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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:02:50,295 --> 00:02:52,046 CAB FARE, RICHARD? 4 00:02:53,590 --> 00:02:56,134 NO, I'VE GOT TO PAY SOME BILLS. 5 00:02:56,343 --> 00:02:59,095 WELL, AT LEAST LEAVE ME ENOUGH FOR BREAKFAST. 6 00:02:59,304 --> 00:03:00,513 WHY, TODDY, 7 00:03:00,722 --> 00:03:01,848 ONE WOULD SUSPECT YOU THINK I'M MERCENARY. 8 00:03:02,057 --> 00:03:03,599 TRY UNSCRUPULOUS. 9 00:03:03,809 --> 00:03:06,018 YOU GET YOUR MONEY'S WORTH. 10 00:03:06,228 --> 00:03:08,688 I'D SAY WE BOTH GET MY MONEY'S WORTH. 11 00:03:08,897 --> 00:03:12,525 LOOK, TODDY, IF YOU'RE NOT HAPPY WITH THE ARRANGEMENT-- 12 00:03:12,734 --> 00:03:15,111 AS A MATTER OF RECORD, I'M NOT, 13 00:03:15,320 --> 00:03:17,530 BUT TO QUOTE THE IMMORTAL BARD, 14 00:03:17,739 --> 00:03:19,490 "LOVE LOOKS NOT WITH THE EYES 15 00:03:19,700 --> 00:03:21,492 "BUT WITH THE MIND. 16 00:03:21,702 --> 00:03:23,828 THEREFORE IS WINGED CUPID PAINTED BLIND." 17 00:03:27,875 --> 00:03:29,709 HAVE A NICE DAY, TODDY. 18 00:03:29,918 --> 00:03:31,627 I'LL DO MY DAMNEDEST. 19 00:04:01,742 --> 00:04:06,871 ♪♪ ALL THE YEAR WHERE CHERRIES GROW ♪♪ 20 00:04:07,080 --> 00:04:11,417 ♪♪ ALL THE YEAR WHERE ♪♪ 21 00:04:11,627 --> 00:04:15,838 ♪♪ CHERRIES GROW ♪♪ 22 00:04:16,048 --> 00:04:21,344 ♪♪ CHERRY RIPE, CHERRY RIPE, RIPE, I CRY ♪♪ 23 00:04:21,553 --> 00:04:29,310 ♪♪ FULL AND FAIR ONES COME AND BUY ♪♪ 24 00:04:29,770 --> 00:04:31,938 ♪♪ CHERRY RIPE ♪♪ 25 00:04:32,147 --> 00:04:37,777 ♪♪ RIPE, I CRY ♪♪ 26 00:04:37,986 --> 00:04:42,281 ♪♪ FULL AND FAIR ONES ♪♪ 27 00:04:42,491 --> 00:04:47,912 ♪♪ COME ♪♪ 28 00:04:48,121 --> 00:04:51,916 ♪♪ AND ♪♪ 29 00:04:52,125 --> 00:04:56,420 ♪♪ BUY ♪♪ 30 00:05:00,425 --> 00:05:02,218 AS YOU CAN TELL, MONSIEUR LABISSE, 31 00:05:02,427 --> 00:05:03,803 I HAVE A LEGITIMATE VOICE. 32 00:05:03,971 --> 00:05:05,263 YES. WELL, YOU SEE, I'M LOOKING 33 00:05:05,472 --> 00:05:07,265 FOR SOMETHING A LITTLE MORE ILLEGITIMATE. 34 00:05:07,474 --> 00:05:09,642 OH, I'M SURE THAT WITH A LITTLE PRACTICE-- 35 00:05:09,851 --> 00:05:11,644 LADY, THAT IS LIKE A NUN 36 00:05:11,853 --> 00:05:13,646 SAYING WITH A LITTLE PRACTICE, 37 00:05:13,855 --> 00:05:15,731 SHE COULD BECOME A STREETWALKER. 38 00:05:15,941 --> 00:05:17,817 IT HAS TO COME NATURALLY. 39 00:05:18,026 --> 00:05:19,485 RIGHT. 40 00:05:19,695 --> 00:05:20,820 IN SOME PROFESSIONS, 41 00:05:21,029 --> 00:05:22,822 PRACTICE IS A MINOR CONSIDERATION, 42 00:05:23,031 --> 00:05:24,824 SO TAKE MY ADVICE 43 00:05:25,033 --> 00:05:27,076 AND STICK TO CARMEN. 44 00:05:27,286 --> 00:05:28,995 I AM A COLORATURA, MONSIEUR LABISSE, 45 00:05:29,204 --> 00:05:30,663 NOT A MEZZO. 46 00:05:30,872 --> 00:05:32,290 WELL, WHATEVER YOU ARE, 47 00:05:32,499 --> 00:05:35,084 ANDRE CASSELL SHOULD NEVER HAVE SENT YOU OVER HERE. 48 00:05:35,294 --> 00:05:36,294 HE DIDN'T. 49 00:05:36,503 --> 00:05:37,837 YOU TOLD ME HE WAS YOUR AGENT. 50 00:05:38,046 --> 00:05:39,005 I LIED. 51 00:05:39,214 --> 00:05:40,631 THANK YOU. 52 00:05:43,093 --> 00:05:44,760 AND IN SPITE OF WHAT YOU THINK, 53 00:05:44,970 --> 00:05:46,012 MONSIEUR LABISSE, 54 00:05:46,221 --> 00:05:47,471 THERE ARE SOME PROFESSIONS 55 00:05:47,681 --> 00:05:48,848 WHERE PRACTICE DOES MAKE PERFECT. 56 00:05:49,057 --> 00:05:52,977 ♪♪ AAAHHHH ♪♪ 57 00:05:59,026 --> 00:06:00,943 WHAT IN HELL WAS THAT? 58 00:06:01,153 --> 00:06:02,236 B-FLAT. 59 00:08:02,107 --> 00:08:03,149 MONSIEUR DIRECTEUR, 60 00:08:03,358 --> 00:08:03,983 SHE'S BACK. 61 00:08:04,192 --> 00:08:05,025 WHAT?! 62 00:08:14,453 --> 00:08:15,536 HEY! 63 00:08:23,503 --> 00:08:25,129 MISS GRANT. 64 00:08:26,673 --> 00:08:27,840 YOU, UH-- 65 00:08:28,049 --> 00:08:30,092 YOU OWE ME TWO WEEKS. 66 00:08:30,302 --> 00:08:31,677 H-H-HOLD--HOLD IT. 67 00:08:31,887 --> 00:08:32,970 WHAT? 68 00:08:33,180 --> 00:08:35,306 YOU PROMISE TO PAY ME ON TUESDAY, 69 00:08:35,515 --> 00:08:37,308 THEN ON WEDNESDAY, THEN ON THURSDAY. 70 00:08:37,517 --> 00:08:38,851 WHAT'S THAT? 71 00:08:39,060 --> 00:08:40,060 WHAT? 72 00:08:46,359 --> 00:08:47,318 SPAGHETTI? 73 00:08:47,527 --> 00:08:48,861 YES. 74 00:08:49,070 --> 00:08:50,946 WITH MEATBALLS. 75 00:08:51,156 --> 00:08:53,866 I'LL SLEEP WITH YOU FOR A MEATBALL. 76 00:08:54,075 --> 00:08:54,992 YOU WHAT? 77 00:08:55,202 --> 00:08:56,118 MR. JANSEN. 78 00:08:56,328 --> 00:08:57,203 OH, NO, YOU DON'T. 79 00:08:57,412 --> 00:08:59,955 IT WON'T DO YOU ANY GOOD. 80 00:09:00,165 --> 00:09:02,541 I'VE BEEN IN THE HOTEL BUSINESS FOR 20 YEARS. 81 00:09:02,751 --> 00:09:04,543 I KNOW ALL THE ANGLES. 82 00:09:04,753 --> 00:09:06,170 COME ON. GET UP. GET UP. 83 00:09:06,379 --> 00:09:08,714 I DON'T CARE IF YOU'VE GOT THE BUBONIC PLAGUE. 84 00:09:08,924 --> 00:09:10,716 IF YOU CAN'T PAY YOUR RENT, 85 00:09:10,926 --> 00:09:12,718 I CONFISCATE YOUR PERSONAL BELONGINGS, 86 00:09:12,928 --> 00:09:14,136 AND I EVICT YOU. 87 00:09:14,346 --> 00:09:15,721 WHAT HAPPENED? 88 00:09:15,931 --> 00:09:17,306 YOU MADE A CERTAIN OFFER TO ME 89 00:09:17,516 --> 00:09:18,724 WHICH I COULD NOT REFUSE, 90 00:09:18,934 --> 00:09:20,476 AND THEN YOU PRETENDED TO FAINT. 91 00:09:20,685 --> 00:09:22,728 DON'T BE RIDICULOUS. I NEVER PRETEND TO FAINT. 92 00:09:22,938 --> 00:09:24,146 YES, SURE. 93 00:09:24,356 --> 00:09:25,564 WHAT ARE YOU DOING? 94 00:09:25,774 --> 00:09:27,399 I AM, UH, HELPING YOU TO STAND UP. 95 00:09:27,609 --> 00:09:29,360 THAT'S FUNNY, I THOUGHT I WAS STANDING. 96 00:09:29,569 --> 00:09:31,362 MAYBE YOU'D LIKE TO LIE DOWN. 97 00:09:31,571 --> 00:09:32,988 YOU'RE CONFUSING ME. 98 00:09:33,198 --> 00:09:34,323 I'M SURE WE CAN DO SOMETHING 99 00:09:34,533 --> 00:09:35,366 ABOUT THE RENT. 100 00:09:35,575 --> 00:09:37,159 WHATEVER YOU MAY THINK, 101 00:09:37,369 --> 00:09:38,160 I'M NOT AN UNGENEROUS MAN. 102 00:09:38,370 --> 00:09:39,161 AAH! 103 00:09:39,371 --> 00:09:40,162 AAH! 104 00:09:40,372 --> 00:09:41,539 WHAT IS IT? 105 00:09:41,748 --> 00:09:42,540 THERE! 106 00:09:42,749 --> 00:09:43,582 WHERE? 107 00:09:43,792 --> 00:09:45,167 THERE! A COCKROACH! 108 00:09:45,377 --> 00:09:46,585 OH! OH! 109 00:09:46,795 --> 00:09:48,212 WHY, YOU-- 110 00:09:48,421 --> 00:09:51,382 I'M SORRY. AAH! I CAN'T STAND COCKROACHES. 111 00:09:51,591 --> 00:09:54,176 ESPECIALLY IN A HOTEL ROOM, EH? 112 00:09:54,386 --> 00:09:55,678 ANYWHERE! 113 00:09:55,887 --> 00:09:58,180 YEAH! YOU WON'T TELL THE DEPARTMENT OF HEALTH 114 00:09:58,390 --> 00:10:00,224 IF I FORGET YOUR RENT, UH? 115 00:10:00,433 --> 00:10:03,227 I TELL YOU ONCE MORE, I'M GETTING MY MONEY. 116 00:10:03,436 --> 00:10:04,603 AND, UH, JUST IN CASE YOU THOUGHT 117 00:10:04,813 --> 00:10:06,605 OF LEAVING US DURING THE NIGHT-- 118 00:10:06,815 --> 00:10:08,190 OH, PLEASE DON'T LEAVE ME. 119 00:10:08,400 --> 00:10:09,191 PLEASE! 120 00:10:09,401 --> 00:10:10,526 OH! 121 00:10:15,407 --> 00:10:16,782 OH! 122 00:10:16,992 --> 00:10:18,951 I KNOW WHAT IT IS. 123 00:10:19,160 --> 00:10:21,161 I'M DREAMING. 124 00:10:30,255 --> 00:10:33,048 ♪♪ WHEN PEOPLE SPEAK OF GAY PAREE ♪♪ 125 00:10:33,258 --> 00:10:36,218 ♪♪ THEY THINK THAT WHEN THEY SAY PAREE IS GAY ♪♪ 126 00:10:36,428 --> 00:10:40,806 ♪♪ THEY MEAN THAT GAY PAREE IS GAY ♪♪ 127 00:10:40,974 --> 00:10:42,641 IT IS. 128 00:10:42,851 --> 00:10:48,439 ♪♪ NOT IN THE WAY PAREE WAS GAY IN YESTERDAY PAREE ♪♪ 129 00:10:48,648 --> 00:10:52,484 ♪♪ IT MEANS TODAY THAT GAY PAREE IS GAY ♪♪ 130 00:10:54,821 --> 00:10:57,197 NOT THAT GAY. 131 00:10:58,992 --> 00:11:02,703 ♪♪ THEY SAY PAREE HAS ALWAYS BEEN ♪♪ 132 00:11:02,912 --> 00:11:04,455 ♪♪ THAT WAY ♪♪ 133 00:11:11,921 --> 00:11:14,465 ♪♪ ALONG THE BANKS OF THE SEINE ♪♪ 134 00:11:14,674 --> 00:11:16,800 ♪♪ JUST TAKE A WALK NOW AND THEN ♪♪ 135 00:11:17,010 --> 00:11:19,428 ♪♪ YOU'LL MEET SOME INTERESTING MEN ♪♪ 136 00:11:19,638 --> 00:11:21,430 ♪♪ GAY PAREE ♪♪ 137 00:11:21,640 --> 00:11:26,143 ♪♪ ALONG THE RUE MADELEINE EACH EVENING ROUND ABOUT 10 ♪♪ 138 00:11:26,353 --> 00:11:30,439 ♪♪ YOU'LL SEE IT TIME AND TIME AGAIN, GAY PAREE ♪♪ 139 00:11:30,649 --> 00:11:32,858 ♪♪ IF YOU'VE A SOIREE TO SPARE ♪♪ 140 00:11:33,068 --> 00:11:35,361 ♪♪ GO TO THE FOLIES BERGERE ♪♪ 141 00:11:35,570 --> 00:11:37,863 ♪♪ YOU'LL SEE SUCH GAIETY THERE ♪♪ 142 00:11:38,073 --> 00:11:39,823 ♪♪ C'EST LA VIE ♪♪ 143 00:11:40,033 --> 00:11:42,034 ♪♪ AROUND THE RUE DES BEAUX-ARTS ♪♪ 144 00:11:42,243 --> 00:11:44,828 ♪♪ WHERE ALL THE CABARET SHOWS ARE ♪♪ 145 00:11:45,038 --> 00:11:49,333 ♪♪ I MEAN, WELL, REALLY THOSE ARE, YOU'LL AGREE ♪♪ 146 00:11:49,542 --> 00:11:52,378 ♪♪ WHAT THEY MEAN WHEN THEY SAY ♪♪ 147 00:11:52,587 --> 00:11:54,129 ♪♪ GAY ♪♪ 148 00:11:54,339 --> 00:11:55,923 ♪♪ PAREE ♪♪ 149 00:12:01,846 --> 00:12:03,305 THAT'S TODDY WARBLING AGAIN. 150 00:12:03,515 --> 00:12:05,724 ♪♪ THE FAUBOURG ST. HONORE ♪♪ 151 00:12:05,934 --> 00:12:07,851 ♪♪ WHERE ALL THE MILLIONAIRES PLAY ♪♪ 152 00:12:08,061 --> 00:12:09,395 OH! THERE YOU ARE. 153 00:12:09,604 --> 00:12:12,856 ♪♪ IS ALSO, I'M SO GLAD TO SAY, GAY PAREE ♪♪ 154 00:12:13,066 --> 00:12:14,817 ♪♪ THE RUE DE RIVOLI ARCADES ♪♪ 155 00:12:15,026 --> 00:12:17,486 ♪♪ WHERE FANCY GOODS ARE DISPLAYED ♪♪ 156 00:12:17,696 --> 00:12:21,907 ♪♪ THERE'S ALSO BOUND TO BE ROUGH TRADE, GAY PAREE ♪♪ 157 00:12:22,117 --> 00:12:24,076 ♪♪ AND IN ARRONDISSEMENT 8 ♪♪ 158 00:12:24,285 --> 00:12:26,578 ♪♪ THE CHAMPS ELYSEES I WOULD RATE ♪♪ 159 00:12:26,788 --> 00:12:29,915 ♪♪ PERHAPS THE ONE THING THAT'S STRAIGHT AS CAN BE ♪♪ 160 00:12:30,125 --> 00:12:31,375 HEY, WAITER! 161 00:12:31,584 --> 00:12:33,377 ♪♪ AND AT THE CAFE DE LA PAIX ♪♪ 162 00:12:33,586 --> 00:12:35,587 ♪♪ IF YOU ARE HEADING THAT WAY ♪♪ 163 00:12:35,797 --> 00:12:40,008 ♪♪ THEY DRINK A TOAST EVERY DAY AROUND 3 ♪♪ 164 00:12:40,218 --> 00:12:44,847 ♪♪ THEY MAKE EACH MOMENT AS GAY AS LE QUATORZE DE JUILLET ♪♪ 165 00:12:45,056 --> 00:12:45,931 ♪♪ THAT'S WHAT THEY MEAN ♪♪ 166 00:12:46,099 --> 00:12:47,433 OH, BOY! 167 00:12:47,642 --> 00:12:48,851 ♪♪ WHEN THEY SAY ♪♪ 168 00:12:49,060 --> 00:12:53,021 ♪♪ GAY PAREE ♪♪ 169 00:12:57,777 --> 00:12:59,570 THANK YOU. 170 00:12:59,779 --> 00:13:02,072 THANK YOU, THANK YOU. YOU'RE MOST KIND. 171 00:13:02,282 --> 00:13:04,074 IN FACT, YOU'RE EVERY KIND. 172 00:13:06,327 --> 00:13:09,455 I SEE WE HAVE A CELEBRITY WITH US TONIGHT. 173 00:13:09,664 --> 00:13:11,457 MISS SIMONE KALLISTO, 174 00:13:11,666 --> 00:13:14,460 STAR OF STAGE, SCREEN, AND AN OCCASIONAL CIRCUS. 175 00:13:14,669 --> 00:13:15,794 TAKE A BOW, DARLING. 176 00:13:16,004 --> 00:13:17,379 UP YOURS, CHERI. 177 00:13:17,589 --> 00:13:19,131 AND SPEAKING OF THE CIRCUS, 178 00:13:19,340 --> 00:13:22,801 AREN'T YOU RICHARD DeNARDO, THE WELL-KNOWN TRAPEZE ARTIST? 179 00:13:23,011 --> 00:13:25,637 CAREFUL, TODDY. 180 00:13:25,847 --> 00:13:27,890 YOU'RE NOT REALLY FUNNY, YOU KNOW, 181 00:13:28,099 --> 00:13:31,226 SO WHY DON'T YOU JUST PISS OFF? 182 00:13:31,436 --> 00:13:33,479 YOU! YOU OUGHT TO BE ASHAMED OF YOURSELF. 183 00:13:33,688 --> 00:13:35,314 BRINGING YOUR SWEET, OLD MOTHER 184 00:13:35,523 --> 00:13:37,065 INTO A PLACE LIKE THIS. 185 00:13:38,109 --> 00:13:39,318 GYAAAH! 186 00:13:39,527 --> 00:13:40,944 AND NOW, LADIES AND GENTLEMEN, 187 00:13:41,154 --> 00:13:42,529 YOU HAVE A DELIGHTFUL SURPRISE COMING TO YOU-- 188 00:13:45,158 --> 00:13:46,241 NO! 189 00:13:46,451 --> 00:13:47,659 NO! 190 00:13:47,869 --> 00:13:48,869 PLEASE. 191 00:14:06,179 --> 00:14:07,888 MONSIEUR. 192 00:14:16,439 --> 00:14:17,648 THANK YOU. 193 00:14:34,332 --> 00:14:36,834 BUT NOBODY WAS SERIOUSLY HURT. 194 00:14:37,043 --> 00:14:39,002 THAT'S WHY I'M ONLY CLOSING YOU FOR A WEEK. 195 00:14:39,212 --> 00:14:42,005 YOU KNOW HOW MUCH I WILL LOSE IN ONE WEEK? 196 00:14:42,215 --> 00:14:45,133 A QUARTER OF WHAT YOU'LL LOSE IN A MONTH 197 00:14:45,343 --> 00:14:47,511 IF THERE IS ANY MORE TROUBLE. 198 00:14:59,148 --> 00:15:00,524 YOU'RE FIRED! 199 00:15:02,151 --> 00:15:03,777 I CAN'T AFFORD IT. 200 00:15:03,987 --> 00:15:05,195 YOU CAN'T AFFORD IT? 201 00:15:05,405 --> 00:15:06,989 WHAT ABOUT ME? WHAT ABOUT ALL THIS? 202 00:15:07,198 --> 00:15:08,198 MORE ICE. 203 00:15:08,408 --> 00:15:10,075 YOU TAKE IT OUT OF MY SALARY. 204 00:15:10,285 --> 00:15:12,494 TODDY, GET OUT! 205 00:15:12,704 --> 00:15:14,329 ALL RIGHT. 206 00:15:14,539 --> 00:15:16,415 AND DON'T COME BACK! 207 00:15:16,624 --> 00:15:19,001 IF YOU EVER SET FOOT IN THIS PLACE AGAIN, 208 00:15:19,210 --> 00:15:20,836 I WILL HAVE YOU THROWN OUT! 209 00:15:21,045 --> 00:15:22,671 DON'T MAKE IT SOUND LIKE SUCH A THREAT. 210 00:15:22,881 --> 00:15:24,256 BEING THROWN OUT OF THIS PLACE 211 00:15:24,465 --> 00:15:26,383 IS SIGNIFICANTLY BETTER THAN BEING THROWN OUT 212 00:15:26,593 --> 00:15:27,593 OF A LEPER COLONY. 213 00:15:27,802 --> 00:15:29,052 OUT! 214 00:15:37,186 --> 00:15:38,896 THANK YOU. 215 00:15:39,105 --> 00:15:42,024 SOMETHING TO DRINK? 216 00:15:42,233 --> 00:15:44,067 AH, COULD I SEE YOUR WINE LIST? 217 00:15:44,277 --> 00:15:46,028 WE HAVE A WHITE 1934, 218 00:15:46,237 --> 00:15:47,571 WE HAVE A RED 1934. 219 00:15:47,780 --> 00:15:49,865 LAST WEEK WE HAD SOME ROSE, 220 00:15:50,074 --> 00:15:52,034 BUT WE'RE USING IT IN THE SALAD. 221 00:15:52,243 --> 00:15:53,744 WHICH DO YOU RECOMMEND? 222 00:15:53,953 --> 00:15:55,621 THE RED IS 6 CENTIMES CHEAPER. 223 00:15:55,830 --> 00:15:57,164 I'LL HAVE THE WHITE. 224 00:15:58,791 --> 00:16:01,084 I BET YOU ARE A ROCKEFELLER. 225 00:16:39,666 --> 00:16:41,083 IS SOMETHING WRONG? 226 00:16:41,292 --> 00:16:43,251 I THOUGHT MAYBE YOU HAD A DOG. 227 00:16:43,461 --> 00:16:44,503 DOG? 228 00:16:44,712 --> 00:16:46,421 I'VE ONLY BEEN GONE 5 MINUTES. 229 00:16:46,631 --> 00:16:48,799 I FIGURED SOMETHING HELPED YOU EAT IT. 230 00:16:49,008 --> 00:16:50,467 IT WAS DELICIOUS. 231 00:16:50,677 --> 00:16:51,927 DO YOU WANT A SALAD? 232 00:16:52,136 --> 00:16:52,844 LATER. 233 00:16:53,054 --> 00:16:54,471 LATER. 234 00:16:54,681 --> 00:16:55,931 THE CHICKEN WAS SO GOOD, I THOUGHT I MIGHT TRY THE PORK. 235 00:16:56,140 --> 00:16:57,516 DOES IT TAKE LONG? 236 00:16:57,725 --> 00:16:58,976 ABOUT, UH, HALF AN HOUR. 237 00:16:59,185 --> 00:17:00,936 WHAT ABOUT THE BOEUF BOURGUIGNONNE? 238 00:17:01,145 --> 00:17:02,521 THAT'S READY. 239 00:17:02,730 --> 00:17:05,148 I'LL HAVE THAT, AND I'LL HAVE THE SALAD AFTERWARDS. 240 00:17:05,358 --> 00:17:06,858 YOU REALIZE, OF COURSE, 241 00:17:07,068 --> 00:17:08,527 YOU'RE ENTITLED TO TWO SALADS. 242 00:17:08,736 --> 00:17:10,862 COULD YOU PUT THEM BOTH ON ONE PLATE? 243 00:17:11,072 --> 00:17:12,197 THAT'S POSSIBLE. 244 00:17:12,407 --> 00:17:13,657 TERRIFIC. 245 00:17:16,536 --> 00:17:18,161 DELICIOUS WINE. 246 00:17:19,622 --> 00:17:22,499 MAYBE YOU'D LIKE TO CHOOSE YOUR 2 DESSERTS. 247 00:17:22,709 --> 00:17:24,459 APPLE FLAN AND COUPE JACQUES 248 00:17:24,669 --> 00:17:26,253 MIGHT GO WELL TOGETHER. 249 00:17:30,008 --> 00:17:32,259 JUST A SMALL COFFEE. 250 00:17:35,221 --> 00:17:36,096 GOOD EVENING. 251 00:17:36,305 --> 00:17:37,723 I HAD THE PLEASURE 252 00:17:37,932 --> 00:17:39,641 OF HEARING YOU SING THIS AFTERNOON. 253 00:17:39,851 --> 00:17:41,184 OH, YOU MUST BE MISTAKEN. 254 00:17:41,394 --> 00:17:43,353 I--I HAVEN'T SUNG IN ABOUT TWO WEEKS. 255 00:17:43,563 --> 00:17:44,980 YOUR AUDITION AT CHEZ LUI. 256 00:17:45,189 --> 00:17:46,690 OH. THAT WAS NOT SINGING, 257 00:17:46,899 --> 00:17:49,234 AND I WOULD HARDLY CALL IT AN AUDITION. 258 00:17:49,444 --> 00:17:51,236 HA HA HA. I USED TO WORK THERE. 259 00:17:51,446 --> 00:17:52,863 MY CONDOLENCES. 260 00:17:53,072 --> 00:17:54,573 WELL, I HOPE I HAVEN'T BOTHERED YOU. 261 00:17:54,741 --> 00:17:56,366 I JUST WANTED TO TELL YOU 262 00:17:56,576 --> 00:17:58,493 THAT I THINK YOU HAVE A LOVELY VOICE, 263 00:17:58,703 --> 00:17:59,745 AND TO SAY HOW SORRY I AM 264 00:17:59,954 --> 00:18:01,371 THAT I CAN'T BUY YOU DINNER. 265 00:18:01,581 --> 00:18:02,539 THANK YOU. OOPS. 266 00:18:02,749 --> 00:18:03,707 PARDON ME, MONSIEUR. 267 00:18:03,916 --> 00:18:05,083 OH, THANK YOU. 268 00:18:05,293 --> 00:18:06,710 COULD I HAVE A KNIFE AND FORK, PLEASE? 269 00:18:06,919 --> 00:18:08,587 EXCUSE ME. 270 00:18:08,796 --> 00:18:11,048 WHY ARE YOU SORRY THAT YOU CAN'T BUY ME DINNER? 271 00:18:11,257 --> 00:18:12,924 CASSE. 272 00:18:13,092 --> 00:18:14,426 BROKE? 273 00:18:14,635 --> 00:18:16,094 I'M ALSO CARROLL TODD-- 274 00:18:16,304 --> 00:18:19,097 TODDY TO NEARLY EVERYBODY WHO KNOWS ME. 275 00:18:19,307 --> 00:18:20,891 VICTORIA-- 276 00:18:21,100 --> 00:18:22,601 GRANT. 277 00:18:22,810 --> 00:18:24,770 I HOPE WE MEET AGAIN WHEN I'M FLUSH. 278 00:18:24,979 --> 00:18:26,438 WON'T YOU SIT DOWN? 279 00:18:26,647 --> 00:18:28,356 PLEASE? 280 00:18:30,860 --> 00:18:32,652 HAVE DINNER WITH ME. 281 00:18:35,364 --> 00:18:36,406 THANK YOU. 282 00:18:42,288 --> 00:18:43,789 YOU KNOW, IT'S VERY STRANGE. 283 00:18:43,998 --> 00:18:45,415 AT THE CLUB, I THOUGHT YOU WERE 284 00:18:45,625 --> 00:18:47,626 JUST ABOUT AT THE END OF YOUR ROPE. 285 00:18:47,835 --> 00:18:49,544 I WAS. I AM. 286 00:18:49,754 --> 00:18:52,964 THIS IS THE FIRST DECENT MEAL I'VE HAD 287 00:18:53,174 --> 00:18:54,591 IN ALMOST FOUR DAYS. 288 00:18:54,801 --> 00:18:55,801 AND YOU CAN'T PAY FOR IT. 289 00:18:56,010 --> 00:18:57,761 CASSE. 290 00:18:57,970 --> 00:18:59,304 HA! HA! HA! 291 00:18:59,514 --> 00:19:02,224 AND YOU WANT ME TO HAVE DINNER WITH YOU. 292 00:19:02,433 --> 00:19:03,642 I WANT YOU 293 00:19:03,851 --> 00:19:05,936 TO HAVE THE BEST DAMN DINNER YOU EVER HAD. 294 00:19:06,145 --> 00:19:07,270 HAVE TWO. 295 00:19:07,480 --> 00:19:08,647 I STARTED OFF WITH THE ROAST CHICKEN, 296 00:19:08,856 --> 00:19:09,981 AND I SEGUED TO THE BOEUF BOURGUIGNONNE. 297 00:19:10,191 --> 00:19:11,316 IT'S ANYBODY'S GUESS 298 00:19:11,526 --> 00:19:12,484 WHAT I COULD END UP WITH. 299 00:19:12,693 --> 00:19:14,653 OH, I'D GUESS ABOUT 30 DAYS. 300 00:19:14,821 --> 00:19:16,988 IF ALL GOES WELL, 301 00:19:17,198 --> 00:19:19,616 I EXPECT TO LEAVE HERE POOR BUT SATED. 302 00:19:21,160 --> 00:19:22,536 I HAVE A... 303 00:19:22,745 --> 00:19:24,162 BUG IN MY PURSE. 304 00:19:24,372 --> 00:19:25,747 AT THE APPROPRIATE MOMENT, 305 00:19:25,957 --> 00:19:27,457 IT GOES IN MY SALAD. 306 00:19:27,667 --> 00:19:28,959 IT'LL NEVER WORK. 307 00:19:29,168 --> 00:19:30,418 A BUG IN MY SALAD? 308 00:19:30,628 --> 00:19:32,504 IN A PLACE LIKE THIS, IT WOULD BE AN EVENT 309 00:19:32,713 --> 00:19:35,590 IF THERE WASN'T A BUG IN YOUR SALAD. 310 00:19:35,800 --> 00:19:37,676 WHAT ABOUT A... COCKROACH? 311 00:19:37,885 --> 00:19:38,802 A COCKROACH? 312 00:19:39,011 --> 00:19:40,512 SHH! 313 00:19:40,721 --> 00:19:41,972 BIGGER THAN YOUR THUMB. 314 00:19:42,181 --> 00:19:43,515 OH, GOD! 315 00:19:43,724 --> 00:19:44,599 WAITER. 316 00:19:44,809 --> 00:19:45,976 TRY THE CHICKEN. 317 00:19:46,185 --> 00:19:48,186 I REALLY RECOMMEND IT. 318 00:19:48,396 --> 00:19:51,606 UM, THE BOURGUIGNONNE WAS JUST A LITTLE TOUGH. 319 00:19:51,816 --> 00:19:53,608 MAYBE THE WAY YOU'RE EATING, 320 00:19:53,818 --> 00:19:54,860 YOUR JAWS ARE GETTING TIRED. 321 00:19:55,069 --> 00:19:56,361 SPEAKING OF OVERWORKED JAWS, 322 00:19:56,571 --> 00:19:58,989 WHY DON'T YOU TREAT YOURS TO A SABBATICAL 323 00:19:59,198 --> 00:20:01,366 AND FETCH ME A WINE LIST? 324 00:20:01,534 --> 00:20:02,951 THIS IS ALL THEY HAVE. 325 00:20:03,161 --> 00:20:05,370 THIS? LAST TIME I SAW A SPECIMEN LIKE THIS, 326 00:20:05,580 --> 00:20:07,455 THEY HAD TO SHOOT THE HORSE. 327 00:20:07,665 --> 00:20:09,624 HOW LUCKY CAN YOU GET? 328 00:20:09,834 --> 00:20:12,002 IN ONE EVENING, A ROCKEFELLER 329 00:20:12,211 --> 00:20:13,712 AND A GROUCHO MARX. 330 00:20:13,921 --> 00:20:16,047 THEY DIDN'T SHOOT A REAL HORSE. 331 00:20:16,257 --> 00:20:18,383 JUST A COSTUME WITH TWO WAITERS IN IT. 332 00:20:18,593 --> 00:20:21,052 I SHALL THINK OF A SHARP RETORT 333 00:20:21,262 --> 00:20:23,054 WHILE I'M GETTING YOUR ROAST CHICKEN. 334 00:20:23,222 --> 00:20:25,891 IT'S A WISE MAN WHO KNOWS WHEN TO THROW IN THE TOWEL. 335 00:20:26,100 --> 00:20:28,476 AND IT IS A MORON WHO GIVES ADVICE 336 00:20:28,686 --> 00:20:30,145 TO A HORSE'S ASS. 337 00:20:33,024 --> 00:20:35,775 HA HA HA HA! 338 00:20:42,825 --> 00:20:43,950 I MADE THE DRESSING MYSELF 339 00:20:44,160 --> 00:20:46,411 WITH THE LAST OF THE ROSE. 340 00:20:46,621 --> 00:20:48,038 I'LL BET IT'S DELICIOUS. 341 00:20:48,247 --> 00:20:49,414 I WOULDN'T BET ON IT. 342 00:20:49,624 --> 00:20:51,082 GO ON, TRY IT. 343 00:20:51,292 --> 00:20:52,834 I THINK I'LL WAIT TILL THE BOURGUIGNONNE 344 00:20:53,044 --> 00:20:54,044 SETTLE A BIT. 345 00:20:54,253 --> 00:20:55,921 YOU DON'T HAVE TO EAT IT. 346 00:20:56,130 --> 00:20:57,088 OH, I WANT TO. 347 00:20:57,298 --> 00:20:59,382 YOU WILL BE THE FIRST TO KNOW. 348 00:21:03,221 --> 00:21:04,679 YOU'D BETTER GO NOW. 349 00:21:04,889 --> 00:21:05,931 I WANT TO LEND MY SUPPORT. 350 00:21:06,140 --> 00:21:07,599 OH, THAT'S LOVELY. 351 00:21:07,808 --> 00:21:09,935 BUT IT'S MY COCKROACH IN MY PURSE, 352 00:21:10,144 --> 00:21:12,020 AND I HAVE TO GET IT INTO MY SALAD. 353 00:21:12,230 --> 00:21:14,689 I'M PERFECTLY WILLING TO TAKE OVER YOUR SALAD. 354 00:21:14,899 --> 00:21:17,275 YOU CAN JUST SLIP ME THE PURSE UNDER THE TABLE. 355 00:21:17,485 --> 00:21:18,276 LISTEN, YOU HATE COCKROACHES 356 00:21:18,486 --> 00:21:19,444 AS MUCH AS I DO, 357 00:21:19,654 --> 00:21:21,029 WHAT IF I MANAGE AND YOU FAINT? 358 00:21:21,239 --> 00:21:23,240 THEN IT'S POSSIBLE I SHALL WAKE UP IN PRISON. 359 00:21:23,449 --> 00:21:25,617 THEN I CAN'T TALK YOU OUT OF IT? 360 00:21:25,826 --> 00:21:27,410 YOU DON'T HAVE TIME. 361 00:21:29,580 --> 00:21:31,122 CAREFUL IT DOESN'T CRAWL OUT. 362 00:21:31,332 --> 00:21:32,999 ANYBODY LOOKING? 363 00:21:34,418 --> 00:21:35,585 NOPE. 364 00:21:43,052 --> 00:21:44,135 I DON'T SEE IT. 365 00:21:44,345 --> 00:21:45,136 HOW'S THE SALAD? 366 00:21:45,346 --> 00:21:46,137 AAH! 367 00:21:46,347 --> 00:21:47,472 HAVE YOU TRIED IT YET? 368 00:21:47,682 --> 00:21:48,932 NO. 369 00:21:49,141 --> 00:21:50,934 NO. I WAS, UM, JUST ABOUT TO. 370 00:21:51,143 --> 00:21:53,812 WE WOULD LIKE ANOTHER BOTTLE OF WINE. 371 00:21:54,021 --> 00:21:55,397 WE'D LIKE TO TRY THE RED. 372 00:21:55,606 --> 00:21:56,940 AAH! 373 00:22:00,069 --> 00:22:02,320 CO-CO-COCKROACH. 374 00:22:02,530 --> 00:22:03,571 A COCKROACH? 375 00:22:03,781 --> 00:22:05,115 IN MY SA-SA-SALAD. 376 00:22:05,324 --> 00:22:06,658 I CAN'T BELIEVE IT. 377 00:22:06,867 --> 00:22:08,118 I DON'T BELIEVE IT. 378 00:22:08,327 --> 00:22:09,828 ARE YOU IMPUGNING THIS LADY'S INTEGRITY? 379 00:22:09,996 --> 00:22:11,121 SHE'S IMPUGNING MY SALAD. 380 00:22:11,330 --> 00:22:12,330 OH, NO, NO, NO. 381 00:22:12,540 --> 00:22:13,790 I-I-I'M SURE IT WASN'T YOUR FAULT 382 00:22:14,000 --> 00:22:15,917 YOUR SALAD HAD A COCKROACH IN IT. 383 00:22:16,127 --> 00:22:17,335 IT DIDN'T, AND IT WASN'T. 384 00:22:17,545 --> 00:22:19,004 I DEMAND TO SEE THE MANAGER. 385 00:22:19,213 --> 00:22:20,505 YES, SIR. 386 00:22:20,715 --> 00:22:21,339 THIS LADY FOUND A COCKROACH IN HER SALAD. 387 00:22:21,549 --> 00:22:23,008 SO I GATHER. 388 00:22:23,217 --> 00:22:24,801 WELL, WHAT ARE YOU GOING TO DO ABOUT IT? 389 00:22:25,011 --> 00:22:26,761 I'M GOING TO APOLOGIZE. 390 00:22:26,971 --> 00:22:28,680 MADAME, I REGRET THAT YOU FOUND 391 00:22:28,889 --> 00:22:30,515 A COCKROACH IN YOUR SALAD. 392 00:22:30,725 --> 00:22:32,976 I CAN ASSURE YOU THAT IN THE FIVE YEARS 393 00:22:33,185 --> 00:22:34,519 I'VE BEEN RUNNING THIS RESTAURANT, 394 00:22:34,729 --> 00:22:36,521 THERE HAVE ONLY BEEN TWO OTHER OCCASIONS 395 00:22:36,731 --> 00:22:37,939 WHEN CUSTOMERS COMPLAINED 396 00:22:38,149 --> 00:22:40,525 OF HAVING FOUND INSECTS IN THEIR FOOD. 397 00:22:40,735 --> 00:22:42,027 YOU SEE? IT'S HAPPENED BEFORE. 398 00:22:42,236 --> 00:22:43,445 ON BOTH OCCASIONS, 399 00:22:43,654 --> 00:22:45,155 IT TURNED OUT THAT THE CUSTOMERS 400 00:22:45,364 --> 00:22:48,325 HAD ACTUALLY PUT THE INSECTS IN THEIR FOOD, 401 00:22:48,534 --> 00:22:50,160 HOPING TO BLACKMAIL THE RESTAURANT 402 00:22:50,369 --> 00:22:53,163 AND THUS AVOID HAVING TO PAY THEIR CHECKS. 403 00:22:53,372 --> 00:22:54,622 UH-HUH. 404 00:22:54,832 --> 00:22:56,708 SURELY YOU'RE NOT SUGGESTING-- 405 00:22:56,917 --> 00:22:57,834 THAT MADAME IS TRYING 406 00:22:58,044 --> 00:22:58,710 TO AVOID PAYING HER CHECK? 407 00:22:58,919 --> 00:23:00,045 WELL, OF COURSE NOT, 408 00:23:00,254 --> 00:23:02,297 AND AS A MANAGER OF THIS RESTAURANT, 409 00:23:02,506 --> 00:23:04,132 I HOPE MADAME ACCEPTS MY APOLOGY 410 00:23:04,342 --> 00:23:05,383 FOR ANY INCONVENIENCE 411 00:23:05,593 --> 00:23:07,385 SHE MAY HAVE BEEN CAUSED. 412 00:23:07,595 --> 00:23:09,387 THANK YOU. MA--MADAME DOES. 413 00:23:09,597 --> 00:23:12,223 NOW, THAT IS WHAT I HAVE DONE ABOUT IT. 414 00:23:12,433 --> 00:23:15,393 WHAT ARE YOU GOING TO DO ABOUT IT? 415 00:23:15,603 --> 00:23:16,561 I? 416 00:23:16,729 --> 00:23:17,479 THERE IS STILL THE MATTER 417 00:23:17,688 --> 00:23:18,563 OF YOUR CHECK. 418 00:23:18,773 --> 00:23:19,814 MY CHECK? 419 00:23:20,024 --> 00:23:21,066 THERE WAS NO COCKROACH 420 00:23:21,275 --> 00:23:22,650 IN YOUR SALAD. 421 00:23:22,860 --> 00:23:23,651 NO, NO. I INVITED THIS MAN 422 00:23:23,861 --> 00:23:24,569 TO HAVE DINNER WITH ME. 423 00:23:24,779 --> 00:23:25,737 OH, I SEE. 424 00:23:25,946 --> 00:23:27,238 AM I TO GATHER, MADAME, 425 00:23:27,448 --> 00:23:30,033 THAT SINCE THIS GENTLEMAN IS YOUR GUEST, 426 00:23:30,242 --> 00:23:31,993 YOU DON'T FEEL THAT YOU SHOULD PAY 427 00:23:32,203 --> 00:23:33,578 FOR HIS DINNER, EITHER? 428 00:23:33,788 --> 00:23:35,205 I WOULD SAY THAT UNDER THE CIRCUMSTANCES 429 00:23:35,414 --> 00:23:36,998 THAT'S THE ONLY LOGICAL CONCLUSION AVAILABLE. 430 00:23:37,208 --> 00:23:40,585 I WILL TELL YOU WHAT I CONSIDER TO BE 431 00:23:40,795 --> 00:23:43,213 THE ONLY LOGICAL CONCLUSION AVAILABLE. 432 00:23:43,422 --> 00:23:46,091 EITHER YOU OR MADAME WILL PAY THE ENTIRE-- 433 00:23:46,300 --> 00:23:47,425 AAH! 434 00:24:06,946 --> 00:24:07,904 THIS WAY! 435 00:24:08,114 --> 00:24:09,406 WHAT?! 436 00:24:09,615 --> 00:24:11,282 WHAT?! 437 00:24:11,492 --> 00:24:14,077 I WAS THE LEADING SOPRANO 438 00:24:14,286 --> 00:24:16,037 OF THE BATH TOURING LIGHT OPERA COMPANY. 439 00:24:16,247 --> 00:24:18,039 VERY ATHLETIC FOR A SOPRANO. 440 00:24:18,249 --> 00:24:20,041 THAT'S BECAUSE I HAVE THREE BROTHERS. 441 00:24:20,251 --> 00:24:21,292 HMM, I KNOW WHAT YOU MEAN. 442 00:24:21,502 --> 00:24:22,627 I GREW UP WITH TWO OLDER SISTERS. 443 00:24:24,338 --> 00:24:25,463 BLESS YOU. 444 00:24:25,673 --> 00:24:26,631 THANK YOU. 445 00:24:26,841 --> 00:24:28,758 I THINK I'M CATCHING A COLD. 446 00:24:31,804 --> 00:24:33,638 DO YOU HAVE ANY BICARBONATE? 447 00:24:33,848 --> 00:24:35,640 TOP SHELF. 448 00:24:35,850 --> 00:24:38,059 I HAVE THE WORST HEARTBURN. 449 00:24:39,854 --> 00:24:42,063 CAN I ASK YOU A QUESTION? 450 00:24:42,273 --> 00:24:45,066 YOU WANT TO KNOW IF I'M A HOMOSEXUAL? 451 00:24:45,276 --> 00:24:46,484 NO. 452 00:24:46,694 --> 00:24:48,820 I WANT TO KNOW IF YOU'RE A HYPOCHONDRIAC. 453 00:24:49,029 --> 00:24:50,071 HA HA HA! 454 00:24:50,281 --> 00:24:51,656 NOT NECESSARILY. 455 00:24:51,824 --> 00:24:53,199 OH. 456 00:24:57,830 --> 00:24:59,706 OH. WELL, MY HUSBAND WAS. 457 00:24:59,915 --> 00:25:03,084 THE DAY WE GOT MARRIED, HE GOT THE SHINGLES, 458 00:25:03,294 --> 00:25:04,669 AND WHEN WE GOT DIVORCED, 459 00:25:04,879 --> 00:25:06,087 HIS ULCER PERFORATED. 460 00:25:07,798 --> 00:25:10,300 HOW LONG HAVE YOU BEEN A HOMOSEXUAL? 461 00:25:10,509 --> 00:25:13,011 HOW LONG HAVE YOU BEEN A SOPRANO? 462 00:25:13,220 --> 00:25:14,471 SINCE I WAS 12. 463 00:25:14,680 --> 00:25:16,556 I WAS A LATE BLOOMER. 464 00:25:19,518 --> 00:25:20,852 WHAT HAPPENED 465 00:25:21,061 --> 00:25:23,563 TO THE BATH TOURING LIGHT OPERA COMPANY? 466 00:25:25,608 --> 00:25:27,442 I GUESS YOU COULD SAY 467 00:25:27,651 --> 00:25:30,820 LOU CASSAVA TOOK FRENCH LEAVE WITH THE BANKROLL. 468 00:25:31,030 --> 00:25:32,197 LOU CASSAVA? 469 00:25:32,406 --> 00:25:35,200 OUR STAGE MANAGER. SAM PUT HIM UP TO IT. 470 00:25:35,409 --> 00:25:36,367 SAM? 471 00:25:36,577 --> 00:25:37,827 MY EX-HUSBAND. 472 00:25:40,039 --> 00:25:41,873 OH, GOD. 473 00:25:42,082 --> 00:25:43,875 YOU KNOW, 474 00:25:44,084 --> 00:25:47,045 YOU SHOULD STAY IN BED AND FORCE LIQUIDS. 475 00:25:47,254 --> 00:25:49,047 THAT'S GOOD ADVICE FOR A CAMEL. 476 00:25:49,256 --> 00:25:51,841 YOU HAVE ANYBODY TO TAKE CARE OF YOU? 477 00:25:52,051 --> 00:25:53,218 OH, IT'S ONLY A COLD. 478 00:25:53,427 --> 00:25:54,844 A COLD TONIGHT 479 00:25:55,054 --> 00:25:56,888 COULD BE PNEUMONIA BY THE MORNING. 480 00:25:57,097 --> 00:25:58,890 ARE YOU SURE YOUR HUSBAND WAS A HYPOCHONDRIAC 481 00:25:59,099 --> 00:26:00,683 BEFORE HE MARRIED YOU? 482 00:26:00,893 --> 00:26:02,227 I KNOW YOU THINK THAT I'M AN ALARMIST. 483 00:26:02,436 --> 00:26:04,229 ONLY BECAUSE YOU SOUND LIKE ONE. 484 00:26:04,438 --> 00:26:05,897 I'VE HAD ENOUGH PERSONAL EXPERIENCE 485 00:26:06,106 --> 00:26:09,067 TO KNOW THAT WHEN IT COMES TO YOUR HEALTH, 486 00:26:09,276 --> 00:26:11,486 IT DOES NOT PAY TO TAKE CHANCES. 487 00:26:11,695 --> 00:26:13,196 THEN YOU CAN STOP WORRYING. 488 00:26:13,405 --> 00:26:16,491 WITH THE EXCEPTION OF SAXOPHONE LESSONS AND THE METRO, 489 00:26:16,700 --> 00:26:18,618 I NEVER PAY TO TAKE ANYTHING. 490 00:26:21,038 --> 00:26:23,248 YOU KNOW WHAT I'M GOING TO DO? 491 00:26:23,457 --> 00:26:24,874 WHAT? 492 00:26:25,084 --> 00:26:26,543 I'M GOING TO SEE IF MY CLOTHES ARE DRY, 493 00:26:26,752 --> 00:26:30,088 AND THEN I'M GOING TO TRY TO SNEAK BACK INTO MY HOTEL. 494 00:26:30,256 --> 00:26:32,507 WHAT IF I WAKE UP WITH PNEUMONIA? 495 00:26:32,716 --> 00:26:34,676 WELL, I'LL JUST HAVE TO COME ROUND EARLY IN THE MORNING 496 00:26:34,885 --> 00:26:36,427 AND CHECK ON YOU. 497 00:26:36,637 --> 00:26:39,430 I COULD HAVE A RELAPSE IN THE MIDDLE OF THE NIGHT. 498 00:26:39,640 --> 00:26:40,890 NO, YOU COULDN'T. 499 00:26:41,100 --> 00:26:42,267 WHY COULDN'T I? 500 00:26:42,476 --> 00:26:43,768 BECAUSE THE MIDDLE OF THE NIGHT 501 00:26:43,978 --> 00:26:45,228 WAS ABOUT TWO HOURS AGO. 502 00:26:46,897 --> 00:26:48,731 ♪♪ HIYUM ♪♪ 503 00:26:48,941 --> 00:26:51,734 ♪♪ DA DUM ♪♪ 504 00:26:51,944 --> 00:26:53,695 ♪♪ LA DA DEE DEE DEE ♪♪ 505 00:26:53,904 --> 00:26:56,447 ♪♪ DEE DEE DEE DEE ♪♪ 506 00:26:56,657 --> 00:26:57,907 OH, MY GOD! 507 00:26:58,117 --> 00:26:59,200 WHAT? 508 00:26:59,410 --> 00:27:00,451 OH! 509 00:27:00,661 --> 00:27:01,744 WHAT? WHAT? WHAT? 510 00:27:01,954 --> 00:27:03,037 AWW... 511 00:27:03,247 --> 00:27:06,124 IT WAS GUARANTEED NOT TO SHRINK! 512 00:27:06,333 --> 00:27:09,586 MY BEST DRESS. LOOK! 513 00:27:09,795 --> 00:27:10,878 LET'S SEE. 514 00:27:12,464 --> 00:27:14,549 OH, THERE'S NOTHING TO LET DOWN. 515 00:27:14,758 --> 00:27:16,551 I CAN'T GO OUT LIKE THIS! 516 00:27:16,760 --> 00:27:18,678 WELL, WHAT ABOUT THE COAT? 517 00:27:22,099 --> 00:27:23,683 OH! 518 00:27:26,729 --> 00:27:28,938 WHAT AM I GOING TO DO? 519 00:27:29,148 --> 00:27:31,441 SELL MATCHES. 520 00:27:34,653 --> 00:27:38,031 AW, POOR BABY. 521 00:27:43,162 --> 00:27:45,580 I'M SORRY. 522 00:27:45,789 --> 00:27:47,582 THIS HASN'T BEEN MY DAY. 523 00:27:47,791 --> 00:27:49,584 GOD, THERE HAVE BEEN TIMES 524 00:27:49,793 --> 00:27:51,961 I'D HAVE GIVEN MY SOUL 525 00:27:52,171 --> 00:27:54,505 TO BE ABLE TO CRY LIKE THAT. 526 00:27:54,715 --> 00:27:56,090 OH, I HATE IT. 527 00:27:56,300 --> 00:27:58,968 YOU WOULDN'T IF YOU COULDN'T DO IT ANYMORE. 528 00:27:59,178 --> 00:28:00,511 WELL. 529 00:28:00,721 --> 00:28:02,597 NOW... 530 00:28:02,806 --> 00:28:05,975 TOMORROW, I'LL GO OVER AND PICK UP YOUR CLOTHES. 531 00:28:06,185 --> 00:28:07,602 OH, THEY WON'T LET YOU. 532 00:28:07,811 --> 00:28:09,979 THEY WILL IF I PAY YOUR BILL. 533 00:28:10,189 --> 00:28:11,189 YOU CAN'T DO THAT. 534 00:28:11,398 --> 00:28:13,608 WHY NOT? THIS IS THAT RAINY DAY 535 00:28:13,817 --> 00:28:15,985 I'VE SAVED UP A FEW FRANCS FOR. 536 00:28:16,195 --> 00:28:16,986 HERE. 537 00:28:17,196 --> 00:28:18,988 YOU KNOW WHAT THEY SAY. 538 00:28:19,198 --> 00:28:20,365 WHAT? 539 00:28:20,574 --> 00:28:23,034 "NEITHER A BORROWER NOR A LENDER BE." 540 00:28:23,243 --> 00:28:26,537 "FOR A LOAN OFT LOSES BOTH ITSELF AND FRIEND." 541 00:28:26,747 --> 00:28:27,830 EXACTLY. 542 00:28:28,040 --> 00:28:29,457 YOU WERE WILLING TO COMPROMISE 543 00:28:29,667 --> 00:28:31,626 YOUR VIRTUE FOR A MEATBALL. 544 00:28:31,835 --> 00:28:34,629 WELL, I WAS OUT OF MY MIND AT THE TIME, 545 00:28:34,838 --> 00:28:36,839 AND AT LEAST IT WAS SOMETHING FOR SOMETHING. 546 00:28:37,049 --> 00:28:38,383 ALL RIGHT. 547 00:28:38,592 --> 00:28:40,635 WE'LL MAKE THIS STRICTLY A BUSINESS PROPOSITION. 548 00:28:40,844 --> 00:28:42,637 I'LL CHARGE YOU A WEEKLY INTEREST 549 00:28:42,846 --> 00:28:45,181 EQUIVALENT TO THE GOING RATE OF ONE MEATBALL. 550 00:28:46,600 --> 00:28:47,684 OH, DAMN. 551 00:28:47,893 --> 00:28:49,394 TODDY... 552 00:28:49,603 --> 00:28:51,145 YOU'RE SWEET AND GENEROUS. 553 00:28:51,355 --> 00:28:52,730 EXHAUSTED. 554 00:28:52,940 --> 00:28:54,732 HOW WOULD I EVER PAY YOU BACK? 555 00:28:54,942 --> 00:28:56,401 WELL, WE'LL SOLVE THAT TOMORROW. 556 00:28:56,610 --> 00:28:58,861 IN THE MEANTIME, I'M GIVING THE ORDERS. 557 00:28:59,071 --> 00:29:01,989 YOU ARE GOING TO GET INTO THOSE PAJAMAS AND COME TO BED. 558 00:29:02,199 --> 00:29:03,574 THERE? 559 00:29:03,784 --> 00:29:05,243 YOU'RE WELCOME TO THE SOFA, 560 00:29:05,411 --> 00:29:07,662 BUT YOU HAVE MY WORD OF HONOR 561 00:29:07,871 --> 00:29:09,831 THIS IS MUCH MORE COMFORTABLE 562 00:29:10,040 --> 00:29:11,290 AND INFINITELY SAFER. 563 00:29:17,131 --> 00:29:18,840 OH, GOD. 564 00:29:19,049 --> 00:29:21,426 THERE'S NOTHING MORE INCONVENIENT 565 00:29:21,635 --> 00:29:24,846 THAN AN OLD QUEEN WITH A HEAD COLD. 566 00:29:34,064 --> 00:29:36,023 I WON'T BE LONG. 567 00:29:42,281 --> 00:29:44,907 I RESENT BEING TREATED LIKE A HELPLESS INVALID! 568 00:29:45,117 --> 00:29:47,535 OH, WILL YOU KEEP YOUR MOUTH SHUT? 569 00:29:47,745 --> 00:29:50,121 NOW, I'LL CASH THE CHECK, PAY MY HOTEL BILL, 570 00:29:50,330 --> 00:29:52,749 AND BE BACK IN TIME TO FIX LUNCH. 571 00:29:52,958 --> 00:29:55,543 I CAN BLOODY WELL FIX MY OWN LUNCH. 572 00:29:55,753 --> 00:29:57,545 NOT WITH A FEVER, YOU CAN'T. 573 00:29:57,755 --> 00:30:00,548 WHAT MAKES YOU SO SURE I'VE GOT A FEVER? 574 00:30:00,758 --> 00:30:02,550 BECAUSE YOU'RE BURNING UP, THAT'S WHY. 575 00:30:02,760 --> 00:30:03,926 I'M NATURALLY WARM-BLOODED. 576 00:30:04,136 --> 00:30:06,137 TO BE THAT NATURALLY WARM-BLOODED, 577 00:30:06,346 --> 00:30:08,556 YOU'D HAVE TO BE A SAINT BERNARD. 578 00:30:08,766 --> 00:30:11,559 YOU LOOK BETTER IN RICHARD'S CLOTHES THAN HE DOES. 579 00:30:11,769 --> 00:30:13,311 OF COURSE, HE LOOKS BETTER OUT OF THEM. 580 00:30:13,520 --> 00:30:14,771 WELL? 581 00:30:14,980 --> 00:30:16,230 YOU'RE RIGHT, YOU DON'T HAVE A FEVER. 582 00:30:16,440 --> 00:30:17,774 IN FACT, YOU DON'T EVEN HAVE A TEMPERATURE! 583 00:30:17,983 --> 00:30:19,567 NOW, LEAVE IT THERE. 584 00:30:19,777 --> 00:30:21,152 DOES RICHARD HAVE A HAT? 585 00:30:21,361 --> 00:30:22,862 IN THE CLOSET. 586 00:30:27,743 --> 00:30:28,951 TODDY? 587 00:30:29,161 --> 00:30:30,703 RICHARD! 588 00:30:34,833 --> 00:30:37,335 GOOD MORNING, RICHARD. YOU LOOK LIKE A RACCOON. 589 00:30:37,544 --> 00:30:39,128 I CAME BY TO PICK UP MY THINGS. 590 00:30:39,338 --> 00:30:40,922 I THOUGHT IT WAS TO PAY ME THE MONEY 591 00:30:41,131 --> 00:30:42,507 YOU OWED ME. 592 00:30:42,716 --> 00:30:46,469 I DON'T OWE YOU A THING, YOU PATHETIC OLD QUEER. 593 00:30:49,306 --> 00:30:51,307 UNH! AH! 594 00:30:51,517 --> 00:30:52,308 YOU BASTARD! 595 00:30:52,518 --> 00:30:54,519 GET UP! 596 00:30:54,728 --> 00:30:57,772 YOU GET BACK IN BED! 597 00:30:57,981 --> 00:30:59,649 NOW... 598 00:30:59,858 --> 00:31:00,983 NEXT TIME, 599 00:31:01,193 --> 00:31:04,612 PICK ON SOMEONE YOUR OWN SIZE. 600 00:31:04,822 --> 00:31:05,696 OOH! 601 00:31:05,906 --> 00:31:07,782 AND DON'T COME BACK! 602 00:31:07,991 --> 00:31:09,242 GOOD. 603 00:31:25,217 --> 00:31:26,551 GOD, MY NOSE. 604 00:31:26,760 --> 00:31:28,010 WHAT HAPPENED? 605 00:31:28,220 --> 00:31:30,805 THERE WAS A MAN WEARING MY CLOTHES. 606 00:31:31,014 --> 00:31:32,890 I THINK HE BROKE MY NOSE! 607 00:31:33,100 --> 00:31:35,017 TODDY, YOU'RE DELIRIOUS. 608 00:31:35,227 --> 00:31:36,018 LOWER YOUR VOICE. 609 00:31:36,228 --> 00:31:37,019 TODDY-- LOWER. 610 00:31:37,229 --> 00:31:38,020 TODDY. 611 00:31:38,230 --> 00:31:39,397 CARUSO, NOT CHALIAPIN. 612 00:31:39,606 --> 00:31:40,898 IF YOU DON'T GET BACK INTO THAT BED-- 613 00:31:41,108 --> 00:31:41,816 GOOD! WHEN YOU'RE ANGRY, IT DROPS NATURALLY. 614 00:31:42,025 --> 00:31:42,817 THINK ANGRY. 615 00:31:43,026 --> 00:31:43,985 OH, MY-- 616 00:31:44,194 --> 00:31:45,069 OH, GOD! WHAT AN INSPIRATION! 617 00:31:45,279 --> 00:31:46,195 I'M GOING TO GET A DOCTOR. 618 00:31:46,405 --> 00:31:47,238 VICTORIA, IT WILL WORK! 619 00:31:47,447 --> 00:31:48,739 OH, TODDY, IT WILL NOT. 620 00:31:48,907 --> 00:31:50,408 IF YOU LISTEN TO ME AND DO EXACTLY AS I SAY, 621 00:31:50,617 --> 00:31:52,410 IN SIX WEEKS YOU'LL BE THE TOAST OF PARIS, 622 00:31:52,619 --> 00:31:53,870 AND WE WILL BOTH BE VERY RICH. 623 00:31:54,079 --> 00:31:54,996 OH... VERY, VERY, 624 00:31:55,205 --> 00:31:56,414 VERY RICH. BUT, OH, MY GOD. 625 00:31:56,623 --> 00:31:57,832 THINK! NO MORE BATH LIGHT OPERA COMPANY. 626 00:31:58,041 --> 00:31:59,166 WELL, OF COUR-- 627 00:31:59,376 --> 00:32:00,418 NO MORE MIKADO AND SEEDY TENORS. 628 00:32:00,586 --> 00:32:01,586 YES, BUT-- 629 00:32:01,795 --> 00:32:02,587 CAVIAR INSTEAD OF MEATBALLS! 630 00:32:02,796 --> 00:32:03,838 WHERE ARE YOU GOING? 631 00:32:04,047 --> 00:32:05,006 TO GET SOME SCISSORS! 632 00:32:05,215 --> 00:32:06,841 PEOPLE BELIEVE WHAT THEY SEE, 633 00:32:07,050 --> 00:32:08,259 AND THIS AFTERNOON, 634 00:32:08,468 --> 00:32:09,886 ANDRE CASSELL IS GOING TO MEET 635 00:32:10,095 --> 00:32:11,596 EUROPE'S GREATEST FEMALE IMPERSONATOR. 636 00:32:11,805 --> 00:32:12,889 ANDRE CASSELL 637 00:32:13,098 --> 00:32:14,599 IS THE BIGGEST AGENT IN PARIS. 638 00:32:14,808 --> 00:32:15,850 IF I'M THE GREATEST, 639 00:32:16,059 --> 00:32:17,268 WHY HASN'T HE HEARD OF ME? 640 00:32:17,477 --> 00:32:18,853 YOU'RE THE GREATEST, BUT YOU'RE UNKNOWN, 641 00:32:19,062 --> 00:32:19,854 EXCEPT IN POLAND. 642 00:32:20,063 --> 00:32:21,272 POLAND? 643 00:32:21,481 --> 00:32:22,607 YOU'RE COUNT GRAZINSKY, POLISH ARISTOCRAT, 644 00:32:22,816 --> 00:32:24,066 AND YOU SPEAK VERY LITTLE ENGLISH. 645 00:32:24,276 --> 00:32:25,443 YOUR FAMILY DISOWNED YOU 646 00:32:25,652 --> 00:32:26,861 WHEN THEY DISCOVERED YOU WERE GAY. 647 00:32:27,070 --> 00:32:28,446 OH, NOW, WAIT A MINUTE. 648 00:32:28,655 --> 00:32:29,864 WE MET IN WARSAW, FELL IN LOVE, 649 00:32:30,073 --> 00:32:31,449 AND I BROUGHT YOU TO PARIS. 650 00:32:31,658 --> 00:32:32,450 AH, HOLD IT! 651 00:32:32,659 --> 00:32:33,701 WHAT'S WRONG? 652 00:32:33,911 --> 00:32:34,911 WHAT'S WRONG? WHAT'S RIGHT? 653 00:32:35,120 --> 00:32:36,454 A WOMAN PRETENDING TO BE A MAN 654 00:32:36,663 --> 00:32:37,455 PRETENDING TO BE A WOMAN? 655 00:32:37,664 --> 00:32:38,581 RIDICULOUS. 656 00:32:38,790 --> 00:32:39,790 IT'S PREPOSTEROUS! 657 00:32:40,000 --> 00:32:40,958 IN FACT, IT'S SO PREPOSTEROUS, 658 00:32:41,168 --> 00:32:42,460 NO ONE WOULD EVER BELIEVE IT. 659 00:32:42,669 --> 00:32:43,878 AND YET, YOU EXPECT THEM TO BELIEVE COUNT... 660 00:32:44,087 --> 00:32:44,879 WHAT'S HIS NAME? 661 00:32:45,088 --> 00:32:45,880 GRAZINSKY. 662 00:32:46,089 --> 00:32:47,882 GRAZINSKY, A GAY POLISH 663 00:32:48,091 --> 00:32:49,926 FEMALE IMPERSONATOR? 664 00:32:50,135 --> 00:32:51,886 DARLING, ALL ANYONE HAS TO BELIEVE 665 00:32:52,095 --> 00:32:53,471 IS THAT YOU'RE A MAN. 666 00:32:53,680 --> 00:32:55,932 TO CONVINCE AN AUDIENCE THAT AN ILLUSION IS REAL, 667 00:32:56,141 --> 00:32:58,476 THE MAGICIAN CREATES A PLAUSIBLE DIVERSION. 668 00:32:58,685 --> 00:33:01,103 COUNT GRAZINSKY IS OUR PLAUSIBLE DIVERSION. 669 00:33:01,313 --> 00:33:02,813 TODDY, NO AUDIENCE IS THAT GULLIBLE. 670 00:33:03,023 --> 00:33:04,649 THEY'LL KNOW HE'S A PHONY. 671 00:33:04,858 --> 00:33:05,650 RIGHT. 672 00:33:05,859 --> 00:33:07,068 WELL? 673 00:33:07,277 --> 00:33:09,487 THEY'LL KNOW HE'S A PHONY. 674 00:33:09,696 --> 00:33:12,573 TODDY, I DON'T KNOW HOW TO ACT LIKE A MAN. 675 00:33:12,783 --> 00:33:13,658 CONTRARY TO THE POPULAR CONCEPTION 676 00:33:13,867 --> 00:33:14,784 OF HOW A MAN ACTS, 677 00:33:14,993 --> 00:33:16,160 THERE ARE ALL SORTS OF MEN 678 00:33:16,370 --> 00:33:18,162 WHO ACT IN ALL SORTS OF WAYS. 679 00:33:18,372 --> 00:33:20,164 I MEAN, AS OPPOSED TO THE WAY WOMEN ACT. 680 00:33:20,374 --> 00:33:21,457 I AM PERSONALLY ACQUAINTED 681 00:33:21,667 --> 00:33:22,583 WITH AT LEAST A DOZEN MEN 682 00:33:22,793 --> 00:33:24,335 WHO ACT EXACTLY LIKE WOMEN 683 00:33:24,544 --> 00:33:26,128 AND VICE VERSA. 684 00:33:26,338 --> 00:33:28,506 THERE ARE JUST SOME THINGS THAT ARE NATURALLY MASCULINE! 685 00:33:28,715 --> 00:33:29,757 NAME ONE. 686 00:33:29,967 --> 00:33:30,758 UM...UM... 687 00:33:30,968 --> 00:33:32,426 PEEING STANDING UP. 688 00:33:32,636 --> 00:33:34,178 HA HA. ON THE OTHER HAND, THERE'S ABSOLUTELY NO RULE 689 00:33:34,388 --> 00:33:36,180 THAT SAYS A MAN CAN'T SIT DOWN. 690 00:33:36,390 --> 00:33:37,515 MEN HAVE ADAM'S APPLES. 691 00:33:37,724 --> 00:33:38,849 SO DO SOME WOMEN. 692 00:33:39,017 --> 00:33:39,767 NAME ONE. 693 00:33:39,977 --> 00:33:40,768 NANA LANOUX. 694 00:33:40,978 --> 00:33:41,769 WHAT? 695 00:33:41,979 --> 00:33:42,812 TAXI! 696 00:33:43,021 --> 00:33:44,188 NANA LANOUX? WHO'S SHE? 697 00:33:44,398 --> 00:33:45,523 THE LAST WOMAN I SLEPT WITH. 698 00:33:45,732 --> 00:33:47,441 WHEN WAS THAT? 699 00:33:47,651 --> 00:33:49,777 THE NIGHT BEFORE THE MORNING I DECIDED TO BECOME A HOMOSEXUAL. 700 00:33:49,987 --> 00:33:51,195 VERY DASHING. 701 00:33:51,405 --> 00:33:53,364 I CAN'T WEAR THIS ALL THE TIME. 702 00:33:53,573 --> 00:33:54,991 WHY NOT? IT MIGHT SET A FASHION. 703 00:33:55,200 --> 00:33:57,535 DID MISS LANOUX HAVE A BIG ADAM'S APPLE? 704 00:33:57,744 --> 00:34:00,037 LIKE A COCONUT! 705 00:34:14,970 --> 00:34:16,220 GOOD MORNING. 706 00:34:16,430 --> 00:34:18,556 WOULD YOU PLEASE TELL MR. CASSELL 707 00:34:18,765 --> 00:34:20,182 THAT CARROLL TODD IS HERE? 708 00:34:20,392 --> 00:34:21,559 WHY? 709 00:34:21,768 --> 00:34:22,852 WHY? 710 00:34:23,061 --> 00:34:24,812 IF YOU DON'T HAVE AN APPOINTMENT 711 00:34:25,022 --> 00:34:26,397 WITH MR. CASSELL, 712 00:34:26,606 --> 00:34:28,816 WHY SHOULD I TELL HIM YOU'RE HERE? 713 00:34:29,026 --> 00:34:31,819 BECAUSE MR. CASSELL AND I ARE VERY CLOSE FRIENDS, 714 00:34:32,029 --> 00:34:33,571 AND IF YOU TELL HIM I'M HERE, 715 00:34:33,780 --> 00:34:35,573 HE'LL WANT TO SEE ME. 716 00:34:35,782 --> 00:34:37,575 THAT'S NOT VERY COMPLICATED, IS IT? 717 00:34:37,784 --> 00:34:39,410 BEING A VERY CLOSE FRIEND, 718 00:34:39,619 --> 00:34:41,037 I'M SURPRISED YOU DON'T KNOW 719 00:34:41,246 --> 00:34:43,039 THAT EVERY WEDNESDAY AT THIS TIME, 720 00:34:43,248 --> 00:34:45,041 MR. CASSELL HAS HIS HAIR CUT, 721 00:34:45,250 --> 00:34:46,667 AND HE NEVER SEES ANYONE, 722 00:34:46,877 --> 00:34:48,419 INCLUDING HIS VERY CLOSE FRIENDS. 723 00:34:48,628 --> 00:34:49,837 WE'LL WAIT. 724 00:34:50,047 --> 00:34:51,547 YOU'RE WASTING YOUR TIME. 725 00:34:51,757 --> 00:34:54,967 OH, NO. YOU ARE WASTING IT. 726 00:35:08,607 --> 00:35:09,982 MR. CASSELL. 727 00:35:10,192 --> 00:35:12,193 NO. MISS SELMA. 728 00:35:12,402 --> 00:35:14,862 NO, I MEAN I WISH TO SEE MR. CASSELL. 729 00:35:15,072 --> 00:35:16,614 NO. 730 00:35:16,823 --> 00:35:18,074 I AM LeCLOU, 731 00:35:18,283 --> 00:35:20,451 THE WORLD'S GREATEST EQUILIBRIST. 732 00:35:20,660 --> 00:35:21,744 ON WEDNESDAYS, 733 00:35:21,953 --> 00:35:23,621 MR. CASSELL ONLY SEES GIANNINI, 734 00:35:23,830 --> 00:35:25,706 THE WORLD'S GREATEST BARBER. 735 00:35:25,916 --> 00:35:27,750 VERY WELL, THEN. 736 00:35:35,801 --> 00:35:38,677 IF MR. CASSELL CANNOT SEE ME, 737 00:35:38,887 --> 00:35:41,764 THEN I SHALL PERFORM... 738 00:35:43,266 --> 00:35:44,767 FOR YOU. 739 00:35:54,820 --> 00:35:55,945 WHAT ARE YOU DOING? 740 00:35:56,154 --> 00:35:57,655 GET OFF! 741 00:35:57,864 --> 00:35:59,115 WILL YOU GET OFF? 742 00:35:59,324 --> 00:36:00,658 GET OFF THAT DESK! 743 00:36:00,867 --> 00:36:02,118 WILL YOU GET OFF? 744 00:36:02,327 --> 00:36:03,661 OH! 745 00:36:03,870 --> 00:36:05,121 HELLO, ANDRE. 746 00:36:05,330 --> 00:36:06,747 TODDY, WHAT THE DEVIL-- 747 00:36:06,957 --> 00:36:08,124 ANDRE, I THINK IT'S VERY IMPORTANT 748 00:36:08,333 --> 00:36:10,459 THAT YOU MEET COUNT VICTOR GRAZINSKY. 749 00:36:10,669 --> 00:36:12,294 WHO THE HELL IS COUNT VICTOR GRAZINSKY? 750 00:36:12,504 --> 00:36:14,463 SURELY, YOU'RE JOKING. THE COUNT 751 00:36:14,673 --> 00:36:16,006 IS EUROPE'S GREATEST FEMALE IMPERSONATOR. 752 00:36:16,216 --> 00:36:18,592 I'VE NEVER HEARD OF HIM. AND IN ALL MODESTY, 753 00:36:18,802 --> 00:36:20,010 IF I HAVEN'T HEARD OF HIM, 754 00:36:20,220 --> 00:36:21,595 HE CAN HARDLY BE EUROPE'S GREATEST ANYTHING. 755 00:36:21,805 --> 00:36:22,972 COUNT, WOULD YOU DEMONSTRATE? 756 00:36:23,181 --> 00:36:24,140 CERTAINLY. 757 00:36:24,349 --> 00:36:27,810 ♪♪ AAAAAHHH ♪♪ 758 00:36:28,019 --> 00:36:30,688 EEEAAUGH! 759 00:36:30,897 --> 00:36:34,692 WHAT THE HELL? 760 00:36:43,702 --> 00:36:45,953 COUNT, WITH YOUR VOICE AND MY CONNECTIONS, 761 00:36:46,163 --> 00:36:47,705 YOU'RE GOING TO GET RICH, 762 00:36:47,914 --> 00:36:49,790 AND I'M GOING TO GET RICHER. 763 00:36:50,000 --> 00:36:52,293 TO A LONG AND PROFITABLE RELATIONSHIP. 764 00:36:57,883 --> 00:36:59,758 NOW, WHEN CAN YOU OPEN? 765 00:36:59,968 --> 00:37:01,177 WHERE? 766 00:37:01,386 --> 00:37:02,845 HERE? 767 00:37:03,054 --> 00:37:04,847 HERE? 768 00:37:06,349 --> 00:37:07,766 HERE? 769 00:37:07,976 --> 00:37:09,185 SIX WEEKS. 770 00:37:09,394 --> 00:37:10,853 EXCELLENT. 771 00:37:14,357 --> 00:37:15,858 HERE. 772 00:37:19,154 --> 00:37:20,571 ♪♪ ...THEY KNEW IT ♪♪ 773 00:37:20,780 --> 00:37:23,407 ♪♪ IT WAS WHIZZIN' ROUND THE WORLD ♪♪ 774 00:37:23,617 --> 00:37:28,704 ♪♪ THE WORLD WAS READY FOR A NEW KIND OF MUSIC ♪♪ 775 00:37:28,914 --> 00:37:30,247 ♪♪ AND NOW THEY PLAY IT ♪♪ 776 00:37:30,457 --> 00:37:32,208 ♪♪ FROM STEAMBOAT SPRINGS ♪♪ 777 00:37:32,417 --> 00:37:34,877 ♪♪ TO LA PAZ ♪♪ 778 00:37:51,311 --> 00:37:53,854 ♪♪ 'BOUT 20 YEARS AGO, WAY DOWN-- ♪♪ 779 00:37:54,064 --> 00:37:55,522 TRY A TONE LOWER. 780 00:37:55,732 --> 00:37:56,607 O.K., UH... 781 00:37:58,944 --> 00:38:00,444 ♪♪ 'BOUT 20 YEARS AGO-- ♪♪ 782 00:38:00,654 --> 00:38:01,779 NO. TRY A THIRD. 783 00:38:01,988 --> 00:38:02,863 A THIRD? 784 00:38:03,073 --> 00:38:03,781 UH-HUH. 785 00:38:05,158 --> 00:38:06,242 ALL RIGHT. 786 00:38:06,451 --> 00:38:08,452 ♪♪ 'BOUT 20 YEARS AGO--♪♪ 787 00:38:08,662 --> 00:38:10,037 PERFECT. 788 00:38:10,247 --> 00:38:12,706 THAT'S JUST LOW ENOUGH TO BE A TOUCH MASCULINE. 789 00:38:12,916 --> 00:38:14,458 NOW, WHEN YOU'RE DANCING, REMEMBER-- 790 00:38:14,668 --> 00:38:17,461 MAKE IT BROADER, WITH TONS OF SHOULDER. 791 00:38:17,671 --> 00:38:19,755 REMEMBER, YOU'RE A DRAG QUEEN! 792 00:38:19,965 --> 00:38:22,091 ♪♪ WHEN YOU PLAY ME ♪♪ 793 00:38:22,300 --> 00:38:24,551 ♪♪ LE JAZZ HOT, BABY ♪♪ 794 00:38:24,761 --> 00:38:29,932 ♪♪ YOU'RE HOLDING MY SOUL TOGETHER ♪♪ 795 00:38:30,141 --> 00:38:33,894 ♪♪ DON'T KNOW WHETHER IT'S MORNING OR NIGHT... ♪♪ 796 00:38:34,104 --> 00:38:35,312 HE'S FANTASTIC. 797 00:38:35,522 --> 00:38:36,647 HE'S A PHONY. 798 00:38:36,856 --> 00:38:37,898 WHAT DO YOU MEAN? 799 00:38:38,108 --> 00:38:38,941 IF HE'S A POLISH COUNT, 800 00:38:39,150 --> 00:38:40,109 I'M GRETA GARBO. 801 00:38:40,318 --> 00:38:42,111 WELL, GRETA, WHATEVER HE IS, 802 00:38:42,320 --> 00:38:43,487 I THINK HE'S DIVINE. 803 00:38:43,697 --> 00:38:46,490 ♪♪ 'CAUSE I LOVE MY JAZZ HOT ♪♪ 804 00:38:53,999 --> 00:38:55,624 WHOO! 805 00:38:59,004 --> 00:39:01,130 OH, GOD, I'LL NEVER MAKE IT. 806 00:39:01,339 --> 00:39:03,132 NOW LISTEN TO ME. FROM THE BEGINNING, 807 00:39:03,341 --> 00:39:04,925 WE'VE HAD TWO MAJOR OBSTACLES TO OVERCOME. 808 00:39:05,135 --> 00:39:06,635 MY BOSOM. 809 00:39:06,845 --> 00:39:08,345 FIRST, TO CONVINCE EVERYONE THAT YOU'RE A MAN. 810 00:39:08,555 --> 00:39:09,930 NOW, SO FAR, WE'VE DONE THAT. 811 00:39:10,140 --> 00:39:11,807 IT'S BEEN DAMNED UNCOMFORTABLE. 812 00:39:12,017 --> 00:39:12,808 WHAT HAS? 813 00:39:13,018 --> 00:39:14,184 STRAPPING DOWN MY BOSOM. 814 00:39:14,394 --> 00:39:16,353 NOW ALL YOU'VE GOT TO DO IS GET OUT THERE 815 00:39:16,563 --> 00:39:18,188 AND SHOW THEM WHAT A GREAT ENTERTAINER YOU ARE, 816 00:39:18,398 --> 00:39:20,149 AND YOU'LL BE A STAR FOR THE NEXT 20 YEARS. 817 00:39:20,358 --> 00:39:21,358 TODDY, IF I HAVE TO STRAP DOWN MY BOSOM 818 00:39:21,568 --> 00:39:23,110 FOR THE NEXT 20 YEARS, 819 00:39:23,320 --> 00:39:25,154 THEY'RE GOING TO END UP LOOKING LIKE TWO EMPTY WALLETS. 820 00:39:26,364 --> 00:39:27,156 SIT UP. 821 00:39:27,365 --> 00:39:28,157 THEN WHAT? 822 00:39:28,366 --> 00:39:29,366 STAND UP. 823 00:39:29,576 --> 00:39:30,993 OH, SIT UP, STAND UP, THROW UP. 824 00:39:31,202 --> 00:39:33,537 NOW, YOU ARE NOT GOING TO BE SICK! 825 00:39:33,747 --> 00:39:36,081 NOT IF I FAINT FIRST. 826 00:39:37,709 --> 00:39:39,168 WE'VE GOT A FULL HOUSE. 827 00:39:39,377 --> 00:39:40,961 I SENT OUT 300 INVITATIONS, 828 00:39:41,171 --> 00:39:42,171 AND EVERYONE'S TURNED UP 829 00:39:42,380 --> 00:39:43,380 EXCEPT KING MARCHAND. 830 00:39:43,590 --> 00:39:45,007 WHO'S KING MARCHAND? 831 00:39:45,216 --> 00:39:47,384 WELL, AMONG OTHER THINGS, HE HAPPENS TO BE 832 00:39:47,594 --> 00:39:49,136 THE MOST SUCCESSFUL NIGHT CLUB OWNER IN CHICAGO. 833 00:39:49,346 --> 00:39:50,888 AND THE OTHER THINGS? 834 00:39:51,056 --> 00:39:52,681 OH, NOTHING WORTH MENTIONING, IF YOU WANT TO STAY ALIVE. 835 00:40:49,656 --> 00:40:50,781 LADIES AND GENTLEMEN, 836 00:40:50,990 --> 00:40:52,616 THE NIGHT CLUB IS PROUD TO PRESENT 837 00:40:52,784 --> 00:40:54,618 THE ONE AND ONLY VICTORIA! 838 00:41:07,757 --> 00:41:10,008 ♪♪ 'BOUT 20 YEARS AGO ♪♪ 839 00:41:10,218 --> 00:41:15,097 ♪♪ WAY DOWN IN NEW ORLEANS ♪♪ 840 00:41:15,306 --> 00:41:22,104 ♪♪ A GROUP OF FELLAS FOUND A NEW KIND OF MUSIC ♪♪ 841 00:41:22,313 --> 00:41:25,899 ♪♪ AND THEY DECIDED TO CALL IT ♪♪ 842 00:41:26,109 --> 00:41:28,819 ♪♪ JAZZ ♪♪ 843 00:41:29,028 --> 00:41:31,947 ♪♪ NO OTHER SOUND HAS WHAT THIS MUSIC HAS ♪♪ 844 00:41:37,120 --> 00:41:39,705 ♪♪ BEFORE THEY KNEW IT ♪♪ 845 00:41:39,914 --> 00:41:44,501 ♪♪ IT WAS WHIZZIN' ROUND THE WORLD ♪♪ 846 00:41:44,711 --> 00:41:47,754 ♪♪ THE WORLD WAS READY FOR A BLUE KIND OF MUSIC ♪♪ 847 00:41:51,926 --> 00:41:54,344 ♪♪ AND NOW THEY PLAY IT ♪♪ 848 00:41:54,554 --> 00:41:56,930 ♪♪ FROM STEAMBOAT SPRINGS TO LA PAZ ♪♪ 849 00:42:14,199 --> 00:42:18,202 ♪♪ OH, BABY, WON'T YOU PLAY ME ♪♪ 850 00:42:18,411 --> 00:42:20,996 ♪♪ LE JAZZ HOT MAYBE? ♪♪ 851 00:42:21,206 --> 00:42:25,667 ♪♪ AND DON'T EVER LET IT END ♪♪ 852 00:42:27,212 --> 00:42:28,504 ♪♪ I TELL YOU, FRIEND ♪♪ 853 00:42:28,713 --> 00:42:32,007 ♪♪ IT'S REALLY SOMETHING TO HEAR ♪♪ 854 00:42:32,217 --> 00:42:33,550 ♪♪ I CAN'T SIT STILL ♪♪ 855 00:42:33,760 --> 00:42:37,179 ♪♪ WHEN THERE'S THAT RHYTHM NEAR ME ♪♪ 856 00:42:48,066 --> 00:42:50,067 ♪♪ ALSO, BABY ♪♪ 857 00:42:50,276 --> 00:42:52,819 ♪♪ LE JAZZ HOT MAY BE ♪♪ 858 00:42:53,029 --> 00:42:58,575 ♪♪ WHAT'S HOLDING MY SOUL TOGETHER ♪♪ 859 00:42:58,785 --> 00:43:03,580 ♪♪ DON'T KNOW WHETHER IT'S MORNING OR NIGHT ♪♪ 860 00:43:03,790 --> 00:43:07,584 ♪♪ ONLY KNOW IT'S SOUNDIN' RIGHT ♪♪ 861 00:43:07,794 --> 00:43:11,004 ♪♪ SO, COME ON IN AND PLAY ME ♪♪ 862 00:43:11,214 --> 00:43:13,757 ♪♪ LE JAZZ HOT, BABY ♪♪ 863 00:43:13,967 --> 00:43:16,176 ♪♪ 'CAUSE I LOVE MY JAZZ ♪♪ 864 00:43:21,182 --> 00:43:22,891 ♪♪ HOT! ♪♪ 865 00:43:36,781 --> 00:43:38,240 ♪♪ BEFORE THEY KNEW IT ♪♪ 866 00:43:38,449 --> 00:43:42,286 ♪♪ IT WAS WHIZZIN' ROUND THE WORLD ♪♪ 867 00:43:42,495 --> 00:43:46,248 ♪♪ THE WORLD WAS READY FOR A NEW KIND OF MUSIC ♪♪ 868 00:43:46,457 --> 00:43:48,625 ♪♪ AND NOW THEY PLAY IT ♪♪ 869 00:43:48,835 --> 00:43:52,796 ♪♪ FROM STEAMBOAT SPRINGS TO LA PAZ ♪♪ 870 00:43:52,964 --> 00:43:54,214 SHE'S A WINNER. 871 00:43:56,467 --> 00:43:59,052 ♪♪ WHEN YOU PLAY ME ♪♪ 872 00:43:59,262 --> 00:44:01,555 ♪♪ LE JAZZ HOT, BABY ♪♪ 873 00:44:01,764 --> 00:44:06,435 ♪♪ YOU'RE HOLDING MY SOUL TOGETHER ♪♪ 874 00:44:06,644 --> 00:44:12,065 ♪♪ DON'T KNOW WHETHER IT'S MORNING OR NIGHT ♪♪ 875 00:44:12,275 --> 00:44:16,069 ♪♪ ONLY KNOW IT'S SOUNDIN' RIGHT ♪♪ 876 00:44:16,279 --> 00:44:19,072 ♪♪ SO, COME ON IN AND PLAY ME ♪♪ 877 00:44:19,282 --> 00:44:21,658 ♪♪ LE JAZZ HOT, BABY ♪♪ 878 00:44:21,868 --> 00:44:24,077 ♪♪ 'CAUSE I LOVE MY JAZZ HOT ♪♪ 879 00:44:30,126 --> 00:44:32,669 ♪♪ LE ♪♪ 880 00:44:32,879 --> 00:44:37,007 ♪♪ JAZZ ♪♪ 881 00:44:37,216 --> 00:44:40,135 ♪♪ HOOOOTTT ♪♪ 882 00:44:52,982 --> 00:44:55,859 Le jazz hot! 883 00:45:00,281 --> 00:45:03,825 BRAVO! BRAVO! 884 00:45:07,580 --> 00:45:08,872 BRAVO! 885 00:45:09,082 --> 00:45:10,499 BRAVA. 886 00:45:17,465 --> 00:45:20,300 BRAVO! BRAVO! 887 00:45:20,510 --> 00:45:23,595 BRAVO! BRAVO! 888 00:45:36,734 --> 00:45:39,027 HA HA HA HA! 889 00:45:53,251 --> 00:45:54,459 WATCH THIS. 890 00:46:05,596 --> 00:46:07,431 IT'S A GUY! 891 00:46:07,640 --> 00:46:09,933 YAY! 892 00:46:10,143 --> 00:46:11,560 YAY! 893 00:46:20,111 --> 00:46:22,237 HA HA HA HA! HA HA HA! 894 00:46:25,116 --> 00:46:27,993 YAY! 895 00:46:58,983 --> 00:47:00,984 EXCUSE ME. PARDON US. 896 00:47:01,194 --> 00:47:03,820 PARDON ME. PARDON ME. 897 00:47:04,030 --> 00:47:05,989 EXCUSE ME. PARDON ME. 898 00:47:06,199 --> 00:47:07,741 COME ON, DEAR. 899 00:47:11,996 --> 00:47:13,997 I HOPE SIX, EIGHT WEEKS, 900 00:47:14,207 --> 00:47:16,124 SOMETHING LIKE THAT. 901 00:47:17,585 --> 00:47:19,002 HI. 902 00:47:19,212 --> 00:47:20,504 HELLO. 903 00:47:20,713 --> 00:47:23,423 OH, I'M NORMA CASSADY. 904 00:47:23,633 --> 00:47:26,009 YOU WERE JUST GRAND. 905 00:47:26,219 --> 00:47:27,427 THANK YOU. 906 00:47:27,637 --> 00:47:30,013 OH, AND, UH, THIS IS KING MARCHAND. 907 00:47:30,223 --> 00:47:31,681 HOW DO YOU DO? HOW DO YOU DO? 908 00:47:31,891 --> 00:47:33,350 I'VE GOT TO ADMIT FOR A WHILE THERE, 909 00:47:33,559 --> 00:47:34,851 I WAS REALLY CHEESED OFF. 910 00:47:35,061 --> 00:47:37,145 KING'S TONGUE WAS HANGING OUT A FOOT. 911 00:47:37,355 --> 00:47:39,105 THEN, YOU KNOW WHEN YOU TOOK THAT WIG OFF, 912 00:47:39,315 --> 00:47:41,817 I JUST COULDN'T BELIEVE IT! 913 00:47:42,026 --> 00:47:44,027 KING STILL DOESN'T. 914 00:47:44,237 --> 00:47:45,111 I'M FLATTERED. 915 00:47:45,321 --> 00:47:46,029 I'M DELIGHTED YOU COULD MAKE IT, 916 00:47:46,239 --> 00:47:47,030 MR. MARCHAND. 917 00:47:47,240 --> 00:47:48,156 OH, THANK YOU. 918 00:47:48,366 --> 00:47:50,659 MAY I INTRODUCE MR. TODD? 919 00:47:50,868 --> 00:47:52,035 IT'S A PLEASURE. 920 00:47:52,245 --> 00:47:54,037 HOW DO YOU DO? THIS IS MISS CASSADY. 921 00:47:54,247 --> 00:47:56,039 MADEMOISELLE. 922 00:47:56,249 --> 00:47:57,457 ENCHANTED. 923 00:47:57,667 --> 00:47:59,668 OH! ME, TOO. 924 00:47:59,877 --> 00:48:02,712 WELL, WHAT DO YOU THINK OF OUR NEW STAR? 925 00:48:02,922 --> 00:48:04,047 HE THINKS HE'S A PHONY. 926 00:48:04,257 --> 00:48:05,674 OH, I THINK SHE'S VERY TALENTED. 927 00:48:05,883 --> 00:48:07,676 BUT HE DOESN'T THINK YOU'RE A MAN. 928 00:48:07,885 --> 00:48:09,636 I'LL TELL HER WHAT I THINK. 929 00:48:09,846 --> 00:48:10,637 "HER." SEE? 930 00:48:10,847 --> 00:48:11,638 NORMA... 931 00:48:11,848 --> 00:48:12,639 WHAT? 932 00:48:12,849 --> 00:48:13,640 MINGLE. 933 00:48:13,850 --> 00:48:15,600 OH. SURE. 934 00:48:17,311 --> 00:48:18,645 CARE TO, UM... 935 00:48:18,855 --> 00:48:20,856 CARE TO MINGLE WITH ME, MR. TODD? 936 00:48:21,065 --> 00:48:22,065 MISS CASSADY, 937 00:48:22,275 --> 00:48:23,483 EXCLUDING VICTOR'S PERFORMANCE, 938 00:48:23,693 --> 00:48:24,734 MINGLING WITH YOU 939 00:48:24,902 --> 00:48:26,069 MAY WELL TURN OUT TO BE 940 00:48:26,279 --> 00:48:28,071 THE HIGHLIGHT OF THE EVENING. 941 00:48:28,239 --> 00:48:30,073 I JUST LOVE FRENCHMEN! 942 00:48:30,283 --> 00:48:32,075 OH, SO DO I. 943 00:48:32,285 --> 00:48:33,702 I'LL GET YOU A DRINK. 944 00:48:33,911 --> 00:48:35,203 WELL, THANK YOU. 945 00:48:44,088 --> 00:48:45,964 YOU WERE SAYING, MR. MARCHAND? 946 00:48:46,173 --> 00:48:47,173 WELL, I... 947 00:48:47,383 --> 00:48:49,259 I JUST FIND IT HARD TO BELIEVE 948 00:48:49,468 --> 00:48:51,094 THAT YOU'RE A MAN. 949 00:48:51,304 --> 00:48:55,098 BECAUSE YOU FOUND ME ATTRACTIVE AS A WOMAN? 950 00:48:55,308 --> 00:48:57,434 YES, AS A MATTER OF FACT. 951 00:48:57,643 --> 00:48:59,269 IT HAPPENS FREQUENTLY. 952 00:48:59,478 --> 00:49:01,271 NOT TO ME. 953 00:49:01,480 --> 00:49:03,273 IT JUST PROVES THE OLD ADAGE-- 954 00:49:03,482 --> 00:49:05,275 THERE'S A FIRST TIME FOR EVERYTHING. 955 00:49:05,484 --> 00:49:07,110 I DON'T THINK SO. 956 00:49:07,320 --> 00:49:09,279 BUT YOU'RE NOT 100% SURE. 957 00:49:09,488 --> 00:49:10,780 PRACTICALLY. 958 00:49:10,990 --> 00:49:13,116 AH, BUT TO A MAN LIKE YOU-- 959 00:49:13,284 --> 00:49:14,743 SOMEONE WHO BELIEVES 960 00:49:14,952 --> 00:49:17,120 HE COULD NEVER UNDER ANY CIRCUMSTANCES 961 00:49:17,330 --> 00:49:19,122 FIND ANOTHER MAN ATTRACTIVE, 962 00:49:19,332 --> 00:49:21,541 THE MARGIN BETWEEN PRACTICALLY AND FOR SURE 963 00:49:21,751 --> 00:49:24,794 MUST BE AS WIDE AS THE GRAND CANYON. 964 00:49:24,962 --> 00:49:27,964 IF YOU WERE A MAN, I'D KNOCK YOUR BLOCK OFF. 965 00:49:28,174 --> 00:49:30,091 AND PROVE THAT YOU'RE A MAN. 966 00:49:30,301 --> 00:49:31,801 THAT'S A WOMAN'S ARGUMENT. 967 00:49:32,011 --> 00:49:33,762 YOUR PROBLEM, MR. MARCHAND, 968 00:49:33,971 --> 00:49:35,263 IS THAT YOU'RE PREOCCUPIED 969 00:49:35,473 --> 00:49:36,556 WITH STEREOTYPES. 970 00:49:36,766 --> 00:49:38,558 I THINK IT'S AS SIMPLE AS-- 971 00:49:38,768 --> 00:49:40,560 YOU'RE ONE KIND OF MAN, 972 00:49:40,770 --> 00:49:42,228 I'M ANOTHER. 973 00:49:42,438 --> 00:49:43,730 AND WHAT KIND ARE YOU? 974 00:49:43,940 --> 00:49:46,149 ONE THAT DOESN'T HAVE TO PROVE IT 975 00:49:46,359 --> 00:49:47,817 TO MYSELF... 976 00:49:48,027 --> 00:49:49,235 OR ANYONE. 977 00:49:49,445 --> 00:49:51,279 EXCUSE ME. 978 00:49:55,326 --> 00:49:56,701 THANK YOU. 979 00:49:58,120 --> 00:50:02,082 I...YOU'RE KIDDING! 980 00:50:02,291 --> 00:50:06,503 YOU--YOU REALLY ARE QUEER? 981 00:50:06,671 --> 00:50:09,798 OH! WE PREFER GAY. 982 00:50:10,007 --> 00:50:13,635 OH, BUT YOU'RE SO... ATTRACTIVE. 983 00:50:15,221 --> 00:50:17,639 WELL, I JUST THINK IT'S A TERRIBLE WASTE. 984 00:50:19,225 --> 00:50:21,017 YOU KNOW WHAT I THINK? 985 00:50:21,227 --> 00:50:22,602 WHAT? 986 00:50:22,812 --> 00:50:27,023 I THINK THAT THE RIGHT WOMAN COULD REFORM YOU. 987 00:50:27,233 --> 00:50:29,609 YOU KNOW, I THINK THE RIGHT WOMAN 988 00:50:29,819 --> 00:50:30,860 COULD REFORM YOU, TOO. 989 00:50:31,070 --> 00:50:33,863 OH! ME GIVE UP MEN? FORGET IT! 990 00:50:34,073 --> 00:50:37,158 YOU TOOK THE WORDS RIGHT OUT OF MY MOUTH. 991 00:50:37,368 --> 00:50:38,201 NORMA? 992 00:50:38,369 --> 00:50:39,869 OH, YEAH, YEAH, YEAH. 993 00:50:40,079 --> 00:50:42,872 I STILL THINK IT'S A TERRIBLE WASTE. 994 00:50:43,082 --> 00:50:44,708 WELL, IF IT'S ANY CONSOLATION, 995 00:50:44,917 --> 00:50:47,043 I ASSURE YOU IT IS NOT WASTED. 996 00:50:47,253 --> 00:50:48,712 OH! 997 00:50:48,921 --> 00:50:49,671 NORMA. 998 00:50:49,880 --> 00:50:51,423 WHAT? JEEZ... 999 00:50:56,721 --> 00:50:58,096 AU REVOIR. 1000 00:50:58,305 --> 00:51:01,057 ME, TOO. 1001 00:51:01,267 --> 00:51:04,644 COME ON. GET OUT OF MY WAY. GO ON. 1002 00:51:07,231 --> 00:51:09,482 SEE YOU IN CHURCH. 1003 00:51:09,692 --> 00:51:11,026 OH... 1004 00:51:16,907 --> 00:51:19,325 DON'T EVER LEAVE ME ALONE LIKE THAT AGAIN. 1005 00:51:19,535 --> 00:51:21,911 WHAT DID YOU THINK OF KING MARCHAND? 1006 00:51:22,121 --> 00:51:23,913 KING MARCHAND IS AN ARROGANT, OPINIONATED, 1007 00:51:24,123 --> 00:51:25,540 CHAUVINISTIC PAIN IN THE ASS. 1008 00:51:25,750 --> 00:51:27,000 I THINK I COULD FALL IN LOVE WITH HIM. 1009 00:51:27,209 --> 00:51:29,002 I THINK I COULD, TOO. 1010 00:51:29,211 --> 00:51:32,088 I'M TELLIN' YA, HE'S GAY. 1011 00:51:32,298 --> 00:51:33,715 I KNOW ALL ABOUT IT. 1012 00:51:33,924 --> 00:51:35,091 WE HAD A LONG TALK. 1013 00:51:35,301 --> 00:51:37,093 THEY MET IN POLAND OR SOMETHING, 1014 00:51:37,303 --> 00:51:39,012 AND HE BROUGHT HIM TO PARIS, 1015 00:51:39,221 --> 00:51:41,556 AND HE'S MAKING HIM A BIG STAR. 1016 00:51:41,766 --> 00:51:43,224 THEY'RE LOVERS. 1017 00:51:43,434 --> 00:51:45,894 AND I KNOW WHY YOU DON'T WANT TO BELIEVE IT. 1018 00:51:46,103 --> 00:51:47,145 HA! 1019 00:51:49,106 --> 00:51:50,899 CAN I GIVE YOU A LIFT TO YOUR HOTEL? 1020 00:51:51,108 --> 00:51:52,525 THAT'S KIND OF YOU, BUT-- 1021 00:51:52,735 --> 00:51:54,110 WE'D BE DELIGHTED. 1022 00:51:54,320 --> 00:51:55,111 HOTEL? 1023 00:51:55,321 --> 00:51:56,237 WHY NOT? 1024 00:52:04,121 --> 00:52:06,539 I HEARD YOU, NORMA. I HEARD YOU. 1025 00:52:06,749 --> 00:52:09,459 I JUST DON'T KNOW WHAT YOU'RE SO BURNED UP ABOUT. 1026 00:52:09,668 --> 00:52:10,960 THANK YOU. 1027 00:52:11,170 --> 00:52:12,712 I MEAN, IT WAS A PERFECTLY NATURAL MISTAKE. 1028 00:52:12,922 --> 00:52:14,089 KNOCK IT OFF, NORMA. 1029 00:52:14,298 --> 00:52:16,549 WELL, SQUASH THOUGHT HE WAS A WOMAN. 1030 00:52:16,759 --> 00:52:20,053 IF YOU THINK ABOUT IT, IT'S REALLY VERY FUNNY. 1031 00:52:20,262 --> 00:52:21,971 HE ISN'T BAD-LOOKING, 1032 00:52:22,181 --> 00:52:24,557 BUT I KNEW HE WAS A MAN RIGHT AWAY. 1033 00:52:24,767 --> 00:52:26,976 IT'S THE PADDING. 1034 00:52:27,186 --> 00:52:29,979 I DON'T CARE HOW CLEVER THOSE COSTUMES ARE. 1035 00:52:30,147 --> 00:52:33,566 I MEAN, THERE ARE JUST SOME THINGS YOU CANNOT FAKE. 1036 00:52:33,776 --> 00:52:36,569 I MEAN EVEN WITH ALL THOSE HORMONE SHOTS 1037 00:52:36,779 --> 00:52:39,948 AND EVERYTHING, A REAL WOMAN CAN ALWAYS TELL. 1038 00:52:40,157 --> 00:52:41,574 CAN YOU IMAGINE 1039 00:52:41,784 --> 00:52:43,576 WHAT SAL ANDRETTI WOULD SAY 1040 00:52:43,786 --> 00:52:45,995 IF HE KNEW HIS PARTNER FELL 1041 00:52:46,205 --> 00:52:48,957 FOR A FEMALE IMPERSONATOR? HUH? 1042 00:52:49,166 --> 00:52:50,959 CHECK UNDER THE BED? 1043 00:52:51,168 --> 00:52:52,627 YES. 1044 00:52:52,837 --> 00:52:54,587 NOW... 1045 00:52:54,797 --> 00:52:57,173 I KNOW HE'S SUPPOSED TO PROTECT YOU, 1046 00:52:57,383 --> 00:53:01,177 BUT DOES HE HAVE TO STAY IN THE SAME SUITE WITH US? 1047 00:53:01,387 --> 00:53:04,597 I MEAN, I JUST KEEP EXPECTING HIM TO BREAK IN 1048 00:53:04,807 --> 00:53:07,600 WHILE WE'RE, UH, WE'RE MAKING LOVE. 1049 00:53:07,810 --> 00:53:10,603 HE'D ONLY DO THAT IF HE HEARD SOMETHING UNUSUAL, 1050 00:53:10,813 --> 00:53:12,814 LIKE IF I GOT EXCITED. 1051 00:53:13,023 --> 00:53:15,817 WELL, YOU... YOU BIG JERK-- 1052 00:53:16,026 --> 00:53:19,612 LISTEN TO ME, YOU CREEP. 1053 00:53:19,822 --> 00:53:22,532 YOU MIND YOUR OWN BUSINESS... 1054 00:53:26,162 --> 00:53:27,620 GOOD EVENING, SIR. 1055 00:53:27,830 --> 00:53:29,497 GOOD EVENING. 1056 00:53:29,707 --> 00:53:31,624 THANK YOU, ANDRE. 1057 00:53:31,834 --> 00:53:33,042 GOOD NIGHT, TODDY. 1058 00:53:33,252 --> 00:53:35,628 VICTOR, GET SOME SLEEP. 1059 00:53:35,838 --> 00:53:37,380 TODDY, THIS IS THE MARCEAU. 1060 00:53:37,590 --> 00:53:38,381 HM-HMM. 1061 00:53:38,591 --> 00:53:39,549 WHERE ARE YOU GOING? 1062 00:53:39,758 --> 00:53:40,758 UP. 1063 00:53:43,345 --> 00:53:45,263 ENTREZ! 1064 00:53:47,433 --> 00:53:49,058 THAT'S FAR ENOUGH. 1065 00:53:49,268 --> 00:53:50,852 TODDY, WHAT ARE YOU UP TO? 1066 00:53:51,061 --> 00:53:51,853 TODDY? 1067 00:53:52,062 --> 00:53:52,854 TA-DA! 1068 00:53:53,063 --> 00:53:54,147 AHH... 1069 00:54:00,905 --> 00:54:03,489 HOLY MERDE. 1070 00:54:06,911 --> 00:54:08,494 TODDY, WHEN DID WE MOVE? 1071 00:54:08,704 --> 00:54:10,038 DURING DRESS REHEARSAL. 1072 00:54:12,082 --> 00:54:14,125 BUT WHAT IF I'D FLOPPED? 1073 00:54:14,335 --> 00:54:16,502 OOH, THEN, WE WOULD HAVE ORDERED A SUMPTUOUS MEAL, 1074 00:54:16,712 --> 00:54:19,547 CHARGED IT TO ROOM SERVICE, DRUNK THE CHAMPAGNE-- 1075 00:54:19,757 --> 00:54:20,924 COMPLIMENTS OF THE MANAGEMENT-- 1076 00:54:21,133 --> 00:54:22,717 AND JUMPED OUT THE WINDOW. 1077 00:54:22,927 --> 00:54:25,929 WHICH IS WHY I CHOSE A THREE-STAR HOTEL 1078 00:54:26,138 --> 00:54:27,347 AND SPECIFICALLY REQUESTED ACCOMMODATIONS 1079 00:54:27,556 --> 00:54:29,224 ABOVE THE THIRD FLOOR. 1080 00:54:29,433 --> 00:54:30,266 MONSIEUR. 1081 00:54:30,476 --> 00:54:31,935 OH, TODDY. 1082 00:54:32,144 --> 00:54:35,104 OH, THE BATHROOM IS A RELIGIOUS EXPERIENCE. 1083 00:54:35,272 --> 00:54:37,941 I CAN HARDLY WAIT. 1084 00:54:38,150 --> 00:54:40,360 OHH...WHEN CAN WE AFFORD ANOTHER BEDROOM? 1085 00:54:40,569 --> 00:54:43,905 AS SOON AS WE'RE SURE YOU'RE NOT JUST A FLASH IN THE PAN. 1086 00:54:44,114 --> 00:54:45,281 MY GOD! 1087 00:54:45,491 --> 00:54:48,534 BESIDES, ONE BEDROOM, ONE BED, 1088 00:54:48,744 --> 00:54:51,287 PROMOTES THE ILLUSION THAT WE'RE LOVERS. 1089 00:54:51,497 --> 00:54:53,081 IF FOR SOME REASON 1090 00:54:53,290 --> 00:54:54,958 WE DECIDE WE'D RATHER SLEEP APART, 1091 00:54:55,167 --> 00:54:56,292 THERE'S MORE THAN ENOUGH ROOM 1092 00:54:56,502 --> 00:54:57,961 FOR ONE OF US IN THE BATHTUB. 1093 00:54:58,170 --> 00:55:00,129 YEAH. AND IF WE HAVE AN OVERNIGHT GUEST, 1094 00:55:00,339 --> 00:55:02,715 HE CAN ALWAYS STRETCH OUT IN THE BIDET. 1095 00:55:02,925 --> 00:55:04,092 RIGHT. 1096 00:55:06,303 --> 00:55:08,346 I LOVE YOU. 1097 00:55:08,555 --> 00:55:10,682 I LOVE YOU, TOO, SIR. 1098 00:55:12,101 --> 00:55:14,560 OHH...AHH! 1099 00:55:14,770 --> 00:55:17,981 MM-HMM... AHH... 1100 00:55:18,190 --> 00:55:21,109 ♪♪ DA-DA DA DAH ♪♪ 1101 00:55:25,990 --> 00:55:27,573 HEY! 1102 00:55:30,411 --> 00:55:32,787 AREN'T YOU COMING TO BED? 1103 00:55:36,000 --> 00:55:38,960 KING... 1104 00:55:42,172 --> 00:55:46,217 POOKIE... 1105 00:56:21,837 --> 00:56:22,837 YOO-HOO. 1106 00:56:28,218 --> 00:56:31,137 I'M HORNY. 1107 00:56:39,855 --> 00:56:41,314 OH! OHH! 1108 00:56:41,523 --> 00:56:43,232 O.K. ALL RIGHT. 1109 00:56:43,442 --> 00:56:46,402 ♪♪ OH, GIVE ME A HOME ♪♪ 1110 00:56:46,612 --> 00:56:50,073 ♪♪ WHERE THE BUFFALO ROAM ♪♪ 1111 00:56:50,282 --> 00:56:53,910 ♪♪ AND THE DEER AND THE ANTELOPE-- ♪♪ 1112 00:56:54,119 --> 00:56:56,871 ♪♪ ARE GAY ♪♪ 1113 00:56:57,081 --> 00:57:00,750 ♪♪ WHERE SELDOM IS HEARD ♪♪ 1114 00:57:00,959 --> 00:57:06,339 ♪♪ A DISCOURAGING WORD ♪♪ 1115 00:57:08,550 --> 00:57:10,343 OBVIOUSLY A MUSIC LOVER. 1116 00:57:10,552 --> 00:57:12,762 I DARE YOU TO HIT HIGH "C". 1117 00:57:12,971 --> 00:57:14,931 WELL, I WILL IF YOU WILL. 1118 00:57:15,140 --> 00:57:17,100 IF I COULD, I WOULD BE THE STAR, 1119 00:57:17,309 --> 00:57:19,352 AND YOU WOULD STILL BE TRYING 1120 00:57:19,561 --> 00:57:22,522 TO SWAP YOUR VIRTUE FOR A MEATBALL. 1121 00:57:22,731 --> 00:57:24,941 SPEAKING OF VIRTUE-- 1122 00:57:25,150 --> 00:57:26,275 YECCH. 1123 00:57:26,485 --> 00:57:29,946 WERE YOU SERIOUS ABOUT KING MARCHAND? 1124 00:57:30,155 --> 00:57:31,948 WERE YOU? 1125 00:57:32,116 --> 00:57:34,367 I ASKED YOU FIRST. 1126 00:57:34,576 --> 00:57:36,494 THAT'S AN INFANTILE EVASION. 1127 00:57:38,122 --> 00:57:39,997 O.K. 1128 00:57:40,207 --> 00:57:42,959 I FIND HIM EXTREMELY ATTRACTIVE. 1129 00:57:43,168 --> 00:57:44,585 CHECK. 1130 00:57:44,795 --> 00:57:48,131 IN FACT, I WOULDN'T MIND HAVING AN AFFAIR WITH HIM. 1131 00:57:48,340 --> 00:57:50,258 I'LL BUY THAT. 1132 00:57:57,558 --> 00:57:59,434 YOU KNOW... 1133 00:57:59,643 --> 00:58:04,981 PRETENDING TO BE A MAN HAS ITS DISADVANTAGES. 1134 00:58:05,190 --> 00:58:08,985 MY DEAR COUNT... YOU JUST SAID 1135 00:58:09,194 --> 00:58:11,779 A COTTONPICKIN' MOUTHFUL. 1136 00:58:18,912 --> 00:58:21,456 POOKIE... 1137 00:58:29,423 --> 00:58:32,216 IT'S NO BIG DEAL. 1138 00:58:40,851 --> 00:58:45,354 IT HAPPENS TO EVERYONE. 1139 00:58:45,564 --> 00:58:47,356 MEN, I MEAN. 1140 00:58:47,566 --> 00:58:49,358 WE'RE LUCKY. 1141 00:58:49,568 --> 00:58:51,527 WOMEN, I MEAN. 1142 00:58:51,737 --> 00:58:54,363 WE CAN FAKE IT IF WE HAVE TO. 1143 00:58:54,573 --> 00:59:00,286 OH! OH, DON'T GET ME WRONG. 1144 00:59:00,496 --> 00:59:04,373 I NEVER HAVE WITH YOU. 1145 00:59:04,583 --> 00:59:06,709 FAKED IT, I MEAN. 1146 00:59:06,919 --> 00:59:09,128 WITH YOU, 1147 00:59:09,338 --> 00:59:15,009 IT'S--IT'S LIKE POW! POW! POW! 1148 00:59:15,219 --> 00:59:17,386 LIKE THE FOURTH OF JULY. 1149 00:59:17,596 --> 00:59:18,804 EVERY TIME. 1150 00:59:19,014 --> 00:59:20,556 JUST TONIGHT, 1151 00:59:20,766 --> 00:59:23,017 BECAUSE YOU COULDN'T GET IT-- 1152 00:59:23,227 --> 00:59:25,394 UP TILL NOW, IT'S BEEN GRAND. 1153 00:59:25,562 --> 00:59:28,397 POOKIE, REALLY, REALLY GRAND. 1154 00:59:28,607 --> 00:59:31,526 AND IF THERE'S ONE THING 1155 00:59:31,735 --> 00:59:34,195 I KNOW FOR SURE, 1156 00:59:34,404 --> 00:59:36,405 YOU CAN'T LET IT GET YOU-- 1157 00:59:36,615 --> 00:59:38,407 YOU SHOULD EXCUSE THE EXPRESSION-- 1158 00:59:38,617 --> 00:59:39,534 DOWN. 1159 00:59:39,743 --> 00:59:41,410 YOU CAN'T THINK ABOUT IT. 1160 00:59:41,620 --> 00:59:43,037 YOU JUST GOT TO PUT IT OUT OF YOUR MIND. 1161 00:59:43,247 --> 00:59:44,747 I MEAN, THE MORE YOU THINK ABOUT IT, 1162 00:59:44,957 --> 00:59:46,207 THE MORE YOU WORRY. 1163 00:59:46,416 --> 00:59:48,668 THE MORE YOU WORRY, THE MORE YOU THINK. 1164 00:59:48,877 --> 00:59:51,379 THINK, WORRY-- UMM...IT'S SOFT. 1165 00:59:51,588 --> 00:59:52,713 WORRY, THINK... 1166 00:59:52,923 --> 00:59:57,093 IT'S--IT JUST GETS LIKE A VICIOUS CYCLE. 1167 00:59:57,302 --> 01:00:00,429 AND THEN, BEFORE YOU KNOW IT, 1168 01:00:00,597 --> 01:00:04,016 YOU ARE IMPUDENT. 1169 01:00:04,226 --> 01:00:06,352 WHAT'S WITH THE SOAP? 1170 01:00:07,938 --> 01:00:09,897 ARGHH! 1171 01:00:10,107 --> 01:00:12,858 AAH! 1172 01:00:13,068 --> 01:00:14,860 LOOK OUT! 1173 01:00:15,070 --> 01:00:17,280 YOU SON OF A BITCH! 1174 01:00:17,489 --> 01:00:18,573 NOW, NORMA... 1175 01:00:18,782 --> 01:00:21,909 NO! NOBODY PUTS SOAP IN MY MOUTH! 1176 01:00:22,119 --> 01:00:24,954 NOT EVEN-- NOT EVEN MY MOTHER! 1177 01:00:25,163 --> 01:00:27,790 YOU'RE BEING VERY CHILDISH. 1178 01:00:28,000 --> 01:00:30,876 I'M GOING TO KILL HIM. I'M GOING TO KILL YOU, TOO. 1179 01:00:31,086 --> 01:00:33,087 YOU BIG, MUSCLEBOUND... OOH! 1180 01:00:33,297 --> 01:00:34,964 LISTEN, YOU HAVE TO LEARN TO CONTROL YOURSELF. 1181 01:00:35,173 --> 01:00:38,050 AAH! OOH! GAHH! 1182 01:00:38,260 --> 01:00:39,135 OH, SHIT! 1183 01:00:39,344 --> 01:00:40,469 AAH! 1184 01:00:40,637 --> 01:00:43,389 THIS IS IT! LET ME...AAH! 1185 01:00:47,352 --> 01:00:48,811 YOU AND YOUR IDEAS. 1186 01:00:48,979 --> 01:00:52,148 "WHY DON'T YOU TAKE HER TO PARIS WITH YOU, BOSS?" 1187 01:00:52,357 --> 01:00:54,817 I JUST THOUGHT SHE'D HELP YOU RELAX. 1188 01:00:55,027 --> 01:00:56,152 SHE'D NEVER HELP ME RELAX. 1189 01:00:56,361 --> 01:00:57,987 WELL, THEN, SEND HER HOME. 1190 01:00:58,196 --> 01:01:01,073 WHY DON'T YOU EVER COME UP WITH A REALLY GOOD IDEA? 1191 01:01:01,283 --> 01:01:02,116 FOR INSTANCE? 1192 01:01:02,326 --> 01:01:04,160 YOU SEND HER HOME. 1193 01:01:04,369 --> 01:01:07,288 HE THINKS HE CAN JUST PUSH ME AROUND. 1194 01:01:07,497 --> 01:01:09,665 THINKS I'M JUST GOING TO HOP 1195 01:01:09,875 --> 01:01:11,834 ON THE NEXT BOAT FOR THE STATES 1196 01:01:12,044 --> 01:01:13,502 AND THAT'LL BE THAT. 1197 01:01:13,712 --> 01:01:15,838 WELL, YOU'VE GOT ANOTHER THINK COMING, 1198 01:01:16,048 --> 01:01:18,507 MR. BIG SHOT FAIRY MARCHAND, 1199 01:01:18,717 --> 01:01:22,094 'CAUSE MRS. CASSADY'S LITTLE GIRL NORMA 1200 01:01:22,304 --> 01:01:25,306 AIN'T GONNA TAKE THIS ONE LYING DOWN. 1201 01:01:25,515 --> 01:01:27,058 OOH! 1202 01:01:45,952 --> 01:01:49,205 AND DON'T KID YOURSELF! 1203 01:01:49,414 --> 01:01:52,333 YOU AIN'T SEEN THE LAST OF ME YET! 1204 01:01:52,542 --> 01:01:53,334 AAH! 1205 01:01:55,087 --> 01:01:56,337 ARE YOU O.K.? 1206 01:02:13,021 --> 01:02:18,818 ♪♪ LA LA LA LA LA-AH-AH ♪♪ 1207 01:02:19,027 --> 01:02:23,114 ♪♪ LA LA LA ♪♪ 1208 01:02:24,825 --> 01:02:29,537 ♪♪ LA LA LA LA LA AH-AH-AH-AH ♪♪ 1209 01:02:29,746 --> 01:02:35,876 ♪♪ AH AH AH-AH AH AH AH-AH ♪♪ 1210 01:02:36,086 --> 01:02:42,883 ♪♪ LA-LA LA LA-AH-AH ♪♪ 1211 01:02:45,345 --> 01:02:50,766 ♪♪ THERE WAS ONCE A SHADY DAME FROM SEVILLE ♪♪ 1212 01:02:50,976 --> 01:02:54,770 ♪♪ USED TO WANDER ROUND THE TOWN DRESSED TO KILL ♪♪ 1213 01:02:54,980 --> 01:02:56,689 ♪♪ AND MEN, IF THEY DARED ♪♪ 1214 01:02:56,898 --> 01:03:00,359 ♪♪ STOOD AND STARED WHEN SHE PASSED THEIR WAY ♪♪ 1215 01:03:00,569 --> 01:03:02,611 ♪♪ THE LADY KNOCKED THEM OUT ♪♪ 1216 01:03:02,821 --> 01:03:05,781 ♪♪ THERE'S NO DOUBT, 'CAUSE THEY'D SHOUT ♪♪ 1217 01:03:05,991 --> 01:03:08,784 ♪♪ OLE! ♪♪ 1218 01:03:08,994 --> 01:03:14,039 ♪♪ ALL DAY ♪♪ 1219 01:03:14,249 --> 01:03:17,793 ♪♪ SEVILLE ISN'T THAT MUCH TO SHOUT ABOUT ♪♪ 1220 01:03:18,003 --> 01:03:20,546 ♪♪ BUT WHEN SHE WAS OUT ♪♪ 1221 01:03:20,756 --> 01:03:22,923 ♪♪ TRAFFIC STOOD STILL ♪♪ 1222 01:03:24,134 --> 01:03:26,343 ♪♪ DRESSED LIKE A VAMP ♪♪ 1223 01:03:26,553 --> 01:03:29,096 ♪♪ OR A PAMPLONA TRAMP ♪♪ 1224 01:03:29,306 --> 01:03:34,643 ♪♪ SHE COULD STAMPEDE THE MENFOLK AT WILL ♪♪ 1225 01:03:34,853 --> 01:03:38,731 AIEE! OLE! 1226 01:03:48,283 --> 01:03:54,538 ♪♪ ONE DAY CAME A WORLD-FAMOUS MATADOR ♪♪ 1227 01:03:54,748 --> 01:03:56,165 ♪♪ RAT-TAT AT HER DOOR ♪♪ 1228 01:03:58,668 --> 01:04:01,921 ♪♪ BEARING A ROSE ♪♪ 1229 01:04:02,130 --> 01:04:04,840 ♪♪ IF HE DISTRESSED HER ♪♪ 1230 01:04:05,050 --> 01:04:07,510 ♪♪ DISTURBING HER SIESTA ♪♪ 1231 01:04:07,719 --> 01:04:11,847 ♪♪ IT'S BEST TO SAY NOBODY KNOWS ♪♪ 1232 01:04:51,221 --> 01:04:57,476 ♪♪ THE REST OF THE TALE'S NOT A PRETTY ONE ♪♪ 1233 01:04:57,686 --> 01:05:02,898 ♪♪ PITY ONE ISN'T FOR SALE ♪♪ 1234 01:05:03,108 --> 01:05:07,069 ♪♪ ONLY TWO EARS AND A TAIL ♪♪ 1235 01:05:07,279 --> 01:05:12,908 ♪♪ DID THEY FIND BY THE BLIND ON HER SILL ♪♪ 1236 01:05:13,118 --> 01:05:18,914 ♪♪ NO ONE KNOWS WHAT BECAME ♪♪ 1237 01:05:19,124 --> 01:05:21,959 ♪♪ OF THE SHADY DAME ♪♪ 1238 01:05:28,758 --> 01:05:33,637 ♪♪ LA LA LA-AH-AH- AH-AH ♪♪ 1239 01:05:36,099 --> 01:05:39,602 ♪♪ LA DA DA-AH-AH AH-AH ♪♪ 1240 01:05:41,146 --> 01:05:46,859 ♪♪ AH, AH-AH, LA LA LA-AH-AH ♪♪ 1241 01:05:47,068 --> 01:05:48,485 ♪♪ AH ♪♪ 1242 01:05:49,905 --> 01:05:53,949 ♪♪ AH ♪♪ 1243 01:06:00,123 --> 01:06:01,081 ♪♪ LA ♪♪ 1244 01:06:02,208 --> 01:06:04,877 ♪♪ THE SHADY DAME ♪♪ 1245 01:06:13,970 --> 01:06:16,680 ♪♪ FROM SEVILLE ♪♪ 1246 01:06:28,109 --> 01:06:29,818 OLE! OLE! 1247 01:07:11,611 --> 01:07:13,028 DO YOU BELIEVE THIS WEATHER? 1248 01:07:13,238 --> 01:07:15,030 I THOUGHT WE LEFT CHICAGO. 1249 01:07:15,240 --> 01:07:16,448 WOULD YOU SEE 1250 01:07:16,658 --> 01:07:18,450 THAT COUNT GRAZINSKY GETS THIS, PLEASE? 1251 01:07:18,660 --> 01:07:20,202 YES, SIR. 1252 01:07:20,412 --> 01:07:21,662 COUNT GRAZINSKY. 1253 01:07:21,871 --> 01:07:23,330 YES, SIR. 432. 1254 01:07:23,540 --> 01:07:24,415 RIGHT. 1255 01:07:40,640 --> 01:07:42,057 OH, HI, NORMA! 1256 01:07:42,267 --> 01:07:43,183 OH! 1257 01:07:45,353 --> 01:07:47,771 THAT'S REALLY FUNNY. GOOD NIGHT, SQUASH. 1258 01:07:47,981 --> 01:07:49,273 GOOD NIGHT, BOSS. 1259 01:08:00,910 --> 01:08:03,203 GIVE ME THE HOUSEKEEPER, PLEASE. 1260 01:08:07,083 --> 01:08:09,209 I THOUGHT YOU WERE GOING TO BED. 1261 01:08:09,419 --> 01:08:11,754 I THINK I'M HAVING AN ANXIETY ATTACK. 1262 01:08:11,963 --> 01:08:13,756 OH, YOU, UH, BETTER GET SOME SLEEP. 1263 01:08:13,965 --> 01:08:16,175 I MAY WANT TO GET UP IN THE MORNING 1264 01:08:16,384 --> 01:08:17,760 AND PLAY SOME GOLF. 1265 01:08:17,969 --> 01:08:19,887 BOSS, IT'S SNOWING OUTSIDE. 1266 01:08:21,347 --> 01:08:23,891 WE'LL USE RED BALLS. 1267 01:08:29,939 --> 01:08:33,192 YES. UH, THIS IS MISTER, UH... 1268 01:08:33,401 --> 01:08:35,069 KING MARCHAND. 1269 01:08:35,278 --> 01:08:39,114 MR. TODD IN SUITE 432. 1270 01:08:39,324 --> 01:08:41,116 WOULD YOU BE KIND ENOUGH TO HAVE A MAID 1271 01:08:41,326 --> 01:08:43,118 BRING UP SOME EXTRA TOWELS, PLEASE? 1272 01:08:43,328 --> 01:08:44,286 OUI, MONSIEUR. 1273 01:08:44,454 --> 01:08:45,746 THANK YOU SO MUCH. 1274 01:09:47,517 --> 01:09:48,976 MONSIEUR? 1275 01:10:03,032 --> 01:10:04,324 HMM. 1276 01:11:02,926 --> 01:11:04,134 BONSOIR. 1277 01:11:04,344 --> 01:11:06,261 BONSOIR, MONSIEUR TODD. 1278 01:11:06,471 --> 01:11:07,846 C'EST POUR LE COMTE. 1279 01:11:08,056 --> 01:11:09,389 MERCI. 1280 01:11:41,130 --> 01:11:44,383 THE CONCIERGE GAVE ME THIS, BUT THERE'S NOTHING ON IT. 1281 01:11:44,592 --> 01:11:45,384 HMM. 1282 01:11:45,593 --> 01:11:46,969 OH, MUSTN'T FORGET. 1283 01:11:47,178 --> 01:11:49,972 IMPORTANT PHOTOGRAPHY SESSION IN THE MORNING. 1284 01:11:51,599 --> 01:11:52,975 WHAT'S FUNNY? 1285 01:11:53,184 --> 01:11:54,977 WATCH THE BIRDIE! 1286 01:11:56,187 --> 01:11:58,480 HA HA HA HA! 1287 01:11:58,690 --> 01:12:00,399 AHH... 1288 01:12:00,608 --> 01:12:02,150 OH HO HO! 1289 01:12:02,360 --> 01:12:06,613 OH, I DON'T THINK I'VE BEEN THIS TIRED IN MY WHOLE LIFE. 1290 01:12:06,823 --> 01:12:08,824 OH, YOU'RE STILL A YOUNG MAN. 1291 01:12:09,033 --> 01:12:10,409 BUT NOT FOR LONG. 1292 01:12:10,618 --> 01:12:15,289 ALL I WANT IS A NICE, HOT BATH. 1293 01:12:15,498 --> 01:12:18,333 OH, I HAD ONE ONCE. YOU'LL LOVE IT! 1294 01:12:18,543 --> 01:12:20,669 ♪♪ WON'T YOU PLAY ME ♪♪ 1295 01:12:20,878 --> 01:12:23,297 ♪♪ THAT JAZZ HOT, BABY? ♪♪ 1296 01:12:23,506 --> 01:12:24,339 TODDY... 1297 01:12:24,549 --> 01:12:26,258 ♪♪ SORRY ♪♪ 1298 01:12:26,467 --> 01:12:28,927 ♪♪ OH, GIVE ME A HOME ♪♪ 1299 01:12:29,137 --> 01:12:31,513 ♪♪ WHERE THE BUFFALO ROAM ♪♪ 1300 01:12:31,723 --> 01:12:35,851 ♪♪ WHERE THE DEER AND THE ANTELOPE PLAY ♪♪ 1301 01:12:36,060 --> 01:12:38,687 ♪♪ WHERE SELDOM IS HEARD ♪♪ 1302 01:12:38,896 --> 01:12:42,065 ♪♪ YA DA DA DA DUM DUM ♪♪ 1303 01:12:45,111 --> 01:12:47,195 OHH...I KNOW THIS IS RIDICULOUS, 1304 01:12:47,405 --> 01:12:49,698 I DON'T THINK I'M GOING TO BE ABLE TO SLEEP, 1305 01:12:49,907 --> 01:12:50,949 I'M SO TIRED. 1306 01:12:51,159 --> 01:12:52,492 I'LL GET YOU A COGNAC. 1307 01:12:52,702 --> 01:12:53,952 THAT'LL HELP ME SLEEP? 1308 01:12:54,162 --> 01:12:56,538 NO, BUT IT MAKES STAYING AWAKE 1309 01:12:56,748 --> 01:12:58,665 A HELL OF A LOT MORE FUN. 1310 01:13:10,219 --> 01:13:14,765 ♪♪ AND THE DEER AND THE ANTELOPE ARE GAY ♪♪ 1311 01:13:18,936 --> 01:13:23,357 ♪♪ WHERE SELDOM IS HEARD ♪♪ 1312 01:13:23,566 --> 01:13:28,028 ♪♪ A DISCOURAGING WORD ♪♪ 1313 01:14:27,422 --> 01:14:29,881 MMM... 1314 01:14:39,642 --> 01:14:41,476 HERE. GUARANTEED TO LIFT YOUR SPIRITS 1315 01:14:41,686 --> 01:14:42,811 AND WARM YOUR COCKLES. 1316 01:14:43,020 --> 01:14:44,479 THAT'S MY TROUBLE. 1317 01:14:44,689 --> 01:14:46,481 I DON'T HAVE ANY COCKLES. 1318 01:14:46,691 --> 01:14:47,899 HA HA HA. YOU HUNGRY? 1319 01:14:48,109 --> 01:14:49,526 NO, THANKS. I'M TOO TIRED. 1320 01:16:18,282 --> 01:16:19,491 WHAT THE... 1321 01:16:35,925 --> 01:16:37,008 WHAT? 1322 01:16:38,094 --> 01:16:39,177 WHO IS THIS? 1323 01:16:39,387 --> 01:16:41,555 OHH, I COULD SLEEP FOR A WEEK. 1324 01:16:41,764 --> 01:16:42,931 WHAT? 1325 01:16:43,140 --> 01:16:44,558 I CAN'T UNDERSTAND YOU. 1326 01:16:44,767 --> 01:16:45,934 WHAT? 1327 01:16:46,143 --> 01:16:48,562 WHAT ROOM DID YOU WANT? 1328 01:16:48,771 --> 01:16:51,064 WHO? 1329 01:16:51,274 --> 01:16:53,942 NO, I AM NOT SEÑOR GOMEZ FROM BARCELONA. 1330 01:16:54,151 --> 01:16:56,611 AND UNLESS HE'S HIDING UNDER MY BED, 1331 01:16:56,821 --> 01:16:58,738 YOU HAVE THE WRONG ROOM. 1332 01:17:02,743 --> 01:17:04,327 WHAT THE HELL... 1333 01:17:07,123 --> 01:17:08,623 PHEW! 1334 01:17:08,833 --> 01:17:11,585 WHY DID YOU OPEN THE WINDOW? 1335 01:17:11,794 --> 01:17:12,627 HMM? 1336 01:17:12,837 --> 01:17:14,963 FORGET IT. GO TO SLEEP. 1337 01:17:15,172 --> 01:17:17,632 IT'S FREEZING. 1338 01:17:17,842 --> 01:17:19,092 YEAH. SMALL WONDER. 1339 01:17:22,805 --> 01:17:24,014 OH, DAMN. 1340 01:17:24,223 --> 01:17:25,390 HMM? 1341 01:17:25,600 --> 01:17:28,226 I LEFT THE LIGHT ON IN THE OTHER ROOM. 1342 01:17:28,436 --> 01:17:29,978 HMM. 1343 01:17:30,187 --> 01:17:32,981 WHAT? 1344 01:17:33,190 --> 01:17:35,609 YOU GOT THE FLOOR ALL WET. 1345 01:17:35,818 --> 01:17:36,985 HMM. 1346 01:17:37,194 --> 01:17:40,071 BITCH, BITCH, BITCH. 1347 01:17:57,173 --> 01:17:59,174 DO YOU HAVE HEAT IN YOUR ROOM? 1348 01:17:59,383 --> 01:18:00,675 YEAH. 1349 01:18:00,885 --> 01:18:02,135 BOY, YOU'RE LUCKY. 1350 01:18:12,229 --> 01:18:15,690 ♪♪ TRENDY TRAVELERS TEND TO TALK ♪♪ 1351 01:18:15,900 --> 01:18:17,108 ♪♪ OF LONDON ♪♪ 1352 01:18:17,318 --> 01:18:18,360 ♪♪ PARIS ♪♪ 1353 01:18:18,569 --> 01:18:20,528 ♪♪ ROME, NEW YORK ♪♪ 1354 01:18:20,738 --> 01:18:26,201 ♪♪ LIKE ONLY THEY WERE STYLISH AND UNIQUE ♪♪ 1355 01:18:26,410 --> 01:18:30,163 ♪♪ BUT OUT IN THE MIDWEST ♪♪ 1356 01:18:30,373 --> 01:18:33,375 ♪♪ IS THE CITY I LOVE THE BEST ♪♪ 1357 01:18:33,584 --> 01:18:35,960 ♪♪ A TOWN SO SMART ♪♪ 1358 01:18:36,170 --> 01:18:42,133 ♪♪ ITS SPELLING STARTS WITH C-H-I-C ♪♪ 1359 01:18:42,343 --> 01:18:43,510 ♪♪ CHIC! ♪♪ 1360 01:18:50,059 --> 01:18:52,352 ♪♪ CHICAGO, ILLINOIS ♪♪ 1361 01:18:52,561 --> 01:18:54,187 ♪♪ IS LIKE A SHINY TOY ♪♪ 1362 01:18:54,397 --> 01:18:57,190 ♪♪ THE PRAIRIE STATE IS PROUD TO STATE ♪♪ 1363 01:18:57,400 --> 01:19:00,402 ♪♪ THAT IT'S ITS PRIDE AND JOY ♪♪ 1364 01:19:00,611 --> 01:19:03,905 ♪♪ THE WINDY CITY SWEEPS YOU CLEAN OFF YOUR FEET ♪♪ 1365 01:19:04,115 --> 01:19:05,156 OH! 1366 01:19:05,366 --> 01:19:07,033 ♪♪ ITS CHARM IS COMPLETE ♪♪ 1367 01:19:07,243 --> 01:19:09,577 ♪♪ WOW! THEY'RE KNOCKING YOU FLAT THIS WAY AND THAT ♪♪ 1368 01:19:09,787 --> 01:19:11,705 ♪♪ ON EVERY DOWNTOWN STREET ♪♪ 1369 01:19:11,914 --> 01:19:12,997 AAH! 1370 01:19:13,207 --> 01:19:14,749 ♪♪ THE WHITE SOX AND THE CUBS ♪♪ 1371 01:19:14,959 --> 01:19:16,918 ♪♪ AND ALL THE SPORTING CLUBS ♪♪ 1372 01:19:17,128 --> 01:19:21,339 ♪♪ MAKE LIVING HERE A PRETTY NIFTY PLOY ♪♪ 1373 01:19:21,549 --> 01:19:25,677 ♪♪ SMACK ON THE LAKE, THIS IS A RARE PORT ♪♪ 1374 01:19:27,263 --> 01:19:28,346 ♪♪ SOMEDAY, THEY'LL SAY ♪♪ 1375 01:19:28,556 --> 01:19:30,724 ♪♪ WE'LL HAVE AN AIRPORT! ♪♪ 1376 01:19:30,933 --> 01:19:32,058 YEAH! 1377 01:19:32,268 --> 01:19:33,768 ♪♪ WHEN THEY SAY ♪♪ 1378 01:19:33,978 --> 01:19:36,771 ♪♪ "HEY, I'M FROM CHI" ♪♪ 1379 01:19:36,981 --> 01:19:39,691 ♪♪ THEY MEAN CHICAGO, IL-LA-- ♪♪ 1380 01:19:39,900 --> 01:19:40,942 ♪♪ NOIS! ♪♪ 1381 01:19:45,448 --> 01:19:47,407 ♪♪ CHICAGO, ILLINOIS ♪♪ 1382 01:19:47,616 --> 01:19:49,033 ♪♪ IS LIKE A SHINY TOY ♪♪ 1383 01:19:49,243 --> 01:19:50,785 ♪♪ THE PRAIRIE STATE IS PROUD TO STATE ♪♪ 1384 01:19:50,995 --> 01:19:52,954 ♪♪ THAT IT'S ITS PRIDE AND JOY ♪♪ 1385 01:19:53,164 --> 01:19:55,415 ♪♪ THE WINDY CITY SWEEPS YOU CLEAN OFF YOUR FEET ♪♪ 1386 01:19:55,624 --> 01:19:57,292 ♪♪ OH! IT'S CHARM IS COMPLETE ♪♪ 1387 01:19:57,501 --> 01:19:59,419 ♪♪ THEY'RE KNOCKING YOU FLAT, THIS WAY AND THAT ♪♪ 1388 01:19:59,628 --> 01:20:01,254 ♪♪ ON EVERY DOWNTOWN STREET ♪♪ 1389 01:20:01,464 --> 01:20:02,630 ♪♪ THE WHITE SOX AND THE CUBS ♪♪ 1390 01:20:02,840 --> 01:20:04,257 ♪♪ AND ALL THE SPORTING CLUBS ♪♪ 1391 01:20:04,467 --> 01:20:07,135 ♪♪ MAKE LIVING HERE A PRETTY NIFTY PLOY ♪♪ 1392 01:20:07,344 --> 01:20:09,429 ♪♪ SMACK ON THE LAKE, THIS IS A RARE PORT ♪♪ 1393 01:20:09,638 --> 01:20:10,722 ♪♪ SOMEDAY, THEY'LL SAY ♪♪ 1394 01:20:10,931 --> 01:20:14,893 ♪♪ WE'LL HAVE AN AIRPORT ♪♪ 1395 01:20:19,482 --> 01:20:23,860 ♪♪ WHEN THEY SAY ♪♪ 1396 01:20:24,069 --> 01:20:29,240 ♪♪ "HEY, I'M FROM CHI" ♪♪ 1397 01:20:29,450 --> 01:20:31,701 ♪♪ THEY MEAN CHICAGO, IL-LA-- ♪♪ 1398 01:20:33,120 --> 01:20:34,996 ♪♪ CHICAGO IS A KILLA ♪♪ 1399 01:20:36,457 --> 01:20:40,668 ♪♪ THEY MEAN CHICAGO, IL-LA-- ♪♪ 1400 01:20:40,878 --> 01:20:41,669 ♪♪ C ♪♪ 1401 01:20:41,837 --> 01:20:42,670 ♪♪ H ♪♪ 1402 01:20:42,880 --> 01:20:43,671 ♪♪ I ♪♪ 1403 01:20:43,881 --> 01:20:44,672 ♪♪ C ♪♪ 1404 01:20:44,882 --> 01:20:45,673 ♪♪ A ♪♪ 1405 01:20:45,883 --> 01:20:46,674 ♪♪ G ♪♪ 1406 01:20:46,842 --> 01:20:48,802 ♪♪ O! ♪♪ 1407 01:20:49,011 --> 01:20:50,178 ♪♪ ILLINOIS ♪♪ 1408 01:20:50,387 --> 01:20:51,846 OH! OH! 1409 01:21:18,040 --> 01:21:19,207 HI, SAL. 1410 01:21:19,416 --> 01:21:22,502 THANKS FOR COMING BY. 1411 01:21:22,711 --> 01:21:24,879 NORMA, WHAT'S ON YOUR MIND? 1412 01:21:25,089 --> 01:21:27,465 IT-T-T-T'S... 1413 01:21:27,675 --> 01:21:28,633 IT-T-T-T'S... 1414 01:21:28,843 --> 01:21:29,884 KING! 1415 01:21:30,094 --> 01:21:31,845 SHACKING UP WITH ANOTHER DAME. 1416 01:21:32,054 --> 01:21:33,221 NO. ANOTHER GUY. 1417 01:21:35,099 --> 01:21:37,725 OH, IT'S SO TERRIBLE. 1418 01:21:37,935 --> 01:21:39,018 I JUST... 1419 01:21:39,228 --> 01:21:41,688 RUN THAT BY ME AGAIN. 1420 01:21:41,897 --> 01:21:44,607 WELL, THERE'S THIS POLISH FAIRY, YOU SEE? 1421 01:22:00,499 --> 01:22:02,208 EVEN WHEN I WAS A SECOND-RATE SOPRANO, 1422 01:22:02,418 --> 01:22:03,251 I HAD A PROPER DRESSER. 1423 01:22:03,460 --> 01:22:04,335 YOU HAD A PROPER DRESSER 1424 01:22:04,545 --> 01:22:05,336 WHO COULD SWEAR THAT YOU WERE 1425 01:22:05,546 --> 01:22:06,546 A SECOND-RATE SOPRANO, 1426 01:22:06,755 --> 01:22:08,214 AND NOT A FIRST-CLASS IMPOSTOR. 1427 01:22:08,424 --> 01:22:09,716 YOU TRUST MY DRESSMAKER. 1428 01:22:09,925 --> 01:22:11,593 AND HE TRUSTS ME NOT TO REVEAL CERTAIN THINGS 1429 01:22:11,802 --> 01:22:12,886 THAT WOULD BE VERY EMBARRASSING 1430 01:22:13,095 --> 01:22:14,387 TO HIS WIFE AND SIX CHILDREN. 1431 01:22:14,597 --> 01:22:16,347 YOU OUGHT TO BE ASHAMED OF YOURSELF. 1432 01:22:16,557 --> 01:22:18,349 SHAME IS AN UNHAPPY EMOTION 1433 01:22:18,559 --> 01:22:19,767 INVENTED BY PIETISTS 1434 01:22:19,977 --> 01:22:21,769 IN ORDER TO EXPLOIT THE HUMAN RACE. 1435 01:22:21,937 --> 01:22:23,897 WHO SAID THAT? 1436 01:22:24,106 --> 01:22:25,273 I SAID THAT. 1437 01:22:25,482 --> 01:22:27,275 YOU DON'T BELIEVE IN SHAME? 1438 01:22:27,484 --> 01:22:28,902 I BELIEVE IN HAPPINESS. 1439 01:22:30,654 --> 01:22:32,071 COMRADES. 1440 01:22:34,783 --> 01:22:37,660 KING MARCHAND HAS JUST OFFERED ME A FORTUNE 1441 01:22:37,870 --> 01:22:39,621 FOR YOU TO APPEAR AT HIS CLUB. 1442 01:22:39,830 --> 01:22:40,914 WOULD YOU PLEASE 1443 01:22:41,123 --> 01:22:41,706 BE MORE SPECIFIC WITH YOUR NOUNS? 1444 01:22:41,916 --> 01:22:43,082 $10,000 A WEEK. 1445 01:22:43,292 --> 01:22:45,627 THAT'S NOT A NOUN. THAT'S A FORTUNE. 1446 01:22:45,836 --> 01:22:48,046 HE WANTS TO HAVE DINNER WITH YOU AFTER THE SHOW. 1447 01:22:48,255 --> 01:22:49,631 YOU THINK YOU COULD MAKE IT? 1448 01:22:49,840 --> 01:22:51,049 OH, I THINK SO. 1449 01:22:51,258 --> 01:22:52,634 I'LL TELL HIM. 1450 01:22:52,843 --> 01:22:54,636 $10,000 A WEEK, 10 WEEKS GUARANTEED. 1451 01:22:54,845 --> 01:22:56,596 WE ARE ON OUR WAY. 1452 01:23:04,980 --> 01:23:07,774 ♪♪ I KNOW WHAT YOU'RE THINKING ♪♪ 1453 01:23:07,983 --> 01:23:12,111 AND YOU OUGHT TO BE ASHAMED OF YOURSELF. 1454 01:23:27,461 --> 01:23:30,046 TO THE COUNT'S OPENING NIGHT IN CHICAGO. 1455 01:23:30,255 --> 01:23:32,757 TO THE CLOSING NIGHT, MAY IT NEVER COME. 1456 01:23:35,302 --> 01:23:37,679 DO YOU MIND IF I ASK YOU A PERSONAL QUESTION, 1457 01:23:37,888 --> 01:23:38,972 MR. MARCHAND? 1458 01:23:39,181 --> 01:23:41,140 HE WILL WHETHER YOU MIND OR NOT. 1459 01:23:41,350 --> 01:23:43,685 I WORRY MORE ABOUT ANSWERS THAN QUESTIONS. 1460 01:23:43,894 --> 01:23:45,687 IT'S RATHER OBVIOUS THAT MR. BERNSTEIN 1461 01:23:45,896 --> 01:23:48,690 IS ON HAND TO ENSURE YOUR CONTINUED GOOD HEALTH. 1462 01:23:48,899 --> 01:23:50,108 THAT'S NOT A QUESTION. 1463 01:23:50,317 --> 01:23:51,693 UH-HUH. 1464 01:23:51,902 --> 01:23:54,028 WHY IS HE SITTING WAY OVER THERE? 1465 01:23:54,238 --> 01:23:55,321 STRATEGIC. 1466 01:23:55,531 --> 01:23:57,115 AH. BROADER FIELD OF VISION, 1467 01:23:57,324 --> 01:23:58,700 CLEARER FIELD OF FIRE. 1468 01:23:58,909 --> 01:24:01,119 YOU MUST HAVE BEEN IN THE ARMY. 1469 01:24:01,328 --> 01:24:02,704 ONCE OR TWICE. 1470 01:24:02,913 --> 01:24:04,872 DO YOU MIND IF I JOIN HIM? HE LOOKS SO LONELY. 1471 01:24:05,082 --> 01:24:06,708 NO, I DON'T MIND. 1472 01:24:06,917 --> 01:24:09,127 I PROMISE NOT TO INHIBIT HIS FIELD OF FIRE. 1473 01:24:09,336 --> 01:24:11,087 INCORRIGIBLE. 1474 01:24:13,132 --> 01:24:15,967 HOW LONG HAVE YOU KNOWN MR. TODD? 1475 01:24:16,176 --> 01:24:18,177 OH, A LONG TIME. 1476 01:24:18,387 --> 01:24:20,888 MAY I ASK YOU A PERSONAL QUESTION? 1477 01:24:21,098 --> 01:24:23,057 A CLEVER MAN ONCE SAID, 1478 01:24:23,267 --> 01:24:24,851 "IT'S NOT THE QUESTIONS 1479 01:24:25,060 --> 01:24:26,728 I'M WORRIED ABOUT." 1480 01:24:26,937 --> 01:24:29,188 WHAT'S THE ATTRACTION? 1481 01:24:31,025 --> 01:24:32,275 WOULD YOU BELIEVE ME 1482 01:24:32,484 --> 01:24:34,569 IF I TOLD YOU WE WERE IN LOVE? 1483 01:24:34,778 --> 01:24:35,737 NO. 1484 01:24:35,946 --> 01:24:37,488 BECAUSE HOMOSEXUALITY 1485 01:24:37,698 --> 01:24:39,490 IS UNNATURAL AND A SIN? 1486 01:24:39,700 --> 01:24:41,534 ACCORDING TO WHOM? 1487 01:24:41,744 --> 01:24:44,495 OH, PIOUS CLERGYMEN 1488 01:24:44,705 --> 01:24:46,914 AND TERRIFIED HETEROSEXUALS. 1489 01:24:47,124 --> 01:24:48,875 OH, THEM. 1490 01:24:50,044 --> 01:24:50,960 YOU'RE SMILING, 1491 01:24:51,170 --> 01:24:52,920 AND I DON'T BELIEVE YOU. 1492 01:24:53,130 --> 01:24:55,506 AND YOU'RE NOT SMILING, AND YOU SHOULD BE. 1493 01:24:55,716 --> 01:24:57,425 I THINK I'D BETTER GO WASH MY HANDS. 1494 01:24:57,634 --> 01:24:59,010 EXCUSE ME. 1495 01:25:01,263 --> 01:25:03,723 DO YOU EVER GET THE FEELING SOMETIMES 1496 01:25:03,932 --> 01:25:06,684 THAT YOU'RE A SINKING SHIP? 1497 01:25:06,894 --> 01:25:08,102 CONSTANTLY. 1498 01:25:08,312 --> 01:25:10,104 AH, NOW, THERE. YOU'RE SMILING. 1499 01:25:10,314 --> 01:25:11,939 YOU LIGHT UP WHEN YOU SMILE. 1500 01:25:12,149 --> 01:25:13,775 THAT'S A FUNNY THING TO SAY. 1501 01:25:13,984 --> 01:25:14,942 HOW DO YOU MEAN? 1502 01:25:15,152 --> 01:25:16,569 I MEAN, ONE MAN TO ANOTHER. 1503 01:25:20,115 --> 01:25:22,158 SEEMS TODDY AND MR. BERNSTEIN 1504 01:25:22,367 --> 01:25:24,285 HAVE FOUND SOMETHING IN COMMON. 1505 01:25:24,495 --> 01:25:26,245 YEAH, UH... 1506 01:25:26,455 --> 01:25:28,414 CASSELL WAS TELLING ME THAT, UH... 1507 01:25:28,624 --> 01:25:31,626 MR. TODD WAS THE HEADLINER AT CHEZ LUI. 1508 01:25:31,835 --> 01:25:33,044 YOU KNOW CHEZ LUI? 1509 01:25:33,253 --> 01:25:35,046 NO, BUT I WAS THINKING 1510 01:25:35,255 --> 01:25:36,964 THAT, UH, WE MIGHT DROP BY LATER, 1511 01:25:37,174 --> 01:25:39,258 AND YOU COULD EDUCATE ME. 1512 01:25:39,468 --> 01:25:41,260 I HAVE THE FEELING THAT EDUCATING YOU 1513 01:25:41,470 --> 01:25:42,887 WOULD BE ABOUT AS REDUNDANT 1514 01:25:43,097 --> 01:25:44,931 AS TEACHING A LION TO LIKE RED MEAT. 1515 01:25:47,226 --> 01:25:49,060 CIGAR? 1516 01:26:02,241 --> 01:26:03,116 MAY I? 1517 01:26:03,325 --> 01:26:05,618 MMM, PLEASE. 1518 01:26:25,013 --> 01:26:26,472 THANK YOU. 1519 01:27:15,314 --> 01:27:16,939 REGARDE. C'EST VICTOR! 1520 01:27:17,149 --> 01:27:18,316 AH, TODDY! 1521 01:27:18,525 --> 01:27:21,152 WHAT A PLEASURE. COME THIS WAY, PLEASE. 1522 01:27:21,361 --> 01:27:22,820 REGARDE. C'EST VICTOR! 1523 01:27:23,030 --> 01:27:24,906 I HAVE A TABLE FOR YOU. 1524 01:27:25,115 --> 01:27:26,574 THE BEST, OF COURSE. 1525 01:27:26,783 --> 01:27:28,034 THIS IS A DELIGHT. 1526 01:27:30,078 --> 01:27:31,704 AH, VICTOR! 1527 01:27:51,225 --> 01:27:53,059 PLEASE, A BOTTLE OF CHAMPAGNE. 1528 01:27:54,436 --> 01:27:55,603 THANK YOU. 1529 01:27:55,812 --> 01:27:57,021 TAKE THIS BOTTLE OVER TO THAT TABLE. 1530 01:27:57,231 --> 01:27:59,065 THOSE ARE VERY SPECIAL GUESTS. 1531 01:28:22,130 --> 01:28:23,130 ENCORE! 1532 01:28:23,340 --> 01:28:24,757 ENCORE! 1533 01:28:32,140 --> 01:28:34,225 MY FRIENDS... 1534 01:28:34,434 --> 01:28:36,978 MY FRIENDS, TONIGHT I AM HAPPY AND HONORED 1535 01:28:37,187 --> 01:28:39,772 TO HAVE WITH US ONE OF THE GREAT ENTERTAINERS 1536 01:28:39,982 --> 01:28:40,982 OF OUR TIME-- 1537 01:28:41,191 --> 01:28:43,317 THE TOAST OF PARIS... 1538 01:28:43,527 --> 01:28:45,486 VICTOR! 1539 01:28:54,997 --> 01:28:57,581 PERHAPS VICTOR... 1540 01:28:57,791 --> 01:28:59,792 PERHAPS VICTOR WILL HONOR US 1541 01:29:00,002 --> 01:29:01,544 WITH A SONG. 1542 01:29:14,599 --> 01:29:18,144 GIVE US A "G" WITH YOUR LEFT HAND, SID. 1543 01:29:24,818 --> 01:29:26,068 ♪♪ YOU ♪♪ 1544 01:29:26,278 --> 01:29:28,696 ♪♪ AND ME ♪♪ 1545 01:29:28,905 --> 01:29:31,490 ♪♪ WE'RE THE KIND OF PEOPLE ♪♪ 1546 01:29:31,700 --> 01:29:34,285 ♪♪ OTHER PEOPLE ♪♪ 1547 01:29:34,494 --> 01:29:37,079 ♪♪ WOULD LIKE TO BE ♪♪ 1548 01:29:40,834 --> 01:29:44,670 ♪♪ WANDERIN' FREE ♪♪ 1549 01:29:44,880 --> 01:29:49,050 ♪♪ WE PRESENT THE KIND OF PICTURE ♪♪ 1550 01:29:49,259 --> 01:29:53,888 ♪♪ PEOPLE ARE GLAD TO SEE ♪♪ 1551 01:29:54,056 --> 01:29:55,723 SOMETHING I'VE WANTED IN ALL MY LIFE. 1552 01:29:55,932 --> 01:29:58,309 ♪♪ AND WE DON'T CARE ♪♪ 1553 01:29:58,518 --> 01:30:01,729 ♪♪ THAT TOMORROW COMES WITH ♪♪ 1554 01:30:01,938 --> 01:30:04,690 ♪♪ NO GUARANTEE ♪♪ 1555 01:30:04,900 --> 01:30:07,318 ♪♪ WE'VE EACH OTHER ♪♪ 1556 01:30:07,527 --> 01:30:13,532 ♪♪ FOR COMPANY ♪♪ 1557 01:30:13,742 --> 01:30:18,746 ♪♪ AND COME WHAT MAY ♪♪ 1558 01:30:18,955 --> 01:30:21,874 ♪♪ YOU AND ME, WE'LL STAY TOGETHER ♪♪ 1559 01:30:22,084 --> 01:30:22,917 ME HARMONY. 1560 01:30:23,126 --> 01:30:25,628 ♪♪ YEAR AFTER YEAR ♪♪ 1561 01:30:27,172 --> 01:30:30,132 ♪♪ WON'T WE, MY DEAR? ♪♪ 1562 01:30:30,342 --> 01:30:35,262 ♪♪ WE'LL ALWAYS BE YOU AND ME ♪♪ 1563 01:30:35,472 --> 01:30:37,014 WALK THIS WAY. 1564 01:30:38,683 --> 01:30:40,518 TAUGHT HIM EVERYTHING HE KNOWS. 1565 01:30:40,727 --> 01:30:41,894 THAT'S WHY HE HAS SO LITTLE LEFT. 1566 01:30:42,104 --> 01:30:43,354 OH, I'LL GET YOU FOR THAT. 1567 01:30:43,563 --> 01:30:44,730 ♪♪ YOU ♪♪ 1568 01:30:44,940 --> 01:30:46,399 ♪♪ AND ME ♪♪ 1569 01:30:49,945 --> 01:30:51,278 ♪♪ YADADA ♪♪ 1570 01:30:51,488 --> 01:30:52,696 VERY DIFFICULT STEP. 1571 01:30:52,906 --> 01:30:53,948 OH, SUCH A FUSS! 1572 01:30:54,157 --> 01:30:54,907 OH, YEAH. 1573 01:30:59,746 --> 01:31:01,372 THIS WAY, PLEASE. 1574 01:31:01,581 --> 01:31:02,706 ♪♪ WANDERIN' FREE ♪♪ 1575 01:31:02,916 --> 01:31:04,708 SORRY ABOUT THAT. 1576 01:31:08,171 --> 01:31:09,964 THAT WAS FUN, NOW WHAT DO WE DO? 1577 01:31:10,173 --> 01:31:12,550 YOU GOT US INTO THIS. YOU GET US OUT. 1578 01:31:15,679 --> 01:31:16,929 MAY I? 1579 01:31:17,139 --> 01:31:18,389 I'D BE DELIGHTED. 1580 01:31:18,598 --> 01:31:20,975 ♪♪ TOMORROW COMES WITH ♪♪ 1581 01:31:21,184 --> 01:31:22,935 ♪♪ NO GUARANTEE ♪♪ 1582 01:31:23,145 --> 01:31:24,311 YOU'RE LEADING AGAIN. 1583 01:31:24,521 --> 01:31:25,396 OH, I'M SORRY! 1584 01:31:25,605 --> 01:31:26,814 ♪♪ WE'VE EACH OTHER ♪♪ 1585 01:31:27,023 --> 01:31:32,403 ♪♪ FOR COMPANY ♪♪ 1586 01:31:32,612 --> 01:31:35,948 ♪♪ AND COME WHAT MAY ♪♪ 1587 01:31:36,158 --> 01:31:36,949 THIS IS THE PLACE! 1588 01:31:37,159 --> 01:31:37,950 WE HAD TO COME HERE? 1589 01:31:38,160 --> 01:31:38,951 DON'T ARGUE WITH ME. 1590 01:31:39,161 --> 01:31:39,952 SHUT UP! SHH! 1591 01:31:40,162 --> 01:31:41,495 SHUSH YOURSELF! 1592 01:31:41,705 --> 01:31:43,289 WAITER! 1593 01:31:43,498 --> 01:31:45,583 WHAT ARE WE SUPPOSED TO DO, JUST STAND HERE? 1594 01:31:45,792 --> 01:31:46,959 DIDN'T YOU RESERVE A TABLE? 1595 01:31:47,169 --> 01:31:48,169 SHH! SHH! 1596 01:31:48,378 --> 01:31:49,003 OF COURSE I RESERVED A TABLE! 1597 01:31:49,171 --> 01:31:49,962 LET'S SIT DOWN. 1598 01:31:50,172 --> 01:31:51,422 PLEASE! VICTOR! 1599 01:31:51,631 --> 01:31:53,591 I DON'T CARE IF IT'S NOEL FRIGGING COWARD! 1600 01:31:53,800 --> 01:31:54,967 THIS WAY. THIS WAY. 1601 01:31:55,177 --> 01:31:56,510 THIS WAY. 1602 01:31:56,720 --> 01:31:58,179 ♪♪ ...ME ♪♪ 1603 01:31:58,388 --> 01:32:00,431 AAH! 1604 01:32:00,640 --> 01:32:01,807 MY GOD! 1605 01:32:02,017 --> 01:32:06,353 YOU ROTTEN BASTARD! 1606 01:32:06,563 --> 01:32:08,689 YOU GET AWAY FROM HIM! 1607 01:32:14,654 --> 01:32:18,115 AAH! TAKE YOUR HANDS OFF ME! 1608 01:32:19,451 --> 01:32:20,659 AAH! 1609 01:32:24,164 --> 01:32:25,414 NO! 1610 01:32:25,624 --> 01:32:26,832 YOU? 1611 01:32:27,042 --> 01:32:28,209 AH! 1612 01:32:28,418 --> 01:32:31,670 EVERYBODY, THIS IS A RESPECTABLE PLACE! 1613 01:32:43,016 --> 01:32:45,851 OH! 1614 01:32:46,061 --> 01:32:46,852 MY... 1615 01:32:48,522 --> 01:32:49,730 I'M SO SORRY! 1616 01:32:49,940 --> 01:32:51,190 SO AM I! 1617 01:33:00,867 --> 01:33:03,202 NO, PLEASE! STOP! 1618 01:33:04,746 --> 01:33:08,290 ♪♪ AAAAAH! ♪♪ 1619 01:33:12,003 --> 01:33:13,462 COCKROACH! 1620 01:33:42,784 --> 01:33:43,784 WHOA WHOA WHOA WHOA! 1621 01:33:43,994 --> 01:33:45,786 AHH. 1622 01:33:45,954 --> 01:33:47,538 UGH! 1623 01:33:54,129 --> 01:33:56,755 HALT! HALT! 1624 01:34:07,642 --> 01:34:09,560 HA HA HA! 1625 01:34:14,983 --> 01:34:17,943 I DON'T CARE IF YOU ARE A MAN. 1626 01:34:23,658 --> 01:34:24,908 I'M... 1627 01:34:25,118 --> 01:34:26,785 NOT A MAN. 1628 01:34:28,622 --> 01:34:30,456 I STILL DON'T CARE. 1629 01:34:50,185 --> 01:34:51,894 COCKROACH! COCKROACH! 1630 01:34:52,103 --> 01:34:54,980 I'VE NEVER SEEN YOU BEFORE IN MY LIFE. 1631 01:35:21,800 --> 01:35:24,635 OHH! OHH! 1632 01:35:26,513 --> 01:35:28,013 AAH! AAH! 1633 01:35:32,310 --> 01:35:33,894 OH, MY GOD. I'M S... 1634 01:35:34,104 --> 01:35:35,646 I THOUGHT... 1635 01:35:38,066 --> 01:35:40,109 I'M REALLY SORRY. 1636 01:35:41,861 --> 01:35:43,320 HONESTLY, I'M... 1637 01:35:43,530 --> 01:35:44,863 I'M SORRY. 1638 01:35:51,079 --> 01:35:52,454 SQUASH? 1639 01:35:52,664 --> 01:35:54,039 SQUASH? 1640 01:35:55,500 --> 01:35:56,917 HEY, SQUASH, LOOK, 1641 01:35:57,127 --> 01:35:59,336 I KNOW WHAT YOU'RE THINKING. 1642 01:35:59,546 --> 01:36:01,046 NO, YOU DON'T. 1643 01:36:02,257 --> 01:36:03,757 IN ONE FELL SWOOP, 1644 01:36:03,967 --> 01:36:05,092 YOU'VE CHANGED MY WHOLE LIFE. 1645 01:36:05,301 --> 01:36:07,219 IT WASN'T THAT KIND OF SWOOP. 1646 01:36:08,722 --> 01:36:10,556 LISTEN, BOSS... 1647 01:36:10,765 --> 01:36:13,559 IF A GUY LIKE YOU HAS GOT THE GUTS 1648 01:36:13,768 --> 01:36:15,060 TO ADMIT HE'S GAY... 1649 01:36:18,106 --> 01:36:20,065 SO CAN I. 1650 01:36:25,113 --> 01:36:27,656 YOU'VE MADE ME SO HAPPY. 1651 01:36:42,630 --> 01:36:45,090 HA! YOU KNOW, I... 1652 01:36:59,147 --> 01:37:00,397 WHAT'S WRONG? 1653 01:37:00,607 --> 01:37:02,274 OH, NOTHING, NOTHING. 1654 01:37:03,777 --> 01:37:05,986 I'M FINDING THIS TRIP TO PARIS 1655 01:37:06,196 --> 01:37:07,613 A LITTLE MORE... 1656 01:37:07,822 --> 01:37:09,990 BIZARRE THAN USUAL. 1657 01:37:10,200 --> 01:37:11,992 OHH... 1658 01:37:12,202 --> 01:37:13,744 THANKS A LOT. 1659 01:37:15,288 --> 01:37:16,997 OH, OH, NOT YOU. NO. 1660 01:37:17,207 --> 01:37:19,124 IT'S NOT YOU. 1661 01:37:19,334 --> 01:37:20,751 WHY NOT ME? 1662 01:37:20,960 --> 01:37:23,086 I MEAN, A WOMAN PRETENDING TO BE A MAN PRETENDING-- 1663 01:37:23,296 --> 01:37:25,005 YOU CAN STOP PRETENDING. 1664 01:37:25,215 --> 01:37:26,590 AND DO WHAT? 1665 01:37:26,800 --> 01:37:27,841 BE YOURSELF. 1666 01:37:28,051 --> 01:37:29,343 AND WHAT'S THAT? 1667 01:37:29,511 --> 01:37:30,761 WHAT DO YOU MEAN? 1668 01:37:30,970 --> 01:37:32,095 YOU'RE A WOMAN IN LOVE WITH A MAN. 1669 01:37:32,305 --> 01:37:34,181 YES. 1670 01:37:34,390 --> 01:37:36,183 ARE WE COMMUNICATING? 1671 01:37:36,392 --> 01:37:38,185 YOU SAID A WOMAN IN LOVE WITH A MAN, 1672 01:37:38,394 --> 01:37:39,853 BUT YOU DIDN'T FINISH. 1673 01:37:40,063 --> 01:37:42,189 O.K., WHAT'S THE FINISH? 1674 01:37:42,398 --> 01:37:45,150 A WOMAN IN LOVE WITH A MAN, 1675 01:37:45,360 --> 01:37:47,152 PRETENDING TO BE A MAN-- 1676 01:37:47,362 --> 01:37:49,780 I SAID YOU CAN STOP PRETENDING. 1677 01:37:49,989 --> 01:37:52,282 BUT YOU SEE, I DON'T THINK I WANT TO. 1678 01:37:53,618 --> 01:37:56,578 I'M A BIG STAR NOW. I'M A SUCCESS. 1679 01:37:56,788 --> 01:37:58,163 OH, THAT. 1680 01:37:58,373 --> 01:38:00,874 AND SOMETHING MORE. 1681 01:38:01,084 --> 01:38:04,753 I FIND IT ALL REALLY FASCINATING. 1682 01:38:06,714 --> 01:38:09,591 I MEAN, THERE ARE THINGS AVAILABLE TO ME AS A MAN 1683 01:38:09,801 --> 01:38:12,052 THAT I COULD NEVER HAVE AS A WOMAN. 1684 01:38:12,262 --> 01:38:13,345 I'M EMANCIPATED. 1685 01:38:13,555 --> 01:38:15,180 EMANCIPATED? 1686 01:38:15,390 --> 01:38:18,225 WELL, I'M MY OWN MAN, SO TO SPEAK. 1687 01:38:18,434 --> 01:38:21,186 OH, YOU SHOULD BE ABLE TO RELATE TO THAT. 1688 01:38:21,396 --> 01:38:22,688 WELL, TO BE HONEST WITH YOU, 1689 01:38:22,897 --> 01:38:24,690 RIGHT NOW, I'M HAVING A LITTLE TROUBLE 1690 01:38:24,899 --> 01:38:27,818 RELATING TO ANYTHING. 1691 01:38:28,027 --> 01:38:30,195 LOOK, IF WE'RE TO HAVE ANY KIND OF FUTURE TOGETHER, 1692 01:38:30,405 --> 01:38:32,197 IT'S IMPORTANT THAT YOU UNDERSTAND. 1693 01:38:32,407 --> 01:38:33,824 I WANT TO UNDERSTAND. 1694 01:38:34,033 --> 01:38:36,201 WELL, YOU THINK IT WOULD BE FAIR FOR ME TO ASK YOU 1695 01:38:36,411 --> 01:38:37,995 TO GIVE UP YOUR JOB? 1696 01:38:38,204 --> 01:38:39,246 IT WOULD BE RIDICULOUS. 1697 01:38:39,455 --> 01:38:41,832 BUT YOU EXPECT ME TO GIVE UP MINE. 1698 01:38:42,041 --> 01:38:43,834 THERE'S A DIFFERENCE, FOR CHRIST'S SAKE. 1699 01:38:44,043 --> 01:38:45,836 RIGHT, BUT THERE SHOULDN'T BE. 1700 01:38:46,045 --> 01:38:47,212 LOOK, I'M NOT THE ONE 1701 01:38:47,422 --> 01:38:48,839 PRETENDING TO BE SOMEONE ELSE. 1702 01:38:49,048 --> 01:38:51,675 LET'S PUT THE SHOE ON THE OTHER FOOT. 1703 01:38:51,885 --> 01:38:53,760 LET'S SAY THAT YOU'RE A MAN, 1704 01:38:53,970 --> 01:38:55,220 AND I'M A WOMAN 1705 01:38:55,430 --> 01:38:57,055 PRETENDING TO BE A MAN. 1706 01:38:57,265 --> 01:38:58,932 WELL, I THINK IT WOULD DEPEND A WHOLE LOT 1707 01:38:59,142 --> 01:39:00,851 ON WHY YOU WERE PRETENDING. 1708 01:39:01,060 --> 01:39:02,269 OH, COME ON NOW, VICTORIA, YOU SAID 1709 01:39:02,478 --> 01:39:03,854 IT'S IMPORTANT THAT I UNDERSTAND. 1710 01:39:04,063 --> 01:39:05,230 IT'S IMPORTANT THAT YOU UNDERSTAND, TOO. 1711 01:39:05,440 --> 01:39:06,356 CERTAINLY. 1712 01:39:06,566 --> 01:39:07,858 LOVE IS A TWO-WAY STREET. 1713 01:39:08,067 --> 01:39:09,276 WHY DID I SAY THAT? 1714 01:39:09,485 --> 01:39:11,862 I DON'T KNOW, BUT WHAT'S YOUR POINT? 1715 01:39:12,071 --> 01:39:14,239 UH, YOU SAID IF WE WERE GOING TO HAVE 1716 01:39:14,449 --> 01:39:15,866 ANY KIND OF FUTURE, 1717 01:39:16,075 --> 01:39:17,784 WHAT DO YOU MEAN BY FUTURE? 1718 01:39:17,994 --> 01:39:19,036 LIVE TOGETHER? 1719 01:39:19,245 --> 01:39:20,245 POSSIBLY. 1720 01:39:20,455 --> 01:39:21,246 SLEEP TOGETHER? 1721 01:39:21,456 --> 01:39:22,456 HOPEFULLY. 1722 01:39:22,665 --> 01:39:24,458 WHILE YOU KEEP ON WORKING? 1723 01:39:24,626 --> 01:39:25,626 YES. 1724 01:39:25,835 --> 01:39:27,878 PRETENDING TO BE A MAN. 1725 01:39:28,087 --> 01:39:30,255 IF I DIDN'T, I WOULDN'T HAVE A JOB. 1726 01:39:30,465 --> 01:39:32,257 UH-HUH. WHILE WE'RE LIVING 1727 01:39:32,467 --> 01:39:33,634 AND SLEEPING TOGETHER, 1728 01:39:33,843 --> 01:39:35,302 WHAT'S EVERYBODY GOING TO THINK? 1729 01:39:35,511 --> 01:39:36,887 I GUESS THEY'RE GOING TO THINK THAT YOU'RE LIVING 1730 01:39:37,096 --> 01:39:38,263 AND SLEEPING WITH A MAN. 1731 01:39:38,473 --> 01:39:39,932 HOW DO YOU FEEL ABOUT THAT? 1732 01:39:40,141 --> 01:39:42,267 WELL, THEY'RE GOING TO THINK THE SAME THING ABOUT ME. 1733 01:39:42,477 --> 01:39:43,477 BUT YOU'RE A WOMAN! 1734 01:39:43,686 --> 01:39:45,062 YEAH, BUT THEY DON'T KNOW THAT. 1735 01:39:45,271 --> 01:39:46,271 YOU DO! 1736 01:39:46,481 --> 01:39:48,273 AND YOU KNOW YOU'RE A MAN ! 1737 01:39:48,483 --> 01:39:49,942 I DON'T SEE THE DIFFERENCE. 1738 01:39:50,151 --> 01:39:52,277 WE'D BE LIVING A DAMN LIE. 1739 01:39:52,487 --> 01:39:53,654 I DON'T THINK 1740 01:39:53,863 --> 01:39:55,781 THAT'S WHAT'S REALLY BOTHERING YOU. 1741 01:39:55,990 --> 01:39:57,491 IF YOU THINK I'M WORRIED 1742 01:39:57,700 --> 01:39:59,493 ABOUT EVERYBODY THINKING I'M A FAG, 1743 01:39:59,661 --> 01:40:00,744 YOU'RE RIGHT. 1744 01:40:02,455 --> 01:40:04,164 SO WE HAVE A PROBLEM. 1745 01:40:04,374 --> 01:40:05,791 I GUESS WE HAVE. 1746 01:40:12,465 --> 01:40:14,508 WELL, IT'S PROBABLY FOR THE BEST. 1747 01:40:14,717 --> 01:40:16,510 THAT'S AS BAD 1748 01:40:16,719 --> 01:40:18,804 AS "LOVE IS A TWO-WAY STREET." 1749 01:40:19,973 --> 01:40:22,432 WHAT IT LACKS IN ORIGINALITY, 1750 01:40:22,642 --> 01:40:25,310 IT MAKES UP FOR IN PROPHECY. 1751 01:40:26,813 --> 01:40:29,064 SOONER OR LATER, I'D PROBABLY ASK YOU 1752 01:40:29,273 --> 01:40:32,025 TO STOP BEING A GANGSTER BECAUSE I WAS WORRIED 1753 01:40:32,235 --> 01:40:34,611 ABOUT EVERYONE THINKING I WAS YOUR MOLL. 1754 01:40:34,821 --> 01:40:36,446 I AM NOT A GANGSTER. 1755 01:40:36,656 --> 01:40:38,490 JUST A BUSINESSMAN WITH A BODYGUARD. 1756 01:40:38,700 --> 01:40:39,783 A BUSINESSMAN 1757 01:40:39,993 --> 01:40:40,867 WHO DOES BUSINESS WITH GANGSTERS 1758 01:40:41,077 --> 01:40:42,202 AND DOESN'T HAVE A BODYGUARD 1759 01:40:42,412 --> 01:40:43,787 IS SOON OUT OF BUSINESS. 1760 01:40:43,997 --> 01:40:46,456 A BUSINESSMAN WHO DOES BUSINESS WITH GANGSTERS 1761 01:40:46,666 --> 01:40:48,458 AND PRETENDS HE'S NOT A GANGSTER 1762 01:40:48,668 --> 01:40:50,836 SOUNDS A LOT LIKE THE KIND OF ACT I DO. 1763 01:40:52,630 --> 01:40:54,840 I THINK WE'RE BOTH PRETENDERS, 1764 01:40:55,049 --> 01:40:57,467 AND THAT'S NOT A VERY GOOD BASIS 1765 01:40:57,677 --> 01:40:58,969 FOR A RELATIONSHIP. 1766 01:41:07,020 --> 01:41:10,605 OH, BUT IT WAS FUN WHILE IT LASTED. 1767 01:41:38,217 --> 01:41:39,968 HAVE A NICE EVENING? 1768 01:41:40,178 --> 01:41:41,887 UP TO A POINT. 1769 01:41:42,096 --> 01:41:43,513 WHAT HAPPENED TO YOU? 1770 01:41:43,723 --> 01:41:45,932 OH, NOTHING MUCH. WE WERE ALL ARRESTED. 1771 01:41:46,142 --> 01:41:49,019 ANDRE CALLED HIS LAWYER, WHO BAILED US OUT. 1772 01:41:53,066 --> 01:41:54,483 YOU REMEMBER MR. BERNSTEIN. 1773 01:41:54,692 --> 01:41:55,901 COUNT GRAZINSKY. 1774 01:41:58,446 --> 01:42:00,405 MR. BERNSTEIN. 1775 01:42:02,575 --> 01:42:05,327 HEY, SQUASH, CAN I ASK YOU 1776 01:42:05,536 --> 01:42:06,703 A PERSONAL QUESTION? 1777 01:42:06,913 --> 01:42:08,038 GO AHEAD. 1778 01:42:09,707 --> 01:42:10,957 HOW LONG--I MEAN... 1779 01:42:11,167 --> 01:42:13,919 EXACTLY WHEN DID YOU KNOW ABOUT, UH... 1780 01:42:14,128 --> 01:42:15,921 WHEN DID I KNOW I WAS GAY? 1781 01:42:16,130 --> 01:42:17,255 YEAH. 1782 01:42:17,465 --> 01:42:18,548 GOD, I CAN'T REMEMBER WHEN I WASN'T. 1783 01:42:18,758 --> 01:42:20,550 I'VE KNOWN YOU FOR 15 YEARS. 1784 01:42:20,760 --> 01:42:22,928 YOU KNEW A LOT OF GUYS, BOSS. 1785 01:42:23,137 --> 01:42:24,554 YOU'D BE SURPRISED. 1786 01:42:24,764 --> 01:42:26,556 YOU WERE AN ALL-AMERICAN. 1787 01:42:26,766 --> 01:42:28,975 I NEVER SAW A MEANER, ROUGHER, 1788 01:42:29,185 --> 01:42:30,936 TOUGHER, SON-OF-A-BITCH FOOTBALL PLAYER 1789 01:42:31,145 --> 01:42:32,270 IN ALL MY LIFE. 1790 01:42:32,480 --> 01:42:33,480 LISTEN, IF YOU DIDN'T WANT THE GUYS 1791 01:42:33,689 --> 01:42:34,940 TO CALL YOU QUEER, 1792 01:42:35,149 --> 01:42:36,942 YOU BECAME A ROUGH, TOUGH, 1793 01:42:37,151 --> 01:42:39,694 SON-OF-A-BITCHIN' FOOTBALL PLAYER. 1794 01:42:42,156 --> 01:42:44,950 WHY DON'T YOU WATCH WHERE YOU'RE GOING, HUH? 1795 01:42:49,163 --> 01:42:50,997 HE SAYS IT WAS YOUR FAULT 1796 01:42:51,207 --> 01:42:52,499 AND, UH, SUGGESTS THAT YOU APOLOGIZE. 1797 01:42:52,708 --> 01:42:53,500 OH, HE DOES. 1798 01:42:53,709 --> 01:42:54,501 COME ON. 1799 01:42:54,710 --> 01:42:56,002 NO, NO, NO, NO. 1800 01:42:56,212 --> 01:42:57,963 WELL, YOU TELL HIM IF HE'D LIKE AN APOLOGY, 1801 01:42:58,172 --> 01:42:59,589 HE CAN JUST GET HIM SOME GLOVES, 1802 01:42:59,799 --> 01:43:01,967 AND I'LL SEE HIM IN THE RING. 1803 01:43:06,806 --> 01:43:08,598 JUST GIVE HIM 10 MINUTES. 1804 01:43:08,808 --> 01:43:10,517 HE WILL BE DELIGHTED TO OBLIGE. 1805 01:43:10,726 --> 01:43:12,102 OH, HE WILL, HUH? 1806 01:43:13,521 --> 01:43:14,980 HE'D BE DELIGHTED TO OBLIGE. 1807 01:43:15,189 --> 01:43:17,524 WHO THE HELL DOES HE THINK HE IS? 1808 01:43:17,733 --> 01:43:19,025 GUY LANGOIS, 1809 01:43:19,235 --> 01:43:20,777 THE FRENCH MIDDLEWEIGHT BOXING CHAMPION. 1810 01:43:20,987 --> 01:43:22,654 BUT DON'T WORRY. 1811 01:43:22,864 --> 01:43:23,989 HE'S GAY. 1812 01:43:26,284 --> 01:43:28,618 ♪♪ THE SHADY DAME ♪♪ 1813 01:43:38,212 --> 01:43:40,172 ♪♪ FROM SEVILLE ♪♪ 1814 01:43:52,810 --> 01:43:53,852 OLE! OLE! 1815 01:44:07,074 --> 01:44:08,116 MR. BERNSTEIN. 1816 01:44:08,326 --> 01:44:09,201 COUNT. 1817 01:44:16,417 --> 01:44:19,044 I THINK WE SHOULD TRY LIVING TOGETHER. 1818 01:44:19,253 --> 01:44:22,172 YOUR PLACE OR MINE? 1819 01:44:30,723 --> 01:44:31,932 MONSIEUR LABISSE? 1820 01:44:32,141 --> 01:44:33,058 YES? 1821 01:44:43,361 --> 01:44:44,653 YOU CALLED. 1822 01:44:44,862 --> 01:44:47,530 I AM CHARLES BOVIN, PRIVATE INVESTIGATOR. 1823 01:44:47,740 --> 01:44:49,115 GOOD. THERE IS SOMETHING 1824 01:44:49,325 --> 01:44:52,118 I WANT YOU TO FIND OUT FOR ME. 1825 01:44:52,328 --> 01:44:53,536 AT YOUR SERVICE. 1826 01:44:53,746 --> 01:44:55,538 BE CAREFUL. 1827 01:44:55,748 --> 01:44:58,124 MONSIEUR, I'M ALWAYS CAREFUL. 1828 01:44:58,292 --> 01:45:00,126 THAT STOOL IS BROKEN. 1829 01:45:00,336 --> 01:45:01,670 IT IS? 1830 01:45:03,130 --> 01:45:04,965 PENNY. 1831 01:45:05,174 --> 01:45:07,550 OH, NOTHING. 1832 01:45:07,760 --> 01:45:11,680 AH, A LOT OF THINGS, I GUESS. 1833 01:45:15,726 --> 01:45:18,144 I WANT TO MAKE A DEAL. 1834 01:45:18,354 --> 01:45:19,646 HMM? 1835 01:45:19,855 --> 01:45:22,148 NO SECRETS, 1836 01:45:22,358 --> 01:45:25,568 NO GRUDGE COLLECTING. 1837 01:45:25,778 --> 01:45:27,153 IF SOMETHING BOTHERS US, 1838 01:45:27,363 --> 01:45:29,155 WE SAY SO, O.K.? 1839 01:45:29,365 --> 01:45:30,573 O.K. 1840 01:45:30,783 --> 01:45:33,159 AND WE DON'T PLAN PAST TOMORROW. 1841 01:45:33,327 --> 01:45:35,161 JUST... 1842 01:45:35,371 --> 01:45:37,414 TAKE IT A DAY AT A TIME. 1843 01:45:39,333 --> 01:45:40,792 DEAL. 1844 01:46:03,190 --> 01:46:05,275 ♪♪ CRAZY WORLD ♪♪ 1845 01:46:05,484 --> 01:46:11,531 ♪♪ FULL OF CRAZY CONTRADICTIONS LIKE A CHILD ♪♪ 1846 01:46:11,741 --> 01:46:15,368 ♪♪ FIRST YOU DRIVE ME WILD ♪♪ 1847 01:46:15,578 --> 01:46:23,335 ♪♪ AND THEN YOU WIN MY HEART WITH YOUR WICKED ART ♪♪ 1848 01:46:24,045 --> 01:46:27,172 ♪♪ ONE MINUTE TENDER ♪♪ 1849 01:46:28,841 --> 01:46:31,926 ♪♪ GENTLE ♪♪ 1850 01:46:32,136 --> 01:46:37,599 ♪♪ THEN TEMPERAMENTAL AS A SUMMER STORM ♪♪ 1851 01:46:39,310 --> 01:46:45,482 ♪♪ JUST WHEN I BELIEVE YOUR HEART'S GETTING WARMER ♪♪ 1852 01:46:45,691 --> 01:46:48,902 ♪♪ YOU'RE COLD, AND YOU'RE CRUEL ♪♪ 1853 01:46:49,111 --> 01:46:51,946 ♪♪ AND I, LIKE A FOOL, TRY TO COPE ♪♪ 1854 01:46:56,243 --> 01:47:02,624 ♪♪ TRY TO HANG ON ♪♪ 1855 01:47:02,833 --> 01:47:06,378 ♪♪ TO HOPE ♪♪ 1856 01:47:14,887 --> 01:47:17,347 ♪♪ CRAZY WORLD ♪♪ 1857 01:47:17,556 --> 01:47:24,229 ♪♪ EVERY DAY, THE SAME OLD ROLLER COASTER RIDE ♪♪ 1858 01:47:24,438 --> 01:47:27,732 ♪♪ BUT I'VE GOT MY PRIDE ♪♪ 1859 01:47:27,942 --> 01:47:32,112 ♪♪ I WON'T GIVE IN ♪♪ 1860 01:47:32,321 --> 01:47:35,031 ♪♪ EVEN THOUGH ♪♪ 1861 01:47:35,241 --> 01:47:37,409 ♪♪ I KNOW I'LL NEVER WIN ♪♪ 1862 01:47:44,291 --> 01:47:46,709 ♪♪ OH, HOW I LOVE THIS ♪♪ 1863 01:47:55,052 --> 01:47:57,262 ♪♪ CRAZY WORLD ♪♪ 1864 01:48:22,913 --> 01:48:24,914 BRAVO! 1865 01:48:26,500 --> 01:48:28,626 BRAVO, VICTOR! 1866 01:49:01,535 --> 01:49:03,953 HA HA HA! 1867 01:49:16,342 --> 01:49:18,801 HE'S GOT A GOOD RIGHT HAND, AND HE DOESN'T USE IT! 1868 01:49:19,011 --> 01:49:21,221 OH, THERE'S THE RIGHT! 1869 01:49:21,430 --> 01:49:22,639 THERE'S THE RIGHT. 1870 01:49:22,848 --> 01:49:24,974 I TOLD YOU! HE'S GOT HIM. 1871 01:49:25,184 --> 01:49:28,144 HOOK HIM! HOOK HIM! HOOK HIM! HOOK HIM! 1872 01:49:29,563 --> 01:49:31,606 AH, GO GET HIM! 1873 01:49:31,815 --> 01:49:33,024 ALL RIGHT, ALL RIGHT! 1874 01:49:33,234 --> 01:49:34,776 HE'S GOT HIM! 1875 01:51:01,405 --> 01:51:02,947 IS SOMETHING WRONG? 1876 01:51:04,742 --> 01:51:07,535 OH, WE'VE HAD DINNER IN THE HOTEL 1877 01:51:07,745 --> 01:51:09,579 EVERY NIGHT FOR A WEEK NOW. 1878 01:51:09,788 --> 01:51:12,498 WELL, WHEN WE GO OUT AFTER THE SHOW, 1879 01:51:12,708 --> 01:51:14,417 YOU'RE USUALLY SO TIRED, YOU SPEND THE NEXT DAY SLEEPING. 1880 01:51:14,627 --> 01:51:17,503 THIS WAY, WE GO TO BED REASONABLY EARLY, 1881 01:51:17,713 --> 01:51:20,632 AND WE CAN SPEND A FEW AFTERNOONS TOGETHER. 1882 01:51:23,677 --> 01:51:26,387 DO YOU KNOW WHAT I'D REALLY LOVE TO DO? 1883 01:51:26,597 --> 01:51:28,139 WHAT? 1884 01:51:28,349 --> 01:51:30,516 SKIP A FEW AFTERNOONS 1885 01:51:30,726 --> 01:51:32,018 AND GO DANCING. 1886 01:51:32,227 --> 01:51:33,728 DANCING? 1887 01:52:17,064 --> 01:52:18,147 LET'S GO. 1888 01:52:32,746 --> 01:52:34,205 TAKE HER BACK TO THE HOTEL. 1889 01:52:34,415 --> 01:52:35,581 I'LL SEE YOU LATER. 1890 01:52:35,791 --> 01:52:36,833 HEY, BOSS-- 1891 01:52:37,042 --> 01:52:38,251 JUST DO WHAT I TELL YOU, O.K.? 1892 01:52:38,460 --> 01:52:40,336 I'LL BE ALL RIGHT, GO ON. 1893 01:52:55,769 --> 01:52:58,354 I JUST WANTED TO GO DANCING. 1894 01:52:58,564 --> 01:53:00,273 YEAH, WELL, I GUESS IF TWO GUYS 1895 01:53:00,441 --> 01:53:02,233 WANTED TO GO DANCING TOGETHER, 1896 01:53:02,443 --> 01:53:04,235 THAT'D BE A LITTLE UNORTHODOX 1897 01:53:04,445 --> 01:53:05,737 AT THE RITZ. 1898 01:53:07,781 --> 01:53:08,948 I GUESS THE PROBLEM IS, 1899 01:53:09,158 --> 01:53:11,075 WE'RE NOT REALLY TWO GUYS. 1900 01:53:13,287 --> 01:53:15,371 YEAH, I GUESS THAT IS THE PROBLEM. 1901 01:53:25,632 --> 01:53:27,759 STOP, DRIVER. BACK UP. 1902 01:54:23,982 --> 01:54:25,066 MILK. 1903 01:54:30,155 --> 01:54:31,405 COW'S MILK, MONSIEUR, 1904 01:54:31,615 --> 01:54:33,157 OR MOTHER'S MILK? 1905 01:54:38,997 --> 01:54:40,623 HOW ABOUT YOUR SISTER'S? 1906 01:54:55,222 --> 01:54:56,180 OH, SHIT. 1907 01:55:21,540 --> 01:55:23,833 YOU'RE EARLY. 1908 01:55:25,252 --> 01:55:27,879 SEEMS LIKE I'M A BACHELOR AGAIN. 1909 01:55:28,088 --> 01:55:29,881 OH, IT WAS JUST AS WELL. 1910 01:55:30,090 --> 01:55:31,257 MR. BERNSTEIN WAS BEGINNING 1911 01:55:31,466 --> 01:55:33,259 TO MAKE A PERMANENT DENT 1912 01:55:33,468 --> 01:55:34,844 IN THE MATTRESS. 1913 01:55:36,430 --> 01:55:38,306 OH, TODDY... 1914 01:55:38,515 --> 01:55:40,766 I'M VERY MUCH IN LOVE, 1915 01:55:40,976 --> 01:55:43,269 AND I DON'T KNOW WHAT TO DO. 1916 01:55:43,478 --> 01:55:44,896 HERE. 1917 01:55:45,105 --> 01:55:47,857 I CAN'T STAND TO SEE A GROWN MAN CRY. 1918 01:56:00,787 --> 01:56:03,831 ♪♪ SWEET ADELINE ♪♪ 1919 01:56:04,041 --> 01:56:08,127 ♪♪ SWEET ADELINE ♪♪ 1920 01:56:08,337 --> 01:56:09,253 GOOD. 1921 01:56:09,463 --> 01:56:11,756 ♪♪ MY ADELINE ♪♪ 1922 01:56:11,965 --> 01:56:14,926 ♪♪ MY ADELINE ♪♪ 1923 01:56:15,135 --> 01:56:16,802 YOU GOT IT! 1924 01:56:17,012 --> 01:56:19,805 ♪♪ YOUR FAIR FACE BEAMS ♪♪ 1925 01:56:20,015 --> 01:56:24,727 ♪♪ YOUR FAIR FACE BEAMS ♪♪ 1926 01:56:24,937 --> 01:56:29,148 ♪♪ IN ALL MY DREAMS ♪♪ 1927 01:56:29,358 --> 01:56:30,983 YOU'RE REAL LUCKY, BOSS. 1928 01:56:31,193 --> 01:56:32,485 LUCKY? 1929 01:56:32,694 --> 01:56:34,779 YEAH, YOU'RE LUCKY YOU DIDN'T BREAK ANYTHING. 1930 01:56:34,988 --> 01:56:36,155 I COULDN'T FEEL ANY WORSE 1931 01:56:36,365 --> 01:56:38,449 IF I BROKE EVERYTHING. 1932 01:56:40,118 --> 01:56:42,912 YOU EVER SEEN SO MANY BRUISES? 1933 01:56:44,498 --> 01:56:47,375 YEAH. ON A WHOLE FOOTBALL TEAM. 1934 01:56:47,584 --> 01:56:49,585 FEEL LIKE I SPENT THE NIGHT 1935 01:56:49,795 --> 01:56:51,045 IN A CEMENT MIXER. 1936 01:57:00,013 --> 01:57:01,889 HELLO, FAGGOT. 1937 01:57:02,099 --> 01:57:03,975 OH, I KNEW THINGS 1938 01:57:04,184 --> 01:57:06,769 WERE GOING TOO GOOD TO LAST. 1939 01:57:06,979 --> 01:57:07,812 HOLD IT. 1940 01:57:09,147 --> 01:57:12,858 NOW, HEAD UP JUST A TOUCH. 1941 01:57:13,068 --> 01:57:14,819 HERR VICTOR DOESN'T LOOK VERY WELL. 1942 01:57:15,028 --> 01:57:16,195 OH, IT'S NOTHING SERIOUS. 1943 01:57:16,405 --> 01:57:17,655 A FEW NIGHTS FLAT ON HIS BACK 1944 01:57:17,864 --> 01:57:18,823 UNDER A SPECIALIST, 1945 01:57:19,032 --> 01:57:20,157 AND HE'LL BE AS GOOD AS NEW. 1946 01:57:20,367 --> 01:57:21,617 GOOD. 1947 01:57:21,827 --> 01:57:23,160 VICTOR, DARLING, DO YOU THINK 1948 01:57:23,370 --> 01:57:25,788 YOU COULD POSSIBLY MANAGE TO LOOK 1949 01:57:25,998 --> 01:57:27,206 A LITTLE LESS... FUNEREAL? 1950 01:57:27,416 --> 01:57:28,666 RENE, DARLING? 1951 01:57:28,875 --> 01:57:29,834 YES? 1952 01:57:30,043 --> 01:57:32,003 WHY DON'T YOU GO SUCK AN EGG? 1953 01:57:33,380 --> 01:57:35,047 I DO WISH YOU'D THINK ABOUT IT. 1954 01:57:35,257 --> 01:57:36,632 I HAVE THOUGHT ABOUT IT, TODDY. 1955 01:57:36,842 --> 01:57:38,217 FOR THE PAST TWO WEEKS, I'VE SPENT 1956 01:57:38,427 --> 01:57:40,011 A GREAT DEAL OF TIME THINKING ABOUT IT. 1957 01:57:40,220 --> 01:57:41,554 AND FOR THE SEVEN HOURS 1958 01:57:41,763 --> 01:57:43,639 I COULDN'T SLEEP LAST NIGHT, 1959 01:57:43,849 --> 01:57:45,683 I THOUGHT ABOUT IT CONSTANTLY. 1960 01:57:45,892 --> 01:57:47,685 SO I'VE COME TO THE CONCLUSION 1961 01:57:47,894 --> 01:57:49,311 THAT IT'S JUST NOT WORTH IT. 1962 01:57:49,521 --> 01:57:51,230 I AM VERY UNHAPPY IN THE EXTREME, 1963 01:57:51,440 --> 01:57:54,066 AND I DON'T HAVE TO BE BECAUSE THERE IS AN ALTERNATIVE. 1964 01:57:54,276 --> 01:57:55,735 TONIGHT WILL BE 1965 01:57:55,944 --> 01:57:57,737 COUNT VICTOR GRAZINSKY'S FINAL PERFORMANCE, 1966 01:57:57,946 --> 01:58:00,072 AND TOMORROW, I SHALL ANNOUNCE TO THE WORLD 1967 01:58:00,282 --> 01:58:02,700 THAT I AM REALLY VICTORIA GRANT, 1968 01:58:02,909 --> 01:58:05,077 WHO MAY ONE DAY BE LUCKY ENOUGH 1969 01:58:05,287 --> 01:58:06,704 TO CELEBRATE HER WOMANHOOD 1970 01:58:06,913 --> 01:58:08,205 AS MRS. KING MARCHAND. 1971 01:58:10,751 --> 01:58:12,001 WELL? 1972 01:58:12,210 --> 01:58:16,213 WELL, WHAT? YOU'VE MADE UP YOUR MIND. 1973 01:58:18,425 --> 01:58:19,800 I WANT YOUR BLESSING. 1974 01:58:21,803 --> 01:58:24,388 CAN I ANSWER THE DOOR FIRST? 1975 01:58:30,854 --> 01:58:32,146 I GOT A PROBLEM. 1976 01:58:32,355 --> 01:58:33,773 WELCOME. 1977 01:58:33,982 --> 01:58:35,232 WHAT'S WRONG, MR. BERNSTEIN? 1978 01:58:35,442 --> 01:58:36,776 KING'S PARTNER SAL ANDRETTI 1979 01:58:36,985 --> 01:58:39,737 SHOWED UP WITH A COUPLE OF HIS TORPEDOES. 1980 01:58:41,198 --> 01:58:43,074 SAL PUT UP THE MONEY FOR THE CLUB, 1981 01:58:43,283 --> 01:58:45,743 BUT, UH, THE MOB DOESN'T CONSIDER HOMOSEXUALITY 1982 01:58:45,952 --> 01:58:47,119 AN ACCEPTABLE LIFE STYLE. 1983 01:58:47,329 --> 01:58:49,330 KILL HIM, BUT MUSTN'T KISS HIM. 1984 01:59:04,096 --> 01:59:05,179 LET'S GO, MR. BERNSTEIN. 1985 01:59:05,388 --> 01:59:07,264 LET'S GO, MR. BERNSTEIN. 1986 01:59:12,479 --> 01:59:18,359 OOOHHHHH... 1987 01:59:20,904 --> 01:59:22,863 YOUR LAWYER LOOKED, SAYS IT'S O.K. 1988 01:59:23,073 --> 01:59:25,783 THAT'S REASSURING. HOW IS MY LAWYER? 1989 01:59:25,992 --> 01:59:27,159 PICTURE OF HEALTH. 1990 01:59:27,369 --> 01:59:30,287 LIPSTICK AND A NIGHTGOWN? 1991 01:59:30,497 --> 01:59:32,957 WHAT, DO YOU TAKE TURNS BEING THE GIRL? 1992 01:59:33,166 --> 01:59:35,835 THAT IS DISGUSTING. 1993 01:59:36,044 --> 01:59:37,795 I KNOW. IT'S AWFUL. 1994 01:59:39,840 --> 01:59:41,799 JESUS, KING. A GUY LIKE YOU? 1995 01:59:42,008 --> 01:59:43,342 WE GREW UP TOGETHER. 1996 01:59:43,552 --> 01:59:45,803 YEAH, THAT PROBABLY HAD SOMETHING TO DO WITH IT. 1997 01:59:51,977 --> 01:59:53,811 COME ON, SAL, YOU KNOW MY HALF 1998 01:59:54,020 --> 01:59:55,688 IS WORTH 10 TIMES THAT MUCH. 1999 01:59:55,897 --> 01:59:58,149 YEAH. SIGN THE PAPER. 2000 02:00:15,000 --> 02:00:16,417 HELLO, DARLING. 2001 02:00:16,626 --> 02:00:17,626 ICK! 2002 02:00:17,836 --> 02:00:18,836 HI, SAL. 2003 02:00:19,045 --> 02:00:21,046 WHO THE HELL ARE YOU? 2004 02:00:21,256 --> 02:00:23,215 JUST REMEMBER YOUR BLOOD PRESSURE, NUMMY. 2005 02:00:23,425 --> 02:00:24,842 THIS IS THE COUNT. 2006 02:00:25,051 --> 02:00:26,218 NUMMY? 2007 02:00:26,428 --> 02:00:28,888 THIS IS MR. TODDY. 2008 02:00:29,097 --> 02:00:30,723 THEY WERE LOVERS BEFORE, UH...AHEM, 2009 02:00:30,932 --> 02:00:31,724 POOKIE SHOWED UP. 2010 02:00:31,933 --> 02:00:32,725 THAT IS DISGUSTING! 2011 02:00:32,934 --> 02:00:33,726 THEY'RE PERVERTED. 2012 02:00:33,935 --> 02:00:35,060 POOKIE? 2013 02:00:35,270 --> 02:00:36,145 CAN I HAVE A WORD WITH YOU, NORMA? 2014 02:00:36,354 --> 02:00:37,188 WHAT'S IT THAT YOU NEED? 2015 02:00:37,397 --> 02:00:38,230 IT'S VERY IMPORTANT. 2016 02:00:38,440 --> 02:00:39,565 GET YOUR MITTS OFF ME! 2017 02:00:39,774 --> 02:00:40,482 IT'S GOING TO CHANGE YOUR WHOLE LIFE. 2018 02:00:40,692 --> 02:00:41,567 SAL! GET THIS--AAH! 2019 02:00:41,776 --> 02:00:43,777 FREEZE. 2020 02:00:48,408 --> 02:00:50,868 WHAT--WHAT'S GOING... WHAT ARE YOU DOING? 2021 02:00:55,040 --> 02:00:56,874 OH, MY GOD. 2022 02:00:58,418 --> 02:00:59,877 WHAT IS HAP... 2023 02:01:00,086 --> 02:01:02,421 WHAT ARE YOU... OH, GOD! 2024 02:01:02,589 --> 02:01:03,881 WHAT IS HAPPENING? 2025 02:01:06,426 --> 02:01:07,551 WAIT! 2026 02:01:11,431 --> 02:01:12,890 Lock the door. 2027 02:01:14,434 --> 02:01:16,310 WHAT'S GOING ON IN THERE? 2028 02:01:16,519 --> 02:01:18,896 YOU KNOW, YOU GUYS ARE IN A LOT OF TROUBLE. 2029 02:01:22,442 --> 02:01:25,319 YOU TWO-TIMING SON OF A BITCH! 2030 02:01:25,528 --> 02:01:27,238 HE'S A WOMAN! 2031 02:01:54,432 --> 02:01:57,351 LABISSE IS ON HIS WAY HERE WITH THE POLICE. 2032 02:01:57,560 --> 02:01:59,478 HE CLAIMS YOU'RE NOT A MAN. 2033 02:01:59,688 --> 02:02:01,397 STAY THERE. 2034 02:02:10,824 --> 02:02:12,241 YES? 2035 02:02:12,450 --> 02:02:13,659 I AM INSPECTOR BERNHEIM. 2036 02:02:13,868 --> 02:02:14,827 YES? 2037 02:02:15,036 --> 02:02:16,245 STAND ASIDE. 2038 02:02:16,454 --> 02:02:18,664 I KNOW ALL ABOUT YOUR COUNT GRAZINSKY, 2039 02:02:18,873 --> 02:02:20,082 AND WHEN THE INSPECTOR 2040 02:02:20,292 --> 02:02:21,667 HAS EXPOSED THE IMPOSTOR-- 2041 02:02:21,876 --> 02:02:23,002 IMPOSTOR? 2042 02:02:23,211 --> 02:02:25,087 YES IMPOSTOR! YOU WILL ALL BE ARRESTED 2043 02:02:25,297 --> 02:02:27,214 FOR PERPETRATING A PUBLIC FRAUD! 2044 02:02:28,842 --> 02:02:30,217 PLEASE, INSPECTOR. 2045 02:02:46,860 --> 02:02:47,693 WELL? 2046 02:02:47,902 --> 02:02:48,861 YOU IDIOT! 2047 02:02:49,070 --> 02:02:49,862 WHAT? 2048 02:02:50,071 --> 02:02:51,113 THAT'S A MAN. 2049 02:02:51,323 --> 02:02:52,781 OH, IT CAN'T BE. 2050 02:02:52,991 --> 02:02:54,199 NO? WELL, WHEN I WALKED IN, THE PERSON IN THAT ROOM 2051 02:02:54,409 --> 02:02:55,868 WAS NAKED FROM THE WAIST DOWN. 2052 02:02:56,036 --> 02:02:58,037 AND IF THAT WAS A WOMAN, THEN SHE WAS WEARING 2053 02:02:58,246 --> 02:03:00,039 THE GREATEST DISGUISE THAT I HAVE EVER SEEN! 2054 02:03:00,248 --> 02:03:02,041 WAIT! THERE IS SOMETHING WRONG! 2055 02:03:02,250 --> 02:03:03,334 IT CAN'T BE! 2056 02:03:03,543 --> 02:03:05,169 I HIRED A PRIVATE DETECTIVE... 2057 02:03:06,713 --> 02:03:08,589 HURRY. 2058 02:03:48,922 --> 02:03:50,464 LADIES AND GENTLEMEN, 2059 02:03:50,673 --> 02:03:53,425 ONCE AGAIN, THE NIGHT CLUB IS PROUD TO PRESENT 2060 02:03:53,635 --> 02:03:57,054 THE ONE, THE ONLY... VICTORIA! 2061 02:04:31,256 --> 02:04:34,049 ♪♪ LA-HA LA LA LA LA LA ♪♪ 2062 02:04:34,259 --> 02:04:37,553 ♪♪ LA LA LA ♪♪ 2063 02:04:40,765 --> 02:04:41,974 ♪♪ LA-HA-HA-HA ♪♪ 2064 02:04:42,183 --> 02:04:44,059 ♪♪ LA-HA-HA-HA-HA ♪♪ 2065 02:04:44,269 --> 02:04:45,727 ♪♪ LA-HA-HA-HA ♪♪ 2066 02:04:45,937 --> 02:04:48,313 ♪♪ LA LA LA LA ♪♪ 2067 02:04:48,523 --> 02:04:50,774 ♪♪ LA LA LA LA LA LA LA LA ♪♪ 2068 02:04:50,984 --> 02:04:51,775 OOH. 2069 02:04:51,985 --> 02:04:52,985 ♪♪ LA ♪♪ 2070 02:04:53,194 --> 02:04:55,779 ♪♪ LA-HA-HA ♪♪ 2071 02:05:00,827 --> 02:05:04,037 ♪♪ THERE WAS ONCE A SHADY DAME FROM SEVILLE ♪♪ 2072 02:05:06,082 --> 02:05:09,293 ♪♪ USED TO WANDER ROUND THE TOWN DRESSED TO KILL ♪♪ 2073 02:05:09,502 --> 02:05:13,005 ♪♪ AND MEN, IF THEY DARED, STOOD AND STARED ♪♪ 2074 02:05:13,214 --> 02:05:15,257 ♪♪ WHEN SHE PASSED THEIR WAY ♪♪ 2075 02:05:15,467 --> 02:05:17,509 ♪♪ THE LADY KNOCKED THEM OUT ♪♪ 2076 02:05:17,719 --> 02:05:18,927 ♪♪ THERE'S NO DOUBT ♪♪ 2077 02:05:19,137 --> 02:05:21,096 ♪♪ 'CAUSE THEY'D SHOUT ♪♪ 2078 02:05:21,306 --> 02:05:23,140 ♪♪ OLE!♪♪ 2079 02:05:23,349 --> 02:05:24,141 OH, MERDE. 2080 02:05:24,350 --> 02:05:26,059 ♪♪ ALL DAY ♪♪ 2081 02:05:29,689 --> 02:05:32,983 ♪♪ SEVILLE ISN'T THAT MUCH TO SHOUT ABOUT ♪♪ 2082 02:05:33,193 --> 02:05:35,527 ♪♪ BUT WHEN SHE WAS OUT ♪♪ 2083 02:05:35,737 --> 02:05:37,863 ♪♪ TRAFFIC STOOD STILL ♪♪ 2084 02:05:38,072 --> 02:05:39,364 BY GOD, YOU DID IT. 2085 02:05:39,532 --> 02:05:41,783 ♪♪ DRESSED LIKE A VAMP ♪♪ 2086 02:05:41,993 --> 02:05:43,869 ♪♪ OR A PAMPLONA TRAMP ♪♪ 2087 02:05:44,078 --> 02:05:45,329 AH! 2088 02:05:46,998 --> 02:05:48,332 ♪♪ AT WILL... ♪♪ 2089 02:06:06,726 --> 02:06:10,103 MONSIEUR LABISSE, MY BILL. 2090 02:06:39,342 --> 02:06:41,051 WHERE THE HELL AM I? 2091 02:06:51,563 --> 02:06:53,730 OH, YOU BASTARD! 2092 02:07:03,283 --> 02:07:07,995 ♪♪ THE REST OF THE TALE'S NOT A PRETTY ONE ♪♪ 2093 02:07:08,204 --> 02:07:11,832 ♪♪ PITY ONE ISN'T FOR SALE ♪♪ 2094 02:07:13,418 --> 02:07:17,170 ♪♪ ONLY TWO EARS AND A TAIL ♪♪ 2095 02:07:17,380 --> 02:07:21,925 ♪♪ DID THEY FIND BY THE BLIND ON HER SILL ♪♪ 2096 02:07:23,136 --> 02:07:26,763 ♪♪ NO ONE KNOWS WHAT BECAME ♪♪ 2097 02:07:28,474 --> 02:07:31,351 ♪♪ OF THE SHADY ♪♪ 2098 02:07:31,561 --> 02:07:33,353 ♪♪ DAME ♪♪ 2099 02:07:35,106 --> 02:07:37,524 OH, YES... 2100 02:07:37,734 --> 02:07:39,443 SOME HIT SHOW! 2101 02:07:43,656 --> 02:07:46,575 ♪♪ HA-HA-HA HA-HA-HA ♪♪ 2102 02:07:46,784 --> 02:07:48,744 IS THAT IT? 2103 02:07:48,953 --> 02:07:50,495 ♪♪ LA-HA-HA-HA-HA ♪♪ 2104 02:07:50,705 --> 02:07:53,332 ♪♪ AH-HA-HA-HA ♪♪ 2105 02:07:53,541 --> 02:07:55,334 ♪♪ LA-HA-HA-HA-HA-HA ♪♪ 2106 02:07:55,543 --> 02:07:57,753 ♪♪ AH-HA-HA-HA-HA-HA-HA ♪♪ 2107 02:07:57,962 --> 02:08:00,130 ♪♪ HA-HA-HA ♪♪ 2108 02:08:00,340 --> 02:08:01,757 ♪♪ EEE ♪♪ 2109 02:08:01,966 --> 02:08:05,469 ♪♪ EEE ♪♪ 2110 02:08:07,597 --> 02:08:11,224 ♪♪ LO-HO-HO-HO-HO HO-HO-HO-HO ♪♪ 2111 02:08:13,144 --> 02:08:16,146 ♪♪ THE SHADY DAAA... ♪♪ 2112 02:08:16,356 --> 02:08:18,774 ♪♪ AY-AY-AY-AY-AY ♪♪ 2113 02:08:23,863 --> 02:08:25,155 YOU BITCHES. 2114 02:08:28,326 --> 02:08:31,912 ♪♪ A-A-A-A-A-AME ♪♪ 2115 02:08:32,121 --> 02:08:35,332 ♪♪ FROM SEV-- ♪♪ 2116 02:08:42,548 --> 02:08:44,466 ¡OLE! OLE! 2117 02:08:56,396 --> 02:08:59,356 BRAVO! 2118 02:08:59,565 --> 02:09:02,025 HA HA HA! 2119 02:09:05,738 --> 02:09:08,699 BRAVO! 2120 02:09:14,330 --> 02:09:15,455 BRAVO! 2121 02:09:22,088 --> 02:09:24,214 YOU WERE MARVELOUS... 2122 02:09:24,424 --> 02:09:27,300 AND I NEVER WANT TO SEE ANY OF YOU AGAIN. 2123 02:09:28,344 --> 02:09:29,886 AAH! 2124 02:09:30,096 --> 02:09:31,930 I MIGHT AS WELL. 2125 02:09:32,140 --> 02:09:34,891 THEY'RE THE LAST ROSES I'LL EVER SEE. 2126 02:09:38,938 --> 02:09:40,856 VOUS. 131387