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1
00:00:01,042 --> 00:00:03,670
[BACKGROUND MUSIC
AND CHATTER]
2
00:00:03,670 --> 00:00:05,630
BECCA! STRIKE A POSE.
3
00:00:05,630 --> 00:00:06,589
[SHUTTER CLICKING]
4
00:00:06,589 --> 00:00:08,091
[LAUGHING]
5
00:00:08,091 --> 00:00:09,801
HOW MANY LEFT?
6
00:00:09,801 --> 00:00:11,094
PLENTY!
7
00:00:11,094 --> 00:00:13,304
LET'S GET
ONE TOGETHER!
8
00:00:14,472 --> 00:00:17,016
[♪♪]
9
00:00:17,016 --> 00:00:19,561
HEY! LOVE THIS SONG!
10
00:00:20,812 --> 00:00:22,981
[♪♪]
11
00:00:28,111 --> 00:00:29,821
♪ SEEING IS BELIEVING ♪
12
00:00:33,324 --> 00:00:35,535
♪ MY LIFE WAS COMPLICATED ♪
13
00:00:35,535 --> 00:00:36,619
[RACHEL]: EXCUSE ME.
14
00:00:36,619 --> 00:00:38,121
HAVE YOU SEEN A LITTLE BOY?
HE'S SEVEN.
15
00:00:38,121 --> 00:00:39,664
HE HAS A BACKPACK.
16
00:00:39,664 --> 00:00:41,124
SORRY. KID-FREE
ZONE TONIGHT.
17
00:00:41,124 --> 00:00:45,044
♪ SIX SIDES OF SEPARATION ♪
18
00:00:45,044 --> 00:00:47,088
♪ PUT BACK TOGETHER BY YOU ♪
19
00:00:48,715 --> 00:00:50,717
♪ 'CAUSE YOU CAME ♪
20
00:00:50,717 --> 00:00:54,220
♪ ON A MISSION
THROUGH THE CLOUDS ♪
21
00:00:54,220 --> 00:00:56,639
WHAT DID I SAY
ABOUT RUNNING OFF?
22
00:00:56,639 --> 00:00:58,892
♪ BROKE MY CHAINS... ♪
23
00:01:01,102 --> 00:01:03,730
[♪♪]
24
00:01:03,730 --> 00:01:05,315
[BOY]: I WANT BERTIE!
25
00:01:05,315 --> 00:01:06,816
MY DADDY
GAVE HIM TO ME.
26
00:01:06,816 --> 00:01:08,526
I WANT MY DADDY.
27
00:01:08,526 --> 00:01:10,737
[♪♪]
28
00:01:16,201 --> 00:01:17,160
[CAMERA SHUTTER CLICKS]
29
00:01:19,579 --> 00:01:21,915
[♪♪]
30
00:01:28,087 --> 00:01:30,173
[RACHEL]: NOW, YOU RUN OFF
ONE MORE TIME,
31
00:01:30,173 --> 00:01:33,259
AND YOU AND I
ARE GOING TO HAVE A PROBLEM.
32
00:01:35,595 --> 00:01:37,680
[DOOR CREAKS]
33
00:01:40,433 --> 00:01:42,227
SIT RIGHT HERE
AND WAIT FOR ME.
34
00:01:42,227 --> 00:01:43,228
DO NOT MOVE.
35
00:01:45,271 --> 00:01:47,982
[♪♪]
36
00:01:53,029 --> 00:01:55,156
I WAS TOLD YOU MIGHT
HAVE A ROOM AVAILABLE.
37
00:01:55,156 --> 00:01:56,157
OKAY.
38
00:01:59,244 --> 00:02:01,162
[CREAKING]
39
00:02:09,420 --> 00:02:11,548
[♪♪]
40
00:02:28,648 --> 00:02:30,024
[CLICK]
41
00:02:36,614 --> 00:02:39,200
♪ SEND ME LOVE EVERY DAY ♪
42
00:02:39,200 --> 00:02:41,995
♪ SEND ME LOVE
EVERY DAY ♪
43
00:02:41,995 --> 00:02:44,330
♪ SEND ME ON MY WAY ♪
44
00:02:44,330 --> 00:02:47,292
♪ SEND ME
ON MY WAY ♪
45
00:02:47,292 --> 00:02:48,501
♪ DELIVER ME ♪
46
00:02:48,501 --> 00:02:50,670
♪ JUST DELIVER ME ♪
47
00:02:50,670 --> 00:02:52,922
[♪♪]
48
00:02:52,922 --> 00:02:54,007
♪ DELIVER ME ♪
49
00:02:54,007 --> 00:02:56,467
♪ JUST DELIVER ME ♪
50
00:02:56,467 --> 00:02:58,052
[♪♪]
51
00:02:58,052 --> 00:03:00,680
♪ SEND ME LOVE
EVERY DAY ♪
52
00:03:00,680 --> 00:03:03,266
♪ SEND ME ON MY WAY ♪
53
00:03:03,266 --> 00:03:04,684
♪ DELIVER ME ♪
54
00:03:04,684 --> 00:03:07,937
♪ JUST DELIVER ME ♪
55
00:03:14,360 --> 00:03:18,197
PERHAPS A LITTLE MORE
SODIUM METABISULFITE?
56
00:03:18,197 --> 00:03:20,867
WE NEED SOMETHING TO SUSTAIN
THE REACTION INDEFINITELY.
57
00:03:21,951 --> 00:03:23,578
OH! UH, POTASSIUM IODATE?
58
00:03:23,578 --> 00:03:25,538
I TRIED THAT.
59
00:03:25,538 --> 00:03:27,874
OH! WAIT.
60
00:03:27,874 --> 00:03:29,792
[CHUCKLES AND GRUNTS]
61
00:03:32,879 --> 00:03:34,839
MM-HMM.
62
00:03:35,882 --> 00:03:37,175
AHH...
63
00:03:37,175 --> 00:03:38,718
HAZEL SAYS THAT, UH,
TERMINAL ANNEX
64
00:03:38,718 --> 00:03:40,386
JUST DROPPED OFF
A NEW SHIPMENT OF--
65
00:03:40,386 --> 00:03:41,471
[NORMAN]:
FIRE IN THE HOLE!
66
00:03:41,471 --> 00:03:42,805
[MUFFLED EXPLOSION]
67
00:03:43,848 --> 00:03:44,891
[SIGHS]
68
00:03:44,891 --> 00:03:46,809
[NORMAN]: WE'RE FINE!
EVERYTHING'S OKAY.
69
00:03:46,809 --> 00:03:48,394
AGAIN.
70
00:03:48,394 --> 00:03:50,146
GOOD TO KNOW!
71
00:03:50,146 --> 00:03:51,397
AGAIN.
72
00:03:51,397 --> 00:03:52,649
[BOTH CHUCKLING QUIETLY]
73
00:03:52,649 --> 00:03:54,901
YOU KNOW, MAYBE THIS
IS A GOOD TIME TO GO--
74
00:03:54,901 --> 00:03:56,027
[TOGETHER]: ...SEE HAZEL.
75
00:03:56,027 --> 00:03:57,528
YEAH.
76
00:03:57,528 --> 00:03:59,113
[♪♪]
77
00:03:59,113 --> 00:04:01,574
EWW!
78
00:04:01,574 --> 00:04:03,576
THIS ONE HAS
A HOLE IT IN!
79
00:04:03,576 --> 00:04:05,244
A MILLION
POSTCARDS IN HAWAII,
80
00:04:05,244 --> 00:04:06,412
AND PEOPLE MAIL THOSE.
81
00:04:06,412 --> 00:04:07,413
OH! HOLD ON.
82
00:04:07,413 --> 00:04:08,623
[HAZEL]: OH, THAT REMINDS ME,
83
00:04:08,623 --> 00:04:10,875
WHERE ARE YOU AND NORMAN
GOING ON YOUR HONEYMOON?
84
00:04:10,875 --> 00:04:12,543
[RITA]: OH, WELL,
MY PARENTS GAVE US
85
00:04:12,543 --> 00:04:14,337
THEIR STARCRUISER,
SO WE'LL PROBABLY TAKE THAT
86
00:04:14,337 --> 00:04:15,672
SOMEWHERE FUN,
87
00:04:15,672 --> 00:04:17,048
BUT THERE'S JUST SO MUCH MORE
TO DO FIRST.
88
00:04:17,048 --> 00:04:18,591
[HAZEL]: WHAT'S A STARCRUISER?
89
00:04:18,591 --> 00:04:20,510
[RITA]:
IT'S SORTA LIKE A WINNEBAGO.
90
00:04:20,510 --> 00:04:21,636
[HAZEL]: HOW FAR
HAVE YOU GOTTEN ON THE LIST?
91
00:04:21,636 --> 00:04:23,221
"THE LIST"?
92
00:04:24,722 --> 00:04:26,432
WHAT LIST?
93
00:04:32,939 --> 00:04:34,607
THERE'S A HUNDRED THINGS
TO DO?
94
00:04:34,607 --> 00:04:35,608
OF COURSE NOT.
95
00:04:35,608 --> 00:04:36,734
THERE ARE THOUSANDS.
96
00:04:36,734 --> 00:04:38,611
THOSE ARE JUST
THE FIRST HUNDRED.
97
00:04:40,446 --> 00:04:42,532
THANK YOU, HAZEL.
98
00:04:42,532 --> 00:04:43,533
[CHUCKLES]
99
00:04:43,533 --> 00:04:44,826
AS USUAL,
100
00:04:44,826 --> 00:04:46,536
YOU'VE BEEN
NOTHING BUT HELPFUL.
101
00:04:46,536 --> 00:04:47,870
HAVE A GREAT DAY!
RITA?
102
00:04:47,870 --> 00:04:48,871
[RITA WHIMPERS]
103
00:04:48,871 --> 00:04:49,872
IT'S OKAY. THIS WAY.
104
00:04:49,872 --> 00:04:52,291
THIS WAY.
105
00:04:52,291 --> 00:04:54,419
I CAN'T BELIEVE THIS!
106
00:04:54,419 --> 00:04:56,462
THERE'S EVEN
A LIST OF WEDDING LISTS.
107
00:04:56,462 --> 00:04:57,463
AND ACCORDING TO THIS,
108
00:04:57,463 --> 00:04:58,923
I'M ALREADY
FIVE WEEKS BEHIND.
109
00:04:58,923 --> 00:05:01,300
YOU JUST GOT ENGAGED
FOUR WEEKS AGO.
110
00:05:02,135 --> 00:05:03,136
GOOD MORNING, LADIES.
111
00:05:03,136 --> 00:05:04,095
[RITA]: MORNING.
112
00:05:06,097 --> 00:05:07,974
WHAT HAPPENED NOW?
113
00:05:07,974 --> 00:05:10,768
UH, WELL, WE EXPERIENCED
A MINOR CHEMICAL MISFORTUNE.
114
00:05:10,768 --> 00:05:12,061
A LITTLE TOO MUCH
POTASSIUM CHLORATE
115
00:05:12,061 --> 00:05:14,731
IN NORMAN'S
"RAPID RECOVERY" MIXTURE.
116
00:05:14,731 --> 00:05:15,690
WHAT'S THAT?
117
00:05:15,690 --> 00:05:17,734
A NEW AND IMPROVED
"REVELATION SOLUTION
118
00:05:17,734 --> 00:05:21,320
FOR THE PARTICULARLY ILLEGIBLE
AND INDECIPHERABLE."
119
00:05:21,320 --> 00:05:24,157
I SEE WE'VE BEGUN
OUR WEDDING PLANS ALREADY, HMM?
120
00:05:24,157 --> 00:05:25,408
[CHANGING TOPICS]: OLIVER!
UH--
121
00:05:25,408 --> 00:05:29,704
WHY DON'T YOU TAKE
A LOOK AT THIS OLD CAMERA?
122
00:05:30,830 --> 00:05:33,499
[OLIVER CHUCKLES]:
WELL.
123
00:05:33,499 --> 00:05:35,626
IS THAT...
124
00:05:35,626 --> 00:05:37,086
[SNIFFING]
125
00:05:37,086 --> 00:05:38,546
COCONUT?
126
00:05:38,546 --> 00:05:39,964
IGNORE THAT.
127
00:05:39,964 --> 00:05:42,133
UH, WELL, THE HOUSING
IS CARDBOARD
128
00:05:42,133 --> 00:05:44,469
AND NOT PLASTIC,
SUGGESTING AN EARLIER MODEL.
129
00:05:44,469 --> 00:05:45,928
UH...
130
00:05:45,928 --> 00:05:48,014
THE COCONUT DAMAGE
HAS ERASED THE EXPIRATION DATE,
131
00:05:48,014 --> 00:05:50,016
BUT THERE IS A PARTIAL ADDRESS.
132
00:05:50,016 --> 00:05:51,976
UH, J-A...
133
00:05:51,976 --> 00:05:53,311
"M"-SOMETHING...
134
00:05:53,311 --> 00:05:54,937
"K"--
NEXT WORD IS ILLEGIBLE.
135
00:05:54,937 --> 00:05:57,148
WHAT ARE YOU
DOING BACK THERE?
136
00:05:57,148 --> 00:05:58,608
NOTHING.
137
00:05:59,942 --> 00:06:02,862
LAST WORD ENDING IN "...I-T-Y."
138
00:06:02,862 --> 00:06:03,863
UH..."CITY"?
139
00:06:03,863 --> 00:06:05,823
OH, THERE ARE
SEVEN TOWNS IN COLORADO
140
00:06:05,823 --> 00:06:07,366
WITH THE WORD "CITY" IN IT.
141
00:06:07,366 --> 00:06:08,534
UNFORTUNATELY,
142
00:06:08,534 --> 00:06:11,370
THE REMAINING INFORMATION
HAS BEEN WASHED OFF
143
00:06:11,370 --> 00:06:13,206
BY THE, UH, COCONUT MILK.
144
00:06:13,206 --> 00:06:15,166
HMM.
145
00:06:16,250 --> 00:06:17,543
WHAT IS AN OLD CAMERA
146
00:06:17,543 --> 00:06:20,046
DOING IN LAST WEEK'S
"UNATTACHED ITEMS" BOX?
147
00:06:20,046 --> 00:06:21,714
[INTERCOM BEEPS] NORMAN?
IT'S TIME TO COME IN NOW.
148
00:06:21,714 --> 00:06:22,965
[NORMAN]:
ROGER THAT!
149
00:06:22,965 --> 00:06:24,217
PERHAPS I CAN LIFT
150
00:06:24,217 --> 00:06:26,469
A REMNANT OF INK
WITH OUR NEW SOLUTION.
151
00:06:26,469 --> 00:06:29,347
I HAD NO IDEA YOU WERE
SUCH A CHEMISTRY BUFF.
152
00:06:29,347 --> 00:06:30,223
OH, YES!
153
00:06:30,223 --> 00:06:31,682
IN FACT, WHEN I WAS 10,
154
00:06:31,682 --> 00:06:33,392
I BEGGED MY FATHER
FOR A CHEMISTRY SET
155
00:06:33,392 --> 00:06:34,727
BUT HE FELT
156
00:06:34,727 --> 00:06:37,230
I WAS SPENDING TOO MUCH TIME
ON INDOOR PURSUITS ALREADY,
157
00:06:37,230 --> 00:06:39,649
SO HE SIGNED ME UP
FOR LITTLE LEAGUE INSTEAD.
158
00:06:39,649 --> 00:06:41,234
[LAUGHS] HOW LONG
DID THAT LAST?
159
00:06:41,234 --> 00:06:42,735
THREE DAYS.
160
00:06:42,735 --> 00:06:43,736
TOO MUCH DIRT?
161
00:06:43,736 --> 00:06:44,737
[SHANE LAUGHS]
162
00:06:44,737 --> 00:06:46,489
HERE I AM!
163
00:06:47,573 --> 00:06:48,491
WHAT DO YA
GOT FOR ME?
164
00:06:48,491 --> 00:06:49,867
WHOA...
165
00:06:49,867 --> 00:06:51,202
I HAVEN'T SEEN A CAMERA
LIKE THIS
166
00:06:51,202 --> 00:06:53,079
SINCE MY COUSIN BARTHOLOMEW'S
BAR MITZVAH,
167
00:06:53,079 --> 00:06:54,205
WHEN I WAS 12.
168
00:06:54,205 --> 00:06:55,373
YOU KNOW, RITA,
169
00:06:55,373 --> 00:06:56,874
PROVIDING THESE CAMERAS
TO YOUR WEDDING GUESTS
170
00:06:56,874 --> 00:06:59,710
MIGHT BE A WONDERFUL WAY FOR YOU
TO CAPTURE MOMENTS
171
00:06:59,710 --> 00:07:01,087
YOU MIGHT NOT
OTHERWISE GET TO SEE.
172
00:07:01,087 --> 00:07:04,257
I GUESS, BUT EVERYBODY
HAS CELL PHONES NOWADAYS.
173
00:07:04,257 --> 00:07:06,843
WELL... NOT EVERYBODY.
174
00:07:06,843 --> 00:07:08,594
AHEM. MS. MCINERNEY,
175
00:07:08,594 --> 00:07:10,263
IN OUR WORLD OF
INSTANT GRATIFICATION
176
00:07:10,263 --> 00:07:11,389
AND COUNTLESS RE-DOS,
177
00:07:11,389 --> 00:07:13,766
THERE IS SOMETHING
TRULY SATISFYING
178
00:07:13,766 --> 00:07:16,185
ABOUT NOT BEING ABLE
TO HIT "DELETE"
179
00:07:16,185 --> 00:07:17,562
IN FAVOR OF ANOTHER PHOTO
180
00:07:17,562 --> 00:07:21,023
WITH BETTER LIGHTING
OR A MORE PERFECT SMILE.
181
00:07:21,023 --> 00:07:23,234
AND SOMETIMES...
182
00:07:23,234 --> 00:07:28,197
IT'S THE IMPERFECTIONS IN LIFE
THAT MAKE SOMETHING... PERFECT.
183
00:07:28,197 --> 00:07:29,240
HMM.
184
00:07:29,240 --> 00:07:30,116
WELL...
185
00:07:30,116 --> 00:07:31,534
YOU
186
00:07:31,534 --> 00:07:33,786
STILL HAVE SOMETHING
ON YOUR FACE.
187
00:07:33,786 --> 00:07:37,748
NOW, SHALL
I WIPE IT OFF,
188
00:07:37,748 --> 00:07:40,418
OR SHALL I JUST
LEAVE YOU "PERFECT"?
189
00:07:41,836 --> 00:07:44,005
TRUST ME.
190
00:07:45,798 --> 00:07:48,467
LOOKS LIKE A SOLUBLE FELT TIP
BLUE MARKER.
191
00:07:50,261 --> 00:07:52,722
HANDWRITING IS SHAKY...
192
00:07:52,722 --> 00:07:56,392
INDICATING POSSIBLE
HAND TREMORS.
193
00:07:58,269 --> 00:08:00,062
THE PENMANSHIP SUGGESTS
WE'RE LOOKING AT SOMEONE
194
00:08:00,062 --> 00:08:01,522
EITHER REALLY OLD
OR REALLY YOUNG.
195
00:08:01,522 --> 00:08:02,565
WELL, MAYBE THEY WERE
196
00:08:02,565 --> 00:08:03,608
REALLY YOUNG
WHEN THEY TOOK IT,
197
00:08:03,608 --> 00:08:04,734
BUT NOW
THEY'RE REALLY OLD?
198
00:08:04,734 --> 00:08:06,319
WHOEVER IT WAS
USED THE WHOLE ROLL.
199
00:08:06,319 --> 00:08:07,778
CAN FILM THAT OLD
STILL BE DEVELOPED?
200
00:08:07,778 --> 00:08:08,821
THE PICTURE QUALITY
WON'T BE VERY GOOD,
201
00:08:08,821 --> 00:08:10,489
BUT THERE'S A CHANCE
WE'LL GET SOMETHING.
202
00:08:10,489 --> 00:08:12,158
THEN YOU MUST
AT LEAST TRY, NORMAN.
203
00:08:12,158 --> 00:08:13,492
MS. MCINERNEY,
204
00:08:13,492 --> 00:08:14,994
YOU AND RITA
TRY AND TRACK DOWN
205
00:08:14,994 --> 00:08:16,537
THE MAKE AND MODEL
OF THE CAMERA.
206
00:08:16,537 --> 00:08:19,248
LET'S FIND OUT HOW OLD
THESE PHOTOGRAPHS REALLY ARE.
207
00:08:24,670 --> 00:08:26,964
SO, THE ROLL
WAS SERIOUSLY COCONUT-IZED,
208
00:08:26,964 --> 00:08:29,175
AND THE FIRST 15 OR SO
ARE FRIED,
209
00:08:29,175 --> 00:08:31,219
BUT I'VE GOT THIS ONE.
210
00:08:33,346 --> 00:08:34,305
OH, YES!
211
00:08:34,305 --> 00:08:36,599
THE 35-MILLIMETER "FUNSHOOT".
212
00:08:36,599 --> 00:08:38,309
FROM THE SLING? REALLY?
213
00:08:38,309 --> 00:08:40,311
YES! THANK YOU.
THAT'S VERY HELPFUL.
214
00:08:40,311 --> 00:08:42,688
SO THE DISPOSABLE "SLING"
WAS CHANGED TO THE "FUNSHOOT"
215
00:08:42,688 --> 00:08:44,315
IN 1989.
216
00:08:44,315 --> 00:08:45,608
MM! WELL,
ACCORDING TO THIS,
217
00:08:45,608 --> 00:08:47,318
THEY STOPPED USING
CARDBOARD HOUSING
218
00:08:47,318 --> 00:08:49,779
ON DISPOSABLE CAMERAS
AROUND 2003,
219
00:08:49,779 --> 00:08:52,156
WHICH MAKES THIS
AT LEAST...
220
00:08:52,156 --> 00:08:53,366
WHAT HAVE YOU GOT?
221
00:08:53,366 --> 00:08:54,909
UH, BIG HAIR...
222
00:08:54,909 --> 00:08:56,535
AND BIG HAIR.
223
00:08:56,535 --> 00:08:58,704
I'LL SAY! [LAUGHS]
224
00:08:58,704 --> 00:08:59,956
[OLIVER]: PLEASE, TAKE A LOOK.
225
00:08:59,956 --> 00:09:01,207
MAYBE YOU'LL BE ABLE
TO FIND SOMETHING
226
00:09:01,207 --> 00:09:02,875
OTHER THAN HAIR.
227
00:09:02,875 --> 00:09:04,335
AND TAKE YOUR TIME.
228
00:09:04,335 --> 00:09:06,837
NORMAN IS GOING
TO BE A WHILE.
229
00:09:06,837 --> 00:09:09,215
OKAY.
230
00:09:10,508 --> 00:09:11,717
[HUSHED]:
UH, IN THAT CASE,
231
00:09:11,717 --> 00:09:13,803
IS IT OKAY IF I TAKE
RITA FOR COFFEE?
232
00:09:13,803 --> 00:09:16,555
SHE'S PRETTY STRESSED OUT
ABOUT THE WEDDING PLANS.
233
00:09:16,555 --> 00:09:18,224
DIDN'T THEY
JUST CHOOSE A DATE?
234
00:09:18,224 --> 00:09:20,726
YES, AND NOW
SHE'S WAY BEHIND.
235
00:09:20,726 --> 00:09:23,437
[♪♪]
236
00:09:30,736 --> 00:09:33,030
ANYTHING NEW
TO GO ON, NORMAN?
237
00:09:33,030 --> 00:09:35,032
OH. UH, WELL...
238
00:09:36,075 --> 00:09:38,119
I TRIED DEVELOPING THESE
A FEW TIMES,
239
00:09:38,119 --> 00:09:39,537
BUT THAT'S THE BEST I COULD DO.
240
00:09:39,537 --> 00:09:41,580
THE FIRST ONE LOOKS LIKE
IT WAS TAKEN FROM A MOVING CAR,
241
00:09:41,580 --> 00:09:42,665
AND THE NEXT ONE DOES, TOO.
242
00:09:42,665 --> 00:09:44,667
WELL, THAT'S A...
A ROAD SIGN.
243
00:09:44,667 --> 00:09:46,085
BUT WHAT IS THIS?
244
00:09:46,085 --> 00:09:48,254
UH, IT LOOKS LIKE, UM...
245
00:09:48,254 --> 00:09:49,922
MELONS?
246
00:09:49,922 --> 00:09:51,090
IN THE SKY?
247
00:09:51,090 --> 00:09:52,425
WELL, SOMETIMES,
AN IMAGE CAN GET
248
00:09:52,425 --> 00:09:53,426
SUPERIMPOSED ON ANOTHER
249
00:09:53,426 --> 00:09:55,094
IF THE CAMERA
ISN'T WOUND PROPERLY.
250
00:09:55,094 --> 00:09:56,887
AHH. HUH!
251
00:09:57,930 --> 00:09:59,015
DO YOU
SEE WHAT I MEAN?
252
00:09:59,015 --> 00:10:00,182
"ORDER THE FLOWERS."
253
00:10:00,182 --> 00:10:01,183
I CAN DO THAT.
254
00:10:01,183 --> 00:10:02,226
"HIRE THE MINISTER."
255
00:10:02,226 --> 00:10:03,894
WHAT ABOUT
NORMAN'S GRANDMOTHER?
256
00:10:03,894 --> 00:10:05,104
SHE'S VERY SPIRITUAL.
257
00:10:05,104 --> 00:10:07,606
"ORDER THE INVITATIONS
AND HIRE A CALLIGRAPHER"?
258
00:10:07,606 --> 00:10:10,568
HAVE YOU SEEN
OLIVER'S PENMANSHIP?
259
00:10:10,568 --> 00:10:13,571
"SECURE A VENUE."
I DON'T HAVE A VENUE!
260
00:10:14,613 --> 00:10:15,823
I HAVE YOUR VENUE!
261
00:10:15,823 --> 00:10:16,907
WHAT?
262
00:10:16,907 --> 00:10:18,534
RAMON'S
NEW RESTAURANT.
263
00:10:18,534 --> 00:10:19,493
THINK ABOUT IT!
264
00:10:19,493 --> 00:10:21,245
UH, THE CAKE,
THE CATERING,
265
00:10:21,245 --> 00:10:23,289
THE BAND-- HE CAN TAKE
CARE OF ALL OF THAT.
266
00:10:23,289 --> 00:10:24,373
-IT'S PERFECT!
-HUH.
267
00:10:24,373 --> 00:10:26,917
NOW ALL YOU NEED
IS THE PERFECT MAN,
268
00:10:26,917 --> 00:10:28,961
WHICH OF COURSE,
YOU ALREADY HAVE.
269
00:10:28,961 --> 00:10:30,963
[LAUGHS]
270
00:10:32,256 --> 00:10:34,133
WELL, IT SEEMS AS IF
OUR PHOTOGRAPHER
271
00:10:34,133 --> 00:10:36,594
WENT FROM TAKING PORTRAITS
TO LANDSCAPES TO...
272
00:10:36,594 --> 00:10:38,596
FOOD.
273
00:10:38,596 --> 00:10:40,139
YEAH, BUT NOTHING
TO IDENTIFY
274
00:10:40,139 --> 00:10:43,476
A SPECIFIC LOCATION
OR PERSON,
275
00:10:43,476 --> 00:10:44,894
EXCEPT FOR THIS WOMAN.
276
00:10:44,894 --> 00:10:46,812
THE LOWER ANGLE
277
00:10:46,812 --> 00:10:48,147
IS CONSISTENT
WITH THE OTHER IMAGES.
278
00:10:48,147 --> 00:10:51,108
TAKEN BY
SOMEONE SHORTER?
279
00:10:51,108 --> 00:10:52,485
A CHILD, PERHAPS?
280
00:10:52,485 --> 00:10:55,154
EXCEPT THAT THE FIRST ONES,
OF ALL THE HAIR,
281
00:10:55,154 --> 00:10:57,406
WERE TAKEN BY A TALL PERSON.
282
00:10:57,406 --> 00:11:00,284
THEN WE HAVE AT LEAST
TWO PHOTOGRAPHERS.
283
00:11:00,284 --> 00:11:03,245
AN ADULT, AND THEN,
LATER, MAYBE...
284
00:11:03,245 --> 00:11:04,538
OLIVER.
285
00:11:04,538 --> 00:11:05,456
MM?
286
00:11:05,456 --> 00:11:06,415
LOOK.
287
00:11:07,625 --> 00:11:10,127
[♪♪]
288
00:11:22,681 --> 00:11:25,810
[LAUGHS] I JUST CAN'T
GET OVER THAT HAIR.
289
00:11:25,810 --> 00:11:27,812
AND THOSE CLOTHES!
290
00:11:27,812 --> 00:11:29,313
OH! OLIVER!
291
00:11:29,313 --> 00:11:31,982
WE THINK WE KNOW
WHERE THESE WERE TAKEN.
292
00:11:31,982 --> 00:11:33,526
THERE'S A BANNER
THAT READS--
293
00:11:33,526 --> 00:11:34,860
SOMETHING
"...THE '80S."
294
00:11:34,860 --> 00:11:36,821
WE'RE THINKING
"END OF THE '80S"
295
00:11:36,821 --> 00:11:38,030
OR "FAREWELL
TO THE '80S."
296
00:11:38,030 --> 00:11:39,156
AND PROBABLY
AT A HOTEL,
297
00:11:39,156 --> 00:11:42,159
BECAUSE THERE'S A PODIUM
WAY IN THE BACK
298
00:11:42,159 --> 00:11:43,661
AND YOU CAN JUST
MAKE OUT THE LETTERS
299
00:11:43,661 --> 00:11:45,371
"...U-E-B-L-O."
300
00:11:45,371 --> 00:11:46,288
"PUEBLO."
301
00:11:46,288 --> 00:11:47,373
SO WE THINK
IT'S A NEW YEAR'S PARTY
302
00:11:47,373 --> 00:11:50,084
IN PUEBLO, COLORADO
IN 1989.
303
00:11:53,212 --> 00:11:54,296
"FIND ME, DADDY.
304
00:11:54,296 --> 00:11:57,466
"WE'RE IN GRAY CAR.
I WANT TO GO...
305
00:11:57,466 --> 00:11:58,717
HOME."
306
00:11:58,717 --> 00:11:59,844
OH...
307
00:11:59,844 --> 00:12:02,680
[♪♪]
308
00:12:02,680 --> 00:12:04,974
"I WANT TO GO HOME."
309
00:12:04,974 --> 00:12:06,559
THIS IS SO SAD!
310
00:12:06,559 --> 00:12:08,310
LOOK AT
THAT LITTLE BACKPACK.
311
00:12:08,310 --> 00:12:11,355
LOOKS LIKE
HE'S PROPPED HIS LITTLE NOTEBOOK
312
00:12:11,355 --> 00:12:13,441
UP AGAINST SOMETHING BLUE.
313
00:12:13,441 --> 00:12:16,193
POST OFFICE BLUE!
LIKE MY WEDDING COLORS.
314
00:12:16,193 --> 00:12:17,528
OR LIKE A MAILBOX!
315
00:12:17,528 --> 00:12:21,198
COULD BE, AND THAT LOOKS
LIKE SOME KIND OF LOG?
316
00:12:21,198 --> 00:12:22,491
THIS FEELS SO URGENT,
317
00:12:22,491 --> 00:12:24,577
EVEN THOUGH IT HAPPENED
30 YEARS AGO.
318
00:12:24,577 --> 00:12:26,328
WELL, THERE IS
NO EXPIRATION DATE
319
00:12:26,328 --> 00:12:27,496
ON THE TRUTH.
320
00:12:27,496 --> 00:12:29,582
SOMEONE MIGHT STILL BE
LOOKING FOR THEIR FATHER,
321
00:12:29,582 --> 00:12:31,834
OR A FATHER FOR HIS SON.
322
00:12:31,834 --> 00:12:33,919
I'M GONNA FILTER FOR
PARENTAL ABDUCTIONS
323
00:12:33,919 --> 00:12:35,087
USING "J-A-".
324
00:12:35,087 --> 00:12:37,173
JACK OR JAMES "M"?
325
00:12:37,173 --> 00:12:40,759
OH, RITA, WHAT WERE THE NAMES
OF THE TOWNS ENDING IN "CITY"?
326
00:12:40,759 --> 00:12:42,428
CANON, CENTRAL,
COMMERCE, GARDEN, LAKE,
327
00:12:42,428 --> 00:12:43,846
ORCHARD,
AND SUGAR CITY.
328
00:12:43,846 --> 00:12:44,889
[OLIVER]: NORMAN, RITA,
329
00:12:44,889 --> 00:12:46,390
WILL YOU CHECK
FOR PLACES IN PUEBLO
330
00:12:46,390 --> 00:12:48,559
THAT HAVE BANQUET ROOMS?
331
00:12:48,559 --> 00:12:49,727
AND IF SO,
HOW MANY OF THEM
332
00:12:49,727 --> 00:12:51,437
HAVE RECORDS DATING
BACK TO THE '80S, HMM?
333
00:12:51,437 --> 00:12:53,189
I'M GONNA CALL DALE
334
00:12:53,189 --> 00:12:55,774
AT THE STATE DIVISION
OF INVESTIGATIONS.
335
00:12:55,774 --> 00:12:58,777
PERHAPS THE OLD CHILD ABDUCTION
RESOURCES
336
00:12:58,777 --> 00:13:00,946
ARE BETTER AT THE STATE LEVEL.
337
00:13:00,946 --> 00:13:03,741
YES? UH, THANK YOU.
338
00:13:03,741 --> 00:13:05,201
YEAH.
339
00:13:05,201 --> 00:13:06,285
[HANGS PHONE UP]
340
00:13:06,285 --> 00:13:08,621
WITHOUT SUFFICIENT
DESCRIPTIVE INFORMATION
341
00:13:08,621 --> 00:13:09,788
OF THE CHILD OR CAPTOR,
342
00:13:09,788 --> 00:13:12,625
AND CONFIRMATION
OF WHEN AN ABDUCTION TOOK PLACE,
343
00:13:12,625 --> 00:13:14,210
THEIR HANDS ARE TIED.
344
00:13:14,210 --> 00:13:16,962
AMBER ALERTS DIDN'T
BEGIN UNTIL 1996,
345
00:13:16,962 --> 00:13:19,256
SO I'M TRYING TO ACCESS
EARLIER RECORDS
346
00:13:19,256 --> 00:13:20,549
FROM THE NATIONAL CENTER
347
00:13:20,549 --> 00:13:22,468
FOR MISSING
AND EXPLOITED CHILDREN.
348
00:13:22,468 --> 00:13:24,053
[NORMAN]: OH, SO JUST
SMALL CONFERENCE ROOMS,
349
00:13:24,053 --> 00:13:25,429
AND NO BALLROOM.
350
00:13:25,429 --> 00:13:27,139
WELL, THANK YOU FOR YOUR TIME.
351
00:13:27,139 --> 00:13:28,807
[RITA]: OH, HI, SYLVIA.
352
00:13:28,807 --> 00:13:31,310
WE'RE TRYING TO LOCATE
THE ORGANIZERS OF A PARTY
353
00:13:31,310 --> 00:13:33,771
THAT MAY HAVE HAPPENED
AT YOUR HOTEL BACK IN THE '80S.
354
00:13:33,771 --> 00:13:35,981
WE'RE WONDERING HOW FAR BACK
YOUR RECORDS GO?
355
00:13:35,981 --> 00:13:39,151
NO, IT WAS A PARTY IN THE '80S,
NOT AN...
356
00:13:39,151 --> 00:13:41,654
[REALIZING]:
...'80S PARTY.
357
00:13:41,654 --> 00:13:45,324
WAIT!
WHEN DID YOU SAY THAT WAS?
358
00:13:45,324 --> 00:13:46,575
AND WAS EVERYBODY DRESSED UP,
359
00:13:46,575 --> 00:13:49,328
LIKE, LIKE, MADONNA
AND "FLASHDANCE"?
360
00:13:49,328 --> 00:13:51,247
OH, YES.
ALL THE BIG HAIR.
361
00:13:51,247 --> 00:13:52,748
YES! AND WAS THERE
'80S STUFF EVERYWHERE?
362
00:13:52,748 --> 00:13:56,168
LIKE, UH, RUBIK'S CUBES
AND, WELL, DISPOSABLE CAMERAS?
363
00:13:56,168 --> 00:13:57,503
OH, YES. LEG WARMERS...
364
00:13:57,503 --> 00:14:00,422
WAS THERE A SIGN THAT READ...
365
00:14:00,422 --> 00:14:01,924
"MEMORIES OF THE '80S"?
366
00:14:01,924 --> 00:14:03,175
"MEMORIES OF THE '80S"?
367
00:14:03,175 --> 00:14:04,176
GREAT! THANK YOU, SYLVIA!
368
00:14:04,176 --> 00:14:05,177
YOU'RE WELCOME.
369
00:14:05,177 --> 00:14:07,680
YOU GUYS...
370
00:14:07,680 --> 00:14:09,765
I THINK
OUR CHILD WENT MISSING
371
00:14:09,765 --> 00:14:11,642
THREE WEEKS AGO.
372
00:14:15,479 --> 00:14:16,981
THREE WEEKS AGO?
373
00:14:16,981 --> 00:14:21,235
YEAH, SO, THE BANQUET ROOM AT
THE HOTEL MESA PUEBLO
374
00:14:21,235 --> 00:14:22,528
WAS BOOKED A MONTH AGO
375
00:14:22,528 --> 00:14:26,115
BY THE PUEBLO NORTH HIGH SCHOOL
CLASS REUNION, 1988.
376
00:14:26,115 --> 00:14:27,491
THAT EXPLAINS
THE VINTAGE CAMERA.
377
00:14:27,491 --> 00:14:30,536
SO OUR CHILD
IS STILL A CHILD.
378
00:14:30,536 --> 00:14:32,871
AND THIS CAMERA
IS NOW OUR TOP PRIORITY.
379
00:14:32,871 --> 00:14:35,040
I'M GONNA CHANGE
THE SEARCH PARAMETERS
380
00:14:35,040 --> 00:14:36,709
FOR A RECENT ABDUCTION.
381
00:14:36,709 --> 00:14:39,378
WE NEED TO IDENTIFY
THESE WOMEN.
382
00:14:39,378 --> 00:14:41,463
RITA, TAKE A PHOTO
OF THE PHOTO,
383
00:14:41,463 --> 00:14:42,673
EMAIL IT TO SYLVIA.
384
00:14:42,673 --> 00:14:44,508
MAYBE SHE'LL RECOGNIZE
ONE OF THEM.
385
00:14:44,508 --> 00:14:46,552
OKAY.
386
00:14:48,053 --> 00:14:49,054
[SHUTTER CLICKS]
387
00:14:50,180 --> 00:14:52,474
ALL I SEE IS HAIR
AND MORE BIG HAIR.
388
00:14:52,474 --> 00:14:54,727
[OLIVER]: THIS IS ABOUT
389
00:14:54,727 --> 00:14:56,353
MORE THAN
ONE PHOTOGRAPH,
390
00:14:56,353 --> 00:14:58,939
AND IT'S CERTAINLY
ABOUT MORE THAN JUST...
391
00:14:58,939 --> 00:15:00,482
HAIR.
392
00:15:00,482 --> 00:15:02,651
WE...
393
00:15:02,651 --> 00:15:04,653
ARE GOING TO PUEBLO.
394
00:15:04,653 --> 00:15:06,405
AND...
395
00:15:06,405 --> 00:15:08,574
WE'LL NEED
SOME SORT OF A... UH...
396
00:15:08,574 --> 00:15:10,326
MOBILE COMMAND UNIT, HMM?
397
00:15:10,326 --> 00:15:11,827
UH, NORMAN, RITA!
398
00:15:11,827 --> 00:15:13,912
MAY WE ENGAGE
YOUR RECREATIONAL VEHICLE?
399
00:15:13,912 --> 00:15:15,122
HMM?
400
00:15:15,122 --> 00:15:16,498
WELL, UH...
401
00:15:16,498 --> 00:15:17,708
WE HAVEN'T EXACTLY--
402
00:15:17,708 --> 00:15:18,834
[RITA]: WHAT A GREAT IDEA!
403
00:15:18,834 --> 00:15:20,669
IT'LL BE LIKE
A PRACTICE HONEYMOON,
404
00:15:20,669 --> 00:15:23,881
ONLY BETTER,
BECAUSE WE'LL ALL BE TOGETHER.
405
00:15:23,881 --> 00:15:25,090
[SHANE]: OH, RITA...
406
00:15:25,090 --> 00:15:26,300
I DO LOVE YOU.
407
00:15:26,300 --> 00:15:27,551
AWW!
408
00:15:28,594 --> 00:15:29,595
NORMAN?
409
00:15:29,595 --> 00:15:32,222
YOU ARE MARRYING
A WONDERFUL WOMAN.
410
00:15:32,222 --> 00:15:34,391
THANK YOU.
411
00:15:34,391 --> 00:15:35,392
[DOOR OPENS AND SHUTS]
412
00:15:35,392 --> 00:15:36,435
HAVE I MENTIONED
413
00:15:36,435 --> 00:15:38,228
THAT I DON'T KNOW
HOW TO DRIVE THAT THING?
414
00:15:38,228 --> 00:15:41,065
[OLIVER]: IT'S QUITE STRIKING.
EXTRAORDINARY, REALLY.
415
00:15:41,065 --> 00:15:43,442
AND BIG.
416
00:15:43,442 --> 00:15:45,069
JUST THINK OF
ALL THE PLACES
417
00:15:45,069 --> 00:15:46,779
THIS VENERABLE VEHICLE
HAS TRAVELED.
418
00:15:46,779 --> 00:15:47,946
DO I HAVE TO?
419
00:15:47,946 --> 00:15:51,825
MY PARENTS PUT
200,000 MILES ON IT!
420
00:15:51,825 --> 00:15:53,619
WELL, THEN,
LET'S MAKE SURE
421
00:15:53,619 --> 00:15:56,080
THE NEXT 200 MILES
COUNT, SHALL WE?
422
00:15:56,080 --> 00:15:58,248
MM-HMM!
423
00:15:59,625 --> 00:16:00,751
WELL...
424
00:16:00,751 --> 00:16:02,378
DESPITE THE GRAVITY
OF OUR MISSION,
425
00:16:02,378 --> 00:16:03,545
IT WILL BE FUN
TO GET HER
426
00:16:03,545 --> 00:16:04,922
OUT ON THE OPEN ROAD
427
00:16:04,922 --> 00:16:07,299
AND SEE WHAT SHE CAN DO.
428
00:16:07,299 --> 00:16:08,801
OOH, WELL, HEY, WHY
DON'T YOU GO FIRST?
429
00:16:08,801 --> 00:16:10,135
MY TREAT.
430
00:16:10,135 --> 00:16:11,136
AH.
431
00:16:11,136 --> 00:16:13,722
[♪♪]
432
00:16:13,722 --> 00:16:16,975
♪ ALL I'VE GOT
IS DUST IN MY POCKET ♪
433
00:16:16,975 --> 00:16:20,896
♪ ALL I TELL YOU
WON'T CHANGE YOUR MIND ♪
434
00:16:20,896 --> 00:16:23,273
♪ ALL I'VE GOT
IS DUST IN MY POCKET ♪
435
00:16:23,273 --> 00:16:24,983
♪ I'VE GOTTA MOVE ON... ♪
436
00:16:24,983 --> 00:16:25,984
YOU SEE, NORMAN,
437
00:16:25,984 --> 00:16:27,319
IT'S REALLY
NOT THAT DIFFICULT.
438
00:16:27,319 --> 00:16:29,154
YOU JUST HAVE
TO MAKE FRIENDS
439
00:16:29,154 --> 00:16:30,656
WITH EVERY LITTLE NOISE
AND RATTLE IN THE CHASSIS,
440
00:16:30,656 --> 00:16:33,450
IF YOU WANT TO LEARN WHAT
SHE LIKES AND WHAT SHE DOESN'T.
441
00:16:33,450 --> 00:16:34,868
OKAY.
442
00:16:34,868 --> 00:16:37,996
[OLIVER]: THE THING TO REMEMBER
IS ALWAYS PAY ATTENTION...
443
00:16:37,996 --> 00:16:38,997
HOW'S IT COMING?
444
00:16:38,997 --> 00:16:42,167
OH! WELL, FOR THE CAKE,
445
00:16:42,167 --> 00:16:44,503
WE BOTH LIKE CHOCOLATE,
SO THAT SHOULD BE EASY,
446
00:16:44,503 --> 00:16:46,588
AND RAMON CAN PICK THE MUSIC.
447
00:16:46,588 --> 00:16:47,756
WHAT ABOUT THE INVITATIONS?
448
00:16:47,756 --> 00:16:48,966
WELL, IT SAYS HERE,
449
00:16:48,966 --> 00:16:50,509
"ALWAYS LEAVE ROOM
450
00:16:50,509 --> 00:16:52,720
FOR A BIT OF WHIMSY
IN YOUR WEDDING."
451
00:16:52,720 --> 00:16:55,973
SO I'M THINKING INVITATIONS
IN THE SHAPE OF OWLS
452
00:16:55,973 --> 00:16:58,684
THAT SAY "GUESS WHO'S
GETTING MARRIED"?
453
00:16:58,684 --> 00:17:00,519
VERY WHIMSICAL,
VERY YOU.
454
00:17:00,519 --> 00:17:02,980
AND THEN, FOR OUR COLORS,
WE'LL JUST STAY POSTAL.
455
00:17:02,980 --> 00:17:04,189
RED, WHITE, BLUE?
456
00:17:04,189 --> 00:17:05,190
RIGHT!
457
00:17:05,190 --> 00:17:06,442
OKAY.
458
00:17:06,442 --> 00:17:09,111
JUST HAVE
TO KEEP A GOOD BALANCE
459
00:17:09,111 --> 00:17:12,197
BETWEEN LOOKING BEHIND
AND LOOKING FORWARD.
460
00:17:12,197 --> 00:17:13,449
GOT IT.
461
00:17:13,449 --> 00:17:15,325
AND MOST
IMPORTANTLY,
462
00:17:15,325 --> 00:17:17,411
YOU HAVE TO TREAT HER
WITH RESPECT--
463
00:17:17,411 --> 00:17:18,495
DON'T PUSH HER TOO HARD,
464
00:17:18,495 --> 00:17:21,206
OR SHE MIGHT, UH,
SHE MIGHT BREAK DOWN.
465
00:17:21,206 --> 00:17:22,416
WELL, WE DON'T WANT THAT.
466
00:17:22,416 --> 00:17:25,377
NO. BEFORE TOO LONG,
WITH PATIENCE AND DETERMINATION,
467
00:17:25,377 --> 00:17:27,963
YOU START...
YOU START TO BECOME ONE.
468
00:17:27,963 --> 00:17:30,382
[SHANE]: EXCUSE ME.
469
00:17:30,382 --> 00:17:33,552
WE HAVE BEEN TALKING ABOUT
THE STARCRUISER, RIGHT?
470
00:17:34,678 --> 00:17:36,388
I JUST THOUGHT
YOU'D LIKE TO KNOW,
471
00:17:36,388 --> 00:17:37,681
THAT ONCE
WE GET TO PUEBLO,
472
00:17:37,681 --> 00:17:39,892
THE HOTEL EXIT IS 43.
473
00:17:39,892 --> 00:17:42,686
THEN YOU TURN RIGHT,
GO 4.2 MILES,
474
00:17:42,686 --> 00:17:44,396
AND, WELL, THAT
SHOULD BE COMING UP
475
00:17:44,396 --> 00:17:45,856
IN ABOUT 10 MINUTES.
476
00:17:45,856 --> 00:17:48,067
OH, THANK YOU,
MS. MCINERNEY.
477
00:17:48,067 --> 00:17:50,402
MM. MY PLEASURE,
MR. O'TOOLE.
478
00:17:50,402 --> 00:17:51,361
[CHUCKLES]
479
00:17:54,031 --> 00:17:56,241
[WHISPERS]: I KNOW
YOU LIKE TO KEEP THINGS
480
00:17:56,241 --> 00:17:57,868
PROFESSIONAL,
481
00:17:57,868 --> 00:18:01,079
BUT WE'RE OUT OF
THE OFFICE NOW,
482
00:18:01,079 --> 00:18:03,373
SO IT'S OKAY
TO CALL ME SHANE.
483
00:18:05,042 --> 00:18:06,960
UH, WE ARE
OUT OF THE OFFICE,
484
00:18:06,960 --> 00:18:10,339
BUT WE ARE IN
THE MOBILE UNIT.
485
00:18:10,339 --> 00:18:13,175
A, UH... FINE
DISTINCTION, PERHAPS,
486
00:18:13,175 --> 00:18:14,635
BUT...
487
00:18:14,635 --> 00:18:16,553
I KNEW
YOU'D SAY THAT.
488
00:18:17,888 --> 00:18:19,389
OH.
489
00:18:19,389 --> 00:18:20,933
YOU DID?
490
00:18:20,933 --> 00:18:21,975
UH-HUH.
491
00:18:21,975 --> 00:18:25,145
I JUST LIKE
HEARING YOU SAY IT,
492
00:18:25,145 --> 00:18:27,856
BECAUSE I KNOW YOU,
MR. O'TOOLE.
493
00:18:27,856 --> 00:18:30,067
[NORMAN]:
OH, LOOK! EXIT 41.
494
00:18:30,067 --> 00:18:31,944
SO CLOSE.
495
00:18:31,944 --> 00:18:33,445
[CELL CHIMES]
496
00:18:33,445 --> 00:18:35,405
OH.
497
00:18:36,490 --> 00:18:38,450
[♪♪]
498
00:18:38,450 --> 00:18:40,452
OH.
499
00:18:40,452 --> 00:18:42,996
[♪♪]
500
00:18:47,125 --> 00:18:48,710
[AWKWARD CHUCKLE]
501
00:18:49,753 --> 00:18:50,712
OH, YOUR PHONE DINGED.
502
00:18:50,712 --> 00:18:52,673
OH. THANK YOU.
503
00:18:57,511 --> 00:19:00,138
WHO'S ALEX BRIGHTON?
504
00:19:00,138 --> 00:19:02,015
OH, I'M SORRY,
I DIDN'T MEAN TO READ IT.
505
00:19:02,015 --> 00:19:03,225
I JUST LOOKED DOWN AND--
506
00:19:03,225 --> 00:19:04,935
IT'S OKAY.
IT'S NOT IMPORTANT.
507
00:19:04,935 --> 00:19:07,813
IT SEEMS LIKE HE REALLY
WANTS TO TALK TO YOU.
508
00:19:07,813 --> 00:19:10,816
I'VE BEEN GETTING A LOT
OF WRONG NUMBERS RECENTLY.
509
00:19:10,816 --> 00:19:12,109
OH.
510
00:19:13,694 --> 00:19:16,488
[♪♪]
511
00:19:16,488 --> 00:19:19,157
[OLIVER]: WELL, EVERYONE,
WELCOME TO MESA PUEBLO.
512
00:19:25,956 --> 00:19:28,458
[♪♪]
513
00:19:31,086 --> 00:19:33,172
GOOD AFTERNOON.
514
00:19:33,172 --> 00:19:35,173
HI. CHECKING IN?
DO YOU HAVE A RESERVATION?
515
00:19:35,173 --> 00:19:37,175
UH, NO. AND NO.
516
00:19:37,175 --> 00:19:38,176
[SNEEZES]
517
00:19:38,176 --> 00:19:39,177
BLESS YOU.
518
00:19:39,177 --> 00:19:40,637
THANKS.
519
00:19:40,637 --> 00:19:43,140
WE'RE ALL SOLD OUT TONIGHT,
UNFORTUNATELY.
520
00:19:43,140 --> 00:19:45,183
WILDFLOWER CONVENTION,
HAPPENS EVERY YEAR.
521
00:19:45,183 --> 00:19:47,185
OH, I UNDERSTAND.
WE JUST HAVE A QUESTION.
522
00:19:47,185 --> 00:19:48,186
[SNEEZES]
523
00:19:48,186 --> 00:19:49,479
BLESS YOU.
524
00:19:49,479 --> 00:19:51,189
WE'RE HERE FROM THE UNITED
STATES POSTAL SERVICE.
525
00:19:51,189 --> 00:19:52,774
WE'RE HERE TO SEE
SYLVIA PELLSON.
526
00:19:52,774 --> 00:19:53,775
SHE'S IN CATERING,
527
00:19:53,775 --> 00:19:55,360
AND SHE'S
EXPECTING US.
528
00:19:55,360 --> 00:19:57,321
[DIALS PHONE]
529
00:19:58,530 --> 00:20:00,282
HEY, SYLVIA? HI.
I HAVE A BUNCH OF PEOPLE HERE
530
00:20:00,282 --> 00:20:03,118
SAYING THEY'RE FROM
THE POST OFFICE?
531
00:20:03,118 --> 00:20:05,037
SAYS YOU'RE EXPECTING THEM?
532
00:20:05,037 --> 00:20:07,539
SURE. OKAY.
533
00:20:07,539 --> 00:20:09,041
SHE'LL BE RIGHT WITH YOU.
534
00:20:09,041 --> 00:20:10,792
THANK YOU.
535
00:20:10,792 --> 00:20:11,835
[SNEEZES]
536
00:20:11,835 --> 00:20:12,961
BLESS YOU.
537
00:20:12,961 --> 00:20:14,046
FLOWER ALLERGY?
538
00:20:14,046 --> 00:20:15,547
[SNIFFLES]
539
00:20:15,547 --> 00:20:17,674
HANG IN THERE.
540
00:20:19,676 --> 00:20:23,221
RITA? WHAT ABOUT SOME OF
THESE FLOWERS FOR YOUR WEDDING?
541
00:20:23,221 --> 00:20:25,682
OOH, THOSE
ARE BEAUTIFUL!
542
00:20:27,225 --> 00:20:28,810
OH! AND PRICKLY!
543
00:20:28,810 --> 00:20:29,895
MM.
544
00:20:29,895 --> 00:20:32,064
ARE YOU THE FOLKS
FROM THE POST OFFICE?
545
00:20:32,064 --> 00:20:33,398
YES, WE ARE.
546
00:20:33,398 --> 00:20:35,859
HI. I'M SYLVIA.
HOW CAN I HELP YOU?
547
00:20:35,859 --> 00:20:37,069
UH, WE WERE HOPING
548
00:20:37,069 --> 00:20:40,280
THAT YOU MIGHT RECOGNIZE
THE WOMEN IN THESE PHOTOS.
549
00:20:40,280 --> 00:20:42,491
[LAUGHS] OH, HO! WOW.
550
00:20:42,491 --> 00:20:45,410
JOANNE AND BECCA
ARE GONNA LOVE THESE!
551
00:20:45,410 --> 00:20:46,411
THEY SURE WENT ALL OUT.
552
00:20:46,411 --> 00:20:47,371
YOU KNOW THEM?
553
00:20:47,371 --> 00:20:48,538
SURE DO.
554
00:20:48,538 --> 00:20:49,831
THEY'RE OUR ACCOUNTANTS
DOWN ON FOURTH STREET.
555
00:20:49,831 --> 00:20:51,041
THEY DO OUR AUDITS.
556
00:20:51,041 --> 00:20:52,668
DO EITHER OF THEM
HAVE A CHILD?
557
00:20:52,668 --> 00:20:54,211
HOW OLD?
558
00:20:54,211 --> 00:20:55,754
UH, WE'RE ESTIMATING
ANYWHERE BETWEEN
559
00:20:55,754 --> 00:20:57,422
5 AND 10 YEARS OLD.
560
00:20:57,422 --> 00:21:00,467
WELL, THEY HAVE KIDS,
BUT THEY'RE ALL IN HIGH SCHOOL.
561
00:21:00,467 --> 00:21:02,511
WELL, IF JOANNE AND BECCA
TOOK PICTURES
562
00:21:02,511 --> 00:21:04,388
WITH THE SAME CAMERA
AS OUR CHILD,
563
00:21:04,388 --> 00:21:06,765
THEN THEY MUST'VE CROSSED PATHS
SOMEHOW, RIGHT?
564
00:21:06,765 --> 00:21:07,766
HOW MIGHT WE FIND THEM?
565
00:21:07,766 --> 00:21:10,143
[♪♪]
566
00:21:11,228 --> 00:21:12,479
THERE WEREN'T
ANY CHILDREN THERE.
567
00:21:12,479 --> 00:21:13,730
NOT THAT I SAW, ANYWAY.
568
00:21:13,730 --> 00:21:15,232
I DIDN'T SEE ANY.
569
00:21:15,232 --> 00:21:16,900
WOW, MY HAIR WAS BIG.
570
00:21:16,900 --> 00:21:20,028
WERE THERE A LOT OF DISPOSABLE
CAMERAS OR JUST THE ONE?
571
00:21:20,028 --> 00:21:22,197
JUST ONE.
IT WAS PART OF
572
00:21:22,197 --> 00:21:24,282
A DISPLAY OF A BUNCH
OF '80S STUFF.
573
00:21:24,282 --> 00:21:26,910
I MEAN, WE JUST
STARTED PLAYING WITH IT.
574
00:21:26,910 --> 00:21:28,370
THOSE THINGS
ARE FUN TO CLICK.
575
00:21:28,370 --> 00:21:29,997
I MISS CLICKING.
576
00:21:29,997 --> 00:21:31,039
I SEE.
577
00:21:31,039 --> 00:21:32,207
I MEAN, NOWADAYS,
YOU'VE GOT TO PRESS,
578
00:21:32,207 --> 00:21:33,458
AND SLIDE AND PRESS,
579
00:21:33,458 --> 00:21:35,293
AND IF YOU WANT VIDEO...
580
00:21:35,293 --> 00:21:36,628
WAIT A MINUTE.
581
00:21:36,628 --> 00:21:38,797
MY HUSBAND WAS RECORDING
THAT NIGHT!
582
00:21:38,797 --> 00:21:41,049
JEREMY!
583
00:21:41,049 --> 00:21:42,634
I HAVEN'T
WATCHED THIS YET,
584
00:21:42,634 --> 00:21:44,136
SO I'M NOT REALLY
SURE WHAT'S ON IT.
585
00:21:44,136 --> 00:21:46,304
HOPEFULLY NOTHING
TOO EMBARRASSING.
586
00:21:46,304 --> 00:21:47,806
YEAH. IT WAS
QUITE A NIGHT.
587
00:21:47,806 --> 00:21:49,975
[♪♪]
588
00:21:49,975 --> 00:21:51,935
[JEREMY, ON VIDEO]:
YO! CLASS OF '88!
589
00:21:51,935 --> 00:21:54,771
[ALL CHEERING AND HOOTING]
590
00:21:54,771 --> 00:21:55,814
[LAUGHTER]
591
00:21:55,814 --> 00:21:59,234
'88! '88!
EIGHTY-EIGHTY-EIGHTY-EIGHT!
592
00:22:00,652 --> 00:22:02,320
I'LL JUST FAST-FORWARD A BIT.
593
00:22:04,614 --> 00:22:07,159
[CLASSMATE]: JEREMY CARR!
LOOK AT YOU, MY MAN.
594
00:22:07,159 --> 00:22:09,578
[JEREMY]: OH, MAN, I SEE
YOU'RE ROCKIN' THE ZEBRA PRINT!
595
00:22:09,578 --> 00:22:11,288
[CLASSMATE]: CLASSICS NEVER GO
OUT OF STYLE, AM I RIGHT?
596
00:22:11,288 --> 00:22:12,330
AND...
597
00:22:12,330 --> 00:22:14,249
CAN YOU BACK THAT UP, PLEASE?
598
00:22:14,249 --> 00:22:16,501
SURE, BUT IT'S JUST
ME AND ERIC BEING STUPID.
599
00:22:19,004 --> 00:22:21,173
[JEREMY]: ALL RIGHT!
LET'S GET THIS PARTY STARTED!
600
00:22:21,173 --> 00:22:24,342
YO, ERIC!
HEY, MAN!
601
00:22:24,342 --> 00:22:25,677
JEREMY CARR!
602
00:22:25,677 --> 00:22:26,678
STOP!
603
00:22:26,678 --> 00:22:27,679
OLIVER...
604
00:22:27,679 --> 00:22:29,347
THE BACKPACK.
605
00:22:29,347 --> 00:22:32,809
THAT LOOKS LIKE THE ONE WITH
THE LETTER IN THE LAST PHOTO.
606
00:22:32,809 --> 00:22:34,936
WELL, THAT'S HIM!
THAT'S GOTTA BE HIM!
607
00:22:41,651 --> 00:22:42,611
WHY CAN'T WE GO
TO THE POLICE?
608
00:22:42,611 --> 00:22:43,862
WE HAVE A VIDEO.
609
00:22:43,862 --> 00:22:46,490
OF A WOMAN AND A LITTLE BOY,
BUT NO FACES, NO NAMES.
610
00:22:46,490 --> 00:22:49,367
NOTHING TO REPRESENT
ANY ILLEGAL ACTIVITY.
611
00:22:49,367 --> 00:22:50,577
[RITA]: BUT WE CAN CONNECT
612
00:22:50,577 --> 00:22:53,330
THE DINOSAUR BACKPACK
IN THE PHOTOGRAPH
613
00:22:53,330 --> 00:22:54,706
TO THE ONE IN THE VIDEO.
614
00:22:54,706 --> 00:22:55,999
[SHANE]:
WELL, AND IF THEY STAYED HERE,
615
00:22:55,999 --> 00:22:58,043
THEY PROBABLY HAVE
A RECORD OF HER CREDIT CARD.
616
00:22:58,043 --> 00:22:59,711
[RITA]: BUT IT LOOKS LIKE
SHE WAS PAYING CASH
617
00:22:59,711 --> 00:23:01,755
WHEN SHE WAS
TALKING TO DOUG.
618
00:23:04,883 --> 00:23:06,051
[SNEEZES]
619
00:23:06,051 --> 00:23:08,386
OH! DOUG!
620
00:23:08,386 --> 00:23:09,721
I THOUGHT YOU
COULD USE THESE.
621
00:23:09,721 --> 00:23:12,641
THEY'RE THE EXTRA-SOFT
ONES WITH LOTION.
622
00:23:12,641 --> 00:23:14,226
THANKS.
623
00:23:14,226 --> 00:23:16,603
I THINK SYLVIA
JUST WENT ON HER BREAK.
624
00:23:16,603 --> 00:23:18,396
ACTUALLY, WE'RE
HERE TO SEE YOU.
625
00:23:18,396 --> 00:23:20,023
WE NEED YOUR HELP.
626
00:23:20,023 --> 00:23:21,233
UH, DO YOU
RECOGNIZE THIS WOMAN?
627
00:23:21,233 --> 00:23:22,234
SHE MAY HAVE
CHECKED IN HERE
628
00:23:22,234 --> 00:23:23,568
ABOUT THREE WEEKS AGO?
629
00:23:24,736 --> 00:23:27,531
[RITA]: IT WAS THE NIGHT
OF THE '80S REUNION PARTY.
630
00:23:27,531 --> 00:23:28,657
WHO COULD FORGET?
631
00:23:28,657 --> 00:23:29,991
I'M SORRY, GUYS.
632
00:23:29,991 --> 00:23:32,410
I CAN'T GIVE OUT GUESTS'
PERSONAL INFORMATION.
633
00:23:32,410 --> 00:23:34,663
OH, WELL, DO YOU
KNOW WHO WE ARE?
634
00:23:34,663 --> 00:23:36,248
THE MAIL PEOPLE.
635
00:23:36,248 --> 00:23:37,707
WE'RE SPECIAL AGENTS
636
00:23:37,707 --> 00:23:39,584
FROM THE D.L.O. TASK FORCE
ON A TOP-PRIORITY MISSION.
637
00:23:39,584 --> 00:23:41,503
IT'S LIKE THE F.B.I.,
ONLY POSTAL.
638
00:23:41,503 --> 00:23:44,589
I BELIEVE WHAT MY COLLEAGUE
IS TRYING TO SAY IS THAT,
639
00:23:44,589 --> 00:23:45,757
UH, LIKE YOU,
640
00:23:45,757 --> 00:23:49,761
WE ARE UNABLE TO DIVULGE
CERTAIN DETAILS.
641
00:23:49,761 --> 00:23:51,513
HOWEVER, UH...
642
00:23:51,513 --> 00:23:53,348
I CAN TELL YOU
643
00:23:53,348 --> 00:23:55,016
THAT THERE IS
A LITTLE BOY
644
00:23:55,016 --> 00:23:56,101
WHO MAY BE MISSING,
645
00:23:56,101 --> 00:23:58,353
AND WE'RE DOING
EVERYTHING IN OUR POWER
646
00:23:58,353 --> 00:23:59,729
TO FIND HIM.
647
00:24:02,440 --> 00:24:03,567
LET ME SEE THAT.
648
00:24:06,778 --> 00:24:08,363
OKAY. YEAH! THE--
649
00:24:08,363 --> 00:24:10,198
THE KID WITH THE DINOSAUR!
AND THE LADY.
650
00:24:10,198 --> 00:24:11,533
SHE WAS A BIT
FREAKED OUT, THOUGH.
651
00:24:11,533 --> 00:24:14,202
HER CREDIT CARD DIDN'T WORK
AND THEN THE KID RAN OFF.
652
00:24:14,202 --> 00:24:16,788
I'M SORRY,
BUT THIS CARD DECLINED.
653
00:24:16,788 --> 00:24:18,748
THERE MUST BE A MISTAKE.
654
00:24:18,748 --> 00:24:20,375
DO YOU HAVE ANOTHER CARD
YOU WANT ME TO TRY?
655
00:24:20,375 --> 00:24:21,835
[QUIETLY]: NO.
656
00:24:21,835 --> 00:24:22,878
NO.
657
00:24:23,962 --> 00:24:25,213
THAT'S OKAY.
658
00:24:25,213 --> 00:24:27,090
HOW MUCH DID YOU SAY
THE ROOM WAY?
659
00:24:27,090 --> 00:24:30,635
WITH TAX,
IT'LL BE $115.85.
660
00:24:32,846 --> 00:24:35,599
[♪♪]
661
00:24:35,599 --> 00:24:37,934
LET ME GET
YOUR CHANGE.
662
00:24:37,934 --> 00:24:40,478
[♪♪]
663
00:24:40,478 --> 00:24:42,689
DID YOU SEE A LITTLE BOY?
664
00:24:46,610 --> 00:24:48,904
ARE YOU SURE
IT WAS HER CHILD?
665
00:24:48,904 --> 00:24:50,572
I JUST ASSUMED.
666
00:24:50,572 --> 00:24:53,617
OH! AND THE FIRST NAME
ON THE CREDIT CARD WAS RACHEL.
667
00:24:53,617 --> 00:24:54,826
I REMEMBER THAT
668
00:24:54,826 --> 00:24:58,121
BECAUSE THAT WAS
MY EX-GIRLFRIEND'S NAME.
669
00:24:58,121 --> 00:25:00,665
DID SHE FILL OUT A REGISTRATION
CARD, BY ANY CHANCE?
670
00:25:00,665 --> 00:25:02,834
OH, IT WAS SUCH A CRAZY NIGHT,
671
00:25:02,834 --> 00:25:05,170
WITH ALL THESE WEIRD '80S PEOPLE
RUNNING AROUND.
672
00:25:05,170 --> 00:25:08,089
I FORGOT TO ASK HER
TO FILL ONE OUT.
673
00:25:08,089 --> 00:25:09,216
I BLEW IT, DIDN'T I?
674
00:25:10,175 --> 00:25:11,426
[SNEEZES]
675
00:25:11,426 --> 00:25:13,178
-BLESS YOU!
-THANK YOU.
676
00:25:13,178 --> 00:25:15,430
ARE YOU SURE YOU CAN'T REMEMBER
ANYTHING ELSE ABOUT HER?
677
00:25:15,430 --> 00:25:16,765
ANYTHING AT ALL?
678
00:25:16,765 --> 00:25:18,850
WELL...
679
00:25:18,850 --> 00:25:20,852
WHEN SHE CHECKED OUT
THE NEXT MORNING,
680
00:25:20,852 --> 00:25:23,104
SHE SEEMED A BIT CONFUSED.
681
00:25:23,104 --> 00:25:25,023
I ASKED HER IF SHE NEEDED
DIRECTIONS SOMEWHERE,
682
00:25:25,023 --> 00:25:26,024
BUT SHE SAID--
683
00:25:26,024 --> 00:25:27,025
-I'M OKAY.
-YOU SURE?
684
00:25:27,025 --> 00:25:28,985
OKAY. BYE.
685
00:25:28,985 --> 00:25:31,613
[♪♪]
686
00:25:34,532 --> 00:25:36,034
BUT THE WEIRD THING IS,
687
00:25:36,034 --> 00:25:38,161
A COUPLE MINUTES LATER,
SHE WAS STILL STANDING OUTSIDE.
688
00:25:38,161 --> 00:25:39,621
HER KID WAS PULLING ON HER,
689
00:25:39,621 --> 00:25:42,540
AND IT WAS AS IF SHE WAS
STUCK IN SOME OTHER WORLD.
690
00:25:42,540 --> 00:25:45,669
SHE WAS LOOKING DOWN THE ROAD
AS IF...
691
00:25:45,669 --> 00:25:48,630
SHE COULDN'T MAKE UP HER MIND
WHICH WAY TO GO.
692
00:25:49,798 --> 00:25:51,800
AND NEXT TIME I LOOKED UP,
SHE WAS GONE.
693
00:25:51,800 --> 00:25:54,386
I'M SORRY, THAT'S ALL
I CAN TELL YOU GUYS.
694
00:25:54,386 --> 00:25:55,553
WELL, IF YOU REMEMBER
ANYTHING ELSE,
695
00:25:55,553 --> 00:25:56,638
THIS IS MY CELL NUMBER.
696
00:25:56,638 --> 00:25:58,556
I HOPE HE'S OKAY.
697
00:25:58,556 --> 00:26:02,185
HE WAS A CUTE KID,
WITH THAT BACKPACK AND THAT...
698
00:26:02,185 --> 00:26:03,687
WAIT!
699
00:26:03,687 --> 00:26:06,439
[♪♪]
700
00:26:08,608 --> 00:26:10,568
SOMEONE IN CATERING
701
00:26:10,568 --> 00:26:12,195
FOUND THIS IN THE BALLROOM
A WHILE AGO.
702
00:26:12,195 --> 00:26:14,823
NOW, I BELIEVE
IT BELONGS TO THE KID.
703
00:26:14,823 --> 00:26:16,241
NORMALLY, WE'RE SUPPOSED
TO DISPOSE OF THESE
704
00:26:16,241 --> 00:26:17,867
AFTER THREE WEEKS
IF NO ONE CLAIMS IT,
705
00:26:17,867 --> 00:26:20,328
SO I DON'T SEE WHY
YOU CAN'T TAKE IT.
706
00:26:21,413 --> 00:26:23,707
UH, IN OUR LINE OF WORK,
707
00:26:23,707 --> 00:26:27,085
THIS IS WHAT WE REFER TO AS
AN "UNATTACHED ITEM"...
708
00:26:27,085 --> 00:26:29,421
AND WE NEVER GIVE UP.
709
00:26:29,421 --> 00:26:31,756
I HOPE YOU DON'T.
710
00:26:33,842 --> 00:26:36,261
WELL, WE KNOW
THAT HER NAME IS RACHEL,
711
00:26:36,261 --> 00:26:38,805
AND THAT THE LITTLE BOY
LIKES DINOSAURS,
712
00:26:38,805 --> 00:26:40,557
WHICH GETS US FURTHER
DOWN THE ROAD--
713
00:26:40,557 --> 00:26:41,599
FIGURATIVELY, OF COURSE.
714
00:26:41,599 --> 00:26:42,934
WHAT ABOUT
THE "...I-T-Y"
715
00:26:42,934 --> 00:26:44,185
WRITTEN ON
THE BACK OF THE CAMERA?
716
00:26:44,185 --> 00:26:45,603
I MEAN WE THINK IT
STANDS FOR "CITY," RIGHT?
717
00:26:45,603 --> 00:26:47,230
WELL, THERE ARE
ONLY TWO TOWNS NEARBY
718
00:26:47,230 --> 00:26:48,356
THAT END WITH "CITY".
719
00:26:48,356 --> 00:26:50,358
THERE'S SUGAR CITY,
WHICH IS 60 MILES EAST,
720
00:26:50,358 --> 00:26:51,526
AND THEN THERE'S
CANON CITY,
721
00:26:51,526 --> 00:26:54,571
WHICH IS 39 MILES
WEST OF THE U.S. 50.
722
00:26:54,571 --> 00:26:56,114
WAIT.
723
00:26:56,114 --> 00:26:58,074
WHAT PHOTO
COMES NEXT, NORMAN?
724
00:26:58,074 --> 00:27:00,994
THE ONE THAT'S AFTER
THE '80S PARTY?
725
00:27:00,994 --> 00:27:02,579
UH, WELL, THERE'S
THE ONE THAT LOOKS LIKE
726
00:27:02,579 --> 00:27:04,122
IT WAS TAKEN
FROM A MOVING CAR,
727
00:27:04,122 --> 00:27:05,915
AND THEN THE ONE
AFTER THAT DOES, TOO,
728
00:27:05,915 --> 00:27:07,250
EXCEPT THAT ONE'S
DOUBLE-EXPOSED
729
00:27:07,250 --> 00:27:08,752
WITH SOME
CANTALOUPES AND...
730
00:27:08,752 --> 00:27:09,753
WAIT!
731
00:27:09,753 --> 00:27:11,546
A SIGN THAT READ
"U.S. 50 WEST"!
732
00:27:11,546 --> 00:27:12,589
[SHANE]: MM-HMM!
733
00:27:12,589 --> 00:27:13,923
ON TO CANON CITY!
734
00:27:13,923 --> 00:27:15,133
[♪♪]
735
00:27:15,133 --> 00:27:19,763
♪ I'M FEELIN' LIKE
I'M ON THAT OPEN ROAD AGAIN ♪
736
00:27:19,763 --> 00:27:21,514
♪ I CAN FEEL THE WHEELS ♪
737
00:27:21,514 --> 00:27:22,974
♪ AND THEY'RE STARTING
TO SPIN... ♪
738
00:27:22,974 --> 00:27:24,434
POOR LITTLE GUY.
739
00:27:24,434 --> 00:27:26,227
IT MUST'VE BROKEN HIS HEART
TO LOSE THAT.
740
00:27:29,147 --> 00:27:31,316
WHAT ARE YOU THINKING ABOUT,
OLIVER?
741
00:27:31,316 --> 00:27:33,735
HMM? WHAT'S
BOTHERING YOU?
742
00:27:33,735 --> 00:27:35,445
OH, UM...
743
00:27:35,445 --> 00:27:37,238
WELL... [SIGHS]
744
00:27:37,238 --> 00:27:39,491
DOUG AT THE HOTEL ASSUMED
745
00:27:39,491 --> 00:27:40,742
THE WOMAN AT THE COUNTER
746
00:27:40,742 --> 00:27:43,912
WAS OUR LITTLE DINOSAUR BOY'S
MOTHER, BUT...
747
00:27:43,912 --> 00:27:46,790
...IN THE WORDS
OF THE GREAT OLIVER O'TOOLE--
748
00:27:46,790 --> 00:27:47,832
NORMAN?
749
00:27:47,832 --> 00:27:50,085
"ANY MISTAKE CAN BE
TRACED TO AN ASSUMPTION."
750
00:27:50,085 --> 00:27:52,921
HE SEEMED LIKE
A SENSITIVE FELLOW, THOUGH.
751
00:27:52,921 --> 00:27:54,672
PERHAPS I'M...
752
00:27:54,672 --> 00:27:55,757
OH, LOOK.
THE LAST EXIT.
753
00:27:55,757 --> 00:27:57,842
WE'RE ALMOST
PAST CANON CITY.
754
00:27:57,842 --> 00:28:00,387
NO! WE-- WE HAVEN'T PASSED
A ROADSIDE STAND YET.
755
00:28:00,387 --> 00:28:03,681
NO FOOD SHACKS,
NO CANTALOUPE STANDS,
756
00:28:03,681 --> 00:28:05,016
NO BEEF JERKY.
757
00:28:05,016 --> 00:28:06,351
MM. YOU'RE MAKING ME HUNGRY.
758
00:28:06,351 --> 00:28:07,644
ME TOO!
759
00:28:07,644 --> 00:28:11,147
WHY DON'T WE STOP
AND PLAN OUR NEXT MOVE?
760
00:28:11,147 --> 00:28:13,483
[♪♪]
761
00:28:13,483 --> 00:28:18,613
♪ AND I CAN FEEL THE WIND
BLOWIN' THROUGH OUR SAILS... ♪
762
00:28:18,613 --> 00:28:20,615
♪ HEY, BROTHA, FOR SURE... ♪
763
00:28:20,615 --> 00:28:22,700
[RITA]: OH! AHH.
764
00:28:22,700 --> 00:28:24,327
SO...
765
00:28:24,327 --> 00:28:26,663
TWO HAM AND CHEESE,
ONE TURKEY,
766
00:28:26,663 --> 00:28:27,789
AND YOUR USUAL?
767
00:28:27,789 --> 00:28:30,333
UH, I TRY NOT TO EAT TUNA
768
00:28:30,333 --> 00:28:32,710
FROM THE SAME PLACE
I BUY MOTOR OIL.
769
00:28:32,710 --> 00:28:35,547
OOH. YEAH, MAYBE WE SHOULD
JUST BUY SANDWICH STUFF
770
00:28:35,547 --> 00:28:36,714
AND MAKE OUR OWN.
771
00:28:36,714 --> 00:28:38,341
GREAT! AS LONG AS
THEY HAVE RYE BREAD.
772
00:28:38,341 --> 00:28:40,969
OH, AND DILL PICKLES
FOR NORMAN.
773
00:28:40,969 --> 00:28:42,387
SHOOT.
774
00:28:42,387 --> 00:28:43,721
I FORGOT TO ASK RITA
TO GET PICKLES.
775
00:28:43,721 --> 00:28:45,723
RITA KNOWS YOU LOVE PICKLES.
776
00:28:45,723 --> 00:28:47,725
DID YOU REMEMBER TO TELL SHANE
THAT YOU LIKE
777
00:28:47,725 --> 00:28:48,893
YOUR HAM
AND CHEESE ON RYE?
778
00:28:48,893 --> 00:28:50,353
OH, I LIKE TO THINK
779
00:28:50,353 --> 00:28:52,647
WE KNOW EACH OTHER
WELL ENOUGH BY NOW TO--
780
00:28:52,647 --> 00:28:53,648
[TEXT CHIMES]
781
00:28:56,651 --> 00:28:59,070
OH, LOOKS LIKE
SHE FORGOT TO TAKE HER...
782
00:28:59,070 --> 00:29:01,698
[♪♪]
783
00:29:03,074 --> 00:29:04,701
AHEM.
784
00:29:10,874 --> 00:29:12,917
[SHANE]: OKAY, ONE MORE TIME--
BIG HAIR,
785
00:29:12,917 --> 00:29:14,419
THEN MADONNA,
786
00:29:14,419 --> 00:29:16,754
THEN BLURRY
SPEEDING CAR PICTURE,
787
00:29:16,754 --> 00:29:18,256
THEN U.S. 50,
788
00:29:18,256 --> 00:29:19,674
AND IF SHE WAS COMING HERE
TO CANON CITY,
789
00:29:19,674 --> 00:29:22,760
WE SHOULD'VE SEEN
THIS ROADSIDE STAND BY NOW.
790
00:29:22,760 --> 00:29:25,096
DO YOU THINK WE SHOULD
GO BACK, OLIVER?
791
00:29:26,181 --> 00:29:27,182
OLIVER?
792
00:29:27,182 --> 00:29:28,933
I'M SORRY, HMM?
793
00:29:28,933 --> 00:29:30,018
OH.
794
00:29:30,018 --> 00:29:31,394
YOU'RE TIRED.
795
00:29:31,394 --> 00:29:33,104
YOU DID A LOT
OF DRIVING TODAY.
796
00:29:33,104 --> 00:29:35,064
WELL, SO HAVE YOU.
797
00:29:35,064 --> 00:29:37,484
I DIDN'T REALIZE YOU WERE
SUCH AN EXCELLENT DRIVER.
798
00:29:39,569 --> 00:29:41,779
WELL, STICK WITH ME, KID.
799
00:29:41,779 --> 00:29:43,239
I'M FULL OF SURPRISES.
800
00:29:43,239 --> 00:29:45,200
YES, YOU ARE.
801
00:29:48,703 --> 00:29:49,954
YOU KNOW, A YEAR AGO,
802
00:29:49,954 --> 00:29:53,041
I WOULD'VE SAID THAT WE WERE
ON A WILD-GOOSE CHASE.
803
00:29:53,041 --> 00:29:55,376
I WOULD LOOK
AT THESE PICTURES
804
00:29:55,376 --> 00:29:58,087
AND THAT STUFFED DINOSAUR
AND THE VIDEO,
805
00:29:58,087 --> 00:30:00,089
AND I WOULD KNOW
THAT NONE OF THIS
806
00:30:00,089 --> 00:30:01,257
IS GONNA GET US
ANY CLOSER
807
00:30:01,257 --> 00:30:02,884
TO FINDING
THAT LITTLE BOY.
808
00:30:02,884 --> 00:30:04,093
MM.
809
00:30:04,093 --> 00:30:06,095
BUT...
810
00:30:06,095 --> 00:30:08,056
I BELIEVE
811
00:30:08,056 --> 00:30:11,059
WHAT YOU'VE TAUGHT ME,
OLIVER...
812
00:30:12,393 --> 00:30:15,939
THAT THAT CHILD DIDN'T JUST
DROP A CAMERA INTO A MAILBOX,
813
00:30:15,939 --> 00:30:18,483
HE MAILED A PIECE OF HOPE,
814
00:30:18,483 --> 00:30:20,652
AND SOMEHOW
IT FOUND ITS WAY TO US,
815
00:30:20,652 --> 00:30:22,070
AND HERE WE ARE,
816
00:30:22,070 --> 00:30:23,321
IN A STARCRUISER.
817
00:30:23,321 --> 00:30:25,657
WE HAVE NO IDEA
WHERE WE'RE GOING,
818
00:30:25,657 --> 00:30:29,536
BUT I KNOW THAT--
THAT WE'RE ON OUR WAY,
819
00:30:29,536 --> 00:30:32,372
AND I'M TRUSTING
THAT WE'LL GET THERE.
820
00:30:33,498 --> 00:30:37,502
UH... DO YOU
BELIEVE THAT?
821
00:30:37,502 --> 00:30:40,004
YES.
822
00:30:40,004 --> 00:30:41,965
"TRUST THE TIMING."
823
00:30:41,965 --> 00:30:43,299
RIGHT?
824
00:30:50,473 --> 00:30:52,183
[HAWK SCREECHES]
825
00:30:52,183 --> 00:30:53,309
WOW-- OH, WOW!
826
00:30:53,309 --> 00:30:54,519
WHAT?
827
00:30:54,519 --> 00:30:56,104
OH, WELL, DID YOU KNOW
THE COLORADO RED-TAILED HAWK
828
00:30:56,104 --> 00:30:58,856
CAN FLY AT SPEEDS OF
UP TO 120 MILES PER HOUR?
829
00:30:58,856 --> 00:30:59,691
NO.
830
00:30:59,691 --> 00:31:01,359
NEITHER DID THAT MOUSE.
831
00:31:01,359 --> 00:31:03,778
NORMAN, I NEED YOU
TO PAY ATTENTION FOR A SECOND.
832
00:31:03,778 --> 00:31:05,530
-RUN! RUN!
-NORMAN.
833
00:31:05,530 --> 00:31:06,948
WHAT? I'M SORRY.
834
00:31:06,948 --> 00:31:08,366
WE NEED TO TAKE THIS TEST--
835
00:31:08,366 --> 00:31:10,827
"SEVEN QUESTIONS TO ASK
BEFORE GETTING ENGAGED."
836
00:31:10,827 --> 00:31:12,537
BUT WE'RE ALREADY ENGAGED.
837
00:31:12,537 --> 00:31:15,582
I KNOW,
BUT I NEED TO CATCH UP.
838
00:31:15,582 --> 00:31:18,209
WELL, CAN OLIVER HELP?
839
00:31:18,209 --> 00:31:19,460
[SHANE]:
QUESTION NUMBER FOUR--
840
00:31:19,460 --> 00:31:21,713
HOW IMPORTANT
IS RELIGION TO YOU?
841
00:31:21,713 --> 00:31:23,381
VERY.
842
00:31:23,381 --> 00:31:24,340
VERY.
843
00:31:24,340 --> 00:31:25,341
RELIGION OR FAITH?
844
00:31:25,341 --> 00:31:26,759
BECAUSE FAITH AND RELIGION
ARE TWO VERY--
845
00:31:26,759 --> 00:31:28,845
QUESTION NUMBER FIVE--
846
00:31:28,845 --> 00:31:32,307
OH! HOW DO YOU PLAN
TO HANDLE YOUR FINANCES?
847
00:31:33,474 --> 00:31:34,559
WHAT FINANCES?
848
00:31:34,559 --> 00:31:36,144
WE WORK FOR
THE POST OFFICE.
849
00:31:36,144 --> 00:31:38,563
[LAUGHS]
WE'LL FIGURE IT OUT LATER.
850
00:31:38,563 --> 00:31:39,897
NEXT QUESTION.
851
00:31:39,897 --> 00:31:40,982
QUESTION NUMBER SIX--
852
00:31:40,982 --> 00:31:43,651
DO YOU PLAN TO HAVE A FAMILY,
AND, IF SO,
853
00:31:43,651 --> 00:31:46,154
HOW MANY CHILDREN
WILL YOU HAVE?
854
00:31:46,154 --> 00:31:49,741
OH. WELL, I MEAN, I THINK
THAT WE'LL PROBABLY JUST--
855
00:31:49,741 --> 00:31:50,867
OH, WOW, HEY!
856
00:31:50,867 --> 00:31:53,077
DID YOU SEE THAT?
THAT BABY MUST'VE BEEN GOING,
857
00:31:53,077 --> 00:31:56,039
WHY, AT 120,
125 MILES PER HOUR!
858
00:31:56,039 --> 00:31:57,540
HUH! HAWKS!
WOW, HUH?
859
00:31:58,625 --> 00:32:00,752
[♪♪]
860
00:32:09,636 --> 00:32:11,596
HO.
861
00:32:11,596 --> 00:32:12,805
EXCUSE ME.
862
00:32:17,727 --> 00:32:19,395
[TEXT ALERT CHIMES]
863
00:32:19,395 --> 00:32:21,939
I BELIEVE
THAT'S YOUR PHONE.
864
00:32:21,939 --> 00:32:24,859
YOU, UH, LEFT IT WHEN
YOU WENT TO GET LUNCH.
865
00:32:24,859 --> 00:32:26,444
IT'S BEEN, UM...
866
00:32:26,444 --> 00:32:29,447
DINGING... A LOT.
867
00:32:29,447 --> 00:32:31,115
YOU KNOW,
SOMETIMES, I ENVY YOU.
868
00:32:31,115 --> 00:32:32,575
YOU DON'T HAVE A CELLPHONE.
869
00:32:32,575 --> 00:32:36,579
NO ANNOYING
BUZZING OR DINGING...
870
00:32:36,579 --> 00:32:41,376
NO GPS TO TELL YOU
EXACTLY HOW TO GET SOMEWHERE
871
00:32:41,376 --> 00:32:43,127
AND HOW LONG IT SHOULD TAKE.
872
00:32:43,127 --> 00:32:45,546
THERE IS SOMETHING TO BE SAID
873
00:32:45,546 --> 00:32:48,966
ABOUT BEING OUT
ON THE OPEN ROAD WITHOUT A--
874
00:32:51,386 --> 00:32:52,595
OLIVER.
875
00:32:52,595 --> 00:32:53,805
WHAT?
876
00:32:53,805 --> 00:32:56,265
THE GUY AT THE HOTEL--
877
00:32:56,265 --> 00:32:58,393
HE SAID THAT RACHEL
WAS HEADED SOMEWHERE,
878
00:32:58,393 --> 00:32:59,394
BUT SHE SEEMED--
879
00:32:59,394 --> 00:33:00,520
...RELUCTANT,
880
00:33:00,520 --> 00:33:03,940
AS IF SHE WERE
NOT SURE WHERE SHE SHOULD GO.
881
00:33:03,940 --> 00:33:07,276
[SHANE]: WE KNOW
SHE HEADED WEST ON U.S. 50,
882
00:33:07,276 --> 00:33:10,738
AND SHE WAS GOING
TO CANON CITY, BUT...
883
00:33:10,738 --> 00:33:12,699
WHAT IF SHE GOT THERE,
884
00:33:12,699 --> 00:33:15,243
AND SHE DECIDED
TO JUST KEEP GOING?
885
00:33:15,243 --> 00:33:18,413
WE'VE BEEN THINKING
THAT ALL THE PHOTOS THAT WERE--
886
00:33:18,413 --> 00:33:20,832
THEY WERE ALL TAKEN BEFORE
CANON CITY, BUT WHAT IF--
887
00:33:20,832 --> 00:33:23,000
...ALL THE PLACES
IN THE PHOTOS
888
00:33:23,000 --> 00:33:25,211
AREN'T BEHIND US,
THEY'RE AHEAD OF US.
889
00:33:25,211 --> 00:33:26,504
YES!
890
00:33:26,504 --> 00:33:27,588
OH, MY GOODNESS.
891
00:33:30,299 --> 00:33:32,176
[♪♪]
892
00:33:32,176 --> 00:33:34,512
♪ ALL I'VE GOT
IS DUST IN MY POCKET ♪
893
00:33:34,512 --> 00:33:39,308
♪ ALL I TELL YOU
WON'T CHANGE YOUR MIND ♪
894
00:33:39,308 --> 00:33:41,352
[ENGINE SPUTTERING]
895
00:33:45,440 --> 00:33:48,151
[STARTER SPUTTERING
AND STALLING]
896
00:33:51,279 --> 00:33:52,697
OH, FOR
HEAVEN'S SAKE.
897
00:33:52,697 --> 00:33:54,198
IF YOU PUMP IT TOO MUCH,
YOU'LL FLOOD IT.
898
00:33:54,198 --> 00:33:55,450
I AM FAMILIAR
899
00:33:55,450 --> 00:33:58,035
WITH THE CONCEPT OF
FUEL INJECTION, MS. MCINERNEY,
900
00:33:58,035 --> 00:33:59,537
BUT THANK YOU FOR YOUR CONCERN.
901
00:33:59,537 --> 00:34:01,205
SORRY,
IT'S JUST THAT I--
902
00:34:01,205 --> 00:34:03,124
[STARTER SPUTTERING
AND FAILING TO CATCH]
903
00:34:03,124 --> 00:34:05,960
[SHANE CLEARS HER THROAT]
904
00:34:05,960 --> 00:34:08,129
[STARTER FAILING TO IGNITE]
905
00:34:08,129 --> 00:34:10,047
[ENGINE SPUTTERING]
906
00:34:10,047 --> 00:34:11,674
IS THERE ANYTHING ELSE
YOU WOULD LIKE TO TELL ME
907
00:34:11,674 --> 00:34:13,301
BEFORE WE PROCEED?
908
00:34:13,301 --> 00:34:15,470
I DON'T KNOW.
909
00:34:15,470 --> 00:34:18,014
IT'S JUST I'VE BEEN THROUGH
SOMETHING LIKE THIS BEFORE.
910
00:34:18,014 --> 00:34:19,015
A BREAKDOWN?
911
00:34:19,015 --> 00:34:22,143
A TEMPORARY FAILURE TO RESTART.
912
00:34:22,143 --> 00:34:23,394
IT JUST TAKES SOME PATIENCE.
913
00:34:23,394 --> 00:34:24,812
-"PATIENCE."
-MM-HMM.
914
00:34:24,812 --> 00:34:28,232
HUH. SO I SHOULDN'T CHECK
FOR CRACKS IN THE MANIFOLD
915
00:34:28,232 --> 00:34:29,484
OR THE WATER LEVELS.
916
00:34:29,484 --> 00:34:30,651
I DON'T KNOW
WHAT I WAS THINKING.
917
00:34:30,651 --> 00:34:31,944
ALL I NEED IS PATIENCE.
918
00:34:31,944 --> 00:34:33,571
I'M SURE THAT'S IN
THE OWNER'S MANUAL SOMEWHERE.
919
00:34:33,571 --> 00:34:35,156
I'M SORRY.
WHO ARE YOU?
920
00:34:35,156 --> 00:34:37,366
AND WHAT HAVE YOU DONE
WITH OLIVER?
921
00:34:38,618 --> 00:34:40,828
EXCUSE ME.
922
00:34:45,708 --> 00:34:49,003
DID NORMAN JUST COMPLETELY
AVOID THE TOPIC OF CHILDREN?
923
00:34:49,003 --> 00:34:51,923
DID OLIVER
JUST OVERHEAT?
924
00:34:51,923 --> 00:34:53,925
I GUESS YOU NEVER
REALLY KNOW SOMEBODY
925
00:34:53,925 --> 00:34:56,761
UNTIL YOU PUT DOWN
SOME SERIOUS MILES.
926
00:34:56,761 --> 00:34:58,763
I'LL SAY.
927
00:34:58,763 --> 00:35:01,057
[SIGHS]
928
00:35:06,270 --> 00:35:07,396
[SIGHING HEAVILY]
929
00:35:07,396 --> 00:35:10,233
I SHOULD'VE KNOWN
I COULDN'T PUSH HER LIKE THAT.
930
00:35:10,233 --> 00:35:12,193
AH, SHE JUST NEEDS
TO COOL DOWN A BIT.
931
00:35:13,277 --> 00:35:15,780
YOU SEEM TO BE GETTING
THE HANG OF THINGS.
932
00:35:15,780 --> 00:35:17,740
THINK YOU MIGHT
BE READY
933
00:35:17,740 --> 00:35:19,200
TO TAKE THE NEXT LEG
OF THE DRIVE?
934
00:35:19,200 --> 00:35:21,577
YEAH, I DON'T KNOW
ABOUT THAT.
935
00:35:22,620 --> 00:35:24,413
REMEMBER WHEN I SAID
I CAN'T DRIVE?
936
00:35:24,413 --> 00:35:27,333
OH, WELL, YOU WERE NERVOUS
937
00:35:27,333 --> 00:35:29,460
TO OPERATE
SUCH A LARGE MOTOR VEHICLE.
938
00:35:29,460 --> 00:35:31,629
VERY UNDERSTANDABLE
CONCERN.
939
00:35:31,629 --> 00:35:33,673
NO.
940
00:35:35,258 --> 00:35:38,094
I MEAN,
I REALLY CAN'T DRIVE.
941
00:35:38,094 --> 00:35:40,471
[♪♪]
942
00:35:40,471 --> 00:35:42,390
WHEN NORMAN ASKED ME
TO MARRY HIM,
943
00:35:42,390 --> 00:35:44,976
HE SPECIFICALLY SAID
HE WANTED A FAMILY.
944
00:35:44,976 --> 00:35:47,144
AND NOW--
NOW HE'S MORE INTERESTED
945
00:35:47,144 --> 00:35:50,147
IN THE AVERAGE AIRSPEED
OF A RED-TAIL HAWK?
946
00:35:51,232 --> 00:35:53,109
NORMAN LOVES
YOU, RITA.
947
00:35:53,109 --> 00:35:55,653
MAYBE HE JUST FELT
A LITTLE WEIRD
948
00:35:55,653 --> 00:35:56,779
ABOUT TAKING A TEST
949
00:35:56,779 --> 00:35:57,864
TO SEE IF
HE'S COMPATIBLE
950
00:35:57,864 --> 00:35:59,532
WITH A WOMAN THAT
HE'S ALREADY ENGAGED TO.
951
00:35:59,532 --> 00:36:01,742
MAYBE HE REALIZED
HE WASN'T?
952
00:36:01,742 --> 00:36:05,329
[OLIVER]: AND YOU NEVER...
TALKED ABOUT THIS WITH RITA?
953
00:36:05,329 --> 00:36:07,832
[NORMAN]: I WAS...
954
00:36:07,832 --> 00:36:10,334
AFRAID
SHE WOULDN'T WANT TO MARRY ME.
955
00:36:10,334 --> 00:36:12,503
[OLIVER]: OH. WELL...
956
00:36:12,503 --> 00:36:15,464
MY FRIEND, TAKE IT
FROM SOMEONE WHO KNOWS.
957
00:36:15,464 --> 00:36:18,509
YOU CAN'T
START A MARRIAGE
958
00:36:18,509 --> 00:36:20,678
HOLDING BACK
A PIECE OF YOUR HEART.
959
00:36:20,678 --> 00:36:24,265
YOU'RE BETTER OFF GIVING HER
ALL OF IT FROM THE BEGINNING.
960
00:36:24,265 --> 00:36:27,018
THEN YOU JUST PRAY
SHE WANTS TO KEEP IT.
961
00:36:28,227 --> 00:36:30,521
[♪♪]
962
00:36:31,522 --> 00:36:34,692
RITA, I DON'T KNOW
TWO MORE COMPATIBLE PEOPLE.
963
00:36:34,692 --> 00:36:36,736
AS FAR
AS YOU KNOW.
964
00:36:36,736 --> 00:36:38,029
MAYBE YOU DON'T
KNOW NORMAN
965
00:36:38,029 --> 00:36:39,989
AS WELL AS
YOU THOUGHT YOU DID.
966
00:36:39,989 --> 00:36:41,324
I MEAN... [SIGHS]
967
00:36:41,324 --> 00:36:43,201
MAYBE I DON'T, EITHER.
968
00:36:43,201 --> 00:36:45,161
YOU NEVER REALLY
KNOW SOMEONE
969
00:36:45,161 --> 00:36:46,621
AS WELL AS YOU THINK YOU DO.
970
00:36:46,621 --> 00:36:49,373
DO YOU EVEN KNOW HOW MANY
COUSINS HE ACTUALLY HAS?
971
00:36:50,499 --> 00:36:52,668
WELL, I DON'T EVEN THINK
HE KNOWS.
972
00:36:52,668 --> 00:36:54,629
[BOTH LAUGHING]
973
00:36:55,880 --> 00:36:57,214
LADIES?
974
00:36:57,214 --> 00:37:00,301
UH, NORMAN BELIEVES WE MAY BE
READY TO RESUME OUR JOURNEY.
975
00:37:00,301 --> 00:37:02,178
WE'LL BE
RIGHT THERE.
976
00:37:03,262 --> 00:37:05,681
[♪♪]
977
00:37:06,849 --> 00:37:08,851
YOU READY?
978
00:37:17,485 --> 00:37:18,819
HEY, I'M A LITTLE TIRED.
979
00:37:18,819 --> 00:37:22,114
UM, OLIVER, WOULD YOU MIND
TAKING THE WHEEL AGAIN?
980
00:37:22,114 --> 00:37:24,617
OH. UH, YES.
HAPPY TO.
981
00:37:25,701 --> 00:37:27,495
UH, MS. MCINERNEY,
982
00:37:27,495 --> 00:37:29,789
WOULD YOU CARE
TO BE MY CO-PILOT?
983
00:37:36,420 --> 00:37:38,798
I NEED TO TALK TO YOU
ABOUT SOMETHING,
984
00:37:38,798 --> 00:37:41,217
AND I DON'T KNOW HOW.
985
00:37:41,217 --> 00:37:42,927
OR WHEN.
986
00:37:42,927 --> 00:37:45,012
DEFINITELY NOT
IN THE STARCRUISER.
987
00:37:45,012 --> 00:37:46,722
MAYBE TONIGHT.
988
00:37:46,722 --> 00:37:48,391
OR NOT.
989
00:37:48,391 --> 00:37:49,725
SOON.
990
00:37:49,725 --> 00:37:52,520
MAYBE.
991
00:37:52,520 --> 00:37:55,481
NORMAN, ARE WE OKAY?
992
00:37:57,525 --> 00:37:59,402
ALL I KNOW
993
00:37:59,402 --> 00:38:01,737
IS THAT I LOVE YOU.
994
00:38:03,239 --> 00:38:04,782
[DEEP BREATH]
995
00:38:04,782 --> 00:38:06,784
THEN THAT SHOULD BE ENOUGH.
996
00:38:34,478 --> 00:38:36,981
[PAGES RUSTLING]
997
00:38:38,149 --> 00:38:39,317
HUH.
998
00:38:39,317 --> 00:38:40,735
NO.
999
00:38:40,735 --> 00:38:42,153
NOTHING IN HERE
1000
00:38:42,153 --> 00:38:45,406
ABOUT PATIENCE
IN CASE OF A BREAKDOWN.
1001
00:38:45,406 --> 00:38:47,116
GUESS I WAS, UH,
1002
00:38:47,116 --> 00:38:49,493
COMPLETELY WRONG
ABOUT THAT.
1003
00:38:50,494 --> 00:38:53,497
I'M VERY SORRY.
1004
00:38:53,497 --> 00:38:55,958
I WAS OUT OF LINE.
1005
00:38:57,001 --> 00:38:58,753
THE RV OVERHEATED
1006
00:38:58,753 --> 00:39:01,547
AND SO DID I.
1007
00:39:03,466 --> 00:39:05,134
I FORGIVE YOU.
1008
00:39:05,134 --> 00:39:06,218
BUT WHY?
1009
00:39:10,014 --> 00:39:11,098
WELL...
1010
00:39:12,183 --> 00:39:13,309
OH, MY GOSH.
1011
00:39:13,309 --> 00:39:14,602
IT CAN'T BE!
1012
00:39:14,602 --> 00:39:17,188
THE ROADSIDE STORE!
1013
00:39:17,188 --> 00:39:18,481
THAT WAS IT.
THAT WAS IT!
1014
00:39:19,732 --> 00:39:22,276
[♪♪]
1015
00:39:31,452 --> 00:39:34,330
MELVIN'S MELONS. HUH!
1016
00:39:34,330 --> 00:39:36,540
YES, WELL, BEING
FROM THE EAST COAST,
1017
00:39:36,540 --> 00:39:37,375
I'M NOT SURE
IF YOU'RE AWARE
1018
00:39:37,375 --> 00:39:39,043
THAT COLORADO IS FAMOUS
1019
00:39:39,043 --> 00:39:41,420
FOR ITS CANTALOUPE
AND HONEYDEW.
1020
00:39:41,420 --> 00:39:43,798
YEP. SOMEHOW,
I MISSED THAT.
1021
00:39:43,798 --> 00:39:45,091
[PHONE CHIMES]
1022
00:39:49,303 --> 00:39:52,556
UH, I GUESS NORMAN
IS ON TO SOMETHING.
1023
00:39:52,556 --> 00:39:54,517
[NORMAN]:
RIGHT, UH... HERE.
1024
00:39:55,726 --> 00:39:57,311
YEAH, THEY WERE PROBABLY
PARKED RIGHT HERE
1025
00:39:57,311 --> 00:39:58,521
WHEN THE PICTURE WAS TAKEN.
1026
00:39:58,521 --> 00:40:01,232
[♪♪]
1027
00:40:03,067 --> 00:40:04,402
DO YOU WANT
SOMETHING TO EAT?
1028
00:40:04,402 --> 00:40:07,613
I'M NOT HUNGRY.
I WANT DADDY.
1029
00:40:10,241 --> 00:40:12,034
STAY IN THE CAR.
1030
00:40:17,540 --> 00:40:19,792
[♪♪]
1031
00:40:27,925 --> 00:40:29,844
[SNAP]
1032
00:40:35,933 --> 00:40:37,893
-HI THERE.
-HI.
1033
00:40:38,894 --> 00:40:40,271
THAT GONNA BE
ALL FOR YA?
1034
00:40:40,271 --> 00:40:42,606
THAT'LL DO IT.
1035
00:40:42,606 --> 00:40:45,109
[REGISTER BEEPING]
1036
00:40:45,109 --> 00:40:47,486
THAT'S $15.75.
1037
00:40:48,571 --> 00:40:49,947
YOU KNOW WHAT?
1038
00:40:49,947 --> 00:40:53,117
I'M, UH...
NOT GONNA GET THESE.
1039
00:40:53,117 --> 00:40:54,285
OKAY.
1040
00:40:54,285 --> 00:40:55,703
[REGISTER BEEPING]
1041
00:40:55,703 --> 00:40:57,496
$10.25.
1042
00:40:58,622 --> 00:41:03,294
I HAVE A QUARTER
HERE, SOMEWHERE.
1043
00:41:03,294 --> 00:41:04,628
[HONKING REPEATEDLY]
1044
00:41:05,796 --> 00:41:08,757
MOMMY! LET'S GO!
1045
00:41:08,757 --> 00:41:09,800
LOOKS LIKE YOU GOT
1046
00:41:09,800 --> 00:41:11,093
A TIRED LITTLE BOY
OVER THERE.
1047
00:41:11,093 --> 00:41:13,846
YEP. LONG TRIP.
1048
00:41:13,846 --> 00:41:15,055
WELL... TELL YOU WHAT.
1049
00:41:15,055 --> 00:41:16,765
[CASH DRAWER RUMBLES SHUT]
1050
00:41:16,765 --> 00:41:19,852
SOMETIMES GUMMIES
MAKE THE RIDE GO FASTER.
1051
00:41:21,020 --> 00:41:22,813
YOU'RE VERY KIND.
THANK YOU.
1052
00:41:22,813 --> 00:41:24,481
WHERE'RE
YOU HEADED?
1053
00:41:24,481 --> 00:41:26,150
YOU KNOW... [SIGHS]
1054
00:41:26,150 --> 00:41:28,152
I'M NOT REALLY
SURE ANYMORE.
1055
00:41:28,152 --> 00:41:29,320
THANK YOU.
1056
00:41:36,994 --> 00:41:39,079
YEAH, THAT LOOKS LIKE
IT COULD BE HER.
1057
00:41:39,079 --> 00:41:41,624
DID YOU NOTICE
ANYTHING ABOUT HER?
1058
00:41:41,624 --> 00:41:44,001
UH, SHE HAD A LITTLE BOY
WHO WAS TIRED
1059
00:41:44,001 --> 00:41:45,169
OF BEING IN THE CAR
1060
00:41:45,169 --> 00:41:47,338
AND HE WAS GIVING HIS MOM
A PRETTY HARD TIME.
1061
00:41:47,338 --> 00:41:49,006
DID SHE TELL YOU
THAT HE WAS HER SON?
1062
00:41:49,006 --> 00:41:51,091
NO, BUT HE CALLED HER "MOMMY."
1063
00:41:52,676 --> 00:41:54,845
DID SHE MENTION
WHERE SHE WAS GOING?
1064
00:41:54,845 --> 00:41:56,305
NO, BUT IT SEEMED LIKE
1065
00:41:56,305 --> 00:41:58,807
THEY'D BEEN TRAVELING
FOR A WHILE, AND, UH...
1066
00:41:58,807 --> 00:41:59,850
YOU KNOW,
IT'S JUST A GUESS,
1067
00:41:59,850 --> 00:42:02,311
BUT I THINK SHE WAS
RUNNING LOW ON CASH.
1068
00:42:03,354 --> 00:42:04,939
DO YOU RECOGNIZE
THIS PLACE?
1069
00:42:04,939 --> 00:42:07,775
[LAUGHS] I SURE DO.
THAT'S MINNIE'S CAFE.
1070
00:42:07,775 --> 00:42:10,027
I STOP THERE EVERY FRIDAY
TO GO TO THE BANK IN MONTROSE.
1071
00:42:10,027 --> 00:42:10,861
MINNIE'S,
YOU SAID?
1072
00:42:10,861 --> 00:42:14,448
OH. MY CELL
PHONE DIED.
1073
00:42:14,448 --> 00:42:16,492
I THINK I LEFT
MY CHARGER IN THE D.L.O.
1074
00:42:16,492 --> 00:42:17,952
I DON'T UNDERSTAND
WHY PEOPLE USE THOSE THINGS.
1075
00:42:17,952 --> 00:42:20,204
I LIKE MY WORDS ON PAPER.
1076
00:42:20,204 --> 00:42:21,455
PRECISELY MY SENTIMENT.
1077
00:42:21,455 --> 00:42:22,790
EXCUSE ME, SIR?
1078
00:42:22,790 --> 00:42:25,167
UH, COULD YOU TELL US
WHERE WE MIGHT BE ABLE
1079
00:42:25,167 --> 00:42:27,211
TO FIND MINNIE'S,
PLEASE?
1080
00:42:27,211 --> 00:42:29,463
SURE CAN. YEAH.
YOU STAY WEST ON U.S. 50.
1081
00:42:29,463 --> 00:42:31,715
IT'S ABOUT 15 MILES
PAST PONCHA SPRINGS.
1082
00:42:31,715 --> 00:42:34,510
MAKE SURE YOU TRY
MINNIE'S APPLE PAN PIE.
1083
00:42:34,510 --> 00:42:35,719
BEST IN THE STATE.
1084
00:42:35,719 --> 00:42:37,137
NORMAN LOVES PIE!
1085
00:42:37,137 --> 00:42:38,138
YES. I DO.
1086
00:42:38,138 --> 00:42:39,223
[RITA LAUGHS]
1087
00:42:39,223 --> 00:42:40,808
PLEASURE MEETING A MAN
AFTER MY OWN HEART.
1088
00:42:40,808 --> 00:42:42,893
THANK YOU SO MUCH FOR YOUR TIME.
1089
00:42:44,645 --> 00:42:47,898
WELL, AT LEAST WE KNOW
SHE'S HIS MOTHER.
1090
00:42:47,898 --> 00:42:49,358
AND YET
WE CAN'T BE SURE
1091
00:42:49,358 --> 00:42:51,026
THAT MAKES HIM SAFE.
1092
00:42:51,026 --> 00:42:52,069
WHAT DO YOU MEAN?
1093
00:42:52,069 --> 00:42:53,404
WELL, WE'RE ASSUMING
1094
00:42:53,404 --> 00:42:55,489
THAT THE BOY
HAS BEEN TAKEN,
1095
00:42:55,489 --> 00:42:57,366
BUT WHAT IF
HE'S BEEN RESCUED?
1096
00:42:57,366 --> 00:42:59,576
OH, SO WE KNOW
RACHEL IS HIS MOM,
1097
00:42:59,576 --> 00:43:00,577
BUT MAYBE SHE'S...
1098
00:43:00,577 --> 00:43:01,829
RUNNING AWAY
FROM A BAD SITUATION.
1099
00:43:01,829 --> 00:43:02,871
YEAH.
1100
00:43:02,871 --> 00:43:04,206
SORRY!
1101
00:43:04,206 --> 00:43:06,417
I JUST HAD
TO BUY SOMETHING.
1102
00:43:06,417 --> 00:43:07,585
A MAP.
1103
00:43:07,585 --> 00:43:08,919
SHOCKING, I KNOW.
1104
00:43:08,919 --> 00:43:10,004
YOU HAVE
YOUR LAPTOP.
1105
00:43:10,004 --> 00:43:11,922
WELL, I LOST
MY HOTSPOT.
1106
00:43:11,922 --> 00:43:13,674
EXCUSE ME?
1107
00:43:13,674 --> 00:43:15,884
NO MOBILE INTERNET,
1108
00:43:15,884 --> 00:43:17,344
SO NO LAPTOP CONNECTION,
1109
00:43:17,344 --> 00:43:18,887
SO NO GPS.
1110
00:43:18,887 --> 00:43:20,306
HENCE, THE MAP.
1111
00:43:20,306 --> 00:43:21,932
WHO ARE YOU?
1112
00:43:21,932 --> 00:43:24,435
AND WHAT HAVE YOU DONE
WITH SHANE MCINERNEY?
1113
00:43:24,435 --> 00:43:28,147
OH, DON'T WORRY.
SHE'S NOT GOING ANYWHERE.
1114
00:43:36,030 --> 00:43:38,657
HAVE YOU SPOKEN WITH RITA YET?
1115
00:43:41,201 --> 00:43:44,246
I BELIEVE YOU NEED
A DISTRACTION.
1116
00:43:44,246 --> 00:43:47,458
YOU SAID YOU HAVE
A LEARNER'S PERMIT, YES?
1117
00:43:47,458 --> 00:43:50,044
UH, YEAH.
I RENEW IT EVERY YEAR.
1118
00:43:50,044 --> 00:43:52,880
I JUST DON'T USE IT, BUT...
1119
00:43:52,880 --> 00:43:54,840
HMM.
1120
00:43:58,260 --> 00:44:00,262
[GASP OF REALIZATION]
1121
00:44:00,262 --> 00:44:02,973
[♪♪]
1122
00:44:02,973 --> 00:44:04,600
YOU'VE GOT THIS, NORMAN.
1123
00:44:04,600 --> 00:44:06,769
JUST TAKE YOUR TIME.
1124
00:44:10,731 --> 00:44:12,691
NICE AND EASY.
1125
00:44:13,776 --> 00:44:16,111
♪ GET YOUR MOTOR RUNNING ♪
1126
00:44:16,111 --> 00:44:17,154
[EXHALES HEAVILY]
1127
00:44:17,154 --> 00:44:18,989
♪ HEAD OUT
ON THE HIGHWAY ♪
1128
00:44:19,990 --> 00:44:23,118
♪ LOOKIN' FOR ADVENTURE ♪
1129
00:44:23,118 --> 00:44:26,080
♪ AND WHATEVER COMES OUR WAY ♪
1130
00:44:27,164 --> 00:44:30,000
♪ YEAH, DARLIN'
GO MAKE IT HAPPEN ♪
1131
00:44:30,000 --> 00:44:32,086
-[CRASH]
-[RITA YELPS]
1132
00:44:32,086 --> 00:44:34,129
[CHUCKLES]
1133
00:44:34,129 --> 00:44:36,507
YOU'RE OKAY!
1134
00:44:36,507 --> 00:44:40,219
♪ AND EXPLODE INTO SPACE ♪
1135
00:44:40,219 --> 00:44:43,263
♪ LIKE A TRUE NATURE'S CHILD ♪
1136
00:44:43,263 --> 00:44:46,683
♪ WE WERE BORN...
BORN TO BE WILD ♪
1137
00:44:46,683 --> 00:44:49,019
♪ WE CAN CLIMB SO HIGH ♪
1138
00:44:49,019 --> 00:44:53,440
♪ I NEVER WANNA DIE ♪
1139
00:44:53,440 --> 00:45:00,823
♪ BORN TO BE WILD... ♪
1140
00:45:00,823 --> 00:45:04,284
♪ BORN TO BE WILD ♪
1141
00:45:07,579 --> 00:45:10,666
[♪♪]
1142
00:45:12,876 --> 00:45:13,877
WE'RE HERE!
1143
00:45:13,877 --> 00:45:15,003
[OLIVER LAUGHS]
1144
00:45:15,003 --> 00:45:16,547
I'VE ALWAYS
WANTED TO SAY THAT.
1145
00:45:16,547 --> 00:45:18,507
[STILL LAUGHING]
1146
00:45:19,716 --> 00:45:23,554
OH, GOOD!
I AM SO HUNGRY. AGAIN!
1147
00:45:23,554 --> 00:45:24,555
[RITA LAUGHS]
1148
00:45:24,555 --> 00:45:26,390
[SHANE]: ME TOO.
1149
00:45:27,516 --> 00:45:32,229
WELL, EXCEPT FOR THAT
MINOR HICCUP WITH THE SIGN,
1150
00:45:32,229 --> 00:45:34,148
AND THE MATTRESS IN THE ROAD,
WHICH NO ONE COULD'VE PREDICTED,
1151
00:45:34,148 --> 00:45:37,317
I THINK YOU DID
AN EXCELLENT JOB, NORMAN.
1152
00:45:37,317 --> 00:45:39,403
WELL, THANK YOU.
1153
00:45:39,403 --> 00:45:41,029
IT FELT PRETTY GOOD.
1154
00:45:41,029 --> 00:45:42,656
SCARY...
1155
00:45:42,656 --> 00:45:44,199
BUT GOOD.
1156
00:45:44,199 --> 00:45:46,827
WELL, AS YOUR WISE GRANDMOTHER
ONCE TOLD ME--
1157
00:45:46,827 --> 00:45:49,246
"YOU HAVE TO FACE THE SCARY."
1158
00:45:52,416 --> 00:45:53,959
LIKE WITH RITA.
1159
00:45:56,837 --> 00:45:59,173
LIKE WITH RITA.
1160
00:46:04,636 --> 00:46:07,014
[♪♪]
1161
00:46:14,688 --> 00:46:16,940
THIS IS DEFINITELY THE PLACE.
1162
00:46:16,940 --> 00:46:19,276
WE SHOULD FIND
THE EXACT TABLE.
1163
00:46:19,276 --> 00:46:21,320
MM-HMM.
1164
00:46:25,574 --> 00:46:27,910
[♪♪]
1165
00:46:42,257 --> 00:46:44,760
[♪♪]
1166
00:46:52,643 --> 00:46:54,811
THIRD TABLE'S
A CHARM.
1167
00:47:04,321 --> 00:47:07,783
THAT'S GONNA BE $4.38.
1168
00:47:12,829 --> 00:47:13,997
I'M SORRY.
1169
00:47:13,997 --> 00:47:17,042
I CAN'T SEEM
TO FIND MY WALLET.
1170
00:47:17,042 --> 00:47:19,545
I'M IN NO RUSH, HONEY.
TAKE YOUR TIME.
1171
00:47:19,545 --> 00:47:22,130
I HAD IT WITH ME
ON THE ROAD...
1172
00:47:25,342 --> 00:47:28,220
I THINK
IT FELL OUT OF MY BAG.
1173
00:47:33,141 --> 00:47:34,810
[VOICE WAVERING]:
I DON'T HAVE ANY MONEY.
1174
00:47:34,810 --> 00:47:36,937
HONEST.
MY-MY WALLET...
1175
00:47:38,522 --> 00:47:40,774
[SOBBING]: EVERYTHING'S GONE.
I'VE LOST EVERYTHING,
1176
00:47:42,359 --> 00:47:45,070
HAVE YOU BEEN DRIVIN'
FOR A LONG WHILE NOW?
1177
00:47:47,030 --> 00:47:49,741
ABOUT 10 MILES UP THE ROAD,
1178
00:47:49,741 --> 00:47:52,369
THERE IS A LITTLE LODGE.
1179
00:47:52,369 --> 00:47:54,162
SUMMITS POINT.
1180
00:47:54,162 --> 00:47:55,622
THEY HAVE NICE,
CLEAN ROOMS.
1181
00:47:55,622 --> 00:47:57,207
[SIGHING]
BUT I DON'T HAVE ANY MONEY.
1182
00:47:57,207 --> 00:47:58,625
WHEN YOU GET THERE,
1183
00:47:58,625 --> 00:48:01,336
YOU TELL CARL
THAT MINNIE SENT YOU.
1184
00:48:01,336 --> 00:48:03,672
HE'LL TAKE
GOOD CARE OF YOU.
1185
00:48:03,672 --> 00:48:04,715
I CAN'T.
1186
00:48:04,715 --> 00:48:06,675
YOU WILL.
1187
00:48:07,718 --> 00:48:09,511
I DON'T KNOW
HOW TO THANK YOU.
1188
00:48:09,511 --> 00:48:11,179
YOU JUST STAY STRONG
1189
00:48:11,179 --> 00:48:13,515
FOR THAT LITTLE MAN
OF YOURS.
1190
00:48:20,063 --> 00:48:21,023
THERE.
1191
00:48:22,899 --> 00:48:24,735
FOR TONIGHT.
1192
00:48:26,737 --> 00:48:29,531
WON'T SOLVE
ANY OF YOUR TROUBLES,
1193
00:48:29,531 --> 00:48:30,907
BUT...
1194
00:48:30,907 --> 00:48:33,285
MAYBE, FOR A MOMENT,
YOU CAN SET THEM ASIDE.
1195
00:48:34,828 --> 00:48:37,414
AND SOMETIMES A MOMENT
IS ALL THAT WE NEED
1196
00:48:37,414 --> 00:48:40,208
TO KNOW WHERE
WE NEED TO GO TO NEXT.
1197
00:48:40,208 --> 00:48:42,419
[♪♪]
1198
00:48:50,135 --> 00:48:51,928
WELL, THE WAITRESS
DOESN'T RECOGNIZE ANYTHING,
1199
00:48:51,928 --> 00:48:54,431
BUT SHE'S NEW.
1200
00:48:54,431 --> 00:48:57,434
OHH. HERE YOU GO, FOLKS.
1201
00:48:58,435 --> 00:48:59,895
[RITA]: THANK YOU.
1202
00:48:59,895 --> 00:49:00,854
UH, WE WERE HOPING
1203
00:49:00,854 --> 00:49:02,272
YOU MIGHT BE ABLE
TO HELP US OUT.
1204
00:49:02,272 --> 00:49:05,484
WE'RE LOOKING FOR
A WOMAN AND HER SON.
1205
00:49:05,484 --> 00:49:07,944
I KNOW IT'S NOT
MUCH TO GO ON...
1206
00:49:09,613 --> 00:49:10,781
AND WE THINK HE'S
5 TO 10 YEARS OLD--
1207
00:49:10,781 --> 00:49:12,699
AND THEY SAT
IN THIS VERY BOOTH
1208
00:49:12,699 --> 00:49:13,909
THREE WEEKS AGO.
1209
00:49:13,909 --> 00:49:15,369
WE WERE HOPING
YOU MIGHT REMEMBER THEM.
1210
00:49:16,453 --> 00:49:18,455
WE GET A LOT OF
FAMILIES STOPPIN' BY.
1211
00:49:18,455 --> 00:49:21,124
WE'RE THE ONLY RESTAURANT
IN A HUNDRED MILES, SO.
1212
00:49:21,124 --> 00:49:23,627
HE WAS WEARING
A DINOSAUR BACKPACK.
1213
00:49:23,627 --> 00:49:25,045
OH, AND THEY WERE
DRIVING A GRAY CAR.
1214
00:49:25,045 --> 00:49:26,963
DO YOU KNOW WHAT
THEY LOOKED LIKE?
1215
00:49:26,963 --> 00:49:29,966
[SIGHING] THAT'S ALL
WE HAVE, I'M AFRAID.
1216
00:49:29,966 --> 00:49:32,344
ARE THEY IN
SOME KIND OF TROUBLE?
1217
00:49:32,344 --> 00:49:34,262
SORRY. IT'S
GOVERNMENT BUSINESS.
1218
00:49:34,262 --> 00:49:35,430
WE'RE NOT AT LIBERTY
1219
00:49:35,430 --> 00:49:37,974
TO DIVULGE
ANY FURTHER DETAILS,
1220
00:49:37,974 --> 00:49:39,309
BUT I CAN TELL YOU--
1221
00:49:39,309 --> 00:49:41,395
YES, I KNOW.
I REMEMBER THEM.
1222
00:49:41,395 --> 00:49:42,396
REALLY?
1223
00:49:42,396 --> 00:49:44,564
MM-HMM, MM-HMM.
NICE LADY.
1224
00:49:44,564 --> 00:49:47,317
LITTLE BOY.
LOVED DINOSAURS.
1225
00:49:47,317 --> 00:49:48,777
DID THEY MENTION
WHERE THEY WERE GOING?
1226
00:49:48,777 --> 00:49:49,945
UH, YES.
1227
00:49:49,945 --> 00:49:51,154
UM...
1228
00:49:51,154 --> 00:49:55,075
DINOSAUR NATIONAL MONUMENT
IN, UH, IN GRAND JUNCTION.
1229
00:49:55,075 --> 00:49:57,994
I-I EVEN GAVE 'EM ONE OF
THOSE BROCHURES BY THE DOOR.
1230
00:49:57,994 --> 00:49:59,121
OH, MY GOODNESS.
1231
00:49:59,121 --> 00:50:01,081
CAN YOU REMEMBER
ANYTHING ELSE AT ALL?
1232
00:50:01,081 --> 00:50:03,625
UH, NO, NOT REALLY.
1233
00:50:03,625 --> 00:50:06,795
JUST THAT THEY WERE
VERY HAPPY AND HUNGRY.
1234
00:50:06,795 --> 00:50:09,005
LIKE YOU FOLKS, RIGHT?
1235
00:50:09,005 --> 00:50:10,257
[ALL LAUGHING]
1236
00:50:10,257 --> 00:50:11,299
WHAT CAN I GET YA?
1237
00:50:11,299 --> 00:50:13,885
[♪♪]
1238
00:50:15,137 --> 00:50:16,346
[OLIVER]:
WELL, IT MAKES SENSE.
1239
00:50:16,346 --> 00:50:18,098
RACHEL'S LITTLE BOY
LOVES DINOSAURS,
1240
00:50:18,098 --> 00:50:19,808
AND THE DINOSAUR
NATIONAL MONUMENT
1241
00:50:19,808 --> 00:50:21,685
IS ESSENTIALLY ONE RIGHT TURN
1242
00:50:21,685 --> 00:50:23,520
AT THE END OF U.S. 50,
1243
00:50:23,520 --> 00:50:25,772
BUT IT'S AT LEAST
FOUR HOURS AWAY.
1244
00:50:28,734 --> 00:50:30,944
[♪♪]
1245
00:50:30,944 --> 00:50:33,447
NORMAN... THAT'S
YOUR THIRD PIECE OF PIE.
1246
00:50:33,447 --> 00:50:35,365
HOW CAN YOU
STILL BE HUNGRY?
1247
00:50:35,365 --> 00:50:37,325
[RITA]:
NORMAN LOVES PIE!
1248
00:50:37,325 --> 00:50:39,327
ALL THAT DRIVING
REALLY TOOK IT OUT OF ME.
1249
00:50:39,327 --> 00:50:40,704
YOU DROVE 13 MILES.
1250
00:50:43,165 --> 00:50:45,000
I THINK
WE'RE ALL TIRED.
1251
00:50:45,000 --> 00:50:47,961
WHY DON'T WE FIND A MOTEL
AND GET SOME REST?
1252
00:50:47,961 --> 00:50:50,172
WE'LL DRIVE BACK
TO DENVER IN THE MORNING
1253
00:50:50,172 --> 00:50:51,465
AND DECIDE WHERE
TO GO FROM THERE.
1254
00:50:51,465 --> 00:50:53,800
WAIT. WE'RE NOT GONNA
GO SEE THE DINOSAURS?
1255
00:50:53,800 --> 00:50:54,718
WELL, LET'S
BE HONEST.
1256
00:50:54,718 --> 00:50:56,052
RACHEL AND HER BOY
CAME THROUGH
1257
00:50:56,052 --> 00:50:57,220
THREE WEEKS AGO,
1258
00:50:57,220 --> 00:50:58,638
AND THEY COULD BE
ANYWHERE BY NOW.
1259
00:50:58,638 --> 00:51:00,682
ALL WE HAVE
IS A PHOTOGRAPH OF THE LETTER,
1260
00:51:00,682 --> 00:51:01,975
I DON'T KNOW
WHAT ELSE TO DO
1261
00:51:01,975 --> 00:51:04,060
WITHOUT A SOLID LEAD
AS TO THEIR NEXT STOP.
1262
00:51:04,060 --> 00:51:06,730
THEN WE'LL JUST
HAVE TO PRAY FOR ONE.
1263
00:51:08,356 --> 00:51:09,900
[♪♪]
1264
00:51:09,900 --> 00:51:11,234
[RITA]:
WHAT'S IN THE BAG?
1265
00:51:11,234 --> 00:51:12,569
[NORMAN]:
THE LAST PIECE OF PIE.
1266
00:51:12,569 --> 00:51:14,404
[SHANE]:
YOU ACTUALLY LEFT ONE?
1267
00:51:14,404 --> 00:51:16,156
I SAVED IT FOR RITA.
1268
00:51:16,156 --> 00:51:17,407
[SHANE]:
THAT'S SWEET.
1269
00:51:17,407 --> 00:51:19,242
WE WERE FORTUNATE.
1270
00:51:19,242 --> 00:51:21,369
THERE WAS STILL
ONE ROOM AVAILABLE.
1271
00:51:21,369 --> 00:51:23,455
YOU AND RITA
MAY TAKE THE ROOM.
1272
00:51:23,455 --> 00:51:25,332
NORMAN AND I
WILL, UH,
1273
00:51:25,332 --> 00:51:27,876
SLEEP IN
THE RECREATIONAL VEHICLE.
1274
00:51:27,876 --> 00:51:28,877
[CHUCKLING]
1275
00:51:28,877 --> 00:51:31,755
OLIVER O'TOOLE,
MAN OF COURAGE.
1276
00:51:31,755 --> 00:51:34,925
OH, COURAGE TAKES MANY FORMS,
MS. MCINERNEY.
1277
00:51:34,925 --> 00:51:36,426
[LAUGHS]
1278
00:51:38,762 --> 00:51:40,764
WANNA TAKE A WALK?
1279
00:51:40,764 --> 00:51:42,766
YES. OKAY.
1280
00:51:44,935 --> 00:51:46,436
[SHANE SIGHS]
1281
00:51:46,436 --> 00:51:48,647
HOW DO THEY DO IT?
1282
00:51:50,941 --> 00:51:52,234
WHAT DO YOU MEAN?
1283
00:51:52,234 --> 00:51:55,445
WELL, SOMETHING'S
GOING ON BETWEEN THOSE TWO
1284
00:51:55,445 --> 00:51:58,281
THAT THEY HAVEN'T
WORKED OUT YET, BUT...
1285
00:51:58,281 --> 00:52:01,409
THEY STILL HOLD HANDS
AND...
1286
00:52:01,409 --> 00:52:04,996
THEY DON'T LET WHATEVER IT IS
PULL THEM APART.
1287
00:52:06,122 --> 00:52:07,290
DO YOU KNOW
WHAT IT IS?
1288
00:52:07,290 --> 00:52:09,251
NO. DO YOU?
1289
00:52:09,251 --> 00:52:11,253
YES.
1290
00:52:12,295 --> 00:52:13,463
SO?
1291
00:52:13,463 --> 00:52:14,881
OH, I'M NOT TELLING.
1292
00:52:14,881 --> 00:52:16,925
[LAUGHING]
1293
00:52:16,925 --> 00:52:18,760
GOOD.
1294
00:52:18,760 --> 00:52:21,555
I'D BE DISAPPOINTED
IN YOU IF YOU DID.
1295
00:52:22,973 --> 00:52:24,474
WAS THAT A TEST,
MS. MCINERNEY?
1296
00:52:24,474 --> 00:52:27,310
[LAUGHS] NO.
I HATE TESTS.
1297
00:52:27,310 --> 00:52:31,022
YOU KNOW, THAT'S HOW
A LOT OF RELATIONSHIPS END.
1298
00:52:31,022 --> 00:52:32,816
YOU FAIL
SOMEONE ELSE'S TEST
1299
00:52:32,816 --> 00:52:35,569
THAT YOU DIDN'T EVEN
KNOW YOU WERE TAKING.
1300
00:52:36,653 --> 00:52:38,738
WE ARE
IN A RELATIONSHIP,
1301
00:52:38,738 --> 00:52:40,156
AREN'T WE?
1302
00:52:40,156 --> 00:52:43,743
UH, I'M GONNA
GO WITH...
1303
00:52:43,743 --> 00:52:46,246
"YES".
1304
00:52:46,246 --> 00:52:48,790
THEN I NEED
TO ASK A QUESTION.
1305
00:52:48,790 --> 00:52:50,834
OKAY.
1306
00:52:50,834 --> 00:52:53,003
WHO IS ALEX BRIGHTON?
1307
00:52:57,674 --> 00:52:59,384
YOU SAW MY PHONE.
1308
00:52:59,384 --> 00:53:01,344
YES.
1309
00:53:04,431 --> 00:53:06,641
IF I...
1310
00:53:06,641 --> 00:53:11,021
TELL YOU THAT I'M NOT READY
TO TALK ABOUT IT YET...
1311
00:53:11,021 --> 00:53:13,648
WILL YOU TRUST ME?
1312
00:53:15,108 --> 00:53:16,735
[SIGHS]
1313
00:53:16,735 --> 00:53:18,612
YES.
1314
00:53:18,612 --> 00:53:21,448
[QUIETLY GASPS AND SIGHS]
1315
00:53:21,448 --> 00:53:25,368
CAN WE STILL HOLD HANDS
WHILE I'M WORKING THINGS OUT?
1316
00:53:27,704 --> 00:53:29,998
SHANE...
1317
00:53:32,042 --> 00:53:34,502
I'M NOT LETTING GO.
1318
00:53:36,212 --> 00:53:38,965
[♪♪]
1319
00:53:51,561 --> 00:53:53,229
[OVERLAPPING]:
YOU WANNA TALK--?
1320
00:53:53,229 --> 00:53:54,230
[RITA]: NO, I--
YOU GO FIRST.
1321
00:53:54,230 --> 00:53:55,523
[NORMAN]: NO. YOU.
1322
00:53:55,523 --> 00:53:57,192
DO YOU NOT WANT
TO MARRY ME ANYMORE?
1323
00:53:57,192 --> 00:53:58,568
OF COURSE, I WANT
TO MARRY YOU.
1324
00:53:58,568 --> 00:53:59,986
BUT YOU DON'T WANT
A FAMILY NOW?
1325
00:53:59,986 --> 00:54:01,404
YOU DON'T
WANT CHILDREN?
1326
00:54:01,404 --> 00:54:03,239
I DO.
MORE THAN ANYTHING.
1327
00:54:03,239 --> 00:54:07,160
I JUST THINK THAT
THEY SHOULDN'T BE, UM...
1328
00:54:07,160 --> 00:54:08,328
MY CHILDREN.
1329
00:54:08,328 --> 00:54:11,081
[LAUGHS] WHAT? BUT
WHOSE ELSE WOULD THEY BE?
1330
00:54:11,081 --> 00:54:12,374
I NEVER KNEW MY FATHER,
1331
00:54:12,374 --> 00:54:14,250
AND I BARELY
KNEW MY MOTHER,
1332
00:54:14,250 --> 00:54:15,585
AND THE ONLY LIVING
RELATIVE THAT I KNOW OF
1333
00:54:15,585 --> 00:54:16,670
IS MY GRANDMOTHER,
1334
00:54:16,670 --> 00:54:18,713
AND SHE'S REALLY SMART.
1335
00:54:18,713 --> 00:54:19,673
LIKE YOU.
1336
00:54:19,673 --> 00:54:20,674
AND FUNNY.
1337
00:54:20,674 --> 00:54:21,675
LIKE YOU.
1338
00:54:21,675 --> 00:54:22,842
AND KINDA WEIRD.
1339
00:54:22,842 --> 00:54:25,095
OH. SHE JUST
SEES THE WORLD
1340
00:54:25,095 --> 00:54:28,098
FROM A DIFFERENT
PERSPECTIVE.
1341
00:54:28,098 --> 00:54:30,266
USUALLY ON THE TOP
OF MACHU PICCHU,
1342
00:54:30,266 --> 00:54:31,559
WEARING
AN ALUMINUM CROWN
1343
00:54:31,559 --> 00:54:33,436
THAT TRANSLATES
THE RAYS OF THE SUN
1344
00:54:33,436 --> 00:54:35,563
INTO HAIKU BRAINWAVES.
1345
00:54:35,563 --> 00:54:37,816
[LAUGHS] SHE REALLY
IS ONE OF A KIND.
1346
00:54:37,816 --> 00:54:39,734
YEAH, BUT WHAT
IF SHE ISN'T?
1347
00:54:39,734 --> 00:54:42,195
YOU KNOW, WHAT IF
I'M LIKE HER, TOO?
1348
00:54:42,195 --> 00:54:46,032
SHE TOLD ME THAT MY MOM
DID SOME PRETTY ODD STUFF.
1349
00:54:46,032 --> 00:54:47,200
AND ALL THROUGH SCHOOL,
1350
00:54:47,200 --> 00:54:49,411
THE KIDS MADE FUN
OF ME FOR BEING ODD.
1351
00:54:49,411 --> 00:54:51,621
YEAH, BUT THOSE WERE
BULLIES, NORMAN.
1352
00:54:51,621 --> 00:54:53,123
THEY COULD ONLY
SEE THE DIFFERENT,
1353
00:54:53,123 --> 00:54:55,792
THEY COULDN'T SEE
THE AMAZING.
1354
00:54:55,792 --> 00:54:58,128
I'M NOT AMAZING.
1355
00:54:58,128 --> 00:55:00,255
I'M NOT EVEN NORMAL.
1356
00:55:00,255 --> 00:55:03,591
IT'S LIKE
SOMETHING'S MISSING.
1357
00:55:03,591 --> 00:55:05,969
LIKE, I CAN TELL YOU
ALL ABOUT CARS,
1358
00:55:05,969 --> 00:55:07,220
I CAN EVEN FIX CARS,
1359
00:55:07,220 --> 00:55:09,097
BUT ACTUALLY DRIVING
THROWS ME,
1360
00:55:09,097 --> 00:55:11,599
AND I CAN'T PASS
THE DRIVER'S EXAM.
1361
00:55:11,599 --> 00:55:12,976
THERE'S ALL THOSE LANES,
1362
00:55:12,976 --> 00:55:14,602
AND I NEVER KNOW
WHICH ONE TO CHOOSE,
1363
00:55:14,602 --> 00:55:17,647
AND THEN THERE'S
MERGING AND YIELDING.
1364
00:55:17,647 --> 00:55:19,149
WHAT DOES IT
SAY ABOUT A MAN
1365
00:55:19,149 --> 00:55:20,650
IF HE CAN'T
PARALLEL PARK?
1366
00:55:20,650 --> 00:55:22,652
NORMAN, I DON'T
CARE ABOUT THAT.
1367
00:55:22,652 --> 00:55:24,154
YOU CAN INVENT
MAIL RECOVERY PROTOCOLS
1368
00:55:24,154 --> 00:55:26,031
THAT NOBODY HAS
EVEN IMAGINED.
1369
00:55:26,031 --> 00:55:27,824
YOU CAN DEVELOP
OLD CAMERA FILM,
1370
00:55:27,824 --> 00:55:31,661
AND YOU CAN INVENT
NEW CHEMICAL SOLUTIONS.
1371
00:55:31,661 --> 00:55:33,705
YOU CAN ANALYZE
THE HANDWRITING
1372
00:55:33,705 --> 00:55:35,665
ON A HOPELESSLY RIPPED
AND MANGLED ENVELOPE
1373
00:55:35,665 --> 00:55:37,876
WITH YOUR EYES CLOSED.
1374
00:55:37,876 --> 00:55:40,086
YOU HAVE SPECIAL GIFTS.
1375
00:55:40,086 --> 00:55:41,629
AND NOT EVERYONE
WILL SEE THAT,
1376
00:55:41,629 --> 00:55:43,006
BUT OLIVER SURE DID.
1377
00:55:43,006 --> 00:55:46,134
THAT'S WHY HE ASKED YOU
TO BE A PART OF HIS TEAM.
1378
00:55:46,134 --> 00:55:49,679
THAT'S WHY I LOVE YOU,
BECAUSE YOU'RE SPECIAL.
1379
00:55:49,679 --> 00:55:51,681
I'M DIFFERENT.
1380
00:55:51,681 --> 00:55:53,266
AND I'VE PAID
A PRICE FOR THAT,
1381
00:55:53,266 --> 00:55:55,643
AND I DON'T WANT
OUR CHILDREN TO HAVE TO.
1382
00:55:55,643 --> 00:55:58,354
SO...
1383
00:55:58,354 --> 00:56:01,524
I THINK WE SHOULD ADOPT.
1384
00:56:03,610 --> 00:56:06,279
OH.
1385
00:56:06,279 --> 00:56:08,198
[QUIET CHUCKLE]
1386
00:56:09,324 --> 00:56:11,868
NORMAN...
1387
00:56:11,868 --> 00:56:14,788
I HAVE ALWAYS THOUGHT
THAT WE WERE GOING TO ADOPT.
1388
00:56:14,788 --> 00:56:16,498
I PLAN ON HAVING
1389
00:56:16,498 --> 00:56:18,458
A WHOLE RAINBOW
OF BABIES WITH YOU,
1390
00:56:18,458 --> 00:56:22,128
AND I DON'T CARE
HOW THEY COME TO US.
1391
00:56:22,128 --> 00:56:25,965
BUT WHETHER YOU LIKE IT OR NOT,
THEY WILL BE LIKE YOU...
1392
00:56:25,965 --> 00:56:27,509
BECAUSE
THE MOST IMPORTANT THING
1393
00:56:27,509 --> 00:56:30,220
THAT THEY WILL INHERIT FROM YOU
WILL COME FROM YOUR HEART,
1394
00:56:30,220 --> 00:56:32,430
NOT YOUR D.N.A.
1395
00:56:33,848 --> 00:56:35,975
YOU ARE THE SWEETEST,
1396
00:56:35,975 --> 00:56:36,976
KINDEST,
1397
00:56:36,976 --> 00:56:40,271
MOST LOYAL PERSON
I HAVE EVER MET.
1398
00:56:41,523 --> 00:56:45,068
AND THAT'S THE MAN THAT I WANT
FOR THE FATHER OF MY CHILDREN.
1399
00:56:46,194 --> 00:56:51,199
THE MAN WHO SAVES
THE LAST PIECE OF THE BEST PIE
1400
00:56:51,199 --> 00:56:53,576
FOR SOMEONE ELSE.
1401
00:56:53,576 --> 00:56:58,248
AND THE ONE WHOSE HEART
CAN BREAK FOR A LITTLE LOST BOY,
1402
00:56:58,248 --> 00:57:02,293
AND HE WON'T GIVE UP
UNTIL HE KNOWS HE'S SAFE.
1403
00:57:03,586 --> 00:57:05,547
THANK YOU.
1404
00:57:07,090 --> 00:57:09,384
AND WE'RE GOING TO FIND
OUR DINOSAUR BOY.
1405
00:57:09,384 --> 00:57:10,510
I KNOW.
1406
00:57:10,510 --> 00:57:13,304
BUT I WAS ALSO
TALKING ABOUT YOU.
1407
00:57:16,432 --> 00:57:18,726
YOU'RE SAFE NOW, NORMAN.
1408
00:57:18,726 --> 00:57:21,521
YOU'RE NOT THAT BOY
YOU WERE IN HIGH SCHOOL.
1409
00:57:21,521 --> 00:57:24,190
I MEAN, YOU NEVER
REALLY WERE.
1410
00:57:24,190 --> 00:57:27,819
IT JUST TOOK A LITTLE BIT LONGER
FOR YOU TO BE APPRECIATED.
1411
00:57:28,862 --> 00:57:30,155
YOU...
1412
00:57:30,155 --> 00:57:33,116
WERE BORN THE BOY
WHO WOULD GROW UP AND MARRY ME.
1413
00:57:34,617 --> 00:57:37,036
THE NORMAN THAT
I WAS MEANT TO LOVE,
1414
00:57:37,036 --> 00:57:38,079
AND THE MAN
1415
00:57:38,079 --> 00:57:40,790
THAT ALL SORTS OF CHILDREN
WILL LOVE
1416
00:57:40,790 --> 00:57:43,751
AND CALL THEIR DADDY,
1417
00:57:43,751 --> 00:57:47,088
THE SMARTEST MAN
THEY WILL EVER KNOW.
1418
00:57:49,299 --> 00:57:51,467
[♪♪]
1419
00:58:17,493 --> 00:58:20,288
WE'VE GOT A PLACE
TO STAY, SWEETHEART.
1420
00:58:20,288 --> 00:58:22,790
I THOUGHT
WE LOST OUR MONEY.
1421
00:58:22,790 --> 00:58:25,418
WE DID.
1422
00:58:25,418 --> 00:58:26,628
BUT THERE ARE SOME VERY...
1423
00:58:26,628 --> 00:58:30,924
[VOICE CRACKS]: ...NICE
PEOPLE IN THIS WORLD.
1424
00:58:30,924 --> 00:58:33,468
LIKE THE MAN WHO
GAVE YOU THE GUMMIES,
1425
00:58:33,468 --> 00:58:37,096
AND THE LADY
WITH THE PIE.
1426
00:58:37,096 --> 00:58:39,015
AND THE MAN AT THIS MOTEL.
1427
00:58:39,015 --> 00:58:40,183
[SOBS SOFTLY]
1428
00:58:40,183 --> 00:58:42,685
WE'VE GOT A PLACE
TO STAY, BABY.
1429
00:58:42,685 --> 00:58:45,647
[CRIES]: AT LEAST
WE'RE OKAY FOR TONIGHT.
1430
00:58:45,647 --> 00:58:47,774
DON'T CRY, MOMMY.
1431
00:58:47,774 --> 00:58:50,944
I'M SO SORRY, DANNY.
1432
00:58:50,944 --> 00:58:52,278
I KNOW
HOW TIRED YOU ARE,
1433
00:58:52,278 --> 00:58:54,489
AND I KNOW HOW MUCH
YOU MISS DADDY.
1434
00:58:54,489 --> 00:58:57,158
I WISH I KNEW HOW
TO FIX EVERYTHING,
1435
00:58:57,158 --> 00:58:58,201
BUT I DON'T KNOW HOW.
1436
00:58:58,201 --> 00:58:59,202
I'M SORRY.
1437
00:58:59,202 --> 00:59:00,703
I WON'T ASK
ABOUT DADDY ANYMORE.
1438
00:59:00,703 --> 00:59:01,788
I PROMISE.
1439
00:59:01,788 --> 00:59:03,414
NO. NO, IT'S NOT
YOUR FAULT, HONEY.
1440
00:59:03,414 --> 00:59:06,000
AND I PROMISE,
AS SOON AS I CAN,
1441
00:59:06,000 --> 00:59:07,335
WE'RE GONNA DO
SOMETHING SPECIAL.
1442
00:59:07,335 --> 00:59:09,045
I'M GONNA TAKE YOU
TO SEE THE DINOSAURS.
1443
00:59:09,045 --> 00:59:10,630
WOULD YOU LIKE THAT?
1444
00:59:10,630 --> 00:59:13,341
I KNOW IT'S NOT
AS GOOD AS DADDY,
1445
00:59:13,341 --> 00:59:16,010
BUT WE'RE GONNA HAVE TO WAIT
A LITTLE BIT FOR THAT, OKAY?
1446
00:59:16,010 --> 00:59:18,179
OKAY.
1447
00:59:18,179 --> 00:59:20,223
I LOVE YOU, DANNY.
1448
00:59:20,223 --> 00:59:22,475
I LOVE YOU
TOO, MOMMY.
1449
00:59:22,475 --> 00:59:24,519
[RACHEL SNIFFLES]
1450
00:59:24,519 --> 00:59:26,854
[♪♪]
1451
00:59:34,487 --> 00:59:37,407
WHO DO YOU BELONG TO?
1452
00:59:37,407 --> 00:59:39,284
HMM?
1453
00:59:39,284 --> 00:59:40,994
[TAKES A DEEP BREATH]
1454
00:59:40,994 --> 00:59:42,787
[SIGHS]
1455
00:59:45,748 --> 00:59:47,333
SO I'LL TAKE THE FIRST LEG
BACK TO DENVER,
1456
00:59:47,333 --> 00:59:48,876
AND THEN, NORMAN,
DO YOU WANT TO DRIVE?
1457
00:59:48,876 --> 00:59:50,878
OH, CAN WE STOP
AT MINNIE'S FOR PIE?
1458
00:59:50,878 --> 00:59:52,880
I NEED ONE
FOR THE ROAD.
1459
00:59:52,880 --> 00:59:54,590
AND I MEAN
I NEED ONE PIE.
1460
00:59:54,590 --> 00:59:55,758
ONE WHOLE PIE.
1461
00:59:55,758 --> 00:59:57,010
[RITA LAUGHS]
1462
00:59:57,010 --> 00:59:58,094
WELL...
1463
00:59:58,094 --> 01:00:00,722
WE DIDN'T END UP
ACCOMPLISHING
1464
01:00:00,722 --> 01:00:02,682
WHAT WE WANTED TO
ON THIS TRIP,
1465
01:00:02,682 --> 01:00:03,725
BUT IT WAS WORTH IT
1466
01:00:03,725 --> 01:00:05,268
JUST TO SEE
THOSE TWO HAPPY.
1467
01:00:05,268 --> 01:00:06,436
[RV FIRES UP]
1468
01:00:06,436 --> 01:00:07,562
IT WAS WORTH IT
1469
01:00:07,562 --> 01:00:09,105
JUST TO SEE YOU
SURVIVE 12 HOURS
1470
01:00:09,105 --> 01:00:11,024
WITHOUT INTERNET ACCESS.
1471
01:00:11,024 --> 01:00:12,775
[LAUGHS] VERY FUNNY.
1472
01:00:16,446 --> 01:00:17,447
OLIVER?
1473
01:00:17,447 --> 01:00:18,781
HMM?
1474
01:00:18,781 --> 01:00:19,824
LOOK.
1475
01:00:22,076 --> 01:00:25,079
OH, MY GOODNESS.
1476
01:00:27,582 --> 01:00:30,126
[♪♪]
1477
01:00:40,970 --> 01:00:42,638
SEE? IT'S THE SAME LOG.
1478
01:00:42,638 --> 01:00:43,639
[SHANE]: THEY WERE HERE!
1479
01:00:43,639 --> 01:00:44,891
[OLIVER]:
IT WOULD SEEM SO.
1480
01:00:44,891 --> 01:00:45,892
MAYBE THIS TIME
1481
01:00:45,892 --> 01:00:47,101
SHE FILLED OUT
A REGISTRATION CARD.
1482
01:00:55,109 --> 01:00:56,903
-CHECKING OUT?
-YES.
1483
01:00:56,903 --> 01:00:58,446
AND WE HAVE
A QUESTION.
1484
01:00:58,446 --> 01:00:59,530
[CLERK]: SHOOT.
1485
01:00:59,530 --> 01:01:01,657
ABOUT THREE WEEKS AGO,
A LADY NAMED RACHEL
1486
01:01:01,657 --> 01:01:04,494
AND HER LITTLE BOY
STAYED HERE, WE THINK.
1487
01:01:04,494 --> 01:01:06,996
THEY HAD A GRAY CAR.
1488
01:01:06,996 --> 01:01:08,664
HUH. NOBODY LIKE THAT.
1489
01:01:08,664 --> 01:01:10,124
ARE YOU SURE?
1490
01:01:10,124 --> 01:01:12,502
BECAUSE WE HAVE A PHOTO
THAT PROVES THEY WERE HERE.
1491
01:01:12,502 --> 01:01:14,504
OH, YES, UH...
1492
01:01:14,504 --> 01:01:16,506
I DO REMEMBER. UH...
1493
01:01:16,506 --> 01:01:19,509
PRETTY LADY, ABOUT 35, MAYBE?
GRAY CAR.
1494
01:01:19,509 --> 01:01:21,010
-OH.
-LET ME SEE.
1495
01:01:21,010 --> 01:01:23,346
SHE SAID SHE WAS GOING
TO MESA VERDE.
1496
01:01:23,346 --> 01:01:25,264
YEP, DOWN TO DURANGO,
BECAUSE THE LITTLE BOY
1497
01:01:25,264 --> 01:01:26,974
WANTED TO SEE
THE NATIVE AMERICAN RUINS.
1498
01:01:26,974 --> 01:01:27,850
DURANGO?
1499
01:01:27,850 --> 01:01:29,352
MM-HMM. YEP.
1500
01:01:29,352 --> 01:01:30,770
YOU TAKE THE 50 WEST
1501
01:01:30,770 --> 01:01:33,398
AND THE 550 SOUTH.
1502
01:01:33,398 --> 01:01:36,025
BUT THAT WAS THREE WEEKS AGO,
AT LEAST.
1503
01:01:36,025 --> 01:01:37,527
THEY'RE PROBABLY--
1504
01:01:37,527 --> 01:01:39,278
...LONG GONE BY NOW?
1505
01:01:40,780 --> 01:01:42,156
THANK YOU.
1506
01:01:42,156 --> 01:01:44,117
THANKS.
1507
01:01:57,296 --> 01:01:58,673
DURANGO?
1508
01:02:00,049 --> 01:02:02,218
THERE'S NO DINOSAURS
IN DURANGO.
1509
01:02:02,218 --> 01:02:04,679
AND IT'S COMPLETELY
IN THE OPPOSITE DIRECTION.
1510
01:02:04,679 --> 01:02:07,140
BUT HE SEEMED SO SURE.
1511
01:02:07,140 --> 01:02:09,016
BUT SO WAS MINNIE
AT THE DINER.
1512
01:02:09,016 --> 01:02:11,561
EVERYONE
SEEMS AWFULLY "SURE".
1513
01:02:11,561 --> 01:02:12,728
CAN WE TAKE A LOOK
1514
01:02:12,728 --> 01:02:15,731
AT THAT PICTURE
FROM THE DINER AGAIN?
1515
01:02:15,731 --> 01:02:18,025
RACHEL, PRESUMABLY
PAYING FOR HER BILL,
1516
01:02:18,025 --> 01:02:19,902
[SIGHS] MENU BOARD...
1517
01:02:19,902 --> 01:02:21,654
"HELP WANTED,"
SOME PLAQUE--
1518
01:02:21,654 --> 01:02:22,697
WHAT DOES THAT SAY?
1519
01:02:22,697 --> 01:02:24,615
OH, HERE. UH...
1520
01:02:26,325 --> 01:02:27,994
OH.
1521
01:02:29,036 --> 01:02:31,581
"LOVE THY NEIGHBOR
AS THYSELF."
1522
01:02:31,581 --> 01:02:34,333
MM. WORDS TO LIVE BY.
1523
01:02:35,376 --> 01:02:37,503
"HELP WANTED..."
1524
01:02:37,503 --> 01:02:39,088
HMM.
1525
01:02:39,088 --> 01:02:40,590
[NORMAN]: WHAT?
1526
01:02:40,590 --> 01:02:42,091
WELL, THE MAN AT THE ROAD STAND
1527
01:02:42,091 --> 01:02:44,510
SAID THAT RACHEL SEEMED AS IF
SHE WERE RUNNING OUT OF CASH.
1528
01:02:44,510 --> 01:02:45,678
IF THAT WERE TRUE,
1529
01:02:45,678 --> 01:02:47,513
SHE COULDN'T AFFORD A CABIN
HERE AT THE LODGE.
1530
01:02:47,513 --> 01:02:50,433
LET ALONE A TRIP
TO GO SEE THE DINOSAURS,
1531
01:02:50,433 --> 01:02:52,101
OR TO GO TO DURANGO.
1532
01:02:52,101 --> 01:02:53,644
WAIT. SO, IF SHE COULDN'T
AFFORD TO LEAVE,
1533
01:02:53,644 --> 01:02:54,645
AND SHE COULDN'T
AFFORD TO STAY,
1534
01:02:54,645 --> 01:02:55,771
THEN SHE WOULD HAVE--
1535
01:02:55,771 --> 01:02:57,440
ARE WE BACK IN
THE RACHEL BUSINESS?
1536
01:02:57,440 --> 01:02:58,941
IT WOULD SEEM SO.
1537
01:03:00,109 --> 01:03:01,777
DOES THIS MEAN
MORE PIE?
1538
01:03:02,904 --> 01:03:05,448
[♪♪]
1539
01:03:13,414 --> 01:03:15,291
WELL, LOOK WHO'S BACK.
1540
01:03:15,291 --> 01:03:17,793
FIND YOUR LADY YET?
1541
01:03:17,793 --> 01:03:19,045
NO. BUT
WE COULDN'T LEAVE
1542
01:03:19,045 --> 01:03:20,421
WITHOUT ANOTHER SLICE
OF YOUR APPLE PAN PIE.
1543
01:03:20,421 --> 01:03:24,592
OH, THAT PIE BRINGS EVERYBODY
BACK, SOONER OR LATER.
1544
01:03:24,592 --> 01:03:26,636
SIT WHEREVER YOU LIKE.
1545
01:03:26,636 --> 01:03:28,095
THANK YOU.
1546
01:03:34,477 --> 01:03:36,437
THANK YOU.
1547
01:03:37,647 --> 01:03:41,108
SO, UH...
OH, PIE? COFFEE?
1548
01:03:41,108 --> 01:03:42,235
ICE CREAM?
1549
01:03:42,235 --> 01:03:43,486
ALL OF THE ABOVE.
1550
01:03:43,486 --> 01:03:44,654
COMING RIGHT UP.
1551
01:03:44,654 --> 01:03:46,322
WEREN'T THERE,
1552
01:03:46,322 --> 01:03:48,115
UH, FOUR OF YOU
LAST TIME?
1553
01:03:48,115 --> 01:03:48,991
GOOD MEMORY!
1554
01:03:48,991 --> 01:03:50,159
SHE'LL BE RIGHT IN.
1555
01:03:50,159 --> 01:03:51,911
YOU GOT IT.
1556
01:03:51,911 --> 01:03:52,954
ALL RIGHT.
PHOTO, PLEASE.
1557
01:03:53,955 --> 01:03:56,832
DID WE REMEMBER
OUR LITTLE FRIEND?
1558
01:03:56,832 --> 01:03:59,001
SAFELY
TUCKED IN HERE.
1559
01:04:00,169 --> 01:04:01,546
OLIVER,
YOU WERE RIGHT.
1560
01:04:01,546 --> 01:04:04,507
THERE'S A GRAY CAR
PARKED IN THE BACK.
1561
01:04:06,425 --> 01:04:09,178
"LOVE THY NEIGHBOR
AS THYSELF."
1562
01:04:09,178 --> 01:04:11,097
NOW, I BELIEVE
1563
01:04:11,097 --> 01:04:13,641
THAT MINNIE'S PROBABLY
A VERY GOOD SAMARITAN.
1564
01:04:13,641 --> 01:04:15,101
HER MOTTO'S
STILL UP ON THE WALL,
1565
01:04:15,101 --> 01:04:17,311
BUT THE "HELP WANTED" SIGN
IS NOT.
1566
01:04:17,311 --> 01:04:20,231
I'M GUESSING RACHEL
RAN OUT OF MONEY,
1567
01:04:20,231 --> 01:04:22,024
SHE COULDN'T KEEP
STAYING AT THE LODGE,
1568
01:04:22,024 --> 01:04:23,025
SO MINNIE DECIDED--
1569
01:04:23,025 --> 01:04:24,652
THE PIE IS COMING RIGHT UP...
1570
01:04:24,652 --> 01:04:29,031
AND WE ARE PUTTING
EXTRA ICE CREAM ON.
1571
01:04:29,031 --> 01:04:32,451
THAT'LL HOLD YOU
UNTIL YOU GET TO MESA VERDE.
1572
01:04:32,451 --> 01:04:36,622
UH, DON'T YOU MEAN
DINOSAUR NATIONAL MONUMENT?
1573
01:04:36,622 --> 01:04:39,041
YES. THAT'S WHAT I MEANT.
1574
01:04:39,041 --> 01:04:40,710
PROBABLY CONFUSED,
1575
01:04:40,710 --> 01:04:42,169
BECAUSE CARL
FROM THE SUMMITS POINT LODGE
1576
01:04:42,169 --> 01:04:43,379
CALLED TO TELL YOU
1577
01:04:43,379 --> 01:04:45,506
HE SENT US
IN THE OPPOSITE DIRECTION.
1578
01:04:45,506 --> 01:04:47,508
ISN'T THAT RIGHT?
1579
01:04:47,508 --> 01:04:49,218
[FORCED CHUCKLE]
I'M SORRY.
1580
01:04:49,218 --> 01:04:51,679
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
1581
01:04:51,679 --> 01:04:54,181
I THINK YOU DO.
1582
01:04:54,181 --> 01:04:57,351
AND SO DOES...
RACHEL.
1583
01:04:57,351 --> 01:04:58,811
DON'T YOU, RACHEL?
1584
01:04:58,811 --> 01:05:00,479
WE'RE NOT HERE
TO UPSET YOU, RACHEL.
1585
01:05:00,479 --> 01:05:02,064
WE...
[RUMMAGES IN BAG]
1586
01:05:02,064 --> 01:05:03,149
WE JUST WANTED
1587
01:05:03,149 --> 01:05:05,818
TO RETURN THIS
TO YOUR LITTLE BOY
1588
01:05:05,818 --> 01:05:07,778
AND MAKE SURE
THAT HE'S OKAY.
1589
01:05:09,071 --> 01:05:10,156
BERTIE!
1590
01:05:11,073 --> 01:05:13,659
MOMMY!
YOU FOUND HIM!
1591
01:05:14,910 --> 01:05:16,579
BERTIE!
1592
01:05:22,209 --> 01:05:24,587
SO, YOUR MOM SEEMS
PRETTY COOL, HUH?
1593
01:05:24,587 --> 01:05:27,381
YEAH. SHE'S GONNA
TAKE ME TO SEE DINOSAURS!
1594
01:05:27,381 --> 01:05:29,634
BUT JUST THEIR BONES,
THEY'RE NOT ALIVE OR ANYTHING.
1595
01:05:29,634 --> 01:05:30,676
OH.
1596
01:05:30,676 --> 01:05:32,762
SHE SOUNDS
REAL SUPER-COOL.
1597
01:05:32,762 --> 01:05:34,889
YEAH. MY MOMMY LOVES ME.
1598
01:05:34,889 --> 01:05:36,724
MY DADDY DOES, TOO.
1599
01:05:36,724 --> 01:05:39,727
[RACHEL]: EVERYBODY'S
GOOD FOLKS AROUND HERE.
1600
01:05:39,727 --> 01:05:41,896
THEY LOOK OUT FOR EACH OTHER.
1601
01:05:41,896 --> 01:05:45,524
CARL DIDN'T REALIZE YOU WERE
JUST FROM THE POST OFFICE.
1602
01:05:48,235 --> 01:05:50,571
I DIDN'T MEAN "JUST".
1603
01:05:50,571 --> 01:05:52,865
THAT'S ALL RIGHT.
1604
01:05:54,283 --> 01:05:56,118
I CAN'T BELIEVE YOU ALL
WENT TO SO MUCH TROUBLE
1605
01:05:56,118 --> 01:05:57,745
JUST TO RETURN A TOY.
1606
01:05:57,745 --> 01:05:59,205
UH, WELL, ACTUALLY,
1607
01:05:59,205 --> 01:06:03,209
WE WERE ATTEMPTING
TO DELIVER A LOST CAMERA.
1608
01:06:03,209 --> 01:06:05,294
WHEN WE DEVELOPED
THE FILM INSIDE,
1609
01:06:05,294 --> 01:06:08,005
WE FOUND, UH, THIS...
1610
01:06:13,094 --> 01:06:15,096
[QUIETLY]: OH, DANNY.
1611
01:06:17,640 --> 01:06:19,433
I WAS TRYING TO DO
THE RIGHT THING.
1612
01:06:19,433 --> 01:06:22,561
I WAS JUST TRYING
TO PROTECT HIM.
1613
01:06:22,561 --> 01:06:25,064
PROTECT HIM...
FROM YOUR HUSBAND?
1614
01:06:26,649 --> 01:06:29,110
FROM THE TRUTH
ABOUT MY HUSBAND.
1615
01:06:41,580 --> 01:06:44,959
WHAT IS THE TRUTH
ABOUT YOUR HUSBAND?
1616
01:06:44,959 --> 01:06:48,337
WELL, FIRST OF ALL,
JACK WOULD NEVER HURT US.
1617
01:06:48,337 --> 01:06:51,215
HE WOULDN'T MEAN TO.
1618
01:06:51,215 --> 01:06:54,343
HE DIDN'T MEAN TO...
1619
01:06:55,678 --> 01:06:58,431
HE WAS A WONDERFUL FATHER.
1620
01:07:00,349 --> 01:07:03,728
"IT'S BRIGHT BLUE
AND YOU PLAY WITH IT, TOO."
1621
01:07:04,812 --> 01:07:06,897
[♪♪]
1622
01:07:12,319 --> 01:07:15,573
"SOLVE THE CASE
IN YOUR HAPPY PLACE."
1623
01:07:18,701 --> 01:07:21,370
[♪♪]
1624
01:07:25,166 --> 01:07:27,209
I FOUND YOU, DADDY!
1625
01:07:27,209 --> 01:07:28,878
[LAUGHS]
YOU SURE DID, KIDDO!
1626
01:07:28,878 --> 01:07:30,379
YOU SURE DID.
1627
01:07:30,379 --> 01:07:31,964
HEY. DO YOU LIKE IT?
1628
01:07:31,964 --> 01:07:33,174
AND GUESS WHAT?
1629
01:07:33,174 --> 01:07:34,717
ONE OF THESE DAYS,
MOMMY AND I ARE GONNA TAKE YOU
1630
01:07:34,717 --> 01:07:36,051
TO SEE WHERE
SOME OF THEM USED TO LIVE.
1631
01:07:36,051 --> 01:07:37,511
PROMISE?
1632
01:07:37,511 --> 01:07:38,637
PROMISE.
1633
01:07:38,637 --> 01:07:40,556
HOW 'BOUT A SMILE
FROM MY BOYS?
1634
01:07:42,057 --> 01:07:43,684
SAY, "I LOVE
YOU, MOMMY."
1635
01:07:43,684 --> 01:07:45,686
[FELLAS, TOGETHER]:
I LOVE YOU, MOMMY!
1636
01:07:45,686 --> 01:07:47,188
[SNAP]
1637
01:07:48,898 --> 01:07:49,982
"JACK."
1638
01:07:49,982 --> 01:07:52,902
[CHUCKLES] WE HAD
A "J" AND AN "A,"
1639
01:07:52,902 --> 01:07:55,821
AND AN "M"
AND A "K".
1640
01:07:55,821 --> 01:07:58,240
MY HUSBAND
1641
01:07:58,240 --> 01:08:00,493
IS JACK MARASHAK.
1642
01:08:00,493 --> 01:08:02,870
I SEE.
1643
01:08:03,913 --> 01:08:05,080
THAT'S WHY
MINNIE LIED TO YOU
1644
01:08:05,080 --> 01:08:06,582
WHEN YOU CAME IN LAST NIGHT.
1645
01:08:06,582 --> 01:08:08,000
YOU SAID YOU WERE
FROM THE GOVERNMENT,
1646
01:08:08,000 --> 01:08:10,211
AND SHE JUST KNEW
I COULDN'T HANDLE ANY MORE.
1647
01:08:11,420 --> 01:08:16,675
UH, MR. MARASHAK WAS MAYOR
OF A TOWN IN NORTHERN COLORADO
1648
01:08:16,675 --> 01:08:20,179
UP UNTIL ABOUT
SIX MONTHS AGO OR SO.
1649
01:08:20,179 --> 01:08:22,431
NOW HE'S IN CANON CITY,
1650
01:08:22,431 --> 01:08:24,600
AT THE CORRECTIONAL FACILITY.
1651
01:08:24,600 --> 01:08:26,268
JACK... [SIGHING]
1652
01:08:26,268 --> 01:08:29,313
...GOT CAUGHT UP
IN SOME SKETCHY PLAN
1653
01:08:29,313 --> 01:08:31,816
TO INVEST
THE CITY EMPLOYMENT PENSION FUND
1654
01:08:31,816 --> 01:08:32,942
WITH A FINANCIAL GROUP
1655
01:08:32,942 --> 01:08:35,277
THAT TURNED OUT TO BE A SCAM.
1656
01:08:35,277 --> 01:08:38,113
THE GUYS HE TRUSTED
TOOK OFF WITH THE MONEY
1657
01:08:38,113 --> 01:08:41,116
AND JACK WAS LEFT
HOLDING THE BAG.
1658
01:08:41,116 --> 01:08:45,371
HE DIDN'T STEAL ANYTHING,
BUT HE LOST EVERYTHING.
1659
01:08:47,122 --> 01:08:49,416
HE SHOULD HAVE KNOWN BETTER.
1660
01:08:49,416 --> 01:08:50,543
IT WAS TOO GOOD TO BE TRUE
1661
01:08:50,543 --> 01:08:53,212
AND HE DIDN'T WANT TO LOOK
CLOSER THAN THAT.
1662
01:08:53,212 --> 01:08:56,799
HE DID THE WRONG THING
FOR THE RIGHT REASONS,
1663
01:08:56,799 --> 01:08:59,468
AND HE PAID FOR IT.
1664
01:08:59,468 --> 01:09:01,262
[SHANE]: AND SO DID YOU.
1665
01:09:01,262 --> 01:09:03,430
SO DID EVERYBODY ELSE.
1666
01:09:05,474 --> 01:09:07,518
IT'S A SMALL TOWN.
1667
01:09:08,644 --> 01:09:10,145
THERE ISN'T ANY PLACE TO GO
1668
01:09:10,145 --> 01:09:12,982
TO AVOID THE STARES
AND THE WHISPERS.
1669
01:09:12,982 --> 01:09:14,400
AND SCHOOL IS STARTING SOON
1670
01:09:14,400 --> 01:09:16,152
AND I COULDN'T
SEND DANNY BACK TO THAT.
1671
01:09:16,152 --> 01:09:17,403
YOU KNOW KIDS.
1672
01:09:17,403 --> 01:09:19,154
[SHE TAKES A DEEP, SHAKY BREATH]
1673
01:09:19,154 --> 01:09:21,782
SO, I...
I PACKED UP MY CAR,
1674
01:09:21,782 --> 01:09:23,117
I TOOK WHAT WAS LEFT
IN THE BANK,
1675
01:09:23,117 --> 01:09:26,245
AND I TOLD DANNY
WE WERE GOING TO A NEW HOME.
1676
01:09:26,245 --> 01:09:29,915
I THOUGHT I'D FIND SOMETHING
NEAR THE PRISON, BUT...
1677
01:09:31,000 --> 01:09:34,420
...THE CLOSER I GOT,
THE HARDER IT GOT.
1678
01:09:35,921 --> 01:09:39,174
HOW DO YOU TAKE YOUR LITTLE BOY
WHO WORSHIPS HIS FATHER
1679
01:09:39,174 --> 01:09:41,468
TO SEE HIM LIKE THAT?
1680
01:09:42,803 --> 01:09:45,806
I KEPT GOING
BACK AND FORTH,
1681
01:09:45,806 --> 01:09:47,016
TRYING TO MAKE UP MY MIND,
1682
01:09:47,016 --> 01:09:49,977
AND WHEN I FINALLY
GOT TO CANON CITY, I...
1683
01:09:49,977 --> 01:09:51,353
JUST KEPT DRIVING.
1684
01:09:51,353 --> 01:09:53,856
I THOUGHT I'D TAKE HIM
TO THE DINOSAUR MONUMENT,
1685
01:09:53,856 --> 01:09:55,357
BUT I LOST MY WALLET.
1686
01:09:55,357 --> 01:09:57,151
[SHAKY BREATH]
1687
01:09:57,151 --> 01:09:59,111
[SOBS]: AND IF IT HADN'T
BEEN FOR MINNIE
1688
01:09:59,111 --> 01:10:02,072
TAKING US IN
AND GIVING ME A JOB, AND...
1689
01:10:03,157 --> 01:10:05,993
AND DANNY DOESN'T
KNOW ABOUT HIS FATHER?
1690
01:10:05,993 --> 01:10:07,912
I STILL HAVEN'T
BEEN ABLE
1691
01:10:07,912 --> 01:10:08,954
TO TELL HIM THE TRUTH.
1692
01:10:08,954 --> 01:10:10,164
HE... [SNIFFLES]
1693
01:10:10,164 --> 01:10:12,333
...THINKS DADDY IS AWAY
SOMEWHERE AT A NEW JOB.
1694
01:10:13,417 --> 01:10:15,461
BASED UPON THE CLUES
DANNY LEFT BEHIND
1695
01:10:15,461 --> 01:10:18,213
WITH HIS CAMERA,
1696
01:10:18,213 --> 01:10:19,673
...HE'S, UM,
INCREDIBLY BRIGHT.
1697
01:10:22,051 --> 01:10:24,511
HE'LL FIGURE IT OUT,
SOONER OR LATER,
1698
01:10:24,511 --> 01:10:26,555
I'M AFRAID.
1699
01:10:27,723 --> 01:10:30,726
I KNOW.
1700
01:10:30,726 --> 01:10:33,854
I'M JUST PUTTING IT OFF
AS LONG AS I CAN
1701
01:10:33,854 --> 01:10:35,481
JUST TO PROTECT HIM.
1702
01:10:35,481 --> 01:10:36,899
AND YOURSELF.
1703
01:10:39,902 --> 01:10:42,237
MAYBE.
1704
01:10:42,237 --> 01:10:44,406
GOOD PEOPLE DO STUPID THINGS.
1705
01:10:44,406 --> 01:10:46,408
I KNOW THAT.
1706
01:10:47,493 --> 01:10:49,578
BUT...
1707
01:10:49,578 --> 01:10:51,580
YOU LOST YOUR HOME
1708
01:10:51,580 --> 01:10:54,416
AND ALL YOUR FRIENDS
AND YOUR REPUTATION
1709
01:10:54,416 --> 01:10:56,001
BECAUSE OF WHAT JACK DID.
1710
01:10:57,086 --> 01:10:58,253
YOU KNOW, MAYBE
YOU'LL FORGIVE HIM,
1711
01:10:58,253 --> 01:11:02,007
MAYBE YOU WON'T,
BUT, UH...
1712
01:11:03,425 --> 01:11:06,679
UNTIL YOU CAN FACE HIM,
1713
01:11:06,679 --> 01:11:08,264
RACHEL...
1714
01:11:08,264 --> 01:11:10,182
BELIEVE ME,
1715
01:11:10,182 --> 01:11:11,934
IT... [DEEP BREATH]
1716
01:11:11,934 --> 01:11:15,104
YOU'LL ALWAYS BE
SORT OF IN PRISON YOURSELF.
1717
01:11:16,939 --> 01:11:19,191
I KNOW, BECAUSE...
1718
01:11:21,610 --> 01:11:22,611
[DEEP, SHAKY BREATH]
1719
01:11:22,611 --> 01:11:24,738
[RAGGED SIGH]
1720
01:11:24,738 --> 01:11:28,075
MY SISTER
HAS A GAMBLING PROBLEM.
1721
01:11:28,075 --> 01:11:30,452
A-- A... BIG ONE.
1722
01:11:30,452 --> 01:11:35,124
LIKE, SHE GAMBLED
HER WHOLE LIFE AWAY,
1723
01:11:35,124 --> 01:11:36,500
AND, UH...
1724
01:11:36,500 --> 01:11:39,128
TORE APART OUR FAMILY
IN THE PROCESS.
1725
01:11:41,088 --> 01:11:43,841
[♪♪]
1726
01:11:50,305 --> 01:11:52,266
WE HAVEN'T, UM...
1727
01:11:52,266 --> 01:11:53,642
WE HAVEN'T TALKED
1728
01:11:53,642 --> 01:11:56,645
FOR A LONG TIME, SO...
1729
01:11:56,645 --> 01:12:00,232
I KNOW A LITTLE BIT
ABOUT HOW YOU FEEL.
1730
01:12:00,232 --> 01:12:02,985
AND WE CAN TELL OURSELVES
THAT WE'RE MOVING ON,
1731
01:12:02,985 --> 01:12:05,154
BUT, UH...
1732
01:12:05,154 --> 01:12:06,697
WE DON'T REALLY GET VERY FAR
1733
01:12:06,697 --> 01:12:09,199
WHEN WE'RE DRAGGING
SO MUCH BEHIND US.
1734
01:12:11,994 --> 01:12:14,038
SO...
1735
01:12:17,332 --> 01:12:19,543
MAYBE...
1736
01:12:21,253 --> 01:12:23,839
MAYBE...
1737
01:12:23,839 --> 01:12:25,591
THERE'S A REASON
1738
01:12:25,591 --> 01:12:28,302
THAT WE FOUND OURSELVES
TOGETHER ON THIS ROAD TODAY.
1739
01:12:29,928 --> 01:12:31,638
TO HELP EACH OTHER
AND...
1740
01:12:31,638 --> 01:12:33,474
DANNY.
1741
01:12:34,516 --> 01:12:36,560
[♪♪]
1742
01:12:39,188 --> 01:12:41,231
SO, I WILL MAKE YOU A DEAL.
1743
01:12:44,985 --> 01:12:46,695
[SHANE SNIFFLES]
1744
01:12:46,695 --> 01:12:48,363
IF YOU REACH OUT
TO YOUR HUSBAND,
1745
01:12:48,363 --> 01:12:50,699
I WILL...
1746
01:12:50,699 --> 01:12:52,326
I WILL REACH OUT TO MY SISTER.
1747
01:13:03,337 --> 01:13:05,756
[♪♪]
1748
01:13:14,056 --> 01:13:16,225
YOU'VE...
1749
01:13:16,225 --> 01:13:19,311
YOU'VE NEVER MENTIONED
YOUR SISTER BEFORE.
1750
01:13:19,311 --> 01:13:21,480
HURT TOO MUCH.
1751
01:13:22,731 --> 01:13:25,317
STILL DOES.
1752
01:13:27,486 --> 01:13:29,947
BUT NOW YOU KNOW.
1753
01:13:31,657 --> 01:13:33,242
THOUGHT YOU KNEW ME,
RIGHT?
1754
01:13:34,535 --> 01:13:36,662
UH, I STILL DO.
1755
01:13:36,662 --> 01:13:39,581
I JUST DON'T
KNOW YOUR SISTER.
1756
01:13:39,581 --> 01:13:41,750
YOU'RE TWO DIFFERENT PEOPLE.
1757
01:13:41,750 --> 01:13:44,586
YOU'RE SHANE MCINERNEY
1758
01:13:44,586 --> 01:13:47,589
AND SHE'S, UH...
1759
01:13:47,589 --> 01:13:48,757
SHE'S--
1760
01:13:48,757 --> 01:13:49,758
ALEX.
1761
01:13:49,758 --> 01:13:52,261
ALEX BRIGHTON.
1762
01:13:53,595 --> 01:13:55,264
ALL THOSE TEXTS
ON MY PHONE,
1763
01:13:55,264 --> 01:13:56,807
THOSE ARE HERS.
1764
01:13:56,807 --> 01:13:59,351
SHE'S BEEN IN RECOVERY
SINCE LAST YEAR,
1765
01:13:59,351 --> 01:14:00,602
AND EVERY ONCE
IN AWHILE,
1766
01:14:00,602 --> 01:14:03,397
SHE CALLS AND TRIES
TO RECONNECT.
1767
01:14:03,397 --> 01:14:06,567
BUT YOU NEVER CALL BACK.
1768
01:14:07,901 --> 01:14:11,280
NOT AFTER WHAT SHE DID
TO OUR MOTHER.
1769
01:14:11,280 --> 01:14:15,033
ALL THE SLEEPLESS NIGHTS,
THE RUINED HOLIDAYS.
1770
01:14:15,033 --> 01:14:18,245
MY MOM EVEN SOLD OUR HOUSE
1771
01:14:18,245 --> 01:14:19,621
TO PAY FOR THE DEBT
1772
01:14:19,621 --> 01:14:22,499
AND TO--
AND TO PUT HER THROUGH REHAB.
1773
01:14:24,626 --> 01:14:26,670
[TEARFULLY]: MAYBE...
1774
01:14:27,880 --> 01:14:31,300
MAYBE MY SISTER HAS
GOT HER ACT TOGETHER NOW.
1775
01:14:31,300 --> 01:14:34,303
I'M JUST SO...
1776
01:14:34,303 --> 01:14:35,929
[FUMING SIGH]
I'M STILL SO--
1777
01:14:35,929 --> 01:14:36,930
ANGRY?
1778
01:14:36,930 --> 01:14:39,099
SO ANGRY!
1779
01:14:39,099 --> 01:14:41,768
I-- I AM SO ANGRY
1780
01:14:41,768 --> 01:14:44,646
THAT I AM--
I'M AFRAID
1781
01:14:44,646 --> 01:14:45,731
TO RETURN HER CALLS,
1782
01:14:45,731 --> 01:14:47,733
'CAUSE I DON'T KNOW
WHAT I'M GONNA SAY.
1783
01:14:47,733 --> 01:14:50,027
SO I JUST DON'T.
1784
01:14:53,280 --> 01:14:55,574
BUT NOW I HAVE TO.
1785
01:14:55,574 --> 01:14:57,242
[BITTER CHUCKLE]
1786
01:14:57,242 --> 01:15:00,162
WHAT WAS I THINKING,
MAKING THAT DEAL WITH RACHEL?
1787
01:15:00,162 --> 01:15:02,456
IT SEEMED LIKE A GOOD IDEA
AT THE TIME,
1788
01:15:02,456 --> 01:15:03,999
BUT NOW I ACTUALLY
HAVE TO DO IT.
1789
01:15:12,674 --> 01:15:15,052
YES.
1790
01:15:16,678 --> 01:15:18,430
BUT...
1791
01:15:18,430 --> 01:15:21,141
YOU WON'T
HAVE TO DO IT ALONE, SHANE.
1792
01:15:22,226 --> 01:15:24,561
[♪♪]
1793
01:15:27,147 --> 01:15:30,317
[CRIES]: I THOUGHT THE SUN ROSE
AND SET WITH HER.
1794
01:15:33,028 --> 01:15:37,616
THERE IS ONLY ONE PERSON I KNOW
WHO'S IN CHARGE OF THAT.
1795
01:15:37,616 --> 01:15:42,496
EVERYONE ELSE WE JUST HAVE
TO FORGIVE FOR BEING HUMAN.
1796
01:15:43,538 --> 01:15:46,124
[SOBS]
1797
01:15:59,346 --> 01:16:01,640
[♪♪]
1798
01:16:06,395 --> 01:16:08,063
[LOCK BUZZING]
1799
01:16:08,063 --> 01:16:09,940
OKAY, HERE WE GO.
1800
01:16:15,112 --> 01:16:17,197
[♪♪]
1801
01:16:19,074 --> 01:16:20,075
YOU CAN GO SEE HIM.
1802
01:16:29,001 --> 01:16:31,003
I FOUND YOU, DADDY.
1803
01:16:33,672 --> 01:16:35,757
YOU SURE DID, KIDDO.
1804
01:16:35,757 --> 01:16:37,592
YOU SURE DID.
1805
01:16:42,180 --> 01:16:43,515
THANK YOU.
1806
01:16:44,891 --> 01:16:46,977
HE MISSED YOU.
1807
01:16:48,228 --> 01:16:50,355
HOW ABOUT YOU?
1808
01:16:51,606 --> 01:16:53,942
I DON'T KNOW.
1809
01:16:53,942 --> 01:16:55,902
IT'S GONNA TAKE
SOME TIME, JACK.
1810
01:16:59,740 --> 01:17:02,034
BUT I GOT THIS FAR...
1811
01:17:02,034 --> 01:17:04,369
AND I ALREADY KNOW ONE THING--
1812
01:17:07,331 --> 01:17:09,666
I LOVE YOU.
1813
01:17:13,628 --> 01:17:15,797
[♪♪]
1814
01:17:23,472 --> 01:17:26,058
READY?
1815
01:17:35,984 --> 01:17:37,611
[DIALING PHONE]
1816
01:17:39,988 --> 01:17:42,824
[EXHALES SHAKILY]
1817
01:17:42,824 --> 01:17:45,160
AHEM.
1818
01:17:51,166 --> 01:17:53,627
ALEX?
1819
01:17:53,627 --> 01:17:55,629
IT'S ME.
1820
01:17:56,838 --> 01:17:59,674
[QUIET GASP, VOICE BREAKS]:
HI.
1821
01:18:01,176 --> 01:18:02,177
[LAUGHS]
1822
01:18:02,177 --> 01:18:03,178
REALLY?
1823
01:18:03,178 --> 01:18:06,348
WELL, THAT'S, UM...
THAT'S GOOD, RIGHT?
1824
01:18:07,474 --> 01:18:10,727
UH, HAVE YOU SEEN MOM?
1825
01:18:13,313 --> 01:18:15,565
OH.
1826
01:18:16,692 --> 01:18:19,194
[TEARFULLY]: YEAH,
MAYBE AT CHRISTMAS.
1827
01:18:19,194 --> 01:18:20,529
STILL IN, UM, DENVER.
1828
01:18:24,199 --> 01:18:28,328
NO, I, UH...
I LOVE IT, ACTUALLY.
1829
01:18:32,207 --> 01:18:33,917
[WHISPERS]: TELL HER...
1830
01:18:33,917 --> 01:18:35,710
YOU HAVE A BOYFRIEND.
1831
01:18:35,710 --> 01:18:37,003
[QUIET CHUCKLE]
1832
01:18:37,003 --> 01:18:39,798
[STIFLES A SOB]
1833
01:18:39,798 --> 01:18:41,550
I, UH... [LAUGHS]
1834
01:18:41,550 --> 01:18:43,844
I HAVE A BOYFRIEND.
1835
01:18:45,220 --> 01:18:46,555
[SNIFFS]
1836
01:18:46,555 --> 01:18:48,432
YEAH, UH...
1837
01:18:48,432 --> 01:18:49,641
HE'S, UH...
1838
01:18:51,059 --> 01:18:53,311
...EVERYTHING
I NEVER KNEW I WANTED.
1839
01:18:55,147 --> 01:18:56,148
"OLIVER."
1840
01:18:56,148 --> 01:18:57,691
[LAUGHS] I KNOW.
1841
01:18:57,691 --> 01:19:00,277
[♪♪]
1842
01:19:02,612 --> 01:19:06,908
SO, THIS IS THE TRADITIONAL
WHITE WEDDING CAKE
1843
01:19:06,908 --> 01:19:09,161
WITH A GANACHE GLAZE.
1844
01:19:09,161 --> 01:19:12,205
THIS ONE HAS
A DELIGHTFUL LEMON CURD.
1845
01:19:12,205 --> 01:19:13,874
OLIVER LOVES LEMON.
1846
01:19:13,874 --> 01:19:16,751
AND THAT'S THE CHOCOLATE ONE
WITH A CARAMEL FILLING.
1847
01:19:16,751 --> 01:19:19,254
MM. NOPE.
CAN'T HAVE ANY CARAMEL.
1848
01:19:19,254 --> 01:19:20,255
I DIDN'T KNOW
1849
01:19:20,255 --> 01:19:21,381
YOU WERE ALLERGIC
TO CARAMEL.
1850
01:19:21,381 --> 01:19:22,549
I'M NOT.
I JUST DON'T LIKE CARAMEL.
1851
01:19:22,549 --> 01:19:25,260
UH, BUT WHAT ABOUT THIS?
1852
01:19:25,260 --> 01:19:26,553
DOES ANYBODY HAVE A PROBLEM
1853
01:19:26,553 --> 01:19:28,555
WITH AN APPLE PAN WEDDING PIE
FROM MINNIE'S?
1854
01:19:28,555 --> 01:19:29,931
OOH!
1855
01:19:29,931 --> 01:19:30,932
MAY I?
1856
01:19:30,932 --> 01:19:31,850
PLEASE, BE OUR GUEST.
1857
01:19:31,850 --> 01:19:34,227
MM.
1858
01:19:34,227 --> 01:19:38,106
UH, SO, WHAT WAS
SO IMPORTANT?
1859
01:19:38,106 --> 01:19:40,275
WELL, UH, WE STILL HAVE
76 THINGS TO DO
1860
01:19:40,275 --> 01:19:42,402
ON OUR "100 THINGS TO DO
BEFORE OUR WEDDING LIST,"
1861
01:19:42,402 --> 01:19:43,403
AND WE NEED YOUR HELP.
1862
01:19:43,403 --> 01:19:45,405
WELL, WE WILL
DO WHAT WE CAN.
1863
01:19:47,782 --> 01:19:48,950
NUMBER 43--
1864
01:19:48,950 --> 01:19:50,368
"CHOOSE YOUR BEST MAN."
1865
01:19:50,368 --> 01:19:53,288
NUMBER 44--
"CHOOSE YOUR MAID OF HONOR."
1866
01:19:53,288 --> 01:19:54,372
YOU'RE THE FIRST
FRIEND I EVER HAD
1867
01:19:54,372 --> 01:19:55,916
THAT TRULY BELIEVED IN ME.
1868
01:19:55,916 --> 01:19:58,919
YOU TAUGHT ME HOW TO STAMP
1869
01:19:58,919 --> 01:20:01,213
AND SORT AND FORWARD
1870
01:20:01,213 --> 01:20:04,549
AND DELIVER ALL SORTS
OF IMPOSSIBLE THINGS.
1871
01:20:05,634 --> 01:20:06,801
YOU MADE ME
1872
01:20:06,801 --> 01:20:07,969
BELIEVE
1873
01:20:07,969 --> 01:20:10,931
THAT BEING LOVED
BY SOMEBODY INCREDIBLE,
1874
01:20:10,931 --> 01:20:12,724
LIKE RITA,
1875
01:20:12,724 --> 01:20:14,809
WAS NOT AN IMPOSSIBLE THING.
1876
01:20:14,809 --> 01:20:17,270
YOU'RE THE BEST MAN
THAT I KNOW, OLIVER,
1877
01:20:17,270 --> 01:20:18,813
AND I'D LIKE YOU
TO BE MY BEST MAN.
1878
01:20:20,023 --> 01:20:22,651
I CAN THINK
OF NO PLACE I'D RATHER BE
1879
01:20:22,651 --> 01:20:23,985
THAN BY YOUR SIDE
1880
01:20:23,985 --> 01:20:25,654
WHEN YOU MARRY RITA.
1881
01:20:29,658 --> 01:20:31,284
AND YOU...
1882
01:20:31,284 --> 01:20:33,912
[CHOKING UP]:
WELL, YOU KNOW...
1883
01:20:33,912 --> 01:20:36,081
YOU'RE LIKE A SISTER TO ME,
1884
01:20:36,081 --> 01:20:38,959
LIKE THE SISTER I NEVER HAD.
1885
01:20:38,959 --> 01:20:40,335
BUT EVEN IF I HAD A SISTER,
1886
01:20:40,335 --> 01:20:42,671
I WOULD STILL WANT YOU
TO BE MY MAID OF HONOR.
1887
01:20:42,671 --> 01:20:45,924
NOT THAT I HAVE ANYTHING
AGAINST MY REAL SISTER,
1888
01:20:45,924 --> 01:20:47,133
THAT I DON'T EVEN HAVE...
1889
01:20:47,133 --> 01:20:49,594
I JUST--
1890
01:20:49,594 --> 01:20:53,139
I CAN'T IMAGINE
GETTING MARRIED,
1891
01:20:53,139 --> 01:20:55,350
OR-OR BEING MARRIED,
1892
01:20:55,350 --> 01:20:57,477
OR RAISING CHILDREN...
1893
01:20:57,477 --> 01:21:01,398
I CAN'T IMAGINE
ANY OF THAT WITHOUT YOU.
1894
01:21:03,775 --> 01:21:05,151
AND NORMAN, OF COURSE!
1895
01:21:05,151 --> 01:21:07,821
OF COURSE!
OF COURSE, NORMAN!
1896
01:21:07,821 --> 01:21:11,157
OF COURSE! NORMAN!
[LAUGHING]
1897
01:21:11,157 --> 01:21:13,368
[♪♪]
1898
01:21:13,368 --> 01:21:15,829
SO, UH, WHAT
IS QUESTION 45?
1899
01:21:15,829 --> 01:21:17,163
UM, "DECIDE
WHETHER OR NOT
1900
01:21:17,163 --> 01:21:18,832
"YOU'RE GOING TO FLY,
TAKE A TRAIN,
1901
01:21:18,832 --> 01:21:20,208
OR DRIVE
ON YOUR HONEYMOON."
1902
01:21:20,208 --> 01:21:21,126
OH! LET'S GO TO FIJI!
1903
01:21:21,126 --> 01:21:22,460
OOH! YES!
1904
01:21:22,460 --> 01:21:24,212
DO NOT MAIL ME
A COCONUT.
1905
01:21:24,212 --> 01:21:25,463
WHAT? I LOVE SENDING
COCONUTS IN THE MAIL!
1906
01:21:25,463 --> 01:21:26,464
NO COCONUTS.
1907
01:21:26,464 --> 01:21:27,799
ARE YOU SERIOUS?
BUT THAT'S, LIKE--
1908
01:21:27,799 --> 01:21:28,884
RAMON? WHAT
DO YOU THINK?
1909
01:21:28,884 --> 01:21:30,260
I LOVE
ANYTHING TROPICAL.
1910
01:21:31,886 --> 01:21:35,849
[♪♪]
127920
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