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1
00:00:01,635 --> 00:00:06,271
[Bell Tolling]
2
00:00:32,483 --> 00:00:35,267
[Footsteps Approaching]
3
00:00:43,159 --> 00:00:46,762
OH, IT'S YOU. I THOUGHT
IT WAS SISTER LUCRETIA.
4
00:00:46,830 --> 00:00:49,548
[Giggles]
5
00:00:53,904 --> 00:00:58,457
[Screaming]
6
00:01:03,297 --> 00:01:07,482
[Woman] WOW! THIS
IS SO BEAUTIFUL.
7
00:01:07,551 --> 00:01:10,719
YOU ARE SUCH A GOOD DIRECTOR.
8
00:01:10,788 --> 00:01:14,589
I'LL MAKE YOU SO
HAPPY YOU CAST ME.
9
00:01:17,427 --> 00:01:19,628
I MAY NEED TO LOOK
AT MY BUTT AGAIN.
10
00:01:19,696 --> 00:01:21,791
YOU'LL WEAR OUT THE TAPE, MARTA.
11
00:01:21,815 --> 00:01:24,766
COME ON. IT'S JUST A
ROUGH CUT. COME ON.
12
00:01:24,835 --> 00:01:27,752
HEY, DON'T. I WANNA
WATCH IT AGAIN.
13
00:01:30,274 --> 00:01:33,775
RIGHT HERE... I THOUGHT
I WAS GONNA PUKE.
14
00:01:33,843 --> 00:01:38,546
LEW! IT'S YOUR FAULT. THAT
BLOOD TASTED LIKE SOAP.
15
00:01:38,615 --> 00:01:41,382
IT TASTES FINE, BABY.
YOU TRY IT, THEN.
16
00:01:43,219 --> 00:01:45,500
HEY! THIS IS A NEW
SHIRT! TASTE IT!
17
00:01:45,539 --> 00:01:48,589
- [Giggling]
- OH, YEAH?
18
00:01:48,658 --> 00:01:51,059
I'M GONNA MAKE
YOU A STAR, MARTA.
19
00:01:51,128 --> 00:01:53,595
[Grunting]
20
00:01:53,664 --> 00:01:57,082
- GIVE IT TO ME, BABY.
- [Giggling Continues]
21
00:01:57,151 --> 00:02:00,618
SOAPY, SOAPY,
SOAPY, SOAPY, SOAPY!
22
00:02:00,687 --> 00:02:03,488
[Both Laughing]
23
00:02:03,557 --> 00:02:07,859
COME ON, BIG, BAD
DIRECTOR. TASTE IT!
24
00:02:07,927 --> 00:02:10,095
OKAY. IT DOES TASTE SOAPY.
25
00:02:12,099 --> 00:02:14,199
[Giggling]
26
00:02:14,268 --> 00:02:17,035
I'M GONNA GO TAKE A
SHOWER WHILE YOU...
27
00:02:19,239 --> 00:02:21,339
GO GET US CHAMPAGNE.
28
00:02:21,408 --> 00:02:23,458
[Panting]
29
00:02:44,898 --> 00:02:47,782
OH, IT'S YOU. [Giggles]
30
00:02:47,851 --> 00:02:50,018
HERE'S TO US.
31
00:02:52,789 --> 00:02:55,657
[Giggles] HURRY BACK.
32
00:02:57,695 --> 00:03:00,629
[Grunts, Groans]
33
00:03:02,332 --> 00:03:04,632
LEW?
34
00:03:08,555 --> 00:03:10,855
[Door Creaking]
35
00:03:19,633 --> 00:03:21,833
[Screams]
36
00:03:21,901 --> 00:03:25,470
OH, GOD! OH, GOD!
37
00:03:25,539 --> 00:03:28,507
[Screaming]
38
00:04:23,514 --> 00:04:27,349
MANSON. BUNDY. DAHMER.
39
00:04:27,418 --> 00:04:29,851
THEIR CASES ARE ALL WELL KNOWN.
40
00:04:29,920 --> 00:04:33,237
BUT THE CASE I'M ABOUT
TO DESCRIBE IS SO HORRIFIC,
41
00:04:33,306 --> 00:04:36,173
IT SHOULD NEVER BE
DISCUSSED OUTSIDE THIS ROOM.
42
00:04:36,242 --> 00:04:38,476
IT CHALLENGED EVERY
PRECONCEPTION.
43
00:04:38,545 --> 00:04:41,212
IT FOLLOWED NO
RULES. IF IT HAS A MORAL,
44
00:04:41,281 --> 00:04:43,981
I DO NOT KNOW
WHAT THAT MORAL IS.
45
00:04:44,051 --> 00:04:47,052
THIS STORY IS SO
BIZARRE AND MACABRE,
46
00:04:47,120 --> 00:04:50,055
I WOULDN'T BELIEVE IT HAD I
NOT SEEN IT WITH MY OWN EYES.
47
00:04:50,123 --> 00:04:52,890
IT ALL HAPPENED IN THE WEEK
LEADING UP TO HALLOWEEN.
48
00:04:52,959 --> 00:04:54,893
HEY, FRANK, IT'S
GOOD TO SEE YOU.
49
00:04:54,961 --> 00:04:56,244
THANK YOU.
50
00:04:56,313 --> 00:04:59,330
GLAD TO HAVE YOU BACK
WITH US, FRANK. THANK YOU.
51
00:05:01,318 --> 00:05:03,418
SO, YOU'VE BEEN HERE BEFORE?
52
00:05:03,487 --> 00:05:05,954
YEAH. THIRTEEN YEARS AGO,
53
00:05:06,022 --> 00:05:08,189
JUST ABOUT THIS TIME OF YEAR.
54
00:05:08,258 --> 00:05:12,126
THERE WERE THREE MURDERS
A MONTH. IT WAS REALLY BAD.
55
00:05:12,195 --> 00:05:14,863
THE DALE BARKER MURDERS?
THAT WAS YOU? MM-HMM.
56
00:05:14,931 --> 00:05:17,733
THEY TEACH THAT
CASE AT THE ACADEMY.
57
00:05:17,801 --> 00:05:19,735
WELL...
58
00:05:22,072 --> 00:05:24,956
[Man] THEY WERE FROM
CALIFORNIA, IN TOWN MAKIN' A MOVIE.
59
00:05:25,024 --> 00:05:27,642
DO YOU KNOW WHO
MARTA DANBURY IS?
60
00:05:27,711 --> 00:05:29,944
WE COUNTED 55 STAB WOUNDS.
61
00:05:30,013 --> 00:05:33,748
THE OTHER ONE IS THE
DIRECTOR OF THIS HERE PICTURE.
62
00:05:33,817 --> 00:05:35,767
A GUY NAMED LEW CARROLL.
63
00:05:35,836 --> 00:05:38,670
MARTA WAS THE
STAR OF THIS MOVIE.
64
00:05:40,190 --> 00:05:42,023
STAGE BLOOD.
65
00:05:42,092 --> 00:05:44,025
TASTES KINDA SOAPY.
66
00:05:44,094 --> 00:05:47,312
HUMAN BLOOD OXIDIZES
TO A DEEP BROWN.
67
00:06:02,179 --> 00:06:04,062
MR. BLACK, WHAT IS IT?
68
00:06:04,131 --> 00:06:09,066
AGENT HOLLIS, WHAT YOU LEARNED AT
THE ACADEMY WON'T SERVE YOU HERE.
69
00:06:16,893 --> 00:06:19,561
WHAT KIND OF MOVIE IS THIS?
70
00:06:20,980 --> 00:06:23,014
[Man] ACTION!
71
00:06:23,082 --> 00:06:26,279
NEVER BEFORE IN THE ANNALS OF CRIME
HAVE I ENCOUNTERED A MONSTER SO HEINOUS,
72
00:06:26,303 --> 00:06:31,589
SO DEVIOUSLY CLEVER,
SO HARD TO CATCH.
73
00:06:31,658 --> 00:06:34,542
[Sobbing]
74
00:06:34,611 --> 00:06:37,245
[Footsteps Approaching]
75
00:06:37,314 --> 00:06:39,292
KENNY NEIDERMAN.
HE'S THE PRODUCER.
76
00:06:39,316 --> 00:06:42,016
OH, KENNY, THIS IS SPECIAL
AGENT EMMA HOLLIS,
77
00:06:42,085 --> 00:06:45,320
- AND THIS IS FRANK BLACK.
- HEY, NICE TO MEET YA.
78
00:06:47,073 --> 00:06:49,007
WHEN THE PREDATOR IS SO ELUSIVE,
79
00:06:49,075 --> 00:06:51,195
I TRY TO PUT MYSELF IN
THE MADMAN MANIAC MIND.
80
00:06:51,244 --> 00:06:55,446
I CALL IT PROFILING, A
TECHNIQUE I INVENTED IN THE F.B.I.
81
00:06:55,515 --> 00:06:59,083
THAT IS HOW I PLAN TO STOP THIS
MADMAN MANIAC FROM MURDERING,
82
00:06:59,152 --> 00:07:01,236
OR MY NAME ISN'T FRANK BLACK.
83
00:07:01,305 --> 00:07:03,338
WHAT?
84
00:07:05,993 --> 00:07:09,043
CUT! MAGIC! FANTASTIC!
85
00:07:09,112 --> 00:07:12,096
[Bell Rings] THE PICTURE'S
BASED ON A TRUE CASE.
86
00:07:12,165 --> 00:07:14,360
YOU INVESTIGATED THE MURDERS.
THAT MAKES YOU A PUBLIC FIGURE.
87
00:07:14,384 --> 00:07:16,434
SO WE DON'T HAVE
TO BUY YOUR RIGHTS.
88
00:07:16,503 --> 00:07:19,020
BUT IF YOU WANT TO
SUE, I UNDERSTAND.
89
00:07:19,089 --> 00:07:21,209
I DIDN'T SAY I WANTED TO SUE.
90
00:07:21,274 --> 00:07:24,058
[No Audible Dialogue]
91
00:07:24,127 --> 00:07:27,596
WHO WAS MARTA DANBURY
PORTRAYING IN THE FILM?
92
00:07:27,664 --> 00:07:30,465
THAT MAY INFORM THE
INVESTIGATION OF HER MURDER.
93
00:07:31,935 --> 00:07:35,153
WHICH VICTIM DID SHE
PORTRAY IN YOUR FILM?
94
00:07:35,222 --> 00:07:38,322
- EVA O'MALLEY.
- EVA O'MALLEY...
95
00:07:38,391 --> 00:07:40,992
WAS A 40-YEAR-OLD QUADRIPLEGIC.
96
00:07:41,061 --> 00:07:43,411
SHE GOT STRANGLED
IN HER DRIVEWAY.
97
00:07:43,480 --> 00:07:47,748
SURE. BUT IT'S MORE ENTERTAINING TO SEE HER
GET SLICED UP IN A GIRLS' SCHOOL SHOWER.
98
00:07:47,817 --> 00:07:51,920
AND WOULD YOU HIDE A TOMATO LIKE THAT IN
A WHEELCHAIR? [Sniffs] GOD REST HER SOUL.
99
00:07:51,989 --> 00:07:55,089
WE NEED TO TALK TO EVERYONE
WHO SAW THE VICTIMS RECENTLY.
100
00:07:55,158 --> 00:07:58,527
OKAY. BUT JUST TALK
ABOUT THE MURDERS.
101
00:07:58,595 --> 00:08:00,905
I DON'T NEED A BUNCH OF
HOTHEAD ACTORS THINKING
102
00:08:00,929 --> 00:08:03,064
WE DON'T HAVE THE
RIGHTS TO THE STORY HERE.
103
00:08:03,133 --> 00:08:05,382
[Chuckles Nervously, Sniffs]
104
00:08:09,906 --> 00:08:12,874
UM, I KNEW BOTH OF THEM.
105
00:08:12,943 --> 00:08:17,078
I MEAN, LEW AND MARTA
WERE... THEY WERE MY CLIENTS.
106
00:08:17,147 --> 00:08:20,042
WERE YOU THEIR AGENT? OH, NO.
I WAS THEIR PERSONAL TRAINER.
107
00:08:20,066 --> 00:08:23,969
WHEN DID YOU BECOME A DIRECTOR?
WHEN LEW WAS PRONOUNCED DEAD.
108
00:08:29,576 --> 00:08:33,778
LIVE FAST, DIE YOUNG,
LEAVE A PRETTY CORPSE.
109
00:08:33,846 --> 00:08:38,483
I'M THE STAR, AND THEY DON'T EVEN NOTICE
BECAUSE IT'S MARTA DANBURY'S LAST FILM.
110
00:08:38,551 --> 00:08:41,469
YOU'RE THE STAR? YES, OF COURSE.
111
00:08:41,538 --> 00:08:45,240
I ALMOST GET KILLED. THEN
I HELP SOLVE THE MYSTERY.
112
00:08:45,308 --> 00:08:48,510
ALONG THE WAY, FALL
IN LOVE WITH THE HERO,
113
00:08:48,578 --> 00:08:52,130
F.B.I. AGENT FRANK BLACK.
114
00:08:52,199 --> 00:08:54,982
IT DIDN'T HAPPEN
THAT WAY IN REAL LIFE.
115
00:08:55,052 --> 00:08:59,120
WHAT ARE YOU
DOING TONIGHT? UH...
116
00:09:01,708 --> 00:09:04,175
I WAS THE TOAST OF
THE ENGLISH STAGE.
117
00:09:06,312 --> 00:09:11,383
AND NOW MY NAME IS ABOVE THE
TITLE AS THE "MADMAN MANIAC."
118
00:09:15,138 --> 00:09:18,673
DID YOU STUDY DALE BARKER'S
BEHAVIOR TO LEARN YOUR PART?
119
00:09:21,010 --> 00:09:23,845
OLIVIER NEVER MET THE DANE,
120
00:09:23,913 --> 00:09:26,948
AND I'LL BE DAMNED BEFORE I
TALK TO SOME PERVERT KILLER...
121
00:09:27,016 --> 00:09:29,984
ABOUT HOW TO PLAY
THIS BLOODY PART.
122
00:09:34,874 --> 00:09:39,077
[Screaming, Sighs]
123
00:09:39,146 --> 00:09:43,030
SEE, I GOT THE PART 'CAUSE
I'M A REALLY GOOD SCREAMER,
124
00:09:43,099 --> 00:09:45,249
AND I DO NUDITY FOR SCALE.
125
00:09:45,318 --> 00:09:48,436
THE DIRECTOR SAID HE WAS
GONNA ENLARGE YOUR ROLE.
126
00:09:48,505 --> 00:09:51,071
AS COMPENSATION FOR
MARTA DANBURY'S LOSS.
127
00:09:51,140 --> 00:09:54,175
[Squeals] ISN'T THAT
THE GREATEST!
128
00:09:54,244 --> 00:09:57,228
[Sighs] OH!
129
00:09:57,297 --> 00:10:00,398
I MEAN, AHEM, YOU KNOW,
130
00:10:00,467 --> 00:10:03,301
IT'S TERRIBLE ABOUT
THE DEATH OF MARTA.
131
00:10:03,370 --> 00:10:07,172
BUT... I'M AT THE
BEGINNING OF MY CAREER,
132
00:10:07,240 --> 00:10:09,774
AND I COULD REALLY
USE THE BREAK.
133
00:10:09,842 --> 00:10:12,110
LUCKY YOU.
134
00:10:12,179 --> 00:10:15,146
[Giggles]
135
00:10:16,950 --> 00:10:18,995
LET ME ASK YOU SOMETHING, OKAY?
136
00:10:19,019 --> 00:10:23,404
NOW, DO YOU SAY... [Gravelly]
"SPECIAL AGENT FRANK BLACK, F.B.I."?
137
00:10:23,473 --> 00:10:26,708
OR "F.B.I., FRANK BLACK"?
138
00:10:26,777 --> 00:10:30,077
NEITHER.
139
00:10:30,146 --> 00:10:33,965
HOW WELL DID YOU
KNOW MARTA? [Laughing]
140
00:10:34,034 --> 00:10:37,168
I'M SORRY. FRANK BLACK
INTERROGATING A SUSPECT.
141
00:10:37,236 --> 00:10:39,671
THIS IS REALLY COOL. UM, OKAY.
142
00:10:39,739 --> 00:10:42,507
NOW, I BET YOU WANNA KNOW
ABOUT MY CHILDHOOD, RIGHT?
143
00:10:42,576 --> 00:10:45,993
WAS I A BED WETTER? DID I SET
FIRES? WAS I CRUEL TO ANIMALS?
144
00:10:46,062 --> 00:10:49,597
IT'S NOT THAT KIND OF CASE YET.
145
00:10:49,666 --> 00:10:52,933
NO, BUT THE 1985 CASE...
THAT WAS A SERIAL KILLER.
146
00:10:53,002 --> 00:10:55,403
IT WAS A SEXUALLY
MOTIVATED HOMICIDE.
147
00:10:55,472 --> 00:10:58,789
[Gravelly] "SEXUALLY
MOTIVATED HOMICIDE." [Groans]
148
00:10:58,858 --> 00:11:01,259
THAT'S GOOD. NO, I LIKE THAT.
149
00:11:03,563 --> 00:11:06,164
HEY.
150
00:11:06,232 --> 00:11:08,149
[Chattering]
151
00:11:08,218 --> 00:11:11,152
CAN WE RULE ANYONE
OUT? NOT FROM THIS GROUP.
152
00:11:11,221 --> 00:11:15,456
I CAN'T DISCERN IF THE ATTACK
WAS SOLO OR FROM A TEAM.
153
00:11:15,525 --> 00:11:18,059
THE CRIME SCENE'S AMBIVALENT.
154
00:11:18,128 --> 00:11:20,428
SOME SIGNS POINT TO
AN ORGANIZED OFFENDER.
155
00:11:20,496 --> 00:11:23,431
LIKE THE CAREFUL ENTRY AND
THE LACK OF EVIDENCE. YEAH.
156
00:11:23,499 --> 00:11:26,434
BUT OTHER SIGNS POINT TO
A DISORGANIZED OFFENDER,
157
00:11:26,502 --> 00:11:29,704
LIKE THE RITUAL VIOLENCE
OF THE ATTACK ON THE WOMAN.
158
00:11:29,773 --> 00:11:31,773
WE'RE BEING FOLLOWED.
159
00:11:31,842 --> 00:11:33,774
UM, HEY, WAIT. UM...
160
00:11:33,843 --> 00:11:37,028
MR. BLACK, I'M HUGO WINSTON.
161
00:11:37,097 --> 00:11:40,682
I REMEMBER YOU. THE
FOOTBALL CAPTAIN, RIGHT?
162
00:11:40,751 --> 00:11:42,884
WELL, 13 YEARS AGO.
163
00:11:42,953 --> 00:11:47,021
THEN, UH, DALE BARKER
MURDERED MY FIANCÉE.
164
00:11:47,090 --> 00:11:50,925
LISTEN, THEY'RE DESECRATING
HER MEMORY IN THERE,
165
00:11:50,993 --> 00:11:54,529
MAKING THIS SLEAZY MOVIE, AND...
166
00:11:54,598 --> 00:11:58,132
REVENGE WON'T BRING HER BACK.
THAT'S NOT WHAT YOU'RE AFTER, IS IT?
167
00:11:58,201 --> 00:12:01,085
- UH, READ THE SCRIPT.
- NO.
168
00:12:01,154 --> 00:12:06,924
IT... THIS... THIS WILL CHANGE
YOUR MIND ABOUT THESE BASTARDS.
169
00:12:09,479 --> 00:12:13,481
THE KILLER IN THIS STORY FOLLOWS
NO KNOWN BEHAVIORAL PROFILE.
170
00:12:14,918 --> 00:12:18,686
BARKER'S FINAL VICTIM WAS
KILLED AT A CHURCH PICNIC.
171
00:12:18,755 --> 00:12:23,691
IN THIS STORY, THE BAND NAMED KISS
IS PLAYING WHAT RESEMBLES AN ORGY.
172
00:12:23,760 --> 00:12:27,278
I CAN SEE WHERE THAT WOULD
MAKE A GUY LIKE HUGO SNAP.
173
00:12:27,347 --> 00:12:29,280
NEIDERMAN. WHAT?
174
00:12:29,349 --> 00:12:31,427
THE PRODUCER WITH THE
RINGS. THE... [Sniffing] YEAH.
175
00:12:31,451 --> 00:12:33,934
HE SPENT SEVERAL NIGHTS
IN MARTA DANBURY'S ROOM.
176
00:12:34,003 --> 00:12:37,037
SUPPOSE MARTA THE STAR
WAS SLEEPING WITH NEIDERMAN,
177
00:12:37,106 --> 00:12:39,574
BUT THEN SHE THROWS
HIM OVER FOR THE DIRECTOR.
178
00:12:39,642 --> 00:12:43,877
NEIDERMAN GETS JEALOUS, FINDS THEM TOGETHER
IN THE HOTEL ROOM, KILLS THEM BOTH.
179
00:12:43,946 --> 00:12:46,881
INTERESTING. YOU KNOW,
THEY'RE SHOOTING TONIGHT.
180
00:12:46,950 --> 00:12:49,684
WE CAN GO KEEP AN
EYE ON BOTH OF THEM.
181
00:12:49,752 --> 00:12:52,520
[Chattering]
182
00:13:03,099 --> 00:13:05,032
HEY, MAN.
183
00:13:06,035 --> 00:13:07,968
[Gravelly] FRANK BLACK, F.B.I.
184
00:13:08,037 --> 00:13:09,720
[Normal Voice] THAT'S
HOW THEY SAY IT.
185
00:13:09,789 --> 00:13:11,750
LET ME ASK YOU SOMETHING. WHAT?
186
00:13:11,774 --> 00:13:15,526
SAY YOU'RE DOIN' A
FULL-CONTACT INTERROGATION.
187
00:13:15,595 --> 00:13:19,130
NOW, MY BUDDY SAYS YOU HIT THESE GUYS WITH
A PHONE BOOK 'CAUSE THERE'S NO BRUISING.
188
00:13:19,198 --> 00:13:21,282
RIGHT? NO, WE DON'T.
189
00:13:21,351 --> 00:13:24,369
[Scoffs] YOU ARE GOOD.
190
00:13:31,544 --> 00:13:33,995
[Rowdy] AND CUT!
191
00:13:34,064 --> 00:13:37,181
MAGIC! FANTASTIC! THAT
WAS TERRIFIC, PEOPLE!
192
00:13:37,250 --> 00:13:39,600
OKAY, LET'S SET UP FOR
THE MONEY SHOT, QUICKLY!
193
00:13:39,669 --> 00:13:42,904
[Chattering]
194
00:13:42,973 --> 00:13:46,591
- HEY.
- DALE BARKER NEVER SHOT ANYONE.
195
00:13:46,659 --> 00:13:48,593
YEAH, YEAH, YEAH, I
KNOW. BUT CHECK THIS.
196
00:13:48,661 --> 00:13:52,096
THE MADMAN MANIAC SHOOTS THE
BOYFRIEND, THEN DRESSES LIKE HIM,
197
00:13:52,165 --> 00:13:54,276
AND WHEN RUBY'S TAKING
A LATE-NIGHT SKINNY-DIP...
198
00:13:54,300 --> 00:13:56,634
HE HARPOONS HER.
I READ THE SCRIPT.
199
00:13:56,702 --> 00:13:59,604
HOW CAN YOU LABEL
THIS A TRUE STORY?
200
00:13:59,672 --> 00:14:02,440
IT IS TRUE. IT'S JUST
IMPROVED A LITTLE.
201
00:14:02,509 --> 00:14:05,504
THAT'S ALL. I MEAN, THE REALITY OF
MURDER... IT'S DARK AND DEPRESSING.
202
00:14:05,528 --> 00:14:08,313
- YES, IT IS.
- FRANK, FRANK.
203
00:14:08,381 --> 00:14:10,815
YOU KNOW THAT
AND... AND I KNOW THAT.
204
00:14:10,883 --> 00:14:13,184
BUT ALL THE PEOPLE
IN THOSE TOWNS...
205
00:14:13,252 --> 00:14:16,988
THAT YOU FLY OVER ON THE WAY TO
NEW YORK, THEY WANT TO BE ENTERTAINED.
206
00:14:17,056 --> 00:14:20,207
I WOULDN'T PRESUME
TO KNOW YOUR BUSINESS.
207
00:14:20,276 --> 00:14:23,611
BUT THERE'S AN ABUNDANCE
OF HEROISM AND DRAMA...
208
00:14:23,679 --> 00:14:26,730
IN THE REAL FACTS OF
ANY MURDER INVESTIGATION.
209
00:14:26,799 --> 00:14:29,133
OH, YEAH, YEAH. SURE
THERE IS, FRANKIE.
210
00:14:29,202 --> 00:14:32,319
BUT, YOU KNOW, IT'S COMPLICATED.
THE PEOPLE... THEY'RE UGLY.
211
00:14:32,388 --> 00:14:34,889
AND IT'S PROBABLY DARK
AND RAINY ALL THE TIME.
212
00:14:34,958 --> 00:14:37,708
WHERE'S THE MAGIC? THE MAGIC.
213
00:14:37,777 --> 00:14:40,694
[Sighs] [Chattering]
214
00:14:40,763 --> 00:14:43,464
I'M GLAD THAT WE
HAD THIS LITTLE TALK.
215
00:14:43,532 --> 00:14:46,150
RUBY, BABY! TIME TO
GET NAKED AND DIE.
216
00:14:46,219 --> 00:14:49,720
[Man] CAN WE GET CRAFT SERVICE IN
TO CLEAN UP THE REST OF THAT BLOOD?
217
00:14:49,789 --> 00:14:52,673
- [Man #2] LET'S HURRY IT UP!
- HOW DID HE GET IN HERE?
218
00:14:54,044 --> 00:14:58,029
I'M SORRY. YOU READY?
GO DO YOUR STUFF.
219
00:14:59,598 --> 00:15:01,649
[Man] QUIET, PEOPLE!
220
00:15:03,419 --> 00:15:05,386
WHO ARE THEY?
221
00:15:05,455 --> 00:15:08,689
IT'S THE INSURANCE GUY, THE
COPRODUCER, THE ASSOCIATE PRODUCER,
222
00:15:08,758 --> 00:15:11,559
STUDIO EXEC, EVERY LITTLE
PISSANT FUNCTIONARY ON THE SHOW.
223
00:15:11,628 --> 00:15:14,679
WHAT ARE THEY DOING
HERE TONIGHT? NUDE SCENE.
224
00:15:16,716 --> 00:15:19,900
- WHERE'S NEIDERMAN?
- HE WAS HERE A MINUTE AGO.
225
00:15:19,969 --> 00:15:23,571
AH, JUST WAIT. THAT LITTLE HORN
DOG NEVER MISSES ONE OF THESE.
226
00:15:23,639 --> 00:15:27,508
- WE'RE READY TO ROLL, PEOPLE!
- [Bell Rings]
227
00:15:27,576 --> 00:15:29,760
ROLL SOUND! SOUND SPEED.
228
00:15:29,828 --> 00:15:32,680
- ROLL CAMERA.
- TURNING.
229
00:15:32,748 --> 00:15:35,215
[Man] MARKER. ACTION.
230
00:16:02,846 --> 00:16:05,879
[Screaming]
231
00:16:15,674 --> 00:16:18,526
AND WE... CUT!
232
00:16:18,594 --> 00:16:21,062
[Bell Rings] MAGIC! FANTASTIC!
233
00:16:29,639 --> 00:16:33,174
WHERE'S RUBY? RUBY?
234
00:16:45,070 --> 00:16:48,339
[Gasps, Panting]
235
00:16:50,910 --> 00:16:53,210
YOU'RE THE PRODUCER?
236
00:16:53,279 --> 00:16:56,213
NO, I'M NOT.
237
00:17:03,556 --> 00:17:05,990
[Man] THAT WAS A GREAT SHOT!
238
00:17:06,058 --> 00:17:08,676
[Woman] OKAY, THAT'S A WRAP.
239
00:17:08,745 --> 00:17:11,178
[Man] OKAY, PEOPLE, LET'S EAT!
240
00:17:11,247 --> 00:17:14,014
[Chattering]
241
00:17:14,083 --> 00:17:16,150
SANDWICHES? IS THIS IT?
242
00:17:16,219 --> 00:17:19,053
WE SPENT THE REST ON
YOUR SALARY. OH, SHUT UP.
243
00:17:22,992 --> 00:17:27,828
MMM. I TOLD YOU IT WAS
SAFE. THE NIGHT'S NOT OVER.
244
00:17:27,897 --> 00:17:31,132
WELL, WE'RE WRAPPED, SO
NOTHIN' HAPPENED ON MY SET.
245
00:17:37,974 --> 00:17:42,310
[Spitting, Gagging]
246
00:17:42,378 --> 00:17:44,411
OH, MY GOD.
247
00:17:44,480 --> 00:17:49,400
THEY KILLED NEIDERMAN.
NEIDERMAN'S DEAD.
248
00:17:49,469 --> 00:17:52,370
[Gagging, Retching]
249
00:17:52,438 --> 00:17:55,673
[Disgusted Chattering]
250
00:17:59,929 --> 00:18:02,463
[Frank] OUR PRIME
SUSPECT, THE PRODUCER,
251
00:18:02,532 --> 00:18:05,065
HAD BECOME THE NEXT
VICTIM IN THE CREW'S DINNER.
252
00:18:05,134 --> 00:18:08,236
AT THAT MOMENT, I KNEW THIS CASE
WOULD PIT ME AGAINST HORRORS...
253
00:18:08,304 --> 00:18:11,239
THAT NO F.B.I. AGENT SHOULD
EVER HAVE TO ENDURE...
254
00:18:11,307 --> 00:18:14,008
AND PUSH ME TO THE
BRINK OF INSANITY.
255
00:18:22,301 --> 00:18:26,020
ALL WE HAVE IS THE POSSIBILITY OF
A DENTAL MATCH ON THE BITE MARKS.
256
00:18:26,088 --> 00:18:29,106
IT'S A VERY CLEAN CRIME SCENE.
257
00:18:29,175 --> 00:18:33,594
WHICH IS AT ODDS WITH A PERSON WHO
WOULD FEEL COMPELLED TO BITE FINGERS OFF.
258
00:18:33,663 --> 00:18:35,863
WHAT KIND OF OFFENDER IS THAT?
259
00:18:35,931 --> 00:18:38,599
DISORGANIZED. SCHIZOPHRENIC.
260
00:18:38,668 --> 00:18:42,152
NOT THE TYPE TO GET IN AND OUT IN 10
MINUTES WITHOUT ANYONE SEEING HIM.
261
00:18:43,822 --> 00:18:47,908
- A VOYEURISTIC ANTHROPOPHAGAC.
- WHAT'S THAT?
262
00:18:47,977 --> 00:18:50,561
A PERSON WHO FEELS COMPELLED
TO WATCH OTHERS EAT HUMAN FLESH.
263
00:18:50,630 --> 00:18:54,632
OR AN AVID FAN OF THE HITCHER. THE SEVERED
FINGERS ARE A DIRECT QUOTE OF THAT MOVIE.
264
00:18:56,653 --> 00:18:59,286
SO HOW MANY PEOPLE
MAY HAVE SEEN THAT?
265
00:18:59,355 --> 00:19:02,756
BESIDES OUR SUSPECT? THE ENTIRE
FILM CREW. IT'S THEIR BUSINESS.
266
00:19:02,825 --> 00:19:07,428
AND ME. I'VE SEEN QUITE
A FEW HORROR FILMS.
267
00:19:07,497 --> 00:19:10,597
THIS HORROR FILM CONNECTION
DOESN'T NARROW IT DOWN.
268
00:19:10,666 --> 00:19:13,801
NO. ANY OF A DOZEN PEOPLE
COULD BE OUR PERPETRATOR.
269
00:19:13,870 --> 00:19:17,137
EVEN THOUGH WE
DON'T KNOW WHO IT IS,
270
00:19:17,206 --> 00:19:21,158
THERE IS A DECISIVE WAY THAT
WOULD STOP THE KILLING IMMEDIATELY.
271
00:19:21,227 --> 00:19:25,362
[Gasping, Screaming]
272
00:19:30,019 --> 00:19:33,353
[Shouts] YOU BASTARD! YOU'LL
PAY FOR ALL THE KIDS YOU KILLED!
273
00:19:33,422 --> 00:19:36,173
[Screaming] [Man] CUT!
274
00:19:36,242 --> 00:19:41,462
WHO SAID THAT? WHO
SAID "CUT" ON MY SET?
275
00:19:41,531 --> 00:19:44,649
I DID. OKAY, THAT'S IT.
276
00:19:44,717 --> 00:19:47,952
IT'S OVER. TIME TO
GO HOME NOW, FOLKS.
277
00:19:48,021 --> 00:19:52,356
I'M OFFICIALLY NOTIFYING YOU THIS WORKPLACE
IS SHUT DOWN BY ORDER OF THE SHERIFF.
278
00:19:52,425 --> 00:19:54,825
THAT'D BE ME.
279
00:19:54,893 --> 00:19:58,679
YOU DON'T LIKE MY MOVIE, SO YOU
PULLED SOME STRINGS WITH THE HEAT.
280
00:20:02,518 --> 00:20:04,969
[Man] OKAY, FOLKS.
THAT'S A WRAP.
281
00:20:05,037 --> 00:20:07,705
[Bell Rings]
282
00:20:07,773 --> 00:20:12,409
SO, LISTEN. I'VE BEEN DOING A
LITTLE RESEARCH ON MY OWN.
283
00:20:12,478 --> 00:20:16,747
AND YOUR GUY, MAYBE HE'S GOT
LIKE A COOLING-OFF PERIOD, AND THEN...
284
00:20:16,816 --> 00:20:18,749
[Gravelly] HE WILL KILL AGAIN.
285
00:20:18,817 --> 00:20:20,901
NOT NOW HE WON'T.
286
00:20:25,808 --> 00:20:29,393
HEY. HEY, IS IT... THAT'S IT?
287
00:20:29,462 --> 00:20:31,996
THIS IS ALL THAT'S
GONNA HAPPEN TO THEM?
288
00:20:32,064 --> 00:20:34,732
HUGO, THE MOVIE'S OVER.
ISN'T THAT WHAT YOU WANTED?
289
00:20:34,800 --> 00:20:41,104
I... UH, NO, I... THIS
MOVIE'S... NOT OVER!
290
00:20:42,574 --> 00:20:45,075
[Cell Phone Rings]
291
00:20:46,812 --> 00:20:50,715
- AGENT HOLLIS.
- THIS IS A HELL OF AN ANGLE.
292
00:20:50,783 --> 00:20:54,168
SARAH CRYER, UNIT
PUBLICIST. HMM?
293
00:20:54,237 --> 00:20:57,922
DO YOU MIND IF I SAY...
294
00:20:57,990 --> 00:21:03,627
THIS IS THE MOVIE FRANK
BLACK DIDN'T WANT YOU TO SEE?
295
00:21:03,696 --> 00:21:05,529
YES, I DO.
296
00:21:05,597 --> 00:21:07,531
EXCUSE ME.
297
00:21:10,102 --> 00:21:12,236
BITE MARK ANALYSIS
WAS INCONCLUSIVE.
298
00:21:12,304 --> 00:21:16,389
HE WAS WEARING DENTAL PROSTHESES,
COMMONLY USED IN MOTION PICTURES.
299
00:21:16,458 --> 00:21:20,127
WHOEVER IS DOING THIS IS
TRYING TO DRIVE ME INSANE.
300
00:21:20,196 --> 00:21:23,364
FOR THE THIRD TIME IN MY LIFE.
301
00:21:23,433 --> 00:21:27,168
MR. BLACK, REMEMBER
THE SUSPECT IN SEATTLE,
302
00:21:27,236 --> 00:21:29,170
THE ONE WHO QUOTED NOSTRADAMUS?
303
00:21:29,238 --> 00:21:33,874
THE FRENCHMAN. WHAT IF INSTEAD,
HE WAS QUOTING "B" MOVIES?
304
00:21:33,943 --> 00:21:36,910
WOULDN'T YOU WANT TO STUDY THEM?
305
00:21:39,816 --> 00:21:43,384
[Screaming, Shouting]
306
00:21:50,292 --> 00:21:53,077
HE'S HER BROTHER.
HE KILLS TEENAGERS.
307
00:21:53,146 --> 00:21:55,295
THAT'S IT? NO TWIST? NO MYSTERY?
308
00:21:55,364 --> 00:21:58,148
IT'S SUPPOSED TO BE SCARY.
309
00:22:03,706 --> 00:22:06,173
[Woman Screaming On Video]
310
00:22:06,242 --> 00:22:11,178
THE MOTHER OF THE CHILD WHO'S DROWNED
SUFFERS AN EXTREME EMOTIONAL DISPLACEMENT.
311
00:22:11,247 --> 00:22:14,381
SHE ADOPTS THE
HOCKEY MASK PERSONA...
312
00:22:14,450 --> 00:22:17,351
UNTIL SHE AVENGES
THE DEATH OF HER SON.
313
00:22:17,420 --> 00:22:20,688
YOU HAVE HOCKEY.
YOU HAVE YOUNG MEN.
314
00:22:20,757 --> 00:22:24,759
YOU HAVE HER SON. WHERE
DOES IT GO FROM HERE?
315
00:22:24,827 --> 00:22:28,262
A... A LOT OF PEOPLE GET KILLED.
316
00:22:34,370 --> 00:22:39,273
[Woman Screaming On Video] OH. KRUEGER'S
ACTING OUT A CHILDHOOD TRAUMA...
317
00:22:39,342 --> 00:22:42,459
BY TARGETING SEXUALLY
PROMISCUOUS TEENS.
318
00:22:42,528 --> 00:22:46,663
HE'S EITHER THE CHILD OF A
MENTALLY UNSTABLE PARENTAGE...
319
00:22:46,732 --> 00:22:50,016
OR A RAPE VICTIM OR BOTH.
320
00:22:50,085 --> 00:22:54,121
HE WAS THE BASTARD SON
OF A THOUSAND MANIACS.
321
00:22:54,190 --> 00:22:59,143
HMM. IT'S ALMOST AS IF OUR
CASE IS IN ONE OF THESE MOVIES.
322
00:22:59,211 --> 00:23:01,529
FOR EXAMPLE, THEY ALWAYS
HAPPEN ON THE HOLIDAYS.
323
00:23:01,597 --> 00:23:03,580
AND SATURDAY IS HALLOWEEN.
324
00:23:03,649 --> 00:23:08,886
THE VICTIMS ARE ALWAYS SOME SMUG
PERSON WHO THINKS THEY'LL NEVER DIE.
325
00:23:08,955 --> 00:23:11,639
AND THE LEADING LADY'S
ALWAYS THE LAST TO BE ATTACKED.
326
00:23:11,707 --> 00:23:13,657
EXACTLY.
327
00:23:13,726 --> 00:23:17,594
YOU KNOW, WE SHOULD QUIETLY PUT
SOME SECURITY AROUND RAMONA TANGENT.
328
00:23:17,663 --> 00:23:21,749
BUT PRECAUTIONS NEVER WORK.
IF WE FOLLOW THE MOVIE MODEL,
329
00:23:21,818 --> 00:23:24,601
IF YOU TRY TO PROTECT
YOURSELF... THEN YOU DIE.
330
00:23:27,223 --> 00:23:29,639
YOU KNOW, IF WE TRY TO
SHUT THAT MOVIE DOWN,
331
00:23:29,709 --> 00:23:31,942
AND THE KILLER REALIZES
HE'S IN A SLASHER MOVIE...
332
00:23:32,011 --> 00:23:34,995
THEN HE'LL RETURN HERE TONIGHT
TO ATTACK THE MOVIE CREW.
333
00:23:35,064 --> 00:23:38,532
AND THE WHOLE
CREW IS IN THIS HOTEL.
334
00:23:41,153 --> 00:23:44,955
COME ON. MR. BLACK, I THOUGHT
YOU DIDN'T CARRY A GUN ANYMORE.
335
00:23:49,745 --> 00:23:52,579
FIRST FLOOR'S QUIET.
336
00:23:52,648 --> 00:23:57,050
COPY. SO, WHAT KIND OF
MOVIES DO YOU LIKE, MR. BLACK?
337
00:23:57,119 --> 00:23:59,220
DETECTIVE MOVIES.
338
00:23:59,288 --> 00:24:02,138
[Emma On Radio] OH. THE
ENFORCER IS MY FAVORITE.
339
00:24:02,207 --> 00:24:04,525
[Woman Screams] [Loud Thud]
340
00:24:04,593 --> 00:24:07,444
MR. BLACK, THERE'S SOMEONE
ON THE ROOF. I'M ON MY WAY.
341
00:24:19,842 --> 00:24:21,775
AGENT HOLLIS?
342
00:24:51,323 --> 00:24:53,991
FREEZE!
343
00:25:52,435 --> 00:25:54,868
[Frank] AT THIS POINT
IN THE INVESTIGATION,
344
00:25:54,937 --> 00:25:57,638
I BEGAN TO ASK MYSELF WHY.
345
00:25:57,706 --> 00:26:00,456
WHY HAD FOUR PEOPLE BEEN KILLED?
346
00:26:00,525 --> 00:26:02,759
THEY DIED MAKING
A HOLLYWOOD MOVIE,
347
00:26:02,828 --> 00:26:07,180
A MOVIE BASED ON A REAL CASE
THAT I INVESTIGATED 13 YEARS EARLIER.
348
00:26:07,249 --> 00:26:09,316
♪♪ [Organ]
349
00:26:09,385 --> 00:26:11,826
THEY TOOK ENORMOUS
LIBERTIES WITH THE TRUTH
350
00:26:11,850 --> 00:26:14,488
AND WITH MY LIFE IN THE
NAME OF ENTERTAINMENT.
351
00:26:15,824 --> 00:26:18,858
NEEDLESS TO SAY,
I'M NOT A CRITIC.
352
00:26:18,927 --> 00:26:21,895
I WAS THERE TO SOLVE THE CRIME.
353
00:26:21,964 --> 00:26:24,898
WE ARE ALL GONNA
MISS SARAH CRYER,
354
00:26:24,967 --> 00:26:28,168
OUR, UM, PUBLICIST.
355
00:26:28,236 --> 00:26:30,938
SHE WAS A CAN-DO GAL.
SHE KNEW WHEN TO LEAK,
356
00:26:31,006 --> 00:26:34,758
WHEN TO SPIN, WHEN
TO JUST PLAIN OUT LIE.
357
00:26:34,827 --> 00:26:38,178
AND THEN... WELL, LET'S NOT TALK
ABOUT HER FRANKLY DISGUSTING MURDER.
358
00:26:38,246 --> 00:26:40,964
WHAT DO YOU THINK THIS IS, A
MOVIE? FOUR PEOPLE ARE DEAD.
359
00:26:41,033 --> 00:26:43,400
FOUR!
360
00:26:43,469 --> 00:26:45,552
THE KILLER IS IN THIS ROOM.
361
00:26:45,621 --> 00:26:48,688
I KNOW YOU'RE HERE,
362
00:26:48,757 --> 00:26:52,910
AND I'M GONNA BRING YOU TO
JUSTICE... EVEN IF IT DRIVES ME INSANE...
363
00:26:52,978 --> 00:26:55,762
FOR THE THIRD TIME IN MY LIFE.
364
00:26:55,831 --> 00:26:59,366
♪♪ [Organ]
365
00:26:59,434 --> 00:27:02,969
ARE YOU OKAY? I JUST
CAME FROM THE CORONER'S.
366
00:27:03,038 --> 00:27:06,740
DEATH RESULTED FROM MASSIVE BLOOD
LOSS DUE TO A SEVERED CAROTID ARTERY.
367
00:27:06,809 --> 00:27:09,609
THE WEAPON APPEARS... A LARGE
BUTCHER KNIFE. HALLOWEEN.
368
00:27:09,645 --> 00:27:13,230
EXACTLY. THE CORPSE WAS
POSTHUMOUSLY DISSECTED WITH...
369
00:27:13,299 --> 00:27:15,915
A MACHETE. FRIDAY THE 13th.
370
00:27:15,984 --> 00:27:18,418
AND THERE'S NO USEFUL
FORENSIC EVIDENCE.
371
00:27:18,487 --> 00:27:21,788
THERE'S NO FINGERPRINTS,
NO ASSAILANT'S D.N.A.
372
00:27:21,857 --> 00:27:25,759
THIS GUY IS A GENIUS. HE'S
AHEAD OF US ON EVERY MOVE.
373
00:27:29,898 --> 00:27:33,299
UH, LADIES AND GENTLEMEN,
THE MURDER'S BEEN SOLVED.
374
00:27:33,368 --> 00:27:36,736
- WHAT?
- FILMING WILL CONTINUE!
375
00:27:36,805 --> 00:27:40,523
[Applause, Cheering]
376
00:27:40,592 --> 00:27:43,961
[Chattering]
377
00:27:45,180 --> 00:27:50,651
UH, I'M HECTOR
LEACHMAN. I DID IT.
378
00:27:50,720 --> 00:27:53,319
THIS IS NOT YOUR MAN.
379
00:27:54,773 --> 00:27:58,642
I'VE SEEN THIS GUY BEFORE.
HE WAS ONE OF THE EXTRAS.
380
00:27:58,710 --> 00:28:01,311
YOU SAID IT WAS ONE OF OURS.
381
00:28:01,379 --> 00:28:05,281
HECTOR, WHAT KIND OF GUN DID YOU
USE IN THE BOWLING ALLEY MURDERS?
382
00:28:05,350 --> 00:28:07,367
YOU DO NOT HAVE TO... HEY!
383
00:28:07,436 --> 00:28:10,720
UH, IT WAS A .38. IT'S ALL RIGHT
HERE IN MY CONFESSIONAL.
384
00:28:10,789 --> 00:28:14,975
NO ONE GOT SHOT. NO ONE
DIED IN THE BOWLING ALLEY.
385
00:28:17,797 --> 00:28:21,965
UM, EXCUSE ME. UH, MR. MAYOR?
386
00:28:23,902 --> 00:28:25,575
WE ARE SPENDING ABOUT
A MILLION DOLLARS IN
387
00:28:25,599 --> 00:28:27,337
YOUR TOWN, AND WE
BROUGHT YOU THE MURDERER.
388
00:28:27,406 --> 00:28:29,366
I DON'T KNOW WHAT
HIS PROBLEM IS...
389
00:28:29,408 --> 00:28:32,809
THE KILLER'S STILL AT
LARGE. IF HE STRIKES AGAIN...
390
00:28:32,877 --> 00:28:36,980
NEED I REMIND YOU, THE F.B.I.
IS HERE IN A SUPPORT CAPACITY?
391
00:28:37,049 --> 00:28:41,718
THE WRITTEN
CONFESSION SATISFIES ME.
392
00:28:41,787 --> 00:28:47,040
THEN, UH, I GUESS THE
FILMING CAN CONTINUE. HMM.
393
00:28:50,079 --> 00:28:54,064
YOU WERE RIGHT ABOUT ONE THING. THERE
WAS NOTHING LIKE THIS AT THE ACADEMY.
394
00:28:54,133 --> 00:28:58,551
TED BUNDY DESCRIBED THE EXPERIENCE OF
KILLING LIKE WATCHING HIMSELF IN A MOVIE.
395
00:29:03,509 --> 00:29:07,043
WERE THERE ANY HORROR
MOVIES ON THE NIGHT...
396
00:29:07,112 --> 00:29:09,746
THAT LEW CARROLL OR
MARTA DANBURY WERE KILLED?
397
00:29:14,486 --> 00:29:16,869
MR. BLACK, THAT'S IT. PSYCHO
WAS SHOWING ON CABLE.
398
00:29:16,938 --> 00:29:20,841
THE SHOWER MURDER FITS PERFECTLY.
WHAT ABOUT WHEN NEIDERMAN WAS KILLED?
399
00:29:22,160 --> 00:29:24,811
THE HITCHER WAS ON PAY-PER-VIEW.
400
00:29:24,880 --> 00:29:28,849
SARAH CRYER DIED ON WEDNESDAY.
HALLOWEEN WAS PLAYING.
401
00:29:28,917 --> 00:29:31,768
THERE'S A CORPSE
DROPPING OUT OF A DOOR.
402
00:29:31,820 --> 00:29:34,788
TONIGHT... IS MOTEL HELL.
403
00:29:34,856 --> 00:29:38,926
A CLASSIC. FARMER VINCENT
NEVER KILLS QUICKLY.
404
00:29:38,994 --> 00:29:42,895
HE KEEPS HIS VICTIMS HALF-DEAD FOR
WEEKS UNTIL HE CAN MAKE THEM INTO SAUSAGE.
405
00:29:42,964 --> 00:29:45,299
THEN WE HAVE A CHANCE.
406
00:29:46,902 --> 00:29:49,936
- [Woman] "A" MARK.
- [Rowdy] ACTION.
407
00:29:54,476 --> 00:29:58,795
THIS IS IMPORTANT. WAS
BOBBY A BIG FAN OF KISS?
408
00:29:58,864 --> 00:30:01,381
NO. HE LIKED THE RAMONES.
409
00:30:03,601 --> 00:30:06,637
THEN WE CAN CONCLUDE THAT
THE MADMAN MANIAC IS A KISS FAN.
410
00:30:06,705 --> 00:30:11,575
"WE DRIVE YOU WILD.
YOU DRIVE US CRAZY."
411
00:30:11,643 --> 00:30:14,278
THEY PLAY HERE TOMORROW.
412
00:30:14,346 --> 00:30:17,130
HE WILL BE THERE.
413
00:30:17,199 --> 00:30:20,901
CUT! MAGIC!
FANTASTIC! [Bell Rings]
414
00:30:25,957 --> 00:30:28,525
[Woman] WE LOST
POWER. WHAT'S GOING ON?
415
00:30:28,577 --> 00:30:31,578
CLEAR THE STAGE. HEAD FOR THE
EXIT. GET EVERYONE OFF THE SET.
416
00:30:31,646 --> 00:30:34,081
GET OUT! GO, GO, GO!
417
00:30:34,149 --> 00:30:36,300
[Hugo] OH, GOD! NO!
418
00:30:41,156 --> 00:30:43,290
HUGO!
419
00:30:57,456 --> 00:30:59,439
[Frank] GAFFERS.
420
00:30:59,508 --> 00:31:02,042
THEIR VOCAL CORDS ARE
SEVERED. A QUOTE FROM MOTEL HELL.
421
00:31:02,111 --> 00:31:03,976
CALL FOR BACKUP.
422
00:31:08,584 --> 00:31:11,317
[Man Coughing, Gasping]
423
00:31:13,105 --> 00:31:17,023
NO! PLEASE! DON'T KILL
ME! PLEASE DON'T KILL ME!
424
00:31:17,092 --> 00:31:20,143
HE'S STILL HERE! HE
JUST TRIED TO KILL ME!
425
00:31:20,212 --> 00:31:22,562
YOU ALL RIGHT?
426
00:31:49,941 --> 00:31:53,092
[Emma] SO HUGO WINSTON KILLS THE
MOVIE PEOPLE AND HANGS HIMSELF.
427
00:31:53,161 --> 00:31:56,195
I KNEW HUGO IN 1985.
428
00:31:56,264 --> 00:31:58,748
I'M NOT BUYING
THIS TRANSITION...
429
00:31:58,817 --> 00:32:02,535
FROM FOOTBALL CAPTAIN TO
VOYEURISTIC ANTHROPOPHAGAC.
430
00:32:02,604 --> 00:32:06,589
BUT WE SAW HIM. WHAT
WOULD CONVINCE YOU?
431
00:32:06,658 --> 00:32:09,109
AN AUTOPSY...
432
00:32:09,177 --> 00:32:12,612
WITH SOME PHYSICAL EVIDENCE
THAT HE'S BEEN EATING HUMAN FLESH.
433
00:32:12,680 --> 00:32:17,684
WE'LL GET THAT LATER.
WHAT IF IT IS SOMEONE ELSE?
434
00:32:17,753 --> 00:32:21,554
THEN HE'LL ATTACK THE FILM
CREW WITH THE SAME M.O.
435
00:32:23,208 --> 00:32:26,042
WHAT'S ON TELEVISION TONIGHT?
436
00:32:26,111 --> 00:32:30,480
IT'S HALLOWEEN. THERE ARE HORROR
MOVIE MARATHONS ON EVERY CHANNEL.
437
00:32:30,549 --> 00:32:33,583
- I'M GOING TO THE SET.
- I'LL GO WITH YOU.
438
00:32:33,651 --> 00:32:37,236
NO. TURN ON THE TELEVISION,
439
00:32:37,305 --> 00:32:40,106
AND DON'T TAKE YOUR
EYES OFF THAT TV.
440
00:32:40,175 --> 00:32:44,644
YOU KEEP WATCHING THAT TUBE
UNTIL WE PUT THIS GUY IN CUSTODY.
441
00:32:44,713 --> 00:32:47,430
I'LL BE IN CONSTANT CONTACT.
442
00:32:47,498 --> 00:32:49,415
GOOD.
443
00:32:49,484 --> 00:32:52,085
COME ON, TOMMY! OPEN THE DOOR!
444
00:32:52,154 --> 00:32:55,522
[Whimpering]
445
00:33:18,513 --> 00:33:20,947
[Woman Screams On TV]
446
00:33:32,611 --> 00:33:35,945
[Rowdy] EVERYTHING'S LOOKING
GOOD. FOLLOW SPOTS ARE IN PLACE.
447
00:33:38,149 --> 00:33:40,883
LET'S GET THAT
SMOKE BALL OUT HERE.
448
00:33:40,952 --> 00:33:43,419
[Chattering]
449
00:33:47,692 --> 00:33:49,625
OKAY.
450
00:33:49,694 --> 00:33:52,228
[Chattering Continues]
451
00:33:55,484 --> 00:33:57,378
[TV: Screaming,
Buzzing] EMMA HOLLIS.
452
00:33:57,402 --> 00:34:00,469
AGENT HOLLIS, YOU
WATCHING? WHAT DO I LOOK FOR?
453
00:34:00,538 --> 00:34:02,588
A NEW MOVIE JUST CAME ON.
454
00:34:02,657 --> 00:34:06,158
A MAN IN A HUMAN SKIN
MASK WIELDING A CHAIN SAW.
455
00:34:06,227 --> 00:34:08,745
THANKS.
456
00:34:12,784 --> 00:34:16,519
171 STITCHES. YOU SAVED
MY LIFE, MAN. THANKS.
457
00:34:16,588 --> 00:34:19,339
SO, WE COME TO THE FINAL SCENE.
DO YOU KNOW WHAT HAPPENS?
458
00:34:19,408 --> 00:34:22,175
NO, BUT YOU'RE GONNA TELL ME.
459
00:34:22,244 --> 00:34:24,177
ALL RIGHT. KISS
IS PLAYIN', RIGHT?
460
00:34:24,246 --> 00:34:27,047
AND, UH, I'M YOU, AND THE
MANIAC IS HERE, RIGHT?
461
00:34:27,116 --> 00:34:30,150
AND I ALMOST GET
HIM, AND THEN...
462
00:34:30,218 --> 00:34:32,852
HE HANGS HIMSELF, JUST
LIKE IN THE REAL STORY.
463
00:34:32,921 --> 00:34:35,538
IT'S PRACTICALLY A DOCUMENTARY.
464
00:34:35,606 --> 00:34:38,425
BREAK A LEG. THANKS, MAN.
465
00:34:38,493 --> 00:34:40,660
[Rowdy] OKAY, PEOPLE,
LET'S GO! TIME IS MONEY!
466
00:34:40,728 --> 00:34:42,963
FIRST TEAM, READY? SOUND, READY?
467
00:34:43,031 --> 00:34:45,648
READY! ALL RIGHT,
EVERYBODY. STANDING BY!
468
00:34:45,717 --> 00:34:47,695
MOVE THAT CRANE
BACK! CRANE IS MOVING.
469
00:34:47,719 --> 00:34:50,103
[Bell Rings] WE'RE
READY TO ROLL, PEOPLE!
470
00:34:50,172 --> 00:34:53,372
SET AND PLAYBACK! AND ACTION!
471
00:34:55,059 --> 00:34:57,877
♪♪ [Rock]
472
00:35:00,798 --> 00:35:02,548
[Screams]
473
00:35:02,617 --> 00:35:06,236
♪♪ [Rock]
474
00:35:08,223 --> 00:35:11,223
♪ HELLO ♪
475
00:35:11,292 --> 00:35:15,228
♪ HERE I AM, HERE WE ARE ♪
476
00:35:15,297 --> 00:35:18,748
♪ WE ARE ONE ♪
477
00:35:18,817 --> 00:35:24,704
♪ OH, I'VE BEEN WAITING
FOR THIS NIGHT TO COME ♪
478
00:35:24,772 --> 00:35:28,491
♪ GET OUT, NOW IT'S TIME ♪
479
00:35:28,560 --> 00:35:32,062
♪ FOR ME TO TAKE MY PLACE ♪
480
00:35:32,130 --> 00:35:36,232
♪ THE MAKEUP RUNNING
DOWN MY FACE ♪
481
00:35:36,301 --> 00:35:39,251
♪ WE'RE EXILED FROM
THE HUMAN RACE ♪
482
00:35:39,320 --> 00:35:43,506
♪ YOU'RE IN THE PSYCH ♪
483
00:35:43,575 --> 00:35:47,176
♪ YOU'RE IN THE PSYCHO CIRCUS ♪
484
00:35:47,245 --> 00:35:51,514
♪ YOU'RE IN THE PSYCH ♪
485
00:35:51,583 --> 00:35:54,517
♪ YOU'RE IN THE PSYCHO CIRCUS ♪
486
00:35:54,586 --> 00:35:57,386
♪ AND I SAY WELCOME
TO THE SHOW ♪
487
00:35:58,773 --> 00:36:03,459
♪ OH, I'VE BEEN WAITING
HERE TO BE YOUR GUIDE ♪
488
00:36:03,528 --> 00:36:06,729
♪ SO COME ♪
489
00:36:06,798 --> 00:36:11,184
♪ REVEAL THE SECRETS
THAT YOU KEEP INSIDE ♪
490
00:36:11,253 --> 00:36:14,554
♪ STEP OUT ♪
491
00:36:14,623 --> 00:36:19,208
♪ NO ONE LEAVES UNTIL
THE NIGHT IS DONE ♪
492
00:36:19,277 --> 00:36:23,696
♪ THE AMPLIFIERS START TO HUM ♪
493
00:36:23,765 --> 00:36:27,000
♪ THE CARNIVAL HAS JUST BEGUN ♪
494
00:36:27,069 --> 00:36:30,870
♪ YOU'RE IN THE PSYCH ♪
495
00:36:30,939 --> 00:36:34,874
♪ YOU'RE IN THE PSYCHO CIRCUS ♪
496
00:36:34,960 --> 00:36:38,895
♪ YOU'RE IN THE PSYCH ♪
497
00:36:38,964 --> 00:36:41,781
♪ YOU'RE IN THE PSYCHO CIRCUS ♪
498
00:36:41,850 --> 00:36:46,101
♪ AND I SAY WELCOME
TO THE SHOW ♪
499
00:36:46,170 --> 00:36:49,805
♪ WELCOME TO THE SHOW ♪
500
00:36:49,874 --> 00:36:52,758
♪ WELCOME TO THE SHOW ♪
501
00:36:54,996 --> 00:36:57,347
♪ THE SHOW ♪
502
00:37:04,405 --> 00:37:07,340
- CUT!
- ♪ WELCOME TO THE SHOW ♪♪
503
00:37:07,409 --> 00:37:10,243
MAGIC! FANTASTIC!
504
00:37:10,312 --> 00:37:12,996
[Bell Rings]
505
00:37:13,065 --> 00:37:17,000
ALL RIGHT, LET'S SET UP FOR
THE NEXT SHOT, PEOPLE, QUICKLY!
506
00:37:19,338 --> 00:37:23,039
GET ME DOWN! I FEEL
LIKE A SACK OF POTATOES!
507
00:37:23,107 --> 00:37:25,625
[Chattering Continues]
AGENT HOLLIS?
508
00:37:25,693 --> 00:37:27,760
NO HUMAN SKIN
MASK, NO CHAIN SAW.
509
00:37:27,829 --> 00:37:32,048
IT'S ALL TYPICAL SLASHER FARE
SO FAR, EXCEPT FOR THE OMEN.
510
00:37:32,116 --> 00:37:35,351
[Woman] OKAY, LET'S GO.
WHAT COULD HE COPY?
511
00:37:35,420 --> 00:37:37,987
SO FAR, A
DECAPITATION BY GLASS...
512
00:37:38,055 --> 00:37:40,557
AND A SUICIDAL HANGING AT A
CHILDREN'S BIRTHDAY PARTY.
513
00:37:40,625 --> 00:37:42,642
[Bell Rings] I'LL KEEP
MY EYES OPEN.
514
00:37:42,711 --> 00:37:45,394
[Rowdy] GET SET AND PLAYBACK!
515
00:37:45,463 --> 00:37:49,665
♪ GET UP, NOW IT'S TIME ♪
ACTION!
516
00:37:49,734 --> 00:37:52,668
♪ FOR ME TO TAKE MY PLACE ♪
[Screaming]
517
00:37:52,737 --> 00:37:56,272
♪ THE MAKEUP RUNNING
DOWN MY FACE ♪
518
00:37:56,341 --> 00:38:00,543
[Chattering] ♪ WE'RE EXILED
FROM THE HUMAN RACE ♪
519
00:38:00,612 --> 00:38:03,496
[Cell Phone Rings] AGENT HOLLIS?
520
00:38:03,565 --> 00:38:07,367
NO, IT'S SHERIFF NEUENSCHWANDER, FRANK.
THE CORONER'S COMPLETED THE AUTOPSY.
521
00:38:07,435 --> 00:38:11,153
[Phone Rings] EMMA HOLLIS.
522
00:38:11,222 --> 00:38:14,891
[Frank On Phone] I JUST SPOKE WITH
THE SHERIFF. HUGO REALLY DID DO IT.
523
00:38:14,959 --> 00:38:18,577
HUMAN METACARPAL FRAGMENTS WERE
RECOVERED FROM HIS DIGESTIVE TRACT.
524
00:38:18,647 --> 00:38:20,880
[Sighs] THANK GOD.
525
00:38:20,949 --> 00:38:25,317
KINDA CRAZY, ISN'T IT, THAT SUCH A
GRISLY DISCOVERY WOULD BE A RELIEF?
526
00:38:25,386 --> 00:38:29,422
DON'T YOU THINK? YEAH.
YEAH, SOMETIMES IT IS.
527
00:38:29,491 --> 00:38:32,008
WHY DON'T YOU TAKE THE
EVENING OFF? YOU'VE EARNED IT.
528
00:38:32,077 --> 00:38:35,729
THANKS. I WILL.
529
00:38:35,797 --> 00:38:39,349
♪ NO ONE LEAVES UNTIL
THE NIGHT IS DONE ♪
530
00:38:39,417 --> 00:38:44,003
♪ THE AMPLIFIERS START TO HUM ♪
531
00:38:44,072 --> 00:38:47,974
♪ THE CARNIVAL HAS JUST BEGUN ♪
532
00:38:48,043 --> 00:38:51,110
♪ YOU'RE IN THE PSYCH ♪
533
00:38:51,179 --> 00:38:56,565
- ♪ YOU'RE INTHE PSYCHO CIRCUS ♪
- [Screaming]
534
00:38:56,634 --> 00:39:00,619
[All Screaming]
535
00:39:06,544 --> 00:39:08,594
[Screaming Continues]
536
00:39:12,367 --> 00:39:15,618
I TALKED TO HIM ON THE PHONE TWO
MINUTES AGO. I DON'T THINK SO, PAL.
537
00:39:15,687 --> 00:39:21,324
IT'S LIKE WE'RE IN A MOVIE. THE LEADING
LADY DIES LAST. WHERE'S RAMONA?
538
00:39:22,694 --> 00:39:25,211
SHE'S OVER THERE. SHE'S FINE.
539
00:39:25,280 --> 00:39:26,963
AGENT HOLLIS.
540
00:39:51,439 --> 00:39:55,475
[Busy Signal On Line]
541
00:40:16,280 --> 00:40:18,681
[Knocking]
542
00:40:20,618 --> 00:40:23,118
[Knocking Continues]
543
00:40:27,709 --> 00:40:29,659
COMING.
544
00:40:29,728 --> 00:40:32,495
[Gravelly Voice] IT'S FRANK
BLACK. HUGO'S NOT OUR KILLER.
545
00:40:32,563 --> 00:40:35,064
THE AUTOPSY RESULTS WERE FAKED.
546
00:40:35,133 --> 00:40:38,033
COME ON IN. TRICK OR TREAT.
547
00:40:39,688 --> 00:40:41,821
WHAT, NO TREAT?
548
00:40:41,889 --> 00:40:45,174
[Chain Saw Revving]
549
00:41:10,284 --> 00:41:12,051
[Pistol Clicks]
550
00:41:34,308 --> 00:41:37,927
[Marc Imitating Sheriff] HEY, WHY DON'T
YOU COME ON OUT, HONEYBUNCH?
551
00:41:37,996 --> 00:41:40,429
SHERIFF FRITZ'LL SAVE YA.
552
00:41:42,466 --> 00:41:45,367
[Imitating Frank] I CAN BE
ANYONE YOU WANT ME TO BE.
553
00:41:45,436 --> 00:41:47,587
IF YOU DON'T LIKE HIM, TRY ME.
554
00:41:47,656 --> 00:41:50,373
YOU KNOW I WOULDN'T HURT YOU.
555
00:41:50,442 --> 00:41:52,642
[Keys Jingling]
556
00:41:52,710 --> 00:41:55,361
I SEE WHAT THE KILLER SEES...
557
00:41:55,430 --> 00:41:58,364
BECAUSE I'M THE KILLER.
558
00:41:58,433 --> 00:42:02,035
AND THE COP AND THE BUTCHER AND
THE BAKER AND THE CANDLESTICK MAKER.
559
00:42:04,272 --> 00:42:07,706
AGENT HOLLIS.
560
00:42:07,775 --> 00:42:10,159
MR. BLACK, WATCH OUT!
561
00:42:21,690 --> 00:42:23,339
MR. BLACK?
562
00:42:28,513 --> 00:42:31,330
[Frank] DROP YOUR GUN.
[Marc] DROP YOUR GUN.
563
00:42:41,075 --> 00:42:43,826
I WANTED TO BE LIKE YOU, FRANK.
564
00:42:43,895 --> 00:42:46,946
I WANTED TO SEE
WHAT THE KILLER SEES.
565
00:42:47,015 --> 00:42:49,966
PEOPLE DIE SO YOU
CAN PLAY A PART?
566
00:42:50,034 --> 00:42:55,037
NO, NOT ALL OF 'EM. JUST... I MEAN,
JUST THE FIRST COUPLE OF VICTIMS.
567
00:42:55,106 --> 00:42:58,524
BUT, YOU KNOW, BY KILLING THEM, I
LEARNED SOMETHING REALLY IMPORTANT.
568
00:42:58,593 --> 00:43:00,642
REALLY?
569
00:43:05,449 --> 00:43:08,151
I REALLY LIKE KILLING PEOPLE.
570
00:43:10,905 --> 00:43:12,939
AND NOW I KNOW WHAT YOU KNOW.
571
00:43:18,596 --> 00:43:21,363
[Groans, Gasps]
572
00:43:21,432 --> 00:43:24,099
YOU KNOW, PAIN
MEANS NOTHING TO ME.
573
00:43:47,959 --> 00:43:51,393
[Frank] THE AUTOPSY PROVED
MARC BIANCO ACTED ALONE.
574
00:43:51,462 --> 00:43:55,231
WHY, THEN, DID THE CRIME SCENES
SUGGEST THERE WERE TWO OFFENDERS?
575
00:43:55,299 --> 00:43:57,933
EVEN DURING THE COMMISSION
OF A HEINOUS CRIME,
576
00:43:58,002 --> 00:44:00,002
HE WAS STILL IN CHARACTER.
577
00:44:00,071 --> 00:44:03,973
IT WAS BIANCO'S UNCANNY ABILITY TO
COMPLETELY IMMERSE HIMSELF IN A ROLE,
578
00:44:04,042 --> 00:44:06,442
A TALENT NEVER
SEEN BEFORE OR SINCE.
579
00:44:06,510 --> 00:44:09,678
SOME OF THE CRIME SCENE
REFLECTED HIS NATIVE PERSONALITY...
580
00:44:09,748 --> 00:44:12,448
AND SOME THE CHARACTER
HE WAS PLAYING.
581
00:44:12,516 --> 00:44:15,184
EITHER HE WAS THE GREATEST ACTOR
THE WORLD HAD EVER KNOWN, OR...
582
00:44:15,253 --> 00:44:18,071
[Frank's Voice] HE WAS
COMPLETELY DERANGED.
583
00:44:20,258 --> 00:44:23,526
YOU WANT A GOOD MOVIE
FOR HALLOWEEN NIGHT,
584
00:44:23,595 --> 00:44:26,245
RENT MADMAN MANIAC.
585
00:44:26,314 --> 00:44:28,431
JUDGE FOR YOURSELF.
586
00:44:28,499 --> 00:44:33,202
I GIVE IT TWO THUMBS
UP. TWO SEVERED THUMBS.
587
00:45:18,700 --> 00:45:21,567
[Child] I MADE THIS!
46886
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