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Welcome to the last video of

this short course finally.

You did a long way to this little course.

And finally we have

reached the last part.

And in this last video,

I want to talk mostly about

the story of your character.

What are you

drawing in your

illustration mostly about

personality of your character,

the personality

in general expressions.

You're already behind your character because

usually

if it's first time maybe we want to draw

cool things on

drawings that get

attention mostly.

But at the same time,

you need to think about

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what you want to show about your character.

Only about composition or

the pose of different

object in your illustration but

more far away

we are looking mostly about

what you can show from your character.

Especially when it's original

and it's like a baby for you.

And you want to show

its personality,

its feelings, its

way to do the things. So

here I will give you some tips.

Are recommendations for

finish your piece.

And try to

take those

in mind when you are drawing your

characters.

So for example,

when you are drawing

or making illustration,

you need to think about

what characters you will draw.

And when you have clear what characters

you will draw,

you need to think about

some points as

personality.

For the

world that surrounds the character.

You need to think about also

the actions.

For character usually makes or do

in

each life. Or in

the situation that you are put in.

And give the use

the point for alternates.

Alter this like

what is happening.

What is happening with your character.

What is it doing?

So some of these things

are important at the moment you will do

this illustration. Because

you can make some cool pose and

you can make some cool

composition at the end. But

give a

personality to your character.

Think about what you will show in your illustration.

And help you to make

those actions,

those poses

a bit more powerful.

Because you have a direction

to give to your character.

Alright. So

not this same like

say

your character is angry.

Or your character is like fighting

a boss.

And he is posing because he is doing

its alternate

that is for an example only.

And

we need to

draw the face and

we can

have the pose and everything cool

with the face. Something like

this, right?

And the thing is not

with the faces, ok.

I know when you are drawing and you

usually focus

more in other details. The face gets

like second, third place of importance

in your illustration. But

I think it's important to have in mind that

try not to make always the same face.

Or expression.

Because

it will be

becoming repetitive in your art and without

get it, you will start doing like same face

to same face a lot of times

and a lot of sketches.

And it will be becoming a bit boring. So

try to have that in mind.

That is important.

As I said for example, what

the situation I,

I told you that your character is

fighting against boss and it's

releasing it's ultimatum or something like

that, we can make something like

more interesting like

the lines in this expressions always help

a lot to

give that vibe.

The thing is here

try to give like volume.

Your expressions,

try to make them more interesting.

That will give you more

overalls to your pose and intention of it.

Change a lot

alright, with this face for example.

Alright. Because here we are giving like

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more perspective,

more volume.

We are giving the lines of expression

same with faces that are more sentimental.

So the important thing here is that

we are giving

intention to the character.

So not this only the cool pose and

interesting

for shortening and

and everything, you need the body but also

you are giving the intention

of the pose.

And also the personality of character.

If the character is more shy,

you will need to think about

the pose in shy out.

and make it dynamic and at the same time,

shy. Because the character is shy and

you need to express and think about

who are character that is

not too

demonstrative that

not try to call attention of others.

Which character can be making a

cool pose at the same time that it's

representing itself. So

it's a lot of

things to have in mind

at the moment of

drawing the final pose for your character.

And it's really, really nice to think about

that because

at the end, you are not making a

character without

any content.

You are giving life to the character.

And it's nice to think about that because

you are not only giving life to the pose

without the character too.

And then

those are things we will compliment,

the final pose at the end.

So

other things that are really important to

have in mind at the moment, you will

sketch things.

So

having those in mind

will be a really, really big

helpful to you.

So if we come

again to

our final drawing,

you can see here that is

let's see it.

What she is doing is like

she is basically

showing some

of her powers.

And try to call attention in some way.

If we wanted to

make a different situation,

for example if we wanted to,

to her to

be dissuading someone or

something like that.

Change a bit more the expression.

So she wants to fight guys.

Add the personality of the character and

the intention of the character change.

Working in, in desperation mostly.

But also this kind of expression not works

too much with this pose because

this pose is more,

is more meant with at the same time

it's more relaxing.

In the form of try to for example,

want to make a competition with someone.

So I think the expression she had before

was more accurate.

As she is simply showing what

she is capable of

in some way of her powers.

And also it's a bit relaxing pose. So

something like that.

And I will try to give you some other tips

that not really are related

directly for the intention of

your characters.

But mostly for finding

make the final version of your art.

I am not used to like

lineart but what did we do?

So with some tips here

we can

with all these

and with these, ok.

So we have this version in black.

What I do usually is

erase and

work over the sketch.

Working over the sketch for me was

mostly helpful

way to

finish my art. And

not making the lineart

that don't give

the movement the sketch have.

the information the sketch have.

So

for me this way of

make your work more

understandable for everyone and

at the same time try to

maintain some part of the sketch,

person that you are drawing.

But not so sketchy that

is like rough.

Can find over it without problem.

For me at least it was a really, really

good option

instead of make lineart.

So one of my tips here

that is about

this

lineart is try to

know

for put your line

more darker.

And when put your line more soft.

Right? Because that gives

interesting

effect that

gives volume.

For example,

I know

parts of the head between the neck

and the head

and make a more

darker line because we have shadows here.

We have the neck that is finishing and

the head that is starting.

And that thing is

a simple one of the points.

You can't make those lines for remark

some of the muscles. So for example

when I am doing curves,

right? I am densify

the line,

where the lines connect

with other ones.

And make it soft.

And becomes long.

And you

put more darker in this part.

And then soft again and dark again.

So you are giving that sensation of

muscle

Also giving volume because you are doing

more darker in the

thighs.

Or.

And more soft in the wrist

of the area of the line.

For example, here

you can make

the curve soft

and then darken.

Because here we have a corner.

And from this corner, we are doing again

a start.

Again, another curve.

And then again another

corner.

So with this game, we can't give

some

volume without drawing

exactly the volume of

the arms. Or the volume

of different parts of the

anatomy muscle and those stuffs.

It's like illusion

of my work.

So my recommendation usually when

you want to make the clear version of

your sketch,

try to work over your sketch directly.

And then

try to clear those

parts you have sketched already.

Because it's always more easy to maintain

what your sketch

have

shown already.

Because for me the lineart is,

it's a thing that not works

works only for animation for,

for things that are related to coloring

and shadows and, and production things.

That becomes

more easy to work with clear work.

But your personal stuff not

is that case. So

you can do more stuff than that.

And make it a bit roughy at the end.

I like the roughy and not

100% clean because

I think have more life at the end.

That makes some

powerful cleans.

And I noticed that work with cleans have

really and they

have good animation show but

personally I prefer to work over my

sketches and try to clean then

without problem.

And as you can see, we can have like.

Far away we have like a clean line.

If you get closer, you can see the

mistakes or, or the roughy parts

that not are like 100% really, really

perfect clean.

Also I really like to play with some subtle

shadows that are making with

the lines in this roughy parts.

Plus usually my work I don't

make shadows

with colors of coloring.

So for me works with

lines that

are showing the

different volumes of the body are

perfect clean to work with.

Because with the line I can't give all the

information I need to give with that.

And I don't need really to color all.

But of course, you need to, to. If you are

starting already or you are promoting or

stuff like that,

you are still

a baby and try to.

You need to try to find what you like to do.

If you like to color,

or you like to work with lines only?

Or you want to work with

black and white only?

Or

if you like to work with 2 colors only

everytime you make like

a different illustration and

it's something

that you want to experiment. So

at the end, this course is mostly for,

for helpful.

Help you to have

some tips

for get the poses more dynamic.

And mostly my point of view and

recommendation from my experience.

So I hope it helps you to, to get,

to reach

what you want to do.

And that is

after drawing is more dynamic.

And I really hope it helps you to improve.

And not suddenly try to, to ? and will

the same with try to improve,

do your own way.

That you are like

really in right now

as an artist.

So you need to take those

recommendations and

for apply them to your work. And

try to remember

everything is like

my own way.

And not

it's necessary to copy them, right?

Also because you need to feel comfortable

with the things you do.

And point here is that I try to

say to you that you must do

something that you don't like. Right? So

take this course as

a deep course

and aspiration

from my point of view.

And I hope really all the exercise I did

along this course help you

at the end to improve more.

I will be

leaving some exercises along

in a pdf at the end.

So you can

recheck all the classes

and doing the stuff you

need to make the homework.

So you, I will tell it's homework.

But I don't know this

really, really homework but

let's say it's like a homework.

And yeah, you can see I am putting points

that are more darker because

I have some

part of the body that

are making the pressure of other

parts of the body.

You need to have those points of

measure pressure

market.

So it gives you volume of both parts.

So as I say I really hope this

little

course help you through

your own way to experiment and learn. And,

and try to improve your own drawings.

I am really happy that you decided to,

to, to choose me as a

help in your way.

And I really hope

everything I talk in this course help you

in some

really nice way to

reach your final goal.

Yeah, with this character movement.

Ok? So

thank you a lot again for being here.

And see you next time that if we have

the opportunity to meet again.

And have another course

related to dynamic poses.

Or related to anatomy or related to

storyboard as well.

So I really hope

you improve a lot.

And your journey

is amazing

in the future.

So enjoy your drawings,

experiment a lot.

And go forward, don't have fear

to reach your goals.

Yes? Ok.

Thank you a lot.

A big hug

from far away

where I am.

And yeah.

Thank you for everything.