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JON FAVREAU: We're trying to drawfrom all over from Star Wars.
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A lot of the stuff that we're doing,
a lot of the designs and things
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are things from old video games,
like the incinerator trooper.
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Uh, the E-Web cannon goes back to,
I think, Empire Strikes Back.
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Play it like it's twice as heavy.
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And, uh, we got the death troopers from Rogue...
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Rogue One, so from the sequelsand the other properties.
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We're using a lot of stuffthat was built for other movies,
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like aliens and suits and things.
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So, um, in the spirit of television,
we're using resources from the features.
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We go down prop rabbit holes all the time,
trying to figure out...
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Can we please talk
about the ice cream maker?
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FILONI: Talk about your ice cream maker.
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It's a specific type of ice cream maker.
Hard to get.
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The ice cream maker
is the most specific...
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It was the camtono,
the thing he carried the Beskar around in.
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Bryce, you got such good acting.
You're acting interested in this.
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I am. I'm very curious
about this real ice cream maker.
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-FAVREAU: It was in your episode.
-It was.
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It was in your episode.
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FILONI: You didn't get the camtono,so you don't know the joy of this prop.
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No, no.
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FILONI: Allow Jon
to regale you the joy of this.
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To me, it's the deepest, deepest cut.
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This is based on Willrow Hood's
famous ice cream maker.
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There it is.
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There's a bunch of people at Celebration
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that dress up as a character
that they've named Willrow Hood...
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FILONI: It is. I don't knowwhere the name comes from. Continue.
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FAVREAU:
It's somebody running in the background
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at Cloud City as everything's going crazy,
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running with a prop that... Clearly,
he was a deep background character.
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So it's just an off-the-shelf
ice cream maker.
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So it's a bucket
with a little motorized thing on it
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-that you plug in to make ice cream.
-FILONI: It's amazing.
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FAVREAU: And this thing has becomesuch a focus of the fans
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that they have people who dress up
and find that ice cream maker
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so that they can go to Celebration
in the jumpsuit...
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It is hard to get it.
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-FAVREAU: It's so sought-after.
-It's hard to find the ice cream maker.
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FAVREAU: And then they have...
It's a highlight of Star Wars Celebration
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that they have the running...
What's it called?
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-"It's a highlight."
-The running...
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-Might be a stretch...
-FAVREAU: What is it?
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It's the running of the Willrow Hoods.
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They're gonna expect you to do it now,once this gets out.
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Get your jumpsuit ready.
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-Some make their own and go through.
-FILONI: They'll make you one.
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With everybody dressed as stormtroopers,
as Mandalorians, as rebels...
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And then you have a bunch
of orange jumpsuits...
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Running with ice cream makers
through the Celebration.
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And everybody goes berserk. They love it.
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Because if that's not true,
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if that's not the essence of being a fan,
I don't know what is.
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FAMUYIWA: Yeah. Oh, my gosh.
HOWARD: Yeah.
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-FAVREAU: I was like...
-He has an action figure.
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FAVREAU: He has an action figure, too.He has all sorts of fan fiction.
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FILONI: There's been such outcry.He got an action figure.
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FAVREAU: So we took the ice cream makerand made it the thing like in Pulp Fiction
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when you open the...
The golden briefcase light.
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This is a big, big deal.
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We reveal what was inside.
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But I love, with this show, they had...
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At the same time we're doing this,
there's the big Episode IX going on,
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and ours was like, "Let's take..."
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In my mind, it was like,
"Let's take the most obscure characters
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"that were right on the edge of not...
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"Of being kind of not that cool and not...
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"That you really have to love Star Wars."
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FILONI: Peg-warmers.
FAVREAU: To give permission to yourself
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to like these thingsand to take the characters
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that are normally deep in the backgroundand put them center stage.
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So that's why IG-11 was like IG-88.
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He was the most absurd
Bounty Hunter that you saw.
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They clearly were just
stacking things up behind Boba Fett.
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DARTH VADER: You are free
to use any methods necessary,
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but I want them alive.
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FILONI: They built him out of partsof the old cantina set from A New Hope.
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"What's left? You gotta build us a robot."
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But then we, as children, were like,
"That's the coolest assassin robot.
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-"It must be a killer Bounty Hunter."
-It's standing there.
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It doesn't move
because it's so badass.
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It's so stoic.
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No, it didn't move'cause it was bolted to the floor.
85
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It didn't have feet designed for it.
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Subparagraph 16 of
the Bondsman Guild protocol waiver
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compels you to immediately
produce said asset.
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IG Unit! Stand down.
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Affirmative.
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-Taika's voice on him is amazing.
-It's so funny.
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That's Taika Waititi on there.
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Stop that.
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Identify yourself!
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I am IG-11.
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I am this child's nurse droid and require
that you remand him to me immediately.
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Hey. (GROANING)
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And Jon's like, "With these elements,
we could launch Disney+."
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(ALL LAUGHING)
99
00:05:05,013 --> 00:05:07,850
But there is something with satire
or with storytelling,
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where you take the most mundane
and elevate it,
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and if you're taking somethingthat's really elevated,
102
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make it on a small scale.
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Like, bring it down to the grit of it.
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(GROANS)
105
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So the Quarren is...
What's a Quarren, Dave?
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Explain, you'll do a better job of it.
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You at first see it
in Return of the Jedi, in Jabba's palace.
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It's one of the aliens.
They were called "Squid Head."
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It's your choice, but I warn you
not to underestimate my powers.
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His species is the Quarren,
and they hate Ackbar's Mon Calamari.
111
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It's a trap!
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You can watch that whole war
in Clone Wars.
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The two aquatic species fighting...
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They don't get along.
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It's like Siamese fighting fish.
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But the first takes we did of our
Quarren were almost too real, remember?
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That was a big thing.
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So we had the first Quarren,
and it looked like Davy Jones with...
119
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-Everything going on.
-Yeah.
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They're gonna know that's not...
121
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-It feels like we're reinventing.
-FILONI: It's too much.
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FAVREAU: The blurrgs are from where?Where do the blurrgs come from?
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-Pixomondo did the blurrgs.
-But where did it come from in Star Wars?
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It's a deep cut.
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Part of our goal was to take...
How do you describe it?
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That our big brother took all...
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FILONI: Yeah.
FAVREAU: All the good toys away.
128
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Our older brother took all the cool toys,
and then we got left with
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Ugnaughts and Jawas and other peg-warmers,
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but somehow, we got a Boba Fett figure,
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and then we painted him silverand made him cooler,
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'cause sometimes you make it your own.
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Here's the strange thing about blurrgs.
I don't know why
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every Star Wars story I've been
associated with has a blurrg in it.
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FAVREAU: You had blurrgs in Clone Wars.
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-And Rebels.
-FILONI: In Rebels.
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You said, "I'm gonna put blurrgs in."
Like you were doing something nice,
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and I'm like,
"These things don't make any sense."
139
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And Ugnaughts, right?
What's the Ugnaughts from?
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-Cloud City.
-Cloud City. That's right.
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FAVREAU: They're like little worker bees over there.
142
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And IG-88's actually in the corner,shot in that scene.
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And we made him like our Yoda.
We made him our mentor...
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He's, like, the spiritual center.
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I have spoken.
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FILONI: There was a funny story there,
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where originally...People don't know this.
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You had the ideathe Ugnaught didn't speak English
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and we had these actorstemping the scene... (LAUGHS)
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I wrote it. It was gonna be subtitled.
151
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And Ugnaught was speaking Jawa
back to the Jawas.
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With a pig...
It sounded like a pig talking.
153
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And Dee Baker, my friend from Clone Wars,
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was doing the temp voicing and was like...
(SNORTING)
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Snorting and stuff
while he was doing it...
156
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And then we have,
"We have traveled a long way." (SNORTING)
157
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-The Jawas are like...
-For 15 minutes.
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I'm like, "We can't do this."
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They're going back and forth like this,
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and you and I are sitting there
in the edit, watching it,
161
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-and we're both really quiet.
-And thank you for not...
162
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FILONI: But without that...
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-You let me find my way to it on my own.
-I liked it. It was strange.
164
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"Is this gonna work?"
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I didn't know if this was live-action.
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No. Plus, it's also
a dude and a bucket for his head
167
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and a dude with a pig mask on
and then a Jawa.
168
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There was nothing to cut to
with any human expression,
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and then there were subtitles.
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FILONI: Another interesting trivia bit,
the way this show runs,
171
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the first human face that I ever shot
in live-action was Werner Herzog.
172
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In that story, there was nobody...
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-It was good.
-FILONI: And Tate and the guys in the bar.
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But, really, the first lens
I looked through and saw a human being,
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and I'm looking at Werner Herzog,
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-"What is this?"
-FAVREAU: You could do worse.
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His enthusiasm outweighs his discretion.
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If you see this,
you remember it from New Hope.
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That light pattern,
you remember it from New Hope.
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Please. No. No, no.
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We're doing fan service, creatively.
Like, would this be cool?
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For those who know, they'll appreciate it.
183
00:09:06,797 --> 00:09:09,049
Those who don't, it looks like
a cool Star Wars thing.
184
00:09:09,132 --> 00:09:12,427
Now in walks this... Or here's a vehicle.
185
00:09:12,511 --> 00:09:15,222
We should make itthe Kenner Troop Transport,
186
00:09:15,305 --> 00:09:17,224
where six stormtroopers stand on the side.
187
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That wasn't based on the movies. Let's put it in.
188
00:09:20,769 --> 00:09:24,857
Somebody's gotta torch the bar.Let's use the incinerator stormtrooper.
189
00:09:24,940 --> 00:09:28,485
Can we do that? We don't have one. Paint
it like this. We're painting, it's there.
190
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And then who you cast also.
191
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People who are either fans of Star Wars
192
00:09:39,413 --> 00:09:43,292
or people who have a body of workfrom other things
193
00:09:43,375 --> 00:09:45,210
that when they come
into the Star Wars world,
194
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the fans are like, "That's cool."
195
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So, let's just do this job.
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We get in, we get out, and you don't have
to see our faces anymore.
197
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Because we're not George Lucas,
because we're also...
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We're just filmmakerswho grew up watching it,
199
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just because we say itdoesn't mean it's cool.
200
00:10:00,267 --> 00:10:02,811
We're definitely thinking about,
201
00:10:02,895 --> 00:10:04,354
how is this gonna play with fans?
202
00:10:12,779 --> 00:10:15,449
It has to work on a story level
and a character level.
203
00:10:17,492 --> 00:10:18,493
Tiny.
204
00:10:18,577 --> 00:10:22,080
FILONI: And then the fan gets the little bit of gold in there,
205
00:10:22,164 --> 00:10:25,292
and then people... What is that?Why are you excited?
206
00:10:25,375 --> 00:10:28,504
That's because it's this droidthat was in Empire Strikes Back,
207
00:10:28,587 --> 00:10:31,924
it just stood there and looked menacing,but I had the action figure of it.
208
00:10:32,007 --> 00:10:34,092
And you're like,"What? Did it do anything?"
209
00:10:34,176 --> 00:10:37,179
No, didn't do anything,
but it did something in my mind.
210
00:10:37,262 --> 00:10:39,473
And there's many layers of that.
211
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But to me, it's just using the universethat was created.
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It's not taking itin a different direction.
213
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It's not just throwing a term in therefor the sake of winking,
214
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saying, "See? I get it."That's something that takes practice.
215
00:11:04,331 --> 00:11:05,541
(ALIEN SPEAKING HUTTESE)
216
00:11:05,624 --> 00:11:06,708
Goodness gracious me!
217
00:11:09,503 --> 00:11:10,712
(DROID SPEAKS ALIEN LANGUAGE)
218
00:11:12,214 --> 00:11:13,215
(BEEPS)
219
00:11:13,298 --> 00:11:14,424
(DROID SPEAKS ALIEN LANGUAGE)
220
00:11:14,508 --> 00:11:16,009
(WHIRRING)
221
00:11:19,179 --> 00:11:21,974
Well, there are two banthas down there,
but I don't see any...
222
00:11:23,141 --> 00:11:24,810
Wait a second.
223
00:11:24,893 --> 00:11:27,271
They're Sand People, all right.
I can see one of them now.
224
00:11:27,813 --> 00:11:28,814
(YELLS AGGRESSIVELY)
225
00:11:32,734 --> 00:11:34,027
TORO CALICAN: Tusken Raiders.
226
00:11:34,111 --> 00:11:35,988
I heard the locals
talking about this filth.
227
00:11:36,822 --> 00:11:38,574
THE MANDALORIAN:
Tuskens think they're the locals.
228
00:11:38,657 --> 00:11:40,868
-(TORO CALICAN SCOFFS)
-Everyone else is just trespassing.
229
00:11:40,951 --> 00:11:45,205
Whatever they call themselves,
they best keep their distance.
230
00:11:45,289 --> 00:11:48,375
THE MANDALORIAN: Yeah?
Why don't you tell them yourself?
231
00:11:50,377 --> 00:11:51,503
(TUSKENS YELLING)
232
00:12:02,472 --> 00:12:03,557
AT-ST.
233
00:12:04,308 --> 00:12:07,227
THE MANDALORIAN: Imperial walker.
What's it doing here?
234
00:12:08,187 --> 00:12:09,188
I don't know.
235
00:12:10,355 --> 00:12:12,608
FAVREAU: The AT-ST. You wannatalk about the AT-ST at all?
236
00:12:12,691 --> 00:12:15,235
BLUFF: Let John talk about the AT-ST.
FAVREAU: Where'd that appear?
237
00:12:15,319 --> 00:12:18,655
-That's from Return of the Jedi.
-Return of the Jedi. Oh.
238
00:12:18,739 --> 00:12:21,200
There's a chicken walker that's different
239
00:12:21,283 --> 00:12:23,785
-in Empire Strikes Back.
-FAVREAU: We're going deep nerd now.
240
00:12:23,869 --> 00:12:26,663
What's the difference between
a chicken walker and a AT-ST?
241
00:12:26,747 --> 00:12:27,873
I didn't know this.
242
00:12:27,956 --> 00:12:32,920
In Empire Strikes Back, there is, I think,
just one shot of a two-legged walker
243
00:12:33,003 --> 00:12:36,173
running around that I think Joe Johnston did just kind of...
244
00:12:36,256 --> 00:12:38,759
FAVREAU: On a whim. Uh-huh.
KNOLL: As a lark.
245
00:12:38,842 --> 00:12:43,055
But George really liked it,
and then later in Return of the Jedi,
246
00:12:43,138 --> 00:12:45,474
it got upgraded to the full-on... Yeah.
247
00:12:45,557 --> 00:12:48,227
FAVREAU: Again,one of the least intimidating
248
00:12:48,310 --> 00:12:51,939
pieces of mech in the originals
that we upgraded
249
00:12:52,022 --> 00:12:55,275
to the Big Bad
in our Seven Samurai episode.
250
00:13:06,703 --> 00:13:08,163
THE MANDALORIAN: Go. Go!
251
00:13:08,247 --> 00:13:09,373
(BOTH PANTING)
252
00:13:11,583 --> 00:13:14,044
Well, and I like the work you did on that,
253
00:13:14,127 --> 00:13:17,381
and the animation because you had done
a lot of tests for Rogue,
254
00:13:17,464 --> 00:13:23,178
where they would animate the CG walkerright over footage of the old stop motion.
255
00:13:23,262 --> 00:13:26,098
And if you don't get that kind of hitchin its giddyup, it just...
256
00:13:26,181 --> 00:13:27,891
it doesn't feel like the walker.
257
00:13:27,975 --> 00:13:31,687
It needs to have that kind ofstaccatoed motion.
258
00:13:31,770 --> 00:13:34,231
'Cause now we could do it smooth,but it just doesn't...
259
00:13:34,314 --> 00:13:35,732
It lacks the character,
260
00:13:35,816 --> 00:13:39,278
and part of our walker is that
it's supposed to be more like a creature
261
00:13:39,361 --> 00:13:41,321
than it's supposed to be
the old military one,
262
00:13:41,405 --> 00:13:43,115
'cause ours is beat up and repurposed.
263
00:13:49,413 --> 00:13:50,873
THE MANDALORIAN: Just a few more steps.
264
00:14:00,048 --> 00:14:04,386
Both the blurrg and the AT-ST began
their life as stop-motion...
265
00:14:04,469 --> 00:14:07,681
Their cinematic life
as stop-motion creations,
266
00:14:07,764 --> 00:14:11,894
so it was useful on the blurrg to go back
and actually do some stop motion
267
00:14:11,977 --> 00:14:13,562
to kind of figure out...
268
00:14:13,645 --> 00:14:15,397
Stop motion doesn't look strictly real,
269
00:14:15,480 --> 00:14:18,233
just because of artifacts
inherent in that technique,
270
00:14:18,817 --> 00:14:20,068
but there's a magic to it,
271
00:14:20,152 --> 00:14:22,821
and so figuring outhow to tease out some of that magic
272
00:14:22,905 --> 00:14:25,657
but still have somethingthat feels like a modern visual effect
273
00:14:25,741 --> 00:14:30,329
that's gonna blend wellwith live-action is super tricky.
274
00:14:30,412 --> 00:14:32,789
-Yeah.
-FILONI: Something we can't jump over,
275
00:14:32,873 --> 00:14:35,709
either, is in 3,
we have an array of Mandalorians
276
00:14:35,792 --> 00:14:38,128
rocketing out of the sky and landing,
277
00:14:38,212 --> 00:14:41,715
which is something for me, as a kid,
I would've just died to see.
278
00:14:49,223 --> 00:14:51,517
Because we all ordered
the Boba Fett figure
279
00:14:51,600 --> 00:14:55,270
by sending in our proofs of purchasefrom the back of the package,
280
00:14:55,354 --> 00:14:58,899
and we got this figure
before he ever appeared on-screen.
281
00:14:58,982 --> 00:15:01,693
You could get Boba Fett in the mailbefore the movie came out,
282
00:15:01,818 --> 00:15:04,154
and the only time we'd seen him
was the Holiday Special,
283
00:15:04,238 --> 00:15:06,198
which you know, 'cause you put the gun in.
284
00:15:06,281 --> 00:15:07,491
Let's talk about that gun.
285
00:15:07,574 --> 00:15:09,993
Yeah. The fork gunfrom the Holiday Special,
286
00:15:10,077 --> 00:15:11,828
that Boba Fett carries.
287
00:15:11,912 --> 00:15:16,583
Yes, that was one of the deep cutsthat we had,
288
00:15:16,667 --> 00:15:20,128
the zapper that he uses to corral his...
289
00:15:20,212 --> 00:15:22,422
Whatever that dinosaurhe's riding in the swamp is.
290
00:15:32,850 --> 00:15:35,686
I remember when you were all proud
when George came to set.
291
00:15:35,769 --> 00:15:37,604
-Did you see the gun we have?
-Yeah.
292
00:15:37,688 --> 00:15:41,525
Do you know that that was an homage to...
That's canon, right?
293
00:15:42,067 --> 00:15:43,402
-You wrote it.
-Not really.
294
00:15:43,485 --> 00:15:46,280
You said, "We put that gun
in from the Holiday Special."
295
00:15:46,363 --> 00:15:48,323
And he goes, "I had
nothing to do with that."
296
00:15:48,407 --> 00:15:49,408
(ALL LAUGH)
297
00:15:54,079 --> 00:15:56,039
(SPEAKING ALIEN LANGUAGE)
298
00:15:56,123 --> 00:15:57,207
(FERRYMAN SPEAKING KUBAZIAN)
299
00:15:57,291 --> 00:15:59,877
THE MANDALORIAN:
I need passage to the yards.
300
00:15:59,960 --> 00:16:02,379
(SPEAKS KUBAZIAN, PLAYS NOTE)
301
00:16:08,302 --> 00:16:09,344
(GROWLS)
302
00:16:09,428 --> 00:16:10,596
(SQUEAKING)
303
00:16:16,185 --> 00:16:18,145
(DROID CHATTERING)
304
00:16:20,105 --> 00:16:23,483
What? It's just a little mousey.
305
00:16:25,402 --> 00:16:27,029
-Come here, little mousey.
-MAYFELD: Burg.
306
00:16:27,112 --> 00:16:29,072
-Mousey, come here. Come here.
-MAYFELD: Burg.
307
00:16:33,452 --> 00:16:36,121
(LIGHTSABERS WHOOSHING)
308
00:16:49,218 --> 00:16:51,803
FAVREAU: We pulled infor the final episode...
309
00:16:52,346 --> 00:16:53,347
The darksaber.
310
00:16:53,430 --> 00:16:58,310
So the way the darksaber came about was
I was a character on Clone Wars,
311
00:16:58,393 --> 00:17:00,354
a Mandalorian named Pre Vizsla.
312
00:17:00,437 --> 00:17:03,774
This lightsaber was stolen
from your Jedi Temple
313
00:17:03,857 --> 00:17:07,152
by my ancestors during the fall
of the Old Republic.
314
00:17:07,945 --> 00:17:11,573
Since then, many Jedi have died
upon its blade.
315
00:17:11,657 --> 00:17:13,951
Prepare yourself to join them.
316
00:17:14,493 --> 00:17:15,494
(GRUNTS)
317
00:17:16,161 --> 00:17:18,956
-It's like a katana. It's pretty cool.
-FILONI: It's really cool.
318
00:17:19,373 --> 00:17:22,125
And you're figuring out
how to show it on-screen.
319
00:17:22,209 --> 00:17:23,961
John and I are working on that.
320
00:17:24,044 --> 00:17:25,420
We've gone around and around.
321
00:17:25,504 --> 00:17:28,382
FAVREAU: So how do you make a thing
that has no light but just has...
322
00:17:28,465 --> 00:17:31,677
But what we're digging is actually that...
323
00:17:31,760 --> 00:17:36,598
Much like the old lightsabers,
that there's actually a practical element
324
00:17:36,682 --> 00:17:38,934
that has weird anomaliesthat makes it look...
325
00:17:39,852 --> 00:17:42,855
That makes it look likethose reflective dowels that they used.
326
00:17:42,938 --> 00:17:45,482
And actually, one of themis a spinning reflective dowel
327
00:17:45,566 --> 00:17:47,234
-for the old one?
-FILONI: That's something
328
00:17:47,317 --> 00:17:51,488
we have to kind of experience,
which is when we do take things that...
329
00:17:51,572 --> 00:17:53,866
It came from The Clone Wars.
330
00:17:53,949 --> 00:17:57,119
We have to think that, in that show,they are stylized
331
00:17:57,202 --> 00:18:01,999
and that that was an animated style
of something from live-action,
332
00:18:02,082 --> 00:18:05,043
and it's not about doing
any of those things one-to-one,
333
00:18:05,127 --> 00:18:06,587
but it's about saying,
334
00:18:06,712 --> 00:18:08,964
-"That's based on something."
-How'd he have done it?
335
00:18:09,089 --> 00:18:11,508
FILONI: That's through the lens...
FAVREAU: How would George do it?
336
00:18:11,592 --> 00:18:13,260
OPERATOR: (ON RADIO)
This is Mos Eisley Tower.
337
00:18:13,343 --> 00:18:14,344
We are tracking you.
338
00:18:14,428 --> 00:18:16,471
Head for bay three-five, over.
339
00:18:16,555 --> 00:18:17,848
THE MANDALORIAN: Copy that.
340
00:18:17,931 --> 00:18:19,266
Locked in for three-five.
341
00:18:25,147 --> 00:18:26,356
Come along, R2.
342
00:18:31,486 --> 00:18:32,863
(SPEAKING ALIEN LANGUAGE)
343
00:18:38,118 --> 00:18:41,038
TORO CALICAN: Picked up this Bounty Puck
before I left the Mid Rim.
344
00:18:41,705 --> 00:18:43,081
Fennec Shand.
345
00:18:43,165 --> 00:18:46,668
ROTH: In episode 105,we get to go back to Tatooine,
346
00:18:46,752 --> 00:18:50,464
and we go inside the Mos Eisley Cantina,which was awesome.
347
00:18:50,547 --> 00:18:53,926
(CHUCKLES) It was great.
The art department did an amazing job.
348
00:18:57,137 --> 00:18:58,472
A-mark.
349
00:18:58,555 --> 00:19:01,558
You're walking into
a bit of history there.
350
00:19:01,642 --> 00:19:03,769
WOMAN: Camera, and action!
351
00:19:03,852 --> 00:19:06,271
JONES: We were treating thatlike a museum piece.
352
00:19:06,355 --> 00:19:09,691
ROTH: In the original bar in Tatooine,they had green on this side,
353
00:19:09,775 --> 00:19:12,402
and they had red on that side,
354
00:19:12,486 --> 00:19:16,198
and so every detail in here
has been duplicated.
355
00:19:16,281 --> 00:19:19,826
So that's what I'm doing.
Hope you guys appreciate it.
356
00:19:19,910 --> 00:19:22,162
JONES: It should look very faithfulto the original.
357
00:19:22,246 --> 00:19:25,791
We did a little bit lessthan half of the build,
358
00:19:25,874 --> 00:19:30,462
and the rest was on the screens,
so unless the screens were up,
359
00:19:30,546 --> 00:19:33,131
you were just seeing a little part of it,
360
00:19:33,215 --> 00:19:35,509
and then, click, you turn on the switch,there it is.
361
00:19:35,592 --> 00:19:37,719
ROTH: We were able to builda recreation of EV-9D9,
362
00:19:37,803 --> 00:19:39,471
which is now the bartender droid.
363
00:19:39,555 --> 00:19:41,807
FAVREAU: Mark Hamill came inand voiced the droid,
364
00:19:41,890 --> 00:19:45,227
who had appeared in Return of the Jedi.
365
00:19:45,310 --> 00:19:49,731
Unfortunately, the Bounty Guild
no longer operates from Tatooine.
366
00:19:49,815 --> 00:19:51,024
He now serves drinks.
367
00:19:51,108 --> 00:19:53,986
It's smoother if you're slower,
but if you want to do a quicker...
368
00:19:54,069 --> 00:19:55,654
And I really liked this aspect,
369
00:19:55,737 --> 00:19:58,448
that in the original,droids weren't allowed in the bar.
370
00:19:58,532 --> 00:20:01,910
-Hey. We don't serve their kind here.
-What?
371
00:20:01,994 --> 00:20:03,662
ROTH: Now? Yeah, sure.
372
00:20:03,745 --> 00:20:06,206
Droids are working the bar, and for all we know,
373
00:20:06,331 --> 00:20:08,792
they might own the bar,so I thought that was a great twist.
374
00:20:08,876 --> 00:20:12,254
And then I'm driving R5-D4through the scene.
375
00:20:12,337 --> 00:20:14,047
It doesn't get much better than that.
376
00:20:16,466 --> 00:20:21,263
THE MANDALORIAN: Hey, droid, I'm a hunter.
I'm lookin' for some work.
377
00:20:21,346 --> 00:20:22,347
FILONI: R5-D4 was great
378
00:20:22,431 --> 00:20:27,019
because we had that particular typeof droid, but he wasn't painted like R5.
379
00:20:27,102 --> 00:20:30,439
And then I was looking at it,
and we were gonna shoot Mos Eisley,
380
00:20:30,522 --> 00:20:34,234
I went to Josh and I said, "Can yourepaint this thing to look like R5?"
381
00:20:34,318 --> 00:20:36,111
And he said, "Yeah, sure. Why?"
And I said,
382
00:20:36,195 --> 00:20:38,280
"'Cause I don't think
he ever got off Tatooine.
383
00:20:38,363 --> 00:20:40,949
"I think he's been stuck thereand is probably working."
384
00:20:41,033 --> 00:20:43,702
FAVREAU: There's a lot of EU stuff about,that he's a Jedi special...
385
00:20:43,785 --> 00:20:45,704
FILONI: Yeah, I know.
386
00:20:45,787 --> 00:20:48,040
FAVREAU: But you even made him paintthe restraining bolt thing.
387
00:20:48,123 --> 00:20:49,917
FILONI: The busted restraining bolt, yeah.
388
00:20:50,000 --> 00:20:53,003
And where his motivator got shot.
389
00:20:53,086 --> 00:20:55,422
This R2 unit has a bad motivator. Look.
390
00:20:55,506 --> 00:20:58,133
Where was his bad motivator?
391
00:20:58,217 --> 00:20:59,218
-This one?
-Yeah.
392
00:20:59,301 --> 00:21:02,888
Gunk that up
and let it come down the side,
393
00:21:02,971 --> 00:21:05,557
-just oil and grease stains on this guy.
-MAN: Gotcha.
394
00:21:05,641 --> 00:21:08,185
FILONI: We made it a little burned upon top of his head.
395
00:21:08,268 --> 00:21:09,853
And now he's in the cantina.
396
00:21:30,457 --> 00:21:34,378
Behind me is a TIE fighter
in its landing position,
397
00:21:34,461 --> 00:21:38,090
with landing gear out,which hasn't ever been shown before,
398
00:21:38,173 --> 00:21:42,928
and the wings are gonna be added in CG,
399
00:21:43,011 --> 00:21:46,473
where we fold thembased on Doug Chiang's drawing.
400
00:21:46,557 --> 00:21:50,686
It was a design that was done years agothat was never used,
401
00:21:50,769 --> 00:21:55,858
and we saw it and decided we wantedto pull that into our story.
402
00:21:55,941 --> 00:22:00,195
I think my favorite moment of just
shooting this and being involved was...
403
00:22:00,279 --> 00:22:02,489
It was the first day that I was shooting.
404
00:22:02,573 --> 00:22:06,076
It was coming ontothe outside set, the backlot,
405
00:22:06,159 --> 00:22:09,496
and kind of in my head,
I'd seen the previs,
406
00:22:09,580 --> 00:22:12,457
but you know,
none of it's real until you're on set
407
00:22:12,541 --> 00:22:15,669
and I could walk around the corner
and there's 60 stormtroopers
408
00:22:15,752 --> 00:22:19,381
just standing around in that courtyard,
409
00:22:19,464 --> 00:22:24,720
and I just remember walking past
and just going, (TREMBLING) "Okay."
410
00:22:24,803 --> 00:22:25,804
(ALL LAUGHING)
411
00:22:26,388 --> 00:22:29,516
And instantly, I was like,
get my phone out so...
412
00:22:29,600 --> 00:22:31,476
No one's gonna see these.
413
00:22:31,560 --> 00:22:33,520
Stormtroopers! Oh, my God, so amazing.
414
00:22:33,604 --> 00:22:35,355
I kept taking photos of stormtroopers,
415
00:22:35,439 --> 00:22:37,858
and I was so impressed,
'cause there were so many of them.
416
00:22:37,941 --> 00:22:39,151
What was that gang?
417
00:22:39,234 --> 00:22:41,945
What's that secret?
It was probably no secret.
418
00:22:42,029 --> 00:22:44,698
-The 501st?
-WAITITI: They brought those guys in.
419
00:22:44,781 --> 00:22:47,659
And they were...
Their suits looked amazing.
420
00:22:47,743 --> 00:22:51,872
Well, we were in a production meeting
preparing for that shoot,
421
00:22:51,955 --> 00:22:54,416
we were around the table
going through the script,
422
00:22:54,499 --> 00:22:56,585
we said,
"How many stormtroopers did you get?"
423
00:22:56,668 --> 00:22:58,879
They're like, "We got..." What was it? 30?
424
00:22:58,962 --> 00:23:01,673
-Yeah, it wasn't a lot.
-FAVREAU: It was a lot of like...
425
00:23:01,757 --> 00:23:03,800
It sounded good
when we planned it long ago...
426
00:23:03,884 --> 00:23:05,427
But we had maxed out the costumes.
427
00:23:05,511 --> 00:23:06,929
-Yeah.
-CHOW: It was the costumes.
428
00:23:07,012 --> 00:23:08,597
FAVREAU: It was the costumes.
CHOW: Yeah.
429
00:23:08,680 --> 00:23:10,474
So it was like, what are we doing?
430
00:23:10,557 --> 00:23:14,019
Then he and I leaned
into each other, 'cause it was...
431
00:23:14,102 --> 00:23:17,773
I knew that George Lucas, when he
would do an appearance or something,
432
00:23:17,856 --> 00:23:21,193
he could call up the 501st, and he'd have
100 stormtroopers show up for an event.
433
00:23:21,276 --> 00:23:24,029
-FILONI: Yeah, easily.
-And I was like, "Could we call them?"
434
00:23:24,112 --> 00:23:25,572
He knows 'em all, and he was...
435
00:23:25,656 --> 00:23:28,492
-Now I may not remember.
-FILONI: Yeah.
436
00:23:28,575 --> 00:23:31,078
-But you already were in.
-I was already in, yeah.
437
00:23:31,161 --> 00:23:34,373
So you were like, "Well, let's see.
It's Southern California...
438
00:23:34,456 --> 00:23:38,502
"They'll fly down, come in.
I could probably get about..."
439
00:23:38,585 --> 00:23:40,796
And he made some calls,
and they showed up.
440
00:23:40,879 --> 00:23:42,881
But the funny thing was
that they showed up,
441
00:23:42,965 --> 00:23:46,176
and they didn't know
what they were coming to.
442
00:23:46,260 --> 00:23:47,719
What calls do they usually get?
443
00:23:47,803 --> 00:23:50,556
They get calls for...
They'll do premieres.
444
00:23:50,639 --> 00:23:55,310
If you see them at a Star Wars function,
appear, a lot of times, the 501st,
445
00:23:55,394 --> 00:23:57,521
they do, on their own,
visits to hospitals.
446
00:23:57,604 --> 00:23:59,648
They do a lot of charity things.
447
00:23:59,731 --> 00:24:04,361
They do a wide array of things,
and they are called often to represent
448
00:24:04,444 --> 00:24:07,614
for the company at public appearances
related to Star Wars.
449
00:24:07,698 --> 00:24:10,450
So Lucasfilm will call them up
if they're...
450
00:24:11,159 --> 00:24:13,829
If they're at a convention
or an appearance or there's a parade
451
00:24:13,912 --> 00:24:17,207
or events where they want background
stormtroopers. They know that...
452
00:24:17,291 --> 00:24:18,709
-But not a movie.
-HOWARD: Yeah.
453
00:24:18,792 --> 00:24:23,130
So they show up not knowing where
they're going, and they literally are
454
00:24:23,213 --> 00:24:26,300
driving them into the middle
of the set in front of camera,
455
00:24:26,383 --> 00:24:30,304
and they were realizing
that they're gonna be in the show.
456
00:24:30,387 --> 00:24:32,973
In their armor that they made themselves.
457
00:24:33,056 --> 00:24:34,933
-That's significant, right?
-FILONI: Yeah.
458
00:24:35,017 --> 00:24:37,561
Because suddenly, the dream of anybody
459
00:24:37,644 --> 00:24:40,606
that makes your own suit
of stormtrooper armor
460
00:24:40,689 --> 00:24:44,735
is that you would have
an actual screen-used prop, gun or mask,
461
00:24:44,818 --> 00:24:47,070
but the minute
you walked on our set and got shot,
462
00:24:47,154 --> 00:24:51,366
your armor that you made
became screen-used, which is pretty cool.
463
00:24:54,578 --> 00:24:56,622
It's episode 108, the big finale.
464
00:24:57,414 --> 00:24:59,875
We got our whole cast here.We got the 501st.
465
00:25:00,000 --> 00:25:03,003
We got them on camera
as part of our background.
466
00:25:03,086 --> 00:25:06,048
It's been a real treat, real fun.
467
00:25:06,131 --> 00:25:10,719
The 501st Legion is the world's
largest fan-based costuming group.
468
00:25:10,802 --> 00:25:13,472
We do things mainly for charity.
469
00:25:14,389 --> 00:25:17,184
We're bad guys doing good.
470
00:25:17,267 --> 00:25:21,438
But we're also big kids,
so we do this for children
471
00:25:21,522 --> 00:25:24,566
and these children as well.
472
00:25:24,650 --> 00:25:27,402
We love dressing up and costumingand playing the part.
473
00:25:29,863 --> 00:25:32,866
JEFF LEONE: My armor is aboutsix years old, oddly enough,
474
00:25:32,950 --> 00:25:38,163
but I do take care of it, because I invest
a lot of time in that kind of stuff.
475
00:25:38,247 --> 00:25:41,917
It starts off as
a piece of white ABS plastic,
476
00:25:42,000 --> 00:25:47,798
and then they're vac-formed into shapes
to fit your body type, basically.
477
00:25:47,881 --> 00:25:50,717
A lot of it's fairly generic.
It comes in a certain size,
478
00:25:50,801 --> 00:25:53,929
but you have to shim it and shape it
and get it to conform to your body.
479
00:25:54,012 --> 00:25:58,016
Otherwise, you don't look right,
you don't articulate correctly.
480
00:25:58,100 --> 00:26:00,769
You're not gonna look like a stormtrooper.
481
00:26:00,853 --> 00:26:03,230
You'll look like somethingtrying to be a stormtrooper.
482
00:26:03,313 --> 00:26:06,692
MICHAEL BENDER: Lucasfilm put outa last-minute call, yeah, and here it is.
483
00:26:06,775 --> 00:26:09,903
We were able to get some folks
from our garrison in the Bay Area
484
00:26:09,987 --> 00:26:11,613
and bring a few people down to join...
485
00:26:11,697 --> 00:26:14,116
-A few hundred miles down here.
-...our friends in SoCal.
486
00:26:14,199 --> 00:26:15,951
You guys came down from San Francisco?
487
00:26:16,034 --> 00:26:17,160
(ALL SPEAK INDISTINCTLY)
488
00:26:17,244 --> 00:26:18,662
All right. Go, Oakland.
489
00:26:18,745 --> 00:26:19,913
(ALL EXCLAIMING)
490
00:26:19,997 --> 00:26:23,166
TODD: We got here, we got into our armor,we got bussed over to the set.
491
00:26:23,250 --> 00:26:24,918
It was cool, 'cause the PAs were like,
492
00:26:25,002 --> 00:26:27,004
"Hold on. You're gonna have a moment."
493
00:26:27,087 --> 00:26:29,590
And then we walked around
and saw what we were walking into,
494
00:26:29,673 --> 00:26:31,008
and everybody lost it.
495
00:26:31,091 --> 00:26:32,593
I don't even know what to say.
496
00:26:32,676 --> 00:26:35,470
I had absolutely no clue until
he told me this morning what it was.
497
00:26:35,554 --> 00:26:39,183
I just thought it was an event,
a high-profile event.
498
00:26:39,266 --> 00:26:43,187
It's my first one here, and it's a doozy.
499
00:26:43,353 --> 00:26:45,856
(CHUCKLES NERVOUSLY)
This one's big. I had no idea.
500
00:26:45,939 --> 00:26:48,275
-Making Star Wars.
-I had no idea. None.
501
00:26:48,358 --> 00:26:50,903
FAVREAU: So they walk onto our set,and they're right in the middle
502
00:26:50,986 --> 00:26:54,156
of the filming of The Mandalorian,
which they'd been hearing rumors about,
503
00:26:54,239 --> 00:26:55,908
and it was fascinating.
504
00:26:55,991 --> 00:26:59,161
ESPOSITO: We'll do some marching today.We'll look good, crisp, and feel good.
505
00:26:59,244 --> 00:27:01,371
-MAN: Yeah.
-Right on! Right on.
506
00:27:01,455 --> 00:27:04,374
MANUEL: You're walking in, and seeingall the props and the detailing
507
00:27:04,458 --> 00:27:07,294
in every single door,every single accessory,
508
00:27:07,377 --> 00:27:09,546
and it's like, "I'm in Star Wars."
509
00:27:09,630 --> 00:27:11,298
Like, this is a dream.
510
00:27:11,381 --> 00:27:12,799
-A-mark!
-TODD: We're all like,
511
00:27:12,883 --> 00:27:14,593
"Oh, my God. This is real."
512
00:27:14,676 --> 00:27:16,845
I think all of us started crying a little bit.
513
00:27:16,929 --> 00:27:19,306
It's good we wear helmets.
Nobody could see us cry.
514
00:27:19,389 --> 00:27:22,226
FAVREAU: You bring in the 501st,they're professionals.
515
00:27:22,309 --> 00:27:26,563
And lo and behold,I think 25 people show up.
516
00:27:26,647 --> 00:27:29,358
In addition to the stunt peopleand the people in costumes,
517
00:27:29,441 --> 00:27:30,526
we had over 50 of them.
518
00:27:30,609 --> 00:27:34,279
Members of my escort
have completed assembly
519
00:27:34,363 --> 00:27:37,157
of an E-Web heavy repeating blaster.
520
00:27:37,241 --> 00:27:40,244
It looks huge.
Fills up our entire set. Looks great.
521
00:27:40,327 --> 00:27:42,996
And they know exactlyhow to act like a stormtrooper.
522
00:27:43,080 --> 00:27:45,082
FILONI: You direct them,but they know how to move.
523
00:27:45,916 --> 00:27:47,000
They know how to stand.
524
00:27:47,084 --> 00:27:49,711
They are stormtroopers.
525
00:27:49,795 --> 00:27:52,589
They were wonderful. They did a great job.
526
00:27:52,673 --> 00:27:54,633
We got so much energy from them.
527
00:27:54,716 --> 00:27:56,593
-MAN: Action.
-You will have until nightfall.
528
00:27:56,677 --> 00:28:00,138
FAVREAU: And they could not have beenbetter, more professional, cooler.
529
00:28:00,222 --> 00:28:02,850
We'll take some pictures with you.We'll hold onto them...
530
00:28:03,016 --> 00:28:06,186
-We'll give them at the end once it's out.
-Cool.
531
00:28:06,270 --> 00:28:07,604
MAN 1: Thank you.
MAN 2: Thank you.
532
00:28:08,689 --> 00:28:10,482
FAVREAU: You had peoplewho were all walks of life.
533
00:28:10,566 --> 00:28:13,819
You had mothers and daughters,once they popped the helmets off.
534
00:28:13,902 --> 00:28:19,324
I'm Rick Alpi, TK 50311,
and I'm from Mission Viejo.
535
00:28:19,408 --> 00:28:23,745
Jacko Luong, TK 88808,
from Huntington Beach.
536
00:28:23,829 --> 00:28:28,709
My name's Mark Edwards. My TK number
is TK 7328. I'm from Los Angeles.
537
00:28:28,792 --> 00:28:33,630
My name is Jacob Gonzales, TK 86267
of the Inland Empire squad.
538
00:28:33,714 --> 00:28:38,552
Chris Elguera, TK 87007,
part of the Inland Empire squad.
539
00:28:38,635 --> 00:28:43,056
Sam Newcomer,
also known as TIE Racer, TK 54548.
540
00:28:43,140 --> 00:28:46,518
The camaraderie is more important than
anything, and then love for Star Wars.
541
00:28:46,602 --> 00:28:49,813
We all have a common bondthat binds us together, like the Force.
542
00:28:49,897 --> 00:28:51,773
JACKO: It's come full circlefrom watching New Hope,
543
00:28:51,899 --> 00:28:53,358
dreaming about being a stormtrooper
544
00:28:53,442 --> 00:28:56,570
to actually being a stormtrooperin front of the camera.
545
00:28:56,653 --> 00:28:57,821
Just amazing.
546
00:28:57,905 --> 00:28:59,573
Let's take some pictures.
547
00:28:59,656 --> 00:29:00,949
Say, "whiskey"!
548
00:29:04,912 --> 00:29:07,873
Maybe let's finish on talking
about the X-wing pilots.
549
00:29:07,956 --> 00:29:09,583
-Oh, no.
-Yeah.
550
00:29:09,666 --> 00:29:11,210
HICKEL: Both of you
have been X-wing pilots.
551
00:29:11,293 --> 00:29:12,961
-Have you?
-HICKEL: Yeah, John's been...
552
00:29:13,045 --> 00:29:16,298
John appears
in Battle of Yavin, don't you?
553
00:29:16,381 --> 00:29:20,344
-Yeah, I'm actually all the X-wing pilots.
-HICKEL: You're in Phantom Menace, too.
554
00:29:20,427 --> 00:29:22,012
You have a close-up in Phantom Menace.
555
00:29:22,095 --> 00:29:24,848
I worked on some special edition shots.
556
00:29:24,932 --> 00:29:26,892
FILONI: Wait, wait,
I'm worried about this one.
557
00:29:26,975 --> 00:29:29,144
-Jon looks worried.
-You're all of them?
558
00:29:29,228 --> 00:29:30,896
You're gonna ruin it for him.
559
00:29:30,979 --> 00:29:35,025
The CG model of the X-wing,
there was a figure, that's my head.
560
00:29:35,108 --> 00:29:37,194
FAVREAU: Every time. No close-up.
561
00:29:37,277 --> 00:29:39,029
HICKEL: You're on-screen
in Phantom Menace.
562
00:29:43,325 --> 00:29:46,370
KNOLL: I am the only Naboo pilotyou see get killed.
563
00:29:47,788 --> 00:29:51,583
In The Mandalorian,
we have a few X-wing pilots.
564
00:29:51,667 --> 00:29:53,752
One of them is Deb Chow,
who you mentioned.
565
00:29:53,835 --> 00:29:56,421
-One is Deb.
-One of them is Dave Filoni,
566
00:29:56,505 --> 00:29:59,341
-and one's Rick Famuyiwa.
-The leader of the squadron.
567
00:29:59,424 --> 00:30:02,636
It looks like something from the '70s,
that sequence.
568
00:30:02,719 --> 00:30:06,974
FILONI: Your direction for me was,
"Act disinterested and bored."
569
00:30:07,599 --> 00:30:09,434
And I was like, "I can do that."
570
00:30:09,518 --> 00:30:11,937
I got a clear signal
on the tracking beacon.
571
00:30:12,020 --> 00:30:14,314
That I could...
But honestly, it was critical.
572
00:30:14,398 --> 00:30:17,693
-It's great, because you ever see...
-FILONI: It was critical advice.
573
00:30:17,776 --> 00:30:19,319
Pilots, no matter how nervous,
574
00:30:19,403 --> 00:30:20,737
if you're on a bad flight,
575
00:30:20,821 --> 00:30:23,240
they sound so calm,
talking to the military people.
576
00:30:23,323 --> 00:30:26,493
Like in Apocalypse Now,
you hear them calling in the...
577
00:30:26,577 --> 00:30:29,496
This is my day.
I'm trying to shoot second unit for Rick.
578
00:30:29,580 --> 00:30:31,540
I'm out in the mud, in the pit,
579
00:30:31,623 --> 00:30:35,919
and yet, all day, I know loomingis this X-wing pilot shoot,
580
00:30:36,003 --> 00:30:39,006
and Rick and Deb and I
have been texting each other all week.
581
00:30:39,089 --> 00:30:41,550
"Are we really gonna do this?
I thought this was a joke."
582
00:30:41,633 --> 00:30:44,553
"I know, but Jon liked it."
So now we're kind of screwed.
583
00:30:44,636 --> 00:30:47,639
-I was not giving up on this one.
-He wouldn't let us out of it.
584
00:30:47,723 --> 00:30:49,183
I had a vision.
585
00:30:49,266 --> 00:30:53,020
Deb was mad at us 'cause we decided.
She didn't think we were doing it.
586
00:30:53,103 --> 00:30:55,314
"You have to show up today.
We're gonna do this."
587
00:30:55,397 --> 00:30:57,274
Then I'm thinking, I have a flight...
588
00:30:57,983 --> 00:31:02,779
And if my second-unit shoot goes long,
I have a good excuse. I've just gotta go.
589
00:31:02,863 --> 00:31:04,823
And then I get a text from this guy,
590
00:31:04,907 --> 00:31:10,329
"If you leave without shooting this scene,
I will never let you hear the end of it."
591
00:31:10,412 --> 00:31:11,622
Now I'm weighing my options.
592
00:31:11,705 --> 00:31:15,209
I'm like, "Okay, so I cannot shoot this
and be happy with that,
593
00:31:15,292 --> 00:31:17,252
"but I have to weigh that against Jon
594
00:31:17,336 --> 00:31:20,297
-"having something to give me crap about."
-KENNEDY: Constant harassment.
595
00:31:20,380 --> 00:31:22,633
He already gives me crap
about a bunch of things,
596
00:31:22,716 --> 00:31:26,136
like the cartoon, the Daytime Emmys.
Different things, you give me a little...
597
00:31:26,220 --> 00:31:29,097
-I'm just jealous.
-I know. Well, that's fine. Just fine.
598
00:31:29,223 --> 00:31:31,350
FAVREAU: I was only nominated
for a Daytime Emmy.
599
00:31:31,433 --> 00:31:34,561
-FILONI: You can come look at mine.
-So I talk a big game.
600
00:31:34,645 --> 00:31:37,689
So I'm weighing, am I gonna do this?
Am I not gonna do this?
601
00:31:37,773 --> 00:31:40,651
I finally decide, you know what?
I'm gonna do it.
602
00:31:41,360 --> 00:31:44,446
There's something valuable in it.
And I always take...
603
00:31:44,530 --> 00:31:48,200
Coming as an actor, there's so much
that I can learn from that,
604
00:31:48,283 --> 00:31:51,745
'cause I don't deal with
live-action actors in this way.
605
00:31:51,828 --> 00:31:53,664
You've given me so much knowledge...
606
00:31:53,747 --> 00:31:55,332
Playing the X-wing gave you insight...
607
00:31:55,415 --> 00:31:58,168
It actually did.
I had to tell you, it did,
608
00:31:58,252 --> 00:32:00,420
because what it was, was like,
609
00:32:00,504 --> 00:32:04,216
okay, what is their preparation like,
from having to put a costume on...
610
00:32:04,299 --> 00:32:07,010
-True. It is vulnerable.
-FILONI: What is that fit like?
611
00:32:07,094 --> 00:32:08,804
Now they gotta walk onstage.
612
00:32:08,887 --> 00:32:12,683
Now there's all these people
waiting for you.
613
00:32:13,600 --> 00:32:16,478
Now you're getting in there,
and it almost felt like,
614
00:32:16,812 --> 00:32:21,358
the closer I got to the X-wing cockpit,
the narrower my vision was getting,
615
00:32:21,441 --> 00:32:24,319
'cause there's so many peopleand all these lights,
616
00:32:24,403 --> 00:32:26,822
and the X-wing itself was a funny story.
617
00:32:26,905 --> 00:32:29,157
'Cause that wasn't a normal
buck that you sat in.
618
00:32:29,241 --> 00:32:32,119
-It was a whole X-wing...
-It was a whole X-wing.
619
00:32:32,202 --> 00:32:36,623
How did we get it? 'Cause we're very...
We use all parts of the buffalo here.
620
00:32:36,707 --> 00:32:38,333
FILONI: It was for Galaxy's Edge...
621
00:32:38,417 --> 00:32:41,420
FAVREAU: It was shipped down to Florida.
FILONI: To Orlando, Florida.
622
00:32:41,503 --> 00:32:42,629
FAVREAU: For the theme park.
623
00:32:42,713 --> 00:32:44,464
The X-wing you see in Orlando, Florida,
624
00:32:44,548 --> 00:32:48,218
is the X-wing cockpitthat we all sat in, in Mandalorian.
625
00:32:48,302 --> 00:32:49,469
The one sitting outside.
626
00:32:49,553 --> 00:32:52,222
FAVREAU: What's your character's name,
by the way?
627
00:32:52,306 --> 00:32:53,432
(STUTTERS) Trapper Wolf.
628
00:32:53,932 --> 00:32:55,017
Trapper Wolf sat in.
629
00:32:55,100 --> 00:32:56,602
FILONI: But the thing is this.
630
00:32:56,685 --> 00:32:59,438
I couldn't believe we didn't have
an X-wing cockpit in California.
631
00:32:59,521 --> 00:33:02,191
Like, you gotta be kidding me.
That's insane.
632
00:33:02,274 --> 00:33:04,526
-They brought it...
-FILONI: We kind of hijacked it.
633
00:33:04,610 --> 00:33:06,570
FAVREAU: We hijacked it.
It was being transported.
634
00:33:06,653 --> 00:33:08,447
-We pulled it off.
-FILONI: We cut it up.
635
00:33:08,530 --> 00:33:12,743
Because it had to be reinforced
for storms or whatever.
636
00:33:12,826 --> 00:33:15,579
FILONI: There's a big steel barright where you put a chair.
637
00:33:15,662 --> 00:33:18,582
FAVREAU: So we had to remove itand replace it, and he...
638
00:33:18,665 --> 00:33:19,958
FILONI: Chuck a seat in there.
639
00:33:20,042 --> 00:33:23,837
And then they put...
They dressed that thing up.
640
00:33:23,921 --> 00:33:26,006
Looked like an X-wing
with lights and everything.
641
00:33:26,089 --> 00:33:29,259
But we had to climb up there
in this platform, way off the ground.
642
00:33:29,343 --> 00:33:30,802
It should've been right here.
643
00:33:30,886 --> 00:33:32,971
And so I'm up a ladder in this.
644
00:33:33,055 --> 00:33:36,475
-I look like a grapefruit in this outfit.
-FAVREAU: Yes.
645
00:33:36,558 --> 00:33:37,809
FILONI: And I get in this seat...
646
00:33:37,893 --> 00:33:40,187
-It's not your color.
-FILONI: It's not my color.
647
00:33:40,270 --> 00:33:43,190
And it felt dangerous getting in there.
And then you're...
648
00:33:43,273 --> 00:33:46,735
-There was no dialogue for these pilots...
-So I had to give you some.
649
00:33:46,818 --> 00:33:50,405
-...and then on the day you decided...
-I would feed you lines.
650
00:33:50,489 --> 00:33:53,408
You were like, "Say something like,
'They're launching a gunship.'"
651
00:33:53,492 --> 00:33:58,330
And I'm like, "Okay."
"And don't be interesting."
652
00:33:58,413 --> 00:34:01,458
Yeah, that's a gunship.
All right, I'm going in. And then...
653
00:34:02,459 --> 00:34:05,546
-FILONI: And then, it's so cool.
-FAVREAU: It's so cool.
654
00:34:05,629 --> 00:34:08,048
You think I'm kidding you.
It is the coolest...
655
00:34:08,131 --> 00:34:12,219
We're in a review
of Rick's first cut of this episode
656
00:34:12,302 --> 00:34:13,303
and we're watching it,
657
00:34:13,387 --> 00:34:15,097
and as we're watching it, it dawns on me,
658
00:34:15,180 --> 00:34:17,432
I'm like, "No, we're about
to watch the X-wing scene."
659
00:34:17,891 --> 00:34:20,727
And then we come out, I hear...
(IMITATING GUNSHOTS)
660
00:34:20,811 --> 00:34:24,481
And everybody's just business,
and this guy is going out of his mind.
661
00:34:24,565 --> 00:34:26,942
-I love it.
-It looked like found footage of...
662
00:34:27,025 --> 00:34:31,196
-The fans are gonna love that sequence.
-Really B-rate, C-rate actors.
663
00:34:31,280 --> 00:34:32,322
Wait'll you see cosplay.
664
00:34:32,406 --> 00:34:35,784
But it looks like
what you would've had in the '70s.
665
00:34:35,868 --> 00:34:38,787
-MAN: I copy, Gold Leader.
-We're starting for the target shaft.
666
00:34:38,871 --> 00:34:42,291
We're in position. I'm going to cut
across the axis and draw their fire.
667
00:34:47,588 --> 00:34:48,839
Are those X-wings?
668
00:34:48,922 --> 00:34:51,383
Yep, that's definitely a tracking beacon.
669
00:34:51,466 --> 00:34:53,427
Looks like they're launching a gunship.
670
00:34:53,510 --> 00:34:54,761
Copy. Goin' in.
671
00:35:04,980 --> 00:35:06,398
Is there anything to say
672
00:35:06,481 --> 00:35:09,067
before we break up this party,
about anything?
673
00:35:09,151 --> 00:35:11,445
-ROSENGRANT: Thank you.
-"Thank you"? Good. Thank all of you.
674
00:35:11,528 --> 00:35:15,365
The most fun part I've had
on this show has been,
675
00:35:15,449 --> 00:35:20,579
when I have a little idea or we talk about
something and we push it out there
676
00:35:20,662 --> 00:35:22,706
and the art department
starts drawing cool stuff
677
00:35:22,789 --> 00:35:27,336
then the people at ILMstart to come up with techniques
678
00:35:27,419 --> 00:35:29,254
and styles and suggesting things.
679
00:35:29,379 --> 00:35:34,760
It feels like we're an after-school club
680
00:35:34,843 --> 00:35:39,014
that are making our own
YouTube videos of Star Wars.
681
00:35:39,097 --> 00:35:41,350
And we have really rich parents.
682
00:35:44,728 --> 00:35:46,605
FILONI: It's a cumulative excitement,
683
00:35:46,688 --> 00:35:49,441
because you're excited about your idea,I get excited hearing it,
684
00:35:49,525 --> 00:35:50,734
Doug gets excited drawing it.
685
00:35:50,817 --> 00:35:54,404
We look at the drawing and go,
"Oh, my gosh, there's more ideas,"
686
00:35:54,488 --> 00:35:56,323
and so the energy builds on itself.
687
00:35:56,406 --> 00:35:59,826
Once you accept that each stepis gonna get better than where it was...
688
00:35:59,910 --> 00:36:02,079
Some people tried to hold onto their original idea,
689
00:36:02,162 --> 00:36:04,414
and nothing will be better
than that original idea,
690
00:36:04,498 --> 00:36:05,832
and that suffocates the idea.
691
00:36:05,916 --> 00:36:09,461
But in filmmaking, everything
has to progress forward,
692
00:36:09,545 --> 00:36:12,047
and that's what this production
has done really well,
693
00:36:12,130 --> 00:36:14,758
is that everybody gets on the same pageand carries the ball
694
00:36:14,842 --> 00:36:17,135
farther down the fieldthan the step that came before.
695
00:36:17,219 --> 00:36:20,222
We have some of the most amazing artists
696
00:36:20,305 --> 00:36:25,894
and people with such extraordinary
good taste in what they're trying to do.
697
00:36:25,978 --> 00:36:29,565
And they care so much
about what it is they're trying to do.
698
00:36:29,648 --> 00:36:35,445
We're always operating at such a high bar
that, that pushes everybody.
699
00:36:35,529 --> 00:36:37,489
It's Star Wars. It brings out the best.
63477
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