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00:00:17,968 --> 00:00:20,869
♪♪ [Radio: New Age Pop]
2
00:00:45,362 --> 00:00:47,596
[Static Hiss]
3
00:00:53,270 --> 00:00:55,453
[Static Hiss Continues]
4
00:00:55,523 --> 00:00:58,674
[Tuner Beeping]
[Static Hiss Continues]
5
00:01:04,598 --> 00:01:07,065
[Hissing Continues]
6
00:01:37,014 --> 00:01:40,548
- [Gasps]
- [Tires Screeching]
7
00:01:42,470 --> 00:01:46,671
[Shuddering, Sobbing]
8
00:01:55,966 --> 00:01:58,182
[Splintering]
9
00:02:02,506 --> 00:02:04,689
[Panting]
10
00:02:21,592 --> 00:02:23,675
[Static Hiss Continues]
11
00:02:33,704 --> 00:02:36,855
[Rattling]
12
00:02:36,924 --> 00:02:39,891
[Shuddering, Gasping]
13
00:02:39,960 --> 00:02:42,343
- [Whimpers]
- [Loud Crashing]
14
00:02:42,412 --> 00:02:44,546
[Cries Out, Gasping]
15
00:02:50,638 --> 00:02:52,638
[Rumbling]
16
00:02:58,061 --> 00:03:01,696
[Crashing, Rumbling]
17
00:03:01,765 --> 00:03:03,548
[Panicked Gasps]
18
00:03:03,617 --> 00:03:06,501
[Whimpering, Gasping]
19
00:03:06,570 --> 00:03:09,988
- [Fearful Cries]
- [Rumbling]
20
00:03:14,328 --> 00:03:17,345
[Muffled Cry]
21
00:03:17,414 --> 00:03:20,566
- [Gasps]
- [Cries Continue]
22
00:03:20,634 --> 00:03:23,751
[Sobbing, Panicked Whimpering]
23
00:03:29,559 --> 00:03:31,592
[Hissing Continues]
24
00:03:31,661 --> 00:03:34,579
- [Starts Engine]
- [Burning Rubber]
25
00:03:38,268 --> 00:03:40,935
[Hissing Continues]
26
00:03:43,440 --> 00:03:45,924
- [Vehicle Approaching]
- [White Noise]
27
00:03:52,265 --> 00:03:56,101
- [Horn Blaring]
- [Screaming]
28
00:04:56,613 --> 00:04:59,981
[Jordan] WILL WE
ALWAYS BE TOGETHER?
29
00:05:00,050 --> 00:05:02,328
[Frank's Voice] I COULD HAVE
SAVED YOU. I DIDN'T PROTECT...
30
00:05:02,352 --> 00:05:04,785
I COULD'VE SAVED
YOU. I HAD A CHOICE.
31
00:05:04,854 --> 00:05:07,655
[Jordan] WILL WE
ALWAYS BE TOGETHER?
32
00:05:08,658 --> 00:05:10,791
[Catherine] I LOVE YOU.
33
00:05:53,736 --> 00:05:56,605
[Static Hissing]
34
00:06:00,610 --> 00:06:03,411
[Hissing Continues]
35
00:06:06,283 --> 00:06:09,500
- [Deafening Blast]- [Horn Blaring]- [Catherine] I LOVE YOU.
36
00:06:09,569 --> 00:06:11,503
[Hissing]
37
00:06:13,073 --> 00:06:15,056
[Woman On Phone] WE HAVE
NO ONE BY THAT NAME, SIR.
38
00:06:15,125 --> 00:06:17,959
CHYREN. C-H-Y-R-E-N.
39
00:06:18,028 --> 00:06:21,730
EXTENSION 6-70. WE HAVE
NO LISTING FOR THAT NAME,
40
00:06:21,798 --> 00:06:24,065
AND THAT EXTENSION
HAS NOT BEEN ISSUED.
41
00:06:24,134 --> 00:06:26,501
WHAT ABOUT OUTSIDE QUANTICO?
42
00:06:26,569 --> 00:06:30,071
WE HAVE NO LISTING. CAN I HELP
YOU WITH ANYTHING ELSE, SIR?
43
00:06:30,140 --> 00:06:33,875
NOPE. [Hangs Up]
44
00:06:39,933 --> 00:06:42,667
DOUG. OH, HEY, MR. BLACK.
45
00:06:42,736 --> 00:06:45,670
DO YOU KNOW THIS MAN, CHYREN?
46
00:06:45,739 --> 00:06:47,656
NEVER HEARD OF HIM. WHY?
47
00:06:47,724 --> 00:06:51,076
AND DO YOU KNOW WHAT THIS IS? YEAH, WHITE
NOISE. SEATTLE P.D. SENT IT OVER TO US.
48
00:06:51,144 --> 00:06:54,478
YOUR OLD PAL, DETECTIVE GEIBELHOUSE,
FOUND IT AT A CRIME SCENE ALL TORN UP.
49
00:06:54,547 --> 00:06:56,675
THOUGHT IT MIGHT HAVE
SOME BEARING. DID IT?
50
00:06:56,699 --> 00:06:59,684
WE PUT IT TOGETHER, RAN
EVERY TEST WE COULD. NOTHING.
51
00:06:59,753 --> 00:07:02,737
CAN YOU PLAY IT FOR ME?
52
00:07:08,061 --> 00:07:10,411
[Hissing]
53
00:07:20,957 --> 00:07:23,820
- [Deafening Blast]- [Horn Blaring]- [Catherine] I LOVE YOU.
54
00:07:23,844 --> 00:07:25,593
[Static Hissing]
55
00:07:27,063 --> 00:07:29,647
LIKE I SAID, 20 SECONDS
OF WHITE NOISE. NOTHING.
56
00:07:30,701 --> 00:07:33,134
I THOUGHT WHITE
NOISE WAS EVERYTHING.
57
00:07:33,203 --> 00:07:35,614
THE DEFINITION OF WHITE NOISE IS
EVERY SOUND IN THE AUDIO SPECTRUM...
58
00:07:35,638 --> 00:07:39,223
PLAYED AT THE SAME LEVEL, BUT IN TERMS
OF USEFUL SOUND, EVERYTHING IS NOTHING.
59
00:07:40,627 --> 00:07:42,877
RUN IT AGAIN FOR ME, WILL YA?
60
00:07:46,666 --> 00:07:49,651
[Static Hissing]
61
00:07:49,720 --> 00:07:51,803
- DO YOU HEAR ANYTHING?
- [Hissing Continues]
62
00:07:54,341 --> 00:07:56,719
- [Deafening Blast]- [Static Hissing]- [Woman Screaming]
63
00:07:56,743 --> 00:07:58,743
WHAT WAS THAT? [Hissing Resumes]
64
00:08:02,866 --> 00:08:05,066
ITS WAVE PATTERN LOOKS LIKE...
65
00:08:05,134 --> 00:08:07,918
TECHNICALLY LIKE A
SECTION OF PINK NOISE.
66
00:08:07,987 --> 00:08:10,822
"PINK NOISE"? IT'S THE STAGE
BETWEEN WHITE AND BROWN NOISE.
67
00:08:10,890 --> 00:08:13,792
MORE ORDER THAN WHITE,
LESS ORDER THAN BROWN.
68
00:08:13,860 --> 00:08:16,911
THEN, THIS IS NOT AN
ACCIDENT. SOMEONE MADE IT.
69
00:08:16,980 --> 00:08:20,031
SURE LOOKS THAT WAY, BUT
I DON'T THINK IT'S ANY BIG...
70
00:08:22,553 --> 00:08:26,537
DID YOU SEND THIS TO ME? GETTIN'
A LITTLE PARANOID ARE WE, MR. B?
71
00:08:26,606 --> 00:08:30,324
DID YOU SEND THIS TO ME, DOUG?
NO, MAN, I DIDN'T. WHY WOULD I?
72
00:08:32,662 --> 00:08:36,981
HEY, HOW'D YOU GET IT ANYWAY? I
THOUGHT I SENT IT BACK TO THE SEATTLE P.D.
73
00:08:37,050 --> 00:08:39,651
MR. BLACK?
74
00:08:41,688 --> 00:08:46,641
[Whale Sounds]
75
00:08:50,413 --> 00:08:53,114
[Surf Breaking]
76
00:08:57,220 --> 00:08:59,870
[Seagulls Squawking]
77
00:09:15,572 --> 00:09:18,456
[Recorded Sounds Continue]
78
00:09:57,014 --> 00:09:59,414
[Horn Blaring]
79
00:10:06,656 --> 00:10:10,257
THREE WEEKS AGO LAST TUESDAY,
HER NAME WAS CAROL WHEATLEY.
80
00:10:10,327 --> 00:10:13,028
GOIN' TO VISIT HER
MOM FOR THE WEEKEND.
81
00:10:13,096 --> 00:10:16,581
SHE GOT HIT SIDE-ON IN THE
WRONG LANE BY A BIG RIG.
82
00:10:16,649 --> 00:10:21,519
TOTALED. WE WERE PICKIN' BITS OF
HER OUT OF THE WRECK FOR HALF A DAY.
83
00:10:21,588 --> 00:10:24,639
SHE FALL ASLEEP?
WE LOOKED AT THAT.
84
00:10:24,708 --> 00:10:26,886
BUT THE DRIVER SWORE BLIND
THAT WHEN HE FIRST SAW HER,
85
00:10:26,910 --> 00:10:30,278
SHE WAS STOPPED ON HER SIDE OF
THE ROAD, AND SHE WAS OUTSIDE THE CAR.
86
00:10:30,346 --> 00:10:34,315
THEN SHE RAN BACK TO THE CAR, GOT
IN AND JUST REVERSED IN FRONT OF HIM.
87
00:10:35,819 --> 00:10:40,004
SHE RAN LIKE SHE WAS BEING
CHASED? SHE RAN. LIKE PEOPLE RUN.
88
00:10:40,073 --> 00:10:42,457
IT WAS AN ACCIDENT, FRANK.
89
00:10:42,526 --> 00:10:44,926
SAD AND BAD, BUT AN ACCIDENT.
90
00:10:44,994 --> 00:10:48,329
I DIDN'T ASK THEM TO
SHOW YOU THE TAPE.
91
00:10:48,398 --> 00:10:51,616
- [Screaming]
- [Horn Blaring]
92
00:10:55,505 --> 00:10:57,633
IT WAS SNOWING. NO.
93
00:10:57,657 --> 00:11:00,825
AND THERE WAS ICE. NO.
NO ICE. THE ROAD WAS FINE.
94
00:11:02,712 --> 00:11:05,180
FRANK,
95
00:11:05,248 --> 00:11:07,648
HOW ABOUT TELLIN'
ME WHY YOU'RE HERE?
96
00:11:12,889 --> 00:11:14,822
[Knocking]
97
00:11:20,062 --> 00:11:24,131
MRS. WHEATLEY, MY NAME IS
FRANK BLACK. I WORK WITH THE F.B.I.
98
00:11:24,200 --> 00:11:27,602
I NEED TO TALK TO YOU
ABOUT YOUR DAUGHTER.
99
00:11:27,670 --> 00:11:30,337
COME ON IN. THANK YOU.
100
00:11:32,041 --> 00:11:34,709
A TRUCK RAN INTO HER CAR.
101
00:11:34,778 --> 00:11:38,138
THE POLICE SAID HE MUST
HAVE BEEN DOIN' NEARLY 80.
102
00:11:39,916 --> 00:11:42,750
THE TRUCK DRIVER SAID
SHE REVERSED INTO HIM.
103
00:11:42,819 --> 00:11:45,820
NO. NO, HE... HIT HER.
104
00:11:45,889 --> 00:11:49,640
HE WAS DOIN' NEARLY 80. THE
POLICE WOULDN'T LET ME SEE.
105
00:11:49,709 --> 00:11:53,794
THEY HAD TO IDENTIFY HER
BODY FROM HER DENTAL RECORDS.
106
00:11:54,948 --> 00:11:57,215
MRS. WHEATLEY,
107
00:11:57,283 --> 00:12:01,719
IS IT POSSIBLE SHE DID
REVERSE INTO HIS TRUCK?
108
00:12:01,787 --> 00:12:05,756
ARE YOU TRYING TO SAY
THAT SH-SHE KILLED HERSELF?
109
00:12:05,825 --> 00:12:08,343
- IS THAT POSSIBLE?
- NO.
110
00:12:08,411 --> 00:12:11,729
SHE WAS A HAPPY...
SHE WAS HAPPY.
111
00:12:11,782 --> 00:12:15,917
- [Horn Blaring]
- [Screaming]
112
00:12:18,621 --> 00:12:23,274
DID SOMEBODY DROWN? THEY FELL
THROUGH THE ICE AND DROWNED.
113
00:12:28,331 --> 00:12:30,431
WHO WAS IT, MRS. WHEATLEY?
114
00:12:33,303 --> 00:12:36,854
HIS NAME WAS... NEIL QUINN.
115
00:12:36,922 --> 00:12:40,725
IT-IT WAS YEARS AGO,
BACK EAST. UH-HUH.
116
00:12:40,793 --> 00:12:43,094
THE ICE WAS TOO THIN.
117
00:12:43,163 --> 00:12:46,881
SHE WAS LIGHT
ENOUGH AND HE WASN'T.
118
00:12:46,949 --> 00:12:49,366
IT WASN'T HER FAULT.
119
00:12:50,370 --> 00:12:52,887
SHE THOUGHT IT WAS.
120
00:12:52,955 --> 00:12:55,023
WHO ARE YOU?
121
00:12:56,359 --> 00:12:59,427
HOW DO YOU KNOW THIS? [Knocking]
122
00:13:01,164 --> 00:13:03,597
EXCUSE ME.
123
00:13:18,364 --> 00:13:22,000
WHAT'S UP, GEIBS? I CALLED
ANDY McCLAREN, FRANK.
124
00:13:22,068 --> 00:13:24,380
HE KNEW NOTHIN' ABOUT YOUR TRIP.
125
00:13:24,404 --> 00:13:26,805
SAID HE CERTAINLY
HADN'T AUTHORIZED IT.
126
00:13:26,873 --> 00:13:28,873
I DON'T NEED McCLAREN'S
AUTHORIZATION.
127
00:13:28,942 --> 00:13:31,942
FURTHERMORE, HE SAID THE F.B.I.
HAS NO JURISDICTION IN THIS CASE,
128
00:13:31,978 --> 00:13:35,180
AND NO INTEREST IN IT...
NONE. NO, THEY DON'T.
129
00:13:36,433 --> 00:13:38,366
FRANK,
130
00:13:38,435 --> 00:13:41,414
YOU KNOW I HAVE THE
GREATEST RESPECT FOR YOU.
131
00:13:41,438 --> 00:13:45,406
BUT YOU HAVE GOT TO TELL ME
WHAT YOU'RE LOOKIN' AT HERE.
132
00:13:45,475 --> 00:13:49,076
I DON'T KNOW. GEEZ, FRANK.
133
00:13:49,145 --> 00:13:53,831
YOU NEVER DON'T
KNOW. WHAT IS IT?
134
00:13:53,900 --> 00:13:59,436
I THINK THAT CAROL WHEATLEY
DIED BECAUSE OF THE TAPE.
135
00:13:59,505 --> 00:14:01,923
THERE ARE MORE TAPES.
136
00:14:03,492 --> 00:14:07,294
♪♪ [Man Singing: R & B Ballad]
137
00:14:42,649 --> 00:14:44,632
♪♪ [Stops]
138
00:14:47,036 --> 00:14:49,470
[Static Hissing]
139
00:14:54,627 --> 00:14:56,577
[Static Continues]
140
00:15:04,420 --> 00:15:06,570
[Rumbling]
141
00:15:11,727 --> 00:15:14,162
[Rumbling Intensifies]
142
00:15:24,090 --> 00:15:26,624
[Gasps]
143
00:15:29,012 --> 00:15:31,178
[Screams]
144
00:15:37,871 --> 00:15:40,605
[Woman Chattering
On Police Radio]
145
00:15:40,673 --> 00:15:43,374
[Sirens Approaching]
146
00:15:48,113 --> 00:15:50,782
[Strobe Whining,
Shutter Clicking]
147
00:15:52,335 --> 00:15:56,137
HEY, FRANK. WE FOUND THIS
ALL BURNED UP IN THE FIREPLACE.
148
00:15:56,206 --> 00:15:58,339
LOOKS LIKE ANOTHER
ONE OF THOSE CASSETTES.
149
00:15:58,407 --> 00:16:01,309
WHETHER WE GET ANYTHING OFF
OF IT OR NOT IS ANOTHER STORY.
150
00:16:01,377 --> 00:16:05,279
THE CASE WAS FOUND ON
TOP OF THIS ENVELOPE. [Sighs]
151
00:16:05,348 --> 00:16:08,182
THE ADDRESS IS HANDWRITTEN,
POSTED YESTERDAY IN SEATTLE.
152
00:16:08,250 --> 00:16:10,563
A STAMP FROM THREE
YEARS AGO. WE'RE TRACIN' IT.
153
00:16:10,587 --> 00:16:13,537
- THE VICTIM?
- JERRY ORIGO. HE WAS A DESIGNER.
154
00:16:13,606 --> 00:16:17,119
RICH, SINGLE, GAY. MAYBE HE
BROUGHT THE WRONG GUY HOME.
155
00:16:17,143 --> 00:16:19,310
THE NEIGHBORS SAID
THEY HEARD SHOUTING.
156
00:16:19,378 --> 00:16:22,730
[Screaming]
157
00:16:22,799 --> 00:16:25,900
HE BURNED TO DEATH. FRANK.
158
00:16:25,968 --> 00:16:30,254
THE POOR SON OF A BITCH WENT
OUT THE WINDOW, SIX FLOORS DOWN.
159
00:16:30,323 --> 00:16:33,157
THE M.E. ALREADY CONFIRMED HE
DIED OF INJURIES FROM THE FALL.
160
00:16:33,225 --> 00:16:36,910
WHERE DO YOU GET THIS FIRE
STUFF? THE POSITION HE FELL IN.
161
00:16:36,979 --> 00:16:40,264
PUGILISTIC. HE THOUGHT
HE WAS BURNING.
162
00:16:40,333 --> 00:16:43,601
LOOK INTO HIS PAST. GO
BACK AS FAR AS YOU CAN.
163
00:16:43,669 --> 00:16:45,736
THERE'LL BE PEOPLE DEAD BY FIRE.
164
00:16:47,573 --> 00:16:50,141
EXCUSE ME.
165
00:16:50,210 --> 00:16:54,378
- WHAT ARE YOU DOING HERE?
- I COULD ASK YOU
THE SAME QUESTION.
166
00:16:56,415 --> 00:16:59,333
McCLAREN SENT ME.
HE WAS CONCERNED.
167
00:16:59,402 --> 00:17:01,501
HE GOT A CALL FROM
DETECTIVE GEIBELHOUSE.
168
00:17:01,570 --> 00:17:03,965
THIS IS NONE OF THEIR BUSINESS.
McCLAREN'S VIEW IS THAT...
169
00:17:03,989 --> 00:17:06,823
IF YOU'RE USING F.B.I.
CREDENTIALS TO GAIN ACCESS...
170
00:17:06,892 --> 00:17:10,495
TO CRIME SCENES TO INTERVIEW
PEOPLE, THEN IT IS HIS BUSINESS.
171
00:17:14,067 --> 00:17:17,168
SOMEONE SENT ME A CASSETTE
THROUGH BUREAU INTERNAL MAIL...
172
00:17:17,237 --> 00:17:19,398
OF A CRIME SCENE
HERE IN SEATTLE...
173
00:17:19,422 --> 00:17:22,183
WHERE CAROL WHEATLEY
DIED. WHO SENT IT?
174
00:17:22,225 --> 00:17:24,759
SOMEONE NAMED VICTOR CHYREN.
175
00:17:24,828 --> 00:17:28,129
HE DOESN'T EXIST, NOT
IN THE F.B.I., ANYWAY.
176
00:17:28,197 --> 00:17:31,598
HAS THIS SOMETHING TO DO WITH
THE MILLENNIUM GROUP? I DON'T KNOW.
177
00:17:33,286 --> 00:17:35,336
IS THERE A CRIME HERE, FRANK?
178
00:17:35,404 --> 00:17:38,489
TWO PEOPLE RECEIVED
THE CASSETTES.
179
00:17:38,557 --> 00:17:42,510
THEY DIED FROM WHAT'S
ON THEM. DO YOU KNOW WHY?
180
00:17:48,617 --> 00:17:50,851
♪♪ [Recording: Woman Singing]
181
00:18:08,605 --> 00:18:12,373
[Breathing Sound: Distorted]
182
00:18:27,740 --> 00:18:30,257
[Distorted Crashing, Rumbling]
183
00:18:35,264 --> 00:18:37,231
[Static Hissing]
184
00:18:52,915 --> 00:18:54,932
- [Screeching]
- [Catherine] I LOVE YOU.
185
00:18:55,000 --> 00:18:57,835
[Hissing Resumes]
186
00:18:57,904 --> 00:19:01,288
- [Radio Frequencies Beeping]- [Screeching]- [Catherine] I LOVE YOU.
187
00:19:01,357 --> 00:19:03,874
[Static Hiss Resumes]
188
00:19:03,943 --> 00:19:06,210
[Tape Machine
Clicking, Rewinding]
189
00:19:06,279 --> 00:19:08,278
[Hissing]
190
00:19:08,347 --> 00:19:12,583
- [Screeching]- [Catherine] I LOVE YOU.- [Squawking]
191
00:19:14,470 --> 00:19:16,537
[Machine Rewinding]
192
00:19:16,606 --> 00:19:18,773
[Click] [Hissing Resumes]
193
00:19:26,315 --> 00:19:28,950
[Hissing Continues]
194
00:19:56,378 --> 00:19:59,613
- YOU WERE RIGHT
ABOUT THE FIRE.
- I WAS.
195
00:19:59,682 --> 00:20:01,810
TWELVE YEARS AGO, JERRY ORIGO
WAS A BUILDING SUPERVISOR...
196
00:20:01,834 --> 00:20:04,485
- ON A CITY HOUSING PROJECT
IN NEW ORLEANS.
- AH.
197
00:20:04,554 --> 00:20:06,970
THE SMOKE ALARM BATTERIES
WERE NEVER INSTALLED.
198
00:20:07,039 --> 00:20:08,989
THE EMERGENCY EXITS
WERE LOCKED SHUT.
199
00:20:09,058 --> 00:20:11,676
THERE WAS A FIRE.
SEVEN PEOPLE DIED.
200
00:20:11,744 --> 00:20:14,711
ORIGO WAS RESPONSIBLE
FOR SAFETY INSPECTIONS.
201
00:20:14,780 --> 00:20:16,847
HE WAS INVESTIGATED
AND NEVER CHARGED.
202
00:20:16,916 --> 00:20:19,666
- DO YOU THINK WHOEVER
SENT HIM THE TAPE KNEW THIS?
- I DON'T KNOW.
203
00:20:19,735 --> 00:20:22,887
YOU THINK THERE'S SOME KIND OF
SUBLIMINAL MESSAGES ON THESE TAPES?
204
00:20:22,955 --> 00:20:26,273
- IT'S POSSIBLE.
- BUT THE F.B.I. LAB
FOUND NOTHING.
205
00:20:26,342 --> 00:20:30,844
THE SOVIETS WORKED WITH
BIO-ACOUSTICAL TECHNOLOGY BACK IN THE '70s.
206
00:20:30,913 --> 00:20:34,915
THEY MANAGED TO SEND
COMMANDS VIA WHITE NOISE BANDS,
207
00:20:34,984 --> 00:20:36,934
DIRECTLY INTO THE SUBCONSCIOUS.
208
00:20:37,002 --> 00:20:39,448
- THE TECHNOLOGY EXISTS.
- BUT IF THE TECHNOLOGY
WERE THERE,
209
00:20:39,472 --> 00:20:41,989
- WHY DIDN'T THE LAB FIND IT?
- WELL, LABS CAN MAKE MISTAKES.
210
00:20:42,057 --> 00:20:45,809
BUT MOST PEOPLE AREN'T
AFFECTED BY THE TAPES.
211
00:20:45,878 --> 00:20:48,006
WHAT DO YOU HEAR
ON THE TAPES, FRANK?
212
00:20:48,030 --> 00:20:50,898
YOU KNOW WHAT I THINK?
213
00:20:50,967 --> 00:20:54,534
SOME PEOPLE LISTEN TO THESE TAPES, AND
THEY HEAR WHAT THEY MOST FEAR HEARING.
214
00:20:54,603 --> 00:20:56,837
THEY SUFFER FROM
MASSIVE HALLUCINATIONS.
215
00:20:56,905 --> 00:20:59,105
ENOUGH TO DRIVE THEM TO SUICIDE?
216
00:20:59,158 --> 00:21:02,409
EVERY CHOICE HAS A CONSEQUENCE.
217
00:21:03,513 --> 00:21:05,513
ST. PETER'S GATE.
218
00:21:05,581 --> 00:21:07,576
ST. PETER'S GATE. YES.
219
00:21:07,600 --> 00:21:10,183
- SOMEONE'S STANDING
IN JUDGMENT.
- YES.
220
00:21:10,252 --> 00:21:14,471
YOU STILL HAVEN'T TOLD ME WHY YOU
GOT SENT THE CASSETTE IN THE FIRST PLACE.
221
00:21:14,540 --> 00:21:16,891
WHAT DOES THIS HAVE
TO DO WITH YOU, FRANK?
222
00:21:16,959 --> 00:21:19,343
I THINK YOU HAVE ENOUGH TO
TRACE WHO SENT THE TAPES.
223
00:21:19,412 --> 00:21:23,013
YOU HAVE A POSTMARK, YOU HAVE
A SIGNATURE, YOU HAVE PAPER.
224
00:21:23,082 --> 00:21:25,566
YOU-YOU'VE GOT D.N.A. ON
THE SPITTLE ON THE ENVELOPE...
225
00:21:25,634 --> 00:21:28,101
AND THE STAMPS.
WHAT ARE YOU DOING?
226
00:21:29,305 --> 00:21:32,973
I WON'T BE OF ANY USE
TO YOU. I'M GOIN' HOME.
227
00:21:51,661 --> 00:21:54,378
♪♪ [Guitar Intro]
228
00:21:54,447 --> 00:21:59,483
[Man Singing] ♪ AT
THE DARK END ♪
229
00:21:59,552 --> 00:22:01,551
♪ OF THE STREET ♪
230
00:22:03,055 --> 00:22:08,542
♪ THAT'S WHERE WE ALWAYS MEET ♪
231
00:22:08,610 --> 00:22:11,929
♪ HIDING IN SHADOWS ♪
232
00:22:11,998 --> 00:22:16,000
♪ WHERE WE DON'T BELONG ♪
233
00:22:16,068 --> 00:22:21,988
♪ LIVIN' IN DARKNESS
TO HIDE OUR WRONGS ♪
234
00:22:23,526 --> 00:22:25,659
♪ YOU AND ME ♪
235
00:22:27,663 --> 00:22:32,466
♪ AT THE DARK END
OF THE STREET ♪
236
00:22:33,486 --> 00:22:38,188
♪ YOU AND ME ♪
237
00:22:38,256 --> 00:22:43,360
♪ I KNOW TIME IS
GONNA TAKE ITS TOLL ♪
238
00:22:44,696 --> 00:22:50,467
♪ WE HAVE TO PAY
FOR WHAT WE STOLE ♪
239
00:22:52,271 --> 00:22:57,708
♪ IT'S A SIN AND WE
KNOW IT'S WRONG ♪
240
00:22:57,777 --> 00:22:59,710
♪ OH ♪
241
00:22:59,779 --> 00:23:04,265
♪ BUT OUR LOVE KEEPS
COMING ON STRONG ♪
242
00:23:05,968 --> 00:23:09,904
♪ STEAL AWAY ♪
243
00:23:09,972 --> 00:23:13,189
♪ TO THE DARK END ♪
244
00:23:13,258 --> 00:23:16,109
♪ OF THE STREET ♪
245
00:23:20,366 --> 00:23:22,882
♪ THEY GONNA FIND US ♪
246
00:23:23,986 --> 00:23:27,171
♪ THEY GONNA FIND US ♪
247
00:23:27,240 --> 00:23:29,306
♪ THEY GONNA FIND US ♪
248
00:23:29,375 --> 00:23:33,110
♪ WHOA, SOMEDAY ♪
249
00:23:33,179 --> 00:23:35,880
♪ YOU AND ME ♪
250
00:23:35,948 --> 00:23:39,750
CAN I HELP YOU? I
SAID, CAN I HELP YOU?
251
00:23:41,921 --> 00:23:45,233
YEAH, I USED TO LIVE HERE. I WAS JUST IN
THE NEIGHBORHOOD. I WAS PASSING BY AND I...
252
00:23:45,257 --> 00:23:48,358
- YOU MUST BE MR. BLACK.
- YEAH.
253
00:23:48,428 --> 00:23:50,939
DON'T WORRY. IT'S NOT ABOUT THE
CORPSE IN THE BASEMENT. WHAT?
254
00:23:50,963 --> 00:23:53,397
[Chuckles] NO,
IT'S-IT'S THE MAIL.
255
00:23:53,466 --> 00:23:57,017
- STILL GETTING
LETTERS FOR YOU.
- OH.
256
00:23:57,086 --> 00:24:01,005
HAD SOMETHING A COUPLE OF
WEEKS BACK. MOSTLY JUNK BUT, UH...
257
00:24:01,073 --> 00:24:04,758
NOW, GIVEN YOU'VE COME
THIS FAR, WHAT ABOUT A DRINK?
258
00:24:04,827 --> 00:24:07,506
NO, NO, NO. NO,
THANKS. YOU KNOW,
259
00:24:07,530 --> 00:24:11,264
- IT'S GOOD TO SEE THE PLACE
IS IN SUCH GOOD HANDS.
- THANKS.
260
00:24:11,334 --> 00:24:14,201
DON'T KNOW HOW YOU LIVED
WITH THE YELLOW THOUGH.
261
00:24:14,269 --> 00:24:15,953
YEAH. [Phone Ringing]
262
00:24:16,021 --> 00:24:18,706
[Chuckles] ♪ STEAL AWAY ♪
263
00:24:20,393 --> 00:24:25,930
♪ TO THE DARK END
OF THE STREET ♪
264
00:24:29,651 --> 00:24:34,070
♪ YOU AND ME ♪
265
00:24:34,139 --> 00:24:40,077
♪ AT THE DARK END
OF THE STREET ♪
266
00:24:40,145 --> 00:24:43,647
♪ YOU AND ME ♪♪
267
00:25:27,576 --> 00:25:30,711
[Static Hissing]
268
00:25:36,085 --> 00:25:38,919
[Increases Volume]
269
00:25:51,434 --> 00:25:53,033
[Hissing Continues]
270
00:25:53,101 --> 00:25:55,519
[Helicopter Whirring]
[Screeching]
271
00:25:56,822 --> 00:25:58,738
[Screeching]
272
00:26:05,531 --> 00:26:07,897
[Helicopter Whirring]
273
00:26:07,966 --> 00:26:12,336
[Watts] WEAPONS-GRADE ANTHRAX TAKES
APPROXIMATELY 8,000 MICROSCOPIC SPORES...
274
00:26:12,404 --> 00:26:14,622
TO INTRODUCE AN INFECTION.
275
00:26:14,690 --> 00:26:18,542
THE MARBURG VARIANT THEY
CREATED IN THE LAB TAKES THREE.
276
00:26:18,610 --> 00:26:20,313
THE MILLENNIUM GROUP
DEVELOPED A VACCINE...
277
00:26:20,337 --> 00:26:21,489
SO PEOPLE CAN BE INOCULATED.
278
00:26:21,513 --> 00:26:23,642
THEY ONLY MADE ENOUGH
FOR GROUP MEMBERS.
279
00:26:23,666 --> 00:26:26,817
AND THEIR FAMILIES.
280
00:26:26,886 --> 00:26:30,136
- AND THEIR FAMILIES, PETER.
- [Horn Blaring]
281
00:26:30,205 --> 00:26:33,306
- [Tires Screeching]
- [Hissing Continues]
282
00:26:33,375 --> 00:26:35,676
[Sighs]
283
00:26:37,880 --> 00:26:39,437
THE LETTER JERRY
ORIGO RECEIVED WAS
284
00:26:39,461 --> 00:26:41,448
DISPATCHED FROM THE
HILLSBOROUGH SUB-OFFICE.
285
00:26:41,516 --> 00:26:44,217
THEIR VANS COLLECT
FROM 83 MAILBOXES.
286
00:26:44,286 --> 00:26:47,605
BUT IT'S AN A.M. TIME STAMP,
WHICH MAKES IT LIKELY...
287
00:26:47,673 --> 00:26:50,074
IT WAS MAILED EITHER FROM
THE POST OFFICE ITSELF,
288
00:26:50,142 --> 00:26:53,744
OR FROM ONE OF THE 21
BOXES THAT HAS AN A.M. PICKUP.
289
00:26:53,813 --> 00:26:57,297
YOU CAN COVER 21
MAILBOXES? I THINK SO.
290
00:26:57,366 --> 00:26:59,933
OKAY. NO JOY ON PRINTS, D.N.A.
291
00:27:00,002 --> 00:27:03,803
CASSETTE, STANDARD ISSUE...
SEVERAL MILLION SOLD EVERY YEAR.
292
00:27:03,873 --> 00:27:06,868
PAPER FROM PORTLAND... SELLS
EVERYWHERE IN THE NORTHWEST.
293
00:27:06,892 --> 00:27:10,593
THE HANDWRITING... PSYCH ANALYSIS
FROM QUANTICO SAYS OUR GUY'S A WOMAN.
294
00:27:10,662 --> 00:27:13,780
BUT NO CLUE TO IDENTITY.
THEN, IT'S THE MAILBOXES.
295
00:27:13,849 --> 00:27:16,683
YEAH.
296
00:27:16,752 --> 00:27:19,597
DETECTIVE GEIBELHOUSE, HAVE
YOU EVER SEEN FRANK BLACK...
297
00:27:19,621 --> 00:27:21,855
WALK AWAY FROM AN
INVESTIGATION BEFORE?
298
00:27:21,924 --> 00:27:24,507
THIS WAS A DEAD
CASE. HE CAME HERE,
299
00:27:24,576 --> 00:27:26,637
HE GOT IT OPENED UP,
AND THEN HE LEAVES?
300
00:27:26,661 --> 00:27:30,514
DOES THAT MAKE SENSE? I THINK
HE WAS SCARED OF SOMETHING.
301
00:27:30,582 --> 00:27:34,000
SOMETHIN' LIKE WHAT? JUST
BEFORE HE LEFT SEATTLE,
302
00:27:34,069 --> 00:27:39,138
HIS WIFE DIED IN THE
VIRAL OUTBREAK. YEAH.
303
00:27:39,207 --> 00:27:43,476
BUT EVEN BEFORE THAT,
THINGS WERE... FALLIN' APART.
304
00:27:43,545 --> 00:27:46,213
I MEAN,
305
00:27:46,281 --> 00:27:49,616
TO THIS DAY, I STILL DON'T
UNDERSTAND WHY THEY LEFT EACH OTHER.
306
00:27:49,685 --> 00:27:55,071
THEY SEPARATED?
CATHERINE WAS HIS CENTER.
307
00:27:55,140 --> 00:27:57,391
HE'S NEVER BEEN THE SAME.
308
00:27:59,061 --> 00:28:03,880
THERE WAS SOMEBODY WHO WORKED
WITH FRANK HERE IN THE MILLENNIUM GROUP.
309
00:28:03,949 --> 00:28:06,433
PETER WATTS. YEAH.
310
00:28:06,501 --> 00:28:09,069
HE WAS IN SEATTLE AT
THE TIME OF THE OUTBREAK.
311
00:28:09,138 --> 00:28:12,356
HE SURVIVED THE VIRUS.
HIS WHOLE FAMILY DID.
312
00:28:12,424 --> 00:28:15,270
SO DID FRANK, SO
DID JORDAN, BUT...
313
00:28:15,294 --> 00:28:17,978
NOT CATHERINE.
314
00:28:18,046 --> 00:28:20,730
CAN YOU IMAGINE THE
GUILT HE MUST FEEL?
315
00:28:39,618 --> 00:28:41,309
[Frank] IN THE MIDDLE
AGES, DURING THE BLACK
316
00:28:41,333 --> 00:28:43,164
PLAGUE, PEOPLE USED TO
GATHER THEIR FAMILIES...
317
00:28:43,188 --> 00:28:45,505
AND TAKE THEM TO THE
MOUNTAINS OR THE FOREST,
318
00:28:46,592 --> 00:28:48,691
AWAY FROM THE POPULATION.
319
00:29:02,157 --> 00:29:04,992
[Groans] [Jordan] UGH.
CAN WE GO HOME NOW?
320
00:29:05,060 --> 00:29:08,661
[Frank] WE'RE GONNA BE HERE FOR A
WHILE, SWEETHEART. OKAY. [Sniffles]
321
00:29:08,730 --> 00:29:11,965
[Catherine] COME
ON, SWEETIE. UGH.
322
00:29:12,034 --> 00:29:14,535
[Jordan Coughs]
323
00:29:14,603 --> 00:29:17,554
- MOMMY,
I'LL BE RIGHT OUTSIDE.
- OKAY, SWEETIE.
324
00:29:17,623 --> 00:29:21,541
[Catherine] OUR
NEW YELLOW HOUSE.
325
00:29:30,719 --> 00:29:33,481
ALL RIGHT, HOLD IT RIGHT
THERE! SEATTLE P.D.!
326
00:29:33,505 --> 00:29:35,834
UP AGAINST THE WALL!
WHAT ARE YOU DOING, MAN?
327
00:29:35,858 --> 00:29:38,524
COME ON! THAT'S MY BAG!
328
00:29:43,682 --> 00:29:48,068
- WHAT'S THIS ABOUT, MAN?
- THESE YOURS? WHOSE ARE THEY?
329
00:29:48,136 --> 00:29:50,496
IT'S THE COMPANY I WORK
FOR. WHAT'S THIS COMPANY DO?
330
00:29:50,522 --> 00:29:54,107
IT RECORDS STUFF. YOU KNOW,
NATURE, WAVES AND CRAP...
331
00:29:54,175 --> 00:29:56,609
- PUT BABIES TO SLEEP.
- DO YOU RECOGNIZE THE WRITING?
332
00:29:56,678 --> 00:30:00,163
YEAH. YEAH, IT'S ALICE.
333
00:30:00,232 --> 00:30:03,350
[Whales Crying,
Seagulls Squawking]
334
00:30:04,854 --> 00:30:07,354
[Door Rattling]
335
00:30:07,422 --> 00:30:09,456
[Sounds Continue]
336
00:30:12,661 --> 00:30:15,095
[Volume Increases]
337
00:30:15,164 --> 00:30:17,280
[Hurried Footsteps]
338
00:30:17,349 --> 00:30:20,083
[Animal Sounds Continue]
339
00:30:24,189 --> 00:30:26,690
[Deafening Volume]
340
00:30:26,759 --> 00:30:29,893
ALICE SEVERIN? IS THIS
YOUR HANDWRITING?
341
00:30:34,383 --> 00:30:36,316
YES.
342
00:30:37,936 --> 00:30:41,588
- [Emma] DO YOU KNOW THIS MAN?
- I DON'T BELIEVE SO.
343
00:30:41,657 --> 00:30:45,191
YOU WROTE TO HIM.
DID I WRITE TO HIM?
344
00:30:45,260 --> 00:30:49,529
YOU SENT HIM A
CASSETTE. WHAT WAS ON IT?
345
00:30:49,598 --> 00:30:52,733
NOTHING. WHITE NOISE.
346
00:30:52,801 --> 00:30:55,835
- IS THAT A CRIME?
- TAKE A GOOD LOOK
AT THOSE PHOTOS.
347
00:30:55,904 --> 00:31:00,073
HE DIED. HE THREW HIMSELF
OFF A SIX-STORY BUILDING.
348
00:31:00,142 --> 00:31:05,028
SHE DIED. SHE REVERSED HER
LITTLE CAR STRAIGHT INTO A TRUCK.
349
00:31:05,097 --> 00:31:08,198
THEY WERE BOTH
LISTENING TO YOUR TAPES.
350
00:31:08,267 --> 00:31:11,634
WHAT DID YOU DO TO THEM?
WHAT WAS ON THOSE TAPES?
351
00:31:11,703 --> 00:31:14,854
- YOU SAID THERE WAS NOTHING.
- THERE WAS WHITE NOISE.
352
00:31:14,923 --> 00:31:18,008
YOU SAID WHITE
NOISE WAS NOTHING.
353
00:31:19,277 --> 00:31:23,213
- WHY SEND THEM NOTHING?
- PERHAPS I WAS MISTAKEN.
354
00:31:23,281 --> 00:31:25,665
I THOUGHT IT WAS WHALE MUSIC.
355
00:31:25,734 --> 00:31:31,387
DID YOU KNOW THAT WHALES COULD TALK
TO EACH OTHER OVER THOUSANDS OF MILES?
356
00:31:31,456 --> 00:31:33,539
WE DON'T HEAR VERY WELL, DO WE?
357
00:31:34,610 --> 00:31:38,645
THEY DIED... HORRIBLE DEATHS...
358
00:31:38,714 --> 00:31:41,180
HALLUCINATING, LIKE THE TAPES...
359
00:31:41,249 --> 00:31:43,416
TRIGGERED A CONNECTION
TO THEIR PASTS.
360
00:31:43,485 --> 00:31:47,887
OUR PASTS ARE WHAT WE ARE.
EVERY CHOICE HAS ITS CONSEQUENCE.
361
00:31:49,724 --> 00:31:53,109
- ST. PETER'S GATE.
- EVERYBODY COMES
TO PETER'S GATE.
362
00:31:53,178 --> 00:31:55,628
NOT EVERYBODY GOES THROUGH.
363
00:31:58,284 --> 00:32:02,318
- WHO JUDGES THEM?
- WE DO.
364
00:32:04,389 --> 00:32:06,306
AGENT HOLLIS?
365
00:32:12,214 --> 00:32:15,832
THEY FOUND THIS IN HER ROOM.
IT'S LIKE A PRIVATE MAILING LIST.
366
00:32:15,901 --> 00:32:19,285
THERE'S HUNDREDS OF ADDRESSES.
367
00:32:19,354 --> 00:32:21,721
WE'LL CHECK 'EM, BUT THIS
ONE WE ALREADY KNOW.
368
00:32:23,975 --> 00:32:26,709
IT'S WHERE FRANK USED TO LIVE.
369
00:32:29,681 --> 00:32:32,999
WE'VE GOTTA CALL FRANK.
370
00:32:33,068 --> 00:32:37,837
HE CHECKED OUT OF THE HOTEL
THIS MORNING, BUT HE'S NOT HOME.
371
00:32:37,906 --> 00:32:40,073
HE NEVER ARRIVED HOME.
372
00:32:42,677 --> 00:32:44,610
I KNOW WHERE HE'S GONE.
373
00:32:44,679 --> 00:32:48,332
[Man's Voice: Recording] THE EARLY
SYMPTOMS, WHICH A VICTIM MAY NOT RECOGNIZE,
374
00:32:48,400 --> 00:32:50,378
END IN A SENSE
OF DISORIENTATION.
375
00:32:50,402 --> 00:32:52,680
MONITOR ANY INCREASE
IN BODY TEMPERATURE...
376
00:32:52,704 --> 00:32:55,672
[Statements
Repeating, Scrambled]
377
00:32:56,808 --> 00:32:59,048
[Catherine] CAN WE TURN IT OFF?
378
00:33:01,062 --> 00:33:04,080
IF YOU BOTH BECAME
SICK, I WOULDN'T...
379
00:33:04,149 --> 00:33:06,065
[Exhales]
380
00:33:06,151 --> 00:33:10,120
I WOULDN'T WANT
TO LIVE AFTER THAT.
381
00:33:10,188 --> 00:33:14,441
I CAN'T GET SICK.
382
00:33:14,509 --> 00:33:17,227
IT WAS DONE TO ME,
AND I DIDN'T ASK FOR IT.
383
00:33:17,296 --> 00:33:20,430
THE GROUP GAVE ME A VACCINE.
384
00:33:21,500 --> 00:33:23,800
THEY TOLD ME THAT...
385
00:33:23,869 --> 00:33:27,587
THEY ONLY HAD ENOUGH
FOR THEIR MEMBERS.
386
00:34:21,109 --> 00:34:23,810
CATHERINE.
387
00:34:25,914 --> 00:34:29,599
CATHERINE. CATHERINE.
388
00:34:33,705 --> 00:34:35,639
CATHERINE.
389
00:34:54,959 --> 00:34:58,778
BY THE TIME THE PLAGUE HIT
THE NEWS, FRANK HAD GONE.
390
00:34:58,847 --> 00:35:01,247
WE CALLED HIS HOUSE.
THERE WAS NO ANSWER.
391
00:35:01,316 --> 00:35:03,366
I WENT AROUND, BUT
THE PLACE WAS EMPTY.
392
00:35:03,435 --> 00:35:05,368
CATHERINE AND
JORDAN HAD GONE TOO.
393
00:35:05,436 --> 00:35:08,666
BY THAT TIME, THINGS
WERE GETTIN' PRETTY WILD.
394
00:35:08,690 --> 00:35:11,107
I REMEMBER THE REPORTS.
395
00:35:11,175 --> 00:35:14,277
YEAH, RIGHT. THE REPORTS.
396
00:35:14,329 --> 00:35:17,663
THE WAY THE MEDIA TOOK IT UP, YOU WOULD
HAVE THOUGHT IT WAS THE BLACK PLAGUE.
397
00:35:17,732 --> 00:35:20,917
THE WHOLE OF THE NORTHWEST
DROPPIN' DEAD LIKE FLIES.
398
00:35:22,253 --> 00:35:24,265
AND THE FUSS WAS
SELF-FULFILLING...
399
00:35:24,289 --> 00:35:29,676
ROADS JAMMED, PEOPLE SHOOTIN' AT
EACH OTHER IN STORES, AT JUNCTIONS,
400
00:35:29,745 --> 00:35:32,445
NATIONAL GUARD
PROTECTIN' THE HOSPITALS.
401
00:35:33,815 --> 00:35:36,416
AND THEN IT JUST WENT AWAY.
402
00:35:36,484 --> 00:35:38,851
"IT VECTORED OUT," THEY SAID.
403
00:35:38,920 --> 00:35:41,387
AT MOST, IT TOOK
ABOUT 80 PEOPLE.
404
00:35:41,456 --> 00:35:45,642
IT WAS BAD ENOUGH, BUT... NOT THE END
OF THE WORLD LIKE SOME PEOPLE THOUGHT.
405
00:35:45,694 --> 00:35:47,743
STRANGE HE LEFT TOWN.
406
00:35:47,812 --> 00:35:50,981
IT'S ALMOST AS IF FRANK
HAD SOME KIND OF WARNING.
407
00:35:51,049 --> 00:35:54,700
YEAH. DIDN'T DO
HIM A LOT OF GOOD.
408
00:35:54,769 --> 00:35:57,270
[Geibelhouse] A LOT OF PEOPLE
HAD TAKEN TO THE MOUNTAINS...
409
00:35:57,339 --> 00:36:02,108
[Vehicle Approaching] TRYING TO
ESCAPE THE PANIC IN THE CITY.
410
00:36:02,176 --> 00:36:07,680
BUT EITHER THE VIRUS WAS ALREADY
IN THEM, OR IT FOLLOWED THEM.
411
00:36:07,749 --> 00:36:10,015
FRANK HAD COME UP HERE, TOO,
412
00:36:10,084 --> 00:36:12,118
TO A CABIN HE OWNED.
413
00:36:12,186 --> 00:36:15,338
IT'S WHERE WE FOUND JORDAN.
414
00:36:15,407 --> 00:36:17,440
OR SHE FOUND US.
415
00:36:21,162 --> 00:36:24,981
SHE TOLD US WHERE
WE COULD FIND FRANK.
416
00:36:25,049 --> 00:36:28,951
WHEN WE GOT TO HIM, HE WAS IN A
TERRIBLE STATE, REFUSING TO SPEAK.
417
00:36:29,021 --> 00:36:31,454
I FOUND OUT LATER HE
BLAMED THE OUTBREAK,
418
00:36:31,523 --> 00:36:34,190
CATHERINE'S DEATH,
THE WHOLE THING,
419
00:36:34,259 --> 00:36:36,626
HE BLAMED IT ON THE
MILLENNIUM GROUP.
420
00:36:36,694 --> 00:36:40,063
[Emma] I THINK HE
BLAMED IT ON HIMSELF.
421
00:36:56,882 --> 00:37:00,600
IF HE'S OUT IN THE WOODS, HE WON'T
SURVIVE. IT'S FREEZING OUT THERE.
422
00:37:00,668 --> 00:37:03,369
[Emma] HE WAS SENT A
TAPE. JUST LIKE THE OTHERS.
423
00:37:03,438 --> 00:37:06,205
WHERE IS HE?
424
00:37:06,274 --> 00:37:10,143
HE WENT TO FIND HIS WIFE.
425
00:37:11,913 --> 00:37:15,714
FRANK! FRANK!
426
00:37:30,799 --> 00:37:33,633
[Raindrops Dripping] CATHERINE.
427
00:37:45,097 --> 00:37:47,163
CATHERINE!
428
00:37:53,488 --> 00:37:55,855
CATHERINE!
429
00:38:21,283 --> 00:38:23,733
[Frank's Voice] I COULD HAVE
SAVED YOU. I DIDN'T PROTECT...
430
00:38:23,802 --> 00:38:26,135
I COULD HAVE SAVED
YOU. I HAD A CHOICE.
431
00:38:26,204 --> 00:38:30,089
[Jordan] WILL WE ALWAYS BE
TOGETHER? [Catherine] I LOVE YOU.
432
00:38:38,917 --> 00:38:41,918
OH, CATHERINE. SHH.
433
00:38:43,989 --> 00:38:46,722
[Sighs] AM I DEAD?
434
00:38:46,792 --> 00:38:49,492
HUSH. YOU'RE HURT.
435
00:38:53,515 --> 00:38:58,251
I WANT TO BE WITH YOU. I WANT...
EVERY DAY, I WANT TO BE WITH YOU.
436
00:38:58,319 --> 00:39:02,105
OH, FRANK, DON'T. [Sighs]
437
00:39:02,174 --> 00:39:05,642
AND THEN I LOOK AT JORDAN... I
LOOK AT OUR DAUGHTER'S FACE.
438
00:39:05,710 --> 00:39:09,111
AND DAY AFTER DAY, SHE
LOOKS MORE AND MORE LIKE YOU.
439
00:39:09,181 --> 00:39:11,113
I CAN'T LET GO.
440
00:39:12,884 --> 00:39:15,134
YOU HAVE TO PROTECT HER.
441
00:39:19,257 --> 00:39:23,275
[Exhales Wearily] I
DIDN'T PROTECT YOU.
442
00:39:23,344 --> 00:39:27,346
THERE WAS NOTHING
YOU COULD HAVE DONE.
443
00:39:29,885 --> 00:39:33,119
[Groans]
444
00:39:33,187 --> 00:39:35,822
OH, MY GOD.
445
00:39:35,891 --> 00:39:38,436
[Sighs] THEY WANTED
ME TO JOIN THEM.
446
00:39:38,460 --> 00:39:42,662
THEY WANTED ME TO JOIN THE
GROUP, AND THEN YOU'D BE SAVED.
447
00:39:42,731 --> 00:39:45,448
PETER WATTS'S FAMILY'S ALIVE.
448
00:39:45,517 --> 00:39:49,319
HIS DAUGHTERS HAVE A
MOTHER. THEY SET THE TABLE,
449
00:39:49,387 --> 00:39:53,456
AND... AND SHE SITS
DOWN TO EAT WITH THEM.
450
00:39:53,525 --> 00:39:58,911
YOU KNOW THAT JORDAN SETS
AN EMPTY PLACE... EVERY NIGHT.
451
00:39:58,980 --> 00:40:01,380
EVERY NIGHT SHE SETS AN
EMPTY PLACE, AND I CAN'T...
452
00:40:01,449 --> 00:40:03,950
I'LL NEVER ASK HER TO STOP.
453
00:40:06,020 --> 00:40:11,157
BELIEVE IN THEM,
AND YOU'LL BE SAVED.
454
00:40:11,225 --> 00:40:14,126
YOU CHOSE ME, NOT THEM.
455
00:40:14,195 --> 00:40:17,680
THEN I LOST YOU,
456
00:40:17,749 --> 00:40:20,382
AND JORDAN LOST HER MOTHER.
457
00:40:22,553 --> 00:40:25,571
YOU WOULD BE ALIVE.
458
00:40:26,874 --> 00:40:30,727
TO LIVE WHAT KIND OF LIFE? WHAT?
459
00:40:30,796 --> 00:40:33,763
THEY HAD ALREADY
TAKEN TOO MUCH OF YOU.
460
00:40:33,831 --> 00:40:37,817
WHAT... WE BEAT THEM.
461
00:40:40,755 --> 00:40:43,889
ALL OF THEIR PREDICTIONS
AND THEIR MYSTERIES...
462
00:40:43,958 --> 00:40:50,329
AND THEIR POWER... YOU CHOSE ME.
463
00:40:50,398 --> 00:40:54,067
WE CHOSE EACH OTHER.
464
00:40:58,907 --> 00:41:02,441
I LET YOU DIE.
465
00:41:02,510 --> 00:41:06,179
YOU WALKED AWAY ALONE TO DIE.
466
00:41:08,917 --> 00:41:12,185
YOU DON'T REMEMBER VERY WELL.
467
00:41:12,253 --> 00:41:14,398
[Catherine] YOU WERE WITH ME.
468
00:41:14,422 --> 00:41:18,791
WHEN EVERYTHING HAD FALLEN
APART, YOU STAYED WITH ME.
469
00:41:18,860 --> 00:41:21,227
WE WERE TOGETHER.
470
00:41:24,782 --> 00:41:26,849
I LOVE YOU.
471
00:41:29,687 --> 00:41:32,554
DON'T GO.
472
00:41:50,325 --> 00:41:52,925
DON'T GO, CATHERINE.
473
00:42:00,852 --> 00:42:03,252
OH, MY GOD! FRANK!
474
00:42:06,040 --> 00:42:08,607
OH, DEAR LORD. NO.
475
00:42:08,676 --> 00:42:11,643
HE'S WARM. HE'S ALIVE.
476
00:42:11,712 --> 00:42:14,113
FEEL.
477
00:42:16,734 --> 00:42:18,854
OH, FRANK, IT'S GONNA BE OKAY.
478
00:42:21,873 --> 00:42:23,922
HANG IN THERE, OKAY?
479
00:42:23,991 --> 00:42:27,376
[Whale, Seagull Sounds]
480
00:42:34,336 --> 00:42:36,869
[Sounds Continue]
481
00:42:50,584 --> 00:42:54,804
[Sounds Continue]
482
00:43:00,111 --> 00:43:02,612
[Office Chatter]
483
00:43:04,232 --> 00:43:07,417
FRANK. FRANK, I'VE GOT
SOMETHING FOR YOU.
484
00:43:07,485 --> 00:43:10,436
"VICTOR CHYREN," THE NAME ON THE
INTERNAL ENVELOPE THAT CAME TO YOU?
485
00:43:10,504 --> 00:43:13,289
IT'S IN NOSTRADAMUS.
486
00:43:13,357 --> 00:43:16,709
YEAH. CENTURY SIX, QUATRAIN 70.
487
00:43:18,146 --> 00:43:20,629
YOU KNEW?
488
00:43:21,633 --> 00:43:23,582
EXTENSION 6-70.
489
00:43:29,157 --> 00:43:33,292
WELL, LISTEN TO THIS. "CHYREN:
THE CHIEF OF THE WORLD.
490
00:43:33,361 --> 00:43:36,229
THE GREAT CHYREN, WITH
THE SOLE TITLE 'VICTOR.'"
491
00:43:36,297 --> 00:43:40,015
AT THE END OF THE
WORLD. IT'S A PROPHECY.
492
00:43:40,084 --> 00:43:42,235
IT'S THE MILLENNIUM GROUP AGAIN.
493
00:43:42,303 --> 00:43:45,988
IS ALICE PART OF IT? NO.
SHE HAS GREAT POWER.
494
00:43:46,057 --> 00:43:49,175
THEY WILL EITHER
APPROPRIATE IT OR DESTROY IT.
495
00:43:49,244 --> 00:43:53,346
THE GROUP SENT YOU THE TAPE. WHAT
WERE THEY TRYING TO DO, KILL YOU?
496
00:43:55,333 --> 00:44:00,269
WELL, YOU KNOW THAT LIST
THAT YOU FOUND IN THE STUDIO?
497
00:44:00,337 --> 00:44:02,271
YEAH. THE LIST OF NAMES?
498
00:44:02,340 --> 00:44:05,441
UH-HUH. GEIBELHOUSE
CALLED. HE CHECKED IT ALL OUT.
499
00:44:05,510 --> 00:44:07,443
NO MORE DEATHS.
500
00:44:07,512 --> 00:44:09,979
NOW, I DON'T KNOW WHAT
THEIR INTENTIONS WERE.
501
00:44:10,047 --> 00:44:13,683
BUT I KNOW WHAT HAPPENED.
502
00:44:13,751 --> 00:44:15,784
THEY GAVE ME MY WIFE BACK.
503
00:45:25,923 --> 00:45:28,758
[Child] I MADE THIS!
39697
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