All language subtitles for Dynasty 1981 S01E08 The Bordello 1080p CW WEB-DL AAC2 0 H 264-CRUD_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:45,620 --> 00:01:48,580 >> Matthew: WHEW! 2 00:01:54,670 --> 00:01:57,120 WELL, I THINK THAT'S ABOUT IT. 3 00:01:57,120 --> 00:02:00,420 WHY DON'T YOU TWO GO GET SOME REST? 4 00:02:00,420 --> 00:02:02,380 >> Walter: WE WILL IN TIME. 5 00:02:08,790 --> 00:02:13,880 >> Matthew: STEVEN, HOW'S IT GOING? 6 00:02:13,880 --> 00:02:17,040 >> Steven: UH, FINE. 7 00:02:17,040 --> 00:02:20,040 >> Matthew: DID I SAY SOMETHING OR DO SOMETHING WRONG? 8 00:02:20,040 --> 00:02:21,170 >> Steven: NO. WHY? 9 00:02:21,170 --> 00:02:24,380 >> Matthew: I DON'T KNOW, IT'S JUST THE PAST COUPLE OF DAYS, 10 00:02:24,380 --> 00:02:26,960 YOU'VE AVOIDING ME LIKE I ATE FIVE POUNDS OF GARLIC. 11 00:02:26,960 --> 00:02:30,250 >> Steven: NO, UH...IT'S NOTHING. 12 00:02:30,250 --> 00:02:33,670 >> Walter: SPEAKING OF FOOD, WHY DON'T WE GO GET SOME BREAKFAST, 13 00:02:33,670 --> 00:02:34,120 STEVEN? 14 00:02:34,120 --> 00:02:36,710 >> Steven: ALL RIGHT. 15 00:02:36,710 --> 00:02:40,120 >> Walter: I GOT A GREAT LITTLE PLACE -- YOU'LL LOVE IT. 16 00:02:40,120 --> 00:02:42,000 >> Steven: THAT'S 40 MILES AWAY. 17 00:02:42,000 --> 00:02:44,170 >> Walter: I KNOW IT, BUT IT'S FANTASTIC. 18 00:02:44,170 --> 00:02:46,040 GO GET CLEANED UP. 19 00:02:55,120 --> 00:03:00,500 >> Matthew: WELL, NOW...YOU SURE ARE BEING, UH, NICE TO HIM ALL 20 00:03:00,500 --> 00:03:01,250 OF A SUDDEN. 21 00:03:01,250 --> 00:03:04,170 >> Walter: WELL, I WAS WRONG ABOUT HIM, 22 00:03:04,170 --> 00:03:04,920 MATTHEW. 23 00:03:04,920 --> 00:03:07,170 HE'S GIVING US A GOOD DAY'S WORK FOR A DAY'S PAY. 24 00:03:07,170 --> 00:03:09,330 YOU CAN'T ASK ANY MORE OF A MAN THAN THAT. 25 00:03:09,330 --> 00:03:13,290 >> Matthew: WELL, I'M GLAD TO HEAR YOU SAY THAT, WALTER. 26 00:03:13,290 --> 00:03:15,580 I MEAN, I THINK THAT'S TERRIFIC. 27 00:03:15,580 --> 00:03:19,000 >> Walter: IS THERE ANY REASON WHY I SHOULDN'T BE NICE TO HIM? 28 00:03:19,000 --> 00:03:22,080 >> Matthew: NO, I KNOW YOU, AND I JUST THOUGHT, YOU KNOW, 29 00:03:22,080 --> 00:03:25,040 SOMEBODY WITH STEVEN'S PROBLEMS, UH, WELL, YOU KNOW, I 30 00:03:25,040 --> 00:03:28,290 JUST THOUGHT MAYBE IT MIGHT MAKE YOU FEEL A LITTLE UNCOMFORTABLE 31 00:03:28,290 --> 00:03:29,330 TO BE AROUND HIM. 32 00:03:29,330 --> 00:03:31,080 >> Walter: YEAH, WELL, IT DOES. 33 00:03:31,080 --> 00:03:34,420 AIN'T NOTHING EVER BEEN SO BROKE THAT IT CAN'T BE FIXED. 34 00:03:34,420 --> 00:03:35,580 YOU REMEMBER THAT. 35 00:03:35,580 --> 00:03:37,210 >> Matthew: YEAH, I WILL. 36 00:03:37,210 --> 00:03:39,880 >> Walter: SEE YOU TONIGHT. 37 00:04:44,670 --> 00:04:45,960 >> Claudia: HELLO? 38 00:04:45,960 --> 00:04:48,710 >> Steven: CLAUDIA, IT'S STEVEN CARRINGTON. 39 00:04:48,710 --> 00:04:50,380 I'M SORRY IF I WOKE YOU UP. 40 00:04:50,380 --> 00:04:52,880 >> Claudia: THAT'S ALL RIGHT. 41 00:04:52,880 --> 00:04:56,290 >> Steven: UH...I WANTED TO THANK YOU FOR HAVING ME OVER TO 42 00:04:56,290 --> 00:04:57,500 DINNER THE OTHER NIGHT. 43 00:04:57,500 --> 00:05:03,250 >> Claudia: WELL, THAT'S NICE, STEVEN, BUT...IT'S 6:00 IN THE 44 00:05:03,250 --> 00:05:03,830 MORNING. 45 00:05:03,830 --> 00:05:07,330 >> Steven: WELL, IT WAS JUST THE BEST EVENING THAT I'VE EVER 46 00:05:07,330 --> 00:05:11,000 HAD. 47 00:05:11,000 --> 00:05:16,250 WELL, I -- AND I-I THOUGHT THAT I OUGHT TO CALL TO -- TO SAY 48 00:05:16,250 --> 00:05:20,580 SOMETHING ABOUT...WHAT HAPPENED, UH, A-AT THE END. 49 00:05:20,580 --> 00:05:23,210 >> Claudia: THAT YOU KISSED ME? 50 00:05:23,210 --> 00:05:28,210 >> Steven: YES. 51 00:05:28,210 --> 00:05:35,080 I'M, UM...WELL, WHAT I MEAN TO SAY IS THAT, UH... 52 00:05:35,080 --> 00:05:36,460 >> Claudia: YES? 53 00:05:36,460 --> 00:05:39,290 >> Steven: WELL, I WAS GONNA SAY THAT I'M SORRY, BUT I'M 54 00:05:39,290 --> 00:05:42,790 REALLY NOT. 55 00:05:42,790 --> 00:05:47,000 I MEAN, FOR SOME -- SOME REASON, I-I JUST DON'T FEEL SORRY. 56 00:05:47,000 --> 00:05:48,620 CLAUDIA, IS THAT WRONG? 57 00:05:48,620 --> 00:05:51,170 >> Claudia: NO, IT'S NOT. 58 00:05:51,170 --> 00:05:53,330 I'M NOT SORRY, EITHER. 59 00:05:53,330 --> 00:05:55,750 >> Steven: I'VE GOTTA GO NOW. 60 00:05:55,750 --> 00:05:57,420 >> Claudia: OKAY. 61 00:05:57,420 --> 00:05:59,290 BYE-BYE. 62 00:06:16,830 --> 00:06:24,750 >> Jeanette: MRS. CARRINGTON? 63 00:06:24,750 --> 00:06:26,830 MRS. CARRINGTON? 64 00:06:32,380 --> 00:06:34,880 MR. CARRINGTON IS IN THE LIBRARY, MA'AM. 65 00:06:34,880 --> 00:06:36,750 HE'D LIKE YOU TO COME DOWN. 66 00:06:49,830 --> 00:06:53,250 >> Andrew: DAMN IT, TAFT, WE HAVE A CRISIS HERE. 67 00:06:53,250 --> 00:06:56,540 I NEED THAT INFORMATION WITHIN THE NEXT TWO HOURS. 68 00:06:56,540 --> 00:07:00,620 NOW, TAFT, IF THE SUN COMES UP ON THIS ONE AND IT'S NOT 69 00:07:00,620 --> 00:07:06,380 SETTLED, WE CAN ALL MEET ON THE UNEMPLOYMENT LINE! 70 00:07:06,380 --> 00:07:09,500 >> Blake: WHAT IS THE LATEST OBITUARY FROM OUR MORTICIAN, 71 00:07:09,500 --> 00:07:11,330 TAFT? 72 00:07:11,330 --> 00:07:13,000 >> Andrew: IT SEEMS DEFINITE. 73 00:07:13,000 --> 00:07:16,210 THE REVOLUTIONARY GOVERNMENT HAS CONFISCATED THE OIL. 74 00:07:16,210 --> 00:07:19,420 YOUR RESERVES HAVE BEEN NATIONALIZED. 75 00:07:19,420 --> 00:07:21,670 ARE YOU HURRYING WITH THOSE? 76 00:07:21,670 --> 00:07:24,210 >> AS FAST AS I CAN, MR. LAIRD. 77 00:07:24,210 --> 00:07:28,170 >> Blake: ANDREW, I'M NOT SURE I WANT TO GO THROUGH WITH THOSE 78 00:07:28,170 --> 00:07:28,750 PAPERS. 79 00:07:28,750 --> 00:07:30,170 >> Andrew: WHY NOT? 80 00:07:30,170 --> 00:07:31,540 IT'S A GIFT. 81 00:07:31,540 --> 00:07:35,920 THERE IS NO LAW THAT SAYS A MAN CAN'T GIVE A GIFT TO HIS SPOUSE. 82 00:07:35,920 --> 00:07:38,620 BESIDES, BLAKE, YOU HAVE NO OTHER CHOICE. 83 00:07:38,620 --> 00:07:41,210 I'M GOING TO HAVE TO INSIST THAT YOU DO IT. 84 00:07:41,210 --> 00:07:45,420 >> Blake: I DO NOT WANT TO GET HER INVOLVED IN THIS. 85 00:07:45,420 --> 00:07:48,500 >> Andrew: WELL, IF SHE'S NOT, THEN WE'RE ALL GONNA BE OUT OF 86 00:07:48,500 --> 00:07:53,420 BUSINESS. 87 00:07:53,420 --> 00:07:55,460 >> Blake: WHY ARE YOU TAKING THIS DOWN? 88 00:07:55,460 --> 00:07:56,670 >> YOU TOLD ME TO. 89 00:07:56,670 --> 00:07:58,750 >> Blake: YOU WRITE WHEN I TELL YOU TO WRITE! 90 00:07:58,750 --> 00:08:00,620 >> YES, SIR. 91 00:08:09,920 --> 00:08:21,500 >> Andrew: KRYSTLE, COME ON IN, PLEASE. 92 00:08:21,500 --> 00:08:23,330 >> Krystle: ARE YOU ALL RIGHT? 93 00:08:23,330 --> 00:08:25,750 >> Blake: OH, YES, YES, I'M FINE. 94 00:08:25,750 --> 00:08:29,670 >> Krystle: >> Andrew: WELL, WHAT'S IT GOING 95 00:08:29,670 --> 00:08:32,080 TO BE? 96 00:08:32,080 --> 00:08:35,000 >> Blake: UH...WOULD YOU ALL MIND WAITING IN THE LIVING ROOM, 97 00:08:35,000 --> 00:08:35,620 PLEASE? 98 00:08:35,620 --> 00:08:42,960 JOSEPH WILL SEE THAT YOU GET BREAKFAST. 99 00:08:42,960 --> 00:08:45,420 >> Andrew: THANK YOU. 100 00:08:45,420 --> 00:08:47,620 >> Blake: I'M SORRY ABOUT THIS, KRYSTLE. 101 00:08:47,620 --> 00:08:51,750 >> Krystle: BLAKE, WHAT'S THIS ALL ABOUT? 102 00:08:51,750 --> 00:08:53,750 >> Andrew: KRYSTLE... 103 00:08:53,750 --> 00:09:01,750 KRYSTLE, WOULD YOU, UH, COME WITH ME A MOMENT? 104 00:09:01,750 --> 00:09:09,670 WHY DON'T YOU SIT DOWN RIGHT THERE, PLEASE? 105 00:09:09,670 --> 00:09:15,040 NOW, WE'D APPRECIATE IT IF YOU WOULD, UH, SIGN THESE, PLEASE. 106 00:09:15,040 --> 00:09:17,120 >> Krystle: WHAT ARE THEY? 107 00:09:17,120 --> 00:09:21,750 >> Andrew: SOME PAPERS WE NEED YOU TO SIGN AS BLAKE'S WIFE. 108 00:09:21,750 --> 00:09:23,750 >> Krystle: IN THE MIDDLE OF THE NIGHT? 109 00:09:23,750 --> 00:09:24,750 IT COULDN'T WAIT? 110 00:09:24,750 --> 00:09:28,580 >> Andrew: NO, I'M AFRAID IT COULDN'T WAIT. 111 00:09:28,580 --> 00:09:31,710 >> Krystle: I REMEMBER SOME OTHER PAPERS YOU ASKED ME TO 112 00:09:31,710 --> 00:09:32,380 SIGN. 113 00:09:32,380 --> 00:09:34,790 >> Andrew: THE PREMARITAL SETTLEMENT. 114 00:09:34,790 --> 00:09:37,380 OH, THAT WAS JUST A FORMALITY. 115 00:09:37,380 --> 00:09:41,460 >> Krystle: THE IMPLICATION WAS THAT THE WEDDING WOULDN'T GO ON 116 00:09:41,460 --> 00:09:42,670 UNTIL I SIGNED. 117 00:09:42,670 --> 00:09:45,040 IS THIS THE SAME KIND OF FORMALITY? 118 00:09:45,040 --> 00:09:49,380 >> Blake: KRYSTLE...THIS IS THE SITUATION. 119 00:09:49,380 --> 00:09:51,750 I'M IN A JAM. 120 00:09:51,750 --> 00:09:54,920 I HAVE TO PUT MY HOLDINGS SOMEPLACE WHERE MY CREDITORS 121 00:09:54,920 --> 00:09:56,120 CAN'T GET AT THEM. 122 00:09:56,120 --> 00:10:00,040 NOW...THIS WILL MAKE YOU A CORPORATE OFFICER, AN EXECUTIVE 123 00:10:00,040 --> 00:10:09,540 IN CHARGE OF SEVERAL NEWLY FORMED SUBCORPORATIONS. 124 00:10:09,540 --> 00:10:12,540 I NEED YOU TO SIGN THOSE PAPERS. 125 00:10:12,540 --> 00:10:15,460 NOW, WILL YOU SIGN THEM FOR ME? 126 00:10:15,460 --> 00:10:17,380 >> Krystle: IS IT LEGAL? 127 00:10:17,380 --> 00:10:19,380 >> Blake: WHAT ARE YOU ASKING HIM FOR? 128 00:10:19,380 --> 00:10:21,210 I JUST EXPLAINED EVERYTHING TO YOU. 129 00:10:21,210 --> 00:10:25,170 NOW, WILL YOU SIGN THE PAPERS?! 130 00:10:25,170 --> 00:10:27,040 >> Andrew: HELLO? 131 00:10:35,920 --> 00:10:37,920 YES, HE'S HERE. 132 00:10:37,920 --> 00:10:39,620 JUST A MOMENT. 133 00:10:39,620 --> 00:10:41,670 >> Blake: I'M SORRY. 134 00:10:41,670 --> 00:10:44,830 I-I DIDN'T MEAN TO BE SO ROUGH. 135 00:10:44,830 --> 00:10:46,830 IT'S JUST THAT... 136 00:10:46,830 --> 00:10:48,620 >> Andrew: BLAKE? 137 00:10:48,620 --> 00:10:51,500 IT'S FOR YOU -- LONDON. 138 00:11:00,250 --> 00:11:01,750 >> Blake: YES? 139 00:11:01,750 --> 00:11:05,290 YES, JENKINS, IS THERE ANY WORD AT ALL OUT OF SAUDI ARABIA ABOUT 140 00:11:05,290 --> 00:11:07,880 ANYTHING GETTING THROUGH THE PERSIAN GULF? 141 00:11:07,880 --> 00:11:11,120 WELL, THERE'S GOT TO BE SOME WORD. 142 00:11:11,120 --> 00:11:19,880 YOU'VE GOT TO -- YOU -- YOU KEEP ABREAST OF IT. 143 00:11:19,880 --> 00:11:22,880 >> Walter: WE'RE RIGHT OUT HERE IN THE MIDDLE OF THIS GRAZING 144 00:11:22,880 --> 00:11:25,880 LAND, AND I'M TELLING YOU -- THE PRIME OIL JUST SEEPING RIGHT OUT 145 00:11:25,880 --> 00:11:26,920 OF THE GROUND. 146 00:11:26,920 --> 00:11:29,580 THAT FARMER COMES TO ME AND SAYS, "BOY, MY CATTLE CAN'T 147 00:11:29,580 --> 00:11:30,580 DRINK THAT STUFF." 148 00:11:30,580 --> 00:11:33,790 OH...I COULDN'T BELIEVE IT. 149 00:11:33,790 --> 00:11:35,120 >> Steven: WHERE WAS THIS? 150 00:11:35,120 --> 00:11:38,460 >> Walter: I WAS BACK IN THE PANHANDLE -- '63, '64, SOMEWHERE 151 00:11:38,460 --> 00:11:39,460 AROUND IN THERE. 152 00:11:39,460 --> 00:11:41,710 OH, '64 -- I GOT A DIVORCE THAT YEAR. 153 00:11:41,710 --> 00:11:43,880 I SHOULD NEVER FORGET THAT. 154 00:11:43,880 --> 00:11:46,620 >> Steven: WALT, HOW MANY TIMES YOU BEEN MARRIED? 155 00:11:46,620 --> 00:11:50,210 >> Walter: THREE. 156 00:11:50,210 --> 00:11:52,040 >> Steven: WHAT HAPPENED? 157 00:11:52,040 --> 00:11:54,210 >> Walter: OH, I THINK MOSTLY MY FAULT. 158 00:11:54,210 --> 00:11:55,920 I NEVER COULD SETTLE DOWN, BOY. 159 00:11:55,920 --> 00:11:59,210 LIKE MY LAST WIFE SAYS, "YOU KNOW, YOU JUST KEEP RIGHT ON 160 00:11:59,210 --> 00:12:03,040 CHASING THAT BIG OIL WELL, BUT ME -- I'M GETTING TIRED OF BEING 161 00:12:03,040 --> 00:12:05,750 A GYPSY, SO, PIE-CAKE, TOODLE-OO." 162 00:12:05,750 --> 00:12:08,670 PIE-CAKE -- SHE HAD A BAD HABIT OF CALLING ME "PIE-CAKE," AND 163 00:12:08,670 --> 00:12:10,920 THAT "TOODLE-OO" LIKE TO HAVE DROVE ME UP A TREE. 164 00:12:10,920 --> 00:12:12,120 WANT TO KNOW THE TRUTH? 165 00:12:12,120 --> 00:12:14,750 I BELIEVE THAT'S WHY I NEVER TRIED TO GET HER BACK. 166 00:12:14,750 --> 00:12:16,080 SAY ONE THING, BOY. 167 00:12:16,080 --> 00:12:18,920 WHEN IT CAME TO BEING A WOMAN, 168 00:12:18,920 --> 00:12:20,580 SHE WAS SOMETHING FIERCE. 169 00:12:20,580 --> 00:12:22,960 SHE HAD SKIN JUST LIKE CHINESE SILK. 170 00:12:22,960 --> 00:12:25,960 HAD A MOUTH LIKE ONE OF THEM LITTLE VALENTINE HEARTS. 171 00:12:25,960 --> 00:12:27,920 AND A BODY -- OH... 172 00:12:27,920 --> 00:12:33,580 THAT BODY WOULD DRIVE YOU RIGHT UP A TREE. 173 00:12:33,580 --> 00:12:36,670 GUESS YOU DON'T, UH, KNOW WHAT I'M TALKING ABOUT, THOUGH, DO 174 00:12:36,670 --> 00:12:39,080 YOU, BOY? 175 00:12:39,080 --> 00:12:40,790 >> Steven: SURE, I DO. 176 00:12:40,790 --> 00:12:43,080 >> Walter: YOU DO? 177 00:12:43,080 --> 00:12:45,460 WELL, THAT'S GOOD. 178 00:12:45,460 --> 00:12:47,460 THAT'S GOOD. 179 00:13:02,290 --> 00:13:04,040 >> Steven: WHAT'S THIS? 180 00:13:04,040 --> 00:13:07,620 >> Walter: WELL, IN THE, UH, WORDS OF THAT FAMOUS ITALIAN 181 00:13:07,620 --> 00:13:11,290 WHOSE NAME I CAN'T REMEMBER BUT GAVE PLACES LIKE THIS THEIR 182 00:13:11,290 --> 00:13:14,080 NAME, IT'S KNOWN AS A BORDELLO. 183 00:13:14,080 --> 00:13:16,120 >> Steven: YOU'VE GOT TO BE KIDDING. 184 00:13:16,120 --> 00:13:18,120 >> Walter: NO, I'M NOT KIDDING. 185 00:13:18,120 --> 00:13:20,290 WELL, I MEAN, MAYBE IT WAS A SPANIARD. 186 00:13:20,290 --> 00:13:23,460 I'M NOT SURE. 187 00:13:23,460 --> 00:13:27,380 NOW, LISTEN -- TELL YOU SOMETHING, STEVEN, AND YOU'RE 188 00:13:27,380 --> 00:13:32,290 YOUNG ENOUGH TO APPRECIATE IT AND BENEFIT BY IT. 189 00:13:32,290 --> 00:13:39,040 WELL...YOU TAKE FAST HORSES, GOOD AUTOMOBILES, BEAUTIFUL 190 00:13:39,040 --> 00:13:41,210 WOMEN -- THOSE THINGS ARE IMPORTANT. 191 00:13:41,210 --> 00:13:44,080 AND IF YOU GO TO YOUR GRAVE WITHOUT THEM, THEN THE WHOLE 192 00:13:44,080 --> 00:13:45,960 DARN THING'S JUST BEEN A WASTE. 193 00:13:45,960 --> 00:13:47,790 I MEAN, THAT'S THE NATURAL WAY. 194 00:13:47,790 --> 00:13:49,710 THAT'S THE WAY THE LORD MADE IT. 195 00:13:49,710 --> 00:13:52,420 WELL, THAT'S THE WAY IT'S SUPPOSED TO BE -- A MAN AND A 196 00:13:52,420 --> 00:13:53,040 WOMAN. 197 00:13:53,040 --> 00:13:55,120 THAT'S WHY HE MADE THEM THE WAY HE DID. 198 00:13:55,120 --> 00:13:57,250 I MEAN, THEY JUST KIND OF FIT TOGETHER. 199 00:13:57,250 --> 00:14:00,290 >> Steven: LOOK, WALTER, I APPRECIATE YOUR INTEREST. 200 00:14:00,290 --> 00:14:04,210 BUT I'M TIRED, AND I DON'T FEEL LIKE IT THIS MORNING. 201 00:14:04,210 --> 00:14:08,210 LOOK, SOME OTHER TIME, OKAY? 202 00:14:08,210 --> 00:14:09,540 >> HIYA, SWEET FACE. 203 00:14:09,540 --> 00:14:11,080 >> Walter: HEY, HOW YOU DOING? 204 00:14:11,080 --> 00:14:13,880 YEAH, WELL, I MEAN, A FELLOW SHOULDN'T PUT OFF TILL TOMORROW 205 00:14:13,880 --> 00:14:15,000 WHAT HE CAN DO TODAY. 206 00:14:15,000 --> 00:14:18,000 THIS BUSINESS WITH GIRLS -- IT'S JUST LIKE LEARNING TO SWIM, YOU 207 00:14:18,000 --> 00:14:18,250 KNOW? 208 00:14:18,250 --> 00:14:21,170 I MEAN, SOMETIMES YOU JUST HAVE TO JUMP IN, DO IT ALL AT ONCE. 209 00:14:21,170 --> 00:14:23,420 >> Steven: LOOK, WALTER, NOT TODAY, OKAY? 210 00:14:23,420 --> 00:14:29,290 SOME OTHER TIME. 211 00:14:29,290 --> 00:14:30,790 >> Walter: ALL RIGHT. 212 00:14:30,790 --> 00:14:31,710 YOUR CHOICE. 213 00:14:31,710 --> 00:14:35,210 I MEAN, WE EITHER DO IT NOW, OR I BREAK BOTH YOUR LEGS -- 214 00:14:35,210 --> 00:14:37,080 THAT'S YOUR CHOICE. 215 00:14:45,790 --> 00:14:47,040 >> GOOD MORNING, WALTER. 216 00:14:47,040 --> 00:14:48,080 IT'S BEEN SOME TIME. 217 00:14:48,080 --> 00:14:49,380 >> Walter: WELL, YEAH, IT HAS. 218 00:14:49,380 --> 00:14:52,170 >> SO MUCH SO, IN FACT, YOU FORGOT THAT WE DON'T OPEN BEFORE 219 00:14:52,170 --> 00:14:53,330 NOON ON SATURDAYS. 220 00:14:53,330 --> 00:14:56,290 >> Walter: WELL, I KNOW, BUT YOU GOTTA MAKE AN EXCEPTION FOR AN 221 00:14:56,290 --> 00:14:56,880 OLD FRIEND. 222 00:14:56,880 --> 00:14:59,920 I MEAN, WHAT WE GOT HERE IS A KIND OF AN EMERGENCY, YOU KNOW 223 00:14:59,920 --> 00:15:00,620 WHAT I MEAN? 224 00:15:00,620 --> 00:15:02,290 >> YEAH, I KNOW WHAT YOU MEAN. 225 00:15:02,290 --> 00:15:04,210 OKAY, COME ON IN. 226 00:15:13,170 --> 00:15:14,750 >> WELL, HOW ABOUT A DRINK? 227 00:15:14,750 --> 00:15:17,670 >> Walter: OH, NO, I DON'T -- I DON'T THINK SO. 228 00:15:17,670 --> 00:15:21,330 THERE ARE CERTAIN THINGS FOLKS DON'T LIKE TO DO IN THE MORNING, 229 00:15:21,330 --> 00:15:22,250 YOU KNOW? 230 00:15:22,250 --> 00:15:25,830 >> HAVE A SEAT, PLEASE. 231 00:15:25,830 --> 00:15:28,210 HERE, THESE ARE PHOTOGRAPHS OF MY GIRLS. 232 00:15:28,210 --> 00:15:29,210 JUST TAKE YOUR PICK. 233 00:15:29,210 --> 00:15:33,210 >> Walter: THANK YOU. 234 00:15:33,210 --> 00:15:35,080 OH, BOY! 235 00:15:35,080 --> 00:15:37,420 YEAH, I DON'T THINK WE NEED THAT BOOK. 236 00:15:37,420 --> 00:15:41,250 I MEAN, WHAT WE DO NEED IS A LOVELY YOUNG GIRL WHO WOULD LIKE 237 00:15:41,250 --> 00:15:43,290 TO MEET A HANDSOME YOUNG MAN HERE. 238 00:15:43,290 --> 00:15:45,540 >> WELL, I THINK SARAH PAT. 239 00:15:45,540 --> 00:15:50,250 SHE'S NEW, AND SHE'S FROM ATLANTA, AND SHE'S VERY GENTEEL 240 00:15:50,250 --> 00:15:51,380 TO A POINT. 241 00:15:51,380 --> 00:15:53,750 >> Walter: YEAH, THAT'D BE FINE. 242 00:15:53,750 --> 00:15:56,380 >> WALTER, WHAT ABOUT YOU? 243 00:15:56,380 --> 00:15:57,880 >> Walter: OH, NO. 244 00:15:57,880 --> 00:16:00,580 NO, I'LL JUST WAIT DOWN HERE, THANK YOU. 245 00:16:00,580 --> 00:16:01,250 >> YOU SURE? 246 00:16:01,250 --> 00:16:02,500 >> Walter: YEAH, YEAH. 247 00:16:02,500 --> 00:16:03,210 >> OKAY. 248 00:16:03,210 --> 00:16:04,670 >> Walter: SHE'S A NICE GIRL. 249 00:16:04,670 --> 00:16:06,170 GOT A NICE PLACE HERE, TOO. 250 00:16:06,170 --> 00:16:07,460 KEEPS IT NEAT AS A PIN. 251 00:16:07,460 --> 00:16:09,330 I LIKE THAT. 252 00:16:19,580 --> 00:16:21,460 >> Steven: MOZART'S "C" MAJOR 253 00:16:37,960 --> 00:16:38,380 SONATA. 254 00:16:38,380 --> 00:16:39,790 THAT'S REAL NICE, WALTER. 255 00:16:39,790 --> 00:16:41,420 WHERE'D YOU LEARN TO DO THAT? 256 00:16:41,420 --> 00:16:43,830 >> Walter: OH...WHEN I WAS A LITTLE BOY. 257 00:16:43,830 --> 00:16:48,420 TOO YOUNG TO KNOW ANY BETTER, I IMAGINE. 258 00:16:48,420 --> 00:16:52,210 MY MOM USED TO CALL IT "THE MUSIC BOX SONG." 259 00:16:52,210 --> 00:16:57,040 COME HOME FROM SCHOOL SO MANY TIMES, SHE'D BE SITTING THERE... 260 00:16:57,040 --> 00:16:59,250 LOOKING A LITTLE PALE AND WEAK. 261 00:16:59,250 --> 00:17:03,290 SHE'D SAY, "SONNY, IT'S BEEN SO QUIET AROUND HERE ALL DAY. 262 00:17:03,290 --> 00:17:07,210 COULD YOU PLAY THAT MUSIC BOX SONG FOR ME?" 263 00:17:07,210 --> 00:17:10,420 AND I'D PLAY IT. 264 00:17:10,420 --> 00:17:13,540 BUT YOU'RE NOT GONNA GO BLABBING IT ALL OVER TOWN, NOW, ARE YOU, 265 00:17:13,540 --> 00:17:15,710 BOY? 266 00:17:15,710 --> 00:17:17,830 >> OKAY, SWEET FACE, YOU READY? 267 00:17:17,830 --> 00:17:22,210 >> Walter: OH. 268 00:17:22,210 --> 00:17:27,540 GO ON, BOY. 269 00:17:27,540 --> 00:17:31,000 >> SECOND DOOR ON THE LEFT. 270 00:17:31,000 --> 00:17:32,880 >> Walter: BE GENTLE, NOW. 271 00:17:39,040 --> 00:17:40,920 [ INDISTINCT CONVERSATIONS ON 272 00:17:49,080 --> 00:17:51,500 TELEVISION ] >> Sarah Pat: DO YOU WANT ME TO 273 00:17:51,500 --> 00:17:53,960 UNDRESS YOU, OR DO YOU WANT TO DO IT YOURSELF? 274 00:17:53,960 --> 00:17:55,830 >> Steven: OH, I-I CAN DO IT. 275 00:18:01,580 --> 00:18:06,210 >> Sarah Pat: OH. 276 00:18:06,210 --> 00:18:08,290 COME ON. 277 00:18:08,290 --> 00:18:12,540 CAN'T BE YOUR FIRST TIME, HANDSOME GUY LIKE YOU. 278 00:18:12,540 --> 00:18:18,500 >> Steven: NO, OF COURSE NOT. 279 00:18:18,500 --> 00:18:21,960 >> Sarah Pat: IT IS, ISN'T IT? 280 00:18:21,960 --> 00:18:23,210 IT'S OKAY. 281 00:18:23,210 --> 00:18:26,830 HEY, THAT HAPPENS TO BE MY SPECIALITY -- MAKING NEWCOMERS 282 00:18:26,830 --> 00:18:28,250 FEEL RIGHT TO HOME. 283 00:18:28,250 --> 00:18:34,040 COME ON. 284 00:18:34,040 --> 00:18:44,500 >> Steven: 285 00:18:44,500 --> 00:18:46,380 NOW...COME ON. 286 00:19:21,830 --> 00:19:24,830 >> Steven: LOOK, IT'S NOT THE FIRST TIME, AND IT'S NOT WHAT 287 00:19:24,830 --> 00:19:25,750 YOU'RE THINKING. 288 00:19:25,750 --> 00:19:27,000 >> Sarah Pat: IS IT ME? 289 00:19:27,000 --> 00:19:30,750 DID I DO SOMETHING WRONG? 290 00:19:30,750 --> 00:19:36,960 HONEST, I'M REAL GOOD. 291 00:19:36,960 --> 00:19:41,790 JUST TELL ME WHAT YOU LIKE. 292 00:19:41,790 --> 00:19:45,460 SOME WOMAN MUST HAVE HURT YOU REAL BAD. 293 00:19:45,460 --> 00:19:47,170 IS THAT WHAT IT IS? 294 00:19:47,170 --> 00:19:49,790 >> Steven: I-I'M TIRED. 295 00:19:49,790 --> 00:19:54,580 I'VE BEEN ON THE GRAVEYARD SHIFT, AND I'M FEELING VERY 296 00:19:54,580 --> 00:19:55,830 TIRED. 297 00:19:55,830 --> 00:19:58,790 >> Sarah Pat: WHAT DID YOU COME HERE FOR? 298 00:19:58,790 --> 00:20:02,620 >> Steven: MY FRIEND WALTER -- HE, UH... 299 00:20:02,620 --> 00:20:07,620 >> Sarah Pat: MMM. 300 00:20:07,620 --> 00:20:15,290 WHAT WAS IT, SOME KIND OF BET OR SOMETHING? 301 00:20:15,290 --> 00:20:18,330 >> Steven: OH, I'M SORRY. 302 00:20:18,330 --> 00:20:22,250 I -- COULD -- COULD WE JUST SIT AND 303 00:20:22,250 --> 00:20:23,120 TALK A LITTLE? 304 00:20:23,120 --> 00:20:27,670 >> Sarah Pat: I DON'T GET PAID TO TALK. 305 00:20:27,670 --> 00:20:29,830 >> Steven: HOW OLD ARE YOU, SARAH? 306 00:20:29,830 --> 00:20:31,540 >> Sarah Pat: SARAH PAT. 307 00:20:31,540 --> 00:20:33,580 >> Steven: SARAH PAT. 308 00:20:33,580 --> 00:20:35,830 >> Sarah Pat: I'M OLD ENOUGH TO BE HERE. 309 00:20:35,830 --> 00:20:43,710 WHAT DO YOU WANT TO SEE, A WORK PERMIT OR SOMETHING? 310 00:20:43,710 --> 00:20:47,830 NOW I'M SORRY. 311 00:20:47,830 --> 00:20:53,710 MAKE US EVEN? 312 00:20:53,710 --> 00:20:57,790 WE COULD JUST WATCH SOME TV OR SOMETHING IF YOU'D RATHER. 313 00:20:57,790 --> 00:21:00,580 >> Steven: I'D RATHER. 314 00:21:00,580 --> 00:21:03,580 >> Sarah Pat: EXCEPT THAT, UM, WELL, I HATE TO DO IT, BUT I'M 315 00:21:03,580 --> 00:21:04,880 GONNA HAVE TO MAKE YOU PAY. 316 00:21:04,880 --> 00:21:07,750 I KNOW HOW HARD YOU WORK FOR YOUR MONEY AND EVERYTHING, BUT 317 00:21:07,750 --> 00:21:10,330 IT'S THE HOUSE RULES. 318 00:21:10,330 --> 00:21:12,790 >> Steven: IT'S OKAY, SARAH PAT. 319 00:21:12,790 --> 00:21:14,120 >> Sarah Pat: YOU SURE? 320 00:21:14,120 --> 00:21:17,000 >> Steven: YES. 321 00:21:17,000 --> 00:21:20,420 >> Sarah Pat: YOU KNOW, THIS PLACE IS JUST BUSTING OVER WITH 322 00:21:20,420 --> 00:21:23,790 HOUSE RULES. 323 00:21:23,790 --> 00:21:26,830 I THINK IT'S JUST ABOUT TIME FOR "THE ROOKIES," TOO. 324 00:21:26,830 --> 00:21:30,290 OF COURSE, I'VE SEEN EVERY ONE OF THEM A GOOD 10 TIMES. 325 00:21:30,290 --> 00:21:33,830 IT'S GONNA BE A RERUN, BUT... 326 00:21:33,830 --> 00:21:36,830 NEXT TO "HAPPY DAYS," I'D HAVE TO SAY IT'S JUST ABOUT MY 327 00:21:36,830 --> 00:21:38,710 TRUE-BLUE FAVORITE. 328 00:21:54,040 --> 00:21:56,960 >> Walter: NOW, WASN'T I RIGHT? 329 00:21:56,960 --> 00:22:00,330 WASN'T THAT BETTER THAN A BARBECUED-BEEF SANDWICH, AND 330 00:22:00,330 --> 00:22:03,960 MORE BEAUTIFUL THAN PARIS OR ROME AND ALL THE SUNSETS YOU'VE 331 00:22:03,960 --> 00:22:05,460 EVER SEEN? 332 00:22:05,460 --> 00:22:07,420 >> Steven: YEP, YOU'RE RIGHT, WALTER. 333 00:22:07,420 --> 00:22:09,330 >> Walter: THAT'S JUST THE BEGINNING. 334 00:22:09,330 --> 00:22:10,620 THAT'S JUST CHAPTER ONE. 335 00:22:10,620 --> 00:22:13,500 I GOT SOME THINGS TO TELL YOU YOU'RE NOT GONNA BELIEVE, BOY. 336 00:22:13,500 --> 00:22:45,460 YEAH, I KNEW WE COULD FIX IT. 337 00:22:45,460 --> 00:22:48,710 >> Melanie: HEY, WHAT DO WE HAVE TO DO, 338 00:22:48,710 --> 00:22:50,620 SERVE YOU THE BALL IN A PAPER SACK? 339 00:22:50,620 --> 00:22:51,920 >> Doris: SHE CUT THE BALL. 340 00:22:51,920 --> 00:22:54,710 THERE WAS TOPSPIN ON IT. 341 00:22:54,710 --> 00:22:57,420 HEY, WHERE THE HECK DID YOU LEARN TO DO THAT? 342 00:22:57,420 --> 00:23:01,000 >> Krystle: SORRY, GUYS, BUT TENNIS IS A BLOOD SPORT AROUND 343 00:23:01,000 --> 00:23:01,420 HERE. 344 00:23:01,420 --> 00:23:19,040 PEOPLE HAVE BEEN EXECUTED FOR MISSING A BACKHAND. 345 00:23:19,040 --> 00:23:21,920 >> Melanie: DORIS, YOU'RE REALLY STARTING TO EMBARRASS ME. 346 00:23:21,920 --> 00:23:23,000 THERE ARE TWO OF US. 347 00:23:23,000 --> 00:23:24,040 THERE'S ONLY ONE OF HER. 348 00:23:24,040 --> 00:23:27,170 >> Doris: I TYPE 85 WORDS A MINUTE, AND SHE ONLY TYPES 60. 349 00:23:27,170 --> 00:23:30,000 SO HOW COME SHE GETS THE BIG HOUSE AND THE JEWELS AND THE 350 00:23:30,000 --> 00:23:30,290 FURS? 351 00:23:30,290 --> 00:23:33,290 SURE, GIVE ME MY OWN TENNIS COURT AND A PRO TO TEACH ME, AND 352 00:23:33,290 --> 00:23:38,210 INSIDE OF 2 WEEKS I WILL BEAT -- >> Krystle: 353 00:23:38,210 --> 00:23:40,040 >> Doris: I'M SORRY, KRYSTLE. 354 00:23:40,040 --> 00:23:44,210 I DIDN'T MEAN IT. 355 00:23:44,210 --> 00:23:46,420 >> Krystle: HEY, I UNDERSTAND. 356 00:23:52,210 --> 00:23:54,080 >> Walter: WHAT THE HELL?! 357 00:24:24,960 --> 00:24:29,250 CUT HIM DOWN! 358 00:24:29,250 --> 00:24:31,710 >> Matthew: WHAT THE HELL'S GOING ON HERE? 359 00:24:31,710 --> 00:24:34,080 >> THE BIT TWISTED OFF, AND GUESS WHO DID IT. 360 00:24:34,080 --> 00:24:35,540 >> YEAH, BIG GUESS. 361 00:24:35,540 --> 00:24:36,920 IT WAS CARRINGTON. 362 00:24:36,920 --> 00:24:38,880 >> JUST WHAT WE NEEDED, RIGHT? 363 00:24:38,880 --> 00:24:40,250 >> Matthew: WHERE WERE YOU? 364 00:24:40,250 --> 00:24:41,250 YOU'RE THE DAMN DRILLER. 365 00:24:41,250 --> 00:24:43,210 >> Ed: I WAS TRYING TO FIX THE SHAKER. 366 00:24:43,210 --> 00:24:44,380 I PUT CARRINGTON ON A BREAK. 367 00:24:44,380 --> 00:24:45,830 I THOUGHT I COULD TRUST HIM. 368 00:24:45,830 --> 00:24:47,120 >> Walter: JUST GET HIM DOWN. 369 00:24:47,120 --> 00:24:50,120 >> NO, WE AIN'T LETTING HIM DOWN UNTIL HE ADMITS IT -- THAT HE 370 00:24:50,120 --> 00:24:51,120 DID IT ON PURPOSE. 371 00:24:51,120 --> 00:24:54,210 >> I AIN'T LETTING NOBODY -- >> Matthew: YOU HEARD THE MAN. 372 00:24:54,210 --> 00:24:55,120 ED, GET HIM DOWN! 373 00:24:55,120 --> 00:24:57,000 >> Ed: RIGHT. 374 00:25:25,790 --> 00:25:29,540 >> Walter: YOU KNOW WHAT WE GOT TO DO NOW, DON'T YOU? 375 00:25:29,540 --> 00:25:32,380 >> Matthew: I DON'T WANT TO HEAR IT, WALTER. 376 00:25:32,380 --> 00:25:37,330 >> Walter: I'M AFRAID YOU'RE GONNA HAVE TO HEAR IT. 377 00:25:37,330 --> 00:25:41,210 I'LL GET AHOLD OF CARRINGTON OR ONE OF THOSE OTHER RICH BIRDS AT 378 00:25:41,210 --> 00:25:45,290 THAT PARTY -- COLBY, HARRISON -- WHAT WAS HIS NAME? 379 00:25:45,290 --> 00:25:48,460 SEE IF THEY WANT TO BUY A LITTLE PIECE OF THE ACTION HERE, TRY TO 380 00:25:48,460 --> 00:25:52,620 GET ENOUGH MONEY TO FINISH THIS DUDE UP. 381 00:25:52,620 --> 00:25:56,290 I MEAN, IT'S NOT LIKE WE DIDN'T TRY, NOT LIKE WE'RE GIVING UP. 382 00:25:56,290 --> 00:26:00,170 WE CAN ALWAYS GO TO OUR SECOND OPTION, AND THAT'S GO BROKE. 383 00:26:00,170 --> 00:26:03,210 >> Matthew: WELL, GIVE US A DAY, WALTER. 384 00:26:03,210 --> 00:26:07,620 IF WE'VE GOT TO GO TO CARRINGTON OR ANY OF THE OTHERS, AT LEAST 385 00:26:07,620 --> 00:26:11,080 GIVE US A DAY TO TRY TO FIND ANOTHER WAY OUT. 386 00:26:11,080 --> 00:26:13,960 >> Walter: WE'LL JUST TAKE A DAY. 387 00:26:13,960 --> 00:26:16,330 I'LL CALL HIM IN THE MORNING. 388 00:26:16,330 --> 00:26:18,710 >> YOU OKAY? 389 00:26:18,710 --> 00:26:22,170 HUH? 390 00:26:22,170 --> 00:26:27,620 THERE YOU GO. 391 00:26:27,620 --> 00:26:31,290 >> Steven: MATTHEW, I SWEAR I DIDN'T DO IT ON PURPOSE. 392 00:26:31,290 --> 00:26:41,580 >> Matthew: I THINK IT'S BEST YOU LEAVE, STEVEN. 393 00:26:41,580 --> 00:26:45,460 >> Walter: I WAS JUST BEGINNING TO LIKE THAT BOY, TOO. 394 00:26:45,460 --> 00:26:49,330 >> Matthew: WELL, IT COULD HAVE HAPPENED TO ANY OF US. 395 00:26:49,330 --> 00:26:53,290 >> YEAH, BUT DON'T FORGET IT'S HIS FATHER'S THE ONE THAT'S BEEN 396 00:26:53,290 --> 00:26:56,920 WAITING AROUND, JUST TRYING TO TAKE AWAY EVERYTHING WE'VE BEEN 397 00:26:56,920 --> 00:26:57,790 WORKING FOR. 398 00:26:57,790 --> 00:27:01,540 >> Matthew: WHY DON'T YOU GUYS SECURE THE RIG, AND WE'LL TAKE 399 00:27:01,540 --> 00:27:03,420 THE REST OF THE DAY OFF, OKAY? 400 00:27:03,420 --> 00:27:04,290 >> Ed: OKAY. 401 00:27:04,290 --> 00:27:07,500 >> YEAH, OKAY. 402 00:27:13,170 --> 00:27:15,620 >> Krystle: BOY, YOU'RE HOME 403 00:27:21,960 --> 00:27:22,420 EARLY. 404 00:27:22,420 --> 00:27:24,120 WOULD YOU LIKE SOME LUNCH? 405 00:27:24,120 --> 00:27:25,330 >> Steven: NO. 406 00:27:25,330 --> 00:27:28,460 >> Krystle: YOU CHANGED SHIFTS? 407 00:27:28,460 --> 00:27:30,460 >> Steven: WE TWISTED OFF. 408 00:27:30,460 --> 00:27:31,460 WE SHUT DOWN. 409 00:27:31,460 --> 00:27:33,000 >> Blake: I KNOW. 410 00:27:33,000 --> 00:27:35,080 >> Steven: HOW DO YOU KNOW? 411 00:27:35,080 --> 00:27:39,120 >> Blake: BAD NEWS TRAVELS FAST. 412 00:27:39,120 --> 00:27:41,170 >> Steven: BAD NEWS OR GOOD NEWS? 413 00:27:41,170 --> 00:27:42,500 >> Blake: YOU'RE RIGHT. 414 00:27:42,500 --> 00:27:45,580 I GUESS IT DOES DEPEND ON YOUR POINT OF VIEW. 415 00:27:45,580 --> 00:27:50,380 >> Steven: DAD, IT WAS MY FAULT. 416 00:27:50,380 --> 00:27:52,620 >> Blake: OH, THAT I DIDN'T KNOW. 417 00:27:52,620 --> 00:27:54,580 WELL, THAT COULD HAPPEN TO ANYONE. 418 00:27:54,580 --> 00:27:57,250 >> Steven: BUT IT DIDN'T HAPPEN TO ANYONE. 419 00:27:57,250 --> 00:27:57,920 IT WAS ME. 420 00:27:57,920 --> 00:27:59,580 IT WAS MY RESPONSIBILITY. 421 00:27:59,580 --> 00:28:00,750 THEY GAVE ME A CHANCE. 422 00:28:00,750 --> 00:28:03,460 THEY TRUSTED ME. 423 00:28:03,460 --> 00:28:06,500 THIS WAS MATTHEW AND WALTER'S BIG SHOT. 424 00:28:06,500 --> 00:28:08,920 AND... 425 00:28:08,920 --> 00:28:11,380 DAD, I WANT YOU TO GIVE THEM A 426 00:28:18,670 --> 00:28:19,120 CHANCE. 427 00:28:19,120 --> 00:28:23,500 I WANT YOU TO EXTEND THEIR LEASE TIME. 428 00:28:23,500 --> 00:28:26,330 >> Blake: WHY IN THE WORLD WOULD I WANT TO DO THAT? 429 00:28:26,330 --> 00:28:29,290 YOU KNOW VERY WELL THAT I'VE BEEN WAITING AROUND FOR THOSE 430 00:28:29,290 --> 00:28:29,710 LEASES. 431 00:28:29,710 --> 00:28:32,580 BESIDES THAT, I'VE GOT PROBLEMS OF MY OWN RIGHT NOW. 432 00:28:32,580 --> 00:28:35,710 >> Steven: MATTHEW AND WALTER DIDN'T CAUSE YOUR PROBLEMS. 433 00:28:35,710 --> 00:28:36,750 I CAUSED THEIRS. 434 00:28:36,750 --> 00:28:40,540 DAD, I WANT YOU TO HELP THEM. 435 00:28:40,540 --> 00:28:42,540 I'LL DO ANYTHING YOU WANT. 436 00:28:42,540 --> 00:28:47,620 I'LL COME BACK TO WORK FOR YOU. 437 00:28:47,620 --> 00:28:53,750 I-I'LL...I'LL TRY TO BE THE SON YOU WANT ME TO BE. 438 00:28:53,750 --> 00:28:57,580 >> Blake: OH? 439 00:28:57,580 --> 00:29:00,540 YOU MEAN THAT YOU WOULD, UH -- THAT YOU'D TAKE A JOB IN MY 440 00:29:00,540 --> 00:29:01,620 PUBLIC-RELATIONS OFFICE? 441 00:29:01,620 --> 00:29:02,750 >> Steven: YES, SIR. 442 00:29:02,750 --> 00:29:06,080 >> Blake: YOU MEAN IF I CALLED UP BRIAN CABLE AND SAID THAT YOU 443 00:29:06,080 --> 00:29:08,920 WANTED TO DATE HIS DAUGHTER, THAT YOU'D GO OUT WITH HER? 444 00:29:08,920 --> 00:29:10,380 >> Steven: YES, SIR. 445 00:29:10,380 --> 00:29:13,580 >> Blake: DOES THAT MEAN THAT YOU WOULD GIVE UP YOUR CURIOUS 446 00:29:13,580 --> 00:29:18,620 NEW YORK WAYS? 447 00:29:18,620 --> 00:29:20,620 >> Steven: YES, SIR. 448 00:29:20,620 --> 00:29:23,710 >> Blake: AND YOU WOULD DO ALL THAT FOR MATTHEW BLAISDEL, AND 449 00:29:23,710 --> 00:29:25,080 YOU WON'T DO THAT FOR ME? 450 00:29:25,080 --> 00:29:27,500 >> Steven: DAD, I WANT YOU TO DO WHAT'S FAIR. 451 00:29:27,500 --> 00:29:30,500 >> Blake: I DON'T WANT YOUR CONDITIONS, YOU UNDERSTAND THAT? 452 00:29:30,500 --> 00:29:33,290 YOU DON'T GIVE ME ANY CONDITIONS. 453 00:29:33,290 --> 00:29:35,710 YOU BE WHAT I WANT YOU TO BE. 454 00:29:35,710 --> 00:29:40,040 DO YOU UNDERSTAND THAT? 455 00:29:40,040 --> 00:29:41,920 WAIT A MINUTE. 456 00:29:50,580 --> 00:29:54,960 STEVEN...I DON'T MEAN TO HURT YOU, AND I KNOW YOU DON'T MEAN 457 00:29:54,960 --> 00:29:57,540 TO HURT ME. 458 00:29:57,540 --> 00:30:00,420 WHY DO YOU THINK I'VE WORKED SO HARD? 459 00:30:00,420 --> 00:30:04,620 WHO DO YOU THINK I'VE BUILT ALL THIS FOR? 460 00:30:04,620 --> 00:30:06,710 I'M NOT GOING TO BE AROUND FOREVER, YOU KNOW. 461 00:30:06,710 --> 00:30:09,880 IT'S FOR YOU -- ALL OF IT. 462 00:30:09,880 --> 00:30:21,460 I DID IT FOR YOU AND YOUR SISTER AND -- AND MY FAMILY. 463 00:30:21,460 --> 00:30:25,000 >> Steven: I'M SURE YOU THOUGHT THAT'S WHAT YOU WERE DOING, AND 464 00:30:25,000 --> 00:30:26,170 I APPRECIATE IT. 465 00:30:26,170 --> 00:30:28,460 I REALLY DO. 466 00:30:28,460 --> 00:30:33,210 BUT I STILL NEED TO KNOW -- ARE YOU GOING TO LET LANKERSHIM AND 467 00:30:33,210 --> 00:30:34,500 BLAISDEL UP? 468 00:30:34,500 --> 00:30:36,380 >> Blake: NO. 469 00:30:50,670 --> 00:30:56,170 YOU'RE THINKING? 470 00:30:56,170 --> 00:30:59,880 >> Krystle: I WAS THINKING ABOUT HOW 471 00:30:59,880 --> 00:31:01,750 BEAUTIFUL IT IS HERE... 472 00:31:01,750 --> 00:31:03,460 AND HOW UGLY SOMETIMES. 473 00:31:03,460 --> 00:31:11,170 >> Blake: TWO FOR THE PRICE OF ONE. 474 00:31:11,170 --> 00:31:13,380 >> Krystle: HE'S YOUR SON, BLAKE. 475 00:31:13,380 --> 00:31:15,880 YOUR SON OPENED UP TO YOU. 476 00:31:15,880 --> 00:31:19,790 HE THREW HIMSELF AT YOU -- AT YOUR MERCY. 477 00:31:19,790 --> 00:31:23,330 AND YOU CUT HIM OFF AGAIN. 478 00:31:23,330 --> 00:31:25,750 HOW CAN YOU EVER EXPECT TO BE CLOSE TO HIM? 479 00:31:25,750 --> 00:31:28,880 >> Blake: IS IT STEVEN THAT YOU'RE SO CONCERNED ABOUT, OR IS 480 00:31:28,880 --> 00:31:29,960 IT MATTHEW BLAISDEL? 481 00:31:29,960 --> 00:31:32,460 >> Krystle: THAT'S A ROTTEN THING TO SAY. 482 00:31:32,460 --> 00:31:35,120 >> Blake: SOMETIMES ROTTEN THINGS HAVE TO BE SAID. 483 00:31:35,120 --> 00:31:37,380 >> Krystle: AND DONE, CARRINGTON STYLE. 484 00:31:37,380 --> 00:31:39,000 >> Blake: WHAT DOES THAT MEAN? 485 00:31:39,000 --> 00:31:41,500 >> Krystle: MATTHEW WAS YOUR FRIEND. 486 00:31:41,500 --> 00:31:45,040 UP UNTIL 6 WEEKS AGO, HE WORKED HIS HEART OUT FOR YOU. 487 00:31:45,040 --> 00:31:46,580 >> Blake: YES, THEN HE QUIT. 488 00:31:46,580 --> 00:31:49,380 HE WALKED OUT ON ME, END OF LOYALTY, END OF FRIENDSHIP -- 489 00:31:49,380 --> 00:31:51,000 PERIOD. 490 00:31:51,000 --> 00:31:53,920 >> Krystle: HE WAS TRYING TO MAKE IT ON HIS OWN JUST LIKE YOU 491 00:31:53,920 --> 00:31:54,170 DID. 492 00:31:54,170 --> 00:31:55,580 >> Blake: AND HE'S FAILING. 493 00:31:55,580 --> 00:31:58,620 >> Krystle: AND YOU DID EVERYTHING YOU COULD TO SEE THAT 494 00:31:58,620 --> 00:31:59,960 HE'D FAILED, DIDN'T YOU? 495 00:31:59,960 --> 00:32:01,830 >> Blake: I DID NOTHING. 496 00:32:01,830 --> 00:32:04,500 >> Krystle: YOU CALL THE PARTY NOTHING? 497 00:32:04,500 --> 00:32:07,420 YOU INVITED HIM THAT EVENING FOR NOTHING? 498 00:32:07,420 --> 00:32:09,710 YOU PROMISED TO HELP HIM. 499 00:32:09,710 --> 00:32:12,880 BUT WHAT YOU REALLY WERE DOING WAS TRYING TO SEDUCE HIM BACK 500 00:32:12,880 --> 00:32:14,080 INTO YOUR COMPANY, RIGHT? 501 00:32:14,080 --> 00:32:15,500 >> Blake: RIGHT. YES. 502 00:32:15,500 --> 00:32:18,960 AND I USED THIS HOUSE, AND I USED THE WINE AND THE IMPORTANT 503 00:32:18,960 --> 00:32:22,540 GUESTS TO SELL HIM, TO CONVINCE HIM ABOUT SOMETHING THAT I 504 00:32:22,540 --> 00:32:24,080 THOUGHT WOULD HELP US BOTH. 505 00:32:24,080 --> 00:32:29,040 >> Krystle: SUPPOSE, JUST SUPPOSE, THAT IT ONLY WOULD HAVE 506 00:32:29,040 --> 00:32:31,330 BEEN GOOD FOR YOU AND NOT HIM. 507 00:32:31,330 --> 00:32:33,920 >> Blake: WELL, MINE IS A PRACTICAL BUSINESS, SOMETIMES A 508 00:32:33,920 --> 00:32:34,920 DIRTY BUSINESS. 509 00:32:34,920 --> 00:32:37,290 >> Krystle: HOW ABOUT ITS BEING A HUMAN BUSINESS? 510 00:32:37,290 --> 00:32:41,580 >> Blake: LOOK, I HAVE STOCKHOLDERS TO ANSWER TO AND A 511 00:32:41,580 --> 00:32:43,120 BOARD OF DIRECTORS. 512 00:32:43,120 --> 00:32:47,580 YES, YES, I CLAW EVERY NOW AND THEN TO KEEP THOSE PEOPLE 513 00:32:47,580 --> 00:32:48,420 SMILING. 514 00:32:48,420 --> 00:32:53,040 BUT WHAT YOU CALL SEDUCING, I CALL NEGOTIATING. 515 00:32:53,040 --> 00:32:55,330 NOW, YOU LEARN THAT... 516 00:32:55,330 --> 00:32:58,540 UNLESS YOU WANT TO SEE DENVER-CARRINGTON BAILED OUT BY 517 00:32:58,540 --> 00:33:01,080 CONGRESS OR, WORSE THAN THAT, GO UNDER. 518 00:33:01,080 --> 00:33:04,580 YOU DO NOT SURVIVE BY GIVING ANYTHING AWAY. 519 00:33:04,580 --> 00:33:07,080 AND SURVIVAL IS THE ONLY THING THAT COUNTS. 520 00:33:07,080 --> 00:33:10,170 THERE ARE THE WOLVES, AND THERE ARE THE SHEEP, AND IF YOU'RE A 521 00:33:10,170 --> 00:33:13,460 SHEEP, YOU GET KILLED AND YOU GET EATEN BECAUSE THAT'S THE WAY 522 00:33:13,460 --> 00:33:14,620 IT IS IN THIS WORLD. 523 00:33:14,620 --> 00:33:17,380 >> Krystle: I GUESS I'M A SHEEP. 524 00:33:17,380 --> 00:33:19,420 >> Blake: AND WHAT DOES THAT MEAN? 525 00:33:19,420 --> 00:33:25,750 >> Krystle: THERE'S NO OTHER WAY TO SAY IT. 526 00:33:25,750 --> 00:33:39,170 I WAS THE ONE YOU USED TO SEDUCE MATTHEW. 527 00:33:39,170 --> 00:33:45,620 >> Fallon: I'M GOING WITH YOU. 528 00:33:45,620 --> 00:33:47,290 HOW ABOUT FIJI? 529 00:33:47,290 --> 00:33:49,710 I'VE NEVER BEEN THERE. 530 00:33:49,710 --> 00:33:52,210 DON'T YOU WANT TO TAKE YOUR KID SISTER? 531 00:33:52,210 --> 00:33:53,250 >> Steven: NO. 532 00:33:53,250 --> 00:33:57,120 >> Fallon: AND TO THINK THAT, FOR SIBLINGS, WE WERE GETTING 533 00:33:57,120 --> 00:34:01,330 ALONG SO WELL UNTIL NOW. 534 00:34:01,330 --> 00:34:07,210 YOU'RE GOING TO NEW YORK, AREN'T YOU -- BACK TO HIM? 535 00:34:07,210 --> 00:34:09,330 >> Steven: TO WHO? 536 00:34:09,330 --> 00:34:12,540 >> Fallon: YOU WANT TO PLAY HIDE-AND-SEEK, STEVIE, OR YOU 537 00:34:12,540 --> 00:34:14,080 WANT TO TALK LIKE BIG PEOPLE? 538 00:34:14,080 --> 00:34:17,080 >> Steven: LOOK, FALLON, I'M NOT IN THE MOOD TO PLAY ANY OF YOUR 539 00:34:17,080 --> 00:34:19,580 LITTLE GAMES, OKAY? 540 00:34:19,580 --> 00:34:20,880 HOW DO YOU KNOW? 541 00:34:20,880 --> 00:34:22,170 >> Fallon: I KNOW. 542 00:34:22,170 --> 00:34:26,040 I DON'T KNOW HIS NAME, BUT I KNOW THAT HE EXISTS. 543 00:34:26,040 --> 00:34:27,710 >> Steven: THE NAME IS TED. 544 00:34:27,710 --> 00:34:29,210 >> Fallon: OH. 545 00:34:29,210 --> 00:34:32,250 IS THAT FOR THEODORE OR EDWARD? 546 00:34:32,250 --> 00:34:36,080 OH, WHO THE HELL CARES? 547 00:34:36,080 --> 00:34:39,210 WHY ARE YOU GOING BACK TO HIM? 548 00:34:39,210 --> 00:34:42,540 >> Steven: BECAUSE I WANT TO. 549 00:34:42,540 --> 00:34:47,000 BECAUSE HE WAS A VERY IMPORTANT PART OF MY LIFE FOR A WHILE. 550 00:34:47,000 --> 00:34:51,040 BECAUSE I DON'T HAVE ANY LIFE HERE. 551 00:34:51,040 --> 00:34:53,170 >> Fallon: WHAT DOES HE MEAN TO YOU? 552 00:34:53,170 --> 00:34:56,080 >> Steven: HE WAS A FRIEND. 553 00:34:56,080 --> 00:34:58,620 >> Fallon: DO YOU LOVE HIM? 554 00:34:58,620 --> 00:35:04,670 >> Steven: YOU ASK TOO MANY QUESTIONS SOMETIMES. 555 00:35:04,670 --> 00:35:08,120 WHAT DO YOU WANT, FALLON? 556 00:35:08,120 --> 00:35:10,960 OKAY, I'M IN LOVE WITH A MAN. 557 00:35:10,960 --> 00:35:13,210 AND YOU'RE MARRIED TO A MAN YOU DON'T LOVE. 558 00:35:13,210 --> 00:35:15,920 NOW, YOU TELL ME SOMETHING, FALLON -- WHICH ONE IS WORSE? 559 00:35:15,920 --> 00:35:17,290 WHICH ONE IS MORE IMMORAL? 560 00:35:17,290 --> 00:35:20,290 >> Fallon: WHAT MAKES YOU THINK I DON'T LOVE JEFF? 561 00:35:20,290 --> 00:35:22,750 >> Steven: COME ON, I CAN SEE THE WAY YOU TREAT HIM. 562 00:35:22,750 --> 00:35:25,250 JEFF CAN'T, HE -- >> Fallon: WELL, DOES BEING GAY 563 00:35:25,250 --> 00:35:29,210 ALSO MAKE YOU CLAIRVOYANT? 564 00:35:29,210 --> 00:35:34,170 I'M SORRY, STEVEN. 565 00:35:34,170 --> 00:35:39,920 >> Steven: WHAT I AM IS...SOMEBODY WHO'S IN 566 00:35:39,920 --> 00:35:42,460 LOVE WITH A PERSON. 567 00:35:42,460 --> 00:35:45,380 THAT'S ALL. 568 00:35:45,380 --> 00:35:49,540 BUT I DO KNOW ONE THING -- I DO KNOW MY SISTER. 569 00:35:49,540 --> 00:35:53,290 AND I KNOW SHE'S MARRIED TO A MAN THAT SHE DOESN'T LOVE FOR 570 00:35:53,290 --> 00:35:55,000 SOME REASON. 571 00:35:55,000 --> 00:35:57,500 AND I DON'T LIKE THAT. 572 00:35:57,500 --> 00:36:00,830 YOU'RE JUST LIKE YOUR FATHER. 573 00:36:00,830 --> 00:36:05,420 MR. BLAKE CARRINGTON -- ALWAYS HAS TO HAVE SOME DAMNED REASON. 574 00:36:05,420 --> 00:36:08,880 >> Fallon: WELL, LET ME TELL YOU ONE THING -- YOU COULD AFFORD TO 575 00:36:08,880 --> 00:36:11,210 BE A LITTLE BIT MORE LIKE HIM YOURSELF. 576 00:36:11,210 --> 00:36:13,620 STEVEN, I DON'T CARE WHO YOU GO TO BED WITH. 577 00:36:13,620 --> 00:36:16,830 WHAT I'M TRYING TO TELL YOU IS YOU HAVE THE CHANCE TO HAVE 578 00:36:16,830 --> 00:36:20,380 EVERYTHING HERE. 579 00:36:20,380 --> 00:36:23,500 >> Steven: EVERYTHING? 580 00:36:23,500 --> 00:36:26,290 EVERYTHINGYOUWANTED. 581 00:36:26,290 --> 00:36:28,500 >> Fallon: YEAH, I WANT IT. 582 00:36:28,500 --> 00:36:29,790 SURE, I WANT IT. 583 00:36:29,790 --> 00:36:33,120 THERE'S ONLY ONE SMALL PROBLEM, THOUGH. 584 00:36:33,120 --> 00:36:35,380 HE'S NOT GONNA GIVE IT TO ME. 585 00:36:47,210 --> 00:36:50,420 >> Steven: I TRIED AGAIN WITH HIM. 586 00:36:50,420 --> 00:36:54,500 >> Fallon: OH, STEVEN...WHY CAN'T YOU JUST TAKE ADVANTAGE OF 587 00:36:54,500 --> 00:36:56,460 BEING BLAKE CARRINGTON'S SON? 588 00:36:56,460 --> 00:36:58,460 PLAY BY BLAKE CARRINGTON'S RULES. 589 00:36:58,460 --> 00:37:01,420 TAKE...AND BE. 590 00:37:01,420 --> 00:37:03,460 BUT DON'T BE SELF-DESTRUCTIVE. 591 00:37:03,460 --> 00:37:06,290 KEEP YOUR PRIVATE LIFE TO YOURSELF SO THAT YOU CAN TAKE 592 00:37:06,290 --> 00:37:10,210 ADVANTAGE OF YOUR POSSIBILITIES. 593 00:37:10,210 --> 00:37:13,210 PLEASE, STEVEN, FOR ME -- AT LEAST GIVE YOURSELF A CHANCE TO 594 00:37:13,210 --> 00:37:14,040 THINK IT OVER. 595 00:37:14,040 --> 00:37:16,620 FOR ONE THING, I'LL REALLY MISS YOU IF YOU'RE GONE. 596 00:37:16,620 --> 00:37:19,750 I GO NUTS AROUND HERE WITHOUT YOU TO AT LEAST RAVING MAD. 597 00:37:19,750 --> 00:37:21,420 IT'LL BE ON YOUR CONSCIENCE. 598 00:37:21,420 --> 00:37:22,380 I'LL LOATHE YOU. 599 00:37:22,380 --> 00:37:25,380 I'LL CURSE YOU EVERY NIGHT AND DAY FOR THE REST OF MY LIFE. 600 00:37:25,380 --> 00:37:28,380 >> Steven: FALLON, WHY ARE YOU DOING THIS? 601 00:37:28,380 --> 00:37:33,920 >> Fallon: WHY DO YOU THINK I'M DOING IT? 602 00:37:33,920 --> 00:37:36,170 >> Steven: BECAUSE YOU LOVE ME? 603 00:37:36,170 --> 00:37:42,330 >> Fallon: I DO LOVE YOU. 604 00:37:42,330 --> 00:37:44,420 >> Steven: I LOVE YOU, TOO... 605 00:37:53,420 --> 00:37:58,790 ...EVEN THOUGH YOU DON'T DESERVE IT MOST OF THE TIME. 606 00:37:58,790 --> 00:38:02,250 >> Fallon: WILL YOU TELL ME YOU'RE GOING TO STAY? 607 00:38:02,250 --> 00:38:09,170 >> Steven: OH... 608 00:38:09,170 --> 00:38:14,120 I'LL STAY. 609 00:38:14,120 --> 00:38:16,000 >> Fallon: >> Matthew: OH, GREAT. 610 00:38:27,040 --> 00:38:28,580 >> Claudia: IT'S ALL RIGHT. 611 00:38:28,580 --> 00:38:29,790 >> Matthew: MMM... 612 00:38:29,790 --> 00:38:33,540 >> Claudia: THIS WAY WE CAN BOTH SIT, FEEL SORRY FOR OURSELVES, 613 00:38:33,540 --> 00:38:35,420 AND SULK. 614 00:38:40,670 --> 00:38:45,120 >> Matthew: SOMETIMES A MAN HAS A RIGHT. 615 00:38:45,120 --> 00:38:48,750 >> Claudia: YES, A MAN HAS A RIGHT. 616 00:38:48,750 --> 00:38:53,330 HE HAS A RIGHT TO SHOW WHAT HE'S FEELING INSIDE. 617 00:38:53,330 --> 00:38:58,960 IF HE'S FEELING ANGER OR IF HE'S FEELING HURT, FEAR, HE HAS THAT 618 00:38:58,960 --> 00:39:00,000 RIGHT... 619 00:39:00,000 --> 00:39:03,250 BUT NOT TO SIT THERE LIKE SOME KIND OF IMITATION JOHN WAYNE 620 00:39:03,250 --> 00:39:06,710 SUCKING ON A BOTTLE, PRETENDING THAT YOU'RE NOT HURTING, THAT 621 00:39:06,710 --> 00:39:09,750 YOU'RE NOT FEELING SOMETHING INSIDE, MATTHEW, THIS VERY 622 00:39:09,750 --> 00:39:10,210 MINUTE. 623 00:39:10,210 --> 00:39:13,670 >> Matthew: WELL, YOU SEE, I NEVER TO THERAPY, SO I DON'T 624 00:39:13,670 --> 00:39:17,670 KNOW ABOUT THAT KIND OF STUFF. 625 00:39:17,670 --> 00:39:21,540 >> Claudia: MAYBE IT'S TIME YOU LEARN, 626 00:39:21,540 --> 00:39:21,960 MATTHEW. 627 00:39:21,960 --> 00:39:32,750 >> Matthew: AND MAYBE IT'S TIME YOU GOT OFF MY BACK. 628 00:39:32,750 --> 00:39:37,620 >> Claudia: YOU KNOW, IT WOULDN'T BOTHER ME...IF YOU LET 629 00:39:37,620 --> 00:39:39,620 ME SEE YOUR FEELINGS. 630 00:39:39,620 --> 00:39:41,920 SHARE IT WITH ME. 631 00:39:41,920 --> 00:39:44,040 NOW -- SHARE IT. 632 00:39:44,040 --> 00:39:48,380 IT'S OKAY, I PROMISE I'M NOT GONNA TELL ANYONE THAT YOU'RE A 633 00:39:48,380 --> 00:39:49,580 HUMAN BEING... 634 00:39:49,580 --> 00:39:59,710 WITH ANGER, WITH FEAR, AND VULNERABILITY... 635 00:39:59,710 --> 00:40:04,620 AND GENTLENESS. 636 00:40:04,620 --> 00:40:06,540 COME ON! 637 00:40:37,710 --> 00:40:38,880 >> Doris: HELLO? 638 00:40:38,880 --> 00:40:40,120 >> Krystle: I NEED TO TALK. 639 00:40:40,120 --> 00:40:40,790 CAN WE MEET? 640 00:40:40,790 --> 00:40:43,670 >> Doris: YEAH... 641 00:40:45,880 --> 00:40:48,920 >> Krystle: AND YOU'VE WORKED FOR MOST OF THE EXECUTIVES IN 642 00:40:48,920 --> 00:40:51,960 THE COMPANY, SO I KNOW YOU'VE HANDLED PRIVATE THINGS FOR THEM. 643 00:40:51,960 --> 00:40:55,120 >> Doris: KRYSTLE, IF THIS IS ABOUT THAT NECKLACE YOU SHOWED 644 00:40:55,120 --> 00:40:56,670 ME, PLEASE, DON'T EVEN ASK. 645 00:40:56,670 --> 00:41:00,330 >> Krystle: AND I KNOW THAT, UH...YOU KNOW PLACES WHERE THEY 646 00:41:00,330 --> 00:41:03,960 CAN, UH, COPY JEWELRY SO WELL THAT NOT EVEN THE OWNER KNOWS 647 00:41:03,960 --> 00:41:07,210 THE DIFFERENCE BETWEEN THE COPY AND THE ORIGINAL. 648 00:41:07,210 --> 00:41:09,080 >> Doris: THE FAKE AND THE ORIGINAL. 649 00:41:09,080 --> 00:41:12,040 >> Krystle: AND I KNOW YOU KNOW PLACES WHERE YOU CAN GET CASH 650 00:41:12,040 --> 00:41:15,620 DISCREETLY...FOR CERTAIN ITEMS OF VALUE. 651 00:41:15,620 --> 00:41:17,830 >> Doris: KRYSTLE, I DON'T WANT TO DO THIS. 652 00:41:17,830 --> 00:41:19,250 >> Krystle: BUT YOU WILL. 653 00:41:19,250 --> 00:41:20,080 >> Doris: WHY? 654 00:41:20,080 --> 00:41:22,420 >> Krystle: 'CAUSE YOU'RE MY FRIEND. 655 00:41:22,420 --> 00:41:25,290 >> Doris: >> Krystle: WILL YOU HELP ME? 656 00:41:25,290 --> 00:41:27,670 >> Doris: I'D DO ANYTHING IN THE WORLD FOR YOU. 657 00:41:27,670 --> 00:41:28,960 YOU HELP ME OUT ALL THE TIME. 658 00:41:28,960 --> 00:41:30,960 >> Krystle: LOOK, WHAT I DID ONCE IS -- 659 00:41:30,960 --> 00:41:33,830 >> Doris: I COULDN'T HAVE GOTTEN THROUGH THAT DIVORCE WITHOUT 660 00:41:33,830 --> 00:41:34,290 YOU. 661 00:41:34,290 --> 00:41:38,080 YOU HELPED ME OUT WHEN I THOUGHT IT WAS ALL OVER. 662 00:41:38,080 --> 00:41:41,500 BUT, KRYSTLE, YOU'VE GOT A BIGGER PROBLEM. 663 00:41:41,500 --> 00:41:44,620 AND I DON'T THINK YOU WANT TO FACE IT. 664 00:41:44,620 --> 00:41:45,880 >> Krystle: WHAT DO YOU MEAN? 665 00:41:45,880 --> 00:41:50,170 >> Doris: WHICH ONE OF THEM ARE YOU IN LOVE WITH? 666 00:41:50,170 --> 00:41:51,750 >> Krystle: WHAT DO YOU MEAN? 667 00:41:51,750 --> 00:41:54,960 >> Doris: LOOK, YOU'RE DOING THIS FOR MATTHEW, RIGHT? 668 00:41:54,960 --> 00:41:58,170 AND BLAKE KNOWS NOTHING ABOUT IT? 669 00:41:58,170 --> 00:42:03,080 SO...WHICH ONE OF THEM ARE YOU IN LOVE WITH? 670 00:42:03,080 --> 00:42:07,210 >> Krystle: I LOVE MY HUSBAND. 671 00:42:07,210 --> 00:42:10,880 WELL, I CAN'T JUST WIPE OUT THE FACT THAT THERE WAS A MATTHEW IN 672 00:42:10,880 --> 00:42:11,380 MY LIFE. 673 00:42:11,380 --> 00:42:12,880 I NEVER PLANNED IT THIS WAY. 674 00:42:12,880 --> 00:42:15,420 IT'S NOT EVEN SUPPOSED TO BE THIS WAY, IS IT? 675 00:42:15,420 --> 00:42:16,960 >> Doris: SO YOU LOVE MATTHEW. 676 00:42:16,960 --> 00:42:18,960 SO YOU'RE GONNA GIVE HIM THE MONEY. 677 00:42:18,960 --> 00:42:21,920 >> Krystle: I WAS USED, AND I USED MATTHEW, AND I'M ONLY 678 00:42:21,920 --> 00:42:24,460 TRYING TO MAKE IT UP TO HIM, AND THAT'S ALL. 679 00:42:24,460 --> 00:42:28,210 >> Doris: REMEMBER WHEN MELANIE AND I WERE UP AT YOUR HOUSE, AND 680 00:42:28,210 --> 00:42:31,540 I WAS DOING MY BIT ABOUT WHAT A PRINCESS YOU'D BECOME? 681 00:42:31,540 --> 00:42:32,710 WELL, IT WAS RUDE. 682 00:42:32,710 --> 00:42:36,290 I WAS ENVIOUS, FEELING SORRY FOR MYSELF. 683 00:42:36,290 --> 00:42:39,920 I LIVE IN MY LITTLE 3-ROOM APARTMENT, EATING TV DINNERS, 684 00:42:39,920 --> 00:42:42,420 DRIVING AROUND IN THAT OLD CHEVY. 685 00:42:42,420 --> 00:42:46,330 OH, BUT I'LL TELL YOU -- RIGHT NOW, I WOULDN'T CHANGE PLACES 686 00:42:46,330 --> 00:42:50,420 WITH YOU FOR ALL THE BIG HOUSES, LIMOUSINES, AND CAVIAR IN THE 687 00:42:50,420 --> 00:42:52,290 WORLD. 688 00:43:00,120 --> 00:43:02,000 >> Krystle: WILL YOU HELP ME? 689 00:43:20,960 --> 00:43:23,000 >> Krystle: HELLO, MATTHEW. 690 00:43:42,460 --> 00:43:44,250 >> Matthew: KRYSTLE. 691 00:43:44,250 --> 00:43:46,120 >> Krystle: MAY I COME IN? 692 00:44:01,040 --> 00:44:05,170 >> Matthew: HOW DID YOU KNOW WHERE I WAS? 693 00:44:05,170 --> 00:44:07,120 >> Krystle: I FOUND OUT. 694 00:44:28,500 --> 00:44:32,580 >> Matthew: WELL, I DON'T KNOW WHAT THIS IS 695 00:44:32,580 --> 00:44:35,210 ALL ABOUT -- >> Krystle: MATTHEW, I KNOW YOU 696 00:44:35,210 --> 00:44:36,170 NEED IT, SO TAKE IT. 697 00:44:36,170 --> 00:44:39,670 AND BEFORE YOU SAY NO, REMEMBER, YOU HAVE A WIFE AND A DAUGHTER 698 00:44:39,670 --> 00:44:43,290 AND -- AND A LOT OF MEN THAT ARE COUNTING ON YOU TO BRING IN THAT 699 00:44:43,290 --> 00:44:45,500 OIL WELL. 700 00:44:45,500 --> 00:44:47,290 SO JUST TAKE IT. 701 00:44:47,290 --> 00:44:54,120 AND, UM...FISH OUT THAT, UM, DRILL BIT AND PAY ME BACK WHEN 702 00:44:54,120 --> 00:44:55,120 YOU CAN. 703 00:44:55,120 --> 00:44:58,330 >> Matthew: HOW LONG DO I HAVE? 704 00:44:58,330 --> 00:45:01,210 >> Krystle: FOR 6 MONTHS, I'M OKAY. 705 00:45:01,210 --> 00:45:03,250 >> Matthew: I KNOW BLAKE WANTS THIS PLACE. 706 00:45:03,250 --> 00:45:05,120 WE BOTH DO. 707 00:45:15,000 --> 00:45:18,250 SO WHY ARE YOU DOING THIS? 708 00:45:18,250 --> 00:45:20,920 >> Krystle: DON'T ASK ME WHY. 709 00:45:20,920 --> 00:45:23,790 I, UM...I HAVE MY REASONS. 710 00:45:54,380 --> 00:45:58,210 >> Matthew: OH, KRYSTLE, I LOVE YOU. 711 00:45:58,210 --> 00:46:00,330 >> Krystle: I LOVE YOU, TOO. 712 00:46:31,750 --> 00:46:35,000 NO, MATTHEW. 713 00:46:35,000 --> 00:46:40,210 I CAN'T GIVE YOU ANYTHING ELSE THAT BELONGS TO HIM. 714 00:46:40,210 --> 00:46:42,290 >> Matthew: KRYSTLE... 53457

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