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WEBVTT FILE
1
00:00:03.121 --> 00:00:04.839
I DON'T KNOW WHAT YOU CAN SEE
IN YOUR NEXT CHAPTER,
2
00:00:04.839 --> 00:00:05.760
BUT I CAN SEE YOU
IN MINE.
3
00:00:05.760 --> 00:00:06.720
PREVIOUSLY ON "MISTRESSES"...
4
00:00:06.720 --> 00:00:08.122
ANY CHANCE OF PREGNANCY?
I'M ON THE PILL.
5
00:00:08.122 --> 00:00:10.762
NO MISSED DOSES,
DOUBLING UP?
6
00:00:10.762 --> 00:00:11.962
ONCE OR TWICE.
7
00:00:11.962 --> 00:00:14.679
IT WAS ALMOST LIKE JOSS
WAS OBSESSED WITH ME.
8
00:00:14.679 --> 00:00:16.724
SOME OF THE THINGS SHE WOULD SAY
ABOUT LUCA.
9
00:00:16.724 --> 00:00:18.318
WHAT KIND OF THINGS?
10
00:00:18.318 --> 00:00:20.199
FOR INSTANCE, SHE SAID, "YOU
KNOW, I WOULD KILL HIM FOR YOU."
11
00:00:20.199 --> 00:00:21.322
JOSSLYN CARVER,
12
00:00:21.322 --> 00:00:23.281
YOU ARE UNDER ARREST
FOR THE MURDER OF LUCA RAINES.
13
00:00:23.281 --> 00:00:24.960
NO, WAIT!
ANYTHING YOU SAY
14
00:00:24.960 --> 00:00:27.159
CAN AND WILL BE USED
AGAINST YOU...
15
00:00:27.159 --> 00:00:31.642
[ ELLE KING'S
"UNDER THE INFLUENCE" PLAYS ]
16
00:00:31.642 --> 00:00:35.799
♪ JUST ANOTHER MORNING WITH
SHAKY HANDS, POUNDING HEAD ♪
17
00:00:35.799 --> 00:00:37.556
[ CAMERA SHUTTER CLICKING ]
♪ I GUESS I DID IT AGAIN ♪
18
00:00:37.556 --> 00:00:40.436
♪ TRY TO LEAVE,
BUT I CAN'T STAND ♪
19
00:00:40.436 --> 00:00:42.481
♪ START TO THINK
THAT I'M BETTER OFF DEAD ♪
20
00:00:42.481 --> 00:00:45.120
♪ I'M SICK OF THIS CONDITION ♪
21
00:00:45.120 --> 00:00:48.279
♪ YOUR KISS IS MY ADDICTION ♪
22
00:00:48.279 --> 00:00:53.876
♪ I CAN TELL YOU CAST A SPELL
THAT KNOWS NO MODERATION ♪
23
00:00:53.876 --> 00:00:59.761
♪ IT'S DANGEROUS,
THE THINGS WE DO ♪
24
00:00:59.761 --> 00:01:04.685
♪ UNDER THE INFLUENCE,
I GOT NO DEFENSE ♪
25
00:01:04.685 --> 00:01:10.119
♪ IT MIGHT BE CRIMINAL,
BUT STILL I JUST CAN'T QUIT ♪
26
00:01:10.119 --> 00:01:15.044
♪ UNDER THE INFLUENCE,
I'LL TAKE THE CONSEQUENCE ♪
27
00:01:15.044 --> 00:01:17.838
♪ WELL, IF IT'S POISONOUS,
LET IT TAKE MY LAST BREATH ♪
28
00:01:17.838 --> 00:01:19.959
BOTTOM BUNK'S YOURS.
29
00:01:19.959 --> 00:01:23.598
♪ UNDER THE INFLUENCE ♪
30
00:01:23.598 --> 00:01:26.717
[ WOMAN SHOUTING INDISTINCTLY ]
31
00:01:31.239 --> 00:01:33.361
David:
I WISH I HAD BETTER NEWS.
32
00:01:33.361 --> 00:01:35.962
LAST NIGHT,
AFTER JOSS WAS BOOKED,
33
00:01:35.962 --> 00:01:37.038
SHE WAS FORMALLY CHARGED
34
00:01:37.038 --> 00:01:39.956
WITH FIRST-DEGREE
PREMEDITATED MURDER.
35
00:01:39.956 --> 00:01:42.039
SHE'LL BE HELD WITHOUT BAIL
SINCE NO BAIL IS ALLOWED --
36
00:01:42.039 --> 00:01:44.640
NO BAIL? HARRY.
HOW THE HELL
37
00:01:44.640 --> 00:01:45.802
I UNDERSTAND
YOUR FRUSTRATION.
38
00:01:45.802 --> 00:01:48.644
WHEN CAN WE SEE HER?
THAT'S
39
00:01:48.644 --> 00:01:51.562
VISITATION IS ONLY ALLOWED FOR
FAMILY MEMBERS AT THIS POINT.
40
00:01:51.562 --> 00:01:53.444
WE ARE HER FAMILY.
THIS IS CRAZY.
41
00:01:53.444 --> 00:01:55.316
YOU HAVE TO ARGUE IT, RIGHT?
OR APPEAL?
42
00:01:55.316 --> 00:01:57.198
THE STIPULATIONS
ARE STANDARD AND INTRACTABLE
43
00:01:57.198 --> 00:01:59.002
WITH THIS CHARGE.
WOW.
44
00:01:59.002 --> 00:02:01.076
WELL, WE'RE GONNA HAVE
TO GET IN TOUCH WITH SAVI
45
00:02:01.076 --> 00:02:03.763
SHE'S AT SOME ASHRAM IN INDIA --
NO WAY TO GET IN TOUCH.
46
00:02:03.763 --> 00:02:05.002
I ALREADY SPOKE TO HER MOM
THIS MORNING.
47
00:02:05.002 --> 00:02:06.961
IS SHE COMING AT LEAST?
AS SOON AS HER SHIP DOCKS.
48
00:02:06.961 --> 00:02:08.919
SHE'S ON SOME SINGLES CRUISE
ON THE BALTIC.
49
00:02:08.919 --> 00:02:10.877
LOOK, DAVID, W-WE CAN'T JUST
LET HER SIT IN SOME CELL,
50
00:02:10.877 --> 00:02:12.441
TERRIFIED AND ALONE.
51
00:02:12.441 --> 00:02:14.400
SHE NEEDS CONTACT WITH PEOPLE
WHO CARE ABOUT HER.
52
00:02:14.400 --> 00:02:15.476
I WILL SEE HER EVERY DAY.
53
00:02:15.476 --> 00:02:17.280
TERRIFIC.
54
00:02:17.280 --> 00:02:19.441
LOOK, I'M POKING EVERY HOLE I
CAN INTO THE CASE AGAINST HER.
55
00:02:19.441 --> 00:02:21.120
I WILL KEEP YOU ABREAST
OF MY PROGRESS.
56
00:02:21.120 --> 00:02:22.877
I WILL LET YOU KNOW
WHEN YOU CAN VISIT HER.
57
00:02:22.877 --> 00:02:24.960
JOSS IS STRONG, GUYS.
58
00:02:24.960 --> 00:02:28.081
SHE WILL GET THROUGH THIS.
59
00:02:28.081 --> 00:02:31.565
WE'LL CALL YOU
IF WE HEAR ANYTHING.
60
00:02:33.561 --> 00:02:34.560
[ SIGHS ]
61
00:02:34.560 --> 00:02:36.721
YOU OKAY, HONEY?
62
00:02:36.721 --> 00:02:38.285
I HAVEN'T SLEPT.
63
00:02:38.285 --> 00:02:39.321
YEAH, I KNOW.
64
00:02:39.321 --> 00:02:41.117
NO,
THERE'S ANOTHER REASON.
65
00:02:42.442 --> 00:02:44.160
[ ENGINE TURNS OVER ]
66
00:02:44.160 --> 00:02:45.322
[ BREATHES DEEPLY ]
67
00:02:45.322 --> 00:02:46.963
I'M PREGNANT.
68
00:02:46.963 --> 00:02:48.797
WHAT?!
69
00:02:48.797 --> 00:02:50.765
OH, MY GOD, KAREN.
70
00:02:50.765 --> 00:02:52.004
YEAH, I KNOW.
WHO?
71
00:02:52.004 --> 00:02:53.837
ALEC. AND VIVIAN.
72
00:02:53.837 --> 00:02:56.717
IN ALL THAT BACK AND FORTH
BETWEEN MY HOUSE AND THEIRS,
73
00:02:56.717 --> 00:02:57.841
I MUST HAVE MISSED A PILL.
74
00:02:57.841 --> 00:02:59.597
DO YOU KNOW
WHAT YOU'RE GONNA DO?
75
00:02:59.597 --> 00:03:01.238
NO.
76
00:03:01.238 --> 00:03:05.117
I SPENT HALF THE NIGHT TRYING
TO MAKE SENSE OF THE SITUATION.
77
00:03:05.117 --> 00:03:07.239
CONCEIVING A BABY
WITH A MARRIED MAN IS ONE THING.
78
00:03:07.239 --> 00:03:09.878
I'LL SAY.
BUT WITH A MARRIED MAN
79
00:03:09.878 --> 00:03:11.837
I'VE ALWAYS WANTED
A CHILD,
80
00:03:11.837 --> 00:03:14.161
AND I KNOW I'M 38,
81
00:03:14.161 --> 00:03:16.839
BUT LOOK AT MY LIFE
RIGHT NOW, APRIL.
82
00:03:16.839 --> 00:03:18.681
I'M SO VERY SINGLE.
83
00:03:18.681 --> 00:03:19.882
MY CAREER'S
AN ABSOLUTE MESS.
84
00:03:19.882 --> 00:03:21.561
I'VE BEEN CONSIDERING
GOING BACK TO SCHOOL
85
00:03:21.561 --> 00:03:22.762
FOR A SURGICAL RESIDENCY.
86
00:03:22.762 --> 00:03:24.365
YOU DON'T HAVE TO HAVE IT.
87
00:03:24.365 --> 00:03:26.439
BUT TO MAKE THAT DECISION
ON MY OWN?
88
00:03:28.118 --> 00:03:30.404
DON'T I NEED
TO TELL ALEC AND VIVIAN?
89
00:03:30.404 --> 00:03:31.958
WELL --
90
00:03:31.958 --> 00:03:35.079
DESPITE EVERYTHING,
I STILL LOVE THEM.
91
00:03:35.079 --> 00:03:38.036
AND YOU -- YOU WANT TO HAVE
THIS BABY WITH THEM?
92
00:03:38.036 --> 00:03:39.801
NO.
93
00:03:40.964 --> 00:03:43.796
BUT MAYBE THEY WANT IT
WITHOUT ME.
94
00:03:43.796 --> 00:03:46.320
HOLD ON.
OKAY, HONEY --
95
00:03:46.320 --> 00:03:48.596
NOW THAT VIVIAN'S HEALTH
IS GOOD AGAIN,
96
00:03:48.596 --> 00:03:50.439
THEY MIGHT
REALLY WANT THIS.
97
00:03:50.439 --> 00:03:52.397
DO YOU REALIZE
WHAT IT WOULD FEEL LIKE
98
00:03:52.397 --> 00:03:54.000
TO CARRY A BABY TO TERM,
99
00:03:54.000 --> 00:03:55.277
THEN HAND IT OVER
TO SOMEONE ELSE?
100
00:03:55.277 --> 00:03:57.081
OF COURSE I DON'T.
101
00:03:57.081 --> 00:03:58.244
[ SIGHS ]
102
00:03:58.244 --> 00:04:01.680
BUT IN MY HEART,
I KNOW TELLING THEM
103
00:04:01.680 --> 00:04:03.956
IS THE RIGHT THING TO DO.
104
00:04:03.956 --> 00:04:05.645
♪♪
105
00:04:05.645 --> 00:04:06.922
DAVID, SERIOUSLY,
I'M FREAKING OUT.
106
00:04:06.922 --> 00:04:08.640
YOU HAVE TO EXPLAIN TO ME
HOW THIS HAPPENED.
107
00:04:08.640 --> 00:04:10.358
JOSS,
I NEED YOU TO RELAX.
108
00:04:10.358 --> 00:04:11.597
I JUST GOT A SERMON
ON GENDER FLUIDITY
109
00:04:11.597 --> 00:04:14.400
FROM SOME ARSONIST TRUCK DRIVER
NAMED ROZ.
110
00:04:14.400 --> 00:04:16.243
I DON'T EVEN -- HOW THE HELL
AM I EVEN IN HERE?
111
00:04:16.243 --> 00:04:17.319
YOU SAID
THEY DIDN'T HAVE A MOTIVE.
112
00:04:17.319 --> 00:04:19.085
CALISTA FED THEM
ENOUGH INCRIMINATING DETAILS
113
00:04:19.085 --> 00:04:21.005
FOR THEM TO BUILD ONE.
WHAT DETAILS?
114
00:04:21.005 --> 00:04:22.877
HAVE YOU SEEN
"BASIC INSTINCT"?
115
00:04:22.877 --> 00:04:25.959
THE POLICE ARE ASSERTING
THAT YOU MURDERED LUCA
116
00:04:25.959 --> 00:04:27.840
BECAUSE YOU WERE OBSESSED
AND IN LOVE WITH CALISTA.
117
00:04:27.840 --> 00:04:29.558
WHAT?!
118
00:04:29.558 --> 00:04:30.557
THEY TALKED
TO ANOTHER WITNESS
119
00:04:30.557 --> 00:04:31.517
WHO INADVERTENTLY
CORROBORATED
120
00:04:31.517 --> 00:04:32.756
CALISTA'S TWISTED VERSION
OF YOU.
121
00:04:32.756 --> 00:04:34.560
WHO?
YOUR EX-GIRLFRIEND ALEX.
122
00:04:34.560 --> 00:04:37.517
I'M CONFIDENT THAT SHE
DIDN'T MEAN TO HURT YOU --
123
00:04:37.517 --> 00:04:40.042
ALEX? WHY?
124
00:04:40.042 --> 00:04:42.125
FIRST -- AND SHE LOVED ME.
SHE WOULD NEVER SAY --
125
00:04:42.125 --> 00:04:44.160
THAT YOUR RELATIONSHIP WAS FAST,
INTENSE, AND IMPULSIVE?
126
00:04:44.160 --> 00:04:46.119
THAT WHEN IT STARTED,
SHE WAS WITH SOMEONE ELSE?
127
00:04:46.119 --> 00:04:47.760
THAT YOU ENCOURAGED HER
TO BREAK UP
128
00:04:47.760 --> 00:04:49.124
AND THEN YOU MOVED IN TOGETHER
ALMOST IMMEDIATELY?
129
00:04:49.124 --> 00:04:50.803
OH, MY GOD.
THIS CAN'T BE HAPPENING.
130
00:04:50.803 --> 00:04:52.761
NOT DISSIMILAR TO
YOUR FAST, WHIRLWIND
131
00:04:52.761 --> 00:04:54.442
EXCEPT IN CALISTA'S CASE,
132
00:04:54.442 --> 00:04:55.641
YOU COULDN'T GET HER AWAY
FROM HER HUSBAND.
133
00:04:55.641 --> 00:04:57.561
DAVID, BUT THIS IS INSANE.
YOU REALIZE THAT, RIGHT?
134
00:04:57.561 --> 00:04:59.280
IT WAS
A HIGH-PROFILE MURDER.
135
00:04:59.280 --> 00:05:01.200
THEY LATCHED ONTO THE MOST
SENSATIONAL STORY THEY COULD
136
00:05:01.200 --> 00:05:02.198
TO BUILD
THE MOST COMPELLING CASE.
137
00:05:02.198 --> 00:05:03.476
OKAY, WELL, HOW ABOUT
EXPOSING CALISTA, THEN?
138
00:05:03.476 --> 00:05:05.117
HER FIRST HUSBAND,
JUSTIN BOWLER, SHE MURDERED HIM.
139
00:05:05.117 --> 00:05:06.163
THAT'S SENSATIONAL.
140
00:05:06.163 --> 00:05:07.277
I HAD THE POLICE
CHECK IT OUT.
141
00:05:07.277 --> 00:05:09.120
THE CASE IS FIRMLY CLOSED.
OH, MY GOD.
142
00:05:09.120 --> 00:05:11.683
THERE'S SIGNIFICANT
PROOF THAT JUSTIN'S
143
00:05:11.683 --> 00:05:12.720
JUST LIKE CALISTA CLAIMED.
144
00:05:12.720 --> 00:05:13.959
Guard: TIME'S UP, CARVER.
145
00:05:13.959 --> 00:05:16.598
LOOK, JOSS, THIS IS
ONLY THE BEGINNING, OKAY?
146
00:05:16.598 --> 00:05:17.837
OH, MY GOD.
147
00:05:17.837 --> 00:05:19.603
I'LL GET YOU OUT OF HERE.
148
00:05:19.603 --> 00:05:22.243
I WILL.
149
00:05:24.163 --> 00:05:25.517
[ SNIFFLES ]
150
00:05:28.436 --> 00:05:30.279
[ SIGHS ]
Roz: YO.
151
00:05:31.161 --> 00:05:33.802
NO MORE CRYING,
OR I'LL OPEN A VEIN.
152
00:05:37.603 --> 00:05:38.640
YOU GOT A TRIAL DATE YET?
153
00:05:38.640 --> 00:05:39.763
I HAVE NO IDEA.
154
00:05:39.763 --> 00:05:40.723
WHAT ABOUT A LAWYER?
155
00:05:40.723 --> 00:05:43.402
YEAH, MY FRIENDS
GOT ME A GOOD ONE.
156
00:05:43.402 --> 00:05:46.282
WELL, HE'S SUPPOSED TO BE GOOD,
ANYWAY.
157
00:05:46.282 --> 00:05:47.318
LUCKY YOU.
158
00:05:47.318 --> 00:05:50.035
I GOT
SOME BUTT-LICK PUBLIC DEFENDER.
159
00:05:50.035 --> 00:05:53.078
YEAH, LUCKY ME.
160
00:05:53.078 --> 00:05:54.922
I'M IN JAIL FOR A MURDER
THAT I DIDN'T COMMIT.
161
00:05:54.922 --> 00:05:56.083
MURDER?
162
00:05:56.083 --> 00:05:57.715
GEEZ, WHO'D YOU KILL?
163
00:05:58.157 --> 00:05:59.722
DIDN'T YOU KILL?
164
00:05:59.722 --> 00:06:02.765
IT'S SO COMPLICATED,
IT DOESN'T EVEN --
165
00:06:02.765 --> 00:06:05.395
I GOT A SMIDGE OF TIME.
[ SIGHS ]
166
00:06:05.395 --> 00:06:06.518
AS DO YOU.
167
00:06:06.518 --> 00:06:08.323
[ BREATHES DEEPLY ]
168
00:06:08.323 --> 00:06:10.599
I CAN'T BELIEVE
THIS IS HAPPENING.
169
00:06:10.599 --> 00:06:12.519
HOW THE HELL
DID I GET HERE?
170
00:06:12.519 --> 00:06:16.281
YOU KNOW WHAT?
171
00:06:16.281 --> 00:06:20.045
I'M HERE BECAUSE I GOT INTO
CALISTA'S FREAKING CAR THAT DAY.
172
00:06:20.045 --> 00:06:23.040
AND ACTUALLY I-I NEVER WOULD
HAVE GOTTEN INTO HER CAR
173
00:06:23.040 --> 00:06:24.595
IF I HADN'T BEEN LOOKING
FOR SAVI,
174
00:06:24.595 --> 00:06:25.718
AND I WOULDN'T HAVE BEEN
LOOKING FOR SAVI
175
00:06:25.718 --> 00:06:28.723
IF I HADN'T SCREWED SCOTT OVER
TO GO RUN DOWN TO HARRY.
176
00:06:28.723 --> 00:06:31.363
HE WAS THE MISTAKE,
YOU KNOW?
177
00:06:31.363 --> 00:06:34.483
RUNNING TO HIM IS OBVIOUSLY
THE REASON I'M BEING PUNISHED.
178
00:06:37.479 --> 00:06:40.157
WHAT IF I NEVER WENT DOWN
TO THAT BEACH?
179
00:06:42.163 --> 00:06:44.957
♪♪
180
00:06:44.957 --> 00:06:46.924
OH, MY --
DID WE SERIOUSLY JUST DO THAT?
181
00:06:46.924 --> 00:06:49.603
I THINK WE DID.
YES, WE DID, MRS. TROSMAN.
182
00:06:49.603 --> 00:06:50.764
OH, MY GOD.
183
00:06:50.764 --> 00:06:52.397
MRS. TROSMAN.
184
00:06:52.397 --> 00:06:55.277
JOSSLYN...TROSMAN.
185
00:06:55.277 --> 00:06:56.323
OH, MY GOD.
THAT'S HORRIBLE.
186
00:06:56.323 --> 00:06:57.639
THAT'S REALLY, REALLY BAD.
OH, MY GOD.
187
00:06:57.639 --> 00:06:59.520
WELL, YOU KNOW WHAT?
WE CAN GO WITH JOSS TROSMAN.
188
00:06:59.520 --> 00:07:01.037
JOSS TROSMAN.
189
00:07:01.037 --> 00:07:03.917
[ Laughing ] YES, IF I'M
ANNOUNCING THE LOCAL NEWS.
190
00:07:03.917 --> 00:07:06.998
LOOK, THE NAME ON YOUR
PASSPORT IS CARVER, RIGHT?
191
00:07:06.998 --> 00:07:08.803
SO LET'S JUST GO WITH THAT
FOR NOW, OKAY?
192
00:07:08.803 --> 00:07:09.878
MY PASSPORT.
YEP.
193
00:07:09.878 --> 00:07:12.720
WHY DO I NEED A --
THE HONEYMOON.
194
00:07:12.720 --> 00:07:14.477
HONEYMOON.
NO.
195
00:07:14.477 --> 00:07:15.763
WHERE ARE WE GOING?
DON'T WORRY ABOUT IT.
196
00:07:15.763 --> 00:07:17.597
LISTEN, YOU JUST SIT BACK
AND RELAX, OKAY?
197
00:07:17.597 --> 00:07:18.681
I'VE TAKEN CARE
OF THE ENTIRE THING.
198
00:07:18.681 --> 00:07:20.601
OF COURSE YOU HAVE.
199
00:07:20.601 --> 00:07:22.243
I LOVE YOU.
200
00:07:22.243 --> 00:07:23.481
I LOVE YOU, TOO.
201
00:07:23.481 --> 00:07:24.480
NO REGRETS?
202
00:07:24.480 --> 00:07:26.361
NOT A ONE.
COME HERE.
203
00:07:26.361 --> 00:07:28.157
♪♪
204
00:07:33.715 --> 00:07:35.001
HOW'D IT GO
WITH JOSS' LAWYER?
205
00:07:35.001 --> 00:07:36.758
THE WHOLE THING
IS A DAMN NIGHTMARE.
206
00:07:36.758 --> 00:07:38.841
WELL, JOSS IS INNOCENT.
SHE'LL GET OUT.
207
00:07:38.841 --> 00:07:40.761
[ SIGHS ]
208
00:07:40.761 --> 00:07:42.317
LOOK, IN THE MEANTIME,
YOU GOT TO KNOW
209
00:07:42.317 --> 00:07:43.516
THAT JAIL'S NOT AS BAD
AS YOU THINK.
210
00:07:43.516 --> 00:07:45.360
AND HOW WOULD YOU
KNOW THAT?
211
00:07:45.360 --> 00:07:46.521
BECAUSE I WAS KIND OF
IN JAIL ONCE
212
00:07:46.521 --> 00:07:49.997
FOR ACCIDENTALLY...
SOLICITING A PROSTITUTE.
213
00:07:49.997 --> 00:07:51.321
HOW DO YOU
ACCIDENTALLY DO THAT?
214
00:07:51.321 --> 00:07:53.923
I COULD HAVE SWORN
SHE WAS REALLY INTO ME.
215
00:07:53.923 --> 00:07:56.717
[ SCOFFS ]
LOOK, THE POINT IS,
216
00:07:56.717 --> 00:07:57.878
THAT WITH
THE RIGHT INSIDERS' TRICKS,
217
00:07:57.878 --> 00:07:59.520
SHE CAN GET THROUGH
JUST FINE.
218
00:07:59.520 --> 00:08:03.360
ONE -- NO EYE CONTACT
WITH OTHER INMATES.
219
00:08:03.360 --> 00:08:04.397
JOSS IS A CONNECTOR,
220
00:08:04.397 --> 00:08:06.240
BUT NOTHING GOOD CAN COME
FROM THAT, TRUST ME.
221
00:08:06.240 --> 00:08:07.200
[ CHUCKLES ]
222
00:08:07.200 --> 00:08:08.160
AND NO SHOWERS.
223
00:08:08.160 --> 00:08:09.360
[ CHUCKLES ]
TOO VULNERABLE.
224
00:08:09.360 --> 00:08:12.240
PLUS THE SMELL OF DIRTY BODY
CAN FEND OFF UNWANTED FRIENDS.
225
00:08:12.240 --> 00:08:15.196
ALTHOUGH SOME ARE
INTO DIRTY.
226
00:08:15.196 --> 00:08:17.837
SO SHE SHOULD FAKE
A DISEASE --
227
00:08:17.837 --> 00:08:19.757
PREFERABLY BLISTERING.
228
00:08:19.757 --> 00:08:21.840
ANYWAY, THAT'S ENOUGH
OF A START.
229
00:08:21.840 --> 00:08:23.721
THANKS.
230
00:08:23.721 --> 00:08:24.681
I'M LATE FOR WORK.
231
00:08:24.681 --> 00:08:25.804
OKAY.
232
00:08:25.804 --> 00:08:28.397
I'M ON MY CELL
IF YOU NEED ANYTHING ELSE.
233
00:08:30.355 --> 00:08:32.524
[ DOOR CLOSES ]
234
00:08:32.524 --> 00:08:35.404
[ SIGHS ]
235
00:08:42.076 --> 00:08:43.718
HI.
236
00:08:43.718 --> 00:08:46.522
IT'S APRIL.
237
00:08:46.522 --> 00:08:48.883
I REALLY NEED YOUR HELP.
238
00:08:48.883 --> 00:08:51.676
SO, THIS PLASTIC-SURGEON DUDE
SURPRISED YOU
239
00:08:51.676 --> 00:08:54.556
WITH A FANCY WEDDING AND WOULD
HAVE WHISKED YOU OFF TO MALI --
240
00:08:54.556 --> 00:08:56.361
BALI.
B--
241
00:08:56.361 --> 00:08:58.195
MALI'S IN WEST AFRICA.
OH.
242
00:08:58.195 --> 00:09:00.278
IT'S -- HE'S PARANOID --
EBOLA AND...
243
00:09:00.278 --> 00:09:02.803
YEAH,
NOT A ROMANTIC DISEASE.
244
00:09:02.803 --> 00:09:03.878
ANYHOW, OKAY, CONTINUE.
245
00:09:03.878 --> 00:09:05.961
UH,
WHAT WAS I EVEN SAYING?
246
00:09:05.961 --> 00:09:08.803
HOW YOUR LIFE WITH THIS SCOTT
WOULD HAVE BEEN PERFECT.
247
00:09:08.803 --> 00:09:10.522
HUH.
248
00:09:12.480 --> 00:09:14.563
♪♪
249
00:09:14.563 --> 00:09:15.523
HMM?
250
00:09:17.357 --> 00:09:19.315
HOLY CHRISTMAS.
251
00:09:19.315 --> 00:09:20.323
YOU LIKE?
252
00:09:21.436 --> 00:09:23.923
LIKE?! OH, MY --
I-I LOVE. WHAT --
253
00:09:23.923 --> 00:09:25.324
I OUTBID SOME FANCY FASHION
DESIGNER FROM NEW YORK
254
00:09:25.324 --> 00:09:26.803
LAST-MINUTE.
255
00:09:26.803 --> 00:09:27.802
CALISTA SOMETHING?
ANYWAY...
256
00:09:27.802 --> 00:09:28.915
HONEY, IT'S GINORMOUS.
257
00:09:28.915 --> 00:09:29.923
YEAH, NO,
IT'S PRETTY BIG.
258
00:09:29.923 --> 00:09:30.960
I THINK
IT'LL FEEL LESS HUGE
259
00:09:30.960 --> 00:09:32.602
ONCE WE GET SOME FURNITURE
IN HERE, YOU KNOW?
260
00:09:32.602 --> 00:09:33.878
YEAH,
OR A FLEET OF SEDANS.
261
00:09:33.878 --> 00:09:35.760
WELL, IT'S A FOREVER HOME,
YOU KNOW?
262
00:09:35.760 --> 00:09:38.323
I FEEL LIKE A FOREVER HOME
SHOULD FEEL TOO BIG.
263
00:09:38.323 --> 00:09:40.483
OOH, FOREVER?
YEAH.
264
00:09:40.483 --> 00:09:41.558
I LOVE THE SOUND OF THAT.
265
00:09:41.558 --> 00:09:43.363
YOU BETTER
LIKE THE SOUND OF THAT.
266
00:09:45.005 --> 00:09:46.080
YOU'RE GOOD AT THAT.
267
00:09:46.080 --> 00:09:47.356
MM!
ALL RIGHT, LISTEN,
268
00:09:47.356 --> 00:09:49.920
[ SIGHS ]
AND I HAVE TO ANSWER LIKE
269
00:09:49.920 --> 00:09:51.196
I'M BACK TO WORK BRIGHT
AND EARLY TOMORROW MORNING.
270
00:09:51.196 --> 00:09:52.877
WHAT? ALREADY?
YEAH.
271
00:09:52.877 --> 00:09:54.797
UNFORTUNATELY, SOMEONE HAS
TO PAY FOR THIS, RIGHT?
272
00:09:54.797 --> 00:09:57.485
[ CELLPHONE RINGS ]
273
00:09:57.485 --> 00:09:58.761
[ GASPS ]
274
00:09:58.761 --> 00:10:00.643
OH, MY GOD, SAVI.
275
00:10:00.643 --> 00:10:02.400
WAIT UNTIL YOU SEE THE HOUSE
SCOTT JUST BOUGHT US.
276
00:10:02.400 --> 00:10:04.205
YOU HAVE TO COME OVER HERE.
277
00:10:04.205 --> 00:10:06.125
OKAY.
AND THANKS, DOMINIC.
278
00:10:06.125 --> 00:10:08.438
REALLY APPRECIATE IT.
279
00:10:08.438 --> 00:10:09.436
WHAT'S UP?
YOU ALL RIGHT?
280
00:10:09.436 --> 00:10:11.356
DO NOT TRUST JOSS' LAWYER
AT ALL.
281
00:10:11.356 --> 00:10:14.160
WELL, APRIL SAYS HE'S LEGIT.
BECAUSE HE'S GOT A COUPLE
282
00:10:14.160 --> 00:10:16.685
I KIND OF WANT TO THROW AN A.A.
SLOGAN AT YOU RIGHT NOW.
283
00:10:16.685 --> 00:10:18.076
OH, NO, MATE, I-I CAN'T.
I CAN'T TAKE IT.
284
00:10:18.076 --> 00:10:19.680
"LET GO AND LET GOD."
285
00:10:19.680 --> 00:10:20.880
DID SOMEONE SAY MY NAME?
286
00:10:20.880 --> 00:10:23.597
ARI. HI.
287
00:10:23.597 --> 00:10:24.643
HARRY, DON'T LOOK
SO SURPRISED.
288
00:10:24.643 --> 00:10:26.361
I OFTEN DELIVER GOOD NEWS
IN PERSON.
289
00:10:26.361 --> 00:10:27.321
HOW'S IT GOING?
290
00:10:27.321 --> 00:10:28.397
GOOD.
291
00:10:31.200 --> 00:10:34.157
SO, TOMORROW NIGHT,
I'M HOSTING A CHARITY DINNER --
292
00:10:34.157 --> 00:10:36.038
CAT HENDRICKS FOUNDATION,
BREAST CANCER,
293
00:10:36.038 --> 00:10:38.765
EXCLUSIVE GUEST LIST,
$50,000 A TABLE.
294
00:10:38.765 --> 00:10:41.798
UNFORTUNATELY WOLFGANG FELL OUT,
SO, HARRY DAVIS, FALL IN.
295
00:10:41.798 --> 00:10:44.477
YEAH, DID I HEAR
YOU SAY "TOMORROW"?
296
00:10:44.477 --> 00:10:46.637
DID YOU HEAR ME SAY
"$50,000 A TABLE"?
297
00:10:46.637 --> 00:10:49.603
100 OF L.A.'s BIGGEST
POWER BROKERS AND TASTE-MAKERS
298
00:10:49.603 --> 00:10:52.483
ARE GONNA BE THERE.
YEAH, I'M -- I'M REALLY
299
00:10:52.483 --> 00:10:54.518
BUT I CAN'T JUST CLOSE DOWN
WUNDERBAR ON A FRIDAY NIGHT.
300
00:10:54.518 --> 00:10:56.045
IT'S NOT MINE TO CLOSE.
301
00:10:56.045 --> 00:10:57.360
SO THAT'S THAT, THEN?
302
00:10:57.360 --> 00:10:59.241
YEAH. SORRY.
303
00:11:01.123 --> 00:11:04.761
[ CELLPHONE RINGING ]
304
00:11:04.761 --> 00:11:06.605
DAVID.
305
00:11:06.605 --> 00:11:08.563
WE NEED TO MEET.
306
00:11:08.563 --> 00:11:12.595
♪♪
307
00:11:12.595 --> 00:11:15.197
HEY, YOU'RE HERE.
308
00:11:15.197 --> 00:11:16.281
SO GLAD YOU CALLED.
309
00:11:16.281 --> 00:11:17.481
YOU LOOK GREAT.
310
00:11:17.481 --> 00:11:18.998
OH, YOU TOO.
311
00:11:18.998 --> 00:11:19.997
IS EVERYTHING OKAY?
312
00:11:19.997 --> 00:11:21.158
YOU SOUNDED NERVOUS
ON THE PHONE.
313
00:11:21.158 --> 00:11:23.280
UH, CAN WE GRAB ALEC?
314
00:11:23.280 --> 00:11:24.921
[ BREATHES DEEPLY ]
315
00:11:24.921 --> 00:11:26.765
OH. I THOUGHT
YOU SAID HE WAS HOME.
316
00:11:26.765 --> 00:11:28.723
HE GOT CALLED AWAY
TO THE HOSPITAL.
317
00:11:28.723 --> 00:11:30.605
OH, OKAY.
318
00:11:30.605 --> 00:11:32.640
UM, DO YOU KNOW
WHEN HE'LL BE BACK?
319
00:11:32.640 --> 00:11:34.761
[ SIGHS ] SHOOT.
320
00:11:34.761 --> 00:11:36.556
WHY AM I LYING?
321
00:11:36.556 --> 00:11:37.555
HE'S NOT AT WORK.
322
00:11:37.555 --> 00:11:40.080
WE HAD A BIG FIGHT.
323
00:11:40.080 --> 00:11:42.163
HE STORMED OUT.
I HAVE NO IDEA WHERE HE WENT.
324
00:11:42.163 --> 00:11:43.997
OH, NO.
325
00:11:43.997 --> 00:11:45.120
I'M SORRY.
326
00:11:45.120 --> 00:11:47.116
IT'S THE NORM
FOR US LATELY.
327
00:11:47.116 --> 00:11:49.036
EVER SINCE YOU LEFT,
WE JUST...
328
00:11:49.036 --> 00:11:50.956
WHAT?
[ SIGHS ]
329
00:11:50.956 --> 00:11:52.876
I SHOULD BE THANKFUL --
AND I AM --
330
00:11:52.876 --> 00:11:54.883
THAT MY HEALTH
IS GOOD AGAIN.
331
00:11:54.883 --> 00:11:58.521
BUT NOW THAT THE ILLNESS ISN'T
AN ISSUE, OTHER THINGS ARE.
332
00:11:58.521 --> 00:12:02.237
WE HAVEN'T BEEN AS PHYSICAL
WITH YOU OUT OF THE EQUATION.
333
00:12:03.360 --> 00:12:06.038
A PIECE OF THE PUZZLE'S
MISSING.
334
00:12:06.038 --> 00:12:08.957
BEING WITH YOU
OPENED ME UP
335
00:12:08.957 --> 00:12:11.040
TO ALL SORTS OF FEELINGS
THAT I STILL WANT TO FEEL.
336
00:12:12.883 --> 00:12:14.841
BUT ALEC -- I DON'T KNOW.
337
00:12:14.841 --> 00:12:16.800
HE'S CONTENT TO GOING BACK
TO THE WAY THINGS WERE --
338
00:12:16.800 --> 00:12:19.565
LOVING, BUT DISTANT,
HALF OF HIM SHUT DOWN.
339
00:12:19.565 --> 00:12:23.683
AND I CAN'T LIVE THAT WAY
ANYMORE.
340
00:12:23.683 --> 00:12:26.198
W-WHAT ARE YOU SAYING?
341
00:12:28.396 --> 00:12:30.240
I MIGHT LEAVE HIM, KAREN.
342
00:12:32.842 --> 00:12:34.800
[ CELLPHONE RINGING ]
343
00:12:42.883 --> 00:12:46.521
HEY, THERE.
HOW'S CHARLESTON?
344
00:12:46.521 --> 00:12:48.317
WELL, IT'S
AN ACADEMIC CONFERENCE.
345
00:12:48.317 --> 00:12:49.440
IT'S NOT SUPPOSED TO BE FUN.
346
00:12:49.440 --> 00:12:52.320
[ KNOCK ON DOOR ]
[ LAUGHS ]
347
00:12:52.320 --> 00:12:54.125
OKAY.
I MISS YOU, TOO.
348
00:12:54.125 --> 00:12:56.045
I'LL SEE YOU SATURDAY.
BYE.
349
00:13:00.883 --> 00:13:02.678
[ SIGHS ]
350
00:13:10.358 --> 00:13:11.558
HI.
351
00:13:11.558 --> 00:13:13.162
HI.
352
00:13:16.358 --> 00:13:18.316
IT'S SO GOOD OF YOU
TO DO THIS.
353
00:13:18.316 --> 00:13:21.196
I, UM -- I JUST DIDN'T KNOW
WHO ELSE TO CALL.
354
00:13:21.196 --> 00:13:22.838
YEAH.
355
00:13:22.838 --> 00:13:25.881
I HATE THE CIRCUMSTANCES,
BUT I AM GLAD TO SEE YOU.
356
00:13:27.725 --> 00:13:32.362
LOOK, UM, I REACHED OUT TO A
CONTACT OF MINE AT THE L.A.P.D.
357
00:13:32.362 --> 00:13:35.318
HE'S HELPING ME GET UP TO SPEED
WITH JOSS' CASE.
358
00:13:35.318 --> 00:13:38.285
NOW, THE NARRATIVE THAT
THEY BUILT AROUND HER GUILT
359
00:13:38.285 --> 00:13:40.281
IS UNFORTUNATELY
PRETTY STRONG.
360
00:13:40.281 --> 00:13:44.160
BUT I'M LOOKING AT IT
WITH FRESH EYES
361
00:13:44.160 --> 00:13:45.802
AND ASSUMING HER INNOCENCE,
SO...
362
00:13:45.802 --> 00:13:46.963
THANK YOU.
363
00:13:46.963 --> 00:13:49.555
OF COURSE.
364
00:13:49.555 --> 00:13:51.840
UH, DANIEL, LOOK.
365
00:13:51.840 --> 00:13:53.836
I KNOW THAT THERE WERE
100 CALLS FROM YOU
366
00:13:53.836 --> 00:13:55.315
I DIDN'T RETURN...
367
00:13:55.315 --> 00:13:56.477
NO, NO, NO.
HEY, COME ON.
368
00:13:56.477 --> 00:13:57.600
YOU HAD YOUR HANDS FULL
WITH LUCY.
369
00:13:57.600 --> 00:13:59.357
IT'S -- IT'S OKAY.
370
00:13:59.357 --> 00:14:01.123
REALLY.
371
00:14:01.123 --> 00:14:02.361
HOW'S IT GOING
WITH YOU TWO?
372
00:14:02.361 --> 00:14:06.201
WELL, ONE STEP FORWARD,
NINE STEPS BACK.
373
00:14:06.201 --> 00:14:09.196
REBUILDING TRUST WITH A PERSON
IS HARD.
374
00:14:12.960 --> 00:14:15.878
OH, I HAVE TO PICK HER UP
FROM SCHOOL, ACTUALLY.
375
00:14:15.878 --> 00:14:17.798
UM, DO YOU MIND?
376
00:14:17.798 --> 00:14:18.758
NO, SURE.
377
00:14:18.758 --> 00:14:21.561
UM, BUT LET ME TAKE YOU OUT
TO DINNER.
378
00:14:21.561 --> 00:14:24.115
YOU KNOW, WE BARELY GOT
A CHANCE TO CATCH UP.
379
00:14:24.115 --> 00:14:27.081
WHAT ABOUT LUNCH?
380
00:14:27.081 --> 00:14:28.915
LUNCH WOULD BE GREAT.
381
00:14:31.757 --> 00:14:33.715
ARI, HI.
382
00:14:33.715 --> 00:14:34.963
THE WAITSTAFF
JUST TOLD ME YOU WERE HERE.
383
00:14:34.963 --> 00:14:36.720
I'D HAVE COME OUT EARLIER
IF I'D KNOWN.
384
00:14:36.720 --> 00:14:38.477
WELL, SHE DIDN'T COME
FOR YOU, HOTSHOT.
385
00:14:38.477 --> 00:14:39.475
SHE CAME TO SEE ME.
386
00:14:39.475 --> 00:14:40.800
Ari: SO, MARIO'S
EXPECTING YOUR CALL.
387
00:14:40.800 --> 00:14:43.478
DON'T TEXT HIM.
HE HATES THAT.
388
00:14:43.478 --> 00:14:45.638
ELLIS HAS AGREED TO GIVE
ME THE RUN OF WUNDERBAR
389
00:14:45.638 --> 00:14:49.037
WHAT CAN I SAY?
I SUPPORT HEALTHY BREASTS.
390
00:14:50.035 --> 00:14:51.081
GET OUT OF HERE.
I'M DONE WITH YOU.
391
00:14:51.081 --> 00:14:53.164
I NEED A WORD
WITH MY NEW CLIENT.
392
00:14:53.164 --> 00:14:55.843
UH, THAT DINNER WAS BLAND
TONIGHT, HARRY.
393
00:14:55.843 --> 00:14:56.880
JUST SAYING.
394
00:14:56.880 --> 00:14:59.597
♪ BUST THE BEAT,
BUST THE GROOVE ♪
395
00:14:59.597 --> 00:15:00.758
ARI, WELL...
396
00:15:00.758 --> 00:15:04.560
I'M IMPRESSED
YOU GOT HIM TO BEND FOR YOU.
397
00:15:04.560 --> 00:15:06.604
I'M THAT GOOD.
LET'S TALK MENU.
398
00:15:06.604 --> 00:15:09.197
YEAH, LOOK,
I FEEL AWFUL SAYING THIS,
399
00:15:09.197 --> 00:15:10.483
BUT I-I DON'T THINK
I CAN DO IT.
400
00:15:10.483 --> 00:15:12.077
MY HEAD'S A MESS
RIGHT NOW.
401
00:15:12.077 --> 00:15:14.237
MY FRIEND
IS IN A MAJOR CRISIS.
402
00:15:14.237 --> 00:15:16.915
YEAH, I-I'M AFRAID I'M JUST
NOT WHERE YOU NEED ME TO BE
403
00:15:16.915 --> 00:15:17.961
FOR THIS DINNER.
404
00:15:17.961 --> 00:15:19.200
I NEED YOU TO BE HERE
WHERE YOU WORK.
405
00:15:19.200 --> 00:15:20.957
I-I CAN'T JUST
THROW THIS TOGETHER.
406
00:15:20.957 --> 00:15:22.963
AS IT IS, I'LL BE OUT OF THE
KITCHEN HALF THE DAY TOMORROW.
407
00:15:22.963 --> 00:15:24.921
I HAVE A MEETING
WITH A LAWYER ON --
408
00:15:24.921 --> 00:15:26.678
I-I-I DON'T THINK
YOU'RE LISTENING.
409
00:15:26.678 --> 00:15:28.560
I DON'T CARE
ABOUT YOUR PERSONAL LIFE.
410
00:15:28.560 --> 00:15:30.278
I CARE ABOUT GIVING YOU
A CAREER.
411
00:15:30.278 --> 00:15:31.315
ARE YOU SAYING
I WON'T HAVE ONE
412
00:15:31.315 --> 00:15:32.476
IF THIS DOESN'T HAPPEN
TOMORROW NIGHT?
413
00:15:32.476 --> 00:15:34.243
I'M SAYING
YOU WON'T HAVE ME.
414
00:15:34.243 --> 00:15:37.238
♪♪
415
00:15:40.799 --> 00:15:42.076
YOU DIDN'T TELL HER?
416
00:15:42.076 --> 00:15:43.036
HOW COULD I?
417
00:15:43.036 --> 00:15:45.043
SHE'S THINKING
OF LEAVING ALEC.
418
00:15:45.043 --> 00:15:46.838
THEY'RE NOT RAISING
THIS BABY TOGETHER
419
00:15:46.838 --> 00:15:47.961
IF THEY'RE LIVING APART.
420
00:15:47.961 --> 00:15:49.517
AND I'M NOT GIVING IT
TO THEM
421
00:15:49.517 --> 00:15:51.600
AS SOME BAND-AID
TO SAVE THEIR MARRIAGE.
422
00:15:51.600 --> 00:15:55.199
SO...
WHAT ARE YOU GONNA DO?
423
00:15:55.199 --> 00:15:58.483
SO MANY WOMEN I KNOW
HAVE WAITED,
424
00:15:58.483 --> 00:16:01.037
GOTTEN THEIR PICTURE-PERFECT
LIVES IN PLACE,
425
00:16:01.037 --> 00:16:03.321
THEN TRIED IN THEIR 40s
TO GET PREGNANT,
426
00:16:03.321 --> 00:16:05.203
BUT COULDN'T.
427
00:16:05.203 --> 00:16:08.044
FERTILITY TREATMENTS
AND MISCARRIAGES.
428
00:16:08.044 --> 00:16:09.916
AND I GET THIS GIFT
OUT OF THE BLUE?
429
00:16:09.916 --> 00:16:11.721
"THE BLUE"
MEANING SEX WITHOUT A CONDOM?
430
00:16:11.721 --> 00:16:14.563
IT WAS A COMMITTED RELATIONSHIP
WITH THREE PARANOID ADULTS.
431
00:16:14.563 --> 00:16:16.521
TWO OF THEM
GET BLOOD TESTED WEEKLY.
432
00:16:16.521 --> 00:16:19.603
AND NEED I
GO INTO ALEC'S LATEX ALLERGY?
433
00:16:19.603 --> 00:16:21.436
SO YOU AND YOUR BIG GLASS
OF WINE CAN SHUT IT.
434
00:16:21.436 --> 00:16:24.201
OKAY. SORRY.
435
00:16:24.201 --> 00:16:25.919
AND TO BE
A SINGLE MOTHER...
436
00:16:25.919 --> 00:16:27.955
IT'S NO CAKEWALK,
BUT I WOULD HELP YOU.
437
00:16:27.955 --> 00:16:29.759
EVERYONE SAYS THAT.
438
00:16:29.759 --> 00:16:30.835
BUT I WOULD.
439
00:16:31.881 --> 00:16:33.964
BUT WHAT ABOUT ALEC
BEING OUT THERE?
440
00:16:34.924 --> 00:16:36.681
I MEAN,
IT WOULD ALMOST BE EASIER
441
00:16:36.681 --> 00:16:39.398
WITH A SPERM DONOR
OR A DEAD HUSBAND.
442
00:16:39.398 --> 00:16:41.241
BUT ALEC'S IN MY WORLD.
443
00:16:41.241 --> 00:16:43.161
I SEE HIM AT WORK
ALL THE TIME.
444
00:16:43.161 --> 00:16:44.323
SO CHANGE HOSPITALS.
445
00:16:44.323 --> 00:16:46.483
OH, APRIL,
YOU KNOW THE DRAMA I ATTRACT.
446
00:16:46.483 --> 00:16:48.163
I'D RUN INTO HIM
AT A STARBUCKS
447
00:16:48.163 --> 00:16:49.958
WITH A BABY
THAT LOOKS JUST LIKE HIM.
448
00:16:49.958 --> 00:16:51.120
TALL WITH A BEARD?
YES.
449
00:16:51.120 --> 00:16:53.721
A VERY TALL BABY
WITH A VERY LONG BEARD.
450
00:16:53.721 --> 00:16:54.960
[ BOTH LAUGH ]
451
00:16:58.838 --> 00:17:00.518
LIFE'S COMPLICATED.
452
00:17:00.518 --> 00:17:03.600
I KNOW.
453
00:17:03.600 --> 00:17:06.441
SO, SINCE SCOTT'S FREE,
THINK I COULD GET HIS NUMBER?
454
00:17:06.441 --> 00:17:07.478
[ INDISTINCT SHOUTING ]
455
00:17:07.478 --> 00:17:10.157
UH...
I THOUGHT YOU WERE MARRIED.
456
00:17:10.157 --> 00:17:11.241
HE PERISHED IN THE FIRE.
457
00:17:11.241 --> 00:17:12.240
[ WHISTLE BLARING ]
458
00:17:12.240 --> 00:17:14.841
I DON'T THINK
YOU'RE SCOTT'S TYPE, REALLY.
459
00:17:14.841 --> 00:17:16.204
AND WHAT TYPE
WOULD THAT BE?
460
00:17:16.204 --> 00:17:19.036
UH [SIGHS]
461
00:17:19.036 --> 00:17:22.675
TRADITIONAL, I GUESS.
462
00:17:22.675 --> 00:17:24.643
Scott: WE COULD DO
LONDON AND MYKONOS,
463
00:17:24.643 --> 00:17:25.680
BUT PARIS
AND THE AMALFI COAST
464
00:17:25.680 --> 00:17:26.764
WOULD BE AMAZING, AS WELL,
RIGHT?
465
00:17:26.764 --> 00:17:29.279
THEY BOTH SOUND FINE, UH,
BUT...
466
00:17:29.279 --> 00:17:30.317
BUT WHAT?
WHAT'S WRONG?
467
00:17:30.317 --> 00:17:32.438
JUST WHAT IF
I CAN'T GET AWAY?
468
00:17:32.438 --> 00:17:34.195
"CAN'T GET AWAY"?
CAN'T GET AWAY FROM WHAT?
469
00:17:34.195 --> 00:17:36.201
SOMETHING CAME UP TODAY THAT
I WANT TO TALK TO YOU ABOUT.
470
00:17:36.201 --> 00:17:38.035
YOU SAW THE DESIGNS, RIGHT?
YOU LOVE THEM?
471
00:17:38.035 --> 00:17:39.801
YOU DON'T.
YOU DON'T LOVE TH--
472
00:17:39.801 --> 00:17:41.078
YOU HATE THEM.
YOU H-- WE'LL CHANGE THEM.
473
00:17:41.078 --> 00:17:42.883
WHAT -- WHAT DESIGNS?
JENN FELDMAN.
474
00:17:42.883 --> 00:17:44.755
SHE'S OUR, UH,
INTERIOR DESIGNER, RIGHT?
475
00:17:44.755 --> 00:17:46.800
SHE DID A COUPLE OF MOCK-UP
SKETCHES FOR THE -- THE NURSERY.
476
00:17:46.800 --> 00:17:47.798
THOUGHT YOU MIGHT HAVE
SEEN THEM.
477
00:17:47.798 --> 00:17:51.321
UM, FOR A BABY?
478
00:17:51.321 --> 00:17:52.560
NO.
NO, FOR A MONKEY.
479
00:17:53.596 --> 00:17:55.516
YES, HONEY,
FOR A BABY, OF COURSE.
480
00:17:55.516 --> 00:17:59.241
UM, HONEY, ISN'T IT
A LITTLE BIT SOON?
481
00:17:59.241 --> 00:18:01.919
WELL, MAYBE, YOU KNOW, BUT
I WAS ALWAYS HONEST WITH YOU
482
00:18:01.919 --> 00:18:03.158
ABOUT HOW IMPORTANT
FAMILY WAS TO ME, RIGHT?
483
00:18:03.158 --> 00:18:04.684
NO, YEAH,
IT'S IMPORTANT TO ME, TOO.
484
00:18:04.684 --> 00:18:06.719
I JUST -- I DIDN'T MEAN
RIGHT -- RIGHT NOW.
485
00:18:08.601 --> 00:18:10.723
WELL, YOU KNOW, I MEAN,
I DIDN'T MEAN TO...
486
00:18:10.723 --> 00:18:11.683
MEAN TO RUSH YOU.
487
00:18:11.683 --> 00:18:13.603
NO, IT'S OKAY.
488
00:18:13.603 --> 00:18:15.638
SO, WHAT'D YOU WANT
TO TELL ME?
489
00:18:15.638 --> 00:18:17.596
MM. MM, MM.
490
00:18:17.596 --> 00:18:21.964
WELL...I GOT A CALL
ABOUT A JOB TODAY.
491
00:18:21.964 --> 00:18:24.038
MM.
REALLY? FROM WHO?
492
00:18:24.038 --> 00:18:25.958
YEA-- UM, F--
493
00:18:25.958 --> 00:18:27.158
YEAH, I DON'T -- I DON'T REALLY
WANT TO TALK ABOUT IT
494
00:18:27.158 --> 00:18:28.636
UNTIL IT ALL PANS OUT.
495
00:18:28.636 --> 00:18:29.798
BUT HE'S
A REALLY BIG POWER PLAYER,
496
00:18:29.798 --> 00:18:30.883
AND IT COULD BE
VERY EXCITING, AND...
497
00:18:32.562 --> 00:18:35.721
SO IS IT COOL IF WE JUST KIND OF
WAIT ON THE BABY THING,
498
00:18:35.721 --> 00:18:37.478
SEE HOW IT ALL PANS OUT?
499
00:18:37.478 --> 00:18:38.640
YEAH, IT'S COOL.
500
00:18:38.640 --> 00:18:41.116
YEAH. IT'S COOL.
501
00:18:41.116 --> 00:18:43.199
YEAH?
VERY COOL.
502
00:18:46.281 --> 00:18:48.844
David: RIGHT.
MM-HMM. RIGHT.
503
00:18:48.844 --> 00:18:50.716
THE JUDGE OFFERED
MANDATORY SUPERVISION.
504
00:18:50.716 --> 00:18:52.760
THAT'S BETTER
THAN THE ALTERNATIVE.
505
00:18:52.760 --> 00:18:55.516
UH, BILL,
I HAVE ANOTHER CLIENT HERE.
506
00:18:55.516 --> 00:18:57.801
OKAY. YEAH.
OKAY, BYE.
507
00:18:57.801 --> 00:19:00.681
SORRY TO KEEP YOU WAITING.
508
00:19:00.681 --> 00:19:02.399
WELL, I WAS OUT THERE
FOR AN HOUR AND A HALF.
509
00:19:02.399 --> 00:19:03.561
WHAT'S ANOTHER 15 MINUTES,
RIGHT?
510
00:19:03.561 --> 00:19:05.077
I APOLOGIZE.
511
00:19:05.077 --> 00:19:06.403
I HAVE A LOT OF CLIENTS
WHO DEMAND EQUAL TIME.
512
00:19:06.403 --> 00:19:07.440
OBVIOUSLY TOO MANY CLIENTS,
513
00:19:07.440 --> 00:19:09.197
BECAUSE I SPOKE
TO A LAWYER FRIEND OF MINE
514
00:19:09.197 --> 00:19:12.038
WHO SAID IF JOSS' CASE
WAS BEING HANDLED CORRECTLY,
515
00:19:12.038 --> 00:19:13.161
SHE'D BE OUT OF JAIL
BY NOW.
516
00:19:13.161 --> 00:19:15.878
IS THERE SOMETHING SPECIFIC
THAT I CAN HELP YOU WITH TODAY?
517
00:19:15.878 --> 00:19:16.963
THE FACT
THAT JOSS DIDN'T GET BAIL
518
00:19:16.963 --> 00:19:19.718
AND CAN'T HAVE ANY VISITORS
IS UNACCEPTABLE,
519
00:19:19.718 --> 00:19:21.599
ESPECIALLY WHEN THE POLICE
HAVE AS LITTLE AS THEY DO.
520
00:19:23.635 --> 00:19:26.360
THEY KNOW JOSS WAS AT THE
MANSION THE NIGHT OF THE MURDER.
521
00:19:26.360 --> 00:19:29.279
THEY HAVE VIDEO OF HER
IN LUCA'S BEDROOM
522
00:19:29.279 --> 00:19:30.441
TRYING TO SEDUCE HIM
THAT NIGHT.
523
00:19:30.441 --> 00:19:33.158
THEY KNOW JOSS
LEFT THE SCENE OF THE CRIME
524
00:19:33.158 --> 00:19:34.876
WEARING LUCA RAINES' BLOOD,
525
00:19:34.876 --> 00:19:37.036
THAT SHE DROVE HOME
AND SHOWERED,
526
00:19:37.036 --> 00:19:38.802
WHICH WOULD HAVE
REMOVED ANY GUN RESIDUE,
527
00:19:38.802 --> 00:19:40.636
BEFORE CALLING 911.
528
00:19:40.636 --> 00:19:43.439
SHALL I GO ON?
529
00:19:43.439 --> 00:19:46.520
NO, YOU CAN --
YOU CAN STOP.
530
00:19:46.520 --> 00:19:47.596
SO, IS THAT ALL?
531
00:19:47.596 --> 00:19:48.595
ONE MORE --
ONE MORE THING.
532
00:19:48.595 --> 00:19:51.157
YESTERDAY YOU SAID
THAT ONLY FAMILY MEMBERS
533
00:19:51.157 --> 00:19:52.483
CAN SEE HER, RIGHT?
534
00:19:52.483 --> 00:19:54.239
D-DOES THAT INCLUDE
IN-LAWS?
535
00:19:54.239 --> 00:19:57.916
YOU AND JOSS ARE RELATED?
TECHNICALLY I'M JOSS'
536
00:19:57.916 --> 00:19:58.924
SO YOU'RE MARRIED
TO HER SISTER.
537
00:19:58.924 --> 00:19:59.999
I WAS,
BUT WE'RE DIVORCED.
538
00:19:59.999 --> 00:20:01.842
[ SIGHS ] SO YOU'RE NOT
A RELATIVE ANYMORE.
539
00:20:01.842 --> 00:20:03.724
THEY DON'T HAVE
TO KNOW THAT, RIGHT?
540
00:20:03.724 --> 00:20:05.923
LOOK, I'VE GOT A COPY OF
MY MARRIAGE LICENSE RIGHT HERE,
541
00:20:05.923 --> 00:20:08.437
WHICH PROVES THAT I'M MARRIED
TO JOSS' SISTER.
542
00:20:08.437 --> 00:20:10.482
WHAT IF I SAID
I'M THE ONLY LINK TO THE FAMILY
543
00:20:10.482 --> 00:20:12.643
BECAUSE JOSS' SISTER
IS UNREACHABLE, WHICH SHE IS?
544
00:20:12.643 --> 00:20:14.284
COULD I SEE HER THEN?
545
00:20:14.284 --> 00:20:15.282
I'LL SEE WHAT I CAN DO.
546
00:20:15.282 --> 00:20:16.483
BUT THAT'S IT?
547
00:20:16.483 --> 00:20:18.076
YEAH, THAT'S IT.
548
00:20:19.122 --> 00:20:21.004
I'LL SEE WHAT I CAN DO.
549
00:20:21.004 --> 00:20:23.203
♪♪
550
00:20:26.995 --> 00:20:28.760
Y-YEAH,
IT WAS ROUGH GOING FOR A WHILE.
551
00:20:28.760 --> 00:20:30.680
I FINALLY TOOK A JOB
WORKING PRIVATE SECURITY
552
00:20:30.680 --> 00:20:32.361
FOR A WEALTHY CLIENT
IN PHOENIX.
553
00:20:32.361 --> 00:20:34.520
LIKE IN "THE BODYGUARD"?
[ CHUCKLES ]
554
00:20:34.520 --> 00:20:37.324
YEAH, IF WHITNEY HOUSTON
WAS A WHITE REPUBLICAN
555
00:20:37.324 --> 00:20:38.399
WHO CALLED HIS WIFE
"MOTHER."
556
00:20:38.399 --> 00:20:41.395
MM.
NO, IT'S --
557
00:20:41.395 --> 00:20:45.916
YOU KNOW, I-I CAN TAKE TIME OFF
WHEN I WANT, SO...
558
00:20:45.916 --> 00:20:48.757
I'M ACTUALLY TAKING
ART CLASSES.
559
00:20:48.757 --> 00:20:50.083
ART? REALLY?
560
00:20:50.083 --> 00:20:52.915
YOU KNOW, THE GUY I WAS
WHEN I WAS WITH YOU,
561
00:20:52.915 --> 00:20:54.883
HE'S NOT THAT DIFFERENT
FROM THE GUY I AM.
562
00:20:54.883 --> 00:20:57.638
AND IF
I REMEMBER CORRECTLY,
563
00:20:57.638 --> 00:21:00.316
WE MADE ONE HELL OF A PAINTING
TOGETHER.
564
00:21:00.316 --> 00:21:02.438
YEAH, WE SURE DID.
565
00:21:02.438 --> 00:21:03.398
[ BOTH CHUCKLE ]
566
00:21:05.395 --> 00:21:07.122
[ SIGHS ]
567
00:21:07.122 --> 00:21:10.002
I MISSED YOU EVERY DAY.
568
00:21:12.719 --> 00:21:14.677
I MISSED YOU, TOO.
569
00:21:14.677 --> 00:21:16.597
[ CELLPHONE RINGS ]
570
00:21:18.479 --> 00:21:20.437
IT'S MY CONTACT.
571
00:21:20.437 --> 00:21:21.522
HEY, MIKE.
572
00:21:21.522 --> 00:21:22.636
NO, NO, NO.
WHAT'S UP?
573
00:21:24.595 --> 00:21:29.039
WELL, THEY SURE ARE LAZY
WHEN THEY GET A THEORY, HUH?
574
00:21:29.039 --> 00:21:30.239
ALL RIGHT, THANKS, MAN.
575
00:21:30.239 --> 00:21:31.276
BYE.
576
00:21:31.276 --> 00:21:32.802
WHAT IS IT?
577
00:21:32.802 --> 00:21:34.156
YOU WANT TO GO FOR A RIDE?
578
00:21:37.756 --> 00:21:39.800
LOOK, I'M JUST SAYING,
I GET WHY YOU DIDN'T PICK SCOTT.
579
00:21:39.800 --> 00:21:41.519
WHAT DO YOU MEAN?
WHAT I'M SAYING IS,
580
00:21:41.519 --> 00:21:42.680
YOU DON'T SEEM LIKE
THE KIND OF CHICK
581
00:21:42.680 --> 00:21:45.560
THAT NEEDS TO ASK
PERMISSION TO DO THINGS,
582
00:21:45.560 --> 00:21:47.356
SCOTT -- HE NEVER TRIED
TO CONTROL ME.
583
00:21:47.356 --> 00:21:50.438
HE JUST -- HE HAD REALLY
BIG IDEAS OF HOW HE
584
00:21:50.438 --> 00:21:52.041
I DO WHAT I WANT.
585
00:21:52.041 --> 00:21:54.834
LIKE SNAP YOUR FINGERS AND
JUMP BACK INTO THE WORKFORCE?
586
00:21:54.834 --> 00:21:57.964
I HAVE CONNECTIONS.
587
00:21:57.964 --> 00:22:01.641
♪♪
588
00:22:04.684 --> 00:22:07.516
OH, EXCUSE ME.
I, UH, HAVE AN INTERVIEW.
589
00:22:07.516 --> 00:22:09.321
I HOPE IT'S WITH ME.
I HOPE, I HOPE.
590
00:22:09.321 --> 00:22:11.241
JOSSLYN CARVER.
591
00:22:11.241 --> 00:22:12.364
YOU MUST BE ELLIS BOONE.
592
00:22:12.364 --> 00:22:14.399
I CAN BE, IF IT GETS ME
FIVE MINUTES WITH YOU, HONEY.
593
00:22:14.399 --> 00:22:16.041
[ Laughing ] OHH.
[ CHUCKLES ]
594
00:22:16.041 --> 00:22:18.076
YOU KNOW, I SAW SOME PHOTOS
OF YOU IN THE PRESS MATERIAL,
595
00:22:18.076 --> 00:22:19.881
BUT, DAMN, GIRL,
596
00:22:19.881 --> 00:22:21.714
YOU ARE STRIKING
IN PERSON.
597
00:22:21.714 --> 00:22:22.962
STOP, NO. I...
598
00:22:22.962 --> 00:22:25.919
I HAVE TO SAY, I-I'M -- I'M
A HUGE FAN OF YOUR RESTAURANTS.
599
00:22:25.919 --> 00:22:28.597
I WAS JUST SO EXCITED
WHEN I GOT THE MEETING.
600
00:22:28.597 --> 00:22:30.604
YOU KNOW, GRETA,
SHE DOESN'T RAVE ABOUT MUCH,
601
00:22:30.604 --> 00:22:31.640
BUT SHE RAVES ABOUT YOU.
602
00:22:31.640 --> 00:22:33.234
[ CELLPHONE RINGS ]
OH, SHE'S A GOOD ONE.
603
00:22:33.234 --> 00:22:35.116
OH. SHE IS.
604
00:22:35.116 --> 00:22:36.479
BUT THAT IS ME.
I HAVE TO TAKE THIS.
605
00:22:36.479 --> 00:22:38.956
DO NOT MOVE.
606
00:22:38.956 --> 00:22:40.876
I WON'T.
[ CHUCKLES ]
607
00:22:40.876 --> 00:22:42.997
ELLIS BOONE.
MM-HMM.
608
00:22:43.919 --> 00:22:45.158
[ SIGHS ]
609
00:22:48.038 --> 00:22:50.716
[ SIGHS ]
610
00:23:00.402 --> 00:23:01.996
HI.
611
00:23:01.996 --> 00:23:04.242
OH.
612
00:23:04.242 --> 00:23:05.797
HEY.
613
00:23:05.797 --> 00:23:07.084
WHAT ARE YOU DOING HERE?
614
00:23:07.084 --> 00:23:09.964
UM, I, UH...
615
00:23:09.964 --> 00:23:11.960
I ACTUALLY HAVE AN INTERVIEW
WITH MR. BOONE
616
00:23:11.960 --> 00:23:13.919
FOR THE NEW RESTAURANT
HE'S OPENING.
617
00:23:13.919 --> 00:23:16.357
WOW. GOOD FOR YOU.
618
00:23:18.680 --> 00:23:22.117
SO, UM...
619
00:23:22.117 --> 00:23:23.154
HOW'S MARRIED LIFE?
620
00:23:23.154 --> 00:23:26.159
OH, YOU KNOW.
621
00:23:26.159 --> 00:23:28.876
NOPE. I DON'T.
622
00:23:28.876 --> 00:23:30.162
IT'S GOOD.
623
00:23:35.883 --> 00:23:37.602
I MEAN, SO, HOW ABOUT YOU?
624
00:23:37.602 --> 00:23:38.716
WHAT,
LIFE IN THE FAST LANE.
625
00:23:38.716 --> 00:23:40.636
YOU'RE L.A.'s HOTTEST CHEF.
626
00:23:40.636 --> 00:23:42.556
YEAH, WELL,
HAS ITS MOMENTS.
627
00:23:42.556 --> 00:23:44.360
YEAH.
628
00:23:44.360 --> 00:23:47.317
Ellis: [ CLAPS ]
AH, HARRY, MY MAN.
629
00:23:47.317 --> 00:23:50.120
YOU KNOW JOSSLYN, RIGHT?
I DO.
630
00:23:50.120 --> 00:23:52.837
SHE MAY BE THE ONE TO MAKE
WUNDERBAR AFTER-HOURS
631
00:23:52.837 --> 00:23:54.757
THE STUDIO 54
OF GRETA'S DREAMS.
632
00:23:54.757 --> 00:23:55.756
WAIT.
633
00:23:55.756 --> 00:23:57.676
I...
634
00:23:57.676 --> 00:23:59.922
I THOUGHT THE JOB
WAS LAUNCHING A NEW RESTAURANT
635
00:23:59.922 --> 00:24:01.516
AT THE OLD POST OFFICE
DOWNTOWN?
636
00:24:01.516 --> 00:24:02.639
OH, NO, SWEETIE PIE.
637
00:24:02.639 --> 00:24:04.319
THAT SPACE
WON'T BE READY TILL 2017.
638
00:24:04.319 --> 00:24:05.682
WE HAVEN'T EVEN STARTED THE DEMO
ON THAT ONE YET.
639
00:24:05.682 --> 00:24:07.439
YOUR ASSISTANT
CLEARLY SAID THAT --
640
00:24:07.439 --> 00:24:08.476
MY ASSISTANT IS A HALF-WIT.
641
00:24:08.476 --> 00:24:10.156
SHE DOESN'T EAT CARBS,
POOR THING.
642
00:24:10.156 --> 00:24:11.999
THE JOB IS HERE.
643
00:24:13.036 --> 00:24:14.235
AND IT'S YOURS
IF YOU WANT IT.
644
00:24:14.235 --> 00:24:16.002
HUH.
645
00:24:16.002 --> 00:24:17.077
SO, WHAT DO YOU SAY?
646
00:24:17.077 --> 00:24:19.794
YOU WANT BACK IN THE FOLD,
OR...
647
00:24:25.477 --> 00:24:27.397
[ UP-TEMPO MUSIC PLAYS ]
648
00:24:30.517 --> 00:24:32.274
HI.
SORRY I'M LATE.
649
00:24:32.274 --> 00:24:33.234
HOW ARE THINGS GOING?
650
00:24:33.234 --> 00:24:34.242
WHAT? I CAN'T HEAR YOU.
651
00:24:34.242 --> 00:24:35.202
ARI'S YELLED AT ME SO MUCH
652
00:24:35.202 --> 00:24:36.162
I'VE LOST ALL FUNCTION
IN MY EARS.
653
00:24:36.162 --> 00:24:37.160
WHERE THE HELL
HAVE YOU BEEN?
654
00:24:37.160 --> 00:24:38.841
THE DINNER STARTS
IN LESS THAN THREE HOURS.
655
00:24:38.841 --> 00:24:40.761
I GOT HELD UP
AT MY MEETING.
656
00:24:40.761 --> 00:24:41.721
AND I TOLD YOU I COULDN'T.
657
00:24:41.721 --> 00:24:42.757
THERE'S A BIG DIFFERENCE
658
00:24:42.757 --> 00:24:43.794
BETWEEN "COULDN'T"
AND "WOULDN'T."
659
00:24:43.794 --> 00:24:44.917
I'LL REMEMBER THIS.
660
00:24:44.917 --> 00:24:45.877
NOW GET TO WORK.
661
00:24:45.877 --> 00:24:48.517
OKAY.
662
00:24:48.517 --> 00:24:49.602
I DON'T KNOW
WHO YOU THINK YOU ARE,
663
00:24:49.602 --> 00:24:50.677
BUT LET'S GET THINGS
STRAIGHT --
664
00:24:50.677 --> 00:24:52.357
YOU CAME TO ME
IN A SITUATION.
665
00:24:52.357 --> 00:24:54.402
SO YOU CAN ACT LIKE THIS IS
AN OPPORTUNITY FOR ME,
666
00:24:54.402 --> 00:24:55.439
BUT IT'S A FAVOR TO YOU.
667
00:24:55.439 --> 00:24:57.282
NO.
668
00:24:57.282 --> 00:24:59.922
I'M DOING YOU A FAVOR BY EVEN
ACKNOWLEDGING YOUR EXISTENCE.
669
00:24:59.922 --> 00:25:02.159
YOU NEED TO UNDERSTAND HOW THIS
DYNAMIC WORKS, HARRY DAVIS.
670
00:25:02.159 --> 00:25:03.916
YOU APPROACHED ME.
671
00:25:03.916 --> 00:25:05.922
DID YOU SEE HOW QUICKLY I GOT
ELLIS TO DO WHAT I WANTED?
672
00:25:05.922 --> 00:25:07.679
THAT'S BECAUSE
I MAKE THINGS HAPPEN.
673
00:25:07.679 --> 00:25:09.676
AND IF YOU COULD GET YOUR POUTY
HEAD OUT OF YOUR OWN ASS,
674
00:25:09.676 --> 00:25:11.883
YOU'D REALIZE THAT TONIGHT COULD
BE A GAME-CHANGER FOR YOU.
675
00:25:11.883 --> 00:25:13.640
INSTEAD,
YOU'RE WASTING TIME
676
00:25:13.640 --> 00:25:15.282
WHINING ABOUT
YOUR MEANINGLESS ISSUES.
677
00:25:15.282 --> 00:25:16.482
WHAT'S GOING ON IN MY LIFE
IS NOT MEANINGLESS.
678
00:25:16.482 --> 00:25:17.557
I DON'T CARE.
679
00:25:17.557 --> 00:25:19.276
I JUST DON'T CARE.
680
00:25:19.276 --> 00:25:20.523
I'M NOT YOUR MOMMY.
681
00:25:20.523 --> 00:25:22.041
I'M YOUR AGENT.
682
00:25:22.041 --> 00:25:25.323
AND, YES,
TONIGHT IS IMPORTANT TO ME.
683
00:25:25.323 --> 00:25:28.117
AND IF YOU HELP ME,
I HELP YOU.
684
00:25:28.117 --> 00:25:30.920
YOU UNDERSTAND?
685
00:25:30.920 --> 00:25:34.636
THE HUSBAND, THE WIFE,
AND YOU?
686
00:25:34.636 --> 00:25:37.679
YES, FATHER.
IT'S CALLED A THROUPLE.
687
00:25:37.679 --> 00:25:40.281
WELL, THAT'S
A KITSCHY LITTLE TERM.
688
00:25:40.281 --> 00:25:44.197
KAREN, YOU KNOW
THAT I'M OPEN-MINDED
689
00:25:44.197 --> 00:25:45.234
ABOUT A GOOD MANY THINGS,
690
00:25:45.234 --> 00:25:48.239
BUT IN A SITUATION
LIKE THIS,
691
00:25:48.239 --> 00:25:49.919
THERE IS
ONLY ONE THING TO DO.
692
00:25:49.919 --> 00:25:50.994
WHAT'S THAT?
693
00:25:50.994 --> 00:25:52.962
CARRY THE CHILD TO TERM,
694
00:25:52.962 --> 00:25:54.834
THEN GIVE IT UP
FOR ADOPTION.
695
00:25:54.834 --> 00:25:57.561
I'VE NEVER SEEN THAT
AS AN OPTION.
696
00:25:57.561 --> 00:25:58.722
WELL, IT'S THE ONLY ONE
YOU HAVE
697
00:25:58.722 --> 00:26:00.594
IF YOU WANT TO FOLLOW
THE TEACHINGS OF THE CHURCH.
698
00:26:00.594 --> 00:26:01.717
I KNOW IT'S DIFFICULT,
699
00:26:01.717 --> 00:26:05.480
BUT THIS CHILD DESERVES
A STABLE, LOVING FAMILY
700
00:26:05.480 --> 00:26:07.477
DESPITE
THE UNFORTUNATE CIRCUMSTANCES
701
00:26:07.477 --> 00:26:09.234
THAT BROUGHT IT
INTO THE WORLD.
702
00:26:09.234 --> 00:26:11.202
"UNFORTUNATE CIRCUMSTANCES"?
703
00:26:11.202 --> 00:26:14.764
THE RELATIONSHIP THAT
YOU'VE FOUND YOURSELF IN --
704
00:26:14.764 --> 00:26:17.644
HUSBAND AND WIFE
POSSIBLY DIVORCING NOW.
705
00:26:17.644 --> 00:26:20.802
HOW WOULD YOU RAISE A CHILD
AMIDST ALL THAT UNCERTAINTY?
706
00:26:20.802 --> 00:26:23.682
SHROUDED IN SHAME
AND SECRECY
707
00:26:23.682 --> 00:26:27.436
OR IN SOME POLYAMOROUS ATTEMPT
AT A FAMILY
708
00:26:27.436 --> 00:26:29.116
IF THEY DECIDE
TO STAY TOGETHER?
709
00:26:29.116 --> 00:26:30.239
THE FACT THAT THE COUPLE
710
00:26:30.239 --> 00:26:34.156
CHOSE TO ENTER INTO A SINFUL
RELATIONSHIP IN THE FIRST PLACE
711
00:26:34.156 --> 00:26:36.200
IS EVIDENCE
OF THEIR POOR MORAL CHARACTER.
712
00:26:36.200 --> 00:26:40.876
HOW WOULD YOU EVER EXPLAIN
THIS SITUATION TO YOUR CHILD?
713
00:26:40.876 --> 00:26:45.839
WITH COMPASSION,
SENSITIVITY, AND PATIENCE...
714
00:26:45.839 --> 00:26:48.642
[SIGHS] THE THINGS
I THOUGHT I'D GET FROM YOU.
715
00:26:48.642 --> 00:26:51.436
KAREN, IT WAS NEVER
MY INTENTION TO OFFEND YOU.
716
00:26:51.436 --> 00:26:54.479
WELL, YOU HAVE, FATHER.
717
00:26:54.479 --> 00:26:57.320
AND I DON'T CARE WHAT YOUR
LIMITED HEART DOESN'T UNDERSTAND
718
00:26:57.320 --> 00:27:01.074
ABOUT MY RELATIONSHIP
WITH ALEC AND VIVIAN.
719
00:27:01.074 --> 00:27:03.119
WHEN THIS CHILD ASKS,
720
00:27:03.119 --> 00:27:06.680
I'M GOING TO TELL HIM
HE WAS CONCEIVED IN PURE LOVE,
721
00:27:06.680 --> 00:27:08.524
WHICH IS FAR MORE
THAN A LOT OF KIDS
722
00:27:08.524 --> 00:27:09.762
CAN SAY
ABOUT THEIR PARENTS.
723
00:27:09.762 --> 00:27:11.557
YOU'RE LETTING YOUR EMOTIONS
GET THE BEST OF YOU.
724
00:27:11.557 --> 00:27:14.236
THANK FREAKING GOD.
725
00:27:14.236 --> 00:27:17.279
♪♪
726
00:27:24.997 --> 00:27:25.996
OKAY.
727
00:27:25.996 --> 00:27:29.000
THAT'S CALISTA RAINES' HOUSE
RIGHT UP THERE.
728
00:27:29.000 --> 00:27:30.719
THROUGH THOSE GATES.
729
00:27:30.719 --> 00:27:32.600
SO, WHAT ARE WE LOOKING FOR,
EXACTLY?
730
00:27:32.600 --> 00:27:35.356
THE COPS ARE CONVINCED
THAT JOSS IS GUILTY,
731
00:27:35.356 --> 00:27:36.402
PLACING HER
INSIDE THE HOUSE.
732
00:27:36.402 --> 00:27:37.516
[ CAMERA SHUTTER CLICKS ]
733
00:27:37.516 --> 00:27:41.442
SO WHY WOULD THEY CHECK
THE NEIGHBORING SECURITY CAMERAS
734
00:27:41.442 --> 00:27:43.276
TO SEE
WHO WENT IN AND OUT?
735
00:27:43.276 --> 00:27:44.274
TO BE THOROUGH?
736
00:27:44.274 --> 00:27:46.280
[ CHUCKLES ]
YOU'D LIKE TO THINK.
737
00:27:46.280 --> 00:27:49.996
UNFORTUNATELY,
THEY OFTEN BUILD A NARRATIVE
738
00:27:49.996 --> 00:27:52.040
AROUND THE PERSON
THEY THINK WHO DID IT
739
00:27:52.040 --> 00:27:53.960
AND IGNORE THE REST.
740
00:27:53.960 --> 00:27:55.602
OKAY, I'M GONNA SEND THESE
TO MIKEY.
741
00:27:55.602 --> 00:27:56.840
HE'LL KNOCK ON A FEW DOORS
AND FOLLOW UP.
742
00:27:56.840 --> 00:28:00.402
[ SIGHS ]
743
00:28:00.402 --> 00:28:02.476
WHY ARE YOU DOING THIS
FOR ME?
744
00:28:02.476 --> 00:28:03.474
YOU KNOW WHY.
745
00:28:03.474 --> 00:28:05.202
BECAUSE YOU
STILL FEEL GUILTY?
746
00:28:07.314 --> 00:28:10.280
WELL, I FEEL GUILTY, TOO.
747
00:28:10.280 --> 00:28:12.162
CUTTING YOU OUT OF MY LIFE
LIKE THAT,
748
00:28:12.162 --> 00:28:14.120
BREAKING UP WITH YOU
OVER THE PHONE --
749
00:28:14.120 --> 00:28:16.559
I SHOULD NEVER HAVE DONE IT
THAT WAY.
750
00:28:16.559 --> 00:28:18.795
WELL, THANK YOU
FOR SAYING THAT,
751
00:28:18.795 --> 00:28:20.600
BUT, REALLY,
IT'S -- IT'S FINE.
752
00:28:20.600 --> 00:28:25.324
APRIL, I'M NOT HERE
BECAUSE I FEEL GUILTY.
753
00:28:25.324 --> 00:28:28.041
I'M HERE BECAUSE
YOU'RE THE LOVE OF MY LIFE.
754
00:28:28.041 --> 00:28:31.314
♪♪
755
00:28:33.195 --> 00:28:36.796
EVEN IN THE FANTASY, YOU
COULDN'T HAVE TAKEN THAT JOB.
756
00:28:36.796 --> 00:28:38.764
I COULD HAVE.
757
00:28:38.764 --> 00:28:39.800
COME ON.
758
00:28:39.800 --> 00:28:40.914
YOU THINK YOUR HUSBAND
WOULD BE OKAY
759
00:28:40.914 --> 00:28:42.680
WITH YOU
WORKING WITH YOUR EX?
760
00:28:42.680 --> 00:28:43.842
HE WOULDN'T HAVE BEEN
MY EX THEN.
761
00:28:43.842 --> 00:28:46.396
HE JUST STILL WOULD HAVE BEEN
MY EX-BROTHER-IN-LAW.
762
00:28:46.396 --> 00:28:47.442
WHO KISSED YOU ONCE.
763
00:28:47.442 --> 00:28:49.276
Shh.
Scott didn't know that.
764
00:28:49.276 --> 00:28:52.204
♪♪
765
00:28:55.160 --> 00:28:56.120
MM.
766
00:28:56.120 --> 00:28:57.119
HI, HONEY.
767
00:28:57.119 --> 00:28:58.761
HEY, WIFEY.
768
00:28:58.761 --> 00:28:59.836
YOU LOOK AMAZING
RIGHT NOW.
769
00:28:59.836 --> 00:29:01.641
GEEZ.
HOW'D THE INTERVIEW GO?
770
00:29:01.641 --> 00:29:03.800
OH, UM, IT WAS FINE.
771
00:29:03.800 --> 00:29:05.557
I DON'T THINK
I'M GONNA TAKE IT, THOUGH.
772
00:29:05.557 --> 00:29:06.604
YOU'RE KIDDING.
REALLY?
773
00:29:06.604 --> 00:29:07.794
I MEAN, YOU WERE
SO EXCITED ABOUT IT.
774
00:29:07.794 --> 00:29:08.754
WHO WAS IT WITH?
775
00:29:08.754 --> 00:29:10.281
ELLIS BOONE.
776
00:29:10.281 --> 00:29:11.356
ELLIS BOONE?
777
00:29:11.356 --> 00:29:12.316
I KNOW ELLIS.
778
00:29:12.316 --> 00:29:13.324
YEAH, HE'S A BIG DEAL,
RIGHT?
779
00:29:13.324 --> 00:29:14.399
YEAH.
780
00:29:14.399 --> 00:29:16.079
HE ASK YOU
TO TAKE YOUR CLOTHES OFF?
781
00:29:16.079 --> 00:29:17.961
N-- [ CHUCKLES ] NO.
782
00:29:17.961 --> 00:29:19.314
SO, WHAT WAS THE GIG?
783
00:29:19.314 --> 00:29:22.079
WELL, IT WAS BASICALLY
TO CREATE
784
00:29:22.079 --> 00:29:23.836
AND PROMOTE
WUNDERBAR AFTER-HOURS.
785
00:29:23.836 --> 00:29:26.601
I GUESS THEY WANT TO MAKE IT
LIKE STUDIO 54.
786
00:29:26.601 --> 00:29:27.762
THAT'S, LIKE,
RIGHT UP YOUR ALLEY, OKAY?
787
00:29:27.762 --> 00:29:28.799
I MEAN, HELL,
YOU OPENED THE PLACE.
788
00:29:28.799 --> 00:29:30.517
NO ONE KNOWS IT
BETTER THAN YOU DO.
789
00:29:30.517 --> 00:29:31.477
YOU LIKED IT THERE,
DIDN'T YOU?
790
00:29:31.477 --> 00:29:32.476
I ALWAYS WONDERED,
YOU KNOW,
791
00:29:32.476 --> 00:29:33.637
WHY THE HELL
YOU LEFT IN THE FIRST PLACE.
792
00:29:33.637 --> 00:29:37.122
YEAH, UH...
793
00:29:37.122 --> 00:29:38.236
BUT CLUBS ARE TOUGH,
HONEY.
794
00:29:38.236 --> 00:29:39.397
THEY COME AND GO AND...
795
00:29:39.397 --> 00:29:41.039
LOOK, WITH THOSE HOURS,
796
00:29:41.039 --> 00:29:42.162
IF I TOOK IT,
WE'D NEVER SEE EACH OTHER.
797
00:29:42.162 --> 00:29:44.044
WE'D JUST BE SHIPS PASSING,
SO...
798
00:29:44.044 --> 00:29:45.801
I WOULD MAKE SURE
THAT WE'D COLLIDE, YOU KNOW?
799
00:29:45.801 --> 00:29:47.836
I COULD COME IN.
I COULD HANG OUT WITH YOU.
800
00:29:47.836 --> 00:29:49.641
MAKE SOME REALLY
LATE DATE NIGHTS.
801
00:29:49.641 --> 00:29:50.601
IT COULD BE SEXY.
802
00:29:50.601 --> 00:29:52.799
YOU'RE SO SUPPORTIVE.
MM.
803
00:29:52.799 --> 00:29:54.757
WELL, AT THE END OF THE DAY,
I WANT, YOU KNOW, WHAT YOU WANT.
804
00:29:54.757 --> 00:29:57.321
I WANT YOU TO BE HAPPY,
SO...
805
00:29:57.321 --> 00:29:58.396
I SORT OF THINK
YOU SHOULD TAKE IT.
806
00:29:58.396 --> 00:30:00.517
WHAT IF I HAVE
A BETTER IDEA?
807
00:30:00.517 --> 00:30:02.034
AND WHAT WOULD THAT BE?
808
00:30:02.034 --> 00:30:06.239
WHAT IF, UM, HMM,
I, UH...
809
00:30:06.239 --> 00:30:07.794
I DON'T TAKE
MY PILL TONIGHT?
810
00:30:08.879 --> 00:30:11.960
AND WE JUST SEE WHERE
THAT LEADS US INSTEAD, HUH?
811
00:30:11.960 --> 00:30:14.601
REALLY?
MM-HMM.
812
00:30:14.601 --> 00:30:16.482
I LIKE THAT IDEA.
813
00:30:18.556 --> 00:30:20.476
[ CLINKING ON GLASS ]
814
00:30:20.476 --> 00:30:23.442
I WANT TO EXPLAIN BRIEFLY WHY
THE CAT HENDRICKS FOUNDATION --
815
00:30:23.442 --> 00:30:26.082
GIVING FUNDS
TO CANCER PATIENTS IN NEED --
816
00:30:26.082 --> 00:30:27.954
IS SO IMPORTANT TO ME.
817
00:30:27.954 --> 00:30:29.039
MY YOUNGER SISTER, SHARON,
818
00:30:29.039 --> 00:30:31.036
DIED OF BREAST CANCER
A LITTLE OVER A YEAR AGO.
819
00:30:31.036 --> 00:30:34.002
SHARON WAS
THE VISION OF HEALTH.
820
00:30:34.002 --> 00:30:37.717
SHE WAS ONE OF THE MOST TALENTED
AND AMBITIOUS PEOPLE
821
00:30:37.717 --> 00:30:39.800
I'VE EVER KNOWN.
822
00:30:39.800 --> 00:30:41.557
SHE'D JUST FINISHED
MEDICAL SCHOOL.
823
00:30:41.557 --> 00:30:43.314
SHE WENT BACK IN HER LATE 20s
824
00:30:43.314 --> 00:30:45.637
AFTER REALIZING THAT CORPORATE
FINANCE WASN'T HER THING.
825
00:30:45.637 --> 00:30:49.036
[ CHUCKLES ] SHE WASN'T
A MONEY MONGER LIKE ME.
826
00:30:49.036 --> 00:30:50.994
[ LAUGHTER ]
827
00:30:50.994 --> 00:30:53.874
UM, SHE'D JUST STARTED
HER PRACTICE
828
00:30:53.874 --> 00:30:57.676
AND GOTTEN ENGAGED
TO A WONDERFUL FELLOW DOCTOR
829
00:30:57.676 --> 00:30:59.682
WHEN SHE WAS DIAGNOSED.
830
00:30:59.682 --> 00:31:03.800
AFTER HER 18th ROUND OF CHEMO
AND SECOND UNSUCCESSFUL SURGERY,
831
00:31:03.800 --> 00:31:08.236
I SAW SHARON CRY ABOUT CANCER
FOR THE VERY FIRST TIME.
832
00:31:08.236 --> 00:31:09.484
I HELD HER...
833
00:31:09.484 --> 00:31:11.202
[Voice breaking]
AND TOLD HER I WAS SORRY
834
00:31:11.202 --> 00:31:13.400
AND ASKED WHAT I COULD DO.
835
00:31:13.400 --> 00:31:16.280
"GET OUT MY CHECKBOOK,"
SHE SAID.
836
00:31:16.280 --> 00:31:19.842
I REALIZED SHARON WASN'T CRYING
FOR HERSELF.
837
00:31:19.842 --> 00:31:22.837
SHE WAS CRYING FOR A FELLOW
PATIENT SHE'D MET THAT DAY --
838
00:31:22.837 --> 00:31:23.922
CARLA.
839
00:31:23.922 --> 00:31:26.716
CARLA HAD STAGE 3 BREAST CANCER
840
00:31:26.716 --> 00:31:29.557
AND COULDN'T AFFORD
HER TREATMENTS --
841
00:31:29.557 --> 00:31:32.197
NOT IF SHE WANTED TO KEEP
A ROOF OVER HER KIDS' HEADS.
842
00:31:32.197 --> 00:31:34.242
SO MY SWEET...
843
00:31:34.242 --> 00:31:39.157
GENEROUS SISTER
844
00:31:39.157 --> 00:31:42.123
[Voice breaking] TOOK ALL
OF THE MONEY THAT SHE'D PUT AWAY
845
00:31:42.123 --> 00:31:44.917
FOR THE CHILDREN
THAT SHE WOULD NEVER HAVE
846
00:31:44.917 --> 00:31:45.963
AND SHE GAVE IT TO CARLA
847
00:31:45.963 --> 00:31:49.880
SO THAT SHE COULD
AT LEAST HAVE A CHANCE.
848
00:31:49.880 --> 00:31:51.599
CARLA, WILL YOU PLEASE STAND UP?
849
00:31:53.278 --> 00:31:55.477
[ APPLAUSE ]
850
00:32:01.036 --> 00:32:03.196
SHE WOULD HAVE BEEN SO HAPPY
TO KNOW THAT YOU MADE IT.
851
00:32:05.240 --> 00:32:06.718
SHE --
852
00:32:07.880 --> 00:32:08.956
[ BREATHES DEEPLY ]
853
00:32:11.883 --> 00:32:12.882
IT'S OKAY, ARI.
854
00:32:12.882 --> 00:32:15.358
I CAN TAKE IT FROM HERE.
855
00:32:15.358 --> 00:32:16.318
THANK YOU.
856
00:32:17.557 --> 00:32:21.320
MANY OF YOU MIGHT NOT HAVE
LOST SOMEONE TO THIS DISEASE,
857
00:32:21.320 --> 00:32:23.960
LIKE MY FRIEND ARI HAS,
858
00:32:23.960 --> 00:32:28.203
BUT WE ALL KNOW WHAT IT'S LIKE
TO FEEL POWERLESS
859
00:32:28.203 --> 00:32:32.955
WHEN SOMEONE WE LOVE
IS IN TROUBLE OR IN PAIN.
860
00:32:35.480 --> 00:32:36.594
AND WE'D GIVE ANYTHING
861
00:32:36.594 --> 00:32:39.320
IF THERE WAS JUST
SOME DAMN WAY WE COULD HELP.
862
00:32:39.320 --> 00:32:41.595
WELL, THERE IS HERE TONIGHT.
863
00:32:41.595 --> 00:32:43.362
I KNOW
YOU'VE ALREADY BEEN GENEROUS,
864
00:32:43.362 --> 00:32:46.443
BUT IN HONOR OF SHARON, WHO IN
HER WEAKEST MOMENTS DUG DEEPER,
865
00:32:46.443 --> 00:32:48.363
I URGE YOU TO DO THE SAME,
PLEASE.
866
00:32:48.363 --> 00:32:50.322
GIVE MORE.
867
00:32:52.876 --> 00:32:55.083
[ THE BROODS' "TAKING YOU THERE"
PLAYS ]
868
00:32:55.083 --> 00:32:58.722
[ DOOR CLOSES ]
869
00:32:58.722 --> 00:33:04.318
♪ IN THE DEAD OF NIGHT,
I'LL MEET YOU IN MY SLEEP ♪
870
00:33:06.316 --> 00:33:11.921
♪ AND IN THE MORNING LIGHT,
YOU'LL WAKE UP NEXT TO ME ♪
871
00:33:14.235 --> 00:33:19.756
♪ LIKE A DREAM COME TRUE,
I'LL TAKE YOU WHERE I ROAM ♪
872
00:33:19.756 --> 00:33:24.795
♪ THEN FOLLOW YOU BACK HOME ♪
873
00:33:24.795 --> 00:33:30.479
♪ IF YOU HOLD MY HAND
AND TAKE ME WHERE YOU GO ♪
874
00:33:32.399 --> 00:33:35.038
♪ I'LL SHOW YOU THE SIGHT
THAT NO ONE KNOWS ♪
875
00:33:35.038 --> 00:33:38.840
THANKS FOR THE LIFT.
876
00:33:38.840 --> 00:33:40.002
IS LUCY HOME?
877
00:33:40.002 --> 00:33:42.603
NO.
878
00:33:42.603 --> 00:33:45.915
♪ TELL ME YOU CARE ♪
879
00:33:45.915 --> 00:33:47.797
[ DOOR CLOSES ]
880
00:33:50.360 --> 00:33:58.280
♪ I'M TAKING YOU THERE ♪
881
00:33:58.280 --> 00:34:00.162
♪ TELL ME YOU CARE ♪
882
00:34:00.162 --> 00:34:04.155
♪ IF SCARS ARE FOR THE LIVING,
I COULD BE FORGIVEN ♪
883
00:34:07.717 --> 00:34:10.674
[ INDISTINCT CONVERSATIONS ]
884
00:34:12.680 --> 00:34:14.321
HOW'D YOU MAKE OUT?
885
00:34:14.321 --> 00:34:16.482
LIKE THIEVES,
THANKS TO YOU.
886
00:34:16.482 --> 00:34:18.200
WHAT DO I OWE YOU --
10%?
887
00:34:18.200 --> 00:34:19.439
[ CHUCKLES ]
888
00:34:19.439 --> 00:34:21.041
HEY, THANKS FOR COVERING
FOR ME.
889
00:34:21.041 --> 00:34:22.001
I DON'T USUALLY CRY.
890
00:34:23.279 --> 00:34:26.159
YOU SHOULD HAVE TOLD ME
ABOUT YOUR SISTER.
891
00:34:26.159 --> 00:34:28.002
I WOULDN'T HAVE BEEN
SUCH AN ASS.
892
00:34:28.002 --> 00:34:29.999
I DON'T BELIEVE
IN BRINGING MY PERSONAL LIFE
893
00:34:29.999 --> 00:34:32.561
INTO MY RELATIONSHIPS
WITH MY CLIENTS.
894
00:34:32.561 --> 00:34:34.395
WELL, MAYBE YOU SHOULD,
BECAUSE FOR THE FIRST TIME,
895
00:34:34.395 --> 00:34:36.556
I SAW YOU AS SOMEONE I'D LIKE
TO BE IN BUSINESS WITH.
896
00:34:36.556 --> 00:34:38.639
YOUR ACCENT
ALMOST MASKED IT,
897
00:34:38.639 --> 00:34:40.318
BUT THAT WAS
VAGUELY INSULTING.
898
00:34:40.318 --> 00:34:42.316
[ CHUCKLES ]
899
00:34:42.316 --> 00:34:45.234
ANYWAY, THANK YOU FOR PUSHING
ME TO BE A PART OF THIS.
900
00:34:45.234 --> 00:34:46.923
MEANT A LOT
TO ME AND TO MY STAFF.
901
00:34:49.880 --> 00:34:50.878
HUG?
902
00:34:50.878 --> 00:34:52.117
OH, OKAY.
903
00:34:59.441 --> 00:35:00.440
NIGHT, ARI.
904
00:35:00.440 --> 00:35:02.321
GOOD NIGHT.
905
00:35:02.321 --> 00:35:05.317
♪♪
906
00:35:18.796 --> 00:35:20.840
[ SIGHS ]
907
00:35:20.840 --> 00:35:24.363
♪♪
908
00:35:33.282 --> 00:35:34.836
[ CELLPHONE CLATTERS ]
909
00:35:34.836 --> 00:35:36.200
WHAT THE HELL AM I DOING?
910
00:35:42.718 --> 00:35:44.802
[ DOORBELL RINGS ]
911
00:35:47.403 --> 00:35:49.323
HI.
HEY.
912
00:35:49.323 --> 00:35:50.600
I'VE BEEN CALLING YOU,
BUT I NEVER HEARD BACK.
913
00:35:50.600 --> 00:35:51.560
IS EVERYTHING OKAY?
914
00:35:51.560 --> 00:35:53.201
FINE.
915
00:35:53.201 --> 00:35:54.161
ALEC HOME?
916
00:35:54.161 --> 00:35:56.043
HE'S UPSTAIRS.
COME ON IN.
917
00:35:56.043 --> 00:35:57.196
GOOD.
918
00:35:57.196 --> 00:35:59.758
I HAVE SOMETHING
I WANT TO TELL YOU BOTH.
919
00:35:59.758 --> 00:36:02.715
OKAY.
I'LL GO GET HIM.
920
00:36:02.715 --> 00:36:05.681
ALEC! KAREN'S HERE!
921
00:36:09.598 --> 00:36:11.557
UH, IS THIS
LOST AND FOUND?
922
00:36:11.557 --> 00:36:13.275
[ CHUCKLES ]
923
00:36:15.474 --> 00:36:17.239
YOU KNOW
I LEFT IT ON PURPOSE
924
00:36:17.239 --> 00:36:18.402
JUST SO
I COULD SEE YOU AGAIN.
925
00:36:18.402 --> 00:36:20.043
[ CHUCKLES ]
926
00:36:20.043 --> 00:36:22.194
I-I CAN'T.
927
00:36:22.194 --> 00:36:23.720
THERE IS NO RUSH.
928
00:36:23.720 --> 00:36:27.560
WHATEVER YOU NEED
TO MAKE THIS WORK AGAIN.
929
00:36:27.560 --> 00:36:31.400
IT CAN'T EVER WORK.
930
00:36:31.400 --> 00:36:32.638
[ SIGHS ]
931
00:36:32.638 --> 00:36:34.558
OKAY, LISTEN.
932
00:36:34.558 --> 00:36:38.120
I'M NOT SORRY WE MADE LOVE,
BECAUSE IF WE HADN'T,
933
00:36:38.120 --> 00:36:39.435
I WOULD HAVE THOUGHT
FOR THE REST OF MY LIFE
934
00:36:39.435 --> 00:36:41.960
THAT YOU WERE
THE ONE THAT GOT AWAY.
935
00:36:41.960 --> 00:36:44.158
BUT WHEN I FOUND YOUR PHONE
AFTER YOU LEFT,
936
00:36:44.158 --> 00:36:45.838
I COULDN'T HELP MYSELF,
DANIEL.
937
00:36:45.838 --> 00:36:47.883
I STARTED SCROLLING THROUGH
YOUR CONTACTS AND CALLS
938
00:36:47.883 --> 00:36:48.919
LIKE A CRAZY PERSON.
939
00:36:48.919 --> 00:36:49.879
YEAH, BUT I DON'T CARE.
940
00:36:49.879 --> 00:36:51.560
BUT I DO...
941
00:36:51.560 --> 00:36:53.643
BECAUSE I REALIZED I WILL NEVER
BE ABLE TO TRUST YOU AGAIN,
942
00:36:53.643 --> 00:36:55.794
NO MATTER WHAT YOU SAY,
HOW YOU LOOK AT ME,
943
00:36:55.794 --> 00:36:58.558
OR IF YOU JUMP ON AN AIRPLANE
TO HELP ME WITH A FRIEND
944
00:36:58.558 --> 00:36:59.518
AT A MOMENT'S NOTICE.
945
00:36:59.518 --> 00:37:01.477
ALL RIGHT,
BUT WHAT ABOUT LAST NIGHT?
946
00:37:01.477 --> 00:37:05.355
LAST NIGHT
I...CHEATED ON A GREAT GUY
947
00:37:05.355 --> 00:37:07.121
WHO CARES ABOUT ME
948
00:37:07.121 --> 00:37:09.157
WITH A GUY
WHO BROKE MY HEART.
949
00:37:12.037 --> 00:37:13.879
WHY DIDN'T YOU TELL ME
ABOUT HIM?
950
00:37:13.879 --> 00:37:15.799
WOULD IT HAVE MATTERED?
951
00:37:19.400 --> 00:37:24.200
I WILL ALWAYS LOVE YOU,
DANIEL.
952
00:37:24.200 --> 00:37:25.361
BUT THIS IS IT.
953
00:37:27.319 --> 00:37:28.961
THIS IS GOODBYE.
954
00:37:28.961 --> 00:37:31.237
[ BREATHES DEEPLY ]
955
00:37:31.237 --> 00:37:34.039
♪♪
956
00:37:41.681 --> 00:37:42.795
WELL...
957
00:37:42.795 --> 00:37:47.403
GIVE THIS TO JOSS' LAWYER.
958
00:37:47.403 --> 00:37:49.236
I THINK IT MIGHT HELP.
959
00:37:53.038 --> 00:37:54.996
[ SIGHS ]
960
00:37:57.800 --> 00:37:59.835
[ DOOR OPENS, BELLS JINGLE ]
961
00:37:59.835 --> 00:38:01.601
[ DOOR CLOSES ]
962
00:38:01.601 --> 00:38:03.675
[ TOILET FLUSHES ]
SO, UH, YES,
963
00:38:03.675 --> 00:38:05.480
A KNOCKED-UP LADY OF LEISURE
WITH SCOTT.
964
00:38:05.480 --> 00:38:08.273
BUT INSTEAD, I AM HERE
IN THIS DELIGHTFUL RESIDENCE
965
00:38:08.273 --> 00:38:10.356
SHARING A TOILET
WITH YOU AND A COCKROACH.
966
00:38:10.356 --> 00:38:11.403
SO THAT'S YOUR STORY,
HUH?
967
00:38:12.439 --> 00:38:14.359
YOU REALLY THINK THAT'S HOW
IT WOULD HAVE PLAYED OUT?
968
00:38:17.998 --> 00:38:20.878
[ "COMPASS" BY ZELLA DAY PLAYS ]
969
00:38:20.878 --> 00:38:25.803
♪ WE CAN BUILD A TREE HOUSE
IN THE PINE TREES ♪
970
00:38:25.803 --> 00:38:27.598
BABE, THESE ARE WEIRD.
971
00:38:27.598 --> 00:38:28.596
NO, YOU LOOK GOOD.
972
00:38:28.596 --> 00:38:29.595
YOU LOOK --
YOU LOOK REALLY GOOD.
973
00:38:29.595 --> 00:38:30.555
REALLY?
MM.
974
00:38:30.555 --> 00:38:32.321
ALL RIGHT.
975
00:38:32.321 --> 00:38:33.598
I MEAN, YOU LOOK --
YOU LOOK GOOD.
976
00:38:33.598 --> 00:38:34.558
YOU LOOK AMAZING.
COME HERE.
977
00:38:34.558 --> 00:38:36.363
YOU KNOW WHAT?
JUST THIS CANDLE
978
00:38:36.363 --> 00:38:38.359
HAS A FRICKIN' TRICKY WICK
OR SOMETHING.
979
00:38:38.359 --> 00:38:40.155
WELL, YOU KNOW, I FEEL LIKE
WE DON'T REALLY NEED IT.
980
00:38:40.155 --> 00:38:41.998
I MEAN, THERE'S 37
OTHER CANDLES IN THE ROOM.
981
00:38:41.998 --> 00:38:43.956
WE'RE PROBABLY FINE
WITHOUT THAT ONE.
982
00:38:43.956 --> 00:38:45.800
ARE WE OUT OF CHAMPAGNE?
WE DON'T NEED CHAMPAGNE.
983
00:38:45.800 --> 00:38:46.875
WH-- OF COURSE WE DO.
984
00:38:46.875 --> 00:38:48.718
I WANT EVERYTHING
TO BE PERFECT.
985
00:38:48.718 --> 00:38:50.638
SWEETHEART, JUST FORGET
ABOUT THE CHAMPAGNE. IT'S FINE.
986
00:38:50.638 --> 00:38:52.520
HONEY, THIS MIGHT BE
MY LAST DRINK IN NINE MONTHS.
987
00:38:52.520 --> 00:38:53.518
I WANT SOME CHAMPAGNE.
988
00:38:53.518 --> 00:38:54.478
WHERE IS MY COAT?
989
00:38:54.478 --> 00:38:55.563
UH, BABE...
990
00:38:55.563 --> 00:38:57.435
IT'S FINE.
I'LL JUST --
991
00:38:57.435 --> 00:39:00.161
I'LL JUST RUN TO THE STORE
SUPER-QUICK, OKAY?
992
00:39:00.161 --> 00:39:01.399
JUST KEEP THAT BED
NICE AND WARM.
993
00:39:01.399 --> 00:39:03.243
♪ COMPASS POINT YOU ANYWHERE ♪
994
00:39:03.243 --> 00:39:04.203
♪ CLOSER TO ME ♪
995
00:39:04.203 --> 00:39:05.960
EXCUSE ME.
WHERE'S YOUR CHAMPAGNE?
996
00:39:05.960 --> 00:39:08.753
♪ WHERE YOU ARE ♪
997
00:39:08.753 --> 00:39:11.595
♪ I WILL BE ♪
998
00:39:11.595 --> 00:39:14.436
♪ MILES HIGH ♪
999
00:39:14.436 --> 00:39:16.759
♪ IN THE DEEP ♪
1000
00:39:16.759 --> 00:39:20.196
♪ WHERE YOU ARE ♪
1001
00:39:20.196 --> 00:39:23.201
♪ I WILL BE ♪
1002
00:39:23.201 --> 00:39:25.438
♪ MILES HIGH ♪
1003
00:39:25.438 --> 00:39:28.913
♪ IN THE DEEP ♪
1004
00:39:28.913 --> 00:39:31.159
♪ WHERE YOU ARE ♪
1005
00:39:31.159 --> 00:39:33.079
♪ I WILL BE ♪
1006
00:39:33.079 --> 00:39:35.883
♪ COMPASS POINT YOU ANYWHERE ♪
1007
00:39:35.883 --> 00:39:39.521
♪ CLOSER TO ME ♪
1008
00:39:39.521 --> 00:39:41.441
YOU'RE AN IDIOT.
1009
00:39:41.441 --> 00:39:42.439
WHY?
1010
00:39:42.439 --> 00:39:44.273
BECAUSE YOU'VE BEEN
GOING ON AND ON
1011
00:39:44.273 --> 00:39:45.521
ABOUT HOW YOU
WOULDN'T BE HERE
1012
00:39:45.521 --> 00:39:47.278
HADN'T YOU BEEN
TO THE BEACH THAT DAY...
1013
00:39:47.278 --> 00:39:49.995
IF YOU'D MADE
A DIFFERENT CHOICE.
1014
00:39:49.995 --> 00:39:51.281
BUT EVEN IF YOU DID...
1015
00:39:52.961 --> 00:39:54.718
HARRY WAS
ALWAYS INEVITABLE.
1016
00:39:54.718 --> 00:39:55.995
[ BREATHES DEEPLY ]
1017
00:39:57.598 --> 00:39:59.518
HE WAS ALWAYS GONNA BE
MY LOVE, WASN'T HE?
1018
00:39:59.518 --> 00:40:00.555
YEAH.
1019
00:40:02.715 --> 00:40:04.558
HMM.
1020
00:40:04.558 --> 00:40:06.276
WELL, DOESN'T MATTER NOW
1021
00:40:06.276 --> 00:40:09.319
BECAUSE I LOST HIM
AND I LOST MY SISTER,
1022
00:40:09.319 --> 00:40:11.115
LOST SCOTT,
I LOST EVERYONE.
1023
00:40:11.115 --> 00:40:14.321
SO WHO'S GONNA
SAVE ME NOW, HUH?
1024
00:40:14.321 --> 00:40:16.001
Guard: CARVER.
1025
00:40:16.001 --> 00:40:17.959
[ LOCK DISENGAGES ]
YOU HAVE A VISITOR.
1026
00:40:17.959 --> 00:40:20.801
♪♪
1027
00:40:27.320 --> 00:40:28.721
YOU'RE GONNA LIKE THIS.
1028
00:40:33.156 --> 00:40:36.276
♪♪
1029
00:40:41.076 --> 00:40:44.081
♪♪
72699
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