All language subtitles for Warm.Nights.And.Hot.Pleasures.1964.720p.BluRay.x264.AAC-[YTS.MX]

Hey, kid, you move pretty good.

You ought to be on shoulder tonight.

If you are interested in a career, I
could help you a lot in the big city.

I'm staying over at the
Pado House, room 602.

That is, if you are interested in a career.

I sure had his eye all right.

You didn't believe him.

Well, he could have contacts.

A caveat, some sort of line.

Oh, what's the matter with you two? You
look like a couple of mortuary assistants.

Show a little enthusiasm.

It's all right for you to whoop it up.

Like me, I'm failing three out of five.

It's not because I'm not hitting the books.

Oh, I'm just fed up with school.

So you're fed up with school, and
you, I know you're not having it easy.

Oh, it'll pass over.

Oh, forget her.

Sure you will.

Was all that talk about
show business just talk?

Look, if it wasn't, we've got
to take the plunge sometime,

or we'll be trapped here
for three more years.

But that man at the sugar
bowl, I'm still sure it's just a line.

But on the other hand,
he could have contacts.

Contacts? Look, I've got
contacts in every city in the country.

You just give me the name of the horse,
and tomorrow morning I'll put you down.

Even in this bird.

Yeah, who is it?

Come in, close the door.

Take off your coat and stay awhile.

Come on, who likes baby?

There, that's better.

Like a drink?

So you want to bust
into show business, huh?

What makes you think you're qualified?

I started dancing school when I turned six.

And I've been going ever since.

Well, it was very good training.

I saw you dancing today.

Very good.

Look, if you want to
break into show business,

you've got to lose enough, relax a little.

Especially around men.

Little gals who can't bend a little,

never make it in show business.

Never.

Come on, baby, let's see you move.

I'll give you the beat,
and you'll just improvise.

Come on, baby.

I've got a friend in New York.

This guy is a big theater papacist.

He can get you right in
with the people who can't.

He's got the key to the back door.

Only he ain't interested in old
chick who don't do an accent.

Be a little easier on men.

This is our big chance.

Mr. Williams gave me this card of a
big theatrical publicist in New York.

Still carrying the torch for
the big man on the campus?

Well, I don't care.

I'm not going to miss
the chance of a lifetime.

Well, look, I'm the
least likely to succeed.

I haven't had any training
in singing, acting, or dancing.

But I'd like to give it a try.

Or at least a try.

So would I.

Oh, I'm so glad.

Look, I've saved nearly $200.

We can go on that

and give New York and the
theater at least a month and a half.

That is, if we watch our pennies.

Well, Kathy, I think I have
a little over that myself.

I have $125.

Howard and I were saving to buy the ring.

That's all I have.

We'll just pool our resources.

That'll give us at least three months.

But I have a feeling that a
couple of weeks of real trying,

at least that's what Mr. Williams said.

He said that real pretty
girls don't have trouble

if they know how to handle themselves.

Handle themselves?

Well, you know, be poised
and relaxed around people.

Well, I'm all game.

So am I.

You know, Kathy,

I don't think it's a very smart thing for
you to go around to men's motel rooms.

Oh, Marcy, you give me a big pain.

So I went to a man's motel
room for a few minutes.

What could happen?

Well, you know, the way you like to tease

and the way you like to show yourself off.

You know, you could give
a man the wrong ideas.

Well, this is our ticket out of
this institution of higher boredom.

A ticket to excitement,
adventure,

and stardom.

Publicity and promotion.

485 Broadway.

Gary Farnham.

We'll find ourselves a nice room,

a nice, neat room.

Nice, neat little room?

We came to the right place.

Well, we'd like the room.

Your Jackpens?

What's the trouble, sweetie?

Somebody for you, baby.

Customers.

Tell them to come in.

Come on in.

You're the landlady?

In the flesh, as it were.

Let's see, the only thing we
have left is

number eleven.

Twenty-two bucks a
week for the three of you.

Two weeks in advance.

You get two sets of linens.

You do your own laundry and house cleaning.

How about plumbing?

Down the hall, baby.

I have two weeks in advance.

Later, dearie.

I don't have any place to put it right now.

Don't worry.

I'll be down to collect later.

The room's right down the hall.

The door's open and the key's inside.

Ready, Rembrandt?

Are you familiar with any of
the big theatrical publicists?

I know of a few.

Do you know...

Gary Farnham?

Who?

Gary Farnham.

Yeah, I'm Gary Farnham.

Well, what do you want?

I'm Cathy James.

Cathy who?

Well, Cathy James.

Your friend Pete Williams sent me.

He said he'd call you about me.

Oh, yeah.

I remember now.

Pete Williams told me all about you.

Let me finish typing this letter.

Don't you have a
secretary?

Oh, yeah, sure.

But I gave her the day off.

All right.

Tell me all about yourself.

Well, my friends Marsha
Hendricks and Vivian Lee and I,

we left Warner College upstate.

Yeah, then?

Well, we came to New York.

We want theatrical careers.

How do you know you're qualified?

Well, we were all in the dramatic club

and we took interpretive dancing at school.

Well, and I studied ballet
since I was a little girl.

Well, all we want is a chance.

Mr. Williams said you'd
give us a chance to show.

Oh, don't worry, baby.

You'll get your chance to show.

Over there.

Take your clothes off.

And you want to get into
show business, don't you?

Well, I got to see if you're
qualified, don't I?

I guess.

Well, I assume that's how we look.

Won't you at least lock the door?

Hi, talking to
yourself?

I guess.

I was just saying it's
disgusting the way the people in

casting offices treat ambitious
young stars of the future.

You have any luck?

I didn't get past one secretary.

You know, it's only my first
day and my feet hurt already.

I'm happy to get back to the cave.

It's a wild place,
isn't it?

I guess.

The landlady you pose is
for questionable photographs.

It's all very legitimate, though.

The photographer's nice.

I'm not, but he's all right.

Hi, how do kids do? Terrible.

Well, I got a lead.

Remember the publicist?

Oh, you mean the one the guy
in the hotel room recommended?

Well, anyway,

this evening he wants us to go
see this big producer, Paul Cobb.

This evening?

It's some sort of a party.

A party?

I thought it was a lead.

It is, sort of.

We'll meet this big producer.

Well, we can't lose anything by going.

No, we can stuff ourselves

without hurting our budget a bit.

There'll be plenty of food.

Oh, that's one prospector.

I'll take away all my
fatigue and my sore feet.

Come on, let's get ready.

It'll probably be a very quiet party.

Hey, I'm glad you came.

These are my roommates.

The ones I told you about?

Vivian and Marcia.

Nah, the cabaret business
ain't what it used to be.

There ain't any big
spenders around anymore.

There's a nightclub owner in here
that owes me a couple of good turns.

I want you to meet him.

I got somebody here I want you to meet.

This is Cathy.

You know the girl I was telling you about?

She's got a lot of talent.

A lot of talent.

Oh, thank you.

There isn't a girl who
doesn't like champagne.

Listen, this place should make a minter.

Oh, I've been buried so darn long.

And I really can't afford to
take a tax loss again this year.

What?

Dear, I'm sorry to interrupt.

This pretty thing is Vivian.

Vivian, this.

So you're in show
business?

Well, not yet.

But I hope to be soon.

The girl will go on like
that until she drops.

Wild.

You practice long, Miss Lee?

Not professionally, Mr. Baylor.

I would like to know what your intentions
are going to be concerning the package.

Really, Paul?

I haven't made up my mind yet.

Oh, you two were discussing business.

If you'd like me to come in.

Say, you're a real cool chick.

Like to dance?

Why not?

Yeah.

Gary tells me a lot of
good things about you.

Maybe I could use you down at my place.

That's not a promise.

But tomorrow you can stop around.

And then we'll see, maybe.

I told you she'd dance until she drops.

I didn't tell you what.

I need a little fresh air.

Don't you feel well?

I'd feel a lot better if we
took a spin in my teabag.

Be a good kid.

Run out and get me some scotch and a soda.

We're all out.

That gal sure moves good.

Mavis?

Yeah, she's a good sport.

You move well, too, baby.

Oh?

I was watching you
dancing with Luke Filitharia.

You make a very good showgirl.

Do you like to be a showgirl?

Before I was married
to Paul, I was a showgirl.

It was great.

You should try it when
you know how to begin.

You wouldn't even know how to begin.

I could teach you.

You'd have no trouble landing a job.

Tighter!

Now, tie her tighter.

Don't be afraid to give her room burns.

Remember, she likes to suffer.

There, now that's what I want.

Coming.

It's not what it looks like.

It is, too.

You just saved me from
a fate worse than death.

Darn it.

Miss Penn.

Jackie, please.

Richard.

A little tender massage to
start the blood circulating again.

Jackie, I took the liberty
of giving the number out

to the payphone next to your room.

And while I'm out, if I get any calls,
you know, would you...

Aha, beau!

I knew it wouldn't take long.

A good-looking girl in this town?

Oh, it's not a beau.

Actually, it's a girlfriend.

Someone who's going to coach me.

I met at the party last night.

Don't worry, baby. I'll take the message.

Okay, thank you.

You know something, Jackie Merlo?

What?

It's a sweet little girl.

Mr. Wilkerson?

I'm ready for that audition now.

Oh, yes. I didn't think you'd show.

Well, I do want to work.

What can you do?

Well, I sing and dance a little.

Do you have a show here?

Well, it seems a little small.

Irregardless what it seems,

we do have a show.

Come with me.

In here.

You want a job, don't you?

I got to see what you
look like in custom, don't I?

I don't know what you've
heard about me, but...

I don't believe everything.

I don't believe in anything I hear.

Look what I see.

Cobb, you got a job?

What kind?

Dancing at the Southland Club.

Anything happen for you kids yet?

Nothing like that.

You know Ronnie?

Mrs. Cobb.

Well, she's going to teach me
something about being a showgirl.

Viv.

She has a date with Mr. Cobb.

Oh, it's nothing like that.

Paul thinks I've got something saleable.

I'll bet.

You don't have to worry about Paul Cobb.

He's much too decent and
considerate to try anything on me.

Well, I'm glad.

Oh, Kathy, tell us all about it.

How you got the job?

Well, Mr. Wilkerson had me dance for him.

Well, is the place large?

Not very, but I think it'll
be a great place to work.

Oh, it's going to be a ball.

Oh, they're very good.

Watch your little wheel.

You're on.

Lots of luck.

I don't think she's so hot.

Listen, baby.

I'm your number one girl.

Don't you ever forget it.

So you're my number one girl.

Let's prove it.

Get to work and hustle some drinks.

Much better!

On that last turn, just a
little more of a flourish.

Perfect!

Just make your moves as if you mean them.

All right.

Now come back and make
that same turn right in front of me.

And remember,

beautiful.

One.

Two.

Three... beautiful.

Beautiful!

All right!

It's so nice to be here, thank you.

I'd like it.

It's not much.

That's not where you live in.

Oh, Ronnie, it's a palace.

Marsha,

would you like to stay here?

No.

I mean, you could stay
right here in the guest room.

After all, I am a stranger.

It was very sweet of you.

Marcy, I do like you.

You wouldn't be getting in the way.

Not at all.

Oh, Ronnie, I couldn't.

You know, it would hurt Kathy and
Vivian if I...

oh, Ronnie, I just couldn't.

Now I've got to go.

Oh, Ronnie, don't be sad.

It was very sweet of you.

Thank you.

Sleep well, baby.

Wonderful time.

Kathy, Paul's a man I've never met before.

Tried to kiss you, yeah?

No, we had supper.

We went for a walk in the park.

We just talked.

Kathy, you've been drinking.

Oh, I had one or two.

I never knew you drank.

A little drink now and
then doesn't hurt anybody.

Good night, Vivian.

Good night, Kathy.

Look like you're in pain.

Now Laura, you get on top.

All right, come on in.

It's open.

Oh, Miss Hendrix.

Just another layout for
True Revelations magazine.

Hey, do you want to make $25?

Me?

Why not?

You mean almost naked?

Don't look so shocked.

I'm only asking you to pose for me.

Maybe I don't think I
have a good enough figure.

All right, girls.

Take ten minutes.

Hey, come on down to
my room for a cup of tea for a cup of tea.

Rembrandt here is a coffee hound.

Only.

Is that great shape?

Yeah.

Go over there and stand.

Go on.

Here.

Let me see your legs.

Higher.

This high?

Nice, baby.

Very nice.

Very nice.

I'd say beautiful.

Ronnie, why are you drinking so much?

Maybe there's something
I'm trying to forget.

Please.

Maybe.

Just maybe.

Because of Paul and me.

We don't enjoy a very
satisfactory relationship, you know.

Oh, I didn't know.

Well, now you do.

Oh, Ronnie, I'm sorry.

I'm not.

I hate it so.

Well, Ronnie, you're just
starting to move to work tonight.

Perhaps we'd better
make it some other night.

Perhaps you're right.

I'll just get my coat and go home.

Oh, never mind.

I can let myself out.

You know where your friends are.

Marcia, I'm sorry.

I guess I'm just tired.

Oh, it's nothing to cry about, baby.

I'll admit it's not fancy.

It's neat and livable.

And it's a fun house.

It has a wild photographer, jugglers,
a landlady who poses for calendar art,

and other assorted characters.

That's where I live.

Thank you.

Thank you for bringing me here.

And joining me.

Thank you.

You shouldn't have.

Come on, baby!

You look like you saw a ghost.

Or something.

I did see something, all right.

Come up to my place.

I've got a strong pot of coffee.

It's great for shock.

Come on.

You're safe.

Honey, I wouldn't lay a finger on you.

Yes, ma'am, I know his type.

Just wants to look.

Did you see the sucker
Ann Haskell?

Yeah.

A big time movie producer.

A movie producer?

Oh.

No, really.

How do you know?

The last time he was in town,
I had a drink with his buddy.

He told me so.

Leave it to Ann to get the best pickings.

Although he couldn't notice
any of us when we do our turns.

Are you kidding?

With Ann and the student?

Hey, that kid's got soft legs.

I guess if you like that kind.

I'd like another drink.

How about it?

One refill. Come on.

Coming up.

It's strong.

I sure can use it.

Boy, you must have gotten a shock.

You know what? I mean, why I'm so upset.

I saw your friend and the
gentleman enter and I wasn't spying.

I was just coming out of the
bathroom when they went in.

Shouldn't upset you though.

Nothing shocks me.

Remember, I'm a photographer.

For among others, True
Revelations magazine.

But Dick, you don't understand.
He's married.

Really?

Well, he's married to a
very dear friend of mine.

Dick, it's all wrong for Vivian.
It's all wrong.

I'm going to move out, Dick.

I've got to.

Things would just never be the
same between Vivian and me.

Where could you go?

Well...

I could move in with a friend.

Oh, she'd be glad to have me.

Well, I'm glad you haven't decided
to pack it in and leave the city.

You know, you've got a lot on the ball.

A lot on the ball.

So you really think I have
something extra? Yeah.

Tell me, baby.

How do you think
of TV?

All the time.

Would you like to talk it
over with a little quieter?

Can't leave, honey. It's against the rules.

I don't want you to break any rules.

But after closing, we couldn't need
to be all my coffee out on the street.

Commercials pay a whole lot of money.

I wonder if he's left yet.
I'd like to get to bed sometime.

You can stay here as long as you'd like.

You know, Marcia, you're very beautiful.

I'd like you to pose for me.

Without clothes?

Why not?

No, I'd have to think about it a while.

I've thought about it.

I'd be happy to pose for you.

Know something, baby?

On camera, you'll be a sensation.

Yeah, that joint's no
place for a girl like you.

When do you think you
could set up an audition?

How about next week?

Well, do you have a car?

Not on me at the moment.

Well, I mean, don't you
carry a card or something?

Damn it, no, I always carry cards on me.

Besides, I don't want you
to be calling me at the office.

People there might suspect
we're friendly, understand?

Better if I introduce
you as a new discoverer.

I'll know where to find you.

There.

Now, Jackie, you come in the background.

Now, Phil, move to where Jackie is.

And Jackie, you come up front in
the grappling position with Marcia.

Now, Jackie, take Phil's belt

and move into the position
for the whipping scene.

Me?

No, it was a lot of fun.

Still planning to move out?

Yes.

I'll hate to see you go, baby.

Oh, heck, I'll still be around.

It's later than I thought.

Gee, in about ten minutes
I'm supposed to do a

batch of draped figure
shots of Miss Olga Niles.

Oh, is she the
choreographer?

Mm-hmm.

Every once in a while she
gets the urge to do a layout.

What kind of a layout?

Peel.

What?

Peel.

I'm going to take some figure shots of you.

But Niles will be here in a minute.

I know.

Just slip out of that lingerie
and leave everything to me.

And be quick about it.

You have a first name?

I'm going to get you a job.

In a show.

Uh, Miss Niles' show?

Yep.

You are kidding.

She'll get one look at you and...

Oh, I'm afraid I'm early.

It's quite all right, Miss Niles.

Get ready and I'll finish
up with Miss Hendricks.

Parade like a showgirl.

Like you like.

Are you a showgirl?

No.

But you'd like to be.

Would you, young lady?

Would you like to be a showgirl?

Daddy, Miss Niles.

Oh, yes, I'd like to be a showgirl.

You have a very interesting face.

And a very good body.

And she's very reliable.

Dependable little Marsha Hendricks.

Gets herself a job and runs
out on her friends just like that.

Oh, can't you please try to understand?

I just can't stay here any longer.

Why?

Because Vivian is having a
little flirtation? Kathy, come on.

You know as well as I do that Vivian Lee
doesn't know what a little flirtation is.

What's going on here?

Marsha's got herself a job
in the Silver Town Revue.

Isn't that great?

Why the packing?

I'm moving out.

But why?

Marsha, you and that old
cop, the whole thing stinks.

I don't understand.

I know you and your true loves.

It makes me such a sick.

I have a very good reason for
you to smile, Miss Hendricks.

We have decided we are going
to make you one of our girls.

You mean I've got a job?

Oh.

I knew you'd get one.

Oh, Ronnie.

Ronnie, let's celebrate.

I'll drink to that.

Oh, Ronnie, please don't drink so much.

Oh, Ronnie, there's something
I want to show you.

Wait till you see these.

You don't like them?

They're charming.

Forgive me.

Forgive me.

Get up, you dirty little.

Especially when he's a TV producer.

Whatever.

Get up, you no good little tramp.

I'm going to tear you apart.

I said get up!

You know, the big TV producer.

That's rich.

Norcus, a TV producer.

That's what he is.

It's like he's told himself.

Norcus.

Norcus is a $90-a-week bank clerk.

Yes, stupid frauds.

What a bath that was.

Yeah.

I lost a cool $50,000.

You see, there was this
little girl on the chorus.

What a strange man.

Strange?

Cuckoo.

Whatever, he's my only
chance to bankroll the show.

You can sell him.

Honey, he's just given me the brush.

No, I've lost him.

Yeah, maybe for good.

There was only something I could do.

Well, perhaps you can.

Honey, Arthur Greville likes you.

I mean, he likes you a lot.

Well, maybe you could convince him.

You know, if...

Well, if he tried real, real hard.

Oh, I love you.

Sure you do, baby.

But you realize what this means to us.

Honey, it means freedom, my freedom.

What if... Oh, I love you.

And I love you, baby.

And...

Look, honey, I'm very tired and
I've got to get up early in the morning.

I'll be a good girl and get
dressed and go on home.

Come on, chicken, take it.

Do you think I am?

Get out of here.

After all, it was my day for tonight.

You'll be a matter of
the object of the dog.

I knew my casting dress would be superb.

Your staging and things
are pretty good, too.

I heard a lot about them from ringside.

And I heard quite a lot about you, too.

What about my new girl?

Oh, well, I just launched another
star into the theatrical heavens.

One that's probably just as
ungrateful as all the others.

But let's all go and have a drink.

I'd like to take a rain check on that.

Now I'd like to get
home to Kathy and Lydia.

A lot of things I'd like
to try and make up for.