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Welcome, everyone.
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Today is dynamic poses classes introduction.
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My name is Sol Ferrari. Mostly known as
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SolKorra in the social media.
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I am having the opportunity to have
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this collaboration course
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together with coloso.
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And here we will be talking about mostly
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how to reach
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those dynamic poses, how you can improve
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your poses to get them more
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as the course name says dynamic
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with the movement. More powerful.
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So this course we have some different
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videos that
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will help you to reach
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those
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as soon as possible.
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And will help you to improve
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as you wish in
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your sketches as well. So the first part of
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the course, we will be talking
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about the base
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movement and flow. Basically
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the basis of how you can study,
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Subtitled by
online-courses.club
We compress knowledge for you!
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how you can reach at first
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the movement of the poses.
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How to study that to get
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incorporate that to your work.
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So we will be talking about gesture and
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simplification. What is gesture?
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What is doing gesture being a really,
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really important part
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of make your pose dynamic.
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Also we will be talking about how you make
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your lines. How work more faster
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in general and how to make them more
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clear. And at the end, we will be talking
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an important point that is
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the movement is the protagonist. We will be talking about
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how the line
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of movement of the body
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because we are talking mostly in
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characters that
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are humanoids. How that line, that edge of movement
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are placed to your characters. And how
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works
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mostly. So
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those will be the important points
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of this first part.
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For the second part of this course,
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we will be talking about
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the movement and the anatomy.
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How important these 4 things
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are and how they play together
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because usually we see anatomy
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and movement
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apart. And not usually go together.
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But it's important to have in mind that
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the anatomy and movements go together
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because naturally they go and how we can
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separate them
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and know how to simplificate them.
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And make what we want with
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pose at the end showing some anatomy. So
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important points will be how to simplify
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the anatomy, how we can see
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the different parts of the body and
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put them in the correct way
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interfere
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the different poses and the curves.
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How the curves
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affect directly the pose.
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And at the final point that
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we will be talking all the
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points we talked before.
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It's like how to make your
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work interesting.
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So we will be talking about
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the important point that is related to
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the posing that is for shortening.
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For shortening, it's a really, really
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important thing that you need to
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apply to your work.
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And it's an important key that makes
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your work interesting. So we will be talking about
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that in that point.
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And lastly, not less important we will be
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talking about the composition and the
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movement. How we can play with the movement
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and make that composition interesting. So
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we will be talking about that movement
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and how we go from old pose to the objects
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that we will be putting in our illustration,
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how we can relate those.
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Also we want to talk about
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what you want to show because
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the idea of make the composition also
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is the key to
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direct
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the eye of the person. So
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when we are looking at your work,
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to the part of illustration you want.
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So we will be talking a bit about that.
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And at the final point,
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I will be talking about some recommendations
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and final work.
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And of course,
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recommendation for give
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not only related to your poses but also
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give life to your characters because
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your characters have life
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at the end.
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So you need to think about how
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the personality of them are,
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how
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the aspirations, how
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they will act
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in some situations you would put them. So
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it's a really important point to talk about
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and have in consideration at the end.
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So those are the most important points
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of this course.
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And the different videos will be separated
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in those thematics.
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I really hope you like
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what we will be talking about this course.
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And I am waiting you to start it. So enjoy
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what we will be talking about.
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The dynamic poses and how we can
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apply them to our
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personal work.
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