All language subtitles for Tracker - S01E10 - Double Down

[ puffs inhaler ]

Zin.

Well, well. I'm disappointed
in you--very disappointed.

I was waiting in Paris to
take care of him as you wanted.

But his plane was delayed.
I lost him at the airport.

He changed hotels.

The plan was so simple.

You get him out of the country,
away from the tracker,

kill him,
dispose of his body.

What could be easier?
You failed.

[ puffs inhaler ]

What exactly was it
that you did on Nodul?

I worked for
the Ministry of Finance.

[ Zin chuckles ]
That's right.

And you made off
with half their treasury.

Perhaps I selected
the wrong man for the job.

Zin, just give me
another chance, please.

You know I'd do anything
for the cause.

Ah.

It just so happens

that I do have something else
in mind for you,

but it requires
a small sacrifice.

No sacrifice is too great.

I'm glad
you see it that way.

Nice work.

I never was too fond
of Nodulians.

Yes, I know. I know.

You need another
earthly body or you will die.

Well, unfortunately, uh,

all these bodies are taken.

Yes, I agree with you.

A life force is a terrible
thing to waste.

But it is for a good cause.

[ gavel banging ]

JUDGE: Will the defendant
please rise?

Troy Montana, you were accused
of murdering Adam Curtis

with malice and forethought.
How do you plead?

Not guilty.

MEL: Cole didn't
murder anyone.

Come on, Mel.

You saw the surveillance
video on the 6:00 news.

It shows him pulling
the trigger.

I knew there was something
odd about this guy

the first time I met him.

The man in that video
was not Cole.

I know.
It's Troy Montana.

Exactly!

Cole and Montana
are the same person.

No, they aren't.

Look Mel, your friend
can't even produce

a birth certificate
or a driver's license

saying he's
the mysterious Cole.

I don't even know if this guy
has a last name!

Of course he does.

It's...um...

Hauser.

- Hauser.
- Cole Hauser.

Who has been living with me--
you know what I mean--

at the bar
for the last few months.

And no one can vouch
for Montana's whereabouts

the past 6 months.
Look, face facts, Mel.

You've been living
with a part-time actor.

You're wrong, Vic.

I can't tell you
how I know...

But I know.

[ sighs ]
Fine.

MEL: Fletcher!

How's Cole doing?

I take it you're talking
about Mr. Montana.

He's taking it in stride.

Doesn't seem to faze him
that the prosecution

has the evidence
to put him on death row.

What's our strategy?

Ms. Porter,
the state of Illinois

has dropped 16 cases
in my lap,

so our strategy will be to try
and strike some kind of a deal

with the prosecution.

With any luck,
your Cole there

walks out of Joliet
in about 20 years.

That's totally unacceptable.

What do you want me to do?

They've got a videotape
of your boy lying in wait

and then
gunning down Curtis.

We'd be extremely fortunate

if they offered us
any kind of deal.

Excuse me.

Hello, Mel.

[ door closes ]

How are you holding up?

I'm not holding anything up.

How is everything going?

Oh. Good.

But this prison is
very different than SAR-TOP.

Well, for one thing, you're
on the other side of the bars.

There were no bars
on SAR-TOP, Mel.

The prisoners were restrained
by neurodebilitators--

That's not so important
right now Cole.

Did you know that your
lawyer's thrown in the towel?

- That's good?
- No.

It means he's given up.

He's talking
about making a deal.

That would be good if he
could get me out of here.

It would in about two decades.

That would not be good.

No.

The videotape the prosecution
accidentally leaked

is killing us.

I guess when I got here,

I took the image
of the wrong man.

And I haven't had any
luck finding this guy,

this Montana.
He hasn't been home,

which no one else
finds strange,

because they all assume
he's sitting in jail.

The only way to clear you
and get you out of here

is to find Troy Montana.

I know you'll
find him, Mel.

I'm convinced
Zin is behind this.

With me in prison,
there's no one to stop him.

All the kids today,
they want to be Sammy Sosa.

When I was growing up,
it was Ryne Sandberg,

still the greatest Cub
to strap on the cleats.

How about you?
Who's your idol?

Robert Oppenheimer.

Oh, yeah.

What team did he play for?

Hmm. Has the prosecution
made an offer yet?

Yeah. I called the D.A.'s
office today.

I think we'll be able
to get Mr. Montana out

in 20, 25 years.

Either would be sufficient,
but the longer, the better.

I still don't understand
your interest in this case.

I've got a lot of questions.

Well, I have a lot of answers.

[ sighs ]

25,000 of them, to be precise.

Take care of your end,
and the money's yours.

JESS: Here you go.

Hey, thanks Jess.

So did you get things
straightened up

with your landlord?

Yeah, I sent that letter
you wrote

with a copy to
the Fair Housing Commission

and one to
the Civil Liberties Union.

Next thing you know,
the rent increase disappeared

and the plumbing was fixed.

It's funny, you know,

how the fear
of the legal system

is more potent than the actual
legal system itself.

Mel, how's Cole?

He's holding up,

but we'll get him
out of there.

I kind of miss him

walking around in
his underwear, you know?

Me, too.

Hey, Vic, thanks for coming.

Any news?

Nothing that's going
to help you with your theory

that the wrong man
was arrested.

Oh, come on Vic,
give me something, anything.

A titbit, a morsel.

A rumor. Please?

[ sighs ] Okay.
We got one call.

It just came in.
We think it's a crank,

but a woman said she spotted
a guy who looked like Montana

at O'Hare this morning.

- At the airport?
- Yeah.

Great.
He's fleeing the country.

Did you check
with the airlines?

Of course I checked
with the airlines.

What, do you think I'm new?

And?

And he wasn't on any
outbound manifests.

Wait a minute.

Maybe that's the reason why
no one's been able to find him.

Maybe he's been out of town
and now he's back.

Was he seen at arrivals
or departures?

The caller wasn't
that specific, Mel.

Well, Vic, if he's been
out of town and he's back,

he's probably on his way
to his apartment.

Do you have a man
over there?

Look, it's going
to be impossible for me

to convince the department
to put a man

outside Montana's place
when Montana is sitting in jail.

Cole is sitting in jail.

Whatever.

Fine. I'll do it myself.

VIC: Mel.

Believe what you want,
all right, but why

are you wasting your time
running around chasing ghosts

when you should be spending
your time trying to get

your friend whatever-his-name-is
a good lawyer?

Because I can't afford it.

[ whispering ]
Well, what about Carr?

Wasn't he, like,
this legal genius?

Yeah, he's brilliant,

but he's also fried.

Come on Vic,
you know the story.

He lost his wife,
his practice,

and any desire
he ever once had

to set his foot
in a courtroom ever again.

But maybe he'll make
an exception for you.

Why would he do that?

Well, because you can
be pretty persuasive,

and you're tragically cute,

and you do this really
cute thing with your lip.

You're doing it right now.

No way in hell.

MEL: Why not?

Because I have already helped
a whole bunch of people

roam the streets freely
who shouldn't be.

I told you, they're
two different people.

Besides, I haven't
practiced law in years.

That doesn't mean
you've lost your edge.

They'll find Amelia Earhart
before I find my edge.

Jonas...

you were the best.

Past tense.

[ sighs ]

Cole could really
use your help.

Well, they're trying him
in Oak Park, right?

- Yeah.
- Well, then he's got

a County public defender.

Yes, he does
and his name's Fletcher,

and he wants to cut a deal.

Ugh, Fletcher.
That's because he's lazy.

He's nothing but
a Johnnie Cochran wannabe

in an empty suit,
but that doesn't--

That's why I need you.

Mel...

don't do this to me.

Do what?

Appeal to your
sense of justice?

Put you in a position where
you can right a heinous wrong?

Allow you the opportunity
to free an innocent man

from spending the rest
of his life in prison?

Oh, that's-- that's good.

Well?

Well, I'll tell you what.

You find this Montana,

and you show me
that he's a separate,

living, breathing entity,
and I will think about it.

- Okay.
- But no promises here.

Got it.

Hello, Andrea.
It's Troy.

Hey, baby. Listen. I know
you're not there at the moment,

but I just got back
from the south of France.

I'm sorry I didn't call you.

I missed you.
I really did.

And all the time
I was away,

I was really thinking
about you.

So we really should
get together. So call me.

Okay. Ciao.

Hey, Colin, it's Troy.
I'm back.

You got any auditions for me,
I'll be at the apartment.

Ciao.

Whoa!

You don't want to
mess with me, pal.

I know Tae Bo.

Whoa!

Uh, what do you
want, money?

I got these boots.
They're Ferragamo.

They're $400 a pair.

Not my style.

Ohh! Oh, not the face.

[ alarm blares ]

Aah! Unh!

See?

You don't want
to mess with me, pal.

[ indistinct ]

[ tires screech ]

Get in the car!

Why? Who are you?

- Get in the car.
- Okay.

"Part-time actor
Troy Montana,

charged
with first-degree murder

of businessman Adam Curtis."
This is crazy.

- Okay. Calm down.
- Calm down?

Who are you to tell me to
calm down, sweet cheeks, huh?

- And where are we?
- My name's Mel,

and we're someplace safe
we can talk.

Oh, well, Mel,
this is great.

I didn't kill anyone.

- I know.
- You know?

Wait a minute.
I'm on trial for murder.

Wait a minute. How can I be
on trial for murder?

I'm here,
and they're there,

so they must
have the wrong man.

[ laughs ] Okay.
That's really good.

I'm very happy about that.
Heh heh.

Mind you, look at this picture
they put in here.

[ scoffs ]

"Part-time actor"?
Heh heh.

Did anyone ever tell them

I had a recurring role
on Tides of Love.

TROY: So they told me it was
some sort of low-budget film.

They weren't kidding.
They didn't even serve lunch.

Wait a minute. I think that's
some sort of union violation.

You were hired
to play a killer, right?

Yeah, and I nailed it.

Hey, whose place
is this, anyway?

It's mine.

- Yeah? Do I get free drinks?
- Sure.

Good. I'll have
an apple martini, then.

Okay. I'm just gonna
make a phone call.

I'll get that
right to you.

All right.
Uh, on the rocks.

Sure.

Hey, Cole.
Are you okay?

I'm fine.

Well, you're looking good.

So do you.
Heh heh heh.

Ohh. Heh.

MEL: Uh, Jess!

Why don't you
get him a drink?

Sure.

Well, being locked up

has really given you
new perspective on things.

Yeah.
I like being locked up.

Stop it.

You know,
if I wasn't with Gordon...

Dump him.

Jonas, it's Mel.

I found him.

No, I'm not hallucinating.

He's right here in the bar.

Excuse me.
Do I know you?

And he said he was hired
to play a killer,

which must be where
they got the videotape.

Thanks.

Thanks so much.

Okay. Get here
as soon as you can.

[ phone beeps ]

Where is he?

I don't know.

He was there a minute ago.

Damn it!

JUDGE: We'll now hear the
prosecution's opening remarks.

Thank you, Your Honor.

Ladies and gentlemen
of the jury,

my opening statement will
be short and to the point.

The prosecution's job

will be to prove beyond
the shadow of a doubt

that the accused,
Troy Montana,

did murder with intent
and malice, Adam Curtis.

Our job in this case
is relatively easy.

Given the fact
that we have a videotape which,

as many of you know,

shows the actual murder
taking place,

your job is simple:
listen to the facts

and then return
an appropriate verdict.

I have no doubt
as to what it'll be.

Thank you.

FLETCHER: You heard
for yourself.

They have him
dead to rights.

Look, we're in recess
for the rest of the day.

I'll try and reach
the prosecution,

see what I can
get out of them.

What kind of attitude
is that?

I mean, just because you have
to work a little harder,

dig a little deeper,
you're just gonna

throw your hands up
and give up?

I spent 3 years at law school,
clerked for the Superior Court,

and I've been with the Office
of the State Appellate Defender

for 7 years.
I'm not a quitter,

but I know a loser
when I see one,

and this case has got
"loser" written all over it.

That's not the only thing that
has "loser" written all over it.

Meaning?

You're fired.

Jonas has agreed
to take your case.

That's great, right?

Sure. Yeah, it's great.

Good, but we have
another problem.

What?

I sensed a life force
in the courtroom.

Who?

I don't know, but it came
from somewhere in front of me.

Which means it could have
been one of the jury,

one of the lawyers,
or the judge.

That's not good.

No.

[ sighs ]

And we've got this videotape
thing to deal with.

I sure
could use your help.

It would be easy for me
to break out of here, but--

I know. You could do that
face-changing thing you do

or just zip out of here
with your super-speed.

Yeah and then
I'd be a hunted man,

which is exactly
what Zin wants.

Well, I've thought
of something.

If I can
find Montana again,

keep him in the same place
for more than 5 minutes,

then you two
can change places.

Mel, it would be very
dangerous for him in here.

It'll be safer for him in here

than it will be
on the street, Cole.

I have an idea
that might work.

MEL: Hi, Mr. Levy.

MR. LEVY:[ on phone]
Hello. Yes?

Hi. It's Gloria MacNee.

I'm the new casting
director on Tides of Love.

Gloria!

How are you, doll?

Fine.

Didn't I meet you at, uh,

Bob Wagner's
Christmas party last year?

Maybe.

I breezed in and out so fast,
it was all a blur.

So, what
can I do for you?

We're interested
in bringing back

Troy Montana's character,

and I was wondering
about his availability.

Uh, have you read
the newspapers lately?

Actually, I've been on
a two-week safari in Kenya.

Why?

Oh, no reason. Troy's kind of
booked right now,

but, uh, let me see what I can
do, and I'll call you back.

Perfect. Ciao.

Uh, can I get
your number, please? Uh--

[ sighs ]

[ telephone dials ]

Montana here.
Leave a message at the beep.

Ciao.

[ echoing ]
Troy...

It's Colin Levy here.

Look, I don't know
where you're hiding at,

but the new casting
director of Tides of Love

wants to meet you
for coffee tomorrow,

8 a.m., Alfresco's,

and in my opinion,
it's well worth the risk.

Ciao.

[ sighs ]

[ sighs ]

Actors are such flakes.

[ sighs ]

[ whispers ]
Troy.

Sit down.

Go away.
I'm meeting someone.

I know.

Something about an acting job?

Oh, I'm out of here.

Please hear me out.

Why should I?

Five minutes.
That's all I ask.

I'll buy you a coffee.

Well, okay.

How did you recognize me,
anyway? I'm incognito.

You're a fairly
recognizable fellow.

Yeah?

What do you take?

So, coffee,

latte, cappuccino, mocha?
Something?

COLE: I don't think
we have time now.

Cole?

I hope he's gonna
be all right in there.

MEL: It's great to see you.

He'll be fine.

Come on. We have
a lot of work to do.

Why does he wear these?

[ laughs ]
I don't know.

Come on.

Oh. What's going on here?

It's--no, no--

Ohh! What's going on here?

Hello?!

MALE BAILIFF: All rise for The
Honorable Judge Harriet Chapin.

We seem to be missing
a few key players, Bailiff.

Where is the defendant?

He'll be here
in a minute, your honor.

He, uh, had some kind
of anxiety attack.

Needed a little sedation.

What about
the defense counsel?

Did he need
a little sedation as well?

I believe Mr. Carr

is, um, going over a few
last-minute details.

If it would, um,
please the Court...

- I'll go find him.
- Yes.

It would please
the Court very much.

[ sighs ]

How could I agree...

to go back
into the courtroom?

Uhh...uhh...

You old man, you.

[ sighs ]
You broken-down old man.

You got no business
in front of a judge.

You got no business in front
of a jury.

Who do I think I am?

The best trial lawyer
in Illinois.

Well...how long have you
been standing there?

Long enough to hear you

almost drown yourself
in self-pity.

Oh. Oh, that's good.

It's self-realization.

I--I can't go in there.

Of course you can.

Jonas, I know
this is hard for you--

[ groans ]

We're up
against a wall here.

And you made
a commitment to Cole,

and you made
a commitment to me.

And you are not
going to back out.

I--I--I'm confused.

I'm just--I--it...

Am I defending Cole,
or am I defending Montana?

That doesn't matter.

In the eyes of the law,
they're the same guy.

And in my eyes,
they're both innocent.

[ sighs ]

All right.
Well, I'll--listen.

Practicing law--

Practicing law is tough.
It's--it--

but trying to prove
that this--this...

schizophrenic is innocent--

I mean, I mean,
you saw him this morning.

He's feeling
much better now.

Oh, well, everything's--
it's impossible!

I'm sorry.
Did you say "impossible"?

You've won
tougher cases than this.

Dozens of them.

[ sighs ]

Now pull yourself
together, get out there,

and kick some legal ass.

All right?

Uh, do I have
a choice here?

VAX: Daggon.

Vax, nice
to see you again.

I should have taken care of you
at Cadon's night club.

Yes, you should have.

Well, as these humans say,
if at first you don't succeed...

Uhh!

Unh! Uhh.

Oof!

Uhh!

[ panting ]

Where's the tape?

I'm not telling you
anything.

I can make this easy

or slow and very painful.

JUDGE CHAPIN: We will
now hear opening statements

from the defense.

Mr. Carr.

Your Honor--
Your Honor,

um, ladies and gentlemen
of the, uh--

of the...jury.
Ahem.

Um, it is our, uh...

Uh, job--task--

here to...

discover the truth.

TROY: Oh, my career is over.

Think of it as research.

JONAS: As--

[ whispers ]
Sorry.

As I was saying...

it is the pr--the job
of the prosecution...

to prove that Mr. Montana

is guilty!

TROY:
But I didn't do anything.

Mr. Montana,
you don't want me

to hold you in contempt.

But--but I'm not supposed
to be here, Your Honor.

I'm an actor,
not a killer.

The two are not
mutually exclusive.

Your Honor, please!

Order!

Now let me make the rules
of my court perfectly clear.

Mr. Montana, you will not speak
until you are ordered.

Mr. Adderly,
you will not comment

on the defense's
opening statements,

and Mr. Carr,

you will, in the future,
be prompt and prepared.

Now does everyone
understand?

Yes, Your Honor.

Oh!

Sorry.

JUDGE CHAPIN: Fine.

You may proceed.

Thank you.

Thank you, Your Honor.

Uh, and, um,

and we will, uh...

show you
that he is innocent.

Thank you.

[ whispers ]
I think that went very well.

Mm-hmm.

[ buzz ]

You can clearly see

Mr. Montana jump up
from behind that car.

He was waiting...
like a hungry tiger

for his helpless prey
to come into sight.

JONAS: Objection, Your Honor.
He's drawing

characterizations.
That is, uh--

JUDGE CHAPIN: Agreed.

Mr. Adderly,
please avoid the hyperbole

and stick to the facts.

Yes, Your Honor.

Here's Mr. Montana,
gun in hand,

approaching the victim.

I keep telling you,
I was acting.

They put that
together in post.

JONAS: Uh, Your Honor,

uh, uh, we'll cover that
in your testimony.

Just--yeah.

You'll see the defendant
fires three more times

to ensure
the victim's death.

Rarely do we have the advantage
of a camera being present

to capture the images
of a crime in action.

I believe that picture

is worth far more
than a thousand words.

I think this may be
a good time

to take a recess.

We will resume after lunch.

Psst.

JONAS: Hmm?

Is it catered?

The surveillance tape
has obviously been doctored.

I know that,
and you know that,

and whoever made
the tape knows that,

but how are we gonna convince
the jury without any proof?

Well, hopefully, Cole is
handling that end of things.

Oh, yes, the elusive Cole.

Jonas, Cole and Montana
are two different people.

Yeah, but they'd never be at
the same party together, right?

He'll come through for us.
Come on,

- I'll buy you a coffee.
- Good.

[ phone beeps ]

[ phone rings ]

Yes?

WOMAN: It's going well.

Well, it should be.
The evidence we've provided

ought to put him away
for a long time.

There is one thing, though.

The tracker is
acting very...odd.

- Have you spoken to Vax?
- No. Why?

I'm starting to wonder
if he took care

of that loose end or not.

We can't have Montana
on the streets.

Is there anything
I can do to help?

Yes.

Just make sure
the verdict goes our way.

It will.

BAILIFF: Do you swear to
tell the truth, the whole truth,

and nothing but the truth,
so help you God?

I do.

Mr. Montana, would you
please tell the Court

where you were at 11:00 A.M.
On December 3rd?

Oh, yes, I was in a parking
garage in Oak Park.

I was hired
to play an actor

in a small indie movie.

Mm-hmm.
And you were hired

for the role of a killer?

Well, my character
didn't have a name or anything.

There wasn't a script,
per se.

It was more of a workshop
kind of thing, you know?

Ad-libs and things.

Fascinating.

Tell us more
about your character.

Why did you want
to kill Mr. Curtis?

JONAS: Objection,
Your Honor.

Prosecution is obviously
leading the witness.

Sustained.
Rephrase the question.

So, why did your character

shoot and kill
Mr. Curtis?

Well, I wasn't quite sure
about my motivation.

Um, I actually
asked the director,

and he just said,
"Jump out and shoot the guy."

"Just jump out
and shoot the guy."

Yes.

And I did
a very believable job.

Well, if your goal
was to kill Mr. Curtis,

I'd say you were
extremely successful.

Thanks.

So, what happened next?

Well, the director
yelled, "Cut,"

and, um,
well, I was wrapped.

And then you abruptly
fled the country.

Well, I wouldn't
exactly say "fled."

I mean, the producer
loved my work

and immediately booked me
for a long print job in Paris.

I've done several others.

I did the Cole underwear ad.
Do you remember that one?

Anyway, uh, ahem, you know,
I got into a limousine,

and two hours later,
I was at the airport,

and--whoosh! Off.

ADDERLY: Mm-hmm.
And that's the truth?

Yes.

And you always tell the truth?

Yes.

But isn't it true,
Mr. Montana,

that you frequently
fabricate stories

about yourself
and your employment?

What do you mean?

Well, let me
give an example.

Would you please tell the Court
your real name?

Montana. Troy Montana.

Yes, your legal name,
perhaps.

I'll rephrase the question.

What was your name
given at birth?

[ gasps ]

No, it's okay.
It's me, Mel.

Cole?

- JUDGE CHAPIN: Mr. Montana...
- Yes.

answer the question.

[ whispering ]
Percy Greenstein.

Excuse me.
Could you speak up?

Get them to show this.

Percy Greenstein.

Mm-hmm. And I have
a long list of people

who are willing to testify

that you regularly
padded your resume

by lying about acting jobs.

- JONAS: Your Honor--
- What's he doing here?

JUDGE CHAPIN:
Is there a problem here?

- Oh, you bet there is--
- Mr. Montana!

But that guy tried
killing me over there!

- Mr. Montana!
- But Your Honor, I--

Your Honor, I apologize
for the behavior of my...

client.

Mr. Adderly, stop
badgering the witness.

Either ask him a question
or move on.

I believe we were
talking about honesty, correct?

Yes.

Well, if you're asking

whether I stretch
the truth sometimes, uh, yes.

I'm an actor,
you know.

- That's what I do.
- Jonas.

You know, it's my job
in life to actually...

Jonas!

Don the costume,
smear on the greasepaint,

blur the line
between fact and fiction.

Precisely. And it's your
expertise in that area

that makes it
all the more difficult for us

to know when you're
telling the truth

or when you're
blurring that line.

- Yes.
- Your Honor, this is a--

- Jonas!
- What?

- What is going on over there?
- Your Honor, just a--

Jonas, here's the tape.
Be sure they see this.

Counselor?

Your Honor, permission
to approach the bench.

What are you doing? I'm in the
middle of questioning a witness.

Um, I have just come
into some evidence

that will shed
a whole new light

on these proceedings,
Your Honor.

Mr. Carr, you are
seriously out of order.

I will not allow
this kind of behavior

in my courtroom.

If you have new evidence,

you must first share it
with the prosecution, and then--

With all due respect,
Your Honor, I--I, um, ahem,

I beg to differ with you.

There is legal
precedence for this.

Not that I'm aware of.

1997, Grant v. Benson.

1998, Lenkov v. Cooper.

1999, Stewart v. Oakley,

a paramount case,
Your Honor.

In each of these cases,
critical evidence was allowed

and immediately taken
into consideration

because it directly refuted

previously established
evidence, Your Honor.

Now, to deny me this request,
Your Honor,

would be tantamount
to denying my client

his legal rights.

You may continue,
Counselor.

Thank you. Now,
Your Honor, this video...

will show--
w-w-will prove

beyond the shadow
of a doubt...

that my client...
is innocent.

ADDERLY:
Your Honor, this--

just show the evidence,
Counselor.

But I'm warning you,

if this isn't everything
you've made it out to be,

there is going
to be trouble.

[ muttering ]
You can say that again.

Your Honor,
objection, objection!

I'm innocent!
Yes, yes! It was her!

JUDGE CHAPIN: Order!

Bailiff!

Order!

Bailiff!

Order!

Why'd you turn on us?

I think you've got me
mistaken for someone else.

Tracker.

JUDGE CHAPIN: Order!

BAILIFF: You have the right
to remain silent.

Anything you say may
and can be used

in a court of law.
Do you understand your rights?

[ groaning ]

Oh, no.

Oh!

Ohh!

No!

What do you want from me?

You need to go back inside.

I'm not going anywhere
with you.

I'm not going to hurt you.

Oh, yes, like you didn't
at the apartment, huh?

Hey, what's that?

Ohh! Oh, give me
a break, come on!

Oh, I hurt my foot,
I hurt my foot.

Oh, it hurts.

Oh, not the face.

Unh.

To our very own
Clarence Darrow.

Thanks again for everything.

We got lucky, now listen,

the prosecution
is still challenging

the validity of our tape,

but we've got a strong line
of video experts,

and there's no way
the court is gonna

reverse their decision
to dismiss the charges, so...

- Hello, Mel.
- Cole.

I wanted to thank you.

Yes.

So, uh, who are you now?

- I'm Cole.
- JONAS: Mmhh.

And where is Mr. Montana?

- I don't know.
- You know,

either you're taking
this thing too far,

or you need to seek
professional help.

What is it gonna take
for you to believe me?

You know, Jess, what
you're doing right now

is considered rude
in some countries.

Just trying to figure out
which one he is.

- I'm Cole.
- I knew it.

No one else could
have an ass like that.

COLE: Thank you.

I think.

TROY: Hey, Jess!
Looking good.

Hey, what's up?

Whoa, whoa,
whoa, whoa.

You--

Oh, my God.

What's he talking about?

Oh. You Cole?

People say
we look alike.

COLE: So I've heard.

Well, personally,
I don't see it.

I'm obviously taller,

and, uh, in better shape,
don't you think?

Heh heh heh!

Anyway, we should celebrate,
don't you think?

Come on. Celebration!
Hmm? Apple martini?

Apple martinis
on the house, right?

Apple martinis all around!

Nice to meet you, Cole.

Yes, yes, yes!

Ahh!

He has a lot of energy.

He certainly does.

Do you think
I should dress like him?

No.

Okay.