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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:13,179 --> 00:00:17,315 [Emma] I SPEND MY DAYS LOOKING FOR REASONS... 2 00:00:17,384 --> 00:00:20,752 THE REASONS PEOPLE DO WHAT THEY DO. 3 00:00:20,821 --> 00:00:23,054 IT'S MY JOB. 4 00:00:23,123 --> 00:00:25,557 IT'S MY WAY. 5 00:00:25,625 --> 00:00:30,562 I WANT TO KNOW WHY... WHY IT'S LIKE THIS, 6 00:00:30,631 --> 00:00:32,631 WHY GOOD PEOPLE DIE. 7 00:00:37,103 --> 00:00:39,404 [Snoring] 8 00:00:42,008 --> 00:00:44,275 [Snoring Continues] 9 00:00:50,450 --> 00:00:52,434 [Snoring Continues] 10 00:01:13,791 --> 00:01:16,391 [TV: Man] YOU TAKE OUR NEW AND IMPROVED, 11 00:01:16,460 --> 00:01:19,627 AND THEY ARE GONNA MAKE YOU THE FINEST CAJUN CHEF ON YOUR BLOCK, I GUARAN... 12 00:01:19,696 --> 00:01:22,780 - HORN, WHAT'S UP? - THAT. 13 00:01:22,849 --> 00:01:25,234 [Snoring Continues] 14 00:01:25,302 --> 00:01:27,502 [TV: Channels Changing] 15 00:01:27,571 --> 00:01:29,666 - [Man] AT THIS POINT... - ♪♪ [Rock] 16 00:01:29,690 --> 00:01:31,690 [Snorer Snorts] 17 00:01:33,410 --> 00:01:37,962 LOW-DENSITY STUDIES IN PREPARATION FOR THE INTERNATIONAL SPACE STATION... 18 00:01:42,903 --> 00:01:44,769 - WHEN THESE... - [Channels Continue Changing] 19 00:01:44,838 --> 00:01:47,489 - THIS... - [Snoring Continues] 20 00:01:59,052 --> 00:02:00,669 YOU OKAY? 21 00:02:02,873 --> 00:02:05,840 - JUST A LITTLE TIRED. - YOU SURE? 22 00:02:07,127 --> 00:02:09,377 THANKS FOR ASKING, THOUGH. 23 00:02:09,446 --> 00:02:11,379 [Door Closes] 24 00:02:11,448 --> 00:02:13,614 [Snoring Continues] [Sighs] 25 00:02:13,683 --> 00:02:16,451 [Door Kicked Open] [Man] HEY! WHO ARE YOU? 26 00:02:16,519 --> 00:02:18,519 [Gunshot] 27 00:02:19,522 --> 00:02:21,522 [Gunshot] 28 00:02:25,028 --> 00:02:27,028 [Door Slams Shut] 29 00:02:32,286 --> 00:02:34,419 HEY. 30 00:02:34,487 --> 00:02:36,471 CATCH. 31 00:02:37,741 --> 00:02:40,926 DAMN! [Laughing] 32 00:02:56,793 --> 00:02:59,627 SILENCE IS GOLDEN. 33 00:04:00,757 --> 00:04:03,624 MANAGER HEARD TWO SHOTS JUST AFTER MIDNIGHT. 34 00:04:03,693 --> 00:04:06,627 ONE ROUND PASSED THROUGH THE VICTIM, LODGED IN THE HEADBOARD, 35 00:04:06,696 --> 00:04:08,629 LEAVING A VERY NASTY EXIT WOUND. 36 00:04:08,698 --> 00:04:11,899 THE VICTIM HIMSELF GOT OFF A SHOT WITH A .38 WE FOUND NEXT TO THE BED. 37 00:04:11,968 --> 00:04:16,138 WE WERE STILL LOOKING FOR THE SLUG WHEN WE GOT WORD YOU WERE ON THE WAY. 38 00:04:18,091 --> 00:04:22,644 SOME REASON THE F.B.I. IS INTERESTED IN THE DEATH OF AN UNEMPLOYED BAKER FROM MIAMI? 39 00:04:24,164 --> 00:04:27,065 MY GUYS ARE JUST WONDERING. 40 00:04:27,134 --> 00:04:29,751 ONE MYSTERY AT A TIME, DETECTIVE. 41 00:04:29,820 --> 00:04:32,838 [Siren Wailing] 42 00:04:34,374 --> 00:04:37,375 WE'LL ORDER A G.S.R. FROM THE CORONER. 43 00:04:42,983 --> 00:04:44,983 GENTLEMEN. 44 00:04:46,052 --> 00:04:48,052 IS THAT HIS I.D.? 45 00:04:50,557 --> 00:04:53,475 NAME'S DARYL NORCOTT. HAS TWO DAUGHTERS IN NEWARK. 46 00:04:53,543 --> 00:04:57,695 ACCORDING TO THEM, HE WAS EN ROUTE FOR A VISIT. STOPPED AT THE LINCOLN MEMORIAL. 47 00:04:57,764 --> 00:05:00,115 ARMED WITH A .38. 48 00:05:00,183 --> 00:05:04,202 [Chuckles] HOTEL LIKE THIS? IT'S NOT UNUSUAL. 49 00:05:04,270 --> 00:05:06,905 SOMEBODY PULLED A JOHN WAYNE BOBBITT... POSTMORTEM. 50 00:05:08,325 --> 00:05:10,826 [Shutter Clicks] 51 00:05:12,312 --> 00:05:14,879 WELL, IT'S NOT AN UNCOMMON MUTILATION. 52 00:05:14,948 --> 00:05:16,897 WELL, THAT'S COMFORTING. 53 00:05:21,705 --> 00:05:24,906 M.E. SAYS IT LOOKS LIKE A BIG, SHARP KNIFE, A HUNTING KNIFE. 54 00:05:24,975 --> 00:05:27,242 ONE CLEAN SLICE, NO TEARING. 55 00:05:27,311 --> 00:05:29,778 WE WERE THINKING MOB, MAYBE. 56 00:05:29,846 --> 00:05:31,780 BOLIVIAN NECKTIE SORT OF THING. 57 00:05:31,848 --> 00:05:34,243 IF IT WAS RITUALISTIC, THEY WOULD HAVE LEFT IT AT THE SCENE. 58 00:05:34,267 --> 00:05:37,218 MAYBE HE STIFFED SOME CHIPPIE. 59 00:05:39,005 --> 00:05:42,205 WHOEVER IT IS, I WANT TO MAKE SURE HE DOESN'T DO IT AGAIN. 60 00:05:42,258 --> 00:05:45,259 [People Shouting, Chattering] 61 00:05:45,328 --> 00:05:47,568 WHAT ABOUT THE NEIGHBORS? 62 00:05:53,236 --> 00:05:55,637 MR. LARKIN? SPECIAL AGENT HOLLIS, F.B.I. 63 00:05:55,705 --> 00:05:57,722 MAY WE COME IN? 64 00:05:57,791 --> 00:06:01,526 [TV: Man Shouting] IT LANDED! OVER ON THE MALL! IT LANDED! 65 00:06:01,595 --> 00:06:03,862 WOULD YOU MIND TURNING THIS DOWN? 66 00:06:03,931 --> 00:06:06,197 [TV: Siren Wailing] 67 00:06:06,266 --> 00:06:08,449 [TV: Volume Decreases] [Agent] F.B.I.'s INTERESTED? 68 00:06:08,518 --> 00:06:11,803 IT'S HER. SHE ASKED FOR THIS CASE. 69 00:06:14,474 --> 00:06:16,457 [Volume Increases Slightly] 70 00:06:16,526 --> 00:06:19,110 WHERE'S YOUR ROOMMATE? 71 00:06:20,797 --> 00:06:22,992 [TV: Siren Continues Wailing] WHAT'S HER NAME? 72 00:06:23,016 --> 00:06:24,994 I'M HAVING TROUBLE READING IT HERE. 73 00:06:25,018 --> 00:06:28,770 YOU KNOW, TRUTH IS, I FORGET HER NAME. 74 00:06:30,590 --> 00:06:32,757 TWO MEN WERE CHECKED IN HERE. 75 00:06:35,895 --> 00:06:37,879 CAN YOU HELP US OUT? 76 00:06:41,351 --> 00:06:44,152 OKAY. 77 00:06:44,221 --> 00:06:48,456 THESE TWO GUYS SAY THEY GOT THREE MORE DAYS PAID IN ADVANCE, 78 00:06:48,525 --> 00:06:50,625 AND DO I WANT THEIR KEY? 79 00:06:50,693 --> 00:06:52,644 AND YOU DID. 80 00:06:52,712 --> 00:06:54,941 [TV: Man] AFTERNOON, LADIES AND GENTLEMEN. THIS IS DREW PEARSON. 81 00:06:54,965 --> 00:06:57,849 WE BRING YOU THIS SPECIAL RADIO-TELEVISION BROADCAST... 82 00:06:57,917 --> 00:07:00,896 IN ORDER TO GIVE YOU THE VERY LATEST INFORMATION ON AN AMAZING PHENOMENON... 83 00:07:00,920 --> 00:07:04,338 THE ARRIVAL OF A SPACESHIP IN WASHINGTON. 84 00:07:04,408 --> 00:07:07,341 [TV: Pearson Continues] RIGHT AROUND A .38. 85 00:07:07,410 --> 00:07:09,861 WHAT'S IT DOING IN HERE? 86 00:07:11,564 --> 00:07:15,266 I BELIEVE WE'RE LOOKING FOR TWO SUSPECTS, NOT ONE. 87 00:07:15,335 --> 00:07:17,964 [Girl] HURRY UP! [Children Chattering] 88 00:07:17,988 --> 00:07:20,388 ALL RIGHT. THAT'S IT! 89 00:07:21,341 --> 00:07:25,310 MONTANA. MONTANA'S COOL. 90 00:07:25,378 --> 00:07:27,356 WE COULD BECOME CATTLE RANCHERS. 91 00:07:27,380 --> 00:07:29,647 TOO MANY CRAZIES. 92 00:07:29,716 --> 00:07:33,301 [Sighs] BOLIVIA. 93 00:07:34,387 --> 00:07:36,187 NOW, THERE'S A THOUGHT. 94 00:07:45,298 --> 00:07:48,115 IMAGINE HOW DIFFERENT A DAY IN THE PARK WOULD BE... 95 00:07:48,184 --> 00:07:51,336 IF YOU KNEW YOU WERE BEING WATCHED BY A 30.06. 96 00:08:13,960 --> 00:08:16,294 [Click] POW! 97 00:08:17,781 --> 00:08:20,715 [Laughs] YES, SIR. 98 00:08:20,783 --> 00:08:22,934 I WANT ME SOME OF THAT. 99 00:08:38,735 --> 00:08:40,668 YOU'RE WORKING HARD. 100 00:08:40,737 --> 00:08:42,904 YEAH. 101 00:08:49,830 --> 00:08:51,746 HOTEL SHOOTING. 102 00:08:51,815 --> 00:08:53,831 THE BAKER. 103 00:08:56,770 --> 00:08:58,236 HOW'S IT GOING? 104 00:08:58,304 --> 00:09:00,254 FINE. 105 00:09:01,775 --> 00:09:04,459 I, UM, I HAVE TWO SUSPECTS. 106 00:09:04,528 --> 00:09:06,794 THESE? 107 00:09:06,863 --> 00:09:09,263 COURTESY OF A LOCAL DERELICT. 108 00:09:09,332 --> 00:09:11,766 FORTIFIED WINE ISN'T EXACTLY BRAIN FOOD. 109 00:09:13,437 --> 00:09:15,870 TWO SHOTS WERE FIRED, 110 00:09:15,939 --> 00:09:17,899 ONE APPARENTLY AT THE PERPETRATOR, 111 00:09:17,941 --> 00:09:20,609 STOPPED BY A SPECTRA SHIELD A-350 ASSAULT VEST. 112 00:09:20,677 --> 00:09:22,627 WHAT ELSE? 113 00:09:26,499 --> 00:09:30,335 THE KILLER WAS ARMORED, PREPARED. 114 00:09:30,403 --> 00:09:33,053 BLADE WORK WAS HIGHLY EVOLVED. 115 00:09:33,122 --> 00:09:36,941 WE'RE LOOKING HERE AT AN EXTREMELY ORGANIZED NIGHT STALKER, 116 00:09:37,010 --> 00:09:40,945 AND HE'S PROBABLY OUT THERE NOW, PREPARING HIS NEXT ATTACK. 117 00:09:46,035 --> 00:09:47,986 WHAT? WHAT DO YOU THINK? 118 00:09:48,055 --> 00:09:51,239 I'D LIKE TO SEE THE CRIME SCENE, IF THAT'S OKAY. 119 00:09:54,410 --> 00:09:57,512 ♪♪ [Faint Rock] 120 00:10:02,719 --> 00:10:05,519 [Bartender] YOU WANT THAT STRAIGHT UP? SURE. YEAH. 121 00:10:08,725 --> 00:10:10,892 DRINKING ALONE AIN'T GOOD FOR YOU. 122 00:10:13,096 --> 00:10:15,429 WHO SAYS I'M ALONE? MMM. 123 00:10:16,432 --> 00:10:18,578 WE'VE GOT THE NEXT ROUND. 124 00:10:18,602 --> 00:10:20,534 I'M NOT INTERESTED. 125 00:10:20,604 --> 00:10:23,605 LEAVE HER ALONE. 126 00:10:24,874 --> 00:10:28,509 - YOU WANT SOME? - YOU WANT SOME? 127 00:10:31,798 --> 00:10:33,948 YOU'RE TWO HOURS LATE. 128 00:10:58,074 --> 00:11:01,125 [Bedsprings Squeaking] [Woman Moaning] 129 00:11:01,193 --> 00:11:03,061 [Frank] ANY PRINTS? 130 00:11:03,130 --> 00:11:05,964 THERE WERE HUNDREDS OF ODD LATENTS. 131 00:11:06,032 --> 00:11:09,583 PROBABLY BEEN A YEAR SINCE THIS PLACE WAS CLEANED LAST. 132 00:11:09,652 --> 00:11:12,486 OUR TRANSIENT CONTAMINATED ANYTHING USEFUL. 133 00:11:12,555 --> 00:11:14,588 [Moaning Continues] 134 00:11:14,658 --> 00:11:16,658 [Moaning Stops] 135 00:11:19,245 --> 00:11:21,862 I KNOW. IT'S NATURAL. 136 00:11:22,883 --> 00:11:26,284 I FOUND THE SLUG... RIGHT HERE. 137 00:11:26,352 --> 00:11:28,620 RIGHT IN THE OPEN? UH-HUH. 138 00:11:28,688 --> 00:11:31,233 YEAH. I GUESS THEY DIDN'T THINK ANYONE WOULD FIND IT. 139 00:11:31,257 --> 00:11:34,859 [Moaning Resumes] MAYBE THEY DIDN'T CARE. 140 00:11:41,350 --> 00:11:43,401 ANNOYING. 141 00:11:43,470 --> 00:11:45,270 WHAT DO YOU MEAN? 142 00:11:50,193 --> 00:11:53,293 WHAT DO YOU MEAN, THEY DIDN'T CARE? 143 00:11:55,198 --> 00:11:59,100 THESE TWO MEN USED A STOLEN CREDIT CARD TO PAY FOR THE ROOM. 144 00:11:59,169 --> 00:12:02,248 THEY GAVE THEIR KEY TO AN INDIGENT AFTER THE EVENT. 145 00:12:02,272 --> 00:12:04,205 THAT'S VERY RISKY. 146 00:12:04,274 --> 00:12:06,207 I'D EVEN CALL IT CAVALIER. 147 00:12:06,276 --> 00:12:08,710 THEY'D BE AWARE OF THE CONSEQUENCES. 148 00:12:08,778 --> 00:12:11,257 KILLING IS A HUMAN IMPULSE UNCHECKED. [Moaning Continues] 149 00:12:11,281 --> 00:12:14,282 THERE ARE KILLERS WHO OBEY THAT IMPULSE AS NATURALLY AND AS CASUALLY... 150 00:12:14,351 --> 00:12:15,800 AS ANY HUMAN ACT. 151 00:12:15,868 --> 00:12:17,818 BUT THERE'S GOTTA BE A REASON. 152 00:12:26,529 --> 00:12:30,615 AN OUTLAW NAMED JOHN WESLEY HARDIN ONCE KILLED A MAN FOR SNORING. 153 00:12:34,687 --> 00:12:36,621 THERE'D BE A STRESSOR, 154 00:12:36,689 --> 00:12:39,056 SOME KIND OF COMPELLING FACTOR. 155 00:12:39,125 --> 00:12:41,406 THERE'S GOTTA BE. THERE ALWAYS IS. 156 00:12:45,681 --> 00:12:48,465 YOU WON'T SOLVE THIS CASE LOOKING FOR A REASON, AGENT HOLLIS. 157 00:12:49,803 --> 00:12:51,802 EVERYONE HAS A REASON. 158 00:12:53,540 --> 00:12:55,540 WHAT'S YOURS? 159 00:13:24,421 --> 00:13:26,554 HONEY, LET'S GO SHOPPIN'. 160 00:14:01,491 --> 00:14:04,809 THIS ONE'S THE LEADER. HE'S DIRECTING THE WHOLE SHOW FROM HERE. 161 00:14:04,878 --> 00:14:06,811 [Shutter Clicks] 162 00:14:06,880 --> 00:14:08,840 HERE? YOU'RE TALKING TO THE OTHERS. 163 00:14:08,865 --> 00:14:13,985 I'VE GOT A CLEAR LINE ON ALL THREE CASUALTIES, 164 00:14:15,538 --> 00:14:17,555 BUT I'M COMPLETELY EXPOSED. 165 00:14:21,127 --> 00:14:23,289 [Frank] THE SHOPPER'S DOWN. IT'S NOT FROM YOUR SHOT THOUGH. 166 00:14:23,313 --> 00:14:25,930 THE OTHER MAN BROUGHT HER DOWN. THE SECOND MAN. 167 00:14:25,999 --> 00:14:28,515 - WHAT AM I DOING? - STANDING THERE. 168 00:14:28,584 --> 00:14:31,886 WITH AN OFF-DUTY COP 20 FEET AWAY. 169 00:14:31,955 --> 00:14:36,424 WHAT IS THIS GUY DOING? HE CAN'T JUST BE STANDING HERE TALKING. 170 00:14:36,492 --> 00:14:38,443 [Emma] THERE. HE SHOOTS. 171 00:14:38,511 --> 00:14:41,412 [Frank] NO, HE JUST TOOK A HIT. THERE, AGAIN. 172 00:14:41,481 --> 00:14:43,481 SQUARE IN THE CHEST. 173 00:14:46,836 --> 00:14:49,687 [Frank] THERE. HE SHOOTS THE COP. 174 00:14:49,756 --> 00:14:52,273 WHAT'S HE DOING NOW? 175 00:14:54,961 --> 00:14:56,961 EATING CANDY. 176 00:15:00,083 --> 00:15:02,516 [Shutter Continues Clicking] 177 00:15:03,819 --> 00:15:06,437 PRINTS. 178 00:15:16,682 --> 00:15:18,616 [Sighs] 179 00:15:18,685 --> 00:15:21,152 WE'LL HAVE A NAME, THAT'S ALL. 180 00:15:24,657 --> 00:15:27,091 THESE GUYS ARE ON A HIGH AND MOVING FAST, 181 00:15:27,160 --> 00:15:29,460 LOOKING FOR THEIR NEXT HIGH. 182 00:15:29,529 --> 00:15:31,762 I'M NOTIFYING AREA SUPERMARKETS. 183 00:15:31,831 --> 00:15:35,265 IT WON'T BE A SUPERMARKET. IT'LL BE RANDOM. SOMETHING THAT WON'T MAKE ANY SENSE. 184 00:15:35,334 --> 00:15:37,267 THANK YOU. 185 00:15:37,336 --> 00:15:39,770 I'M NOTIFYING AREA SUPERMARKETS. 186 00:15:39,839 --> 00:15:41,756 AGENT HOLLIS. 187 00:15:41,825 --> 00:15:43,958 YOU REQUESTED THIS CASE. 188 00:15:44,027 --> 00:15:46,410 - YES, I DID. - WHY? 189 00:15:47,730 --> 00:15:50,898 THAT'S THE QUESTION, ISN'T IT? SAME ONE I'M ASKING YOU. 190 00:16:30,106 --> 00:16:32,406 HEY, NEIGHBOR. 191 00:16:32,475 --> 00:16:35,142 - DEAD END. - YEAH, YOU'RE NOT KIDDING. 192 00:16:35,211 --> 00:16:39,146 I THINK THE TRAIL YOU'RE AFTER'S UP THERE. 193 00:16:39,215 --> 00:16:41,165 HEY, YOU WANT ANYTHING? 194 00:16:41,234 --> 00:16:43,134 FOOD? WATER? 195 00:16:43,203 --> 00:16:45,169 WE GOT PLENTY. 196 00:16:46,589 --> 00:16:48,690 NO, THANKS. I'LL BE OKAY. 197 00:16:48,758 --> 00:16:51,008 [Woman] YOU WANNA GET HIGH? 198 00:17:16,853 --> 00:17:18,853 [Beep] 199 00:21:19,812 --> 00:21:22,346 I KNEW I'D FIND YOU HERE. 200 00:21:24,467 --> 00:21:27,401 I'VE BEEN RUNNING THE PRINTS OFF THE CANDY WRAPPER. 201 00:21:27,470 --> 00:21:30,337 AND? I GOT A NAME. 202 00:21:31,624 --> 00:21:33,791 RICK VAN HORN. 203 00:21:33,860 --> 00:21:37,161 AVERAGE I.Q. HIGH SCHOOL EDUCATION, NOTHING PAST THAT. 204 00:21:37,230 --> 00:21:40,463 EIGHT YEARS MILITARY EDUCATION, THREE YEARS SPECIAL FORCES. 205 00:21:40,532 --> 00:21:43,467 HIS STEPFATHER DID MANAGE A SUPERMARKET FOR A WHILE. 206 00:21:43,536 --> 00:21:45,336 PRIORS? 207 00:21:45,404 --> 00:21:47,905 NONE. 208 00:21:47,974 --> 00:21:52,459 WHICH IS MEANINGFUL, SUGGESTING A RELEASE OF OVERCONTROLLED ANGER. 209 00:21:53,846 --> 00:21:55,824 WE WANT TO DESCRIBE MEN LIKE THIS... 210 00:21:55,848 --> 00:21:58,327 WITH WORDS THAT CAN MAKE US FEEL WE CAN KNOW THEM. 211 00:21:58,351 --> 00:22:00,684 IF WE KNOW THEM, WE CAN FIND THEM. 212 00:22:02,788 --> 00:22:06,374 TWENTY YEARS AGO, YOU WATCHED A MAN NAMED MICHAEL WYNTER KILL YOUR SISTER. 213 00:22:09,762 --> 00:22:13,863 TWO DECADES LATER, YOU STILL WONDER... COULD IT HAVE BEEN DIFFERENT? 214 00:22:13,932 --> 00:22:16,411 COULD SHE STILL BE ALIVE TODAY? 215 00:22:16,435 --> 00:22:18,602 WHY DID IT HAPPEN? 216 00:22:19,906 --> 00:22:22,956 YOU REQUEST CASES LIKE THIS ON THAT ANNIVERSARY, 217 00:22:23,025 --> 00:22:26,627 HOPING FOR ANSWERS. 218 00:22:26,696 --> 00:22:30,614 BUT NO AMOUNT OF DETECTIVE WORK CAN CLOSE YOUR SISTER'S MURDER... 219 00:22:33,352 --> 00:22:35,286 OR TELL YOU WHY. 220 00:22:35,354 --> 00:22:38,522 THAT ALL ENDED THE DAY THAT MICHAEL WYNTER KILLED HIMSELF. 221 00:22:40,910 --> 00:22:43,844 I DON'T NEED YOU TO PROFILE ME... 222 00:22:43,913 --> 00:22:46,247 OR TO TELL ME WHAT I HOPE FOR. 223 00:22:46,315 --> 00:22:48,666 YOU WANT REASONS. 224 00:22:49,702 --> 00:22:52,035 YOU WANT TO MAKE SENSE OF THIS CASE, 225 00:22:52,104 --> 00:22:55,200 HOPING THAT THERE IS SENSE TO BE MADE OF WHAT HAPPENED TO YOUR SISTER. 226 00:22:55,224 --> 00:22:58,008 YOU'RE LOOKING FOR LOGIC THAT ISN'T HERE. 227 00:22:58,077 --> 00:23:00,411 SO ARE YOU. 228 00:23:00,479 --> 00:23:03,597 TAKE YOURSELF OFF THIS CASE. I'VE BEEN THERE. WALK AWAY. 229 00:23:04,816 --> 00:23:07,817 IF YOU WANT TO APPLY YOUR PSYCHIATRIC TALENTS, 230 00:23:09,522 --> 00:23:12,556 DO IT TO PSYCHOS LIKE RICK VAN HORN. 231 00:23:12,625 --> 00:23:15,226 I DON'T NEED YOUR HELP. 232 00:23:27,806 --> 00:23:30,424 [Thunder Rumbling] 233 00:23:30,493 --> 00:23:33,928 NO, MAN, NO. BUNGEE JUMPING IS NOT HARD-CORE. 234 00:23:33,996 --> 00:23:36,931 I MEAN, THAT'S A ROPE FREE FALL WITH CLIMBING ROPE. 235 00:23:36,999 --> 00:23:38,966 SIXTY TO ZERO, .3 SECONDS. 236 00:23:39,035 --> 00:23:41,919 THAT'S WILD. IT'S FREEDOM. 237 00:23:41,988 --> 00:23:45,372 AND ONCE YOU ACCEPT THAT FACING FALLING MEANS FACING DEATH, 238 00:23:45,440 --> 00:23:47,875 YOU CAN CLIMB UP, JUMP OFF ANYTHING. 239 00:23:47,944 --> 00:23:52,262 CONTROL THE CONDITIONS THAT MAKE YOU AFRAID, YOU'RE FREE, MAN. 240 00:23:52,331 --> 00:23:54,648 SO YOU'RE REALLY HARD-CORE, HUH, KYLE? 241 00:24:01,390 --> 00:24:04,825 THREE GRAND IN YOUR POCKET, YOU SHOOT THIS APPLE OFF MY HEAD. 242 00:24:04,894 --> 00:24:07,094 [Chuckling] YEAH, RIGHT. 243 00:24:32,271 --> 00:24:34,104 NO WAY. 244 00:24:34,172 --> 00:24:36,640 THREE GRAND. 245 00:24:48,870 --> 00:24:53,657 TAKE A SLOW, DEEP BREATH... AND FIRE. 246 00:25:02,951 --> 00:25:04,902 [Splat] 247 00:25:06,872 --> 00:25:09,172 [Laughing] 248 00:25:09,241 --> 00:25:11,158 MAN, ARE YOU OKAY? 249 00:25:11,226 --> 00:25:14,895 THAT FELT GREAT, DIDN'T IT? THE POWER, THE CONTROL. 250 00:25:14,963 --> 00:25:17,191 LIFE AND DEATH IN YOUR HANDS. 251 00:25:17,215 --> 00:25:20,517 YOU'RE A GOD. [Chuckling Nervously] 252 00:25:20,586 --> 00:25:23,636 DOUBLE OR NOTHING. 253 00:25:23,705 --> 00:25:26,824 NO, MAN, I'M DONE. NO, I MEANT IT'S YOUR TURN. 254 00:25:27,809 --> 00:25:30,160 NO, THANKS, MAN. 255 00:25:32,264 --> 00:25:35,099 YOU RUN, I'LL BLOW YOUR STOMACH OPEN. 256 00:25:35,167 --> 00:25:37,334 AGAINST THE TREE. 257 00:25:41,724 --> 00:25:43,790 APPLE ON HEAD, KID. 258 00:25:43,859 --> 00:25:45,859 I DON'T WANNA DO THIS, MAN. 259 00:25:47,829 --> 00:25:49,679 ARE YOU SCARED, KYLE? 260 00:25:49,748 --> 00:25:52,582 - [Chamber Clicks] - YES. 261 00:25:52,651 --> 00:25:54,551 THAT'S EXACTLY THE WRONG ATTITUDE. 262 00:25:54,620 --> 00:25:56,476 CONTROL THE CONDITIONS THAT MAKE YOU AFRAID, 263 00:25:56,500 --> 00:25:58,422 AND YOU'RE FREE. THAT'S WHAT YOU SAID, RIGHT? 264 00:26:01,527 --> 00:26:05,345 YOU FACE DEATH, YOU'RE FREE. 265 00:26:14,490 --> 00:26:17,440 - [Gunshot] - [Body Falls] 266 00:26:17,510 --> 00:26:19,442 YOU'RE FREE. 267 00:26:19,512 --> 00:26:21,512 [Chuckles] 268 00:26:29,688 --> 00:26:32,467 [Radio: Dispatcher] CHARLIE 91, DO YOU NEED BACKUP? 269 00:26:32,491 --> 00:26:35,825 KYLE RILEY. HE DIED AROUND MIDNIGHT LAST NIGHT. 270 00:26:37,363 --> 00:26:40,097 WE FOUND HIS MOUNTAIN BIKE OVER THERE. 271 00:26:40,165 --> 00:26:43,583 WE ASSUME HE TRANSPORTED IT, BUT WE HAVEN'T FOUND THE CAR. 272 00:26:43,652 --> 00:26:46,086 [Paramedic] WATCH YOUR STEP. MOVE THAT BACK. 273 00:26:46,155 --> 00:26:48,422 IT'S PROBABLY BEEN STOLEN. 274 00:26:48,490 --> 00:26:51,491 YOU SAY YOU KNOW WHO DID THIS? YEAH. 275 00:27:05,641 --> 00:27:07,907 ANYBODY HAVE A TAPE MEASURE? 276 00:27:07,976 --> 00:27:10,144 GIVE ME A TAPE MEASURE. 277 00:27:11,897 --> 00:27:13,813 HERE. THANKS. 278 00:27:13,882 --> 00:27:16,316 HOW TALL WAS KYLE RILEY? 279 00:27:16,385 --> 00:27:18,385 JUST UNDER SIX FEET. 280 00:27:22,724 --> 00:27:25,164 I'M NOT SURE I KNOW WHAT YOU'RE DOING. 281 00:27:25,227 --> 00:27:27,227 [Frank] AGENT HOLLIS. 282 00:27:35,604 --> 00:27:38,488 WHAT HAPPENED HERE? 283 00:27:38,557 --> 00:27:42,175 I THINK THEY WERE PLAYING SOME SORT OF GAME. ONE MISS, ONE HIT. 284 00:27:44,096 --> 00:27:46,529 ONE GUESS WHO WAS BEHIND THE TRIGGER. 285 00:27:50,469 --> 00:27:52,469 [Gunshot] 286 00:27:53,605 --> 00:27:55,522 VAN HORN IS AN EXPERT SHOT. 287 00:27:55,591 --> 00:27:58,841 HE WAS A MILITARY SNIPER. FIRST SHOT WASN'T AT THE VICTIM. 288 00:27:58,910 --> 00:28:00,911 WILLIAM TELL, BUT WITH TWO PLAYERS. 289 00:28:03,481 --> 00:28:05,999 FIRST UP WAS VAN HORN. 290 00:28:06,068 --> 00:28:07,667 I THINK YOU'RE RIGHT. 291 00:28:07,736 --> 00:28:12,205 HE STOOD HERE, EXCITED, LIKE WE SAW ON THE VIDEOTAPE FROM THE SUPERMARKET. 292 00:28:12,274 --> 00:28:14,224 SHOOT, BE SHOT. 293 00:28:14,293 --> 00:28:17,343 RANDOM. WILD. CHANCE. 294 00:28:19,314 --> 00:28:21,248 ALL TO IMPRESS THE GIRL. 295 00:28:21,316 --> 00:28:23,950 [Shutter Clicks] SHE'S NOTHING TO HIM. NOBODY IS. 296 00:28:24,019 --> 00:28:25,952 NO. 297 00:28:26,021 --> 00:28:28,755 THAT'S WHY THEY FOLLOW HIM. THAT'S HIS POWER. 298 00:28:30,509 --> 00:28:33,510 AND HIS POWER IS THEIR DISEASE. 299 00:28:45,824 --> 00:28:48,458 [Chattering, Indistinct] 300 00:29:03,425 --> 00:29:05,904 [Whispering] WE'RE ON TV. WE'RE EVERYWHERE. 301 00:29:05,928 --> 00:29:07,861 I THINK YOU SHOULD CALM DOWN. 302 00:29:07,930 --> 00:29:10,909 PETER WENT TO GET ICE CREAM. YOU GO FIND HIM. I'LL GO GET THE TRUCK. 303 00:29:10,933 --> 00:29:12,933 COOL. 304 00:29:24,062 --> 00:29:26,329 WHAT ARE YOU DOING? I NEED MY CAR! 305 00:29:26,398 --> 00:29:28,381 TELL IT TO IMPOUND. 306 00:29:39,995 --> 00:29:43,813 LOWER THE DAMN CAR! NOW! NOW! OKAY, OKAY, OKAY. 307 00:29:43,882 --> 00:29:45,816 [Passersby Shouting] 308 00:29:45,884 --> 00:29:48,135 DROP THE GUN, LADY. DROP IT. 309 00:29:52,708 --> 00:29:56,009 TAKE IT EASY. JUST TAKE IT EASY. [Woman Grunts] 310 00:29:56,077 --> 00:30:00,030 WHOA-WHOA-WHOA. WE GOT NOTHIN'. IT'LL NEVER WORK. 311 00:30:00,882 --> 00:30:02,899 ALL RIGHT. AAH! 312 00:30:10,876 --> 00:30:12,876 LET'S GET THOSE OFF. 313 00:30:22,938 --> 00:30:26,356 THAT SHOULD MAKE IT EASIER TO TALK. I HAVE NOTHING TO SAY. 314 00:30:26,425 --> 00:30:28,892 HERE'S THE PROBLEM WITH THAT, JONI. 315 00:30:30,228 --> 00:30:34,047 YOU'RE THE ONE WITH THE RECORD. NOT RICK, NOT PETER. 316 00:30:35,834 --> 00:30:37,968 YOU'VE DONE TIME TWICE. 317 00:30:38,036 --> 00:30:41,037 THAT MAKES THIS THREE STRIKES FOR YOU. 318 00:30:42,140 --> 00:30:44,574 JUST SHOPLIFTING AND A LITTLE DOPE. 319 00:30:44,643 --> 00:30:47,677 [Emma] I'M NOT SAYING THE LAW'S FAIR. 320 00:30:47,746 --> 00:30:50,413 BUT THEY'LL COME AFTER A REPEAT OFFENDER... 321 00:30:50,482 --> 00:30:53,083 HARDER THAN THEY'LL COME AFTER RICK. 322 00:30:53,151 --> 00:30:55,085 THAT'S A FACT. 323 00:30:55,153 --> 00:30:58,254 SHE'S LUCKY YOU GUYS ARE HANDLING THIS. 324 00:30:58,323 --> 00:31:01,257 MY RESPONSE WOULD BE GO ONE-ON-ONE WITH THEM. 325 00:31:01,326 --> 00:31:03,192 YEAH. 326 00:31:03,261 --> 00:31:06,913 [Emma] RIGHT NOW, MY ONLY CONCERN IS MAKING SURE NO ONE ELSE GETS HURT. 327 00:31:06,982 --> 00:31:10,950 IF YOU'LL HELP ME, I'LL HELP YOU. 328 00:31:11,019 --> 00:31:13,353 I CAN'T. 329 00:31:13,422 --> 00:31:17,907 JONI, YOU COULD HAVE SHOT THAT TOW TRUCK DRIVER, BUT YOU DIDN'T. 330 00:31:19,311 --> 00:31:21,561 YOU HAVEN'T KILLED ANYONE. 331 00:31:21,630 --> 00:31:24,514 THAT'S NOT WHO YOU ARE. 332 00:31:24,583 --> 00:31:29,169 WHEN THEY SHOT THAT MAN AT THE HOTEL, YOU WEREN'T EVEN THERE. 333 00:31:33,058 --> 00:31:35,058 SOMETIMES THINGS HAPPEN. 334 00:31:36,595 --> 00:31:38,595 THEY GET OUT OF HAND. 335 00:31:39,965 --> 00:31:41,981 MAYBE SOMEONE PRESSURES YOU. 336 00:31:48,957 --> 00:31:50,890 [Sighs] 337 00:31:50,959 --> 00:31:54,144 HAVE YOU EVER HAD SOMEONE THAT YOU'D DO ANYTHING FOR? 338 00:31:55,547 --> 00:31:57,480 [Joni] 'CAUSE THEY'RE YOUR WHOLE WORLD, 339 00:31:57,549 --> 00:32:00,750 AND YOUR OWN LIFE DOESN'T EVEN REALLY COUNT. 340 00:32:00,819 --> 00:32:02,919 ONLY YOUR LIFE WITH THEM. 341 00:32:05,173 --> 00:32:07,106 AND YOU'RE HAPPY. 342 00:32:07,175 --> 00:32:09,142 YOU'LL DO ANYTHING THEY SAY... 343 00:32:09,210 --> 00:32:12,395 'CAUSE ALL THAT MATTERS IS BEING CLOSE WITH THEM. 344 00:32:15,584 --> 00:32:18,251 HAVE YOU EVER LOVED SOMEBODY LIKE THAT? 345 00:32:19,821 --> 00:32:21,821 YES, I HAVE. 346 00:32:26,611 --> 00:32:28,611 SEE, I NEVER DID. 347 00:32:34,786 --> 00:32:37,971 HEY, HONEY, YOU'RE IN THE WRONG LINE OF WORK. 348 00:32:38,039 --> 00:32:41,174 GET HER BACK TO HER CELL. 349 00:32:43,762 --> 00:32:46,129 HEY! I NEED A LAWYER IN HERE! 350 00:32:46,198 --> 00:32:49,148 YOU HEAR ME? LAWYER! 351 00:33:00,045 --> 00:33:01,978 LET IT GO, EMMA. 352 00:33:03,649 --> 00:33:05,582 YOU'RE RIGHT. 353 00:33:05,651 --> 00:33:07,584 I DON'T KNOW THEM. 354 00:33:07,653 --> 00:33:10,253 I'LL NEVER UNDERSTAND THEM. 355 00:33:11,306 --> 00:33:13,322 AGENT HOLLIS. 356 00:33:15,043 --> 00:33:18,094 YOU'RE NOT IN THE WRONG LINE OF WORK. 357 00:33:20,114 --> 00:33:22,733 [Engine Starts] 358 00:33:52,514 --> 00:33:55,681 THANK YOU. THANK YOU. 359 00:33:55,750 --> 00:33:57,767 THANK YOU. 360 00:34:05,043 --> 00:34:07,005 THAT PHONE. DOES IT DO 911? 361 00:34:07,029 --> 00:34:08,961 YEAH. IS THERE AN EMERGENCY? 362 00:34:09,031 --> 00:34:10,746 [Weapon Cocks] [Woman Screams] 363 00:34:14,052 --> 00:34:17,537 WE GOT ANOTHER PASSENGER TO PICK UP. CITY JAIL. 364 00:34:30,919 --> 00:34:33,898 THEY WANT THE GIRL ON THE STEPS WAITING FOR THEM WHEN THEY GET HERE. 365 00:34:33,922 --> 00:34:35,900 WHAT DO WE DO? CORDON OFF THE STREETS. 366 00:34:35,924 --> 00:34:39,025 CAPTAIN, THEY'RE BACK ON LINE ASKING FOR YOU. KEEP 'EM TALKING. 367 00:34:39,094 --> 00:34:42,028 DON'T SAY YES OR NO. JUST STALL. DON'T GIVE THEM ANYTHING. 368 00:34:42,097 --> 00:34:45,031 HOW LONG TILL STATE SWAT ARRIVES? AT LEAST 30 MINUTES. 369 00:34:45,100 --> 00:34:47,383 WE'VE GOT TO STALL THEM UNTIL THEN. 370 00:34:53,075 --> 00:34:54,874 COME ON, COME ON. 371 00:34:54,943 --> 00:34:57,227 [Van Horn] IS ANYONE THERE? 372 00:34:59,831 --> 00:35:02,449 - THIS IS CAPTAIN KEVIN MANN. - CAPTAIN, MY CAPTAIN. 373 00:35:02,517 --> 00:35:04,517 TURN RIGHT HERE, RIGHT NOW. 374 00:35:06,922 --> 00:35:11,057 - IS EVERYONE THERE OKAY? - I CAN'T SPEAK FOR THE OTHERS, BUT I'VE BEEN BETTER. 375 00:35:11,126 --> 00:35:13,687 IT'S 'CAUSE I'M NOT SEEING JONI OUTSIDE LIKE I SAID. 376 00:35:13,711 --> 00:35:15,445 STOP RIGHT UP THERE. 377 00:35:22,638 --> 00:35:26,156 - HOW CAN WE PUT AN END TO THIS, RICK? - I ALREADY TOLD YOU, KEVIN. 378 00:35:26,224 --> 00:35:29,425 BRING JONI OUT, OR I KILL EVERYBODY ON BOARD! 379 00:35:29,494 --> 00:35:32,457 ALL OFFICERS ARE BACK FROM PATROL. EVERYONE'S IN POSITION. 380 00:35:32,481 --> 00:35:34,692 HOW MANY? TWELVE. COUNTING US, 14. 381 00:35:34,716 --> 00:35:37,550 - IS ANYONE THERE? - I'M HERE. 382 00:35:37,619 --> 00:35:40,579 WELL, ARE YOU DEAF, OR ARE YOU STUPID? WHAT'S YOUR DAMN PROBLEM? 383 00:35:42,073 --> 00:35:43,840 - WHAT'S GOING ON? - AHH! 384 00:35:45,060 --> 00:35:47,376 HE JUST HUNG UP. 385 00:35:47,445 --> 00:35:49,445 YOU'LL HEAR FROM HIM AGAIN. 386 00:35:54,135 --> 00:35:55,969 [Peter Screaming] 387 00:35:57,138 --> 00:35:59,355 [Screaming Continues] 388 00:35:59,424 --> 00:36:02,642 - SNIPERS, PREPARE TO FIRE. - NO. TELL THEM TO HOLD THEIR FIRE, NOT TO SHOOT. 389 00:36:05,913 --> 00:36:08,265 YOU MAGGOTS! 390 00:36:27,469 --> 00:36:29,469 [Passengers Gasping, Whimpering] 391 00:36:31,506 --> 00:36:34,140 [Radio: Reporter] AUTHORITIES WERE FIRST ALERTED TO THE THREAT... 392 00:36:34,209 --> 00:36:37,143 AS THE HIJACKED BUS DROVE ERRATICALLY THROUGH RED LIGHTS, 393 00:36:37,212 --> 00:36:39,207 NEARLY HITTING SEVERAL MOTORISTS. 394 00:36:39,231 --> 00:36:42,966 AVOID THE AREA OF THE POLICE STATION AT THE INTERSECTION OF MADISON AND HIGHLAND, 395 00:36:43,035 --> 00:36:47,186 WHERE TWO HEAVILY ARMED WHITE MALES HOLD 11 HOSTAGES IN AN F.R.D. BUS. 396 00:36:47,255 --> 00:36:50,016 STAY TUNED FOR STREET CLOSURES AND OTHER BREAKING NEWS... 397 00:36:57,132 --> 00:36:59,632 [Mann] LET'S PUT THE WOMAN ON THE PHONE. 398 00:36:59,701 --> 00:37:02,568 HAVE HER TALK TO HIM. TRY AND BUY SOME TIME. 399 00:37:02,637 --> 00:37:04,570 THAT WON'T FIX IT. 400 00:37:04,639 --> 00:37:07,573 HE'S ON A SPREE. HE WANTS A FIREFIGHT. 401 00:37:07,642 --> 00:37:11,644 HE'S NOT GONNA TRY AND BLAST HIS WAY INTO A POLICE STATION. CAPTAIN, WE GOT MOVEMENT. 402 00:37:22,624 --> 00:37:24,624 [Gasps] 403 00:37:55,022 --> 00:37:58,023 - TELL YOUR MEN TO GET READY. - FOR WHAT? 404 00:37:59,961 --> 00:38:02,562 THEY'RE NEVER GONNA LET HER GO. 405 00:38:02,630 --> 00:38:06,416 WE COULD KILL EVERY MORON ON BOARD; THEY STILL WOULDN'T LET HER GO. 406 00:38:08,570 --> 00:38:11,437 SO, WHAT DO WE DO? WE POWER IN THERE AND GRAB HER. 407 00:38:11,506 --> 00:38:14,824 [Laughing] I SAW 'EM. WE CAN DO IT. 408 00:38:14,892 --> 00:38:17,060 LOOK AT US. 409 00:38:17,128 --> 00:38:19,062 WE'RE UNSTOPPABLE. 410 00:38:19,130 --> 00:38:20,947 YOU AND ME. 411 00:38:21,015 --> 00:38:23,016 KING OF THE WORLD! 412 00:39:13,001 --> 00:39:16,281 SNIPERS, HOLD FIRE UNTIL THEY'RE WELL CLEAR OF THE HOSTAGES. 413 00:39:26,565 --> 00:39:28,848 [Peter] DAMN IT. 414 00:39:28,917 --> 00:39:30,783 YOU AND ME, MAN. 415 00:39:38,626 --> 00:39:40,893 [Screams] 416 00:39:48,870 --> 00:39:51,571 SNIPERS, WHO'S GOT A BEAD ON THEM? 417 00:40:01,982 --> 00:40:03,583 [Groans] 418 00:40:03,651 --> 00:40:05,935 [Officer On Bullhorn] MAN DOWN. HOLD YOUR FIRE. 419 00:40:06,003 --> 00:40:07,520 SUSPECT DOWN. SUSPECT DOWN. 420 00:40:07,589 --> 00:40:09,555 HELP. 421 00:40:36,867 --> 00:40:39,452 STOP THE CAR! [Grunting] 422 00:40:45,727 --> 00:40:47,727 BACK UP. 423 00:40:56,904 --> 00:40:58,921 COME ON, MOVE IT, MOVE IT! 424 00:41:00,275 --> 00:41:03,187 LET'S GO! CHECK UNDERNEATH THE VEHICLES! 425 00:41:03,211 --> 00:41:05,645 HERE. I GOT NOTHIN'! 426 00:41:05,713 --> 00:41:08,097 OKAY, SPREAD OUT. CHECK EVERY VEHICLE! 427 00:41:17,575 --> 00:41:19,975 WELL, WELL. 428 00:41:21,513 --> 00:41:24,780 LOOKS LIKE FATE BROUGHT US TOGETHER, DIDN'T IT, MISS F.B.I.? 429 00:41:34,325 --> 00:41:36,552 YOU MISSED ALL THE EXCITEMENT, BUT MAYBE WE 430 00:41:36,576 --> 00:41:38,827 CAN FIGURE OUT SOMETHING FOR THE TWO OF US. 431 00:41:44,202 --> 00:41:47,165 [Cell Phone Ringing] I WANT DOUBLE CARS ON EACH OF THESE PERIMETER BRIDGES. 432 00:41:47,189 --> 00:41:50,139 I DON'T WANT ANYONE MISSING THE INTERSTATE. 433 00:41:50,208 --> 00:41:53,009 YEAH. [Van Horn] PULL OVER. 434 00:41:53,078 --> 00:41:56,011 [Emma] KEEP AWAY FROM ME. 435 00:41:56,080 --> 00:41:58,013 HE'S WITH HOLLIS. GET ME A CAR. 436 00:41:58,083 --> 00:42:00,483 [Van Horn] I'M TRYIN', BUT IT IS VERY HARD. 437 00:42:00,552 --> 00:42:04,837 ALL FUN AND GAMES, HUH? YOU'LL WIND UP DEAD. 438 00:42:04,906 --> 00:42:07,507 THEY GAVE IT THEIR BEST SHOT. 439 00:42:07,575 --> 00:42:09,525 PULL OVER. 440 00:42:09,594 --> 00:42:13,512 TRIANGULATE THIS CALL. I NEED A CHOPPER OVER THERE, AND AN E.M.T. CREW, NOW! 441 00:42:13,581 --> 00:42:15,898 YES, SIR! [Siren Blaring] 442 00:42:15,967 --> 00:42:17,566 PULL OVER! 443 00:42:33,467 --> 00:42:35,535 ARE YOU SCARED... EMMA? 444 00:42:35,603 --> 00:42:37,836 [Chamber Cocks] 445 00:42:39,240 --> 00:42:41,173 YES. 446 00:42:41,242 --> 00:42:43,376 THAT'S SMART NOT TO LIE. 447 00:42:43,444 --> 00:42:45,394 PEOPLE ARE DEAD. 448 00:42:45,463 --> 00:42:49,181 - I DON'T HAVE TIME FOR YOUR GAMES. - PULL OVER. 449 00:42:53,138 --> 00:42:55,220 OKAY. 450 00:42:55,290 --> 00:42:57,222 OKAY. 451 00:42:57,291 --> 00:43:00,042 BUT FIRST, TELL ME WHY. 452 00:43:01,262 --> 00:43:03,196 WHY? 453 00:43:10,020 --> 00:43:12,104 YOU TELL ME. 454 00:43:55,550 --> 00:43:57,549 HEL... 455 00:44:01,105 --> 00:44:03,039 HELP... 456 00:44:05,576 --> 00:44:07,660 HELP... 457 00:44:15,603 --> 00:44:17,936 [Sobbing] 458 00:44:27,682 --> 00:44:31,116 [Emma] WHAT IF THERE IS NO "WHY," MEL? 459 00:44:31,185 --> 00:44:33,752 WHAT IF YOU CAN NEVER KNOW... 460 00:44:35,190 --> 00:44:37,389 IF THERE IS NO WHY? 461 00:45:25,823 --> 00:45:28,758 [Child] I MADE THIS! 34277

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