All language subtitles for 04.Movement Is the Protagonist

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Ok, welcome to this

video. We will be talking about that

the movement is protagonist. But

we need to think about

poses and the movement.

Ok. So you need to think about

here we are trying to get

the poses

as dynamic as we can.

And for that, you need to think about

the movement is

all you need to give to your character.

Your pose to have life. So

when you are drawing a character,

you don't need to think about

he is

or she is only like

standing

for example.

He is standing here and waiting

for something to happen.

That is not

the way you need to think when you are

trying to do

some interesting pose.

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So

what I mean you need to think about

the movement,

you need to think about the curves.

The lines of action.

And the

edge of the body doing different curves.

Something like this for example.

This is line of movement.

We can take this one

that is in the middle

as the edge of the body

and this one as a compliment.

And if we need to think about the body,

the movement based in,

in this line, we can

perfectly

draw in the body

of our character here.

Base of the curves,

we sketch it.

As you can see,

I am only thinking the movement of the line.

And then in base of that,

I draw my character and

from a moment until you have

easily

your character in

a pose that is giving movement.

You can do that

multiple

of times by doing something like this,

for example.

And we can think about

the head here

looking down.

Neck, shoulder.

Arm that will follow to

both lines that are in curves already.

And then we can draw

the rest of the body.

But as you can see, I invest only of

a curve of movement,

I did the pose.

And it's something I think that

you need to imagine the pose,

the body movement. And

you need to simplify

that image in lines.

So for example, I can imagine

the character jumping.

And you need to think about

how he is jumping.

To the sky he is jumping

because we have like

character I need to go to this point,

this point. So

how he is taking

impulse to go

from here to here

So you can imagine the middle pose here.

And for having better reference for the

poses, you need to imagine and

related curves

always.

It's needed to imagine

or try to do it by yourself.

I am not meaning that you need to

go to a place that

recalls you

the knowledge how to jump from this point

to this point because that is risky.

And it's a bit too much dangerous.

But you can do it

without problem.

Trying to

do it the same at your home, you can

like jump in,

standing in the floor.

And doing this jump.

Ok? And you can try to jump

as high as you can.

So you can

feel how your body is getting there.

Right? How the body is getting the

power of your jumping. And

for example, one of the poses that can be

related to something like this.

Ok? So something like this.

It can be a bit more exaggerated.

For example, this part

can be more like,

like this.

Then you have

this curve.

So it's really, really important that

you imagine what

the body

you will draw, what it's doing.

And the different curves

you will use to give

the simplified version of the movement

you will use.

And that is a really, really nice

exercise. So

you can do something

like that.

Like for example, we can like do some S

and then we can have something like this.

And add to something

more like this. And,

and by here.

And there you have two curves.

And you can imagine

what the body can do with this curve

because you need to remember this is

the edge.

The line is the edge of the body.

You can take it as a spine. So

it's more easy to you to put the body there.

But, for example, you can have this

head here.

Right? You have,

you can have the neck here.

And with the same movement as the arm.

That is necessary that

we are drawing the, the body.

This is necessary that

in the lines

you make everything go inside. But you can

copy the movement

of the one you did.

For example, we can make

the arm with that movement.

So we can exaggerate this.

Or instead of this arm, you can apply it to

the other arm.

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Then, it's something different.

Same with this alter, the one.

You have the edge

of this pose.

And as you can see, also it's

some way inspiration to your drawing.

So you can make some interesting poses,

trying to do this exercise.

Yeah. So

and you can use this exercise

as an inspiration for make poses.

I know in some way

you need to have knowledge of how to

point the body.

And have a bit more experience

about

how to put

the different part of the body making

for shortening and those parts having

sense. But

we will be talking about that more forward.

And I think this is a great base for you to

start to think about

how the curve

have movement of the body.

It's helping you to

do some interesting poses at the end.

I will leave here some

exercises that are related to this. So

first one is like

imagine

some curves

for make,

make different poses. I will say

you need to make something like

10 poses.

I will give you some examples. Remember

the curves are the key here. So

you can do something like this

and like this.

And like this.

I will put

2 lines. You can put more lines

if you want.

But I always put 2 lines

as minimum. Because

some way give you a guide

of how you can put the arms or the legs

in that pose.

And do something like this also.

I will make some little example.

So some curves like this.

Remember you make some

principal curve.

And then you make,

you need the ones that

can compliment that curve.

Let's do

those exercise.

And we can go forward to the next

lesson when you finish those.

Ok? So let's go to the next lesson.