Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:33,701 --> 00:00:34,634
Miss Redmond?
2
00:00:36,701 --> 00:00:39,934
Miss Redmond.
3
00:00:40,000 --> 00:00:41,334
She can't hear you.
4
00:00:41,400 --> 00:00:42,601
The old darling's deaf
as a post.
5
00:00:42,667 --> 00:00:43,601
What's the problem?
6
00:00:43,667 --> 00:00:44,968
She's got gas.
7
00:00:45,033 --> 00:00:46,234
She's got what?
8
00:00:46,300 --> 00:00:48,167
No, I mean, I can smell gas.
9
00:00:48,234 --> 00:00:49,601
Oh.
10
00:00:49,667 --> 00:00:50,968
Miss Redmond!
11
00:00:51,067 --> 00:00:52,167
Good Lord, you're right.
12
00:00:52,234 --> 00:00:53,400
Come on, Doris,
darling, wake up.
13
00:00:53,467 --> 00:00:54,701
Come on, Doris.
Come on, dear.
14
00:00:54,767 --> 00:00:56,267
You left the gas on.
Wake up.
15
00:00:56,334 --> 00:00:58,968
Last week, it was the water,
poor old duck.
16
00:00:59,033 --> 00:01:01,000
Miss Redmond,
please open
17
00:01:01,067 --> 00:01:02,801
the door, would you?
18
00:01:02,868 --> 00:01:04,200
Hey, where
you going?
19
00:01:04,267 --> 00:01:05,934
Hey... Mi...
20
00:01:08,667 --> 00:01:10,467
Miss...
21
00:01:11,567 --> 00:01:12,767
All right, now,
if you want
22
00:01:12,834 --> 00:01:14,033
to go down to
the street,
23
00:01:14,100 --> 00:01:15,734
I may need your
help in a minute.
24
00:02:00,000 --> 00:02:02,801
Once more into the breach,
dear friends.
25
00:02:18,734 --> 00:02:21,000
Doris, dear, it's Clive.
26
00:02:21,067 --> 00:02:22,434
Come on.
27
00:02:22,501 --> 00:02:25,033
You and I are going
for a little ride.
28
00:02:25,100 --> 00:02:26,200
What are you doing?
29
00:02:28,067 --> 00:02:30,501
Oh, sorry, we haven't...
we haven't got a moment to lose.
30
00:02:30,567 --> 00:02:31,567
One spark could set
31
00:02:31,634 --> 00:02:32,968
this whole thing off.
What are you doing?
32
00:02:33,033 --> 00:02:35,067
Come on, let's go-
hurry, hurry.
33
00:02:46,667 --> 00:02:48,367
Did you get that?
Did you get that?
34
00:02:48,434 --> 00:02:50,767
Relax- I'm getting it,
I'm getting it.
35
00:02:53,567 --> 00:02:55,667
That was amazing.
36
00:02:55,734 --> 00:02:56,968
Pretty easy, really.
37
00:02:57,033 --> 00:02:59,067
Well, you... you
saved her life.
38
00:02:59,133 --> 00:03:02,234
Yeah, it's going to be on
all the news channels.
39
00:03:02,300 --> 00:03:04,067
Yeah, let's hope
it doesn't end mine.
40
00:03:04,133 --> 00:03:05,801
Huh?
41
00:03:07,367 --> 00:03:09,934
What if you knew,
beyond a doubt,
42
00:03:10,000 --> 00:03:12,167
what was going
to happen tomorrow?
43
00:03:12,234 --> 00:03:13,667
What would you do?
44
00:03:13,734 --> 00:03:15,901
There's no easy answer
45
00:03:15,968 --> 00:03:19,000
for a guy
who gets tomorrow's news today.
46
00:03:25,601 --> 00:03:27,734
* *
47
00:03:56,901 --> 00:03:59,834
* *
48
00:04:04,267 --> 00:04:05,901
Good morning, Chicago.
49
00:04:05,968 --> 00:04:07,934
It's another cold one out there.
50
00:04:08,000 --> 00:04:09,767
Forecast is freezing
temperatures,
51
00:04:09,834 --> 00:04:12,067
and 90% chance
of more snow tonight.
52
00:04:12,133 --> 00:04:14,701
Ooh, it's going
to be a cold one...
53
00:04:27,334 --> 00:04:30,367
"Hero killed in hit and run. "
54
00:04:38,634 --> 00:04:41,534
Great- now I get
to save yesterday's hero.
55
00:04:41,601 --> 00:04:42,534
I'm out of here.
56
00:04:42,601 --> 00:04:43,701
Wait a minute.
57
00:04:43,767 --> 00:04:45,267
What about more pressing issues
58
00:04:45,334 --> 00:04:46,434
in the world?
Like what?
59
00:04:46,501 --> 00:04:49,334
Like this painting and scraping,
60
00:04:49,400 --> 00:04:52,033
which you were supposed
to help me with.
61
00:04:52,100 --> 00:04:54,934
Yeah, well, yesterday, I had
to stop a woman from blowing up.
62
00:04:55,000 --> 00:04:56,901
And-and now this guy
that helps me,
63
00:04:56,968 --> 00:04:58,367
he's here in the paper again.
64
00:04:58,434 --> 00:05:00,634
Don't you think
that's kind of strange?
65
00:05:00,701 --> 00:05:02,167
Oh, yeah- humanity first.
66
00:05:02,234 --> 00:05:04,267
Leave all the chores to
Fishman. Look, I'll help you
67
00:05:04,334 --> 00:05:05,267
with the painting later.
68
00:05:05,334 --> 00:05:06,767
Right now, I got to deal
with Clive,
69
00:05:06,834 --> 00:05:08,834
uh... Harbison.
70
00:05:09,934 --> 00:05:11,000
Sun-Times.
71
00:05:11,067 --> 00:05:12,968
Thanks, buddy.
72
00:05:15,167 --> 00:05:16,968
Gotcha, you little limey!
73
00:05:26,501 --> 00:05:28,133
Oh, hello, it's you.
74
00:05:28,200 --> 00:05:29,334
Yeah, I'm sorry, old man.
75
00:05:29,400 --> 00:05:30,834
I'm fresh out of heroics today.
76
00:05:30,901 --> 00:05:32,167
What are you doing-
you moving?
77
00:05:32,234 --> 00:05:34,100
That's very
perceptive of you.
78
00:05:34,167 --> 00:05:35,567
Oh, that's...
that's good.
79
00:05:35,634 --> 00:05:36,667
That's good-
you should move.
80
00:05:36,734 --> 00:05:37,901
You should move on
in life.
81
00:05:37,968 --> 00:05:39,000
That's very healthy.
82
00:05:39,067 --> 00:05:40,634
Matter of fact,
you know what I think?
83
00:05:40,701 --> 00:05:42,868
I think that you should
start moving right now.
84
00:05:42,934 --> 00:05:43,934
Are you daft?
85
00:05:44,000 --> 00:05:45,734
I'm waiting for
a removal van.
86
00:05:45,801 --> 00:05:47,167
Yeah, but it's cold
outside, and you...
87
00:05:47,234 --> 00:05:48,801
you don't want
to catch a cold.
88
00:05:48,868 --> 00:05:50,067
Call this cold?
89
00:05:50,133 --> 00:05:52,767
You should try a Scottish
grass moor at dawn.
90
00:06:02,934 --> 00:06:03,267
Ah!
91
00:06:09,734 --> 00:06:11,467
Move it! Coming through!
92
00:06:11,534 --> 00:06:12,868
Here we go, baby.
93
00:06:14,067 --> 00:06:16,501
Oh, bloody hell.
94
00:06:18,167 --> 00:06:19,133
Come on, run,
you idiot!
95
00:06:19,200 --> 00:06:20,033
Whoa!
96
00:06:22,067 --> 00:06:23,534
This way. Whoa! Go in there!
97
00:06:23,601 --> 00:06:24,834
Whoa!
98
00:06:26,868 --> 00:06:28,434
Open the damn door! Open it!
99
00:06:28,501 --> 00:06:29,868
I think this is
what they call
100
00:06:29,934 --> 00:06:31,367
an extreme example
of road rage.
101
00:06:31,434 --> 00:06:32,501
I got you
now, Clive!
102
00:06:32,567 --> 00:06:35,367
You're not getting
away from me now!
103
00:06:36,634 --> 00:06:39,067
I got you,
you lousy little limey punk!
104
00:06:42,834 --> 00:06:44,100
Hold those doors!
105
00:06:50,667 --> 00:06:52,334
Whoa, hold that bus!
106
00:06:52,400 --> 00:06:53,834
Hey!
107
00:06:53,901 --> 00:06:55,334
Hey, open
those doors!
108
00:06:55,400 --> 00:06:57,234
I'm going to get your number!
109
00:06:57,300 --> 00:06:58,334
Funny little lad.
110
00:07:04,767 --> 00:07:06,701
Spot of courage?
111
00:07:06,767 --> 00:07:07,767
No.
112
00:07:07,834 --> 00:07:09,200
You don't mind
if I do, eh?
113
00:07:11,501 --> 00:07:12,834
Well...
114
00:07:12,901 --> 00:07:14,868
I'm indebted to
you, Mr., uh...
115
00:07:14,934 --> 00:07:16,400
Hobson- Gary Hobson.
116
00:07:16,467 --> 00:07:17,968
Ah, well, tell me
something, Mr. Hobson.
117
00:07:18,033 --> 00:07:20,300
How is it you always seem
to manage to turn up
118
00:07:20,367 --> 00:07:22,534
at the moment du
crise, as it were.
119
00:07:22,601 --> 00:07:24,000
Uh... forget about that.
120
00:07:24,067 --> 00:07:25,100
Who was that guy?
121
00:07:25,167 --> 00:07:26,801
Never saw him
before in my life.
122
00:07:26,868 --> 00:07:28,367
Uh-huh.
123
00:07:29,734 --> 00:07:32,501
Look, uh... can I
trust you, old man?
124
00:07:32,567 --> 00:07:33,634
Have you, uh...
125
00:07:33,701 --> 00:07:36,000
have you ever heard
of the acronym MI6?
126
00:07:37,100 --> 00:07:39,234
Military intelligence,
espionage.
127
00:07:39,300 --> 00:07:41,267
Obviously, I can't
divulge any details.
128
00:07:41,334 --> 00:07:44,467
Suffice it to say that in
my chosen line of work,
129
00:07:44,534 --> 00:07:47,033
one tends to make
enemies along the way.
130
00:07:47,100 --> 00:07:48,868
You're a spy?
131
00:07:48,934 --> 00:07:50,734
Shh.
132
00:07:50,801 --> 00:07:52,367
Officially, I'm supposed
to deny that.
133
00:07:53,901 --> 00:07:54,901
Unbelievable.
134
00:07:54,968 --> 00:07:57,200
It is
rather, isn't it?
135
00:07:57,267 --> 00:07:58,467
No, no, what I mean
136
00:07:58,534 --> 00:08:00,334
is I don't believe
a word you just said.
137
00:08:00,400 --> 00:08:02,100
Oh.
138
00:08:02,167 --> 00:08:05,334
Perhaps that's just as
well, for both our sake.
139
00:08:07,300 --> 00:08:09,200
So, where are you
going to go now?
140
00:08:09,267 --> 00:08:11,334
Oh, I'm... I'm going
to follow procedure.
141
00:08:11,400 --> 00:08:13,968
You know, go to
ground, disappear.
142
00:08:15,067 --> 00:08:16,501
And what... what about
all your belongings?
143
00:08:16,567 --> 00:08:18,367
Oh, casualties of war.
144
00:08:18,434 --> 00:08:20,968
We rehearse for that sort
of eventuality, Hobson.
145
00:08:21,033 --> 00:08:22,167
And on no account
146
00:08:22,234 --> 00:08:24,067
should you blame yourself
for what happened.
147
00:08:24,133 --> 00:08:25,200
Blame myself?
148
00:08:25,267 --> 00:08:26,734
Yes, for exposing me,
blowing my cover,
149
00:08:26,801 --> 00:08:28,734
destroying months of
laborious effort.
150
00:08:28,801 --> 00:08:29,868
You weren't to know.
151
00:08:29,934 --> 00:08:31,400
Don't give it another
thought... oh.
152
00:08:31,467 --> 00:08:32,400
My stop.
153
00:08:34,834 --> 00:08:36,667
Blast. Ha!
154
00:08:36,734 --> 00:08:38,701
I seem to have
mislaid my wallet.
155
00:08:38,767 --> 00:08:40,234
Oh, well.
156
00:08:40,300 --> 00:08:41,834
C'est la guerre.
157
00:08:41,901 --> 00:08:43,701
Hey, wait.
158
00:08:43,767 --> 00:08:45,400
You invited him here?
Yep.
159
00:08:45,467 --> 00:08:47,701
He's staying with you?
160
00:08:47,767 --> 00:08:48,767
Yeah.
161
00:08:48,834 --> 00:08:50,801
Gare, how many times
have I told you,
162
00:08:50,868 --> 00:08:51,934
don't get involved?
163
00:08:52,000 --> 00:08:53,100
Look, you
can catch them,
164
00:08:53,167 --> 00:08:54,467
but you can't cook them. Look, the guy
165
00:08:54,534 --> 00:08:56,133
doesn't have a job,
he-he's out of money,
166
00:08:56,200 --> 00:08:57,601
he doesn't have
anywhere to go, he...
167
00:08:57,667 --> 00:08:58,667
Look, people
are trying
168
00:08:58,734 --> 00:08:59,934
to kill him, and
I'm responsible.
169
00:09:00,000 --> 00:09:00,968
Oh, there you go again,
170
00:09:01,033 --> 00:09:02,567
putting the whole world
on your shoulders.
171
00:09:02,634 --> 00:09:04,567
A tree gets cut down
in the rain forest,
172
00:09:04,634 --> 00:09:05,634
and it's your fault.
173
00:09:05,701 --> 00:09:07,267
Do you even know
who this guy is?
174
00:09:07,334 --> 00:09:09,133
You don't really believe
he's a spy, do you?
175
00:09:09,200 --> 00:09:10,834
No, I don't believe
he's a spy.
176
00:09:10,901 --> 00:09:13,133
I- I-I see the guy twice
in the last two days.
177
00:09:13,200 --> 00:09:14,234
That's a little
bit more
178
00:09:14,300 --> 00:09:15,467
than a coincidence,
don't you think?
179
00:09:15,534 --> 00:09:16,801
Yeah, it's
a coincidence,
180
00:09:16,868 --> 00:09:18,801
but Gare,
everything is a c...
181
00:09:18,868 --> 00:09:19,801
Oh, hello.
182
00:09:19,868 --> 00:09:20,801
Wouldn't happen
to have
183
00:09:20,868 --> 00:09:22,200
a washing machine handy,
would you?
184
00:09:22,267 --> 00:09:23,434
Huh? Well...
185
00:09:23,501 --> 00:09:25,501
Thank you.
186
00:09:25,567 --> 00:09:27,434
Uh, Gary, you...
187
00:09:27,501 --> 00:09:28,434
Huh?
188
00:09:28,501 --> 00:09:30,434
Oh, uh, Clive Harbison,
189
00:09:30,501 --> 00:09:32,234
this is Chuck, uh, Fishman.
190
00:09:32,300 --> 00:09:34,701
Oh. The co-manager
of the bar downstairs.
191
00:09:34,767 --> 00:09:36,067
Oh, delighted.
192
00:09:36,133 --> 00:09:37,667
Never met a bar manager
I didn't like.
193
00:09:37,734 --> 00:09:40,667
On Her Majesty's
Secret Service, huh?
194
00:09:40,734 --> 00:09:42,200
I beg your pardon?
195
00:09:42,267 --> 00:09:44,901
Look, he... he can be trusted.
196
00:09:47,200 --> 00:09:48,767
Keep it under your hat.
197
00:09:48,834 --> 00:09:49,968
Oh, absolutely.
198
00:09:50,033 --> 00:09:51,434
I think, if you
don't mind,
199
00:09:51,501 --> 00:09:53,234
I'll pop downstairs
for a quick pick-me-up.
200
00:09:53,300 --> 00:09:54,501
Can I get you chaps anything?
201
00:09:54,567 --> 00:09:56,434
No, thank you.
Oh, all right.
202
00:09:56,501 --> 00:09:59,100
Um, Mr. Harbison,
how long do we have
203
00:09:59,167 --> 00:10:02,167
the honor of your presence? Oh,
uh, two weeks at the outside.
204
00:10:02,234 --> 00:10:05,334
Just a question of laying low
till everything calms down.
205
00:10:05,400 --> 00:10:07,701
Oh, don't worry,
I have no intention of imposing.
206
00:10:07,767 --> 00:10:08,934
On hangers,
207
00:10:09,000 --> 00:10:10,133
please, and, uh,
208
00:10:10,200 --> 00:10:11,267
no starch.
209
00:10:12,534 --> 00:10:14,334
Righto.
210
00:10:16,934 --> 00:10:18,701
You can rest easy,
Mr. Phelps.
211
00:10:18,767 --> 00:10:21,767
Your heart's going
to do just fine.
212
00:10:21,834 --> 00:10:23,567
What do you mean?
213
00:10:23,634 --> 00:10:26,334
The museum isn't interested
in your painting.
214
00:10:26,400 --> 00:10:27,734
What? Why not?
215
00:10:27,801 --> 00:10:29,267
Because it's a fake.
216
00:10:29,334 --> 00:10:31,267
Not a bad job,
either, but...
217
00:10:31,334 --> 00:10:32,300
A fake?
218
00:10:32,367 --> 00:10:34,467
It can't be.
219
00:10:34,534 --> 00:10:36,501
One, the brushwork
is too studied.
220
00:10:36,567 --> 00:10:38,400
This is a laborious copy.
221
00:10:38,467 --> 00:10:41,367
Laistre painted in
broad, vibrant strokes.
222
00:10:41,434 --> 00:10:43,767
Especially in contrast
to the Eutra school,
223
00:10:43,834 --> 00:10:45,200
which was so popular
at the time.
224
00:10:45,267 --> 00:10:47,367
Two, the canvas
is of a manufacturer
225
00:10:47,434 --> 00:10:49,434
that wasn't available
until the 1800s.
226
00:10:49,501 --> 00:10:51,534
Laistre died
in 1660.
227
00:10:51,601 --> 00:10:54,334
And three, I happen
to have seen
228
00:10:54,400 --> 00:10:55,667
the original
of this painting.
229
00:10:55,734 --> 00:10:58,100
It hangs in a
private collection
230
00:10:58,167 --> 00:10:59,667
outside Paris.
231
00:10:59,734 --> 00:11:01,667
Oh.
232
00:11:03,300 --> 00:11:05,534
I know it may be
small comfort, Mr. Phelps,
233
00:11:05,601 --> 00:11:09,000
but many educated collectors
are taken in by forgeries.
234
00:11:09,067 --> 00:11:11,400
That's why
the Guggenheim hired me.
235
00:11:11,467 --> 00:11:12,601
You're sure?
236
00:11:12,667 --> 00:11:14,100
Positive.
237
00:11:16,868 --> 00:11:19,000
If the painting
gave your father pleasure,
238
00:11:19,067 --> 00:11:20,767
then it's done its job.
239
00:11:20,834 --> 00:11:24,000
I'm sorry to disappoint you.
240
00:11:24,067 --> 00:11:25,567
I'll see myself out.
241
00:11:25,634 --> 00:11:28,000
...with a fascinating
human interest story.
242
00:11:28,067 --> 00:11:29,934
Local resident Clive Harbison
243
00:11:30,000 --> 00:11:31,601
scaled down
an eight-story building
244
00:11:31,667 --> 00:11:33,734
to break into the apartment
of Mrs. Doris Redmond,
245
00:11:33,801 --> 00:11:36,767
then helped her down,
saving her from a gas explosion.
246
00:11:36,834 --> 00:11:39,167
The apartment burst
into flames seconds after
247
00:11:39,234 --> 00:11:41,367
Mr. Harbison carried her
to safety.
248
00:11:41,434 --> 00:11:43,868
Show a little imagination.
249
00:11:43,934 --> 00:11:45,434
Imagination? You-
250
00:11:45,501 --> 00:11:48,868
you want red ceilings, peach
walls, and white molding?
251
00:11:48,934 --> 00:11:50,868
It's a statement.
252
00:11:50,934 --> 00:11:52,000
A statement?
253
00:11:52,067 --> 00:11:53,400
Yeah, it makes a statement, all right.
254
00:11:53,467 --> 00:11:54,467
"Get out of
here fast. "
255
00:11:54,534 --> 00:11:55,868
And what would you know
about that?
256
00:11:55,934 --> 00:11:58,367
It even sounds disgusting,
Chuck.
257
00:11:58,434 --> 00:12:00,367
I must say, your beef,
258
00:12:00,434 --> 00:12:02,400
absolutely first class.
259
00:12:02,467 --> 00:12:05,400
Mmm. No mad cows here.
260
00:12:05,467 --> 00:12:07,033
Hello. What's all this?
261
00:12:07,100 --> 00:12:09,033
Yeah, well, see, I am trying
to redecorate,
262
00:12:09,100 --> 00:12:12,267
but I am getting no help
from these two Philistines.
263
00:12:12,334 --> 00:12:14,567
What'd you have in mind?
264
00:12:14,634 --> 00:12:17,367
You know, something bold,
265
00:12:17,434 --> 00:12:19,400
something splashy.
266
00:12:19,467 --> 00:12:21,067
Tell you what.
267
00:12:21,133 --> 00:12:23,334
Why don't you let me
have a stab at it, hmm?
268
00:12:23,400 --> 00:12:25,634
I mean, least I can do,
under the circs.
269
00:12:25,701 --> 00:12:26,934
You paint?
270
00:12:28,567 --> 00:12:29,501
I dabble.
271
00:12:29,567 --> 00:12:30,868
Oh!
Besides...
272
00:12:30,934 --> 00:12:33,534
I've never been one to trade
on the kindness of strangers.
273
00:12:33,601 --> 00:12:34,667
Hey, some people sing
274
00:12:34,734 --> 00:12:35,767
for their suppers.
275
00:12:35,834 --> 00:12:37,767
Why don't you let me
paint for mine?
276
00:12:41,667 --> 00:12:44,601
All right, let's see now.
277
00:12:44,667 --> 00:12:47,601
1204... 1204...
278
00:12:49,033 --> 00:12:50,968
Hmm.
279
00:12:53,033 --> 00:12:54,968
Here we go.
280
00:13:02,734 --> 00:13:04,667
Okay.
281
00:13:06,234 --> 00:13:09,167
Open sesame.
282
00:13:13,000 --> 00:13:14,934
Flown the coop, huh?
283
00:13:15,000 --> 00:13:16,934
Smart guy.
284
00:13:17,000 --> 00:13:19,934
Very smart.
285
00:13:25,133 --> 00:13:28,100
You can run,
but you cannot hide.
286
00:13:28,167 --> 00:13:29,767
Look, can't this wait?
287
00:13:29,834 --> 00:13:31,767
You'll want to see
this, believe me.
288
00:13:31,834 --> 00:13:34,767
The guy was up all
night painting it.
289
00:13:34,834 --> 00:13:37,167
Now, listen, I've got things
I gotta do here, Chuck.
290
00:13:37,234 --> 00:13:39,200
Voil�.
291
00:13:44,200 --> 00:13:46,133
Mm-hmm.
292
00:13:48,033 --> 00:13:49,968
He did all that?
293
00:13:50,033 --> 00:13:51,968
Some dabbler, huh?
294
00:13:52,033 --> 00:13:53,968
Pretty darn talented.
295
00:14:02,634 --> 00:14:03,567
So you're an artist?
296
00:14:03,634 --> 00:14:05,534
Oh, no, no, I'm not an artist.
297
00:14:05,601 --> 00:14:08,200
No, my talent lies more
in the realm of imitation,
298
00:14:08,267 --> 00:14:09,534
rather than creation.
299
00:14:09,601 --> 00:14:11,400
You know, you have a real gift.
You can make
300
00:14:11,467 --> 00:14:13,400
a lot of money at this.
301
00:14:13,467 --> 00:14:15,400
The world of commerce had
a different opinion,
302
00:14:15,467 --> 00:14:17,567
so I turned my talents
in a different direction.
303
00:14:17,634 --> 00:14:18,601
So, what about
the, uh-
304
00:14:18,667 --> 00:14:20,701
the spy thing?
305
00:14:20,767 --> 00:14:23,367
Look, you've all been very kind.
306
00:14:23,434 --> 00:14:27,367
I- I was just trying to find some
way of repaying you, that's all.
307
00:14:27,434 --> 00:14:29,701
Let's-let's just leave it
at that, shall we?
308
00:14:29,767 --> 00:14:31,200
And, uh, who was that guy
yesterday?
309
00:14:31,267 --> 00:14:32,634
The one that tried to kill you?
310
00:14:32,701 --> 00:14:34,901
Um, uh, a business associate.
311
00:14:36,300 --> 00:14:38,234
Well, a former business
associate.
312
00:14:38,300 --> 00:14:41,033
We had a bit of a falling out.
313
00:14:41,100 --> 00:14:43,100
Well, Gary and I have a
falling out every day,
314
00:14:43,167 --> 00:14:45,200
but I don't try and run him over
with my car.
315
00:14:45,267 --> 00:14:47,901
Yes, well, Marty's got
rather a hot temper,
316
00:14:47,968 --> 00:14:49,601
but I wouldn't worry about him.
317
00:14:49,667 --> 00:14:52,667
I mean, his-his bark is a lot
worse than his bite.
318
00:14:59,667 --> 00:15:01,000
Dead meat.
319
00:15:03,100 --> 00:15:05,033
One minute I got peach
and white moldings,
320
00:15:05,100 --> 00:15:07,200
and the next, I'm looking
at the Sistine Chapel.
321
00:15:07,267 --> 00:15:10,234
Gotta hand it to him-
the man's got talent.
322
00:15:10,300 --> 00:15:13,601
Yeah, a regular
Renaissance man.
323
00:15:13,667 --> 00:15:16,300
Hey, where the hell
have you been?
324
00:15:16,367 --> 00:15:18,334
A chicken truck.
325
00:15:19,801 --> 00:15:21,434
What?
Chicken truck?
326
00:15:21,501 --> 00:15:24,267
At the- a school bus ran
into a chicken truck,
327
00:15:24,334 --> 00:15:27,300
and the chicken truck, it-
it's a long story.
328
00:15:29,067 --> 00:15:30,167
Where's Clive?
329
00:15:30,234 --> 00:15:31,901
Oh, he's in the kitchen
330
00:15:31,968 --> 00:15:34,067
teaching Mario how to
make crepes Suzette.
331
00:15:34,133 --> 00:15:35,601
Crepes Suzette?
332
00:15:35,667 --> 00:15:36,667
Yeah, they're
really good.
333
00:15:36,734 --> 00:15:38,834
Turns out he's a gourmet
cook, too.
334
00:15:38,901 --> 00:15:41,100
You know, I think I might
get used to this guy.
335
00:15:41,167 --> 00:15:42,133
Really?
336
00:15:42,200 --> 00:15:43,801
Gary Hobson?
337
00:15:43,868 --> 00:15:45,667
Read about you
in the paper the other day.
338
00:15:45,734 --> 00:15:47,067
Where is he?
339
00:15:47,133 --> 00:15:48,133
Who?
340
00:15:48,200 --> 00:15:50,000
You know who.
Hey, shorty,
341
00:15:50,067 --> 00:15:52,033
we're closed, so why don't you
get on out of here, huh?
342
00:15:52,100 --> 00:15:53,934
Really?
343
00:15:54,000 --> 00:15:56,934
Uh, come to think of it,
now we're open.
344
00:15:57,000 --> 00:15:58,434
Do you like crepes Suzette?
345
00:15:58,501 --> 00:15:59,567
No.
346
00:15:59,634 --> 00:16:01,601
Hey, what's going on, guys?
Where is he?
347
00:16:01,667 --> 00:16:03,167
I- I-I-I don't know.
348
00:16:03,234 --> 00:16:05,000
I... I don't
even really know
349
00:16:05,067 --> 00:16:06,133
who he is even.
350
00:16:08,834 --> 00:16:10,801
Hmm.
351
00:16:10,868 --> 00:16:12,901
All right, I know you're here,
352
00:16:12,968 --> 00:16:14,934
you limey piece of...
353
00:16:26,267 --> 00:16:27,901
Clive.
354
00:16:27,968 --> 00:16:29,367
Faye!
355
00:16:30,601 --> 00:16:31,701
Oh!
356
00:16:31,767 --> 00:16:32,834
Ow!
357
00:16:33,934 --> 00:16:35,701
You don't want to get
358
00:16:35,767 --> 00:16:38,033
between me and Clive,
you got me?
359
00:16:38,100 --> 00:16:39,868
'Cause I can't
be responsible
360
00:16:39,934 --> 00:16:41,701
for who gets caught
in the crossfire.
361
00:16:41,767 --> 00:16:43,534
Could be you. Could be him.
362
00:16:43,601 --> 00:16:44,868
It could be her.
363
00:16:44,934 --> 00:16:46,501
We understand
each other?
364
00:16:46,567 --> 00:16:48,300
Well, now wait a second...
Good.
365
00:16:48,367 --> 00:16:50,300
I'll be back.
366
00:16:52,000 --> 00:16:53,167
Let me guess.
367
00:16:53,234 --> 00:16:54,167
That was Marty.
368
00:16:54,234 --> 00:16:56,100
Marty.
369
00:16:56,167 --> 00:16:58,400
Faye, if you'll just let me
explain... Do I have to hit you again?
370
00:16:58,467 --> 00:17:00,834
I will, I swear.
371
00:17:11,767 --> 00:17:13,300
Let me go.
372
00:17:13,367 --> 00:17:15,567
Could we talk about this inside?
373
00:17:20,400 --> 00:17:22,167
I wish Crumb were here.
374
00:17:22,234 --> 00:17:23,334
He'd know what to do.
375
00:17:23,400 --> 00:17:24,701
Well, can we
contact him?
376
00:17:24,767 --> 00:17:25,968
Uh, no, you can't,
377
00:17:26,033 --> 00:17:28,033
because Crumb
is on a river
378
00:17:28,100 --> 00:17:29,534
in Montana.
Sleeping in tents.
379
00:17:29,601 --> 00:17:31,234
How the devil did
you find me?
380
00:17:31,300 --> 00:17:32,968
I went looking
for Gary Hobson.
381
00:17:33,033 --> 00:17:35,000
The paper said he assisted you. Oh.
382
00:17:35,067 --> 00:17:37,567
Hello, Clive.
383
00:17:37,634 --> 00:17:40,067
Hi. Uh, Charles,
Gary, Marissa,
384
00:17:40,133 --> 00:17:42,067
um- I have a friend
to introduce.
385
00:17:42,133 --> 00:17:43,601
This lovely young
thing...
386
00:17:47,434 --> 00:17:49,167
...is Faye Davis.
387
00:17:49,234 --> 00:17:51,033
I gotta hand it
to you, Clive.
388
00:17:51,100 --> 00:17:53,067
You got a devoted
bunch of friends.
389
00:17:53,133 --> 00:17:54,300
I am not his friend.
390
00:17:54,367 --> 00:17:56,300
Nor am I a young thing.
391
00:17:56,367 --> 00:17:58,801
Listen to me, you patronizing,
double-dealing four-flusher,
392
00:17:58,868 --> 00:18:00,334
you will finish
what you started,
393
00:18:00,400 --> 00:18:02,601
or I'll see you behind
bars, I swear it. Faye...
394
00:18:02,667 --> 00:18:04,133
Don't "Faye" me.
Faye...
395
00:18:04,200 --> 00:18:05,567
You've got till Friday.
Faye...
396
00:18:05,634 --> 00:18:07,400
If that painting isn't
back where it belongs,
397
00:18:07,467 --> 00:18:09,067
I will find you and personally
398
00:18:09,133 --> 00:18:11,767
nail your sorry hide
to the wall.
399
00:18:12,834 --> 00:18:15,067
Nice meeting you.
400
00:18:17,801 --> 00:18:20,868
Lovely woman.
401
00:18:23,400 --> 00:18:25,868
Absolutely no sense of humor.
402
00:18:25,934 --> 00:18:28,400
You want to explain?
403
00:18:28,467 --> 00:18:30,567
Oh, now listen, Hobbers...
No, no.
404
00:18:30,634 --> 00:18:32,200
Wait a second. Don't-don't
call me Hobbers either.
405
00:18:32,267 --> 00:18:33,601
Let me tell you something.
The last two days,
406
00:18:33,667 --> 00:18:35,234
I've had a gun stuck
in my nose,
407
00:18:35,300 --> 00:18:36,968
I've been shot at
and almost ran over.
408
00:18:37,033 --> 00:18:39,834
So now, why don't you try
to explain right now?
409
00:18:39,901 --> 00:18:41,834
I suppose you're right.
Yeah.
410
00:18:41,901 --> 00:18:43,834
And the-the truth, Clive.
411
00:18:43,901 --> 00:18:46,834
The whole, and, uh,
nothing but-
412
00:18:46,901 --> 00:18:48,834
so help me God.
413
00:18:48,901 --> 00:18:51,634
Oh, Lord, but
that woman can hit.
414
00:18:52,734 --> 00:18:54,634
We're waiting.
415
00:18:54,701 --> 00:18:56,300
Oh, yes. Right.
416
00:18:56,367 --> 00:18:58,300
Well, um, let me take you
back to London.
417
00:18:58,367 --> 00:18:59,801
The swinging '60s.
418
00:18:59,868 --> 00:19:03,300
Home of penniless young art
student Clive Harbison.
419
00:19:03,367 --> 00:19:05,567
Night in, night out,
420
00:19:05,634 --> 00:19:08,067
he would toil diligently
in his Chelsea studio
421
00:19:08,133 --> 00:19:10,067
to hone his craft-
422
00:19:10,133 --> 00:19:12,934
to summon forth art
from the chaos.
423
00:19:13,000 --> 00:19:15,100
His paintings were received
politely,
424
00:19:15,167 --> 00:19:17,133
but something was missing.
425
00:19:17,200 --> 00:19:19,267
All too quickly he recognized
his own limitations.
426
00:19:19,334 --> 00:19:21,901
No fresh ideas, no originality.
427
00:19:21,968 --> 00:19:24,901
His real gift was for mimicry.
428
00:19:24,968 --> 00:19:26,567
In copying the masters,
429
00:19:26,634 --> 00:19:29,067
it was as if the spirit
of the artist entered into him.
430
00:19:29,133 --> 00:19:30,901
He could reproduce their works
431
00:19:30,968 --> 00:19:33,901
with uncanny accuracy
and understanding.
432
00:19:33,968 --> 00:19:36,067
And once that gift was
recognized,
433
00:19:36,133 --> 00:19:38,434
our young hero's life took a-
434
00:19:38,501 --> 00:19:41,434
a somewhat unusual turn.
435
00:19:41,501 --> 00:19:44,033
Many a man's vices have
been nothing worse
436
00:19:44,100 --> 00:19:46,067
than good qualities run wild.
437
00:19:46,133 --> 00:19:48,667
So it was with the brilliant
new art thief,
438
00:19:48,734 --> 00:19:50,667
who came to be known
as the Chameleon.
439
00:19:50,734 --> 00:19:52,100
Wait a minute. Wait a minute.
440
00:19:52,167 --> 00:19:53,133
Let me get this
straight.
441
00:19:53,200 --> 00:19:54,701
You steal a famous
painting,
442
00:19:54,767 --> 00:19:56,734
you replace it
with a copy,
443
00:19:56,801 --> 00:19:58,734
and no one ever
found out?
444
00:19:58,801 --> 00:20:01,000
Well, in some cases,
the curators know,
445
00:20:01,067 --> 00:20:02,601
but they're too embarrassed
to admit
446
00:20:02,667 --> 00:20:04,033
they've got a forgery
on their walls.
447
00:20:04,100 --> 00:20:05,801
So, how'd you get mixed up
with Marty?
448
00:20:05,868 --> 00:20:07,300
Marty, yes.
449
00:20:07,367 --> 00:20:09,400
Well, despite his
boorish manners,
450
00:20:09,467 --> 00:20:12,234
Marty Jarmisch was plugged in
to a certain strata
451
00:20:12,300 --> 00:20:13,801
of modern day robber barons,
452
00:20:13,868 --> 00:20:16,767
who would gladly overpay
for a piece of artwork
453
00:20:16,834 --> 00:20:19,834
they could never publicly
display or even acknowledge.
454
00:20:19,901 --> 00:20:21,334
Well, what about
your conscience?
455
00:20:21,400 --> 00:20:22,601
Didn't that bother you?
456
00:20:22,667 --> 00:20:24,400
My conscience?
457
00:20:24,467 --> 00:20:27,734
Um, yes, well, it tugged
a bit...
458
00:20:27,801 --> 00:20:29,267
on occasions.
459
00:20:29,334 --> 00:20:31,868
But I was young,
Marissa.
460
00:20:31,934 --> 00:20:33,300
Intoxicated with the good life.
461
00:20:33,367 --> 00:20:35,901
Besides, I figured if my
copies were fooling
462
00:20:35,968 --> 00:20:38,901
the experts, then the public
wasn't really losing out.
463
00:20:38,968 --> 00:20:41,868
Anyway, what were my sins
compared with those
464
00:20:41,934 --> 00:20:43,534
who were underwriting my
career? Yeah, yeah, yeah.
465
00:20:43,601 --> 00:20:45,734
So then what happened, Clive?
466
00:20:45,801 --> 00:20:48,734
Yeah, well, all good things
come to an end.
467
00:20:48,801 --> 00:20:51,734
And one hot summer night
in Torremolinos,
468
00:20:51,801 --> 00:20:53,767
Marty blundered.
469
00:20:55,067 --> 00:20:57,000
In a rare fit of generosity,
470
00:20:57,067 --> 00:21:00,000
he made a gift to a dark lady
of his acquaintance-
471
00:21:00,067 --> 00:21:02,334
a watercolor by Goya...
What's this?
472
00:21:02,400 --> 00:21:06,167
...recently liberated by yours
truly from a nearby villa.
473
00:21:06,234 --> 00:21:07,901
What's this? What-
474
00:21:07,968 --> 00:21:10,033
Unfortunately,
the police were onto the theft,
475
00:21:10,100 --> 00:21:11,167
and caught him red-handed.
476
00:21:11,234 --> 00:21:12,501
Poor Marty.
477
00:21:12,567 --> 00:21:15,000
He took the fall,
instead of me.
478
00:21:15,067 --> 00:21:18,000
Ah, the vicissitudes
of fortune.
479
00:21:18,067 --> 00:21:19,534
Mmm.
480
00:21:19,601 --> 00:21:22,534
How the wheel turns.
481
00:21:22,601 --> 00:21:24,868
Somehow, the years passed,
and I found myself in Chicago,
482
00:21:24,934 --> 00:21:26,467
where a local businessman
483
00:21:26,534 --> 00:21:29,467
who'd made an illegal fortune
through insider trading,
484
00:21:29,534 --> 00:21:31,133
expressed keen interest
485
00:21:31,200 --> 00:21:33,901
in a Vincent Van Gogh
he'd long admired.
486
00:21:33,968 --> 00:21:36,901
In the course of researching
the assignment,
487
00:21:36,968 --> 00:21:40,067
I met a young woman
by the name of Faye Davis,
488
00:21:40,133 --> 00:21:43,234
recently employed as a curator
of the museum.
489
00:21:46,968 --> 00:21:50,701
Drawn together by a mutual
interest in art,
490
00:21:50,767 --> 00:21:54,367
we soon developed
a warm friendship.
491
00:21:54,434 --> 00:21:57,200
Faye knew nothing
of my chosen profession.
492
00:21:57,267 --> 00:22:00,234
I pulled off the Van Gogh job
without a hitch.
493
00:22:00,300 --> 00:22:02,234
Unfortunately, I hadn't counted
494
00:22:02,300 --> 00:22:04,934
on Faye's expertise.
495
00:22:05,000 --> 00:22:07,434
She detected the forgery,
496
00:22:07,501 --> 00:22:10,434
put two and two together,
and came up with me.
497
00:22:10,501 --> 00:22:12,467
We talked things over...
498
00:22:12,534 --> 00:22:14,467
No, don't throw that!
... and I solemnly undertook
499
00:22:14,534 --> 00:22:15,567
to mend my ways.
500
00:22:15,634 --> 00:22:17,367
To wit, to return the painting,
501
00:22:17,434 --> 00:22:21,133
give up crime, and make an
honest woman out of Faye.
502
00:22:21,200 --> 00:22:22,834
Or perhaps I should say,
allow her
503
00:22:22,901 --> 00:22:24,467
to make an honest man
out of me.
504
00:22:24,534 --> 00:22:26,534
So, you were gonna
505
00:22:26,601 --> 00:22:28,634
marry her? What else could I do?
506
00:22:28,701 --> 00:22:30,968
I'd finally met my match.
But you got
507
00:22:31,033 --> 00:22:32,067
cold feet.
508
00:22:32,133 --> 00:22:33,701
Uh, well, not exactly.
509
00:22:33,767 --> 00:22:35,200
So, she got
cold feet.
510
00:22:35,267 --> 00:22:36,601
If you'd just let me finish.
511
00:22:36,667 --> 00:22:38,100
Let him finish.
512
00:22:38,167 --> 00:22:40,100
Finish.
513
00:22:40,167 --> 00:22:42,601
I set out to retrieve the van
Gogh from its new owner.
514
00:22:42,667 --> 00:22:44,934
I told Faye to meet me
at the museum at midnight,
515
00:22:45,000 --> 00:22:47,267
when who should come crawling
out of the upholstery, but...
516
00:22:47,334 --> 00:22:48,667
Say good-bye,
Clive!
517
00:22:48,734 --> 00:22:50,300
...my old pal.
518
00:22:50,367 --> 00:22:52,434
Somewhat the worse for wear
after three years
519
00:22:52,501 --> 00:22:54,033
in a Spanish prison,
520
00:22:54,100 --> 00:22:57,534
Marty was in an extremely
truculent state of mind.
521
00:22:57,601 --> 00:23:01,868
Yes. Anyway, my quick wit
saved mefrom a grizzly fate.
522
00:23:01,934 --> 00:23:04,701
I had to disappear double
quick, and Faye-
523
00:23:04,767 --> 00:23:07,234
poor Faye- was left
in the lurch,
524
00:23:07,300 --> 00:23:10,567
feeling betrayed and abandoned.
525
00:23:10,634 --> 00:23:12,868
So you never contacted her?
526
00:23:12,934 --> 00:23:16,234
What can I say that
she'd ever believe?
527
00:23:16,300 --> 00:23:18,234
Hell hath no
fury, and all that.
528
00:23:18,300 --> 00:23:22,434
Besides, I figured that fate
was trying to tell me something.
529
00:23:22,501 --> 00:23:24,601
That it was too late to change.
530
00:23:24,667 --> 00:23:26,067
You know, once a thief...
531
00:23:26,133 --> 00:23:28,901
And-And so... so how
long ago was this, Clive?
532
00:23:28,968 --> 00:23:30,067
Three years.
533
00:23:30,133 --> 00:23:32,200
Yeah, I laid low
in a variety of countries.
534
00:23:32,267 --> 00:23:33,634
Finally made it back here
535
00:23:33,701 --> 00:23:36,267
to the one place I figured
they wouldn't look for me-
536
00:23:36,334 --> 00:23:37,667
the scene of the crime.
537
00:23:37,734 --> 00:23:40,901
I made a living
painting portraits.
538
00:23:40,968 --> 00:23:42,868
Children, mostly.
539
00:23:42,934 --> 00:23:45,968
I was beginning to think
I'd put my past behind me.
540
00:23:46,033 --> 00:23:47,767
And then we ran into each other.
541
00:23:47,834 --> 00:23:49,601
Yes, well, no regrets there.
542
00:23:49,667 --> 00:23:52,400
Saving Doris
543
00:23:52,467 --> 00:23:55,000
is one of the few acts
I can look back on
544
00:23:55,067 --> 00:23:56,267
with unabashed pride.
545
00:23:56,334 --> 00:23:58,300
I should be grateful
to you, old man.
546
00:23:58,367 --> 00:24:00,133
Let me get this straight.
547
00:24:00,200 --> 00:24:02,901
This museum has
your Van Gogh.
548
00:24:02,968 --> 00:24:06,601
So where is Van Gogh's
Van Gogh?
549
00:24:06,667 --> 00:24:10,334
Well, actually, not very far
from here, in a private home.
550
00:24:10,400 --> 00:24:12,868
So, now what?
551
00:24:12,934 --> 00:24:15,367
Oh, I would have thought
that was obvious.
552
00:24:15,434 --> 00:24:18,667
I retrieve the picture,
and I replace it in the museum.
553
00:24:18,734 --> 00:24:21,367
It's either that
or face the fury of Faye Davis,
554
00:24:21,434 --> 00:24:23,234
which is a fate
I'd rather avoid.
555
00:24:23,300 --> 00:24:25,067
Hmm.
So, you're gon...
556
00:24:25,133 --> 00:24:26,968
You're gonna steal
that painting?
557
00:24:27,033 --> 00:24:28,434
In a nutshell, yes.
558
00:24:28,501 --> 00:24:30,601
And not to
worry, Hobbers.
559
00:24:30,667 --> 00:24:32,200
I may be out of practice,
560
00:24:32,267 --> 00:24:34,868
but this larceny business
is like riding a bicycle.
561
00:24:34,934 --> 00:24:36,534
Ah. Ooh, I'd better go.
562
00:24:36,601 --> 00:24:38,634
A lot of work to do.
563
00:24:40,601 --> 00:24:41,701
Hmm.
564
00:24:41,767 --> 00:24:43,701
Not to worry, Hobbers.
565
00:24:46,901 --> 00:24:49,834
How many times I told you,
this is my chair?
566
00:25:00,033 --> 00:25:03,267
"Thief mauled by guard dogs.
Arrested. "
567
00:25:20,133 --> 00:25:21,767
You don't want to help him?
Help him?
568
00:25:21,834 --> 00:25:25,000
The guy's a crook. But a nice
crook. He has a good heart, Gary.
569
00:25:25,067 --> 00:25:27,300
He just went down the wrong road
for a while.
570
00:25:27,367 --> 00:25:28,634
He went down the...
571
00:25:28,701 --> 00:25:30,901
He's been down the same
wrong road for 20 years now.
572
00:25:30,968 --> 00:25:32,367
But it was
for a good cause.
573
00:25:32,434 --> 00:25:34,033
Yeah. Something like, uh,
574
00:25:34,100 --> 00:25:36,334
stealing from the rich
to enlighten the poor.
575
00:25:36,400 --> 00:25:38,467
Look, you'd be giving him
a chance to redeem
576
00:25:38,534 --> 00:25:42,200
himself, to start over again,
and do something with his life.
577
00:25:42,267 --> 00:25:45,267
Redeem... What you two want me
to do is, you want me,
578
00:25:45,334 --> 00:25:47,734
with a known felon, to break
into a private residence
579
00:25:47,801 --> 00:25:49,634
and steal a painting!
580
00:25:49,701 --> 00:25:52,400
A stolen painting
that was illegally obtained
581
00:25:52,467 --> 00:25:55,834
by a guy who made millions
cheating in the stock market.
582
00:25:57,234 --> 00:25:58,801
You want to take my car?
583
00:26:03,100 --> 00:26:05,234
Shh, shh.
584
00:26:05,300 --> 00:26:09,167
This... This is what comes of
hasty research.
585
00:26:14,334 --> 00:26:17,033
Are you hungry, pup?
586
00:26:17,100 --> 00:26:18,467
Nice doggie.
587
00:26:18,534 --> 00:26:19,634
What was that?
588
00:26:19,701 --> 00:26:21,067
Sleeping pills.
589
00:26:21,133 --> 00:26:22,667
Good Lord.
590
00:26:24,501 --> 00:26:25,934
Good boy.
Huh?
591
00:26:26,000 --> 00:26:28,033
Nice doggie.
592
00:26:30,667 --> 00:26:32,267
Ha! That was quick.
593
00:26:32,334 --> 00:26:34,133
Well, I'm-I'm much obliged
to you chaps.
594
00:26:34,200 --> 00:26:36,234
But how on earth
did you find me?
595
00:26:36,300 --> 00:26:39,434
Well, uh, I-I
read an article.
596
00:26:39,501 --> 00:26:41,434
Uh, the ten richest
guys in Chicago,
597
00:26:41,501 --> 00:26:44,234
and, uh, three of 'em happened
to be art buffs, so the, uh...
598
00:26:44,300 --> 00:26:45,968
We went to the, uh,
first two houses
599
00:26:46,033 --> 00:26:47,501
earlier, which is why
we were late.
600
00:26:47,567 --> 00:26:49,167
Yeah, but what about the dog?
601
00:26:50,267 --> 00:26:52,300
Dog was in the article.
602
00:26:52,367 --> 00:26:54,667
Oh, I see.
603
00:26:54,734 --> 00:26:57,133
Oh, right. Well,
604
00:26:57,200 --> 00:26:58,734
I'll be off then.
605
00:26:58,801 --> 00:27:00,000
All right. Yeah.
606
00:27:00,067 --> 00:27:01,667
Good hunting.
607
00:27:03,000 --> 00:27:04,501
Let's go.
Hey.
608
00:27:04,567 --> 00:27:06,000
Ah, come on.
609
00:27:06,067 --> 00:27:07,367
Wait a minute.
610
00:27:07,434 --> 00:27:08,567
You're not going anywhere.
611
00:27:08,634 --> 00:27:09,767
Look at this.
612
00:27:11,100 --> 00:27:14,033
Oh, for Pete's sake.
613
00:27:15,601 --> 00:27:17,267
Oh.
614
00:27:22,400 --> 00:27:24,400
Clive, don't do that!
615
00:27:24,467 --> 00:27:25,534
Huh?
616
00:27:27,567 --> 00:27:28,901
Now what?
617
00:27:28,968 --> 00:27:30,100
The-The painting-
618
00:27:30,167 --> 00:27:31,467
there's-there's
a, uh... uh...
619
00:27:31,534 --> 00:27:33,567
Passive infrared
motion detector.
620
00:27:33,634 --> 00:27:35,534
What?
621
00:27:37,601 --> 00:27:39,067
Good Lord, you're right.
622
00:27:39,133 --> 00:27:40,801
God, a crafty beggar.
623
00:27:40,868 --> 00:27:42,000
Yeah.
624
00:27:42,067 --> 00:27:43,601
Yeah, but how on earth
did you find that out?
625
00:27:43,667 --> 00:27:46,067
Uh, the article.
626
00:27:46,133 --> 00:27:49,701
That is one
well-researched story.
627
00:27:49,767 --> 00:27:52,000
All right, this is gonna take
some careful maneuvering.
628
00:27:52,067 --> 00:27:54,734
All right, steady
on, old man.
629
00:27:54,801 --> 00:27:56,334
Cool and calm.
630
00:28:01,300 --> 00:28:02,601
Hey, check it out.
631
00:28:06,501 --> 00:28:11,667
Gare, they got an autographed
Michael Jordan sneaker.
632
00:28:11,734 --> 00:28:13,834
All right, steady as you go.
No sudden moves.
633
00:28:13,901 --> 00:28:15,067
You know,
634
00:28:15,133 --> 00:28:17,067
I think these are the very
same shoes he wore against
635
00:28:17,133 --> 00:28:18,501
the Jazz
in the finals.
636
00:28:18,567 --> 00:28:20,767
I can practically smell
the sweat from here.
637
00:28:20,834 --> 00:28:22,734
Got it.
638
00:28:28,567 --> 00:28:30,434
Oh, brilliant!
639
00:28:30,501 --> 00:28:31,400
What do we do now?
640
00:28:31,467 --> 00:28:32,467
Run away!
641
00:28:32,534 --> 00:28:33,467
Run away!
642
00:28:37,334 --> 00:28:39,634
Uh, uh, uh!
643
00:28:39,701 --> 00:28:41,334
Don't touch,
old man.
644
00:28:41,400 --> 00:28:45,267
So, uh, this is an original
Van Gogh, huh?
645
00:28:45,334 --> 00:28:47,434
How much is a thing
like this worth?
646
00:28:47,501 --> 00:28:50,267
On the open market, something
upwards of $30 million.
647
00:28:50,334 --> 00:28:52,167
$30 million?
648
00:28:52,234 --> 00:28:54,300
For something like this?
649
00:28:54,367 --> 00:28:56,200
Guy can't even stay
inside the lines.
650
00:28:57,434 --> 00:28:59,033
Right. Now for that museum.
651
00:28:59,100 --> 00:29:00,467
This could be tricky.
652
00:29:00,534 --> 00:29:02,767
Um, I might need some help here.
653
00:29:02,834 --> 00:29:04,000
Help?
654
00:29:04,067 --> 00:29:05,200
Some help with what?
655
00:29:05,267 --> 00:29:06,534
Oh, well, nothing elaborate,
Hobbers.
656
00:29:06,601 --> 00:29:08,434
And this time,
there won't be any dogs.
657
00:29:08,501 --> 00:29:09,901
Yeah, yeah. Let me
tell you something.
658
00:29:09,968 --> 00:29:11,434
First of all,
my name's not Hobbers,
659
00:29:11,501 --> 00:29:13,767
and second of all,
they don't have dogs at museums.
660
00:29:13,834 --> 00:29:15,000
They-They've got guards
with guns.
661
00:29:15,067 --> 00:29:17,067
Clive, why don't
662
00:29:17,133 --> 00:29:19,000
you just turn
the painting over
663
00:29:19,067 --> 00:29:21,067
to the police
anonymously or something?
664
00:29:21,133 --> 00:29:22,234
No, I can't do it, dear.
665
00:29:22,300 --> 00:29:23,400
There's Faye to consider.
666
00:29:23,467 --> 00:29:24,734
Faye?
667
00:29:24,801 --> 00:29:25,968
Yes.
668
00:29:26,033 --> 00:29:27,200
Oh, didn't I tell you?
669
00:29:27,267 --> 00:29:29,133
She was the curator
of the museum
670
00:29:29,200 --> 00:29:30,734
when I stole the Van Gogh.
671
00:29:30,801 --> 00:29:33,234
And if it came out that the
museum had accepted a piece
672
00:29:33,300 --> 00:29:35,968
of forged art
while she was on watch, so
673
00:29:36,033 --> 00:29:38,300
to speak- well, it would
just ruin her reputation.
674
00:29:39,701 --> 00:29:42,901
No. The only way I can
put these things right is
675
00:29:42,968 --> 00:29:44,434
to break
into that museum myself
676
00:29:44,501 --> 00:29:46,501
and replace the painting.
677
00:29:46,567 --> 00:29:48,734
How are plans shaping up?
678
00:29:48,801 --> 00:29:50,601
Faye. Talk of the devil.
679
00:29:50,667 --> 00:29:51,934
Faye.
680
00:29:52,000 --> 00:29:55,334
My God...
you did it.
681
00:29:55,400 --> 00:29:57,767
Uh, the first part, yes.
682
00:29:57,834 --> 00:30:00,367
Uh, Faye, could we
talk out there?
683
00:30:00,434 --> 00:30:01,567
Fantastic.
684
00:30:01,634 --> 00:30:02,767
Yeah, isn't it just?
685
00:30:02,834 --> 00:30:04,033
Would you excuse us?
686
00:30:04,100 --> 00:30:05,734
Sure. Um, make
yourselves at home.
687
00:30:05,801 --> 00:30:07,767
Uh, just through here.
688
00:30:07,834 --> 00:30:10,200
What are you
doing here?
689
00:30:10,267 --> 00:30:11,367
Isn't it obvious?
690
00:30:11,434 --> 00:30:12,701
Keeping an eye on you.
691
00:30:12,767 --> 00:30:14,033
No need for that.
692
00:30:14,100 --> 00:30:15,601
I gave you my word.
693
00:30:15,667 --> 00:30:16,901
Yes, well,
694
00:30:16,968 --> 00:30:20,767
we both know
what that's worth, don't we?
695
00:30:22,868 --> 00:30:25,100
Uh, Faye, about that night...
696
00:30:25,167 --> 00:30:27,033
I, uh...
697
00:30:27,100 --> 00:30:28,868
What?
698
00:30:30,934 --> 00:30:32,834
Nothing.
699
00:30:34,934 --> 00:30:37,667
Never would have worked, anyway.
700
00:30:39,467 --> 00:30:42,234
Yeah, well, that's all blood
under the bridge, isn't it?
701
00:30:42,300 --> 00:30:44,634
So, how are you getting on
in New York?
702
00:30:44,701 --> 00:30:46,334
Guggenheim still
treating you well?
703
00:30:46,400 --> 00:30:49,934
How did you know I was working
at the Guggenheim?
704
00:30:50,000 --> 00:30:51,667
I like to keep my hand in.
705
00:30:51,734 --> 00:30:53,133
You've had several offers.
706
00:30:53,200 --> 00:30:54,767
I understand the
Getty wanted you.
707
00:30:54,834 --> 00:30:57,100
Palm trees and smog?
708
00:30:57,167 --> 00:30:58,467
Forget it.
709
00:30:58,534 --> 00:31:01,200
You always were a snob.
710
00:31:03,200 --> 00:31:05,133
You're looking
well, Faye.
711
00:31:06,534 --> 00:31:08,467
Mm, don't.
712
00:31:10,667 --> 00:31:12,767
I never stopped
thinking about you.
713
00:31:12,834 --> 00:31:15,601
Not ever.
714
00:31:25,701 --> 00:31:27,300
Ow.
715
00:31:28,968 --> 00:31:31,234
Didn't know you still cared.
716
00:31:31,300 --> 00:31:32,667
Don't flatter yourself.
717
00:31:32,734 --> 00:31:35,067
I stopped thinking about
you a long time ago.
718
00:31:35,133 --> 00:31:37,400
Faye, you are a terrible liar.
719
00:31:37,467 --> 00:31:39,200
Not as big
as you are.
720
00:31:39,267 --> 00:31:40,767
You had a
gift, Clive.
721
00:31:40,834 --> 00:31:42,434
You turned your
back on it.
722
00:31:42,501 --> 00:31:44,601
I'm a copyist,
723
00:31:44,667 --> 00:31:46,601
a mimic, that's all.
724
00:31:48,767 --> 00:31:51,300
Maybe you are just a thief.
725
00:31:57,567 --> 00:32:00,734
So, what time
do we start?
726
00:33:05,634 --> 00:33:07,334
That's quite
all right...
727
00:33:36,033 --> 00:33:37,534
I can't believe
I'm doing this.
728
00:33:37,601 --> 00:33:40,601
Yeah. It's like the blind
leading the blind, huh?
729
00:33:40,667 --> 00:33:42,467
Oh!
730
00:33:42,534 --> 00:33:44,634
Ten minutes.
731
00:33:44,701 --> 00:33:46,601
Everybody understand
their roles?
732
00:33:46,667 --> 00:33:48,601
Yes, sir.
733
00:33:48,667 --> 00:33:50,601
We go to the museum,
734
00:33:50,667 --> 00:33:52,934
we fall to pieces,
and we get arrested.
735
00:33:53,000 --> 00:33:54,467
Steady on, Charles.
736
00:33:54,534 --> 00:33:55,968
Just do as we rehearsed.
737
00:33:56,033 --> 00:33:58,167
Everything will work out
like clockwork.
738
00:33:58,234 --> 00:33:59,601
Everything is under control.
739
00:33:59,667 --> 00:34:02,467
Well, not everything.
740
00:34:02,534 --> 00:34:05,133
Ooh, what is this,
a private party?
741
00:34:05,200 --> 00:34:07,100
Or is anyone welcome?
742
00:34:18,701 --> 00:34:20,467
Look, Marty, let her go.
743
00:34:20,534 --> 00:34:22,634
Just take me in her place,
all right?
744
00:34:22,701 --> 00:34:24,968
Trade her life for
yours?
745
00:34:25,033 --> 00:34:26,467
Yeah.
Lady,
746
00:34:26,534 --> 00:34:27,834
I think you've
just been insulted.
747
00:34:27,901 --> 00:34:29,200
What do
you want,
748
00:34:29,267 --> 00:34:30,234
Marty?
749
00:34:30,300 --> 00:34:32,334
Well, now,
what could it possibly be?
750
00:34:32,400 --> 00:34:33,667
All right,
let's see.
751
00:34:33,734 --> 00:34:37,734
Um, her life
for the keys to your car...
752
00:34:37,801 --> 00:34:38,834
No, no.
753
00:34:38,901 --> 00:34:42,167
Uh, her life
for a certain piece of art?
754
00:34:42,234 --> 00:34:43,167
Getting
warmer.
755
00:34:43,234 --> 00:34:44,834
Her life
756
00:34:44,901 --> 00:34:48,934
for a certain
$30 million piece of art?
757
00:34:49,000 --> 00:34:51,267
Ah, now we're getting hot.
758
00:34:51,334 --> 00:34:53,300
Hot.
759
00:35:01,567 --> 00:35:02,434
Clive.
760
00:35:02,501 --> 00:35:04,133
Here, Marty,
take it, it's yours.
761
00:35:04,200 --> 00:35:05,133
Just go.
762
00:35:06,067 --> 00:35:07,167
Uh-huh.
763
00:35:07,234 --> 00:35:08,434
Uh-huh,
I see.
764
00:35:08,501 --> 00:35:10,901
Her life for a fake Van Gogh.
765
00:35:10,968 --> 00:35:13,667
Now, that's what I call
a real smart trade.
766
00:35:13,734 --> 00:35:15,901
Yeah, but see, the thing is,
Marty, it's not a fake.
767
00:35:15,968 --> 00:35:17,000
It's the real thing.
768
00:35:17,067 --> 00:35:18,267
Ooh, right, right,
769
00:35:18,334 --> 00:35:20,334
and you guys have gone
and you've formulated
770
00:35:20,400 --> 00:35:24,033
this incredibly elaborate plan
to steal the fake.
771
00:35:24,100 --> 00:35:25,300
Yeah.
That makes
772
00:35:25,367 --> 00:35:26,934
perfect sense to me.
773
00:35:28,601 --> 00:35:29,534
Marty...
774
00:35:29,601 --> 00:35:30,534
One more word
775
00:35:30,601 --> 00:35:32,267
out of you, she's toast.
776
00:35:32,334 --> 00:35:33,934
Now, let's get this show
on the road.
777
00:35:34,000 --> 00:35:36,267
Shake it.
778
00:35:36,334 --> 00:35:38,367
You know, I'm sure you've got
a great plan, Clive.
779
00:35:38,434 --> 00:35:40,467
Tell me all about it
on the way.
780
00:35:40,534 --> 00:35:42,100
Move it, let's go.
781
00:35:42,167 --> 00:35:44,901
You're not going to need
a paper where we're going.
782
00:35:44,968 --> 00:35:46,434
Shake it.
783
00:35:54,067 --> 00:35:56,000
It's showtime.
784
00:35:56,067 --> 00:35:57,434
Marty, would you listen to me?
785
00:35:57,501 --> 00:36:00,267
Now, these people are
innocent.
786
00:36:00,334 --> 00:36:02,300
The only reason
they're involved is
787
00:36:02,367 --> 00:36:05,834
because of a remarkable sense
of friendship and decency.
788
00:36:05,901 --> 00:36:09,934
Now, come on, Marty,
let them go, I implore you.
789
00:36:10,000 --> 00:36:13,634
Look, I'll get you
the Van Gogh myself,
790
00:36:13,701 --> 00:36:15,934
or I'll,
I'll turn myself in-
791
00:36:16,000 --> 00:36:17,234
whatever you want.
792
00:36:17,300 --> 00:36:20,267
Your recent conversion to
sainthood is truly touching,
793
00:36:20,334 --> 00:36:23,501
Clive, but what's beginning
to really bug me is
794
00:36:23,567 --> 00:36:25,434
how stupid you
think I am.
795
00:36:27,400 --> 00:36:28,801
Now, let's get going.
796
00:36:28,868 --> 00:36:31,601
Well... let's go, Marissa.
797
00:36:31,667 --> 00:36:33,801
All right.
Phase one.
798
00:36:33,868 --> 00:36:36,000
Nice try.
799
00:36:40,801 --> 00:36:44,000
Excuse me, Miss, we
close in five minutes.
800
00:36:44,067 --> 00:36:46,200
Oh, thank you.
801
00:36:46,267 --> 00:36:49,033
I couldn't help
noticing, but...
802
00:36:49,100 --> 00:36:50,133
You were wondering
803
00:36:50,200 --> 00:36:52,968
what a blind person is doing
in an art museum.
804
00:36:53,033 --> 00:36:54,934
Frankly, yes.
805
00:36:55,000 --> 00:36:56,868
You may find this
hard to believe,
806
00:36:56,934 --> 00:37:00,501
but, um, sometimes
I can feel the painting.
807
00:37:00,567 --> 00:37:03,100
Some of these works
exude such a,
808
00:37:03,167 --> 00:37:04,968
such an aura,
I can sense
809
00:37:05,033 --> 00:37:08,200
the color and the form
right off the canvas.
810
00:37:08,267 --> 00:37:09,567
Wow.
811
00:37:09,634 --> 00:37:11,968
Kind of a
metaphysical thing?
812
00:37:12,033 --> 00:37:14,067
Exactly.
813
00:37:14,133 --> 00:37:16,734
As a matter of fact,
sometimes I get so inspired,
814
00:37:16,801 --> 00:37:18,467
I do a little painting
myself.
815
00:37:18,534 --> 00:37:19,501
Amazing.
816
00:37:19,567 --> 00:37:22,367
It is, isn't it?
817
00:37:22,434 --> 00:37:25,067
Well, I, uh,
have to call for my ride.
818
00:37:25,133 --> 00:37:26,300
Could you point me
to the...?
819
00:37:26,367 --> 00:37:29,234
Oh, yes, phones are down
the hall on the left.
820
00:37:29,300 --> 00:37:30,567
Thank you.
Mm-hmm.
821
00:37:30,634 --> 00:37:32,634
Oh...
822
00:37:32,701 --> 00:37:34,701
Oh.
823
00:37:34,767 --> 00:37:35,834
"Feel the painting. "
824
00:37:35,901 --> 00:37:36,834
Oh, brother.
825
00:37:40,467 --> 00:37:43,434
The museum will be closing
in five minutes.
826
00:37:47,734 --> 00:37:49,100
Listen, Faye,
this may not be
827
00:37:49,167 --> 00:37:50,701
the most opportune time
to say this,
828
00:37:50,767 --> 00:37:54,133
but I meant everything
I said back at the bar.
829
00:37:55,234 --> 00:37:57,601
I never stopped
thinking about you-
830
00:37:57,667 --> 00:37:59,734
never-
831
00:37:59,801 --> 00:38:02,834
and I, I just...
832
00:38:03,901 --> 00:38:05,567
Me, too.
833
00:38:05,634 --> 00:38:08,067
I think I
need a hanky here.
834
00:38:08,133 --> 00:38:11,234
No more mush, or
I plug her now.
835
00:38:32,267 --> 00:38:35,734
The museum is now closed.
836
00:38:55,968 --> 00:38:58,000
Damn.
837
00:39:03,634 --> 00:39:05,567
Yeah, this is Andrews
838
00:39:05,634 --> 00:39:08,667
over at the University
of Chicago Art Museum.
839
00:39:08,734 --> 00:39:11,601
I've got a break-in alarm
on the second floor.
840
00:39:11,667 --> 00:39:14,601
Okay, send
some guys over?
841
00:39:14,667 --> 00:39:16,133
Hey, pal,
842
00:39:16,200 --> 00:39:17,801
do we have
a security violation here?
843
00:39:17,868 --> 00:39:19,033
Who are you?
Who am I?
844
00:39:19,100 --> 00:39:21,734
I'm Gilliland,
Internal Systems Management.
845
00:39:21,801 --> 00:39:22,734
I got a beep.
846
00:39:22,801 --> 00:39:23,801
What's the situation?
847
00:39:23,868 --> 00:39:26,200
It looks like
a second-story emergency exit.
848
00:39:26,267 --> 00:39:27,434
Ooh, did you
call the police?
849
00:39:27,501 --> 00:39:28,467
Yeah, just a minute ago.
850
00:39:28,534 --> 00:39:30,267
I was going to go
check it out myself.
851
00:39:30,334 --> 00:39:31,701
Whoa, whoa, whoa,
no heroics.
852
00:39:31,767 --> 00:39:33,934
You let the pros do
what they're paid to do.
853
00:39:34,000 --> 00:39:34,934
Got that?
Right.
854
00:39:35,000 --> 00:39:35,934
Got it.
Good.
855
00:39:36,000 --> 00:39:37,067
What's the
problem here?
856
00:39:37,133 --> 00:39:38,300
We got a little, uh,
situation
857
00:39:38,367 --> 00:39:39,367
here, Officer.
That was quick.
858
00:39:39,434 --> 00:39:40,601
Yeah, we had a 36
859
00:39:40,667 --> 00:39:41,601
over at 1825 Michigan.
860
00:39:41,667 --> 00:39:43,100
I had to give 'em
a quick 10-4.
861
00:39:43,167 --> 00:39:44,534
Oh, well,
we got a possible intruder
862
00:39:44,601 --> 00:39:47,267
on the second floor
emergency exit, a 14-24-16.
863
00:39:47,334 --> 00:39:49,267
Well, we'll go
check it out.
864
00:39:49,334 --> 00:39:51,334
Yeah, you do that, Officers,
check it out right away.
865
00:39:51,400 --> 00:39:53,200
Thank you.
866
00:39:54,968 --> 00:39:56,300
Hey, how's it going?
867
00:39:56,367 --> 00:39:57,934
Well, as the man
said when he jumped
868
00:39:58,000 --> 00:39:59,567
off the 20-story building,
"So far, so good. "
869
00:39:59,634 --> 00:40:00,801
By my watch, we've
got five minutes
870
00:40:00,868 --> 00:40:01,801
before the real
police arrive.
871
00:40:01,868 --> 00:40:02,901
All right, it's all yours.
872
00:40:02,968 --> 00:40:04,968
See you in the gallery. Okay.
873
00:40:05,033 --> 00:40:08,334
Oh, yeah, I've designed security
systems all over the world.
874
00:40:08,400 --> 00:40:09,434
The Louvre.
875
00:40:10,234 --> 00:40:11,234
In Paris?
876
00:40:11,300 --> 00:40:12,234
Rock and Roll
877
00:40:12,300 --> 00:40:13,934
Hall of Fame, Cleveland.
878
00:40:15,100 --> 00:40:17,501
The, uh...
Uh, here's your problem.
879
00:40:17,567 --> 00:40:19,367
Oh.
880
00:40:19,434 --> 00:40:20,601
A blind lady?
881
00:40:20,667 --> 00:40:22,367
Sorry, I got lost.
882
00:40:22,434 --> 00:40:24,834
If you don't mind, I'll let
you take it from here, huh?
883
00:40:24,901 --> 00:40:26,968
Right, sorry
to have bothered you.
884
00:40:33,234 --> 00:40:34,767
What's happening?
What's going on?
885
00:40:34,834 --> 00:40:37,200
I don't know, it looks like he's
having some sort of
886
00:40:37,267 --> 00:40:38,367
an attack
or something.
887
00:40:38,434 --> 00:40:40,767
Hey, buddy, do
you need a doctor or something?
888
00:40:40,834 --> 00:40:41,868
My pills.
889
00:40:41,934 --> 00:40:43,000
What?
My pills!
890
00:40:43,067 --> 00:40:44,033
You've got to
do something.
891
00:40:44,100 --> 00:40:45,067
Help him.
892
00:40:45,133 --> 00:40:46,767
All right, take it easy,
little fella.
893
00:40:46,834 --> 00:40:48,000
Take it easy.
894
00:40:48,067 --> 00:40:49,100
All right...
895
00:40:49,167 --> 00:40:51,501
in my pocket, my pocket.
896
00:40:53,367 --> 00:40:55,133
Ooh...
897
00:40:55,200 --> 00:40:57,334
Quickly.
898
00:41:26,067 --> 00:41:27,767
Thank you.
899
00:41:27,834 --> 00:41:28,767
You okay?
900
00:41:28,834 --> 00:41:31,167
It's a genetic
condition.
901
00:41:31,234 --> 00:41:32,834
"To prevent bloating"?
902
00:41:32,901 --> 00:41:36,000
The brain blows
up like a pumpkin,
903
00:41:36,067 --> 00:41:38,701
but, uh, I'm feeling
much better now.
904
00:41:38,767 --> 00:41:40,100
Well, you're sure?
Yeah, yeah.
905
00:41:40,167 --> 00:41:42,767
Tell you what, uh, why
don't I escort the lady out,
906
00:41:42,834 --> 00:41:45,100
and you, uh, keep an eye
on things over here, okay?
907
00:41:45,167 --> 00:41:46,300
Okay.
908
00:41:46,367 --> 00:41:48,000
Good luck.
909
00:41:48,067 --> 00:41:49,000
Shall we?
910
00:41:49,067 --> 00:41:50,234
Yes, we shall.
911
00:41:50,300 --> 00:41:51,467
This way.
912
00:41:57,934 --> 00:41:59,334
Come on, hurry up.
Don't rush me,
913
00:41:59,400 --> 00:42:00,434
old man.
914
00:42:00,501 --> 00:42:02,434
These things cannot be rushed.
915
00:42:07,033 --> 00:42:08,968
All right, there we are.
916
00:42:09,033 --> 00:42:10,334
All right.
917
00:42:10,400 --> 00:42:11,868
Bravo.
918
00:42:11,934 --> 00:42:12,868
Marty?
919
00:42:12,934 --> 00:42:14,400
I was getting lonely.
920
00:42:14,467 --> 00:42:15,467
Ow.
921
00:42:15,534 --> 00:42:16,968
All right, well,
where's Faye?
922
00:42:17,033 --> 00:42:18,834
Bound and gagged
in the van, Clive,
923
00:42:18,901 --> 00:42:20,634
but not to worry,
I didn't hurt her.
924
00:42:20,701 --> 00:42:23,200
If she's stupid enough to get
involved with you, I figure,
925
00:42:23,267 --> 00:42:24,300
well, that's punishment enough.
926
00:42:24,367 --> 00:42:25,501
Okay, hand it over.
927
00:42:26,734 --> 00:42:28,701
Come on, sonny, don't be a fool.
928
00:42:28,767 --> 00:42:30,167
I said hand it over.
929
00:42:32,734 --> 00:42:36,267
Wait a minute, how do I know
if this is the real one or not?
930
00:42:36,334 --> 00:42:37,901
How do you know
it's the real one?
931
00:42:37,968 --> 00:42:39,734
Well, look, you know where I
live, you know where I work.
932
00:42:39,801 --> 00:42:41,567
Why would I...?
Ah, shut up.
933
00:42:41,634 --> 00:42:44,334
Clive, boy,
I'd plug you right now,
934
00:42:44,400 --> 00:42:46,067
but I think you'll suffer
a lot more knowing
935
00:42:46,133 --> 00:42:48,000
how much I'm gonna be whooping
it up on my percentage
936
00:42:48,067 --> 00:42:49,167
of this.
937
00:42:49,234 --> 00:42:51,634
I figure about five mil,
n'est-ce pas?
938
00:42:52,701 --> 00:42:54,267
Toodles, mate.
939
00:42:57,033 --> 00:42:58,334
Five million?
940
00:42:59,400 --> 00:43:00,601
That's rather
an optimistic figure,
941
00:43:00,667 --> 00:43:03,133
don't you think,
for a fake Van Gogh?
942
00:43:03,200 --> 00:43:04,501
Yeah, except I gave
him the real one.
943
00:43:04,567 --> 00:43:06,067
Come on, let's go.
You gave him the real one?
944
00:43:06,133 --> 00:43:07,701
What'd you give him the real
one for? Come on, let's...
945
00:43:07,767 --> 00:43:09,200
Grab that. What'd you
give him the real one for?
946
00:43:13,434 --> 00:43:15,367
Hold it
right there!
947
00:43:15,434 --> 00:43:17,434
Now!
Freeze!
948
00:43:17,501 --> 00:43:19,167
Just keep it up,
hands up, let's go!
949
00:43:19,234 --> 00:43:20,400
Clive!
Don't move, Mister!
950
00:43:20,467 --> 00:43:21,501
Right there!
951
00:43:22,968 --> 00:43:25,234
This could cost you your job.
Do you know
952
00:43:25,300 --> 00:43:26,634
who I am?
953
00:43:26,701 --> 00:43:28,067
He doesn't look very happy,
does he?
954
00:43:28,133 --> 00:43:29,100
Get your
hands off me.
955
00:43:29,167 --> 00:43:30,601
Yeah, yeah, just
shut up and get in.
956
00:43:35,067 --> 00:43:37,601
So Marty gets caught
with the real painting.
957
00:43:37,667 --> 00:43:38,801
The police figured
958
00:43:38,868 --> 00:43:41,167
he was inside the museum
pulling off the switch.
959
00:43:41,234 --> 00:43:44,667
And the illustrious career of
the Chameleon comes to an end.
960
00:43:44,734 --> 00:43:46,601
Finally brought to justice.
961
00:43:46,667 --> 00:43:47,667
Well, wait a minute.
962
00:43:47,734 --> 00:43:50,300
Marty wasn't the Chameleon;
you are.
963
00:43:50,367 --> 00:43:52,701
Yeah, well, uh, the police,
they don't know that.
964
00:43:52,767 --> 00:43:54,367
I won't tell if you don't.
965
00:43:54,434 --> 00:43:55,367
Oh...
966
00:43:55,434 --> 00:43:57,300
see no evil,
speak no evil.
967
00:43:57,367 --> 00:44:00,167
Tell me, Hobbers,
you sly beggar,
968
00:44:00,234 --> 00:44:01,534
how did you manage
this one?
969
00:44:01,601 --> 00:44:03,300
Yeah, Hobbers,
I was wondering the same thing,
970
00:44:03,367 --> 00:44:05,734
considering you didn't have
any visual aid this time,
971
00:44:05,801 --> 00:44:07,534
if you know what I mean.
972
00:44:07,601 --> 00:44:10,334
Oh, well, I, I was, uh-
well, we were running late,
973
00:44:10,400 --> 00:44:12,200
and I figured the police
couldn't be far away
974
00:44:12,267 --> 00:44:13,467
when Marty showed up,
975
00:44:13,534 --> 00:44:16,267
so it was a rare opportunity
and I, uh, I took it.
976
00:44:16,334 --> 00:44:18,067
Improvisational art.
977
00:44:18,133 --> 00:44:20,501
Yeah, yeah, something like that.
978
00:44:20,567 --> 00:44:21,567
Very good.
979
00:44:21,634 --> 00:44:23,467
Now, out you go.
980
00:44:23,534 --> 00:44:24,801
Huh?
981
00:44:24,868 --> 00:44:28,701
And, uh, take this silly toy
with you, will you?
982
00:44:31,167 --> 00:44:35,767
Because Faye and I have got,
ooh, three years to catch up on.
983
00:44:35,834 --> 00:44:36,767
We do?
984
00:44:36,834 --> 00:44:38,767
Oh, we do.
985
00:44:40,701 --> 00:44:42,467
Well, uh, we can take a hint.
986
00:44:42,534 --> 00:44:44,434
Come on, Spike.
987
00:44:44,501 --> 00:44:46,000
Come on, Spike.
988
00:44:46,067 --> 00:44:48,934
Okay, you only have
to tell us once.
989
00:44:51,000 --> 00:44:53,300
Oh, uh, well, uh...
990
00:44:55,767 --> 00:44:58,000
See you guys at the station.
991
00:45:03,501 --> 00:45:05,467
Well, that was
an interesting evening.
992
00:45:05,534 --> 00:45:07,234
Yeah, it's still
pretty early.
993
00:45:07,300 --> 00:45:08,901
Hey, you guys want
to get some dinner?
994
00:45:08,968 --> 00:45:10,067
No, I'm going home to bed.
995
00:45:10,133 --> 00:45:11,300
What's the matter
with you?
996
00:45:11,367 --> 00:45:12,968
What do you mean,
what's the matter wi-
997
00:45:13,033 --> 00:45:13,968
what's the matter with me?
998
00:45:14,033 --> 00:45:15,200
I'm tired, I want to go to bed.
999
00:45:15,267 --> 00:45:16,534
Is that all right with you?
1000
00:45:16,601 --> 00:45:18,167
Stick in the mud.
You need a...
1001
00:45:18,234 --> 00:45:19,701
you need a little excitement in
your life, Gare.
1002
00:45:19,767 --> 00:45:21,033
Yeah.
Excitement in my...
1003
00:45:21,100 --> 00:45:24,033
What did, what did
we just do tonight?
1004
00:45:24,100 --> 00:45:27,033
All work and no play makes Gary
a very dull boy.
1005
00:45:27,100 --> 00:45:28,033
Exactly.
1006
00:45:28,100 --> 00:45:29,767
Do you know
how silly that sounds?
1007
00:45:29,834 --> 00:45:31,801
You know, I usually don't
agree with him, Gary,
1008
00:45:31,868 --> 00:45:33,234
but for once, he's right.
1009
00:45:33,300 --> 00:45:35,300
I'm right. He's r
- you're agreeing with him?
1010
00:45:35,367 --> 00:45:36,901
Yes, I am. You're agreeing with him?
1011
00:45:36,968 --> 00:45:39,400
You know what? I ought
to arrest the both of you.
69315
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof
