All language subtitles for The Adventures of Ozzie and Harriet S04E08 Music Appreciation 1080p AMZN WEB-DL DDP2 0 H 264-CRFW (1)_track4_[eng]

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of Ozzie and Harriet,"

starring the entire
Nelson family--

Ozzie, Harriet,
David, and Ricky--

with Don DeFore as "Thorny."

[classical music]

[jazz music]

- Hey, what's the idea?

- I thought you were asleep.

- I was trying to listen
to that symphony music.

- Are you kiddin'?

How can you listen to that
stuff and still stay awake?

Hey, what are you doing?

- For your information,
I was listening

to Tchaikovsky's Symphony No.

4 in F Minor, Opus 36.

- That's interesting to know.

Now we'll just put
Hammerhand Higgins back on.

- Hey, get out of
here, will you?

Cut it out!

- Hey, what are you doin'?

- Hey, what's going on in here?

- Oh, hiya, Ma.

- Fine thing, you have to call
in your mother to save you.

- Mom, I'm trying to play the
symphony record when Jazzbo

here comes in and
starts playing something

by Hammerhead Higgins.

- Hammerhand.

- What's the difference?

- Hammerhead is his brother.

Even as you and I, Hammerhead.

- Ricky, was David using the
record player when you came in?

- Yeah, but he was playing
all that dull classical stuff.

- There's nothing dull about
Tchaikovsky Symphony No.

4 in F Minor, Opus 36.

- Nothing except the
title and the music.

- Well, Ricky, David
has to listen to that.

It's part of his homework
for his music appreciation

class at school.

- Not only that, I enjoy it.

- I'd quit school before I'd
listen to junk like that.

- But you have a record
player up in your room.

Why don't you go
upstairs and use that?

- OK.

So long, longhair.

- If I were you,
I'd be the last one

to bring up the subject of hair.

[classical music]

[jazz music]

Oh, for crying out loud.

Ricky!

Ricky!

[classical music playing louder]

[jazz music]

- Hey, David?

[music playing louder]

[classical music playing loudly]

- David, do you have
to play this so loud?

- What?

- I say, do you have
to play this so loud?

What's the idea?

- I'm trying to drown out Ricky.

I can't listen to my records
with all that noise going on.

- Sounds pretty quiet now, son.

- I'm sorry, Pop.

- Hey, that's real nice.

What is that, Tchaikovsky?

- Yes, sir.

[jazz music and drumming]

Holy cow, listen to that!

- It sounds like a
herd of elephants.

- How can I listen to good music
with all that noise goin' on?

- Ricky!

Rick!

[drumming]

- Rick.

Whoa, whoa, whoa, Rick.

- Oh, hiya, Pop.

- Uh, Rick, what are
you doing here, son?

- I'm playing along with a
Hammerhand Higgins record.

- Well, are you kidding?

The record isn't even playing.

- I don't need it.

I know it by heart.

[drumming]

- Uh.

Oh, whoa, Rick.

Whoa, whoa, whoa, Rick.
Uh, look--

- What's the matter?
Did I leave something out?

- Well, I don't know
whether you did or not, son,

but this isn't quite fair.

I mean, you're sitting here
banging on the drums like this,

and, for one thing, you're
disturbing David downstairs.

- Hey, Pop, that stuff
he's playing disturbs me.

- Well, that isn't "stuff,"
that's symphony music.

- Look, Rick, why don't
you play your record softly

on your player here, and let
David play his record softly

down in the den?

- My record player is broken.

It exploded in the
battle of the bands.

- Well, uh, David's been
playing quite a while.

Maybe he'll let you use
the player in the den.

- He's been using it all day.

It ought to be my turn by now.

- Well, OK.

Come on, we'll go
downstairs and ask him.

- Uh, Pop?

Maybe you'd better
talk to him alone.

He's pretty belligerent today.

- [chuckles] Come on, we'll
go down together, son.

- Well, OK.

Would you ask him to change
the phonograph needle?

It's probably got
symphony buzz all over it.

[music playing]

- OK, Nervous, it's all yours.

- Thank you, Ludwig.

- Boys, this is ridiculous.

I don't see what this argument
is about in the first place.

- It's just that I'm a jazz
man, and David's a square.

- Look, if anybody's
a square just

because he doesn't like
that junk you play,

then, OK, I'm a square.

- That's what I said,
you're a square.

- Go ahead, call me
anything you want,

just so I don't have to
listen to that noise.

- Uh, Dave, have you
ever tried to listen

to any of Ricky's records?

- One or two, and that's plenty.

- Well, I don't think
that's very tolerant.

Do you?

- I'm tolerant, Pop.

I'm letting him
use the phonograph.

- Big deal.

It belongs to all of us.

It's part of my inheritance.

- Oh, Ricky.

See, uh, Dave, what
I'm trying to do

is to get you guys to look at
this from the other fellow's

point-of-view, or in
this case, listen to it.

Now, how do you know you won't
like these records of Ricky's

if you haven't listened to--?

For instance, that record
he's got right there,

what's it called?

- "I Ain't Going to Give Nobody
None of My Jelly Roll," mambo.

- Well, gee, uh, how do
you know you don't like

that if you don't listen to it?

- How can he help but like it?

- At least you ought to
give it a chance, Dave.

- Don't tell me this
battle is still going on.

- I'm afraid it is.

I can't get either
one of these guys

to see the other
fellow's point-of-view.

- David had to bring Pop
down here to help them.

- Look, Rick, I'm not
on anybody's side.

I'm just trying to help you guys
be broad-minded enough to see

both sides of this darn thing.

- Gee, Pop, I
couldn't even listen

to one side of David's records.

- That's fine with me.

Just don't play any of
that junk of yours while

I'm listening to good music.

- I think you'd both better go
outside and get some fresh air.

- I need some.

- I suppose Hammerhand Higgins
doesn't play good music.

- Don't you think you're
working up a big deal

unnecessarily here?

- Oh, I don't think so.

In what way?

- Well, by try and
force something on them

they don't want.

- Well, I just want
them to be tolerant.

- Well, obviously David
likes his kind of music,

and Ricky likes
his kind of music.

As long as they're happy,
why try to change them?

- Well, as I say,
I'm just trying

to teach them to be tolerant.

- Suppose they don't
want to be tolerant?

- Oh, that's one thing
I won't tolerate.

[music playing]

[loud classical and jazz music]

[music getting quieter]

- Hi, Oz!

Hey, Oz!

Hey, Oz!

- Oh, hiya, Thorny.

Wait a minute.

Hold everything.

- Hey, what's the cotton for?

Afraid to get a
draft in your head?

- [chuckles] There's a lot
of noise going on inside.

- Inside your head?

- [chuckles] Well, possibly.

I meant inside the house.

- Oh, say I've been meaning
to ask you about that.

What's going on over there?

Been hearing the
darnedest noises.

- Yeah, well, see, Dave's
trying to drown out Ricky's jazz

records with some
symphony music,

and Rick's trying to
out-bop the philharmonic.

[chuckling]

- Maybe I ought to
send Catherine's mother

over to sing a few operatic
arias to drown them both out.

[laughs] Say, uh, what's
this with Dave and Ricky?

- Well, see, uh, Dave's
in this music appreciation

class at school, and he
thinks the only kind of music

in the world is classical.

And you know Ricky, he's
a bop fan, a jazz hound.

- Well, what's your problem?

- Well, see, I just
insisted that Ricky

listen to some classical music,
with an open mind, of course,

and David try to
appreciate jazz music.

- It seems to me a
kid's got a right

to listen to any kind
of music he wants to.

- Well, of course he has,
but it's also a parent's duty

to make sure that
a kid is exposed

to various types of music
so he can form an opinion.

- Well, I must admit you
got a point there, Oz.

If it hadn't been
for my Uncle Rudolph,

I probably would
have never developed

an interest in
good music myself.

- Oh, well, he was
musically-inclined, huh?

- Oh, ho, ho, Oz,
he was a natural.

- Well, see, that's
the way it is.

In the old days,
practically every family

had somebody who
could play the violin,

or the piano, or the
flute, or the cello.

What instrument did
your Uncle Rudolph play?

- Well, Oz, it was the
most remarkable thing.

You see, he was bald-headed.

And this little
son of a gun would

take an ordinary
tablespoon, open his mouth

and beat out the
darnedest tunes you ever

heard on the top of his head.

- Say, how about that?

- And, Oz, he had
this other bit that

was absolutely sensational.

He'd get up in the middle of
floor, take off his shirt,

put his hand under
his arm and play

a complete chorus of "Yankee
Doodle" without a mistake.

Oh, look, Oz, I got to go.

I'll see you later.

- All right, see you.

[music playing]

- We going to buy anything, Pop?

- Well, I don't know yet.

The main ideas for you
guys to hear some records.

I want Dave to listen
to some jazz records,

and I want you to listen
to some classical things.

- Gee, Pop, I hate
that symphony stuff.

- Oh, come on now,
it's not so bad.

Hey, come here, Rick.

Here's a very intelligent
looking woman.

She seems to be enjoying it.

- I wonder what
she's listening to.

- Maybe she wouldn't
mind if we asked her.

[jazz music]

Oh, I beg your pardon.

- What was that?

- I know what it wasn't.

It wasn't Opus 36.

- Well, everybody
to his own taste.

- [HUSHED] Hey, Rick,
here's a real cat

for you, goatee and everything.

Wonder what he's listening to.

- Dinner music, probably.

- Why do you say that, son?

- Well, he's eating his lunch.

[classical music]

Hey, Dave, here are a
couple of music lovers

that ought to give
us a few tips.

- What's that, son?

- Oh, see you later, Dad.

- Ricky, we're here for
educational purposes.

- I don't know, they
look pretty smart to me.

- Hi there, Mr. Nelson.
- Hello, Mr. Humphries.

- What can I do for you?

- Well, I'd like to hear
a couple of records.

- Well, you've already heard
both of our Rudy Vallée

records.

- Well, yes, but
this isn't for me.

It's something for the boys.

Uh, fellas, I'd like to have
the boys hear some records

for comparison purposes,
some classical music and also

some jazz.

Uh, what would you recommend in
the line of classical records?

- Well, there's Beethoven's
Fifth, that's a big seller.

Then there's Tchaikovsky's
"Romeo and Juliet."

- I thought that
was Shakespeare's.

- Well, no, this
is Tchaikovsky's.

- How about those classical
cats stealing from each other?

- See, it's a-- it's a--

it's a--
- Here it is, right here.

- It's real good, yeah.

- Here are a couple of others
I think you might enjoy.

This is Bach's "Toccata
and Fugue in D minor."

- Oh, yeah, that's always good.

- And this is a modern work,
Prokofiev's Fifth Symphony.

- You said Prokof--

that's the...

Over here, Rick.

There's a vacant booth.

- Breadcrumbs.

- Well, how about
the jazz records?

- Oh, well, let's see.

Uh, here's one we just got in.

It seems to be very interesting.

It's called "I Ain't Going to
Give Nobody None of My Opus

36," by Hammerhead Higgins.

- Oh, that's--

- Hammerhand's brother.

- --Hammerhand's brother, yes.

Uh, do you have something that's
a little easier to understand?

- Well, let's see.

We have, uh, Stubby Whiteside.

How about Stubby?

He's got a real modern group.

Bass, French horn,
oboe and flute.

- That sounds pretty classical.

- Classical?

Will till you hear the hot
oboe in the third chorus.

- This seems to be good, Dave.

Why don't you try that?

- It's the latest sound.

Here are a couple of others,
Dave, you might like.

This is Bang Bang Elliott,
with a vocal chorus

by Kirsten Flagstad.

Here's a fine quintet,
The Crazy Five and Max.

- Who's Max?

- He's the conductor.

- There's a booth empty
right there, Dave.

See, I just want to broaden
the boys' musical scope,

so to speak.

- Say, maybe they'd like to
go to the concert tonight.

- Uh, what concert is that?

- Well, actually,
there are two of them.

The music league has a
very fine piano recital,

and then over at the
Civic Auditorium,

there's a rhythm
and blues concert.

I have some tickets
here if you think

the boys would be interested.

- Oh, yeah, that
sounds real good.

Uh, why don't you give me, say,
two tickets for each affair?

- All right, fine.

I'm sure the boys
will like them.

They seem to be
enjoying the records.

[jazz music]

[classical music]

- [chuckles]

Oh, uh, say, I noticed there's
an empty booth over there.

Would you mind awfully--

- Not at all.

Ah, here we are.

You know, you really
ought to buy that.

There aren't many Rudy Vallée
records coming through anymore.

- Are the boys ready
yet, do you know?

- I'm afraid not.

They just went upstairs
a few minutes ago.

- Well, gee, if they're
going to get ready in time

to pick up the girls
and go to the concert,

they better get a move on.

- Are you sure you're
doing the right thing?

- Oh, sure.

Gee, Ricky really
likes classical music.

You should have seen him
down at the music shop.

He stood there for
about two hours

listening to those records.

- You sure he wasn't doing
it just to please you?

- No, no.

And when I gave him the
tickets to the piano concert,

he seemed very happy.

- What about David?

- Well, he seemed very
happy with the tickets

to the jazz thing.

- Well...

- No, really, I think we're
doing the right thing.

I think Dave's going to
like the jazz concert,

and I think Ricky's going
to like the piano concert.

- Piano concert.

Classical stuff.

- What's the matter?

Didn't you like those
records you listened to?

- If a couple of them were
jazzed up, they'd have been OK.

- I listened to some of that
jazzed up stuff you like,

and Pop was right.

A couple of them
sounded all right,

but I'm sure not looking
forward to a whole evening

of that stuff.

- Hey, I've got an idea.

How about switching tickets?

- No, we couldn't do that.

We don't want to
hurt Pop's feelings.

After all, he's just
trying to teach us to be

a little more broad-minded.

- OK, I'm broad-minded.

Now let's switch tickets.

- Maybe we shouldn't.

Besides, when I talked
to Susan this afternoon,

she really seemed enthused about
going to this darn bop thing.

- Gee, that's funny, the same
thing happened with Janet.

She usually likes jazz music.

She thought I was
pretty sophisticated

asking her to a piano concert.

- Sophisticated?

- Yeah, she thinks you're
pretty lowbrow going to this bop

thing.

- Looks like we both just have
to suffer through the evening.

- Oh, come on, fellas,
you're going to be late.

- I'll toss you for the shower.

- I'll toss you out if
you get there first.

[music playing]

- Hey, you look pretty
sharp there, Dave.

- Thanks, Pop.

- Do I look OK for
a piano concert?

- Yeah, you look
fine to me, Rick.

- Wait a minute.

What color socks
have you got on?

- Dark blue.

- Oh, that's fine.

- I ought to be right in
style with the bop crowd.

My socks don't match.

-

- Well, have a good time, boys.

Good night.

- Good night, Mom.

- Good night, Mom.
- Good night, dear.

- Oh, have you guys
got plenty of money?

- Yeah, thanks a lot, Pop.

- Why didn't you let
me answer that, David?

- They sure are
getting grown up.

What's the matter?

- Oh, I'm kind of
worried about Ricky.

He just didn't seem
very happy to me.

- Well, he seems
all right to me.

- Well, and there's David.

He didn't look
very happy either.

- And then there's Ozzie.

He really doesn't
look very happy.

- Well, you know, as a matter
of fact, I'm not, Harriet.

I think we've made
a bad mistake here.

- What do you mean "we?"

- Well, uh, I have then.

I just never should have
bought those tickets.

- Well, why do you say that?

- Well, for one thing,
I'm sure David would have

preferred the piano recital.

And you know darn well
Ricky would have rather gone

to that bop thing.

- No, I have a
feeling they're both

going to have a
wonderful time tonight.

In fact, I know they will.

- What makes you so sure?

- I switched the tickets.

[jazz music]

[jazz music]

[piano playing]

[jazz music]

[applause]

- This is quite a
surprise, David.

- It's quite a
surprise to me, too.

- You know, when you mentioned
about going to that rhythm

and blues thing, I said
OK because I didn't want

you to think I was a square.

But I must admit, I enjoy this
piano concert much better.

- So do I. Although, some
of that jazz isn't too bad.

I spent the afternoon
listening to it.

- Well, that's a very mature
and broad-minded attitude.

- Our whole family is that way.

You know, I was thinking
maybe after the concert,

you'd like to go over
to Hooligans Hangout.

Have you ever been there?
They usually have a jazz combo.

- Yes, I know Hammerhead Higgins
opened there last Friday night.

- This music is
real nice, isn't it?

- Simply beautiful.

[applause]

- Well, Hooligans Hangout
is usually pretty crowded.

- Do you think we ought
to leave soon and make

sure we get a good table?

- Would you mind?
- Not at all.

Let's go.

[music playing]

- You still think
I'm sophisticated?

- Of course you are.

Only a sophisticated man
would change his mind

about the piano concert
and come to a jazz concert.

- Well, as long as
it's OK with you.

Hey, did you notice this
about the dance contest

they're having
after the concert?

- Yes, I did.
- It says anybody can enter.

- Really?

- But, of course, you
like classical music.

- Well, I do, but I'm
pretty sophisticated, too.

For a girl, that is.
- Shall we?

- Crazy.

[jazz music]

[applause]

[slow swinging jazz piano]

- The boys are home.

- Oh, good.

I thought I heard
a car drive in.

Did they have a nice time?

- Oh, yes.

Ricky won a prize at some
sort of a dance contest,

and David went over to
this little nightclub

and they let him sit in on drum.

- Well, how about that?

I didn't know Dave
played drums that well.

- Oh, yes, he's
really been practicing

the last couple of days.

I think Ricky got
him interested.

- Well, that's good.

- And that's not all.

I heard Rick asking
David a lot of questions

about the piano concert.

I think he wants to
go to the next one.

- Oh, gee, that's swell.

See, that's just what I've
been trying to do, Harriet,

to get the boys to see the
other guy's point of view,

get them to have some
consideration for the other.

Why did you do that?

I had it tuned to that
station for a special reason.

- Oh, well, there's a
wonderful old movie coming on

in about two minutes.

- Well, uh, I know, but they
have this all-night opportunity

contest coming on
this other station,

and that's why I
had it set there.

- Well, don't you want
to see the old movie?

- Well, gee, who wants to
look at an old movie when--

Well, you do.

Oh.

Oh, OK, we'll leave it tuned
to your point of-- to, uh--

- I'll be right back.

Now, don't change it.

- No, no, I won't.

[music playing faintly]

Thorny?

Say, I didn't wake
you up, did I?

Oh, that's a shame.

Oh.

Well, I'm glad you
weren't asleep very long.

Say, would you do me a favor
and leave your back door open?

See, there's a show
going on television

in a couple of minutes
and I want to see it,

and Harriet wants to
look at something else.

Yeah, I think you
would enjoy it.

OK, fine.

I'll see you in a
couple of minutes then.

So long.

[ending theme]

- Next week's show
will be presented

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- Well, good night, folks.
We'll see you again next week.

- Good night.

And remember, every day's
a holiday with Hotpoint.

- Seven days a week.

- 365 days a year.

- Every day's a
holiday with Hotpoint.

- Rhythm and blues
music was played

by Big Jay McNeely and his Go!

Go!
Go!

Band.

The concert pianist
was Frank Leithner.

Susan Whitney played
the part of Susan.

Rickie Pond was seen as Janet.

Mr. Humphrey was
played by Jack Wagner.

And Dan Casabian played
the part of the man

with the breadcrumbs.

This is Verne Smith speaking.

[swinging jazz pop music]

This has been an ABC Television
Network presentation.