All language subtitles for DEADSTREAM.2022.BluRay.1080p.REMUX.AVC.DTS-HD.MA.5.1-LEGi0N

-I'm Shawn Ruddy, and I'm
a piece of trash.

I'm Shawn Ruddy,
the world's biggest wuss.

And because I love attention
and hate myself,

I'm faci ng al I of my fears one
d u m b ass chal Ienge at a ti me.

H el p ! [Screams]

Ah!

Stop ! M uchachos!

H ey, douchebags!

(bleep)
-What d id you say?

-Oh (bleep) (bleep)
-H ey!

(bleep) (bleep)

[Screams]

Th is is "The Wrath of Shawn. "

Welcome to "The Wrath of Shawn. "
Happy Hal Ioween!

[Ru m bl I ng]

Ah!

No , no , no!

H el p!

Ah!

Hadou ken!

[Tri u m phant m usic plays]

[Screams]

I'm back!

After six months
of eati ng ramen nood Ies

with chopped u p bits of Vien na
sausages, I am monetized agai n.

[Ch I mes]

But I don't care
about that stuff.

I don't care about money.

I care about you.

Por seven years now,
you have watched me face

my fears for you r entertai n ment.

And I'm happy to an nou nce
I've faced them al I.

Not.

There is one fear that
I haven't yet faced.

Someth I ng I fear more than cops.
More than sharks.

More than playi ng bi ngo
with the elderly.

I , Shawn Ruddy, and mortal Iy
terrified of...

g hosts.

-[Screams]

-I was raised
I n a rel ig ious home.

I bel ieve I n that stuff.
I hate that stuff.

I haven't seen a horror movie

si nce the fi rst half
of "Ohost Dad. "

And that's why I hate myself
for what I'm about to say.

Por my next I ivestream event,

I wi I I be spend I ng one n ig ht
alone I n a hau nted house.

If there are g hosts
I n the house ,

it's pretty m uch a g uarantee
that I'm goi ng to piss them off.

That's why my mom packed me
th is paranormal kit.

Holy water, a crucifix, salt,
garl ic, and a si Iver dagger.

I have come u p with one ru Ie
that you and the sponsors

can hold me to -- if I see
or hear anyth I ng u n usual ,

I have to check it out.

If you let me break th is ru Ie ,
I wi I I not get paid.

[Slow motion]
I wi I I not get paid.

[Normal speed] Th is is
on you now, I nternet.

Tu ne I nto my Livvid chan nel
on October 20th ,

11 : 00 p. m .
Mou ntai n Standard Ti me

for the biggest comeback event
si nce the fi rst Easter.

I 'I I see you then.

Don't forget to
smash that I I ke button ,

smash that su bscri be button ,
and fol low me on Livvid.

Welcome to "The Wrath of Shawn. "

These sh I rts are avai Iable
rig ht now I n my merch store ,

and as always,

I've com posed a score
specifical Iy for th is broadcast.

I'm cal I I ng th is one
"Shawn Carpenter's Hal Ioween. "

Avai Iable now on iTu nes.

Okay, th is is Shawn Ruddy,

com I ng to you I ive from ...

Death Manor.

I'm doi ng a d ramatic push I n ,
if you can't tel I.

Th is is the most hau nted house
I n the U n ited States.

And by that,
I mean the most hau nted

but not too famous for me
to fi I'm I n house.

And I'm spend I ng
the n ig ht there.

I've had the nervous poops
al I week.

But no matter
what happens to me ,

I am com m itted to bri ng I ng you

the most ci nematic experience
I n I ive stream I ng.

I've got my Livvid bracelet
rig ht here.

So when I fl ick my wrist,
th is wi I I cut back and forth

from my selfie camera ,
my P. O .V. cam.

Okay.

Now, th is next part is cal led
protecti ng me from myself.

I need to remove any tem ptation
of an easy exit.

I know me way too wel I.

[Oru nts]

I've done a lot of stu pid
th I ngs before ,

but I've never been com pletely
alone wh I Ie doi ng them.

If you're j ust tu n I ng I n ,

I am about to make
my approach to Death Manor.

Death Manor was bu I It I n 1660
by a wealthy Mormon pioneer

for h is social outcast daug hter,
a poet named M I Id red Pratt.

M I Id red wou Id Iater
com m it su icide

and become the fi rst
of many deaths I n th is house.

Did her su icide cu rse the house?

Or was M I Id red the victi m of
an al ready cu rsed house?

[Th u nder ru m bl I ng]

That's not a good sig n.

Th is is not goi ng wel I for me.

I'm not a big fan
of these woods.

They actual Iy fou nd a body
out here a few years ago.

The face was com pletely
eaten by rats.

Was it related to the power
of th is house?

Maybe.

Maybe it was also -- [Screams]

A stick man.

That is some satan ic
Wiccan crap.

I got to get some eyes out here.

[Beepi ng]

AI I of these I nfrared cameras
are motion activated

and wi I I cut rig ht I nto
the feed automatical Iy.

So if anyth I ng happens
out here , we'I I know.

[Th u nder ru m bl I ng]

[Oru nts]

Let's see.

Not a big fan of barbed wi re
or "bobbed" wi re ,

as my mom cal Is it.

There's got to be another door.

Yeah. Th is is better.

Oood th I ng I've been I ifti ng.

Bei ng ban ned from the I nternet
has g iven me

ti me to work on myself.

Ah!

[Oru nts]

Okay.

[Oru nts]

Spiders!

Ah!

Okay.
Before I change my m I nd ...

Th is is also cal led
protecti ng me from myself.

What is that, a vent?

After M I Id red's death , 11 more
people d ied I n th is house

before it was fi nal Iy
boarded u p I n 1956.

That's -- [Screams] Sh it! Shoot!

I meant shoot. Please don't
monetize me , Livvid.

Th is is an I ntense situation.

I th I n k there shou Id be
a stri ke system ,

I I ke th ree stri kes or someth I ng ,
starti ng on the next one.

Holy P.

Th is room smel Is I I ke my A. H.

" H el p me. "

It's j ust pai nt.
It's j ust pai nt.

[Panti ng] Is anyone else
creeped out by th is?

" I'm an atheist.
I don't bel ieve I n g hosts. "

Oh , good for you , Ki m bucha.

" Hau nted houses are overdone. "

How can hau nted houses
be overdone?

I've never done one before.

KyOuy5 -- "Did kids cal I you
crater face I n h ig h school?"

No , because I n h ig h school
it was sti I I acne.

You r n uts.
Yeah. What about 'em? [Laug hs]

What is that?

Oh , g ross! Oh , g ross!

That's d isg usti ng.

AI rig ht, Shawn , 10 m I n utes I n ,

you've al ready got
sweari ng and d rugs.

Is that a wel I bucket?

I feel I I ke I'm I n "The Ri ng. "

H ere it is.

M I Id red's old kitchen.

That means that's the room.

Okay.

J udas Priest!
Look at that th I ng.

Looks I I ke it cou Id
fi I let someone.

Okay.

Ton ig ht, we're goi ng to be
mon itori ng th ree rooms,

al I of wh ich have actual
docu mented paranormal activity.

The fi rst room ,
the master bed room.

Ah h.

We got to get a camera
u p I n here , too.

I nternet, say a prayer
th is chai r doesn't break.

Is that gon na hold?

Pro ti p --
always carry d uct tape.

You can I iteral Iy fix 90olo of
I ife's problems with d uct tape.

I made a wal let of d uct tape
I n eig hth g rade.

I'm sti I I proud of it.

Master.

Okay, th is room has two separate
reports of the same g host

who I I I ke to cal I Corner Man.

Th is is the fi rst accou nt.

I n 1910 , a man named Max Loland
wrote about a reoccu rri ng d ream

he had wh I Ie sleepi ng
I n th is room.

" I n my d reams, I wake u p
and see a very tal I man

I n the north corner of my room.

I can't see h is face ,
but I know he's watch I ng me.

And he always wh ispers
the same th I ng --

the pond water is sti I I.

One year Iater,
Max Loland d ied I n h is sleep.

I n th is room.

Probably I n th is nasty bed.

North corner.

Okay, prepare you rself.
Th is is real Iy d istu rbi ng.

" I n 1995 , a team
of paranormal I nvestigators

came I nto th is room
and took th is pictu re.

They were stand I ng rig ht here.

[Th ud]

I don't th I n k I can
be I n here anymore.

I hope you al I appreciate
the pu bl ic service

I'm doi ng by bei ng here.

Li IyKi ng96 -- "Shawn , please do
the rig ht th I ng

and hel p the spi rits
of th is house fi nd rest. "

H el I , no ! I'm not
an exorcist, Li IyKi ng96.

Oyaboyo -- "Are you sti I I
with what's her name?"

No , sh h ! We're here.

That's where it happened.

M I Id red h u ng herself rig ht
at the top of these stai rs.

[Eerie m usic plays]

Prom al I accou nts
I cou Id d ig u p ,

M I Id red's smal I town com m u n ity
wasn't a big fan of, q uote ,

"odd d uck M I Id red
and her wei rd poems. "

So her dad bu I It her
th is big house.

I don't know why.

My g uess is he thoug ht
it m ig ht attract

a h usband for her.

But no one wanted her it seems.

As creepy as the Corner Man
stuff is,

it's the second floor
that's the real

paranormal O-spot I n th is house.

Okay.

The n u rsery.

Prom what I fou nd
I n my research , five ch I Id ren

have d ied I n th is room.

Two babies and th ree kids.

[Door creaks]

Oh. I've always hated
creepy kid movies.

What if Haley Joel Osment
was j ust sitti ng here?

As an ad u It.

Oh , that's worse.

Look at that wi ndow.

Why isn't th is one boarded u p?

You th I n k someth I ng escaped?

Okay, now, for the g host
evidence of th is room.

I'm goi ng to play th is messed u p
video from some g host h u nters

I n the '90s wh I Ie I set u p
the room cam.

-I don't want to go back
I n there , Dad.

-Just a I ittle longer,
j ust to hel p us out.

-No.

-Wel I , we can get
ice cream after.

Jessica!

They told me it's not my room.

-Who told you that?

Pretty creepy, rig ht?

That g I rl total Iy saw someth I ng
I n th is room.

Also , I j ust want to say,
I do not condone

the use of a ch I Id
I n paranormal research.

I've never used ch I Id ren
before I n my stu nts.

Despite what people say,
there are fu rther depths

that I cou Id si n k to.

Okay. Last room.

Th is is the room
I've been d read I ng the most.

The bath room.

[Oasps]

A m I rror!

BIoody Mary.

The last death that I cou Id
fi nd happened

I n th is bathtu b I n 1955.

Oh h h h.

Ah!

I wou Id never.

I'm about to play an EVP
recorded I n th is room I n 2002.

Por those of you
u nfam I I iar with EVPs,

EVP stands for
EIectron ic Voice Phenomenon.

The idea is that record I ngs
may be able to

pick u p com m u n ications
from the dead

that we otherwise can't hear.

I 'I I show you .
Listen to th is.

-We've got Jay.
H e's goi ng to man the recorder.

H e's been feel I ng real Iy sick.

-Yeah , I j ust -- I don't.
I don't I I ke it here.

The second we wal ked I n ,
I j ust -- I don't I I ke it.

Yeah , I j ust -- I don't know.
I don't I I ke it here.

The second we wal ked I n ,
I j ust -- I don't I I ke it.

I don't I I ke it.

I don't I I ke it.
I don't I I ke it.

-Did you g uys hear that?

The g host said "mama"
and "pond water. "

It's j ust I I ke that
g uy's jou rnal.

Corner Ohost said
the pond water is sti I I.

It was total Iy pond water!

Okay, fi ne .
Maybe it was "bond mother. "

Either way, there's a presence
sti I I I n th is bath room.

Why is it sti I I here?

Wel I , that bri ngs us back
to ou r story of pathetic,

Ionely M I Id red
and her sad poems.

M I Id red I ived here
for eig ht years I n th is house ,

writi ng poems
about the romantic love

she d id n't have.

A tortu red artist,
you cou Id say.

But she was fi nal Iy h it
with a stroke of I uck

when a handsome ,
wealthy pu bl isher

from the East Coast
named Lars Jorgensen

passed th roug h her smal I town.

They fel I I n love ,
and for two years,

they wrote each other love
Ietters al most every day.

Want to know what happens next?

You're goi ng to have
to stay tu ned.

[Laug hs]

AI I rig ht.
Por whatever reason ,

th is room hasn't had any reports
of paranormal activity.

Wh ich is why I'm cal I I ng th is
the safe room

and setti ng u p my home base.

Th is room is now
"Wrath of Shawn" headq uarters.

[Screams] A closet!

Oh , no. Ohosts love closets.

I have to check.

Okay. We're clear.

[Oasps] What is that?

What is th is?!

I do not I I ke th is!

If someth I ng happens
to me ton ig ht,

I g uarantee it'I I be
because of th is th I ng.

Okay, let's get some
proper I ig ht I n here , shal I we?

I th I n k I deserve that.

If you're j ust tu n I ng I n ,

I have j ust fi n ished
my setu p of the house.

Ah.

Ah h.

I better j ust go halfsies
on th is th I ng.

I'm not as you ng
as I used to be.

No offense , Th u nder.

I mean , I know it says
1 00olo natu ral I ng red ients,

so I'm su re it's good for you.

If you're 16.

SIeeplessl nSerbia --
for the love of Ood ,

tel I us what happened
to M I Id red.

No , I got to keep you g uys
watch I ng al I n ig ht.

Tatu mTot -- provoke the spi rits.

I am provoki ng them .
By bei ng here.

Seriously I'm out?
No , no , no , no , no.

Wait, wait, wait,
don't go , don't go.

I 'I I provoke.

And yes, I d id make a wheel of
stu pid th I ngs for th is.

Let me get it.

Rig ht. See?
AI I rig ht, I 'I I spi n.

Oh , seance? Come on.

Okay, but I get
to choose the room.

We're goi ng to do th I ngs my way.
AI I rig ht?

Okay, back to
the shocki ng concl usion

of the M I Id red saga.

After writi ng each other
Ietters for two years,

Lars asked M I Id red to marry h I m
and move to Boston.

She was fi nal Iy about to leave

what she cal led
"th is sti n ky I ittle town. "

But j ust two days before
she was su pposed to move ,

Lars u nexpected Iy d ied.

She h u ng herself the next day
at the end of th is hal I.

And Iegend has it that everyone
who d ied after her

is sti I I I n th is house.

Why?

Because M I Id red is col Iecti ng
sou Is to create the fam I Iy

she cou Id never have I n I ife.

[CI ick, m usic stops]

[Th u nder ru m bles]

Oh , no way!

Oh , th is is too perfect!

Oh , somebody look th is u p
and fi nd a year on th is th I ng.

And the goi ng price on eBay.

[Laug hs]

Shou Id I be offended that clowns
wear wh iteface?

I'm always out of touch
with the ru Ies on these th I ngs.

[CIears th roat]

Spi rit from another ti me ,

I touch someth I ng

that was once th I ne.

Come to me. I su m mon thee.

[Creaki ng]

Red rover, red rover,
send dead babies rig ht over.

[Creaki ng]

Oeez.

I'm not su re how you're
su pposed to tel I the d ifference

between old house sou nds
and g host sou nds.

Ohosts have a real Iy --

[Loud th ud , gasps]

[Scream I ng]

Did you g uys hear that?
It's -- aah!

It's com I ng after me.

That was not a house sou nd .
That was a th u m p!

What ki nd of a house goes th u m p?

H ere's the th I ng.

I was too scared to
say it back there , but...

I felt someth I ng , I I ke -- I I ke
a vi bration I n my chest.

Li ke -- it felt I I ke.

[Oaspi ng]

You bel ieved me.

I'm th I n ki ng about prod uci ng
a fi I'm starri ng me.

You know, I actual Iy th I n k
I'm good enoug h.

I'm goi ng to cal I it
"The Excor-Shawnce"

or "Shawn-corcist. "

Speaki ng of cysts,
I used to date th is g I rI

that had a cyst I n her forearm.

I mean , it wasn't h uge , but it
sti I I gave me the heebies.

Now my memories
have exaggerated over ti me.

So every ti me I th I n k about her,

I I mag I ne th is Popeye arm
Iooki ng g I rl.

Makes me want to th row u p.

[Oasps] We shou Id look her u p!

How freaky wou Id it be
if we d id an episode

where we d rai n her cyst?

You gag , you lose chal Ienge.

[Sh udders]

[U nzi ps]

Can't even th I n k about it.

[U ri nati ng]

[H u m m I ng]

♪ Bom bom bom bom bom bom ♪

♪ Bom bom bom ♪

♪ Bom bom ! ♪

♪ Bom bom bom bom bom bom ♪

Oh , come on .
That doesn't even look real.

I'm not fal I I ng for th is
Photoshop hack job.

I've been usi ng Photoshop
si nce eig hth g rade.

Okay.
AI I rig ht, I 'I I play.

Let's pu I I u p that part of
the ti me code.

Let's go there.

[Panti ng]

That was real. That was real.

What do we do?

I'm not goi ng back out there .
That was rig ht outside the door.

Screw the ru Ies.
That wasn't a g host sou nd.

That was a I iteral ,
actual th I ng.

Li ke a demon or SIenderman
or someth I ng.

You al I saw it.
It had freaki ng Iegs!

Dam n it.

Stop. Stop. I'm not Iosi ng
my sponsors agai n.

Just -- J ust let me th I n k.

Okay, so -- so tech n ical Iy,
I j ust have to go to that spot

and I cou Id ru n
rig ht back, rig ht?

I j ust need to wal k
to the end of the hal Iway

and come rig ht back.

There and back agai n.

Li ke "A Hobbit's Tale. "
Okay, I can do th is.

I can do th is.
Oh , sh it, I can't do it!

Come on , Shawn , you can .
The sponsors.

Okay.

AI I rig ht.

AI I rig ht, here I go .
Watch me soar.

Okay, I'm goi ng ,
but I need some su pport.

Li ke , can you send me pictu res
of cute th I ngs I I ke baby pandas

or dogs weari ng clothes
and sh it.

Shoot. Stri ke.

Did I leave that open?

[Oasps]

Come on , Shawn .
You can do th is.

[Oasps] What was that?

[Th ud]

[Oasps]

[Pootsteps ru n n I ng]

[Door creaki ng , gasps]

[Screams]

It's real ! It's real ! It's real!

What do you want from me?!

[Panti ng]

[Loud th ud]

[Screams]

-Oh , my Ood!

Oh , my Ood.

Shawn ! I love you so m uch.

I can't bel ieve it's you!

I'm obsessed with watch I ng you.

I mean , watch I ng you r chan nel.

-How d id you fi nd me?
You're not su pposed to be here.

Oh , it's so good to see a h u man.

-Can I stay?
-Yes, please.

No!

Oh , please don't leave me.

Who are you?
-I'm Ch rissy.

You've probably seen , I I ke ,
a bazi I I ion com ments from me.

I'm Qu izCat94.

-Holy crap .
Can I j ust sit down for a second

and process al I of th is?

-Of cou rse.

Oh , I'm fi ne.

-How d id you even fig u re out
where th is place is?

-Oh , it wasn't hard .
I j ust pieced th I ngs together.

You accidentally gave it away
when you were said --

-Whoa , whoa , whoa .
Stop , stop.

I don't want any more
su rprise visitors ton ig ht.

So you d rove out
to the m idd Ie of nowhere

and then an hou r down
a sketchy d I rt road

I n the m idd Ie of the n ig ht
al I by you rself j ust to ...

-I j ust wanted
to say h I I n person.

Also , I can hel p
with the g host h u nti ng.

I'm real Iy good
at stuff I I ke that.

-Wel I , obviously I don't
need hel p g host h u nti ng.

I'm pretty good at d rawi ng them
out al I by myself apparently.

I'm I I ke a fricki n'
salt I ick for g hosts.

-Wait, are you Ieavi ng?
- U h-h u h.

I th I n k I'm j ust
goi ng to leave my cameras.

-Why? I thoug ht you
needed the money.

-You can't pay me enoug h
to stay here.

-Even with the record
amou nt of views.

-Serious?

Oh.

Holy crap!

-See , Shawn .
They want us to stay.

-Ch rissy, not tryi ng to be
an A-hole or anyth I ng ,

but they don't want us to stay,
they want me to stay.

The whole prem ise here is that
I'm alone I n a hau nted house.

Seriously?
You want her to stay? Okay.

AI I rig ht. I 'I I make a pol I .
Shou Id she stay?

You seriously want her to stay?

It's not goi ng to be as scary
with two people here.

-Shawn , are we stayi ng?

-The engagement is real Iy h ig h
with you here.

Oh , th is is so stu pid.

AI I rig ht,
let me th I n k about th is.

Okay. We'I I stay.

-Yes! [Laug hs] Yes!

-H ey, sponsors,
I j ust want to say,

I know th is is tech n ical Iy
outside of ou r ag reement,

but you saw that
I d id n't do th is.

She came on her own. Okay?

-H e's tel I I ng the truth .
I have never met h I m.

-Okay.

We've got a g host
to I nvestigate.

H ere. Take th is.

-It's Ch rissy.

-AI I rig ht.

AI I rig ht, let's h u rry
before I th I n k it th roug h.

I can't bel ieve I'm com I ng
out here agai n.

H ey, tu rn arou nd. Look that way.

Tu rn. Yeah , yeah , yeah .
Wal k backwards I I ke that.

I got eyes I n the back
of my head now.

-I th I n k we shou Id go
to the master bed room.

-No , I don't want
to go down there.

-That's where Corner Man I ives.
Isn't that who you saw?

-Okay, fi ne .
We'I I go to h is room.

[Th u nder ru m bl I ng]

-Do I sti I I need
to wal k backwards?

-Yes, but look u p
so we can actual Iy see.

-Okay.

-Better.

-H ey, Shawn.

I th I n k people wou Id real Iy
I I ke it

if you acted a I ittle more
excited about th is.

-Are you fan-splai n I ng
to me rig ht now?

I know what I'm doi ng.

There it is. That's h is room.

Some people Ieg it d ied I n there.

Ch rissy!

Seriously?

Ch rissy!

Ch rissy, what the hel I
are you doi ng?

-[Laug hs]
-I'm serious!

You scared me .
What are you doi ng?

-Sorry. Just h u nti ng for g hosts.

-Okay. Wel I , new ru Ie.

We're not goi ng
to spl it u p , ever. Okay?

Okay. Everyth I ng seems cal m
I n there rig ht now.

H ey, to go over there .
That's h is space.

You're d isrespecti ng it.

-[Screams]
-[Screams]

-[Panti ng] I heard someth I ng.

-I'm gon na ki I I her.

Before th is n ig ht is over,
I'm gon na ki I I Ch risty.

What is it?

I'm good at
checki ng out closets.

Th is sou nds I I ke m ice.

Whoa!

That goes way back there.

[Oasps] Stai rs!

-Let me see.

A secret room .
Let's go down there.

-That wou Id be so stu pid.

Why do you th I n k
they covered th is u p?

-Maybe they thoug ht --
-Sh h!

Oh , it smel Is I I ke
dead feet I n here.

Th is looks I I ke an old cel Iar.

-[Oasps] Shawn!

-Oh , wow.

What is that?

It's Iocked .
There's probably money I n here.

Do you th I n k some of th is
is M I Id red's stuff?

-I don't know.

What's that?

What is th is?

M I Id red Pratt? [Oasps]

Th is m ust be her jou rnal!

Are we about to u ncover
the secret of th is house?

"The d ianth us are bloom I ng .
The bi rds are cooi ng.

You r visage is
I n the su n I it canopies. "

Oh , never m I nd .
These are j ust poems.

-That's so cool .
Read another one.

-They don't even rhyme.

-What? Let me see.

-What is that?

What is that?!

That is a dead an I mal!

-[Screams]
-That is a dead ,

m u m m ified an I mal!

-No!

-A secret room
with M I Id red's stuff.

[Laug hs]

Do the wheel , please .
Yes. Yes. Let's do the wheel!

I'm actual Iy excited th is ti me .
Let's do it.

H ere , Ch rissy.
You can spi n it.

It's on the I I ne. Spi n agai n.

-No , Shawn .
It's not an accident.

Someth I ng wants us to do both.

-Spi rit board.

EVP reporter.

-Cand Ies?

-I don't have cand Ies.

I have these.

-To start, I 'I I need you
to read the poems out Ioud.

-No , they're bori ng.

-They're not bori ng .
-Ch rissy, th is is my show.

Put one of you r hands
on th is book.

Spi rits of th is house.

We want to tal k to
the ch I Id spi rits of th is house.

Not to slendery th I ng .
Please.

I'm now tu rn I ng the floor
over to Ch rissy.

You got th is.

-How are you ,
my spi ritual ch I Id ren?

-Listen.

Were any of you ki I led
by the spi rit named M I Id red?

-Shawn , I know a chant
that always works.

Repeat after me.

-[Speaki ng Lati n]

-No , I don't say wei rd th I ngs
I don't u nderstand.

-Okay, I don't know,
I I ke , the I iteral translation.

But basical Iy it's an offeri ng
of peace to those

who may not be at peace.

Li ke , maybe the spi rit
wasn't satisfied.

Li ke , maybe they wanted
more out of I ife.

-Okay. Pi ne.

-Okay. Repeat after me.

-[Speaki ng Lati n]
-[Repeati ng I n Lati n]

[Loud th ud]

-What was that?

The motion sensors m ust have
picked u p someth I ng

I n the bath room.

-Let's go check it out.
-No!

-You have to check out
the paranormal activity, Shawn.

You made u p the ru Ies.

-That's what we're
doi ng rig ht now.

We're checki ng out the g host
I n th is room.

If there's another g host
when we're checki ng out a g host,

it gets canceled out.

-"Ch rissy's braver than you. "
Stop it.

She's not braver than me.

She's j ust tryi ng to get out
of ou r board game

because she's obviously Iosi ng.

-"You r ru Ies, Shawn. "

Oh , g ive me
a freaki ng break, g uys.

I thoug ht you were Wrath ies.

[Wh isperi ng I nd isti nctly]

Okay, j ust g ive me a m I n ute
to th I n k about th is.

-Don't worry, Shawn.

I have a feel I ng that soon
you won't be afraid anymore.

-Than k you for that.

What if Ch rissy goes?

-Su re. I g uess.

But you said
we shou Id n't separate ever.

-But then I real ized we shou Id.

Ouys, g uys, whoa , whoa.

I'm not maki ng her
go check it out by herself.

She's a strong ,
I ndependent woman ,

and she's choosi ng
to go alone , rig ht?

It's actual Iy better th is way
because I can look at

the mon itors and let you know
if someth I ng's happen I ng.

[Eerie m usic playi ng]

[Oasps]

[M usic stops]

What was that?

Did that j ust move?

Oh , crap.

Ch rissy?

[Creaki ng , th ud]

Screw th is room.

[Th u nder ru m bl I ng]

Ch rissy?

Ch rissy?

Ch rissy!

Ch rissy!

Ch rissy?

-Ah !
-[Screams]

Stu pid. .. big I ittle I ies.

What the "P" is wrong with you?

-You are so j u m py.

-Because there are I iteral
actual g host th I ngs

happen I ng to me rig ht now,
and you're u p here

pissi ng arou nd I I ke you
don't care about any of it,

and you're tryi ng
to tu rn my fans agai nst me.

-Shawn , it's j ust a joke .
-No , it's not.

Where d id you even go?

-Just h id I ng.

-Where , Ch rissy?
You d isappear so fast.

How do you even know
where to h ide?

Have you been here before?

Did you get here before I d id?

-No , Shawn.

-Then how d id you get I n?
I Iocked the door.

-I went th roug h a wi ndow.
-Bu I Ish it!

You're not a h uge fan .
You're a crazy stal ker freak.

Th is whole th I ng has tu rned
I nto me baby sitti ng a freak.

Meanwh I Ie , I got 1 00olo Ieg it
demons or g hosts after me.

You are official Iy u n I nvited.

Now I'm goi ng to go back
I n the safe room by myself

and Ooog Ie how to exorcise
g host ch I Id ren.

-I don't th I n k
that's a good idea.

-Why not?

[Ru m bl I ng]

-[Laug hs]

-[Screams]

[Scream I ng]

[Th ud]

[Panti ng]

Oh , sh it.

Oh , sh it.

Oh , sh it.

Oh , sh it. I ki I led her.

I ki I led her.

I need the cops.
I need the cops.

H el p!

There's been an accident!
I ki I led someone!

Somebody cal I the cops!

I'm at the old Pratt house
about 20 m I Ies down

McOreedy Road.

I'm gon na d rive I nto town
and tu rn myself I n.

I'm so sorry!
It was an accident!

[Oasps]

Ch rissy?

Ch rissy?

Ch rissy?

I'm goi ng to leave a fi rst aid
kit rig ht here for you.

-[Oasps]
-[Th ud]

[Panti ng]

What the hel I was that?!

What is that?

It's her.

[Oasps]

[Wh I m peri ng]

It's her.

It's M I Id red.

Did you g uys see that?

"You have to leave. "
I can't leave!

She's blocki ng the stai rs.

I'm gon na d ie.

What video?

-Shawn , you know that th I ng
that was hang I ng I n the closet?

Wel I , I fig u red out what it was.
A sym bol is a hamsa.

It's hard to identify
because it's an ancient version.

But if you look at these shapes,
you can see.

These are the fi ngers,
and th is is the eyes.

-Th is kid's I I ke 12 years old .
-I don't know if you know

very m uch about hamsas,
but it's a sym boI

that is used to ward off evi I.

Everybody uses it --

the Jews, M usl I ms,
Ch ristians, Pagans.

There's a whole th I ng
on Wi ki ped ia about it,

but I'm pretty su re that
the people that made it were

tryi ng to keep the evi I spi rits
of the house at bay.

And my g uess is it was probably
worki ng u nti I you destroyed it.

-What?
-I'm sorry, Shawn ,

but I j ust wanted to say
I'm a big fan ,

and I th I n k you're real Iy fu n ny,
and the world

shou Id j ust forg ive you
because you're a good person

and everybody's
too sensitive these days.

-I u n Ieased her.

I u n Ieashed M I Id red.

Somebody hel p me!

"Push past her... "

I can't! I can't!

Come on , Shawn.

" If she had the power to attack
you , she wou Id have done it. "

Okay, okay.

I'm gon na go try to
sq ueeze past her.

[Breath I ng heavi Iy]

[Door creaki ng]

-[Roars]
-[Screams]

[Oagg I ng]

-[Wh isperi ng I nd isti nctly]

-[Screams]

[Oru nti ng]

-[Roars]

-[Breath I ng heavi Iy]

[Screams]

Yes. Yes

That's not my key.

[Th ud]

[Panti ng]

Oh , sh it, oh , sh it.

[Oru nti ng]

Ah ! [Oroans]

Where are the cops?
I need hel p. I can't get out.

"Maybe you're su pposed to
use the key to open the box. "

How's that su pposed to hel p?

It fits.

[Oasps] Ch rissy is M I Id red!

[Oasps]

I can't j ust j u m p out a wi ndow.

Th is is crazy. No way
am I goi ng back u pstai rs.

[Scrapi ng]

[Oaspi ng]

-[Ch I Id sobbi ng]

-[Screams]

-[Orowl I ng]

-They're not goi ng to let me
out of th is house!

I can't leave. I've j ust gon na
wait for the cops.

What do you mean she owns me?

-Shawn , I'm a Lati n professor
at Brown U n iversity.

I've translated the Lati n that
you spoke early I n the n ig ht

when you tried
to tal k to the dead.

Shawn , that woman I ied to you.

-What?
-Th is is the actual translation

of what you said.

I g ive thee my sou I
and forfeit my wi I I.

-Oh , no .
-I'm sorry, Shawn.

-Can I tel I h I m?

Shawn , we have a theory about
what's been happen I ng

at the house.

We th I n k that every g host that
I ives there used to be al ive ,

I I ke you but M I Id red total Iy
messes with people's m I nds

and tries to make them
depressed and psycho

and not themselves u nti I
eventual Iy she gets them

to say the chant that
you said you said.

So , Shawn , now that you said
the words, I'm afraid that

you m ig ht feel I I ke
ki I I I ng you rself.

-That's enoug h .
-Don't d ie , Shawn.

-Oh , no.

I'm not goi ng to ki I I myself!

Karma for what I d id?

I d id n't do anyth I ng wrong.

I apolog ized because I had to.

I lost everyth I ng .
My parents got death th reats.

I was acq u itted , by the way.
No one ever mentions that.

I never said I was a role model!

I'm sick of apolog izi ng
for bei ng myself!

I reg ret apolog izi ng , and that's
the on Iy th I ng I reg ret!

I d id n't know he was sick!

H e sig ned a waiver!

I'm not racist!
-Shawn.

What was that?

-Ou I Ity!

-[Screams]

[Panti ng]

[Screams]

[Coug hs]

Ouch.

[Th u nder ru m bles]

[Oasps]

Ah ! Ow, my Ieg!

Oh , I can't look.

I can't look. [Oroans]

Okay. I 'I I look.

[Screams]

I shou Id n't have looked!

Where are the cops?!

Clean it?

Okay.

[Oasps, screams]

-[Orowl I ng]
-[Oasps]

Oh , no.

[Oroans]

[Panti ng]

Spark pl ugs.

[Screech I ng]

[Th u nder ru m bl I ng]

Spark pl ugs.

Yes!

Oh. Yes, yes. Yes.

[Snarl I ng]

-Ah !
-[Roari ng]

-[Screams]

[Scream I ng]

[Oru nts]

-Are you Shawn Ruddy?

-Yes.

Oh , you're my
freaki n' hero , man!

-Okay, son .
-You're never gon na hear me

say another bad th I ng
about the pol ice , I swear.

-Okay. I'm j ust happy to hel p.

-[Orowl I ng]

-We have to get
out of here fast.

Where's you r car?
I don't see you r car, man.

-I've been watch I ng ton ig ht.
It's some real Iy g reat stuff.

-What?

-But I real Iy don't I I ke it
when you h u rt people , Shawn.

-No , no , no.

-You real Iy shou Id n't
h u rt people , Shawn.

-Is that what th is is about?

I wou Id never h u rt anyone
on pu rpose!

Except for you , mother frogger!

Bitch!

Stri ke. Ah!

[Panti ng]

[Screams]

I can't see.

Yes.

[Beepi ng]

-[Oru nti ng]
-[Oasps]

Oh , no ! Ah!

Ah!

H el p me !
They're com I ng to get me!

I can't go back out there .
You saw what was I n the woods.

Hamsa Iady? Who's hamsa Iady?

-Orand ma were tal ki ng to that
g uy I told you about.

H e's I n the house rig ht now.
Tel I h I m who you are.

-My name is H edy.

When I was 15 years old ,

I I ived I n the Pratt house
as a nan ny.

-No way! She I ived here?

-There's a vengefu I spi rit
I n the house named M I Id red.

She came after me ,
but I created a ward

to keep her powers at bay.

It's I n u pstai rs closet.

-H e destroyed the hamsa ,
Orand ma.

-Aw, sh it.
H e's goi ng to d ie.

-[Oasps]
Can you tel I h I m how to make

a new hamsa?
-Yes!

Tel I me how to put it back.

[Screams]

Oh , crap ! Ah ! H u rry.

-She sold her sou I to the devi I.

That's why
she has so m uch power.

-Tal k faster.

-[Past forwarded] And that's
why you r hamsa

m ust be eq ual Iy powerfu I.

-Ah ! H e's com I ng ! Ah!

-Let th is be
an I m portant Iesson.

The devi I always betrays you.

-Come on .
Just tel I me how to do it!

-Pi rst, you m ust remem ber that
al I worthwh I Ie cou nter vig I Is

req u I re a sacrifice of flesh.

-[Crash I ng]
-Aaaah!

[Panti ng]

Oh , Ood .
I need a weapon.

Potato g u n.

Potatoes.

Come on!

Come on.

[Screams]

-[Speaki ng I nd isti nctly]

-Aaah!

Yes.

[Oru nti ng]

[Wh I m peri ng]

[OIass shatter, g rowl I ng]

[Screams]

[Orowl I ng]

[Orowl I ng]

[Scream I ng]

Shawn ! Shawn ! Shawn!

[Potato g u n th uds]

No , no , no , no , no!

Ah ! Ah ! No ! Ah!

[Oroans]

No ! Ah ! No , no!

Aaah ! Aah!

[Panti ng]

[Laug h I ng]

Did you see that, I nternet?
[Laug hs]

No , no , no , no , no , no , no , no.

No!

[Oasps]

Somebody hel p ! I'm dyi ng!

I don't even know if
I'm sti I I stream I ng.

Th is is not the way
I I mag I ned goi ng out!

I was su pposed to repai r
my I mage.

I don't want to be remem bered as
a douchebag.

Preaki ng M I Id red !
She's such a C.

Maybe th is is karma .
Is Ood sm iti ng me?

I'm sorry. Okay?

I'm sorry.

No one can even hear me.

N eed to leave a note.

" U n holy hand of power"?

" I nfl uence others
with the power of you r word. "

Th is looks I I ke
some ki nd of ritual.

Th is m ust be what she d id
to sel I her sou I.

Who knew th is was
actual Iy a th I ng?

Maybe there's someth I ng else.

"Noth I ng changes.
I am sti I I , sti I I , sti I I.

I am I I ke the pond water.
The pond water is sti I I !"

Pond water! That's what
the g hosts keep repeati ng.

She's forci ng them
to memorize her poetry.

What a freaki ng wei rdo.

She's I I ke me .
She wants an aud ience.

She kept tryi ng to get me
to read her poems.

[Oasps] And her fiancö
was a pu bl isher.

She's not creati ng a fam I Iy.

She's bu I Id I ng a fol Iowi ng.

And I bet the more sou Is
she col Iects,

the more powerfu I she becomes.

And what can h u rt someone
I I ke me?

Copy stri ke , a copy stri ke!

Remem ber when I d id
that sewer su rfi ng video ,

and I started si ng I ng
"Su rfi n U SA"?

Wel I , the Beach Boys
record Iabel put a copy stri ke

on it and clai med al I my money
for that video.

What if I put a copy stri ke
on M I Id red? Porget the hamsa.

If I can do th is same
u n holy hand ritual that she d id ,

I can clai m her reven ue ,
her power sou rce.

Are you fol Iowi ng?
I can get my sou I back! [Laug hs]

Th is looks I I ke Lati n.

I nternet, please translate
these words for me.

I'm goi ng to need these words
by the ti me I get to my Iaptop.

[Eerie m usic playi ng]

Let's de-monetize th is bitch.

♪♪

[Oru nts]

[Screams]

[Screams, g ru nts]

[Tape teari ng]

H ey, M I Id red!

Bel ieve me when
I say I u nderstand

why you do what you do.

But I n the words of my manager,

you've taken th I ngs too far.

Way too far.

[Panti ng]

[Laug hs]

I'm sti I I stream I ng!

Can you g uys hear me?

You translated the words.
Than k you.

[Wh isperi ng] Death becomes
u n holy with the power of my...

[Screech I ng]
-[Oasps]

Oh , crap.

Than k you so m uch , I nternet.

Wrath ies, I don't have
a lot of ti me ,

but I th I n k it's probably
pretty obvious

to everyone that I'm not goi ng
to make it out of here al ive.

And I j ust wanted to than k you
for hel pi ng me

and su pporti ng me.

The truth is I th I n k
I've known for a wh I Ie

that I've been crossi ng a I I ne.

I wish I cou Id go back and
change some stuff, but I can't.

And so I wanted to apolog ize ,
but for realsies th is ti me.

I'm sorry to everyone
I've h u rt with my stu nts.

It was wrong of me
to pay a homeless man

to fig ht me for a video.

H e seemed so m uch bigger than
me , and I d id n't th I n k

I cou Id actual Iy h u rt h I m.

But I apolog ize for h u rti ng h I m.

But what I d id n't
apolog ize for

was for th I n ki ng of
it I n the fi rst place.

And also , I want to apolog ize
to the m I norities.

A lot of you thoug ht
that I was maki ng I ig ht

of a serious situation

when I got sm ugg led
across the border.

That wasn't fu n ny.

I mean , it was,
but for the wrong reasons.

And I'm sorry.

I have been racial Iy
and cu Itu ral Iy I nsensitive.

But I've learned ,
and I've g rown.

I n fact, I 'd I I ke to ded icate
th is broadcast

to the BIacks and Mexicans.

Th is is for you.

[M usic playi ng]

Th is is Shawn Ruddy prom isi ng
you the most

ci nematic experience
I n I ive stream I ng.

M I Id red ! I'm waiti ng!

My sou I is waiti ng!

Pi ne.

[M usic stops]

[CIears th roat]

"Echo my heart. Echo my sou I .
Bri ng my voice --"

[Th u nder ru m bl I ng]

"BIackbi rds roam ,
thei r voices moan. "

I mean , some of these
are pretty good.

Not.

[H issi ng]

[Door creaks]

[Wh I m peri ng]

-[Screams]

H ey, I ittle g uy.

I'm not gon na h u rt you.

I th I n k we can both ag ree
that mom my's

a I ittle bit n uts, rig ht?

I was th I n ki ng
maybe we cou Id joi n f--

[Screams]

Ah!

[Th udd I ng]

-Shawn!

-[Oru nts]

You're goi ng to face me you rself
or j ust send you r ch I Id army

after me I I ke
a fricki n' PewDiePie?

-Shawny. Come get me.

-You come get me!

-You come get me.
-Opposite!

I 'I I fi nd you I n
the hal Iway cam.

[Oasps] What the hel I is that?

Ah!

Corner Man , I saw you!

[Snarl I ng]

Ah ! [Laug hs]

I got you , you Iazy --

Okay. Wait, wait, wait.
Wait, no!

[Screams]

Oarl ic!

Oarl ic is bu I Ish it!

-[M u m bl I ng I nd isti nctly]

[Pou nd I ng]
-Ah!

-Shawn?

[Knocki ng I ig htly]

Shawn , I'm scared.

H el p me , please .
You h u rt me real bad.

-That's not gon na work, M I Id red.

[Door hand Ie rattl I ng]

-[Oasps]

Oh , sh it.

M I Id red!

Maybe I can hel p .
I have the I nternet.

There's a lot of n ice people on
the I nternet that I I ke to hel p.

No , no , no , no , no.

No.

[Tappi ng]

Come on. Tu rn on.

Tu rn on!

-Shawn.

I want you to meet someone.

[I nd isti nct wh isperi ng]

-[Oasps] What?!

H el p!

Th is feels so good.

[Laug hs]

[Bu bbl I ng]

Hey.

No way.

-[Laug h I ng]
-M m.

M m-h m m .
-[Laug h I ng]

No ! M I Id red!

The pond water is sti I I.

[I nd isti nct wh isperi ng]

M I Id red , no ! No !
-[Laug hs]

-[Ou rg I I ng]

[Ou rg I I ng]

No , M I Id red!

I am the I nfl uencer!

Ah!

[Laug hs]

[Oasps]

-[Orowls]

-[Screams]

-[Snarl I ng]
-Aaaah!

[Oru nts]

[Scream I ng]

[Laug hs]

Oarl ic may not work on g hosts.

But if there's one th I ng
the movies have taug ht me ,

it's that holy water wi I I f--

[Water slosh I ng]

I'm gon na ki I I her.

Agai n.

[Oasps]

[Panti ng]

Watch you r hands! Ootcha!

-[M I Id red Iaug h I ng]

-[Screams]

[Oru nti ng]

[Scream I ng]

No !
-Smash that I I ke button , Shawn!

-[Screams]

-[Laug h I ng]

Aaah!

[Scream I ng]

[Wh I m peri ng]

[Sobs]

[Beepi ng]

[Oasps]

[Th u nder ru m bl I ng]

-[M I Id red g roans]

[Eerie m usic plays]

[Ch uckles]

Okay.

-Su rprise , bitch!

[Th ud]

[Tape teari ng]

Oood bye , M I Id red.

I hope you enjoy hel I.

Death becomes u n holy with
the power of my u n holy hand.

I use the power of my wi I I ,

my words,
my passion , my am bition ,

and my authority
to take the sou Is

of th is house
and bi nd them to me!

-[Laug hs]

Wait, wait. No , no , no .
Wait, wait, wait.

[Th uds]

Why? ! No!

[Screams]

No!

[Screams]

[Scream I ng]

[BIows land I ng]

[Oagg I ng]

[Screams]

No!

[Oru nts]

-[Roars]
-[Screams]

-[Orowls]

-[Screams]

-Bad Shawny.

-[Screams]

-[Laug h I ng]

[Shouti ng I nd isti nctly]

[Th udd I ng]

-[Screeches]

-I don't u nderstand
what happened.

I said the words.

-I'm com I ng to get --

-Ow.

What does she want?

It's over.

-Su bscri be.

-Oood bye , I nternet.

I'm sorry I let you down.

-[Oroans]

-That's that nasty fi nger.

What is it with M I Id red
and fi ngers?

[M I Id red g roan I ng]

-A sacrifice of flesh.

That old Iady said that
the cu It rituals

req u I re a sacrifice of flesh.

[M I Id red g roan I ng]

That's M I Id red's fi nger.

H ey, M I I I ie!

I'm about to put a ri pple
I n you r pond water.

Death becomes u n holy with
the power of my u n holy hand.

I use the power of my wi I I ,
my words, my passion ,

my am bition , and my authority!

To take the sou Is
of th is house ...

[Cru nch I ng]
-[Screams]

And bi nd them ...

[Oru nts]

...to me!

[Screams]

[Scream I ng]

[Scream I ng]

[Laug h I ng]

[Belches]

[Wh I m peri ng]

[CIang I ng]

[Sig hs]

[Laug h I ng]

I d id it! [Oroans]

Oh.

[Tape teari ng]

[Tri u m phant m usic plays]

I d id it.

No , we d id it!

We beat th is house !
[Laug hs]

I j ust want to take a m I n ute
and than k al I of my fans.

I'm getti ng a I ittle emosh.

We beat th is house , you g uys!
[Laug hs]

Suck on that, HuffiPgtoP Post!

[Laug hs] Ow!

Oh , my Ieg is defi n itely broken.

[Laug hs]

I told you!

No one offers you a more ci nematic
experience I n I ive stream I ng.

I , Shawn Ruddy, am once agai n

the n u m ber one
I ive streamer I n --

-[I nd isti nct m utteri ng]
-[Oasps]

[Orowl I ng]

-[Screams]

[Orowl I ng]

-[Screams]

No!

-[Orowls]

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪