SLOWLY ]
249
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♪ NON! RIEN DE RIEN... ♪
250
00:13:05,202 --> 00:13:08,121
SO, LEAVE ME AND GO.
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YOU DON'T SEEM TO UNDERSTAND,
252
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MR. SAITO.
253
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THAT CORPORATION
254
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THAT HIRED US,
255
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THEY WON'T ACCEPT FAILURE.
256
00:13:13,877 --> 00:13:16,254
WE WON'T LAST TWO DAYS.
257
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COBB?
258
00:13:19,341 --> 00:13:21,426
LOOKS LIKE I'M GONNA HAVE TO
259
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DO THIS A LITTLE MORE SIMPLY.
260
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TELL US WHAT YOU KNOW!
261
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TELL US
262
00:13:24,929 --> 00:13:26,765
WHAT YOU KNOW NOW!
263
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[ CHUCKLING ]
264
00:13:29,976 --> 00:13:33,271
I HAVE ALWAYS HATED
265
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THIS CARPET.
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IT'S STAINED AND FRAYED
267
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IN SUCH DISTINCTIVE WAYS.
268
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BUT VERY DEFINITELY
269
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MADE OF WOOL.
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RIGHT NOW...
271
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I'M LYING ON POLYESTER.
272
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WHICH MEANS...
273
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I'M NOT LYING ON MY CARPET
274
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IN MY APARTMENT.
275
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YOU HAVE LIVED UP
276
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TO YOUR REPUTATION, MR. COBB.
277
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I'M STILL DREAMING.
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[ EDIT PIAF'S "NON JE NE
279
00:14:03,927 --> 00:14:05,929
REGRETTE RIEN" PLAYING ]
280
00:14:05,970 --> 00:14:07,931
[ RAPID BEEPING ]
281
00:14:10,308 --> 00:14:11,935
HOW'D IT GO?
282
00:14:10,308 --> 00:14:11,935
NOT GOOD.
283
00:14:16,732 --> 00:14:19,067
DREAM WITHIN A DREAM.
284
00:14:19,109 --> 00:14:21,903
AH, I'M IMPRESSED.
285
00:14:23,113 --> 00:14:25,949
BUT IN MY DREAM,
286
00:14:23,113 --> 00:14:25,949
YOU PLAY BY MY RULES.
287
00:14:25,990 --> 00:14:29,160
AH, YES, BUT, YOU SEE,
288
00:14:25,990 --> 00:14:29,160
MR. SAITO...
289
00:14:29,202 --> 00:14:31,496
WE'RE NOT IN YOUR DREAM.
290
00:14:29,202 --> 00:14:31,496
WE'RE IN MINE.
291
00:14:31,538 --> 00:14:34,750
[ INDISTINCT SHOUTING ]
292
00:14:34,792 --> 00:14:37,127
[ RAPID BEEPING,
293
00:14:34,792 --> 00:14:37,127
MUSIC CONTINUES ]
294
00:14:37,168 --> 00:14:40,464
[ SHOUTING CONTINUES ]
295
00:14:37,168 --> 00:14:40,464
AAH!
296
00:14:40,505 --> 00:14:41,923
[ MUSIC CONTINUES ]
297
00:14:41,965 --> 00:14:43,925
ASSHOLE. HOW DO YOU
298
00:14:41,965 --> 00:14:43,925
MESS UP THE CARPET?
299
00:14:43,967 --> 00:14:45,302
IT WASN'T MY FAULT.
300
00:14:45,343 --> 00:14:46,637
YOU'RE THE ARCHITECT.
301
00:14:46,678 --> 00:14:48,513
I DIDN'T KNOW HE WAS GONNA
302
00:14:46,678 --> 00:14:48,513
RUB HIS DAMN CHEEK ON IT!
303
00:14:48,555 --> 00:14:50,390
THAT'S ENOUGH.
304
00:14:50,432 --> 00:14:52,934
AND YOU. WHAT THE HELL
305
00:14:50,432 --> 00:14:52,934
WAS ALL THAT?
306
00:14:52,976 --> 00:14:54,894
I HAVE IT UNDER CONTROL.
307
00:14:54,936 --> 00:14:56,396
I'D HATE TO SEE YOU
308
00:14:54,936 --> 00:14:56,396
OUT OF CONTROL.
309
00:14:56,438 --> 00:14:58,774
ALL RIGHT,
310
00:14:56,438 --> 00:14:58,774
WE DON'T HAVE TIME FOR THIS.
311
00:14:58,816 --> 00:15:00,317
I'M GETTING OFF AT KYOTO.
312
00:15:00,358 --> 00:15:02,360
WHY? HE'S NOT GONNA CHECK
313
00:15:00,358 --> 00:15:02,360
EVERY COMPARTMENT.
314
00:15:02,402 --> 00:15:03,821
WELL, I DON'T LIKE TRAINS.
315
00:15:03,862 --> 00:15:06,114
LISTEN.
316
00:15:03,862 --> 00:15:06,114
EVERY MAN FOR HIMSELF.
317
00:15:47,238 --> 00:15:48,657
[ RATTLING ]
318
00:15:55,831 --> 00:15:58,249
[ GUN CLICKS ]
319
00:16:12,639 --> 00:16:14,725
[ SETS GUN DOWN ]
320
00:16:14,766 --> 00:16:17,811
[ TELEPHONE RINGS ]
321
00:16:20,313 --> 00:16:21,857
YES, HELLO?
322
00:16:21,899 --> 00:16:23,441
PHILLIPA: Hi, Daddy.
323
00:16:23,483 --> 00:16:25,193
JAMES: Hi, Dad.
324
00:16:25,235 --> 00:16:27,487
HEY, GUYS. HEY.
325
00:16:25,235 --> 00:16:27,487
HOW ARE YOU?
326
00:16:27,529 --> 00:16:28,947
HOW YOU DOIN', HUH?
327
00:16:28,988 --> 00:16:30,281
Good.
328
00:16:30,323 --> 00:16:31,616
Okay, I guess.
329
00:16:31,658 --> 00:16:33,869
OKAY?
330
00:16:31,658 --> 00:16:33,869
[ CHUCKLES ]
331
00:16:33,911 --> 00:16:35,537
WHO'S JUST OKAY?
332
00:16:33,911 --> 00:16:35,537
IS THAT YOU, JAMES?
333
00:16:35,579 --> 00:16:37,706
Yeah.
334
00:16:37,748 --> 00:16:39,040
When are you
335
00:16:37,748 --> 00:16:39,040
coming home, Dad?
336
00:16:39,082 --> 00:16:40,709
[ EXHALES SHARPLY ]
337
00:16:40,751 --> 00:16:43,253
WELL, I CAN'T, SWEETHEART.
338
00:16:40,751 --> 00:16:43,253
I CAN'T.
339
00:16:43,294 --> 00:16:45,088
NOT FOR A WHILE,
340
00:16:43,294 --> 00:16:45,088
REMEMBER?
341
00:16:45,129 --> 00:16:46,924
Why?
342
00:16:46,965 --> 00:16:49,008
LOOK, I...I TOLD YOU.
343
00:16:49,050 --> 00:16:52,220
I'M -- I'M AWAY
344
00:16:49,050 --> 00:16:52,220
BECAUSE I'M WORKING, RIGHT?
345
00:16:52,262 --> 00:16:56,099
Grandma says
346
00:16:52,262 --> 00:16:56,099
you're never coming back.
347
00:16:56,140 --> 00:16:59,018
PHILLIPA, IS THAT YOU?
348
00:16:59,060 --> 00:17:01,688
PUT GRANDMA ON THE PHONE
349
00:16:59,060 --> 00:17:01,688
FOR ME, WILL YOU?
350
00:17:01,730 --> 00:17:03,648
She's shaking her head.
351
00:17:05,442 --> 00:17:08,278
WE'LL JUST HOPE
352
00:17:05,442 --> 00:17:08,278
SHE'S WRONG ABOUT THAT.
353
00:17:08,319 --> 00:17:10,655
Daddy?
354
00:17:10,697 --> 00:17:11,990
YEAH, JAMES?
355
00:17:12,031 --> 00:17:13,742
Is Mommy with you?
356
00:17:16,286 --> 00:17:19,831
JAMES,
357
00:17:16,286 --> 00:17:19,831
WE TALKED ABOUT THIS.
358
00:17:19,873 --> 00:17:22,500
MOMMY'S NOT HERE ANYMORE.
359
00:17:22,542 --> 00:17:25,503
Where?
360
00:17:25,545 --> 00:17:28,757
GRANDMA: That's enough, kids.
361
00:17:25,545 --> 00:17:28,757
Say bye-bye.
362
00:17:28,799 --> 00:17:31,301
LISTEN, I'M -- I'M GONNA SEND
363
00:17:28,799 --> 00:17:31,301
SOME PRESENTS WITH GRANDPA.
364
00:17:31,342 --> 00:17:32,636
ALL RIGHT?
365
00:17:32,677 --> 00:17:33,929
AND YOU BE GOOD.
366
00:17:32,677 --> 00:17:33,929
YOU BE....
367
00:17:33,971 --> 00:17:35,555
[ Click, dial tone ]
368
00:17:35,597 --> 00:17:37,223
[ REPLACES RECEIVER ]
369
00:17:40,101 --> 00:17:42,228
[ KNOCK ON DOOR ]
370
00:17:42,270 --> 00:17:44,731
OUR RIDE'S ON THE ROOF.
371
00:17:44,773 --> 00:17:46,691
RIGHT.
372
00:17:46,733 --> 00:17:48,276
[ DOOR CLOSES ]
373
00:17:51,279 --> 00:17:53,156
[ SIGHS ]
374
00:17:53,197 --> 00:17:54,574
HEY, ARE YOU OKAY?
375
00:17:54,616 --> 00:17:56,534
YEAH.
376
00:17:54,616 --> 00:17:56,534
YEAH, I'M FINE. WHY?
377
00:17:56,576 --> 00:17:59,370
WELL, DOWN IN THE DREAM,
378
00:17:56,576 --> 00:17:59,370
MAL SHOWING UP.
379
00:17:59,412 --> 00:18:01,122
LOOK, I'M, UH,
380
00:17:59,412 --> 00:18:01,122
SORRY ABOUT YOUR LEG.
381
00:18:01,164 --> 00:18:02,666
WON'T HAPPEN AGAIN.
382
00:18:02,707 --> 00:18:04,292
IT'S GETTING WORSE,
383
00:18:02,707 --> 00:18:04,292
ISN'T IT?
384
00:18:04,334 --> 00:18:05,836
ONE APOLOGY'S ALL YOU'RE
385
00:18:04,334 --> 00:18:05,836
GETTING, ALL RIGHT, ARTHUR?
386
00:18:05,877 --> 00:18:07,420
WHERE'S NASH?
387
00:18:07,462 --> 00:18:09,130
HE HASN'T SHOWN.
388
00:18:07,462 --> 00:18:09,130
YOU WANT TO WAIT?
389
00:18:09,172 --> 00:18:11,508
NO, WE WERE SUPPOSED TO
390
00:18:09,172 --> 00:18:11,508
DELIVER SAITO'S EXPANSION PLANS
391
00:18:11,549 --> 00:18:13,134
TO COBOL ENGINEERING
392
00:18:11,549 --> 00:18:13,134
TWO HOURS AGO.
393
00:18:13,176 --> 00:18:14,719
BY NOW,
394
00:18:13,176 --> 00:18:14,719
THEY KNOW WE FAILED.
395
00:18:14,761 --> 00:18:17,305
IT'S TIME WE DISAPPEAR.
396
00:18:17,347 --> 00:18:19,349
WHERE YOU GONNA GO?
397
00:18:17,347 --> 00:18:19,349
BUENOS AIRES.
398
00:18:19,390 --> 00:18:20,809
I CAN LIE LOW THERE,
399
00:18:20,851 --> 00:18:23,144
MAYBE SNIFF OUT A JOB
400
00:18:20,851 --> 00:18:23,144
WHEN THINGS QUIET DOWN.
401
00:18:23,186 --> 00:18:25,605
YOU?
402
00:18:23,186 --> 00:18:25,605
STATESIDE.
403
00:18:25,647 --> 00:18:27,190
SEND MY REGARDS.
404
00:18:31,778 --> 00:18:33,363
[ SIGHS ]
405
00:18:33,404 --> 00:18:35,114
HE SOLD YOU OUT.
406
00:18:35,156 --> 00:18:37,408
THOUGHT TO COME TO ME
407
00:18:35,156 --> 00:18:37,408
AND BARGAIN FOR HIS LIFE.
408
00:18:37,450 --> 00:18:41,329
SO, I OFFER YOU
409
00:18:37,450 --> 00:18:41,329
THE SATISFACTION.
410
00:18:44,624 --> 00:18:47,168
IT'S NOT THE WAY
411
00:18:44,624 --> 00:18:47,168
I DEAL WITH THINGS.
412
00:18:55,760 --> 00:18:57,178
[ HELICOPTER BLADES WHIRRING ]
413
00:19:00,181 --> 00:19:01,224
WHAT WILL YOU DO
414
00:19:00,181 --> 00:19:01,224
WITH HIM?
415
00:19:01,265 --> 00:19:03,351
NOTHING.
416
00:19:03,393 --> 00:19:06,563
BUT I CAN'T SPEAK
417
00:19:03,393 --> 00:19:06,563
FOR COBOL ENGINEERING.
418
00:19:19,993 --> 00:19:21,786
WHAT DO YOU WANT
419
00:19:19,993 --> 00:19:21,786
FROM US?
420
00:19:21,828 --> 00:19:23,371
INCEPTION.
421
00:19:24,581 --> 00:19:26,833
IS IT POSSIBLE?
422
00:19:24,581 --> 00:19:26,833
OF COURSE NOT.
423
00:19:26,875 --> 00:19:29,961
IF YOU CAN STEAL AN IDEA
424
00:19:26,875 --> 00:19:29,961
FROM SOMEONE'S MIND,
425
00:19:30,003 --> 00:19:32,047
WHY CAN'T YOU
426
00:19:30,003 --> 00:19:32,047
PLANT ONE THERE INSTEAD?
427
00:19:32,089 --> 00:19:34,007
OKAY. HERE'S ME PLANTING
428
00:19:32,089 --> 00:19:34,007
AN IDEA IN YOUR HEAD.
429
00:19:34,049 --> 00:19:35,967
I SAY TO YOU,
430
00:19:34,049 --> 00:19:35,967
"DON'T THINK ABOUT ELEPHANTS."
431
00:19:36,009 --> 00:19:37,052
WHAT ARE YOU
432
00:19:36,009 --> 00:19:37,052
THINKING ABOUT?
433
00:19:37,094 --> 00:19:38,845
ELEPHANTS.
434
00:19:38,887 --> 00:19:40,471
RIGHT.
435
00:19:38,887 --> 00:19:40,471
BUT IT'S NOT YOUR IDEA,
436
00:19:40,513 --> 00:19:42,891
BECAUSE YOU KNOW
437
00:19:40,513 --> 00:19:42,891
I GAVE IT TO YOU.
438
00:19:42,933 --> 00:19:45,393
THE SUBJECT'S MIND
439
00:19:42,933 --> 00:19:45,393
CAN ALWAYS TRACE THE
440
00:19:42,933 --> 00:19:45,393
GENESIS OF THE IDEA.
441
00:19:45,435 --> 00:19:46,644
TRUE INSPIRATION'S
442
00:19:45,435 --> 00:19:46,644
IMPOSSIBLE TO FAKE.
443
00:19:46,686 --> 00:19:47,771
IT'S NOT TRUE.
444
00:19:50,314 --> 00:19:52,067
CAN YOU DO IT?
445
00:19:52,109 --> 00:19:53,902
ARE YOU OFFERING ME
446
00:19:52,109 --> 00:19:53,902
A CHOICE?
447
00:19:53,944 --> 00:19:57,280
BECAUSE I CAN FIND MY OWN WAY
448
00:19:53,944 --> 00:19:57,280
TO SQUARE THINGS WITH COBOL.
449
00:19:57,321 --> 00:19:59,282
THEN YOU DO
450
00:19:57,321 --> 00:19:59,282
HAVE A CHOICE.
451
00:19:59,323 --> 00:20:01,118
AND I CHOOSE
452
00:19:59,323 --> 00:20:01,118
TO LEAVE, SIR.
453
00:20:06,164 --> 00:20:07,665
TELL THE CREW
454
00:20:06,164 --> 00:20:07,665
WHERE YOU WANT TO GO.
455
00:20:12,420 --> 00:20:14,089
HEY, MR. COBB!
456
00:20:16,466 --> 00:20:19,052
HOW WOULD YOU
457
00:20:16,466 --> 00:20:19,052
LIKE TO GO HOME?
458
00:20:19,094 --> 00:20:21,012
TO AMERICA?
459
00:20:21,054 --> 00:20:23,890
TO YOUR CHILDREN?
460
00:20:23,932 --> 00:20:27,268
YOU CAN'T FIX THAT!
461
00:20:23,932 --> 00:20:27,268
NO ONE CAN!
462
00:20:27,310 --> 00:20:28,895
JUST LIKE INCEPTION.
463
00:20:28,937 --> 00:20:30,271
COBB, COME ON.
464
00:20:33,524 --> 00:20:35,902
HOW COMPLEX IS THE IDEA?
465
00:20:35,944 --> 00:20:37,320
SIMPLE ENOUGH.
466
00:20:37,361 --> 00:20:38,905
NO IDEA IS SIMPLE
467
00:20:38,947 --> 00:20:41,240
WHEN YOU NEED TO PLANT IT
468
00:20:38,947 --> 00:20:41,240
IN SOMEBODY ELSE'S MIND.
469
00:20:41,282 --> 00:20:45,078
MY MAIN COMPETITOR IS AN OLD MAN
470
00:20:41,282 --> 00:20:45,078
IN POOR HEALTH.
471
00:20:45,120 --> 00:20:49,332
HIS SON WILL SOON INHERIT
472
00:20:45,120 --> 00:20:49,332
CONTROL OF THE CORPORATION.
473
00:20:49,373 --> 00:20:53,586
I NEED HIM TO DECIDE TO BREAK UP
474
00:20:49,373 --> 00:20:53,586
HIS FATHER'S EMPIRE.
475
00:20:53,628 --> 00:20:55,546
COBB, WE SHOULD WALK AWAY
476
00:20:53,628 --> 00:20:55,546
FROM THIS.
477
00:20:55,588 --> 00:20:57,924
HOLD ON.
478
00:20:57,966 --> 00:21:01,511
IF I WERE TO DO THIS,
479
00:20:57,966 --> 00:21:01,511
IF...I EVEN COULD DO IT,
480
00:21:01,552 --> 00:21:03,387
I'D NEED A GUARANTEE.
481
00:21:03,429 --> 00:21:05,890
HOW DO I KNOW
482
00:21:03,429 --> 00:21:05,890
YOU CAN DELIVER?
483
00:21:05,932 --> 00:21:07,892
YOU DON'T.
484
00:21:07,934 --> 00:21:09,978
BUT I CAN.
485
00:21:10,020 --> 00:21:14,691
SO, DO YOU WANT
486
00:21:10,020 --> 00:21:14,691
TO TAKE A LEAP OF FAITH...
487
00:21:14,732 --> 00:21:19,029
OR BECOME AN OLD MAN,
488
00:21:14,732 --> 00:21:19,029
FILLED WITH REGRET,
489
00:21:19,070 --> 00:21:21,656
WAITING TO DIE ALONE?
490
00:21:24,492 --> 00:21:26,703
ASSEMBLE YOUR TEAM,
491
00:21:24,492 --> 00:21:26,703
MR. COBB.
492
00:21:26,744 --> 00:21:29,122
AND CHOOSE YOUR PEOPLE
493
00:21:26,744 --> 00:21:29,122
MORE WISELY.
494
00:21:37,380 --> 00:21:39,090
LOOK, I KNOW HOW MUCH
495
00:21:37,380 --> 00:21:39,090
YOU WANT TO GO HOME.
496
00:21:41,218 --> 00:21:43,678
THIS CAN'T BE DONE.
497
00:21:43,720 --> 00:21:47,306
YES, IT CAN.
498
00:21:43,720 --> 00:21:47,306
JUST HAVE TO GO DEEP ENOUGH.
499
00:21:47,348 --> 00:21:49,142
YOU DON'T KNOW THAT.
500
00:21:49,184 --> 00:21:52,187
I'VE DONE IT BEFORE.
501
00:21:52,229 --> 00:21:54,355
WHO'D YOU DO IT TO?
502
00:21:58,651 --> 00:22:02,655
WHY ARE WE GOING
503
00:21:58,651 --> 00:22:02,655
TO PARIS?
504
00:22:02,697 --> 00:22:05,366
WE'RE GONNA NEED
505
00:22:02,697 --> 00:22:05,366
A NEW ARCHITECT.
506
00:22:05,408 --> 00:22:10,247
[ BELL TOLLING ]
507
00:22:20,381 --> 00:22:24,010
Cobb: YOU NEVER DID LIKE
508
00:22:20,381 --> 00:22:24,010
YOUR OFFICE, DID YOU?
509
00:22:25,220 --> 00:22:30,516
NO SPACE TO THINK
510
00:22:25,220 --> 00:22:30,516
IN THAT BROOM CUPBOARD.
511
00:22:30,558 --> 00:22:33,644
IS IT SAFE FOR YOU
512
00:22:30,558 --> 00:22:33,644
TO BE HERE?
513
00:22:33,686 --> 00:22:35,939
EXTRADITION BETWEEN FRANCE
514
00:22:33,686 --> 00:22:35,939
AND THE UNITED STATES
515
00:22:35,980 --> 00:22:36,981
IS A BUREAUCRATIC
516
00:22:35,980 --> 00:22:36,981
NIGHTMARE.
517
00:22:37,023 --> 00:22:38,441
YOU KNOW THAT.
518
00:22:38,482 --> 00:22:39,943
I THINK THEY MIGHT
519
00:22:38,482 --> 00:22:39,943
FIND A WAY
520
00:22:39,984 --> 00:22:41,111
TO MAKE IT WORK
521
00:22:39,984 --> 00:22:41,111
IN YOUR CASE.
522
00:22:41,152 --> 00:22:43,280
LOOK, I, UH...
523
00:22:43,321 --> 00:22:45,364
BROUGHT THESE FOR YOU
524
00:22:43,321 --> 00:22:45,364
TO GIVE TO THE KIDS
525
00:22:45,406 --> 00:22:46,950
WHEN YOU HAVE A CHANCE.
526
00:22:46,991 --> 00:22:49,452
IT'LL TAKE MORE THAN
527
00:22:46,991 --> 00:22:49,452
THE OCCASIONAL STUFFED ANIMAL
528
00:22:49,493 --> 00:22:52,247
TO CONVINCE THOSE CHILDREN
529
00:22:49,493 --> 00:22:52,247
THEY STILL HAVE A FATHER.
530
00:22:52,289 --> 00:22:54,832
I'M JUST DOING WHAT I KNOW.
531
00:22:52,289 --> 00:22:54,832
I'M DOING WHAT YOU TAUGHT ME.
532
00:22:54,874 --> 00:22:57,835
I NEVER TAUGHT YOU
533
00:22:54,874 --> 00:22:57,835
TO BE A THIEF.
534
00:22:57,877 --> 00:22:59,587
NO, YOU TAUGHT ME
535
00:22:57,877 --> 00:22:59,587
TO NAVIGATE PEOPLE'S MINDS.
536
00:22:59,629 --> 00:23:01,214
BUT AFTER WHAT HAPPENED,
537
00:23:01,256 --> 00:23:03,382
THERE WEREN'T A WHOLE LOT
538
00:23:01,256 --> 00:23:03,382
OF LEGITIMATE WAYS
539
00:23:03,424 --> 00:23:04,675
FOR ME TO USE THAT SKILL.
540
00:23:08,930 --> 00:23:11,515
WHAT ARE YOU
541
00:23:08,930 --> 00:23:11,515
DOING HERE, DOM?
542
00:23:11,557 --> 00:23:16,146
I THINK
543
00:23:11,557 --> 00:23:16,146
I FOUND A WAY HOME.
544
00:23:16,187 --> 00:23:19,732
IT'S A JOB FOR SOME
545
00:23:16,187 --> 00:23:19,732
VERY, VERY POWERFUL PEOPLE.
546
00:23:19,774 --> 00:23:24,904
PEOPLE WHO I BELIEVE CAN FIX
547
00:23:19,774 --> 00:23:24,904
MY CHARGES PERMANENTLY.
548
00:23:24,946 --> 00:23:26,197
BUT I NEED YOUR HELP.
549
00:23:26,239 --> 00:23:28,116
YOU'RE HERE TO CORRUPT
550
00:23:28,158 --> 00:23:29,659
ONE OF MY BRIGHTEST
551
00:23:28,158 --> 00:23:29,659
AND BEST.
552
00:23:29,700 --> 00:23:31,702
YOU KNOW
553
00:23:29,700 --> 00:23:31,702
WHAT I'M OFFERING.
554
00:23:31,744 --> 00:23:33,412
YOU HAVE TO LET THEM
555
00:23:31,744 --> 00:23:33,412
DECIDE FOR THEMSELVES.
556
00:23:33,454 --> 00:23:35,081
MONEY.
557
00:23:33,454 --> 00:23:35,081
NOT JUST MONEY.
558
00:23:35,123 --> 00:23:36,916
YOU REMEMBER.
559
00:23:36,958 --> 00:23:40,337
IT'S THE CHANCE TO BUILD
560
00:23:36,958 --> 00:23:40,337
CATHEDRALS, ENTIRE CITIES,
561
00:23:40,378 --> 00:23:42,255
THINGS THAT NEVER EXISTED,
562
00:23:42,297 --> 00:23:45,466
THINGS THAT COULDN'T EXIST
563
00:23:42,297 --> 00:23:45,466
IN THE REAL WORLD.
564
00:23:45,508 --> 00:23:48,469
SO, YOU -- YOU WANT ME
565
00:23:45,508 --> 00:23:48,469
TO LET SOMEONE ELSE
566
00:23:48,511 --> 00:23:50,763
FOLLOW YOU
567
00:23:48,511 --> 00:23:50,763
INTO YOUR FANTASY?
568
00:23:50,805 --> 00:23:52,265
THEY DON'T ACTUALLY
569
00:23:50,805 --> 00:23:52,265
COME INTO THE DREAM.
570
00:23:52,307 --> 00:23:53,683
THEY JUST -- THEY JUST
571
00:23:52,307 --> 00:23:53,683
DESIGN THE LEVELS
572
00:23:53,724 --> 00:23:55,059
AND TEACH THEM
573
00:23:53,724 --> 00:23:55,059
TO THE DREAMERS.
574
00:23:55,101 --> 00:23:56,353
THAT'S ALL.
575
00:23:56,394 --> 00:23:57,436
DESIGN IT YOURSELF.
576
00:23:59,689 --> 00:24:01,649
MAL WON'T LET ME.
577
00:24:06,988 --> 00:24:10,867
COME BACK
578
00:24:06,988 --> 00:24:10,867
TO REALITY, DOM.
579
00:24:10,908 --> 00:24:11,951
PLEASE.
580
00:24:11,993 --> 00:24:14,037
"REALITY."
581
00:24:14,078 --> 00:24:17,123
THOSE KIDS,
582
00:24:14,078 --> 00:24:17,123
YOUR GRANDCHILDREN,
583
00:24:17,165 --> 00:24:19,458
THEY'RE WAITING FOR THEIR FATHER
584
00:24:17,165 --> 00:24:19,458
TO COME BACK HOME.
585
00:24:19,500 --> 00:24:21,085
THAT'S THEIR REALITY.
586
00:24:21,127 --> 00:24:24,547
AND THIS JOB, THIS LAST JOB,
587
00:24:21,127 --> 00:24:24,547
THAT'S HOW I GET THERE.
588
00:24:24,588 --> 00:24:28,467
I WOULD NOT BE STANDING HERE
589
00:24:24,588 --> 00:24:28,467
IF I KNEW ANY OTHER WAY.
590
00:24:30,761 --> 00:24:34,557
I NEED AN ARCHITECT
591
00:24:30,761 --> 00:24:34,557
WHO IS AS GOOD AS I WAS.
592
00:24:38,102 --> 00:24:40,230
I'VE GOT SOMEBODY BETTER.
593
00:24:40,271 --> 00:24:41,772
Miles: ARIADNE?
594
00:24:43,941 --> 00:24:46,652
I'D LIKE YOU
595
00:24:43,941 --> 00:24:46,652
TO MEET MR. COBB.
596
00:24:46,694 --> 00:24:48,279
PLEASED TO MEET YOU.
597
00:24:48,321 --> 00:24:50,156
IF YOU HAVE
598
00:24:48,321 --> 00:24:50,156
A FEW MOMENTS,
599
00:24:50,198 --> 00:24:53,201
MR. COBB HAS A JOB OFFER
600
00:24:50,198 --> 00:24:53,201
HE'D LIKE TO DISCUSS WITH YOU.
601
00:24:53,243 --> 00:24:54,702
A WORK PLACEMENT?
602
00:24:54,744 --> 00:24:56,246
NOT EXACTLY.
603
00:24:56,287 --> 00:24:58,248
I HAVE A TEST FOR YOU.
604
00:24:58,289 --> 00:25:00,958
YOU'RE NOT GONNA TELL ME
605
00:24:58,289 --> 00:25:00,958
ANYTHING ABOUT THIS FIRST?
606
00:25:01,000 --> 00:25:04,712
BEFORE I DESCRIBE THE JOB,
607
00:25:01,000 --> 00:25:04,712
I HAVE TO KNOW YOU CAN DO IT.
608
00:25:01,000 --> 00:25:04,712
WHY?
609
00:25:04,754 --> 00:25:06,589
IT'S NOT,
610
00:25:04,754 --> 00:25:06,589
STRICTLY SPEAKING, LEGAL.
611
00:25:09,926 --> 00:25:12,429
YOU HAVE TWO MINUTES
612
00:25:09,926 --> 00:25:12,429
TO DESIGN A MAZE
613
00:25:12,470 --> 00:25:14,597
THAT IT TAKES
614
00:25:12,470 --> 00:25:14,597
ONE MINUTE TO SOLVE.
615
00:25:15,848 --> 00:25:16,933
STOP.
616
00:25:18,268 --> 00:25:20,103
[ PAPER RIPS ]
617
00:25:20,144 --> 00:25:21,312
AGAIN.
618
00:25:22,730 --> 00:25:24,023
STOP.
619
00:25:27,360 --> 00:25:30,154
YOU'RE GONNA HAVE TO DO BETTER
620
00:25:27,360 --> 00:25:30,154
THAN THAT.
621
00:25:42,459 --> 00:25:44,210
THAT'S MORE LIKE IT.
622
00:26:03,646 --> 00:26:05,856
Cobb: THEY SAY
623
00:26:03,646 --> 00:26:05,856
WE ONLY USE A FRACTION
624
00:26:05,898 --> 00:26:07,650
OF OUR BRAIN'S
625
00:26:05,898 --> 00:26:07,650
TRUE POTENTIAL.
626
00:26:07,691 --> 00:26:09,444
NOW, THAT'S
627
00:26:07,691 --> 00:26:09,444
WHEN WE'RE AWAKE.
628
00:26:09,486 --> 00:26:10,736
WHEN WE'RE ASLEEP,
629
00:26:10,778 --> 00:26:12,029
OUR MIND CAN DO
630
00:26:10,778 --> 00:26:12,029
ALMOST ANYTHING.
631
00:26:12,071 --> 00:26:14,031
SUCH AS?
632
00:26:14,073 --> 00:26:15,825
WELL, IMAGINE YOU'RE DESIGNING
633
00:26:14,073 --> 00:26:15,825
A BUILDING, ALL RIGHT?
634
00:26:15,866 --> 00:26:18,077
YOU CONSCIOUSLY CREATE
635
00:26:15,866 --> 00:26:18,077
EACH ASPECT.
636
00:26:18,119 --> 00:26:20,663
BUT SOMETIMES IT FEELS LIKE
637
00:26:18,119 --> 00:26:20,663
IT'S ALMOST CREATING ITSELF,
638
00:26:20,704 --> 00:26:22,039
IF YOU KNOW WHAT I MEAN.
639
00:26:22,081 --> 00:26:24,000
YEAH. YEAH,
640
00:26:22,081 --> 00:26:24,000
LIKE I'M...DISCOVERING IT.
641
00:26:24,041 --> 00:26:26,377
GENUINE INSPIRATION,
642
00:26:24,041 --> 00:26:26,377
RIGHT?
643
00:26:24,041 --> 00:26:26,377
MM-HMM.
644
00:26:26,419 --> 00:26:30,256
NOW, IN A DREAM, OUR MIND
645
00:26:26,419 --> 00:26:30,256
CONTINUOUSLY DOES THIS.
646
00:26:30,298 --> 00:26:35,678
WE CREATE AND PERCEIVE
647
00:26:30,298 --> 00:26:35,678
OUR WORLD SIMULTANEOUSLY.
648
00:26:35,719 --> 00:26:36,971
AND OUR MIND
649
00:26:35,719 --> 00:26:36,971
DOES THIS SO WELL
650
00:26:37,013 --> 00:26:38,848
THAT WE DON'T EVEN KNOW
651
00:26:37,013 --> 00:26:38,848
IT'S HAPPENING.
652
00:26:38,889 --> 00:26:41,100
THAT ALLOWS US TO GET RIGHT
653
00:26:38,889 --> 00:26:41,100
IN THE MIDDLE OF THAT PROCESS.
654
00:26:41,142 --> 00:26:42,435
HOW?
655
00:26:42,477 --> 00:26:44,020
BY TAKING OVER
656
00:26:42,477 --> 00:26:44,020
THE CREATING PART.
657
00:26:44,061 --> 00:26:45,688
NOW, THIS IS
658
00:26:44,061 --> 00:26:45,688
WHERE I NEED YOU.
659
00:26:45,729 --> 00:26:47,815
YOU CREATE THE WORLD
660
00:26:45,729 --> 00:26:47,815
OF THE DREAM.
661
00:26:47,857 --> 00:26:50,318
WE BRING THE SUBJECT
662
00:26:47,857 --> 00:26:50,318
INTO THAT DREAM,
663
00:26:50,360 --> 00:26:53,821
AND THEY FILL IT
664
00:26:50,360 --> 00:26:53,821
WITH THEIR SUBCONSCIOUS.
665
00:26:53,863 --> 00:26:56,491
HOW COULD I EVER
666
00:26:53,863 --> 00:26:56,491
ACQUIRE ENOUGH DETAIL
667
00:26:56,533 --> 00:26:59,327
TO MAKE THEM THINK
668
00:26:56,533 --> 00:26:59,327
THAT IT'S REALITY?
669
00:26:59,369 --> 00:27:02,038
WELL, DREAMS, THEY FEEL REAL
670
00:26:59,369 --> 00:27:02,038
WHILE WE'RE IN THEM, RIGHT?
671
00:27:02,079 --> 00:27:03,747
IT'S ONLY WHEN WE WAKE UP
672
00:27:03,789 --> 00:27:06,000
THAT WE REALIZE SOMETHING
673
00:27:03,789 --> 00:27:06,000
WAS ACTUALLY STRANGE.
674
00:27:06,042 --> 00:27:07,918
LET ME ASK YOU
675
00:27:06,042 --> 00:27:07,918
A QUESTION.
676
00:27:07,960 --> 00:27:10,713
YOU -- YOU NEVER
677
00:27:07,960 --> 00:27:10,713
REALLY REMEMBER
678
00:27:10,754 --> 00:27:12,507
THE BEGINNING OF A DREAM,
679
00:27:10,754 --> 00:27:12,507
DO YOU?
680
00:27:12,549 --> 00:27:15,343
YOU ALWAYS WIND UP RIGHT IN
681
00:27:12,549 --> 00:27:15,343
THE MIDDLE OF WHAT'S GOING ON.
682
00:27:15,385 --> 00:27:16,802
I GUESS, YEAH.
683
00:27:16,844 --> 00:27:18,679
SO, HOW DID WE
684
00:27:16,844 --> 00:27:18,679
END UP HERE?
685
00:27:18,721 --> 00:27:21,891
WELL, WE JUST CAME
686
00:27:18,721 --> 00:27:21,891
FROM THE...
687
00:27:21,932 --> 00:27:24,602
THINK ABOUT IT, ARIADNE.
688
00:27:21,932 --> 00:27:24,602
HOW DID YOU GET HERE?
689
00:27:24,643 --> 00:27:26,354
WHERE ARE YOU RIGHT NOW?
690
00:27:29,857 --> 00:27:31,775
WE'RE DREAMING?
691
00:27:31,817 --> 00:27:32,943
YOU'RE ACTUALLY
692
00:27:31,817 --> 00:27:32,943
IN THE MIDDLE
693
00:27:32,985 --> 00:27:34,653
OF THE WORKSHOP RIGHT NOW,
694
00:27:32,985 --> 00:27:34,653
SLEEPING.
695
00:27:34,695 --> 00:27:36,489
THIS IS YOUR FIRST LESSON
696
00:27:34,695 --> 00:27:36,489
IN SHARED DREAMING.
697
00:27:36,531 --> 00:27:38,949
STAY CALM.
698
00:27:38,991 --> 00:27:40,910
[ RUMBLING,
699
00:27:38,991 --> 00:27:40,910
CUP AND SAUCER RATTLING ]
700
00:27:41,869 --> 00:27:44,788
[ EXPLOSIONS ]
701
00:28:14,735 --> 00:28:17,029
IF IT'S JUST A DREAM,
702
00:28:14,735 --> 00:28:17,029
THEN WHY ARE YOU PROTEC--
703
00:28:17,071 --> 00:28:18,489
[ "NON JE NE REGRETTE RIEN"
704
00:28:17,071 --> 00:28:18,489
PLAYS ]
705
00:28:18,531 --> 00:28:20,283
BECAUSE IT'S NEVER
706
00:28:18,531 --> 00:28:20,283
JUST A DREAM, IS IT?
707
00:28:20,324 --> 00:28:22,368
AND A FACE FULL OF GLASS
708
00:28:20,324 --> 00:28:22,368
HURTS LIKE HELL.
709
00:28:22,410 --> 00:28:23,702
WHEN YOU'RE IN IT,
710
00:28:22,410 --> 00:28:23,702
IT FEELS REAL.
711
00:28:23,744 --> 00:28:25,455
THAT'S WHY THE MILITARY
712
00:28:23,744 --> 00:28:25,455
DEVELOPED DREAM SHARING.
713
00:28:25,496 --> 00:28:27,331
IT WAS A TRAINING PROGRAM
714
00:28:25,496 --> 00:28:27,331
FOR SOLDIERS
715
00:28:27,373 --> 00:28:29,584
TO SHOOT AND STAB
716
00:28:27,373 --> 00:28:29,584
AND STRANGLE EACH OTHER
717
00:28:29,626 --> 00:28:30,834
AND THEN WAKE UP.
718
00:28:30,876 --> 00:28:33,379
HOW DID ARCHITECTS
719
00:28:30,876 --> 00:28:33,379
BECOME INVOLVED?
720
00:28:33,421 --> 00:28:36,757
WELL, SOMEONE HAD TO DESIGN
721
00:28:33,421 --> 00:28:36,757
THE DREAMS, RIGHT?
722
00:28:36,799 --> 00:28:39,843
WHY DON'T YOU GIVE US
723
00:28:36,799 --> 00:28:39,843
ANOTHER FIVE MINUTES?
724
00:28:39,885 --> 00:28:41,387
FIVE MINUTES?!
725
00:28:39,885 --> 00:28:41,387
[ MUSIC STOPS ]
726
00:28:41,429 --> 00:28:44,807
WHAT -- WE WERE TALKING
727
00:28:41,429 --> 00:28:44,807
FOR LIKE AT LEAST AN HOUR.
728
00:28:44,848 --> 00:28:47,017
IN A DREAM, YOUR MIND
729
00:28:44,848 --> 00:28:47,017
FUNCTIONS MORE QUICKLY.
730
00:28:47,059 --> 00:28:50,938
THEREFORE, TIME SEEMS
731
00:28:47,059 --> 00:28:50,938
TO FEEL MORE SLOW.
732
00:28:50,980 --> 00:28:52,940
FIVE MINUTES IN THE
733
00:28:50,980 --> 00:28:52,940
REAL WORLD GIVES YOU
734
00:28:50,980 --> 00:28:52,940
AN HOUR IN THE DREAM.
735
00:28:54,400 --> 00:28:57,194
WHY DON'T YOU SEE
736
00:28:54,400 --> 00:28:57,194
WHAT YOU CAN GET UP TO
737
00:28:54,400 --> 00:28:57,194
IN FIVE MINUTES?
738
00:28:59,363 --> 00:29:03,033
[ BREATHES DEEPLY ]
739
00:29:03,075 --> 00:29:04,577
Cobb: YOU'VE GOT
740
00:29:03,075 --> 00:29:04,577
THE BASIC LAYOUT.
741
00:29:04,619 --> 00:29:06,329
THE BOOKSTORE, THE CAFÉ.
742
00:29:06,370 --> 00:29:07,955
ALMOST EVERYTHING ELSE
743
00:29:06,370 --> 00:29:07,955
IS HERE, TOO.
744
00:29:07,997 --> 00:29:09,248
Ariadne:
745
00:29:07,997 --> 00:29:09,248
WHO ARE THE PEOPLE?
746
00:29:09,290 --> 00:29:11,167
PROJECTIONS
747
00:29:09,290 --> 00:29:11,167
OF MY SUBCONSCIOUS.
748
00:29:11,208 --> 00:29:13,210
YOURS?
749
00:29:11,208 --> 00:29:13,210
YES.
750
00:29:13,252 --> 00:29:15,463
REMEMBER, YOU ARE THE DREAMER.
751
00:29:13,252 --> 00:29:15,463
YOU BUILD THIS WORLD.
752
00:29:15,505 --> 00:29:18,048
I AM THE SUBJECT.
753
00:29:15,505 --> 00:29:18,048
MY MIND POPULATES IT.
754
00:29:18,090 --> 00:29:20,050
YOU CAN LITERALLY TALK
755
00:29:18,090 --> 00:29:20,050
TO MY SUBCONSCIOUS.
756
00:29:20,092 --> 00:29:21,969
THAT'S ONE OF THE WAYS
757
00:29:20,092 --> 00:29:21,969
WE EXTRACT INFORMATION
758
00:29:22,011 --> 00:29:23,262
FROM THE SUBJECT.
759
00:29:23,304 --> 00:29:24,597
HOW ELSE DO YOU DO IT?
760
00:29:24,639 --> 00:29:26,516
BY CREATING
761
00:29:24,639 --> 00:29:26,516
SOMETHING SECURE
762
00:29:26,557 --> 00:29:29,101
LIKE A -- LIKE A BANK VAULT
763
00:29:26,557 --> 00:29:29,101
OR A JAIL.
764
00:29:26,557 --> 00:29:29,101
[ HORN BEEPS ]
765
00:29:29,143 --> 00:29:31,187
THE MIND AUTOMATICALLY
766
00:29:29,143 --> 00:29:31,187
FILLS IT WITH INFORMATION
767
00:29:31,228 --> 00:29:32,438
IT'S TRYING TO PROTECT.
768
00:29:32,480 --> 00:29:34,023
YOU UNDERSTAND?
769
00:29:34,064 --> 00:29:35,483
THEN YOU BREAK IN
770
00:29:34,064 --> 00:29:35,483
AND STEAL IT.
771
00:29:35,525 --> 00:29:37,026
WELL...
772
00:29:37,067 --> 00:29:39,445
I GUESS I THOUGHT
773
00:29:37,067 --> 00:29:39,445
THAT THE DREAM SPACE
774
00:29:39,487 --> 00:29:41,614
WOULD BE ALL
775
00:29:39,487 --> 00:29:41,614
ABOUT THE VISUAL,
776
00:29:41,656 --> 00:29:43,782
BUT IT'S MORE
777
00:29:41,656 --> 00:29:43,782
ABOUT THE FEEL OF IT.
778
00:29:43,824 --> 00:29:44,950
MY QUESTION IS,
779
00:29:44,992 --> 00:29:46,577
WHAT HAPPENS
780
00:29:44,992 --> 00:29:46,577
WHEN YOU START MESSING
781
00:29:46,619 --> 00:29:49,079
WITH THE PHYSICS
782
00:29:46,619 --> 00:29:49,079
OF IT ALL?
783
00:30:25,949 --> 00:30:28,077
[ THUD ]
784
00:30:28,118 --> 00:30:31,038
IT'S SOMETHING,
785
00:30:28,118 --> 00:30:31,038
ISN'T IT?
786
00:30:31,080 --> 00:30:33,249
YES, IT IS.
787
00:30:35,834 --> 00:30:38,295
[ HORN HONKS IN DISTANCE ]
788
00:30:56,980 --> 00:30:59,108
Ariadne: WHY ARE THEY ALL
789
00:30:56,980 --> 00:30:59,108
LOOKING AT ME?
790
00:30:59,149 --> 00:31:00,568
BECAUSE MY
791
00:30:59,149 --> 00:31:00,568
SUBCONSCIOUS FEELS
792
00:31:00,610 --> 00:31:02,695
THAT SOMEONE ELSE
793
00:31:00,610 --> 00:31:02,695
IS CREATING THIS WORLD.
794
00:31:02,737 --> 00:31:04,363
THE MORE
795
00:31:02,737 --> 00:31:04,363
YOU CHANGE THINGS,
796
00:31:04,405 --> 00:31:06,532
THE QUICKER THE PROJECTIONS
797
00:31:04,405 --> 00:31:06,532
START TO CONVERGE ON YOU.
798
00:31:06,574 --> 00:31:08,367
"CONVERGE"?
799
00:31:08,409 --> 00:31:10,703
THEY SENSE THE FOREIGN NATURE
800
00:31:08,409 --> 00:31:10,703
OF THE DREAMER.
801
00:31:10,745 --> 00:31:13,664
THEY ATTACK LIKE WHITE BLOOD
802
00:31:10,745 --> 00:31:13,664
CELLS FIGHTING AN INFECTION.
803
00:31:13,706 --> 00:31:14,832
LIKE THEY'RE GONNA
804
00:31:13,706 --> 00:31:14,832
ATTACK US?
805
00:31:14,873 --> 00:31:16,125
NO, NO.
806
00:31:16,166 --> 00:31:18,294
JUST YOU.
807
00:31:22,172 --> 00:31:24,174
THIS IS GREAT,
808
00:31:22,172 --> 00:31:24,174
BUT I'M TELLING YOU,
809
00:31:24,216 --> 00:31:25,676
IF YOU KEEP CHANGING THINGS
810
00:31:24,216 --> 00:31:25,676
LIKE THIS...
811
00:31:29,513 --> 00:31:31,181
GEEZ.
812
00:31:31,223 --> 00:31:33,392
MIND TELLING YOUR SUBCONSCIOUS
813
00:31:31,223 --> 00:31:33,392
TO TAKE IT EASY?
814
00:31:33,434 --> 00:31:35,894
IT'S MY SUBCONSCIOUS.
815
00:31:33,434 --> 00:31:35,894
REMEMBER? I CAN'T CONTROL IT.
816
00:32:23,066 --> 00:32:25,778
[ EXPLOSION, GLASS SHATTERS ]
817
00:32:29,198 --> 00:32:30,867
VERY IMPRESSIVE.
818
00:32:42,002 --> 00:32:46,590
I KNOW THIS BRIDGE.
819
00:32:42,002 --> 00:32:46,590
THIS PLACE IS REAL, ISN'T IT?
820
00:32:46,632 --> 00:32:48,967
YEAH, I CROSS IT EVERY DAY
821
00:32:46,632 --> 00:32:48,967
TO GET TO THE COLLEGE.
822
00:32:49,009 --> 00:32:50,761
NEVER RE-CREATE PLACES
823
00:32:49,009 --> 00:32:50,761
FROM YOUR MEMORY.
824
00:32:50,803 --> 00:32:52,680
ALWAYS IMAGINE
825
00:32:50,803 --> 00:32:52,680
NEW PLACES.
826
00:32:52,722 --> 00:32:54,682
WELL, YOU GOTTA DRAW FROM
827
00:32:52,722 --> 00:32:54,682
STUFF YOU KNOW, RIGHT?
828
00:32:54,724 --> 00:32:57,601
ONLY USE DETAILS --
829
00:32:54,724 --> 00:32:57,601
A-A STREETLAMP OR A PHONE BOOTH.
830
00:32:57,643 --> 00:32:58,644
NEVER ENTIRE AREAS.
831
00:32:58,686 --> 00:33:00,270
WHY NOT?
832
00:33:00,312 --> 00:33:02,022
'CAUSE BUILDING A DREAM
833
00:33:00,312 --> 00:33:02,022
FROM YOUR MEMORY
834
00:33:02,064 --> 00:33:03,357
IS THE EASIEST WAY
835
00:33:02,064 --> 00:33:03,357
TO LOSE YOUR GRASP
836
00:33:03,399 --> 00:33:04,817
ON WHAT'S REAL
837
00:33:03,399 --> 00:33:04,817
AND WHAT IS A DREAM.
838
00:33:04,859 --> 00:33:05,860
IS THAT WHAT HAPPENED
839
00:33:04,859 --> 00:33:05,860
TO YOU?
840
00:33:05,902 --> 00:33:07,486
HEY, LISTEN TO ME.
841
00:33:07,528 --> 00:33:09,405
THIS HAS NOTHING TO DO WITH ME,
842
00:33:07,528 --> 00:33:09,405
YOU UNDERSTAND?
843
00:33:09,446 --> 00:33:11,281
IS THAT WHY YOU NEED ME
844
00:33:09,446 --> 00:33:11,281
TO BUILD YOUR DREAMS?
845
00:33:11,323 --> 00:33:13,367
HEY, GET OFF OF HER.
846
00:33:11,323 --> 00:33:13,367
BACK UP. BACK UP!
847
00:33:13,409 --> 00:33:15,202
COBB! COBB!
848
00:33:15,244 --> 00:33:16,453
GET OFF OF HER!
849
00:33:15,244 --> 00:33:16,453
COBB! LET ME GO!
850
00:33:16,495 --> 00:33:17,788
MAL!
851
00:33:16,495 --> 00:33:17,788
LET ME GO!
852
00:33:17,830 --> 00:33:18,956
MAL!
853
00:33:18,997 --> 00:33:20,583
WAKE ME UP!
854
00:33:18,997 --> 00:33:20,583
MAL!
855
00:33:20,624 --> 00:33:22,501
WAKE ME UP!
856
00:33:20,624 --> 00:33:22,501
WAKE ME UP!
857
00:33:20,624 --> 00:33:22,501
MAL, NO! NO!
858
00:33:22,543 --> 00:33:24,086
WAKE ME UP!
859
00:33:22,543 --> 00:33:24,086
WAKE ME UP!
860
00:33:24,127 --> 00:33:25,796
[ GASPING ]
861
00:33:25,838 --> 00:33:27,840
HEY. HEY.
862
00:33:25,838 --> 00:33:27,840
HEY. LOOK AT ME.
863
00:33:27,882 --> 00:33:29,508
YOU'RE OKAY.
864
00:33:27,882 --> 00:33:29,508
YOU'RE OKAY.
865
00:33:29,550 --> 00:33:31,343
[ GASPING ] WHY --
866
00:33:31,385 --> 00:33:33,095
WHY WOULDN'T I WAKE UP?
867
00:33:31,385 --> 00:33:33,095
[ SIGHS ]
868
00:33:33,136 --> 00:33:35,138
'CAUSE THERE WAS STILL
869
00:33:33,136 --> 00:33:35,138
SOME TIME ON THE CLOCK,
870
00:33:35,180 --> 00:33:37,850
AND YOU CAN'T WAKE UP FROM
871
00:33:35,180 --> 00:33:37,850
WITHIN THE DREAM UNLESS YOU DIE.
872
00:33:37,892 --> 00:33:39,727
SHE'LL NEED A TOTEM.
873
00:33:37,892 --> 00:33:39,727
WHAT?!
874
00:33:39,769 --> 00:33:41,687
A TOTEM,
875
00:33:39,769 --> 00:33:41,687
IT'S A SMALL PERSONAL...
876
00:33:41,729 --> 00:33:44,022
THAT'S SOME SUBCONSCIOUS
877
00:33:41,729 --> 00:33:44,022
YOU'VE GOT ON YOU, COBB!
878
00:33:44,064 --> 00:33:45,524
SHE'S A REAL CHARMER!
879
00:33:45,566 --> 00:33:47,192
OH. I SEE
880
00:33:45,566 --> 00:33:47,192
YOU MET MRS. COBB.
881
00:33:47,234 --> 00:33:48,945
SHE'S HIS WIFE?
882
00:33:47,234 --> 00:33:48,945
YEAH.
883
00:33:48,986 --> 00:33:50,446
SO, A TOTEM.
884
00:33:48,986 --> 00:33:50,446
[ BREATHING HEAVILY ]
885
00:33:50,487 --> 00:33:52,364
YOU NEED A SMALL OBJECT,
886
00:33:50,487 --> 00:33:52,364
POTENTIALLY HEAVY,
887
00:33:52,406 --> 00:33:54,408
SOMETHING YOU CAN HAVE
888
00:33:52,406 --> 00:33:54,408
ON YOU ALL THE TIME
889
00:33:54,450 --> 00:33:56,159
THAT NO ONE ELSE KNOWS.
890
00:33:54,450 --> 00:33:56,159
WHAT, LIKE A COIN?
891
00:33:56,201 --> 00:33:58,161
NO. IT NEEDS TO BE
892
00:33:56,201 --> 00:33:58,161
MORE UNIQUE THAN THAT.
893
00:33:58,203 --> 00:34:01,457
LIKE, THIS IS A...
894
00:33:58,203 --> 00:34:01,457
LOADED DIE.
895
00:34:01,498 --> 00:34:02,875
[ EXHALES SHARPLY ]
896
00:34:02,917 --> 00:34:04,293
I CAN'T LET YOU TOUCH IT.
897
00:34:04,334 --> 00:34:05,962
THAT WOULD DEFEAT
898
00:34:04,334 --> 00:34:05,962
THE PURPOSE.
899
00:34:06,003 --> 00:34:07,671
SEE, ONLY I KNOW THE BALANCE
900
00:34:06,003 --> 00:34:07,671
AND THE WEIGHT
901
00:34:07,713 --> 00:34:09,924
OF THIS PARTICULAR
902
00:34:07,713 --> 00:34:09,924
LOADED DIE.
903
00:34:09,966 --> 00:34:11,926
THAT WAY,
904
00:34:09,966 --> 00:34:11,926
WHEN YOU LOOK AT YOUR TOTEM,
905
00:34:11,968 --> 00:34:13,343
YOU KNOW BEYOND A DOUBT
906
00:34:13,385 --> 00:34:15,512
THAT YOU'RE NOT
907
00:34:13,385 --> 00:34:15,512
IN SOMEONE ELSE'S DREAM.
908
00:34:15,554 --> 00:34:17,306
[ SIGHS ]
909
00:34:18,641 --> 00:34:21,184
I-I DON'T KNOW IF YOU CAN'T
910
00:34:18,641 --> 00:34:21,184
SEE WHAT'S GOING ON,
911
00:34:21,226 --> 00:34:22,937
OR IF YOU JUST
912
00:34:21,226 --> 00:34:22,937
DON'T WANT TO,
913
00:34:22,979 --> 00:34:25,063
BUT COBB HAS SOME
914
00:34:22,979 --> 00:34:25,063
SERIOUS PROBLEMS
915
00:34:25,105 --> 00:34:26,440
THAT HE'S TRIED
916
00:34:25,105 --> 00:34:26,440
TO BURY DOWN THERE.
917
00:34:26,482 --> 00:34:29,026
AND I'M NOT ABOUT
918
00:34:26,482 --> 00:34:29,026
TO JUST OPEN MY MIND
919
00:34:29,067 --> 00:34:30,360
TO SOMEONE LIKE THAT.
920
00:34:35,365 --> 00:34:37,910
[ DOOR CLOSES ]
921
00:34:35,365 --> 00:34:37,910
Cobb: SHE'LL BE BACK.
922
00:34:37,952 --> 00:34:40,370
I'VE NEVER SEEN ANYONE PICK
923
00:34:37,952 --> 00:34:40,370
IT UP THAT QUICKLY BEFORE.
924
00:34:40,412 --> 00:34:42,706
REALITY'S NOT GONNA BE ENOUGH
925
00:34:40,412 --> 00:34:42,706
FOR HER NOW,
926
00:34:42,748 --> 00:34:44,917
AND WHEN SHE COMES BACK
927
00:34:42,748 --> 00:34:44,917
[SCOFFS]
928
00:34:44,959 --> 00:34:46,376
WHEN SHE COMES BACK,
929
00:34:46,418 --> 00:34:48,128
YOU'RE GONNA HAVE
930
00:34:46,418 --> 00:34:48,128
HER BUILDING MAZES.
931
00:34:48,170 --> 00:34:49,713
WHERE ARE YOU GONNA BE?
932
00:34:49,755 --> 00:34:51,548
I GOTTA GO VISIT EAMES.
933
00:34:51,590 --> 00:34:53,843
EAMES? NO, HE'S IN MOMBASA.
934
00:34:51,590 --> 00:34:53,843
IT'S COBOL'S BACKYARD.
935
00:34:53,884 --> 00:34:55,761
IT'S A NECESSARY RISK.
936
00:34:55,803 --> 00:34:57,387
WELL, THERE'S PLENTY
937
00:34:55,803 --> 00:34:57,387
OF GOOD THIEVES.
938
00:34:57,429 --> 00:35:00,057
[ SIGHS ]
939
00:34:57,429 --> 00:35:00,057
WE DON'T JUST NEED A THIEF.
940
00:35:00,098 --> 00:35:01,183
WE NEED A FORGER.
941
00:35:05,270 --> 00:35:06,814
[ INDISTINCT CONVERSATIONS ]
942
00:35:09,608 --> 00:35:11,735
YOU CAN RUB THEM TOGETHER
943
00:35:09,608 --> 00:35:11,735
ALL YOU WANT,
944
00:35:11,777 --> 00:35:12,903
THEY'RE NOT GONNA BREED.
945
00:35:12,945 --> 00:35:14,321
YOU NEVER KNOW.
946
00:35:15,656 --> 00:35:18,200
LET ME GET YOU A DRINK.
947
00:35:15,656 --> 00:35:18,200
[ DIE RATTLE ]
948
00:35:18,241 --> 00:35:20,703
YOU'RE BUYING.
949
00:35:26,792 --> 00:35:28,085
YOUR SPELLING
950
00:35:26,792 --> 00:35:28,085
HASN'T IMPROVED.
951
00:35:28,126 --> 00:35:29,503
PISS OFF.
952
00:35:29,545 --> 00:35:30,880
HOW'S YOUR HANDWRITING?
953
00:35:30,921 --> 00:35:32,506
IT'S VERSATILE.
954
00:35:32,548 --> 00:35:33,841
GOOD.
955
00:35:33,883 --> 00:35:35,133
THANK YOU VERY MUCH.
956
00:35:35,175 --> 00:35:36,760
INCEPTION.
957
00:35:36,802 --> 00:35:38,178
NOW, BEFORE YOU BOTHER
958
00:35:38,220 --> 00:35:40,472
TELLING ME IT'S IMPOSSIBLE,
959
00:35:38,220 --> 00:35:40,472
LET ME --
960
00:35:40,514 --> 00:35:43,100
NO, IT'S PERFECTLY POSSIBLE.
961
00:35:40,514 --> 00:35:43,100
IT'S JUST BLOODY DIFFICULT.
962
00:35:43,141 --> 00:35:45,268
INTERESTING.
963
00:35:45,310 --> 00:35:47,145
'CAUSE ARTHUR KEEPS TELLING ME
964
00:35:45,310 --> 00:35:47,145
IT CAN'T BE DONE.
965
00:35:47,187 --> 00:35:48,939
HMM. ARTHUR.
966
00:35:48,981 --> 00:35:50,357
YOU STILL WORKING WITH
967
00:35:48,981 --> 00:35:50,357
THAT STICK IN THE MUD?
968
00:35:50,399 --> 00:35:51,901
WELL, HE IS GOOD
969
00:35:50,399 --> 00:35:51,901
AT WHAT HE DOES, RIGHT?
970
00:35:51,942 --> 00:35:53,527
OH, HE'S THE BEST.
971
00:35:53,569 --> 00:35:56,030
HE HAS NO IMAGINATION.
972
00:35:53,569 --> 00:35:56,030
NOT LIKE YOU.
973
00:35:56,072 --> 00:35:57,948
LISTEN, IF YOU'RE GONNA
974
00:35:56,072 --> 00:35:57,948
PERFORM INCEPTION,
975
00:35:57,990 --> 00:35:59,408
YOU NEED IMAGINATION.
976
00:35:59,449 --> 00:36:01,326
LET ME ASK YOU SOMETHING.
977
00:36:01,368 --> 00:36:03,161
HAVE YOU DONE IT BEFORE?
978
00:36:03,203 --> 00:36:04,830
WE TRIED IT.
979
00:36:04,872 --> 00:36:06,623
WE GOT THE IDEA IN PLACE,
980
00:36:04,872 --> 00:36:06,623
BUT IT DIDN'T TAKE.
981
00:36:06,665 --> 00:36:08,208
YOU DIDN'T PLANT IT
982
00:36:06,665 --> 00:36:08,208
DEEP ENOUGH?
983
00:36:08,250 --> 00:36:09,835
NO, IT'S NOT
984
00:36:08,250 --> 00:36:09,835
JUST ABOUT DEPTH.
985
00:36:09,877 --> 00:36:11,962
YOU NEED THE SIMPLEST
986
00:36:09,877 --> 00:36:11,962
VERSION OF THE IDEA
987
00:36:12,004 --> 00:36:13,130
IN ORDER FOR IT
988
00:36:12,004 --> 00:36:13,130
TO GROW NATURALLY
989
00:36:13,171 --> 00:36:14,423
IN YOUR SUBJECT'S MIND.
990
00:36:14,464 --> 00:36:16,258
IT'S A VERY SUBTLE ART.
991
00:36:16,299 --> 00:36:19,011
SO, WHAT IS THIS IDEA
992
00:36:16,299 --> 00:36:19,011
THAT YOU NEED TO PLANT?
993
00:36:19,053 --> 00:36:21,430
WE NEED THE HEIR
994
00:36:19,053 --> 00:36:21,430
OF A MAJOR CORPORATION
995
00:36:21,471 --> 00:36:22,932
TO DISSOLVE
996
00:36:21,471 --> 00:36:22,932
HIS FATHER'S EMPIRE.
997
00:36:22,973 --> 00:36:24,058
WELL, YOU SEE,
998
00:36:22,973 --> 00:36:24,058
RIGHT THERE,
999
00:36:24,100 --> 00:36:25,475
YOU HAVE VARIOUS
1000
00:36:24,100 --> 00:36:25,475
POLITICAL MOTIVATIONS
1001
00:36:25,517 --> 00:36:27,269
AND ANTI-MONOPOLISTIC
1002
00:36:25,517 --> 00:36:27,269
SENTIMENTS AND SO FORTH.
1003
00:36:27,310 --> 00:36:29,438
BUT ALL OF
1004
00:36:27,310 --> 00:36:29,438
THAT STUFF IS...
1005
00:36:29,479 --> 00:36:30,773
IT'S REALLY AT THE MERCY
1006
00:36:30,814 --> 00:36:32,399
OF YOUR SUBJECT'S
1007
00:36:30,814 --> 00:36:32,399
PREJUDICE, YOU SEE?
1008
00:36:32,441 --> 00:36:33,442
AND WHAT YOU HAVE TO DO
1009
00:36:33,483 --> 00:36:35,444
IS START AT
1010
00:36:33,483 --> 00:36:35,444
THE ABSOLUTE BASIC.
1011
00:36:35,485 --> 00:36:36,361
WHICH IS WHAT?
1012
00:36:37,654 --> 00:36:38,989
THE RELATIONSHIP
1013
00:36:37,654 --> 00:36:38,989
WITH THE FATHER.
1014
00:36:41,491 --> 00:36:44,286
DO YOU HAVE A CHEMIST?
1015
00:36:41,491 --> 00:36:44,286
NO, NOT YET.
1016
00:36:44,327 --> 00:36:47,123
RIGHT. OKAY, WELL,
1017
00:36:44,327 --> 00:36:47,123
THERE'S A MAN HERE. YUSUF.
1018
00:36:47,164 --> 00:36:50,500
HE, UH, HE FORMULATES HIS
1019
00:36:47,164 --> 00:36:50,500
OWN VERSIONS OF THE COMPOUNDS.
1020
00:36:50,542 --> 00:36:52,628
WHY DON'T YOU
1021
00:36:50,542 --> 00:36:52,628
TAKE ME THERE?
1022
00:36:52,669 --> 00:36:55,172
ONCE YOU'VE LOST YOUR TAIL.
1023
00:36:52,669 --> 00:36:55,172
THE MAN AT THE BAR.
1024
00:36:55,213 --> 00:36:56,924
COBOL ENGINEERING.
1025
00:36:56,966 --> 00:36:59,551
THAT PRICE ON MY HEAD --
1026
00:36:56,966 --> 00:36:59,551
WAS THAT DEAD OR ALIVE?
1027
00:36:59,593 --> 00:37:01,678
DON'T REMEMBER. LET'S SEE
1028
00:36:59,593 --> 00:37:01,678
IF HE STARTS SHOOTING.
1029
00:37:01,720 --> 00:37:03,472
RUN INTERFERENCE.
1030
00:37:03,513 --> 00:37:05,641
I'LL MEET YOU DOWNSTAIRS IN
1031
00:37:03,513 --> 00:37:05,641
THE BAR IN, SAY, HALF AN HOUR?
1032
00:37:05,682 --> 00:37:07,893
THEN BACK HERE?
1033
00:37:05,682 --> 00:37:07,893
THIS IS THE LAST PLACE
1034
00:37:05,682 --> 00:37:07,893
THEY'D SUSPECT.
1035
00:37:07,935 --> 00:37:09,853
[ CHUCKLES ] MM.
1036
00:37:09,895 --> 00:37:12,022
ALL RIGHT.
1037
00:37:12,064 --> 00:37:15,025
FREDDY! FREDDY SIMMONDS.
1038
00:37:15,067 --> 00:37:16,485
MY GOD, IT'S YOU,
1039
00:37:15,067 --> 00:37:16,485
ISN'T IT?
1040
00:37:17,987 --> 00:37:19,446
[ GRUNTS ]
1041
00:37:17,987 --> 00:37:19,446
WHO?
1042
00:37:19,488 --> 00:37:21,865
NO, IT ISN'T YOU.
1043
00:37:21,907 --> 00:37:23,283
YOU'RE NOT DREAMING NOW,
1044
00:37:21,907 --> 00:37:23,283
ARE YOU?
1045
00:37:25,119 --> 00:37:27,621
[ PEOPLE SHOUTING ]
1046
00:37:37,881 --> 00:37:39,716
OHH!
1047
00:37:41,760 --> 00:37:43,053
THERE!
1048
00:38:01,030 --> 00:38:02,114
[ SPEAKING
1049
00:38:01,030 --> 00:38:02,114
NATIVE LANGUAGE ]
1050
00:38:02,156 --> 00:38:04,200
CAFÉ. ONE CAFÉ.
1051
00:38:04,241 --> 00:38:05,951
[ SPEAKING URGENTLY
1052
00:38:04,241 --> 00:38:05,951
IN NATIVE LANGUAGE ]
1053
00:38:08,829 --> 00:38:10,080
[ SPEAKING URGENTLY ]
1054
00:38:08,829 --> 00:38:10,080
Shh!
1055
00:38:12,332 --> 00:38:13,709
[ INDISTINCT SHOUTING ]
1056
00:38:15,919 --> 00:38:18,755
[ SPEAKING URGENTLY ]
1057
00:38:15,919 --> 00:38:18,755
ONE CAFÉ.
1058
00:38:18,797 --> 00:38:20,549
CAFÉ.
1059
00:38:20,590 --> 00:38:22,592
[ INDISTINCT SHOUTING ]
1060
00:38:30,142 --> 00:38:31,351
[ GUNFIRE ]
1061
00:38:39,776 --> 00:38:41,111
[ HORN HONKING ]
1062
00:38:41,153 --> 00:38:42,404
OHH!
1063
00:38:52,039 --> 00:38:53,415
[ BULLETS RICOCHET ]
1064
00:38:55,000 --> 00:38:56,126
[ GRUNTS ]
1065
00:39:09,139 --> 00:39:10,182
[ TIRES SCREECH ]
1066
00:39:14,061 --> 00:39:15,353
[ TIRES SCREECH ]
1067
00:39:15,395 --> 00:39:16,605
CARE FOR A LIFT, MR. COBB?
1068
00:39:16,646 --> 00:39:19,733
WHAT ARE YOU DOING
1069
00:39:16,646 --> 00:39:19,733
IN MOMBASA?!
1070
00:39:19,775 --> 00:39:22,236
I'M HERE TO PROTECT
1071
00:39:19,775 --> 00:39:22,236
MY INVESTMENT.
1072
00:39:22,278 --> 00:39:24,863
[ WHISTLES, TAPS CAR ]
1073
00:39:24,905 --> 00:39:27,532
AH, SO THIS IS YOUR IDEA
1074
00:39:24,905 --> 00:39:27,532
OF LOSING A TAIL, HUH?
1075
00:39:27,574 --> 00:39:28,575
DIFFERENT TAIL.
1076
00:39:31,369 --> 00:39:33,496
[ ARIADNE CLEARS THROAT SOFTLY ]
1077
00:39:36,792 --> 00:39:39,669
COBB SAID YOU'D BE BACK.
1078
00:39:39,711 --> 00:39:42,172
YEAH, WELL,
1079
00:39:39,711 --> 00:39:42,172
I TRIED NOT TO COME, BUT...
1080
00:39:42,214 --> 00:39:43,673
BUT THERE'S NOTHING
1081
00:39:42,214 --> 00:39:43,673
QUITE LIKE IT.
1082
00:39:43,715 --> 00:39:44,800
IT'S JUST...
1083
00:39:46,885 --> 00:39:49,888
...PURE CREATION.
1084
00:39:49,930 --> 00:39:52,015
SHALL WE TAKE A LOOK AT SOME
1085
00:39:49,930 --> 00:39:52,015
PARADOXICAL ARCHITECTURE?
1086
00:39:52,057 --> 00:39:53,600
YOU'RE GONNA HAVE TO MASTER
1087
00:39:52,057 --> 00:39:53,600
A FEW TRICKS
1088
00:39:53,642 --> 00:39:55,102
IF YOU'RE GONNA BUILD
1089
00:39:53,642 --> 00:39:55,102
THREE COMPLETE DREAM LEVELS.
1090
00:39:55,144 --> 00:39:56,853
EXCUSE ME.
1091
00:39:56,895 --> 00:39:59,731
WHAT KIND OF TRICKS?
1092
00:39:59,773 --> 00:40:01,441
IN A DREAM,
1093
00:39:59,773 --> 00:40:01,441
YOU CAN CHEAT ARCHITECTURE
1094
00:40:01,483 --> 00:40:02,567
INTO IMPOSSIBLE SHAPES.
1095
00:40:02,609 --> 00:40:04,611
THAT LETS YOU CREATE
1096
00:40:02,609 --> 00:40:04,611
CLOSED LOOPS,
1097
00:40:04,653 --> 00:40:07,239
LIKE THE PENROSE STEPS.
1098
00:40:07,281 --> 00:40:08,698
THE INFINITE STAIRCASE.
1099
00:40:11,493 --> 00:40:13,245
SEE?
1100
00:40:17,082 --> 00:40:19,001
PARADOX.
1101
00:40:19,042 --> 00:40:20,669
SO, A CLOSED LOOP
1102
00:40:19,042 --> 00:40:20,669
LIKE THAT
1103
00:40:20,710 --> 00:40:23,005
WILL HELP YOU DISGUISE
1104
00:40:20,710 --> 00:40:23,005
THE BOUNDARIES
1105
00:40:23,046 --> 00:40:24,464
OF THE DREAM YOU CREATE.
1106
00:40:24,506 --> 00:40:26,049
BUT HOW BIG DO THESE LEVELS
1107
00:40:24,506 --> 00:40:26,049
HAVE TO BE?
1108
00:40:26,091 --> 00:40:28,260
WELL, IT COULD BE ANYTHING
1109
00:40:26,091 --> 00:40:28,260
FROM THE FLOOR OF A BUILDING
1110
00:40:28,302 --> 00:40:29,719
TO AN ENTIRE CITY.
1111
00:40:29,761 --> 00:40:31,221
BUT THEY HAVE TO BE
1112
00:40:29,761 --> 00:40:31,221
COMPLICATED ENOUGH
1113
00:40:31,263 --> 00:40:32,681
THAT WE CAN HIDE
1114
00:40:31,263 --> 00:40:32,681
FROM THE PROJECTIONS.
1115
00:40:32,722 --> 00:40:34,099
A MAZE.
1116
00:40:32,722 --> 00:40:34,099
RIGHT, A MAZE.
1117
00:40:34,141 --> 00:40:35,851
AND THE BETTER
1118
00:40:34,141 --> 00:40:35,851
THE MAZE...
1119
00:40:35,892 --> 00:40:38,312
THEN THE LONGER WE HAVE
1120
00:40:35,892 --> 00:40:38,312
BEFORE THE PROJECTIONS CATCH US?
1121
00:40:38,354 --> 00:40:39,855
EXACTLY.
1122
00:40:39,896 --> 00:40:42,524
MY SUBCONSCIOUS
1123
00:40:39,896 --> 00:40:42,524
SEEMS POLITE ENOUGH.
1124
00:40:42,565 --> 00:40:43,817
[ CHUCKLES ] YOU WAIT.
1125
00:40:42,565 --> 00:40:43,817
THEY'LL TURN UGLY.
1126
00:40:43,859 --> 00:40:45,527
NO ONE LIKES TO FEEL
1127
00:40:43,859 --> 00:40:45,527
SOMEONE ELSE
1128
00:40:45,568 --> 00:40:46,945
MESSING AROUND
1129
00:40:45,568 --> 00:40:46,945
IN THEIR MIND.
1130
00:40:46,987 --> 00:40:50,573
COBB CAN'T BUILD ANYMORE,
1131
00:40:46,987 --> 00:40:50,573
CAN HE?
1132
00:40:50,615 --> 00:40:53,702
WELL, I DON'T KNOW
1133
00:40:50,615 --> 00:40:53,702
IF HE CAN'T, BUT HE WON'T.
1134
00:40:53,743 --> 00:40:56,079
HE THINKS IT'S SAFER
1135
00:40:53,743 --> 00:40:56,079
IF HE DOESN'T KNOW THE LAYOUTS.
1136
00:40:56,121 --> 00:40:57,831
WHY?
1137
00:40:56,121 --> 00:40:57,831
HE WON'T TELL ME.
1138
00:40:57,873 --> 00:40:59,749
BUT I THINK IT'S MAL.
1139
00:40:59,791 --> 00:41:01,293
HIS EX-WIFE?
1140
00:41:01,335 --> 00:41:02,336
NO, NOT HIS EX.
1141
00:41:02,378 --> 00:41:03,920
THEY'RE STILL TOGETHER?
1142
00:41:03,962 --> 00:41:06,673
NO...
1143
00:41:06,715 --> 00:41:07,841
SHE'S DEAD.
1144
00:41:10,510 --> 00:41:12,470
WHAT YOU SEE IN THERE
1145
00:41:10,510 --> 00:41:12,470
IS JUST HIS PROJECTION OF HER.
1146
00:41:15,807 --> 00:41:18,310
WHAT WAS SHE LIKE
1147
00:41:15,807 --> 00:41:18,310
IN REAL LIFE?
1148
00:41:18,352 --> 00:41:20,270
SHE WAS LOVELY.
1149
00:41:23,565 --> 00:41:26,693
Yusuf:
1150
00:41:23,565 --> 00:41:26,693
YOU ARE SEEKING A CHEMIST?
1151
00:41:23,565 --> 00:41:26,693
Cobb: YES.
1152
00:41:26,735 --> 00:41:28,778
TO FORMULATE COMPOUNDS
1153
00:41:26,735 --> 00:41:28,778
FOR A JOB?
1154
00:41:28,820 --> 00:41:31,489
AND TO GO INTO THE FIELD
1155
00:41:28,820 --> 00:41:31,489
WITH US.
1156
00:41:31,531 --> 00:41:34,201
NO, I RARELY GO INTO THE FIELD,
1157
00:41:31,531 --> 00:41:34,201
MR. COBB.
1158
00:41:34,243 --> 00:41:35,702
WELL, WE'D NEED YOU THERE
1159
00:41:35,744 --> 00:41:37,579
TO TAILOR COMPOUNDS
1160
00:41:35,744 --> 00:41:37,579
SPECIFIC TO OUR NEEDS.
1161
00:41:37,620 --> 00:41:39,915
WHICH ARE?
1162
00:41:37,620 --> 00:41:39,915
GREAT DEPTH.
1163
00:41:39,956 --> 00:41:43,168
A DREAM WITHIN A DREAM.
1164
00:41:39,956 --> 00:41:43,168
TWO LEVELS.
1165
00:41:45,128 --> 00:41:47,214
THREE.
1166
00:41:47,256 --> 00:41:48,924
NOT POSSIBLE.
1167
00:41:48,965 --> 00:41:50,384
THAT MANY DREAMS WITHIN DREAMS
1168
00:41:48,965 --> 00:41:50,384
IS TOO UNSTABLE.
1169
00:41:50,426 --> 00:41:52,802
IT IS POSSIBLE.
1170
00:41:52,844 --> 00:41:55,097
YOU JUST HAVE TO ADD
1171
00:41:52,844 --> 00:41:55,097
A SEDATIVE.
1172
00:41:55,138 --> 00:41:57,557
A POWERFUL SEDATIVE.
1173
00:41:58,850 --> 00:42:00,977
HOW MANY TEAM MEMBERS?
1174
00:42:01,019 --> 00:42:02,729
FIVE.
1175
00:42:01,019 --> 00:42:02,729
Saito: SIX.
1176
00:42:02,771 --> 00:42:07,109
THE ONLY WAY TO KNOW
1177
00:42:02,771 --> 00:42:07,109
YOU'VE DONE THE JOB
1178
00:42:07,150 --> 00:42:09,652
IS IF I GO IN WITH YOU.
1179
00:42:09,694 --> 00:42:11,988
THERE'S NO ROOM FOR TOURISTS
1180
00:42:09,694 --> 00:42:11,988
ON A JOB LIKE THIS, MR. SAITO.
1181
00:42:12,030 --> 00:42:14,657
THIS TIME, IT SEEMS THERE IS.
1182
00:42:14,699 --> 00:42:17,577
THIS, I THINK,
1183
00:42:14,699 --> 00:42:17,577
IS A GOOD PLACE TO START.
1184
00:42:17,619 --> 00:42:19,204
I USE IT EVERY DAY.
1185
00:42:19,246 --> 00:42:20,372
WHAT FOR?
1186
00:42:20,414 --> 00:42:23,125
HERE, I'LL SHOW YOU.
1187
00:42:24,960 --> 00:42:27,379
PERHAPS YOU WILL NOT
1188
00:42:24,960 --> 00:42:27,379
WANT TO SEE.
1189
00:42:29,881 --> 00:42:31,007
AFTER YOU.
1190
00:42:39,808 --> 00:42:42,811
Eames: 10...12.
1191
00:42:42,852 --> 00:42:44,604
ALL CONNECTED.
1192
00:42:42,852 --> 00:42:44,604
BLOODY HELL.
1193
00:42:44,646 --> 00:42:46,064
THEY COME EVERY DAY
1194
00:42:44,646 --> 00:42:46,064
TO SHARE THE DREAM.
1195
00:42:49,276 --> 00:42:51,611
YOU SEE?
1196
00:42:49,276 --> 00:42:51,611
VERY STABLE.
1197
00:42:56,866 --> 00:42:58,994
HOW LONG
1198
00:42:56,866 --> 00:42:58,994
DO THEY DREAM FOR?
1199
00:42:59,035 --> 00:43:01,204
Yusuf: THREE, FOUR HOURS,
1200
00:42:59,035 --> 00:43:01,204
EACH DAY.
1201
00:43:01,246 --> 00:43:02,998
AND DREAM TIME?
1202
00:43:03,039 --> 00:43:04,874
WITH THIS COMPOUND?
1203
00:43:04,916 --> 00:43:06,793
ABOUT 40 HOURS,
1204
00:43:04,916 --> 00:43:06,793
EACH AND EVERY DAY.
1205
00:43:06,835 --> 00:43:09,045
WHY DO THEY DO IT?
1206
00:43:09,087 --> 00:43:11,131
TELL HIM, MR. COBB.
1207
00:43:11,173 --> 00:43:14,384
AFTER A WHILE, IT BECOMES
1208
00:43:11,173 --> 00:43:14,384
THE ONLY WAY YOU CAN DREAM.
1209
00:43:14,426 --> 00:43:16,470
DO YOU STILL DREAM,
1210
00:43:14,426 --> 00:43:16,470
MR. COBB?
1211
00:43:16,512 --> 00:43:18,805
THEY COME HERE EVERY DAY
1212
00:43:16,512 --> 00:43:18,805
TO SLEEP?
1213
00:43:18,847 --> 00:43:21,099
Elderly man: NO.
1214
00:43:21,141 --> 00:43:24,811
THEY COME TO BE WOKEN UP.
1215
00:43:24,853 --> 00:43:29,107
THE DREAM HAS BECOME
1216
00:43:24,853 --> 00:43:29,107
THEIR REALITY.
1217
00:43:29,149 --> 00:43:32,361
WHO ARE YOU
1218
00:43:29,149 --> 00:43:32,361
TO SAY OTHERWISE, SIR?
1219
00:43:32,402 --> 00:43:34,696
[ CHUCKLES ]
1220
00:43:34,737 --> 00:43:36,198
LET'S SEE
1221
00:43:34,737 --> 00:43:36,198
WHAT YOU CAN DO.
1222
00:43:43,663 --> 00:43:45,748
[ CREAKING ]
1223
00:43:47,292 --> 00:43:50,045
YOU KNOW HOW
1224
00:43:47,292 --> 00:43:50,045
TO FIND ME.
1225
00:43:50,086 --> 00:43:51,505
[ CREAKING ]
1226
00:43:51,547 --> 00:43:53,465
YOU KNOW
1227
00:43:51,547 --> 00:43:53,465
WHAT YOU HAVE TO DO.
1228
00:43:53,507 --> 00:43:56,134
[ GRUNTING ]
1229
00:43:57,886 --> 00:43:59,846
[ EXHALES SHARPLY ]
1230
00:43:57,886 --> 00:43:59,846
SHARP, NO?
1231
00:43:59,888 --> 00:44:03,433
[ BREATHING HEAVILY ]
1232
00:44:03,475 --> 00:44:06,728
[ BREATHING RAGGEDLY ]
1233
00:44:15,320 --> 00:44:18,114
Saito: ARE YOU ALL RIGHT,
1234
00:44:15,320 --> 00:44:18,114
MR. COBB?
1235
00:44:18,156 --> 00:44:20,700
YEAH. YEAH.
1236
00:44:20,742 --> 00:44:22,452
EVERYTHING'S JUST FINE.
1237
00:44:23,620 --> 00:44:24,954
[ EXHALES SHARPLY ]
1238
00:44:30,293 --> 00:44:32,128
ROBERT FISCHER,
1239
00:44:32,170 --> 00:44:34,923
HEIR TO THE FISCHER MORROW
1240
00:44:32,170 --> 00:44:34,923
ENERGY CONGLOMERATE.
1241
00:44:34,964 --> 00:44:36,758
WHAT'S YOUR PROBLEM
1242
00:44:34,964 --> 00:44:36,758
WITH THIS MR. FISCHER?
1243
00:44:36,799 --> 00:44:38,468
THAT'S NOT YOUR CONCERN.
1244
00:44:38,510 --> 00:44:40,512
MR. SAITO, THIS [SCOFFS]
1245
00:44:40,554 --> 00:44:43,473
THIS ISN'T YOUR TYPICAL
1246
00:44:40,554 --> 00:44:43,473
CORPORATE ESPIONAGE.
1247
00:44:43,515 --> 00:44:45,308
YOU ASKED ME
1248
00:44:43,515 --> 00:44:45,308
FOR INCEPTION.
1249
00:44:45,350 --> 00:44:48,562
I DO HOPE YOU UNDERSTAND
1250
00:44:45,350 --> 00:44:48,562
THE GRAVITY OF THAT REQUEST.
1251
00:44:48,604 --> 00:44:51,523
NOW, THE SEED THAT WE PLANT
1252
00:44:48,604 --> 00:44:51,523
IN THIS MAN'S MIND
1253
00:44:51,565 --> 00:44:52,774
WILL GROW INTO AN IDEA.
1254
00:44:52,815 --> 00:44:54,776
THIS IDEA WILL DEFINE HIM.
1255
00:44:54,817 --> 00:44:56,903
IT MAY COME TO CHANGE...
1256
00:44:56,945 --> 00:44:59,364
WELL, IT MAY COME TO CHANGE
1257
00:44:56,945 --> 00:44:59,364
EVERYTHING ABOUT HIM.
1258
00:44:59,406 --> 00:45:01,074
WE'RE THE LAST COMPANY
1259
00:44:59,406 --> 00:45:01,074
STANDING
1260
00:45:01,116 --> 00:45:03,993
BETWEEN THEM
1261
00:45:01,116 --> 00:45:03,993
AND TOTAL ENERGY DOMINANCE.
1262
00:45:04,035 --> 00:45:06,829
AND WE CAN
1263
00:45:04,035 --> 00:45:06,829
NO LONGER COMPETE.
1264
00:45:06,871 --> 00:45:09,832
SOON, THEY'LL CONTROL THE ENERGY
1265
00:45:06,871 --> 00:45:09,832
SUPPLY OF HALF THE WORLD.
1266
00:45:09,874 --> 00:45:11,501
IN EFFECT,
1267
00:45:09,874 --> 00:45:11,501
THEY BECOME A NEW SUPERPOWER.
1268
00:45:11,543 --> 00:45:13,545
[ POUNDS TABLE ]
1269
00:45:13,587 --> 00:45:16,714
THE WORLD NEEDS ROBERT FISCHER
1270
00:45:13,587 --> 00:45:16,714
TO CHANGE HIS MIND.
1271
00:45:16,756 --> 00:45:18,841
Eames:
1272
00:45:16,756 --> 00:45:18,841
THAT'S WHERE WE COME IN.
1273
00:45:18,883 --> 00:45:22,137
HOW IS ROBERT FISCHER'S
1274
00:45:18,883 --> 00:45:22,137
RELATIONSHIP WITH HIS FATHER?
1275
00:45:22,178 --> 00:45:25,265
RUMOR IS THE RELATIONSHIP
1276
00:45:22,178 --> 00:45:25,265
IS QUITE COMPLICATED.
1277
00:45:25,307 --> 00:45:27,850
WELL, WE CAN'T WORK BASED
1278
00:45:25,307 --> 00:45:27,850
SOLELY ON RUMOR, CAN WE?
1279
00:45:27,892 --> 00:45:29,727
CAN YOU GET ME ACCESS
1280
00:45:27,892 --> 00:45:29,727
TO THIS MAN HERE?
1281
00:45:29,769 --> 00:45:31,104
BROWNING.
1282
00:45:31,146 --> 00:45:33,815
FISCHER SENIOR'S
1283
00:45:31,146 --> 00:45:33,815
RIGHT-HAND MAN...
1284
00:45:33,856 --> 00:45:35,525
FISCHER JUNIOR'S GODFATHER.
1285
00:45:35,567 --> 00:45:36,859
IT SHOULD BE POSSIBLE,
1286
00:45:36,901 --> 00:45:39,028
IF YOU CAN GET
1287
00:45:36,901 --> 00:45:39,028
THE RIGHT REFERENCES.
1288
00:45:39,070 --> 00:45:43,575
REFERENCES ARE SOMETHING OF
1289
00:45:39,070 --> 00:45:43,575
A SPECIALTY FOR ME, MR. SAITO.
1290
00:45:43,617 --> 00:45:46,328
I'M NOT SMELLING
1291
00:45:43,617 --> 00:45:46,328
SETTLEMENT HERE.
1292
00:45:46,369 --> 00:45:48,079
TAKE THEM DOWN.
1293
00:45:48,121 --> 00:45:49,914
MR. BROWNING,
1294
00:45:48,121 --> 00:45:49,914
MAURICE FISCHER'S POLICY
1295
00:45:49,956 --> 00:45:51,874
IS ALWAYS ONE
1296
00:45:49,956 --> 00:45:51,874
OF AVOIDING LITIGATION.
1297
00:45:54,503 --> 00:45:57,046
WELL, SHALL WE VOICE
1298
00:45:54,503 --> 00:45:57,046
YOUR CONCERNS
1299
00:45:57,088 --> 00:45:59,382
WITH MAURICE DIRECTLY?
1300
00:45:59,424 --> 00:46:00,925
I'M NOT SURE
1301
00:45:59,424 --> 00:46:00,925
THAT'S NECESSARY.
1302
00:46:00,967 --> 00:46:03,261
NO, NO, NO.
1303
00:46:00,967 --> 00:46:03,261
I-I THINK WE SHOULD.
1304
00:46:24,449 --> 00:46:27,035
HOW IS HE?
1305
00:46:27,076 --> 00:46:30,497
I DON'T WANT TO BOTHER HIM
1306
00:46:27,076 --> 00:46:30,497
UNNECESSARILY, BUT --
1307
00:46:30,539 --> 00:46:33,709
ROBERT, I TOLD YOU
1308
00:46:30,539 --> 00:46:33,709
KEEP OUT THE DAMN...
1309
00:46:30,539 --> 00:46:33,709
[ CLATTER ]
1310
00:46:34,834 --> 00:46:37,086
WAIT, SO DO IT! GET --
1311
00:46:34,834 --> 00:46:37,086
Nurse: Shh.
1312
00:46:37,128 --> 00:46:38,838
PUT IT THROUGH!
1313
00:46:38,880 --> 00:46:40,965
NEVER! NEVER.
1314
00:46:41,007 --> 00:46:43,218
HAVEN'T YOU,
1315
00:46:41,007 --> 00:46:43,218
THE SAME AS I ASKED.
1316
00:46:43,259 --> 00:46:45,762
LEAVE THAT.
1317
00:46:45,803 --> 00:46:47,222
[ BREATHING RAGGEDLY ]
1318
00:46:53,978 --> 00:46:55,855
Browning: MUST BE A CHERISHED
1319
00:46:53,978 --> 00:46:55,855
MEMORY OF HIS.
1320
00:46:55,897 --> 00:46:59,275
I PUT IT BESIDE HIS BED.
1321
00:46:59,317 --> 00:47:01,403
HE HASN'T EVEN NOTICED.
1322
00:47:01,444 --> 00:47:03,321
ROBERT...
1323
00:47:03,363 --> 00:47:05,156
[ SIGHS ]
1324
00:47:05,198 --> 00:47:07,950
...WE NEED TO TALK
1325
00:47:05,198 --> 00:47:07,950
ABOUT A POWER OF ATTORNEY.
1326
00:47:07,992 --> 00:47:10,245
I KNOW THIS IS HARD
1327
00:47:07,992 --> 00:47:10,245
ON YOU --
1328
00:47:07,992 --> 00:47:10,245
NOT NOW, UNCLE PETER.
1329
00:47:10,286 --> 00:47:12,080
BUT IT'S IMPERATIVE
1330
00:47:10,286 --> 00:47:12,080
THAT WE START TO...
1331
00:47:14,957 --> 00:47:17,126
Eames:
1332
00:47:14,957 --> 00:47:17,126
THE VULTURES ARE CIRCLING.
1333
00:47:17,168 --> 00:47:19,504
AND THE SICKER
1334
00:47:17,168 --> 00:47:19,504
MAURICE FISCHER BECOMES,
1335
00:47:19,546 --> 00:47:22,257
THE MORE POWERFUL
1336
00:47:19,546 --> 00:47:22,257
PETER BROWNING BECOMES.
1337
00:47:22,298 --> 00:47:24,676
I'VE HAD AMPLE OPPORTUNITY
1338
00:47:22,298 --> 00:47:24,676
TO OBSERVE BROWNING,
1339
00:47:24,718 --> 00:47:27,887
ADOPT HIS PHYSICAL PRESENCE,
1340
00:47:24,718 --> 00:47:27,887
STUDY HIS MANNERISMS,
1341
00:47:27,929 --> 00:47:29,681
AND SO ON AND SO FORTH.
1342
00:47:29,723 --> 00:47:31,641
SO NOW IN THE FIRST LAYER
1343
00:47:29,723 --> 00:47:31,641
OF THE DREAM,
1344
00:47:31,683 --> 00:47:33,518
I CAN IMPERSONATE BROWNING
1345
00:47:33,560 --> 00:47:37,272
AND SUGGEST CONCEPTS
1346
00:47:33,560 --> 00:47:37,272
TO FISCHER'S CONSCIOUS MIND.
1347
00:47:37,313 --> 00:47:39,107
THEN, WHEN WE TAKE HIM
1348
00:47:37,313 --> 00:47:39,107
A LEVEL DEEPER,
1349
00:47:39,148 --> 00:47:41,067
HIS OWN PROJECTION
1350
00:47:39,148 --> 00:47:41,067
OF BROWNING SHOULD --
1351
00:47:41,109 --> 00:47:42,860
SHOULD FEED THAT
1352
00:47:41,109 --> 00:47:42,860
RIGHT BACK TO HIM.
1353
00:47:42,902 --> 00:47:44,696
SO HE GIVES HIMSELF
1354
00:47:42,902 --> 00:47:44,696
THE IDEA.
1355
00:47:44,738 --> 00:47:46,448
PRECISELY.
1356
00:47:46,489 --> 00:47:48,074
THAT'S THE ONLY WAY
1357
00:47:46,489 --> 00:47:48,074
IT WILL STICK.
1358
00:47:48,116 --> 00:47:49,242
IT HAS TO SEEM
1359
00:47:48,116 --> 00:47:49,242
SELF-GENERATED.
1360
00:47:49,284 --> 00:47:50,744
EAMES...
1361
00:47:50,786 --> 00:47:52,912
I AM IMPRESSED.
1362
00:47:52,954 --> 00:47:55,164
YOUR CONDESCENSION, AS ALWAYS,
1363
00:47:52,954 --> 00:47:55,164
IS MUCH APPRECIATED,
1364
00:47:55,206 --> 00:47:56,291
ARTHUR, THANK YOU.
1365
00:47:59,377 --> 00:48:01,963
[ WHIRRING ]
1366
00:48:08,553 --> 00:48:10,012
[ RUSTLING ]
1367
00:48:17,145 --> 00:48:19,773
WERE YOU GOING UNDER
1368
00:48:17,145 --> 00:48:19,773
ON YOUR OWN?
1369
00:48:19,815 --> 00:48:21,190
NO, NO, I WAS JUST --
1370
00:48:21,232 --> 00:48:23,568
I WAS JUST RUNNING
1371
00:48:21,232 --> 00:48:23,568
SOME EXPERIMENTS.
1372
00:48:23,610 --> 00:48:25,779
I DIDN'T REALIZE
1373
00:48:23,610 --> 00:48:25,779
ANYONE WAS HERE.
1374
00:48:25,821 --> 00:48:28,573
YEAH, I WAS JUST -- I WAS
1375
00:48:25,821 --> 00:48:28,573
WORKING ON MY TOTEM, ACTUALLY.
1376
00:48:28,615 --> 00:48:29,741
HERE.
1377
00:48:28,615 --> 00:48:29,741
LET ME TAKE A LOOK.
1378
00:48:29,783 --> 00:48:31,367
AH --
1379
00:48:31,409 --> 00:48:33,578
SO YOU'RE LEARNING, HUH?
1380
00:48:33,620 --> 00:48:36,790
AN ELEGANT SOLUTION
1381
00:48:33,620 --> 00:48:36,790
FOR KEEPING TRACK OF REALITY.
1382
00:48:36,832 --> 00:48:38,792
WAS IT YOUR IDEA?
1383
00:48:38,834 --> 00:48:41,127
NO, IT WAS...
1384
00:48:38,834 --> 00:48:41,127
IT WAS MAL'S, ACTUALLY.
1385
00:48:41,169 --> 00:48:42,754
THIS....
1386
00:48:42,796 --> 00:48:44,172
THIS ONE WAS HERS.
1387
00:48:44,213 --> 00:48:45,590
SHE'D SPIN IT
1388
00:48:44,213 --> 00:48:45,590
IN THE DREAM,
1389
00:48:45,632 --> 00:48:46,883
AND IT WOULD
1390
00:48:45,632 --> 00:48:46,883
NEVER TOPPLE.
1391
00:48:46,924 --> 00:48:48,176
JUST...
1392
00:48:48,217 --> 00:48:50,052
SPIN AND SPIN.
1393
00:48:50,094 --> 00:48:53,097
ARTHUR TOLD ME
1394
00:48:50,094 --> 00:48:53,097
SHE PASSED AWAY.
1395
00:48:54,766 --> 00:48:57,352
HOW ARE THE MAZES
1396
00:48:54,766 --> 00:48:57,352
COMING ALONG?
1397
00:48:57,393 --> 00:48:59,020
EACH LEVEL
1398
00:48:57,393 --> 00:48:59,020
RELATES TO THE PART
1399
00:48:59,061 --> 00:49:00,980
OF THE SUBJECT'S
1400
00:48:59,061 --> 00:49:00,980
SUBCONSCIOUS
1401
00:49:01,022 --> 00:49:02,607
THAT WE ARE TRYING
1402
00:49:01,022 --> 00:49:02,607
TO ACCESS.
1403
00:49:02,649 --> 00:49:04,776
SO, I'M MAKING THE BOTTOM
1404
00:49:02,649 --> 00:49:04,776
LEVEL A HOSPITAL
1405
00:49:04,818 --> 00:49:06,653
SO FISCHER
1406
00:49:04,818 --> 00:49:06,653
WILL BRING HIS FATHER.
1407
00:49:06,695 --> 00:49:09,656
UM, YOU KNOW, ACTUALLY,
1408
00:49:09,698 --> 00:49:11,407
I HAVE A QUESTION
1409
00:49:09,698 --> 00:49:11,407
ABOUT THIS LAYOUT.
1410
00:49:11,449 --> 00:49:13,409
NO, NO, NO. DON'T --
1411
00:49:11,449 --> 00:49:13,409
DON'T SHOW ME SPECIFICS.
1412
00:49:13,451 --> 00:49:15,328
ONLY THE DREAMER
1413
00:49:13,451 --> 00:49:15,328
SHOULD KNOW THE LAYOUT.
1414
00:49:15,370 --> 00:49:17,873
WHY IS THAT
1415
00:49:15,370 --> 00:49:17,873
SO IMPORTANT?
1416
00:49:17,914 --> 00:49:19,749
IN CASE ONE OF US
1417
00:49:17,914 --> 00:49:19,749
BRINGS IN OUR PROJECTIONS.
1418
00:49:19,791 --> 00:49:21,793
WE DON'T WANT THEM KNOWING
1419
00:49:19,791 --> 00:49:21,793
THE DETAILS OF THE MAZE.
1420
00:49:21,835 --> 00:49:25,630
YOU MEAN
1421
00:49:21,835 --> 00:49:25,630
IN CASE YOU BRING MAL IN.
1422
00:49:25,672 --> 00:49:28,383
YOU CAN'T KEEP HER OUT,
1423
00:49:25,672 --> 00:49:28,383
CAN YOU?
1424
00:49:28,424 --> 00:49:29,801
RIGHT.
1425
00:49:29,843 --> 00:49:31,594
YOU CAN'T BUILD BECAUSE,
1426
00:49:31,636 --> 00:49:34,222
IF YOU KNOW THE MAZE,
1427
00:49:31,636 --> 00:49:34,222
THEN SHE KNOWS IT.
1428
00:49:34,263 --> 00:49:36,432
WELL, SHE'D SABOTAGE
1429
00:49:34,263 --> 00:49:36,432
THE WHOLE OPERATION.
1430
00:49:36,474 --> 00:49:37,975
COBB, DO THE OTHERS KNOW?
1431
00:49:38,017 --> 00:49:39,602
NO. NO, THEY DON'T.
1432
00:49:39,644 --> 00:49:41,979
YOU'VE GOTTA WARN THEM
1433
00:49:39,644 --> 00:49:41,979
IF THIS IS GETTING WORSE.
1434
00:49:42,021 --> 00:49:43,064
NO ONE SAID
1435
00:49:42,021 --> 00:49:43,064
IT'S GETTING WORSE.
1436
00:49:44,190 --> 00:49:45,775
I NEED TO GET HOME.
1437
00:49:45,817 --> 00:49:48,403
THAT'S ALL I CARE ABOUT
1438
00:49:45,817 --> 00:49:48,403
RIGHT NOW.
1439
00:49:48,444 --> 00:49:51,030
WHY CAN'T YOU GO HOME?
1440
00:49:53,867 --> 00:49:57,662
BECAUSE THEY THINK
1441
00:49:53,867 --> 00:49:57,662
I KILLED HER.
1442
00:49:58,663 --> 00:50:01,040
THANK YOU.
1443
00:50:01,082 --> 00:50:02,417
FOR WHAT?
1444
00:50:02,458 --> 00:50:04,168
FOR NOT ASKING
1445
00:50:02,458 --> 00:50:04,168
WHETHER I DID.
1446
00:50:04,210 --> 00:50:07,213
"I WILL SPLIT UP
1447
00:50:04,210 --> 00:50:07,213
MY FATHER'S EMPIRE."
1448
00:50:07,255 --> 00:50:08,882
NOW, THIS IS
1449
00:50:07,255 --> 00:50:08,882
OBVIOUSLY AN IDEA
1450
00:50:08,924 --> 00:50:11,300
THAT ROBERT HIMSELF
1451
00:50:08,924 --> 00:50:11,300
WOULD CHOOSE TO REJECT.
1452
00:50:11,342 --> 00:50:14,303
WHICH IS WHY WE NEED TO PLANT IT
1453
00:50:11,342 --> 00:50:14,303
DEEP IN HIS SUBCONSCIOUS.
1454
00:50:14,345 --> 00:50:16,681
THE SUBCONSCIOUS IS MOTIVATED
1455
00:50:14,345 --> 00:50:16,681
BY EMOTION, RIGHT?
1456
00:50:16,723 --> 00:50:18,349
NOT REASON.
1457
00:50:18,391 --> 00:50:20,101
WE NEED TO FIND A WAY
1458
00:50:18,391 --> 00:50:20,101
TO TRANSLATE THIS
1459
00:50:20,142 --> 00:50:21,853
INTO AN EMOTIONAL CONCEPT.
1460
00:50:21,895 --> 00:50:24,647
HOW DO YOU TRANSLATE A BUSINESS
1461
00:50:21,895 --> 00:50:24,647
STRATEGY INTO AN EMOTION?
1462
00:50:24,689 --> 00:50:26,148
THAT'S WHAT WE'RE HERE
1463
00:50:24,689 --> 00:50:26,148
TO FIGURE OUT, RIGHT?
1464
00:50:26,190 --> 00:50:28,651
NOW, ROBERT'S RELATIONSHIP
1465
00:50:26,190 --> 00:50:28,651
WITH HIS FATHER
1466
00:50:28,693 --> 00:50:29,945
IS STRESSED, TO SAY THE LEAST.
1467
00:50:29,986 --> 00:50:31,112
WELL,
1468
00:50:29,986 --> 00:50:31,112
CAN WE RUN WITH THAT?
1469
00:50:31,153 --> 00:50:32,447
WE COULD SUGGEST TO HIM
1470
00:50:32,488 --> 00:50:34,115
BREAKING UP
1471
00:50:32,488 --> 00:50:34,115
HIS FATHER'S COMPANY
1472
00:50:34,156 --> 00:50:35,617
AS A "SCREW YOU"
1473
00:50:34,156 --> 00:50:35,617
TO THE OLD MAN.
1474
00:50:35,658 --> 00:50:37,159
NO, BECAUSE I THINK
1475
00:50:35,658 --> 00:50:37,159
POSITIVE EMOTION
1476
00:50:37,201 --> 00:50:38,453
TRUMPS NEGATIVE EMOTION
1477
00:50:37,201 --> 00:50:38,453
EVERY TIME.
1478
00:50:38,494 --> 00:50:40,830
WE ALL YEARN
1479
00:50:38,494 --> 00:50:40,830
FOR RECONCILIATION,
1480
00:50:40,872 --> 00:50:42,498
FOR CATHARSIS.
1481
00:50:42,540 --> 00:50:44,292
WE NEED ROBERT FISCHER
1482
00:50:44,333 --> 00:50:46,502
TO HAVE A POSITIVE
1483
00:50:44,333 --> 00:50:46,502
EMOTIONAL REACTION TO ALL THIS.
1484
00:50:46,544 --> 00:50:48,379
ALL RIGHT,
1485
00:50:46,544 --> 00:50:48,379
WELL, TRY THIS.
1486
00:50:48,421 --> 00:50:51,424
UM, "MY FATHER ACCEPTS THAT
1487
00:50:48,421 --> 00:50:51,424
I WANT TO CREATE FOR MYSELF,
1488
00:50:51,466 --> 00:50:53,426
NOT FOLLOW
1489
00:50:51,466 --> 00:50:53,426
IN HIS FOOTSTEPS."
1490
00:50:53,468 --> 00:50:54,719
THAT MIGHT WORK.
1491
00:50:54,761 --> 00:50:56,805
"MIGHT"?
1492
00:50:56,846 --> 00:50:58,473
WE'RE GONNA NEED TO DO
1493
00:50:56,846 --> 00:50:58,473
A LITTLE BETTER THAN "MIGHT."
1494
00:50:58,514 --> 00:51:00,558
OH. THANK YOU FOR
1495
00:50:58,514 --> 00:51:00,558
YOUR CONTRIBUTION, ARTHUR.
1496
00:51:00,600 --> 00:51:02,727
FORGIVE ME FOR WANTING
1497
00:51:00,600 --> 00:51:02,727
A LITTLE SPECIFICITY, EAMES.
1498
00:51:02,769 --> 00:51:04,854
SPECIFICITY?
1499
00:51:04,896 --> 00:51:07,106
INCEPTION'S
1500
00:51:04,896 --> 00:51:07,106
NOT ABOUT BEING SPECIFIC.
1501
00:51:07,148 --> 00:51:08,566
WHEN WE GET INSIDE HIS MIND,
1502
00:51:08,608 --> 00:51:12,069
WE'RE GONNA HAVE TO WORK
1503
00:51:08,608 --> 00:51:12,069
WITH WHAT WE FIND.
1504
00:51:12,111 --> 00:51:13,571
Eames:
1505
00:51:12,111 --> 00:51:13,571
ON THE TOP LEVEL,
1506
00:51:13,613 --> 00:51:15,364
WE OPEN UP HIS RELATIONSHIP
1507
00:51:13,613 --> 00:51:15,364
WITH HIS FATHER,
1508
00:51:15,406 --> 00:51:18,242
AND SAY, "I WILL NOT FOLLOW
1509
00:51:15,406 --> 00:51:18,242
IN MY FATHER'S FOOTSTEPS."
1510
00:51:18,284 --> 00:51:19,786
THEN THE NEXT LEVEL DOWN,
1511
00:51:19,828 --> 00:51:21,370
WE FEED HIM,
1512
00:51:21,412 --> 00:51:23,372
"I WILL CREATE SOMETHING
1513
00:51:21,412 --> 00:51:23,372
FOR MYSELF."
1514
00:51:23,414 --> 00:51:25,082
THEN, BY THE TIME
1515
00:51:23,414 --> 00:51:25,082
WE HIT THE BOTTOM LEVEL,
1516
00:51:25,124 --> 00:51:26,876
WE BRING OUT THE BIG GUNS.
1517
00:51:26,918 --> 00:51:29,545
"MY FATHER DOESN'T WANT ME
1518
00:51:26,918 --> 00:51:29,545
TO BE HIM."
1519
00:51:26,918 --> 00:51:29,545
EXACTLY.
1520
00:51:29,587 --> 00:51:33,174
Arthur: THREE LAYERS DOWN,
1521
00:51:29,587 --> 00:51:33,174
THE DREAMS ARE GONNA COLLAPSE
1522
00:51:33,215 --> 00:51:34,759
WITH THE SLIGHTEST DISTURBANCE.
1523
00:51:34,801 --> 00:51:35,927
SEDATION.
1524
00:51:35,969 --> 00:51:37,762
FOR SLEEP STABLE ENOUGH
1525
00:51:37,804 --> 00:51:39,764
TO CREATE THREE LAYERS
1526
00:51:37,804 --> 00:51:39,764
OF DREAMING,
1527
00:51:39,806 --> 00:51:41,307
WE'LL HAVE TO COMBINE IT
1528
00:51:41,349 --> 00:51:42,976
WITH AN EXTREMELY
1529
00:51:41,349 --> 00:51:42,976
POWERFUL SEDATIVE.
1530
00:51:53,903 --> 00:51:55,697
GOOD NIGHT.
1531
00:51:55,738 --> 00:51:58,157
THE COMPOUND WE'LL BE USING
1532
00:51:55,738 --> 00:51:58,157
TO SHARE THE DREAM
1533
00:51:58,199 --> 00:52:00,535
CREATES A VERY CLEAR CONNECTION
1534
00:51:58,199 --> 00:52:00,535
BETWEEN DREAMERS
1535
00:52:00,576 --> 00:52:02,578
WHILST ACTUALLY ACCELERATING
1536
00:52:00,576 --> 00:52:02,578
BRAIN FUNCTION.
1537
00:52:02,620 --> 00:52:05,040
IN OTHER WORDS, IT GIVES US
1538
00:52:02,620 --> 00:52:05,040
MORE TIME ON EACH LEVEL.
1539
00:52:05,081 --> 00:52:08,334
BRAIN FUNCTION IN THE DREAM
1540
00:52:05,081 --> 00:52:08,334
WILL BE ABOUT 20 TIMES NORMAL.
1541
00:52:08,376 --> 00:52:10,545
WHEN YOU ENTER A DREAM
1542
00:52:08,376 --> 00:52:10,545
WITHIN THAT DREAM,
1543
00:52:10,586 --> 00:52:12,047
THE EFFECT IS COMPOUNDED.
1544
00:52:12,088 --> 00:52:13,589
IT'S 3 DREAMS --
1545
00:52:12,088 --> 00:52:13,589
THAT'S 10 HOURS TIMES --
1546
00:52:13,631 --> 00:52:15,174
I'M SORRY, MATH WAS NEVER
1547
00:52:13,631 --> 00:52:15,174
MY STRONG SUBJECT.
1548
00:52:15,216 --> 00:52:16,843
H-HOW MUCH TIME IS THAT?
1549
00:52:16,885 --> 00:52:20,722
IT'S A WEEK,
1550
00:52:16,885 --> 00:52:20,722
THE FIRST LEVEL DOWN,
1551
00:52:20,763 --> 00:52:22,598
SIX MONTHS,
1552
00:52:20,763 --> 00:52:22,598
THE SECOND LEVEL DOWN,
1553
00:52:22,640 --> 00:52:23,933
AND THE THIRD LEVEL...
1554
00:52:23,975 --> 00:52:25,142
IT'S 10 YEARS.
1555
00:52:27,812 --> 00:52:29,939
WHO WOULD WANT TO BE STUCK
1556
00:52:27,812 --> 00:52:29,939
IN A DREAM FOR 10 YEARS?
1557
00:52:29,981 --> 00:52:31,649
DEPENDS ON THE DREAM.
1558
00:52:31,691 --> 00:52:33,860
SO, ONCE WE'VE MADE THE PLANT,
1559
00:52:31,691 --> 00:52:33,860
HOW DO WE GET OUT?
1560
00:52:33,902 --> 00:52:36,362
AND I'M HOPING YOU HAVE
1561
00:52:33,902 --> 00:52:36,362
SOMETHING MORE ELEGANT IN MIND
1562
00:52:36,404 --> 00:52:37,613
THAN SHOOTING ME
1563
00:52:36,404 --> 00:52:37,613
IN THE HEAD.
1564
00:52:37,655 --> 00:52:38,948
A KICK.
1565
00:52:38,990 --> 00:52:40,742
WHAT'S A KICK?
1566
00:52:40,783 --> 00:52:42,869
THIS, ARIADNE,
1567
00:52:40,783 --> 00:52:42,869
WOULD BE A KICK.
1568
00:52:46,205 --> 00:52:48,416
IT'S THAT FEELING OF FALLING
1569
00:52:46,205 --> 00:52:48,416
YOU GET THAT JOLTS YOU AWAKE.
1570
00:52:48,457 --> 00:52:50,001
IT [SNAPS FINGERS]
1571
00:52:48,457 --> 00:52:50,001
SNAPS YOU OUT OF THE DREAM.
1572
00:52:50,043 --> 00:52:51,794
ARE WE GONNA FEEL A KICK
1573
00:52:50,043 --> 00:52:51,794
WITH THIS KIND OF SEDATION?
1574
00:52:51,836 --> 00:52:53,170
Yusuf:
1575
00:52:51,836 --> 00:52:53,170
OH, THAT'S THE CLEVER PART.
1576
00:52:53,212 --> 00:52:54,547
I CUSTOMIZED THE SEDATIVE
1577
00:52:54,589 --> 00:52:57,008
TO LEAVE INNER EAR FUNCTION
1578
00:52:54,589 --> 00:52:57,008
UNIMPAIRED.
1579
00:52:57,050 --> 00:52:59,094
THAT WAY,
1580
00:52:57,050 --> 00:52:59,094
HOWEVER DEEP THE SLEEP,
1581
00:52:59,135 --> 00:53:00,887
THE SLEEPER
1582
00:52:59,135 --> 00:53:00,887
STILL FEELS FALLING.
1583
00:53:00,929 --> 00:53:02,597
OR TIPPING.
1584
00:53:04,432 --> 00:53:06,559
THE TRICK IS
1585
00:53:04,432 --> 00:53:06,559
TO SYNCHRONIZE A KICK
1586
00:53:06,601 --> 00:53:08,811
THAT CAN PENETRATE
1587
00:53:06,601 --> 00:53:08,811
ALL THREE LEVELS.
1588
00:53:08,853 --> 00:53:10,521
WE COULD USE
1589
00:53:08,853 --> 00:53:10,521
THE MUSICAL COUNTDOWN
1590
00:53:10,563 --> 00:53:12,065
TO SYNCHRONIZE
1591
00:53:10,563 --> 00:53:12,065
THE DIFFERENT KICKS.
1592
00:53:12,107 --> 00:53:14,275
[ "NON JE NE REGRETTE RIEN"
1593
00:53:12,107 --> 00:53:14,275
PLAYS ]
1594
00:53:21,074 --> 00:53:23,118
Eames: HE HASN'T GOT
1595
00:53:21,074 --> 00:53:23,118
ANY SURGERY SCHEDULED.
1596
00:53:23,159 --> 00:53:24,911
THERE'S NO DENTAL,
1597
00:53:23,159 --> 00:53:24,911
NOTHING.
1598
00:53:24,953 --> 00:53:26,621
Cobb: WASN'T HE SUPPOSED
1599
00:53:24,953 --> 00:53:26,621
TO HAVE A KNEE OPERATION?
1600
00:53:26,662 --> 00:53:28,831
NOTHING. NOTHING THAT THEY'D
1601
00:53:26,662 --> 00:53:28,831
PUT HIM UNDER FOR, ANYWAY.
1602
00:53:28,873 --> 00:53:31,208
AND WE NEED -- WE NEED
1603
00:53:28,873 --> 00:53:31,208
AT LEAST A GOOD 10 HOURS.
1604
00:53:31,250 --> 00:53:33,628
SYDNEY TO LOS ANGELES.
1605
00:53:34,879 --> 00:53:37,173
ONE OF THE LONGEST FLIGHTS
1606
00:53:34,879 --> 00:53:37,173
IN THE WORLD.
1607
00:53:37,214 --> 00:53:39,092
HE MAKES IT EVERY TWO WEEKS.
1608
00:53:39,134 --> 00:53:41,510
HE MUST BE
1609
00:53:39,134 --> 00:53:41,510
FLYING PRIVATE, THEN.
1610
00:53:41,552 --> 00:53:45,098
NOT IF THERE WERE UNEXPECTED
1611
00:53:41,552 --> 00:53:45,098
MAINTENANCE WITH HIS PLANE.
1612
00:53:45,140 --> 00:53:47,642
Arthur:
1613
00:53:45,140 --> 00:53:47,642
IT WOULD HAVE TO BE A 747.
1614
00:53:45,140 --> 00:53:47,642
WHY'S THAT?
1615
00:53:47,683 --> 00:53:49,310
BECAUSE ON A 747,
1616
00:53:47,683 --> 00:53:49,310
THE PILOT IS UP TOP,
1617
00:53:49,351 --> 00:53:51,104
AND THE FIRST-CLASS CABIN
1618
00:53:49,351 --> 00:53:51,104
IS IN THE NOSE,
1619
00:53:51,146 --> 00:53:52,647
SO NO ONE
1620
00:53:51,146 --> 00:53:52,647
WOULD WALK THROUGH.
1621
00:53:52,688 --> 00:53:54,482
BUT YOU'D HAVE TO BUY OUT
1622
00:53:52,688 --> 00:53:54,482
THE ENTIRE CABIN
1623
00:53:54,523 --> 00:53:56,275
AND THE FIRST-CLASS
1624
00:53:54,523 --> 00:53:56,275
FLIGHT ATTENDANT.
1625
00:53:56,317 --> 00:53:57,526
I BOUGHT THE AIRLINE.
1626
00:53:59,154 --> 00:54:01,030
IT SEEMED NEATER.
1627
00:54:02,698 --> 00:54:05,994
WELL, LOOKS LIKE
1628
00:54:02,698 --> 00:54:05,994
WE HAVE OUR 10 HOURS.
1629
00:54:06,035 --> 00:54:07,954
ARIADNE?
1630
00:54:07,996 --> 00:54:09,288
TERRIFIC WORK,
1631
00:54:07,996 --> 00:54:09,288
BY THE WAY.
1632
00:54:38,985 --> 00:54:42,780
[ WHIRRING ]
1633
00:54:42,822 --> 00:54:44,740
[ ELEVATOR CLATTERING ]
1634
00:54:56,335 --> 00:55:00,422
Mal:
1635
00:54:56,335 --> 00:55:00,422
YOU KNOW HOW TO FIND ME.
1636
00:55:00,464 --> 00:55:02,383
YOU KNOW
1637
00:55:00,464 --> 00:55:02,383
WHAT YOU HAVE TO DO.
1638
00:55:05,803 --> 00:55:09,932
YOU REMEMBER WHEN YOU ASKED ME
1639
00:55:05,803 --> 00:55:09,932
TO MARRY YOU?
1640
00:55:09,974 --> 00:55:13,602
OF COURSE I DO.
1641
00:55:13,644 --> 00:55:15,938
YOU SAID YOU HAD A DREAM.
1642
00:55:19,067 --> 00:55:22,737
THAT WE'D GROW OLD
1643
00:55:19,067 --> 00:55:22,737
TOGETHER.
1644
00:55:22,778 --> 00:55:25,531
AND WE CAN.
1645
00:55:26,448 --> 00:55:28,243
[ SUSPENSEFUL MUSIC PLAYS ]
1646
00:55:31,746 --> 00:55:32,997
YOU SHOULDN'T BE HERE.
1647
00:55:33,039 --> 00:55:34,498
[ CAGE RATTLING ]
1648
00:55:37,293 --> 00:55:39,336
I JUST WANTED TO SEE
1649
00:55:37,293 --> 00:55:39,336
WHAT KIND OF "TESTS"
1650
00:55:39,378 --> 00:55:41,172
YOU'RE DOING ON YOUR OWN
1651
00:55:39,378 --> 00:55:41,172
EVERY NIGHT.
1652
00:55:41,214 --> 00:55:42,798
ALL RIGHT, WELL, THIS
1653
00:55:41,214 --> 00:55:42,798
HAS NOTHING TO DO WITH YOU.
1654
00:55:42,840 --> 00:55:44,341
THIS HAS EVERYTHING
1655
00:55:42,840 --> 00:55:44,341
TO DO WITH ME.
1656
00:55:44,383 --> 00:55:45,843
YOU'VE ASKED ME TO SHARE DREAMS
1657
00:55:44,383 --> 00:55:45,843
WITH YOU.
1658
00:55:45,885 --> 00:55:47,428
NOT THESE.
1659
00:55:47,469 --> 00:55:50,181
THESE ARE MY DREAMS.
1660
00:55:56,020 --> 00:55:59,274
[ GULLS CRYING ]
1661
00:56:01,192 --> 00:56:03,819
WHY DO YOU DO THIS
1662
00:56:01,192 --> 00:56:03,819
TO YOURSELF?
1663
00:56:03,861 --> 00:56:06,739
IT'S THE ONLY WAY
1664
00:56:03,861 --> 00:56:06,739
I CAN STILL DREAM.
1665
00:56:06,781 --> 00:56:10,785
WHY IS IT SO IMPORTANT
1666
00:56:06,781 --> 00:56:10,785
TO DREAM?
1667
00:56:10,826 --> 00:56:13,579
IN MY DREAMS,
1668
00:56:10,826 --> 00:56:13,579
WE'RE STILL TOGETHER.
1669
00:56:27,384 --> 00:56:29,595
THESE AREN'T JUST DREAMS.
1670
00:56:31,597 --> 00:56:33,057
THESE ARE MEMORIES.
1671
00:56:33,099 --> 00:56:34,642
AND -- AND YOU SAID
1672
00:56:33,099 --> 00:56:34,642
NEVER TO USE MEMORIES.
1673
00:56:34,683 --> 00:56:36,060
I KNOW I DID.
1674
00:56:36,102 --> 00:56:38,562
YOU'RE TRYING
1675
00:56:36,102 --> 00:56:38,562
TO KEEP HER ALIVE.
1676
00:56:38,604 --> 00:56:40,648
YOU CAN'T LET HER GO.
1677
00:56:40,689 --> 00:56:42,524
YOU DON'T UNDERSTAND.
1678
00:56:42,566 --> 00:56:45,236
THESE ARE MOMENTS
1679
00:56:42,566 --> 00:56:45,236
I REGRET.
1680
00:56:45,278 --> 00:56:47,196
THEY'RE MEMORIES
1681
00:56:45,278 --> 00:56:47,196
THAT I HAVE TO CHANGE.
1682
00:56:47,238 --> 00:56:51,075
WELL, WHAT'S DOWN THERE
1683
00:56:47,238 --> 00:56:51,075
THAT YOU REGRET?
1684
00:56:51,117 --> 00:56:52,576
LISTEN,
1685
00:56:51,117 --> 00:56:52,576
THERE'S ONLY ONE THING
1686
00:56:52,618 --> 00:56:54,120
YOU NEED TO UNDERSTAND
1687
00:56:52,618 --> 00:56:54,120
ABOUT ME.
1688
00:57:02,170 --> 00:57:04,088
THIS IS YOUR HOUSE?
1689
00:57:04,130 --> 00:57:07,466
MINE AND MAL'S, YES.
1690
00:57:07,508 --> 00:57:09,885
WHERE IS SHE?
1691
00:57:09,927 --> 00:57:11,512
SHE'S ALREADY GONE.
1692
00:57:16,184 --> 00:57:18,477
THAT'S MY SON, JAMES.
1693
00:57:18,519 --> 00:57:21,147
HE'S DIGGING FOR SOMETHING,
1694
00:57:18,519 --> 00:57:21,147
MAYBE A WORM.
1695
00:57:21,189 --> 00:57:22,231
[ CHILDREN SHOUTING PLAYFULLY ]
1696
00:57:22,273 --> 00:57:24,233
THAT'S PHILLIPA.
1697
00:57:24,275 --> 00:57:26,735
SEE, I THOUGHT
1698
00:57:24,275 --> 00:57:26,735
ABOUT CALLING OUT TO THEM,
1699
00:57:26,777 --> 00:57:29,488
SO THEY'D TURN AND SMILE
1700
00:57:26,777 --> 00:57:29,488
AND I COULD SEE THOSE...
1701
00:57:29,530 --> 00:57:31,699
THOSE BEAUTIFUL FACES
1702
00:57:29,530 --> 00:57:31,699
OF THEIRS.
1703
00:57:31,740 --> 00:57:33,326
BUT...
1704
00:57:33,368 --> 00:57:35,744
IT'S ALL TOO LATE.
1705
00:57:35,786 --> 00:57:37,538
RIGHT NOW...
1706
00:57:35,786 --> 00:57:37,538
OR NEVER, COBB.
1707
00:57:42,584 --> 00:57:44,753
THEN I START TO PANIC.
1708
00:57:44,795 --> 00:57:47,589
I REALIZE I'M GONNA REGRET
1709
00:57:44,795 --> 00:57:47,589
THIS MOMENT,
1710
00:57:47,631 --> 00:57:50,467
THAT I NEED TO SEE THEIR FACES
1711
00:57:47,631 --> 00:57:50,467
ONE LAST TIME.
1712
00:57:50,509 --> 00:57:51,886
Marie: JAMES! PHILLIPA!
1713
00:57:51,927 --> 00:57:53,721
COME ON IN!
1714
00:57:53,762 --> 00:57:57,058
BUT THE MOMENT'S PAST.
1715
00:57:57,099 --> 00:58:00,561
AND WHATEVER I DO,
1716
00:57:57,099 --> 00:58:00,561
I CAN'T CHANGE THIS MOMENT.
1717
00:58:00,602 --> 00:58:04,232
AS I'M ABOUT TO CALL OUT
1718
00:58:00,602 --> 00:58:04,232
TO THEM...
1719
00:58:04,273 --> 00:58:06,067
THEY RUN AWAY.
1720
00:58:07,985 --> 00:58:10,405
IF I'M EVER GONNA SEE
1721
00:58:07,985 --> 00:58:10,405
THEIR FACES AGAIN,
1722
00:58:10,446 --> 00:58:12,073
I'VE GOTTA
1723
00:58:10,446 --> 00:58:12,073
GET BACK HOME...
1724
00:58:13,241 --> 00:58:14,283
...TO THE REAL WORLD.
1725
00:58:14,325 --> 00:58:15,701
[ CAGE CLATTERS ]
1726
00:58:15,743 --> 00:58:17,912
[ BREATHING HEAVILY ]
1727
00:58:19,330 --> 00:58:22,083
[ TRAIN RUMBLING ]
1728
00:58:43,645 --> 00:58:45,606
[ SIREN WAILS IN DISTANCE ]
1729
00:58:51,946 --> 00:58:53,030
[ GLASS CRUNCHES ]
1730
00:58:56,367 --> 00:58:57,826
WHAT ARE YOU DOING HERE?
1731
00:58:57,868 --> 00:58:59,328
MY NAME IS --
1732
00:58:59,370 --> 00:59:01,163
I KNOW WHO YOU ARE.
1733
00:59:01,205 --> 00:59:02,957
WHAT ARE YOU DOING HERE?
1734
00:59:10,965 --> 00:59:13,842
I'M JUST TRYING
1735
00:59:10,965 --> 00:59:13,842
TO UNDERSTAND.
1736
00:59:13,884 --> 00:59:16,804
HOW COULD YOU
1737
00:59:13,884 --> 00:59:16,804
UNDERSTAND?
1738
00:59:16,845 --> 00:59:19,348
DO YOU KNOW WHAT IT IS
1739
00:59:16,845 --> 00:59:19,348
TO BE A LOVER?
1740
00:59:21,476 --> 00:59:23,560
TO BE HALF OF A WHOLE?
1741
00:59:23,602 --> 00:59:25,771
NO.
1742
00:59:27,273 --> 00:59:29,942
I'LL TELL YOU A RIDDLE.
1743
00:59:29,984 --> 00:59:33,862
YOU'RE WAITING
1744
00:59:29,984 --> 00:59:33,862
FOR A TRAIN,
1745
00:59:33,904 --> 00:59:37,450
A TRAIN THAT WILL TAKE YOU
1746
00:59:33,904 --> 00:59:37,450
FAR AWAY.
1747
00:59:37,492 --> 00:59:39,160
[ GLASS CRUNCHES ]
1748
00:59:39,201 --> 00:59:42,788
YOU KNOW WHERE YOU HOPE
1749
00:59:39,201 --> 00:59:42,788
THIS TRAIN WILL TAKE YOU,
1750
00:59:42,830 --> 00:59:45,416
BUT YOU DON'T KNOW
1751
00:59:42,830 --> 00:59:45,416
FOR SURE.
1752
00:59:45,458 --> 00:59:47,793
BUT IT DOESN'T MATTER.
1753
00:59:47,835 --> 00:59:50,879
HOW CAN IT
1754
00:59:47,835 --> 00:59:50,879
NOT MATTER TO YOU
1755
00:59:50,921 --> 00:59:52,714
WHERE THAT TRAIN
1756
00:59:50,921 --> 00:59:52,714
WILL TAKE YOU?
1757
00:59:52,756 --> 00:59:54,216
Cobb:
1758
00:59:52,756 --> 00:59:54,216
BECAUSE WE'LL BE TOGETHER.
1759
00:59:54,258 --> 00:59:56,677
HOW COULD YOU
1760
00:59:54,258 --> 00:59:56,677
BRING HER HERE, DOM?
1761
00:59:56,718 --> 00:59:58,053
WHAT IS THIS PLACE?
1762
00:59:58,095 --> 00:59:59,472
THIS IS THE HOTEL SUITE
1763
00:59:59,514 --> 01:00:01,557
WHERE WE USED TO SPEND
1764
00:59:59,514 --> 01:00:01,557
OUR ANNIVERSARY.
1765
01:00:01,598 --> 01:00:02,850
WHAT HAPPENED HERE?
1766
01:00:04,935 --> 01:00:06,603
YOU PROMISED!
1767
01:00:06,645 --> 01:00:08,814
YOU PROMISED
1768
01:00:06,645 --> 01:00:08,814
WE'D BE TOGETHER!
1769
01:00:08,856 --> 01:00:10,441
PLEASE, I NEED YOU TO STAY HERE
1770
01:00:08,856 --> 01:00:10,441
JUST FOR NOW!
1771
01:00:10,483 --> 01:00:11,900
YOU SAID
1772
01:00:10,483 --> 01:00:11,900
WE'D BE TOGETHER!
1773
01:00:11,942 --> 01:00:14,111
YOU SAID WE'D
1774
01:00:11,942 --> 01:00:14,111
GROW OLD TOGETHER!
1775
01:00:14,153 --> 01:00:16,238
I'LL COME BACK FOR YOU.
1776
01:00:14,153 --> 01:00:16,238
I PROMISE.
1777
01:00:14,153 --> 01:00:16,238
[ ELEVATOR STARTS ]
1778
01:00:16,280 --> 01:00:18,032
[ SCREAMING ]
1779
01:00:22,286 --> 01:00:23,662
[ BREATHING HEAVILY ]
1780
01:00:27,291 --> 01:00:28,667
[ FASTENER RIPS ]
1781
01:00:28,709 --> 01:00:30,794
[ BREATHES DEEPLY ]
1782
01:00:33,922 --> 01:00:38,052
DO YOU THINK
1783
01:00:33,922 --> 01:00:38,052
YOU CAN JUST BUILD A PRISON
1784
01:00:38,093 --> 01:00:40,555
OF MEMORIES
1785
01:00:38,093 --> 01:00:40,555
TO LOCK HER IN?
1786
01:00:38,093 --> 01:00:40,555
[ EXHALES ]
1787
01:00:40,596 --> 01:00:43,015
DO YOU REALLY THINK THAT
1788
01:00:40,596 --> 01:00:43,015
THAT'S GONNA CONTAIN HER?
1789
01:00:43,057 --> 01:00:45,142
[ DOOR OPENS ]
1790
01:00:43,057 --> 01:00:45,142
Saito: IT'S TIME.
1791
01:00:46,310 --> 01:00:48,563
MAURICE FISCHER JUST DIED
1792
01:00:46,310 --> 01:00:48,563
IN SYDNEY.
1793
01:00:48,604 --> 01:00:50,523
WHEN'S THE FUNERAL?
1794
01:00:48,604 --> 01:00:50,523
THURSDAY.
1795
01:00:50,565 --> 01:00:51,482
IN LOS ANGELES.
1796
01:00:51,524 --> 01:00:52,567
ROBERT SHOULD
1797
01:00:51,524 --> 01:00:52,567
ACCOMPANY THE BODY
1798
01:00:52,608 --> 01:00:54,402
NO LATER THAN TUESDAY.
1799
01:00:52,608 --> 01:00:54,402
WE SHOULD MOVE.
1800
01:00:54,443 --> 01:00:56,695
RIGHT.
1801
01:00:56,737 --> 01:00:57,696
COBB,
1802
01:00:56,737 --> 01:00:57,696
I'M COMING WITH YOU.
1803
01:00:57,738 --> 01:00:59,948
I PROMISED MILES. NO.
1804
01:00:59,990 --> 01:01:01,700
THE TEAM NEEDS SOMEONE
1805
01:00:59,990 --> 01:01:01,700
WHO UNDERSTANDS
1806
01:01:01,742 --> 01:01:02,743
WHAT YOU'RE
1807
01:01:01,742 --> 01:01:02,743
STRUGGLING WITH.
1808
01:01:05,913 --> 01:01:07,998
A-AND IT DOESN'T
1809
01:01:05,913 --> 01:01:07,998
HAVE TO BE ME,
1810
01:01:08,040 --> 01:01:11,043
BUT THEN YOU HAVE TO SHOW
1811
01:01:08,040 --> 01:01:11,043
ARTHUR WHAT I JUST SAW.
1812
01:01:16,340 --> 01:01:18,675
GET US ANOTHER SEAT
1813
01:01:16,340 --> 01:01:18,675
ON THE PLANE.
1814
01:01:18,717 --> 01:01:19,594
[ THUD ]
1815
01:01:21,887 --> 01:01:23,805
Cobb:
1816
01:01:21,887 --> 01:01:23,805
IF I GET ON THIS PLANE
1817
01:01:23,847 --> 01:01:26,100
AND YOU DON'T HONOR
1818
01:01:23,847 --> 01:01:26,100
OUR AGREEMENT...
1819
01:01:26,141 --> 01:01:29,728
WHEN WE LAND, I GO TO JAIL
1820
01:01:26,141 --> 01:01:29,728
FOR THE REST OF MY LIFE.
1821
01:01:29,770 --> 01:01:31,606
COMPLETE THE JOB EN ROUTE,
1822
01:01:31,647 --> 01:01:35,150
I MAKE ONE PHONE CALL
1823
01:01:31,647 --> 01:01:35,150
FROM THE PLANE,
1824
01:01:35,192 --> 01:01:37,986
YOU HAVE NO TROUBLE
1825
01:01:35,192 --> 01:01:37,986
GETTING THROUGH IMMIGRATION.
1826
01:01:51,292 --> 01:01:52,960
I'M SORRY.
1827
01:01:53,001 --> 01:01:55,504
OH, YEAH, I'M SORRY.
1828
01:01:53,001 --> 01:01:55,504
MY BAD.
1829
01:01:55,546 --> 01:01:56,880
[ CLEARS THROAT ]
1830
01:02:26,785 --> 01:02:27,953
[ TONE SOUNDS ]
1831
01:02:29,037 --> 01:02:31,666
EXCUSE ME,
1832
01:02:29,037 --> 01:02:31,666
I THINK THIS IS YOURS?
1833
01:02:31,707 --> 01:02:33,334
YOU MUST HAVE
1834
01:02:31,707 --> 01:02:33,334
DROPPED IT.
1835
01:02:33,375 --> 01:02:35,043
WOULD YOU GENTLEMEN
1836
01:02:33,375 --> 01:02:35,043
CARE FOR A DRINK?
1837
01:02:35,085 --> 01:02:36,378
UH, WATER, PLEASE.
1838
01:02:36,420 --> 01:02:39,173
UM, SAME, PLEASE.
1839
01:02:39,214 --> 01:02:41,342
UM...
1840
01:02:41,383 --> 01:02:43,344
THANK YOU.
1841
01:02:43,385 --> 01:02:45,220
YOU KNOW,
1842
01:02:43,385 --> 01:02:45,220
I COULDN'T HELP BUT NOTICE,
1843
01:02:45,262 --> 01:02:47,431
BUT YOU WOULDN'T HAPPEN
1844
01:02:45,262 --> 01:02:47,431
TO BE RELATED TO...
1845
01:02:47,473 --> 01:02:49,057
THE MAURICE FISCHER,
1846
01:02:47,473 --> 01:02:49,057
WOULD YOU?
1847
01:02:49,099 --> 01:02:50,976
YES, HE, UM...
1848
01:02:51,018 --> 01:02:53,604
HE WAS MY FATHER.
1849
01:02:53,646 --> 01:02:56,023
WELL, HE WAS
1850
01:02:53,646 --> 01:02:56,023
A VERY INSPIRING FIGURE.
1851
01:02:56,064 --> 01:02:57,566
I'M SORRY FOR YOUR LOSS.
1852
01:03:00,528 --> 01:03:01,570
HERE YOU GO.
1853
01:03:01,612 --> 01:03:02,779
THANK YOU.
1854
01:03:02,821 --> 01:03:04,573
HEY.
1855
01:03:04,615 --> 01:03:06,158
TO YOUR FATHER.
1856
01:03:06,200 --> 01:03:08,827
MAY HE REST IN PEACE, HUH?
1857
01:03:20,881 --> 01:03:22,174
[ OVERHEAD COMPARTMENT CLOSES ]
1858
01:03:35,937 --> 01:03:38,273
[ WHIRRING ]
1859
01:04:05,384 --> 01:04:06,885
[ HORNS HONKING ]
1860
01:04:12,683 --> 01:04:14,059
[ HORN HONKS ]
1861
01:04:16,771 --> 01:04:19,481
COULDN'T HAVE PEED
1862
01:04:16,771 --> 01:04:19,481
BEFORE YOU WENT UNDER?
1863
01:04:16,771 --> 01:04:19,481
SORRY.
1864
01:04:19,523 --> 01:04:21,942
BIT TOO MUCH FREE CHAMPAGNE
1865
01:04:19,523 --> 01:04:21,942
BEFORE TAKEOFF, EH, YUSUF?
1866
01:04:21,983 --> 01:04:23,026
HA HA BLOODY HA.
1867
01:04:23,068 --> 01:04:24,111
WELL, WE KNOW HE'S
1868
01:04:23,068 --> 01:04:24,111
GONNA BE LOOKING
1869
01:04:24,152 --> 01:04:25,613
FOR A TAXI IN
1870
01:04:24,152 --> 01:04:25,613
THIS WEATHER.
1871
01:04:33,746 --> 01:04:35,623
[ ENGINE REVS ]
1872
01:04:35,664 --> 01:04:37,332
[ TIRES SCREECH ]
1873
01:04:37,374 --> 01:04:39,084
ASSHOLE!
1874
01:04:39,126 --> 01:04:40,711
HEY, MAN,
1875
01:04:39,126 --> 01:04:40,711
WHY DON'T YOU TRY --
1876
01:04:40,753 --> 01:04:42,045
WALK AWAY.
1877
01:04:49,970 --> 01:04:52,681
[ TIRES SQUEALING ]
1878
01:04:54,308 --> 01:04:56,769
[ UP-TEMPO MUSIC PLAYING
1879
01:04:54,308 --> 01:04:56,769
ON RADIO ]
1880
01:04:56,811 --> 01:04:57,936
[ MUSIC STOPS ]
1881
01:04:57,978 --> 01:04:59,730
JUST HAVE HIM --
1882
01:04:57,978 --> 01:04:59,730
I GOTTA GO.
1883
01:04:59,772 --> 01:05:01,732
ALL RIGHT. TAXI!
1884
01:04:59,772 --> 01:05:01,732
THANK YOU.
1885
01:05:04,359 --> 01:05:08,322
ALL RIGHT, THIRD AND MARKET.
1886
01:05:04,359 --> 01:05:08,322
[ GROANS ] SNAPPY.
1887
01:05:08,363 --> 01:05:10,699
WHAT ARE YOU DOING?
1888
01:05:08,363 --> 01:05:10,699
OH, I'M SORRY.
1889
01:05:08,363 --> 01:05:10,699
I THOUGHT IT WAS FREE.
1890
01:05:10,741 --> 01:05:12,284
WELL, IT'S NOT.
1891
01:05:10,741 --> 01:05:12,284
MAYBE WE COULD SHARE.
1892
01:05:12,326 --> 01:05:15,579
YEAH, MAYBE NOT. CAN YOU
1893
01:05:12,326 --> 01:05:15,579
PULL OVER AND GET THIS...
1894
01:05:15,621 --> 01:05:16,622
[ SIGHS ]
1895
01:05:17,873 --> 01:05:18,707
GREAT.
1896
01:05:23,671 --> 01:05:25,088
[ CAR DOOR OPENS]
1897
01:05:23,671 --> 01:05:25,088
COME ON!
1898
01:05:26,674 --> 01:05:27,633
[ CRASHING ]
1899
01:05:36,809 --> 01:05:38,143
THERE'S $500 IN THERE,
1900
01:05:38,185 --> 01:05:39,436
AND THE WALLET'S
1901
01:05:38,185 --> 01:05:39,436
WORTH MORE THAN THAT.
1902
01:05:39,478 --> 01:05:41,229
SO YOU MIGHT AT LEAST
1903
01:05:39,478 --> 01:05:41,229
DROP ME AT MY STOP.
1904
01:05:41,271 --> 01:05:42,981
I'M AFRAID
1905
01:05:41,271 --> 01:05:42,981
IT DOESN'T...
1906
01:05:43,023 --> 01:05:44,358
[ GUNSHOT ]
1907
01:05:43,023 --> 01:05:44,358
BULLET!
1908
01:05:45,567 --> 01:05:47,361
[ TIRES SCREECHING ]
1909
01:05:49,946 --> 01:05:52,407
[ TIRES SCREECH ]
1910
01:05:52,449 --> 01:05:54,242
COVER HIM!
1911
01:05:52,449 --> 01:05:54,242
DOWN! DOWN NOW!
1912
01:05:54,284 --> 01:05:55,619
WHAT THE HELL
1913
01:05:54,284 --> 01:05:55,619
IS GOING ON?!
1914
01:05:55,661 --> 01:05:56,953
[ BULLETS RICOCHET ]
1915
01:06:00,290 --> 01:06:02,125
Ariadne:
1916
01:06:00,290 --> 01:06:02,125
THIS WASN'T IN THE DESIGN.
1917
01:06:02,167 --> 01:06:04,169
COBB?
1918
01:06:04,211 --> 01:06:05,796
COBB?!
1919
01:06:05,838 --> 01:06:08,340
[ TIRES SCREECHING ]
1920
01:06:21,311 --> 01:06:24,064
[ TIRES SQUEALING,
1921
01:06:21,311 --> 01:06:24,064
GUNFIRE CONTINUES ]
1922
01:06:31,988 --> 01:06:33,574
[ TIRES SQUEALING ]
1923
01:06:41,998 --> 01:06:43,375
[ BULLETS RICOCHET ]
1924
01:06:48,923 --> 01:06:50,591
AAH!
1925
01:06:50,632 --> 01:06:52,509
[ TIRES SCREECHING,
1926
01:06:50,632 --> 01:06:52,509
GUNFIRE CONTINUES ]
1927
01:06:56,513 --> 01:06:57,639
READY?!
1928
01:07:01,852 --> 01:07:04,563
[ TIRES SCREECHING ]
1929
01:07:04,605 --> 01:07:07,691
ARE YOU ALL RIGHT?!
1930
01:07:04,605 --> 01:07:07,691
YEAH, I-I'M OKAY.
1931
01:07:04,605 --> 01:07:07,691
I'M OKAY.
1932
01:07:07,733 --> 01:07:10,402
FISCHER'S OKAY,
1933
01:07:07,733 --> 01:07:10,402
UNLESS HE GETS CARSICK.
1934
01:07:10,444 --> 01:07:11,528
SAITO?
1935
01:07:30,589 --> 01:07:32,424
GET FISCHER
1936
01:07:30,589 --> 01:07:32,424
IN THE BACK ROOM NOW!
1937
01:07:32,466 --> 01:07:34,718
GET HIM IN THE BACK ROOM.
1938
01:07:32,466 --> 01:07:34,718
MOVE!
1939
01:07:34,760 --> 01:07:36,261
[ GRUNTING ]
1940
01:07:36,303 --> 01:07:37,429
HAS HE BEEN SHOT?
1941
01:07:36,303 --> 01:07:37,429
I-IS HE DYING?
1942
01:07:37,471 --> 01:07:39,055
I DON'T KNOW.
1943
01:07:37,471 --> 01:07:39,055
JESUS CHRIST.
1944
01:07:39,097 --> 01:07:40,474
WHERE WERE YOU?
1945
01:07:39,097 --> 01:07:40,474
WHAT HAPPENED TO YOU?
1946
01:07:40,515 --> 01:07:41,683
WE WERE BLOCKED
1947
01:07:40,515 --> 01:07:41,683
BY A FREIGHT TRAIN.
1948
01:07:41,725 --> 01:07:43,018
WHY WOULD YOU PUT
1949
01:07:41,725 --> 01:07:43,018
A TRAIN CROSSING
1950
01:07:43,059 --> 01:07:44,102
IN THE MIDDLE OF A
1951
01:07:43,059 --> 01:07:44,102
DOWNTOWN INTERSECTION?
1952
01:07:44,144 --> 01:07:44,937
WELL, I DIDN'T.
1953
01:07:44,979 --> 01:07:45,980
WELL WHERE'D
1954
01:07:44,979 --> 01:07:45,980
IT COME FROM?
1955
01:07:46,021 --> 01:07:46,981
WELL LET ME ASK YOU
1956
01:07:46,021 --> 01:07:46,981
A QUESTION!
1957
01:07:47,022 --> 01:07:48,398
WHY THE HELL
1958
01:07:47,022 --> 01:07:48,398
WERE WE AMBUSHED, HUH?!
1959
01:07:48,440 --> 01:07:49,817
THOSE WERE NOT
1960
01:07:48,440 --> 01:07:49,817
NORMAL PROJECTIONS!
1961
01:07:49,858 --> 01:07:51,568
THEY'D BEEN TRAINED,
1962
01:07:49,858 --> 01:07:51,568
FOR GOD'S SAKES!
1963
01:07:49,858 --> 01:07:51,568
YOU'RE RIGHT.
1964
01:07:51,610 --> 01:07:52,569
HOW COULD HE BE TRAINED?!
1965
01:07:52,611 --> 01:07:54,571
FISCHER [SIGHS]
1966
01:07:52,611 --> 01:07:54,571
HAD AN EXTRACTOR
1967
01:07:54,613 --> 01:07:56,531
TEACH HIS SUBCONSCIOUS
1968
01:07:54,613 --> 01:07:56,531
TO DEFEND ITSELF.
1969
01:07:56,573 --> 01:07:58,533
SO HIS SUBCONSCIOUS
1970
01:07:56,573 --> 01:07:58,533
IS MILITARIZED.
1971
01:07:58,575 --> 01:08:00,368
IT SHOULD'VE SHOWN
1972
01:07:58,575 --> 01:08:00,368
IN THE RESEARCH. I'M SORRY.
1973
01:08:00,410 --> 01:08:02,329
SO WHY THE HELL
1974
01:08:00,410 --> 01:08:02,329
DIDN'T IT?
1975
01:08:00,410 --> 01:08:02,329
CALM DOWN.
1976
01:08:02,370 --> 01:08:04,164
DON'T TELL ME
1977
01:08:02,370 --> 01:08:04,164
TO CALM DOWN!
1978
01:08:04,205 --> 01:08:05,499
THIS WAS YOUR JOB,
1979
01:08:04,205 --> 01:08:05,499
GODDAMN IT!
1980
01:08:05,540 --> 01:08:07,334
THIS WAS
1981
01:08:05,540 --> 01:08:07,334
YOUR RESPONSIBILITY!
1982
01:08:07,375 --> 01:08:09,419
YOU WERE MEANT TO CHECK
1983
01:08:07,375 --> 01:08:09,419
FISCHER'S BACKGROUND THOROUGHLY!
1984
01:08:09,461 --> 01:08:10,963
WE ARE NOT PREPARED
1985
01:08:09,461 --> 01:08:10,963
FOR THIS TYPE OF VIOLENCE!
1986
01:08:11,005 --> 01:08:12,923
WE HAVE DEALT WITH
1987
01:08:11,005 --> 01:08:12,923
SUB-SECURITY BEFORE!
1988
01:08:12,965 --> 01:08:14,758
WE'LL BE A LITTLE MORE CAREFUL,
1989
01:08:12,965 --> 01:08:14,758
AND WE'RE GONNA BE FINE!
1990
01:08:14,800 --> 01:08:16,969
THIS WAS NOT A PART OF THE PLAN!
1991
01:08:14,800 --> 01:08:16,969
HE'S DYING, FOR GOD'S SAKES!
1992
01:08:17,011 --> 01:08:18,178
PUT HIM
1993
01:08:17,011 --> 01:08:18,178
OUT OF HIS MISERY.
1994
01:08:18,219 --> 01:08:19,930
NO, DON'T DO THAT!
1995
01:08:18,219 --> 01:08:19,930
HEY, HEY.
1996
01:08:19,972 --> 01:08:21,306
DON'T DO THAT.
1997
01:08:21,348 --> 01:08:23,391
HE'S IN AGONY.
1998
01:08:21,348 --> 01:08:23,391
I'M WAKING HIM UP.
1999
01:08:23,433 --> 01:08:25,268
NO.
2000
01:08:23,433 --> 01:08:25,268
IT WON'T WAKE HIM UP.
2001
01:08:25,310 --> 01:08:26,645
WHAT DO YOU MEAN,
2002
01:08:25,310 --> 01:08:26,645
IT WON'T WAKE HIM UP?
2003
01:08:26,687 --> 01:08:27,646
IT WON'T WAKE HIM UP.
2004
01:08:27,688 --> 01:08:28,981
WHEN WE DIE IN A
2005
01:08:27,688 --> 01:08:28,981
DREAM, WE WAKE UP.
2006
01:08:29,023 --> 01:08:31,025
NOT FROM THIS.
2007
01:08:31,066 --> 01:08:33,401
WE'RE TOO HEAVILY SEDATED
2008
01:08:31,066 --> 01:08:33,401
TO WAKE UP THAT WAY.
2009
01:08:33,443 --> 01:08:35,904
RIGHT. SO, WHAT HAPPENS
2010
01:08:33,443 --> 01:08:35,904
WHEN WE DIE?
2011
01:08:35,946 --> 01:08:37,906
WE DROP INTO LIMBO.
2012
01:08:35,946 --> 01:08:37,906
ARE YOU SERIOUS?
2013
01:08:37,948 --> 01:08:40,034
LIMBO?!
2014
01:08:37,948 --> 01:08:40,034
UNCONSTRUCTED
2015
01:08:37,948 --> 01:08:40,034
DREAM SPACE.
2016
01:08:40,075 --> 01:08:41,785
WELL, WHAT THE HELL
2017
01:08:40,075 --> 01:08:41,785
IS DOWN THERE?
2018
01:08:41,827 --> 01:08:43,370
JUST RAW,
2019
01:08:41,827 --> 01:08:43,370
INFINITE SUBCONSCIOUS.
2020
01:08:43,411 --> 01:08:45,039
NOTHING IS DOWN THERE,
2021
01:08:45,080 --> 01:08:46,915
EXCEPT FOR WHATEVER MIGHT HAVE
2022
01:08:45,080 --> 01:08:46,915
BEEN LEFT BEHIND
2023
01:08:46,957 --> 01:08:48,291
BY ANYONE
2024
01:08:46,957 --> 01:08:48,291
SHARING THE DREAM
2025
01:08:48,333 --> 01:08:50,126
WHO'S BEEN TRAPPED
2026
01:08:48,333 --> 01:08:50,126
THERE BEFORE.
2027
01:08:50,168 --> 01:08:52,420
WHICH, IN OUR CASE,
2028
01:08:50,168 --> 01:08:52,420
IS JUST YOU.
2029
01:08:52,462 --> 01:08:54,172
WELL, HOW LONG
2030
01:08:52,462 --> 01:08:54,172
COULD WE BE STUCK THERE?
2031
01:08:54,214 --> 01:08:55,465
Yusuf: CAN'T EVEN THINK
2032
01:08:54,214 --> 01:08:55,465
ABOUT TRYING TO ESCAPE
2033
01:08:55,507 --> 01:08:57,300
UNTIL THE SEDATION
2034
01:08:55,507 --> 01:08:57,300
HAS EASED.
2035
01:08:55,507 --> 01:08:57,300
HOW LONG, YUSUF?
2036
01:08:57,342 --> 01:08:58,552
DECADES.
2037
01:08:57,342 --> 01:08:58,552
IT COULD BE INFINITE.
2038
01:08:58,593 --> 01:08:59,594
I DON'T KNOW. ASK HIM.
2039
01:08:59,636 --> 01:09:00,971
HE'S THE ONE
2040
01:08:59,636 --> 01:09:00,971
WHO'S BEEN THERE.
2041
01:09:01,013 --> 01:09:02,723
Arthur: LET'S JUST
2042
01:09:01,013 --> 01:09:02,723
GET HIM UPSTAIRS.
2043
01:09:02,764 --> 01:09:04,016
[ GROANING ]
2044
01:09:04,058 --> 01:09:05,809
GREAT.
2045
01:09:05,851 --> 01:09:07,477
THANK YOU.
2046
01:09:07,519 --> 01:09:09,813
SO, NOW WE'RE TRAPPED
2047
01:09:07,519 --> 01:09:09,813
IN FISCHER'S MIND,
2048
01:09:09,855 --> 01:09:11,565
BATTLING HIS OWN
2049
01:09:09,855 --> 01:09:11,565
PRIVATE ARMY.
2050
01:09:11,606 --> 01:09:13,108
AND IF WE GET KILLED,
2051
01:09:13,149 --> 01:09:14,526
WE'LL BE LOST IN LIMBO
2052
01:09:14,568 --> 01:09:17,029
TILL OUR BRAINS TURN
2053
01:09:14,568 --> 01:09:17,029
TO SCRAMBLED EGG, HMM?
2054
01:09:21,199 --> 01:09:23,744
[ BREATHING HEAVILY ]
2055
01:09:23,785 --> 01:09:24,995
SOMEONE GOT FIRST AID?
2056
01:09:25,037 --> 01:09:27,581
[ GROANING ]
2057
01:09:27,622 --> 01:09:28,874
SO, YOU KNEW
2058
01:09:27,622 --> 01:09:28,874
ABOUT THESE RISKS,
2059
01:09:28,916 --> 01:09:30,291
AND YOU DIDN'T TELL US?
2060
01:09:30,333 --> 01:09:31,668
THERE WEREN'T MEANT
2061
01:09:30,333 --> 01:09:31,668
TO BE ANY RISKS.
2062
01:09:31,710 --> 01:09:33,712
I DIDN'T KNOW WE'D BE DEALING
2063
01:09:31,710 --> 01:09:33,712
WITH A LOAD OF GUNFIRE.
2064
01:09:33,754 --> 01:09:34,922
YOU HAD NO RIGHT.
2065
01:09:34,963 --> 01:09:36,673
THIS WAS THE ONLY WAY
2066
01:09:34,963 --> 01:09:36,673
TO GO THREE LAYERS DEEP.
2067
01:09:36,715 --> 01:09:38,592
AND YOU.
2068
01:09:38,633 --> 01:09:39,968
YOU KNEW ABOUT THIS
2069
01:09:38,633 --> 01:09:39,968
AND WENT ALONG WITH IT?
2070
01:09:40,010 --> 01:09:41,177
I TRUSTED HIM!
2071
01:09:40,010 --> 01:09:41,177
YOU TRUSTED HIM?
2072
01:09:41,219 --> 01:09:42,387
WHEN? WHEN HE PROMISED
2073
01:09:41,219 --> 01:09:42,387
YOU HALF HIS SHARE?
2074
01:09:42,429 --> 01:09:44,639
NO. HIS WHOLE SHARE.
2075
01:09:44,681 --> 01:09:45,974
BESIDES, HE SAID
2076
01:09:44,681 --> 01:09:45,974
HE'D DONE IT BEFORE.
2077
01:09:46,016 --> 01:09:47,642
OH, HE'D DONE IT BEFORE.
2078
01:09:46,016 --> 01:09:47,642
WHAT, WITH MAL?
2079
01:09:47,684 --> 01:09:48,560
'CAUSE THAT WORKED
2080
01:09:47,684 --> 01:09:48,560
SO GOOD?
2081
01:09:48,602 --> 01:09:49,853
THAT HAS NOTHING
2082
01:09:48,602 --> 01:09:49,853
TO DO WITH IT.
2083
01:09:49,895 --> 01:09:51,855
I DID WHAT I HAD TO DO
2084
01:09:49,895 --> 01:09:51,855
TO GET BACK TO MY CHILDREN.
2085
01:09:51,897 --> 01:09:53,273
SO YOU LED US
2086
01:09:51,897 --> 01:09:53,273
INTO A WAR ZONE
2087
01:09:53,314 --> 01:09:54,232
WITH NO WAY OUT.
2088
01:09:54,274 --> 01:09:55,191
THERE IS A WAY OUT.
2089
01:09:54,274 --> 01:09:55,191
ALL RIGHT?
2090
01:09:55,233 --> 01:09:56,443
WE CONTINUE ON
2091
01:09:55,233 --> 01:09:56,443
WITH THE JOB,
2092
01:09:56,484 --> 01:09:58,028
AND WE DO IT
2093
01:09:56,484 --> 01:09:58,028
AS FAST AS POSSIBLE,
2094
01:09:58,070 --> 01:10:00,822
AND WE GET OUT USING THE KICK,
2095
01:09:58,070 --> 01:10:00,822
JUST LIKE BEFORE.
2096
01:10:00,864 --> 01:10:03,700
FORGET IT. WE GO ANY DEEPER,
2097
01:10:00,864 --> 01:10:03,700
WE JUST RAISE THE STAKES.
2098
01:10:03,742 --> 01:10:05,869
I AM SITTING THIS ONE OUT
2099
01:10:03,742 --> 01:10:05,869
ON THIS LEVEL, BOYS.
2100
01:10:05,911 --> 01:10:08,204
FISCHER'S SECURITY
2101
01:10:05,911 --> 01:10:08,204
IS SURROUNDING
2102
01:10:05,911 --> 01:10:08,204
THIS PLACE AS WE SPEAK.
2103
01:10:08,246 --> 01:10:10,749
10 HOURS OF FLIGHT TIME
2104
01:10:08,246 --> 01:10:10,749
IS A WEEK AT THIS LEVEL.
2105
01:10:10,791 --> 01:10:13,043
THAT MEANS EACH AND EVERY ONE
2106
01:10:10,791 --> 01:10:13,043
OF US WILL BE KILLED.
2107
01:10:13,085 --> 01:10:14,628
THAT I CAN GUARANTEE YOU.
2108
01:10:14,669 --> 01:10:16,671
WE HAVE NO OTHER CHOICE
2109
01:10:14,669 --> 01:10:16,671
BUT TO CONTINUE ON
2110
01:10:16,713 --> 01:10:18,339
AND DO IT
2111
01:10:16,713 --> 01:10:18,339
AS FAST AS POSSIBLE.
2112
01:10:20,258 --> 01:10:22,844
DOWNWARDS IS
2113
01:10:20,258 --> 01:10:22,844
THE ONLY WAY FORWARDS.
2114
01:10:22,886 --> 01:10:26,056
GET READY.
2115
01:10:26,098 --> 01:10:27,641
YOU, COME ON.
2116
01:10:26,098 --> 01:10:27,641
LET'S GO SHAKE HIM UP.
2117
01:10:30,560 --> 01:10:32,353
[ BREATHING HEAVILY ]
2118
01:10:32,395 --> 01:10:35,398
I'M INSURED AGAINST KIDNAPPING
2119
01:10:32,395 --> 01:10:35,398
FOR UP TO 10 MILLION.
2120
01:10:35,440 --> 01:10:37,275
THIS SHOULD BE VERY SIMPLE.
2121
01:10:37,317 --> 01:10:38,735
SHUT UP!
2122
01:10:37,317 --> 01:10:38,735
IT WON'T BE.
2123
01:10:38,777 --> 01:10:40,528
IN YOUR FATHER'S OFFICE,
2124
01:10:38,777 --> 01:10:40,528
BELOW THE BOOKSHELVES,
2125
01:10:40,570 --> 01:10:42,114
IS HIS PERSONAL SAFE.
2126
01:10:42,156 --> 01:10:43,907
WE NEED THE COMBINATION.
2127
01:10:43,949 --> 01:10:46,367
[ SIGHS ]
2128
01:10:43,949 --> 01:10:46,367
I DON'T KNOW ANY SAFE.
2129
01:10:46,409 --> 01:10:48,662
THAT DOESN'T MEAN
2130
01:10:46,409 --> 01:10:48,662
YOU DON'T KNOW THE COMBINATION.
2131
01:10:50,288 --> 01:10:52,248
TELL US WHAT IT IS.
2132
01:10:52,290 --> 01:10:55,043
I DON'T KNOW.
2133
01:10:56,920 --> 01:10:59,714
[ FOOTSTEPS DEPARTING ]
2134
01:10:59,756 --> 01:11:02,092
WE HAVE IT ON GOOD AUTHORITY
2135
01:10:59,756 --> 01:11:02,092
YOU DO KNOW.
2136
01:11:02,134 --> 01:11:04,469
YEAH? WHOSE AUTHORITY?
2137
01:11:04,511 --> 01:11:07,430
$500, THIS COST?
2138
01:11:07,472 --> 01:11:09,307
WHAT'S INSIDE IT?
2139
01:11:09,349 --> 01:11:11,559
CASH, CARDS, I.D...
2140
01:11:11,601 --> 01:11:13,187
AND THIS.
2141
01:11:17,899 --> 01:11:19,943
USEFUL?
2142
01:11:19,985 --> 01:11:21,903
MAYBE.
2143
01:11:21,945 --> 01:11:24,280
Cobb: YOU'RE ON.
2144
01:11:21,945 --> 01:11:24,280
YOU'VE GOT AN HOUR.
2145
01:11:24,322 --> 01:11:26,950
AN HOUR?
2146
01:11:26,992 --> 01:11:29,285
I WAS SUPPOSED TO HAVE ALL NIGHT
2147
01:11:26,992 --> 01:11:29,285
TO CRACK THIS.
2148
01:11:26,992 --> 01:11:29,285
[ KNOCKING ]
2149
01:11:29,327 --> 01:11:31,454
AND SAITO WASN'T SUPPOSED
2150
01:11:29,327 --> 01:11:31,454
TO BE SHOT IN THE CHEST.
2151
01:11:31,496 --> 01:11:32,789
YOU'VE GOT ONE HOUR.
2152
01:11:32,831 --> 01:11:35,125
NOW, GET US SOMETHING
2153
01:11:32,831 --> 01:11:35,125
USEFUL, PLEASE.
2154
01:11:35,167 --> 01:11:37,794
[ SCREAMING ]
2155
01:11:37,836 --> 01:11:39,129
WHAT'S THAT?
2156
01:11:39,171 --> 01:11:40,338
GOOD AUTHORITY.
2157
01:11:40,380 --> 01:11:43,800
[ SCREAMING CONTINUES ]
2158
01:11:43,842 --> 01:11:46,011
[ Softly ]
2159
01:11:43,842 --> 01:11:46,011
UNCLE PETER.
2160
01:11:46,053 --> 01:11:48,388
JUST --
2161
01:11:46,053 --> 01:11:48,388
JUST MAKE THEM STOP.
2162
01:11:48,429 --> 01:11:50,140
THE COMBINATION.
2163
01:11:50,182 --> 01:11:51,850
I DON'T KNOW IT.
2164
01:11:51,892 --> 01:11:54,644
WHY DOES BROWNING
2165
01:11:51,892 --> 01:11:54,644
SAY YOU DO?
2166
01:11:51,892 --> 01:11:54,644
I DON'T KNOW.
2167
01:11:54,686 --> 01:11:56,897
JUST LET ME TALK TO HIM,
2168
01:11:54,686 --> 01:11:56,897
AND I'LL FIND OUT.
2169
01:11:58,565 --> 01:11:59,816
[ GRUNTS ]
2170
01:11:59,858 --> 01:12:02,069
YOU HAVE ONE HOUR!
2171
01:11:59,858 --> 01:12:02,069
START TALKING.
2172
01:12:02,110 --> 01:12:03,361
[ HANDCUFFS CLICK ]
2173
01:12:03,403 --> 01:12:04,905
AHH.
2174
01:12:03,403 --> 01:12:04,905
YOU ALL RIGHT?
2175
01:12:04,946 --> 01:12:06,948
[ DOOR SLAMS ]
2176
01:12:04,946 --> 01:12:06,948
AAH.
2177
01:12:06,990 --> 01:12:08,408
YOU OKAY?
2178
01:12:08,449 --> 01:12:11,786
[ BREATHING HEAVILY ]
2179
01:12:11,828 --> 01:12:15,415
THOSE BASTARDS HAVE HAD AT ME
2180
01:12:11,828 --> 01:12:15,415
FOR TWO DAYS.
2181
01:12:15,456 --> 01:12:18,626
THEY HAVE SOMEONE WITH ACCESS
2182
01:12:15,456 --> 01:12:18,626
TO YOUR FATHER'S OFFICE,
2183
01:12:18,668 --> 01:12:20,795
AND THEY'RE TRYING
2184
01:12:18,668 --> 01:12:20,795
TO OPEN HIS SAFE.
2185
01:12:18,668 --> 01:12:20,795
YEAH.
2186
01:12:20,837 --> 01:12:22,422
THEY THOUGHT I'D KNOW
2187
01:12:20,837 --> 01:12:22,422
THE COMBINATION,
2188
01:12:22,463 --> 01:12:24,007
BUT I DON'T KNOW IT.
2189
01:12:24,049 --> 01:12:25,550
YEAH, WELL,
2190
01:12:24,049 --> 01:12:25,550
NEITHER DO I, SO...
2191
01:12:25,592 --> 01:12:26,968
WHAT?
2192
01:12:27,010 --> 01:12:28,845
MAURICE TOLD ME
2193
01:12:27,010 --> 01:12:28,845
THAT WHEN HE PASSED,
2194
01:12:28,887 --> 01:12:30,972
YOU WERE THE ONLY ONE
2195
01:12:28,887 --> 01:12:30,972
THAT WOULD BE ABLE TO OPEN IT.
2196
01:12:31,014 --> 01:12:33,600
NO, HE NEVER -- HE NEVER
2197
01:12:31,014 --> 01:12:33,600
GAVE ME ANY COMBINATION.
2198
01:12:33,641 --> 01:12:35,643
MAYBE HE DID.
2199
01:12:35,685 --> 01:12:38,438
MAYBE YOU JUST DIDN'T KNOW
2200
01:12:35,685 --> 01:12:38,438
IT WAS THE COMBINATION.
2201
01:12:38,479 --> 01:12:40,774
WELL, WHAT, THEN?
2202
01:12:38,479 --> 01:12:40,774
I DON'T KNOW.
2203
01:12:40,815 --> 01:12:42,609
SOME MEANINGFUL COMBINATION
2204
01:12:40,815 --> 01:12:42,609
OF NUMBERS
2205
01:12:42,650 --> 01:12:46,071
BASED ON YOUR --
2206
01:12:42,650 --> 01:12:46,071
YOUR EXPERIENCES WITH MAURICE.
2207
01:12:46,113 --> 01:12:47,781
[ SCOFFS ]
2208
01:12:47,822 --> 01:12:50,200
WE DIDN'T HAVE
2209
01:12:47,822 --> 01:12:50,200
VERY MANY, UM...
2210
01:12:50,242 --> 01:12:52,452
MEANINGFUL EXPERIENCES
2211
01:12:50,242 --> 01:12:52,452
TOGETHER.
2212
01:12:52,493 --> 01:12:54,412
PERHAPS
2213
01:12:52,493 --> 01:12:54,412
AFTER YOUR MOTHER DIED.
2214
01:12:55,663 --> 01:12:57,291
[ SIGHS ]
2215
01:12:57,332 --> 01:12:58,625
AFTER MY MOTHER DIED,
2216
01:12:58,666 --> 01:12:59,960
YOU KNOW WHAT HE TOLD ME?
2217
01:13:00,001 --> 01:13:03,671
"ROBERT,
2218
01:13:00,001 --> 01:13:03,671
THERE'S REALLY...
2219
01:13:03,713 --> 01:13:06,716
NOTHING TO BE SAID."
2220
01:13:06,758 --> 01:13:09,094
OH, WELL,
2221
01:13:06,758 --> 01:13:09,094
HE WAS BAD WITH EMOTION.
2222
01:13:09,136 --> 01:13:11,972
I WAS 11, UNCLE PETER.
2223
01:13:12,013 --> 01:13:13,140
HOW'S HE DOIN'?
2224
01:13:13,181 --> 01:13:15,516
HE'S IN A LOT OF PAIN.
2225
01:13:15,558 --> 01:13:17,435
WHEN WE GET DOWN
2226
01:13:15,558 --> 01:13:17,435
TO THE LOWER LEVELS,
2227
01:13:17,477 --> 01:13:19,062
THE PAIN WILL BE
2228
01:13:17,477 --> 01:13:19,062
LESS INTENSE.
2229
01:13:19,104 --> 01:13:21,189
AND IF HE DIES?
2230
01:13:21,231 --> 01:13:22,899
WORST-CASE SCENARIO?
2231
01:13:22,941 --> 01:13:26,820
WHEN HE WAKES UP,
2232
01:13:22,941 --> 01:13:26,820
HIS MIND IS COMPLETELY GONE.
2233
01:13:26,861 --> 01:13:28,613
Saito: COBB...
2234
01:13:26,861 --> 01:13:28,613
[ PANTING ]
2235
01:13:28,655 --> 01:13:31,325
I'LL STILL HONOR
2236
01:13:28,655 --> 01:13:31,325
THE ARRANGEMENT.
2237
01:13:31,366 --> 01:13:32,659
I APPRECIATE THAT, SAITO.
2238
01:13:32,700 --> 01:13:34,702
BUT WHEN YOU WAKE UP,
2239
01:13:34,744 --> 01:13:36,537
YOU WON'T EVEN REMEMBER
2240
01:13:34,744 --> 01:13:36,537
THAT WE HAD AN ARRANGEMENT.
2241
01:13:36,579 --> 01:13:38,790
LIMBO IS GONNA BECOME
2242
01:13:36,579 --> 01:13:38,790
YOUR REALITY.
2243
01:13:38,832 --> 01:13:41,042
YOU'RE GONNA BE LOST
2244
01:13:38,832 --> 01:13:41,042
DOWN THERE SO LONG
2245
01:13:41,084 --> 01:13:43,128
THAT YOU'RE GONNA
2246
01:13:41,084 --> 01:13:43,128
BECOME AN OLD MAN.
2247
01:13:43,170 --> 01:13:44,879
FILLED WITH REGRET?
2248
01:13:44,921 --> 01:13:47,299
WAITING TO DIE ALONE.
2249
01:13:47,341 --> 01:13:49,217
NO.
2250
01:13:49,259 --> 01:13:51,511
I'LL COME BACK.
2251
01:13:51,552 --> 01:13:54,472
AND WE'LL BE YOUNG MEN
2252
01:13:51,552 --> 01:13:54,472
TOGETHER AGAIN.
2253
01:13:56,474 --> 01:13:58,101
[ BREATHING RAGGEDLY ]
2254
01:14:00,145 --> 01:14:01,896
BREATHE.
2255
01:14:01,938 --> 01:14:03,273
THESE PEOPLE
2256
01:14:01,938 --> 01:14:03,273
ARE GONNA KILL US
2257
01:14:03,315 --> 01:14:04,649
IF WE DON'T GIVE THEM
2258
01:14:03,315 --> 01:14:04,649
THE COMBINATION.
2259
01:14:04,691 --> 01:14:06,109
THEY JUST
2260
01:14:04,691 --> 01:14:06,109
WANT TO RANSOM US.
2261
01:14:06,151 --> 01:14:07,944
I HEARD THEM.
2262
01:14:07,986 --> 01:14:09,779
THEY'RE GONNA LOCK US
2263
01:14:07,986 --> 01:14:09,779
IN THAT VAN,
2264
01:14:09,821 --> 01:14:11,323
AND THEN DRIVE IT
2265
01:14:09,821 --> 01:14:11,323
INTO THE RIVER.
2266
01:14:11,365 --> 01:14:12,866
ALL RIGHT.
2267
01:14:11,365 --> 01:14:12,866
WHAT IS IN THE SAFE?
2268
01:14:12,907 --> 01:14:15,243
SOMETHING FOR YOU.
2269
01:14:15,285 --> 01:14:16,870
MAURICE ALWAYS SAID
2270
01:14:16,911 --> 01:14:19,914
IT WAS HIS MOST PRECIOUS GIFT
2271
01:14:16,911 --> 01:14:19,914
TO YOU --
2272
01:14:19,956 --> 01:14:21,749
A WILL.
2273
01:14:21,791 --> 01:14:23,459
MAURICE'S WILL
2274
01:14:21,791 --> 01:14:23,459
IS WITH PORT AND DUNN.
2275
01:14:23,501 --> 01:14:25,170
THAT'S AN ALTERNATE.
2276
01:14:25,212 --> 01:14:27,881
THIS WOULD SUPERSEDE THE OTHER
2277
01:14:25,212 --> 01:14:27,881
IF YOU WANT IT TO.
2278
01:14:27,922 --> 01:14:30,591
IT SPLITS UP THE COMPONENT
2279
01:14:27,922 --> 01:14:30,591
BUSINESSES OF FISCHER MORROW.
2280
01:14:30,633 --> 01:14:34,470
IT'D BE THE END OF THE ENTIRE
2281
01:14:30,633 --> 01:14:34,470
EMPIRE AS WE KNOW IT.
2282
01:14:34,512 --> 01:14:37,515
DESTROYING
2283
01:14:34,512 --> 01:14:37,515
MY WHOLE INHERITANCE.
2284
01:14:37,557 --> 01:14:40,352
WHY WOULD HE SUGGEST
2285
01:14:37,557 --> 01:14:40,352
SUCH A THING?
2286
01:14:40,394 --> 01:14:41,728
I JUST DON'T KNOW.
2287
01:14:43,813 --> 01:14:46,649
HE LOVED YOU, ROBERT.
2288
01:14:46,691 --> 01:14:48,402
IN HIS OWN WAY.
2289
01:14:48,443 --> 01:14:51,154
"IN HIS OWN WAY"?
2290
01:14:51,196 --> 01:14:53,698
AT THE END...
2291
01:14:53,740 --> 01:14:56,534
HE CALLED ME IN
2292
01:14:53,740 --> 01:14:56,534
TO HIS DEATHBED.
2293
01:14:56,576 --> 01:14:59,579
HE COULD BARELY SPEAK.
2294
01:14:59,620 --> 01:15:04,418
BUT HE TOOK THE TROUBLE
2295
01:14:59,620 --> 01:15:04,418
TO TELL ME ONE LAST THING.
2296
01:15:06,336 --> 01:15:08,629
HE PULLED ME CLOSE.
2297
01:15:10,673 --> 01:15:14,052
AND I COULD ONLY
2298
01:15:10,673 --> 01:15:14,052
MAKE OUT...
2299
01:15:14,094 --> 01:15:15,720
ONE WORD.
2300
01:15:18,723 --> 01:15:21,809
"DISAPPOINTED."
2301
01:15:23,353 --> 01:15:27,148
[ BREATHES DEEPLY ]
2302
01:15:27,190 --> 01:15:28,316
WHEN WERE YOU IN LIMBO?
2303
01:15:29,943 --> 01:15:31,778
YOU MIGHT HAVE THE REST
2304
01:15:29,943 --> 01:15:31,778
OF THE TEAM CONVINCED
2305
01:15:31,819 --> 01:15:33,113
TO CARRY ON
2306
01:15:31,819 --> 01:15:33,113
WITH THIS JOB,
2307
01:15:33,154 --> 01:15:34,322
BUT THEY DON'T KNOW
2308
01:15:33,154 --> 01:15:34,322
THE TRUTH.
2309
01:15:34,364 --> 01:15:35,823
TRUTH? WHAT TRUTH?
2310
01:15:35,865 --> 01:15:37,992
THE TRUTH THAT,
2311
01:15:35,865 --> 01:15:37,992
AT ANY MINUTE,
2312
01:15:38,034 --> 01:15:40,328
YOU MIGHT BRING A FREIGHT TRAIN
2313
01:15:38,034 --> 01:15:40,328
THROUGH THE WALL.
2314
01:15:40,370 --> 01:15:44,832
THE TRUTH THAT MAL IS BURSTING
2315
01:15:40,370 --> 01:15:44,832
THROUGH YOUR SUBCONSCIOUS.
2316
01:15:44,874 --> 01:15:47,335
AND THE TRUTH THAT,
2317
01:15:44,874 --> 01:15:47,335
AS WE GO DEEPER INTO FISCHER,
2318
01:15:47,377 --> 01:15:49,254
WE'RE ALSO GOING DEEPER
2319
01:15:47,377 --> 01:15:49,254
INTO YOU.
2320
01:15:49,296 --> 01:15:53,049
AND...I'M NOT SURE
2321
01:15:49,296 --> 01:15:53,049
WE'RE GONNA LIKE WHAT WE FIND.
2322
01:15:56,511 --> 01:15:58,430
WE WERE WORKING TOGETHER.
2323
01:15:58,472 --> 01:16:01,516
WE WERE EXPLORING THE CONCEPT
2324
01:15:58,472 --> 01:16:01,516
OF A DREAM WITHIN A DREAM.
2325
01:16:01,557 --> 01:16:03,059
I KEPT PUSHING THINGS.
2326
01:16:03,101 --> 01:16:05,437
I WANTED TO GO DEEPER
2327
01:16:03,101 --> 01:16:05,437
AND DEEPER.
2328
01:16:05,479 --> 01:16:07,272
I WANTED TO GO...FURTHER.
2329
01:16:07,314 --> 01:16:10,024
I JUST DIDN'T UNDERSTAND
2330
01:16:07,314 --> 01:16:10,024
THE CONCEPT
2331
01:16:10,066 --> 01:16:13,194
THAT HOURS COULD TURN
2332
01:16:10,066 --> 01:16:13,194
INTO YEARS DOWN THERE,
2333
01:16:13,236 --> 01:16:16,364
THAT WE COULD GET TRAPPED
2334
01:16:13,236 --> 01:16:16,364
SO DEEP THAT WHEN WE...
2335
01:16:16,406 --> 01:16:21,244
WHEN WE WOUND UP ON THE SHORE
2336
01:16:16,406 --> 01:16:21,244
OF OUR OWN SUBCONSCIOUS,
2337
01:16:21,286 --> 01:16:23,704
WE LOST SIGHT
2338
01:16:21,286 --> 01:16:23,704
OF WHAT WAS REAL.
2339
01:16:28,960 --> 01:16:32,172
WE CREATED, WE BUILT THE WORLD
2340
01:16:28,960 --> 01:16:32,172
FOR OURSELVES.
2341
01:16:32,213 --> 01:16:36,634
WE DID THAT FOR YEARS.
2342
01:16:36,676 --> 01:16:40,054
WE BUILT OUR OWN WORLD.
2343
01:16:40,096 --> 01:16:41,889
HOW LONG
2344
01:16:40,096 --> 01:16:41,889
WERE YOU STUCK THERE?
2345
01:16:41,931 --> 01:16:45,685
SOMETHING LIKE 50 YEARS.
2346
01:16:47,854 --> 01:16:51,065
JESUS.
2347
01:16:51,107 --> 01:16:53,485
HOW COULD YOU STAND IT?
2348
01:16:53,527 --> 01:16:57,155
IT WASN'T SO BAD AT FIRST,
2349
01:16:53,527 --> 01:16:57,155
FEELING LIKE GODS.
2350
01:16:57,197 --> 01:16:59,740
THE PROBLEM WAS KNOWING
2351
01:16:57,197 --> 01:16:59,740
THAT NONE OF IT WAS REAL.
2352
01:16:59,782 --> 01:17:02,076
EVENTUALLY,
2353
01:16:59,782 --> 01:17:02,076
IT JUST BECAME IMPOSSIBLE
2354
01:17:02,118 --> 01:17:04,078
FOR ME TO LIVE LIKE THAT.
2355
01:17:04,120 --> 01:17:05,497
AND WHAT ABOUT FOR HER?
2356
01:17:07,541 --> 01:17:10,502
SHE HAD LOCKED
2357
01:17:07,541 --> 01:17:10,502
SOMETHING AWAY,
2358
01:17:10,544 --> 01:17:14,297
SOMETHING
2359
01:17:10,544 --> 01:17:14,297
DEEP INSIDE HER.
2360
01:17:14,339 --> 01:17:17,425
A TRUTH THAT SHE HAD
2361
01:17:14,339 --> 01:17:17,425
ONCE KNOWN, BUT...
2362
01:17:17,467 --> 01:17:19,344
BUT CHOSE TO FORGET.
2363
01:17:21,262 --> 01:17:22,263
[ LOCK CLICKS ]
2364
01:17:22,305 --> 01:17:25,892
LIMBO BECAME HER REALITY.
2365
01:17:25,933 --> 01:17:28,269
WHAT HAPPENED
2366
01:17:25,933 --> 01:17:28,269
WHEN YOU WOKE UP?
2367
01:17:28,311 --> 01:17:30,021
WELL, TO WAKE UP
2368
01:17:28,311 --> 01:17:30,021
FROM THAT
2369
01:17:30,063 --> 01:17:32,524
AFTER -- AFTER YEARS,
2370
01:17:30,063 --> 01:17:32,524
AFTER DECADES...
2371
01:17:32,566 --> 01:17:35,693
TO BECOME OLD SOULS
2372
01:17:35,735 --> 01:17:37,904
THROWN BACK INTO YOUTH
2373
01:17:35,735 --> 01:17:37,904
LIKE THAT?
2374
01:17:37,945 --> 01:17:40,532
I KNEW SOMETHING WAS WRONG
2375
01:17:37,945 --> 01:17:40,532
WITH HER.
2376
01:17:40,574 --> 01:17:43,868
SHE JUST
2377
01:17:40,574 --> 01:17:43,868
WOULDN'T ADMIT IT.
2378
01:17:43,910 --> 01:17:46,704
EVENTUALLY,
2379
01:17:43,910 --> 01:17:46,704
SHE TOLD ME THE TRUTH.
2380
01:17:46,746 --> 01:17:50,375
SHE WAS POSSESSED
2381
01:17:46,746 --> 01:17:50,375
BY AN IDEA --
2382
01:17:50,417 --> 01:17:56,172
THIS ONE VERY SIMPLE IDEA
2383
01:17:50,417 --> 01:17:56,172
THAT CHANGED EVERYTHING.
2384
01:17:56,214 --> 01:17:59,551
THAT OUR WORLD
2385
01:17:56,214 --> 01:17:59,551
WASN'T REAL.
2386
01:17:59,593 --> 01:18:03,304
THAT SHE NEEDED TO WAKE UP
2387
01:17:59,593 --> 01:18:03,304
TO COME BACK TO REALITY,
2388
01:18:03,346 --> 01:18:04,931
THAT...
2389
01:18:04,972 --> 01:18:07,850
IN ORDER
2390
01:18:04,972 --> 01:18:07,850
TO GET BACK HOME...
2391
01:18:07,892 --> 01:18:10,061
WE HAD TO KILL OURSELVES.
2392
01:18:16,734 --> 01:18:18,903
WHAT ABOUT YOUR CHILDREN?
2393
01:18:18,945 --> 01:18:20,905
SHE THOUGHT
2394
01:18:18,945 --> 01:18:20,905
THEY WERE PROJECTIONS,
2395
01:18:20,947 --> 01:18:22,490
THAT OUR REAL CHILDREN
2396
01:18:20,947 --> 01:18:22,490
WERE WAITING FOR US
2397
01:18:22,532 --> 01:18:23,783
UP THERE SOMEWHERE.
2398
01:18:23,824 --> 01:18:25,118
Mal: I'M THEIR MOTHER!
2399
01:18:25,159 --> 01:18:26,702
CALM DOWN.
2400
01:18:26,744 --> 01:18:28,121
DON'T YOU THINK
2401
01:18:26,744 --> 01:18:28,121
I CAN TELL THE DIFFERENCE?
2402
01:18:28,162 --> 01:18:29,914
IF THIS IS MY DREAM,
2403
01:18:28,162 --> 01:18:29,914
WHY CAN'T I CONTROL THIS?
2404
01:18:29,956 --> 01:18:31,374
BECAUSE YOU DON'T KNOW
2405
01:18:29,956 --> 01:18:31,374
YOU'RE DREAMING!
2406
01:18:31,416 --> 01:18:33,960
SHE WAS CERTAIN THERE WAS
2407
01:18:31,416 --> 01:18:33,960
NOTHING I COULD DO,
2408
01:18:34,001 --> 01:18:35,795
NO MATTER HOW MUCH
2409
01:18:34,001 --> 01:18:35,795
I BEGGED,
2410
01:18:35,836 --> 01:18:37,755
NO MATTER HOW MUCH
2411
01:18:35,836 --> 01:18:37,755
I PLEADED.
2412
01:18:40,383 --> 01:18:44,095
SHE WANTED TO DO IT,
2413
01:18:40,383 --> 01:18:44,095
BUT SHE COULD NOT DO IT ALONE.
2414
01:18:44,137 --> 01:18:46,847
SHE LOVED ME TOO MUCH,
2415
01:18:44,137 --> 01:18:46,847
SO...
2416
01:18:46,889 --> 01:18:50,602
SHE CAME UP WITH A PLAN
2417
01:18:46,889 --> 01:18:50,602
ON OUR ANNIVERSARY.
2418
01:18:58,859 --> 01:18:59,860
[ GLASS CRUNCHES ]
2419
01:19:16,169 --> 01:19:18,129
SWEETHEART,
2420
01:19:16,169 --> 01:19:18,129
WHAT ARE YOU DOING?
2421
01:19:18,171 --> 01:19:20,131
JOIN ME.
2422
01:19:20,173 --> 01:19:22,467
JUST -- JUST STEP BACK INSIDE.
2423
01:19:20,173 --> 01:19:22,467
ALL RIGHT?
2424
01:19:22,509 --> 01:19:24,010
JUST STEP BACK INSIDE NOW.
2425
01:19:22,509 --> 01:19:24,010
COME ON.
2426
01:19:24,051 --> 01:19:25,886
NO.
2427
01:19:25,928 --> 01:19:28,431
I'M GOING TO JUMP,
2428
01:19:25,928 --> 01:19:28,431
AND YOU'RE COMING WITH ME.
2429
01:19:28,473 --> 01:19:30,475
NO, I'M NOT.
2430
01:19:30,517 --> 01:19:32,435
N-NOW, YOU LISTEN TO ME.
2431
01:19:32,477 --> 01:19:35,730
IF YOU JUMP, YOU'RE NOT
2432
01:19:32,477 --> 01:19:35,730
GONNA WAKE UP, REMEMBER?
2433
01:19:35,771 --> 01:19:37,148
YOU'RE GONNA DIE.
2434
01:19:37,190 --> 01:19:39,442
NOW, JUST --
2435
01:19:37,190 --> 01:19:39,442
JUST STEP BACK INSIDE.
2436
01:19:39,484 --> 01:19:41,068
COME ON.
2437
01:19:41,110 --> 01:19:43,070
STEP BACK INSIDE
2438
01:19:41,110 --> 01:19:43,070
SO WE CAN TALK ABOUT THIS.
2439
01:19:43,112 --> 01:19:45,406
WE'VE TALKED ENOUGH.
2440
01:19:46,157 --> 01:19:47,867
MAL.
2441
01:19:47,908 --> 01:19:50,161
COME OUT ONTO THE LEDGE,
2442
01:19:47,908 --> 01:19:50,161
OR I'LL JUMP RIGHT NOW.
2443
01:19:50,203 --> 01:19:51,245
OKAY.
2444
01:19:54,332 --> 01:19:57,627
WE'RE GONNA TALK ABOUT THIS.
2445
01:19:57,669 --> 01:19:59,504
ALL RIGHT?
2446
01:19:59,546 --> 01:20:02,423
I'M ASKING YOU
2447
01:19:59,546 --> 01:20:02,423
TO TAKE A LEAP OF FAITH.
2448
01:20:02,465 --> 01:20:04,467
NO, HONEY.
2449
01:20:04,509 --> 01:20:06,886
NO, I CA--
2450
01:20:06,927 --> 01:20:09,055
YOU KNOW I CAN'T DO THAT.
2451
01:20:09,096 --> 01:20:11,725
TAKE A SECOND,
2452
01:20:09,096 --> 01:20:11,725
THINK ABOUT OUR CHILDREN.
2453
01:20:11,766 --> 01:20:14,728
THINK ABOUT JAMES.
2454
01:20:14,769 --> 01:20:16,521
THINK ABOUT PHILLIPA NOW.
2455
01:20:16,563 --> 01:20:18,898
IF I GO WITHOUT YOU,
2456
01:20:16,563 --> 01:20:18,898
THEY'LL TAKE THEM AWAY ANYWAY.
2457
01:20:18,939 --> 01:20:20,734
WHAT DOES THAT MEAN?
2458
01:20:20,775 --> 01:20:22,485
I FILED A LETTER
2459
01:20:20,775 --> 01:20:22,485
WITH OUR ATTORNEY,
2460
01:20:22,527 --> 01:20:25,488
EXPLAINING HOW I'M FEARFUL
2461
01:20:22,527 --> 01:20:25,488
FOR MY SAFETY.
2462
01:20:28,866 --> 01:20:30,326
HOW YOU'VE THREATENED
2463
01:20:28,866 --> 01:20:30,326
TO KILL ME.
2464
01:20:33,162 --> 01:20:34,664
WHY DID YOU DO THIS?
2465
01:20:34,706 --> 01:20:36,123
I LOVE YOU, DOM.
2466
01:20:36,165 --> 01:20:38,876
WHY DID YOU --
2467
01:20:36,165 --> 01:20:38,876
WHY WOULD YOU DO THIS TO ME?
2468
01:20:38,918 --> 01:20:41,170
I'VE FREED YOU FROM THE GUILT
2469
01:20:38,918 --> 01:20:41,170
OF CHOOSING TO LEAVE THEM.
2470
01:20:41,212 --> 01:20:44,215
WE'RE GOING HOME
2471
01:20:41,212 --> 01:20:44,215
TO OUR REAL CHILDREN.
2472
01:20:44,257 --> 01:20:46,509
OH, NO, NO, NO. MAL,
2473
01:20:44,257 --> 01:20:46,509
YOU LISTEN TO ME, ALL RIGHT?
2474
01:20:46,551 --> 01:20:47,802
MAL, LOOK AT ME,
2475
01:20:46,551 --> 01:20:47,802
PLEASE?!
2476
01:20:47,843 --> 01:20:49,512
YOU'RE WAITING
2477
01:20:47,843 --> 01:20:49,512
FOR A TRAIN.
2478
01:20:49,554 --> 01:20:51,305
MAL, GODDAMN IT,
2479
01:20:49,554 --> 01:20:51,305
DON'T DO THIS!
2480
01:20:51,347 --> 01:20:54,141
A TRAIN THAT WILL TAKE YOU
2481
01:20:51,347 --> 01:20:54,141
FAR AWAY.
2482
01:20:54,183 --> 01:20:56,352
JAMES AND PHILLIPA
2483
01:20:54,183 --> 01:20:56,352
ARE WAITING FOR US!
2484
01:20:56,394 --> 01:20:58,104
YOU KNOW WHERE YOU HOPE
2485
01:20:56,394 --> 01:20:58,104
THIS TRAIN WILL TAKE YOU.
2486
01:20:58,145 --> 01:20:59,522
THEY'RE WAITING FOR US!
2487
01:20:58,145 --> 01:20:59,522
YOU CAN'T KNOW FOR SURE.
2488
01:20:59,564 --> 01:21:01,190
MAL, LOOK AT ME!
2489
01:21:01,232 --> 01:21:03,735
BUT IT DOESN'T MATTER.
2490
01:21:01,232 --> 01:21:03,735
MAL, GODDAMN IT!
2491
01:21:03,777 --> 01:21:05,737
BECAUSE YOU'LL BE TOGETHER.
2492
01:21:03,777 --> 01:21:05,737
MAL, LISTEN TO ME!
2493
01:21:05,779 --> 01:21:07,697
SWEETHEART!
2494
01:21:05,779 --> 01:21:07,697
LOOK AT ME!
2495
01:21:07,739 --> 01:21:09,532
MAL, NO!!
2496
01:21:09,574 --> 01:21:10,950
JESUS CHRIST!
2497
01:21:14,995 --> 01:21:16,289
SHE HAD HERSELF
2498
01:21:14,995 --> 01:21:16,289
DECLARED SANE
2499
01:21:16,330 --> 01:21:17,707
BY THREE DIFFERENT
2500
01:21:16,330 --> 01:21:17,707
PSYCHIATRISTS.
2501
01:21:17,749 --> 01:21:19,500
IT MADE IT IMPOSSIBLE
2502
01:21:19,542 --> 01:21:22,086
FOR ME TO TRY TO EXPLAIN
2503
01:21:19,542 --> 01:21:22,086
THE NATURE OF HER MADNESS.
2504
01:21:22,128 --> 01:21:24,046
SO, I RAN.
2505
01:21:24,088 --> 01:21:25,339
[ CHILDREN SHOUTING PLAYFULLY ]
2506
01:21:25,381 --> 01:21:28,008
RIGHT NOW...
2507
01:21:25,381 --> 01:21:28,008
OR NEVER, COBB.
2508
01:21:34,098 --> 01:21:36,684
Marie: JAMES! PHILLIPA!
2509
01:21:36,726 --> 01:21:38,728
COME ON IN! COME ON!
2510
01:21:38,770 --> 01:21:40,521
ALL RIGHT, LET'S GO.
2511
01:21:40,563 --> 01:21:42,690
Cobb: I LEFT
2512
01:21:40,563 --> 01:21:42,690
MY CHILDREN BEHIND,
2513
01:21:42,732 --> 01:21:44,692
AND I'VE BEEN TRYING TO BUY
2514
01:21:42,732 --> 01:21:44,692
MY WAY BACK EVER SINCE.
2515
01:21:44,734 --> 01:21:47,361
YOUR GUILT DEFINES HER.
2516
01:21:47,403 --> 01:21:49,530
IT'S WHAT POWERS HER.
2517
01:21:49,572 --> 01:21:52,826
BUT YOU ARE NOT RESPONSIBLE
2518
01:21:49,572 --> 01:21:52,826
FOR THE IDEA THAT DESTROYED HER.
2519
01:21:52,867 --> 01:21:56,579
AND IF WE ARE GONNA SUCCEED
2520
01:21:52,867 --> 01:21:56,579
IN THIS...
2521
01:21:56,621 --> 01:21:59,039
YOU HAVE
2522
01:21:56,621 --> 01:21:59,039
TO FORGIVE YOURSELF...
2523
01:21:59,081 --> 01:22:01,751
AND YOU'RE GONNA HAVE
2524
01:21:59,081 --> 01:22:01,751
TO CONFRONT HER.
2525
01:22:01,793 --> 01:22:03,377
BUT YOU DON'T HAVE
2526
01:22:01,793 --> 01:22:03,377
TO DO THAT ALONE.
2527
01:22:03,419 --> 01:22:04,754
NO, NO, YOU'RE NOT --
2528
01:22:04,796 --> 01:22:06,339
I'M DOING IT
2529
01:22:04,796 --> 01:22:06,339
FOR THE OTHERS.
2530
01:22:06,380 --> 01:22:09,717
BECAUSE THEY HAVE NO IDEA
2531
01:22:06,380 --> 01:22:09,717
THE RISK THEY'VE TAKEN
2532
01:22:09,759 --> 01:22:11,719
COMING DOWN HERE
2533
01:22:09,759 --> 01:22:11,719
WITH YOU.
2534
01:22:16,182 --> 01:22:17,517
WE HAVE TO MOVE.
2535
01:22:17,558 --> 01:22:19,769
TIME'S UP.
2536
01:22:19,811 --> 01:22:21,771
ALL RIGHT.
2537
01:22:19,811 --> 01:22:21,771
I DON'T KNOW ANY COMBINATION.
2538
01:22:21,813 --> 01:22:23,189
NOT CONSCIOUSLY, ANYWAY.
2539
01:22:23,230 --> 01:22:25,149
HOW ABOUT INSTINCTIVELY,
2540
01:22:23,230 --> 01:22:25,149
HUH?
2541
01:22:25,191 --> 01:22:28,068
I GOT SOMEBODY STANDING IN
2542
01:22:25,191 --> 01:22:28,068
YOUR FATHER'S OFFICE RIGHT NOW
2543
01:22:28,110 --> 01:22:29,863
READY TO TAP IN
2544
01:22:28,110 --> 01:22:29,863
THE COMBINATION.
2545
01:22:29,904 --> 01:22:31,531
GIVE ME
2546
01:22:29,904 --> 01:22:31,531
THE FIRST SIX NUMBERS
2547
01:22:31,572 --> 01:22:33,407
THAT COME TO YOUR HEAD
2548
01:22:31,572 --> 01:22:33,407
RIGHT NOW.
2549
01:22:33,449 --> 01:22:36,160
I HAVE NO IDEA.
2550
01:22:33,449 --> 01:22:36,160
RIGHT NOW!
2551
01:22:36,202 --> 01:22:38,371
I SAID, RIGHT NOW!
2552
01:22:36,202 --> 01:22:38,371
RIGHT NOW!
2553
01:22:38,412 --> 01:22:40,832
FIVE, TWO, EIGHT...
2554
01:22:40,874 --> 01:22:42,208
FOUR, NINE, ONE.
2555
01:22:44,544 --> 01:22:47,254
[ SIGHS ] YOU'RE GONNA HAVE
2556
01:22:44,544 --> 01:22:47,254
TO DO BETTER THAN THAT.
2557
01:22:47,296 --> 01:22:49,757
ALL RIGHT. BAG 'EM.
2558
01:22:49,799 --> 01:22:51,467
YOU'RE GOING FOR A RIDE.
2559
01:22:55,722 --> 01:22:57,640
Fischer: WE'RE WORTH
2560
01:22:55,722 --> 01:22:57,640
MORE TO YOU ALIVE.
2561
01:22:57,682 --> 01:22:59,767
YOU HEAR ME?
2562
01:23:04,271 --> 01:23:05,690
WHAT'D YOU GET?
2563
01:23:05,732 --> 01:23:07,525
[ EXHALES SHARPLY ]
2564
01:23:07,567 --> 01:23:08,776
THAT BOY'S RELATIONSHIP
2565
01:23:07,567 --> 01:23:08,776
WITH HIS FATHER
2566
01:23:08,818 --> 01:23:09,819
IS EVEN WORSE
2567
01:23:08,818 --> 01:23:09,819
THAN WE IMAGINED.
2568
01:23:09,861 --> 01:23:11,278
THIS HELPS US HOW?
2569
01:23:11,320 --> 01:23:12,864
THE STRONGER THE ISSUES,
2570
01:23:12,906 --> 01:23:15,074
THE MORE POWERFUL
2571
01:23:12,906 --> 01:23:15,074
THE CATHARSIS.
2572
01:23:15,115 --> 01:23:17,827
HOW ARE WE GONNA RECONCILE THEM
2573
01:23:15,115 --> 01:23:17,827
IF THEY'RE SO ESTRANGED?
2574
01:23:17,869 --> 01:23:19,787
WELL, I'M WORKING ON THAT,
2575
01:23:17,869 --> 01:23:19,787
AREN'T I?
2576
01:23:17,869 --> 01:23:19,787
WORK FASTER.
2577
01:23:19,829 --> 01:23:22,289
THE PROJECTIONS
2578
01:23:19,829 --> 01:23:22,289
ARE CLOSING IN QUICK.
2579
01:23:22,331 --> 01:23:25,251
WE GOTTA BREAK OUT OF HERE
2580
01:23:22,331 --> 01:23:25,251
BEFORE WE'RE TOTALLY BOXED IN.
2581
01:23:31,674 --> 01:23:33,050
[ GUNFIRE,
2582
01:23:31,674 --> 01:23:33,050
BULLETS RICOCHET ]
2583
01:23:50,902 --> 01:23:52,612
[ GUNFIRE CONTINUES ]
2584
01:24:01,662 --> 01:24:05,416
WE MUSTN'T BE AFRAID TO DREAM
2585
01:24:01,662 --> 01:24:05,416
A LITTLE BIGGER, DARLING.
2586
01:24:05,458 --> 01:24:07,084
[ GUN COCKS ]
2587
01:24:21,474 --> 01:24:23,434
NOW WE NEED TO SHIFT HIS
2588
01:24:21,474 --> 01:24:23,434
ANIMOSITY FROM HIS FATHER
2589
01:24:23,476 --> 01:24:25,311
TO HIS GODFATHER.
2590
01:24:25,352 --> 01:24:27,062
YOU'RE GONNA DESTROY HIS ONE
2591
01:24:25,352 --> 01:24:27,062
POSITIVE RELATIONSHIP?
2592
01:24:27,104 --> 01:24:29,356
NO, WE REPAIR HIS RELATIONSHIP
2593
01:24:27,104 --> 01:24:29,356
WITH HIS FATHER
2594
01:24:29,398 --> 01:24:31,567
WHILST EXPOSING
2595
01:24:29,398 --> 01:24:31,567
HIS GODFATHER'S TRUE NATURE.
2596
01:24:31,609 --> 01:24:34,779
WE SHOULD CHARGE FISCHER
2597
01:24:31,609 --> 01:24:34,779
A LOT MORE THAN SAITO
2598
01:24:31,609 --> 01:24:34,779
FOR THIS JOB.
2599
01:24:34,821 --> 01:24:35,822
Arthur:
2600
01:24:34,821 --> 01:24:35,822
WHAT ABOUT HIS SECURITY?
2601
01:24:35,863 --> 01:24:37,573
IT'S GONNA GET WORSE
2602
01:24:35,863 --> 01:24:37,573
AS WE GO DEEPER.
2603
01:24:37,615 --> 01:24:40,367
I THINK WE RUN
2604
01:24:37,615 --> 01:24:40,367
WITH MR. CHARLES.
2605
01:24:37,615 --> 01:24:40,367
NO.
2606
01:24:40,409 --> 01:24:41,911
Eames:
2607
01:24:40,409 --> 01:24:41,911
WHO'S MR. CHARLES?
2608
01:24:40,409 --> 01:24:41,911
BAD IDEA.
2609
01:24:41,953 --> 01:24:44,204
THE SECOND WE GET INTO THAT
2610
01:24:41,953 --> 01:24:44,204
HOTEL AND APPROACH FISCHER,
2611
01:24:44,246 --> 01:24:45,873
HIS SECURITY
2612
01:24:44,246 --> 01:24:45,873
IS GONNA BE ALL OVER US.
2613
01:24:45,915 --> 01:24:48,125
WE RUN WITH MR. CHARLES
2614
01:24:45,915 --> 01:24:48,125
LIKE WE DID ON THE STEIN JOB.
2615
01:24:48,167 --> 01:24:50,503
SO YOU'VE DONE IT BEFORE?
2616
01:24:48,167 --> 01:24:50,503
Arthur:
2617
01:24:48,167 --> 01:24:50,503
YEAH, AND IT DIDN'T WORK!
2618
01:24:50,544 --> 01:24:52,505
THE SUBJECT REALIZED
2619
01:24:50,544 --> 01:24:52,505
HE WAS DREAMING,
2620
01:24:52,546 --> 01:24:54,340
AND HIS SUBCONSCIOUS
2621
01:24:52,546 --> 01:24:54,340
TORE US TO PIECES.
2622
01:24:54,381 --> 01:24:56,592
EXCELLENT.
2623
01:24:54,381 --> 01:24:56,592
BUT YOU LEARNED A LOT, RIGHT?
2624
01:24:56,634 --> 01:24:58,552
I'M GONNA NEED
2625
01:24:56,634 --> 01:24:58,552
SOME KIND OF DISTRACTION.
2626
01:24:56,634 --> 01:24:58,552
NO PROBLEM.
2627
01:24:58,594 --> 01:25:01,138
HOW ABOUT A LOVELY LADY
2628
01:24:58,594 --> 01:25:01,138
WHO I'VE USED BEFORE?
2629
01:25:01,180 --> 01:25:03,307
LISTEN TO ME. YOU DRIVE
2630
01:25:01,180 --> 01:25:03,307
CAREFULLY, ALL RIGHT?
2631
01:25:01,180 --> 01:25:03,307
YEAH.
2632
01:25:03,349 --> 01:25:05,685
EVERYTHING DOWN THERE
2633
01:25:03,349 --> 01:25:05,685
IS GONNA BE UNSTABLE AS HELL.
2634
01:25:09,730 --> 01:25:11,315
Arthur:
2635
01:25:09,730 --> 01:25:11,315
DON'T JUMP TOO SOON.
2636
01:25:11,357 --> 01:25:13,484
WE ONLY GOT ONE SHOT AT
2637
01:25:11,357 --> 01:25:13,484
THAT KICK. WE GOTTA MAKE IT.
2638
01:25:13,526 --> 01:25:14,986
I'LL PLAY THE MUSIC
2639
01:25:13,526 --> 01:25:14,986
TO LET YOU KNOW IT'S COMING.
2640
01:25:15,028 --> 01:25:17,196
THE REST IS ON YOU.
2641
01:25:17,237 --> 01:25:18,364
YOU READY?
2642
01:25:17,237 --> 01:25:18,364
READY!
2643
01:25:20,324 --> 01:25:21,575
SWEET DREAMS.
2644
01:25:21,617 --> 01:25:24,244
Woman:
2645
01:25:21,617 --> 01:25:24,244
AM I BORING YOU?
2646
01:25:24,286 --> 01:25:25,746
I WAS TELLING YOU
2647
01:25:24,286 --> 01:25:25,746
MY STORY.
2648
01:25:25,788 --> 01:25:28,082
I GUESS IT WASN'T
2649
01:25:25,788 --> 01:25:28,082
TO YOUR LIKING.
2650
01:25:28,123 --> 01:25:30,043
UH...
2651
01:25:30,084 --> 01:25:32,712
UM, I HAVE A LOT
2652
01:25:30,084 --> 01:25:32,712
ON MY MIND.
2653
01:25:32,753 --> 01:25:35,548
THERE GOES MR. CHARLES.
2654
01:25:40,011 --> 01:25:43,263
MR. FISCHER, RIGHT?
2655
01:25:43,305 --> 01:25:45,808
PLEASURE TO SEE YOU AGAIN.
2656
01:25:43,305 --> 01:25:45,808
ROD GREEN FROM MARKETING.
2657
01:25:45,850 --> 01:25:47,560
I...HMM.
2658
01:25:47,601 --> 01:25:48,686
AND YOU MUST BE?
2659
01:25:48,728 --> 01:25:49,979
LEAVING.
2660
01:25:53,900 --> 01:25:55,192
IN CASE YOU GET BORED.
2661
01:26:00,239 --> 01:26:01,991
SHE MUST'VE BLOWN YOU OFF.
2662
01:26:02,033 --> 01:26:03,450
THAT IS,
2663
01:26:02,033 --> 01:26:03,450
UNLESS HER PHONE NUMBER
2664
01:26:03,492 --> 01:26:04,577
REALLY IS ONLY SIX DIGITS.
2665
01:26:06,079 --> 01:26:08,372
FUNNY WAY TO MAKE FRIENDS,
2666
01:26:08,414 --> 01:26:11,959
SOMEONE STEALING YOUR WALLET
2667
01:26:08,414 --> 01:26:11,959
LIKE THAT.
2668
01:26:12,001 --> 01:26:13,002
[ PATS CHEST ]
2669
01:26:13,586 --> 01:26:15,212
[ SCOFFS ]
2670
01:26:15,254 --> 01:26:17,423
GODDAMN IT. THE WALLET ALONE
2671
01:26:15,254 --> 01:26:17,423
IS WORTH AT LEAST FIVE --
2672
01:26:17,464 --> 01:26:18,841
ABOUT $500, RIGHT?
2673
01:26:18,883 --> 01:26:20,259
LISTEN,
2674
01:26:18,883 --> 01:26:20,259
DON'T WORRY ABOUT IT.
2675
01:26:20,300 --> 01:26:22,261
MY PEOPLE ARE ALREADY ON IT,
2676
01:26:20,300 --> 01:26:22,261
AS WE SPEAK.
2677
01:26:22,302 --> 01:26:24,097
WHO OR WHAT
2678
01:26:22,302 --> 01:26:24,097
IS MR. CHARLES?
2679
01:26:24,138 --> 01:26:26,682
IT'S A GAMBIT
2680
01:26:24,138 --> 01:26:26,682
DESIGNED TO TURN FISCHER
2681
01:26:26,724 --> 01:26:28,350
AGAINST
2682
01:26:26,724 --> 01:26:28,350
HIS OWN SUBCONSCIOUS.
2683
01:26:28,392 --> 01:26:30,310
AND WHY
2684
01:26:28,392 --> 01:26:30,310
DON'T YOU APPROVE?
2685
01:26:30,352 --> 01:26:32,021
BECAUSE IT INVOLVES TELLING
2686
01:26:30,352 --> 01:26:32,021
THE MARK THAT HE'S DREAMING,
2687
01:26:32,063 --> 01:26:34,440
WHICH INVOLVES ATTRACTING
2688
01:26:32,063 --> 01:26:34,440
A LOT OF ATTENTION TO US.
2689
01:26:34,481 --> 01:26:36,442
DIDN'T COBB SAY
2690
01:26:34,481 --> 01:26:36,442
NEVER TO DO THAT?
2691
01:26:36,483 --> 01:26:38,444
MM. SO NOW YOU'VE NOTICED
2692
01:26:36,483 --> 01:26:38,444
HOW MUCH TIME
2693
01:26:38,485 --> 01:26:40,863
COBB SPENDS DOING THINGS
2694
01:26:38,485 --> 01:26:40,863
HE SAYS NEVER TO DO.
2695
01:26:40,905 --> 01:26:41,697
[ CHUCKLES ]
2696
01:26:43,616 --> 01:26:45,409
MR. SAITO,
2697
01:26:43,616 --> 01:26:45,409
CAN I HAVE A MOMENT?
2698
01:26:45,451 --> 01:26:46,911
I-I'M SORRY, BUT...
2699
01:26:46,953 --> 01:26:48,203
Man: HOLD ON! WAIT!
2700
01:26:48,245 --> 01:26:50,706
YOU LOOK A BIT PERKIER.
2701
01:26:50,748 --> 01:26:53,042
VERY AMUSING, MR. EAMES.
2702
01:26:57,337 --> 01:26:59,173
[ RUMBLING ]
2703
01:26:59,214 --> 01:27:01,216
TURBULENCE ON THE PLANE?
2704
01:27:01,258 --> 01:27:02,843
NO, IT'S MUCH CLOSER.
2705
01:27:02,885 --> 01:27:04,637
THAT'S YUSUF'S DRIVING.
2706
01:27:04,678 --> 01:27:06,472
[ TIRES SCREECHING ]
2707
01:27:10,893 --> 01:27:12,519
[ GLASSWARE CLINKING ]
2708
01:27:12,561 --> 01:27:14,897
UH, I'M SORRY.
2709
01:27:12,561 --> 01:27:14,897
WHO DID YOU SAY YOU WERE?
2710
01:27:14,939 --> 01:27:16,941
Cobb: ROD GREEN
2711
01:27:14,939 --> 01:27:16,941
FROM MARKETING.
2712
01:27:16,983 --> 01:27:19,485
BUT THAT'S NOT TRUE AT ALL,
2713
01:27:16,983 --> 01:27:19,485
IS IT?
2714
01:27:20,903 --> 01:27:24,490
MY NAME IS MR. CHARLES.
2715
01:27:20,903 --> 01:27:24,490
YOU REMEMBER ME, DON'T YOU?
2716
01:27:24,531 --> 01:27:27,367
I'M THE HEAD OF YOUR SECURITY
2717
01:27:24,531 --> 01:27:27,367
DOWN HERE.
2718
01:27:28,535 --> 01:27:30,204
GET OUT ON A DIFFERENT FLOOR
2719
01:27:28,535 --> 01:27:30,204
AND KEEP MOVING.
2720
01:27:30,245 --> 01:27:31,831
DUMP THE WALLET.
2721
01:27:31,872 --> 01:27:33,958
SECURITY WILL BE LOOKING
2722
01:27:31,872 --> 01:27:33,958
FOR THAT.
2723
01:27:31,872 --> 01:27:33,958
OKAY.
2724
01:27:34,000 --> 01:27:36,251
WE NEED TO BUY COBB
2725
01:27:34,000 --> 01:27:36,251
A LITTLE MORE TIME.
2726
01:27:37,962 --> 01:27:39,922
[ COUGHING ]
2727
01:27:39,964 --> 01:27:43,342
SECURITY, HUH?
2728
01:27:43,383 --> 01:27:45,302
YOU WORK FOR THE HOTEL?
2729
01:27:45,344 --> 01:27:47,096
NO, NO.
2730
01:27:47,138 --> 01:27:50,683
I SPECIALIZE IN A VERY
2731
01:27:47,138 --> 01:27:50,683
SPECIFIC TYPE OF SECURITY.
2732
01:27:50,724 --> 01:27:53,393
SUBCONSCIOUS SECURITY.
2733
01:27:53,435 --> 01:27:55,479
YOU'RE TALKING
2734
01:27:53,435 --> 01:27:55,479
ABOUT DREAMS?
2735
01:27:55,521 --> 01:27:57,148
ARE YOU TALKING ABOUT,
2736
01:27:55,521 --> 01:27:57,148
UM...
2737
01:27:57,190 --> 01:27:58,524
EXTRACTION?
2738
01:27:58,565 --> 01:28:01,777
I AM HERE TO PROTECT YOU.
2739
01:27:58,565 --> 01:28:01,777
YOU...
2740
01:28:01,819 --> 01:28:07,158
[ UTENSIL CLANKS,
2741
01:28:01,819 --> 01:28:07,158
INDISTINCT CONVERSATIONS ]
2742
01:28:10,203 --> 01:28:11,537
[ CONVERSATIONS HALT ]
2743
01:28:13,706 --> 01:28:17,334
MR. FISCHER, I'M HERE TO
2744
01:28:13,706 --> 01:28:17,334
PROTECT YOU IN THE EVENT
2745
01:28:17,376 --> 01:28:20,087
[ CONVERSATIONS RESUME ]
2746
01:28:17,376 --> 01:28:20,087
THAT SOMEONE TRIES TO ACCESS
2747
01:28:17,376 --> 01:28:20,087
YOUR MIND THROUGH YOUR DREAMS.
2748
01:28:20,129 --> 01:28:23,257
YOU'RE NOT SAFE HERE.
2749
01:28:23,298 --> 01:28:25,467
THEY'RE COMING FOR YOU.
2750
01:28:32,183 --> 01:28:33,517
[ OBJECT TUMBLING ]
2751
01:28:37,980 --> 01:28:39,481
OHH!
2752
01:28:39,523 --> 01:28:40,733
[ TIRES SCREECHING ]
2753
01:28:43,443 --> 01:28:45,946
STRANGE WEATHER,
2754
01:28:43,443 --> 01:28:45,946
ISN'T IT?
2755
01:28:47,156 --> 01:28:49,950
[ RUMBLING ]
2756
01:28:49,992 --> 01:28:51,911
YOU FEEL THAT?
2757
01:28:53,579 --> 01:28:55,330
WHAT'S HAPPENING?
2758
01:28:55,372 --> 01:28:56,582
COBB IS DRAWING
2759
01:28:55,372 --> 01:28:56,582
FISCHER'S ATTENTION
2760
01:28:56,623 --> 01:28:58,000
TO THE STRANGENESS
2761
01:28:56,623 --> 01:28:58,000
OF THE DREAM,
2762
01:28:58,042 --> 01:28:59,585
WHICH IS MAKING
2763
01:28:58,042 --> 01:28:59,585
HIS SUBCONSCIOUS
2764
01:28:59,626 --> 01:29:01,003
LOOK FOR THE DREAMER.
2765
01:29:01,045 --> 01:29:02,629
FOR ME.
2766
01:29:02,671 --> 01:29:04,048
QUICK, GIVE ME A KISS.
2767
01:29:09,262 --> 01:29:11,555
THEY'RE STILL
2768
01:29:09,262 --> 01:29:11,555
LOOKING AT US.
2769
01:29:11,597 --> 01:29:13,974
YEAH,
2770
01:29:11,597 --> 01:29:13,974
IT WAS WORTH A SHOT.
2771
01:29:14,016 --> 01:29:15,851
WE SHOULD PROBABLY
2772
01:29:14,016 --> 01:29:15,851
GET OUT OF HERE.
2773
01:29:20,355 --> 01:29:21,565
[ TIRES SCREECHING ]
2774
01:29:23,109 --> 01:29:27,571
[ DISTORTED,
2775
01:29:23,109 --> 01:29:27,571
SLOW-MOTION SOUNDS ]
2776
01:29:30,324 --> 01:29:32,826
[ GLASSWARE CLINKING ]
2777
01:29:30,324 --> 01:29:32,826
Cobb: YOU FEEL THAT?
2778
01:29:32,868 --> 01:29:35,579
YOU'VE ACTUALLY BEEN TRAINED
2779
01:29:32,868 --> 01:29:35,579
FOR THIS, MR. FISCHER.
2780
01:29:35,621 --> 01:29:38,249
PAY ATTENTION TO THE STRANGENESS
2781
01:29:35,621 --> 01:29:38,249
OF THE WEATHER...
2782
01:29:38,291 --> 01:29:39,541
THE SHIFT IN GRAVITY.
2783
01:29:39,583 --> 01:29:41,335
NONE OF THIS IS REAL.
2784
01:29:41,376 --> 01:29:42,628
YOU'RE IN A DREAM.
2785
01:29:46,882 --> 01:29:49,927
NOW, THE EASIEST WAY FOR YOU
2786
01:29:46,882 --> 01:29:49,927
TO TEST YOURSELF
2787
01:29:49,969 --> 01:29:52,221
IS TO TRY AND REMEMBER
2788
01:29:49,969 --> 01:29:52,221
HOW YOU ARRIVED AT THIS HOTEL.
2789
01:29:52,263 --> 01:29:53,931
CAN YOU DO THAT?
2790
01:29:53,973 --> 01:29:56,475
YEAH, I, I...
2791
01:29:56,516 --> 01:29:58,685
NOW, BREATHE, BREATHE.
2792
01:29:56,516 --> 01:29:58,685
REMEMBER YOUR TRAINING.
2793
01:29:58,727 --> 01:30:00,813
ACCEPT THE FACT
2794
01:29:58,727 --> 01:30:00,813
THAT YOU'RE IN A DREAM,
2795
01:30:00,854 --> 01:30:02,273
AND I'M HERE
2796
01:30:00,854 --> 01:30:02,273
TO PROTECT YOU.
2797
01:30:02,315 --> 01:30:03,607
GO ON.
2798
01:30:05,859 --> 01:30:07,444
MM-HMM.
2799
01:30:09,613 --> 01:30:12,283
YOU'RE NOT REAL?
2800
01:30:12,325 --> 01:30:13,867
NO, NO.
2801
01:30:13,909 --> 01:30:15,702
I'M A PROJECTION
2802
01:30:13,909 --> 01:30:15,702
OF YOUR SUBCONSCIOUS.
2803
01:30:15,744 --> 01:30:16,996
I WAS SENT HERE
2804
01:30:15,744 --> 01:30:16,996
TO PROTECT YOU
2805
01:30:17,037 --> 01:30:18,831
IN THE EVENT
2806
01:30:17,037 --> 01:30:18,831
THAT EXTRACTORS
2807
01:30:18,872 --> 01:30:21,083
TRIED TO PULL YOU
2808
01:30:18,872 --> 01:30:21,083
INTO A DREAM.
2809
01:30:21,125 --> 01:30:24,628
AND I BELIEVE THAT'S WHAT'S
2810
01:30:21,125 --> 01:30:24,628
GOING ON RIGHT NOW, MR. FISCHER.
2811
01:30:24,670 --> 01:30:26,046
[ BREATHES DEEPLY ]
2812
01:30:24,670 --> 01:30:26,046
YEAH.
2813
01:30:26,088 --> 01:30:28,174
OKAY.
2814
01:30:28,215 --> 01:30:31,302
OKAY.
2815
01:30:32,928 --> 01:30:34,054
CAN YOU GET ME
2816
01:30:32,928 --> 01:30:34,054
OUT OF HERE?
2817
01:30:34,096 --> 01:30:36,307
RIGHT AWAY.
2818
01:30:36,349 --> 01:30:38,433
FOLLOW ME.
2819
01:30:52,572 --> 01:30:53,866
HOLD ON A SECOND!
2820
01:30:56,785 --> 01:30:58,871
[ GUNFIRE ]
2821
01:30:58,912 --> 01:31:00,873
JESUS CHRIST!
2822
01:30:58,912 --> 01:31:00,873
WHAT ARE YOU DOING?!
2823
01:31:00,914 --> 01:31:03,458
THESE MEN WERE SENT HERE
2824
01:31:00,914 --> 01:31:03,458
TO ABDUCT YOU, ALL RIGHT?
2825
01:31:03,500 --> 01:31:06,003
IF YOU WANT MY HELP,
2826
01:31:03,500 --> 01:31:06,003
YOU HAVE TO REMAIN CALM.
2827
01:31:07,171 --> 01:31:09,840
I NEED YOU TO WORK WITH ME,
2828
01:31:07,171 --> 01:31:09,840
MR. FISCHER.
2829
01:31:19,392 --> 01:31:21,185
[ BREATHING HEAVILY ]
2830
01:31:21,227 --> 01:31:22,811
IF THIS IS A DREAM,
2831
01:31:22,853 --> 01:31:25,147
I SHOULD JUST KILL MYSELF
2832
01:31:22,853 --> 01:31:25,147
TO WAKE UP, RIGHT?
2833
01:31:25,189 --> 01:31:27,649
I WOULDN'T DO THAT
2834
01:31:25,189 --> 01:31:27,649
IF I WERE YOU, MR. FISCHER.
2835
01:31:27,691 --> 01:31:29,360
I BELIEVE
2836
01:31:27,691 --> 01:31:29,360
THEY HAVE YOU SEDATED,
2837
01:31:29,402 --> 01:31:30,777
AND IF YOU PULL
2838
01:31:29,402 --> 01:31:30,777
THAT TRIGGER...
2839
01:31:30,819 --> 01:31:32,905
YOU MAY NOT WAKE UP.
2840
01:31:32,946 --> 01:31:35,574
YOU MAY GO
2841
01:31:32,946 --> 01:31:35,574
INTO A FURTHER DREAM STATE.
2842
01:31:35,615 --> 01:31:38,160
NOW, YOU KNOW
2843
01:31:35,615 --> 01:31:38,160
WHAT I'M TALKING ABOUT.
2844
01:31:38,202 --> 01:31:42,164
YOU REMEMBER THE TRAINING.
2845
01:31:42,206 --> 01:31:44,583
REMEMBER WHAT I SAID
2846
01:31:42,206 --> 01:31:44,583
TO YOU.
2847
01:31:44,624 --> 01:31:46,585
GIVE ME THE GUN.
2848
01:31:48,045 --> 01:31:50,714
[ EXHALES SHARPLY ]
2849
01:31:58,472 --> 01:31:59,806
THIS ROOM
2850
01:31:58,472 --> 01:31:59,806
SHOULD BE DIRECTLY BELOW 528?
2851
01:31:59,848 --> 01:32:01,975
YEAH.
2852
01:32:02,017 --> 01:32:04,019
[ BEEPS ]
2853
01:32:10,443 --> 01:32:12,903
THINK, MR. FISCHER,
2854
01:32:10,443 --> 01:32:12,903
THINK.
2855
01:32:10,443 --> 01:32:12,903
[ SIGHS ]
2856
01:32:12,945 --> 01:32:15,364
WHAT DO YOU REMEMBER
2857
01:32:12,945 --> 01:32:15,364
FROM BEFORE THIS DREAM?
2858
01:32:15,406 --> 01:32:17,116
UH...THERE WAS, UM...
2859
01:32:17,157 --> 01:32:18,784
THERE WAS A LOT
2860
01:32:17,157 --> 01:32:18,784
OF GUNFIRE.
2861
01:32:18,825 --> 01:32:21,328
THERE WAS...RAIN.
2862
01:32:21,370 --> 01:32:23,914
UNCLE PETER.
2863
01:32:23,956 --> 01:32:25,832
OH, MY GOD,
2864
01:32:23,956 --> 01:32:25,832
WE'VE BEEN KIDNAPPED.
2865
01:32:25,874 --> 01:32:27,209
WHERE WERE THEY
2866
01:32:25,874 --> 01:32:27,209
HOLDING YOU?
2867
01:32:27,251 --> 01:32:29,836
UH...
2868
01:32:29,878 --> 01:32:32,381
THEY HAD US IN THE BACK
2869
01:32:29,878 --> 01:32:32,381
OF A VAN.
2870
01:32:32,423 --> 01:32:34,007
THAT EXPLAINS
2871
01:32:32,423 --> 01:32:34,007
THE GRAVITY SHIFTS.
2872
01:32:34,049 --> 01:32:36,469
YOU'RE IN THE BACK OF A VAN
2873
01:32:34,049 --> 01:32:36,469
RIGHT NOW. KEEP GOING.
2874
01:32:36,510 --> 01:32:39,012
IT HAD SOMETHING TO DO
2875
01:32:36,510 --> 01:32:39,012
WITH, UM...
2876
01:32:39,054 --> 01:32:42,682
SOMETHING TO DO
2877
01:32:39,054 --> 01:32:42,682
WITH A...A SAFE?
2878
01:32:42,724 --> 01:32:44,768
GOD, WHY IS IT SO HARD
2879
01:32:42,724 --> 01:32:44,768
TO REMEMBER?
2880
01:32:44,810 --> 01:32:47,854
IT'S LIKE TRYING TO REMEMBER
2881
01:32:44,810 --> 01:32:47,854
A DREAM AFTER YOU'VE WOKEN UP.
2882
01:32:47,896 --> 01:32:49,898
LISTEN,
2883
01:32:47,896 --> 01:32:49,898
IT TAKES YEARS OF PRACTICE.
2884
01:32:49,940 --> 01:32:52,443
YOU AND BROWNING HAVE BEEN
2885
01:32:49,940 --> 01:32:52,443
PULLED INTO THIS DREAM
2886
01:32:52,485 --> 01:32:55,070
BECAUSE THEY'RE TRYING TO STEAL
2887
01:32:52,485 --> 01:32:55,070
SOMETHING FROM YOUR MIND.
2888
01:32:55,112 --> 01:32:58,698
I NEED YOU TO FOCUS AND TRY
2889
01:32:55,112 --> 01:32:58,698
AND REMEMBER WHAT THAT IS.
2890
01:32:58,740 --> 01:33:00,159
WHAT IS IT, MR. FISCHER?
2891
01:32:58,740 --> 01:33:00,159
THINK!
2892
01:33:00,200 --> 01:33:02,119
OH, A C-COMBINATION.
2893
01:33:02,161 --> 01:33:04,579
THEY DEMANDED THE FIRST NUMBERS
2894
01:33:02,161 --> 01:33:04,579
TO POP INTO MY HEAD.
2895
01:33:04,621 --> 01:33:07,249
THEY'RE TRYING TO EXTRACT A
2896
01:33:04,621 --> 01:33:07,249
NUMBER FROM YOUR SUBCONSCIOUS.
2897
01:33:07,291 --> 01:33:08,792
IT CAN REPRESENT
2898
01:33:07,291 --> 01:33:08,792
ANYTHING.
2899
01:33:08,834 --> 01:33:11,253
WE'RE IN A HOTEL
2900
01:33:08,834 --> 01:33:11,253
RIGHT NOW.
2901
01:33:11,295 --> 01:33:12,754
WE SHOULD TRY HOTEL ROOMS.
2902
01:33:12,796 --> 01:33:15,132
WHAT WAS THE NUMBER,
2903
01:33:12,796 --> 01:33:15,132
MR. FISCHER?
2904
01:33:15,174 --> 01:33:17,759
TRY AND REMEMBER FOR ME.
2905
01:33:15,174 --> 01:33:17,759
THIS IS VERY IMPORTANT.
2906
01:33:17,801 --> 01:33:19,719
FIVE.
2907
01:33:19,761 --> 01:33:22,055
FIVE, TWO...
2908
01:33:19,761 --> 01:33:22,055
IT WAS SOMETHING...
2909
01:33:22,097 --> 01:33:23,557
IT WAS A LONG NUMBER.
2910
01:33:23,598 --> 01:33:25,058
WELL, THAT'S GOOD ENOUGH.
2911
01:33:23,598 --> 01:33:25,058
WE CAN START THERE. FIFTH FLOOR.
2912
01:33:25,100 --> 01:33:26,601
YEP.
2913
01:33:26,643 --> 01:33:27,769
SO DO YOU USE A TIMER?
2914
01:33:27,811 --> 01:33:30,022
NO, I HAVE TO JUDGE IT
2915
01:33:27,811 --> 01:33:30,022
FOR MYSELF.
2916
01:33:30,063 --> 01:33:32,316
WHILE YOU'RE ALL ASLEEP
2917
01:33:30,063 --> 01:33:32,316
IN 528,
2918
01:33:32,358 --> 01:33:34,067
I WAIT FOR YUSUF'S KICK.
2919
01:33:34,109 --> 01:33:36,529
WELL, HOW WILL YOU KNOW?
2920
01:33:34,109 --> 01:33:36,529
HIS MUSIC WARNS ME.
2921
01:33:36,570 --> 01:33:38,989
AND THEN WHEN THE VAN HITS
2922
01:33:36,570 --> 01:33:38,989
THE BARRIER OF THE BRIDGE,
2923
01:33:39,031 --> 01:33:40,657
THAT SHOULD BE
2924
01:33:39,031 --> 01:33:40,657
UNMISTAKABLE.
2925
01:33:40,699 --> 01:33:43,743
SO WE GET A NICE,
2926
01:33:40,699 --> 01:33:43,743
SYNCHRONIZED KICK.
2927
01:33:43,785 --> 01:33:46,830
IF IT'S TOO SOON,
2928
01:33:43,785 --> 01:33:46,830
WE WON'T GET PULLED OUT.
2929
01:33:46,872 --> 01:33:49,875
BUT IF IT'S TOO LATE,
2930
01:33:46,872 --> 01:33:49,875
I WON'T BE ABLE TO DROP US.
2931
01:33:49,916 --> 01:33:51,668
WELL, WHY NOT?
2932
01:33:51,710 --> 01:33:53,753
'CAUSE THE VAN
2933
01:33:51,710 --> 01:33:53,753
WILL BE IN FREE FALL.
2934
01:33:53,795 --> 01:33:55,839
CAN'T DROP YOU
2935
01:33:53,795 --> 01:33:55,839
WITHOUT GRAVITY.
2936
01:33:55,881 --> 01:33:57,299
RIGHT.
2937
01:33:57,341 --> 01:34:00,010
[ ELEVATOR BEEPING ]
2938
01:34:00,052 --> 01:34:02,095
[ SIGHS ]
2939
01:34:02,137 --> 01:34:03,472
THEY'RE WITH ME.
2940
01:34:03,514 --> 01:34:04,764
GO ON.
2941
01:34:28,955 --> 01:34:30,583
MR. CHARLES.
2942
01:34:30,624 --> 01:34:32,125
DO YOU KNOW WHAT THAT IS,
2943
01:34:30,624 --> 01:34:32,125
MR. FISCHER?
2944
01:34:32,167 --> 01:34:33,793
YEAH, I-I THINK SO.
2945
01:34:32,167 --> 01:34:33,793
YEAH.
2946
01:34:33,835 --> 01:34:35,712
THEY WERE TRYING
2947
01:34:33,835 --> 01:34:35,712
TO PUT YOU UNDER.
2948
01:34:35,754 --> 01:34:38,465
I'M ALREADY UNDER.
2949
01:34:35,754 --> 01:34:38,465
UNDER AGAIN.
2950
01:34:38,507 --> 01:34:41,093
WHAT DO YOU MEAN,
2951
01:34:38,507 --> 01:34:41,093
A DREAM WITHIN A DREAM?
2952
01:34:41,134 --> 01:34:44,179
HEY.
2953
01:34:41,134 --> 01:34:44,179
I SEE YOU'VE CHANGED.
2954
01:34:44,221 --> 01:34:46,348
I'M SORRY?
2955
01:34:46,390 --> 01:34:48,934
OH, I'M SORRY.
2956
01:34:46,390 --> 01:34:48,934
I M-MISTOOK YOU FOR A FRIEND.
2957
01:34:48,975 --> 01:34:50,603
[ CHUCKLES NERVOUSLY ]
2958
01:34:50,644 --> 01:34:53,313
WELL, GOOD-LOOKING FELLOW,
2959
01:34:50,644 --> 01:34:53,313
I'M SURE.
2960
01:34:53,355 --> 01:34:54,440
AH.
2961
01:34:54,481 --> 01:34:56,108
NO, NO, NO, NO.
2962
01:34:56,149 --> 01:34:58,026
THAT'S FISCHER'S PROJECTION
2963
01:34:56,149 --> 01:34:58,026
OF BROWNING.
2964
01:34:58,068 --> 01:34:59,445
LET'S FOLLOW HIM
2965
01:34:58,068 --> 01:34:59,445
AND SEE HOW HE BEHAVES.
2966
01:34:59,486 --> 01:35:00,946
WHY?
2967
01:35:00,987 --> 01:35:02,573
BECAUSE HOW HE ACTS
2968
01:35:00,987 --> 01:35:02,573
WILL TELL US
2969
01:35:02,615 --> 01:35:04,116
IF FISCHER IS STARTING
2970
01:35:02,615 --> 01:35:04,116
TO SUSPECT HIS MOTIVES
2971
01:35:04,157 --> 01:35:05,158
THE WAY WE WANT HIM TO.
2972
01:35:05,200 --> 01:35:06,535
Shh!
2973
01:35:10,372 --> 01:35:11,790
UNCLE PETER?
2974
01:35:11,831 --> 01:35:14,167
YOU SAID YOU WERE
2975
01:35:11,831 --> 01:35:14,167
KIDNAPPED TOGETHER?
2976
01:35:14,209 --> 01:35:15,961
WELL, N-NOT EXACTLY.
2977
01:35:14,209 --> 01:35:15,961
THEY -- THEY ALREADY HAD HIM.
2978
01:35:16,002 --> 01:35:17,296
THEY WERE
2979
01:35:16,002 --> 01:35:17,296
TORTURING HIM.
2980
01:35:17,337 --> 01:35:18,797
AND YOU SAW THEM
2981
01:35:17,337 --> 01:35:18,797
TORTURE HIM?
2982
01:35:18,838 --> 01:35:20,382
[ BREATHING HEAVILY ]
2983
01:35:25,887 --> 01:35:28,348
THE KIDNAPPERS
2984
01:35:25,887 --> 01:35:28,348
ARE WORKING FOR YOU?
2985
01:35:28,390 --> 01:35:30,809
OH, ROBERT.
2986
01:35:30,850 --> 01:35:32,894
YOU'RE TRYING TO GET
2987
01:35:30,850 --> 01:35:32,894
THAT SAFE OPEN?
2988
01:35:32,936 --> 01:35:34,813
TO GET
2989
01:35:32,936 --> 01:35:34,813
THE ALTERNATE WILL?
2990
01:35:34,854 --> 01:35:37,357
FISCHER MORROW HAS BEEN
2991
01:35:34,854 --> 01:35:37,357
MY ENTIRE LIFE.
2992
01:35:37,399 --> 01:35:39,359
I CAN'T LET YOU
2993
01:35:37,399 --> 01:35:39,359
DESTROY IT.
2994
01:35:39,401 --> 01:35:42,028
I'M NOT GONNA THROW AWAY
2995
01:35:39,401 --> 01:35:42,028
MY INHERITANCE! WHY WOULD I?!
2996
01:35:42,070 --> 01:35:46,199
I COULDN'T LET YOU RISE
2997
01:35:42,070 --> 01:35:46,199
TO YOUR FATHER'S LAST TAUNT.
2998
01:35:46,241 --> 01:35:47,826
WHAT TAUNT?
2999
01:35:47,867 --> 01:35:49,995
THE WILL, ROBERT.
3000
01:35:47,867 --> 01:35:49,995
THAT WILL?
3001
01:35:50,036 --> 01:35:51,871
THAT'S HIS LAST INSULT.
3002
01:35:51,913 --> 01:35:56,001
A CHALLENGE FOR YOU TO BUILD
3003
01:35:51,913 --> 01:35:56,001
SOMETHING FOR YOURSELF
3004
01:35:56,042 --> 01:35:59,879
BY TELLING YOU YOU'RE NOT WORTHY
3005
01:35:56,042 --> 01:35:59,879
OF HIS ACCOMPLISHMENTS.
3006
01:36:03,216 --> 01:36:05,385
[ BREATHING HEAVILY ]
3007
01:36:05,427 --> 01:36:08,972
WHAT, BUT THAT -- THAT HE WAS,
3008
01:36:05,427 --> 01:36:08,972
UM, DISAPPOINTED?
3009
01:36:09,014 --> 01:36:11,558
HMM?
3010
01:36:09,014 --> 01:36:11,558
I'M SORRY.
3011
01:36:11,600 --> 01:36:13,435
BUT...
3012
01:36:13,477 --> 01:36:15,354
HE'S WRONG.
3013
01:36:15,395 --> 01:36:18,148
YOU CAN BUILD A BETTER COMPANY
3014
01:36:15,395 --> 01:36:18,148
THAN HE EVER DID.
3015
01:36:18,190 --> 01:36:19,816
Cobb: MR. FISCHER?
3016
01:36:19,858 --> 01:36:21,401
HE'S LYING.
3017
01:36:21,443 --> 01:36:23,278
HOW DO YOU KNOW?
3018
01:36:23,320 --> 01:36:24,779
TRUST ME, IT'S WHAT I DO.
3019
01:36:23,320 --> 01:36:24,779
HE'S HIDING SOMETHING,
3020
01:36:24,821 --> 01:36:26,281
AND WE NEED TO FIND OUT
3021
01:36:24,821 --> 01:36:26,281
WHAT THAT IS.
3022
01:36:27,658 --> 01:36:29,660
I NEED YOU TO DO
3023
01:36:27,658 --> 01:36:29,660
THE SAME THING TO HIM
3024
01:36:29,702 --> 01:36:31,286
THAT HE WAS
3025
01:36:29,702 --> 01:36:31,286
GOING TO DO TO YOU.
3026
01:36:33,747 --> 01:36:35,290
WE'LL ENTER
3027
01:36:33,747 --> 01:36:35,290
HIS SUBCONSCIOUS
3028
01:36:35,332 --> 01:36:37,000
AND FIND OUT WHAT
3029
01:36:35,332 --> 01:36:37,000
HE DOESN'T WANT YOU TO KNOW.
3030
01:36:38,460 --> 01:36:40,003
ALL RIGHT.
3031
01:36:44,049 --> 01:36:45,884
[ GRUNTS ]
3032
01:36:45,925 --> 01:36:48,094
HE'S OUT.
3033
01:36:45,925 --> 01:36:48,094
WAIT.
3034
01:36:48,136 --> 01:36:49,388
WHOSE SUBCONSCIOUS
3035
01:36:48,136 --> 01:36:49,388
ARE WE GOING INTO EXACTLY?
3036
01:36:49,429 --> 01:36:50,972
WE'RE GOING
3037
01:36:49,429 --> 01:36:50,972
INTO FISCHER'S.
3038
01:36:51,014 --> 01:36:52,432
BUT I TOLD HIM
3039
01:36:51,014 --> 01:36:52,432
IT WAS BROWNING'S
3040
01:36:52,474 --> 01:36:54,727
SO HE'D COME BE A PART
3041
01:36:52,474 --> 01:36:54,727
OF OUR TEAM.
3042
01:36:54,768 --> 01:36:58,230
HE'S GONNA HELP US BREAK
3043
01:36:54,768 --> 01:36:58,230
INTO HIS OWN SUBCONSCIOUS.
3044
01:36:54,768 --> 01:36:58,230
Cobb: THAT'S RIGHT.
3045
01:36:58,271 --> 01:37:01,066
SECURITY'S GONNA RUN
3046
01:36:58,271 --> 01:37:01,066
YOU DOWN HARD.
3047
01:37:01,107 --> 01:37:03,443
AND I WILL LEAD THEM
3048
01:37:01,107 --> 01:37:03,443
ON A MERRY CHASE.
3049
01:37:03,485 --> 01:37:05,111
JUST BE BACK
3050
01:37:03,485 --> 01:37:05,111
BEFORE THE KICK.
3051
01:37:05,153 --> 01:37:06,739
GO TO SLEEP, MR. EAMES.
3052
01:37:09,949 --> 01:37:13,203
Arthur: YOU GOOD?
3053
01:37:15,497 --> 01:37:17,666
HEY. YOU READY?
3054
01:37:17,708 --> 01:37:19,251
YES, YES.
3055
01:37:17,708 --> 01:37:19,251
I'M -- I'M FINE.
3056
01:37:19,292 --> 01:37:20,877
I'M -- I'M READY.
3057
01:37:32,639 --> 01:37:35,100
Ariadne: COBB?
3058
01:37:35,141 --> 01:37:36,602
COBB.
3059
01:37:36,643 --> 01:37:37,936
WHAT'S DOWN THERE?
3060
01:37:41,189 --> 01:37:43,776
HOPEFULLY, THE TRUTH
3061
01:37:41,189 --> 01:37:43,776
WE WANT FISCHER TO LEARN.
3062
01:37:43,817 --> 01:37:46,027
I MEAN,
3063
01:37:43,817 --> 01:37:46,027
WHAT'S DOWN THERE FOR YOU?
3064
01:37:54,077 --> 01:37:55,746
[ TIRES SCREECH, ENGINE REVS ]
3065
01:37:55,788 --> 01:37:58,081
[ GUNSHOT ]
3066
01:37:55,788 --> 01:37:58,081
OHH!
3067
01:38:15,432 --> 01:38:17,601
[ GUNSHOT ]
3068
01:38:17,643 --> 01:38:19,352
[ TIRES SCREECHING ]
3069
01:38:19,394 --> 01:38:20,979
[ GUN COCKS ]
3070
01:38:19,394 --> 01:38:20,979
WHOA!
3071
01:38:23,356 --> 01:38:24,399
[ TIRES SCREECHING ]
3072
01:38:42,584 --> 01:38:43,585
OHH!
3073
01:38:48,006 --> 01:38:49,591
[ TIRES SCREECHING ]
3074
01:38:58,851 --> 01:39:01,978
[ SCREAMING ]
3075
01:39:09,778 --> 01:39:13,198
[ SCREAMING ]
3076
01:40:13,425 --> 01:40:15,218
[ GUNSHOT ]
3077
01:40:18,847 --> 01:40:20,014
[ GUN THUDS ]
3078
01:40:20,056 --> 01:40:22,183
[ LAUGHS ]
3079
01:40:22,225 --> 01:40:23,810
DID YOU SEE THAT?
3080
01:40:42,704 --> 01:40:45,123
Cobb:
3081
01:40:42,704 --> 01:40:45,123
EAMES, THIS IS YOUR DREAM.
3082
01:40:45,164 --> 01:40:46,917
I NEED YOU TO DRAW THE SECURITY
3083
01:40:45,164 --> 01:40:46,917
AWAY FROM THE COMPLEX.
3084
01:40:46,959 --> 01:40:48,001
YOU UNDERSTAND?
3085
01:40:48,042 --> 01:40:49,294
WHO GUIDES FISCHER IN?
3086
01:40:49,335 --> 01:40:51,170
NOT ME.
3087
01:40:51,212 --> 01:40:52,965
IF I KNOW THE ROUTE,
3088
01:40:51,212 --> 01:40:52,965
EVERYTHING COULD BE COMPROMISED.
3089
01:40:53,006 --> 01:40:54,299
I-I DESIGNED THE PLACE.
3090
01:40:54,340 --> 01:40:55,634
NO, YOU'RE WITH ME.
3091
01:40:55,675 --> 01:40:57,803
I COULD DO IT.
3092
01:40:57,844 --> 01:41:00,096
ALL RIGHT. YOU BRIEF HIM
3093
01:40:57,844 --> 01:41:00,096
ON THE ROUTE INTO THE COMPLEX.
3094
01:41:00,138 --> 01:41:02,474
FISCHER,
3095
01:41:00,138 --> 01:41:02,474
YOU'LL BE GOING WITH HIM.
3096
01:41:02,515 --> 01:41:04,517
ALL RIGHT.
3097
01:41:02,515 --> 01:41:04,517
WHAT ABOUT YOU?
3098
01:41:02,515 --> 01:41:04,517
[ COUGHING ]
3099
01:41:04,559 --> 01:41:05,685
YOU KEEP THIS LIVE.
3100
01:41:05,727 --> 01:41:07,687
I'LL BE LISTENING
3101
01:41:05,727 --> 01:41:07,687
IN THE WHOLE TIME.
3102
01:41:07,729 --> 01:41:09,397
THE WINDOWS ON THAT UPPER
3103
01:41:07,729 --> 01:41:09,397
FLOOR ARE BIG ENOUGH
3104
01:41:09,439 --> 01:41:11,483
FOR ME TO COVER YOU FROM
3105
01:41:09,439 --> 01:41:11,483
THAT SOUTH TOWER. YOU SEE IT?
3106
01:41:11,524 --> 01:41:13,443
YEAH.
3107
01:41:11,524 --> 01:41:13,443
YOU'RE NOT COMING IN?
3108
01:41:13,485 --> 01:41:15,153
IN ORDER TO FIND OUT
3109
01:41:13,485 --> 01:41:15,153
THE TRUTH ABOUT YOUR FATHER,
3110
01:41:15,194 --> 01:41:16,696
YOU'RE GONNA NEED TO
3111
01:41:15,194 --> 01:41:16,696
BREAK INTO BROWNING'S MIND
3112
01:41:16,738 --> 01:41:19,365
ON YOUR OWN.
3113
01:41:16,738 --> 01:41:19,365
[ BREATHES DEEPLY ]
3114
01:41:19,407 --> 01:41:20,492
COME ON, FISCHER!
3115
01:41:25,705 --> 01:41:29,459
[ ALARM BUZZING ]
3116
01:41:48,436 --> 01:41:50,313
[ TIRES SQUEALING ]
3117
01:42:16,214 --> 01:42:18,925
SOUND THE ALARM!
3118
01:42:16,214 --> 01:42:18,925
SOUND THE ALARM!
3119
01:42:18,967 --> 01:42:19,801
GO, GO, GO!
3120
01:42:19,843 --> 01:42:21,553
MOVE!
3121
01:42:22,721 --> 01:42:24,263
GO!
3122
01:42:29,435 --> 01:42:31,187
[ GUNFIRE ]
3123
01:42:39,445 --> 01:42:40,363
SOD IT!
3124
01:42:51,207 --> 01:42:53,459
I HOPE YOU'RE READY.
3125
01:42:53,501 --> 01:42:58,006
[ "NON JE NE REGRETTE RIEN"
3126
01:42:53,501 --> 01:42:58,006
PLAYS ]
3127
01:43:02,301 --> 01:43:03,803
NO, IT'S TOO SOON.
3128
01:43:06,681 --> 01:43:09,893
[ FAINT MUSIC PLAYING ]
3129
01:43:09,935 --> 01:43:11,770
COBB, DO YOU HEAR THAT?
3130
01:43:11,811 --> 01:43:13,980
I first noticed it
3131
01:43:11,811 --> 01:43:13,980
about 20 minutes ago.
3132
01:43:14,022 --> 01:43:15,398
I THOUGHT IT WAS
3133
01:43:14,022 --> 01:43:15,398
THE WIND UP HERE.
3134
01:43:15,440 --> 01:43:17,901
YEAH, I HEAR IT.
3135
01:43:15,440 --> 01:43:17,901
IT'S MUSIC.
3136
01:43:17,943 --> 01:43:19,652
SO, WHAT DO WE DO?
3137
01:43:19,694 --> 01:43:21,279
WE MOVE FAST.
3138
01:43:27,077 --> 01:43:28,286
YUSUF IS 10 SECONDS
3139
01:43:27,077 --> 01:43:28,286
FROM THE JUMP.
3140
01:43:31,247 --> 01:43:32,457
WHICH GIVES ARTHUR
3141
01:43:31,247 --> 01:43:32,457
THREE MINUTES.
3142
01:43:34,333 --> 01:43:37,253
HEY!
3143
01:43:34,333 --> 01:43:37,253
THAT'S HIM!
3144
01:43:37,295 --> 01:43:39,131
WHICH GIVES US WHAT?
3145
01:43:37,295 --> 01:43:39,131
60 MINUTES.
3146
01:43:39,172 --> 01:43:40,715
CAN THEY MAKE THAT ROUTE
3147
01:43:39,172 --> 01:43:40,715
IN UNDER AN HOUR?
3148
01:43:40,757 --> 01:43:42,675
THEY STILL HAVE TO CLIMB DOWN
3149
01:43:40,757 --> 01:43:42,675
TO THE MIDDLE TERRACE.
3150
01:43:42,717 --> 01:43:44,427
WELL, THEN, THEY NEED A NEW
3151
01:43:42,717 --> 01:43:44,427
ROUTE, A MORE DIRECT ROUTE.
3152
01:43:44,469 --> 01:43:46,471
[ GUNFIRE ]
3153
01:43:48,264 --> 01:43:50,224
[ INDISTINCT SHOUTING ]
3154
01:43:56,522 --> 01:43:57,732
IT'S DESIGNED
3155
01:43:56,522 --> 01:43:57,732
AS A LABYRINTH.
3156
01:43:57,774 --> 01:43:59,317
THERE MUST BE ACCESS ROUTES
3157
01:43:59,358 --> 01:44:00,819
THAT CUT THROUGH THE MAZE,
3158
01:43:59,358 --> 01:44:00,819
RIGHT?
3159
01:44:00,860 --> 01:44:01,903
EAMES?
3160
01:44:24,801 --> 01:44:26,427
DID EAMES
3161
01:44:24,801 --> 01:44:26,427
ADD ANY FEATURES?
3162
01:44:26,469 --> 01:44:27,887
I DON'T THINK
3163
01:44:26,469 --> 01:44:27,887
I SHOULD TELL YOU.
3164
01:44:27,929 --> 01:44:29,806
IF MAL FINDS OUT, THEN --
3165
01:44:27,929 --> 01:44:29,806
WE DON'T HAVE TIME FOR THIS!
3166
01:44:29,848 --> 01:44:30,932
DID HE ADD ANYTHING?
3167
01:44:32,391 --> 01:44:34,352
HE ADDED AN AIR-DUCT SYSTEM
3168
01:44:32,391 --> 01:44:34,352
THAT CAN CUT THROUGH THE MAZE.
3169
01:44:34,393 --> 01:44:35,854
GOOD.
3170
01:44:34,393 --> 01:44:35,854
EXPLAIN IT TO THEM.
3171
01:44:35,895 --> 01:44:36,980
Saito?
3172
01:44:35,895 --> 01:44:36,980
GO AHEAD.
3173
01:44:47,991 --> 01:44:48,950
[ GUNFIRE ]
3174
01:44:47,991 --> 01:44:48,950
AH!
3175
01:45:03,923 --> 01:45:05,508
LOOK.
3176
01:45:09,303 --> 01:45:11,890
PARADOX.
3177
01:45:11,931 --> 01:45:14,142
[ SCREAMING ]
3178
01:46:14,702 --> 01:46:16,871
[ GROANS ]
3179
01:46:16,913 --> 01:46:18,456
[ BREATHING HEAVILY ]
3180
01:46:21,834 --> 01:46:24,087
WHAT WAS THAT?
3181
01:46:21,834 --> 01:46:24,087
THE KICK.
3182
01:46:24,129 --> 01:46:26,464
COBB! COBB,
3183
01:46:24,129 --> 01:46:26,464
DID WE MISS IT?
3184
01:46:26,505 --> 01:46:28,341
YEAH, WE MISSED IT.
3185
01:46:28,382 --> 01:46:30,426
MAN.
3186
01:46:30,468 --> 01:46:33,638
COULDN'T SOMEONE HAVE
3187
01:46:30,468 --> 01:46:33,638
DREAMT OF A GODDAMN BEACH?!
3188
01:46:33,679 --> 01:46:36,390
HUH?
3189
01:46:33,679 --> 01:46:36,390
MM-HMM.
3190
01:46:36,432 --> 01:46:37,892
EAMES: What the hell
3191
01:46:36,432 --> 01:46:37,892
do we do now?!
3192
01:46:37,934 --> 01:46:39,852
WE FINISH THE JOB
3193
01:46:39,894 --> 01:46:41,562
before the next kick.
3194
01:46:39,894 --> 01:46:41,562
WHAT NEXT KICK?
3195
01:46:41,604 --> 01:46:43,315
WHEN THE VAN HITS THE WATER.
3196
01:47:05,795 --> 01:47:07,463
Female computerized voice:
3197
01:47:05,795 --> 01:47:07,463
IF YOU'D LIKE TO MAKE A CALL,
3198
01:47:07,505 --> 01:47:08,673
PLEASE HANG UP AND TRY AGAIN.
3199
01:47:08,714 --> 01:47:10,633
IF YOU NEED HELP, HANG UP...
3200
01:47:10,675 --> 01:47:14,553
HOW DO I DROP YOU
3201
01:47:10,675 --> 01:47:14,553
WITHOUT GRAVITY?
3202
01:47:17,098 --> 01:47:19,517
ARTHUR HAS A COUPLE MINUTES,
3203
01:47:17,098 --> 01:47:19,517
AND WE HAVE ABOUT 20.
3204
01:47:24,063 --> 01:47:26,482
[ COUGHING ]
3205
01:47:40,788 --> 01:47:42,207
[ COUGHING ]
3206
01:47:42,248 --> 01:47:44,667
YOU OKAY?
3207
01:47:48,796 --> 01:47:51,883
Man: RUN! TURN AROUND!
3208
01:47:48,796 --> 01:47:51,883
MOVE TO BASE!
3209
01:47:51,924 --> 01:47:54,135
MOVE TO BASE!
3210
01:47:57,096 --> 01:47:58,348
THERE'S SOMETHING WRONG.
3211
01:47:58,390 --> 01:47:59,807
THEY'RE HEADING YOUR WAY
3212
01:47:58,390 --> 01:47:59,807
LIKE THEY KNOW SOMETHING.
3213
01:48:02,018 --> 01:48:04,937
JUST -- JUST BUY US MORE TIME,
3214
01:48:02,018 --> 01:48:04,937
ALL RIGHT? COME ON!
3215
01:48:04,979 --> 01:48:06,398
ON MY WAY.
3216
01:48:06,439 --> 01:48:07,940
Man: COME ON! MOVE!
3217
01:48:21,162 --> 01:48:25,166
[ GUNSHOTS ]
3218
01:49:45,913 --> 01:49:48,833
THAT'S THE ANTECHAMBER
3219
01:49:45,913 --> 01:49:48,833
OUTSIDE THE STRONG ROOM.
3220
01:49:48,874 --> 01:49:50,835
DOES THE STRONG ROOM
3221
01:49:48,874 --> 01:49:50,835
HAVE ANY WINDOWS?
3222
01:49:50,876 --> 01:49:52,670
NO, I MEAN, IT WOULDN'T BE
3223
01:49:50,876 --> 01:49:52,670
VERY STRONG IF IT DID.
3224
01:49:52,711 --> 01:49:54,630
WELL, LET'S HOPE FISCHER
3225
01:49:52,711 --> 01:49:54,630
LIKES WHAT HE FINDS IN THERE.
3226
01:49:56,549 --> 01:49:58,592
ARE THOSE PROJECTIONS JUST
3227
01:49:56,549 --> 01:49:58,592
A PART OF HIS SUBCONSCIOUS?
3228
01:49:58,634 --> 01:50:00,428
YES.
3229
01:50:00,470 --> 01:50:02,013
ARE YOU DESTROYING THOSE PARTS
3230
01:50:00,470 --> 01:50:02,013
OF HIS MIND?
3231
01:50:02,054 --> 01:50:03,264
NO, NO.
3232
01:50:02,054 --> 01:50:03,264
THEY'RE JUST PROJECTIONS.
3233
01:50:25,495 --> 01:50:27,288
[ BREATHING HEAVILY ]
3234
01:50:29,290 --> 01:50:30,666
WE'RE HERE.
3235
01:50:30,708 --> 01:50:32,126
YOU'RE CLEAR, BUT HURRY.
3236
01:50:32,168 --> 01:50:33,336
THERE'S AN ENTIRE ARMY
3237
01:50:32,168 --> 01:50:33,336
HEADED YOUR WAY.
3238
01:50:59,404 --> 01:51:01,155
I'M IN.
3239
01:51:06,744 --> 01:51:07,828
THERE HE IS!
3240
01:51:50,663 --> 01:51:51,997
THERE'S SOMEONE ELSE
3241
01:51:50,663 --> 01:51:51,997
IN THERE.
3242
01:51:52,039 --> 01:51:53,165
FISCHER, IT'S A TRAP.
3243
01:51:52,039 --> 01:51:53,165
GET OUT!
3244
01:51:54,542 --> 01:51:56,794
COME ON.
3245
01:51:54,542 --> 01:51:56,794
COME ON, A LITTLE LOWER.
3246
01:52:02,174 --> 01:52:05,177
COBB. NO.
3247
01:52:05,219 --> 01:52:07,221
SHE -- SHE IS NOT REAL.
3248
01:52:07,263 --> 01:52:09,014
HOW DO YOU KNOW THAT?
3249
01:52:09,056 --> 01:52:10,642
SHE'S JUST A PROJECTION.
3250
01:52:10,683 --> 01:52:12,726
FISCHER.
3251
01:52:10,683 --> 01:52:12,726
FISCHER IS REAL!
3252
01:52:14,562 --> 01:52:16,397
[ GROANS ]
3253
01:52:16,439 --> 01:52:18,899
HELLO.
3254
01:52:18,941 --> 01:52:19,984
[ GUNSHOT ]
3255
01:52:22,861 --> 01:52:25,990
EAMES! EAMES,
3256
01:52:22,861 --> 01:52:25,990
GET TO THE ANTECHAMBER NOW!
3257
01:53:09,617 --> 01:53:10,618
WHAT HAPPENED?
3258
01:53:10,660 --> 01:53:13,412
MAL KILLED FISCHER.
3259
01:53:15,206 --> 01:53:17,416
I COULDN'T SHOOT HER.
3260
01:53:17,458 --> 01:53:19,377
LOOK, THERE'S NO USE
3261
01:53:17,458 --> 01:53:19,377
IN REVIVING HIM.
3262
01:53:19,418 --> 01:53:21,420
HIS MIND'S ALREADY
3263
01:53:19,418 --> 01:53:21,420
TRAPPED DOWN THERE.
3264
01:53:21,462 --> 01:53:22,714
IT'S ALL OVER.
3265
01:53:22,755 --> 01:53:25,966
SO THAT'S IT, THEN?
3266
01:53:22,755 --> 01:53:25,966
WE FAILED?
3267
01:53:26,008 --> 01:53:28,678
WE'RE DONE. I'M SORRY.
3268
01:53:28,720 --> 01:53:30,471
[ SIGHS ]
3269
01:53:30,513 --> 01:53:32,640
[ SNIFFS ]
3270
01:53:32,682 --> 01:53:34,684
WELL, IT'S NOT ME THAT DOESN'T
3271
01:53:32,682 --> 01:53:34,684
GET BACK TO MY FAMILY, IS IT?
3272
01:53:35,685 --> 01:53:37,144
IT'S A SHAME.
3273
01:53:35,685 --> 01:53:37,144
I REALLY WANTED TO KNOW
3274
01:53:37,186 --> 01:53:40,022
WHAT WAS GONNA HAPPEN IN THERE.
3275
01:53:37,186 --> 01:53:40,022
I SWEAR WE HAD THIS ONE.
3276
01:53:40,064 --> 01:53:41,232
LET'S SET THE CHARGES.
3277
01:53:43,859 --> 01:53:45,194
NO, THERE'S STILL ANOTHER WAY.
3278
01:53:46,320 --> 01:53:48,322
WE JUST HAVE TO FOLLOW
3279
01:53:46,320 --> 01:53:48,322
FISCHER DOWN THERE.
3280
01:53:48,364 --> 01:53:50,449
NOT ENOUGH TIME.
3281
01:53:50,491 --> 01:53:54,119
NO, BUT THERE WILL BE
3282
01:53:50,491 --> 01:53:54,119
ENOUGH TIME DOWN THERE.
3283
01:53:54,161 --> 01:53:55,705
AND WE WILL FIND HIM.
3284
01:53:55,747 --> 01:53:57,956
OKAY, AS SOON
3285
01:53:55,747 --> 01:53:57,956
AS ARTHUR'S MUSIC KICKS IN,
3286
01:53:57,998 --> 01:53:59,917
JUST USE THE DEFIBRILLATOR
3287
01:53:57,998 --> 01:53:59,917
TO REVIVE HIM.
3288
01:53:59,958 --> 01:54:02,670
WE CAN GIVE HIM HIS OWN KICK
3289
01:53:59,958 --> 01:54:02,670
DOWN BELOW.
3290
01:54:02,712 --> 01:54:04,630
LOOK, YOU GET HIM IN THERE.
3291
01:54:04,672 --> 01:54:08,342
AS SOON AS THE MUSIC ENDS,
3292
01:54:04,672 --> 01:54:08,342
YOU BLOW UP THE HOSPITAL,
3293
01:54:08,384 --> 01:54:11,679
AND WE ALL RIDE THE KICK
3294
01:54:08,384 --> 01:54:11,679
BACK UP THE LAYERS.
3295
01:54:11,721 --> 01:54:14,390
WELL, IT'S WORTH A SHOT,
3296
01:54:14,432 --> 01:54:17,309
IF SAITO CAN HOLD THE GUARDS OFF
3297
01:54:14,432 --> 01:54:17,309
WHILE I SET THE CHARGES.
3298
01:54:17,351 --> 01:54:18,894
SAITO WILL NEVER MAKE IT,
3299
01:54:17,351 --> 01:54:18,894
WILL HE?
3300
01:54:18,936 --> 01:54:20,854
[ MUTTERING ]
3301
01:54:20,896 --> 01:54:22,607
COBB, COME ON.
3302
01:54:20,896 --> 01:54:22,607
WE'VE GOTTA TRY THIS.
3303
01:54:22,648 --> 01:54:24,316
GO FOR IT.
3304
01:54:24,358 --> 01:54:25,901
BUT IF YOU ARE NOT BACK
3305
01:54:24,358 --> 01:54:25,901
BEFORE THE KICK,
3306
01:54:25,943 --> 01:54:27,486
I AM GONE
3307
01:54:25,943 --> 01:54:27,486
WITH OR WITHOUT YOU.
3308
01:54:27,528 --> 01:54:28,904
SHE'S RIGHT.
3309
01:54:27,528 --> 01:54:28,904
SHE'S RIGHT.
3310
01:54:33,951 --> 01:54:36,454
CAN I TRUST YOU TO DO
3311
01:54:33,951 --> 01:54:36,454
WHAT NEEDS TO HAPPEN HERE?
3312
01:54:36,495 --> 01:54:38,456
I MEAN, MAL'S GONNA
3313
01:54:36,495 --> 01:54:38,456
BE DOWN THERE.
3314
01:54:38,497 --> 01:54:40,499
I KNOW WHERE TO FIND HER.
3315
01:54:38,497 --> 01:54:40,499
SHE'LL HAVE FISCHER.
3316
01:54:40,541 --> 01:54:41,584
HOW DO YOU KNOW?
3317
01:54:41,626 --> 01:54:44,336
BECAUSE, SHE WANTS ME
3318
01:54:41,626 --> 01:54:44,336
TO COME AFTER HIM.
3319
01:54:44,378 --> 01:54:47,131
SHE WANTS ME BACK DOWN THERE
3320
01:54:44,378 --> 01:54:47,131
WITH HER.
3321
01:54:57,015 --> 01:54:58,934
[ GASPING ]
3322
01:55:13,658 --> 01:55:15,117
YOU ALL RIGHT?
3323
01:55:21,457 --> 01:55:23,459
THIS IS YOUR WORLD?
3324
01:55:23,501 --> 01:55:25,711
IT WAS.
3325
01:55:25,753 --> 01:55:27,797
THIS IS WHERE SHE'LL BE.
3326
01:55:27,839 --> 01:55:30,424
COME ON.
3327
01:55:51,821 --> 01:55:53,155
[ SIGHS ]
3328
01:56:07,044 --> 01:56:09,463
[ GROANS LIGHTLY ]
3329
01:56:12,925 --> 01:56:15,344
[ GUNFIRE, BULLET RICOCHET ]
3330
01:56:15,386 --> 01:56:17,429
SAITO.
3331
01:56:17,471 --> 01:56:20,265
SAITO.
3332
01:56:20,307 --> 01:56:22,100
I NEED YOU -- I NEED YOU
3333
01:56:20,307 --> 01:56:22,100
TO TAKE CARE OF FISCHER
3334
01:56:22,142 --> 01:56:23,561
WHILE I GO SET
3335
01:56:22,142 --> 01:56:23,561
SOME CHARGES, OKAY?
3336
01:56:23,602 --> 01:56:25,479
NO ROOM FOR TOURISTS
3337
01:56:23,602 --> 01:56:25,479
ON THESE JOBS.
3338
01:56:25,521 --> 01:56:27,981
[ CHUCKLES WEAKLY ]
3339
01:56:25,521 --> 01:56:27,981
[ CHUCKLES ]
3340
01:56:29,650 --> 01:56:30,693
DON'T BE SILLY.
3341
01:56:37,742 --> 01:56:40,118
[ TONE SOUNDS,
3342
01:56:37,742 --> 01:56:40,118
BULLETS RICOCHET ]
3343
01:57:02,433 --> 01:57:05,477
Ariadne:
3344
01:57:02,433 --> 01:57:05,477
YOU BUILT ALL THIS?
3345
01:57:05,519 --> 01:57:06,812
THIS IS INCREDIBLE.
3346
01:57:06,854 --> 01:57:08,313
WE BUILT FOR YEARS.
3347
01:57:08,355 --> 01:57:10,858
THEN WE STARTED IN
3348
01:57:08,355 --> 01:57:10,858
ON THE MEMORIES.
3349
01:57:17,740 --> 01:57:19,825
THIS WAY.
3350
01:58:00,699 --> 01:58:02,534
THIS WAS OUR NEIGHBORHOOD.
3351
01:58:02,576 --> 01:58:05,788
PLACES FROM OUR PAST.
3352
01:58:05,830 --> 01:58:07,790
THAT WAS
3353
01:58:05,830 --> 01:58:07,790
OUR FIRST APARTMENT.
3354
01:58:07,832 --> 01:58:10,125
THEN WE MOVED TO THAT BUILDING
3355
01:58:07,832 --> 01:58:10,125
RIGHT THERE.
3356
01:58:10,167 --> 01:58:12,753
AFTER MAL BECAME PREGNANT,
3357
01:58:10,167 --> 01:58:12,753
THAT BECAME OUR HOME.
3358
01:58:12,795 --> 01:58:15,297
YOU RECONSTRUCTED
3359
01:58:12,795 --> 01:58:15,297
ALL OF THIS FROM MEMORY?
3360
01:58:15,339 --> 01:58:17,716
LIKE I TOLD YOU,
3361
01:58:15,339 --> 01:58:17,716
WE HAD LOTS OF TIME.
3362
01:58:17,758 --> 01:58:19,301
WHAT IS THAT?
3363
01:58:19,343 --> 01:58:22,680
THAT'S THE HOUSE
3364
01:58:19,343 --> 01:58:22,680
MAL GREW UP IN.
3365
01:58:22,721 --> 01:58:24,306
WELL,
3366
01:58:22,721 --> 01:58:24,306
WILL SHE BE IN THERE?
3367
01:58:24,348 --> 01:58:27,392
NO. COME ON.
3368
01:58:27,434 --> 01:58:29,102
WE BOTH WANTED
3369
01:58:27,434 --> 01:58:29,102
TO LIVE IN A HOUSE,
3370
01:58:29,144 --> 01:58:30,771
BUT WE LOVED THIS TYPE
3371
01:58:29,144 --> 01:58:30,771
OF BUILDING.
3372
01:58:30,813 --> 01:58:33,983
IN THE REAL WORLD, WE'D HAVE
3373
01:58:30,813 --> 01:58:33,983
TO CHOOSE, BUT NOT HERE.
3374
01:58:39,030 --> 01:58:40,614
[ GROANS ]
3375
01:59:12,187 --> 01:59:14,398
[ BEEP ]
3376
01:59:14,439 --> 01:59:16,650
HOW ARE WE GONNA BRING
3377
01:59:14,439 --> 01:59:16,650
FISCHER BACK?
3378
01:59:16,692 --> 01:59:19,194
WE'RE GONNA HAVE TO COME UP
3379
01:59:16,692 --> 01:59:19,194
WITH SOME KIND OF A KICK.
3380
01:59:19,236 --> 01:59:21,113
WHAT?
3381
01:59:21,154 --> 01:59:23,032
I'M GONNA IMPROVISE.
3382
01:59:23,074 --> 01:59:25,325
LISTEN, THERE'S SOMETHING
3383
01:59:23,074 --> 01:59:25,325
YOU SHOULD KNOW ABOUT ME.
3384
01:59:25,367 --> 01:59:27,285
ABOUT INCEPTION.
3385
01:59:37,004 --> 01:59:39,882
[ BULLETS RICOCHET ]
3386
01:59:39,924 --> 01:59:42,927
AN IDEA IS LIKE A VIRUS.
3387
01:59:42,968 --> 01:59:44,803
RESILIENT.
3388
01:59:44,845 --> 01:59:47,264
HIGHLY CONTAGIOUS.
3389
01:59:47,305 --> 01:59:50,684
AND THE SMALLEST SEED
3390
01:59:47,305 --> 01:59:50,684
OF AN IDEA CAN GROW.
3391
01:59:50,726 --> 01:59:53,854
IT CAN GROW TO DEFINE...
3392
01:59:53,896 --> 01:59:56,774
OR DESTROY YOU.
3393
01:59:58,901 --> 02:00:02,654
THE SMALLEST IDEA,
3394
01:59:58,901 --> 02:00:02,654
SUCH AS...
3395
02:00:02,696 --> 02:00:06,117
"YOUR WORLD IS NOT REAL."
3396
02:00:06,158 --> 02:00:09,411
SIMPLE LITTLE THOUGHT
3397
02:00:06,158 --> 02:00:09,411
THAT CHANGES EVERYTHING.
3398
02:00:09,453 --> 02:00:12,998
SO CERTAIN OF YOUR WORLD.
3399
02:00:13,040 --> 02:00:15,167
OF WHAT'S REAL.
3400
02:00:15,208 --> 02:00:17,669
DO YOU THINK HE IS?
3401
02:00:17,711 --> 02:00:22,049
OR DO YOU THINK HE'S AS LOST
3402
02:00:17,711 --> 02:00:22,049
AS I WAS?
3403
02:00:22,091 --> 02:00:24,093
I KNOW WHAT'S REAL, MAL.
3404
02:00:26,637 --> 02:00:28,305
NO CREEPING DOUBTS?
3405
02:00:28,346 --> 02:00:31,266
NOT FEELING PERSECUTED,
3406
02:00:28,346 --> 02:00:31,266
DOM?
3407
02:00:31,308 --> 02:00:32,935
CHASED AROUND THE GLOBE
3408
02:00:32,977 --> 02:00:35,896
BY ANONYMOUS CORPORATIONS
3409
02:00:32,977 --> 02:00:35,896
AND POLICE FORCES?
3410
02:00:35,938 --> 02:00:39,108
THE WAY THE PROJECTIONS
3411
02:00:35,938 --> 02:00:39,108
PERSECUTE THE DREAMER?
3412
02:00:39,150 --> 02:00:42,736
ADMIT IT.
3413
02:00:42,778 --> 02:00:45,823
YOU DON'T BELIEVE
3414
02:00:42,778 --> 02:00:45,823
IN ONE REALITY ANYMORE.
3415
02:00:45,864 --> 02:00:48,033
SO CHOOSE.
3416
02:00:48,075 --> 02:00:50,285
CHOOSE TO BE HERE.
3417
02:00:50,327 --> 02:00:52,621
CHOOSE ME.
3418
02:00:52,663 --> 02:00:55,124
[ GRUNTING, BULLETS RICOCHET ]
3419
02:00:55,166 --> 02:00:57,626
AAH!
3420
02:00:57,668 --> 02:00:58,710
UNH!
3421
02:01:17,521 --> 02:01:19,356
YOU KNOW
3422
02:01:17,521 --> 02:01:19,356
WHAT I HAVE TO DO.
3423
02:01:19,397 --> 02:01:21,150
I HAVE TO GET BACK
3424
02:01:19,397 --> 02:01:21,150
TO OUR CHILDREN
3425
02:01:21,192 --> 02:01:22,526
BECAUSE YOU LEFT THEM.
3426
02:01:22,567 --> 02:01:25,362
BECAUSE YOU LEFT US.
3427
02:01:25,403 --> 02:01:27,280
YOU'RE WRONG.
3428
02:01:25,403 --> 02:01:27,280
I'M NOT WRONG.
3429
02:01:27,322 --> 02:01:29,700
YOU'RE CONFUSED.
3430
02:01:29,741 --> 02:01:33,537
OUR CHILDREN ARE HERE.
3431
02:01:33,578 --> 02:01:35,747
AND YOU'D LIKE TO SEE THEIR
3432
02:01:33,578 --> 02:01:35,747
FACES AGAIN, WOULDN'T YOU?
3433
02:01:35,789 --> 02:01:37,541
YES...
3434
02:01:37,582 --> 02:01:39,877
BUT I'M GONNA SEE THEM
3435
02:01:37,582 --> 02:01:39,877
UP ABOVE, MAL.
3436
02:01:39,918 --> 02:01:41,879
[ GUNFIRE ]
3437
02:01:43,839 --> 02:01:45,507
[ BEEP ]
3438
02:01:51,388 --> 02:01:53,015
[ COUGHING ]
3439
02:01:53,057 --> 02:01:55,684
"UP ABOVE"?
3440
02:01:55,726 --> 02:01:58,103
LISTEN TO YOURSELF.
3441
02:01:58,145 --> 02:02:00,105
THESE ARE OUR CHILDREN.
3442
02:02:00,147 --> 02:02:02,149
WATCH.
3443
02:02:02,191 --> 02:02:03,984
JAMES? PHILLIPA?
3444
02:02:04,026 --> 02:02:06,195
DON'T DO THIS, MAL.
3445
02:02:04,026 --> 02:02:06,195
PLEASE.
3446
02:02:06,237 --> 02:02:07,612
THOSE AREN'T MY CHILDREN.
3447
02:02:07,654 --> 02:02:08,989
YOU KEEP TELLING
3448
02:02:07,654 --> 02:02:08,989
YOURSELF THAT,
3449
02:02:09,031 --> 02:02:10,782
BUT YOU DON'T BELIEVE IT.
3450
02:02:09,031 --> 02:02:10,782
NO, I KNOW IT.
3451
02:02:10,824 --> 02:02:14,912
AND WHAT IF YOU'RE WRONG?
3452
02:02:10,824 --> 02:02:14,912
WHAT IF I'M WHAT'S REAL?
3453
02:02:14,953 --> 02:02:17,789
YOU KEEP TELLING YOURSELF
3454
02:02:14,953 --> 02:02:17,789
WHAT YOU KNOW.
3455
02:02:17,831 --> 02:02:21,793
BUT WHAT DO YOU BELIEVE?
3456
02:02:21,835 --> 02:02:23,795
WHAT DO YOU FEEL?
3457
02:02:23,837 --> 02:02:27,424
GUILT.
3458
02:02:27,465 --> 02:02:29,843
I FEEL GUILT, MAL.
3459
02:02:29,885 --> 02:02:32,721
AND NO MATTER WHAT I DO,
3460
02:02:29,885 --> 02:02:32,721
NO...
3461
02:02:32,763 --> 02:02:35,182
NO MATTER
3462
02:02:32,763 --> 02:02:35,182
HOW HOPELESS I AM,
3463
02:02:35,224 --> 02:02:37,350
NO MATTER HOW CONFUSED,
3464
02:02:37,392 --> 02:02:39,728
THAT GUILT
3465
02:02:37,392 --> 02:02:39,728
IS ALWAYS THERE,
3466
02:02:39,770 --> 02:02:42,022
REMINDING ME
3467
02:02:39,770 --> 02:02:42,022
OF THE TRUTH.
3468
02:02:42,064 --> 02:02:44,399
WHAT TRUTH?
3469
02:02:46,026 --> 02:02:49,905
THAT THE IDEA THAT CAUSED YOU
3470
02:02:46,026 --> 02:02:49,905
TO QUESTION YOUR REALITY
3471
02:02:49,947 --> 02:02:52,157
CAME FROM ME.
3472
02:02:54,451 --> 02:02:58,330
YOU PLANTED THE IDEA
3473
02:02:54,451 --> 02:02:58,330
IN MY MIND?
3474
02:02:58,371 --> 02:03:01,583
WHAT IS SHE TALKING ABOUT?
3475
02:03:01,625 --> 02:03:04,711
THE REASON I KNEW
3476
02:03:01,625 --> 02:03:04,711
INCEPTION WAS POSSIBLE
3477
02:03:04,753 --> 02:03:07,547
WAS BECAUSE I...
3478
02:03:04,753 --> 02:03:07,547
I DID IT TO HER FIRST.
3479
02:03:07,589 --> 02:03:09,841
I DID IT TO MY OWN WIFE.
3480
02:03:09,883 --> 02:03:11,551
WHY?
3481
02:03:11,593 --> 02:03:14,054
WE WERE LOST IN HERE.
3482
02:03:14,096 --> 02:03:19,476
I KNEW WE NEEDED TO ESCAPE,
3483
02:03:14,096 --> 02:03:19,476
BUT SHE WOULDN'T ACCEPT IT.
3484
02:03:22,313 --> 02:03:24,689
SHE HAD LOCKED
3485
02:03:22,313 --> 02:03:24,689
SOMETHING AWAY,
3486
02:03:24,731 --> 02:03:28,401
SOMETHING...
3487
02:03:24,731 --> 02:03:28,401
SOMETHING DEEP INSIDE.
3488
02:03:28,443 --> 02:03:31,196
THAT TRUTH
3489
02:03:28,443 --> 02:03:31,196
THAT SHE HAD ONCE KNOWN,
3490
02:03:31,238 --> 02:03:33,615
BUT CHOSE TO FORGET.
3491
02:03:33,657 --> 02:03:36,076
AND SHE COULDN'T
3492
02:03:33,657 --> 02:03:36,076
BREAK FREE.
3493
02:03:38,495 --> 02:03:42,207
SO I DECIDED
3494
02:03:38,495 --> 02:03:42,207
TO SEARCH FOR IT.
3495
02:03:42,249 --> 02:03:45,543
I WENT DEEP INTO THE RECESS
3496
02:03:42,249 --> 02:03:45,543
OF HER MIND
3497
02:03:45,585 --> 02:03:47,504
AND FOUND
3498
02:03:45,585 --> 02:03:47,504
THAT SECRET PLACE.
3499
02:03:47,545 --> 02:03:49,298
AND I BROKE IN...
3500
02:03:49,340 --> 02:03:52,425
AND I PLANTED AN IDEA.
3501
02:03:52,467 --> 02:03:55,595
A SIMPLE LITTLE IDEA
3502
02:03:52,467 --> 02:03:55,595
THAT WOULD CHANGE EVERYTHING...
3503
02:03:57,139 --> 02:03:59,599
[ TOTEM RATTLING ]
3504
02:04:01,185 --> 02:04:04,229
...THAT HER WORLD
3505
02:04:01,185 --> 02:04:04,229
WASN'T REAL.
3506
02:04:15,740 --> 02:04:19,828
THAT DEATH
3507
02:04:15,740 --> 02:04:19,828
WAS THE ONLY ESCAPE.
3508
02:04:26,501 --> 02:04:28,545
YOU'RE WAITING
3509
02:04:26,501 --> 02:04:28,545
FOR A TRAIN.
3510
02:04:28,586 --> 02:04:30,381
[ RUMBLING ]
3511
02:04:30,422 --> 02:04:34,134
A TRAIN THAT'LL TAKE YOU
3512
02:04:30,422 --> 02:04:34,134
FAR AWAY.
3513
02:04:34,176 --> 02:04:37,346
YOU KNOW WHERE YOU HOPE
3514
02:04:34,176 --> 02:04:37,346
THIS TRAIN WILL TAKE YOU.
3515
02:04:39,806 --> 02:04:41,933
BUT YOU CAN'T KNOW
3516
02:04:39,806 --> 02:04:41,933
FOR SURE!
3517
02:04:41,975 --> 02:04:43,101
[ RUMBLING ]
3518
02:04:43,143 --> 02:04:44,395
YET IT DOESN'T MATTER!
3519
02:04:44,436 --> 02:04:46,897
NOW, TELL ME WHY!
3520
02:04:46,938 --> 02:04:48,648
BECAUSE YOU'LL BE TOGETHER!
3521
02:04:52,819 --> 02:04:55,155
BUT I NEVER KNEW
3522
02:04:52,819 --> 02:04:55,155
THAT THAT IDEA
3523
02:04:55,197 --> 02:04:57,699
WOULD GROW IN HER MIND
3524
02:04:55,197 --> 02:04:57,699
LIKE A CANCER,
3525
02:04:57,741 --> 02:04:59,910
THAT EVEN
3526
02:04:57,741 --> 02:04:59,910
AFTER SHE WOKE....
3527
02:05:02,829 --> 02:05:04,998
THAT EVEN AFTER
3528
02:05:02,829 --> 02:05:04,998
YOU CAME BACK TO REALITY...
3529
02:05:08,377 --> 02:05:10,921
...THAT YOU'D CONTINUE TO
3530
02:05:08,377 --> 02:05:10,921
BELIEVE YOUR WORLD WASN'T REAL.
3531
02:05:13,757 --> 02:05:16,176
THAT DEATH
3532
02:05:13,757 --> 02:05:16,176
WAS THE ONLY ESCAPE.
3533
02:05:16,218 --> 02:05:19,221
MAL, NO! JESUS!
3534
02:05:19,263 --> 02:05:21,473
YOU INFECTED MY MIND.
3535
02:05:21,514 --> 02:05:23,100
I WAS TRYING TO SAVE YOU.
3536
02:05:23,141 --> 02:05:24,517
YOU BETRAYED ME.
3537
02:05:24,559 --> 02:05:26,937
BUT YOU CAN MAKE AMENDS.
3538
02:05:26,978 --> 02:05:28,813
YOU CAN STILL
3539
02:05:26,978 --> 02:05:28,813
KEEP YOUR PROMISE.
3540
02:05:28,855 --> 02:05:32,443
WE CAN STILL BE TOGETHER,
3541
02:05:28,855 --> 02:05:32,443
RIGHT HERE,
3542
02:05:32,484 --> 02:05:34,694
IN THE WORLD
3543
02:05:32,484 --> 02:05:34,694
WE BUILT TOGETHER.
3544
02:05:40,367 --> 02:05:41,493
[ GUNSHOTS ]
3545
02:05:41,534 --> 02:05:42,994
[ COUGHING ]
3546
02:05:49,460 --> 02:05:51,836
[ BEEP ]
3547
02:05:51,878 --> 02:05:53,588
[ GUNFIRE ]
3548
02:06:00,178 --> 02:06:01,430
[ GUNFIRE CONTINUES ]
3549
02:06:03,307 --> 02:06:04,933
[ GRENADE RATTLES ]
3550
02:06:04,975 --> 02:06:06,059
[ EXPLOSION ]
3551
02:06:09,813 --> 02:06:11,940
[ GROANS ]
3552
02:06:28,873 --> 02:06:37,799
[ "NON JE NE REGRETTE RIEN"
3553
02:06:28,873 --> 02:06:37,799
PLAYS ]
3554
02:06:47,642 --> 02:06:49,394
[ ELECTRONIC SQUEALING ]
3555
02:06:51,855 --> 02:06:53,273
[ EXPLOSION ]
3556
02:06:54,691 --> 02:06:56,860
[ GASPING ]
3557
02:06:56,901 --> 02:06:58,570
COBB,
3558
02:06:56,901 --> 02:06:58,570
WE NEED TO GET FISCHER.
3559
02:06:58,611 --> 02:07:00,405
YOU CAN'T HAVE HIM.
3560
02:07:00,447 --> 02:07:03,408
IF I STAY HERE,
3561
02:07:00,447 --> 02:07:03,408
WILL YOU LET HIM GO?
3562
02:07:03,450 --> 02:07:04,659
WHAT ARE YOU
3563
02:07:03,450 --> 02:07:04,659
TALKING ABOUT?
3564
02:07:08,413 --> 02:07:11,082
FISCHER IS ON THE PORCH.
3565
02:07:11,124 --> 02:07:12,584
GO CHECK HE'S ALIVE,
3566
02:07:11,124 --> 02:07:12,584
ARIADNE.
3567
02:07:12,625 --> 02:07:14,294
COBB, YOU CAN'T DO THIS.
3568
02:07:14,336 --> 02:07:17,339
GO CHECK HE'S ALIVE RIGHT NOW.
3569
02:07:14,336 --> 02:07:17,339
DO IT.
3570
02:07:29,059 --> 02:07:30,435
[ ELECTRIC SHOCK ]
3571
02:07:30,477 --> 02:07:33,313
[ GRUNTING ]
3572
02:07:33,355 --> 02:07:35,982
HE'S HERE! AND IT'S TIME,
3573
02:07:33,355 --> 02:07:35,982
BUT YOU HAVE TO COME NOW!
3574
02:07:36,024 --> 02:07:37,692
TAKE FISCHER WITH YOU,
3575
02:07:36,024 --> 02:07:37,692
ALL RIGHT?
3576
02:07:37,734 --> 02:07:39,486
YOU CAN'T STAY HERE TO BE
3577
02:07:37,734 --> 02:07:39,486
WITH HER.
3578
02:07:41,321 --> 02:07:43,323
I'M NOT.
3579
02:07:43,365 --> 02:07:45,116
SAITO'S DEAD BY NOW.
3580
02:07:45,158 --> 02:07:46,743
THAT MEANS
3581
02:07:45,158 --> 02:07:46,743
HE'S DOWN HERE SOMEWHERE.
3582
02:07:46,784 --> 02:07:48,453
THAT MEANS
3583
02:07:46,784 --> 02:07:48,453
I HAVE TO FIND HIM.
3584
02:07:48,495 --> 02:07:50,372
[ THUNDER RUMBLES ]
3585
02:07:50,414 --> 02:07:52,165
I CAN'T STAY
3586
02:07:50,414 --> 02:07:52,165
WITH HER ANYMORE
3587
02:07:52,207 --> 02:07:53,875
BECAUSE SHE
3588
02:07:52,207 --> 02:07:53,875
DOESN'T EXIST.
3589
02:07:53,917 --> 02:07:57,295
I'M THE ONLY THING YOU DO
3590
02:07:53,917 --> 02:07:57,295
BELIEVE IN ANYMORE.
3591
02:07:57,337 --> 02:07:58,838
[ EXHALES DEEPLY ]
3592
02:07:58,880 --> 02:08:02,050
I WISH.
3593
02:08:02,092 --> 02:08:07,222
I WISH MORE
3594
02:08:02,092 --> 02:08:07,222
THAN ANYTHING, BUT...
3595
02:08:07,264 --> 02:08:09,349
I CAN'T IMAGINE YOU
3596
02:08:07,264 --> 02:08:09,349
WITH ALL YOUR COMPLEXITY,
3597
02:08:09,391 --> 02:08:11,976
ALL YOUR PERFECTION,
3598
02:08:09,391 --> 02:08:11,976
ALL YOUR IMPERFECTION.
3599
02:08:12,018 --> 02:08:14,145
YOU ALL RIGHT?
3600
02:08:12,018 --> 02:08:14,145
YEAH.
3601
02:08:14,187 --> 02:08:16,523
LOOK AT YOU.
3602
02:08:16,565 --> 02:08:18,816
YOU'RE JUST A SHADE.
3603
02:08:18,858 --> 02:08:22,362
YOU'RE JUST A SHADE
3604
02:08:18,858 --> 02:08:22,362
OF MY REAL WIFE.
3605
02:08:22,404 --> 02:08:25,198
AND YOU WERE THE BEST
3606
02:08:22,404 --> 02:08:25,198
THAT I COULD DO, BUT...
3607
02:08:25,240 --> 02:08:28,785
I'M SORRY,
3608
02:08:25,240 --> 02:08:28,785
YOU'RE JUST NOT GOOD ENOUGH.
3609
02:08:28,826 --> 02:08:31,121
DOES THIS FEEL REAL?!
3610
02:08:28,826 --> 02:08:31,121
AAH!
3611
02:08:31,162 --> 02:08:32,830
[ GUNSHOT ]
3612
02:08:32,872 --> 02:08:35,208
WHAT ARE YOU DOING?!
3613
02:08:32,872 --> 02:08:35,208
IMPROVISING.
3614
02:08:38,920 --> 02:08:42,799
[ GASPING ]
3615
02:08:43,925 --> 02:08:46,719
NO, NO! NO!
3616
02:08:46,761 --> 02:08:49,806
IN THERE, NOW.
3617
02:08:46,761 --> 02:08:49,806
GO. GO, GO, GO.
3618
02:09:10,661 --> 02:09:12,621
[ BREATHES DEEPLY ]
3619
02:09:13,871 --> 02:09:15,248
[ CLANKS ]
3620
02:09:32,599 --> 02:09:36,561
I WAS DIS...
3621
02:09:36,603 --> 02:09:40,273
I WAS DIS-- DISA...
3622
02:09:40,315 --> 02:09:41,566
I KNOW, DAD.
3623
02:09:41,608 --> 02:09:43,067
DISA...
3624
02:09:48,448 --> 02:09:53,453
I KNOW YOU WERE DISAPPOINTED
3625
02:09:48,448 --> 02:09:53,453
I COULDN'T BE YOU.
3626
02:09:53,495 --> 02:09:55,079
NO.
3627
02:09:55,121 --> 02:09:57,457
NO, NO, NO.
3628
02:09:57,499 --> 02:10:01,002
I WAS DISAPPOINTED...
3629
02:10:01,044 --> 02:10:03,838
THAT YOU TRIED.
3630
02:10:07,300 --> 02:10:09,052
[ RUMBLING ]
3631
02:11:03,273 --> 02:11:05,858
[ CLICKS TONGUE ]
3632
02:11:12,198 --> 02:11:13,908
[ SOBBING ]
3633
02:11:17,203 --> 02:11:20,957
[ EXPLOSIONS ]
3634
02:11:35,764 --> 02:11:37,599
[ OBJECTS RATTLING ]
3635
02:11:49,402 --> 02:11:51,279
THAT'S THE KICK, ARIADNE!
3636
02:11:51,321 --> 02:11:52,363
YOU HAVE TO GO NOW!
3637
02:12:05,585 --> 02:12:08,755
DON'T LOSE YOURSELF!
3638
02:12:05,585 --> 02:12:08,755
FIND SAITO AND BRING HIM BACK!
3639
02:12:08,797 --> 02:12:09,964
I WILL!
3640
02:12:34,906 --> 02:12:39,952
[ DISTORTED,
3641
02:12:34,906 --> 02:12:39,952
SLOW-MOTION SOUNDS ]
3642
02:12:48,002 --> 02:12:49,962
[ SIGHS ]
3643
02:12:50,004 --> 02:12:52,965
[ Straining ] YOU REMEMBER
3644
02:12:50,004 --> 02:12:52,965
WHEN YOU ASKED ME TO MARRY YOU?
3645
02:12:53,007 --> 02:12:55,009
YES.
3646
02:12:55,051 --> 02:12:58,012
YOU SAID YOU DREAMT
3647
02:12:55,051 --> 02:12:58,012
THAT WE'D GROW OLD TOGETHER.
3648
02:12:59,972 --> 02:13:02,350
BUT WE DID.
3649
02:13:02,392 --> 02:13:05,061
WE DID.
3650
02:13:05,102 --> 02:13:07,271
YOU DON'T REMEMBER?
3651
02:13:10,316 --> 02:13:15,154
I MISS YOU MORE
3652
02:13:10,316 --> 02:13:15,154
THAN I CAN BEAR, BUT...
3653
02:13:15,196 --> 02:13:19,075
WE HAD OUR TIME
3654
02:13:15,196 --> 02:13:19,075
TOGETHER.
3655
02:13:19,116 --> 02:13:22,579
AND I HAVE TO
3656
02:13:19,116 --> 02:13:22,579
LET YOU GO.
3657
02:13:22,620 --> 02:13:27,041
I HAVE TO LET YOU GO.
3658
02:13:27,083 --> 02:13:28,585
[ EXHALES SOFTLY ]
3659
02:13:31,838 --> 02:13:33,631
[ SMOOCHES ]
3660
02:13:48,229 --> 02:13:51,441
[ EXHALES DEEPLY ]
3661
02:14:06,915 --> 02:14:10,084
[ GASPING ]
3662
02:14:16,382 --> 02:14:18,301
I'M SORRY, ROBERT.
3663
02:14:40,072 --> 02:14:43,159
[ GRUNTING ]
3664
02:14:45,119 --> 02:14:46,913
YOU KNOW, THE WILL MEANS
3665
02:14:46,955 --> 02:14:49,874
THAT DAD WANTED ME
3666
02:14:46,955 --> 02:14:49,874
TO BE MY OWN MAN...
3667
02:14:49,916 --> 02:14:53,503
NOT JUST TO LIVE FOR HIM.
3668
02:14:53,544 --> 02:14:57,507
THAT'S WHAT I'M GONNA DO,
3669
02:14:53,544 --> 02:14:57,507
UNCLE PETER.
3670
02:14:57,548 --> 02:14:59,342
[ SIGHS ]
3671
02:15:05,932 --> 02:15:07,517
WHAT HAPPENED?
3672
02:15:07,558 --> 02:15:08,643
COBB STAYED.
3673
02:15:08,685 --> 02:15:10,061
WITH MAL?
3674
02:15:10,102 --> 02:15:11,270
NO, TO FIND SAITO.
3675
02:15:13,189 --> 02:15:14,524
HE'LL BE LOST.
3676
02:15:17,109 --> 02:15:19,278
NO, HE'LL BE ALL RIGHT.
3677
02:15:34,836 --> 02:15:37,755
Saito:
3678
02:15:34,836 --> 02:15:37,755
HAVE YOU COME TO KILL ME?
3679
02:15:41,968 --> 02:15:44,054
I'M WAITING FOR SOMEONE.
3680
02:15:49,183 --> 02:15:51,561
SOMEONE FROM
3681
02:15:49,183 --> 02:15:51,561
A HALF-REMEMBERED DREAM.
3682
02:15:53,771 --> 02:15:56,107
COBB?
3683
02:15:56,148 --> 02:15:57,817
[ SCOFFS ]
3684
02:15:57,859 --> 02:15:59,610
IMPOSSIBLE.
3685
02:15:59,652 --> 02:16:03,865
WE WERE YOUNG MEN
3686
02:15:59,652 --> 02:16:03,865
TOGETHER.
3687
02:16:03,907 --> 02:16:07,035
I'M AN OLD MAN.
3688
02:16:07,077 --> 02:16:10,454
FILLED WITH REGRET.
3689
02:16:12,874 --> 02:16:17,545
WAITING TO DIE ALONE.
3690
02:16:17,587 --> 02:16:20,965
I'VE COME BACK FOR YOU.
3691
02:16:23,634 --> 02:16:27,847
TO REMIND YOU...
3692
02:16:23,634 --> 02:16:27,847
OF SOMETHING.
3693
02:16:30,892 --> 02:16:35,312
SOMETHING YOU ONCE KNEW.
3694
02:16:35,354 --> 02:16:39,067
THAT THIS WORLD
3695
02:16:35,354 --> 02:16:39,067
IS NOT REAL.
3696
02:16:43,738 --> 02:16:48,618
TO CONVINCE ME TO HONOR
3697
02:16:43,738 --> 02:16:48,618
OUR ARRANGEMENT?
3698
02:16:48,659 --> 02:16:52,080
TO TAKE A LEAP
3699
02:16:48,659 --> 02:16:52,080
OF FAITH, YES.
3700
02:16:57,501 --> 02:16:59,420
COME BACK...
3701
02:17:01,547 --> 02:17:05,593
...SO WE CAN BE YOUNG MEN
3702
02:17:01,547 --> 02:17:05,593
TOGETHER AGAIN.
3703
02:17:08,429 --> 02:17:10,389
COME BACK WITH ME.
3704
02:17:13,768 --> 02:17:15,603
COME BACK.
3705
02:17:24,904 --> 02:17:27,239
Flight attendant:
3706
02:17:24,904 --> 02:17:27,239
HOT TOWEL, SIR?
3707
02:17:27,281 --> 02:17:30,952
WE'LL BE LANDING IN LOS ANGELES
3708
02:17:27,281 --> 02:17:30,952
IN ABOUT 20 MINUTES.
3709
02:17:30,994 --> 02:17:33,496
DO YOU NEED
3710
02:17:30,994 --> 02:17:33,496
IMMIGRATION FORMS?
3711
02:17:34,538 --> 02:17:36,707
THANK YOU.
3712
02:17:36,749 --> 02:17:39,043
HOT TOWEL, SIR?
3713
02:17:39,085 --> 02:17:40,503
UH, NO.
3714
02:17:40,544 --> 02:17:42,296
DO YOU NEED
3715
02:17:40,544 --> 02:17:42,296
IMMIGRATION FORMS?
3716
02:17:43,756 --> 02:17:45,299
[ SIGHS ]
3717
02:18:17,540 --> 02:18:19,209
[ EXHALES SHARPLY ]
3718
02:18:20,751 --> 02:18:23,671
[ DIALING ]
3719
02:18:53,284 --> 02:18:55,161
WELCOME HOME, MR. COBB.
3720
02:18:55,203 --> 02:18:57,163
THANK YOU, SIR.
3721
02:19:41,082 --> 02:19:43,375
WELCOME.
3722
02:19:43,417 --> 02:19:45,169
THIS WAY.
3723
02:20:06,274 --> 02:20:09,693
JAMES? PHILLIPA?
3724
02:20:12,863 --> 02:20:14,698
LOOK WHO'S HERE.
3725
02:20:19,120 --> 02:20:21,622
HEY.
3726
02:20:21,664 --> 02:20:23,874
HEY, GUYS!
3727
02:20:21,664 --> 02:20:23,874
James: DADDY!
3728
02:20:23,916 --> 02:20:25,918
HEY! HOW ARE YOU?
3729
02:20:25,960 --> 02:20:27,920
DADDY!
3730
02:20:25,960 --> 02:20:27,920
HOW ARE YOU?
3731
02:20:27,962 --> 02:20:30,214
LOOK WHAT
3732
02:20:27,962 --> 02:20:30,214
I'VE BEEN BUILDING!
3733
02:20:30,256 --> 02:20:32,133
WHAT ARE YOU BUILDING?
3734
02:20:32,175 --> 02:20:34,093
WE'RE BUILDING A HOUSE
3735
02:20:32,175 --> 02:20:34,093
ON THE CLIFF!
3736
02:20:34,135 --> 02:20:35,886
ON THE CLIFF?
3737
02:20:35,928 --> 02:20:38,055
COME ON,
3738
02:20:35,928 --> 02:20:38,055
I WANT YOU TO SHOW ME.
3739
02:20:43,644 --> 02:20:46,605
[ TOTEM RATTLING ]
3740
02:20:54,780 --> 02:20:58,868
[ OMINOUS MUSIC PLAYS ]
3741
02:26:48,342 --> 02:26:50,802
[ "NON, JE NE REGRETTE RIEN"
3742
02:26:48,342 --> 02:26:50,802
PLAYS ]
3743
02:26:58,686 --> 02:27:04,107
♪ NON, RIEN DE RIEN ♪
3744
02:27:04,149 --> 02:27:09,739
♪ NON, JE NE REGRETTE RIEN ♪
3745
02:27:09,780 --> 02:27:15,244
♪ NI LE BIEN QU'ON M'A FAIT ♪
3746
02:27:15,285 --> 02:27:21,250
♪ NI LE MAL
3747
02:27:15,285 --> 02:27:21,250
TOUT ÇA M'EST BIEN ÉGAL ♪
3748
02:27:21,291 --> 02:27:26,463
♪ NON, RIEN DE RIEN ♪
3749
02:27:26,505 --> 02:27:31,677
♪ NON, JE NE REGRETTE RIEN ♪
3750
02:27:31,719 --> 02:27:37,224
♪ CAR MA VIE, CAR MES JOIES ♪
3751
02:27:37,266 --> 02:27:41,228
♪ AUJOURD'HUI ♪
3752
02:27:41,270 --> 02:27:44,022
[ OMINOUS MUSIC PLAYS ]
229137
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