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These are the user uploaded subtitles that are being translated: 1 00:00:17,968 --> 00:00:20,869 ♪♪ [Radio: New Age Pop] 2 00:00:45,362 --> 00:00:47,596 [Static Hiss] 3 00:00:53,270 --> 00:00:55,453 [Static Hiss Continues] 4 00:00:55,523 --> 00:00:58,674 [Tuner Beeping] [Static Hiss Continues] 5 00:01:04,598 --> 00:01:07,065 [Hissing Continues] 6 00:01:37,014 --> 00:01:40,548 - [Gasps] - [Tires Screeching] 7 00:01:42,470 --> 00:01:46,671 [Shuddering, Sobbing] 8 00:01:55,966 --> 00:01:58,182 [Splintering] 9 00:02:02,506 --> 00:02:04,689 [Panting] 10 00:02:21,592 --> 00:02:23,675 [Static Hiss Continues] 11 00:02:33,704 --> 00:02:36,855 [Rattling] 12 00:02:36,924 --> 00:02:39,891 [Shuddering, Gasping] 13 00:02:39,960 --> 00:02:42,343 - [Whimpers] - [Loud Crashing] 14 00:02:42,412 --> 00:02:44,546 [Cries Out, Gasping] 15 00:02:50,638 --> 00:02:52,638 [Rumbling] 16 00:02:58,061 --> 00:03:01,696 [Crashing, Rumbling] 17 00:03:01,765 --> 00:03:03,548 [Panicked Gasps] 18 00:03:03,617 --> 00:03:06,501 [Whimpering, Gasping] 19 00:03:06,570 --> 00:03:09,988 - [Fearful Cries] - [Rumbling] 20 00:03:14,328 --> 00:03:17,345 [Muffled Cry] 21 00:03:17,414 --> 00:03:20,566 - [Gasps] - [Cries Continue] 22 00:03:20,634 --> 00:03:23,751 [Sobbing, Panicked Whimpering] 23 00:03:29,559 --> 00:03:31,592 [Hissing Continues] 24 00:03:31,661 --> 00:03:34,579 - [Starts Engine] - [Burning Rubber] 25 00:03:38,268 --> 00:03:40,935 [Hissing Continues] 26 00:03:43,440 --> 00:03:45,924 - [Vehicle Approaching] - [White Noise] 27 00:03:52,265 --> 00:03:56,101 - [Horn Blaring] - [Screaming] 28 00:04:56,613 --> 00:04:59,981 [Jordan] WILL WE ALWAYS BE TOGETHER? 29 00:05:00,050 --> 00:05:02,328 [Frank's Voice] I COULD HAVE SAVED YOU. I DIDN'T PROTECT... 30 00:05:02,352 --> 00:05:04,785 I COULD'VE SAVED YOU. I HAD A CHOICE. 31 00:05:04,854 --> 00:05:07,655 [Jordan] WILL WE ALWAYS BE TOGETHER? 32 00:05:08,658 --> 00:05:10,791 [Catherine] I LOVE YOU. 33 00:05:53,736 --> 00:05:56,605 [Static Hissing] 34 00:06:00,610 --> 00:06:03,411 [Hissing Continues] 35 00:06:06,283 --> 00:06:09,500 - [Deafening Blast] - [Horn Blaring] - [Catherine] I LOVE YOU. 36 00:06:09,569 --> 00:06:11,503 [Hissing] 37 00:06:13,073 --> 00:06:15,056 [Woman On Phone] WE HAVE NO ONE BY THAT NAME, SIR. 38 00:06:15,125 --> 00:06:17,959 CHYREN. C-H-Y-R-E-N. 39 00:06:18,028 --> 00:06:21,730 EXTENSION 6-70. WE HAVE NO LISTING FOR THAT NAME, 40 00:06:21,798 --> 00:06:24,065 AND THAT EXTENSION HAS NOT BEEN ISSUED. 41 00:06:24,134 --> 00:06:26,501 WHAT ABOUT OUTSIDE QUANTICO? 42 00:06:26,569 --> 00:06:30,071 WE HAVE NO LISTING. CAN I HELP YOU WITH ANYTHING ELSE, SIR? 43 00:06:30,140 --> 00:06:33,875 NOPE. [Hangs Up] 44 00:06:39,933 --> 00:06:42,667 DOUG. OH, HEY, MR. BLACK. 45 00:06:42,736 --> 00:06:45,670 DO YOU KNOW THIS MAN, CHYREN? 46 00:06:45,739 --> 00:06:47,656 NEVER HEARD OF HIM. WHY? 47 00:06:47,724 --> 00:06:51,076 AND DO YOU KNOW WHAT THIS IS? YEAH, WHITE NOISE. SEATTLE P.D. SENT IT OVER TO US. 48 00:06:51,144 --> 00:06:54,478 YOUR OLD PAL, DETECTIVE GEIBELHOUSE, FOUND IT AT A CRIME SCENE ALL TORN UP. 49 00:06:54,547 --> 00:06:56,675 THOUGHT IT MIGHT HAVE SOME BEARING. DID IT? 50 00:06:56,699 --> 00:06:59,684 WE PUT IT TOGETHER, RAN EVERY TEST WE COULD. NOTHING. 51 00:06:59,753 --> 00:07:02,737 CAN YOU PLAY IT FOR ME? 52 00:07:08,061 --> 00:07:10,411 [Hissing] 53 00:07:20,957 --> 00:07:23,820 - [Deafening Blast] - [Horn Blaring] - [Catherine] I LOVE YOU. 54 00:07:23,844 --> 00:07:25,593 [Static Hissing] 55 00:07:27,063 --> 00:07:29,647 LIKE I SAID, 20 SECONDS OF WHITE NOISE. NOTHING. 56 00:07:30,701 --> 00:07:33,134 I THOUGHT WHITE NOISE WAS EVERYTHING. 57 00:07:33,203 --> 00:07:35,614 THE DEFINITION OF WHITE NOISE IS EVERY SOUND IN THE AUDIO SPECTRUM... 58 00:07:35,638 --> 00:07:39,223 PLAYED AT THE SAME LEVEL, BUT IN TERMS OF USEFUL SOUND, EVERYTHING IS NOTHING. 59 00:07:40,627 --> 00:07:42,877 RUN IT AGAIN FOR ME, WILL YA? 60 00:07:46,666 --> 00:07:49,651 [Static Hissing] 61 00:07:49,720 --> 00:07:51,803 - DO YOU HEAR ANYTHING? - [Hissing Continues] 62 00:07:54,341 --> 00:07:56,719 - [Deafening Blast] - [Static Hissing] - [Woman Screaming] 63 00:07:56,743 --> 00:07:58,743 WHAT WAS THAT? [Hissing Resumes] 64 00:08:02,866 --> 00:08:05,066 ITS WAVE PATTERN LOOKS LIKE... 65 00:08:05,134 --> 00:08:07,918 TECHNICALLY LIKE A SECTION OF PINK NOISE. 66 00:08:07,987 --> 00:08:10,822 "PINK NOISE"? IT'S THE STAGE BETWEEN WHITE AND BROWN NOISE. 67 00:08:10,890 --> 00:08:13,792 MORE ORDER THAN WHITE, LESS ORDER THAN BROWN. 68 00:08:13,860 --> 00:08:16,911 THEN, THIS IS NOT AN ACCIDENT. SOMEONE MADE IT. 69 00:08:16,980 --> 00:08:20,031 SURE LOOKS THAT WAY, BUT I DON'T THINK IT'S ANY BIG... 70 00:08:22,553 --> 00:08:26,537 DID YOU SEND THIS TO ME? GETTIN' A LITTLE PARANOID ARE WE, MR. B? 71 00:08:26,606 --> 00:08:30,324 DID YOU SEND THIS TO ME, DOUG? NO, MAN, I DIDN'T. WHY WOULD I? 72 00:08:32,662 --> 00:08:36,981 HEY, HOW'D YOU GET IT ANYWAY? I THOUGHT I SENT IT BACK TO THE SEATTLE P.D. 73 00:08:37,050 --> 00:08:39,651 MR. BLACK? 74 00:08:41,688 --> 00:08:46,641 [Whale Sounds] 75 00:08:50,413 --> 00:08:53,114 [Surf Breaking] 76 00:08:57,220 --> 00:08:59,870 [Seagulls Squawking] 77 00:09:15,572 --> 00:09:18,456 [Recorded Sounds Continue] 78 00:09:57,014 --> 00:09:59,414 [Horn Blaring] 79 00:10:06,656 --> 00:10:10,257 THREE WEEKS AGO LAST TUESDAY, HER NAME WAS CAROL WHEATLEY. 80 00:10:10,327 --> 00:10:13,028 GOIN' TO VISIT HER MOM FOR THE WEEKEND. 81 00:10:13,096 --> 00:10:16,581 SHE GOT HIT SIDE-ON IN THE WRONG LANE BY A BIG RIG. 82 00:10:16,649 --> 00:10:21,519 TOTALED. WE WERE PICKIN' BITS OF HER OUT OF THE WRECK FOR HALF A DAY. 83 00:10:21,588 --> 00:10:24,639 SHE FALL ASLEEP? WE LOOKED AT THAT. 84 00:10:24,708 --> 00:10:26,886 BUT THE DRIVER SWORE BLIND THAT WHEN HE FIRST SAW HER, 85 00:10:26,910 --> 00:10:30,278 SHE WAS STOPPED ON HER SIDE OF THE ROAD, AND SHE WAS OUTSIDE THE CAR. 86 00:10:30,346 --> 00:10:34,315 THEN SHE RAN BACK TO THE CAR, GOT IN AND JUST REVERSED IN FRONT OF HIM. 87 00:10:35,819 --> 00:10:40,004 SHE RAN LIKE SHE WAS BEING CHASED? SHE RAN. LIKE PEOPLE RUN. 88 00:10:40,073 --> 00:10:42,457 IT WAS AN ACCIDENT, FRANK. 89 00:10:42,526 --> 00:10:44,926 SAD AND BAD, BUT AN ACCIDENT. 90 00:10:44,994 --> 00:10:48,329 I DIDN'T ASK THEM TO SHOW YOU THE TAPE. 91 00:10:48,398 --> 00:10:51,616 - [Screaming] - [Horn Blaring] 92 00:10:55,505 --> 00:10:57,633 IT WAS SNOWING. NO. 93 00:10:57,657 --> 00:11:00,825 AND THERE WAS ICE. NO. NO ICE. THE ROAD WAS FINE. 94 00:11:02,712 --> 00:11:05,180 FRANK, 95 00:11:05,248 --> 00:11:07,648 HOW ABOUT TELLIN' ME WHY YOU'RE HERE? 96 00:11:12,889 --> 00:11:14,822 [Knocking] 97 00:11:20,062 --> 00:11:24,131 MRS. WHEATLEY, MY NAME IS FRANK BLACK. I WORK WITH THE F.B.I. 98 00:11:24,200 --> 00:11:27,602 I NEED TO TALK TO YOU ABOUT YOUR DAUGHTER. 99 00:11:27,670 --> 00:11:30,337 COME ON IN. THANK YOU. 100 00:11:32,041 --> 00:11:34,709 A TRUCK RAN INTO HER CAR. 101 00:11:34,778 --> 00:11:38,138 THE POLICE SAID HE MUST HAVE BEEN DOIN' NEARLY 80. 102 00:11:39,916 --> 00:11:42,750 THE TRUCK DRIVER SAID SHE REVERSED INTO HIM. 103 00:11:42,819 --> 00:11:45,820 NO. NO, HE... HIT HER. 104 00:11:45,889 --> 00:11:49,640 HE WAS DOIN' NEARLY 80. THE POLICE WOULDN'T LET ME SEE. 105 00:11:49,709 --> 00:11:53,794 THEY HAD TO IDENTIFY HER BODY FROM HER DENTAL RECORDS. 106 00:11:54,948 --> 00:11:57,215 MRS. WHEATLEY, 107 00:11:57,283 --> 00:12:01,719 IS IT POSSIBLE SHE DID REVERSE INTO HIS TRUCK? 108 00:12:01,787 --> 00:12:05,756 ARE YOU TRYING TO SAY THAT SH-SHE KILLED HERSELF? 109 00:12:05,825 --> 00:12:08,343 - IS THAT POSSIBLE? - NO. 110 00:12:08,411 --> 00:12:11,729 SHE WAS A HAPPY... SHE WAS HAPPY. 111 00:12:11,782 --> 00:12:15,917 - [Horn Blaring] - [Screaming] 112 00:12:18,621 --> 00:12:23,274 DID SOMEBODY DROWN? THEY FELL THROUGH THE ICE AND DROWNED. 113 00:12:28,331 --> 00:12:30,431 WHO WAS IT, MRS. WHEATLEY? 114 00:12:33,303 --> 00:12:36,854 HIS NAME WAS... NEIL QUINN. 115 00:12:36,922 --> 00:12:40,725 IT-IT WAS YEARS AGO, BACK EAST. UH-HUH. 116 00:12:40,793 --> 00:12:43,094 THE ICE WAS TOO THIN. 117 00:12:43,163 --> 00:12:46,881 SHE WAS LIGHT ENOUGH AND HE WASN'T. 118 00:12:46,949 --> 00:12:49,366 IT WASN'T HER FAULT. 119 00:12:50,370 --> 00:12:52,887 SHE THOUGHT IT WAS. 120 00:12:52,955 --> 00:12:55,023 WHO ARE YOU? 121 00:12:56,359 --> 00:12:59,427 HOW DO YOU KNOW THIS? [Knocking] 122 00:13:01,164 --> 00:13:03,597 EXCUSE ME. 123 00:13:18,364 --> 00:13:22,000 WHAT'S UP, GEIBS? I CALLED ANDY McCLAREN, FRANK. 124 00:13:22,068 --> 00:13:24,380 HE KNEW NOTHIN' ABOUT YOUR TRIP. 125 00:13:24,404 --> 00:13:26,805 SAID HE CERTAINLY HADN'T AUTHORIZED IT. 126 00:13:26,873 --> 00:13:28,873 I DON'T NEED McCLAREN'S AUTHORIZATION. 127 00:13:28,942 --> 00:13:31,942 FURTHERMORE, HE SAID THE F.B.I. HAS NO JURISDICTION IN THIS CASE, 128 00:13:31,978 --> 00:13:35,180 AND NO INTEREST IN IT... NONE. NO, THEY DON'T. 129 00:13:36,433 --> 00:13:38,366 FRANK, 130 00:13:38,435 --> 00:13:41,414 YOU KNOW I HAVE THE GREATEST RESPECT FOR YOU. 131 00:13:41,438 --> 00:13:45,406 BUT YOU HAVE GOT TO TELL ME WHAT YOU'RE LOOKIN' AT HERE. 132 00:13:45,475 --> 00:13:49,076 I DON'T KNOW. GEEZ, FRANK. 133 00:13:49,145 --> 00:13:53,831 YOU NEVER DON'T KNOW. WHAT IS IT? 134 00:13:53,900 --> 00:13:59,436 I THINK THAT CAROL WHEATLEY DIED BECAUSE OF THE TAPE. 135 00:13:59,505 --> 00:14:01,923 THERE ARE MORE TAPES. 136 00:14:03,492 --> 00:14:07,294 ♪♪ [Man Singing: R & B Ballad] 137 00:14:42,649 --> 00:14:44,632 ♪♪ [Stops] 138 00:14:47,036 --> 00:14:49,470 [Static Hissing] 139 00:14:54,627 --> 00:14:56,577 [Static Continues] 140 00:15:04,420 --> 00:15:06,570 [Rumbling] 141 00:15:11,727 --> 00:15:14,162 [Rumbling Intensifies] 142 00:15:24,090 --> 00:15:26,624 [Gasps] 143 00:15:29,012 --> 00:15:31,178 [Screams] 144 00:15:37,871 --> 00:15:40,605 [Woman Chattering On Police Radio] 145 00:15:40,673 --> 00:15:43,374 [Sirens Approaching] 146 00:15:48,113 --> 00:15:50,782 [Strobe Whining, Shutter Clicking] 147 00:15:52,335 --> 00:15:56,137 HEY, FRANK. WE FOUND THIS ALL BURNED UP IN THE FIREPLACE. 148 00:15:56,206 --> 00:15:58,339 LOOKS LIKE ANOTHER ONE OF THOSE CASSETTES. 149 00:15:58,407 --> 00:16:01,309 WHETHER WE GET ANYTHING OFF OF IT OR NOT IS ANOTHER STORY. 150 00:16:01,377 --> 00:16:05,279 THE CASE WAS FOUND ON TOP OF THIS ENVELOPE. [Sighs] 151 00:16:05,348 --> 00:16:08,182 THE ADDRESS IS HANDWRITTEN, POSTED YESTERDAY IN SEATTLE. 152 00:16:08,250 --> 00:16:10,563 A STAMP FROM THREE YEARS AGO. WE'RE TRACIN' IT. 153 00:16:10,587 --> 00:16:13,537 - THE VICTIM? - JERRY ORIGO. HE WAS A DESIGNER. 154 00:16:13,606 --> 00:16:17,119 RICH, SINGLE, GAY. MAYBE HE BROUGHT THE WRONG GUY HOME. 155 00:16:17,143 --> 00:16:19,310 THE NEIGHBORS SAID THEY HEARD SHOUTING. 156 00:16:19,378 --> 00:16:22,730 [Screaming] 157 00:16:22,799 --> 00:16:25,900 HE BURNED TO DEATH. FRANK. 158 00:16:25,968 --> 00:16:30,254 THE POOR SON OF A BITCH WENT OUT THE WINDOW, SIX FLOORS DOWN. 159 00:16:30,323 --> 00:16:33,157 THE M.E. ALREADY CONFIRMED HE DIED OF INJURIES FROM THE FALL. 160 00:16:33,225 --> 00:16:36,910 WHERE DO YOU GET THIS FIRE STUFF? THE POSITION HE FELL IN. 161 00:16:36,979 --> 00:16:40,264 PUGILISTIC. HE THOUGHT HE WAS BURNING. 162 00:16:40,333 --> 00:16:43,601 LOOK INTO HIS PAST. GO BACK AS FAR AS YOU CAN. 163 00:16:43,669 --> 00:16:45,736 THERE'LL BE PEOPLE DEAD BY FIRE. 164 00:16:47,573 --> 00:16:50,141 EXCUSE ME. 165 00:16:50,210 --> 00:16:54,378 - WHAT ARE YOU DOING HERE? - I COULD ASK YOU THE SAME QUESTION. 166 00:16:56,415 --> 00:16:59,333 McCLAREN SENT ME. HE WAS CONCERNED. 167 00:16:59,402 --> 00:17:01,501 HE GOT A CALL FROM DETECTIVE GEIBELHOUSE. 168 00:17:01,570 --> 00:17:03,965 THIS IS NONE OF THEIR BUSINESS. McCLAREN'S VIEW IS THAT... 169 00:17:03,989 --> 00:17:06,823 IF YOU'RE USING F.B.I. CREDENTIALS TO GAIN ACCESS... 170 00:17:06,892 --> 00:17:10,495 TO CRIME SCENES TO INTERVIEW PEOPLE, THEN IT IS HIS BUSINESS. 171 00:17:14,067 --> 00:17:17,168 SOMEONE SENT ME A CASSETTE THROUGH BUREAU INTERNAL MAIL... 172 00:17:17,237 --> 00:17:19,398 OF A CRIME SCENE HERE IN SEATTLE... 173 00:17:19,422 --> 00:17:22,183 WHERE CAROL WHEATLEY DIED. WHO SENT IT? 174 00:17:22,225 --> 00:17:24,759 SOMEONE NAMED VICTOR CHYREN. 175 00:17:24,828 --> 00:17:28,129 HE DOESN'T EXIST, NOT IN THE F.B.I., ANYWAY. 176 00:17:28,197 --> 00:17:31,598 HAS THIS SOMETHING TO DO WITH THE MILLENNIUM GROUP? I DON'T KNOW. 177 00:17:33,286 --> 00:17:35,336 IS THERE A CRIME HERE, FRANK? 178 00:17:35,404 --> 00:17:38,489 TWO PEOPLE RECEIVED THE CASSETTES. 179 00:17:38,557 --> 00:17:42,510 THEY DIED FROM WHAT'S ON THEM. DO YOU KNOW WHY? 180 00:17:48,617 --> 00:17:50,851 ♪♪ [Recording: Woman Singing] 181 00:18:08,605 --> 00:18:12,373 [Breathing Sound: Distorted] 182 00:18:27,740 --> 00:18:30,257 [Distorted Crashing, Rumbling] 183 00:18:35,264 --> 00:18:37,231 [Static Hissing] 184 00:18:52,915 --> 00:18:54,932 - [Screeching] - [Catherine] I LOVE YOU. 185 00:18:55,000 --> 00:18:57,835 [Hissing Resumes] 186 00:18:57,904 --> 00:19:01,288 - [Radio Frequencies Beeping] - [Screeching] - [Catherine] I LOVE YOU. 187 00:19:01,357 --> 00:19:03,874 [Static Hiss Resumes] 188 00:19:03,943 --> 00:19:06,210 [Tape Machine Clicking, Rewinding] 189 00:19:06,279 --> 00:19:08,278 [Hissing] 190 00:19:08,347 --> 00:19:12,583 - [Screeching] - [Catherine] I LOVE YOU. - [Squawking] 191 00:19:14,470 --> 00:19:16,537 [Machine Rewinding] 192 00:19:16,606 --> 00:19:18,773 [Click] [Hissing Resumes] 193 00:19:26,315 --> 00:19:28,950 [Hissing Continues] 194 00:19:56,378 --> 00:19:59,613 - YOU WERE RIGHT ABOUT THE FIRE. - I WAS. 195 00:19:59,682 --> 00:20:01,810 TWELVE YEARS AGO, JERRY ORIGO WAS A BUILDING SUPERVISOR... 196 00:20:01,834 --> 00:20:04,485 - ON A CITY HOUSING PROJECT IN NEW ORLEANS. - AH. 197 00:20:04,554 --> 00:20:06,970 THE SMOKE ALARM BATTERIES WERE NEVER INSTALLED. 198 00:20:07,039 --> 00:20:08,989 THE EMERGENCY EXITS WERE LOCKED SHUT. 199 00:20:09,058 --> 00:20:11,676 THERE WAS A FIRE. SEVEN PEOPLE DIED. 200 00:20:11,744 --> 00:20:14,711 ORIGO WAS RESPONSIBLE FOR SAFETY INSPECTIONS. 201 00:20:14,780 --> 00:20:16,847 HE WAS INVESTIGATED AND NEVER CHARGED. 202 00:20:16,916 --> 00:20:19,666 - DO YOU THINK WHOEVER SENT HIM THE TAPE KNEW THIS? - I DON'T KNOW. 203 00:20:19,735 --> 00:20:22,887 YOU THINK THERE'S SOME KIND OF SUBLIMINAL MESSAGES ON THESE TAPES? 204 00:20:22,955 --> 00:20:26,273 - IT'S POSSIBLE. - BUT THE F.B.I. LAB FOUND NOTHING. 205 00:20:26,342 --> 00:20:30,844 THE SOVIETS WORKED WITH BIO-ACOUSTICAL TECHNOLOGY BACK IN THE '70s. 206 00:20:30,913 --> 00:20:34,915 THEY MANAGED TO SEND COMMANDS VIA WHITE NOISE BANDS, 207 00:20:34,984 --> 00:20:36,934 DIRECTLY INTO THE SUBCONSCIOUS. 208 00:20:37,002 --> 00:20:39,448 - THE TECHNOLOGY EXISTS. - BUT IF THE TECHNOLOGY WERE THERE, 209 00:20:39,472 --> 00:20:41,989 - WHY DIDN'T THE LAB FIND IT? - WELL, LABS CAN MAKE MISTAKES. 210 00:20:42,057 --> 00:20:45,809 BUT MOST PEOPLE AREN'T AFFECTED BY THE TAPES. 211 00:20:45,878 --> 00:20:48,006 WHAT DO YOU HEAR ON THE TAPES, FRANK? 212 00:20:48,030 --> 00:20:50,898 YOU KNOW WHAT I THINK? 213 00:20:50,967 --> 00:20:54,534 SOME PEOPLE LISTEN TO THESE TAPES, AND THEY HEAR WHAT THEY MOST FEAR HEARING. 214 00:20:54,603 --> 00:20:56,837 THEY SUFFER FROM MASSIVE HALLUCINATIONS. 215 00:20:56,905 --> 00:20:59,105 ENOUGH TO DRIVE THEM TO SUICIDE? 216 00:20:59,158 --> 00:21:02,409 EVERY CHOICE HAS A CONSEQUENCE. 217 00:21:03,513 --> 00:21:05,513 ST. PETER'S GATE. 218 00:21:05,581 --> 00:21:07,576 ST. PETER'S GATE. YES. 219 00:21:07,600 --> 00:21:10,183 - SOMEONE'S STANDING IN JUDGMENT. - YES. 220 00:21:10,252 --> 00:21:14,471 YOU STILL HAVEN'T TOLD ME WHY YOU GOT SENT THE CASSETTE IN THE FIRST PLACE. 221 00:21:14,540 --> 00:21:16,891 WHAT DOES THIS HAVE TO DO WITH YOU, FRANK? 222 00:21:16,959 --> 00:21:19,343 I THINK YOU HAVE ENOUGH TO TRACE WHO SENT THE TAPES. 223 00:21:19,412 --> 00:21:23,013 YOU HAVE A POSTMARK, YOU HAVE A SIGNATURE, YOU HAVE PAPER. 224 00:21:23,082 --> 00:21:25,566 YOU-YOU'VE GOT D.N.A. ON THE SPITTLE ON THE ENVELOPE... 225 00:21:25,634 --> 00:21:28,101 AND THE STAMPS. WHAT ARE YOU DOING? 226 00:21:29,305 --> 00:21:32,973 I WON'T BE OF ANY USE TO YOU. I'M GOIN' HOME. 227 00:21:51,661 --> 00:21:54,378 ♪♪ [Guitar Intro] 228 00:21:54,447 --> 00:21:59,483 [Man Singing] ♪ AT THE DARK END ♪ 229 00:21:59,552 --> 00:22:01,551 ♪ OF THE STREET ♪ 230 00:22:03,055 --> 00:22:08,542 ♪ THAT'S WHERE WE ALWAYS MEET ♪ 231 00:22:08,610 --> 00:22:11,929 ♪ HIDING IN SHADOWS ♪ 232 00:22:11,998 --> 00:22:16,000 ♪ WHERE WE DON'T BELONG ♪ 233 00:22:16,068 --> 00:22:21,988 ♪ LIVIN' IN DARKNESS TO HIDE OUR WRONGS ♪ 234 00:22:23,526 --> 00:22:25,659 ♪ YOU AND ME ♪ 235 00:22:27,663 --> 00:22:32,466 ♪ AT THE DARK END OF THE STREET ♪ 236 00:22:33,486 --> 00:22:38,188 ♪ YOU AND ME ♪ 237 00:22:38,256 --> 00:22:43,360 ♪ I KNOW TIME IS GONNA TAKE ITS TOLL ♪ 238 00:22:44,696 --> 00:22:50,467 ♪ WE HAVE TO PAY FOR WHAT WE STOLE ♪ 239 00:22:52,271 --> 00:22:57,708 ♪ IT'S A SIN AND WE KNOW IT'S WRONG ♪ 240 00:22:57,777 --> 00:22:59,710 ♪ OH ♪ 241 00:22:59,779 --> 00:23:04,265 ♪ BUT OUR LOVE KEEPS COMING ON STRONG ♪ 242 00:23:05,968 --> 00:23:09,904 ♪ STEAL AWAY ♪ 243 00:23:09,972 --> 00:23:13,189 ♪ TO THE DARK END ♪ 244 00:23:13,258 --> 00:23:16,109 ♪ OF THE STREET ♪ 245 00:23:20,366 --> 00:23:22,882 ♪ THEY GONNA FIND US ♪ 246 00:23:23,986 --> 00:23:27,171 ♪ THEY GONNA FIND US ♪ 247 00:23:27,240 --> 00:23:29,306 ♪ THEY GONNA FIND US ♪ 248 00:23:29,375 --> 00:23:33,110 ♪ WHOA, SOMEDAY ♪ 249 00:23:33,179 --> 00:23:35,880 ♪ YOU AND ME ♪ 250 00:23:35,948 --> 00:23:39,750 CAN I HELP YOU? I SAID, CAN I HELP YOU? 251 00:23:41,921 --> 00:23:45,233 YEAH, I USED TO LIVE HERE. I WAS JUST IN THE NEIGHBORHOOD. I WAS PASSING BY AND I... 252 00:23:45,257 --> 00:23:48,358 - YOU MUST BE MR. BLACK. - YEAH. 253 00:23:48,428 --> 00:23:50,939 DON'T WORRY. IT'S NOT ABOUT THE CORPSE IN THE BASEMENT. WHAT? 254 00:23:50,963 --> 00:23:53,397 [Chuckles] NO, IT'S-IT'S THE MAIL. 255 00:23:53,466 --> 00:23:57,017 - STILL GETTING LETTERS FOR YOU. - OH. 256 00:23:57,086 --> 00:24:01,005 HAD SOMETHING A COUPLE OF WEEKS BACK. MOSTLY JUNK BUT, UH... 257 00:24:01,073 --> 00:24:04,758 NOW, GIVEN YOU'VE COME THIS FAR, WHAT ABOUT A DRINK? 258 00:24:04,827 --> 00:24:07,506 NO, NO, NO. NO, THANKS. YOU KNOW, 259 00:24:07,530 --> 00:24:11,264 - IT'S GOOD TO SEE THE PLACE IS IN SUCH GOOD HANDS. - THANKS. 260 00:24:11,334 --> 00:24:14,201 DON'T KNOW HOW YOU LIVED WITH THE YELLOW THOUGH. 261 00:24:14,269 --> 00:24:15,953 YEAH. [Phone Ringing] 262 00:24:16,021 --> 00:24:18,706 [Chuckles] ♪ STEAL AWAY ♪ 263 00:24:20,393 --> 00:24:25,930 ♪ TO THE DARK END OF THE STREET ♪ 264 00:24:29,651 --> 00:24:34,070 ♪ YOU AND ME ♪ 265 00:24:34,139 --> 00:24:40,077 ♪ AT THE DARK END OF THE STREET ♪ 266 00:24:40,145 --> 00:24:43,647 ♪ YOU AND ME ♪♪ 267 00:25:27,576 --> 00:25:30,711 [Static Hissing] 268 00:25:36,085 --> 00:25:38,919 [Increases Volume] 269 00:25:51,434 --> 00:25:53,033 [Hissing Continues] 270 00:25:53,101 --> 00:25:55,519 [Helicopter Whirring] [Screeching] 271 00:25:56,822 --> 00:25:58,738 [Screeching] 272 00:26:05,531 --> 00:26:07,897 [Helicopter Whirring] 273 00:26:07,966 --> 00:26:12,336 [Watts] WEAPONS-GRADE ANTHRAX TAKES APPROXIMATELY 8,000 MICROSCOPIC SPORES... 274 00:26:12,404 --> 00:26:14,622 TO INTRODUCE AN INFECTION. 275 00:26:14,690 --> 00:26:18,542 THE MARBURG VARIANT THEY CREATED IN THE LAB TAKES THREE. 276 00:26:18,610 --> 00:26:20,313 THE MILLENNIUM GROUP DEVELOPED A VACCINE... 277 00:26:20,337 --> 00:26:21,489 SO PEOPLE CAN BE INOCULATED. 278 00:26:21,513 --> 00:26:23,642 THEY ONLY MADE ENOUGH FOR GROUP MEMBERS. 279 00:26:23,666 --> 00:26:26,817 AND THEIR FAMILIES. 280 00:26:26,886 --> 00:26:30,136 - AND THEIR FAMILIES, PETER. - [Horn Blaring] 281 00:26:30,205 --> 00:26:33,306 - [Tires Screeching] - [Hissing Continues] 282 00:26:33,375 --> 00:26:35,676 [Sighs] 283 00:26:37,880 --> 00:26:39,437 THE LETTER JERRY ORIGO RECEIVED WAS 284 00:26:39,461 --> 00:26:41,448 DISPATCHED FROM THE HILLSBOROUGH SUB-OFFICE. 285 00:26:41,516 --> 00:26:44,217 THEIR VANS COLLECT FROM 83 MAILBOXES. 286 00:26:44,286 --> 00:26:47,605 BUT IT'S AN A.M. TIME STAMP, WHICH MAKES IT LIKELY... 287 00:26:47,673 --> 00:26:50,074 IT WAS MAILED EITHER FROM THE POST OFFICE ITSELF, 288 00:26:50,142 --> 00:26:53,744 OR FROM ONE OF THE 21 BOXES THAT HAS AN A.M. PICKUP. 289 00:26:53,813 --> 00:26:57,297 YOU CAN COVER 21 MAILBOXES? I THINK SO. 290 00:26:57,366 --> 00:26:59,933 OKAY. NO JOY ON PRINTS, D.N.A. 291 00:27:00,002 --> 00:27:03,803 CASSETTE, STANDARD ISSUE... SEVERAL MILLION SOLD EVERY YEAR. 292 00:27:03,873 --> 00:27:06,868 PAPER FROM PORTLAND... SELLS EVERYWHERE IN THE NORTHWEST. 293 00:27:06,892 --> 00:27:10,593 THE HANDWRITING... PSYCH ANALYSIS FROM QUANTICO SAYS OUR GUY'S A WOMAN. 294 00:27:10,662 --> 00:27:13,780 BUT NO CLUE TO IDENTITY. THEN, IT'S THE MAILBOXES. 295 00:27:13,849 --> 00:27:16,683 YEAH. 296 00:27:16,752 --> 00:27:19,597 DETECTIVE GEIBELHOUSE, HAVE YOU EVER SEEN FRANK BLACK... 297 00:27:19,621 --> 00:27:21,855 WALK AWAY FROM AN INVESTIGATION BEFORE? 298 00:27:21,924 --> 00:27:24,507 THIS WAS A DEAD CASE. HE CAME HERE, 299 00:27:24,576 --> 00:27:26,637 HE GOT IT OPENED UP, AND THEN HE LEAVES? 300 00:27:26,661 --> 00:27:30,514 DOES THAT MAKE SENSE? I THINK HE WAS SCARED OF SOMETHING. 301 00:27:30,582 --> 00:27:34,000 SOMETHIN' LIKE WHAT? JUST BEFORE HE LEFT SEATTLE, 302 00:27:34,069 --> 00:27:39,138 HIS WIFE DIED IN THE VIRAL OUTBREAK. YEAH. 303 00:27:39,207 --> 00:27:43,476 BUT EVEN BEFORE THAT, THINGS WERE... FALLIN' APART. 304 00:27:43,545 --> 00:27:46,213 I MEAN, 305 00:27:46,281 --> 00:27:49,616 TO THIS DAY, I STILL DON'T UNDERSTAND WHY THEY LEFT EACH OTHER. 306 00:27:49,685 --> 00:27:55,071 THEY SEPARATED? CATHERINE WAS HIS CENTER. 307 00:27:55,140 --> 00:27:57,391 HE'S NEVER BEEN THE SAME. 308 00:27:59,061 --> 00:28:03,880 THERE WAS SOMEBODY WHO WORKED WITH FRANK HERE IN THE MILLENNIUM GROUP. 309 00:28:03,949 --> 00:28:06,433 PETER WATTS. YEAH. 310 00:28:06,501 --> 00:28:09,069 HE WAS IN SEATTLE AT THE TIME OF THE OUTBREAK. 311 00:28:09,138 --> 00:28:12,356 HE SURVIVED THE VIRUS. HIS WHOLE FAMILY DID. 312 00:28:12,424 --> 00:28:15,270 SO DID FRANK, SO DID JORDAN, BUT... 313 00:28:15,294 --> 00:28:17,978 NOT CATHERINE. 314 00:28:18,046 --> 00:28:20,730 CAN YOU IMAGINE THE GUILT HE MUST FEEL? 315 00:28:39,618 --> 00:28:41,309 [Frank] IN THE MIDDLE AGES, DURING THE BLACK 316 00:28:41,333 --> 00:28:43,164 PLAGUE, PEOPLE USED TO GATHER THEIR FAMILIES... 317 00:28:43,188 --> 00:28:45,505 AND TAKE THEM TO THE MOUNTAINS OR THE FOREST, 318 00:28:46,592 --> 00:28:48,691 AWAY FROM THE POPULATION. 319 00:29:02,157 --> 00:29:04,992 [Groans] [Jordan] UGH. CAN WE GO HOME NOW? 320 00:29:05,060 --> 00:29:08,661 [Frank] WE'RE GONNA BE HERE FOR A WHILE, SWEETHEART. OKAY. [Sniffles] 321 00:29:08,730 --> 00:29:11,965 [Catherine] COME ON, SWEETIE. UGH. 322 00:29:12,034 --> 00:29:14,535 [Jordan Coughs] 323 00:29:14,603 --> 00:29:17,554 - MOMMY, I'LL BE RIGHT OUTSIDE. - OKAY, SWEETIE. 324 00:29:17,623 --> 00:29:21,541 [Catherine] OUR NEW YELLOW HOUSE. 325 00:29:30,719 --> 00:29:33,481 ALL RIGHT, HOLD IT RIGHT THERE! SEATTLE P.D.! 326 00:29:33,505 --> 00:29:35,834 UP AGAINST THE WALL! WHAT ARE YOU DOING, MAN? 327 00:29:35,858 --> 00:29:38,524 COME ON! THAT'S MY BAG! 328 00:29:43,682 --> 00:29:48,068 - WHAT'S THIS ABOUT, MAN? - THESE YOURS? WHOSE ARE THEY? 329 00:29:48,136 --> 00:29:50,496 IT'S THE COMPANY I WORK FOR. WHAT'S THIS COMPANY DO? 330 00:29:50,522 --> 00:29:54,107 IT RECORDS STUFF. YOU KNOW, NATURE, WAVES AND CRAP... 331 00:29:54,175 --> 00:29:56,609 - PUT BABIES TO SLEEP. - DO YOU RECOGNIZE THE WRITING? 332 00:29:56,678 --> 00:30:00,163 YEAH. YEAH, IT'S ALICE. 333 00:30:00,232 --> 00:30:03,350 [Whales Crying, Seagulls Squawking] 334 00:30:04,854 --> 00:30:07,354 [Door Rattling] 335 00:30:07,422 --> 00:30:09,456 [Sounds Continue] 336 00:30:12,661 --> 00:30:15,095 [Volume Increases] 337 00:30:15,164 --> 00:30:17,280 [Hurried Footsteps] 338 00:30:17,349 --> 00:30:20,083 [Animal Sounds Continue] 339 00:30:24,189 --> 00:30:26,690 [Deafening Volume] 340 00:30:26,759 --> 00:30:29,893 ALICE SEVERIN? IS THIS YOUR HANDWRITING? 341 00:30:34,383 --> 00:30:36,316 YES. 342 00:30:37,936 --> 00:30:41,588 - [Emma] DO YOU KNOW THIS MAN? - I DON'T BELIEVE SO. 343 00:30:41,657 --> 00:30:45,191 YOU WROTE TO HIM. DID I WRITE TO HIM? 344 00:30:45,260 --> 00:30:49,529 YOU SENT HIM A CASSETTE. WHAT WAS ON IT? 345 00:30:49,598 --> 00:30:52,733 NOTHING. WHITE NOISE. 346 00:30:52,801 --> 00:30:55,835 - IS THAT A CRIME? - TAKE A GOOD LOOK AT THOSE PHOTOS. 347 00:30:55,904 --> 00:31:00,073 HE DIED. HE THREW HIMSELF OFF A SIX-STORY BUILDING. 348 00:31:00,142 --> 00:31:05,028 SHE DIED. SHE REVERSED HER LITTLE CAR STRAIGHT INTO A TRUCK. 349 00:31:05,097 --> 00:31:08,198 THEY WERE BOTH LISTENING TO YOUR TAPES. 350 00:31:08,267 --> 00:31:11,634 WHAT DID YOU DO TO THEM? WHAT WAS ON THOSE TAPES? 351 00:31:11,703 --> 00:31:14,854 - YOU SAID THERE WAS NOTHING. - THERE WAS WHITE NOISE. 352 00:31:14,923 --> 00:31:18,008 YOU SAID WHITE NOISE WAS NOTHING. 353 00:31:19,277 --> 00:31:23,213 - WHY SEND THEM NOTHING? - PERHAPS I WAS MISTAKEN. 354 00:31:23,281 --> 00:31:25,665 I THOUGHT IT WAS WHALE MUSIC. 355 00:31:25,734 --> 00:31:31,387 DID YOU KNOW THAT WHALES COULD TALK TO EACH OTHER OVER THOUSANDS OF MILES? 356 00:31:31,456 --> 00:31:33,539 WE DON'T HEAR VERY WELL, DO WE? 357 00:31:34,610 --> 00:31:38,645 THEY DIED... HORRIBLE DEATHS... 358 00:31:38,714 --> 00:31:41,180 HALLUCINATING, LIKE THE TAPES... 359 00:31:41,249 --> 00:31:43,416 TRIGGERED A CONNECTION TO THEIR PASTS. 360 00:31:43,485 --> 00:31:47,887 OUR PASTS ARE WHAT WE ARE. EVERY CHOICE HAS ITS CONSEQUENCE. 361 00:31:49,724 --> 00:31:53,109 - ST. PETER'S GATE. - EVERYBODY COMES TO PETER'S GATE. 362 00:31:53,178 --> 00:31:55,628 NOT EVERYBODY GOES THROUGH. 363 00:31:58,284 --> 00:32:02,318 - WHO JUDGES THEM? - WE DO. 364 00:32:04,389 --> 00:32:06,306 AGENT HOLLIS? 365 00:32:12,214 --> 00:32:15,832 THEY FOUND THIS IN HER ROOM. IT'S LIKE A PRIVATE MAILING LIST. 366 00:32:15,901 --> 00:32:19,285 THERE'S HUNDREDS OF ADDRESSES. 367 00:32:19,354 --> 00:32:21,721 WE'LL CHECK 'EM, BUT THIS ONE WE ALREADY KNOW. 368 00:32:23,975 --> 00:32:26,709 IT'S WHERE FRANK USED TO LIVE. 369 00:32:29,681 --> 00:32:32,999 WE'VE GOTTA CALL FRANK. 370 00:32:33,068 --> 00:32:37,837 HE CHECKED OUT OF THE HOTEL THIS MORNING, BUT HE'S NOT HOME. 371 00:32:37,906 --> 00:32:40,073 HE NEVER ARRIVED HOME. 372 00:32:42,677 --> 00:32:44,610 I KNOW WHERE HE'S GONE. 373 00:32:44,679 --> 00:32:48,332 [Man's Voice: Recording] THE EARLY SYMPTOMS, WHICH A VICTIM MAY NOT RECOGNIZE, 374 00:32:48,400 --> 00:32:50,378 END IN A SENSE OF DISORIENTATION. 375 00:32:50,402 --> 00:32:52,680 MONITOR ANY INCREASE IN BODY TEMPERATURE... 376 00:32:52,704 --> 00:32:55,672 [Statements Repeating, Scrambled] 377 00:32:56,808 --> 00:32:59,048 [Catherine] CAN WE TURN IT OFF? 378 00:33:01,062 --> 00:33:04,080 IF YOU BOTH BECAME SICK, I WOULDN'T... 379 00:33:04,149 --> 00:33:06,065 [Exhales] 380 00:33:06,151 --> 00:33:10,120 I WOULDN'T WANT TO LIVE AFTER THAT. 381 00:33:10,188 --> 00:33:14,441 I CAN'T GET SICK. 382 00:33:14,509 --> 00:33:17,227 IT WAS DONE TO ME, AND I DIDN'T ASK FOR IT. 383 00:33:17,296 --> 00:33:20,430 THE GROUP GAVE ME A VACCINE. 384 00:33:21,500 --> 00:33:23,800 THEY TOLD ME THAT... 385 00:33:23,869 --> 00:33:27,587 THEY ONLY HAD ENOUGH FOR THEIR MEMBERS. 386 00:34:21,109 --> 00:34:23,810 CATHERINE. 387 00:34:25,914 --> 00:34:29,599 CATHERINE. CATHERINE. 388 00:34:33,705 --> 00:34:35,639 CATHERINE. 389 00:34:54,959 --> 00:34:58,778 BY THE TIME THE PLAGUE HIT THE NEWS, FRANK HAD GONE. 390 00:34:58,847 --> 00:35:01,247 WE CALLED HIS HOUSE. THERE WAS NO ANSWER. 391 00:35:01,316 --> 00:35:03,366 I WENT AROUND, BUT THE PLACE WAS EMPTY. 392 00:35:03,435 --> 00:35:05,368 CATHERINE AND JORDAN HAD GONE TOO. 393 00:35:05,436 --> 00:35:08,666 BY THAT TIME, THINGS WERE GETTIN' PRETTY WILD. 394 00:35:08,690 --> 00:35:11,107 I REMEMBER THE REPORTS. 395 00:35:11,175 --> 00:35:14,277 YEAH, RIGHT. THE REPORTS. 396 00:35:14,329 --> 00:35:17,663 THE WAY THE MEDIA TOOK IT UP, YOU WOULD HAVE THOUGHT IT WAS THE BLACK PLAGUE. 397 00:35:17,732 --> 00:35:20,917 THE WHOLE OF THE NORTHWEST DROPPIN' DEAD LIKE FLIES. 398 00:35:22,253 --> 00:35:24,265 AND THE FUSS WAS SELF-FULFILLING... 399 00:35:24,289 --> 00:35:29,676 ROADS JAMMED, PEOPLE SHOOTIN' AT EACH OTHER IN STORES, AT JUNCTIONS, 400 00:35:29,745 --> 00:35:32,445 NATIONAL GUARD PROTECTIN' THE HOSPITALS. 401 00:35:33,815 --> 00:35:36,416 AND THEN IT JUST WENT AWAY. 402 00:35:36,484 --> 00:35:38,851 "IT VECTORED OUT," THEY SAID. 403 00:35:38,920 --> 00:35:41,387 AT MOST, IT TOOK ABOUT 80 PEOPLE. 404 00:35:41,456 --> 00:35:45,642 IT WAS BAD ENOUGH, BUT... NOT THE END OF THE WORLD LIKE SOME PEOPLE THOUGHT. 405 00:35:45,694 --> 00:35:47,743 STRANGE HE LEFT TOWN. 406 00:35:47,812 --> 00:35:50,981 IT'S ALMOST AS IF FRANK HAD SOME KIND OF WARNING. 407 00:35:51,049 --> 00:35:54,700 YEAH. DIDN'T DO HIM A LOT OF GOOD. 408 00:35:54,769 --> 00:35:57,270 [Geibelhouse] A LOT OF PEOPLE HAD TAKEN TO THE MOUNTAINS... 409 00:35:57,339 --> 00:36:02,108 [Vehicle Approaching] TRYING TO ESCAPE THE PANIC IN THE CITY. 410 00:36:02,176 --> 00:36:07,680 BUT EITHER THE VIRUS WAS ALREADY IN THEM, OR IT FOLLOWED THEM. 411 00:36:07,749 --> 00:36:10,015 FRANK HAD COME UP HERE, TOO, 412 00:36:10,084 --> 00:36:12,118 TO A CABIN HE OWNED. 413 00:36:12,186 --> 00:36:15,338 IT'S WHERE WE FOUND JORDAN. 414 00:36:15,407 --> 00:36:17,440 OR SHE FOUND US. 415 00:36:21,162 --> 00:36:24,981 SHE TOLD US WHERE WE COULD FIND FRANK. 416 00:36:25,049 --> 00:36:28,951 WHEN WE GOT TO HIM, HE WAS IN A TERRIBLE STATE, REFUSING TO SPEAK. 417 00:36:29,021 --> 00:36:31,454 I FOUND OUT LATER HE BLAMED THE OUTBREAK, 418 00:36:31,523 --> 00:36:34,190 CATHERINE'S DEATH, THE WHOLE THING, 419 00:36:34,259 --> 00:36:36,626 HE BLAMED IT ON THE MILLENNIUM GROUP. 420 00:36:36,694 --> 00:36:40,063 [Emma] I THINK HE BLAMED IT ON HIMSELF. 421 00:36:56,882 --> 00:37:00,600 IF HE'S OUT IN THE WOODS, HE WON'T SURVIVE. IT'S FREEZING OUT THERE. 422 00:37:00,668 --> 00:37:03,369 [Emma] HE WAS SENT A TAPE. JUST LIKE THE OTHERS. 423 00:37:03,438 --> 00:37:06,205 WHERE IS HE? 424 00:37:06,274 --> 00:37:10,143 HE WENT TO FIND HIS WIFE. 425 00:37:11,913 --> 00:37:15,714 FRANK! FRANK! 426 00:37:30,799 --> 00:37:33,633 [Raindrops Dripping] CATHERINE. 427 00:37:45,097 --> 00:37:47,163 CATHERINE! 428 00:37:53,488 --> 00:37:55,855 CATHERINE! 429 00:38:21,283 --> 00:38:23,733 [Frank's Voice] I COULD HAVE SAVED YOU. I DIDN'T PROTECT... 430 00:38:23,802 --> 00:38:26,135 I COULD HAVE SAVED YOU. I HAD A CHOICE. 431 00:38:26,204 --> 00:38:30,089 [Jordan] WILL WE ALWAYS BE TOGETHER? [Catherine] I LOVE YOU. 432 00:38:38,917 --> 00:38:41,918 OH, CATHERINE. SHH. 433 00:38:43,989 --> 00:38:46,722 [Sighs] AM I DEAD? 434 00:38:46,792 --> 00:38:49,492 HUSH. YOU'RE HURT. 435 00:38:53,515 --> 00:38:58,251 I WANT TO BE WITH YOU. I WANT... EVERY DAY, I WANT TO BE WITH YOU. 436 00:38:58,319 --> 00:39:02,105 OH, FRANK, DON'T. [Sighs] 437 00:39:02,174 --> 00:39:05,642 AND THEN I LOOK AT JORDAN... I LOOK AT OUR DAUGHTER'S FACE. 438 00:39:05,710 --> 00:39:09,111 AND DAY AFTER DAY, SHE LOOKS MORE AND MORE LIKE YOU. 439 00:39:09,181 --> 00:39:11,113 I CAN'T LET GO. 440 00:39:12,884 --> 00:39:15,134 YOU HAVE TO PROTECT HER. 441 00:39:19,257 --> 00:39:23,275 [Exhales Wearily] I DIDN'T PROTECT YOU. 442 00:39:23,344 --> 00:39:27,346 THERE WAS NOTHING YOU COULD HAVE DONE. 443 00:39:29,885 --> 00:39:33,119 [Groans] 444 00:39:33,187 --> 00:39:35,822 OH, MY GOD. 445 00:39:35,891 --> 00:39:38,436 [Sighs] THEY WANTED ME TO JOIN THEM. 446 00:39:38,460 --> 00:39:42,662 THEY WANTED ME TO JOIN THE GROUP, AND THEN YOU'D BE SAVED. 447 00:39:42,731 --> 00:39:45,448 PETER WATTS'S FAMILY'S ALIVE. 448 00:39:45,517 --> 00:39:49,319 HIS DAUGHTERS HAVE A MOTHER. THEY SET THE TABLE, 449 00:39:49,387 --> 00:39:53,456 AND... AND SHE SITS DOWN TO EAT WITH THEM. 450 00:39:53,525 --> 00:39:58,911 YOU KNOW THAT JORDAN SETS AN EMPTY PLACE... EVERY NIGHT. 451 00:39:58,980 --> 00:40:01,380 EVERY NIGHT SHE SETS AN EMPTY PLACE, AND I CAN'T... 452 00:40:01,449 --> 00:40:03,950 I'LL NEVER ASK HER TO STOP. 453 00:40:06,020 --> 00:40:11,157 BELIEVE IN THEM, AND YOU'LL BE SAVED. 454 00:40:11,225 --> 00:40:14,126 YOU CHOSE ME, NOT THEM. 455 00:40:14,195 --> 00:40:17,680 THEN I LOST YOU, 456 00:40:17,749 --> 00:40:20,382 AND JORDAN LOST HER MOTHER. 457 00:40:22,553 --> 00:40:25,571 YOU WOULD BE ALIVE. 458 00:40:26,874 --> 00:40:30,727 TO LIVE WHAT KIND OF LIFE? WHAT? 459 00:40:30,796 --> 00:40:33,763 THEY HAD ALREADY TAKEN TOO MUCH OF YOU. 460 00:40:33,831 --> 00:40:37,817 WHAT... WE BEAT THEM. 461 00:40:40,755 --> 00:40:43,889 ALL OF THEIR PREDICTIONS AND THEIR MYSTERIES... 462 00:40:43,958 --> 00:40:50,329 AND THEIR POWER... YOU CHOSE ME. 463 00:40:50,398 --> 00:40:54,067 WE CHOSE EACH OTHER. 464 00:40:58,907 --> 00:41:02,441 I LET YOU DIE. 465 00:41:02,510 --> 00:41:06,179 YOU WALKED AWAY ALONE TO DIE. 466 00:41:08,917 --> 00:41:12,185 YOU DON'T REMEMBER VERY WELL. 467 00:41:12,253 --> 00:41:14,398 [Catherine] YOU WERE WITH ME. 468 00:41:14,422 --> 00:41:18,791 WHEN EVERYTHING HAD FALLEN APART, YOU STAYED WITH ME. 469 00:41:18,860 --> 00:41:21,227 WE WERE TOGETHER. 470 00:41:24,782 --> 00:41:26,849 I LOVE YOU. 471 00:41:29,687 --> 00:41:32,554 DON'T GO. 472 00:41:50,325 --> 00:41:52,925 DON'T GO, CATHERINE. 473 00:42:00,852 --> 00:42:03,252 OH, MY GOD! FRANK! 474 00:42:06,040 --> 00:42:08,607 OH, DEAR LORD. NO. 475 00:42:08,676 --> 00:42:11,643 HE'S WARM. HE'S ALIVE. 476 00:42:11,712 --> 00:42:14,113 FEEL. 477 00:42:16,734 --> 00:42:18,854 OH, FRANK, IT'S GONNA BE OKAY. 478 00:42:21,873 --> 00:42:23,922 HANG IN THERE, OKAY? 479 00:42:23,991 --> 00:42:27,376 [Whale, Seagull Sounds] 480 00:42:34,336 --> 00:42:36,869 [Sounds Continue] 481 00:42:50,584 --> 00:42:54,804 [Sounds Continue] 482 00:43:00,111 --> 00:43:02,612 [Office Chatter] 483 00:43:04,232 --> 00:43:07,417 FRANK. FRANK, I'VE GOT SOMETHING FOR YOU. 484 00:43:07,485 --> 00:43:10,436 "VICTOR CHYREN," THE NAME ON THE INTERNAL ENVELOPE THAT CAME TO YOU? 485 00:43:10,504 --> 00:43:13,289 IT'S IN NOSTRADAMUS. 486 00:43:13,357 --> 00:43:16,709 YEAH. CENTURY SIX, QUATRAIN 70. 487 00:43:18,146 --> 00:43:20,629 YOU KNEW? 488 00:43:21,633 --> 00:43:23,582 EXTENSION 6-70. 489 00:43:29,157 --> 00:43:33,292 WELL, LISTEN TO THIS. "CHYREN: THE CHIEF OF THE WORLD. 490 00:43:33,361 --> 00:43:36,229 THE GREAT CHYREN, WITH THE SOLE TITLE 'VICTOR.'" 491 00:43:36,297 --> 00:43:40,015 AT THE END OF THE WORLD. IT'S A PROPHECY. 492 00:43:40,084 --> 00:43:42,235 IT'S THE MILLENNIUM GROUP AGAIN. 493 00:43:42,303 --> 00:43:45,988 IS ALICE PART OF IT? NO. SHE HAS GREAT POWER. 494 00:43:46,057 --> 00:43:49,175 THEY WILL EITHER APPROPRIATE IT OR DESTROY IT. 495 00:43:49,244 --> 00:43:53,346 THE GROUP SENT YOU THE TAPE. WHAT WERE THEY TRYING TO DO, KILL YOU? 496 00:43:55,333 --> 00:44:00,269 WELL, YOU KNOW THAT LIST THAT YOU FOUND IN THE STUDIO? 497 00:44:00,337 --> 00:44:02,271 YEAH. THE LIST OF NAMES? 498 00:44:02,340 --> 00:44:05,441 UH-HUH. GEIBELHOUSE CALLED. HE CHECKED IT ALL OUT. 499 00:44:05,510 --> 00:44:07,443 NO MORE DEATHS. 500 00:44:07,512 --> 00:44:09,979 NOW, I DON'T KNOW WHAT THEIR INTENTIONS WERE. 501 00:44:10,047 --> 00:44:13,683 BUT I KNOW WHAT HAPPENED. 502 00:44:13,751 --> 00:44:15,784 THEY GAVE ME MY WIFE BACK. 503 00:45:25,923 --> 00:45:28,758 [Child] I MADE THIS! 39697

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