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1
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(PLAYING FLUTE)
2
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One of the first things I did
when I started this project
3
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was to order a kit of recorders, right?
4
00:00:16,099 --> 00:00:18,810
And so I got these in the mail.
5
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I've never played this one before,
so this was the one I played first.
6
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(PLAYING FLUTE)
7
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That became...
8
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That's the intro to the Mandalorian theme.
9
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(THE MANDALORIAN THEME PLAYING)
10
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(SPEAKING ALIEN LANGUAGE)
11
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GÖRANSSON: It's soulful, and it's intimateand almost childlike.
12
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I think it's a very broad sound
13
00:01:08,068 --> 00:01:11,530
that a lot of people will have
their own relations to the sound.
14
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After I started with a flute,I played a drum over it.
15
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And then I went over to the piano.
16
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Doubling the bass line with the piano.
17
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Very dramatic.
18
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You know something's
about to happen, right? (LAUGHS)
19
00:02:07,044 --> 00:02:09,046
(THE MANDALORIAN THEME PLAYING)
20
00:02:51,046 --> 00:02:52,631
-JON FAVREAU: You know Ryan Coogler.
-Yeah.
21
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Every time I saw him, for years,
brings you up.
22
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(GÖRANSSON CHUCKLES)
23
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Was he your roommate at USC?
24
00:03:02,015 --> 00:03:03,141
GÖRANSSON: Yeah, at USC.
25
00:03:03,225 --> 00:03:05,644
We started working together
on student films,
26
00:03:05,727 --> 00:03:07,813
and we've worked together since then.
27
00:03:07,896 --> 00:03:11,567
And so we got together and talked about...
28
00:03:11,650 --> 00:03:13,527
Do you remember
the first thing we discussed?
29
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I know that we had a...
discussed our common...
30
00:03:15,779 --> 00:03:17,155
And then Donald Glover also.
31
00:03:17,239 --> 00:03:19,366
You were in the studio with him
with Lion King.
32
00:03:19,449 --> 00:03:22,077
Yeah, we were working on Lion King,
33
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and I'd been working with himfor a few years at that point,
34
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and I also thought it was really cool
that you didn't just do music for film,
35
00:03:31,086 --> 00:03:37,009
but you also were part of making songs
and popular songs and hip-hop songs.
36
00:03:37,926 --> 00:03:41,555
And I also loved that... What was
the short film that you appeared in?
37
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Clapping...
38
00:03:43,182 --> 00:03:46,310
-Clapping for the Wrong Reasons.-Clapping for the Wrong Reasons.
39
00:03:46,393 --> 00:03:48,061
And you sort of cameo in there.
40
00:03:48,145 --> 00:03:51,690
There's a bit that he does where
he's putting some music together,
41
00:03:51,773 --> 00:03:54,943
and it's all these crazy
techno-industrial sounds.
42
00:03:55,027 --> 00:03:57,029
(TECHNO MUSIC PLAYING)
43
00:04:05,037 --> 00:04:10,334
I was like, "There's something kind of
cool there for this particular...
44
00:04:10,417 --> 00:04:13,420
"this particular story
for The Mandalorian,"
45
00:04:13,504 --> 00:04:15,756
because Star Wars has a sound,
46
00:04:15,839 --> 00:04:21,011
but then we wanted to bring in kind of
a dystopic twist to it, kind of like...
47
00:04:21,094 --> 00:04:22,095
Something different.
48
00:04:22,179 --> 00:04:26,433
Which really makes life
a lot easier for me,
49
00:04:26,517 --> 00:04:28,727
'cause if you would've said,
"We want it to sound...
50
00:04:28,810 --> 00:04:31,897
"we want the Star Wars themes
here," that would've been like...
51
00:04:31,980 --> 00:04:35,484
It would've been
a really difficult situation.
52
00:04:35,567 --> 00:04:37,736
We gave you many reference points,
if I remember.
53
00:04:37,819 --> 00:04:40,531
-So we talked about Morricone.
-GÖRANSSON: Mmm-hmm.
54
00:04:40,614 --> 00:04:45,202
And we talked about the scores
for the Kurosawa films,
55
00:04:45,285 --> 00:04:47,454
which are also not traditional.
56
00:04:47,538 --> 00:04:48,539
No.
57
00:04:48,622 --> 00:04:50,958
Different was big. Different was key,
58
00:04:51,041 --> 00:04:52,918
and it's something that for me,
59
00:04:53,001 --> 00:04:55,379
I experienced first talkingwith George about music.
60
00:04:56,380 --> 00:05:01,635
Star Wars can cover a vaster array
of sounds and design than you think.
61
00:05:01,718 --> 00:05:04,763
So when you are immediately
talking about different sounds,
62
00:05:04,847 --> 00:05:07,432
you brought up Ludwig,
and I was like, "Wow, this is like..."
63
00:05:07,516 --> 00:05:11,186
I think of that moment again, and it makes
complete sense for what we were doing.
64
00:05:11,270 --> 00:05:15,482
You needed to be the person who wasn't
gonna be scared to just march out there.
65
00:05:15,566 --> 00:05:17,985
You guys just made it really fun,
66
00:05:18,068 --> 00:05:20,153
and you took the pressure away and just...
67
00:05:20,237 --> 00:05:23,115
Basically, after every meeting we had,
like, "Have fun with it."
68
00:05:23,198 --> 00:05:26,243
You know, just like,
encouraging to just experiment.
69
00:05:26,326 --> 00:05:28,453
You were just so open for experimentation.
70
00:05:28,537 --> 00:05:29,788
You also did a great job.
71
00:05:29,872 --> 00:05:33,333
We wouldn't have been that way
if we didn't like what you were doing.
72
00:05:34,710 --> 00:05:37,629
To me, this still feels organic somehow.
73
00:05:37,713 --> 00:05:44,011
Um, I found this '70s
guitar synthesizer called...
74
00:05:44,094 --> 00:05:45,971
This is the Roland GR-500.
75
00:05:46,847 --> 00:05:49,725
It's a very rare guitar synthesizer.
76
00:05:49,808 --> 00:05:53,520
You can't make computers today
sound like this.
77
00:05:54,646 --> 00:05:58,192
So just sitting and playing,
and guitar is my first instrument,
78
00:05:58,275 --> 00:06:03,197
so just sitting and playing guitar just...
79
00:06:04,656 --> 00:06:11,163
just with this synth sound, to me,
kind of created a bunch of new ideas.
80
00:06:13,248 --> 00:06:14,750
KUIIL: You are Mandalorian!
81
00:06:16,543 --> 00:06:19,796
Your ancestors rode the great Mythosaur.
82
00:06:20,964 --> 00:06:23,717
Surely you can ride this young foal.
83
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(GROWLS)
84
00:06:27,554 --> 00:06:29,556
(YOU ARE A MANDALORIAN PLAYING)
85
00:06:38,273 --> 00:06:40,609
GÖRANSSON: Early on,Jon was kind of describing this
86
00:06:40,692 --> 00:06:44,488
as a samurai, gunslinger, Western show,
87
00:06:44,571 --> 00:06:47,115
and he was always talking about it
88
00:06:47,199 --> 00:06:49,159
in different terms
and describing the character
89
00:06:49,243 --> 00:06:51,787
in a way that made it feel new to me,
90
00:06:51,870 --> 00:06:54,373
so musically, what does that mean?
91
00:06:55,958 --> 00:06:57,793
It's a one-man journey, you know.
92
00:06:57,876 --> 00:07:00,420
You're just followingthis guy the whole time.
93
00:07:04,091 --> 00:07:05,843
Musically, you need to tell the story.
94
00:07:05,926 --> 00:07:09,179
Constantly tell the story and
show his emotions through music,
95
00:07:09,263 --> 00:07:11,306
because you don't see it on his face.
96
00:07:11,390 --> 00:07:12,641
(GRUNTS)
97
00:07:15,769 --> 00:07:20,899
Obviously, the most important is what
the music is and the content of the music.
98
00:07:25,028 --> 00:07:27,072
The melodies and the harmoniesand the rhythm.
99
00:07:27,155 --> 00:07:29,157
(YOU ARE A MANDALORIAN PLAYING)
100
00:07:44,464 --> 00:07:47,384
GÖRANSSON: Being the producer,the music is almost as important,
101
00:07:47,467 --> 00:07:50,053
the way you shape itand the way you make it sound,
102
00:07:50,137 --> 00:07:54,141
because now we haveall these tools to make it different.
103
00:07:57,227 --> 00:08:00,814
The first thing I didafter reading all the scripts,
104
00:08:00,898 --> 00:08:02,983
I just got into my studio.
105
00:08:03,066 --> 00:08:06,570
I closed myself off for, like, a month
with just instruments.
106
00:08:07,404 --> 00:08:09,573
That is where you'll find your quarry.
107
00:08:13,535 --> 00:08:16,872
No computers. Normally, like,
you're right sitting by the computer,
108
00:08:16,955 --> 00:08:19,124
and you're transfixed
to the computer screen,
109
00:08:19,208 --> 00:08:22,628
but you don't get anything back
from the computer.
110
00:08:25,464 --> 00:08:28,509
If you're sitting with a guitar,it's giving you something,
111
00:08:28,592 --> 00:08:30,719
and to me, that connection was key.
112
00:08:30,802 --> 00:08:33,847
Those that live here come to seek peace.
113
00:08:33,931 --> 00:08:36,892
There will be no peace until they're gone.
114
00:08:38,560 --> 00:08:42,397
GÖRANSSON: I made five songs.Like, five 5-minute songs
115
00:08:42,481 --> 00:08:46,860
with all different flavors for different
characters or different planets.
116
00:08:46,944 --> 00:08:51,281
After a month of doing that, I went overto the studio where Jon and Dave were,
117
00:08:52,032 --> 00:08:54,910
and I pulled up, like,
my themes on my phone.
118
00:08:56,203 --> 00:08:58,956
Immediately when they heard it,they were like, "That's it.
119
00:08:59,998 --> 00:09:02,918
"That's so cool. That's the sound.
I never heard that before."
120
00:09:04,294 --> 00:09:05,796
(THE MANDALORIAN THEME PLAYING ON PHONE)
121
00:09:05,879 --> 00:09:06,880
You hear it?
122
00:09:11,301 --> 00:09:12,594
This guy.
123
00:09:12,678 --> 00:09:14,638
On a recorder in his bathtub.
124
00:09:14,721 --> 00:09:16,557
I never got a recorder to sound so good.
125
00:09:16,640 --> 00:09:17,724
The bath... In the woods.
126
00:09:17,808 --> 00:09:19,101
-In the woods?
-In the woods.
127
00:09:19,685 --> 00:09:20,686
-No.
-No.
128
00:09:22,145 --> 00:09:23,981
(TECHNO BEATS PLAYING)
129
00:09:34,908 --> 00:09:37,786
GÖRANSSON: Go into this delay.
130
00:09:40,372 --> 00:09:42,165
You can't do music for Star Wars
131
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without working on something
that looks like a robot, right?
132
00:09:46,003 --> 00:09:47,004
(CHUCKLES)
133
00:09:47,629 --> 00:09:49,631
(LITTLE MOUSEY PLAYING)
134
00:09:56,096 --> 00:09:57,556
THE MANDALORIAN: I don't like this.
135
00:09:57,639 --> 00:09:59,266
You always were paranoid.
136
00:10:00,726 --> 00:10:03,270
GÖRANSSON: This is just...I think just something I work with
137
00:10:03,353 --> 00:10:08,734
to just kind of create sounds,still by hands and still by playing.
138
00:10:08,817 --> 00:10:10,444
It feels like a toy, almost.
139
00:10:10,527 --> 00:10:15,365
Like, if you spend hoursjust turning around and buttons...
140
00:10:15,449 --> 00:10:19,786
and pressing buttons, you know,
these things are extremely powerful
141
00:10:19,870 --> 00:10:23,290
and can create interesting soundscapes
142
00:10:23,373 --> 00:10:25,834
that might lead you to another idea.
143
00:10:26,960 --> 00:10:28,712
It's all about creating worlds.
144
00:10:30,589 --> 00:10:36,220
You want to have the whole visual world
connected to it through the audio.
145
00:10:37,888 --> 00:10:40,265
-No! Burg, what are you doin'?
-What?
146
00:10:42,851 --> 00:10:44,436
SECURITY DROID: Intruder alert.
147
00:10:44,520 --> 00:10:45,604
(TECHNO MUSIC PLAYING)
148
00:10:45,687 --> 00:10:48,440
GÖRANSSON: Sounds inspire meto another sound...
149
00:10:50,192 --> 00:10:54,696
kind of like a kindergartenplayground, almost, environment.
150
00:10:56,281 --> 00:11:00,244
But that kind of environment,the best creativity came out of me.
151
00:11:04,122 --> 00:11:06,959
Anything, man.
You can do anything with this.
152
00:11:07,042 --> 00:11:10,587
To me, this is all by chance, too.
153
00:11:10,671 --> 00:11:12,631
You don't know what's gonna happen.
154
00:11:19,763 --> 00:11:21,974
We started with something,
155
00:11:22,057 --> 00:11:25,727
you know, started something
that was very different,
156
00:11:25,811 --> 00:11:27,896
and then we added on another element,
157
00:11:27,980 --> 00:11:30,023
which was kind of like
what we talked about,
158
00:11:30,107 --> 00:11:32,317
like the dystopian, the tech.
159
00:11:32,401 --> 00:11:35,779
Like, putting all this organic
'70s instruments
160
00:11:35,863 --> 00:11:40,576
through computers and filters
and making it modern,
161
00:11:40,659 --> 00:11:44,496
and then the third element,
which is the orchestra,
162
00:11:44,580 --> 00:11:48,375
to kind of honor Star Wars, in my opinion.
163
00:11:48,458 --> 00:11:51,962
I wanted to get that same sound that we...
164
00:11:53,964 --> 00:11:58,468
It makes a huge difference
when you have 80 people in a room
165
00:11:58,552 --> 00:12:03,432
play their instruments, and all,
you know, putting a human touch.
166
00:12:03,515 --> 00:12:05,309
And your wife and your unborn child.
167
00:12:05,392 --> 00:12:07,311
GÖRANSSON: And my wifeand my unborn child, who...
168
00:12:07,394 --> 00:12:09,104
She was concertmaster for the sessions.
169
00:12:09,188 --> 00:12:11,565
FAVREAU: I was very moved.The whole thing felt so good,
170
00:12:11,648 --> 00:12:15,235
and I was coming offof doing Lion King and features,
171
00:12:15,319 --> 00:12:18,488
so to me, it was the efficiency also,'cause it was a big orchestra.
172
00:12:18,572 --> 00:12:20,908
But you don't have much timewith all those players,
173
00:12:20,991 --> 00:12:22,326
so you just rip through it.
174
00:12:22,409 --> 00:12:25,621
But to me, it was your confidenceand the fact that you didn't seem
175
00:12:25,704 --> 00:12:28,624
daunted or scared, and if you were,you didn't let it on,
176
00:12:28,707 --> 00:12:32,961
because the one thing,
the biggest lightning rod in Star Wars,
177
00:12:33,045 --> 00:12:35,506
I think, is the music,
because it's the one thing...
178
00:12:35,589 --> 00:12:38,675
Everybody has different opinions
about which movies they like better
179
00:12:38,759 --> 00:12:42,012
or characters or lines of dialogue
or storylines.
180
00:12:42,095 --> 00:12:44,598
Everybody who loves Star Wars,
181
00:12:44,681 --> 00:12:50,687
they may have their opinions about,
you know, the specificities of it,
182
00:12:50,771 --> 00:12:54,483
but everybody is in agreement
that the music is iconic and perfect,
183
00:12:54,566 --> 00:12:57,194
and I think our biggest goal
is to not feel
184
00:12:57,277 --> 00:13:00,656
like we were just repeating
or drawing upon
185
00:13:00,739 --> 00:13:04,660
what had come before as a shortcut
to get through to the audience.
186
00:13:05,410 --> 00:13:07,120
(ORCHESTRA PLAYING)
187
00:13:16,338 --> 00:13:18,340
GÖRANSSON: Thank you guys
so much for being here.
188
00:13:18,423 --> 00:13:21,927
What we're recording today
is a show called Mandalorian,
189
00:13:22,010 --> 00:13:25,889
and it's Lucasfilm's first
live-action Star Wars show.
190
00:13:25,973 --> 00:13:27,808
(ALL CHEERING AND APPLAUDING)
191
00:13:40,112 --> 00:13:41,280
FAVREAU: Thanks for coming in.
192
00:13:41,363 --> 00:13:44,908
You're the first people to have any flavor
of what we're doing.
193
00:13:45,492 --> 00:13:48,328
What you're hearing and playing here is one part of it,
194
00:13:48,412 --> 00:13:50,664
and of course,
there's a whole tech element to it
195
00:13:50,747 --> 00:13:52,457
that's gonna be mixed in with it.
196
00:13:52,541 --> 00:13:54,751
But really, it's about humanity,
197
00:13:54,835 --> 00:13:59,464
and it's about humans playing instruments
and bringing your artistry to it.
198
00:14:02,551 --> 00:14:04,219
And I'm so excited to be here.
199
00:14:13,770 --> 00:14:16,148
It just rolled away from me. (LAUGHS)
200
00:14:16,231 --> 00:14:19,818
What score do they have in front of them?
Okay, let's start on one and 11, then.
201
00:14:21,904 --> 00:14:23,697
So we'll start with HammerTime, I guess.
202
00:14:24,489 --> 00:14:27,451
-HammerTime? That what it's called?
-Yeah.
203
00:14:28,160 --> 00:14:29,953
THE MANDALORIAN: I was once a Foundling.
204
00:14:30,037 --> 00:14:31,079
ARMORER: I know.
205
00:14:31,163 --> 00:14:33,165
(HAMMERTIME PLAYING)
206
00:14:37,002 --> 00:14:38,921
GÖRANSSON: Scoring your musicwith a live orchestra,
207
00:14:39,004 --> 00:14:41,048
that's the best part of this job.
208
00:14:41,673 --> 00:14:44,843
Up until then, you've only been
inside your studio just by yourself.
209
00:14:47,054 --> 00:14:51,266
You go to the scoring stage,and everyone comes there: Jon, Dave.
210
00:14:51,350 --> 00:14:54,853
We're all there, and we hear
the music being performed
211
00:14:54,937 --> 00:14:57,564
by the best musicians in the world.
212
00:14:57,648 --> 00:15:01,485
And just hear how much it changes
and how special it is
213
00:15:01,568 --> 00:15:03,737
and hear them reallybring the music to life.
214
00:15:03,820 --> 00:15:07,491
And you look up on the screen,the characters really come alive.
215
00:15:15,707 --> 00:15:17,209
-I got goosebumps.
-(ALL APPLAUDING)
216
00:15:17,292 --> 00:15:18,710
FILONI: How awesome was that?
217
00:15:18,794 --> 00:15:20,587
It's just the beginning, guys.
218
00:15:22,923 --> 00:15:24,758
IG-11: The tracking fob is still active.
219
00:15:24,842 --> 00:15:28,053
My sensors indicate
that there is a life form present.
220
00:15:41,024 --> 00:15:43,902
This was something completely different
from what I've done before.
221
00:15:43,986 --> 00:15:45,612
It's eight episodes.
222
00:15:46,488 --> 00:15:48,156
It's just so much music. (CHUCKLES)
223
00:15:49,700 --> 00:15:53,287
It's almost like scoringthree feature films.
224
00:15:55,497 --> 00:15:57,708
I wanted a through line
throughout the show.
225
00:16:02,337 --> 00:16:06,049
But then also, every episodeis so specifically different.
226
00:16:06,133 --> 00:16:08,886
It takes place in a different worldwith new characters.
227
00:16:08,969 --> 00:16:11,805
It's almost like every episodeis its own story in itself.
228
00:16:21,315 --> 00:16:22,858
That is really fun as a composer.
229
00:16:22,941 --> 00:16:27,362
How can you make everything has
its own sound but also tie it together?
230
00:16:29,072 --> 00:16:30,073
(SIZZLES)
231
00:16:31,742 --> 00:16:34,119
GÖRANSSON: As we went along,I was like, "Okay, well,
232
00:16:34,203 --> 00:16:37,080
"we need a new theme for every episode."
233
00:16:38,874 --> 00:16:41,835
And then obviously, the Mandalorian themeto tie it all together.
234
00:16:51,803 --> 00:16:54,723
There are certain directors
that work with composers.
235
00:16:54,806 --> 00:16:59,895
Like, Luc Besson works with his composer
from the very beginning,
236
00:16:59,978 --> 00:17:02,940
and then you can play those themes on set.
237
00:17:03,023 --> 00:17:04,900
And for me,
it can help me with my writing,
238
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'cause I was still working on
season one, season two,
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and all of a sudden,
it took on its own personality,
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and it also amazed me
how orchestral it ended up being, too.
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So we did have a lot of what people
have come to expect from Star Wars in it,
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but yet, it's its own thing.
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FILONI: And to think about that, too,we have this
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kind of huge benefit but also impediment
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in that everybody knows
what a stormtrooper is.
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If a stormtrooper walks onto the set,
everyone's like,
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"So cool. Look at the stormtrooper."
248
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That's not how it was when George made Star Wars.
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People said, "Can you believe this thing?"
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FAVREAU: "What are they doing?"
FILONI: "Can't believe we're doing this."
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Everybody wants to make this great.
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Everybody wants to give their best.
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He had to somehow get the bestout of everybody
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and explain what the heck a Jedi is and...
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FAVREAU: It's so overwhelmingto think about.
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FILONI: It's a miracle,
thinking of it that way.
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I think of the challenges we face...
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-We're taking it from here to here.
-Yeah.
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He took it from nothing to this.
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FILONI: And at the same time,
it can also hurt us,
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because people almost put too much
grandiose importance on things
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that should be fun and light
or should just be allowed to play.
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Yes, it's Star Wars, but if we lose focus
on it being this exciting adventure
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that is mainly directed at kids,
as George always held to that,
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then we're changing it into something
it's not meant to be
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'cause we're trying to cherish it
so much, we're holding it too tight.
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The same could've been true of the music,
you know, when you did it,
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if we just stuck to what was always done
and didn't take a chance,
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you know, to do something different
and yet honor what was there.
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It's a very fine line.
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I got introduced to Star Wars
through the music.
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John Williams, what he's donewith film music is beyond words.
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When I hear it,
it makes me feel like a kid again.
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You've taken your first step
into a larger world.
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The impact that it had on me,
it really got me into classical music.
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His music is so intelligent and emotional.
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It's been inspiring going back in timeand rediscovering some of his music.
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I went back and listenedto his other work...
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...and imagined what made him kind ofcreate the sound that we all know
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and just listen to the waythat he experimented with sounds
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and using modern sounds with an orchestra.
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That got me extremely inspired.
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I'll never be able to do
what John Williams has done,
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but I want to try to bring something newand something exciting
285
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and something that hopefully will be ableto make kids listen the same way
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and get kids excited the way I did.
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(BE CAREFUL WITH HIM PLAYING)
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I have a lot of friends
that are film-music nerds.
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I think what's been really cool has been
seeing how invested people are in this.
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Like, there's...
People are like, "I love it."
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You know, to hear
the two different information,
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00:20:31,315 --> 00:20:34,526
like, people either love it
or they really hate it,
293
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and I feel like the people that hated it,
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I've heard that it takes them
a couple episodes,
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and they get used to it,
and then by the end,
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they're like, "I love this now."
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It was our way of saying,
"We're not competing with Star Wars."
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00:20:47,623 --> 00:20:49,583
Star Wars is Star Wars,
and we love Star Wars,
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and we're not pretending we're Star Wars.
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We're our own thing
that is an off-shoot of that.
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It allowed us to bring new charactersinto the world,
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and it allowed us to show new planetsand new time periods,
303
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and all of that, I think people get pretty
quickly when they hear the theme.
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Well, I think, too, we've talked about
with what we did visually,
305
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and it's just true of Star Wars.
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It's very generational.
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Every couple years, there are kidsthat have their own Star Wars.
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00:21:16,026 --> 00:21:17,277
There's the original trilogy,
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00:21:17,361 --> 00:21:20,489
there's a type of expanded-universe
group of people,
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there's prequel people,
then there become Clone Wars people,
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and so on and so on,
and they all love Star Wars.
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They all love similar-but-different things
about Star Wars,
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and when you think about it, your music,
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those kids will have a powerfulconnection as they grow up with this
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that they become the next generation
of people that carry on these stories.
28593
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