All language subtitles for 08.Movement- From Pose to Objects

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Ok, so we already have

pointed out the points

for

improve our drawing already and the poses

and the movement. And thing interesting

of all work.

So now we can put

everything in practice.

And the last thing

to touch is

what we will do after we have

the final pose which is

after we have character, after we have

everything thinking. So

the pose of the arm, the pose of the head,

the pose of the body in general.

So the next step here is

basically add

the hair, the clothes,

the different elements we want to add.

For example,

here

we have a pose that we can imagine that

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this character have some power. Some magical

power or some element power or as you wish.

And, of course, she has hair. We can imagine

how will look her hair and

how long is her hair.

And the different layers of her hair so

we can know how to play with it.

So the first thing to think about is

before we start with each element is

where the body is going to move.

She is going

into general pose.

I have this curve.

And she is going to

this place.

Okay? She is going forward

but also

a bit behind

herself so it's making like

a curve movement.

With this information, we can imagine

how the hair will go.

Hair will go with her movement.

So

we can have something

like this.

Also we have this arm that is doing

some curve here.

And we need to think about

what movement will compliment the pose

we have already. So

we will start with her hair.

Thickening

some layers for give volume to her hair.

Also the arm is

over the hair. So

some part of the hair, we move

together with the arm.

Erase.

Going forward to the camera.

And then go.

You need to have care about

how many

elements we put.

We have already information over the draw.

Like if we have the hand here with

the fingers that are doing a crazy

movement or something like that.

Will be a bit difficult all details.

Her hair going crazy.

So I recommend to have care in those

situations. So not put

more information than those hair

because it will be confusing.

Here we can have some hair movement.

Don't worry if you

take your time for make stuff because

you need to have

elements that have sense.

And,

and they do give us

information we want

in here.

And this one, it's

going there with the movement of the arm

and the body and this line. So I think

it will compliment this movement with

ponytail hair.

And this one is going

forward with the character. So here

we are giving the illusion of

the volume that is going

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to the character.

And we have this

different level of volume. So we have

the hair in first plane close to us,

close to the camera. And then

it's going more close to the character.

So it gives that

sensation of

volume in there.

Okay? So we have the hair resolved.

So now we need to think about

how to put the clothes. So we need to think

about the clothes.

But first

we will see again

why this hair makes sense

with this character.

And why I choose them.

First thing is

as I talked before, we have

an important line here.

And

this hair intensifies this line,

this curve.

So

I have intention that

this, this intensify so

taking this line, I make the hair here.

And the other hair is

if we have the body and I am making this,

this curve

that's going to the face of the character,

also help me

to intensify it.

This one can change

a bit more but this one

can't right now, because

have all the intention I want to give

and goes with the movement also.

From this side.

Also with this hair.

Okay.

And now we need to think about the clothes.

Look at the hair and

it depends of the character clothes you

have already. But

me, for example, we can give like

not like a skirt but

we have like

little shorts.

We can have some

material that will help us.

Here we can,

can get

this curve.

And with this hand, we can make this.

Okay? So

with those information, we can put this

here to make this.

I have the shorts ready

like this.

Not is really important when,

when it's really

most close to

form of the body.

Mostly for have it in

consideration.

My character have the

the arms without clothes.

You see that part?

Ok, so in general the clothes are ready too.

Like my character don't have a lot of stuff.

There you have some ribbon or

something like this.

Go a bit behind like this.

Going with this, this curve.

But not this case so this is ok. And

we need to think

about another element.

Can be the power she has.

Maybe smile maybe she wear or maybe

something and.

So this one is for

intensify this sea.

Okay?

This sea gives

and goes with energy of

the body of her mostly.

Because her body is going in this way.

And the sea is like a continuation of that

movement. So

that is the idea

of make her effects in that way.

You can also instead of going behind there,

you can make like

trying to make it more

with volume

like this.

So we don't have

too empty this part here.

That can happen in your final.

So

the things to have in consideration

when you are putting your elements

are the curves that

your character are making.

So that will give you more

clear idea

of what

and how to put the elements there.

For example, I will leave those

for you.

Like

where it is going.

The body of

the character.

So here we need

directions

which

which are the

most important

curves of

the pose.

Because in base of the curves,

position of

the elements.

Because as you saw how I was putting

elements, the curves were the case

for put them

for compliment the pose. Remember

the elements

must

compliment

the

final pose.

So not is like

I have the pose here.

And putting the elements super random or

like the hair like this or,

or the different like the clothes here and

different things that

don't have sense.

You need to think about

where it's going the body.

What is direction of the movement?

This is really important.

Really important for you to

understand how the different elements

of the character will work

which are the most important curve of

the pose because the curves will give you

the idea of how to pose the elements to

compliment pose in general.

And make everything go with pose.

And finally the elements most compliment

the pose because

those element also intensify

the pose itself.

So

if I show you

the pose,

okay?

And I put the hair and I put

the clothes and I put the

element in movement.

You can see

without these 3 elements, we have

nice pose or

something that is moving. It has

movement or yeah.

But if I put these elements, we have

a bit change, right?

We have

more energy than we had before.

So this

is really, really important to you to have

in consideration

for put the elements

in random things.

So yeah.

So by this part

is really, really short. But it's really

clear what things you need to have in mind

for put the elements in your drawing.

So in the next part,

we will be talking about what

to show what we want to show.

So let's go to the next course.