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1
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♪ WELL, I'M NOT THE
KIND TO KISS AND TELL ♪
2
00:00:05,422 --> 00:00:07,155
♪ BUT I'VE BEEN
SEEN WITH FARRAH ♪
3
00:00:07,241 --> 00:00:09,792
♪ I'VE NEVER BEEN
WITH ANYTHING LESS ♪
4
00:00:09,860 --> 00:00:11,543
♪ THAN A NINE SO FINE ♪
5
00:00:11,611 --> 00:00:14,395
♪ I'VE BEEN ON FIRE
WITH SALLY FIELD ♪
6
00:00:14,465 --> 00:00:17,699
♪ GONE FAST WITH
A GIRL NAMED BO ♪
7
00:00:17,768 --> 00:00:22,654
♪ BUT SOMEHOW THEY
JUST DON'T END UP AS MINE ♪
8
00:00:22,722 --> 00:00:25,691
♪ IT'S A DEATH-DEFYIN'
LIFE I LEAD ♪
9
00:00:25,759 --> 00:00:27,909
♪ I TAKE MY CHANCES ♪
10
00:00:27,978 --> 00:00:32,046
♪ I DIE FOR A LIVIN' IN
THE MOVIES AND TV ♪
11
00:00:33,833 --> 00:00:36,167
♪ BUT THE HARDEST
THING I EVER DO ♪
12
00:00:36,236 --> 00:00:38,770
♪ IS WATCH MY LEADING LADIES ♪
13
00:00:38,839 --> 00:00:43,375
♪ KISS SOME OTHER GUY
WHILE I'M BANDAGIN' MY KNEE ♪
14
00:00:43,444 --> 00:00:46,261
♪ I MIGHT FALL FROM
A TALL BUILDIN' ♪
15
00:00:46,330 --> 00:00:49,498
♪ I MIGHT ROLL A BRAND-NEW CAR ♪
16
00:00:49,567 --> 00:00:51,834
♪ 'CAUSE I'M THE
UNKNOWN STUNTMAN ♪
17
00:00:51,902 --> 00:00:55,870
♪ THAT MADE
REDFORD SUCH A STAR ♪
18
00:00:55,939 --> 00:00:59,975
♪♪
19
00:01:02,012 --> 00:01:05,280
♪ I'VE NEVER SPENT
MUCH TIME IN SCHOOL ♪
20
00:01:05,349 --> 00:01:07,582
♪ BUT I'VE TAUGHT
LADIES PLENTY ♪
21
00:01:07,651 --> 00:01:11,119
♪ IT'S TRUE I HIRE MY
BODY OUT FOR PAY ♪
22
00:01:11,188 --> 00:01:13,288
♪ HEY, HEY ♪
23
00:01:13,357 --> 00:01:15,257
♪ I'VE GOTTEN BURNED
OVER CHERYL TIEGS ♪
24
00:01:15,325 --> 00:01:17,559
♪ BLOWN UP FOR RAQUEL WELCH ♪
25
00:01:17,627 --> 00:01:21,897
♪ BUT WHEN I WIND UP IN
THE HAY, IT'S ONLY HAY ♪
26
00:01:21,966 --> 00:01:24,132
♪ HEY, HEY ♪
27
00:01:24,201 --> 00:01:26,601
♪ I MIGHT JUMP AN
OPEN DRAWBRIDGE ♪
28
00:01:26,670 --> 00:01:28,654
♪ OR TARZAN FROM A VINE ♪
29
00:01:28,722 --> 00:01:31,490
♪ 'CAUSE I'M THE
UNKNOWN STUNTMAN ♪
30
00:01:31,559 --> 00:01:34,843
♪ THAT MAKES EASTWOOD
LOOK SO FINE ♪♪
31
00:01:50,193 --> 00:01:53,461
THIS IS THE STORY OF ONE OF
AMERICA'S GREAT UNSUNG HEROES.
32
00:01:53,530 --> 00:01:57,231
I MEAN, YOU'VE SEEN HIM, BUT
YOU NEVER KNEW WHO HE WAS.
33
00:01:57,300 --> 00:01:59,584
YOU'VE CHEERED FOR
HIM AND CRIED FOR HIM,
34
00:01:59,653 --> 00:02:02,821
WOMEN HAVE WANTED
TO DIE FOR HIM.
35
00:02:02,889 --> 00:02:07,108
BUT DID HE EVER GET ANY
CREDIT? OR THE GIRL? NO.
36
00:02:07,177 --> 00:02:09,194
HE WAS WHAT WE CALL A STUNTMAN.
37
00:02:09,263 --> 00:02:11,947
AND THE REASON I'M TALKIN'
SO FONDLY ABOUT HIM IS...
38
00:02:12,016 --> 00:02:14,132
WELL, BECAUSE IT'S
ME, COLT SEAVERS.
39
00:02:14,200 --> 00:02:17,686
ANYWAY, PICTURE WORK ISN'T
WALL-TO-WALL EMPLOYMENT.
40
00:02:17,754 --> 00:02:21,423
SO MAYBE YOU WONDER HOW A
GUY KEEPS HIS HEAD TOGETHER.
41
00:02:21,491 --> 00:02:24,009
WELL, ONE WAY IS TO
WAIT BY THE PHONE...
42
00:02:24,078 --> 00:02:26,711
AND WAIT... AND WAIT.
43
00:02:26,780 --> 00:02:29,497
THE OTHER IS TO TAKE AN OCCASIONAL
JOB FOR THE COURT SYSTEM...
44
00:02:29,566 --> 00:02:31,666
OF THE UNITED STATES OF AMERICA,
45
00:02:31,735 --> 00:02:34,669
WHERE A MAN IS CONSIDERED
INNOCENT UNTIL PROVEN GUILTY.
46
00:02:34,738 --> 00:02:38,005
UNFORTUNATELY, SOMETIMES
A LOT OF THESE PEOPLE...
47
00:02:38,074 --> 00:02:41,293
GET OUT OF JAIL ON
WHAT WE CALL BAIL.
48
00:02:41,361 --> 00:02:43,995
AND THEY RUN LIKE HELL.
49
00:02:44,064 --> 00:02:48,383
THAT'S WHERE I COME IN. I SOMETIMES
PICK UP RENT MONEY TRYIN' TO FIND THEM...
50
00:02:48,452 --> 00:02:50,301
AND BRING THEM BACK TO JUSTICE.
51
00:02:50,370 --> 00:02:53,238
AND THAT REMINDS ME OF
A VERY INTERESTING CASE...
52
00:02:53,307 --> 00:02:57,075
WHERE SOME SKYDIVING
SKILLS CAME IN REAL HANDY.
53
00:03:03,567 --> 00:03:06,834
YEAH, THAT LOOKS GOOD.
HOLD HER NICE AND STEADY.
54
00:03:06,903 --> 00:03:09,705
WITH ALL DUE RESPECT TO
ROBERT WAGNER, COLT, PLEASE...
55
00:03:09,773 --> 00:03:12,574
ARE YOU SURE YOU WANNA
GO THROUGH WITH THIS?
56
00:03:12,643 --> 00:03:15,710
WELL, IT'S ONLY THE
FIRST STEP THAT'S TRICKY.
57
00:03:15,779 --> 00:03:19,231
I'LL BE SEEING YOU, I HOPE.
58
00:03:27,807 --> 00:03:29,658
HAVE YOU GOT HIM LINED UP?
59
00:03:29,726 --> 00:03:32,088
RELAX. JODY. I'VE BEEN FLYING
SINCE I WAS IN HIGH SCHOOL.
60
00:03:32,112 --> 00:03:34,491
HOW DO YOU THINK I GOT
INTO THE AIR FORCE ACADEMY?
61
00:03:34,515 --> 00:03:36,999
WHAT'S SUPPOSED TO HAPPEN?
I GOTTA GET BACK TO THE SET.
62
00:03:37,067 --> 00:03:39,479
YOU HAVEN'T SEEN
WHAT I'M GONNA SHOW YA.
63
00:03:39,503 --> 00:03:41,317
IT'S EXACTLY THE KIND
OF STUNT YOU NEED ON
64
00:03:41,341 --> 00:03:43,355
HART TO HART. EVERYONE'LL
BE TALKIN' ABOUT IT.
65
00:03:43,423 --> 00:03:47,292
COLT, I'D PREFER THAT THEY'D COME
AWAY TALKING ABOUT ME, NOT YOU.
66
00:03:47,361 --> 00:03:49,744
THAT'S THE WHOLE POINT.
THEY'LL THINK IT IS YOU.
67
00:03:49,813 --> 00:03:52,113
- THERE HE IS.
- WHERE?
68
00:03:52,182 --> 00:03:54,783
RIGHT THERE.
69
00:03:58,088 --> 00:04:00,588
YOU MADE ME TAKE FOUR
HOURS IN THE MIDDLE OF MY DAY...
70
00:04:00,657 --> 00:04:03,191
TO COME OUT HERE AND
WATCH COLT DO A SKYDIVE?
71
00:04:03,260 --> 00:04:05,259
THAT'S THE OLDEST
STUNT IN THE WORLD.
72
00:04:05,328 --> 00:04:08,095
HE ISN'T WEARING
A PARACHUTE, R.J.
73
00:04:08,164 --> 00:04:10,465
HE'S NOT WEARING A PARACHUTE?
74
00:04:11,835 --> 00:04:13,968
WHAT IS HE, SOME KIND
OF A BANANA OR SOME...
75
00:04:14,037 --> 00:04:17,939
HE MUST BE CRAZY. YOU'RE
RIGHT. HE'S NOT WEARING A CHUTE.
76
00:04:18,008 --> 00:04:21,309
R.J., THE ENDING OF YOUR NEXT
HART TO HART CALLS FOR YOU...
77
00:04:21,378 --> 00:04:24,579
TO BE FORCED OUT OF THE
AIRPLANE WITH A FAULTY PARACHUTE.
78
00:04:24,647 --> 00:04:26,665
THOUGHT I'D SHOW YOU
A BETTER WAY TO GO.
79
00:04:26,734 --> 00:04:29,101
WHAT BETTER WAY?
80
00:04:29,169 --> 00:04:33,922
YOU'RE GONNA SAVE YOURSELF BY
FREE-FALLING TO ANOTHER AIRPLANE.
81
00:04:33,991 --> 00:04:38,060
- COLT, HAVE YOU BEEN DRINKING?
- INCREASE YOUR SPEED
30 KNOTS, HOWIE.
82
00:04:38,128 --> 00:04:41,112
YOU SLOW DOWN ON ME, I COULD
WIND UP IN YOUR PROPELLER.
83
00:04:41,181 --> 00:04:44,567
YOU KNOW, THAT MAN IS OBVIOUSLY
A CARD-CARRYING LUNATIC.
84
00:04:44,591 --> 00:04:45,767
- YOU'RE COUNTING.
85
00:04:45,836 --> 00:04:50,138
FIVE, FOUR, THREE...
86
00:04:50,207 --> 00:04:53,257
BETTER SPEED HER UP A LITTLE,
HOWIE. I'M COMIN' IN TOO FAST.
87
00:04:53,326 --> 00:04:56,277
SPEED IT UP. SPEED IT UP.
88
00:04:56,346 --> 00:04:58,413
LOOK OUT! HE'S GONNA HIT!
89
00:04:59,582 --> 00:05:02,668
MY GOD! HE BOUNCED RIGHT OFF US!
90
00:05:02,736 --> 00:05:06,604
HE'S GOING IN! COLT! COLT!
91
00:05:06,673 --> 00:05:09,357
EVERYONE HANG ON.
92
00:05:17,017 --> 00:05:19,468
OH, GOD, COLT.
93
00:05:19,536 --> 00:05:21,881
KNOCK IT OFF, JODY. THAT'S NOT
HOW WE PLANNED THE BACKUP.
94
00:05:21,905 --> 00:05:24,639
BACKUP? HOWIE, HE'S UNCONSCIOUS.
95
00:05:24,707 --> 00:05:27,003
COLT TOLD US WHAT TO DO
IF SOMETHING WENT WRONG.
96
00:05:27,027 --> 00:05:30,562
YEAH, BUT HE'S PROBABLY DEAD.
PAY ATTENTION. YOU HAVE WORK TO DO.
97
00:05:30,630 --> 00:05:33,180
LISTEN TO HIM, JODY. IT'S
THE ONLY CHANCE COLT HAS.
98
00:05:37,754 --> 00:05:39,904
GET READY TO JUMP. OH, GOD.
99
00:05:43,376 --> 00:05:46,628
TEN, NINE, EIGHT...
100
00:05:49,783 --> 00:05:51,650
AND GO!
101
00:06:14,591 --> 00:06:16,891
COME ON. YOU CAN DO IT, JODY.
102
00:06:30,573 --> 00:06:33,024
COLT! COLT!
103
00:06:33,092 --> 00:06:36,360
CAN YOU HEAR ME? PLEASE HEAR ME.
104
00:06:36,429 --> 00:06:39,281
PLEASE SAY SOMETHING.
105
00:06:41,317 --> 00:06:43,401
PERFECT, JODY. PERFECT.
106
00:06:43,470 --> 00:06:47,906
YOU WERE CONSCIOUS
THE WHOLE TIME!
107
00:06:47,974 --> 00:06:51,876
AND YOU'RE WEARING A CHUTE!
WE HAD TO TEST THE BACKUP.
108
00:06:51,945 --> 00:06:54,145
AND YOU WERE IN ON IT TOO, R.J.
109
00:06:54,214 --> 00:06:57,932
DO YOU THINK I'D GO ALONG WITH IT IF I
DIDN'T THINK COLT KNEW WHAT HE WAS DOING?
110
00:06:58,001 --> 00:07:01,419
- I MEAN, I WOULDN'T DO THAT.
- YOU DIRTY, ROTTEN...
111
00:07:01,488 --> 00:07:03,387
HEY!
112
00:07:06,459 --> 00:07:08,493
STUPID MALES.
113
00:07:12,282 --> 00:07:14,966
I CAME AS SOON AS I
HEARD. ARE YOU ALL RIGHT?
114
00:07:15,034 --> 00:07:17,964
JACK, REALLY, YOU
SHOULDN'T HAVE.
115
00:07:17,988 --> 00:07:20,572
YOU KNOW HOW MUCH
I CARE ABOUT YOU.
116
00:07:20,640 --> 00:07:22,685
WELL, YOU SURE HIDE IT WELL.
117
00:07:22,709 --> 00:07:25,510
I'M EVEN HEARTBROKEN YOU'LL HAVE
TO LAY OFF STUNTS FOR EIGHT WEEKS.
118
00:07:25,579 --> 00:07:27,411
SAID WHO? THE DOCTOR.
119
00:07:27,481 --> 00:07:30,247
IT'LL BE TORTURE FOR YOU TO STAY
ON THE SIDELINES THAT LONG, BUT...
120
00:07:30,316 --> 00:07:32,316
BUT NOTHING. WHAT
DO DOCTORS KNOW?
121
00:07:32,385 --> 00:07:34,497
I'LL BE READY TO GO
BACK TO WORK IN A WEEK.
122
00:07:34,521 --> 00:07:38,306
BUT STILL, A WEEK IS A LONG TIME FOR A
MAN LIKE YOU TO LAY AROUND THE HOUSE.
123
00:07:38,375 --> 00:07:42,577
DR. PARKER, EMERGENCY ROOM.
DR. PARKER, EMERGENCY ROOM.
124
00:07:42,645 --> 00:07:47,448
- WHAT ARE YOU GETTING AT?
- WELL, I'M WILLING
TO DO YOU A FAVOR,
125
00:07:47,517 --> 00:07:51,786
AND GIVE YOU A VERY EASY CASE TO
KEEP YOUR MIND OFF YOUR INJURIES.
126
00:07:51,854 --> 00:07:53,917
OH, NO. FORGET IT, JACK.
127
00:07:53,941 --> 00:07:56,052
LOOK, I'M A STUNTMAN
FIRST, NOT A BOUNTY HUNTER.
128
00:07:56,076 --> 00:07:59,777
I SWEAR, COLT, THIS ONE'S A SNAP.
LOOK AT THIS HARMLESS LITTLE PUSSYCAT.
129
00:07:59,846 --> 00:08:02,864
HIS NAME IS MILTON BOX.
HE'S A COMPUTER EXPERT.
130
00:08:02,933 --> 00:08:07,768
HE MADE A LITTLE MISTAKE, AND HE RIPPED
OFF A BANK FOR FIVE MILLION DOLLARS.
131
00:08:07,837 --> 00:08:10,438
HE GOT CAUGHT
AND I BAILED HIM OUT.
132
00:08:10,506 --> 00:08:13,352
AND THEN HE MADE ANOTHER
LITTLE MISTAKE AND JUMPED BAIL.
133
00:08:13,376 --> 00:08:17,111
LOOK, DO YOU WANT TO EARN
AN EASY 10 GRAND OR NOT?
134
00:08:17,180 --> 00:08:20,281
YEAH, ABOUT AS EASY AS CATCHING
THAT SCHOOLTEACHER FROM PASADENA...
135
00:08:20,350 --> 00:08:22,817
THAT STOLE HER MOTHER'S CAT.
136
00:08:22,885 --> 00:08:25,932
DON'T BLAME ME FOR THAT. I
HAD NO IDEA IT WAS A CERAMIC CAT.
137
00:08:25,956 --> 00:08:28,022
YEAH, OR THAT IT WAS
FILLED WITH HEROIN.
138
00:08:28,091 --> 00:08:30,125
BUT YOU KNEW THE
SCHOOLTEACHER WAS A HOOKER.
139
00:08:30,193 --> 00:08:34,512
WELL, ONLY IN HER SPARE TIME. BUT I
HAD NO IDEA HER MOTHER WAS A MADAM.
140
00:08:34,580 --> 00:08:36,335
ALL I KNOW IS I GOT
CAUGHT UP IN A CROSS
141
00:08:36,359 --> 00:08:38,316
FIRE THAT WOULD HAVE
MADE CUSTER FEEL LUCKY.
142
00:08:38,385 --> 00:08:40,685
BUT THIS ONE WILL BE DIFFERENT.
143
00:08:40,754 --> 00:08:44,255
LOOK AT THIS MAN. CAN YOU
TELL ME YOU'RE SCARED OF HIM?
144
00:08:44,324 --> 00:08:47,676
COME ON, WHAT'S THE CATCH? WHAT DID
HE DO, MURDER HIS MOTHER OR SOMETHING?
145
00:08:47,744 --> 00:08:51,145
HE LOVES HIS MOTHER... AND
HE'S DEVOTED TO HIS WIFE.
146
00:08:51,214 --> 00:08:53,259
BUT HOW DID THE
POLICE LET HIM GET AWAY?
147
00:08:53,283 --> 00:08:56,884
ALL THEY HAD TO DO WAS LET HIM OUT
OF JAIL AND FOLLOW HIM TO THE MONEY.
148
00:08:56,953 --> 00:08:59,103
THEY TRIED THAT.
YEAH? AND THEN WHAT?
149
00:08:59,172 --> 00:09:02,173
HE GAVE THEM THE SLIP. UH-HUH.
150
00:09:02,242 --> 00:09:04,308
COLT.
151
00:09:10,784 --> 00:09:12,884
GOD BLESS YOU.
152
00:09:12,953 --> 00:09:14,935
THANK YOU.
153
00:09:15,004 --> 00:09:20,074
THE ONLY LEAD SO FAR IS THAT
MILTON'S WIFE IS MISSING TOO.
154
00:09:20,143 --> 00:09:23,294
WOW. RHONDA STARR IS HOT STUFF.
155
00:09:23,363 --> 00:09:25,696
WHAT DOES SHE SEE IN MILTON?
156
00:09:25,765 --> 00:09:28,032
RIGHT NOW, FIVE MILLION BUCKS.
157
00:09:28,101 --> 00:09:31,303
THAT COULD HELP CHANGE
A GUY'S IMAGE. YEAH.
158
00:09:31,355 --> 00:09:34,255
WELL, RHONDA'S A MOVIE EXTRA.
159
00:09:34,324 --> 00:09:36,924
THE POLICE QUESTIONED A
FRIEND OF HERS, ROSE DANTON.
160
00:09:36,994 --> 00:09:40,728
THEY DIDN'T GET MUCH, EXCEPT THAT
RHONDA WALKED OFF IN THE MIDDLE OF A JOB.
161
00:09:40,796 --> 00:09:44,733
FALL GUY, THIS IS JODY. COLT, I'VE
TALKED TO SCREEN EXTRAS GUILD.
162
00:09:44,801 --> 00:09:48,102
- ROSE DANTON'S WORKING
ON A MOVIE RIGHT NOW.
- YEAH? WHERE?
163
00:09:48,171 --> 00:09:50,538
SHE'S WORKING AT TWENTIETH
CENTURY FOX TODAY.
164
00:09:50,624 --> 00:09:53,641
RIGHT. WE GOT IT, JODY. THANKS.
165
00:09:53,710 --> 00:09:56,639
YOU THINK YOU CAN GET MORE
INFORMATION OUT OF THIS ROSE?
166
00:09:56,663 --> 00:09:58,964
WITH MY CHARM?
167
00:10:19,369 --> 00:10:21,469
ROSE?
168
00:10:22,539 --> 00:10:24,572
EXCUSE ME. ROSE DANTON?
169
00:10:24,640 --> 00:10:26,640
YEAH. I'M COLT SEAVERS.
170
00:10:26,709 --> 00:10:30,628
I UNDERSTAND YOU DO A LITTLE STUNT
WORK EVERY NOW AND THEN. YEAH.
171
00:10:30,696 --> 00:10:35,083
WELL, I'M COORDINATING STUNTS
FOR A BIG PICTURE COMING UP. YEAH?
172
00:10:35,151 --> 00:10:38,803
AND I'M GOING TO NEED SOME ESPECIALLY
ATTRACTIVE WOMEN WHO CAN DO STUNTS.
173
00:10:38,872 --> 00:10:40,922
ARE YOU INTERESTED? YEAH.
174
00:10:40,991 --> 00:10:43,091
WELL, THE FACT IS, I'M
GONNA NEED FOUR GIRLS,
175
00:10:43,159 --> 00:10:45,593
AND YOU CAME HIGHLY
RECOMMENDED ALONG WITH A GIRL...
176
00:10:45,661 --> 00:10:47,907
I THINK THAT'S A
FRIEND OF YOURS. YEAH?
177
00:10:47,931 --> 00:10:50,798
A RHONDA STARR. YEAH.
178
00:10:50,867 --> 00:10:54,485
YEAH. YOU, UH... COULD YOU
HELP PUT ME IN TOUCH WITH HER?
179
00:10:54,554 --> 00:10:56,821
NO.
180
00:10:56,889 --> 00:10:59,390
WELL, WHY NOT? SHE'S
OUT OF THE COUNTRY.
181
00:10:59,459 --> 00:11:01,526
WELL, HOW FAR OUT IS SHE?
182
00:11:01,594 --> 00:11:04,061
MEXICO. SHE'S NOT COMIN' BACK.
183
00:11:04,130 --> 00:11:06,275
WE'LL BE PAYING
AWFULLY BIG MONEY.
184
00:11:06,299 --> 00:11:08,533
HEY, COLT, TRUST ME.
185
00:11:08,601 --> 00:11:11,469
THIS TIME SHE THINKS SHE'S
HITCHED HER WAGON TO A STAR...
186
00:11:11,538 --> 00:11:14,605
I MEAN A REAL ONE... JERRY ROME.
187
00:11:16,309 --> 00:11:18,976
THANKS. YOU'RE A REAL GENTLEMAN.
188
00:11:19,045 --> 00:11:21,078
WOW.
189
00:11:22,932 --> 00:11:26,245
HOW DO YOU LIKE THAT? HER HUSBAND
HASN'T EVEN COME TO TRIAL YET,
190
00:11:26,269 --> 00:11:28,364
AND SHE'S RUN OFF
WITH SOME ACTOR.
191
00:11:28,388 --> 00:11:30,416
NOW HOW DO WE FIND HIM?
192
00:11:30,440 --> 00:11:34,241
OH, ACTORS ARE EASY, KID.
THEY ALWAYS LEAVE A NUMBER.
193
00:11:41,318 --> 00:11:43,351
HELLO?
194
00:11:43,420 --> 00:11:47,372
UH, JERRY? COLT SEAVERS.
195
00:11:47,440 --> 00:11:47,850
WHO?
196
00:11:47,874 --> 00:11:51,275
COLT SEAVERS. I'M A STUNTMAN.
197
00:11:51,344 --> 00:11:55,213
A FRIEND OF MINE DOUBLED
YOU IN DEVIL'S REVENGE.
198
00:11:55,281 --> 00:11:59,000
OH! WELL, UH, HOW'D
YOU TRACK ME DOWN?
199
00:11:59,068 --> 00:12:02,954
WELL, NEVER LEAVE YOUR NUMBER WITH
YOUR AGENT IF YOU DON'T WANT WORK.
200
00:12:03,023 --> 00:12:05,439
YOU GOT SOMETHING COMING UP?
201
00:12:05,508 --> 00:12:07,587
WELL, NO, IT'S NOT MY PICTURE.
202
00:12:07,611 --> 00:12:10,077
I'M JUST RIGGING THE
STUNTS FOR FRANCIS.
203
00:12:10,146 --> 00:12:12,213
OF COURSE, I DID TELL
HIM ABOUT THE BOOK.
204
00:12:12,281 --> 00:12:15,717
IT WAS ON THE BEST-SELLER
LIST FOR A YEAR.
205
00:12:15,785 --> 00:12:18,736
UH, WAIT A MINUTE, UH, COLT.
206
00:12:18,805 --> 00:12:20,905
ARE WE TALKING ABOUT
FRANCIS FORD COPPOLA?
207
00:12:20,974 --> 00:12:23,852
WELL, NOW, LOOK. I'M NOT
PROMISING ANYTHING SPECIFIC,
208
00:12:23,876 --> 00:12:26,688
BUT, OF COURSE, A LEAD IN ANY
ONE OF FRANCIS'S PICTURES...
209
00:12:26,712 --> 00:12:28,962
IS REALLY A-A BIG BREAK.
210
00:12:29,031 --> 00:12:31,315
LEAD? DID YOU SAY LEAD?
211
00:12:31,384 --> 00:12:33,512
WELL, LOOK, I'VE PROBABLY SAID
MORE THAN I SHOULD ALREADY.
212
00:12:33,536 --> 00:12:36,270
BUT I'LL BE COMING DOWN
AROUND THE WEEKEND...
213
00:12:36,339 --> 00:12:38,889
TO LOOK OVER THE
LOCAL AIRPLANE SITUATION.
214
00:12:38,958 --> 00:12:42,794
WELL, JERRY, THIS IS HARD FOR ME
TO SAY TO YOU, BUT I JUST CAN'T LIE.
215
00:12:42,862 --> 00:12:45,129
I'M JUST GONNA COME
RIGHT OUT WITH IT.
216
00:12:45,197 --> 00:12:48,483
HE DID ASK ME TO LOOK YOU OVER.
217
00:12:48,552 --> 00:12:51,463
LOOK ME OVER? WELL, JERRY, YOU
HAVEN'T HAD A PICTURE IN A WHILE,
218
00:12:51,487 --> 00:12:54,906
AND TALK IS AROUND
TOWN THAT YOU MIGHT BE...
219
00:12:54,974 --> 00:12:58,242
JUST A LITTLE OVERWEIGHT.
220
00:12:58,311 --> 00:13:01,023
OVERWEIGHT? ME?
WHO TOLD YOU THAT?
221
00:13:01,047 --> 00:13:03,431
WELL, I'D RATHER NOT
SAY. BUT I TELL YOU WHAT.
222
00:13:03,500 --> 00:13:06,212
WE'LL BE DOWN AROUND THE
WEEKEND. I LOOK FORWARD TO IT, PAL.
223
00:13:06,236 --> 00:13:09,470
SEE YOU THEN. WHEW.
224
00:13:09,539 --> 00:13:12,240
I'VE GOT TO LOSE 10
POUNDS BY SUNDAY.
225
00:13:14,344 --> 00:13:17,178
WELL, YOU KNOW WHAT THEY SAY.
226
00:13:17,247 --> 00:13:21,849
MAKING LOVE IS EQUAL
TO AN 11-MILE HIKE.
227
00:13:23,653 --> 00:13:25,686
HOW ABOUT A LITTLE RUN?
228
00:13:25,755 --> 00:13:27,822
WHY NOT?
229
00:13:27,891 --> 00:13:30,975
SO HOW DOES FINDING JERRY ROME
BRING US ANY CLOSER TO MILTON BOX?
230
00:13:31,043 --> 00:13:33,071
ACCORDING TO THE POLICE
REPORT, MILTON WAS PICKED UP...
231
00:13:33,095 --> 00:13:35,296
TRYING TO CROSS THE
BORDER INTO MEXICO.
232
00:13:35,364 --> 00:13:37,865
WHERE DO WE FIND
JERRY ROME AND MRS. BOX?
233
00:13:37,934 --> 00:13:40,034
MEXICO. PRETTY BIG COINCIDENCE.
234
00:13:40,102 --> 00:13:43,821
WHY WOULD MILTON GO THERE WITH THE MONEY
WHEN HIS WIFE RAN OFF WITH JERRY ROME?
235
00:13:43,890 --> 00:13:47,057
FOR ALL WE KNOW, THAT WAS PART OF
THE PLAN TO THROW HER FRIENDS OFF.
236
00:13:47,126 --> 00:13:49,338
JERRY ROME MAY HAVE EVEN
HELPED PULL OFF THE ROBBERY.
237
00:13:49,362 --> 00:13:51,907
IT'S BEEN A LONG TIME SINCE HIS
LAST PICTURE. ANYWAY, WHO CARES?
238
00:13:51,931 --> 00:13:53,965
WE'RE GOING INTO MEXICO...
239
00:13:54,033 --> 00:13:57,446
PUERTO VALLARTA... LAND OF MYSTERY,
ENCHANTMENT AND DARK-EYED WOMEN.
240
00:13:57,470 --> 00:13:59,871
YEAH, DOWN, BOY.
THIS IS BUSINESS.
241
00:13:59,939 --> 00:14:02,507
AT LEAST, IT BETTER BE IF I
HAVE TO STAY HOME, COLT.
242
00:14:02,575 --> 00:14:04,575
IT'S ALL BUSINESS,
JODY, AND YOU TOO, KID.
243
00:14:04,644 --> 00:14:06,677
ALL OF THESE CASES
ARE DANGEROUS,
244
00:14:06,746 --> 00:14:10,281
AND I GUARANTEE THERE'S MORE TO
MILTON THAN WE KNOW... THERE HAS TO BE.
245
00:14:34,574 --> 00:14:36,574
EXCUSE ME.
246
00:14:36,642 --> 00:14:39,177
EXCUSE ME. SÍ, MI AMIGO.
247
00:14:39,246 --> 00:14:42,330
UH, I'M LOOKING FOR A
PLACE TO STAY. UH-HUH.
248
00:14:42,398 --> 00:14:44,443
YEAH. SOMETHING...
SOMETHING SPECIAL.
249
00:14:44,467 --> 00:14:47,618
OH, MUCHO ESPECIAL, MUCHO
GRANDE, MUY CALUROSO.
250
00:14:47,687 --> 00:14:51,422
NO, NO. "WRONG-O." NO,
UH, MUCHO, UH, BARATO.
251
00:14:51,490 --> 00:14:53,524
OH, CHEAP. YEAH, CHEAPO.
252
00:14:53,593 --> 00:14:56,894
NO TURISTA. ¿COMPRENDE?
SURE, SLICK AMIGO.
253
00:14:56,963 --> 00:14:59,296
CHEAP YOU WANT,
CHEAP YOU GET, AMIGO.
254
00:15:46,996 --> 00:15:49,580
♪♪
255
00:16:13,155 --> 00:16:15,355
WHERE HAS THIS
COUNTRY BEEN ALL MY LIFE?
256
00:16:17,193 --> 00:16:21,445
LOOK AT THE LADIES, COLT. WE'RE
HERE TO WORK, KID, NOT PARTY.
257
00:16:22,515 --> 00:16:24,998
BUT ONE COULDN'T HURT.
258
00:16:25,067 --> 00:16:27,802
COLT?
259
00:16:27,871 --> 00:16:30,855
COLT SEAVERS. HEY,
JERRY. HOW ARE YOU?
260
00:16:30,923 --> 00:16:32,985
THIS IS MY YOUNG ASSOCIATE,
HOWIE MUNSON. JERRY ROME.
261
00:16:33,009 --> 00:16:35,126
HOWIE. HOW ARE YOU?
262
00:16:35,195 --> 00:16:37,728
YOU'RE A BIG ONE. I BET
YOU'RE A STUNTMAN TOO.
263
00:16:37,797 --> 00:16:41,366
GENTLEMEN, THIS IS
MY FIRST LADY, RHONDA.
264
00:16:41,434 --> 00:16:44,451
RHONDA, WHY DON'T YOU SHOW
COLT'S FRIEND THE LAYOUT?
265
00:16:44,520 --> 00:16:48,639
- WE HAVE SOME
BUSINESS TO DISCUSS.
- THAT WOULD BE MY PLEASURE.
266
00:16:50,643 --> 00:16:53,678
VERY PRETTY LADY. DID YOU MEET
HER HERE? HOLLYWOOD, ACTUALLY.
267
00:16:53,746 --> 00:16:55,791
NOW ABOUT THIS PICTURE
THEY WANT ME FOR...
268
00:16:55,815 --> 00:16:57,877
YOU KNOW, I MIGHT BE INTERESTED.
269
00:17:00,086 --> 00:17:02,931
MY GOD. WHEN WAS
THE LAST TIME YOU ATE?
270
00:17:02,955 --> 00:17:05,990
UH, WELL, I DID HAVE LUNCH,
BUT IT DIDN'T COMPARE TO THIS.
271
00:17:08,127 --> 00:17:10,327
♪♪
272
00:17:13,950 --> 00:17:17,017
♪♪ IS SOMETHING WRONG?
273
00:17:17,086 --> 00:17:19,887
NO, OF COURSE NOT.
274
00:17:19,956 --> 00:17:22,156
LOOK, HONEY, WHY
DON'T YOU JUST, UH,
275
00:17:22,224 --> 00:17:24,224
MAKE YOURSELF
AT HOME, ALL RIGHT?
276
00:17:24,293 --> 00:17:26,727
♪♪
277
00:17:39,058 --> 00:17:41,058
STOP IT!
278
00:17:41,126 --> 00:17:43,244
STOP IT, I SAID. ♪♪
279
00:17:43,313 --> 00:17:45,412
WHO TOLD YOU TO PLAY THAT SONG?
280
00:17:52,689 --> 00:17:55,422
♪♪
281
00:18:05,802 --> 00:18:09,703
MI... WHA... I MISSED
YOU SO MUCH.
282
00:18:09,772 --> 00:18:13,273
MILTON, ARE YOU OUT OF YOUR
MIND? WHAT ARE YOU DOING HERE?
283
00:18:13,342 --> 00:18:16,210
WHAT AM I DOING
HERE? YOU'RE MY WIFE.
284
00:18:16,278 --> 00:18:20,781
OH, MILTON, I... I DON'T
LOVE YOU ANYMORE.
285
00:18:20,850 --> 00:18:23,150
YOU GOTTA LEAVE ME ALONE.
286
00:18:23,219 --> 00:18:26,286
YOU DON'T LOVE ME?
AFTER ALL I DID FOR YOU?
287
00:18:26,355 --> 00:18:28,723
WELL, I DIDN'T ASK YOU TO DO IT.
288
00:18:28,791 --> 00:18:31,442
NOW, LOOK. YOU'VE GOTTA GET OUT
OF HERE. JERRY'S GONNA KILL YOU.
289
00:18:31,511 --> 00:18:34,345
I MEAN IT.
290
00:18:34,413 --> 00:18:37,264
YEAH, WELL, MAYBE... MAYBE I'M
THE ONE WHO'LL DO THE KILLING.
291
00:18:37,333 --> 00:18:39,850
YEAH. GOOD OLD MILTON, HUH?
292
00:18:39,919 --> 00:18:41,985
WOULDN'T HURT A FLY.
293
00:18:42,054 --> 00:18:44,121
YOU JUST TELL YOUR
FRIEND ONE THING...
294
00:18:44,190 --> 00:18:47,307
HE BETTER BE OUT OF HERE BY
MORNING, OR I'LL BE WAITING FOR HIM.
295
00:18:47,376 --> 00:18:49,960
WHAT?
296
00:18:50,029 --> 00:18:52,363
YOU JUST GIVE HIM THAT MESSAGE.
297
00:18:59,321 --> 00:19:01,499
FRANCIS ALSO THOUGHT THAT
YOUR HAVING BEEN A PILOT...
298
00:19:01,523 --> 00:19:04,658
MIGHT MAKE IT EASIER TO DO
ALL THE FLYING STUFF DOWN HERE.
299
00:19:04,727 --> 00:19:07,628
DO YOU STILL HAVE A LICENSE?
I EVEN HAVE A PRIVATE PLANE.
300
00:19:07,696 --> 00:19:10,542
BOY, YOU SURE
LIVE THE GOOD LIFE.
301
00:19:10,566 --> 00:19:13,367
COLT? COLT, CAN I SEE
YOU FOR A SECOND?
302
00:19:13,435 --> 00:19:15,502
IT'S URGENT.
303
00:19:15,571 --> 00:19:18,316
WE JUST GOT A CALL FROM
THE BIG GUY AT THE STUDIO.
304
00:19:18,340 --> 00:19:20,942
EXCUSE ME.
305
00:19:21,010 --> 00:19:23,227
WHAT BIG GUY?
306
00:19:23,296 --> 00:19:25,997
MILTON BOX... I
JUST SAW HIM. HERE?
307
00:19:26,065 --> 00:19:30,868
YEAH. NOT FOR LONG. HE'D BEEN TALKING
TO RHONDA, AND HE'S LEAVING. COME ON.
308
00:19:38,277 --> 00:19:41,557
GREAT. WE PARKED
OUR TRUCK OUT BACK.
309
00:19:43,916 --> 00:19:45,983
I'LL PARK IT FOR YOU, MA'AM.
310
00:19:47,720 --> 00:19:51,722
HEY! ARE YOU GUYS
PARKING ATTENDANTS?
311
00:20:03,636 --> 00:20:06,516
SEÑOR EL CHEAPO, I THINK
SOMEBODY IS FOLLOWING US.
312
00:20:09,959 --> 00:20:13,761
PEDRO, I'LL GIVE YOU DOUBLE
THE FARE IF YOU LOSE HIM.
313
00:20:13,830 --> 00:20:16,430
AH, SEÑOR, THIS ROAD
IS VERY DANGEROUS,
314
00:20:16,499 --> 00:20:19,850
AND FOR A FEW PESOS A
MAN SHOULD NOT RISK HIS LIFE.
315
00:20:24,106 --> 00:20:27,040
HOW ABOUT A FEW HUNDRED PESOS?
316
00:20:27,109 --> 00:20:29,226
HUNDRED?
317
00:20:29,295 --> 00:20:32,324
SEÑOR, YOU JUST BOUGHT
YOURSELF A RIDE WITH THE DEVIL.
318
00:20:32,348 --> 00:20:34,531
WELL, IT WON'T
BE THE FIRST TIME.
319
00:21:29,705 --> 00:21:31,967
YOU TAKE THE
WHEEL. I'M GETTIN' OUT.
320
00:21:31,991 --> 00:21:33,991
YOU'RE WHAT?
321
00:21:34,059 --> 00:21:36,376
THIS IS WHERE I GET OFF.
322
00:21:37,596 --> 00:21:40,014
GO BACK, AMIGO.
THIS TAXI'S TAKEN.
323
00:21:42,668 --> 00:21:45,836
I'M WARNING YOU.
I-I'M GONNA SHOOT.
324
00:21:58,401 --> 00:22:00,801
MILTON, CAN YOU HEAR ME?
325
00:22:00,870 --> 00:22:03,170
YEAH, I-I CAN HEAR YOU.
326
00:22:03,238 --> 00:22:05,906
IF I SEE YOU, I'M
GONNA SHOOT YOU.
327
00:22:07,944 --> 00:22:12,630
YEAH, WELL, IF YOU DON'T THROW THAT
GUN AWAY, I'M GONNA SHOOT YOUR DRIVER.
328
00:22:12,698 --> 00:22:16,116
- AY, MAMACITA.
- NO. NO, YOU WOULDN'T...
329
00:22:16,185 --> 00:22:19,053
B-BECAUSE YOU'D GET
KILLED RIGHT ALONG WITH ME.
330
00:22:19,122 --> 00:22:21,571
I'M A STUNTMAN. I
DO THIS FOR A LIVING.
331
00:22:21,640 --> 00:22:24,041
NOW, I'M GONNA COUNT TO FIVE.
332
00:22:24,110 --> 00:22:26,310
- ONE...
- PLEASE, SEÑOR!
333
00:22:26,379 --> 00:22:32,650
TWO, THREE...ALL
RIGHT, ALL RIGHT.
334
00:22:34,586 --> 00:22:38,255
NOW, MOVE OVER, MILTON, WILL YA?
335
00:22:47,049 --> 00:22:50,417
WELL, I KNOW THIS IS A HELL OF A
WAY TO GET TO KNOW ONE ANOTHER,
336
00:22:50,486 --> 00:22:53,053
BUT BEFORE WE'RE THROUGH WE
COULD BECOME REAL GOOD FRIENDS.
337
00:22:53,122 --> 00:22:56,590
IF YOU'RE A STUNTMAN,
WHY ARE YOU CHASING ME?
338
00:22:56,658 --> 00:22:59,693
OH, BETWEEN JOBS I DO A
LITTLE WORK FOR THE COURTS.
339
00:22:59,761 --> 00:23:04,064
I DON'T SUPPOSE YOU'D LIKE
TO HEAR MY SIDE OF THE STORY.
340
00:23:04,133 --> 00:23:07,217
WE GOT PLENTY OF TIME FOR THAT
ON THE WAY BACK TO LOS ANGELES,
341
00:23:07,286 --> 00:23:11,589
BUT RIGHT NOW LET'S JUST GET YOUR
STUFF PACKED UP AND GET STARTED, HUH?
342
00:23:11,657 --> 00:23:14,074
WHAT DO YOU MEAN,
MILTON IS HERE? HE'S IN JAIL.
343
00:23:14,143 --> 00:23:18,078
NO, HE'S NOT IN JAIL. HE'S
HERE, AND HE HAS A GUN.
344
00:23:18,147 --> 00:23:20,681
HE WOULDN'T DARE USE
A GUN. HE'S A LITTLE WIMP.
345
00:23:20,750 --> 00:23:22,894
WELL, DID YOU THINK
HE'D EVER DARE...
346
00:23:22,918 --> 00:23:26,419
RIP OFF A GOLD EXCHANGE
FOR FIVE MILLION DOLLARS?
347
00:23:30,760 --> 00:23:32,759
IT'S PERFECT.
348
00:23:34,797 --> 00:23:37,814
PERFECT? HE HAS A GUN.
349
00:23:37,883 --> 00:23:40,367
WHICH GIVES ME EVERY
RIGHT TO PROTECT YOU...
350
00:23:40,435 --> 00:23:43,904
FROM THIS CRAZED MANIAC ON THE
LOOSE FROM JAIL IN LOS ANGELES.
351
00:23:43,973 --> 00:23:45,973
HE'S A FELON.
352
00:23:46,041 --> 00:23:49,109
ONCE HE'S DEAD, OUR
TROUBLES ARE OVER.
353
00:24:02,992 --> 00:24:05,720
I TOLD YOU THERE WASN'T
ANY MONEY IN THE ROOM.
354
00:24:05,744 --> 00:24:07,811
I KNOW WHAT YOU TOLD ME.
355
00:24:07,880 --> 00:24:11,281
IF YOU'D JUST TELL ME WHERE IT IS,
IT MIGHT GO A LOT BETTER FOR YOU.
356
00:24:11,350 --> 00:24:13,995
OH, YEAH. YEAH, YOU'D
LIKE THAT, WOULDN'T YOU?
357
00:24:14,019 --> 00:24:16,653
EVERYBODY WOULD LIKE THAT.
358
00:24:16,722 --> 00:24:19,155
LOOK. ARE YOU A REASONABLE MAN?
359
00:24:19,224 --> 00:24:21,257
I LIKE TO THINK SO, YES.
360
00:24:21,326 --> 00:24:23,705
WELL, I HAVEN'T HAD ANYTHING
TO EAT SINCE EARLY THIS MORNING,
361
00:24:23,729 --> 00:24:25,874
AND COULDN'T WE HAVE
OUR SERIOUS DISCUSSION...
362
00:24:25,898 --> 00:24:28,765
OVER, SAY, STEAK AND SODA POP?
363
00:24:30,435 --> 00:24:32,503
ALL RIGHT... IF YOU
PROMISE TO REMEMBER...
364
00:24:32,571 --> 00:24:35,305
THAT YOU ARE MY
PRISONER, AND I AM ARMED.
365
00:24:35,374 --> 00:24:37,508
I PROMISE.
366
00:24:37,576 --> 00:24:39,643
SODA POP.
367
00:24:39,712 --> 00:24:42,713
♪♪
368
00:24:54,877 --> 00:24:56,877
OH, THIS IS COZY.
369
00:24:56,945 --> 00:25:00,847
I THOUGHT WE WERE DUCKING OUT
OF TOWN IN A HURRY? SIT DOWN, KID.
370
00:25:00,916 --> 00:25:02,810
MILTON HERE WAS JUST
ABOUT TO EXPLAIN THE
371
00:25:02,834 --> 00:25:04,985
WHEREABOUTS OF A
CERTAIN FIVE MILLION DOLLARS.
372
00:25:05,053 --> 00:25:08,005
- I DON'T RECALL SAYING THAT.
- YES, YOU DID...
373
00:25:08,073 --> 00:25:11,558
WHEN I AGREED TO BUY YOU THAT
NICE, BIG STEAK... AND THE SODA POP.
374
00:25:11,627 --> 00:25:15,562
NO. NO, I SAID I WANTED TO TALK
TO YOU ABOUT A PROPOSITION.
375
00:25:15,631 --> 00:25:19,199
H-HOW MUCH DO YOU GUYS
GET FOR BRINGING ME IN?
376
00:25:19,268 --> 00:25:21,735
$10,000.
377
00:25:21,804 --> 00:25:23,870
YOU MUST BE KIDDING.
378
00:25:23,939 --> 00:25:26,873
NO, THAT'S PRETTY
MUCH IT. $10,000.
379
00:25:31,079 --> 00:25:34,714
PLUS EXPENSES.
380
00:25:37,420 --> 00:25:39,987
- I DON'T SEE WHAT'S SO FUNNY.
- COME ON.
381
00:25:40,055 --> 00:25:44,224
A MAN STEALS FIVE MILLION
DOLLARS... U.S. CASH...
382
00:25:44,293 --> 00:25:47,344
AND ALL YOU GET
IS A PALTRY $10,000?
383
00:25:47,412 --> 00:25:51,415
- YOU MADE A BAD DEAL.
- IT'S MY BUSINESS, AND I'LL
RUN IT THE WAY I LIKE.
384
00:25:51,483 --> 00:25:54,545
BESIDES, I DON'T LIKE PUTTING
HIGH PRICES ON A MAN'S HEAD.
385
00:25:54,569 --> 00:25:57,354
I MEAN, I CONSIDER WHAT I
DO A FORM OF POLICE WORK.
386
00:25:57,423 --> 00:25:59,924
ALL I WANT IS AN HONEST
WAGE FOR AN HONEST JOB.
387
00:25:59,992 --> 00:26:03,344
THEN I GUESS YOU WOULDN'T BE
INTERESTED IN MY PROPOSITION.
388
00:26:05,631 --> 00:26:08,911
IF IT'S A FAIR-AND-SQUARE OFFER TO
RETURN THE MONEY FOR PLEA-BARGAINING,
389
00:26:08,935 --> 00:26:11,013
YEAH, I'D BE INTERESTED
IN LISTENING TO YOU.
390
00:26:11,037 --> 00:26:13,620
AW, FORGET PLEA-BARGAINING.
391
00:26:13,688 --> 00:26:17,725
I'M OFFERING YOU AND YOUR FRIEND
HERE A GOOD SHARE OF THE MONEY I STOLE.
392
00:26:17,793 --> 00:26:21,027
- ARE YOU TRYING TO BRIBE ME?
- ABSOLUTELY.
393
00:26:21,096 --> 00:26:23,825
ALL RIGHT, MILTON. DINNER'S
OVER. THAT'S IT. LET'S GO.
394
00:26:23,849 --> 00:26:26,766
FIVE PERCENT. NOT INTERESTED.
395
00:26:26,835 --> 00:26:30,203
TEN PERCENT? NOT INTERESTED.
396
00:26:30,272 --> 00:26:32,489
COLT, THAT'S A HALF
MILLION DOLLARS.
397
00:26:32,558 --> 00:26:35,875
I HEARD HIM. I'M
STILL NOT INTERESTED.
398
00:26:35,944 --> 00:26:37,944
GRACIAS, SEÑOR.
399
00:26:38,013 --> 00:26:41,064
WELL, THEN NEITHER AM I.
I'M JUST GONNA STAY HERE.
400
00:26:41,133 --> 00:26:44,295
MILTON, I'M ONLY SAYING
THIS ONCE. GET ON YOUR FEET.
401
00:26:44,319 --> 00:26:47,570
YEAH, I'M SURE YOU'D SHOOT ME RIGHT
HERE IN FRONT OF ALL THESE INNOCENT PEOPLE.
402
00:26:47,639 --> 00:26:50,524
SOME OF 'EM DON'T
LOOK SO INNOCENT.
403
00:26:52,294 --> 00:26:54,344
I'M ONLY TELLING
YOU ONE MORE TIME,
404
00:26:54,413 --> 00:26:56,958
THEN I'M GONNA PUT THIS GUN BEHIND
YOUR BACK AND MARCH YOU OUT OF HERE.
405
00:26:56,982 --> 00:27:02,186
- NOW, ON YOUR FEET. COME ON.
- OKAY. JUST DON'T SAY
I DIDN'T WARN YOU.
406
00:27:04,506 --> 00:27:06,607
UH, LADIES AND GENTLEMEN.
407
00:27:06,675 --> 00:27:08,975
SEÑORES, SEÑORITAS.
408
00:27:09,044 --> 00:27:11,380
ALTHOUGH I'M NEW TO
YOUR QUAINT LITTLE VILLAGE...
409
00:27:11,404 --> 00:27:12,746
MILTON, WHAT ARE YOU DOING?
410
00:27:12,814 --> 00:27:16,416
I THINK YOU OUGHT TO KNOW THAT
YOU HAVE A CROOK IN YOUR MIDST.
411
00:27:20,506 --> 00:27:23,656
I'M THAT CROOK.
412
00:27:26,178 --> 00:27:29,829
AND I JUST OFFERED THIS MAN
HERE A HALF A MILLION DOLLARS...
413
00:27:29,898 --> 00:27:32,532
NOT TO TAKE ME BACK TO
LOS ANGELES AS HIS PRISONER.
414
00:27:32,601 --> 00:27:35,969
- COLT, I DON'T LIKE THE SOUND
OF THIS.
- MILTON, WILL YOU SHUT UP?
415
00:27:36,037 --> 00:27:38,805
NOW, Y-YOU SHOULD KNOW
THAT HE'S A VERY BRAVE...
416
00:27:38,874 --> 00:27:41,674
AND COURAGEOUS AND HONEST
MAN, BECAUSE HE SAID NO.
417
00:27:41,743 --> 00:27:44,844
BUT ON THE OTHER HAND,
HE'S ALSO VERY STUPID.
418
00:27:44,913 --> 00:27:47,281
THAT'S IT.
419
00:27:47,349 --> 00:27:49,966
SO WHAT I'M DOING
IS, I'M OFFERING...
420
00:27:50,035 --> 00:27:54,220
I'M OFFERING ALL OF YOU THE
SAME HALF A MILLION U.S. DOLLARS...
421
00:27:54,290 --> 00:27:57,824
TO KEEP HIM FROM TAKING
ME ACROSS THE BORDER.
422
00:27:57,893 --> 00:28:00,710
THINK ABOUT IT... A
HALF A MILLION BIG ONES.
423
00:28:00,779 --> 00:28:02,891
MILTON, I DON'T BELIEVE
WHAT YOU JUST DID.
424
00:28:02,915 --> 00:28:05,835
WELL, ANY PORT IN A
STORM. COME ON, GET IN.
425
00:28:05,901 --> 00:28:08,168
COLT, WE ARE IN
SERIOUS TROUBLE HERE.
426
00:28:08,236 --> 00:28:10,821
YOU DON'T EXPECT ANYONE IN THERE
TO TAKE HIM SERIOUSLY, DO YOU?
427
00:28:15,444 --> 00:28:18,979
MILTON, YOU HAVE JUST MADE THE
SECOND-BIGGEST MISTAKE OF YOUR LIFE.
428
00:28:21,950 --> 00:28:24,651
¡MUCHACHOS!
429
00:28:30,725 --> 00:28:33,527
I DON'T SEE ANYONE. I
THINK WE GOT AWAY CLEAN.
430
00:28:33,595 --> 00:28:37,096
THAT'S A LITTLE TOO
GOOD TO BE TRUE.
431
00:28:37,165 --> 00:28:39,449
I WISH THEY'D TAKEN ME.
432
00:28:39,518 --> 00:28:42,686
MILTON, ISN'T A LITTLE JAIL
TIME BETTER THAN BEING DEAD?
433
00:28:42,754 --> 00:28:45,089
NOT WITHOUT RHONDA.
434
00:28:45,157 --> 00:28:48,375
I-I JUST DON'T WANT TO
LIVE IF I CAN'T HAVE HER.
435
00:28:48,444 --> 00:28:50,488
MILTON, I DON'T
LIKE TO SAY THIS,
436
00:28:50,512 --> 00:28:53,180
BUT I DON'T THINK RHONDA'S
BEEN ALTOGETHER LOYAL TO YOU.
437
00:28:53,248 --> 00:28:55,265
DON'T SAY THAT.
438
00:28:55,317 --> 00:28:58,035
DON'T SAY ANYTHING
AGAINST RHONDA.
439
00:29:00,639 --> 00:29:02,684
MILTON, I'M WARNING YOU.
440
00:29:02,708 --> 00:29:04,858
MILTON! MILTON...
441
00:29:04,926 --> 00:29:06,927
NO, YOU DON'T. NO, YOU DON'T.
442
00:29:06,995 --> 00:29:09,229
NOBODY'S EVER GONNA
TAKE ADVANTAGE OF ME AGAIN.
443
00:29:09,298 --> 00:29:12,565
NO. I'M NO MORE MR. PUSHOVER.
444
00:29:12,634 --> 00:29:14,668
I'M IN CHARGE NOW.
445
00:29:16,004 --> 00:29:18,622
MILTON, GIVE ME THE GUN.
446
00:29:18,690 --> 00:29:21,341
LAY ONE HAND ON
ME AND I'LL SHOOT.
447
00:29:25,231 --> 00:29:28,065
GO AHEAD.
448
00:29:28,133 --> 00:29:30,400
EVERYONE THINKS I'M WORTHLESS...
449
00:29:30,469 --> 00:29:32,469
EVEN TOTAL STRANGERS.
450
00:29:32,537 --> 00:29:35,606
I DON'T THINK YOU'RE WORTHLESS,
MILTON, JUST CROOKED.
451
00:29:35,674 --> 00:29:38,625
YOU DIDN'T EVEN
CARE IF I KILLED MYSELF.
452
00:29:38,694 --> 00:29:42,112
NO, I JUST WASN'T WORRIED ABOUT
YOU DOING IT WITH AN EMPTY GUN.
453
00:29:49,505 --> 00:29:52,689
IS-ISN'T SOMEBODY GONNA
GUARD ME? WHERE YOU GONNA GO?
454
00:29:54,526 --> 00:29:57,427
YOU REALLY THINK ANYONE'S GONNA
TRY AND TAKE HIM AWAY FROM US?
455
00:29:57,496 --> 00:29:59,574
FOR A HALF A MILLION
DOLLARS? GEEZ.
456
00:29:59,598 --> 00:30:03,082
WE GOTTA BE PREPARED FOR THE
WORST. EVER USE A SEMI-AUTOMATIC?
457
00:30:03,151 --> 00:30:06,003
COLT, MY TWO
YEARS AT WEST POINT.
458
00:30:06,071 --> 00:30:08,255
I KNOW. I SHOULDN'T HAVE ASKED.
459
00:30:08,323 --> 00:30:11,224
UH-OH.
460
00:30:18,116 --> 00:30:21,217
GET IN.
461
00:30:21,286 --> 00:30:24,821
MR. SEAVERS, I THINK THERE'S
SOMETHING I OUGHT TO TELL YOU.
462
00:30:24,890 --> 00:30:27,068
NOT NOW, MILTON. YOU'VE
ALREADY CREATED ONE MESS FOR US.
463
00:30:27,092 --> 00:30:31,061
YEAH, BUT I MIGHT HAVE CREATED
AN EVEN BIGGER MESS OVER THERE.
464
00:30:34,249 --> 00:30:36,283
MR. SEAVERS...
465
00:30:36,351 --> 00:30:39,403
- CAN YOU HEAR ME?
- THEY KNOW YOUR NAME.
466
00:30:39,471 --> 00:30:41,488
YEAH.
467
00:30:41,557 --> 00:30:44,357
YES, I CAN HEAR YOU.
WHAT DO YOU WANT?
468
00:30:44,426 --> 00:30:48,028
YOUR PRISONER... TURN HIM OVER.
469
00:30:48,096 --> 00:30:50,456
WE WILL LET YOU GO UNHARMED.
470
00:30:50,482 --> 00:30:53,678
I CAN'T DO THAT. I'M AN
OFFICER OF THE COURT.
471
00:30:53,702 --> 00:30:57,687
- NOT IN MEXICO.
- WELL, IT DOESN'T MATTER,
FRIEND.
472
00:30:57,756 --> 00:31:01,091
HE'S WANTED IN THE UNITED STATES.
HE CROSSED YOUR BORDERS ILLEGALLY.
473
00:31:01,159 --> 00:31:03,744
THAT IS A MATTER FOR OUR COURTS.
474
00:31:03,812 --> 00:31:06,496
I WILL GIVE YOU TWO MINUTES.
475
00:31:06,564 --> 00:31:10,100
- COLT, THERE MUST BE
40 OF THEM.
- I CAN COUNT.
476
00:31:10,168 --> 00:31:12,863
DO AS HE SAYS. I DON'T
WANNA SEE ANYONE GET KILLED.
477
00:31:12,887 --> 00:31:15,817
WE CAN'T TRUST THESE MEN NOT TO KILL
YOU ONCE YOU LEAD 'EM TO THE MONEY.
478
00:31:15,841 --> 00:31:17,890
WHERE IS THE MONEY, MILTON?
479
00:31:17,959 --> 00:31:19,959
I-I CAN'T TELL YOU.
480
00:31:21,813 --> 00:31:24,064
ONE MINUTE, MR. SEAVERS.
481
00:31:24,133 --> 00:31:26,566
YOU GUYS GET DOWN QUICK.
482
00:31:40,148 --> 00:31:42,132
HOLY...
483
00:31:43,768 --> 00:31:46,136
COLT, WE CAN'T BREAK THROUGH
WITHOUT KILLING SOMEONE.
484
00:31:46,205 --> 00:31:48,288
YEAH. US.
485
00:31:51,160 --> 00:31:53,476
YOUR TIME IS UP.
486
00:31:53,545 --> 00:31:56,105
RELEASE THE PRISONER
OR WE WILL TAKE HIM.
487
00:31:56,164 --> 00:31:58,265
DO IT. DO IT.
488
00:31:58,333 --> 00:32:01,568
MILTON, YOU MAY THINK YOU'RE GONNA BUY
'EM OFF WITH HALF THE MONEY. YOU'RE NOT.
489
00:32:01,637 --> 00:32:03,987
YEAH, BUT THAT-THAT'S
MY PROBLEM.
490
00:32:04,055 --> 00:32:06,256
YOU GUYS JUST GET OUT
OF HERE. SAVE YOURSELVES.
491
00:32:06,325 --> 00:32:10,059
- COLT, WE DON'T HAVE
ANY CHOICE.
- MILTON, YOU'LL BE KILLED.
492
00:32:10,128 --> 00:32:13,863
WITHOUT RHONDA, I DON'T CARE.
493
00:32:15,968 --> 00:32:19,403
LOOK, I DON'T LIKE HAVING A
PRISONER TAKEN FROM ME AT GUNPOINT.
494
00:32:19,471 --> 00:32:22,055
IF ANYTHING HAPPENS TO
HIM, I'M GONNA LOOK YOU UP.
495
00:32:22,124 --> 00:32:26,159
I DON'T THINK YOU ARE IN ANY
POSITION TO BE MAKING THREATS.
496
00:32:36,522 --> 00:32:38,588
GRACIAS, SEÑOR SEAVERS.
497
00:32:38,657 --> 00:32:41,641
AND I WOULDN'T RECOMMEND
GOING TO THE LOCAL AUTHORITIES.
498
00:32:41,710 --> 00:32:44,839
YOU DIDN'T CHOOSE TO WORK
WITH THEM IN THE FIRST PLACE.
499
00:32:44,863 --> 00:32:49,265
THEY'RE LIABLE TO PUT YOU IN JAIL
FOR CARRYING UNAUTHORIZED WEAPONS.
500
00:32:49,335 --> 00:32:51,317
VÁMONOS.
501
00:33:09,938 --> 00:33:12,806
KID. YEAH?
502
00:33:12,875 --> 00:33:15,115
I CAN'T LET 'EM TAKE HIM.
503
00:33:15,176 --> 00:33:17,310
I KNOW.
504
00:33:17,379 --> 00:33:19,739
CAN'T ASK YOU TO GO WITH ME.
505
00:33:19,782 --> 00:33:23,016
CAN'T STOP ME FROM
GOING ALONG EITHER.
506
00:33:23,084 --> 00:33:25,485
THERE'S AN AWFUL LOT OF 'EM.
507
00:33:25,554 --> 00:33:28,154
THE ELEMENT OF
SURPRISE IS ON OUR SIDE.
508
00:33:28,223 --> 00:33:30,323
THEY COULDN'T POSSIBLY
THINK WE'D BE STUPID ENOUGH...
509
00:33:30,392 --> 00:33:33,693
TO TRY AND SAVE
AN IDIOT LIKE MILTON.
510
00:33:36,031 --> 00:33:38,030
MAKES SENSE TO ME.
511
00:33:46,108 --> 00:33:48,741
THIS MUST BE THE PLACE.
THERE ARE THE TRUCKS.
512
00:34:03,258 --> 00:34:07,093
I'D HAVE TO BE CRAZY TO WALK AROUND
WITH FIVE MILLION DOLLARS ON ME.
513
00:34:07,162 --> 00:34:11,531
I-I JUST TOOK ENOUGH TO GET TO
MEXICO AND A LITTLE TO SURVIVE ON.
514
00:34:11,600 --> 00:34:15,118
HE'S DOIN' ALL RIGHT. AT LEAST
HE'S ALIVE. ...SEEM TO UNDERSTAND.
515
00:34:15,187 --> 00:34:18,121
COLT.
516
00:34:18,190 --> 00:34:21,340
SOMETHING JUST DOESN'T SMELL
RIGHT ABOUT THIS OPERATION.
517
00:34:21,409 --> 00:34:24,878
THEY'RE BEING TOO POLITE. THOSE
GUNS LOOKED DOWNRIGHT MEAN TO ME.
518
00:34:24,946 --> 00:34:26,991
IF WE'RE GONNA GET
MILTON OUT OF HERE,
519
00:34:27,015 --> 00:34:30,700
WE GOTTA CREATE A
DISTRACTION. COME ON.
520
00:34:30,769 --> 00:34:32,809
I ASK YOU FOR THE LAST TIME!
521
00:34:32,838 --> 00:34:35,205
WHERE IS THE REST OF THE MONEY?
522
00:34:35,273 --> 00:34:39,325
THE $500,000 YOU PROMISED
FOR YOUR FREEDOM.
523
00:34:42,547 --> 00:34:45,282
COLT, THAT'S AN AWFUL
LOT OF PLASTIQUE.
524
00:34:45,350 --> 00:34:47,918
YEAH, WELL, THERE'S
AN AWFUL LOT OF GUNS.
525
00:34:47,986 --> 00:34:50,265
WE'LL FIND OUT HOW MUCH I
KNOW ABOUT SPECIAL EFFECTS...
526
00:34:50,289 --> 00:34:52,455
IN ABOUT FIVE MINUTES.
527
00:37:08,527 --> 00:37:12,027
OKAY, PAL, NOW WE'RE EVEN.
528
00:37:12,096 --> 00:37:15,414
NOT EVEN, SEÑOR SEAVERS.
YOU ARE IN A LOT OF TROUBLE.
529
00:37:15,483 --> 00:37:18,584
I DON'T THINK SO. I DON'T THINK YOUR
FRIENDS WILL BE ABLE TO CATCH US.
530
00:37:18,653 --> 00:37:22,321
YOU ARE IN A LOT OF
TROUBLE. I AM A POLICE OFFICER.
531
00:37:26,478 --> 00:37:28,561
WHAT DID YOU SAY?
532
00:37:28,629 --> 00:37:32,966
IF YOU WILL CHECK THE WALLET IN
MY COAT, YOU WILL SEE FOR YOURSELF.
533
00:37:35,153 --> 00:37:37,553
OH, NO, MILTON.
534
00:37:37,622 --> 00:37:40,724
- NOW YOU'RE REALLY MADE ME MAD.
- HE NEVER SHOWED ME THAT.
535
00:37:40,792 --> 00:37:44,138
IT WAS OUR PURPOSE TO MAKE HIM
THINK WE WERE FELLOW CRIMINALS...
536
00:37:44,162 --> 00:37:46,307
SO HE WOULD LEAD US
TO THE STOLEN MONEY.
537
00:37:46,331 --> 00:37:49,815
ALL THIS IN COOPERATION WITH THE
LOS ANGELES POLICE DEPARTMENT.
538
00:37:49,884 --> 00:37:53,352
COLT, COME ON. THEY'RE
ALL HEADING THIS WAY.
539
00:37:59,744 --> 00:38:01,778
BOLT HIM TO THE FLOOR.
540
00:38:01,847 --> 00:38:04,463
YOU ARE TREATING
ME LIKE A CRIMINAL.
541
00:38:06,234 --> 00:38:08,801
FOR ALL I KNOW, YOU AND THAT
PACK ARE IN BUSINESS TOGETHER.
542
00:38:08,870 --> 00:38:12,789
I WARN YOU, SEÑOR. OBSTRUCTION
OF JUSTICE IS ONE THING,
543
00:38:12,857 --> 00:38:15,058
BUT KIDNAPPING IS QUITE ANOTHER.
544
00:38:16,678 --> 00:38:19,929
¡MUCHACHOS!
545
00:38:37,716 --> 00:38:39,761
ALL RIGHT, MILTON,
THERE'S ONLY ONE WAY...
546
00:38:39,785 --> 00:38:42,379
WE'RE ALL GONNA GET OUT
OF THIS WITHOUT GOING TO JAIL.
547
00:38:42,403 --> 00:38:45,872
YOU'RE GONNA TAKE US TO
THE MONEY. I CAN'T DO THAT.
548
00:38:45,941 --> 00:38:48,775
MILTON. IT'S THE
TRUTH. I DON'T HAVE IT.
549
00:38:48,843 --> 00:38:52,462
IF YOU DON'T, WHO DOES?
RHONDA HAS IT. I GAVE IT TO HER.
550
00:38:52,530 --> 00:38:54,531
YOU'VE GOTTA BE KIDDING.
551
00:38:54,599 --> 00:38:58,134
I ONLY TOOK IT TO WIN HER
BACK. IT WAS ALL PLANNED.
552
00:38:58,203 --> 00:39:00,370
WE WERE GONNA
MEET HERE IN MEXICO,
553
00:39:00,438 --> 00:39:03,189
LIVE HAPPILY EVER
AFTER. WHAT HAPPENED?
554
00:39:03,258 --> 00:39:07,910
RHONDA DECIDED SHE'D RATHER LIVE
HAPPILY EVER AFTER WITH JERRY ROME.
555
00:39:07,979 --> 00:39:10,529
I-I CAN'T STAND IT.
556
00:39:10,598 --> 00:39:13,983
IF HE DARES TO
LAY A HAND ON HER...
557
00:39:14,052 --> 00:39:16,235
IF THEY KNEW YOU WERE
PLANNING ON COMING TO MEXICO,
558
00:39:16,304 --> 00:39:18,871
WHY DIDN'T THEY
GO SOMEPLACE ELSE?
559
00:39:18,940 --> 00:39:21,257
BECAUSE JERRY ROME
KNEW HOW I'D GET TO MEXICO...
560
00:39:21,326 --> 00:39:23,526
AFTER I'D GIVEN
RHONDA THE MONEY.
561
00:39:23,595 --> 00:39:25,675
HE PHONED THE
POLICE. TIPPED 'EM OFF.
562
00:39:25,713 --> 00:39:28,748
HE FIGURED I'D BE STUCK IN JAIL
WITHOUT ENOUGH MONEY TO RAISE BAIL.
563
00:39:28,817 --> 00:39:32,318
WHAT MAKES YOU THINK IT WAS JERRY
THAT TURNED YOU IN AND NOT RHONDA?
564
00:39:32,387 --> 00:39:35,788
SHE WOULDN'T DO
THAT. OH, NOT RHONDA.
565
00:39:37,125 --> 00:39:39,406
SHE WAS THE ONLY ONE
THAT KNEW YOUR PLANS.
566
00:39:41,012 --> 00:39:43,162
THEN HE MUST HAVE
BEAT IT OUT OF HER.
567
00:39:55,109 --> 00:39:57,359
HELLO?
568
00:39:57,428 --> 00:39:59,546
THIS IS COLT SEAVERS.
CAN YOU TALK PRIVATELY?
569
00:39:59,614 --> 00:40:02,364
- YES. WHAT IS IT?
- IT'S ABOUT RHONDA'S HUSBAND,
MILTON.
570
00:40:02,433 --> 00:40:06,369
WHAT DO YOU KNOW ABOUT HER HUSBAND?
I THOUGHT YOU WERE HERE ON A PICTURE.
571
00:40:06,437 --> 00:40:09,205
WELL, JERRY, I MAY AS
WELL TELL YOU THE TRUTH.
572
00:40:09,274 --> 00:40:11,374
WE MAY BE ALL OUT
OF TIME IF I DON'T.
573
00:40:11,442 --> 00:40:13,643
WHO IS IT? IT'S COLT.
574
00:40:13,712 --> 00:40:17,363
IF THAT'S RHONDA YOU'RE TALKING TO,
THERE'S NO ROOM FOR HER IN THIS DEAL.
575
00:40:17,431 --> 00:40:20,250
WHAT DEAL? I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
576
00:40:20,318 --> 00:40:23,419
LOOK, JERRY, I KNOW WHAT
HAPPENED TO THE FIVE MILLION DOLLARS.
577
00:40:23,488 --> 00:40:26,156
NOW, I'M WILLING TO DEAL
IF YOU'RE WILLING TO LISTEN.
578
00:40:26,224 --> 00:40:29,459
- THEN THE MOVIE
WAS ALL A HOAX?
- FORGET THE PICTURE.
579
00:40:29,527 --> 00:40:32,161
LOOK, I'M NOT EXACTLY MAKING
MONEY AS A STUNTMAN, YOU KNOW.
580
00:40:32,229 --> 00:40:35,832
YOU'VE GOT A CHOICE. IT'S
HALF THE MONEY OR JAIL.
581
00:40:35,900 --> 00:40:38,251
THIS IS PREPOSTEROUS. I'M
GONNA CALL THE POLICE RIGHT NOW.
582
00:40:38,319 --> 00:40:41,032
GO AHEAD, WHILE I
IMPLICATE YOU IN A MURDER.
583
00:40:41,056 --> 00:40:43,923
MURDER?
584
00:40:43,992 --> 00:40:46,676
YEAH. CALL THE POLICE.
THERE'S A CAPTAIN DELGADO.
585
00:40:46,744 --> 00:40:49,073
THEY THINK HE'S
MISSING. I KNOW HE'S DEAD.
586
00:40:49,097 --> 00:40:50,113
WHAT DO YOU WANT?
587
00:40:50,181 --> 00:40:54,133
MY PARTNER WAS KILLED IN THE
SAME CROSS FIRE AS DELGADO.
588
00:40:54,202 --> 00:40:56,569
NOW THE ONLY PEOPLE WHO
KNOW WHERE THE MONEY IS...
589
00:40:56,637 --> 00:40:59,271
IS MILTON AND YOU
AND RHONDA AND ME.
590
00:40:59,340 --> 00:41:02,758
NOW, IF YOU WANNA CUT RHONDA OUT
OF ALL THIS WITHOUT MAKING A MESS,
591
00:41:02,827 --> 00:41:04,872
JUST TELL HER THAT I'M
DEMANDING ALL THE MONEY...
592
00:41:04,896 --> 00:41:07,040
IN RETURN FOR MY
SILENCE. THEN WHAT?
593
00:41:07,064 --> 00:41:10,250
THEN YOU GET THE MONEY AND GET YOUR
PLANE READY. I'LL MEET YOU AT THE AIRPORT.
594
00:41:10,318 --> 00:41:12,818
WHERE DO WE GO FROM THERE?
595
00:41:12,887 --> 00:41:15,187
AFTER YOU DROP ME
OFF, YOU'RE ON YOUR OWN.
596
00:41:15,256 --> 00:41:17,857
THAT SOUNDS NICE AND NEAT.
597
00:41:17,925 --> 00:41:20,826
BUT, UH, WHAT'S TO PREVENT ME...
598
00:41:20,895 --> 00:41:23,278
FROM TAKING OFF ON MY OWN?
599
00:41:23,347 --> 00:41:25,548
JERRY, I'M A
PROFESSIONAL HUNTER,
600
00:41:25,617 --> 00:41:28,384
AND FOR THAT KIND
OF MONEY, I'LL FIND YOU.
601
00:41:28,453 --> 00:41:32,522
- DO YOU UNDERSTAND?
- YES, I GUESS
I DO UNDERSTAND.
602
00:41:37,395 --> 00:41:41,231
WHAT WAS ALL THAT ABOUT?
COLT SEAVERS IS A BOUNTY HUNTER.
603
00:41:41,299 --> 00:41:45,635
- WHAT? HOW... HOW COULD HE KNOW?
- THAT IDIOT HUSBAND OF YOURS.
604
00:41:45,703 --> 00:41:48,115
NOW, LOOK. WE HAVEN'T A CHOICE.
605
00:41:48,139 --> 00:41:50,656
I HAVE TO GIVE HIM THE MONEY...
606
00:41:50,725 --> 00:41:53,576
IF YOU AND I ARE EVER
GOING TO HAVE ANY HAPPINESS.
607
00:41:58,733 --> 00:42:01,234
NOW GO GET THE MONEY.
608
00:42:13,547 --> 00:42:15,398
ARE YOU READY? READY.
609
00:42:15,466 --> 00:42:18,484
YOU TAKE THIS SEAT. I'M SURE
YOU'RE A BETTER PILOT THAN I.
610
00:42:18,553 --> 00:42:21,821
JUST LET ME SEE THE
COLOR OF YOUR MONEY.
611
00:42:25,243 --> 00:42:27,576
WELL, I THINK WE'RE GONNA...
612
00:42:27,645 --> 00:42:29,913
WHAT'S THAT FOR, JERRY?
613
00:42:29,981 --> 00:42:31,943
YOU DON'T THINK YOU'RE
GONNA FLY THIS THING...
614
00:42:31,967 --> 00:42:34,000
OUT OF THE COUNTRY
HOLDING ME AT GUNPOINT?
615
00:42:34,069 --> 00:42:37,787
NO, YOU ARE. I'LL TURN YOU LOOSE
ONCE WE'RE SAFELY OUT OF MEXICO...
616
00:42:37,855 --> 00:42:40,807
AND IN A NICE COMMUNITY
A LITTLE FARTHER SOUTH.
617
00:42:55,690 --> 00:42:59,025
YOU KNOW, IT REALLY ISN'T FAIR TO
MAKE YOU FLY THE ENTIRE DISTANCE.
618
00:42:59,093 --> 00:43:01,911
OH, I DON'T MIND.
WHERE ARE WE GOING?
619
00:43:01,980 --> 00:43:04,113
LITTLE SPOT SOUTH OF
THE DOMINICAN REPUBLIC,
620
00:43:04,182 --> 00:43:07,316
WHERE I CAN CATCH A COMMERCIAL
FLIGHT BACK TO LOS ANGELES.
621
00:43:07,385 --> 00:43:09,666
THAT SOUNDS LIKE
A REAL NICE PLAN.
622
00:43:09,704 --> 00:43:12,572
I WAS THINKIN' I'D HANG AROUND
THE BAHAMAS FOR A WHILE.
623
00:43:12,640 --> 00:43:16,942
SORRY, BUT I CAN'T LEAVE YOU AROUND
TO TELL ANYONE WHAT REALLY HAPPENED.
624
00:43:18,546 --> 00:43:21,114
JERRY, I WAS HOPING THAT
GUN WAS JUST A PRECAUTION...
625
00:43:21,182 --> 00:43:24,784
SO THAT I WOULDN'T TAKE THE MONEY AND
TURN YOU IN WHILE WE WERE ON THE GROUND.
626
00:43:24,853 --> 00:43:29,588
I'M SORRY. ONCE YOU'RE GONE, THERE'S
NO ONE TO KNOW I HAVE THE MONEY.
627
00:43:29,657 --> 00:43:33,142
THAT SHOULD GIVE ME A NICE, LONG
TIME TO GET MY CAREER STARTED AGAIN.
628
00:43:33,210 --> 00:43:35,227
THERE'S ALWAYS RHONDA.
629
00:43:35,296 --> 00:43:37,580
SHE THINKS I'M GIVING
ALL THE MONEY TO YOU.
630
00:43:37,649 --> 00:43:40,082
IT WAS YOUR PLAN, REMEMBER?
631
00:43:40,151 --> 00:43:43,252
IF I SHOULD EVER SEE HER
AGAIN, I'LL JUST PLEAD DESPAIR...
632
00:43:43,321 --> 00:43:46,088
AT THE WHOLE SORDID AFFAIR.
633
00:43:46,157 --> 00:43:48,202
IF YOU'RE THINKING OF
PUTTING A BULLET IN ME,
634
00:43:48,226 --> 00:43:51,505
I GOTTA WARN YOU THAT BODIES
DO HAVE A WAY OF SHOWING UP.
635
00:43:51,529 --> 00:43:54,931
OH, I DON'T THINK A BULLET IS
NECESSARY. THE FALL SHOULD DO NICELY.
636
00:43:54,999 --> 00:43:57,232
UNLATCH THE DOOR.
637
00:43:58,703 --> 00:44:00,736
AND OUT.
638
00:44:02,340 --> 00:44:04,340
LOOK, YOU, UH...
639
00:44:04,408 --> 00:44:07,137
YOU DON'T THINK THAT I'M GOING
TO DO THIS WILLINGLY, DO YOU?
640
00:44:07,161 --> 00:44:09,211
GET OUT.
641
00:44:22,276 --> 00:44:25,378
YOU ARE ALL GOING TO JAIL
FOR THE REST OF YOUR LIVES.
642
00:44:25,447 --> 00:44:27,567
IF THIS DOESN'T
WORK, I'LL BE GLAD TO.
643
00:44:30,685 --> 00:44:34,169
THERE! THERE HE IS.
644
00:44:34,238 --> 00:44:36,238
¡SANTA MARÍA!
645
00:44:36,307 --> 00:44:39,041
EVEN SEÑOR SEAVERS, I DO NOT
WANT TO SEE HIM DIE LIKE THIS.
646
00:44:39,110 --> 00:44:41,093
HOLD ON.
647
00:45:04,501 --> 00:45:06,552
LOOKING GOOD, HOWIE.
648
00:45:06,620 --> 00:45:10,172
HOLD HER NICE AND STEADY. HE'S
CONSCIOUS. WE'RE GONNA MAKE IT.
649
00:45:10,241 --> 00:45:13,392
COME ON. PICK UP SPEED, KID.
I'VE ONLY GOT ONE GOOD SHOT.
650
00:45:41,005 --> 00:45:43,455
HEY, MIND IF I DROP IN?
651
00:45:46,594 --> 00:45:48,627
INCREDIBLE, SEÑOR SEAVERS.
652
00:45:48,696 --> 00:45:52,130
GOOD. THEN THAT'S A PRINT.
653
00:46:21,128 --> 00:46:23,146
SEÑOR ROME.
654
00:46:23,214 --> 00:46:26,031
YES? THERE'S SOMEONE
HERE TO SEE YOU.
655
00:46:30,988 --> 00:46:34,223
YOU KNOW, THAT
REALLY WASN'T VERY NICE.
656
00:46:52,693 --> 00:46:55,160
YOU DID A GOOD JOB
ON THIS ONE, COLT.
657
00:46:55,229 --> 00:46:57,329
THERE'S ANOTHER WAY
TO LOOK AT IT, RHONDA.
658
00:46:57,398 --> 00:47:01,000
AT LEAST WE'LL BOTH BE
GETTING OUT ABOUT THE SAME TIME.
659
00:47:02,436 --> 00:47:04,937
OH, MILTON.
660
00:47:05,006 --> 00:47:07,639
I'LL BE AN OLD LADY.
661
00:47:07,708 --> 00:47:09,992
NOT TO ME, YOU WON'T.
662
00:47:10,061 --> 00:47:12,995
OH, MILTON, I'M SO SORRY.
663
00:47:13,063 --> 00:47:17,400
SOMEHOW IT'S... IT'S ALL
GONNA WORK OUT JUST FINE.
664
00:47:17,468 --> 00:47:19,535
RIGHT NOW,
665
00:47:21,039 --> 00:47:24,240
I'M THE HAPPIEST
GUY IN THE WORLD.
666
00:47:27,211 --> 00:47:30,996
UNBELIEVABLE. YOU KNOW, I
REALLY THINK HE BELIEVES IT.
667
00:47:31,065 --> 00:47:33,916
WELL, HE'S IN LOVE. HOW
MUCH TIME WILL THEY DO?
668
00:47:33,984 --> 00:47:36,552
OH, FIRST OFFENSE,
WHITE-COLLAR CRIME...
669
00:47:36,620 --> 00:47:38,654
MIGHT NOT BE TOO BAD.
670
00:47:38,722 --> 00:47:42,875
BUT JERRY ROME, ON THE OTHER
HAND, IS IN A LOT OF TROUBLE.
671
00:47:42,944 --> 00:47:46,078
BIG JACK, WOULD YOU
DO ME A FAVOR? SURE.
672
00:47:46,147 --> 00:47:48,363
MAKE SURE THAT MILTON
GETS A DECENT LAWYER.
673
00:47:48,432 --> 00:47:51,472
OH, DECENT LAWYERS COST
MONEY. HE DOESN'T HAVE ANY.
674
00:47:53,988 --> 00:47:57,005
WELL, LET'S JUST SAY
THIS ONE'S ON ME, HUH?
675
00:47:57,074 --> 00:47:59,374
WHAT? COLT.
676
00:47:59,443 --> 00:48:02,411
SPEAKING AS YOUR MANAGER,
YOU'RE GONNA DIE BROKE.
677
00:48:02,479 --> 00:48:06,264
HEY, BROKE OR BROKEN... WHAT DIFFERENCE
DOES IT MAKE? AT LEAST I'LL BE SMILING.
678
00:48:06,333 --> 00:48:10,035
RIGHT, JERRY? $100,000. WHERE
AM I GOING TO FIND SOMEONE...
679
00:48:10,103 --> 00:48:13,739
TO PUT UP $100,000 BAIL FOR ME?
680
00:48:13,808 --> 00:48:16,442
JERRY...
681
00:48:16,510 --> 00:48:19,979
OH, COME ON, GUYS.
THAT'S MY LIVING. COME ON.
682
00:48:59,152 --> 00:49:02,654
FALL GUY IS A GLEN
LARSON PRODUCTION.
55903
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