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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,615 --> 00:00:05,031 If you want to turn off the subtitles, click [setting]-[tooltips]-['on' for PC, 'close' for mobile] 2 00:00:07,375 --> 00:00:08,385 Welcome, everyone. 3 00:00:09,054 --> 00:00:12,245 Today is dynamic poses classes introduction. 4 00:00:12,407 --> 00:00:15,008 My name is Sol Ferrari. Mostly known as 5 00:00:15,009 --> 00:00:16,855 SolKorra in the social media. 6 00:00:16,856 --> 00:00:19,499 I am having the opportunity to have 7 00:00:19,612 --> 00:00:21,439 this collaboration course 8 00:00:21,440 --> 00:00:22,898 together with coloso. 9 00:00:22,899 --> 00:00:25,989 And here we will be talking about mostly 10 00:00:25,990 --> 00:00:27,474 how to reach 11 00:00:27,475 --> 00:00:30,144 those dynamic poses, how you can improve 12 00:00:30,145 --> 00:00:32,814 your poses to get them more 13 00:00:32,815 --> 00:00:35,555 as the course name says dynamic 14 00:00:36,015 --> 00:00:38,525 with the movement. More powerful. 15 00:00:38,905 --> 00:00:41,505 So this course we have some different 16 00:00:41,506 --> 00:00:43,059 videos that 17 00:00:43,475 --> 00:00:44,839 will help you to reach 18 00:00:44,840 --> 00:00:45,844 those 19 00:00:45,845 --> 00:00:47,255 as soon as possible. 20 00:00:47,256 --> 00:00:49,224 And will help you to improve 21 00:00:49,225 --> 00:00:50,684 as you wish in 22 00:00:50,685 --> 00:00:53,533 your sketches as well. So the first part of 23 00:00:53,534 --> 00:00:55,136 the course, we will be talking 24 00:00:55,137 --> 00:00:56,262 about the base 25 00:00:56,263 --> 00:00:58,315 movement and flow. Basically 26 00:00:58,845 --> 00:01:00,879 the basis of how you can study, 27 00:01:00,880 --> 00:01:03,102 Subtitled by online-courses.club We compress knowledge for you! 28 00:01:03,103 --> 00:01:04,003 how you can reach at first 29 00:01:04,315 --> 00:01:06,154 the movement of the poses. 30 00:01:06,155 --> 00:01:08,294 How to study that to get 31 00:01:08,465 --> 00:01:10,560 incorporate that to your work. 32 00:01:10,561 --> 00:01:12,997 So we will be talking about gesture and 33 00:01:12,998 --> 00:01:15,300 simplification. What is gesture? 34 00:01:15,308 --> 00:01:17,995 What is doing gesture being a really, 35 00:01:17,996 --> 00:01:19,394 really important part 36 00:01:19,395 --> 00:01:20,982 of make your pose dynamic. 37 00:01:20,983 --> 00:01:23,301 Also we will be talking about how you make 38 00:01:23,302 --> 00:01:25,814 your lines. How work more faster 39 00:01:25,815 --> 00:01:28,534 in general and how to make them more 40 00:01:28,535 --> 00:01:30,917 clear. And at the end, we will be talking 41 00:01:30,918 --> 00:01:32,398 an important point that is 42 00:01:32,399 --> 00:01:35,155 the movement is the protagonist. We will be talking about 43 00:01:35,156 --> 00:01:36,397 how the line 44 00:01:36,398 --> 00:01:38,464 of movement of the body 45 00:01:38,465 --> 00:01:40,770 because we are talking mostly in 46 00:01:40,771 --> 00:01:41,854 characters that 47 00:01:41,855 --> 00:01:45,994 are humanoids. How that line, that edge of movement 48 00:01:45,995 --> 00:01:48,265 are placed to your characters. And how 49 00:01:48,500 --> 00:01:49,724 works 50 00:01:49,725 --> 00:01:51,146 mostly. So 51 00:01:51,695 --> 00:01:53,320 those will be the important points 52 00:01:53,321 --> 00:01:55,346 of this first part. 53 00:01:55,946 --> 00:01:57,568 For the second part of this course, 54 00:01:57,569 --> 00:01:58,874 we will be talking about 55 00:01:58,875 --> 00:02:00,648 the movement and the anatomy. 56 00:02:00,915 --> 00:02:03,136 How important these 4 things 57 00:02:03,137 --> 00:02:05,689 are and how they play together 58 00:02:05,690 --> 00:02:08,431 because usually we see anatomy 59 00:02:08,615 --> 00:02:10,918 and movement 60 00:02:10,921 --> 00:02:14,345 apart. And not usually go together. 61 00:02:14,585 --> 00:02:16,540 But it's important to have in mind that 62 00:02:16,541 --> 00:02:18,802 the anatomy and movements go together 63 00:02:18,803 --> 00:02:22,164 because naturally they go and how we can 64 00:02:22,165 --> 00:02:23,274 separate them 65 00:02:23,275 --> 00:02:25,931 and know how to simplificate them. 66 00:02:25,932 --> 00:02:28,654 And make what we want with 67 00:02:28,655 --> 00:02:31,746 pose at the end showing some anatomy. So 68 00:02:31,747 --> 00:02:34,433 important points will be how to simplify 69 00:02:34,434 --> 00:02:36,915 the anatomy, how we can see 70 00:02:36,916 --> 00:02:39,477 the different parts of the body and 71 00:02:39,478 --> 00:02:41,874 put them in the correct way 72 00:02:41,875 --> 00:02:43,104 interfere 73 00:02:43,105 --> 00:02:45,189 the different poses and the curves. 74 00:02:45,190 --> 00:02:46,347 How the curves 75 00:02:46,381 --> 00:02:48,362 affect directly the pose. 76 00:02:48,363 --> 00:02:50,999 And at the final point that 77 00:02:51,045 --> 00:02:53,614 we will be talking all the 78 00:02:53,615 --> 00:02:55,228 points we talked before. 79 00:02:55,229 --> 00:02:57,334 It's like how to make your 80 00:02:57,335 --> 00:02:59,151 work interesting. 81 00:02:59,152 --> 00:03:01,248 So we will be talking about 82 00:03:01,249 --> 00:03:03,894 the important point that is related to 83 00:03:03,895 --> 00:03:06,224 the posing that is for shortening. 84 00:03:06,225 --> 00:03:08,538 For shortening, it's a really, really 85 00:03:08,539 --> 00:03:09,820 important thing that you need to 86 00:03:09,821 --> 00:03:11,223 apply to your work. 87 00:03:11,224 --> 00:03:14,289 And it's an important key that makes 88 00:03:14,290 --> 00:03:16,737 your work interesting. So we will be talking about 89 00:03:16,738 --> 00:03:18,573 that in that point. 90 00:03:18,574 --> 00:03:21,943 And lastly, not less important we will be 91 00:03:21,944 --> 00:03:24,164 talking about the composition and the 92 00:03:24,165 --> 00:03:26,629 movement. How we can play with the movement 93 00:03:26,630 --> 00:03:29,891 and make that composition interesting. So 94 00:03:29,892 --> 00:03:32,864 we will be talking about that movement 95 00:03:32,865 --> 00:03:36,665 and how we go from old pose to the objects 96 00:03:36,666 --> 00:03:38,999 that we will be putting in our illustration, 97 00:03:39,000 --> 00:03:40,593 how we can relate those. 98 00:03:40,594 --> 00:03:42,595 Also we want to talk about 99 00:03:42,596 --> 00:03:44,694 what you want to show because 100 00:03:44,695 --> 00:03:47,265 the idea of make the composition also 101 00:03:47,266 --> 00:03:48,967 is the key to 102 00:03:48,968 --> 00:03:50,124 direct 103 00:03:50,125 --> 00:03:52,375 the eye of the person. So 104 00:03:52,376 --> 00:03:54,015 when we are looking at your work, 105 00:03:54,016 --> 00:03:56,018 to the part of illustration you want. 106 00:03:56,019 --> 00:03:58,214 So we will be talking a bit about that. 107 00:03:58,215 --> 00:03:59,990 And at the final point, 108 00:03:59,991 --> 00:04:02,772 I will be talking about some recommendations 109 00:04:02,773 --> 00:04:04,415 and final work. 110 00:04:04,416 --> 00:04:05,954 And of course, 111 00:04:05,955 --> 00:04:07,689 recommendation for give 112 00:04:07,690 --> 00:04:10,246 not only related to your poses but also 113 00:04:10,247 --> 00:04:12,394 give life to your characters because 114 00:04:12,395 --> 00:04:13,995 your characters have life 115 00:04:14,012 --> 00:04:15,384 at the end. 116 00:04:15,385 --> 00:04:17,203 So you need to think about how 117 00:04:17,206 --> 00:04:19,434 the personality of them are, 118 00:04:19,435 --> 00:04:20,566 how 119 00:04:20,569 --> 00:04:22,305 the aspirations, how 120 00:04:22,570 --> 00:04:23,855 they will act 121 00:04:23,856 --> 00:04:26,883 in some situations you would put them. So 122 00:04:26,884 --> 00:04:29,173 it's a really important point to talk about 123 00:04:29,174 --> 00:04:31,541 and have in consideration at the end. 124 00:04:31,867 --> 00:04:34,081 So those are the most important points 125 00:04:34,082 --> 00:04:35,106 of this course. 126 00:04:35,107 --> 00:04:37,594 And the different videos will be separated 127 00:04:37,595 --> 00:04:39,002 in those thematics. 128 00:04:39,003 --> 00:04:40,594 I really hope you like 129 00:04:40,595 --> 00:04:42,398 what we will be talking about this course. 130 00:04:42,399 --> 00:04:45,935 And I am waiting you to start it. So enjoy 131 00:04:45,936 --> 00:04:48,206 what we will be talking about. 132 00:04:48,207 --> 00:04:50,454 The dynamic poses and how we can 133 00:04:50,468 --> 00:04:51,908 apply them to our 134 00:04:51,909 --> 00:04:53,167 personal work. 8678

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