All language subtitles for Dynasty 1981 S01E13 The Separation 1080p CW WEB-DL AAC2 0 H 264-CRUD_track3_[eng]

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These are the user uploaded subtitles that are being translated: 1 00:02:05,670 --> 00:02:07,620 >> Fallon: AREN'T YOU GOING TO 2 00:02:07,620 --> 00:02:08,460 WORK TODAY? 3 00:02:08,460 --> 00:02:10,040 >> Jeff: WHY SHOULD I? 4 00:02:10,040 --> 00:02:12,420 EVERYBODY SEES ME AS A LOUNGE LIZARD. 5 00:02:12,420 --> 00:02:13,540 WELL, TERRIFIC. 6 00:02:13,540 --> 00:02:15,250 I'LL LOUNGE AWHILE MORE. 7 00:02:15,250 --> 00:02:17,420 AND THEN I THINK I'LL GO SHOPPING. 8 00:02:17,420 --> 00:02:19,120 YEAH, THAT'S WHAT I'LL DO. 9 00:02:19,120 --> 00:02:22,000 I'LL SEND THE BILL TO BLAKE CARRINGTON. 10 00:02:22,000 --> 00:02:23,250 OR MAYBE TO YOU. 11 00:02:23,250 --> 00:02:24,750 I'VE GOT THE NAME. 12 00:02:24,750 --> 00:02:27,880 I MIGHT AS WELL ENJOY THE GAME, HUH? 13 00:02:27,880 --> 00:02:30,000 >> Fallon: MY CAR'S IN THE REPAIR SHOP. 14 00:02:30,000 --> 00:02:30,880 >> Jeff: AGAIN? 15 00:02:30,880 --> 00:02:31,830 >> Fallon: AGAIN. 16 00:02:31,830 --> 00:02:33,210 I'M EXPECTED AT THE PATRICKS. 17 00:02:33,210 --> 00:02:36,330 I'D APPRECIATE YOU GETTING YOUR ACT TOGETHER, GETTING SHAVED, 18 00:02:36,330 --> 00:02:38,380 GETTING DRESSED, AND DROPPING ME OFF. 19 00:02:38,380 --> 00:02:40,040 >> Jeff: LET MICHAEL TAKE YOU. 20 00:02:40,040 --> 00:02:41,250 >> Fallon: MICHAEL'S BUSY. 21 00:02:41,250 --> 00:02:47,120 >> Jeff: BORROW KRYSTLE'S CAR. 22 00:02:47,120 --> 00:02:49,830 WELL, WHAT HAPPENED TO THE DENVER TAXI FLEET? 23 00:02:49,830 --> 00:02:52,250 ARE NONE OF THE DRIVERS CUTE ENOUGH FOR YOU? 24 00:02:52,250 --> 00:02:53,250 >> Fallon: CUTE. 25 00:02:53,250 --> 00:02:56,580 YOU'RE THE ONE WHO'S SO DAMN CUTE, JEFF -- THE OTHER NIGHT. 26 00:02:56,580 --> 00:02:57,880 >> Jeff: AH, AT LAST. 27 00:02:57,880 --> 00:02:58,880 THE OTHER NIGHT. 28 00:02:58,880 --> 00:03:02,580 >> Fallon: YEAH, YOU WERE JUST ABOUT AS CUTE AS YOU COULD BE, 29 00:03:02,580 --> 00:03:03,460 WEREN'T YOU? 30 00:03:03,460 --> 00:03:04,790 YOU EMBARRASSED ME. 31 00:03:04,790 --> 00:03:06,330 YOU EMBARRASSED MY FATHER. 32 00:03:06,330 --> 00:03:08,170 YOU EMBARRASSED YOUR UNCLE. 33 00:03:08,170 --> 00:03:09,920 MESSING AROUND WITH HIS DATE. 34 00:03:09,920 --> 00:03:11,380 THAT'S NOT LIKE YOU, JEFF. 35 00:03:11,380 --> 00:03:13,750 YOU KNOW, HE REALLY LIKED THAT GIRL. 36 00:03:13,750 --> 00:03:16,960 DID YOU GET THAT MUCH SATISFACTION IN HURTING HIM LIKE 37 00:03:16,960 --> 00:03:17,420 THAT? 38 00:03:17,420 --> 00:03:18,880 >> Jeff: DID I REALLY? 39 00:03:18,880 --> 00:03:22,210 WELL, THAT WAS PROBABLY THE FIRST TIME IN 40 YEARS ANYONE'S 40 00:03:22,210 --> 00:03:23,330 MANAGED THAT. 41 00:03:23,330 --> 00:03:24,290 AND YOU KNOW WHAT? 42 00:03:24,290 --> 00:03:25,580 I'M GLAD IT WAS ME. 43 00:03:25,580 --> 00:03:28,880 WELL, I ALWAYS WAS A LATE BLOOMER. 44 00:03:28,880 --> 00:03:30,290 BUT I'M TRYING. 45 00:03:30,290 --> 00:03:31,460 >> Fallon: OKAY. 46 00:03:31,460 --> 00:03:32,920 YOU MADE YOUR POINT. 47 00:03:32,920 --> 00:03:35,920 YOU SHOWED EVERYBODY WHAT A TOUGH GUY YOU ARE. 48 00:03:35,920 --> 00:03:39,420 NOW, WHY DON'T YOU DROP THE BOGART ACT AND GET YOUR CLOTHES 49 00:03:39,420 --> 00:03:40,080 ON? 50 00:03:40,080 --> 00:03:41,250 I MARRIED YOU, DIDN'T I? 51 00:03:41,250 --> 00:03:47,290 THAT'S WHAT YOU WANTED, ISN'T IT? 52 00:03:47,290 --> 00:03:49,540 LOOK, YOU KNEW WHAT YOU WERE GETTING INTO. 53 00:03:49,540 --> 00:03:53,500 NOBODY KEPT ANY SECRETS FROM YOU. 54 00:03:53,500 --> 00:03:57,460 >> Jeff: YOU'RE STANDING IN MY SUN. 55 00:03:57,460 --> 00:04:01,170 ONE THING ABOUT US LIZARDS -- WE LIKE THE SUN...AND QUIET. 56 00:04:01,170 --> 00:04:04,210 WE'RE LIKE THOSE IGUANAS DOWN IN THE GALáPAGOS. 57 00:04:04,210 --> 00:04:07,790 GIVE US A CLEAR SKY, THE SOUND OF THE WIND, A LITTLE KELP TO 58 00:04:07,790 --> 00:04:09,420 NIBBLE ON, AND WE'RE HAPPY. 59 00:04:09,420 --> 00:04:11,250 WHAT WE DON'T LIKE ARE SHRIKES. 60 00:04:11,250 --> 00:04:13,000 YOU KNOW WHAT SHRIKES ARE? 61 00:04:13,000 --> 00:04:14,380 >> Fallon: LET GO OF ME. 62 00:04:14,380 --> 00:04:17,330 >> Jeff: THEY'RE LITTLE PRETTY BIRDS WHO DEVOUR. 63 00:04:17,330 --> 00:04:20,210 THEY SWOOP DOWN AND DEVOUR EVERYTHING THEY CAN. 64 00:04:20,210 --> 00:04:22,750 EVERYTHING...INCLUDING THEIR HUSBANDS. 65 00:04:22,750 --> 00:04:26,460 AND IF THEY HAPPEN TO HAVE BEEN PERVERSE ENOUGH TO HAVE MARRIED 66 00:04:26,460 --> 00:04:32,920 AN IGUANA, WELL, THEY TRY TO DEVOUR THE IGUANA. 67 00:04:32,920 --> 00:04:34,500 >> Fallon: JEFF, DON'T YOU DARE! 68 00:04:34,500 --> 00:04:37,380 AAH! 69 00:04:37,380 --> 00:04:43,000 YOU COME BACK HERE! 70 00:04:43,000 --> 00:04:46,170 YOU'RE GONNA BE SORRY FOR THIS! 71 00:04:54,250 --> 00:04:56,710 >> Claudia: I THOUGHT I WAS BEING STOOD UP. 72 00:04:56,710 --> 00:04:59,210 >> Steven: WOULD YOU HAVE BEEN DISAPPOINTED? 73 00:04:59,210 --> 00:05:02,880 >> Claudia: WELL, I WAS ALMOST HOPING THAT YOU WOULDN'T SHOW. 74 00:05:02,880 --> 00:05:05,380 >> Steven: WOULD YOU RATHER I WENT BACK? 75 00:05:05,380 --> 00:05:08,830 >> Claudia: NO, I WOULD NOT. 76 00:05:08,830 --> 00:05:09,330 THANKS. 77 00:05:09,330 --> 00:05:11,420 THE MAîTRE D' WAS VERY CONCERNED. 78 00:05:11,420 --> 00:05:14,750 HE SAID, "ARE YOU SURE THAT MR. CARRINGTON HAD A LUNCHEON 79 00:05:14,750 --> 00:05:19,710 RESERVATION?" HERE. 80 00:05:19,710 --> 00:05:20,830 IT CAME IN. 81 00:05:20,830 --> 00:05:29,290 "GEOPHYSIC'S POTENTIAL AND PROJECTION FOR THE '80s." 82 00:05:29,290 --> 00:05:33,420 AREN'T YOU GOING TO OPEN IT? 83 00:05:33,420 --> 00:05:38,960 STEVEN, WHAT'S WRONG? 84 00:05:38,960 --> 00:05:41,960 >> Steven: I WAS WITH TED LAST NIGHT. 85 00:05:41,960 --> 00:05:45,040 HE CAME IN FROM NEW YORK UNEXPECTEDLY. 86 00:05:45,040 --> 00:05:48,500 I-I MEAN, I DIDN'T EVEN KNOW HE WAS COMING IN. 87 00:05:48,500 --> 00:05:50,710 WE SPENT THE NIGHT TOGETHER. 88 00:05:50,710 --> 00:05:54,620 IT WASN'T SOMETHING THAT I WANTED TO HAPPEN. 89 00:05:54,620 --> 00:05:56,420 IT JUST HAPPENED. 90 00:05:56,420 --> 00:05:58,290 HE WAS SITTING THERE... 91 00:05:58,290 --> 00:06:02,420 TALKING ABOUT THE OLD DAYS. 92 00:06:09,920 --> 00:06:13,880 PLEASE DON'T GO. 93 00:06:13,880 --> 00:06:15,210 >> Claudia: WHY NOT? 94 00:06:15,210 --> 00:06:17,460 >> Steven: 'CAUSE I DON'T WANT YOU TO. 95 00:06:17,460 --> 00:06:19,420 >> Claudia: IS HE STILL HERE? 96 00:06:19,420 --> 00:06:20,420 >> Steven: YES. 97 00:06:20,420 --> 00:06:23,500 >> Claudia: WHY SHOULD I STAY? 98 00:06:23,500 --> 00:06:26,500 >> Steven: BECAUSE I'VE GOT TO EXPLAIN THIS TO YOU. 99 00:06:26,500 --> 00:06:27,920 >> Claudia: BUT HOW CAN YOU? 100 00:06:27,920 --> 00:06:30,500 I MEAN, CAN YOU EVEN EXPLAIN IT TO YOURSELF? 101 00:06:30,500 --> 00:06:32,040 BECAUSE I DON'T UNDERSTAND IT. 102 00:06:32,040 --> 00:06:35,670 >> Steven: YOU'VE GOT TO KNOW THAT THINGS AREN'T THAT 103 00:06:35,670 --> 00:06:37,170 CLEAR-CUT IN LIFE. 104 00:06:37,170 --> 00:06:38,290 YOU LOVE MATTHEW. 105 00:06:38,290 --> 00:06:39,330 YOU LOVE ME. 106 00:06:39,330 --> 00:06:41,540 I LOVE YOU. 107 00:06:41,540 --> 00:06:53,500 AND I SPENT THE NIGHT WITH SOMEBODY WHO IS VERY... 108 00:06:53,500 --> 00:06:55,420 CLAUDIA, I'M FIGHTING, TOO. 109 00:06:55,420 --> 00:07:03,960 IT'S NOT THAT EASY FOR ME WHERE I AM RIGHT NOW EITHER. 110 00:07:03,960 --> 00:07:06,420 WHEN WILL I SEE YOU AGAIN? 111 00:07:06,420 --> 00:07:09,170 >> Claudia: I DON'T KNOW. 112 00:07:15,830 --> 00:07:32,380 >> Steven: 113 00:07:32,380 --> 00:07:35,250 >> Matthew: BOBBY, HAND ME THOSE 114 00:07:41,540 --> 00:07:43,250 CHANNEL LOCKS, WILL YOU? 115 00:07:43,250 --> 00:07:45,710 WHAT THE HELL'S THE MATTER WITH YOU? 116 00:07:45,710 --> 00:07:50,830 I SAID THE CHANNEL LOCKS, NOT -- >> Claudia: CAN I TRY AGAIN? 117 00:07:50,830 --> 00:07:53,330 >> Matthew: WHAT ARE YOU DOING OUT HERE? 118 00:07:53,330 --> 00:07:56,420 >> Claudia: I JUST NEEDED TO SEE YOU, THAT'S ALL. 119 00:07:56,420 --> 00:07:59,420 >> Matthew: YOU DROVE ALL THE WAY OUT HERE JUST TO SEE YOUR 120 00:07:59,420 --> 00:08:00,880 OLD MAN COVERED IN GREASE? 121 00:08:00,880 --> 00:08:04,380 >> Claudia: MM-HMM. 122 00:08:04,380 --> 00:08:08,420 >> Matthew: HEY. 123 00:08:08,420 --> 00:08:11,500 YOU'RE GONNA GET THIS STUFF ALL OVER YOU. 124 00:08:11,500 --> 00:08:13,540 >> Claudia: I DON'T CARE. 125 00:08:13,540 --> 00:08:20,420 I JUST NEED TO BE CLOSE TO YOU. 126 00:08:20,420 --> 00:08:24,080 >> Matthew: WANT TO GO FOR A WALK? 127 00:08:24,080 --> 00:08:25,960 >> Claudia: HMM. 128 00:08:35,380 --> 00:08:40,120 >> Matthew: ARE YOU GONNA TELL ME WHAT'S ON YOUR MIND OR DO I 129 00:08:40,120 --> 00:08:44,920 HAVE TO TAKE YOU UP TO THAT RIG AND HOLD YOU UPSIDE DOWN BY YOUR 130 00:08:44,920 --> 00:08:46,960 PRETTY ANKLES TILL YOU DO? 131 00:08:46,960 --> 00:08:52,380 >> Claudia: MATTHEW...DO YOU THINK WE CAN GO SOMEPLACE? 132 00:08:52,380 --> 00:08:53,330 >> Matthew: TONIGHT? 133 00:08:53,330 --> 00:08:54,040 >> Claudia: NO. 134 00:08:54,040 --> 00:08:57,380 THAT'S NOT WHAT I MEAN. 135 00:08:57,380 --> 00:09:02,170 >> Matthew: WELL, YOU WANT TO GO UP TO THE LAKE THIS WEEKEND? 136 00:09:02,170 --> 00:09:05,500 >> Claudia: I WANT TO GO SOMEWHERE FAR AWAY FROM HERE -- 137 00:09:05,500 --> 00:09:07,580 JUST YOU AND ME AND LINDSAY. 138 00:09:07,580 --> 00:09:08,540 FAR AWAY. 139 00:09:08,540 --> 00:09:14,460 I JUST WANT TO MAKE A FRESH START. 140 00:09:14,460 --> 00:09:16,960 >> Matthew: CLAUDIA... 141 00:09:16,960 --> 00:09:21,960 LOOK AROUND YOU HERE. 142 00:09:21,960 --> 00:09:27,120 THIS...THIS IS THE FRESH START. 143 00:09:27,120 --> 00:09:29,960 >> Claudia: NOT FOR ME. 144 00:09:33,790 --> 00:09:37,920 >> Matthew: WELL, THIS IS WHAT I CAME BACK HOME FOR. 145 00:09:37,920 --> 00:09:44,460 TO BUILD SOMETHING FOR US -- YOU, ME, LINDSAY. 146 00:09:44,460 --> 00:09:47,460 NOW IT'S -- IT'S BEGINNING TO WORK. 147 00:09:47,460 --> 00:09:51,290 I MEAN, WE JUST CAN'T WALK AWAY FROM THAT. 148 00:09:51,290 --> 00:09:56,120 >> Claudia: WHAT IF I SAID IT WAS REALLY IMPORTANT FOR ME? 149 00:09:56,120 --> 00:10:00,540 WHAT WOULD YOU DO? 150 00:10:00,540 --> 00:10:02,620 >> Matthew: CLAUDIA... 151 00:10:02,620 --> 00:10:06,080 WHAT ARE YOU TRYING TO RUN AWAY FROM? 152 00:10:06,080 --> 00:10:10,170 I MEAN... 153 00:10:10,170 --> 00:10:15,880 THE LAST TIME I WENT THROUGH THIS IT WAS, UH, DEMONS AND BATS 154 00:10:15,880 --> 00:10:20,540 AND PEOPLE LISTENING IN ON YOUR CONVERSATIONS. 155 00:10:20,540 --> 00:10:22,420 >> Claudia: I'M NOT GETTING SICK AGAIN. 156 00:10:22,420 --> 00:10:23,170 I'M REALLY NOT. 157 00:10:23,170 --> 00:10:25,120 THAT'S NOT WHAT YOU HAVE TO WORRY ABOUT. 158 00:10:25,120 --> 00:10:27,920 >> Matthew: WELL, THEN, I HAVE TO ANSWER NO BECAUSE YOU'RE NOT 159 00:10:27,920 --> 00:10:28,750 MAKING ANY SENSE. 160 00:10:28,750 --> 00:10:31,210 >> Claudia: ISN'T IT ENOUGH THAT I JUST ASKED YOU? 161 00:10:31,210 --> 00:10:37,290 I MEAN, ISN'T THAT ENOUGH, MATTHEW? 162 00:10:37,290 --> 00:10:39,080 IT'S NOT, IS IT? 163 00:10:39,080 --> 00:10:42,250 I CAN SEE THAT IT'S NOT ENOUGH. 164 00:10:42,250 --> 00:10:46,830 >> Matthew: CLAUDIA... 165 00:10:46,830 --> 00:10:49,880 YOU CAME OUT HERE TO TELL ME SOMETHING, AND NOW YOU'RE 166 00:10:49,880 --> 00:10:53,460 HOLDING BACK. 167 00:10:53,460 --> 00:10:54,540 >> Claudia: I'LL BE ALL RIGHT. 168 00:10:54,540 --> 00:10:55,120 DON'T WORRY. 169 00:10:55,120 --> 00:10:57,000 I'LL BE FINE. 170 00:11:06,500 --> 00:11:09,620 >> Blake: THIS IS OUR FIRST 171 00:11:57,710 --> 00:11:58,420 STOP. 172 00:11:58,420 --> 00:11:59,880 >> Krystle: I'LL WAIT IN THE CAR. 173 00:11:59,880 --> 00:12:01,170 >> Blake: NO, NO, NO. PLEASE. 174 00:12:01,170 --> 00:12:03,120 COME WITH ME. 175 00:12:14,540 --> 00:12:42,670 >> Channing: EVALUATION AS USUAL. 176 00:12:42,670 --> 00:12:45,210 MM-HMM. 177 00:12:45,210 --> 00:12:48,750 YOU SAID YOU PAID $60,000 FOR THIS, MR. CARRINGTON? 178 00:12:48,750 --> 00:12:50,710 >> Blake: YES, THAT'S RIGHT. 179 00:12:50,710 --> 00:12:52,830 >> Channing: MAY I ASK WHERE? 180 00:12:52,830 --> 00:12:54,540 >> Blake: AT BOVET'S. 181 00:12:54,540 --> 00:12:56,500 >> Channing: OH, YES. 182 00:12:56,500 --> 00:12:58,170 GOD REST HIS SOUL. 183 00:12:58,170 --> 00:12:59,960 AH. SAD, WASN'T IT? 184 00:12:59,960 --> 00:13:01,500 >> Blake: YES. 185 00:13:01,500 --> 00:13:03,540 YES, VERY SAD INDEED. 186 00:13:03,540 --> 00:13:04,880 >> Channing: HMM. 187 00:13:04,880 --> 00:13:09,710 WELL, NOW, YOU GOT YOURSELF QUITE A BARGAIN WITH HIM, DIDN'T 188 00:13:09,710 --> 00:13:10,210 YOU? 189 00:13:10,210 --> 00:13:11,620 >> Blake: DID I? 190 00:13:11,620 --> 00:13:13,580 >> Channing: OH, YES. INDEED. 191 00:13:13,580 --> 00:13:16,960 I MUST TELL YOU AS AN HONEST MAN. 192 00:13:16,960 --> 00:13:25,710 YOU SEE, I'VE BUILT MY REPUTATION ON HONESTY, HONESTY. 193 00:13:25,710 --> 00:13:28,540 >> Blake: WELL, MR. CHANNING, HOW MUCH WOULD YOU SAY THAT WAS 194 00:13:28,540 --> 00:13:29,000 WORTH? 195 00:13:29,000 --> 00:13:30,960 >> Channing: RIGHT NOW AS WE SPEAK... 196 00:13:30,960 --> 00:13:35,380 $70,000. 197 00:13:35,380 --> 00:13:37,960 >> Blake: $70,000. 198 00:13:37,960 --> 00:13:39,000 HMM. 199 00:13:39,000 --> 00:13:40,710 >> Krystle: ARE YOU SURE? 200 00:13:40,710 --> 00:13:44,040 >> Channing: WELL, THESE ARE VERY FINE STONES. 201 00:13:44,040 --> 00:13:48,750 PERFECTLY CUT. 202 00:13:48,750 --> 00:13:51,120 >> Krystle: BUT ARE YOU SURE? 203 00:13:51,120 --> 00:13:53,330 >> Channing: OH, THE PRICE. 204 00:13:53,330 --> 00:13:57,710 WELL, IT MAY BE WORTH MORE TO SOME, BUT I HAVE TO LEAVE A 205 00:13:57,710 --> 00:14:00,750 MARGIN FOR PROFIT, YOU UNDERSTAND. 206 00:14:00,750 --> 00:14:03,710 >> Krystle: I DIDN'T MEAN THAT. 207 00:14:03,710 --> 00:14:04,500 >> Blake: OH? 208 00:14:04,500 --> 00:14:07,330 WHAT DID YOU MEAN, DARLING? 209 00:14:25,380 --> 00:14:27,960 >> Krystle: NOTHING. 210 00:14:34,920 --> 00:14:39,000 >> Channing: MAY I ASK MY CASHIER TO MAKE OUT A CHECK TO 211 00:14:39,000 --> 00:14:39,710 YOU? 212 00:14:39,710 --> 00:14:40,620 >> Blake: NO. 213 00:14:40,620 --> 00:14:45,460 MR. CHANNING, MY WIFE APPEARS TO BE MORE PARTIAL TO THAT NECKLACE 214 00:14:45,460 --> 00:14:48,460 THAN I ORIGINALLY THOUGHT SHE MIGHT BE. 215 00:14:48,460 --> 00:14:50,790 I BELIEVE WE'LL KEEP IT. 216 00:14:50,790 --> 00:15:47,250 THANK YOU VERY MUCH, THOUGH, FOR YOUR TROUBLE. 217 00:15:47,250 --> 00:15:48,920 >> Blake: YOU'RE PERSPIRING. 218 00:15:48,920 --> 00:15:51,330 >> Krystle: I DON'T FEEL VERY WELL. 219 00:15:51,330 --> 00:15:54,920 >> Blake: YOU'RE TIGHT AS A DRUM. 220 00:15:54,920 --> 00:16:01,000 >> Mrs. Gunnerson: 221 00:16:01,000 --> 00:16:02,420 MR. CARRINGTON. 222 00:16:02,420 --> 00:16:03,830 MRS. CARRINGTON. 223 00:16:03,830 --> 00:16:06,250 >> Blake: JOSEPH, WOULD YOU HAVE A COUPLE OF BRANDIES SENT TO THE 224 00:16:06,250 --> 00:16:06,920 LIBRARY, PLEASE? 225 00:16:06,920 --> 00:16:08,670 >> Joseph: OF COURSE, MR. CARRINGTON. 226 00:16:08,670 --> 00:16:11,210 MRS. GUNNERSON. 227 00:16:23,120 --> 00:16:28,830 >> Blake: FEELING BETTER? 228 00:16:28,830 --> 00:16:31,500 WHAT IS IT, KRYSTLE? 229 00:16:36,920 --> 00:16:44,830 >> Krystle: YOU SET THE WHOLE THING UP, DIDN'T YOU? 230 00:16:44,830 --> 00:16:48,960 YOU'VE KNOWN ABOUT IT ALL ALONG. 231 00:16:48,960 --> 00:16:54,170 THE NECKLACE, THE MONEY. 232 00:16:54,170 --> 00:16:57,500 YOU BOUGHT THE REAL NECKLACE BACK FROM MR. VOLKERT. 233 00:16:57,500 --> 00:17:01,250 AND THEN YOU MADE ME GO THROUGH THE CHARADE OF TRYING TO SELL 234 00:17:01,250 --> 00:17:05,880 IT. 235 00:17:05,880 --> 00:17:08,670 WHY'D YOU DO IT, BLAKE? 236 00:17:08,670 --> 00:17:10,420 TO PUNISH ME? 237 00:17:10,420 --> 00:17:14,830 >> Blake: WELL, IT'S ALL OVER. 238 00:17:14,830 --> 00:17:17,170 I BELIEVE YOU'VE LEARNED YOUR LESSON. 239 00:17:17,170 --> 00:17:18,380 WE CAN LET IT PASS. 240 00:17:18,380 --> 00:17:20,880 >> Krystle: WHAT LESSON, FOR GOD'S SAKE? 241 00:17:20,880 --> 00:17:22,880 YOU MAY THINK I DID SOMETHING WRONG. 242 00:17:22,880 --> 00:17:23,670 I DON'T. 243 00:17:23,670 --> 00:17:24,620 >> Blake: OH? 244 00:17:24,620 --> 00:17:28,500 PERHAPS YOU'D LIKE ME TO BELIEVE THAT MATTHEW BLAISDEL SHOULD BE 245 00:17:28,500 --> 00:17:32,120 SOME SORT OF CHARITY OF MINE, THAT HE LIES SOMEWHERE BETWEEN 246 00:17:32,120 --> 00:17:33,830 THE RED CROSS AND BOYS TOWN. 247 00:17:33,830 --> 00:17:36,960 >> Krystle: WHAT IS THIS OBSESSION YOU HAVE WITH 248 00:17:36,960 --> 00:17:39,000 DESTROYING MATTHEW BLAISDEL? 249 00:17:39,000 --> 00:17:41,170 >> Blake: I SAID THAT IT WAS OVER. 250 00:17:41,170 --> 00:17:42,080 LET IT PASS. 251 00:17:42,080 --> 00:17:43,960 >> Krystle: IT'S NOT OVER. 252 00:17:43,960 --> 00:17:47,750 IT WON'T BE OVER UNTIL I SIGN SOME KIND OF AFFIDAVIT SAYING I 253 00:17:47,750 --> 00:17:50,880 AM NOT SLEEPING WITH MATTHEW BEHIND YOUR BACK... 254 00:17:50,880 --> 00:17:55,120 UNTIL I AGREE TO BE LOCKED AWAY IN THIS CASTLE LIKE RAPUNZEL -- 255 00:17:55,120 --> 00:17:59,710 TALK TO NO ONE, SEE NO ONE, AND ONLY COME OUT WHEN YOU CHOOSE TO 256 00:17:59,710 --> 00:18:03,460 DISPLAY ME ON BANK HOLIDAYS AND ST. VALENTINE'S DAY. 257 00:18:03,460 --> 00:18:06,380 >> Joseph: EXCUSE ME. 258 00:18:06,380 --> 00:18:07,750 MR. CARRINGTON? 259 00:18:07,750 --> 00:18:08,790 >> Blake: YES. 260 00:18:08,790 --> 00:18:10,500 WHAT IS IT, JOSEPH? 261 00:18:10,500 --> 00:18:12,960 >> Joseph: YOU WANTED ME TO REMIND YOU MICHAEL IS WAITING TO 262 00:18:12,960 --> 00:18:15,500 DRIVE YOU BACK INTO TOWN, AND I KNOW YOU WANTED TO TAKE THIS 263 00:18:15,500 --> 00:18:16,040 WITH YOU. 264 00:18:16,040 --> 00:18:16,920 >> Blake: YES. 265 00:18:16,920 --> 00:18:21,000 I'D FORGOTTEN. 266 00:18:21,000 --> 00:18:23,880 THANK YOU. 267 00:18:23,880 --> 00:18:32,330 WE, UH, WE CAN DISCUSS THIS LATER. 268 00:18:32,330 --> 00:18:38,040 >> Joseph: YOU HAVEN'T FINISHED 269 00:18:38,040 --> 00:18:39,750 YOUR DRINK, MRS. CARRINGTON. 270 00:18:39,750 --> 00:18:42,380 >> Krystle: I DON'T WANT IT, THANK YOU. 271 00:18:42,380 --> 00:18:43,960 YOU CAN TAKE IT AWAY. 272 00:18:43,960 --> 00:18:45,540 >> Joseph: WHAT WAS THAT? 273 00:18:45,540 --> 00:18:48,380 >> Krystle: I SAID YOU COULD TAKE IT AWAY. 274 00:18:48,380 --> 00:18:50,330 OR YOU CAN HAVE IT TAKEN AWAY. 275 00:18:50,330 --> 00:18:53,960 I KEEP FORGETTING YOU'RE NOT A SERVANT, BUT THE MAJORDOMO 276 00:18:53,960 --> 00:18:54,920 AROUND HERE. 277 00:18:54,920 --> 00:18:58,420 >> Joseph: MRS. CARRINGTON, I DON'T LIKE YOUR TONE OF VOICE, 278 00:18:58,420 --> 00:19:02,040 AND I DON'T THINK THAT YOU'RE IN ANY POSITION TO SPEAK TO ME THAT 279 00:19:02,040 --> 00:19:03,330 WAY. 280 00:19:03,330 --> 00:19:05,580 >> Krystle: WHAT DO YOU MEAN BY THAT? 281 00:19:05,580 --> 00:19:07,290 >> Joseph: YOU KNOW WHAT I MEAN. 282 00:19:07,290 --> 00:19:09,920 I BELONG HERE. 283 00:19:09,920 --> 00:19:10,960 YOU DON'T. 284 00:19:10,960 --> 00:19:15,250 >> Krystle: WOULD YOU LIKE ME TO TELL MR. CARRINGTON YOU SAID 285 00:19:15,250 --> 00:19:16,040 THAT? 286 00:19:16,040 --> 00:19:18,620 >> Joseph: WELL, I DON'T THINK MR. CARRINGTON'S ALL THAT 287 00:19:18,620 --> 00:19:19,960 PLEASED WITH YOU AT THE MOMENT. 288 00:19:19,960 --> 00:19:22,290 NO, I DON'T THINK THAT YOU WILL TELL HIM THAT. 289 00:19:22,290 --> 00:19:24,750 HUH? 290 00:19:40,290 --> 00:19:45,080 >> Ted: WHAT DID YOU FORGET, YOUR KEY? 291 00:19:45,080 --> 00:19:46,120 >> Blake: EXCUSE ME. 292 00:19:46,120 --> 00:19:48,960 COULD YOU TELL ME WHERE I CAN FIND STEVEN CARRINGTON'S 293 00:19:48,960 --> 00:19:49,500 APARTMENT? 294 00:19:49,500 --> 00:19:51,080 >> Ted: SURE. 295 00:19:51,080 --> 00:19:53,500 YOU'RE IN THE RIGHT PLACE. 296 00:19:53,500 --> 00:19:56,000 >> Blake: OH, IS, UH, IS HE HERE? 297 00:19:56,000 --> 00:19:58,750 I'M HIS FATHER. 298 00:19:58,750 --> 00:20:03,960 >> Ted: OH, MR. CARRINGTON, UM, NO, STEVEN -- HE'S NOT HOME YET. 299 00:20:03,960 --> 00:20:05,960 HE, UM -- PLEASE, COME IN. 300 00:20:05,960 --> 00:20:08,120 >> Blake: THANK YOU. 301 00:20:12,000 --> 00:20:13,540 >> Ted: UH, MY NAME'S TED. 302 00:20:13,540 --> 00:20:14,250 TED DINARD. 303 00:20:14,250 --> 00:20:16,000 I'M AN OLD FRIEND OF STEVEN'S. 304 00:20:16,000 --> 00:20:17,960 I'M IN TOWN FOR A COUPLE OF DAYS. 305 00:20:17,960 --> 00:20:18,880 >> Blake: DINARD. 306 00:20:18,880 --> 00:20:21,960 THAT'S A NAME OF A TOWN IN BRITTANY, ISN'T IT? 307 00:20:21,960 --> 00:20:22,830 >> Ted: YEAH. 308 00:20:22,830 --> 00:20:26,040 >> Blake: I DROVE THROUGH IT ONCE DURING THE WAR ABOUT A 309 00:20:26,040 --> 00:20:27,170 WEEK AFTER D-DAY. 310 00:20:27,170 --> 00:20:28,290 BEAUTIFUL PLACE. 311 00:20:28,290 --> 00:20:29,120 >> Ted: YES. 312 00:20:29,120 --> 00:20:31,960 ON THE EMERALD COAST, AS THE FRENCH CALL IT. 313 00:20:31,960 --> 00:20:34,170 IT'S AS GREEN AS THE RIVIERA IS BLUE. 314 00:20:34,170 --> 00:20:38,210 >> Blake: SO, YOU'RE AN OLD 315 00:20:38,210 --> 00:20:39,750 FRIEND OF STEVEN'S, HUH? 316 00:20:39,750 --> 00:20:40,620 FROM NEW YORK? 317 00:20:40,620 --> 00:20:41,920 >> Ted: NO. FROM SCHOOL. 318 00:20:41,920 --> 00:20:43,290 >> Blake: FROM CHOATE? 319 00:20:43,290 --> 00:20:45,670 >> Ted: NO. I DIDN'T GO TO PREP SCHOOL. 320 00:20:45,670 --> 00:20:47,040 BUT I DID GO TO PRINCETON. 321 00:20:47,040 --> 00:20:50,170 >> Blake: OH, THAT'S WHERE YOU TWO KNOW EACH OTHER FROM. 322 00:20:50,170 --> 00:20:51,250 >> Ted: YES, SIR. 323 00:20:51,250 --> 00:20:54,620 >> Blake: I GUESS THAT'S WHY WE NEVER MET. 324 00:20:54,620 --> 00:20:57,960 I WAS VERY NEGLIGENT ABOUT VISITING HIM THERE. 325 00:20:57,960 --> 00:20:59,880 EXCEPT FOR GRADUATION. 326 00:20:59,880 --> 00:21:01,540 I DID MAKE GRADUATION. 327 00:21:01,540 --> 00:21:02,670 HECTIC DAY. 328 00:21:02,670 --> 00:21:04,540 >> Ted: YES, IT WAS. 329 00:21:04,540 --> 00:21:08,330 >> Blake: OH, YOU WERE IN THE SAME CLASS? 330 00:21:08,330 --> 00:21:10,330 >> Ted: THAT'S RIGHT. 331 00:21:10,330 --> 00:21:12,750 >> Blake: DID YOU LIVE IN THE SAME DORM? 332 00:21:12,750 --> 00:21:15,170 >> Ted: NO. 333 00:21:15,170 --> 00:21:16,960 >> Blake: LET'S SEE. 334 00:21:16,960 --> 00:21:18,790 WHERE DID HE LIVE? 335 00:21:18,790 --> 00:21:21,000 STAFFORD LITTLE, I THINK. 336 00:21:21,000 --> 00:21:22,830 I WROTE TO HIM THERE. 337 00:21:22,830 --> 00:21:25,330 YES. STAFFORD LITTLE HALL. 338 00:21:25,330 --> 00:21:28,080 >> Ted: I ROOMED OFF CAMPUS. 339 00:21:28,080 --> 00:21:32,080 >> Blake: WITH YOUR LADY AS THEY SAY NOWADAYS, HUH? 340 00:21:32,080 --> 00:21:33,080 >> Ted: YES. 341 00:21:33,080 --> 00:21:35,170 AS A MATTER OF FACT, YES. 342 00:21:35,170 --> 00:21:37,000 >> Blake: GRADUATION DAY. 343 00:21:37,000 --> 00:21:40,960 I DIDN'T MEET YOU, BUT I DID MEET THE PRESIDENT OF THE 344 00:21:40,960 --> 00:21:41,960 UNIVERSITY. 345 00:21:41,960 --> 00:21:43,330 INTERESTING MAN. 346 00:21:43,330 --> 00:21:46,540 HIS NAME ESCAPES ME FOR THE MOMENT. 347 00:21:46,540 --> 00:21:50,000 UH... 348 00:21:50,000 --> 00:21:53,670 BOWEN, WASN'T IT? 349 00:21:53,670 --> 00:21:55,040 NO, NO. NO, NO. 350 00:21:55,040 --> 00:21:56,040 IT WAS, UH... 351 00:21:56,040 --> 00:21:58,040 IT WAS BOWERS. 352 00:21:58,040 --> 00:21:59,620 >> Ted: UM... 353 00:21:59,620 --> 00:22:01,750 >> Blake: NO, NO. 354 00:22:01,750 --> 00:22:04,830 NO, I BELIEVE IT WAS BOWEN. 355 00:22:04,830 --> 00:22:07,000 RIGHT? 356 00:22:07,000 --> 00:22:12,380 >> Steven: DAD. 357 00:22:12,380 --> 00:22:16,210 >> Blake: HELLO, STEVEN. 358 00:22:16,210 --> 00:22:20,000 >> Ted: I'VE BEEN TELLING YOUR FATHER ABOUT THE OLD DAYS -- 359 00:22:20,000 --> 00:22:20,790 PRINCETON. 360 00:22:20,790 --> 00:22:23,210 I'LL GO GET DRESSED. 361 00:22:23,210 --> 00:22:28,540 EXCUSE ME. 362 00:22:28,540 --> 00:22:31,620 >> Blake: WELL, HOW DID WORK GO TODAY? 363 00:22:31,620 --> 00:22:33,080 >> Steven: OKAY. 364 00:22:33,080 --> 00:22:36,000 >> Blake: I GET GOOD REPORTS ON YOU. 365 00:22:36,000 --> 00:22:49,830 I BROUGHT YOU SOMETHING -- A LITTLE HOUSEWARMING GIFT. 366 00:22:49,830 --> 00:22:52,080 OBVIOUSLY, AN ICE BUCKET. 367 00:22:52,080 --> 00:22:57,040 NOT SO OBVIOUSLY, AT LEAST NOT TO ME, I BOUGHT YOU A LITTLE 368 00:22:57,040 --> 00:22:59,420 BRASS CRICKET FOR THE HEARTH. 369 00:22:59,420 --> 00:23:02,580 IT MEANS GOOD LUCK AND HAPPINESS. 370 00:23:02,580 --> 00:23:04,710 I NEVER HEARD OF IT BEFORE. 371 00:23:04,710 --> 00:23:06,460 IT WAS KRYSTLE'S IDEA. 372 00:23:06,460 --> 00:23:09,040 >> Steven: WELL, THANK YOU, DAD. 373 00:23:09,040 --> 00:23:10,710 AND THANK HER FOR ME. 374 00:23:10,710 --> 00:23:13,040 WOULD YOU LIKE SOMETHING TO DRINK? 375 00:23:13,040 --> 00:23:14,380 WE HAVE RED WINE, BEER. 376 00:23:14,380 --> 00:23:16,040 >> Blake: OH, NO, THANK YOU. 377 00:23:16,040 --> 00:23:17,040 NOT RIGHT NOW. 378 00:23:17,040 --> 00:23:20,750 I'M SURE YOU AND YOUR FRIEND HAVE GOT A LOT OF OLD MEMORIES 379 00:23:20,750 --> 00:23:21,710 TO RECAPTURE. 380 00:23:21,710 --> 00:23:23,290 I'VE GOT TO GET GOING BACK. 381 00:23:23,290 --> 00:23:25,500 BY THE WAY, IF YOU'D LIKE TO COME UP TO THE HOUSE FOR DINNER 382 00:23:25,500 --> 00:23:26,040 TONIGHT... 383 00:23:26,040 --> 00:23:26,920 >> Steven: NO. 384 00:23:26,920 --> 00:23:28,250 >> Blake: WE'D LOVE TO HAVE YOU. 385 00:23:28,250 --> 00:23:30,250 >> Steven: WE HAVE PLANS. 386 00:23:30,250 --> 00:23:33,750 WE'RE GOING TO MEET SOME FRIENDS FROM SCHOOL. 387 00:23:33,750 --> 00:23:35,330 >> Blake: PRINCETON? 388 00:23:35,330 --> 00:23:36,620 >> Steven: YES. 389 00:23:36,620 --> 00:23:41,000 I'LL BE BY SOMETIME TOMORROW TO PICK UP THE REST OF MY STUFF. 390 00:23:41,000 --> 00:23:42,960 PROBABLY TOMORROW NIGHT. 391 00:23:42,960 --> 00:23:44,120 >> Blake: FINE. 392 00:23:44,120 --> 00:23:46,250 WELL, GOOD LUCK HERE, SON. 393 00:23:46,250 --> 00:23:48,830 VERY PLEASANT PLACE THAT YOU HAVE. 394 00:23:48,830 --> 00:23:54,210 AND, UH, SAY GOODBYE TO TED FOR ME, WILL YOU? 395 00:23:54,210 --> 00:23:56,330 >> Steven: GOODBYE, DAD. 396 00:23:56,330 --> 00:23:58,250 AND THANKS AGAIN. 397 00:23:58,250 --> 00:24:00,080 >> Fallon: TOOK YOU LONG ENOUGH. 398 00:24:25,460 --> 00:24:26,580 YOU HAVE THE KEYS? 399 00:24:26,580 --> 00:24:28,080 >> Michael: HERE YOU GO. 400 00:24:28,080 --> 00:24:30,250 AND THERE'S A MESSAGE GOES WITH IT. 401 00:24:30,250 --> 00:24:31,250 >> Fallon: WHO FROM? 402 00:24:31,250 --> 00:24:33,540 >> Michael: MR. GRUBER, THE MECHANIC. 403 00:24:33,540 --> 00:24:37,120 HE SAID TO TELL YOU THAT THING DOWN THERE IS A TRANSMISSION AND 404 00:24:37,120 --> 00:24:38,210 NOT A MIX MASTER. 405 00:24:38,210 --> 00:24:39,620 >> Fallon: AMUSING. 406 00:24:39,620 --> 00:24:42,040 >> Michael: HE DIDN'T THINK SO. 407 00:24:42,040 --> 00:24:45,920 A MACHINE LIKE THAT IS A POEM TO HIM AND TO ME, TOO. 408 00:24:45,920 --> 00:24:49,670 >> Fallon: ANY OTHER VERSES I SHOULD BE LET IN ON? 409 00:24:49,670 --> 00:24:51,170 >> Michael: YEAH. 410 00:24:51,170 --> 00:24:52,830 YOU'RE SPOILED ROTTEN. 411 00:24:52,830 --> 00:24:54,500 THAT'S ME, NOT GRUBER. 412 00:24:54,500 --> 00:24:56,420 YOU HAVE NO APPRECIATION. 413 00:24:56,420 --> 00:25:01,120 A CAR LIKE THAT COSTS UPWARDS OF $80,000, AND YOU TREAT IT LIKE A 414 00:25:01,120 --> 00:25:02,420 PICKUP TRUCK. 415 00:25:02,420 --> 00:25:07,620 BUT IT'S SOMETHING VERY, VERY SPECIAL... 416 00:25:07,620 --> 00:25:11,210 AND TO BE HANDLED SPECIAL... 417 00:25:11,210 --> 00:25:12,120 LIKE A WOMAN. 418 00:25:12,120 --> 00:25:17,290 >> Fallon: I WOULDN'T KNOW ABOUT THAT. 419 00:25:17,290 --> 00:25:21,790 LET GO OF ME! 420 00:25:21,790 --> 00:25:26,040 >> Michael: WHAT DO YOU LIKE MORE, FALLON -- GETTING SHOVED 421 00:25:26,040 --> 00:25:27,080 IN THE POOL? 422 00:25:27,080 --> 00:25:29,080 I THINK I CAN ARRANGE THAT. 423 00:25:29,080 --> 00:25:31,790 TONIGHT, TOMORROW NIGHT, BOTH OF US. 424 00:25:31,790 --> 00:25:33,380 I PUSH. YOU GO SPLASH. 425 00:25:33,380 --> 00:25:35,250 NAME IT, FALLON. 426 00:26:04,500 --> 00:26:07,580 >> Ted: DENVER'S OKAY. 427 00:26:07,580 --> 00:26:09,210 I MEAN IT. 428 00:26:09,210 --> 00:26:12,170 DENVER'S REALLY OKAY. 429 00:26:12,170 --> 00:26:15,330 DON'T YOU MISS NEW YORK, STEVEN? 430 00:26:15,330 --> 00:26:17,170 >> Steven: SOMETIMES. 431 00:26:17,170 --> 00:26:18,170 >> Ted: OKAY. 432 00:26:18,170 --> 00:26:19,830 WHICH WAY TO THE OPERA? 433 00:26:19,830 --> 00:26:21,000 >> Steven: WHAT? 434 00:26:21,000 --> 00:26:22,040 >> Ted: OPERA. 435 00:26:22,040 --> 00:26:23,670 YOU KNOW, LIKE IN THE MET? 436 00:26:23,670 --> 00:26:27,420 LIKE THAT TIME LAST YEAR WHEN WE SAT IN THE DRESS CIRCLE AND 437 00:26:27,420 --> 00:26:30,420 WATCHED PAVAROTTI BELT OUT THOSE 9 HIGH C's. 438 00:26:30,420 --> 00:26:33,380 AND WE CHEERED AND YELLED, MADE OURSELVES HOARSE WHILE HE'S 439 00:26:33,380 --> 00:26:34,670 STANDING UP THERE BOWING AWAY. 440 00:26:34,670 --> 00:26:36,120 REMEMBER THAT NIGHT, STEVEN? 441 00:26:36,120 --> 00:26:41,500 >> Steven: YEAH, I DO. 442 00:26:41,500 --> 00:26:45,500 >> Ted: WELL, AT LEAST THEY HAVE TALKING-PICTURE THEATERS HERE IN 443 00:26:45,500 --> 00:26:46,330 DENVER. 444 00:26:46,330 --> 00:26:48,000 YOU WANT TO TAKE IN A FILM? 445 00:26:48,000 --> 00:26:49,380 >> Steven: NO, I CAN'T. 446 00:26:49,380 --> 00:26:50,330 I'M STUDYING. 447 00:26:50,330 --> 00:26:51,710 >> Ted: TO BE WHAT? 448 00:26:51,710 --> 00:26:53,580 >> Steven: A PETROLEUM TYCOON. 449 00:26:53,580 --> 00:26:54,290 OKAY? 450 00:26:54,290 --> 00:26:55,830 >> Ted: LIKE YOUR FATHER? 451 00:26:55,830 --> 00:26:57,040 >> Steven: NO. 452 00:26:57,040 --> 00:27:00,790 LIKE MYSELF. 453 00:27:00,790 --> 00:27:04,210 >> Ted: BOY, THAT LITTLE VISIT OF HIS REALLY THREW YOU, DIDN'T 454 00:27:04,210 --> 00:27:04,620 IT? 455 00:27:04,620 --> 00:27:07,920 >> Steven: NO, TED, IT DIDN'T THROW ME. 456 00:27:07,920 --> 00:27:10,420 I KNOW WHERE I'M GOING. 457 00:27:15,000 --> 00:27:20,620 >> Ted: YOU FIND THE EMOTIONAL STRENGTH TO HANDLE THIS. 458 00:27:20,620 --> 00:27:23,330 YOU'RE IN LIMBO, BUDDY. 459 00:27:23,330 --> 00:27:25,420 EMOTIONAL LIMBO. 460 00:27:25,420 --> 00:27:31,750 YOU'RE NOT IN HEAVEN, AND YOU'RE NOT IN HELL. 461 00:27:31,750 --> 00:27:34,670 I'M SORRY. 462 00:27:34,670 --> 00:27:38,000 I REMEMBER WHAT IT'S LIKE, TOO. 463 00:27:41,710 --> 00:27:43,750 GO ON. GET OUT OF HERE. 464 00:27:43,750 --> 00:27:45,290 GO HOME. STUDY. 465 00:27:45,290 --> 00:27:47,040 I'LL TAKE IN A FILM. 466 00:27:47,040 --> 00:27:49,330 OR SOMETHING. 467 00:28:04,080 --> 00:28:06,250 >> Claudia: I SHOULD BE HOME IN ABOUT AN HOUR. 468 00:28:06,250 --> 00:28:10,750 I'LL SEE YOU THEN. 469 00:28:10,750 --> 00:28:15,210 >> Ted: I'M TED DINARD. 470 00:28:15,210 --> 00:28:16,460 >> Claudia: I KNOW. 471 00:28:16,460 --> 00:28:17,290 >> Ted: HOW? 472 00:28:17,290 --> 00:28:19,080 >> Claudia: I SAW YOUR PICTURE. 473 00:28:19,080 --> 00:28:21,290 >> Ted: DID STEVEN SHOW IT TO YOU? 474 00:28:21,290 --> 00:28:24,580 >> Claudia: HE ASKED ME TO GET SOMETHING FOR HIM ONE NIGHT. 475 00:28:24,580 --> 00:28:27,620 I OPENED HIS DRAWER, AND THERE WAS YOUR PHOTOGRAPH. 476 00:28:27,620 --> 00:28:29,420 I SAID, "THIS MUST BE TED." 477 00:28:29,420 --> 00:28:31,250 HE SAID, "YES." 478 00:28:34,960 --> 00:28:36,920 WOULD YOU LIKE SOME COFFEE? 479 00:28:36,920 --> 00:28:38,040 >> Ted: YEAH. 480 00:28:38,040 --> 00:28:40,170 >> Claudia: IT'S IN THE BACK. 481 00:28:40,170 --> 00:28:42,040 COME. 482 00:28:50,460 --> 00:28:54,920 OUR ONLY CHAIR. 483 00:28:54,920 --> 00:28:55,620 SIT. 484 00:28:55,620 --> 00:28:58,460 DO YOU TAKE CREAM AND SUGAR? 485 00:28:58,460 --> 00:29:03,960 >> Ted: NO. BLACK, PLEASE. 486 00:29:03,960 --> 00:29:05,380 >> Claudia: HERE. 487 00:29:05,380 --> 00:29:07,250 >> Ted: THANK YOU. 488 00:29:15,330 --> 00:29:18,620 >> Claudia: I ALWAYS KNEW WE'D MEET. 489 00:29:18,620 --> 00:29:21,460 I JUST TRIED TO IMAGINE WHERE. 490 00:29:21,460 --> 00:29:23,120 >> Ted: AND DID YOU, EVENTUALLY? 491 00:29:23,120 --> 00:29:24,290 >> Claudia: MM-HMM. 492 00:29:24,290 --> 00:29:28,000 IT WAS A WOOD -- A FOREST. 493 00:29:28,000 --> 00:29:30,380 THERE WAS FOG. 494 00:29:30,380 --> 00:29:33,080 I WAS THERE ALONE. 495 00:29:33,080 --> 00:29:36,460 YOU CAME OUT OF THE FOG TOWARD ME. 496 00:29:36,460 --> 00:29:40,710 I SUPPOSE THAT SYMBOLIZES SOMETHING. 497 00:29:40,710 --> 00:29:43,380 >> Ted: CONFUSION MAYBE. 498 00:29:43,380 --> 00:29:45,500 VEILED FEARS. 499 00:29:45,500 --> 00:29:49,290 YOURS. 500 00:29:49,290 --> 00:29:52,710 >> Claudia: MAYBE. 501 00:29:52,710 --> 00:29:54,580 >> Ted: YOU'RE AFRAID RIGHT NOW. 502 00:29:54,580 --> 00:29:56,170 >> Claudia: AREN'T YOU? 503 00:29:56,170 --> 00:29:59,540 >> Ted: YOU KNOW THAT STEVEN'S RELATIONSHIP WITH YOU IS ONLY TO 504 00:29:59,540 --> 00:30:00,880 PROVE SOMETHING TO HIMSELF. 505 00:30:00,880 --> 00:30:04,080 >> Claudia: YOU HAVE ABSOLUTELY NO IDEA WHAT GOES ON BETWEEN 506 00:30:04,080 --> 00:30:04,920 STEVEN AND ME. 507 00:30:04,920 --> 00:30:07,120 >> Ted: I KNOW SOMETHING ABOUT LOVE... 508 00:30:07,120 --> 00:30:11,330 AND LOVING AND BEING LOVED. 509 00:30:19,210 --> 00:30:23,330 ARE YOU GOING TO GIVE HIM UP? 510 00:30:23,330 --> 00:30:24,830 >> Claudia: ARE YOU? 511 00:30:24,830 --> 00:30:29,420 >> Ted: LOOK, DOESN'T IT BOTHER YOU THAT WHAT WE'RE DOING IS 512 00:30:29,420 --> 00:30:31,000 TEARING STEVEN APART? 513 00:30:31,000 --> 00:30:37,380 THAT WE'RE ALL BEING TORN APART -- STEVEN AND ME... 514 00:30:37,380 --> 00:30:40,620 AND YOU. 515 00:30:40,620 --> 00:30:43,830 >> Claudia: WELL, I'VE -- I'VE KNOWN BETTER NIGHTS THAN THIS -- 516 00:30:43,830 --> 00:30:44,710 THAT'S FOR SURE. 517 00:30:44,710 --> 00:30:46,170 >> Ted: WITH YOUR HUSBAND. 518 00:30:46,170 --> 00:30:48,420 >> Claudia: WHAT'S THAT SUPPOSED TO MEAN? 519 00:30:48,420 --> 00:30:51,500 >> Ted: OBVIOUSLY, YOU CAN'T MAKE YOUR OWN MARRIAGE WORK. 520 00:30:51,500 --> 00:30:54,380 I MEAN, IF YOU THINK YOU'RE GONNA TAKE STEVEN AND TURN HIM 521 00:30:54,380 --> 00:30:55,210 AROUND... 522 00:30:55,210 --> 00:30:59,500 WHAT IS THAT -- A BADGE OF HONOR, A VALIDATION, PROOF THAT 523 00:30:59,500 --> 00:31:01,290 YOU'RE A REAL WOMAN? 524 00:31:01,290 --> 00:31:03,330 >> Claudia: THAT'S AN UGLY THING TO SAY. 525 00:31:03,330 --> 00:31:04,080 THAT REALLY IS. 526 00:31:04,080 --> 00:31:07,500 >> Ted: I LOVE STEVEN, MRS. BLAISDEL. 527 00:31:07,500 --> 00:31:09,620 AND I'LL FIGHT FOR HIM... 528 00:31:09,620 --> 00:31:12,080 IF I HAVE TO. 529 00:31:20,460 --> 00:31:23,830 I'M SORRY. 530 00:31:23,830 --> 00:31:35,210 I DON'T USUALLY BEHAVE THIS WAY. 531 00:31:35,210 --> 00:31:39,920 YOU KNOW, WHEN I CAME HERE TONIGHT, I WAS HOPING THAT YOU 532 00:31:39,920 --> 00:31:42,500 WOULD BE SOMEBODY WRETCHED... 533 00:31:42,500 --> 00:31:46,250 AND SOMEBODY I COULD HATE. 534 00:31:50,500 --> 00:31:54,500 BUT I CAN'T. 535 00:31:54,500 --> 00:31:56,710 GOODBYE, CLAUDIA. 536 00:32:29,580 --> 00:32:32,000 >> Mrs. Gunnerson: IS HE DRINKING AGAIN? 537 00:32:32,000 --> 00:32:33,080 >> Jeanette: YES. 538 00:32:33,080 --> 00:32:35,080 >> Mrs. Gunnerson: IT'S TOO MUCH. 539 00:32:35,080 --> 00:32:36,210 IT'S NOT LIKE HIM. 540 00:32:36,210 --> 00:32:39,500 >> Jeanette: NO. 541 00:32:39,500 --> 00:32:40,920 IS THERE ANY OF THAT VEAL LEFT? 542 00:32:40,920 --> 00:32:43,500 >> Mrs. Gunnerson: OH, MY HUSBAND STOPPED BY AND TOOK IT 543 00:32:43,500 --> 00:32:44,210 HOME. 544 00:32:44,210 --> 00:32:45,420 BUT THIS IS VERY GOOD. 545 00:32:45,420 --> 00:32:46,460 WHY DON'T YOU HAVE SOME? 546 00:32:46,460 --> 00:32:51,080 IT'S THERE ON THE STOVE. 547 00:32:51,080 --> 00:32:54,120 >> Jeanette: THEY DIDN'T EAT ANYTHING TONIGHT. 548 00:32:54,120 --> 00:32:57,670 >> Mrs. Gunnerson: AH, WELL, FEED A COLD, STARVE A FEVER. 549 00:32:57,670 --> 00:33:00,460 THERE'S BEEN A FEVER IN THIS HOUSE LATELY. 550 00:33:00,460 --> 00:33:03,120 >> Jeanette: MRS. CARRINGTON IS SO LOVELY. 551 00:33:03,120 --> 00:33:05,790 I HATE TO SEE HER TRYING TO COPE WITH HIS WAYS. 552 00:33:05,790 --> 00:33:08,920 >> Mrs. Gunnerson: WELL, IT SEEMS TO ME SHE MIGHT TRY A 553 00:33:08,920 --> 00:33:11,580 LITTLE HARDER IN EXCHANGE FOR ALL HE GIVES HER. 554 00:33:11,580 --> 00:33:14,250 >> Joseph: LADIES. 555 00:33:14,250 --> 00:33:19,040 LADIES. 556 00:33:19,040 --> 00:33:22,460 IT'S BEEN SAID THAT GOSSIP IS PART OF THE HUMAN CONDITION -- 557 00:33:22,460 --> 00:33:25,290 A HEALTHY INTEREST IN THE PEOPLE AROUND US. 558 00:33:25,290 --> 00:33:28,830 EXCEPT THAT I DON'T APPRECIATE IT WHEN THE INTEREST IS IN THE 559 00:33:28,830 --> 00:33:30,710 MAN WHO EMPLOYS US AND FEEDS US. 560 00:33:30,710 --> 00:33:33,880 >> Mrs. Gunnerson: WE'RE ONLY JUST SAYING, JOSEPH -- 561 00:33:33,880 --> 00:33:37,620 >> Joseph: I HEARD WHAT YOU WERE SAYING ABOUT MR. CARRINGTON. 562 00:33:37,620 --> 00:33:42,380 BUT WHAT I DIDN'T HEAR YOU SAY IS THAT HE'S A GOOD MAN... 563 00:33:42,380 --> 00:33:45,540 WHO'S IN VERY SERIOUS TROUBLE RIGHT NOW. 564 00:33:45,540 --> 00:33:47,170 YOU SEE, HE'S HURTING. 565 00:33:47,170 --> 00:33:49,420 HURT. 566 00:33:49,420 --> 00:33:53,000 NOW, WE'VE BEEN TOGETHER A LONG TIME -- HE AND I -- AND DESPITE 567 00:33:53,000 --> 00:33:56,080 THE DIFFERENCE IN OUR STATIONS, WE'RE GOOD FRIENDS. 568 00:33:56,080 --> 00:34:09,080 AND ITOFFENDSME TO SEE HIM HURT! 569 00:34:09,080 --> 00:34:16,170 >> Joseph: FORGIVE ME, MADAM. 570 00:34:16,170 --> 00:34:19,120 MR. CARRINGTON ISN'T FEELING SO WELL. 571 00:34:19,120 --> 00:34:22,290 I THINK I MAY HAVE TO PUT HIM INTO BED. 572 00:34:22,290 --> 00:34:24,540 IF YOU DON'T MIND. 573 00:34:51,670 --> 00:35:05,460 >> Krystle: I'VE GOT TO TALK TO YOU, BLAKE. 574 00:35:05,460 --> 00:35:07,750 CAN YOU HEAR ME? 575 00:35:31,500 --> 00:35:34,500 MAYBE IT'S JUST AS WELL YOU 576 00:35:34,500 --> 00:35:36,420 CAN'T. 577 00:35:40,620 --> 00:35:43,790 I'VE LOVED YOU, BLAKE. 578 00:35:43,790 --> 00:35:47,040 I LOVED YOU THE BEST I COULD. 579 00:35:51,920 --> 00:35:59,000 AND I BELIEVE THAT -- THAT YOU'VE LOVED ME... 580 00:35:59,000 --> 00:36:03,670 IN YOUR OWN WAY. 581 00:36:03,670 --> 00:36:08,080 BUT YOU FRIGHTEN ME. 582 00:36:08,080 --> 00:36:13,420 YOU'RE SO MANY DIFFERENT PEOPLE. 583 00:36:13,420 --> 00:36:16,330 GENTLE AND... 584 00:36:16,330 --> 00:36:21,620 SENSITIVE ONE MINUTE. 585 00:36:21,620 --> 00:36:31,790 TREACHEROUS AND BRUTAL, THE NEXT. 586 00:36:31,790 --> 00:36:41,080 MAYBE YOU HAVE TO BE THAT WAY TO SURVIVE IN YOUR WORLD. 587 00:36:41,080 --> 00:36:46,790 BUT I -- I CAN'T LIVE WITH THE SUSPICION. 588 00:36:46,790 --> 00:36:50,120 I CAN'T LIVE WITH THE RAGE. 589 00:36:56,750 --> 00:37:01,790 I LOVE YOU. 590 00:37:01,790 --> 00:37:05,290 BUT I CAN'T LIVE WITH YOU. 591 00:37:42,210 --> 00:37:45,710 >> Blake: JOSEPH, WHAT'S MRS. CARRINGTON'S CAR DOING 592 00:37:45,710 --> 00:37:46,170 HERE? 593 00:37:46,170 --> 00:37:50,000 >> Joseph: WELL, I ASKED MICHAEL TO BRING IT AROUND, BUT SHE 594 00:37:50,000 --> 00:37:52,880 INSISTED I ORDER HER A TAXICAB INSTEAD. 595 00:37:52,880 --> 00:37:54,330 >> Blake: WHERE IS SHE? 596 00:37:54,330 --> 00:37:55,710 >> Joseph: SHE'S GONE. 597 00:37:55,710 --> 00:37:56,790 >> Blake: GONE? 598 00:37:56,790 --> 00:37:58,830 YOU MEAN THAT SHE'S -- SHE'S GONE OUT? 599 00:37:58,830 --> 00:37:59,790 >> Joseph: SHE'S GONE. 600 00:37:59,790 --> 00:38:02,670 SHE LEFT EARLY THIS MORNING CARRYING A SMALL SUITCASE. 601 00:38:02,670 --> 00:38:11,710 SHE SAID SHE'D SEND YOU A LETTER EXPLAINING IT ALL. 602 00:38:11,710 --> 00:38:13,250 >> Blake: HOW COULD YOU LET HER GO? 603 00:38:13,250 --> 00:38:15,080 >> Joseph: IT WASN'T MY PLACE TO STOP HER. 604 00:38:15,080 --> 00:38:21,830 >> Blake: WELL, WHY COULDN'T YOU WAKE ME UP AND TELL ME? 605 00:38:21,830 --> 00:38:24,120 >> Joseph: SHE ORDERED ME NOT TO. 606 00:38:24,120 --> 00:38:27,830 SHE IS THE MISTRESS OF THIS HOUSE, AS YOU SO OFTEN REMINDED 607 00:38:27,830 --> 00:38:28,500 US. 608 00:38:28,500 --> 00:38:31,670 >> Blake: YOU'RE NOT A BIT UNHAPPY ABOUT SEEING HER GO, ARE 609 00:38:31,670 --> 00:38:32,380 YOU, JOSEPH? 610 00:38:32,380 --> 00:38:33,620 WELL, SHE'LL BE BACK. 611 00:38:33,620 --> 00:38:34,960 YOU CAN BE SURE ABOUT THAT. 612 00:38:34,960 --> 00:38:37,000 SHE'LL BE BACK. 613 00:38:43,790 --> 00:38:47,210 I LOVE HER, JOSEPH. 614 00:38:47,210 --> 00:38:49,710 I DON'T THINK I CAN BEAR TO LOSE HER. 615 00:38:49,710 --> 00:38:52,080 >> Joseph: YES, I UNDERSTAND. 616 00:39:00,330 --> 00:39:04,290 >> Blake: PERHAPS I'VE BEEN TOO HARD ON HER. 617 00:39:04,290 --> 00:39:07,750 THAT WHOLE BUSINESS ABOUT THE NECKLACE. 618 00:39:07,750 --> 00:39:11,170 I DON'T THINK I WAS VERY FAIR ABOUT THAT. 619 00:39:11,170 --> 00:39:23,120 I SHOULD HAVE ASKED HER TO EXPLAIN. 620 00:39:23,120 --> 00:39:28,420 SHE'LL BE BACK. 621 00:39:28,420 --> 00:39:29,790 YOU'LL SEE. 622 00:39:29,790 --> 00:39:32,210 MY WIFE WILL BE BACK. 623 00:39:42,920 --> 00:39:45,040 >> Krystle: I'LL BE RIGHT BACK. 624 00:40:11,080 --> 00:40:12,830 >> Matthew: YEAH? 625 00:40:12,830 --> 00:40:15,960 >> Krystle: MATTHEW, IT'S KRYSTLE. 626 00:40:15,960 --> 00:40:17,210 >> Matthew: KRYSTLE? 627 00:40:17,210 --> 00:40:20,170 >> Krystle: I'M, UM, CALLING TO SAY GOODBYE. 628 00:40:20,170 --> 00:40:21,460 >> Matthew: WHAT? 629 00:40:21,460 --> 00:40:23,000 >> Krystle: I'M LEAVING. 630 00:40:23,000 --> 00:40:25,620 >> Matthew: WHERE ARE YOU GOING? 631 00:40:25,620 --> 00:40:27,960 >> Krystle: OH, I DON'T KNOW. 632 00:40:27,960 --> 00:40:29,500 MAYBE BACK TO OHIO. 633 00:40:29,500 --> 00:40:30,750 I DON'T KNOW. 634 00:40:30,750 --> 00:40:32,920 >> Matthew: KRYSTLE... 635 00:40:32,920 --> 00:40:36,880 I'VE GOT TO SEE YOU. 636 00:40:36,880 --> 00:40:40,540 >> Krystle: NO, THAT -- THAT WOULD BE THE WORST THING. 637 00:40:40,540 --> 00:40:47,880 >> Matthew: THEN LET'S DO THE WORST THING. 638 00:40:47,880 --> 00:40:50,540 >> Matthew: KRYSTLE, I -- I 639 00:41:32,080 --> 00:41:33,830 DON'T WANT YOU TO LEAVE. 640 00:41:33,830 --> 00:41:36,250 NOT -- NOT LIKE THIS. 641 00:42:10,040 --> 00:42:12,580 >> Krystle: YOU HAVE A WIFE, MATTHEW. 642 00:42:12,580 --> 00:42:16,880 AND A DAUGHTER. 643 00:42:16,880 --> 00:42:19,380 >> Matthew: FOR ONCE IN MY LIFE, I DON'T WANT TO THINK ABOUT 644 00:42:19,380 --> 00:42:24,250 THAT. 645 00:42:24,250 --> 00:42:28,120 >> Krystle: I KNOW YOU. 646 00:42:28,120 --> 00:42:36,580 IF YOU DON'T NOW, YOU WILL LATER. 647 00:42:36,580 --> 00:42:39,000 GOODBYE, MATTHEW. 648 00:43:15,000 --> 00:43:22,040 >> Steven: COME IN. 649 00:43:22,040 --> 00:43:25,460 >> Ted: WHAT KIND OF THING IS THIS -- LEAVING ME A NOTE? 650 00:43:25,460 --> 00:43:28,080 >> Steven: I DIDN'T INVITE YOU INTO THIS HOUSE, TED. 651 00:43:28,080 --> 00:43:29,330 >> Ted: OH, EXCUSE ME. 652 00:43:29,330 --> 00:43:30,500 THE CARRINGTON HOUSE. 653 00:43:30,500 --> 00:43:33,500 >> Steven: MY FATHER'S HOUSE. 654 00:43:33,500 --> 00:43:37,080 LOOK, I JUST WANT TO PACK A FEW THINGS, AND I WANT TO GO TO MY 655 00:43:37,080 --> 00:43:38,040 APARTMENT. 656 00:43:38,040 --> 00:43:39,040 >> Ted: ALONE? 657 00:43:39,040 --> 00:43:40,290 >> Steven: YES. ALONE. 658 00:43:40,290 --> 00:43:44,040 >> Ted: LOOK, YOU THINK YOU CAN JUST SEND ME AWAY WITH THIS? 659 00:43:44,040 --> 00:43:46,120 >> Steven: TED, I HAVE TO SEND YOU AWAY. 660 00:43:46,120 --> 00:43:48,080 >> Ted: AND WHAT ARE YOU GONNA DO? 661 00:43:48,080 --> 00:43:51,580 ARE YOU JUST GONNA STICK AROUND THIS TOWN, MESSING AROUND WITH A 662 00:43:51,580 --> 00:43:53,210 MARRIED WOMAN FROM TIME TO TIME? 663 00:43:53,210 --> 00:43:55,580 >> Steven: I WON'T BE SEEING HER ANYMORE. 664 00:43:55,580 --> 00:43:57,880 >> Ted: THEN, WHAT IS THE PLAN, STEVEN? 665 00:43:57,880 --> 00:44:06,960 YOU GONNA LIVE ALONE, MISERABLE, OCCASIONAL GUY ON THE SIDE? 666 00:44:06,960 --> 00:44:08,670 STEVEN... 667 00:44:08,670 --> 00:44:11,080 STEVEN, PLEASE. 668 00:44:11,080 --> 00:44:15,420 LOOK, THERE'S A PLANE THAT LEAVES FOR NEW YORK IN AN HOUR. 669 00:44:15,420 --> 00:44:19,960 WE COULD BE ON THAT PLANE. 670 00:44:19,960 --> 00:44:21,420 STEVEN, PLEASE. 671 00:44:21,420 --> 00:44:24,080 WE HAD SOMETHING VERY SPECIAL. 672 00:44:24,080 --> 00:44:28,380 WE HAD EACH OTHER. 673 00:44:28,380 --> 00:44:30,290 STEVEN, YOU AND ME... 674 00:44:30,290 --> 00:44:33,080 >> Steven: TED, NO. 675 00:44:33,080 --> 00:44:36,080 TED, IT'S -- IT'S NOT YOU. 676 00:44:36,080 --> 00:44:38,040 IT'S NOT CLAUDIA. 677 00:44:38,040 --> 00:44:39,960 IT'S ME. 678 00:44:39,960 --> 00:44:41,830 IT'S ME. 679 00:44:41,830 --> 00:44:44,710 FOR GOD'S SAKES, I WANT YOU TO UNDERSTAND. 680 00:44:44,710 --> 00:44:52,000 AND IF YOU EVER REALLY LOVED ME THE WAY I LOVED YOU... 681 00:44:52,000 --> 00:44:54,580 YOU'LL UNDERSTAND. 682 00:44:59,040 --> 00:45:02,250 >> Mrs. Gunnerson: OH, MR. CARRINGTON. 683 00:45:02,250 --> 00:45:04,250 >> Joseph: JEANETTE, I WISH -- >> Jeanette: EVENING, 684 00:45:04,250 --> 00:45:05,170 MR. CARRINGTON. 685 00:45:05,170 --> 00:45:08,210 >> Blake: JOSEPH, IS MRS. CARRINGTON BACK YET? 686 00:45:08,210 --> 00:45:09,380 >> Joseph: NO, SIR. 687 00:45:09,380 --> 00:45:12,120 >> Blake: FALLON AND JEFF -- ARE THEY HERE? 688 00:45:12,120 --> 00:45:14,000 >> Joseph: I THINK FALLON IS. 689 00:45:14,000 --> 00:45:20,460 STEVEN IS UPSTAIRS WITH A FRIEND -- A MR. DINARD. 690 00:45:20,460 --> 00:45:24,290 >> Blake: IN MY HOUSE? 691 00:45:24,290 --> 00:45:26,750 I'LL KILL HIM. 692 00:45:30,460 --> 00:45:33,170 >> Ted: NEXT TIME I GO TO CENTRAL PARK, I'LL SEND YOU A 693 00:45:33,170 --> 00:45:33,920 PRETZEL. 694 00:45:33,920 --> 00:45:35,500 >> Steven: BUT EASY ON THE SALT. 695 00:45:35,500 --> 00:45:37,380 >> Ted: RIGHT. 696 00:45:44,710 --> 00:45:46,920 THIS ISN'T EASY FOR ME. 697 00:45:46,920 --> 00:45:50,080 >> Steven: IT'S NOT FOR ME EITHER. 698 00:45:50,080 --> 00:45:51,580 >> Ted: YEAH. 699 00:45:51,580 --> 00:45:53,880 WELL... 700 00:45:53,880 --> 00:46:03,750 AT LEAST WE'VE GOT GOOD MEMORIES. 701 00:46:03,750 --> 00:46:05,170 >> Steven: TAKE CARE, BUDDY. 702 00:46:05,170 --> 00:46:07,040 >> Ted: YOU TOO, BUDDY. 703 00:46:10,460 --> 00:46:12,170 >> Blake: GET YOUR HANDS OFF MY SON. 704 00:46:12,170 --> 00:46:15,000 >> Steven: DAD, WE WERE -- >> Blake: I SAID GET YOUR HANDS 705 00:46:15,000 --> 00:46:16,670 OFF HIM. 706 00:46:16,670 --> 00:46:18,880 DAMN! 707 00:46:26,210 --> 00:46:29,250 >> Ted: NO! NO! 708 00:46:29,250 --> 00:46:31,120 UGH! 709 00:46:40,960 --> 00:46:42,380 >> Steven: HE'S NOT BREATHING. 710 00:46:42,380 --> 00:46:58,000 >> Fallon: >> Steven: YOU'VE KILLED HIM. 711 00:46:58,000 --> 00:46:59,290 OH, TED! 712 00:46:59,290 --> 00:47:01,170 TED. 49864

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