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These are the user uploaded subtitles that are being translated: 1 00:00:25,534 --> 00:00:26,826 - Ladies and gentlemen, 2 00:00:26,909 --> 00:00:29,200 the auction will begin shortly. 3 00:00:29,283 --> 00:00:31,409 Please take your seats. 4 00:00:35,951 --> 00:00:37,784 - We'll start this one at 180,000. 5 00:00:37,867 --> 00:00:41,409 200,000, 220,000, 240,000, 260,000. 6 00:00:41,492 --> 00:00:42,784 Now 260,000. 7 00:00:42,867 --> 00:00:46,075 And we'll start at 350,000. 400,000, 450,000. 8 00:00:46,158 --> 00:00:48,951 500,000, 650,000, 700,000. 9 00:00:49,033 --> 00:00:52,701 Now 700,000, 750,000, 900,000, 950,000. 10 00:00:52,784 --> 00:00:54,283 So where's the bidder? $1 million 11 00:00:54,367 --> 00:00:55,867 on the telephone here. 1,100,000... 12 00:00:55,951 --> 00:00:57,534 - Art and money have always gone 13 00:00:57,617 --> 00:00:58,784 hand in hand. 14 00:00:58,867 --> 00:01:00,200 - 1,200,000. 15 00:01:00,283 --> 00:01:02,200 - It's very important for good art 16 00:01:02,283 --> 00:01:03,659 to be expensive. 17 00:01:03,742 --> 00:01:08,367 - And 1,400,000, 1,500,000, 1,600,000, now 1,700,000. 18 00:01:08,450 --> 00:01:09,909 Now it's $2 million. 19 00:01:09,992 --> 00:01:12,409 - You only protect things that are valuable. 20 00:01:12,492 --> 00:01:15,200 - The fabulous Frank Stella. - 2,200,000... 21 00:01:15,283 --> 00:01:17,325 - If something has no financial value, 22 00:01:17,409 --> 00:01:18,701 people don't care. 23 00:01:18,784 --> 00:01:20,283 - 3,800,000. - $4 million. 24 00:01:20,367 --> 00:01:21,951 - 4.8 million. - 5 million. 25 00:01:22,033 --> 00:01:24,492 - They will not give it the necessary protection. 26 00:01:24,575 --> 00:01:27,283 - Damien Hirst at 9 million pounds. 27 00:01:27,367 --> 00:01:28,659 We'll obviously get on quick. 28 00:01:28,742 --> 00:01:31,117 $13 million, $13,500,000, 29 00:01:31,200 --> 00:01:32,617 - $15 million. 30 00:01:32,701 --> 00:01:34,158 - Any more than $16 million? 31 00:01:34,242 --> 00:01:37,283 $17 million. 17,500,000. 32 00:01:37,367 --> 00:01:38,409 - At $80 million... 33 00:01:38,492 --> 00:01:39,617 - The only way to make sure 34 00:01:39,701 --> 00:01:42,367 that cultural artifacts survive 35 00:01:42,450 --> 00:01:44,992 is for them to have a commercial value. 36 00:01:45,075 --> 00:01:48,826 - Andy Warhol "Liz #3" at $21 million. 37 00:01:48,909 --> 00:01:50,784 - Lot number 12 is the Jeff Koons. 38 00:01:50,867 --> 00:01:52,242 - $35 million. - Do I have 35? 39 00:01:52,325 --> 00:01:53,951 35 I have. 41 million. 40 00:01:54,033 --> 00:01:55,325 45 million. 41 00:01:55,409 --> 00:01:57,659 The "Balloon Dog" sold at 52 million. 42 00:01:57,742 --> 00:01:59,784 - A masterpiece by Jean-Michel Basquiat. 43 00:01:59,867 --> 00:02:02,784 $98 million. Last chance. 44 00:02:02,867 --> 00:02:05,033 For $98 million. 45 00:02:05,117 --> 00:02:06,701 Thank you, congratulations. 46 00:02:06,784 --> 00:02:08,033 Thank you very much. 47 00:02:23,784 --> 00:02:25,784 - Uh, these are all "Gazing Ball" paintings, 48 00:02:25,867 --> 00:02:29,200 but they're being worked on and I don't have the balls on... 49 00:02:29,283 --> 00:02:31,909 - Right. - Some of the... the paintings. 50 00:02:34,409 --> 00:02:38,117 This is a Giotto painting here that we're working on. 51 00:02:38,200 --> 00:02:41,033 John was just here, uh, stenciling. 52 00:02:41,117 --> 00:02:44,450 You know, it's not the exact same size as the original, 53 00:02:44,534 --> 00:02:47,992 but, you know, it's the idea of this painting 54 00:02:48,075 --> 00:02:49,701 that I've tried to capture. 55 00:02:49,784 --> 00:02:51,909 - As a little boy, you were determined 56 00:02:51,992 --> 00:02:53,117 to be an artist, right? 57 00:02:53,200 --> 00:02:54,325 - I always was. 58 00:02:54,409 --> 00:02:55,992 From the age of, uh, three, 59 00:02:56,075 --> 00:02:57,784 my parents kind of let me know 60 00:02:57,867 --> 00:03:00,909 that, "Oh, oh, Jeff, uh, that's kind of nice." 61 00:03:00,992 --> 00:03:02,701 And that gave me a sense of self. 62 00:03:02,784 --> 00:03:04,200 - Yes. - And, uh, you know, 63 00:03:04,283 --> 00:03:06,492 from, you know, the times that I was young, 64 00:03:06,575 --> 00:03:09,450 I would win awards for, uh, my artwork. 65 00:03:09,534 --> 00:03:11,784 And at college, I would always be showing 66 00:03:11,867 --> 00:03:13,867 in the President's office. And so... 67 00:03:13,951 --> 00:03:15,158 - Really? - Yeah. 68 00:03:15,242 --> 00:03:16,562 - So some of your work is sold for 69 00:03:16,617 --> 00:03:18,409 as much as $50 million at auction. 70 00:03:18,492 --> 00:03:21,117 I mean, let's face it, you're the most successful 71 00:03:21,200 --> 00:03:23,200 artist today in the world. 72 00:03:23,283 --> 00:03:25,909 - Uh, if that would be the case, okay, 73 00:03:25,992 --> 00:03:28,409 it's really quite, uh, humbling, you know? 74 00:03:28,492 --> 00:03:31,742 But, uh, the only thing that, you know, I've thought about, 75 00:03:31,826 --> 00:03:33,951 "Well, why do I make the things that I make?" 76 00:03:34,033 --> 00:03:36,742 And, you know, the only thing I have are my interests. 77 00:03:41,617 --> 00:03:45,701 - There's no question Jeff Koons changed everything, 78 00:03:45,784 --> 00:03:48,117 in terms of sculpture. 79 00:03:48,200 --> 00:03:49,992 For example, the bunny. 80 00:03:50,075 --> 00:03:53,701 You'd look at it, and it was like Narcissus. 81 00:03:53,784 --> 00:03:55,409 I mean, you look into the water, 82 00:03:55,492 --> 00:03:56,617 what do you see? 83 00:03:56,701 --> 00:03:58,158 You see yourself. 84 00:03:58,242 --> 00:04:00,283 And you see all of the excess. 85 00:04:00,367 --> 00:04:02,992 You know, the wealth reflected 86 00:04:03,075 --> 00:04:05,534 in a Hong Kong inflatable bunny 87 00:04:05,617 --> 00:04:09,242 that had been magically turned into stainless steel. 88 00:04:09,325 --> 00:04:11,367 And it was perfect. 89 00:04:13,617 --> 00:04:15,951 Great art changes the way artists 90 00:04:16,033 --> 00:04:19,450 perceive what they should be doing. 91 00:04:19,534 --> 00:04:22,325 It's not kind of a single gimmick. 92 00:04:22,409 --> 00:04:26,117 Because, you know, a great gimmick is great 93 00:04:26,200 --> 00:04:28,784 if it, like, takes you from here to there, 94 00:04:28,867 --> 00:04:30,283 if you own the gimmick. 95 00:04:30,367 --> 00:04:33,325 If the gimmick owns you, it's over. 96 00:04:52,867 --> 00:04:55,659 - This is James Fenimore Cooper country. 97 00:04:55,742 --> 00:04:58,659 - It sure is. - Beethoven's favorite author. 98 00:05:01,367 --> 00:05:02,867 - So, Larry? - Yeah? 99 00:05:02,951 --> 00:05:05,158 - How do you start to learn how to see? 100 00:05:05,242 --> 00:05:08,909 - You don't. You don't. 101 00:05:08,992 --> 00:05:11,367 You didn't decide who your parents were. 102 00:05:11,450 --> 00:05:14,075 It's the same thing. - What do you mean? 103 00:05:14,158 --> 00:05:16,158 - Well, you don't decide certain things. 104 00:05:16,242 --> 00:05:18,492 You don't decide... you don't pick your parents, 105 00:05:18,575 --> 00:05:22,242 and you don't pick who... who you are. 106 00:05:22,325 --> 00:05:24,784 - Was that what it was like for you finding painting? 107 00:05:24,867 --> 00:05:26,867 - Yeah, I think so. 108 00:05:26,951 --> 00:05:30,075 I mean, I tried to... yeah. I wanted to be an artist. 109 00:05:30,158 --> 00:05:32,784 Now, an artist can be anything. 110 00:05:32,867 --> 00:05:36,742 You know, uh, a poet. A writer. 111 00:05:36,826 --> 00:05:40,909 A singer. You know, Hank Williams. 112 00:05:40,992 --> 00:05:43,992 It's what... you do what you can do. 113 00:05:44,075 --> 00:05:47,409 - What's the relationship between art and money? 114 00:05:47,492 --> 00:05:52,325 - Art and money have no intrinsic hookup at all. 115 00:05:52,409 --> 00:05:53,701 It's not like sports. 116 00:05:53,784 --> 00:05:56,701 Your batting average is your batting average. 117 00:05:56,784 --> 00:05:59,951 You know, that's... that's the bottom line, you know? 118 00:06:00,033 --> 00:06:03,909 Um, and they've tried to make it much like that, 119 00:06:03,992 --> 00:06:06,742 like the best artist is the most expensive artist. 120 00:06:06,826 --> 00:06:08,450 Same thing. - Is that not true? 121 00:06:08,534 --> 00:06:11,075 - How could it be true? 122 00:06:14,242 --> 00:06:16,534 - There's a lot of money kicking around, 123 00:06:16,617 --> 00:06:19,200 and there is a limit to where you can put it. 124 00:06:20,992 --> 00:06:23,325 To be an effective collector, 125 00:06:23,409 --> 00:06:26,075 deep down, you have to be shallow. 126 00:06:26,158 --> 00:06:28,701 You have to be a decorator. 127 00:06:28,784 --> 00:06:30,826 You want the thing to work with the rugs, 128 00:06:30,909 --> 00:06:33,033 and you want it to work with the furniture. 129 00:06:33,117 --> 00:06:35,992 And I notice different styles of collecting. 130 00:06:36,075 --> 00:06:37,659 There is the, uh, collector 131 00:06:37,742 --> 00:06:40,283 that is the wolf in sheep's clothing, 132 00:06:40,367 --> 00:06:44,033 and then there's the sheep in wolves' clothing. 133 00:06:44,117 --> 00:06:45,909 And everybody has their own style. 134 00:06:45,992 --> 00:06:47,409 Which are you? 135 00:06:47,492 --> 00:06:51,075 That's good. I can switch, like the Donald. 136 00:06:51,158 --> 00:06:53,325 It all depends. 137 00:06:53,409 --> 00:06:55,325 - How do you get this incredible collection? 138 00:06:55,409 --> 00:06:57,826 I mean, what is it... what was it in you? 139 00:06:57,909 --> 00:07:00,033 - Okay, well, back in the '70s, 140 00:07:00,117 --> 00:07:01,701 Christie's had the Mondrian... 141 00:07:01,784 --> 00:07:04,784 a beautiful, massive, perfect Mondrian. 142 00:07:04,867 --> 00:07:07,242 And I went to the auction house, and I bid it. 143 00:07:07,325 --> 00:07:09,117 I got it at 600,000, 144 00:07:09,200 --> 00:07:11,534 which was the world record for Mondrian. 145 00:07:11,617 --> 00:07:16,242 And everybody wanted to know who that schmuck was 146 00:07:16,325 --> 00:07:21,283 from Chicago who overpaid for that over-painted Mondrian. 147 00:07:21,367 --> 00:07:23,867 And it put me on the map. 148 00:07:29,242 --> 00:07:32,033 - New York still is, in terms of the big auctions, 149 00:07:32,117 --> 00:07:34,200 the center of the art market, 150 00:07:34,283 --> 00:07:38,075 because big-ticket items are always sold in New York. 151 00:07:38,158 --> 00:07:41,033 But what has changed is that the art market 152 00:07:41,117 --> 00:07:43,033 has become totally global, and now you have 153 00:07:43,117 --> 00:07:45,117 collectors in all parts of the world 154 00:07:45,200 --> 00:07:48,659 buying art by artists from all parts of the world. 155 00:07:52,450 --> 00:07:54,867 - There is no Golden Age without gold. 156 00:07:56,033 --> 00:07:58,117 So if you didn't have 157 00:07:58,200 --> 00:08:03,158 100 times more collectors than existed in the '70s, 158 00:08:03,242 --> 00:08:08,534 you wouldn't have 1,000 times more artists making art. 159 00:08:08,617 --> 00:08:10,784 And you... of course, it's a bubble. 160 00:08:10,867 --> 00:08:13,200 And bubbles make beautiful things, 161 00:08:13,283 --> 00:08:17,200 and let's just try to keep it floating. 162 00:08:17,283 --> 00:08:18,701 Don't burst it. 163 00:08:23,617 --> 00:08:25,492 - Art fairs are the main events 164 00:08:25,575 --> 00:08:27,867 for the galleries and the dealers. 165 00:08:27,951 --> 00:08:31,575 Now you have quite a few big fairs around the world. 166 00:08:31,659 --> 00:08:33,325 Frieze that we are here for. 167 00:08:33,409 --> 00:08:34,450 Frieze, London. 168 00:08:34,534 --> 00:08:36,409 Art Basel in Basel, Hong Kong. 169 00:08:36,492 --> 00:08:39,367 Miami. You have Dubai, Istanbul. 170 00:08:39,450 --> 00:08:41,200 I mean, I could go on and on. 171 00:08:41,283 --> 00:08:43,701 Hey, hey, Neda, how are you? - I wanna ask you something. 172 00:08:43,784 --> 00:08:45,701 El Anatsui, I want to buy one. 173 00:08:45,784 --> 00:08:47,534 - Yes, I love El Anatsui. - Yeah, yeah. 174 00:08:47,617 --> 00:08:49,534 - And African art is going to go up and up, 175 00:08:49,617 --> 00:08:51,009 and I... I look forward to seeing it. 176 00:08:51,033 --> 00:08:53,242 I've loved Anatsui for quite a while. 177 00:08:54,283 --> 00:08:55,992 - Wow, thanks! 178 00:08:58,367 --> 00:08:59,742 - Who's it by? 179 00:08:59,826 --> 00:09:02,909 - The unknown artist called Basquiat. 180 00:09:02,992 --> 00:09:04,992 He's one of the hottest things in the art market 181 00:09:05,075 --> 00:09:07,242 at the moment. 182 00:09:07,325 --> 00:09:09,409 - Look at this single boob. - Self-portrait. 183 00:09:09,492 --> 00:09:11,951 - The uni... yeah, self-portrait. Uniboob. 184 00:09:12,033 --> 00:09:13,718 "Girl In Bed," that's the maquette for girl... 185 00:09:13,742 --> 00:09:15,033 I've sold that painting twice. 186 00:09:15,117 --> 00:09:16,575 - Have you bought anything today? 187 00:09:16,659 --> 00:09:17,951 - Yes. - You bought some... 188 00:09:18,033 --> 00:09:19,742 - A few pieces... yes. - Wow. 189 00:09:19,826 --> 00:09:21,466 - And I would like some more. I want more. 190 00:09:21,492 --> 00:09:22,812 - It was what? - Always want more. 191 00:09:22,867 --> 00:09:25,283 I would like some more. A few more. 192 00:09:25,367 --> 00:09:28,325 - Wow. Alissa, who made this? 193 00:09:28,409 --> 00:09:31,909 - Francesca DiMattio. And only you get to touch. 194 00:09:31,992 --> 00:09:33,784 - Only I get to touch? - You get to do that. 195 00:09:33,867 --> 00:09:35,867 - Has this piece sold? - It is sold, Jerry. 196 00:09:35,951 --> 00:09:37,867 - For about how much, ballpark? 197 00:09:37,951 --> 00:09:40,659 - About 50. - $50,000. 198 00:09:40,742 --> 00:09:43,575 My guess is she gets 50% of that? 199 00:09:43,659 --> 00:09:45,617 - Absolutely, fair deal. 200 00:09:47,742 --> 00:09:49,701 - I don't see too many artists here. 201 00:09:49,784 --> 00:09:51,659 - Oh, artists shouldn't come to art fairs. 202 00:09:51,742 --> 00:09:53,283 Or they should, but they don't. 203 00:09:53,367 --> 00:09:55,867 I wouldn't come to an art fair if I didn't have to. 204 00:09:55,951 --> 00:10:00,367 In my part of the jungle, I'm mostly meeting people 205 00:10:00,450 --> 00:10:01,992 who are interested in art. 206 00:10:02,075 --> 00:10:04,534 Up in the higher reaches of the treetops 207 00:10:04,617 --> 00:10:06,158 there's a different ecosystem 208 00:10:06,242 --> 00:10:09,117 where art absolutely is an asset class. 209 00:10:09,200 --> 00:10:11,617 That's essentially what the auctions have become. 210 00:10:11,701 --> 00:10:14,575 - Right. - A trading house for assets. 211 00:10:17,659 --> 00:10:20,158 Excuse me. Hello? 212 00:10:30,659 --> 00:10:33,617 - Okay, so this is a... 213 00:10:33,701 --> 00:10:35,117 That looks good all by itself. 214 00:10:35,200 --> 00:10:36,840 It's gonna be hard to comp that, actually. 215 00:10:38,409 --> 00:10:41,242 - So this will be the catalog for the Ames Collection. 216 00:10:41,325 --> 00:10:44,701 Did you land that deal? - Yeah, Steven and Ann Ames. 217 00:10:44,784 --> 00:10:46,826 We don't get things of this caliber very often, 218 00:10:46,909 --> 00:10:48,283 so that makes it special. 219 00:10:48,367 --> 00:10:50,158 There's also a lot at stake. 220 00:10:50,242 --> 00:10:52,259 What's nice is everything in this picture is actually 221 00:10:52,283 --> 00:10:54,617 part of the sale, which is... - Perfect. 222 00:10:54,701 --> 00:10:55,951 - Does it make you anxious 223 00:10:56,033 --> 00:10:58,117 when a big sale like this happens? 224 00:10:59,325 --> 00:11:01,242 - I'm usually very calm on the day of a sale. 225 00:11:01,325 --> 00:11:02,992 And it's not the part I like the most. 226 00:11:03,075 --> 00:11:05,155 - But your favorite part is what, of the whole thing? 227 00:11:05,200 --> 00:11:08,117 Of this specific thing? 228 00:11:08,200 --> 00:11:12,033 - The chase and the deal, probably. 229 00:11:12,117 --> 00:11:15,242 That's definitely... 230 00:11:17,075 --> 00:11:19,742 Yeah. 231 00:11:19,826 --> 00:11:22,409 Okay, Condo. 232 00:11:22,492 --> 00:11:24,242 He's a super disciple of Picasso, 233 00:11:24,325 --> 00:11:26,051 so we're trying to figure out how to comp it. 234 00:11:26,075 --> 00:11:28,155 And the idea is you always wanna comparative-image it 235 00:11:28,200 --> 00:11:32,617 with something that becomes it and something that... 236 00:11:32,701 --> 00:11:34,117 - Elevates it. - Elevates... yeah. 237 00:11:34,200 --> 00:11:35,635 I don't wanna be... it's sort of marketing, 238 00:11:35,659 --> 00:11:36,885 but it's sort of art... it's sort of 239 00:11:36,909 --> 00:11:38,367 the art-history marketing part. 240 00:11:38,450 --> 00:11:39,826 So getting your comps right is... 241 00:11:39,909 --> 00:11:41,325 it's a way you show you're smart, 242 00:11:41,409 --> 00:11:43,409 but you can't be arrogant and cocky. 243 00:11:43,492 --> 00:11:48,409 George is definitely an artist who's a darling of the market. 244 00:11:51,992 --> 00:11:54,826 - I don't really wanna know 100% what I'm gonna do 245 00:11:54,909 --> 00:11:56,200 until it's done. 246 00:11:56,283 --> 00:12:00,951 I just, like, add color very gradually. 247 00:12:01,033 --> 00:12:04,283 My favorite thing to do is get to the edge. 248 00:12:04,367 --> 00:12:06,742 - What was it that started you in the very beginning 249 00:12:06,826 --> 00:12:08,242 wanting to be an artist? 250 00:12:08,325 --> 00:12:10,409 - Well, I wasn't good at anything else. 251 00:12:12,158 --> 00:12:13,742 And, I mean, I... 252 00:12:13,826 --> 00:12:15,635 I could always draw better than everybody else, 253 00:12:15,659 --> 00:12:17,575 and so that was like, "Whoa, look at that." 254 00:12:17,659 --> 00:12:19,575 - Did your parents support you in that? 255 00:12:19,659 --> 00:12:20,742 - No. 256 00:12:22,450 --> 00:12:24,867 - Your photographs of your mother are unbelievable. 257 00:12:24,951 --> 00:12:27,534 - Oh, my mother didn't support me in anything. 258 00:12:29,742 --> 00:12:33,826 - The money has never been a motivation for me. 259 00:12:33,909 --> 00:12:35,617 Oh, that's a no. 260 00:12:35,701 --> 00:12:38,367 Especially coming from Nigeria, the thing that really 261 00:12:38,450 --> 00:12:41,075 did it for me was thinking about urgency, 262 00:12:41,158 --> 00:12:43,867 thinking of wanting to be more visible. 263 00:12:46,242 --> 00:12:48,617 - You know, the market is a sort of... 264 00:12:48,701 --> 00:12:54,283 a separate sort of entity from the actual creation of art. 265 00:12:54,367 --> 00:12:57,367 It doesn't really have anything to do with art. 266 00:12:57,450 --> 00:13:00,117 It's, uh... it has to do with something else. 267 00:13:00,200 --> 00:13:03,742 And I'm not sure 100% what it is, you know. 268 00:13:03,826 --> 00:13:06,075 - I don't have all the details in yet. 269 00:13:06,158 --> 00:13:07,325 - Still being worked on? 270 00:13:07,409 --> 00:13:08,849 - Yeah, but this is actually a person 271 00:13:08,909 --> 00:13:12,283 who has ruby-colored pubic hair. 272 00:13:12,367 --> 00:13:13,847 People come real close to buying them, 273 00:13:13,909 --> 00:13:15,343 and then they know what it is and they go, 274 00:13:15,367 --> 00:13:16,867 "Oh, I don't know." 275 00:13:16,951 --> 00:13:18,492 - Really? 276 00:13:18,575 --> 00:13:19,951 - I don't care if they buy them. 277 00:13:20,033 --> 00:13:21,093 I just needed to make them. 278 00:13:21,117 --> 00:13:22,575 And my gallery would like it 279 00:13:22,659 --> 00:13:25,742 if I made much more sellable things. 280 00:13:25,826 --> 00:13:28,283 - So talk to me a little bit about the art market. 281 00:13:28,367 --> 00:13:30,283 It's too dangerous, 282 00:13:30,367 --> 00:13:32,158 you know, to even learn about it. 283 00:13:32,242 --> 00:13:34,033 I don't wanna know. 284 00:13:35,450 --> 00:13:36,951 - I love artists, 285 00:13:37,033 --> 00:13:38,909 but I don't know that 286 00:13:38,992 --> 00:13:41,701 the marketplace loves artists. 287 00:13:41,784 --> 00:13:47,033 And if we allow the marketplace to determine what is good, 288 00:13:47,117 --> 00:13:49,033 then there is no place for me. 289 00:13:50,242 --> 00:13:51,742 - I always say to artists, 290 00:13:51,826 --> 00:13:53,659 "Don't be an artist unless 291 00:13:53,742 --> 00:13:56,951 you really, really, really, really, really have to." 292 00:13:57,033 --> 00:14:02,242 Because 99.999% of artists don't have money. 293 00:14:02,325 --> 00:14:03,534 It's that simple. 294 00:14:03,617 --> 00:14:07,826 Artists have to make an enemy of envy. 295 00:14:07,909 --> 00:14:11,784 They must do this or it will eat them alive. 296 00:14:20,951 --> 00:14:23,033 - People say that the bunny is the most valuable 297 00:14:23,117 --> 00:14:24,575 Jeff Koons in existence. 298 00:14:24,659 --> 00:14:26,617 - Very likely. 299 00:14:26,701 --> 00:14:28,992 - When we saw this, I mean, 300 00:14:29,075 --> 00:14:31,033 we really wanted to have a "Rabbit." 301 00:14:31,117 --> 00:14:34,117 But he only made three plus the artist's proof. 302 00:14:34,200 --> 00:14:37,951 And, of course, they were gone immediately. 303 00:14:38,033 --> 00:14:41,242 But, um, Stef always had his eye on it, 304 00:14:41,325 --> 00:14:44,367 and we had the opportunity... when would you say? 305 00:14:44,450 --> 00:14:47,575 '90-something? - I bought it in 1991 for 945. 306 00:14:47,659 --> 00:14:49,784 - 945,000? - Yeah. 307 00:14:49,867 --> 00:14:51,617 - And it was a time that was... the market 308 00:14:51,701 --> 00:14:53,075 was not really very strong, 309 00:14:53,158 --> 00:14:54,802 and everybody was saying, "Oh, you're crazy. 310 00:14:54,826 --> 00:14:56,409 You're crazy paying that much for it." 311 00:14:56,492 --> 00:15:00,492 But Stef and I, we just felt so right that 312 00:15:00,575 --> 00:15:04,117 it was the right time to do it and the right time to buy it, 313 00:15:04,200 --> 00:15:08,033 and no matter what the value, it was going to belong to us. 314 00:15:08,117 --> 00:15:10,075 And that was what... the most important thing. 315 00:15:10,158 --> 00:15:11,617 - What... what would it be worth now? 316 00:15:11,701 --> 00:15:14,242 - $65 million. - Yes, yes, yes. 317 00:15:14,325 --> 00:15:16,701 So we snapped at it. 318 00:15:18,492 --> 00:15:21,701 - This is a Warhol skull. - This is Warhol's "Skull." 319 00:15:21,784 --> 00:15:23,951 So there are certain code things that happen. 320 00:15:24,033 --> 00:15:26,367 One, it has to be juicy. 321 00:15:26,450 --> 00:15:28,992 You see the juice that he had here? 322 00:15:29,075 --> 00:15:31,575 And the other thing, the direction of the skull 323 00:15:31,659 --> 00:15:33,951 has to create a baby face. 324 00:15:34,033 --> 00:15:36,325 See that profile of the baby face? 325 00:15:36,409 --> 00:15:38,117 That is the important part of... 326 00:15:38,200 --> 00:15:40,534 - How do you find... I mean, important, says who? 327 00:15:40,617 --> 00:15:43,617 - Important to the art world, to the values. 328 00:15:43,701 --> 00:15:47,158 - To the... to your eye. - To the feinschmeckers. 329 00:15:52,575 --> 00:15:56,992 - There are no rules about what is gonna be good 330 00:15:57,075 --> 00:16:00,325 and what is gonna be bad. 331 00:16:00,409 --> 00:16:02,992 Art doesn't give a shit. 332 00:16:03,075 --> 00:16:05,075 It never has. 333 00:16:11,158 --> 00:16:13,659 Why don't you go in first? Show everybody, and... 334 00:16:15,075 --> 00:16:19,617 Just... follow Paula. Yeah. 335 00:16:19,701 --> 00:16:21,617 It's good advice. 336 00:16:40,117 --> 00:16:41,909 - Is this all one continuous piece of canvas? 337 00:16:41,992 --> 00:16:44,951 - Yeah, I've painted that way since 1971. 338 00:16:45,033 --> 00:16:46,742 Yeah. 339 00:16:46,826 --> 00:16:50,117 I'm just working on this basically the whole thing 340 00:16:50,200 --> 00:16:53,909 all the time, and, you know, 341 00:16:53,992 --> 00:16:55,617 putting stuff on. 342 00:16:56,117 --> 00:16:59,617 And now we're painting this. 343 00:17:01,992 --> 00:17:05,575 Most people think it's like putting makeup on. 344 00:17:05,659 --> 00:17:07,867 You know, you gotta be careful. 345 00:17:07,951 --> 00:17:09,534 Get close to a Rembrandt, 346 00:17:09,617 --> 00:17:11,867 and you see how quickly things were done. 347 00:17:11,951 --> 00:17:13,784 Flicks. Flick, flick, flick. 348 00:17:13,867 --> 00:17:15,492 Little flicks of color. 349 00:17:15,575 --> 00:17:17,158 - So when I say to people, 350 00:17:17,242 --> 00:17:18,867 "I wanna interview Larry Poons." 351 00:17:18,951 --> 00:17:19,867 - Mm-hmm. 352 00:17:19,951 --> 00:17:21,200 - Some people say... 353 00:17:21,283 --> 00:17:23,283 - Why the fuck you want to do that? 354 00:17:23,367 --> 00:17:25,075 Yeah. - Well, what happened to him? 355 00:17:25,158 --> 00:17:26,426 Where... where is he? - Yeah, I know. 356 00:17:26,450 --> 00:17:28,909 They think I'm dead. Yeah. 357 00:17:28,951 --> 00:17:30,593 They thought... a lot of people have thought 358 00:17:30,617 --> 00:17:33,117 I was dead for a long time. 359 00:17:33,200 --> 00:17:34,325 You know. 360 00:17:34,450 --> 00:17:36,158 It's not my fault. 361 00:17:37,450 --> 00:17:42,617 My only defense against fate is color. 362 00:18:01,575 --> 00:18:04,158 - All of these images that are in this room, you know, 363 00:18:04,242 --> 00:18:07,283 are connected to art history, and they're created through 364 00:18:07,367 --> 00:18:12,283 systems that I'm responsible for each and every mark. 365 00:18:12,367 --> 00:18:14,325 Having the correct color there, 366 00:18:14,409 --> 00:18:17,492 and everything numbered and using the maps so that 367 00:18:17,575 --> 00:18:19,575 when we look at this, everything... 368 00:18:19,659 --> 00:18:22,367 I'm completely responsible for. 369 00:18:24,075 --> 00:18:26,534 - So it doesn't matter that you don't physically 370 00:18:26,617 --> 00:18:28,200 touch the canvas with a brush? 371 00:18:28,283 --> 00:18:31,909 - Well, uh, I am, in a way, physically doing it, 372 00:18:31,992 --> 00:18:34,283 but it's physically through all these systems. 373 00:18:34,367 --> 00:18:37,450 But it's like articulating your fingers and, you know, 374 00:18:37,534 --> 00:18:39,409 your mind is telling the finger to do this. 375 00:18:39,492 --> 00:18:42,033 So at the end of the day, that mark is as if 376 00:18:42,117 --> 00:18:44,701 I would sit here and do it myself. 377 00:18:44,784 --> 00:18:47,867 Now, if I would do this, the only thing 378 00:18:47,951 --> 00:18:49,909 that I'd be able to accomplish next year 379 00:18:49,992 --> 00:18:51,617 would be just creating this painting. 380 00:18:51,701 --> 00:18:53,951 I wouldn't be able to do anything else. 381 00:18:58,826 --> 00:19:00,701 - 8 to 12 million. 382 00:19:00,784 --> 00:19:02,617 Okay, so this is a really interesting picture. 383 00:19:02,701 --> 00:19:05,492 This, we just hit it. This is like a money shot. 384 00:19:05,575 --> 00:19:07,826 When you have the painting you're selling 385 00:19:07,909 --> 00:19:09,826 and then a picture of the artist 386 00:19:09,909 --> 00:19:11,229 standing in front of the painting. 387 00:19:11,283 --> 00:19:13,909 Bill de Kooning, winner. 388 00:19:13,992 --> 00:19:15,951 - Holy Grail of comps. - Holy Grail of comps. 389 00:19:16,033 --> 00:19:17,617 That's as good as it gets. 390 00:19:18,200 --> 00:19:20,534 I don't like these comps. 391 00:19:20,617 --> 00:19:23,909 Comp can't overwhelm the image. 392 00:19:23,992 --> 00:19:25,867 Like this, the fantastic Matisse. 393 00:19:25,951 --> 00:19:27,968 Yeah, boy, you wanna know what that would be worth today? 394 00:19:27,992 --> 00:19:29,510 - Oh, my... yeah, what would that be worth? 395 00:19:29,534 --> 00:19:31,367 - Forget about it. 396 00:19:31,450 --> 00:19:32,951 A couple hundo. A lot. 397 00:19:33,033 --> 00:19:35,158 - A couple hundred million? - I'm thinking, yeah. 398 00:19:35,242 --> 00:19:36,659 Yeah, definitely. - Sure. 399 00:19:36,742 --> 00:19:38,909 - Like, pricele... "priceless," 400 00:19:38,992 --> 00:19:41,075 and then you sort of work backwards, so... 401 00:19:41,158 --> 00:19:43,784 - Are there still masterpieces being made today? 402 00:19:43,867 --> 00:19:46,534 - Oh, I gotta believe. I mean, yeah. 403 00:19:46,617 --> 00:19:48,367 Yeah, I mean, I have to believe there are. 404 00:19:48,450 --> 00:19:51,409 I wouldn't even question that. What kind of question is that? 405 00:19:51,492 --> 00:19:53,951 It's like a... that's like, "Do you believe in the future?" 406 00:19:54,033 --> 00:19:56,992 That's what you just asked me. Do you believe in the future? 407 00:19:57,075 --> 00:19:58,802 No, done, we're done. Let's just go. We're not... 408 00:19:58,826 --> 00:20:00,409 Yeah, of course I believe in the future. 409 00:20:00,492 --> 00:20:02,385 Of course I believe great things are being made today. 410 00:20:02,409 --> 00:20:04,409 London calling. 411 00:20:04,492 --> 00:20:06,450 This is the time of day where London calls. 412 00:20:06,534 --> 00:20:07,951 Hey, Alex. 413 00:20:08,033 --> 00:20:09,158 How late can I call you? 414 00:20:11,033 --> 00:20:14,117 - In the end of the last century, 415 00:20:14,200 --> 00:20:17,283 uh, we sat around at Christie's trying to think what the hell 416 00:20:17,367 --> 00:20:19,283 we were gonna do next, because frankly... 417 00:20:21,033 --> 00:20:23,450 Supply of old masterpieces wasn't just limited. 418 00:20:23,534 --> 00:20:25,784 It was diminishing. 419 00:20:25,867 --> 00:20:28,617 And almost all our markets and all our businesses 420 00:20:28,701 --> 00:20:30,158 were getting smaller. 421 00:20:30,242 --> 00:20:31,409 - million dollars. 422 00:20:31,492 --> 00:20:33,659 - Thank you very much. 423 00:20:33,742 --> 00:20:36,283 - With new collectors coming into the market 424 00:20:36,367 --> 00:20:38,575 trying to build collections, 425 00:20:38,659 --> 00:20:42,367 younger people enriched beyond imagination 426 00:20:42,450 --> 00:20:45,659 with a thirst for the new and the loud, 427 00:20:45,742 --> 00:20:48,492 where were they gonna go? 428 00:20:57,951 --> 00:20:59,534 In terms of contemporary art, 429 00:20:59,617 --> 00:21:01,492 there was a lot of production going on, 430 00:21:01,575 --> 00:21:04,033 and the supply issue wasn't gonna be a problem. 431 00:21:06,075 --> 00:21:08,409 You know, the supply was almost infinite. 432 00:21:08,492 --> 00:21:10,075 - ♪ I don't know its name ♪ 433 00:21:14,659 --> 00:21:17,867 - I don't think anyone really understood just how important, 434 00:21:17,951 --> 00:21:22,951 um, contemporary art was going to become. 435 00:21:23,033 --> 00:21:26,409 But it would basically overshadow almost all other 436 00:21:26,492 --> 00:21:28,033 collecting areas in the art market. 437 00:21:28,117 --> 00:21:30,200 - ♪ Fashion! Turn to the left ♪ 438 00:21:30,283 --> 00:21:32,450 ♪ Fashion! Turn to the right ♪ 439 00:21:32,534 --> 00:21:36,992 ♪ Ooh, fashion! ♪ 440 00:21:37,075 --> 00:21:40,075 ♪ We are the goon squad and we're coming to town ♪ 441 00:21:40,158 --> 00:21:41,200 - The money is 442 00:21:41,283 --> 00:21:43,701 an inevitable consequence 443 00:21:43,784 --> 00:21:46,951 of demand and supply. 444 00:21:47,033 --> 00:21:49,742 And so there's a temptation for the artists 445 00:21:49,826 --> 00:21:52,951 to overproduce and to push. 446 00:22:02,117 --> 00:22:03,242 ♪ Fashion ♪ 447 00:22:17,283 --> 00:22:21,867 - My brain feels tapped out since my last show. 448 00:22:21,951 --> 00:22:25,784 Um, but I don't want to just make an exact replica, 449 00:22:25,867 --> 00:22:28,075 because it just will be too boring. 450 00:22:28,158 --> 00:22:30,200 So I tried to change the colors, 451 00:22:30,283 --> 00:22:34,033 but even that is not enough to keep me engaged. 452 00:22:35,575 --> 00:22:37,784 My production is very low. 453 00:22:37,867 --> 00:22:41,409 Um, so, in a good year, I make 12 works. 454 00:22:41,492 --> 00:22:44,242 Um, in a year like this where I just had a baby, 455 00:22:44,325 --> 00:22:47,617 I might end up making six to eight works. 456 00:22:47,701 --> 00:22:50,784 If I'm thinking of wanting these works to be seen, 457 00:22:50,867 --> 00:22:55,033 there's a temptation to get them out fast. 458 00:22:55,117 --> 00:22:58,659 But if I speed up the production of the work, 459 00:22:58,742 --> 00:23:03,200 it will take away from all that behind the scenes 460 00:23:03,283 --> 00:23:06,242 that makes the work as rich as it is. 461 00:23:07,826 --> 00:23:09,784 - I'm thinking... 462 00:23:09,867 --> 00:23:11,742 Big. All right. 463 00:23:15,534 --> 00:23:17,575 Ooh, forget how these things break. 464 00:23:17,659 --> 00:23:20,117 I throw these things out like that. 465 00:23:21,701 --> 00:23:23,617 - ♪ You better watch yourself ♪ 466 00:23:25,701 --> 00:23:27,492 ♪ You better watch yourself ♪ 467 00:23:27,575 --> 00:23:30,242 ♪ 'Cause I've got my eyes on you ♪ 468 00:23:32,784 --> 00:23:35,951 ♪ You can steal my love ♪ - He's very persistent. 469 00:23:36,033 --> 00:23:38,492 - This particular fella? - This guy. 470 00:23:38,575 --> 00:23:39,826 He's always sort of there 471 00:23:39,909 --> 00:23:42,992 as a kind of alter ego. 472 00:23:43,075 --> 00:23:44,885 - There are people out there who say, you know, 473 00:23:44,909 --> 00:23:47,826 "Well, for the market, it'd be better if George Condo 474 00:23:47,909 --> 00:23:49,659 did a little less. He does so much." 475 00:23:49,742 --> 00:23:53,826 - I think that people say that all the time to living artists. 476 00:23:53,909 --> 00:23:55,826 "Oh, man, you know, you're doing too much." 477 00:23:55,909 --> 00:23:59,701 But, you know, if you think about a guy like, you know, 478 00:23:59,784 --> 00:24:01,534 whose work you really like, you think, 479 00:24:01,617 --> 00:24:05,534 "Are you... would it have been great had Monet done, like, 480 00:24:05,617 --> 00:24:07,325 3,000 less paintings?" You know? 481 00:24:07,409 --> 00:24:10,659 Or Picasso had done 500 less, or... 482 00:24:10,742 --> 00:24:13,117 You don't have to, like, sell everything you do. 483 00:24:13,200 --> 00:24:14,659 It's not about that. 484 00:24:14,742 --> 00:24:16,909 It's just about making sure that you never sort of 485 00:24:16,992 --> 00:24:20,283 deprive yourself of an inspiration as an artist. 486 00:24:20,367 --> 00:24:22,701 - ♪ 'Cause I've got my eyes on you ♪ 487 00:24:25,784 --> 00:24:29,659 - Right now we have... we have five Condos. 488 00:24:29,742 --> 00:24:32,200 - You currently have five... - Five Condos. 489 00:24:32,283 --> 00:24:36,826 By having parameters, my life is a lot easier. 490 00:24:36,909 --> 00:24:38,075 - Which parameters? 491 00:24:38,158 --> 00:24:41,909 - Well, 200 works, 40 artists. 492 00:24:41,992 --> 00:24:43,534 - That's it? - That's it. 493 00:24:43,617 --> 00:24:45,093 - Arbitrary rule? You just came up with it? 494 00:24:45,117 --> 00:24:47,325 - No... well, yes, it's sort of arbitrary, 495 00:24:47,409 --> 00:24:50,117 but when I try... I mentioned that to a very important 496 00:24:50,200 --> 00:24:54,409 hedge fund guy about five, six years ago, he smiled. 497 00:24:54,492 --> 00:24:56,075 He hadn't been doing any collecting 498 00:24:56,158 --> 00:24:57,200 but is collecting now. 499 00:24:57,283 --> 00:24:58,659 He says, "That's interesting. 500 00:24:58,742 --> 00:25:02,409 My analysts can only follow about 40 stocks." 501 00:25:02,492 --> 00:25:04,951 And the other thing helps is to know 502 00:25:05,033 --> 00:25:07,701 what you really need in a way, you know? 503 00:25:07,784 --> 00:25:10,450 I needed these lemons, I needed these birds, 504 00:25:10,534 --> 00:25:12,575 because now if I'm gonna do Rondinone, 505 00:25:12,659 --> 00:25:14,492 I have to have a little garden here. 506 00:25:16,283 --> 00:25:19,701 And then the clown shoes, I paid 270 for them. 507 00:25:19,784 --> 00:25:21,659 I traded. - How does that work? 508 00:25:21,742 --> 00:25:23,325 - I exchanged it for another work. 509 00:25:23,409 --> 00:25:25,575 - You don't write checks? - I try not to. 510 00:25:25,659 --> 00:25:27,450 So you don't use money? 511 00:25:27,534 --> 00:25:30,283 - Usually an official exchange, and it's all done, 512 00:25:30,367 --> 00:25:32,075 uh, with paperwork. - Hmm. 513 00:25:32,158 --> 00:25:34,992 - You know, some people think that, uh, 514 00:25:35,075 --> 00:25:37,659 that Uncle Sam is not getting his cut, 515 00:25:37,742 --> 00:25:39,117 which is probably true. 516 00:25:39,200 --> 00:25:41,242 But that's also true in real estate. 517 00:25:41,325 --> 00:25:44,117 And as long as the laws are there to do it, 518 00:25:44,200 --> 00:25:47,784 it's a good way to, uh, build a collection. 519 00:25:47,867 --> 00:25:49,575 That's the art of the deal. 520 00:25:49,659 --> 00:25:52,117 Well, let's try what happened in '16. 521 00:25:55,075 --> 00:25:57,992 Oh, oh, '16 was really busy. 522 00:25:58,075 --> 00:26:03,367 Glenn Brown, Maurizio Cattelan, Jeff Koons, Richard Prince. 523 00:26:03,450 --> 00:26:05,117 All the usual suspects. 524 00:26:05,200 --> 00:26:06,659 - What did you buy from Jeff Koons? 525 00:26:06,742 --> 00:26:10,784 - Jeff Koons was the Courbet Sleep. 526 00:26:10,867 --> 00:26:13,033 - Oh, the "Gazing Ball"? - Yeah, the "Gazing Ball." 527 00:26:13,117 --> 00:26:15,033 - What... what did the "Gazing Ball" cost? 528 00:26:15,117 --> 00:26:17,992 - That was... they were $2 1/2 million. 529 00:26:18,075 --> 00:26:19,283 They were modestly priced. 530 00:26:22,784 --> 00:26:24,826 - If you look here at the "Gazing Ball," 531 00:26:24,909 --> 00:26:27,492 it's reflecting us right now, right here. 532 00:26:27,575 --> 00:26:30,325 So this is the right here, right now. 533 00:26:30,409 --> 00:26:32,826 Then there's, like, this interface where 534 00:26:32,909 --> 00:26:35,492 the painting is reflected into the ball. 535 00:26:35,575 --> 00:26:37,325 You kind of enter into the painting, 536 00:26:37,409 --> 00:26:39,049 then you go into the realm of the eternal. 537 00:26:39,117 --> 00:26:42,367 You go into this type of connectivity of the past. 538 00:26:42,450 --> 00:26:45,617 It's telling you everything it can about where you are 539 00:26:45,701 --> 00:26:48,200 in the universe right at this moment. 540 00:26:48,283 --> 00:26:49,575 It's generous. 541 00:26:49,659 --> 00:26:51,534 And it comes back to how you interact 542 00:26:51,617 --> 00:26:54,367 with yourself and how you interact with others. 543 00:26:54,450 --> 00:26:57,242 It's all metaphor. Metaphor. 544 00:26:57,325 --> 00:26:58,909 Everything's metaphor. 545 00:27:00,450 --> 00:27:04,784 - Gazing is essential in looking at visual art. 546 00:27:04,867 --> 00:27:08,117 And the notion to have a ball in the backyard that you can 547 00:27:08,200 --> 00:27:12,117 gaze at... maybe smoke a pipe and gazing at the ball... 548 00:27:12,200 --> 00:27:14,575 is absolutely how you enjoy art. 549 00:27:14,659 --> 00:27:16,033 You gaze at it. 550 00:27:16,117 --> 00:27:19,075 You can look at it, but gazing is somehow 551 00:27:19,158 --> 00:27:21,742 nobler than just gawking. 552 00:27:22,909 --> 00:27:24,367 This is the irony. 553 00:27:24,450 --> 00:27:26,742 I can look at something that's totally contemporary 554 00:27:26,826 --> 00:27:28,534 and people get ticked off because, 555 00:27:28,617 --> 00:27:29,992 what am I looking at? 556 00:27:30,075 --> 00:27:32,158 And that's a real question. But never mind. 557 00:27:32,242 --> 00:27:33,992 I have a Courbet. 558 00:27:34,075 --> 00:27:37,158 So I have the guilty pleasure of enjoying something 559 00:27:37,242 --> 00:27:39,242 which would be very mundane. 560 00:27:39,325 --> 00:27:42,158 You know, a knockoff doesn't get you a lot of credit 561 00:27:42,242 --> 00:27:45,409 as an art collector, because anybody can do that. 562 00:27:45,492 --> 00:27:49,409 But put a gazing ball on it, and presto. 563 00:28:04,492 --> 00:28:07,409 - I don't like this man's relentless and honest 564 00:28:07,492 --> 00:28:09,701 and bold stare at me. 565 00:28:11,575 --> 00:28:13,242 Someone said to me once, you know, 566 00:28:13,325 --> 00:28:16,617 "The work of art is not the artist, 567 00:28:16,701 --> 00:28:18,909 but the artist is the work of art." 568 00:28:18,992 --> 00:28:21,742 And that's a very mystical saying, 569 00:28:21,826 --> 00:28:24,450 but what I think that means is only Rembrandt 570 00:28:24,534 --> 00:28:26,492 could have made this picture. 571 00:28:26,575 --> 00:28:29,867 This is an aged artist who's showing us his flesh 572 00:28:29,951 --> 00:28:33,617 and his world... worldly scars and beatings he's taken, 573 00:28:33,701 --> 00:28:37,283 not just as a person, but as an artist. 574 00:28:37,367 --> 00:28:42,367 It makes you think about life in the raw, you know? 575 00:28:42,450 --> 00:28:46,033 And I think that paintings, when they're at their greatest, 576 00:28:46,117 --> 00:28:47,659 are making demands on us 577 00:28:47,742 --> 00:28:50,325 and it's easier for us to just walk away. 578 00:28:50,409 --> 00:28:53,409 Can you imagine what it would be like to have this 579 00:28:53,492 --> 00:28:56,909 in one's house and how irradiated one would feel 580 00:28:56,992 --> 00:28:59,158 as one sat down for breakfast 581 00:28:59,242 --> 00:29:01,575 with the sports page and Special K, you know? 582 00:29:01,659 --> 00:29:06,492 It would just be a... such an overpowering, sacred presence. 583 00:29:20,075 --> 00:29:22,492 I don't even, um, try to contemplate 584 00:29:22,575 --> 00:29:24,867 what these things would be worth. 585 00:29:26,742 --> 00:29:30,492 The... the pricelessness that makes for price in the world. 586 00:29:33,784 --> 00:29:38,492 This Vermeer, for example, has got it all over, 587 00:29:38,575 --> 00:29:42,033 every evaluation, professorial or commercial, 588 00:29:42,117 --> 00:29:44,200 that could ever be put upon it, 589 00:29:44,283 --> 00:29:46,909 because it deals in what used to be called 590 00:29:46,992 --> 00:29:51,701 in times less defeated, uh, than ours, "the soul." 591 00:29:53,617 --> 00:29:56,951 But it's a pie in the sky to believe that this is 592 00:29:57,033 --> 00:30:00,534 to be separated out from a culture that values things, 593 00:30:00,617 --> 00:30:04,075 that values materials, and that even can put a value 594 00:30:04,158 --> 00:30:08,909 on that which is immaterial, like light itself. 595 00:30:18,659 --> 00:30:21,867 - I gotta think about this really hard. 596 00:30:21,951 --> 00:30:24,117 I think we're not making virtue enough of the red. 597 00:30:24,200 --> 00:30:25,659 So... - Yeah. 598 00:30:25,742 --> 00:30:27,468 We were playing around with the idea of, like, 599 00:30:27,492 --> 00:30:29,367 a shaft of light. 600 00:30:29,450 --> 00:30:32,158 Something with, uh, how it's... - Caravaggio-esque. 601 00:30:32,242 --> 00:30:34,659 - Yeah. - This is a masterpiece. 602 00:30:34,742 --> 00:30:38,409 It could be sort of something va-va-voom, sexy. 603 00:30:38,492 --> 00:30:40,075 Richter's just got it. We could just... 604 00:30:40,158 --> 00:30:42,075 Everybody knows this is greatness. 605 00:30:42,158 --> 00:30:43,951 There's two in this collection of, 606 00:30:44,033 --> 00:30:46,242 I would say, equal caliber. 607 00:30:46,325 --> 00:30:48,826 This is where Richter's really like Rothko. 608 00:30:48,909 --> 00:30:52,575 Because this one is, like, exuberant and alive and sexy 609 00:30:52,659 --> 00:30:55,158 and, like, juicy and life-giving. 610 00:30:55,242 --> 00:30:57,867 And then the other one in this grouping, 611 00:30:57,951 --> 00:30:59,784 which I'll find in a moment... 612 00:31:00,992 --> 00:31:02,283 Oh. - Mm-hmm. 613 00:31:02,367 --> 00:31:05,283 - I mean, this picture is, like, so moody 614 00:31:05,367 --> 00:31:06,742 and psychological. - It is so dark. 615 00:31:06,826 --> 00:31:08,701 - Like, it is such an interior mental... 616 00:31:08,784 --> 00:31:10,617 - Really dark. - Well, this one is body. 617 00:31:10,701 --> 00:31:12,951 The big red one is body. And this one is soul. 618 00:31:13,033 --> 00:31:15,784 So then that reminds me of Rothko because Rothko has 619 00:31:15,867 --> 00:31:17,784 paintings that are very physical and bodily 620 00:31:17,867 --> 00:31:19,718 and some that are more psychological and soulful. 621 00:31:19,742 --> 00:31:20,885 In his case, it was a dark soul. 622 00:31:20,909 --> 00:31:22,450 - Rothko? - Yeah. 623 00:31:22,534 --> 00:31:23,974 As are most people who commit suicide 624 00:31:24,033 --> 00:31:25,117 at one point or another. 625 00:31:25,200 --> 00:31:27,200 Um, yeah, I mean, this... 626 00:31:27,283 --> 00:31:29,385 living with a picture like this could change your life, 627 00:31:29,409 --> 00:31:30,492 if you let it. 628 00:31:30,575 --> 00:31:32,784 - How could it change your life? 629 00:31:32,867 --> 00:31:36,575 - I mean, very few of us live with such majesty. 630 00:31:36,659 --> 00:31:38,325 Truly. 631 00:31:38,409 --> 00:31:39,575 Gerhard Richter is probably 632 00:31:39,659 --> 00:31:41,575 the greatest living European artist. 633 00:31:41,659 --> 00:31:43,909 I mean, these are very... these are very, very important 634 00:31:43,992 --> 00:31:45,701 pictures to come for sale. 635 00:31:47,200 --> 00:31:49,040 - It's incredibly exciting to have these two... 636 00:31:49,117 --> 00:31:50,450 - It's cool, right? - In the sale. 637 00:31:50,534 --> 00:31:51,885 - We should invite him to the sale. 638 00:31:51,909 --> 00:31:53,409 - You should. - Believe me, dude, 639 00:31:53,492 --> 00:31:54,784 dude, he is not coming, okay? 640 00:31:54,867 --> 00:31:56,551 Like, I'm sure of that, okay? He's old guard. 641 00:31:56,575 --> 00:31:57,885 He doesn't like this sort of thing. 642 00:31:57,909 --> 00:32:00,951 He doesn't like the selling of his works. 643 00:32:01,033 --> 00:32:03,909 This is the detail of this Richter called "Ziege," 644 00:32:03,992 --> 00:32:05,367 which means goat. 645 00:32:05,450 --> 00:32:07,283 That's the detail of that painting, 646 00:32:07,367 --> 00:32:08,826 and this is a very famous painting 647 00:32:08,909 --> 00:32:11,242 called "Police Gazette," 648 00:32:11,325 --> 00:32:13,325 which is a de Kooning from 1955. 649 00:32:13,409 --> 00:32:14,492 - Wasn't that de Kooning 650 00:32:14,575 --> 00:32:16,075 in the Scull auction? - Right. 651 00:32:16,158 --> 00:32:18,492 A very important defining event in the birth of 652 00:32:18,575 --> 00:32:20,325 the contemporary art market as we know it 653 00:32:20,409 --> 00:32:22,033 was the Scull sale. 654 00:32:22,117 --> 00:32:23,492 Robert Scull, who was 655 00:32:23,575 --> 00:32:25,701 a player in the New York art world 656 00:32:25,784 --> 00:32:27,992 in the '60s and '70s... he was sort of like 657 00:32:28,075 --> 00:32:30,450 an original financier in the art market... 658 00:32:30,534 --> 00:32:33,992 decided to do a sale from his collection of living artists. 659 00:32:34,075 --> 00:32:35,677 - How are you, baby? - All right, darling. 660 00:32:35,701 --> 00:32:37,784 How's everything? 661 00:32:37,867 --> 00:32:40,075 - Record numbers of art dealers, collectors, 662 00:32:40,158 --> 00:32:42,867 and connoisseurs filed into the Parke-Bernet Gallery 663 00:32:42,951 --> 00:32:45,617 for what was billed as the most important auction 664 00:32:45,701 --> 00:32:47,909 of post-World War II American art, 665 00:32:47,992 --> 00:32:50,075 all from the collection of taxi fleet owner 666 00:32:50,158 --> 00:32:52,909 Robert Scull and his wife, Ethel. 667 00:32:52,992 --> 00:32:54,617 - Robert Scull was the personage, 668 00:32:54,701 --> 00:32:56,242 and everybody talked about him. 669 00:32:56,325 --> 00:32:58,867 He was a guy that... he was a bargain hunter, 670 00:32:58,951 --> 00:33:00,659 that he wanted to always bypass 671 00:33:00,742 --> 00:33:02,492 the dealers and start doing 672 00:33:02,575 --> 00:33:04,492 business with the artists directly. 673 00:33:04,575 --> 00:33:06,742 - I'm... I think it would do some good, Leo. 674 00:33:06,826 --> 00:33:08,534 I think it's going to be... - Yes, sure. 675 00:33:08,617 --> 00:33:12,033 - He was a rainmaker in the art world, in that sense, 676 00:33:12,117 --> 00:33:16,575 where people that respected him decided that 677 00:33:16,659 --> 00:33:20,117 if he liked something, it was worth liking. 678 00:33:20,200 --> 00:33:22,242 I mean, we're lemmings. 679 00:33:22,325 --> 00:33:24,325 In the art world, there's a lot of followers. 680 00:33:24,409 --> 00:33:27,325 A few leaders and a lot of followers. 681 00:33:27,409 --> 00:33:31,158 And... which is okay if you follow the right leader. 682 00:33:33,534 --> 00:33:35,742 - When your husband would come home with some of these, 683 00:33:35,826 --> 00:33:38,409 uh, peculiar things, didn't all your friends 684 00:33:38,492 --> 00:33:40,468 laugh at you and think you were crazy to have them? 685 00:33:40,492 --> 00:33:42,575 - Yes, they... they considered us freaks. 686 00:33:42,659 --> 00:33:43,968 You know, we were always pointed at. 687 00:33:43,992 --> 00:33:45,659 The museum, at dinner parties. 688 00:33:45,742 --> 00:33:46,909 You know, "Those two people, 689 00:33:46,992 --> 00:33:48,742 they collect that terrible art," 690 00:33:48,826 --> 00:33:51,242 you know, and we just ignored them. 691 00:33:51,325 --> 00:33:53,617 - Ownership is involvement. 692 00:33:53,701 --> 00:33:56,534 Ownership is... acquisition is involvement. 693 00:33:56,617 --> 00:33:59,617 And with art, it's probably the most, uh, 694 00:33:59,701 --> 00:34:01,367 exciting kind of involvement. 695 00:34:01,450 --> 00:34:06,117 Of course, owning a nice share of IBM is an involvement too. 696 00:34:07,701 --> 00:34:09,492 That Poons, you've never seen it. 697 00:34:09,575 --> 00:34:11,951 That Poons I bought, I don't think you remember it. 698 00:34:12,033 --> 00:34:13,158 Excuse me. 699 00:34:14,534 --> 00:34:15,867 That Poons knocked me out. 700 00:34:15,951 --> 00:34:17,343 I've never seen it stretched since the... 701 00:34:17,367 --> 00:34:18,510 I bought it. - You're kidding. 702 00:34:18,534 --> 00:34:19,909 - No. - Oh. 703 00:34:19,992 --> 00:34:22,242 - I had never been to an art auction. 704 00:34:22,325 --> 00:34:24,117 In fact, I've only been to one, 705 00:34:24,200 --> 00:34:26,283 which was the Scull auction. 706 00:34:26,367 --> 00:34:27,617 I just couldn't believe this. 707 00:34:27,701 --> 00:34:29,742 I mean, it was, uh... the idea that 708 00:34:29,826 --> 00:34:31,450 art was being put on the auction block 709 00:34:31,534 --> 00:34:32,701 like a piece of meat. 710 00:34:32,784 --> 00:34:34,617 It was just extraordinary to me. 711 00:34:34,701 --> 00:34:37,075 I mean, this auction had very high prices 712 00:34:37,158 --> 00:34:39,450 for the first time for contemporary art. 713 00:34:39,534 --> 00:34:42,409 And I remember that Rauschenberg was there. 714 00:34:42,492 --> 00:34:46,701 Uh, and he, uh... he was really incensed, 715 00:34:46,784 --> 00:34:48,534 because the artists got nothing out of this. 716 00:34:48,617 --> 00:34:51,325 The artists got the $600 they were paid in the first place. 717 00:34:51,409 --> 00:34:53,242 It was totally p... totally, totally, 718 00:34:53,325 --> 00:34:54,701 totally pivotal moment. 719 00:34:54,784 --> 00:34:56,367 Suddenly there was the realization 720 00:34:56,450 --> 00:34:57,909 because of the prices 721 00:34:57,992 --> 00:35:01,033 that these works of art by living artists got 722 00:35:01,117 --> 00:35:05,409 that you could make money by buying low and selling high. 723 00:35:12,742 --> 00:35:18,617 - ♪ Reset your soul remind your mind ♪ 724 00:35:20,450 --> 00:35:24,450 ♪ You just keep searching for signs ♪ 725 00:35:27,951 --> 00:35:31,367 - ♪ You will find ♪ 726 00:35:31,450 --> 00:35:32,951 ♪ All in time ♪ 727 00:35:33,033 --> 00:35:35,659 - $135,000... 728 00:35:35,742 --> 00:35:37,909 $130,000. Now 180. 729 00:35:37,992 --> 00:35:39,367 At 180,000. 730 00:35:39,450 --> 00:35:41,534 Sold, 200,000... 731 00:35:43,575 --> 00:35:44,909 - I have been crying. 732 00:35:44,992 --> 00:35:48,033 - Robert Rauschenberg. Let's go. 733 00:35:48,117 --> 00:35:50,701 - For Christ's sake, you didn't even send me flowers. 734 00:35:50,784 --> 00:35:52,742 - Send you flowers? Nothing happened to you. 735 00:35:52,826 --> 00:35:54,409 - Or something. - Where, for what? 736 00:35:54,492 --> 00:35:57,575 I should have anyway. - There was a great markup. 737 00:35:57,659 --> 00:35:59,492 - You're right, you're right, you're right. 738 00:35:59,575 --> 00:36:02,242 - I've been working my ass off for you to make that profit? 739 00:36:02,325 --> 00:36:04,534 - How about yours that you're going to sell now? 740 00:36:04,617 --> 00:36:07,617 I've been working for you too. We work for each other. 741 00:36:08,534 --> 00:36:10,575 - Okay, let's make a deal. - Oh, stopped you cold. 742 00:36:17,951 --> 00:36:22,075 - These are still around. Jim Dine, di Suvero, Guston, 743 00:36:22,158 --> 00:36:23,992 and Johns. 744 00:36:25,242 --> 00:36:28,575 Franz Kline. "Target." 745 00:36:28,659 --> 00:36:32,534 There it is. $125,000. 746 00:36:32,617 --> 00:36:35,909 The surface is to die for, because it has everything. 747 00:36:35,992 --> 00:36:39,992 It has sprittzing. It has all the collage stuff. 748 00:36:40,075 --> 00:36:42,033 Very rich. I bought it for ten. 749 00:36:42,117 --> 00:36:44,117 - For 10 million in '97? - Yeah. 750 00:36:44,200 --> 00:36:46,283 - And what would this piece be worth now? 751 00:36:46,367 --> 00:36:48,367 - $100 million. 752 00:36:48,450 --> 00:36:50,283 - Seems crazy amount of money. 753 00:36:50,367 --> 00:36:52,325 - Seems like a crazy amount of money. 754 00:36:52,409 --> 00:36:54,450 - Do you think it's worth it? - Well, let's see. 755 00:36:54,534 --> 00:36:56,951 The stretcher is probably worth 80 bucks. 756 00:36:58,283 --> 00:36:59,951 And we have some high-quality canvas. 757 00:37:00,033 --> 00:37:04,075 I don't know about the cost of the paints. 758 00:37:04,158 --> 00:37:07,784 There's a lot of people that 759 00:37:07,867 --> 00:37:11,450 know the price of everything and the value of nothing. 760 00:37:14,450 --> 00:37:18,200 So apply that. 761 00:37:18,283 --> 00:37:23,158 Let's see, one of the early purchases was an Oldenburg. 762 00:37:23,242 --> 00:37:26,409 Poons. Don't see much Poons anymore. 763 00:37:26,492 --> 00:37:28,075 - What... what happened to Poons? 764 00:37:28,158 --> 00:37:32,158 - He slipped off. He slipped off the ledge. 765 00:37:34,409 --> 00:37:37,909 And just for whatever reason. 766 00:37:40,367 --> 00:37:44,075 The art world is capricious 767 00:37:44,158 --> 00:37:46,450 and not clear as to 768 00:37:46,534 --> 00:37:50,325 what the reasons are for some artists losing traction 769 00:37:50,409 --> 00:37:55,867 and others, uh, sailing into the sky. 770 00:38:11,534 --> 00:38:14,742 - I was in that group. 771 00:38:14,826 --> 00:38:20,033 My dot pictures were in that group of the '60s 772 00:38:20,117 --> 00:38:22,325 that were recognized. 773 00:38:22,409 --> 00:38:25,200 You know, made me one of the boys. 774 00:38:25,283 --> 00:38:28,033 I mean, Jasper sold his first paintings for about 775 00:38:28,117 --> 00:38:29,701 what I was selling my first paintings. 776 00:38:29,784 --> 00:38:32,450 You know, $1,000 was big deal. 777 00:38:32,534 --> 00:38:34,200 - You showed with Leo Castelli, right? 778 00:38:34,283 --> 00:38:35,367 And he was... - Sure, sure. 779 00:38:35,450 --> 00:38:36,909 I moved up from the Green Gallery 780 00:38:36,992 --> 00:38:39,534 to Leo Castelli's gallery when the Green Gallery closed. 781 00:38:39,617 --> 00:38:41,033 Sure. - Mm-hmm. 782 00:38:41,117 --> 00:38:45,659 - But then all this success, all this, like, sameness 783 00:38:45,784 --> 00:38:49,325 at the time finally began to look like sameness. 784 00:38:51,492 --> 00:38:52,951 I said to a guy in a gallery 785 00:38:53,033 --> 00:38:55,075 when I had a show, like, in the works, 786 00:38:55,158 --> 00:38:56,784 I asked him, 787 00:38:56,826 --> 00:38:59,325 "What do you think I should do, you know?" 788 00:38:59,450 --> 00:39:01,659 "You know, give me some advice." 789 00:39:01,784 --> 00:39:05,951 And what he said to me, he didn't mean. 790 00:39:06,033 --> 00:39:07,553 But what it meant to me, I'll tell you. 791 00:39:07,659 --> 00:39:09,992 He said to me, "Oh, you don't have to worry about that. 792 00:39:10,075 --> 00:39:11,617 You're Poons." 793 00:39:11,659 --> 00:39:14,367 And that repelled me. 794 00:39:14,450 --> 00:39:16,075 You see what I mean? 795 00:39:16,158 --> 00:39:18,158 That to me meant, "Oh, you mean I should just 796 00:39:18,242 --> 00:39:20,784 paint the same way I've been painting." 797 00:39:20,867 --> 00:39:21,909 Yeah. 798 00:39:24,951 --> 00:39:27,033 I... I didn't know what I was looking for, 799 00:39:27,117 --> 00:39:29,951 but I knew that isn't what I wanted to be. 800 00:39:30,075 --> 00:39:34,158 You know, I mean, I... I wanted more. 801 00:39:34,242 --> 00:39:37,826 You know, I wanted to be... 802 00:39:37,909 --> 00:39:40,951 you know, Beethoven. 803 00:39:44,659 --> 00:39:46,575 The thing that I'm certain of... 804 00:39:48,492 --> 00:39:50,033 I don't think I'd be alive today 805 00:39:50,117 --> 00:39:53,951 if I had gotten rich back then. 806 00:39:59,367 --> 00:40:02,242 - I love Larry Poons. 807 00:40:02,325 --> 00:40:04,784 I got to sit next to him. 808 00:40:04,867 --> 00:40:07,158 It was the opening of the Frank Stella show 809 00:40:07,242 --> 00:40:09,575 at the Whitney, and he was one of my... 810 00:40:09,659 --> 00:40:11,826 he was on one side of me. 811 00:40:11,909 --> 00:40:17,075 And I said to him, I said, "Oh, Larry Poons. 812 00:40:17,158 --> 00:40:21,534 You were one of my favorite painters for a while." 813 00:40:21,617 --> 00:40:24,534 And he thought that was funny, I guess. 814 00:40:24,617 --> 00:40:26,909 He thought it was funny. 815 00:40:27,534 --> 00:40:30,409 Most of the artists that I've shown from the beginning 816 00:40:30,492 --> 00:40:33,075 have gotten very expensive. 817 00:40:33,158 --> 00:40:36,867 And there's a lot more money in selling something 818 00:40:36,951 --> 00:40:40,075 the second or third time, usually, than the first time. 819 00:40:40,158 --> 00:40:45,409 I sold my first Jeff Koons at $700 to the Rubells. 820 00:40:45,492 --> 00:40:47,784 - Tell me a little bit about Jeff Koons. 821 00:40:47,867 --> 00:40:50,867 - He's a wonderful guy. Wonderful. 822 00:40:50,951 --> 00:40:54,826 His studio was above the old Barneys, 823 00:40:54,909 --> 00:40:57,242 you know, on 17th and 7th. 824 00:40:57,325 --> 00:41:00,325 It was amazing to go into this room 'cause it was covered 825 00:41:00,409 --> 00:41:04,409 with these plastic mirrors, and then he had Velcro 826 00:41:04,492 --> 00:41:08,075 and these inflatable toys stuck to the mirrors. 827 00:41:08,158 --> 00:41:12,909 And this is, like, 1978. 828 00:41:12,992 --> 00:41:15,617 He starts talking to me like, "Well, you know, 829 00:41:15,701 --> 00:41:19,367 you have to have... everything has to be new." 830 00:41:19,450 --> 00:41:22,534 Like, you know, like, when they have cereal, 831 00:41:22,617 --> 00:41:23,909 they don't change the cereal. 832 00:41:23,992 --> 00:41:25,659 They just put "new" on it. 833 00:41:25,742 --> 00:41:27,701 So this is the new. 834 00:41:27,784 --> 00:41:32,659 And it foreshadows a lot of the whole thing about branding 835 00:41:32,742 --> 00:41:35,784 and what people attribute to Andy Warhol. 836 00:41:35,867 --> 00:41:38,158 Jeff knew all of that just by instinct. 837 00:41:38,242 --> 00:41:39,909 - And he probably would have created... 838 00:41:39,992 --> 00:41:42,826 - Around '79, '80, all these people 839 00:41:42,909 --> 00:41:45,117 would say to me, "Hey, have you met Jeff Koons? 840 00:41:45,200 --> 00:41:48,492 You've gotta meet Jeff Koons. He works on Wall Street." 841 00:41:48,575 --> 00:41:50,617 Of course, Jeff was working in a bucket shop, 842 00:41:50,701 --> 00:41:53,117 like, out of "The Wolf of Wall Street." 843 00:41:53,200 --> 00:41:58,283 So someone told me the story that one of the legends 844 00:41:58,367 --> 00:42:02,200 of Wall Street comes in one day, 845 00:42:02,283 --> 00:42:06,450 and all the salesmen are enthralled. 846 00:42:06,534 --> 00:42:08,867 You know, "You're amazing." 847 00:42:08,951 --> 00:42:11,200 And this guy says, "You think I'm good? 848 00:42:11,283 --> 00:42:13,784 Wait till you see this guy, Koons." 849 00:42:13,867 --> 00:42:16,450 - You mailed in my company a postcard a few weeks back 850 00:42:16,534 --> 00:42:18,200 requesting information on penny stocks 851 00:42:18,283 --> 00:42:20,450 that had huge upside potential with very little... 852 00:42:20,534 --> 00:42:22,158 - Jeff gets on the phone, 853 00:42:22,242 --> 00:42:24,242 and they're listening to him. 854 00:42:24,325 --> 00:42:25,784 - It is perhaps the best thing 855 00:42:25,867 --> 00:42:27,492 I've seen in the last six months. 856 00:42:27,575 --> 00:42:29,117 - And everything stops, 857 00:42:29,200 --> 00:42:32,117 and they watch Jeff Koons, 858 00:42:32,200 --> 00:42:35,158 in one phone session, 859 00:42:35,242 --> 00:42:39,367 go from getting the lead, softening him up, 860 00:42:39,450 --> 00:42:42,784 and closing it in one conversation. 861 00:42:42,867 --> 00:42:46,909 They were just in awe. They'd never seen this before. 862 00:42:51,075 --> 00:42:52,742 - How'd you fucking do that? 863 00:42:52,826 --> 00:42:56,075 - This natural American salesmanship 864 00:42:56,158 --> 00:42:58,534 infuses everything he does. 865 00:42:58,617 --> 00:43:02,117 - You know, the first time we were asked to, um, 866 00:43:02,200 --> 00:43:04,409 to guarantee a Jeff Koons work, 867 00:43:04,492 --> 00:43:06,534 they said, "Well, you know, it's an addition of four 868 00:43:06,617 --> 00:43:08,742 with an artist proof." And I said, "What do you mean? 869 00:43:08,826 --> 00:43:10,575 There are five of these things?" 870 00:43:10,659 --> 00:43:14,409 And surely that should reduce the value of this work of art. 871 00:43:14,492 --> 00:43:16,534 But, in fact, it's completely the opposite. 872 00:43:16,617 --> 00:43:21,200 I mean, actually made it more desirable in the marketplace. 873 00:43:21,283 --> 00:43:23,867 He was also the first artist that I became aware of 874 00:43:23,951 --> 00:43:25,701 that there was a sort of futures market, 875 00:43:25,784 --> 00:43:30,200 that he would sell you something that he hadn't made 876 00:43:30,283 --> 00:43:34,200 for three years' time, at a price, 877 00:43:34,283 --> 00:43:38,158 and then that... that promise became traded. 878 00:43:48,325 --> 00:43:50,701 - Blah, blah, blah, blah. 879 00:43:50,784 --> 00:43:52,117 Let's go. 880 00:43:56,742 --> 00:43:59,117 So, what would you like from me? 881 00:43:59,200 --> 00:44:01,867 - Uh, really, for one, we just wanted to show it to you. 882 00:44:01,951 --> 00:44:05,659 Also just to find out, is it a finished work of art? 883 00:44:05,742 --> 00:44:09,742 - I didn't bother to paint on it anymore, 884 00:44:09,826 --> 00:44:12,117 and for some reason, it was discarded. 885 00:44:12,200 --> 00:44:13,367 - Hmm. 886 00:44:13,450 --> 00:44:14,770 Well, I'm a huge fan of your work, 887 00:44:14,826 --> 00:44:16,534 particularly your early minimal work, 888 00:44:16,617 --> 00:44:18,784 so I was so excited when I saw the picture. 889 00:44:18,867 --> 00:44:21,158 It was only when it arrived here that we thought 890 00:44:21,242 --> 00:44:22,617 it wasn't quite right. 891 00:44:22,701 --> 00:44:25,492 - You see, when I stopped painting dots like that... 892 00:44:25,575 --> 00:44:27,659 - Uh-huh. - Or paintings like that, 893 00:44:27,742 --> 00:44:30,534 you know, all my old friends, they stopped talking to me 894 00:44:30,617 --> 00:44:32,117 'cause I... I changed. 895 00:44:32,200 --> 00:44:34,659 The only guy who stood up was Frank Stella. 896 00:44:34,742 --> 00:44:35,992 - Interesting. 897 00:44:36,075 --> 00:44:39,617 - Yeah, he... he was all for it. - Yeah. 898 00:44:39,701 --> 00:44:42,617 It's pretty amazing how art meant that much to people 899 00:44:42,701 --> 00:44:45,492 in a way that I don't think is the case today. 900 00:44:45,575 --> 00:44:46,659 You never hear about... 901 00:44:46,742 --> 00:44:48,283 - How do you mean, "meant so much"? 902 00:44:48,367 --> 00:44:51,283 - Well, the fact that artists cared so much 903 00:44:51,367 --> 00:44:53,992 about what they did and what people are creating 904 00:44:54,075 --> 00:44:56,909 that, if a style changed, they would consider it 905 00:44:56,992 --> 00:44:58,510 betrayal, and they would stop talking to you, you know... 906 00:44:58,534 --> 00:45:00,009 - Well, no, wait, wait, it's a betrayal 907 00:45:00,033 --> 00:45:02,784 of the career charisma. 908 00:45:02,867 --> 00:45:06,784 "You're doing this for a career, buddy," you know? 909 00:45:06,867 --> 00:45:09,826 And that was easy, you know, for me to deal with 910 00:45:09,909 --> 00:45:11,409 because I wanted to be like 911 00:45:11,492 --> 00:45:13,325 Mozart or Beethoven, you know? 912 00:45:13,409 --> 00:45:15,826 The first piece ain't looking like the last piece. 913 00:45:15,909 --> 00:45:22,450 I didn't wanna paint like that, you know, forever. 914 00:45:24,659 --> 00:45:26,992 - Can I ask one request of you? - Sure. 915 00:45:27,075 --> 00:45:28,617 - Can I take a picture with you? 916 00:45:28,701 --> 00:45:29,951 - Sure. 917 00:45:30,033 --> 00:45:32,617 - You are one of my, uh, artistic heroes. 918 00:45:32,701 --> 00:45:33,992 - Really? 919 00:45:34,075 --> 00:45:36,200 But you said you only like the early stuff. 920 00:45:36,283 --> 00:45:39,659 - No, no, I like the early stuff best because I just... 921 00:45:39,742 --> 00:45:41,033 that's my aesthetic, but no, 922 00:45:41,117 --> 00:45:42,826 I love your later paintings. Absolutely. 923 00:45:42,909 --> 00:45:44,367 - It's okay. - No, I really do. 924 00:45:44,450 --> 00:45:46,117 - That's all right. 925 00:45:46,575 --> 00:45:48,534 - I also ride a motorcycle. - Oh, yeah? 926 00:45:48,617 --> 00:45:49,659 - So, um... - What kind? 927 00:45:49,742 --> 00:45:51,325 - Uh, it's a Yamaha Road Star. 928 00:45:51,409 --> 00:45:54,867 It's 1700 CC, so yeah, it's like a Harley wannabe. 929 00:45:54,951 --> 00:45:56,867 - Right, how long you been riding? 930 00:45:56,951 --> 00:45:59,283 - Uh, since high school. - Me too. 931 00:46:25,575 --> 00:46:27,534 - Hi, Larry. It's Dennis Yares. 932 00:46:27,617 --> 00:46:29,551 Uh, could you give me a call when you have the chance? 933 00:46:29,575 --> 00:46:32,075 I'd like to set up a time for me to come to the studio 934 00:46:32,158 --> 00:46:33,534 so we can look at the paintings 935 00:46:33,617 --> 00:46:35,242 for the New York exhibition. 936 00:46:35,325 --> 00:46:37,784 Take care, bye. 937 00:46:40,200 --> 00:46:44,325 - Larry has the capacity to destroy his market constantly. 938 00:46:44,409 --> 00:46:46,450 And he's very... he's, like, a genius at that. 939 00:46:48,283 --> 00:46:51,075 And, of course, you know Larry's deaf. 940 00:46:51,158 --> 00:46:53,118 Occasionally, he remembers to put in hearing aids; 941 00:46:53,158 --> 00:46:55,409 usually not. 942 00:46:55,492 --> 00:46:57,492 And I said, "Well, Larry, I guess, 943 00:46:57,575 --> 00:46:58,992 "you know, you can choose. 944 00:46:59,075 --> 00:47:00,909 "You could be either Beethoven or Goya. 945 00:47:00,992 --> 00:47:03,659 They were both deaf." 946 00:47:03,742 --> 00:47:05,409 And... and Larry's been living on the edge 947 00:47:05,492 --> 00:47:07,367 for I don't know how long. Nothing's happening. 948 00:47:07,450 --> 00:47:09,575 Nothing's happening, and all of a sudden, 949 00:47:09,659 --> 00:47:12,909 people are looking for his paintings. 950 00:47:12,992 --> 00:47:15,784 And it's kind of weird, um, because you know 951 00:47:15,867 --> 00:47:17,867 they do a calculation. It's sick. 952 00:47:17,951 --> 00:47:19,591 Uh, and the calculation is, who's the most 953 00:47:19,659 --> 00:47:20,951 undervalued painter? 954 00:47:21,033 --> 00:47:23,200 'Cause it's a stock market calculation. 955 00:47:23,283 --> 00:47:28,200 It's a completely perverse, uh, and upside-down art world. 956 00:48:02,909 --> 00:48:04,117 - These ones? 957 00:48:10,575 --> 00:48:13,325 - So these... this was your return to painting right here? 958 00:48:13,409 --> 00:48:15,242 - Yeah, yeah, yeah. Absolutely. 959 00:48:15,325 --> 00:48:17,283 - What about when these paintings suddenly 960 00:48:17,367 --> 00:48:20,450 come up at an auction, and you see people... 961 00:48:25,951 --> 00:48:27,033 - Yeah. 962 00:48:43,784 --> 00:48:44,909 - Mm-hmm. 963 00:48:51,367 --> 00:48:52,450 - Yeah. 964 00:48:57,325 --> 00:48:58,534 Okay. 965 00:49:04,200 --> 00:49:06,367 - Do you have any sense of what value 966 00:49:06,450 --> 00:49:07,701 you'll put on these? 967 00:49:07,784 --> 00:49:09,409 - 20 to 30 million each. 968 00:49:09,492 --> 00:49:11,452 - What is it that makes a Gerhard Richter painting 969 00:49:11,492 --> 00:49:13,283 worth 10 million, 20 million? 970 00:49:13,367 --> 00:49:16,075 - Quality. Rarity. 971 00:49:16,158 --> 00:49:18,575 The confirmation and consensus that that is 972 00:49:18,659 --> 00:49:20,867 a particularly excellent work by 973 00:49:20,951 --> 00:49:25,117 curators, market people, critics, et cetera. 974 00:49:25,200 --> 00:49:27,575 I mean, there's a reasonable consensus among varying people. 975 00:49:27,659 --> 00:49:29,867 Listen, great things tell you they're great. 976 00:49:29,951 --> 00:49:31,635 I mean, when you see something really great, 977 00:49:31,659 --> 00:49:32,867 everybody knows it. 978 00:49:32,951 --> 00:49:34,826 Even laypeople can feel something. 979 00:49:34,909 --> 00:49:36,385 - When you have a picture like this... 980 00:49:36,409 --> 00:49:38,075 - Yeah. - Do you hope it finds 981 00:49:38,158 --> 00:49:41,200 the world of somebody who will be able to live up to that? 982 00:49:41,283 --> 00:49:43,242 - I try not to get, like, into that part of it, 983 00:49:43,325 --> 00:49:45,951 'cause, like, I don't really... - You can't decide. 984 00:49:46,033 --> 00:49:48,450 There's some... within your question is 985 00:49:48,534 --> 00:49:50,909 a moral qualifier about are good people... 986 00:49:50,992 --> 00:49:52,718 are there good people or bad people in the world, 987 00:49:52,742 --> 00:49:54,422 and don't you hope a good person gets this? 988 00:49:54,492 --> 00:49:55,784 - I know what Richter wants. 989 00:49:55,867 --> 00:49:57,343 I mean, there's what he said he wants. 990 00:49:57,367 --> 00:49:59,051 - He wants people who are deeply moved by them 991 00:49:59,075 --> 00:50:00,367 to live with them and love them? 992 00:50:00,450 --> 00:50:02,659 - He wants museums. - Museums. 993 00:50:02,742 --> 00:50:03,909 Oh. 994 00:50:04,826 --> 00:50:06,450 I mean, museums are great. We love them. 995 00:50:06,534 --> 00:50:09,075 But they're also... 996 00:50:09,158 --> 00:50:11,176 I mean, if they have too many, they'll never come upstairs 997 00:50:11,200 --> 00:50:13,701 and see the light of day. So then it's like a cemetery. 998 00:50:13,784 --> 00:50:15,951 Why do you want your things in a cemetery? 999 00:50:16,033 --> 00:50:19,075 You know, they're buried underground somewhere. 1000 00:50:19,158 --> 00:50:20,951 So museums for him, that's just 1001 00:50:21,033 --> 00:50:22,742 a very socialist democratic way, 1002 00:50:22,826 --> 00:50:27,367 like, of avoiding... 1003 00:50:27,450 --> 00:50:31,033 having to deal with, like... 1004 00:50:31,117 --> 00:50:32,826 rich people who want them. 1005 00:50:32,909 --> 00:50:35,158 - What's the sort of estimate for the total sale? 1006 00:50:35,242 --> 00:50:37,075 - Like, $100 million. 1007 00:50:38,075 --> 00:50:39,909 - And is the Ames a large portion? 1008 00:50:39,992 --> 00:50:42,075 - No, no, that's the Ames. - That's just the Ames? 1009 00:50:42,158 --> 00:50:44,951 - Yeah, the sale will be much bigger than that. 1010 00:50:54,784 --> 00:50:56,492 - Oh, thanks. - You're welcome. 1011 00:51:07,367 --> 00:51:10,283 - I really resent that so much of this work 1012 00:51:10,367 --> 00:51:13,242 wishes to define all of life as 1013 00:51:13,325 --> 00:51:17,909 a glittering compromise with commerce. 1014 00:51:27,784 --> 00:51:31,575 So, what is it? A diamond from the sky? 1015 00:51:42,659 --> 00:51:46,117 The perfection of this is what I resist. 1016 00:51:47,575 --> 00:51:50,575 The work is pristine, but makes me think 1017 00:51:50,659 --> 00:51:55,617 it's made by someone who has the grime of the newspaper... 1018 00:51:55,701 --> 00:52:00,575 the business section... the, um, stock printouts, um, 1019 00:52:00,659 --> 00:52:03,992 on his fingers and wears that as testimony to 1020 00:52:04,075 --> 00:52:07,367 his involvement in a real world that I will never know. 1021 00:52:08,492 --> 00:52:11,242 It would be easy for me to hurry back to Rembrandt 1022 00:52:11,325 --> 00:52:14,575 or Vermeer and live in my pocket or pillow 1023 00:52:14,659 --> 00:52:19,409 of beautiful, invisible, rarified self-reflection 1024 00:52:19,492 --> 00:52:21,409 and share that with a few other souls, 1025 00:52:21,492 --> 00:52:25,742 but those days, this sculpture wants to say, are over. 1026 00:52:25,826 --> 00:52:27,492 You know how it makes me feel? 1027 00:52:27,575 --> 00:52:30,534 I feel like I'm in one of those old Ray Harryhausen 1028 00:52:30,617 --> 00:52:33,575 adventure movies from the '60s like "Sinbad" 1029 00:52:33,659 --> 00:52:35,367 or "Jason and the Argonauts." 1030 00:52:35,450 --> 00:52:38,242 And I'm... I'm like Jason and this is one of the beasts, 1031 00:52:38,325 --> 00:52:40,742 the sort of momentous mythical creatures that 1032 00:52:40,826 --> 00:52:42,992 I've been called upon to slay. 1033 00:52:43,075 --> 00:52:45,951 But when the scene is over, this thing gets 1034 00:52:46,033 --> 00:52:50,158 the star's bathrobe and flies to its private island 1035 00:52:50,242 --> 00:52:52,117 and I, uh... 1036 00:52:52,200 --> 00:52:56,242 I'll go have a chicken sandwich at my picnic table. 1037 00:52:56,325 --> 00:53:00,283 And I guess all I'm saying is, uh, I surrender the keys, 1038 00:53:00,367 --> 00:53:01,951 but I don't give up. 1039 00:53:11,742 --> 00:53:15,283 - What is fascinating is that while the art market overall 1040 00:53:15,367 --> 00:53:18,450 goes up and will continue, of course, to go up, 1041 00:53:18,534 --> 00:53:21,409 taste changes constantly. 1042 00:53:21,492 --> 00:53:23,575 Even the way we look at old masters, 1043 00:53:23,659 --> 00:53:26,450 taste is constantly evolving and moving on. 1044 00:53:26,534 --> 00:53:30,325 And I can definitely tell you what we consider today 1045 00:53:30,409 --> 00:53:34,242 to be the most important and the most expensive 1046 00:53:34,325 --> 00:53:37,033 will not be so considered in 50 years from now. 1047 00:53:39,492 --> 00:53:41,867 - I remember the first time I saw one of 1048 00:53:41,951 --> 00:53:44,117 those extraordinary formaldehyde pieces 1049 00:53:44,200 --> 00:53:45,492 of Damien Hirst. 1050 00:53:45,575 --> 00:53:47,701 It was the Sensation exhibition. 1051 00:53:49,909 --> 00:53:52,075 The Chris Ofili Virgin Mary, 1052 00:53:52,158 --> 00:53:55,033 the Marc Quinn blood-filled head, 1053 00:53:55,117 --> 00:53:56,659 the Tracey Emin tent. 1054 00:53:56,742 --> 00:53:59,409 It was all about a way of living now, you know, 1055 00:53:59,492 --> 00:54:02,951 and a confrontation with death. 1056 00:54:03,033 --> 00:54:08,367 When this new category of art was proposed to 1057 00:54:08,450 --> 00:54:10,617 the directors of Christie's, 1058 00:54:10,701 --> 00:54:11,909 there was a massive objection 1059 00:54:11,992 --> 00:54:13,575 from the people who worked there. 1060 00:54:13,659 --> 00:54:16,409 And, in fact, we were not allowed 1061 00:54:16,492 --> 00:54:18,867 to take the art into the Christie's building. 1062 00:54:21,492 --> 00:54:25,033 - Well, art is provocative. - It is provocative. 1063 00:54:25,117 --> 00:54:27,784 Should it always be? - No. 1064 00:54:28,659 --> 00:54:29,826 - But it often is. 1065 00:54:29,909 --> 00:54:33,117 - Art is different, and, uh, 1066 00:54:33,200 --> 00:54:34,742 we all have different tastes. 1067 00:54:34,826 --> 00:54:36,343 And now it's, of course, it's all about 1068 00:54:36,367 --> 00:54:39,075 conceptual art, so this is conceptual art. 1069 00:54:39,158 --> 00:54:42,409 And sometimes it's provocative. Sometimes it's beautiful. 1070 00:54:42,492 --> 00:54:44,200 Sometimes it's super dark. 1071 00:54:44,325 --> 00:54:46,617 A few of my friends have this piece, 1072 00:54:46,701 --> 00:54:49,158 and of course, in Russian tradition, 1073 00:54:49,242 --> 00:54:52,200 if a few people have it, everyone else must have it too. 1074 00:54:52,283 --> 00:54:53,992 It's a very, very popular piece. 1075 00:54:54,075 --> 00:54:55,325 Everyone loves it. 1076 00:54:56,492 --> 00:54:58,575 Shall we proceed? 1077 00:54:58,659 --> 00:55:01,909 So this is the first piece we ever collected. 1078 00:55:01,992 --> 00:55:03,242 Damien Hirst. 1079 00:55:03,325 --> 00:55:06,325 My husband gave to me for my birthday. 1080 00:55:06,409 --> 00:55:08,534 We were in Art Basel Miami, and we came there 1081 00:55:08,617 --> 00:55:09,784 just to have a good time. 1082 00:55:09,867 --> 00:55:11,107 When we walked through the fair, 1083 00:55:11,158 --> 00:55:13,784 I was completely bored. 1084 00:55:13,867 --> 00:55:15,909 And then I turned around and there was, like, 1085 00:55:15,992 --> 00:55:19,909 a piece of, um, pink... 1086 00:55:19,992 --> 00:55:23,117 pink oval on the wall 1087 00:55:23,200 --> 00:55:28,200 with butterflies on it, and it moved me so much. 1088 00:55:28,283 --> 00:55:30,951 So, so emotion. 1089 00:55:31,033 --> 00:55:37,450 And I said, like, "Wow." That's how it started. 1090 00:55:37,534 --> 00:55:40,117 - And that was a Damien Hirst? - That was a Damien Hirst. 1091 00:55:40,200 --> 00:55:41,617 I didn't know who it was. 1092 00:55:41,701 --> 00:55:43,021 - What moved you about it so much? 1093 00:55:43,075 --> 00:55:44,242 - Colors. 1094 00:55:44,325 --> 00:55:46,784 It was just so beautiful together. 1095 00:55:46,867 --> 00:55:48,033 I just... 1096 00:55:49,784 --> 00:55:51,617 - I bought this. It was in Venice. 1097 00:55:51,701 --> 00:55:53,242 It was 5 million when I bought it. 1098 00:55:53,325 --> 00:55:57,117 It's not worth that now. Damien's prices have gone down. 1099 00:55:57,200 --> 00:56:01,742 But I really wanted one of the pieces that he represented 1100 00:56:01,826 --> 00:56:04,158 as a breakthrough idea of having an animal 1101 00:56:04,242 --> 00:56:06,117 in formaldehyde, which is a big question mark. 1102 00:56:06,200 --> 00:56:07,742 Is it art? 1103 00:56:07,826 --> 00:56:10,158 But it's certainly fascinating, and I'd seen 1104 00:56:10,242 --> 00:56:12,200 a couple of his works before. 1105 00:56:12,283 --> 00:56:14,492 It was all sealed in, ready to go. 1106 00:56:14,575 --> 00:56:18,492 And there was snot coming out of the nose of the sheep. 1107 00:56:18,575 --> 00:56:20,867 It was just dripping... white stuff dripping out. 1108 00:56:20,951 --> 00:56:23,158 So I said, "Okay, we'll have to unseal it." 1109 00:56:23,242 --> 00:56:26,283 We emptied halfway out and we got it delivered here. 1110 00:56:26,367 --> 00:56:30,826 And then, for six months, I was grooming that sheep. 1111 00:56:30,909 --> 00:56:33,784 It's now at four years and nothing has come out, 1112 00:56:33,867 --> 00:56:34,951 so it's stable. 1113 00:56:35,033 --> 00:56:36,867 - It's done? - No, it's done. 1114 00:56:36,951 --> 00:56:39,242 There's nothing really... what you say... 1115 00:56:39,325 --> 00:56:40,575 conceptual about it. 1116 00:56:40,659 --> 00:56:43,575 I don't consider this conceptual art. 1117 00:56:43,659 --> 00:56:46,826 It's... these are real objects 1118 00:56:46,909 --> 00:56:49,951 that you can relate to as a real person. 1119 00:56:52,075 --> 00:56:54,367 This is a candle that you burn. 1120 00:56:54,450 --> 00:56:57,659 But once you start it, you have to keep burning it. 1121 00:56:57,742 --> 00:57:00,534 But when it's all burned down, you could recast it, 1122 00:57:00,617 --> 00:57:01,951 but it'd cost you money. 1123 00:57:02,784 --> 00:57:05,200 The first time I saw candle figures, 1124 00:57:05,283 --> 00:57:07,534 I said, "This is stupid. I mean, you know, 1125 00:57:07,617 --> 00:57:10,033 why would you destroy your own art?" 1126 00:57:10,117 --> 00:57:12,409 This is another one. - That's Fischer, too? 1127 00:57:12,492 --> 00:57:13,617 - That's Urs Fischer, yeah. 1128 00:57:13,701 --> 00:57:15,200 He built a whole house of bread. 1129 00:57:15,283 --> 00:57:17,701 A full-sized house made of loaves of bread. 1130 00:57:17,784 --> 00:57:19,659 Mm-hmm. 1131 00:57:19,742 --> 00:57:21,367 I don't know, is it art? 1132 00:57:21,450 --> 00:57:22,784 Go... ask me. 1133 00:57:22,867 --> 00:57:24,158 - Is it? - Is it? 1134 00:57:24,242 --> 00:57:26,909 - Is it art? - Well, it's not food. 1135 00:57:31,659 --> 00:57:34,242 - When Pollock finished his first drip painting, 1136 00:57:34,325 --> 00:57:38,409 he asked his wife, "Is this a painting?" 1137 00:57:38,492 --> 00:57:41,742 He made something that may not even fit 1138 00:57:41,826 --> 00:57:44,867 in the very large category we call art. 1139 00:57:44,951 --> 00:57:46,158 He didn't know. 1140 00:57:46,242 --> 00:57:48,033 The interesting thing about Pollock 1141 00:57:48,117 --> 00:57:51,409 is he only dripped for about 48 months. 1142 00:57:51,492 --> 00:57:54,826 I would ask any artist, any skeptic, any cynic, 1143 00:57:54,909 --> 00:57:58,784 if you invented fire, which Pollock did, 1144 00:57:58,867 --> 00:58:01,909 are you strong enough to stop making fire 1145 00:58:01,992 --> 00:58:06,242 and go back to Hell 48 months later, 1146 00:58:06,325 --> 00:58:11,575 go back to Hell and try to make something new again? 1147 00:58:11,659 --> 00:58:14,283 How many people have done that? 1148 00:58:14,367 --> 00:58:15,951 Pollock tried to change. 1149 00:58:16,033 --> 00:58:20,325 By 1956, he wrapped himself around a telephone pole 1150 00:58:20,409 --> 00:58:22,742 out on Springs, Long Island, 1151 00:58:22,826 --> 00:58:25,951 totally alcoholic in the car. 1152 00:58:32,367 --> 00:58:34,534 - You know, Keith Haring, he asked me once, 1153 00:58:34,617 --> 00:58:36,534 "What's more important, art or life?" 1154 00:58:36,617 --> 00:58:39,283 And I said, "It's a hard question. 1155 00:58:39,367 --> 00:58:40,951 "I mean, you know, we're in our 20s. 1156 00:58:41,033 --> 00:58:42,701 "At this age, I would say art, 1157 00:58:42,784 --> 00:58:45,033 because at least it lives forever." 1158 00:58:47,117 --> 00:58:49,909 These are oil sticks, but they're not really 1159 00:58:49,992 --> 00:58:52,701 the kind of sticks that Jean-Michel was working with. 1160 00:58:52,784 --> 00:58:54,992 - Basquiat? - Yeah, Basquiat. 1161 00:58:55,075 --> 00:58:56,409 - How'd you meet him? 1162 00:58:56,492 --> 00:58:57,843 - Uh, when I first got to New York, 1163 00:58:57,867 --> 00:59:01,784 the first guy I met was Jean-Michel. 1164 00:59:01,867 --> 00:59:05,492 It's a real tragedy that he died so young. 1165 00:59:05,575 --> 00:59:08,117 I love Jean-Michel's work, and, uh... 1166 00:59:08,200 --> 00:59:10,742 and I really... I really loved him. 1167 00:59:10,826 --> 00:59:13,826 The last time I saw him, he was in a very negative, 1168 00:59:13,909 --> 00:59:15,909 kind of depressed mood, and I said, "What's wrong?" 1169 00:59:15,992 --> 00:59:17,992 And he said, "I'm all washed up in this town." 1170 00:59:18,075 --> 00:59:19,826 Like a kind of Frank Sinatra line 1171 00:59:19,909 --> 00:59:21,325 or something, and, uh, something 1172 00:59:21,409 --> 00:59:22,468 he would write on a painting. 1173 00:59:22,492 --> 00:59:23,742 And I said, "Why? 1174 00:59:23,826 --> 00:59:25,106 What are you talking about, man?" 1175 00:59:25,158 --> 00:59:26,450 And he says, "Well, 1176 00:59:26,534 --> 00:59:28,009 nobody in this town wants to show me." 1177 00:59:28,033 --> 00:59:29,513 And I said, "What about Leo Castelli?" 1178 00:59:29,575 --> 00:59:30,885 I said, "You just..." You know, he said, "No. 1179 00:59:30,909 --> 00:59:32,450 Leo doesn't wanna show me." 1180 00:59:32,534 --> 00:59:34,218 I said, "What about this guy? What about that guy?" 1181 00:59:34,242 --> 00:59:36,575 And he said, "None of them want to show my work anymore. 1182 00:59:36,659 --> 00:59:39,826 Nobody's interested in showing my work." 1183 00:59:39,909 --> 00:59:42,117 I think that he felt he was the token black guy 1184 00:59:42,200 --> 00:59:45,117 that came out and, you know, was it really his art 1185 00:59:45,200 --> 00:59:48,117 they appreciated or was it the sort of fact that he was 1186 00:59:48,200 --> 00:59:50,242 African-American and that he had sort of 1187 00:59:50,325 --> 00:59:52,117 broken into the white system? 1188 00:59:58,867 --> 01:00:00,826 You know, like, that's the kind of subject 1189 01:00:00,909 --> 01:00:03,534 that takes you out of what you're painting. 1190 01:00:03,659 --> 01:00:06,367 It's just gonna cause, you know, 1191 01:00:06,492 --> 01:00:08,909 the painting to get all screwed up. 1192 01:00:13,492 --> 01:00:14,826 All right, you know what? 1193 01:00:14,909 --> 01:00:16,826 I've gotta get rid of this entire section 1194 01:00:16,909 --> 01:00:18,701 of the painting now. 1195 01:00:18,784 --> 01:00:20,826 - So when you see Jean-Michel's paintings 1196 01:00:20,909 --> 01:00:22,534 going last year for... - Yeah. 1197 01:00:22,659 --> 01:00:24,784 When you see them going for $50 million today, 1198 01:00:24,867 --> 01:00:26,909 it is sad. 1199 01:00:26,992 --> 01:00:28,867 The irony is that, if he were around, 1200 01:00:28,951 --> 01:00:32,450 who knows if they would sell for that kind of money. 1201 01:00:37,158 --> 01:00:41,033 - I've really never made any money until recently. 1202 01:00:41,117 --> 01:00:42,951 But I always got by. 1203 01:00:43,033 --> 01:00:45,617 If you have something to say, it will be seen. 1204 01:00:45,701 --> 01:00:49,158 You just might not be alive. That's the sucky part. 1205 01:00:49,242 --> 01:00:50,659 You might be old or dead. 1206 01:00:50,742 --> 01:00:52,951 And if you're female, you're bound to be old. 1207 01:00:53,033 --> 01:00:54,242 Or dead. 1208 01:01:03,575 --> 01:01:07,117 - So, on that deal, the client is interested 1209 01:01:07,200 --> 01:01:09,617 in taking it but wants to improve the deal a little, 1210 01:01:09,701 --> 01:01:10,742 the economics of the deal. 1211 01:01:10,826 --> 01:01:12,742 Can you get it a little higher? 1212 01:01:15,701 --> 01:01:17,992 - Do you have any sense of who might buy these paintings? 1213 01:01:18,075 --> 01:01:19,635 - I think about who would buy each of them. 1214 01:01:19,659 --> 01:01:21,992 If I didn't have people in my mind, 1215 01:01:22,075 --> 01:01:24,033 I would be ill-suited for this job. 1216 01:01:24,117 --> 01:01:25,927 So, you know, we have to think about that all the time. 1217 01:01:25,951 --> 01:01:28,867 Like, how commercial is it? Who's gonna buy it? 1218 01:01:28,951 --> 01:01:30,301 How... what are the factors of getting 1219 01:01:30,325 --> 01:01:33,283 that person to buy something? 1220 01:01:33,367 --> 01:01:37,826 - I'm no longer buying at auction, if I can help it. 1221 01:01:37,909 --> 01:01:39,367 - This is relatively new. - I'm done. 1222 01:01:39,450 --> 01:01:41,909 Yeah, relatively new. - It's relatively new. 1223 01:01:41,992 --> 01:01:43,752 He's in a phase. - With exceptions, you know. 1224 01:01:43,826 --> 01:01:45,617 - He's in a phase, Stefan. 1225 01:01:45,701 --> 01:01:47,009 Okay, what do I love in this sale? 1226 01:01:47,033 --> 01:01:49,242 I love... that, for me, is stunning. 1227 01:01:49,325 --> 01:01:50,534 - Yeah... - Stunning. 1228 01:01:50,617 --> 01:01:51,802 - Yeah, what do you get for that? 1229 01:01:51,826 --> 01:01:53,742 - 20 to 30. - Yeah, 20 to 30. 1230 01:01:53,826 --> 01:01:55,784 - Okay, now look at this one, Stef. 1231 01:01:55,867 --> 01:01:57,367 This is a good little picture. 1232 01:01:57,450 --> 01:01:58,909 - Red is always good. - Red. 1233 01:01:58,992 --> 01:02:01,951 - So the early rules: red is better than brown, 1234 01:02:02,033 --> 01:02:04,450 brown pictures are unsalable, 1235 01:02:04,534 --> 01:02:07,075 and don't buy any pictures with fish. 1236 01:02:07,158 --> 01:02:08,742 - Brown is hard. 1237 01:02:08,826 --> 01:02:10,117 Green is not always great. 1238 01:02:10,200 --> 01:02:11,325 De Koo... this is de Kooney 1239 01:02:11,409 --> 01:02:12,849 in front of the painting I'm selling. 1240 01:02:12,909 --> 01:02:13,909 - Ooh. 1241 01:02:13,992 --> 01:02:15,742 You don't have to be an art collector 1242 01:02:15,826 --> 01:02:16,968 to be able to buy a de Kooney. 1243 01:02:16,992 --> 01:02:18,534 You look at this and listen to her, 1244 01:02:18,617 --> 01:02:19,701 and pretty soon, you know, 1245 01:02:19,784 --> 01:02:21,283 "Okay, that's something I can buy." 1246 01:02:21,367 --> 01:02:25,158 Whether you need it or like it, it's a good investment. 1247 01:02:25,242 --> 01:02:29,033 And there's a lot of investment buyers out there. 1248 01:02:29,117 --> 01:02:30,575 - A lot. - A lot. 1249 01:02:30,659 --> 01:02:33,617 They have asset allocations, stocks, bonds, 1250 01:02:33,701 --> 01:02:35,242 art, real estate... - Right. 1251 01:02:35,325 --> 01:02:36,968 - That sort of stuff. - There's a lot of people... 1252 01:02:36,992 --> 01:02:39,075 - But you know why they're buying it. 1253 01:02:39,158 --> 01:02:42,075 Not because they have a passion for de Kooney. 1254 01:02:42,158 --> 01:02:44,051 - Well, passion is, like, hard to measure, always, you know... 1255 01:02:44,075 --> 01:02:47,075 - Oh, especially a lot of them end up in storage. 1256 01:02:47,158 --> 01:02:49,575 - Oh, that's crime, of course. We don't like that. 1257 01:02:49,659 --> 01:02:51,033 - I haven't seen much Jeff Koons 1258 01:02:51,117 --> 01:02:52,409 in any of the shows this fall. 1259 01:02:52,492 --> 01:02:54,075 - The real estate people 1260 01:02:54,158 --> 01:02:56,992 started thinking of Jeff Koons as lobby art. 1261 01:02:57,075 --> 01:02:58,534 - They did. I know. 1262 01:02:58,617 --> 01:03:01,117 I went to a meeting the other day at Astor Place, 1263 01:03:01,200 --> 01:03:02,659 and there's the swan. 1264 01:03:02,742 --> 01:03:04,367 The red swan is in the building. 1265 01:03:04,450 --> 01:03:06,117 - Yep. - That was a kiss of death. 1266 01:03:06,200 --> 01:03:07,800 - And this guy... and the guys in Florida 1267 01:03:07,867 --> 01:03:10,117 having the sitting ballerina. - Yeah. 1268 01:03:10,200 --> 01:03:12,367 - Yeah, that really is gonna hurt him. 1269 01:03:12,450 --> 01:03:14,117 - That's gonna hurt him. Lobby art. 1270 01:03:14,200 --> 01:03:15,510 - Lobby art. - Context is really key. 1271 01:03:15,534 --> 01:03:16,867 Like, if you see it in a lobby, 1272 01:03:16,951 --> 01:03:18,784 it just kind of disappears. - Yeah. 1273 01:03:18,867 --> 01:03:21,343 - And then you never get out of the lobby once you're in there. 1274 01:03:21,367 --> 01:03:22,450 - Yeah, yeah. 1275 01:03:27,534 --> 01:03:31,283 - What was the first piece that you fell in love with? 1276 01:03:31,367 --> 01:03:33,117 - Like, beyond something I made as a child 1277 01:03:33,200 --> 01:03:34,968 that I loved, or, you know, like, something that was 1278 01:03:34,992 --> 01:03:36,677 real art in that way? - Yeah, that you saw, yeah. 1279 01:03:36,701 --> 01:03:39,283 - My hometown museum has this Giacomo Balla painting 1280 01:03:39,367 --> 01:03:40,617 that's very famous. 1281 01:03:40,701 --> 01:03:43,784 And it's a dog... a little kind of, like, 1282 01:03:43,867 --> 01:03:45,867 long-haired dachshund, like, wagging it's tail 1283 01:03:45,951 --> 01:03:48,409 and, like, it's feet are going, and a woman's dress is moving. 1284 01:03:48,492 --> 01:03:49,701 And it's that movement, 1285 01:03:49,784 --> 01:03:51,367 that very futurist movement of Balla. 1286 01:03:51,450 --> 01:03:53,283 It's a famous picture. 1287 01:03:53,367 --> 01:03:54,951 Masterpiece, loved that. 1288 01:03:55,033 --> 01:03:56,617 I thought that was just so amazing. 1289 01:03:56,701 --> 01:03:57,843 Want me to show you a picture of it? 1290 01:03:57,867 --> 01:03:58,742 - Yeah. 1291 01:03:58,826 --> 01:04:00,033 - Super famous painting 1292 01:04:00,117 --> 01:04:01,593 at the Albright-Knox in Buffalo, New York. 1293 01:04:01,617 --> 01:04:03,218 It's such a masterpiece. I loved that painting. 1294 01:04:03,242 --> 01:04:04,575 Look at it, how great it is. 1295 01:04:04,659 --> 01:04:07,325 The dog's just magnificent. I happen to love dogs. 1296 01:04:07,409 --> 01:04:09,158 I wanna... I'm gonna screen-capture this 1297 01:04:09,242 --> 01:04:10,701 so I can look at it on bad days. 1298 01:04:10,784 --> 01:04:12,867 - It's great. - When I'm having a shitty day, 1299 01:04:12,951 --> 01:04:14,325 I'm gonna look at that painting. 1300 01:04:14,409 --> 01:04:15,701 That's great. 1301 01:04:20,242 --> 01:04:23,450 - I write about rich people. I'm a journalist, okay? 1302 01:04:23,534 --> 01:04:25,575 And I write novels and articles about rich people 1303 01:04:25,659 --> 01:04:27,385 all the time because I find them fascinating. 1304 01:04:27,409 --> 01:04:30,701 They're incredibly insecure and incredibly neurotic. 1305 01:04:30,784 --> 01:04:32,701 - Are you a rich person? 1306 01:04:32,784 --> 01:04:35,325 - I, um... - Yes, you are. 1307 01:04:35,409 --> 01:04:37,117 - I... - Yes, you are. 1308 01:04:37,200 --> 01:04:39,867 - Okay, I... - Yes, you are. 1309 01:04:39,951 --> 01:04:42,409 - I live on Park Avenue in Manhattan, okay? 1310 01:04:42,492 --> 01:04:45,492 I've been to a lot of apartments. 1311 01:04:45,575 --> 01:04:49,575 There are apartments on the sixth floor, 1312 01:04:49,659 --> 01:04:51,093 the eighth floor, and the tenth floor 1313 01:04:51,117 --> 01:04:53,617 of certain buildings that have the same piece 1314 01:04:53,701 --> 01:04:56,701 by the same artist on the same wall. 1315 01:04:56,784 --> 01:05:02,450 I think that is a craven, horrible, distasteful way 1316 01:05:02,534 --> 01:05:04,867 to enjoy art, because everyone else has one, 1317 01:05:04,951 --> 01:05:06,367 and you get to buy one too. 1318 01:05:06,450 --> 01:05:07,992 - Could I just say something? - Yeah. 1319 01:05:08,075 --> 01:05:09,885 - Just, I'm gonna interrupt just for one second. 1320 01:05:09,909 --> 01:05:12,617 Okay, I think there's three kinds of people in this world. 1321 01:05:12,701 --> 01:05:14,242 Those who see, 1322 01:05:14,325 --> 01:05:15,742 those who see when they are shown, 1323 01:05:15,826 --> 01:05:18,617 and those who will never see. 1324 01:05:18,701 --> 01:05:20,409 This is a work I want you to look at. 1325 01:05:20,492 --> 01:05:22,742 You're gonna die because this is so Holly Peterson. 1326 01:05:22,826 --> 01:05:24,742 Okay, so this is an artist you don't know. 1327 01:05:24,826 --> 01:05:27,033 Njideka Akunyili Crosby. 1328 01:05:27,117 --> 01:05:28,867 She makes these works that are very similar 1329 01:05:28,951 --> 01:05:30,468 to Rauschenberg in process and technique. 1330 01:05:30,492 --> 01:05:32,992 - Like Silly Putty. - Yeah, exactly. 1331 01:05:33,075 --> 01:05:35,742 So on his body are all these African women, 1332 01:05:35,826 --> 01:05:37,784 like brides standing with the family... 1333 01:05:37,867 --> 01:05:39,450 - Oh, my God, wonderful. - On his body. 1334 01:05:39,534 --> 01:05:41,301 And look at that hand on his chest, how tender that is. 1335 01:05:41,325 --> 01:05:43,242 Can you stand that? - Wonderful. 1336 01:05:43,325 --> 01:05:44,242 Maybe she's... loves him. 1337 01:05:44,325 --> 01:05:45,445 - Also he's in this kind of, 1338 01:05:45,492 --> 01:05:46,593 like, supine position, right? 1339 01:05:46,617 --> 01:05:48,075 With his back a little arched. 1340 01:05:48,158 --> 01:05:49,701 - No, it's totally beautiful. 1341 01:05:49,784 --> 01:05:52,575 I want it. I want it for my wall. 1342 01:05:53,409 --> 01:05:55,575 - I think it's really heartening to know that 1343 01:05:55,659 --> 01:05:58,283 the work is connecting the way it does. 1344 01:05:58,367 --> 01:06:02,909 Um, where the anxiety comes in or saying it's scary 1345 01:06:02,992 --> 01:06:05,701 that I'm getting all this attention is, 1346 01:06:05,784 --> 01:06:08,158 how do I keep evolving this work? 1347 01:06:08,242 --> 01:06:09,867 How do I keep changing it? 1348 01:06:09,951 --> 01:06:13,242 How do I not stagnate, especially when you feel like, 1349 01:06:13,325 --> 01:06:15,909 "Ooh, I've stumbled onto something pretty cushy. 1350 01:06:15,992 --> 01:06:18,826 "I could just cruise and ride this out 1351 01:06:18,909 --> 01:06:21,951 for the next 20 years." 1352 01:06:22,033 --> 01:06:24,051 - Well, I think the art world is a very brutal place, 1353 01:06:24,075 --> 01:06:25,617 especially for young artists. 1354 01:06:25,701 --> 01:06:27,450 I think it can be really, really tough. 1355 01:06:27,534 --> 01:06:29,450 And when the market, you know... 1356 01:06:29,534 --> 01:06:31,742 sometimes people are very seduced and they... 1357 01:06:31,826 --> 01:06:33,784 it just becomes about production and the money. 1358 01:06:33,867 --> 01:06:37,784 And I think you have to know that the work is gonna 1359 01:06:37,867 --> 01:06:41,492 continue on in spite of all the noise around you. 1360 01:06:41,575 --> 01:06:45,534 This really rapid rise in the art market is artificial 1361 01:06:45,617 --> 01:06:49,033 and can, of course, you know, go away over time. 1362 01:06:49,117 --> 01:06:53,409 It's hard; it's really hard to be an artist, I think. 1363 01:06:56,075 --> 01:06:59,742 - How do you stay sane under that white heat? 1364 01:07:01,450 --> 01:07:03,659 - What is the white heat? 1365 01:07:03,742 --> 01:07:07,200 - When your paintings go for a million dollars at auction. 1366 01:07:07,283 --> 01:07:10,117 And you're still alive. 1367 01:07:12,659 --> 01:07:17,492 That white heat is really dangerous for artists. 1368 01:07:17,575 --> 01:07:20,742 It's hard, it burns people out all the time. 1369 01:07:20,826 --> 01:07:23,701 Just made them crazy. 1370 01:07:23,784 --> 01:07:27,701 At least in my generation, or the generation 1371 01:07:27,784 --> 01:07:29,033 that's going on right now. 1372 01:07:29,117 --> 01:07:32,325 You know, there's major success. 1373 01:07:32,409 --> 01:07:34,033 Although Jeff is right up there, 1374 01:07:34,117 --> 01:07:36,283 and he still makes great art. 1375 01:07:38,659 --> 01:07:43,242 It's really a long game. It's a long-haul game. 1376 01:08:08,659 --> 01:08:10,951 - It is only when you go completely close up 1377 01:08:11,033 --> 01:08:13,283 that you actually realize that it's painted. 1378 01:08:13,367 --> 01:08:17,367 I definitely feel that Marilyn Minter is an artist 1379 01:08:17,450 --> 01:08:20,909 to go for if you like it, because I don't think you 1380 01:08:20,992 --> 01:08:23,575 should ever buy something that you don't personally like. 1381 01:08:23,659 --> 01:08:26,409 But there are plenty of people who buy with their ears 1382 01:08:26,492 --> 01:08:28,367 instead of buying with your eyes. 1383 01:08:28,450 --> 01:08:29,784 Of course, you ought to use 1384 01:08:29,867 --> 01:08:31,325 your ears a little bit as well. 1385 01:08:31,409 --> 01:08:33,951 But, still, do focus on your eyes. 1386 01:08:44,951 --> 01:08:48,117 This is a key gentleman in the art world, 1387 01:08:48,200 --> 01:08:49,617 Mr. Serge Tiroche. 1388 01:08:49,701 --> 01:08:51,951 He is focusing really on global art. 1389 01:08:52,033 --> 01:08:54,325 - So just approximately how many billions do you think 1390 01:08:54,409 --> 01:08:56,367 the art market is annually? 1391 01:08:56,450 --> 01:08:59,951 - 56 billion in the last report, I believe, right? 1392 01:09:00,033 --> 01:09:02,117 - When I started in the art market, 1393 01:09:02,200 --> 01:09:06,450 banks would not view, uh, the art market as something 1394 01:09:06,534 --> 01:09:08,867 they would want to even recommend to their clients. 1395 01:09:08,951 --> 01:09:13,450 Now it is automatically a part of something they would speak 1396 01:09:13,534 --> 01:09:16,367 to their clients, in terms of diversification. 1397 01:09:16,450 --> 01:09:18,784 - What... What makes a Gerhard Richter so valuable 1398 01:09:18,867 --> 01:09:20,867 and, say, a Larry Poons not so valuable? 1399 01:09:20,951 --> 01:09:22,534 Who decides? 1400 01:09:22,617 --> 01:09:25,492 - You know, the simple answer would be supply and demand. 1401 01:09:25,575 --> 01:09:29,325 The real answer is, uh, I think... 1402 01:09:29,409 --> 01:09:30,927 I don't know how to put this elegantly. 1403 01:09:30,951 --> 01:09:35,492 Um, financial interests of certain parties. 1404 01:09:36,951 --> 01:09:38,659 - No doubt. 1405 01:09:38,742 --> 01:09:41,784 There's an interest in keeping prices at a certain level. 1406 01:09:41,867 --> 01:09:43,158 No doubt. - Yeah. 1407 01:09:43,242 --> 01:09:45,492 It's... It's part of the rules of the game. 1408 01:09:50,492 --> 01:09:54,117 - Uh, well, I started some time ago, 1409 01:09:54,200 --> 01:09:56,200 and the world of art and commerce 1410 01:09:56,283 --> 01:10:00,283 was not nearly so complex as it is now. 1411 01:10:00,367 --> 01:10:01,826 - How has it changed? 1412 01:10:01,909 --> 01:10:05,242 - Um, they are like Siamese twins, 1413 01:10:05,325 --> 01:10:06,867 money and art right now. 1414 01:10:06,951 --> 01:10:08,909 And, uh, you cannot separate them. 1415 01:10:08,992 --> 01:10:11,409 And so the purpose of art 1416 01:10:11,492 --> 01:10:15,033 has, um, morphed, 1417 01:10:15,117 --> 01:10:19,367 become perverted or mutated. 1418 01:10:19,450 --> 01:10:21,575 And I think art itself is 1419 01:10:21,659 --> 01:10:26,659 having a hard time finding its way out of this situation. 1420 01:10:26,742 --> 01:10:28,033 Listen, I'm in the middle of it, 1421 01:10:28,117 --> 01:10:29,575 and I'm busy making money myself. 1422 01:10:29,659 --> 01:10:31,951 So I'm not criticizing; I'm just 1423 01:10:32,033 --> 01:10:34,075 observing my own environment. 1424 01:10:34,158 --> 01:10:37,450 Um, I think we are... 1425 01:10:38,492 --> 01:10:40,033 Without doubt, everybody knows it; 1426 01:10:40,117 --> 01:10:43,701 we're careening toward some edge or some end. 1427 01:10:43,784 --> 01:10:45,909 - So the reckoning hasn't begun? 1428 01:10:45,992 --> 01:10:51,075 - Uh, I'm not sure. 1429 01:10:51,158 --> 01:10:53,075 I think I can smell smoke. 1430 01:11:46,158 --> 01:11:48,742 - The reckoning has begun. 1431 01:11:50,283 --> 01:11:53,033 This is the end of empire. 1432 01:11:55,200 --> 01:11:57,492 - Italian artist Maurizio Cattelan's 1433 01:11:57,575 --> 01:11:59,325 bold, irreverent work 1434 01:11:59,409 --> 01:12:01,450 skewers social complacencies 1435 01:12:01,534 --> 01:12:04,659 and reimagines cultural icons. 1436 01:12:04,742 --> 01:12:06,659 Cattelan's toilet offers a wink 1437 01:12:06,742 --> 01:12:08,575 to the excesses of the art market 1438 01:12:08,659 --> 01:12:10,867 but also evokes the American dream 1439 01:12:10,951 --> 01:12:12,909 of opportunity for all, 1440 01:12:12,992 --> 01:12:15,325 its utility ultimately reminding us 1441 01:12:15,409 --> 01:12:17,659 of the inescapable physical realities 1442 01:12:17,742 --> 01:12:19,367 of our shared humanity. 1443 01:12:21,075 --> 01:12:23,033 - Well, what can you think of a golden toilet? 1444 01:12:23,117 --> 01:12:26,325 I mean, it's a... it's an insult. 1445 01:12:26,409 --> 01:12:31,992 And, I mean, Maurizio Cattelan is a part of this world 1446 01:12:32,075 --> 01:12:35,075 of Damien Hirst and Jeff Koons, of sensationalism, 1447 01:12:35,158 --> 01:12:36,492 and it's promoted, you know. 1448 01:12:36,575 --> 01:12:39,075 It's the fashion designers. It's Prada. 1449 01:12:39,158 --> 01:12:41,367 Uh, it's Pignot. It's Arno. 1450 01:12:41,450 --> 01:12:44,826 It's people who are involved in luxury brands. 1451 01:12:44,909 --> 01:12:47,325 And that is what contemporary art has become. 1452 01:12:47,409 --> 01:12:50,117 It is a luxury brand. 1453 01:12:53,784 --> 01:12:56,367 - Actually, the cost was 250. 1454 01:12:56,450 --> 01:12:59,367 Guess what. I wrote a check. 1455 01:12:59,450 --> 01:13:01,367 No trade. 1456 01:13:01,450 --> 01:13:03,033 I just real... 1457 01:13:03,117 --> 01:13:05,242 - This is for which piece, now? 1458 01:13:05,325 --> 01:13:06,826 - That was "Him." 1459 01:13:06,909 --> 01:13:08,992 - It's called "Him"? - Yeah. 1460 01:13:09,075 --> 01:13:10,325 "Him," you know. 1461 01:13:10,409 --> 01:13:12,033 They always talked about "Him." 1462 01:13:12,117 --> 01:13:16,492 It's like, in Europe my mom would never say cancer, Krebs. 1463 01:13:16,575 --> 01:13:17,867 It was C. 1464 01:13:17,951 --> 01:13:20,367 It's the polite way to deal with it. 1465 01:13:20,450 --> 01:13:22,409 So he was known as "Him." 1466 01:13:22,492 --> 01:13:25,742 And we know it's going to be a, um, 1467 01:13:25,826 --> 01:13:28,367 key work, without a doubt. 1468 01:13:28,450 --> 01:13:30,325 You know the recent auction record on that? 1469 01:13:30,409 --> 01:13:32,617 - No, what is it? - $17 million. 1470 01:13:33,701 --> 01:13:36,701 Maurizio Cattelan is like Duchamp. 1471 01:13:36,784 --> 01:13:40,492 He's an important player in the history of art. 1472 01:13:41,909 --> 01:13:44,492 Christie's displayed it. They had him facing out. 1473 01:13:44,575 --> 01:13:47,951 I said, "No, that guy has to face a wall." 1474 01:13:48,033 --> 01:13:51,283 You have to face reality. - Hmm. 1475 01:13:54,867 --> 01:13:57,492 - And then I found an old book from... 1476 01:13:57,575 --> 01:14:00,909 that my sister gave me 40 years ago. 1477 01:14:00,992 --> 01:14:04,158 It's called "Psychopathia Sexualis." 1478 01:14:04,242 --> 01:14:07,826 By Krafft-Ebing. 1479 01:14:07,909 --> 01:14:11,742 So I figured that's... that's what he's looking at. 1480 01:14:11,826 --> 01:14:14,992 I'm not sure that he had a lot of sexual thoughts. 1481 01:14:15,075 --> 01:14:17,033 - Who? 1482 01:14:17,117 --> 01:14:18,659 - Him. 1483 01:14:19,992 --> 01:14:21,927 - And you hear... and you heard him speak when you were... 1484 01:14:21,951 --> 01:14:23,492 - I heard him speak. I was, uh... 1485 01:14:23,575 --> 01:14:25,867 he was a very charismatic speaker. 1486 01:14:25,951 --> 01:14:28,784 He... he spoke a little bit like Trump. 1487 01:14:28,867 --> 01:14:30,075 Without notes, 1488 01:14:30,158 --> 01:14:33,659 started very slow, and built up. 1489 01:14:33,742 --> 01:14:35,075 - You left. You escaped. 1490 01:14:35,158 --> 01:14:37,826 - We left, uh, legally, April '41. 1491 01:14:37,909 --> 01:14:39,909 My mom was a widow. I was 15. 1492 01:14:39,992 --> 01:14:41,117 I was a German national. 1493 01:14:41,200 --> 01:14:43,033 I still have my German passport. 1494 01:14:43,117 --> 01:14:44,409 - You do? - Oh, yes. 1495 01:14:44,492 --> 01:14:46,867 You wanna see it? - Yeah, oh, yeah. 1496 01:14:46,951 --> 01:14:49,951 It is expired. 1497 01:14:50,033 --> 01:14:52,784 - It's expired? - Yes. 1498 01:14:52,867 --> 01:14:56,534 It does have a J on it. 1499 01:14:56,617 --> 01:14:58,367 Jew. 1500 01:14:58,450 --> 01:15:02,117 Stefan Theodore, which is then Israel Edlis. 1501 01:15:02,200 --> 01:15:05,409 And I was a student. 1502 01:15:05,492 --> 01:15:09,075 And that's my picture in 1938. 1503 01:15:10,242 --> 01:15:12,283 - What's it like for a Jewish collector 1504 01:15:12,367 --> 01:15:14,242 to have this Cattelan? 1505 01:15:14,325 --> 01:15:16,659 - Well, this is the question that's always been asked. 1506 01:15:16,742 --> 01:15:21,033 Uh, it's a, um... I think it's a fair question. 1507 01:15:21,117 --> 01:15:24,409 It's also irrelevant. 1508 01:15:24,492 --> 01:15:28,075 Because art is art. 1509 01:15:53,283 --> 01:15:54,701 Hi, Larry. 1510 01:15:54,784 --> 01:15:56,534 It's Dennes Yares again. 1511 01:15:56,617 --> 01:15:59,534 I'd just like to set up a time for me to come to the studio 1512 01:15:59,617 --> 01:16:02,534 so we can select paintings for the New York exhibition. 1513 01:16:02,617 --> 01:16:04,075 Take care. Bye. 1514 01:16:13,075 --> 01:16:15,701 - He was a contemporary of Beethoven's. 1515 01:16:15,784 --> 01:16:17,909 - Von Weber? - Von Webern. 1516 01:16:17,992 --> 01:16:19,075 - Von Webern. 1517 01:18:06,492 --> 01:18:09,951 - Yeah, to me, that looks like a finished painting. 1518 01:18:10,033 --> 01:18:13,242 They just finish themselves off. 1519 01:18:13,325 --> 01:18:15,575 I can't imagine anything I could do 1520 01:18:15,659 --> 01:18:18,492 except ruin it at this point. 1521 01:18:21,575 --> 01:18:24,325 Lunch time. 1522 01:18:36,283 --> 01:18:38,283 - I have not done my best work. 1523 01:18:38,367 --> 01:18:39,909 I want to achieve that. 1524 01:18:39,992 --> 01:18:43,283 I want to create something that's spectacular. 1525 01:18:45,867 --> 01:18:48,701 I remember I was invited to Sweden to meet a collector 1526 01:18:48,784 --> 01:18:52,867 to see if I had an idea for a sculpture for their estate. 1527 01:18:52,951 --> 01:18:55,909 You know, and a steam engine came to mind, 1528 01:18:55,992 --> 01:18:57,701 that I would have a large crane, and then 1529 01:18:57,784 --> 01:19:01,158 hanging from the crane, uh, I'd have a big steam engine. 1530 01:19:01,242 --> 01:19:04,659 And when a train functions, there are pistons there. 1531 01:19:04,742 --> 01:19:07,909 So every time it comes in, it's like a human being. 1532 01:19:07,992 --> 01:19:10,075 It's a metaphor. 1533 01:19:14,742 --> 01:19:16,325 So it's what we do. It's breathing. 1534 01:19:16,409 --> 01:19:19,492 But each time, it's a puff of steam. 1535 01:19:24,367 --> 01:19:26,117 And it would follow this bell curve 1536 01:19:26,200 --> 01:19:28,742 and eventually be going faster and faster and faster. 1537 01:19:31,992 --> 01:19:33,742 - What would it cost to do? 1538 01:19:33,826 --> 01:19:36,409 - Uh, I mean, I think that I can make it anywhere between 1539 01:19:36,492 --> 01:19:38,701 25 to 50 million. - Hm. 1540 01:19:38,784 --> 01:19:41,784 - But, uh, it's just power and excitement. 1541 01:19:41,867 --> 01:19:44,200 Even... you're right underneath the cow catcher. 1542 01:19:44,283 --> 01:19:46,367 The cow catcher's 30 feet off the ground, 1543 01:19:46,450 --> 01:19:48,158 so you can stand right underneath it, 1544 01:19:48,242 --> 01:19:49,659 and you can yell, you know, "Hey, 1545 01:19:49,742 --> 01:19:53,033 Mom, Dad, look at this," you know? 1546 01:20:00,659 --> 01:20:02,867 - Has Trump been good for the art market? 1547 01:20:02,951 --> 01:20:05,617 I think there's been a fairly good feeling 1548 01:20:05,701 --> 01:20:07,409 among the art collectors this week. 1549 01:20:07,492 --> 01:20:10,033 Fundamentally, the underlying opportunity here is that 1550 01:20:10,117 --> 01:20:12,009 there's just a lot of really very wealthy people, 1551 01:20:12,033 --> 01:20:13,633 and they have a lot of capital to deploy. 1552 01:20:13,659 --> 01:20:16,117 - Well, I think it's definitely a robust market. 1553 01:20:16,200 --> 01:20:18,117 Definitely tremendous depth of bidding, 1554 01:20:18,200 --> 01:20:21,992 particularly for masterpieces, for contemporary works of art. 1555 01:20:22,075 --> 01:20:23,742 This is a very attractive asset class. 1556 01:20:23,826 --> 01:20:25,701 - Are you getting good stuff to sell? 1557 01:20:25,784 --> 01:20:29,951 - Yes, we're starting to see artists who have very little 1558 01:20:30,033 --> 01:20:31,659 depth of trading, very little traction, 1559 01:20:31,742 --> 01:20:34,367 selling for enormous prices if there's confidence 1560 01:20:34,450 --> 01:20:35,742 in that artist's work. 1561 01:20:44,075 --> 01:20:45,492 - It's totally amazing. 1562 01:20:45,575 --> 01:20:48,575 It's just extraordinary. 1563 01:20:49,742 --> 01:20:53,951 I spent about five days researching her life, 1564 01:20:54,033 --> 01:20:56,450 and her mother died, and what's going on in Nigeria, 1565 01:20:56,534 --> 01:20:58,334 and what's going on with the Nigerian diaspora 1566 01:20:58,409 --> 01:21:01,325 in this country, and I like supporting women. 1567 01:21:01,409 --> 01:21:05,534 Recently, I sold some things, and now I have a little excess, 1568 01:21:05,617 --> 01:21:07,242 and I'd like to take that excess 1569 01:21:07,325 --> 01:21:09,158 and buy this very, very much. 1570 01:21:09,242 --> 01:21:12,033 - Your limit is the estimate, of around $300,000? 1571 01:21:12,117 --> 01:21:14,158 - I'm gonna try. 1572 01:21:14,242 --> 01:21:16,200 I mean, I think the gallery's nervous. 1573 01:21:16,283 --> 01:21:19,200 They're concerned because there's 12 people who want it. 1574 01:21:19,283 --> 01:21:21,200 And once you're playing with sharks, 1575 01:21:21,283 --> 01:21:24,575 it's just... it's a whole different ballgame. 1576 01:21:24,659 --> 01:21:26,059 You know what they say about sharks? 1577 01:21:26,158 --> 01:21:27,918 They have to keep moving, or they die, right? 1578 01:21:27,951 --> 01:21:29,409 And I'm not gonna play that game. 1579 01:21:29,492 --> 01:21:31,492 'Cause I don't want to really be a part of 1580 01:21:31,575 --> 01:21:33,617 the kind of jerk who, like, 1581 01:21:33,701 --> 01:21:37,867 goes so high and kind of outprices the artist 1582 01:21:37,951 --> 01:21:40,242 and contributes potentially to 1583 01:21:40,367 --> 01:21:43,033 a crash-and-burn situation for that artist. 1584 01:22:00,033 --> 01:22:02,617 - This show that's coming up is wonderful. 1585 01:22:02,701 --> 01:22:05,075 You've waited, in a way, a long time for that. 1586 01:22:05,158 --> 01:22:06,951 - No, I haven't waited for it. 1587 01:22:21,742 --> 01:22:23,617 - Hello. - How are you? 1588 01:22:23,701 --> 01:22:24,784 - Dennis? - Yes. 1589 01:22:24,867 --> 01:22:26,909 Hey, good to see you. 1590 01:22:26,992 --> 01:22:28,468 I was looking for this one... this one. 1591 01:22:28,492 --> 01:22:29,701 Is this here? 1592 01:22:32,033 --> 01:22:34,534 - Uh, yes, everything's here. 1593 01:22:34,617 --> 01:22:35,718 - 'Cause this is the other one 1594 01:22:35,742 --> 01:22:37,009 I really like, too, for the show. 1595 01:22:37,033 --> 01:22:38,393 This is... I love this one. - Okay. 1596 01:22:38,450 --> 01:22:39,843 Images from the same one... - But this one... 1597 01:22:39,867 --> 01:22:42,033 This one I really like, Larry. 1598 01:22:44,242 --> 01:22:47,992 - How soon do we need to have them chosen? 1599 01:22:48,075 --> 01:22:50,826 - Right... well, today. - Okay, let's do it today. 1600 01:22:50,909 --> 01:22:52,409 - Oh, yeah, that's gorgeous. 1601 01:22:52,492 --> 01:22:54,176 - Isn't it great? - It's gorgeous, gorgeous. 1602 01:22:54,200 --> 01:22:55,784 Gorgeous. 1603 01:22:55,867 --> 01:22:57,492 What do you think? Oh, I love it. 1604 01:22:57,575 --> 01:22:58,593 - Oh, yeah? - Just like this. 1605 01:22:58,617 --> 01:22:59,534 - Okay. - Mm-hmm. 1606 01:22:59,617 --> 01:23:00,992 Maybe the square one. 1607 01:23:01,075 --> 01:23:02,760 - Can we get... - The square one's a show-off. 1608 01:23:02,784 --> 01:23:04,426 - Then why don't we include this for the show? 1609 01:23:04,450 --> 01:23:06,290 That one, and then we'll look at the whole mix. 1610 01:23:06,325 --> 01:23:08,051 It doesn't mean we have to install all of them. 1611 01:23:08,075 --> 01:23:09,784 - Right. Okay. - We can have it on hand. 1612 01:23:09,867 --> 01:23:12,659 - New York's gotta see it. - New York's gonna see it. 1613 01:23:12,742 --> 01:23:14,909 That's why we're here. 1614 01:23:14,992 --> 01:23:18,242 If you look historically, this dialogue between 1615 01:23:18,325 --> 01:23:23,409 artist and dealer brings to life the art. 1616 01:23:23,492 --> 01:23:26,617 And unless you have that right mix, 1617 01:23:26,701 --> 01:23:28,409 you can be forgotten. 1618 01:23:28,492 --> 01:23:31,867 It's no different from a great pianist playing 1619 01:23:31,951 --> 01:23:36,075 with the right orchestra under the right conductor. 1620 01:23:36,158 --> 01:23:38,617 And sometimes you just miss it. 1621 01:23:38,701 --> 01:23:42,909 He just kind of missed, but not anymore. 1622 01:23:42,992 --> 01:23:46,158 He's found. 1623 01:23:46,242 --> 01:23:47,617 - Cool, just again... - Love it. 1624 01:23:47,701 --> 01:23:49,784 - Yeah. Let's go eat. 1625 01:23:55,325 --> 01:23:58,492 - So I'm resting my head. It's, like, a way of relaxing. 1626 01:23:58,575 --> 01:24:01,409 - Stressed? - No, just tired. 1627 01:24:01,492 --> 01:24:02,909 I'm not really stressed. 1628 01:24:02,992 --> 01:24:04,826 It's gonna... it'll be a good sale. 1629 01:24:08,158 --> 01:24:09,867 They're gone? 1630 01:24:09,951 --> 01:24:12,075 Can I... want me to... oh, they're taking it down now? 1631 01:24:12,158 --> 01:24:13,367 That's it? 1632 01:24:13,450 --> 01:24:14,575 Bye. Look it. 1633 01:24:14,659 --> 01:24:17,492 There it is, 653-1, Richter 1988. 1634 01:24:17,575 --> 01:24:19,158 Just off the wall here. 1635 01:24:24,992 --> 01:24:26,742 - And there's a lonely, lonely woman, yeah. 1636 01:24:26,826 --> 01:24:28,242 - De Kooning. "Woman in Landscape." 1637 01:24:28,325 --> 01:24:31,325 - Is that what it is? - 1968, yep. 1638 01:24:31,409 --> 01:24:33,325 - Where's the woman, where's the landscape? 1639 01:24:33,409 --> 01:24:34,927 - I'll tell you... I'll give you a hint. 1640 01:24:34,951 --> 01:24:36,134 That little green in the corner, 1641 01:24:36,158 --> 01:24:38,117 that's the landscape, okay? 1642 01:24:38,200 --> 01:24:40,992 Bye. 1643 01:24:41,075 --> 01:24:42,283 Bye! 1644 01:24:45,283 --> 01:24:49,200 - Oh, auctions, auctions, auctions make me sick, 1645 01:24:49,283 --> 01:24:53,575 only because what I'm doing in those showrooms is saying 1646 01:24:53,659 --> 01:24:55,617 good-bye for the rest of my life 1647 01:24:55,701 --> 01:24:58,242 to every work of art I'm seeing, 1648 01:24:58,325 --> 01:25:01,367 because all of it is now too expensive 1649 01:25:01,450 --> 01:25:05,951 for any institution to buy, except maybe the Getty, 1650 01:25:06,033 --> 01:25:08,701 and they can only buy one thing a year. 1651 01:25:08,784 --> 01:25:12,867 I kind of wish that collectors would give back, 1652 01:25:12,951 --> 01:25:15,283 but I don't know that I would give back. 1653 01:25:15,367 --> 01:25:17,951 So it's gonna hang in some apartment 1654 01:25:18,033 --> 01:25:21,325 in London or Shanghai or New York, 1655 01:25:21,409 --> 01:25:24,575 and I won't see it again for my natural life. 1656 01:25:31,909 --> 01:25:33,492 - Good evening, ladies and gentlemen, 1657 01:25:33,575 --> 01:25:35,325 and a very warm welcome to Sotheby's. 1658 01:25:35,409 --> 01:25:37,329 My name is Oliver Barker, and I'm delighted to be 1659 01:25:37,409 --> 01:25:39,617 your auctioneer for tonight's sale of contemporary art. 1660 01:25:39,701 --> 01:25:41,909 And we start with our great privilege, 1661 01:25:41,992 --> 01:25:43,242 with the triumph of painting, 1662 01:25:43,325 --> 01:25:45,409 the Steven and Ann Ames collection. 1663 01:25:45,492 --> 01:25:47,492 And we'll start with this evening's George Condo, 1664 01:25:47,575 --> 01:25:49,617 "The Woman on Brown Chair" from 2007. 1665 01:25:49,701 --> 01:25:51,218 I'm gonna start the bidding at 300,000. 1666 01:25:51,242 --> 01:25:55,158 350,000, 400,000. George O'Dell at 600,000. 1667 01:25:55,242 --> 01:25:57,701 650,000, 700,000. 1668 01:25:57,784 --> 01:25:59,742 800,000 in a new place. 1669 01:25:59,826 --> 01:26:01,784 It's your bid, sir. Thank you. 1670 01:26:01,867 --> 01:26:04,701 And we'll move on to the "Woman Landscape," $1 million. 1671 01:26:04,784 --> 01:26:07,200 1,100,000, 1,300,000 now. 1672 01:26:07,283 --> 01:26:10,242 1,500,000, 1,800,000, 1673 01:26:10,325 --> 01:26:13,701 2,350,000. Lot number six. 1674 01:26:13,784 --> 01:26:16,200 Gerhard Richter paintings, the "A B, St James." 1675 01:26:16,283 --> 01:26:18,534 And I'm gonna start the bidding here at $16 million. 1676 01:26:18,617 --> 01:26:21,951 17 million, $18 million, 19 million now. 1677 01:26:22,033 --> 01:26:24,200 $20 million now, fair warning. 1678 01:26:24,283 --> 01:26:25,283 It's yours, sir. 1679 01:26:25,367 --> 01:26:26,385 Thank you very much indeed. 1680 01:26:26,409 --> 01:26:27,701 We go on to lot number 30, 1681 01:26:27,784 --> 01:26:29,184 the wonderful "A B, Still" painting. 1682 01:26:29,242 --> 01:26:31,575 Start the bidding here at $14 million. 1683 01:26:31,659 --> 01:26:34,867 $15 million, $16 million, $17, $18 million, 1684 01:26:34,951 --> 01:26:37,242 $20 million here, $21 million, 1685 01:26:37,325 --> 01:26:39,701 $22 million now, $23 million, 1686 01:26:39,784 --> 01:26:41,867 $24 million, $25 million, 1687 01:26:41,951 --> 01:26:45,992 25,500,000, 26,500,000. $27 million. 1688 01:26:46,075 --> 01:26:49,826 27,500,000, $29 million, $29,500,000. 1689 01:26:49,909 --> 01:26:52,575 $30 million now. Fair warning now. 1690 01:26:52,659 --> 01:26:57,784 The very last sign at $30 million. 1691 01:26:57,867 --> 01:26:59,909 Sold to you, Galas. Thank you very much indeed. 1692 01:26:59,992 --> 01:27:03,033 And we have the Crosby here from 2012, the "DROWN." 1693 01:27:03,117 --> 01:27:06,283 And I'll start at 100,000, 120,000, 150,000 1694 01:27:06,367 --> 01:27:08,826 180,000, 200,000... Thank you, Amy. 1695 01:27:08,909 --> 01:27:13,283 250,000, 300,000, 350,000 now. 1696 01:27:13,367 --> 01:27:15,617 At 350,000. Try 4, sir. 1697 01:27:15,701 --> 01:27:17,409 400,000. 1698 01:27:20,450 --> 01:27:22,325 Amy, against you now. 1699 01:27:22,409 --> 01:27:26,492 400,000, Leslie's now. At 400,000, 450,000, 1700 01:27:26,575 --> 01:27:30,450 500,000, 550,000. So your bid, madam, is 600,000. 1701 01:27:30,534 --> 01:27:31,992 650,000. 1702 01:27:32,075 --> 01:27:35,742 700,000 now. 750,000. 1703 01:27:35,826 --> 01:27:37,784 800,000 now. 1704 01:27:37,867 --> 01:27:41,117 850,000. There it is at 850. 1705 01:27:41,200 --> 01:27:45,200 It's 850,000. 900,000 now. 1706 01:27:45,283 --> 01:27:47,784 At $900,000. 1707 01:27:47,867 --> 01:27:49,242 It's with Alex at the desk, 1708 01:27:49,325 --> 01:27:50,510 and I'm gonna sell it this time. 1709 01:27:50,534 --> 01:27:55,909 Fair warning, at $900,000. 1710 01:27:55,992 --> 01:27:58,909 Thank you, Alex. L0075. 1711 01:27:58,992 --> 01:28:00,909 And thank you, Amy, to your bidder as well. 1712 01:28:00,992 --> 01:28:02,072 Thank you very much indeed. 1713 01:28:03,450 --> 01:28:04,701 - Hmm. 1714 01:28:09,075 --> 01:28:12,575 "DROWN" was sold at a show from a few years ago, 1715 01:28:12,659 --> 01:28:15,409 and the person who bought it resold it. 1716 01:28:15,492 --> 01:28:17,992 - They brought it to auction? - They brought it to auction. 1717 01:28:18,075 --> 01:28:19,343 Um... - They flipped it, basically. 1718 01:28:19,367 --> 01:28:20,826 - Yeah. - Is that... 1719 01:28:20,909 --> 01:28:24,075 That's what happened? - That's what happened. 1720 01:28:24,158 --> 01:28:26,367 - I see. - Yeah. 1721 01:28:27,659 --> 01:28:29,117 You, so... 1722 01:28:29,200 --> 01:28:32,325 - So a flipper bought it. - A flipper bought it. 1723 01:28:32,409 --> 01:28:33,742 When I'm just thinking of 1724 01:28:33,826 --> 01:28:35,218 what success means for me... - Yes, yes? 1725 01:28:35,242 --> 01:28:39,117 - I'm very interested in the long term. 1726 01:28:39,200 --> 01:28:42,117 Um, so it's not about making a lot of money 1727 01:28:42,200 --> 01:28:43,492 in the next five years 1728 01:28:43,575 --> 01:28:45,367 and buying a beautiful house in LA, 1729 01:28:45,450 --> 01:28:46,575 although that would be good, 1730 01:28:46,659 --> 01:28:48,701 but that's not my driving force. 1731 01:28:48,784 --> 01:28:52,158 I'm very... because it's... I keep thinking long term, 1732 01:28:52,242 --> 01:28:53,951 long term, long term. 1733 01:28:54,033 --> 01:28:55,951 Um, what matters in the long term? 1734 01:28:56,033 --> 01:28:59,367 The institutions you get into, the shows you get into. 1735 01:28:59,450 --> 01:29:02,283 - So you want your work in museums? 1736 01:29:02,367 --> 01:29:04,409 - Yeah, museums are, for a lack of a better word, 1737 01:29:04,492 --> 01:29:07,701 the gatekeepers of culture, to some extent. 1738 01:29:07,784 --> 01:29:11,200 I mean, you walk into... once you cross that threshold 1739 01:29:11,283 --> 01:29:12,742 of the door, you're walking in, 1740 01:29:12,826 --> 01:29:14,492 and in your mind, you're thinking, 1741 01:29:14,575 --> 01:29:16,701 "These are works that matter." 1742 01:29:16,784 --> 01:29:19,909 Not just for our generation, but for future generations. 1743 01:29:19,992 --> 01:29:23,867 So maybe things happen and I fall out of favor 1744 01:29:23,951 --> 01:29:25,701 in a number of years. 1745 01:29:25,784 --> 01:29:27,075 It'll go into storage. 1746 01:29:27,158 --> 01:29:29,742 But someday, maybe in 50 years, 1747 01:29:29,826 --> 01:29:32,158 maybe in 70, maybe in 150, 1748 01:29:32,242 --> 01:29:33,784 it could come out. 1749 01:29:33,867 --> 01:29:35,492 It doesn't just vanish. 1750 01:29:39,659 --> 01:29:41,033 - Now to a landmark donation 1751 01:29:41,117 --> 01:29:42,385 for the Art Institute of Chicago. 1752 01:29:42,409 --> 01:29:43,742 The museum says 1753 01:29:43,826 --> 01:29:45,992 it's the largest gift in its history. 1754 01:29:46,075 --> 01:29:48,951 42 iconic pieces of contemporary art. 1755 01:29:49,033 --> 01:29:52,826 It's estimated to be worth about $400 million. 1756 01:29:52,909 --> 01:29:55,742 The gift includes nine works by Andy Warhol, 1757 01:29:55,826 --> 01:30:00,742 including "Twelve Jackies," "Flowers," and "Liz #3." 1758 01:30:00,826 --> 01:30:03,075 The President of the Art Institute said in a statement, 1759 01:30:03,158 --> 01:30:05,200 "We are so grateful to Stefan and Gael 1760 01:30:05,283 --> 01:30:06,951 "for the extraordinary gift. 1761 01:30:07,033 --> 01:30:09,909 "It allows us to build one of the richest narratives 1762 01:30:09,992 --> 01:30:12,075 of art under one roof." 1763 01:30:20,575 --> 01:30:23,701 - Oh, too close, too close. 1764 01:30:25,033 --> 01:30:26,534 It's so beautiful, this sculpture. 1765 01:30:26,617 --> 01:30:28,951 The heart shape that it makes. 1766 01:30:33,534 --> 01:30:36,492 - You have to come close to see the glitter. 1767 01:30:36,575 --> 01:30:38,200 There's glitter in there. 1768 01:30:38,283 --> 01:30:40,575 - You've given this incredible gift to the museum. 1769 01:30:40,659 --> 01:30:42,075 Why? 1770 01:30:42,158 --> 01:30:45,659 - Well, the simple answer is no grandkids. 1771 01:30:45,742 --> 01:30:49,450 We had had conversations with the museum, and I said, 1772 01:30:49,534 --> 01:30:51,510 "You know, I'm gonna give you a picture, and it's gonna 1773 01:30:51,534 --> 01:30:54,784 end up in storage. That's not good enough." 1774 01:30:54,867 --> 01:30:58,242 So they said, "We're gonna clean our existing gallery, 1775 01:30:58,325 --> 01:31:01,534 "and it'll stay up like you want for 25 years 1776 01:31:01,617 --> 01:31:05,283 "in the gallery, and another 25 years mixed up, 1777 01:31:05,367 --> 01:31:07,033 but still up." 1778 01:31:07,117 --> 01:31:09,742 - Seeing it here today, do you miss it at home? 1779 01:31:09,826 --> 01:31:11,325 - All our walls are full. 1780 01:31:12,909 --> 01:31:16,450 No more room at the inn. - No, it's nice to see it... 1781 01:31:16,534 --> 01:31:19,033 - No, we'll make sure that we don't miss it. 1782 01:31:19,117 --> 01:31:20,826 If we really miss it, we can come down 1783 01:31:20,909 --> 01:31:22,617 and have another look. 1784 01:31:23,033 --> 01:31:24,409 - Now, tell me about the Liz. 1785 01:31:24,492 --> 01:31:26,200 - That's the only partial gift. 1786 01:31:26,283 --> 01:31:27,575 Well, I gave the Liz at 10% 1787 01:31:27,659 --> 01:31:28,659 because I just got it. 1788 01:31:28,742 --> 01:31:29,992 I'd like to live with it. 1789 01:31:30,075 --> 01:31:31,218 You can have it for six months, 1790 01:31:31,242 --> 01:31:32,826 I'll have it for the rest. 1791 01:31:32,909 --> 01:31:35,283 Meanwhile, get me a poster, get me something. 1792 01:31:35,409 --> 01:31:39,242 And then Gael came back with an exact copy, 1793 01:31:39,325 --> 01:31:41,242 including the wrinkles in the canvas. 1794 01:31:42,701 --> 01:31:44,367 So we're happy with the copy. 1795 01:31:44,450 --> 01:31:47,701 Let them have the real stuff. 1796 01:31:47,784 --> 01:31:50,534 It's amazing what technology can do now. 1797 01:31:50,617 --> 01:31:52,760 - Doesn't this raise a little bit of a question, though, too, 1798 01:31:52,784 --> 01:31:56,033 about even, what is... what is a piece of art 1799 01:31:56,117 --> 01:31:59,117 if it is reproducible like that? 1800 01:31:59,200 --> 01:32:03,033 - You're... absolutely, you put your finger in the wound. 1801 01:32:03,117 --> 01:32:05,033 That's it. What is a piece of art? 1802 01:32:05,117 --> 01:32:07,409 Absolu... that's a question. I can't answer it, 1803 01:32:07,492 --> 01:32:09,617 but I will... I certainly agree with you. 1804 01:32:13,450 --> 01:32:15,409 Looks good there, doesn't it? 1805 01:32:15,492 --> 01:32:18,325 Makes you feel like you've done something. 1806 01:32:18,409 --> 01:32:20,242 Everybody would like to think, in life, 1807 01:32:20,325 --> 01:32:21,992 that they've done something. 1808 01:32:28,117 --> 01:32:31,075 - I'm sad that too much of their conversation 1809 01:32:31,158 --> 01:32:32,742 has been about the money, 1810 01:32:32,826 --> 01:32:36,617 the shiny thing that's easiest to talk about, 1811 01:32:36,701 --> 01:32:39,325 but nobody's thinking about that. 1812 01:32:39,409 --> 01:32:41,325 Except you. Not you. 1813 01:32:41,409 --> 01:32:43,409 The collective you. 1814 01:32:43,492 --> 01:32:45,117 So you can hate us. 1815 01:32:45,200 --> 01:32:47,325 Everybody should make fun of the art world. 1816 01:32:47,409 --> 01:32:48,742 Is it absurd? 1817 01:32:48,826 --> 01:32:52,742 Yes. Is it necessary? 1818 01:32:52,826 --> 01:32:57,909 Probably no more necessary than religion, I would argue. 1819 01:32:57,992 --> 01:33:01,742 You need to eat. You need not to be killed. 1820 01:33:01,826 --> 01:33:04,283 You need to have some measure of freedom. 1821 01:33:04,367 --> 01:33:09,033 So I'm not here to tell you art matters more than freedom, 1822 01:33:09,117 --> 01:33:12,117 but I am here to say that art is part of being alive 1823 01:33:12,200 --> 01:33:14,242 as much as Mozart is. 1824 01:33:20,409 --> 01:33:24,784 - It's called "Pictures From Life's Other Side." 1825 01:33:24,867 --> 01:33:28,617 ♪ In the world's mighty gallery of pictures ♪ 1826 01:33:28,701 --> 01:33:33,117 ♪ Hang the scenes that are painted from life ♪ 1827 01:33:33,200 --> 01:33:36,992 ♪ There hang scenes of love and of passion ♪ 1828 01:33:37,075 --> 01:33:41,367 ♪ There hang pictures of peace and of strife ♪ 1829 01:33:41,450 --> 01:33:43,158 ♪ Pictures of love and of beauty ♪ 1830 01:33:44,867 --> 01:33:48,742 ♪ Of old age and the blushing young bride ♪ 1831 01:33:48,826 --> 01:33:53,158 ♪ They all hang on the wall but the saddest of all ♪ 1832 01:33:53,242 --> 01:33:57,701 ♪ Are the pictures from life's other side ♪ 1833 01:33:57,784 --> 01:34:01,742 ♪ There's the picture from life's other side ♪ 1834 01:34:01,826 --> 01:34:06,200 ♪ Someone has fell by the way ♪ 1835 01:34:06,283 --> 01:34:10,033 ♪ Life has gone out with the tide ♪ 1836 01:34:10,117 --> 01:34:14,450 ♪ That might have been happy someday ♪ 1837 01:34:14,534 --> 01:34:18,701 ♪ It's a pearl old mother at home ♪ 1838 01:34:18,784 --> 01:34:22,701 ♪ She's watching and waitin' alone ♪ 1839 01:34:22,784 --> 01:34:27,450 ♪ Just longing to hear from a loved one so dear ♪ 1840 01:34:27,534 --> 01:34:30,575 ♪ Just a picture from life's other side ♪ 1841 01:34:30,659 --> 01:34:31,701 Hey. - Hi. 1842 01:34:31,784 --> 01:34:34,033 - Nice to see you again. 1843 01:34:41,033 --> 01:34:42,701 Hi. - So great. 1844 01:34:42,784 --> 01:34:45,492 - Really good. Really. 1845 01:34:45,575 --> 01:34:47,158 - It's a magnificent color. 1846 01:34:47,242 --> 01:34:49,242 - The paintings are incredible. 1847 01:34:49,325 --> 01:34:50,701 - Eh, thank you. - Yeah. 1848 01:34:50,784 --> 01:34:52,426 - Beautiful stuff, thanks. - Hey, thank you. 1849 01:34:52,450 --> 01:34:54,409 - Thanks a lot, man. - I love this new work. 1850 01:34:54,492 --> 01:34:56,283 The color's incredible. 1851 01:34:56,367 --> 01:34:59,534 - You are incredible. Never change. 1852 01:34:59,617 --> 01:35:01,242 - Thank you. - It's wonderful. 1853 01:35:03,992 --> 01:35:07,075 - It's... it's the paintings that motivate everything. 1854 01:38:28,283 --> 01:38:30,242 - At 400 million, 1855 01:38:30,325 --> 01:38:33,492 Leonardo's "Salvator Mundi" selling here at Christie's. 1856 01:38:33,575 --> 01:38:35,117 $400 million is the bid. 1857 01:38:35,200 --> 01:38:38,117 And the piece is sold. 143464

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