All language subtitles for zxwsojn

BE ALONE. FATHER, I NEED YOU

HERE.

>> PEOPLE WANT TO LOVE YOU. YOU

SHOULD LET THEM LOVE ALL OF YOU.

HUMANS

HUMANS ONLY HAVE ONE ENDING.

IDEAS ARE FOREVER.

>> IMAGINE KNOWING THAT YOU

COULD DO SOMETHING THAT ONLY YOU

COULD DO.

>> THE WORLD WILL REMEMBER THIS

DAY.

>> CLOSE YOUR EYES.

NOW FEEL.

>> EUROPE SO BEAUTIFUL.

>> I KNOW.

I WAS JUST THINKING THAT.

I HAVEN'T EATEN IN THREE WEEKS.

I'M SO HUNGRY.

I HAVE TO GO HOST THE OSCARS.

>> Announcer: LIVE FROM THE

DOLBY THEATRE AT OVATION

HOLLYWOOD, PLEASE WELCOME

TONIGHT'S HOST, JIMMY KIMMEL.

[ CHEERS AND APPLAUSE ]

>> THANK YOU, THANK YOU, THANK

YOU.

HI, EVERYBODY.

VERY KIND, THANK YOU.

THANK YOU VERY MUCH.

THANK YOU FOR THAT PARTIAL

STANDING OVATION.

AND WELCOME TO THE 96th OSCARS,

EVERYBODY.

LOOK AT THESE BEAUTIFUL HUMAN

ACTORS.

WHAT AN HONOR IT IS TO BE HERE.

THANK YOU FOR HAVING ME BACK,

AND CONGRATULATIONS TO EACH AND

EVERY ONE OF YOU FOR MAKING IT

TO THE ACADEMY AWARDS AND FOR

MAKING IT ON TIME.

THE SHOW, AS YOU KNOW, IS

STARTING AN HOUR EARLY THIS

YEAR, BUT, DON'T WORRY, IT WILL

STILL END VERY, VERY LATE.

IN FACT, WE'RE ALREADY FIVE

MINUTES OVER AND I AM NOT

JOKING.

I'M NOT GOING TO LIE, IT'S GOING

TO BE A LONG NIGHT AFTER IT WAS

A LONG YEAR, IT WAS A HARD YEAR

BUT IT WAS ALSO A GREAT YEAR FOR

MOVIES DESPITE THE FACT THAT

EVERYTHING STOPPED.

THE PEOPLE IN THIS ROOM SOMEHOW

MANAGED TO COME UP WITH SO MANY

EXCELLENT FILMS AND SO MANY

MEMORABLE PERFORMANCES.

THIS NIGHT IS FULL OF ENORMOUS

TALENT AND UNTOLD POTENTIAL.

BUT SO WAS MADAM WEB, SO WHO

KNOWS.

ARE WE OFF TO A BUMPY START?

OKAY.

THIS IS A MEANINGFUL OCCASION

FOR MOST OF YOU.

I KNOW THAT.

AND I KNOW THAT WINNING AN OSCAR

IS SOMETHING YOU DREAMED ABOUT

SINCE WERE YOU A KID, AND NOW

HERE WE ARE ALL DRESSED UP,

CELEBRATING THE BEST OF THE

BEST, BEGINNING WITH THE BIGGEST

MOVIE OF THE YEAR, "BARBIE."

"BARBIE" WAS --

[ CHEERS AND APPLAUSE ]

-- A MONSTER HIT.

WHAT A THING.

WHAT AN ACHIEVEMENT TO TAKE A

PLASTIC DOLL NOBODY EVEN LIKED

ANYMORE -- I MEAN, MY WIFE

BEFORE THIS MOVIE, YOU WOULD

HAVE HAD A BETTER CHANCE OF

GETTING MY WIFE TO BUY OUR

DAUGHTER A PACK OF MARLBORO REDS

TO A BARBIE.

MANY BELIEVE MO ARGOT ROBBIE

SHOULD HAVE BEEN NOMINATED.

DON'T ACT LIKE YOU HAD NOTHING

TO DO WITH THIS.

AND I DON'T WANT TO LEAVE OUT

MARGOT ROBBIE, PUT THIS GIANT

HIT TOGETHER.

SHE DID.

MARGOT ROBBIE AND RYAN GOSLING

ARE HERE TONIGHT.

BARBIE AND KEN SITTING NEAR EACH

OTHER.

RYAN AND MARGOT, EVEN IF NEITHER

OF YOU WIN TONIGHT, YOU BOTH

ALREADY WON SOMETHING MUCH MORE

IMPORTANT, THE GENETIC LOTTERY.

RYAN, YOU ARE SO HOT.

LET'S GO CAMPING TOGETHER AND

NOT TELL OUR WIVES.

AND THEN WE HAVE THE OTHER MAJOR

BOX OFFICE WINNER THIS YEAR,

"OPPENHEIMER," DIRECTED BY THE

GREAT CHRISTOPHER NOLAN.

ALSO A VERY ATTRACTIVE MAN.

[ APPLAUSE ]

AND THIS IS A VERY -- THIS IS A

FASCINATING PERSON.

CHRISTOPHER NOLAN DOESN'T HAVE A

SMARTPHONE.

HE DOESN'T USE EMAIL.

AND HE WRITES HIS SCRIPTS ON A

COMPUTER WITH NO INTERNET

CONNECTION, WHICH IS A POWERFUL

WAY OF SAYING, I WILL NOT ALLOW

MY PORN ADDICTION TO GET IN THE

WAY OF MY WORK.

CHRISTOPHER IS JOINED BY HIS

LONGTIME COLLABORATOR CILLIAN

MURPHY, WHO IS JUST WONDERFUL.

CILLIAN IS --

[ APPLAUSE ]

-- INTERESTING FACT ABOUT HIS

NAME.

IT'S PRONOUNCED KILLIAN WHEN HE

DOES DRAMA.

WHEN HE DOES COMEDY IT'S

CILLIAN.

ROBERT DOWNEY JR., THIS NIGHT --

[ APPLAUSE ]

THIS IS THE HIGHEST POINT OF

ROBERT DOWNEY JR.'S LONG AND

ILLUSTRIOUS CAREER.

BUT ONE OF THE HIGHEST POINTS,

BUT --

[ LAUGHTER ]

ROBERT HAS BEEN --

WAS THAT TOO ON THE NOSE OR A

DRUG MOTION YOU MADE?

LOOK AT HIM.

LOOK AT THIS GUY.

HE'S SO HANDSOME, SO TALENTED.

HE'S WON EVERY AWARD THERE IS TO

WIN.

IS THAT AN ACCEPTANCE SPEECH IN

YOUR POCKET, OR DO YOU JUST HAVE

A VERY RECTANGULAR PENIS?

[ LAUGHTER ]

WHAT A STORY.

NOT EVEN 20 YEARS AGO THINGS

WEREN'T GOING THAT GREAT FOR

ROBERT.

HE PLAYED THE VILLAIN, AND

CORRECT ME IF I HAVE THIS

WRONG,A MOVIE TIM ALLEN TURNS

INTO A DOG.

RIGHT?

AND IF YOU EVER DECIDE TO REMAKE

THAT FILM, I HAVE JUST THE GUY

TO PLAY TIM ALLEN.

THAT IS -- WHERE IS HE?

MESSI, WHO, EVEN THOUGH HE'S A

DOG, MAY HAVE GIVEN THE

PERFORMANCE OF THE YEAR IN

"ANATOMY OF A FALL."

HE HAS AN OVERDOSE SCENE.

HONESTLY, I HAVEN'T SEEN A

FRENCH ACTOR EAT VOMIT LIKE THAT

SINCE GERARD DE PARDU.

THE SECOND MOST NOMINATED IS

"POOR THINGS."

HIS EDITOR WHOSE NAME IS YORGOS.

WE HAVE TWO IN THE HOUSE

TONIGHT.

WILL THEY BOTH WIN?

YOUR GUESS IS AS GOOD AS MINE.

20 SECONDS FOR RING TONE.

EMMA, YOU ARE -- SO UNBELIEVABLY

GREAT IN "POOR THINGS," PLAYED

AN ADULT WOMAN WITH THE BRAIN OF

A CHILD, LIKE THE WOMAN WHO GAVE

THE REBUTTAL TO THE STATE OF THE

UNION THURSDAY NIGHT.

AND YOU ARE JUST AMAZING.

THERE ARE SO MANY GREAT MOVIES

THAT HELD AUDIENCES CAPTIVE THIS

YEAR.

AND I MEAN THAT LITERALLY.

THE AVERAGE LENGTH WAS 2:23.

THAT'S UP 30 MINUTES FROM THREE

YEARS AGO.

WHEN I WENT TO CECSEE "KILLERS

THE FLOWER MOON," I HAD MY MAIL

FORWARDED TO THE THEATER.

"KILLERS OF THE FLOWER MOON" IS

SO LONG, AND THE TIME IT TAKES

YOU TO WATCH IT, YOU COULD DRIVE

TO OKLAHOMA AND SOLVE THE

MURDERS YOURSELF.

THE MULTITALENTED BRADLEY COOPER

IS HERE WITH US TONIGHT.

HE HAS ANOTHER BEST PICTURE

NOMINEE WITH "MAESTRO."

BRADLEY, YOU BROUGHT YOUR MOM TO

THE SHOW TONIGHT.

HI, MRS. COOPER.

HOW ARE YOU?

YOU'RE DOING GOOD?

GREAT.

BRADLEY BRINGS HIS MOTHER TO

EVERY AWARDS SHOW, RIGHT?

LAST YEAR AT THE OSCARS -- NO?

OKAY.

AND THE TONYS AND SOUL TRAIN

AWARDS, ET CETERA.

IT'S VERY SWEET.

I GUESS THE QUESTION IS, HOW

MANY TIMES CAN ONE BRING HIS MOM

AS HIS DATE BEFORE HE IS

ACTUALLY DATING HIS MOM?

ARE YOU WORKING ON A MOVIE ABOUT

FREUD RIGHT NOW AND NOT TELLING

US?

48 YEARS OWING ROBERT DE NIRO

AND JODIE FOSTER WERE NOMINATED

FOR "TAXI DRIVER" AND ARE BOTH

NOMINATED AGAIN TONIGHT.

[ CHEERS AND APPLAUSE ]

1976 WAS THE YEAR.

THAT'S PRETTY CRAZY.

IN 1976 JODIE FOSTER IS YOUNG

ENOUGH TO BE ROBERT DE NIRO'S

DAUGHTER.

NOW SHE'S 20 YEARS TOO OLD TO BE

HIS GIRLFRIEND.

I ALSO WANT TO CONGRATULATE

ROBERT'S CO-STAR WILLIE

GLADSTONE WHO IS THE FIRST

NATIVE AMERICAN TO BE NOMINATED

BEST ACTRESS FOR "KILLERS OF THE

FLOWER MOON," AND IF YOU SAW IT

YOU KNOW THAT IT WAS RIVETING.

BEFORE LILY DID THIS MOVIE, SHE

WAS READY TO QUIT ACTING AND

TAKE A JOB AT THE DEPARTMENT OF

AGRICULTURE TRACKING MURDER

HORNETS, RIGHT?

YEAH.

AND NOW SHE'S NOMINATED FOR AN

OSCAR WHICH IS SO GREAT FOR HER

BUT ALSO MAKES ME WORRIED NO ONE

IS TRACKING THESE MURDER

HORNETS.

LILY IS EXCELLENT.

WE HAVE EMILY BLUNT, STERLING K.

BROWN, AMERICA FERRARA, DANIEL

BROOKS, COLMAN DOMINGO, SANDRA

HULLER.

THREE FOREIGN LANGUAGE FILMS ARE

UP FOR BEST PICTURE AND TWO OF

THEM STAR SANDRA HULLER,

WHICH -- I MEAN --

[ CHEERS AND APPLAUSE ]

SANDRA TWO MOVIES, A WOMAN ON

TRIAL FOR MURDERING HER HUSBAND

IN "ANATOMY OF A FALL" AND A

NAZI HOUSEWIFE LIVING NEXT TO

AUSCHWITZ.

WHILE THESE ARE HEAVY SUBJECTS,

IN SANDRA'S NATIVE GERMANY

THEY'RE CALLED ROMCOMS.

FOR THE FIRST TIME IN MORE THAN

TWO DECADES WE'RE ADDING A NEW

CATEGORY TO THE OSCARS.

NOT TONIGHT, DON'T WORRY.

IN THE FUTURE THEY WILL BE

ADDING AN OSCAR FOR ACHIEVEMENT

IN CASTING, WHICH, YEAH, YOU'D

BETTER APPLAUD FOR THAT.

[ APPLAUSE ]

AND THAT IS GREAT NEWS FOR

ACTORS.

NOW NOT ONLY WILL WE BE ABLE TO

WATCH SOMEONE ELSE WIN AN OSCAR

FOR A PART YOU DIDN'T GET,

YOU'LL BE ABLE TO WATCH THE

PERSON WHO DIDN'T THINK YOU WERE

RIGHT FOR IT WIN ONE, TOO.

WHAT A YEAR WE'VE HAD.

IT WAS A TOUGH YEAR.

REMEMBER THAT KID FROM "THE

FABELMANS"?

THIS IS WHAT HE LOOKS LIKE NOW.

[ LAUGHTER ]

VERY GOOD TO HAVE YOU HERE,

STEVEN.

STEVEN, ARE YOU NOMINATED

TONIGHT, OR ARE YOU HERE BECAUSE

YOU HAVE SEASON TICKETS?

STEVEN AND HIS WIFE DONATED A

LOT OF MONEY TO HELP ACTORS AND

WRITERS WHO WERE OUT OF WORK

OVER THE SUMMER.

WE WERE ON STRIKE FOR A LONG

TIME, FOR 148 DAYS.

[ APPLAUSE ]

FOR FIVE MONTHS, THIS GROUP OF

WRITERS, ACTORS, DIRECTORS, THE

PEOPLE WHO ACTUALLY MAKE THE

FILMS SAID WE WILL NOT ACCEPT

OUR DEAL -- WELL, NOT THE

DIRECTORS.

YOU FOLDED IMMEDIATELY, BUT THE

REST OF US SAID, WE WILL NOT

ACCEPT A DEAL WITHOUT

PROTECTIONS AGAINST ARTIFICIAL

INTELLIGENCE.

AND AS A RESULT ACTORS NO LONGER

HAVE TO WORRY ABOUT GETTING

REPLACED BY AI.

THANKS TO THIS HISTORIC

AGREEMENT ACTORS ARE NOW ABLE TO

GO BACK TO WORRYING ABOUT BEING

REPLACED BY YOUNGER, MORE

ATTRACTIVE PEOPLE.

AND I THINK THAT'S GREAT.

AND WRITERS, COULD AI HAVE

WRITTEN "TRANSFORMERS: RISE OF

THE BEAST?"

YES, THE ANSWER IS YES.

WE LEARNED A LOT.

THE STRIKE RAISED EXISTENTIAL

QUESTIONS ABOUT OUR INDUSTRY

LIKE IF A MOVIE PREMIERES AT THE

GROVE AND THERE ARE NO ACTORS

THERE TO PROMOTE IT, DOES MARIO

LOPEZ MAKE A SOUND?

AND NOW THAT THE STRIKE IS OVER,

NOW THAT FRAN DRESCHER HAS

RETURNED TO HER VOLUNTEER WORK

READING LOUDLY TO THE HEARING

IMPAIRED, WE CAN BE PROUD OF THE

FACT THAT THIS LONG AND

DIFFICULT WORK STOPPAGE TAUGHT

US THAT THIS VERY STRANGE TALENT

OF OURS AS PRETENTIOUS AND

SUPERFICIAL, IT'S NOT JUST A

BUNCH OF HEAVILY BOTOXED

SMOOTHIE DRINKING, DIABETES

PRESCRIPTION ABUSING GLUTEN

SENSITIVE BABIES WITH

PERPETUALLY SHIVERING CHIHUAHUAS

BUT STRONG, HARD-WORKING,

MENTALLY TOUGH AMERICAN

LABORERS, WOMEN AND MEN WHO

WOULD 100% FOR SURE DIE IF WE

EVEN HAD TO TOUCH THE HANDLE OF

A SHOVEL.

BUT THE REASON WE WERE ABLE TO

MAKE A DEAL IS BECAUSE OF THE

PEOPLE WHO RALLIED BESIDE US.

BEFORE WE CELEBRATE OURSELVES, A

WELL-DESERVED ROUND OF APPLAUSE

FOR THE PEOPLE WHO WORK BEHIND

THE SCENES, THE TEAMSTERS, THE

TRUCK DRIVERS, THE LIGHTING

CREW, SOUND, CAMERA --

[ CHEERS AND APPLAUSE ]

-- THAT'S RIGHT, ALL THE PEOPLE

ON THE PICKET LINE.

THERE THEY ARE.

TAKE A BOW.

COME ON, GUYS.

TAKE A BOW.

TAKE A BOW.

YOU DESERVE IT.

THANK YOU FOR STANDING WITH US.

AND, ALSO, WE WANT YOU TO KNOW

THAT --

[ APPLAUSE ]

-- IN YOUR UPCOMING NEGOTIATION

WE WILL STAND WITH YOU, TOO.

AND, ALSO, I'M GOING TO MAKE

SURE THIS SHOW GOES REALLY LONG

TONIGHT SO YOU GET A TON OF

OVERTIME.

IT'S GOLDEN TIME, EVERYBODY.

SHOULD WE GIVE OUT SOME OSCARS?

ALL RIGHT.

WE HAVE SURPRISES PLANNED.

FOR EACH OF THE ACTING

CATEGORIES TONIGHT, FIVE

SURPRISES, AND WE'RE GOING TO

KICK IT OFF WITH THE OSCAR FOR

ACTRESS IN A SUPPORTING ROLE.

>> THE OSCAR GOES TO --

>> REGINA KING!

♪

[ APPLAUSE ]

♪

>> SO I AM THRILLED TO BE BACK

ON THIS STAGE TO PRESENT THIS

YEAR'S BEST SUPPORTING ACTRESS

OSCAR AND I AM BEYOND PROUD TO

BE ABLE TO TALK ABOUT ONE OF MY

BESTIES.

IN "NYAD" JODIE FOSTER BRINGS A

PHYSICAL INTENSITY WITH DEEP

CONCERN AND CARE AS BONNIE STOLL

TO DIANA NYAD'S BEST FRIEND,

MOTIVATOR, AND SPEAKING FROM

SERIOUS EXPERIENCE, ALL OF THOSE

ARE REAL ABOUT JODIE AS WELL.

THERE IS NO ONE YOU WOULD RATHER

HAVE YOUR BACK THAN THE

MULTITALENTED JODIE FOSTER.

[ APPLAUSE ]

>> IN THE LAST MOMENTS OF

“OPPENHEIMER,” EMILY BLUNT'S

CHARACTER, KITTY VISSERING

OPPENHEIMER, REFUSES TO SHAKE

THE OFFERED HAND OF THE MAN WHO

BETRAYED HER HUSBAND.

THOUGH IT WAS YEARS LATER, HER

EYES HAD LOST NONE OF THEIR

FURY.

IF YOU SAW ONLY THAT

EXTRAORDINARY MOMENT, YOU WOULD

KNOW WHY EMILY BLUNT IS

NOMINATED TONIGHT.

EMILY, I AM PROUD TO BE YOUR

FRIEND AND I AM SHAKING MY HEAD

IN WONDER AT THE BEAUTIFUL,

HEARTBREAKING AND HELLBENT

DEPTHS THAT YOU BRAVED TO PLAY

KITTY OPPENHEIMER.

[ APPLAUSE ]

>> WHEN WE MEET MARY IN THE

CAFETERIA IN “THE HOLDOVERS,” WE

CAN FEEL THE UNSPOKEN GRIEF

SIMMERING UNDER HER SURFACE.

Da'VINE, MY FRIEND, YOUR

PERFORMANCE IS A

TRIBUTE TO ALL WHO HAVE HEALED

IN SPITE OF THEIR OWN PAIN.

IT'S ALSO A TRIBUTE TO YOUR

GRANDMOTHER, WHOSE GLASSES YOU

WEAR IN THE FILM.

WHAT AN HONOR TO VIEW THE WORLD

THROUGH HER EYES AND YOURS.

[ APPLAUSE ]

>> AMERICA.

[ CHEERS AND APPLAUSE ]

♪ AMERICA ♪

YOUR POWERFUL “BARBIE” MONOLOGUE

IS PERHAPS THE MOST TALKED ABOUT

MOMENT IN THE MOST TALKED ABOUT

MOVIE OF THE PAST YEAR.

YOUR WORDS AND THE PASSION WITH

WHICH YOU DELIVER THEM ABOUT THE

IMPOSSIBLE STANDARDS FEMALES

MUST TRY TO LIVE UP TO

GALVANIZED NOT ONLY WOMEN, BUT

EVERYONE WITH A PULSE.

AMERICA -- FROM ONE WOMAN TO

ANOTHER, CONGRATULATIONS ON YOUR

TOUR DE FORCE.

[ APPLAUSE ]

>> DANIELLE BROOKS --

[ CHEERS AND APPLAUSE ]

-- WHEN YOU WERE 15 AND SAW "THE

COLOR PURPLE" ON BROADWAY WITH

YOUR FATHER, A SPARK I GO

NIGHTED IN YOU.

AND THAT SPARK BROUGHT YOU HERE

TODAY -- FROM MAKING YOUR

BROADWAY DEBUT 10 YEARS LATER AS

SOFIA TO ALMOST 10 YEARS AFTER

THAT GIVING THIS TRANSCENDENT

PERFORMANCE ON THE BIG SCREEN

WHERE WE DON'T JUST SEE SOFIA'S

STRENGTH, BUT HER VULNERABILITY

AS WELL.

YOU HAVE EARNED THIS FULL CIRCLE

MOMENT, MY FRIEND.

[ CHEERS AND APPLAUSE ]

>> AND THE OSCAR GOES TO Da'VINE

JOY RANDOLPH.

[ CHEERS AND APPLAUSE ]

>> THIS IS THE FIRST OSCAR AND

NOMINATION FOR Da'VINE JOY

RANDOLPH.

[ APPLAUSE ]

♪

[ APPLAUSE ]

>> GOD IS SO GOOD.

GOD IS SO GOOD.

YOU KNOW, I DIDN'T THINK I WAS

SUPPOSED TO BE DOING THIS AS A

CAREER.

I STARTED OFF AS A SINGER, AND

MY MOTHER SAID TO ME, GO ACROSS

THAT STREET TO THAT THEATER

DEPARTMENT.

THERE'S SOMETHING FOR YOU THERE.

AND I THANK MY MOTHER FOR DOING

THAT.

I THANK YOU TO ALL THE PEOPLE

WHO HAVE STEPPED IN MY PATH AND

HAVE BEEN THERE FOR ME, WHO HAVE

USHERED ME AND GUIDED ME.

I AM SO GRATEFUL TO ALL YOU

BEAUTIFUL PEOPLE OUT HERE.

FOR SO LONG I'VE ALWAYS WANTED

TO BE DIFFERENT, AND NOW I

REALIZE I JUST NEED TO BE

MYSELF.

AND I THANK YOU.

I THANK YOU FOR SEEING ME.

RON, I THANK YOU WHEN I WAS THE

ONLY BLACK GIRL IN MY CLASS,

WHEN YOU SAW ME, AND YOU TOLD ME

I WAS ENOUGH.

AND WHEN I TOLD YOU, I DON'T SEE

MYSELF, YOU SAID, THAT'S FINE.

WE'RE GOING TO FORGE OUR OWN

PATH.

YOU'RE GOING TO LAY A TRAIL FOR

YOURSELF.

I'M SO GRATEFUL TO ALL THE WOMEN

WHO HAVE BEEN BY MY SIDE,

BARBARA, TRACY, SARAH FARGO, I

HAVE TO GIVE A SPECIAL SHOUTOUT

TO MY PUBLICIST, AND I KNOW YOU

SAID DON'T SAY ANYTHING ABOUT

YOUR PUBLICIST BUT YOU DON'T

HAVE A PUBLICIST LIKE I HAVE A

PUBLICIST.

YOU HAVE BEEN BY MY SIDE THROUGH

THE ENTIRE THING, AND I AM

FOREVER GRATEFUL.

I PRAY TO GOD I GET TO DO THIS

MORE THAN ONCE.

I THANK YOU FOR SEEING ME.

HAVE A BLESSED NIGHT.

THANK YOU SO MUCH.

[ APPLAUSE ]

♪

>> COMING UP NEXT,

CHRIS HEMSWORTH AND

ANYA TAYLOR-JOY.

IT'S “THE OSCARS,” LIVE FROM THE

DOLBY THEATRE AT OVATION

HOLLYWOOD.

♪

Thank you Agent State Farm.

Like a good neighbaaa,
State Farm is there.

Cut!

Hey Arnold, I'm hearing
“neighbaaa” - it's “neighbor.”

That's what I said.
Neighbaaa.

Let's go again!

Like a good neighbaaa,
State Farm is there.

Cut!

Neighbaaa.

Still no.

Neighbor.

Neighbaaa.

-Br.
-Baaa.

Get me out of this choppa!

Like a good neighbor,
State Farm is there.

Cut!

Shame.

It's been here as long
as I can remember.

Living in glances
of people I loved.

And ones I didn't even know.

(♪)

But what good is shame
when it comes to health?

Health is not about
what weight we lose.

It's about all of the things
a body can gain.

(♪)

>> Announcer: “THE OSCARS” ON

ABC, BROUGHT TO YOU BY --

DISNEY AND PIXAR'S “INSIDE OUT

2,” ONLY IN THEATERS JUNE 14th.

>>> PLEASE, IT'S CHRISTMAS.

AT LEAST PRETEND TO BE A HUMAN

BEING.

>> DO YOU THINK I WANT TO BE

BABYSITTING YOU?

I COULD HAVE BEEN READING

MYSTERY NOVELS.

>> YOU DON'T TELL A BOY LEFT

BEHIND AT CHRISTMAS YOU'RE

ACHING TO CUT HIM LOOSE.

>> I FIND THE WORLD A BITTER AND

COMPLICATED PLACE.

I THINK YOU AND I HAVE THIS IN

COMMON.

>> YOU CAN DO THIS.

>> I WAS GOING TO TELL YOU THE

SAME THING.

[ APPLAUSE ]

>> AND PROBABLY TO YOU, GOOD

SIR, AND, BY THE WAY,

CONGRATULATIONS TO Da'VINE JOY

RANDOLPH.

YOU GOT YOUR OSCAR, VERY SWEET,

BEAUTIFUL SPEECH.

YOU KNOW YOU FORGOT TO MENTION

YOUR PUBLICIST'S NAME.

I THINK YOUR PUBLICIST NEEDS A

PUBLICIST IS WHAT IT IS.

OKAY, YOU SHOULDN'T HAVE TO PAY

FOR THE REST OF THE YEAR AT

LEAST.

A GREAT STORY ABOUT Da'VINE --

Da'VINE HAD TO LEARN TO SMOKE

FOR HER ROLE IN THE HOELDOVER.

SHE STARTED SMOKING REAL

CIGARETTES.

KIDS, SOMETIMES SMOKING IS FINE.

FOR THOSE OF YOU WHO DO NOT WIN

AN OSCAR, I NEED YOU TO STICK

AROUND AFTER THE SHOW.

WE'LL BE GIVING OUT THE SILVER

OSCARS FOR SECOND PLACE AFTER AN

ALL-NEW "ABBOTT ELEMENTARY."

OUR NEXT AWARD ARE FOR ANIMATED

FEATURE AND ANIMATED SHORT.

RAISE YOUR HAND IF YOU LET YOUR

KID FILL OUT THIS PART OF THE

BALLOT.

THE GOD OF THUNDER AND PRINCESS

PEACH, CHRIS HEMSWORTH AND

ANYA TAYLOR-JOY.

>> THE GREAT AUTHORS CAN COME

FROM ANYWHERE.

♪

>> A LEAP OF FAITH.

♪

>> ANIMATED FILMS, SOMETIMES

THEY PULL ON YOUR HEART STRINGS,

AND OTHER TIMES THEY MAKE YOU

LAUGH AND BRING YOU JOY.

>> THIS YEAR'S NOMINEES FOR BEST

ANIMATED SHORT COME FROM

COUNTRIES ACROSS THE GLOBE,

CREATING FILMS THAT MAKE US

THINK AND FEEL DEEPLY.

>> HERE ARE THE NOMINEES.

“LETTER TO A PIG.”

TAL KANTOR AND AMIT R. GICELTER.

“NINETY-FIVE SENSES.”

JERUSHA HESS AND JARED HESS.

“OUR UNIFORM.”

YEGANE MOGHADDAM,

"PACHYDERME,"

STÉPHANIE CLÉMENT AND MARC RIUS.

“WAR IS OVER! INSPIRED BY THE

MUSIC OF JOHN & YOKO.”

DAVE MULLINS AND BRAD BOOKER.

>> AND THE OSCAR GOES TO --

"WAR IS OVER!

INSPIRED BY THE MUSIC OF JOHN

AND YOKO."

[ APPLAUSE ]

>> THIS IS THE FIRST OSCAR WIN

FOR FIRST-TIME NOMINEE BRAD

BOOKER AND TWO-TIME NOMINEE DAVE

MULLINS.

>> OKAY.

INTIMIDATING.

WE WANT TO THANK THE ACADEMY FOR

THIS INCREDIBLE AWARD.

JOHN LENNON AND YOKO ONO WROTE A

SONG THAT INSPIRED US, AN

ANTI-WAR MESSAGE WE TRIED TO

HONOR WITH THIS FILM.

WE WANT TO THANK OUR EXECUTIVE

PRODUCER WHO IS AMAZING TO WORK

WITH.

ELECTROLEAGUE, THOMAS NEWMAN FOR

HIS INCREDIBLE SCORE.

AND I WANT TO THANK MY FAMILY I

LOVE SO MUCH, MY KIDS, MY WIFE

LISA, I LOVE YOU SWEETIE, AND

MOM, DAD, WE DID IT.

>> I WANT TO TALK REALLY

QUICKLY, PETER JACKSON, THANK

YOU SO MUCH.

THIS WOULD NOT HAVE HAPPENED

WITHOUT YOU.

ALL THE AMAZINGLY TALENTED TEAM,

THE AMAZINGLY TALENTED TEAM,

EPIC GAMES, LISA ZAMBREE, ROMAN

HUDSON WATCHING AT HOME, I LOVE

YOU VERY MUCH, AND MOM AND DAD,

I LOVE YOU.

>> THANK YOU.

I JUST WANT TO QUICKLY SAY MY

MOTHER TURNED 91 THIS FEBRUARY,

AND TODAY IS MOTHER'S DAY IN THE

U.K., SO COULD EVERYONE SAY

HAPPY MOTHER'S DAY YOKO .

HAPPY MOTHER'S DAY, YOKO!

THANK YOU SO MUCH.

[ APPLAUSE ]

♪

>> HERE ARE THE NOMINEES FOR

BEST ANIMATED FEATURE.

“THE BOY AND THE HERON.”

HAYAO MIYAZAKI AND

TOSHIO SUZUKI.

“ELEMENTAL.”

PETER SOHN AND DENISE REAM.

“NIMONA.”

NICK BRUNO, TROY QUANE,

KAREN RYAN AND JULIE ZACKARY.

“ROBOT DREAMS.”

PABLO BERGER, IBON CORMENZANA,

IGNASI ESTAPÉ AND

SANDRA TAPIA DÍAZ.

“SPIDER-MAN: ACROSS THE

SPIDER-VERSE.”

KEMP POWERS, JUSTIN K. THOMPSON,

PHIL LORD, CHRISTOPHER MILLER

AND AMY PASCAL.

>> ALL RIGHT.

AND THE OSCAR GOES TO "THE BOY

AND THE HERON."

>> "THE BOY AND THE HERON,"

HAYAO MIYAZAKI AND TOSHIO SUZUKI

COULD NOT BE HERE.

WE ACCEPT ON THEIR BEHALF.

>> CONGRATULATIONS.

>> THANK YOU.

[ APPLAUSE ]

♪

>> Announcer: JUST AHEAD,

MELISSA McCARTHY AND

OCTAVIA SPENCER.

THEN LATER, BILLIE EILISH

PERFORMS A NOMINATED SONG FROM

“BARBIE.”

IT'S “THE OSCARS,” HERE ON ABC.

There's challenges,

and I love
overcoming challenges.

♪

When Better Money Habits®

content first
started coming out,

it expanded what
I could do for

Special Olympics athletes
with developmental needs.

Thousands of Bank of America
employees like Scott

spend countless hours
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how to reach
their financial goals.

It felt good.

It felt like I could take
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[ Serene music playing ]

Welcome to the Wayborhood.

The Wayfair vibe at
our place is Western.

My thing, Darling? Shine.

Gardening.

Some of us go
for the dramatic.

How didn't I know Wayfair
had vanities in tile?

[ gasps ]

This.

Wow!

Do you have any
ottomans without legs.

Sure.
You'll flip for the poof cart.

in the Wayborhood, there's
a place for all of us.

♪ Wayfair.
Every style. Every home. ♪

Schwarzkopf has 125 years

of professional
hair expertise.

That’s why
I trust them

to create the perfect blonde.

To help you tell your story

and feel more
like you.

♪

Schwarzkopf.

What story will you tell?

>>> THE OSCARS WILL CONTINUE IN

A MOMENT ON ABC.

>>> WE MUST EXPERIENCE

EVERYTHING.

NOT JUST THE GOOD.

THIS MAKES US BETTER AND WE CAN

KNOW THE WORLD.

THE WORLD IS OURS.

>> I AM FINDING BEING ALIVE

FASCINATING.

[ APPLAUSE ]

>> THOSE WERE ALL THE PARTS OF

FOUR THINGS WE'RE ALLOWED TO

SHOW ON TV.

REALLY, "THE BOY AND THE HERON"

PEOPLE COULDN'T MAKE IT?

OUR NEXT OSCARS ARE FOR BEST

ORIGINAL AND ADAPTED SCREAM PLAY

WHICH IS A CONTROVERSIAL

CATEGORY THIS YEAR.

A LOT OF PEOPLE WANT TO KNOW AT

WHAT AGE DO YOU TELL A

SCREENPLAY IT WAS ADAPTED?

OUR NEXT PRESENTERS HAVE BEEN

BEST FRIENDS FOR ALMOST 30

YEARS, AND THAT ALL ENDS

TONIGHT.

PLEASE WELCOME TWO-TIME OSCAR

NOMINEE MELISSA McCARTHY AND

OSCAR-WINNER OCTAVIA SPENCER.

[ APPLAUSE ]

♪

>> ORIGINAL SCREENPLAYS AND

ADAPTED SCREENPLAYS ARE CUT FROM

THE SAME CLOTH.

THEY'RE SIMILAR, YET THEY REMAIN

UNIQUE.

YET EACH ARTFORM MAINTAINS ITS

INDIVIDUAL CHARACTERISTICS.

>> THAT'S KIND OF LIKE US,

RIGHT?

WE DO OUR OWN THING BUT ALSO DO

OUR THINGS TOGETHER.

LIKE THE CHIP N' DALE OF SHOW

BIZ.

RIGHT?

>> CHIPPENDALES?

I DON'T SEE US AS THE LYCRA

PANTS AND PELVIC THRUSTS TYPES.

>> WELL, SPEAK FOR YOURSELF, BUT

WHAT ARE YOU TALKING ABOUT?

I SAID CHIP N' DALE.

>> I KNOW YOU SAID

CHIPPENDALE'S.

>> OHHH, NO NO NO, I'M SAYING

CHIP-N-DALE, AND YOU'RE SAYING

CHIPPENDALES.

>> OH, I THOUGHT YOU MEANT

CHIPPENDALE'S --

>> USUALLY I AM --

>> NOT NOW BECAUSE THAT WOULD BE

WEIRD.

>> YEAH.

WHY DON'T WE JUST READ WHAT THE

BRILLIANT WRITERS WROTE FOR US.

>> OH, LOOK UP THERE.

THERE'S A SCRIPT ON THE THING.

>> IT HAS MY NAME.

>> IT'S IN YELLOW.

>> TO MAKE A SCRIPT REALLY COME

TO LIFE, THE WRITER MUST NOT

ONLY CAPTURES THE AUDIENCE'S

HEARTS --

>> -- BUT SIMULTANEOUS ENTERTAIN

AND SURPRISE.

>> MUCH BETTER WRITTEN.

>> HERE ARE THE NOMINEES FOR

BEST ORIGINAL SCREENPLAY.

"ANATOMY OF A FALL," SCREENPLAY

BY JUSTINE TRIET AND

ARTHUR HARARI.

>> YOU ARE NOT THE VICTIM.

NOT AT ALL.

YOUR GENEROSITY IS MEANER.

"THE HOLDOVERS," WRITTEN BY

DAVID HEMINGSON.

>> I TRULY BELIEVE YOU CAN.

"MAESTRO," WRITTEN BY

BRADLEYCOOPER AND JOSH SINGER.

"MAY DECEMBER," SCREENPLAY BY

SAMY BURCH.

"MAY DECEMBER" --

"PAST LIVES" --

>> AND THE OSCAR GOES TO

"ANATOMY OF A FALL."

JUSTINE TRIET AND ARTHUR HARARI.

[ APPLAUSE ]

>> THANK YOU SO MUCH.

IT WILL HELP ME THROUGH MY

MID-LIFE CRISIS, I THINK.

THIS IS A CRAZY YEAR.

ANYWAY, CONTRAST LIKELY WITH THE

START BEFORE.

WE WERE STUCK IN THE HOUSE WITH

TWO KIDS.

IT WAS A LOCKDOWN, AND WE HOOKED

THEM UP TO CARTOONS AND, YEAH,

THERE WAS NO LINE BETWEEN WORK

AND DIAPERS.

>> AND THEN ALONG CAME TWO OTHER

PEOPLE, A WOMAN AND A MAN, THE

PRODUCERS, AND --

[ APPLAUSE ]

YEAH, THAT'S WHEN THINGS GOT A

LITTLE CRAZY.

IT WAS LIKE PING-PONG BUT THERE

WAS NOTHING BETWEEN US OR ABOVE

US, ONLY TOTAL INDEPENDENCE AND

FREEDOM, AND THAT'S THE ONLY WAY

WE COULD MAKE THAT FILM.

[ APPLAUSE ]

>> I WANT TO THANK ALL THE CAST

FOR WHAT YOU DID ON SET.

YOU KILLED THE SCRIPT ON SET.

THAT'S THE BEST FOR WRITERS, FOR

DIRECTORS.

THANK YOU SO MUCH.

THANK YOU.

[ APPLAUSE ]

♪

>> OH, IT'S ME.

>> IT'S YOU.

>> HERE ARE THE NOMINEES FOR

ADAPTED SCREENPLAY --

"AMERICAN FICTION," WRITTEN FOR

THE SCREEN BY CORD JEFFERSON.

BASED UPON THE NOVEL "ERASURE"

BY PERCIVAL EVERETT.

"THE ZONE OF INTEREST" WRITTEN

BY JONATHAN GLAZER.

"OPPENHEIMER," WRITTEN FOR THE

SCREEN BY CHRISTOPHER NOLAN.

BASED ON THE BOOK "AMERICAN

PROMETHEUS: THE TRIUMPH AND

TRAGEDY OF

J. ROBERT OPPENHEIMER" BY

KAI BIRD AND MARTIN J. SHERWIN.

"BARBIE," WRITTEN BY

GRETA GERWIG AND NOAH BAUMBACH.

BASED ON BARBIE BY MATTEL.

"POOR THINGS," SCREENPLAY BY

TONY MCNAMARA.

BASED UPON THE NOVEL BY

ALASDAIR GRAY.

>> AND THE OSCAR GOES TO --

"AMERICAN FICTION."

>> THIS IS THE FIRST OSCAR WIN

AND SECOND NOMINATION THIS YEAR

FOR CORD JEFFERSON, PART OF THE

PRODUCING TEAM OF "AMERICAN

FICTION."

[ APPLAUSE ]

♪

>> THANK YOU SO MUCH.

THANK YOU SO MUCH.

MY GOD.

THANK YOU SO MUCH.

THANK YOU SO MUCH.

[ CHEERS AND APPLAUSE ]

THIS REALLY MEANS THE WORLD TO

ME.

THANK YOU SO MUCH TO THE

ACADEMY.

THANK YOU SO MUCH TO EVERYBODY

WHO WORKED ON THE FILM.

I'VE BEEN TALKING A LOT ABOUT

HOW MANY PEOPLE PASSED ON THIS

MOVIE IN DISCUSSING IT, AND I

WORRY THAT SOMETIMES SOUNDS

VINDICTIVE AND I'M NOT A

VINDICTIVE PERSON ANYMORE.

I'VE WORKED HARD TO BE NOT

VINDICTIVE ANYMORE.

AND IT'S MORE A PLEA.

IT'S A PLEA TO ACKNOWLEDGE AND

RECOGNIZE THAT THERE ARE SO MANY

PEOPLE OUT THERE WHO WANT THE

OPPORTUNITY THAT I WAS GIVEN.

AND THIS IS A -- I UNDERSTAND --

I ONLY HAVE SIX SECONDS, PLEASE.

I UNDERSTAND THAT THIS IS A RISK

AVERSE INDUSTRY.

I GET IT, BUT $200 MILLION

MOVIES ARE ALSO A RISK, YOU

KNOW.

AND IT DOESN'T ALWAYS WORK OUT,

BUT YOU TAKE THE RISK ANYWAY.

AND INSTEAD OF MAKING ONE $200

MILLION MOVIE, TRY MAKING 20 $10

MILLION MOVIES OR 50 -- RIGHT?

50 $4 MILLION MOVIES.

YOU CAN -- THERE ARE SO MANY

PEOPLE.

I JUST FEEL SO MUCH JOY BEING

HERE.

I FELT SO MUCH JOY MAKING THIS

MOVIE AND I WANT OTHER PEOPLE TO

EXPERIENCE THAT JOY, AND THEY

ARE OUT THERE.

I PROMISE YOU.

THE NEXT MARTIN SCORCESE IS OUT

THERE.

THE NEXT GRETA IS OUT THERE.

BOTH GRETAS.

THE NEXT CHRISTOPHER NOLAN IS

OUT THERE.

THEY JUST WANT A SHOT, AND WE

CAN GIVE THEM ONE, AND THIS HAS

CHANGED MY LIFE.

THANK YOU ALL WHO WORKED ON THIS

MOVIE FOR TRUSTING A 40-YEAR-OLD

BLACK GUY WHO NEVER DIRECTED

ANYTHING BEFORE.

IT HAS CHANGED MY LIFE.

THANK YOU.

I LOVE YOU ALL.

THANK YOU SO MUCH.

[ CHEERS AND APPLAUSE ]

♪

>> Announcer: PERFORMING THE

OSCAR NOMINATED SONG "WHAT WAS I

MADE FOR?" FROM "BARBIE," HERE

ARE BILLIE EILISH AND

FINNEAS O'CONNELL.

[ APPLAUSE ]

♪

♪ I USED TO FLOAT

NOW I JUST FALL DOWN ♪

♪ I USED TO KNOW

BUT I'M NOT SURE NOW

WHAT I WAS MADE FOR

WHAT WAS I MADE FOR? ♪

♪ BECAUSE I WAS MADE FOR YOU

BUT I WANNA TRY ♪

♪ I DON'T KNOW HOW TO FEEL

BUT I WANNA TRY ♪

♪ I DON'T KNOW HOW TO FEEL

BUT SOME DAY I MIGHT ♪

♪

♪ WHEN DID IT END?

ALL THE ENJOYMENT

I'M SAD AGAIN BUT

DON'T TELL MY BOYFRIEND ♪

♪ IT'S NOT WHAT

HE'S MADE FOR

WHAT WAS I MADE FOR? ♪

♪ 'CAUSE I

'CAUSE I

I DON'T KNOW HOW TO FEEL

BUT I WANNA TRY ♪

♪ I DON'T KNOW HOW TO FEEL

BUT SOMEDAY I MIGHT

SOMEDAY I MIGHT ♪

♪ THINK I FORGOT

HOW TO BE HAPPY

SOMETHING I'M NOT

BUT SOMETHING I CAN BE ♪

♪ SOMETHING I WAIT FOR

SOMETHING I'M MADE FOR

SOMETHING I'M MADE FOR ♪

[ APPLAUSE ]

♪

>> I'M DAVID ALAN GRIER, AND I'M

THE ANNOUNCER TONIGHT.

HERE IS WHAT IS UP NEXT,

CATHERINE O'HARA AND

MICHAEL KEATON.

THEN LATER WE FIND OUT WHO WINS

FOR SUPPORTING ACTOR.

THE OSCARS ON ABC BROUGHT TO YOU

BY --

♪ Music plays [My House by
Beyoncé] ♪

(Director)
Cut!

(Tony)
Broke the internet again.

(Beyoncé)
Woah, it's coming in really
fast.

(Tony)
Yeah, it’s Verizon 5G. The
network is crazy powerful.

I bet you can’t break that.

(Beyoncé)
Bet I can.

(Tony)
Wait what?

(Newscaster)
Beyoncé breaks the internet, but
can she break Verizon?

(Beyoncé)
Broken?

(Tony)
Not even close.

(Beyoncé)
How about BarBey?

(Tony)
No.

(Beyoncé)
I’m running for Beyoncé Of The
United States.

Can you hear me now?

(Tony)
No break-y.

(Beyoncé)
Ya’ll ready for Rocket B?

(Tony)
Still works.

(Beyoncé)
Someone get me down.

This vacation season
comes a whodunit at sea...

So who had the most fun?

Was it the brother
at Family Feud Live?

Or mom and dad in the spa?

It could be
the youngest at dinner.

Or the oldest
on the Catamaran.

Her boyfriend’s
definitely having fun.

Or maybe the culprit was...

MOM!

No one does fun like Carnival.

[funnel horn blares]

Coming soon to a vacation
near you.

(Luke)
So... I hear some of you are
concerned about the fact

that I'm taking over the
company.

Well, rest assured, company's in
great hands.

Marci, hit the vid’.

(Both Lukes)
Homes-dot-com.
We’ve done your home work.

(Luke)
Now, that is worth celebrating!

(Brad)
I love it.

(Luke)
Thank you.

(Brad)
Home...work... very clever.

(VO)
Ding dong!

(Luke VO)
Homes-dot-com.

I was born with wings,

but psoriasis swooped in
to clip them.

It crushed my confidence.

But no longer will psoriasis
get a piece of me.

I can love my skin again.

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to deliver clearer skin fast,
for results that last.

I will give myself back
the freedom of shorts.

Dare to wear black again
from head to toe.

(♪)

Most people got
100% clear skin.

Some after the first dose.

Serious side effects,

including suicidal thoughts
and behavior,

infections and lowered
ability to fight them,

liver problems,

and inflammatory bowel
disease, have occurred.

Tell your doctor
if these happen or worsen,

or if you’ve had
a vaccine or plan to.

(♪)

Start to get yourself back,
with BIMZELX.

Ask your dermatologist
about BIMZELX today.

I’m a bird stuck in
Larry Bird’s attic.

And I’m goin’ cuckoo.

What the heck.

What you got Larry?

May the best bird win.

Brick.

You may be a legend
on the court

but you're an
amateur up here.

Heads up Lar.

So get Allstate...

Save money and be
protected from Mayhem...

...like me.

Now you're the bird
stuck in the attic.

>>> CHILDHOOD SWEETHEARTS WHO

RECONNECT 20 YEARS LATER AND

REALIZE THEY WERE MEANT FOR EACH

OTHER.

>> IF TWO STRANGERS WALK BY EACH

OTHER IN THE STREET AND THEIR

CLOTHES ACCIDENTALLY BRUSH, IT'S

BECAUSE THERE HAVE BEEN 8,000

LAYERS OF EONS BETWEEN THEM.

♪

>> Announcer: HERE ARE

CATHERINE O'HARA AND OSCAR

NOMINEE MICHAEL KEATON.

♪

>> WE ACTORS CAN'T IMAGINE A

WORLD WITHOUT MAKEUP,

HAIRSTYLING, AND PRODUCTION

DESIGN -- NO, NO, NO.

THE LAST THING WE WANT IS ANYONE

KNOWING WHAT WE REALLY LOOK

LIKE.

OR THE SQUALOR IN WHICH WE LIVE.

>> ON EVERY NEW JOB, WE SHARE AN

ALMOST IMMEDIATE INTIMACY WITH

THE GOOD PEOPLE IN THE MAKEUP

AND HAIR TRAILER.

YOU MEET THEM TO DISCUSS THE

CHARACTER'S LOOK, AND BEFORE YOU

KNOW IT, THEY'RE PLUCKING YOUR

NOSE HAIRS.

>> OR RUBBING FOUNDATION INTO

YOUR CLEAVAGE.

>> OR SPACKLING THE 11 HOLES IN

YOUR SKULL WITH THE TEENAGE

MISHAP WITH THE NAIL GUN.

>> -- OH, IF I HAD A NICKEL!

>> HERE ARE THE NOMINEES FOR

MAKEUP AND HAIRSTYLING.

“GOLDA.”

KAREN HARTLEY THOMAS,

SUZI BATTERSBY AND

ASHRA KELLY-BLUE.

“MAESTRO.”

KAZU HIRO, KAY GEORGIOU AND

LORI MCCOY-BELL.

“OPPENHEIMER.”

LUISA ABEL.

“POOR THINGS.”

NADIA STACEY, MARK COULIER AND

JOSH WESTON.

“SOCIETY OF THE SNOW.”

ANA LOPEZ-PUIGCERVER,

DAVID MARTÍ AND MONTSE RIBÉ.

>> AND THE OSCAR GOES TO --

"POOR THINGS," NADIA STACEY MARK

COULIER AND JOSH WESTON.

>> THE FIRST WIN AND SECOND

NOMINATION FOR NADIA STACEY.

THE THIRD OSCAR WIN AND FIFTH

NOMINATION FOR MARK COULIER.

[ APPLAUSE ]

>> OH, MY GOSH.

THANK YOU TO THE ACADEMY.

I CAN'T BELIEVE I JUST SAID

THOSE WORDS.

THANK YOU TO YOU FOR MAKING

FILMS LIKE NOBODY ELSE, TO MY

CREW, GRACE IS UP THERE

SOMEWHERE.

AND TO CAROLYN AT HOME, THANK

YOU TO -- I KNOW NOT MEANT TO

SAY MY AGENT, BUT SYLVIA, IS

AMAZING, AND MY MOM.

>> THANK YOU TO WILLIAM DAFOE.

HE MADE THE WORKING ENVIRONMENT

SUCH A PLEASURE FOR MYSELF TO

WORK IN.

SO A BIG THANKS TO MY WIFE AND

MY CHILDREN.

BRINGING IT HOME.

>> I DON'T HAVE A PUBLICIST BUT

I'D LOVE TO THANK ALL MY CREW IN

THE U.K.

ISABEL WHERE ARE YOU?

YAY!

MY DAUGHTER, ISABEL.

MY SON, ETHAN, AND MY SON OLLIE.

[ APPLAUSE ]

>> WE'RE STILL HERE.

>> LOOKS LIKE WE GOT A CALL

BACK.

>> HERE ARE THE NOMINEES FOR

PRODUCTION DESIGN.

“BARBIE.” PRODUCTION DESIGN BY

SARAH GREENWOOD.

SET DECORATION BY KATIE SPENCER.

“KILLERS OF THE FLOWER MOON.”

PRODUCTION DESIGN BY JACK FISK.

SET DECORATION BY ADAM WILLIS.

“NAPOLEON.”

PRODUCTION DESIGN BY ARTHUR MAX.

SET DECORATION BY ELLI GRIFF.

“OPPENHEIMER.”

PRODUCTION DESIGN BY

RUTH DE JONG.

SET DECORATION BY

CLAIRE KAUFMAN.

“POOR THINGS.”

PRODUCTION DESIGN BY JAMES PRICE

AND SHONA HEATH.

SET DECORATION BY

ZSUZSA MIHALEK.

>> AND THE WINNER IS --

"POOR THINGS."

[ APPLAUSE ]

♪

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR JAMES PRICE,

SHONA HEATH AND ZSUZSA MIHALEK.

♪

>> THIS IS CRAZY.

I WANT TO THANK YOU WHO SUPPORT

US AND DO MAD, CRAZY THINGS.

>> AND THANK YOU TO THINK THIS

WAS A GOOD IDEA WE COLLABORATED.

>> MOM, HAPPY MOTHER'S DAY.

DAD, SIS, LIZ, WE MISS YOU.

ADAM AND LILY ARE OUR BACKBONE,

OUR AMAZING CREW, AND MY PARTNER

IN CRIME, SHONA HEATH.

>> AND THANKS TO OUR BRILLIANT

CONCERT TEAM, JONAS, ANTONIO AND

PERRY.

AND THANKS TO MY FAMILY, DAD,

MOM, TIM.

>> WE'RE OFF.

>> THANK YOU.

[ APPLAUSE ]

♪

>>> TONIGHT IS THE 50th

ANNIVERSARY OF WHAT USED TO BE

THE CRAZIEST MOMENT IN OSCAR

HISTORY AT THE 46th ACADEMY

AWARDS 1974 DAVID NIVENS

INTRODUCED ELIZABETH TAYLOR WHEN

A NUDE MAN, A STREAKER, RAN

ACROSS THE STAGE, WHICH -- CAN

YOU IMAGINE IF A NUDE MAN RAN

ACROSS THE STAGE TODAY?

I SAID, CAN YOU IMAGINE IF --

A NUDE MAN RAN ACROSS THE STAGE

TODAY?

WOULDN'T THAT BE CRAZY?

>> PSST, JIM.

>> I CAN'T COME THERE.

DO THE THING.

EXCUSE ME FOR A SECOND.

WHAT'S GOING ON?

YOU'RE SUPPOSED TO RUN ACROSS

THE STAGE.

>> I CHANGED MY MIND.

I DON'T WANT TO DO THE STREAKER

THING ANYMORE.

>> WHAT DO YOU MEAN YOU DON'T

WANT TO DO THE STREAKER BIT,

WE'RE DOING IT.

>> I DON'T FEEL RIGHT ABOUT IT.

I FEEL ASHAMED RIGHT NOW FOR

SUGGESTING SUCH A TASTELESS

IDEA.

>> IT'S SUPPOSED TO BE FUNNY.

>> THE MALE BODY IS NOT A JOKE.

>> MINE IS.

>> NO, IT'S NOT.

>> WHY NOT?

>> YOU DON'T WRESTLE NAKED.

I WRESTLE IN SHORTS.

>> SHORTS ARE WORSE THAN NAKED.

COME ON.

YOU'RE REALLY NOT GOING TO DO

THIS?

FINE, JUST GIVE OUT THE AWARD

THEN.

G

GOD.

[ CHEERS AND APPLAUSE ]

>> COSTUMES --

THEY ARE SO IMPORTANT.

MAYBE THE MOST IMPORTANT THING

THERE IS.

I CAN'T OPEN THE ENVELOPE.

>> OH, MY.

THE NOMINEES FOR BEST COSTUME

DESIGN ARE --

>> Announcer: “BARBIE.”

COSTUME DESIGN BY

JACQUELINE DURRAN.

“KILLERS OF THE FLOWER MOON.”

COSTUME DESIGN BY

JACQUELINE WEST.

“NAPOLEON.”

COSTUME DESIGN BY JANTY YATES

AND DAVE CROSSMAN.

“OPPENHEIMER.”

COSTUME DESIGN BY

ELLEN MIROJNICK.

“POOR THINGS.”

COSTUME DESIGN BY

HOLLY WADDINGTON.

>> THERE.

YOU LOOK BEAUTIFUL.

>> AND THE OSCAR GOES TO --

"POOR THINGS."

[ APPLAUSE ]

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR HOLLY

WADDINGTON.

[ APPLAUSE ]

>> HI, EVERYONE.

THANK YOU FOR THIS.

THANK YOU TO THE ACADEMY.

THANK YOU TO THE ACADEMY.

THANK YOU TO -- SORRY, MY FELLOW

NOMINEES.

IT'S AN AMAZING PRIVILEGE TO BE

IN THE SAME ROOM AS YOU ALL.

YOU'RE THE PEOPLE WHO INSPIRE ME

TO BE A COSTUME DESIGNER IN THE

FIRST PLACE.

"POOR THINGS" WAS A VERY RARE

OPPORTUNITY TO BE REALLY FREE

AND ARTISTIC IN THE CREATIVE

PROCESS.

THANK YOU FOR THE OPPORTUNITY

AND FOR MAKING SUCH BOLD AND

BRAVE AND IDIOSYNCRATIC WORK.

THERE YOU ARE.

AND THANK YOU TO THE CAST.

YOU WERE SUCH A JOY TO WORK

WITH, AND YOU ALL TOOK EVERY

IDEA AND JUST RAN WITH IT AND

EMBRACED IT WITH SUCH HUMOR.

THANK YOU TO EMMA STONE FOR

GIVING US BAXTER AND BRINGING

HER INTO THE WORLD.

THANK YOU TO MY AMAZING COSTUME

TEAM.

WE ALL MET IN BUDAPEST.

WE'VE NEVER WORKED TOGETHER

BEFORE.

MANY HUNGARIANS, A FEW BRITS,

MID-PANDEMIC, MASKS,

TRANSLATORS.

IT'S HARD TO DESCRIBE TO

EVERYBODY.

AND SOMEHOW WE ALL MANAGED TO

MAKE IT WORK SOMEHOW.

THANK YOU TO TONY McNAMARA FOR

ALWAYS SUPPORTING MY WORK.

I REALLY APPRECIATE IT.

THANK YOU TO ELEMENT PICTURES

FOR MAKING THIS ALL HAPPEN.

THANK YOU TO MY LOVELY FAMILY

WHO HAVE ALL SUPPORTED ME.

I HAVE TO GO.

AND ANDREW WHO IS OVER THERE WHO

LOOKS AFTER THE CHILDREN SO I

CAN WORK.

THANK YOU SO MUCH.

[ APPLAUSE ]

♪

>> Announcer: COMING UP NEXT,

BAD BUNNY AND DWAYNE JOHNSON.

THEN LATER, EMILY BLUNT AND

RYAN GOSLING TAKE THE STAGE.

IT'S “THE OSCARS,” LIVE FROM THE

DOLBY THEATRE AT OVATION

HOLLYWOOD.

It's your anniversary today.

A fact you remembered
127 minutes ago

on your flight home.

You could have arrived
empty-handed.

(♪)

(♪)

But you exist in a world

where it's easy
to get flowers this fresh.

(♪)

Your Door
to Better Relationships.

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♪

What makes a trip unforgettable?

It’s hard to say.

But you’ll know it
when you feel it.

Make memories
with GetYourGuide.

Unforgettable travel
experiences.

>> Announcer: THE OSCARS WILL

CONTINUE IN A MOMENT HERE ON

ABC.

>>> WHEN THIS MONEY STARTED

COMING, WE SHOULD HAVE KNOWN IT

CAME WITH SOMEONE ELSE.

>> SOME ARE CROOKED, SOME DO

THINGS RIGHT.

SOME DO BAD.

>> I HAVEN'T DONE NOTHING WRONG

IN THIS WORLD.

>> HAVE YOU TOLD ALL THE TRUTH?

[ OSAGE TRIBAL SINGING AND

DRUM ]

[ OSAGE TRIBAL SINGING AND

DRUM ]

[ OSAGE TRIBAL SINGING AND

DRUM ]

[ OSAGE TRIBAL SINGING AND

DRUM ]

[ OSAGE TRIBAL SINGING AND

DRUM ]

[ OSAGE TRIBAL SINGING AND

DRUM ]

[ OSAGE TRIBAL SINGING AND

DRUM ]

[ OSAGE TRIBAL SINGING AND

DRUM ]

[ OSAGE TRIBAL SINGING AND

DRUM ]

[ APPLAUSE ]

♪

>> Announcer: PLEASE WELCOME

DWAYNE JOHNSON AND BAD BUNNY.

♪

(MUSICA).

EL ARTE DEL CINE ES UNA LENGUA

UNIVERSAL

>> BEAUTIFULLY SAID.

HE'S NOT SUCH A BAD BUNNY.

HAPPY BIRTHDAY, BROTHER.

>> GRACIAS, THANK YOU.

>> WE BROAD HE OUR PERSPECTIVES

OF THE WORLD AND EACH OTHER.

HERE ARE THE NOMINEES FOR

INTERNATIONAL FEATURE FILM.

FROM ITALY, “IO CAPITANO,”

DIRECTED BY MATTEO GARRONE.

FROM JAPAN, “PERFECT DAYS,”

DIRECTED BY WIM WENDERS.

FROM SPAIN, “SOCIETY OF THE

SNOW,” DIRECTED BY J.A. BAYONA.

FROM GERMANY, “THE TEACHERS'

LOUNGE,” DIRECTED BY LKER ÇATAK.

FROM THE UNITED KINGDOM, “THE

ZONE OF INTEREST,” DIRECTED BY

JONATHAN GLAZER.

>> AND THE OSCAR GOES TO --

""THE ZONE OF INTEREST"."

>> THIS IS THE THIRD NOMINATION

FOR THE UNITED KINGDOM, "THE

ZONE OF INTEREST" IS THE NINTH

NON-ENGLISH LANGUAGE FILM

NOMINATED FOR FEATURE FILM AND

BEST PICTURE IN THE SAME YEAR.

[ APPLAUSE ]

>> THANK YOU SO MUCH.

I'M GOING TO READ, I'M AFRAID.

>> THANK YOU TO THE ACADEMY FOR

THIS HONOR AND TO OUR PARTNERS

AND THE STATE MUSEUM FOR THEIR

TRUST AND GUIDANCE, TO MY

PRODUCERS, ACTORS,

COLLABORATORS, ALL OUR CHOICES

MADE TO REFLECT AND CONFRONT US

IN THE PRESENT.

NOT TO SAY WHAT THEY DID THEN

RATHER WHAT WE DO NOW.

OUR FILM SHOWS WHERE IT SHAPES

ALL OF OUR PAST AND PRESENT.

RIGHT NOW WE STAND HERE AS MEN

WHO REFUSE THE HOLOCAUST

HIJACKED BY AN OCCUPATION LED TO

CONFLICT FOR SO MANY INNOCENT

PEOPLE.

WHETHER THE VICTIMS OF

OCTOBER --

[ APPLAUSE ]

-- WHETHER THE VICTIMS OF

OCTOBER 7 OR THE ONGOING ATTACK

ON GAZA, ALL THE VICTIMS OF THIS

DEHUMANIZATION, HOW DO WE

RESIST?

[ APPLAUSE ]

THE GIRL WHO GLOWS IN THE FILM

AS IN LIFE, I DEDICATE THIS TO

HER MEMORY AND HER RESISTANCE.

THANK YOU.

[ APPLAUSE ]

>> Announcer: PLEASE WELCOME TWO

OF TONIGHT'S OSCAR NOMINEES,

EMILY BLUNT AND RYAN GOSLING.

>> OH, HELLO, EMILY.

>> WELL, A BIT OF A FROSTY

HELLO.

>> NOT AT ALL.

NO, I'M JUST HAPPY THAT WE CAN

FINALLY PUT THIS

BARBENHEIMER RIVALRY ASIDE.

>> THAT'S RIGHT -- HERE'S KEN

AND KITTY LEAVING ALL THAT

FODDER IN THE DUST, GUYS.

AND THE WAY THIS AWARD SEASON

HAS TURNED OUT, WASN'T MUCH OF A

RIVALRY, SO, JUST LET IT GO!

>> IT'S TRUE.

YOU GUYS ARE DOING VERY WELL

CONGRATULATIONS.

>> THANKS.

>> YOU KNOW, I FOUND OUT WHY

IT'S CALLED “BARBENHEIMER” AND

NOT “OPPENARBIE.”

>> WHY?

>> I THINK YOU GUYS ARE AT THE

TAIL END BECAUSE YOU WERE RIDING

BARBIE'S COATTAILS ALL SUMMER.

>> WELL THANKS FOR KENSPLAINING,

THAT TO ME, ALL RIGHT,

MR. ”I NEED TO PAINT MY ABS ON

TO GET NOMINATED.”

YOU DON'T SEE ROBERT DOWNEY

DOING THAT.

>> THIS IS INSANE, EMILY.

WE'VE GOT TO SQUASH THIS.

WE'RE HERE TO CELEBRATE THE

STUNT COMMUNITY.

>> MASSIVELY.

>> THEY'VE BEEN SUCH A

CRUCIAL PART OF OUR INDUSTRY

SINCE THE BEGINNING OF CINEMA.

>> IT'S TRUE.

THEY ARE TRULY UNSUNG HEROES OF

CINEMA.

>> THREE, TWO, ONE, ACTION!

>> CHAPLIN, LLOYD, KEATON.

CINEMA'S FIRST DIRECTORS WERE

ALL STUNTMEN IN THEIR OWN RIGHT

AND ACTION WAS THE LIFE BLOOD OF

THEIR STORY.

THE ACADEMY'S HISTORY RUNS DEEP

WITH THE INCREDIBLE WORK OF THE

ARTISANS OF THE STUNT COMMUNITY.

AND EVERY AWARD SEASON FEATURES

THEIR WORK IN EVERY GENRE FROM

BUTCH AND SUNDANCE TO BLACK

PANTHER, FROM THE DEPTHS OF

SPACE TO THE BATTLEFIELDS OF

EARTH AND BEYOND.

STUNT PERFORMERS AND THE ACTION

THEY DESIGN CONTINUE TO CREATE

SOME OF THE MOST MEMORABLE

MOMENTS IN THE HISTORY OF

CINEMA.

AND THEY'VE BEEN DOING IT FROM

THE START.

♪

>> AND CUT.

[ APPLAUSE ]

>> TO THE STUNT PERFORMERS AND

STUNT COORDINATORS WHO HELP MAKE

MOVIE MAGIC -- WE SALUTE YOU.

[ APPLAUSE ]

♪

>> Announcer: COMING UP, THE

AWARD FOR SUPPORTING ACTOR.

THEN LATER, A REUNION YOU WON'T

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In 1979, my mother opened
this Dunkin’.

People would think that
it was my dad's store.

I always say our Dunkin’ is
the social hub of Wellsboro.

We’re part of the woodwork.
You're back!

Glen, is this
your small black coffee?

Our donut case...
It's a talking piece!

I really enjoyed
owning the shop.

I almost got fired
by my own mother.

Here comes somebody.
It’s a great business.

Dunkin’ has provided me
with a full life.

It was my grandma's,
then my mom's

And now I own it.

I'm Sarah Escherich,

I'm the Life Enrichment

Director at Independence

Village, the senior living

community in Waukee, Iowa.

Everybody here really, really
make you feel like family

and that they love you.

Our goal with TikTok

was to enrich the lives
of our residents

and just to be able
to show people

what senior living
can be like.

I think I am a TikTok grandma.

My kids think I am.

I mean, we’re the ones

that are being entertained.

Time goes faster when you’re
having fun.

>>> I THOUGHT I MIGHT STAY OVER

TONIGHT.

>> TO DO WHAT?

>> I'M ACTUALLY NOT SURE.

>> OH, BUT IT'S GIRLS' NIGHT.

>> HI, BARBIE.

>> HI, KEN.

♪ WATCH ME DANCE ♪

>> BARBIE!

>> HI, I'M WEIRD BARBIE.

I HAVE A FUNKY HAIRCUT AND I

SMELL LIKE BASEMENT.

>> BE PART OF THE PEOPLE.

[ APPLAUSE ]

>> HI, EVERYBODY.

ARE YOU GUYS ALL RIGHT?

YOU'RE HANGING IN?

EVERYBODY OKAY?

APPARENTLY A LOT OF PEOPLE

WATCHING AT HOME ARE JUST

TURNING IT ON AND THEY'RE UPSET

BECAUSE THEY THOUGHT THE SHOW

STARTED AT 5:00 LIKE IT USUALLY

DOES, SO, ANYWAY, THE PRODUCERS

AND I JUST TALKED AND WE THINK

THE BEST THING TO DO IS TO START

THE SHOW OVER AGAIN.

SO LET'S TAKE IT FROM THE TOP,

EVERYBODY.

TAKE IT TO ONE.

WE'RE LIKE AN HOUR AND A HALF

INTO THE SHOW.

IF THIS WAS AN AMC THEATER, THE

MOVIE WOULD JUST BE STARTING

RIGHT NOW.

OUR NEXT CATEGORY IS FOR

ACTOR IN A SUPPORTING ROLE.

WE HAVE A WHOLE BUNCH OF OSCAR

WINNERS TO SUPPORT IT.

PLEASE WELCOME YOUR BEST

SUPPORTING ACTORS.

>> AND THE OSCAR GOES TO --

SAM ROCKWELL.

>> TIM ROBBINS.

MAHERSHALA ALI.

♪

[ APPLAUSE ]

>> IT IS AN HONOR FOR US TO BE

HERE TO PAY TRIBUTE TO THE

NOMINEES FOR ACTOR IN A

SUPPORTING ROLE.

STERLING, I KNOW YOURS HAS BEEN

A LONG JOURNEY TO GET TO THIS

NIGHT.

I CAN RELATE.

AND I AM SO, SO HAPPY THAT

YOU'RE FINALLY BEING RECOGNIZED

BY YOUR PEERS.

YOUR PERFORMANCE IN “AMERICAN

FICTION” IS EXTRAORDINARY AND

TRANSFORMATIVE AND I AM IN AWE

[ APPLAUSE ]

THE MAGIC YOU BRING ON SCREEN,

IT'S OUTMATCHED ONLY BY THE

MAGIC OF WHO YOU ARE AS A

PERSON.

[ APPLAUSE ]

>> THERE ARE ACTORS.

AND THEN THERE ARE ACTORS WHO

DON'T DROP CHARACTER UNTIL THE

DVD COMMENTARY.

I'M TALKING ABOUT

ROBERT DOWNEY JR.

THAT DUDE.

[ APPLAUSE ]

SUSAN'S HUSBAND.

HE CAN BE IRON MAN.

HE CAN BE EVERY MAN.

HE ALWAYS GOES ABOVE AND BEYOND.

30 YEARS AGO, AS CHAPLIN, HE

LEARNED HOW TO PLAY THE VIOLIN

LEFT-HANDED.

WHO DOES THAT?

SERIOUSLY, IT'S OBNOXIOUS.

NOW, IN “OPPENHEIMER,” HE STEALS

SCENES FROM ALBERT EINSTEIN AND

THE ATOMIC BOMB.

I LOVE HIM.

YOU LOVE HIM.

AND WE COULDN'T BE HAPPIER FOR

HIS THIRD OSCAR NOM FOR HIS

AMAZING PORTRAYAL AS

LEWIS STRAUSS.

[ APPLAUSE ]

>> IN THE COURSE OF HIS

BRILLIANT CAREER, ROBERT De NIRO

HAS TEAMED --

[ APPLAUSE ]

-- HAS TEAMED WITH MARTIN

SCORCESE TO BRING US A WIDE

RANGE OF UNIQUELY COMPLICATED

VILLAINS.

HIS LATEST PERFORMANCE IN

“KILLERS OF THE FLOWER MOON”

DELIVERS A DIFFERENT TYPE OF

EVIL -- NOT OF A MOBSTER OR A

PSYCHOTIC LONER -- BUT OF A

BUSINESSMAN CONSUMED BY GREED

AND HIS LUST FOR POWER.

MR. DE NIRO, IN AN

OSCAR-WINNING --

OSCAR WORTHY -- SHOULD BE

WINNING -- GIVES US A REMINDER

OF THE HEART OF DARKNESS WITHIN

OUR ANCESTRAL BLOOD.

CONGRATULATIONS TO AN ACTING

LEGEND.

[ APPLAUSE ]

>> IT‘S NOT REALLY NEW THAT

CERTAIN MALE BEHAVIOR LOOKS LIKE

THE INFERIORITY COMPLEX OF A

PLASTIC DOLL IN A CARDBOARD

BOX -- SOMETHING EASY TO

RIDICULE.

SO WHY THEN DO WE ADMIRE RYAN

GOSLING'S KEN SO MUCH?

BECAUSE RYAN'S PORTRAYAL OF KEN

ALLOWS US TO -- YES, I ADMIT

IT -- TO CONNECT.

NOT BECAUSE IT IS RIDICULOUS.

BUT BECAUSE IT IS FUNNY,

INTELLIGENT, HUGELY ENTERTAINING

AND ULTIMATELY POIGNANT AND

DESERVING OF EMPATHY.

TO EXPERIENCE ALL THAT IS

EXACTLY WHAT WE GO TO THE MOVIES

FOR.

[ APPLAUSE ]

>> MARK RUFFALO --

[ APPLAUSE ]

OVER THREE

DECADES YOU'VE CAPTIVATED US

WITH YOUR VERSATILITY.

FROM DRAMA TO COMEDY TO ACTION,

YOU'VE DEFIED CATEGORIZATION AND

WE WOULDN'T HAVE IT ANY OTHER

WAY.

YOUR APPETITE FOR CHALLENGES IS

UNMATCHED, EXEMPLIFIED BY YOUR

PORTRAYAL OF DUNCAN WEDDERBURN

IN “POOR THINGS,” WHICH HAS

RIGHTFULLY EARNED YOU THIS

NOMINATION.

[ APPLAUSE ]

AND BEYOND YOUR TALENT, MARK,

YOU'RE SIMPLY A WONDERFUL HUMAN

BEING.

THANK YOU.

[ APPLAUSE ]

>> AND THE OSCAR GOES TO --

ROBERT DOWNEY JR.!

♪

>> THIS IS THE FIRST OSCAR WIN

FOR ROBERT DOWNEY JR. AND HIS

THIRD NOMINATION.

♪

[ CHEERS AND APPLAUSE ]

>> THANK YOU, THANK YOU.

THANKS, YOU ONLY FLUBBED ONE

LINE.

I'D LIKE TO THANK MY TERRIBLE

CHILDHOOD AND THE ACADEMY, IN

THAT ORDER.

I'D LIKE TO THANK MY

VETERINARIAN -- WIFE, SUSAN

DOWNEY OVER THERE.

[ APPLAUSE ]

SHE FOUND ME A SNARLING RESCUE

PET, AND YOU LOVED ME BACK TO

LIFE.

THAT'S WHY I'M HERE.

THANK YOU.

[ APPLAUSE ]

HERE'S MY LITTLE SECRET.

I NEEDED THIS JOB MORE THAN IT

NEEDED ME.

CHRIS KNEW IT.

EMMA MADE SURE THAT SHE

SURROUNDED ME WITH ONE OF THE

GREAT CAST AND CREW OF ALL TIME,

EMILY, CILLIAN, AND I STAND HERE

BEFORE YOU A BETTER MAN BECAUSE

OF IT.

WHAT WE DO IS MEANINGFUL, AND

THE STUFF THAT WE DECIDE TO MAKE

IS IMPORTANT.

SO BACK TO MY PUBLICIST --

MY AGENT, PHILLIP RASKIN IS HERE

AND ANDREW DUNLAP, MY DEN

MOTHER, JOY FEELEY, THANK YOU

VERY MUCH.

I WANT TO THANK MY STYLIST, IN

CASE NO ONE ELSE DOES.

THANKS, ERICA.

THANK YOU VERY MUCH.

AND I'M JUST GOING TO SAY THIS,

MY ENTERTAINMENT LAWYER, TOM

HANSON OF 40 YEARS, THE BETTER

HALF HE SPENT TRYING TO GET ME

INSURED AND BAILING ME OUT,

THANKS, BRO.

AVERY AND INDIA, THIS ONE IS FOR

YOU.

[ APPLAUSE ]

♪

♪

>> Announcer: ROBERT DOWNEY JR.

JUST HAD A MOMENT OF A LIFETIME

AND YOU CAN, TOO, AT THE ACADEMY

MUSEUM IN LOS ANGELES WHERE YOU

CAN GIVE YOUR OWN ACCEPTANCE

SPEECH, IMMERSE

YOURSELF IN OSCARS HISTORY, AND

BUY ONE-OF-A-KIND OSCARS

ITEMS -- BOTH IN PERSON OR

ONLINE.

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>> Announcer: THE OSCARS WILL

CONTINUE IN A MOMENT, HERE ON

ABC.

♪

>>> I NEED YOU TO BE PRECISE,

TELL ME EVERYTHING.

THAT'S WHY THERE'S AN

INVESTIGATION FOR MOST

SUSPICIOUS DEATH, BECAUSE YOU

WERE THE ONLY PERSON THERE.

AND, OF COURSE, YOU'RE HIS WIFE.

>> STOP.

I DID NOT KILL HIM.

[ APPLAUSE ]

>> Announcer: PLEASE WELCOME

ARNOLD SCHWARZENEGGER AND OSCAR

NOMINEE DANNY DEVITO.

[ APPLAUSE ]

♪

>> YOU'RE SO BEAUTIFUL.

LOOK AT EVERYBODY.

YEAH, YEAH, VERY NICE.

ARNOLD AND I ARE PRESENTING

TOGETHER FOR A VERY OBVIOUS

REASON.

>> WE'VE BOTH TRIED TO KILL

BATMAN.

>> YEAH, I PLAYED THE PENGUIN IN

"BATMAN RETURNS."

>> AND I WAS MR. FREEZE IN

"BATMAN AND ROBIN."

>> HOW DID BATMAN BEAT YOU?

>> OH, HE USED MY ONE WEAKNESS

AGAINST ME.

>> HEAT?

>> LOVE.

>> HE THREW ME OUT A WINDOW.

REALLY.

I HATE HIM.

THERE HE IS.

HE'S RIGHT HERE.

>> YOU HAVE A LOT OF NERVE TO

SHOW YOUR FACE.

>> YOU ARE A REAL BEAK BREAKER.

I'LL SEE YOU AFTER THE GOVERNORS

BALL, PAL.

HERE ARE THE NOMINEES, THE

ARTISTS WHO TAKE US BEYOND THE

REAL WORLD OR THE LIMITATIONS OF

THE MOVIE SET.

"THE CREATOR."

JAY COOPER, IAN COMLEY,

ANDREW ROBERTS, AND

NEIL CORBOULD.

"GODZILLA MINUS ONE."

TAKASHI YAMAZAKI,

KIYOKO SHIBUYA,

MASAKI TAKAHASHI, AND

TATSUJI NOJIMA.

"GUARDIANS OF THE GALAXY VOL.

3."

STEPHANE CERETTI,

ALEXIS WAJSBROT, GUY WILLIAMS,

AND THEO BIALEK.

"MISSION: IMPOSSIBLE - DEAD

RECKONING PART ONE."

ALEX WUTTKE, SIMONE COCO,

JEFF SUTHERLAND, AND

NEIL CORBOULD.

"NAPOLEON."

CHARLEY HENLEY,

LUC-EWEN MARTIN-FENOUILLET,

SIMONE COCO, AND NEIL CORBOULD.

>> YOU'RE UP.

>> AND THE OSCAR GOES TO --

"GODZILLA MINUS ONE," TAKASHI

YAMAZAKI, KIYOKO SHIBUYA --

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR THE VISUAL

EFFECTS TEAM FROM "GODZILLA

MINUS ONE."

[ APPLAUSE ]

♪

>> 40 YEARS AGO AFTER THE SHOCK

OF SEEING "STAR WARS" TO

SOMEWHERE SO FAR FROM STANDING

ON THIS STAGE SEEMED OUT OF

REACH.

THE MOMENT WE WERE NOMINATE D

WE --

OUR BIGGEST RIVAL, BUT SHALL WE

STAND.

IT IS PROOF THAT EVERYONE HAS A

CHANCE.

FINAL

FINALLY WITH THE HELP OF THE

CAST AND CREW OF "GODZILLA MINUS

ONE" I WANT TO THANK OUR

PRODUCER WHO WE LOST TOO SOON.

THANKS A LOT.

[ APPLAUSE ]

♪

>> THERE YOU GO.

OKAY.

>> THE NEXT CATEGORY ARE REALLY

IMPORTANT PEOPLE.

FILM EDITORS -- THEY'RE THE

ARCHITECTS OF STORYTELLING.

>> THEY FIX ALL THE SCREWUPS.

>> HERE ARE THE NOMINEES.

>> "ANATOMY OF A FALL."

LAURENT SENECHAL.

"THE HOLDOVERS."

KEVIN TENT.

"KILLERS OF THE FLOWER MOON."

THELMA SCHOONMAKER.

"OPPENHEIMER."

JENNIFER LAME.

"POOR THINGS."

YORGOS MAVROPSARIDIS.

>> OKAY.

AND THE OSCAR --

>> HOPEFULLY YOU PRONOUNCE IT

BETTER THAN I DID.

>> WE'LL SEE.

"OPPENHEIMER," JENNIFER LAME.

[ APPLAUSE ]

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR JENNIFER

LAME.

♪

>> I LOVE THE MOVIE TWINS.

IT'S AMAZING TO GET THIS AWARD

FROM YOU.

SORRY, I NEED TO TAKE A DEEP

BREATH.

EMMA THOMAS, YOU AMAZE ME.

YOU MAKE THESE COMPLICATED,

BEAUTIFUL FILMS, AND YOU'RE

UNFLAPPABLE AND I'M IN AWE OF

YOU.

CHRIS NOLAN, YOU'RE OKAY, TOO.

I WAS TERRIFIED LIKE I AM NOW.

WHEN I FIRST GOT HIRED TO WORK

WITH YOU AND YOU NEVER MADE ME

FEEL THAT WAY.

YOU INSTILLED SO MUCH CONFIDENCE

IN ME, AND I LOOKED FORWARD TO

GOING TO WORK WITH YOU EVERY

DAY, AND IT'S STILL EXCITING TO

COLLABORATE WITH YOU.

I CAN'T THANK YOU ENOUGH.

MY HUSBAND, CRAIG, I LOVE YOU.

MY TWO CHILDREN, TONY AND NIKKI,

I LOVE YOU.

GOOD NIGHT.

THANK YOU.

[ APPLAUSE ]

♪

>> Announcer: PERFORMING THE

OSCAR NOMINATED SONG "IT NEVER

WENT AWAY" FROM "AMERICAN

SYMPHONY," PLEASE WELCOME

JON BATISTE.

[ APPLAUSE ]

♪

♪ IT NEVERWENT AWAY

THE FEELING'S

JUST THE SAME ♪

♪ THOUGHT I WAS A WISE LAD

BUT WHEN YOU PLAN, GOD LAUGHS ♪

♪ THOUGHT I WASHOT

GOT ADETOUR ALONG THE WAY ♪

♪ SUMMER TIME ADVENTURE

THAT'S WHAT WE

WERE MEANT FOR ♪

♪ I NEED YOU AND THAT'S

NEVERGOIN' TO CHANGE ♪

♪ IT NEVER WENT AWAY

EVERY TIMEI SEE YOUR FACE ♪

♪

♪ NEVER GOING AWAY

NEVER GOING AWAY ♪

[ APPLAUSE ]

♪

>> Announcer: COMING UP NEXT,

BARBIE'S AMERICA FERRERA AND

KATE MCKINNON.

HERE ON “THE OSCARS,” FROM THE

DOLBY THEATRE AT OVATION,

HOLLYWOOD.

“THE OSCARS” ON ABC, BROUGHT TO

YOU BY --

"TAYLOR SWIFT: THE ERAS TOUR,

TAYLOR'S VERSION," STREAMING

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[Customer Service Rep]
Discover customer service,
this is Maya.

Jennifer: Oh, hi Maya.

You robots are
sounding more human every day!

[Customer Service Rep]
Oh, I am human.

Jennifer: Yeah, it's like
I'm talking to a human!

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Do you feel like a robot?

It Pays to Discover.

(♪)

Healthier means

staying on top of your health
at your place...

(♪)

or ours.

♪ Healthier happens
together. ♪

It's me, America's sweetheart.

And I just love having a Blast.

A Mountain Dew Baja Blast.

[Music begins]
Kids' party?

[shouting in the background]
Having a Blast.

Stuck in an elevator?

[Elevator breaking sound]
Ah!

Having a Blast.

-Winning.
-NO!

-Losing.
-Ahhh!

Having ... a...

Probe me already!

... Blast.

I can have a Blast anytime,
anywhere.

[Epic dragon horn blows
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[Intense Cackling]

Mountain Dew Baja Blast.

In stores everywhere.

I, too, am having a Blast!

>>> HELLO.

I'M LENNY.

THANK YOU.

THE FIRST GREAT AMERICAN

CONDUCTOR.

I WANT A LOT OF THINGS.

>> I KNOW EXACTLY WHO YOU ARE.

LET'S GIVE IT A WHIRL.

[ APPLAUSE ]

>> HEY, LET'S HAVE A ROUND OF

APPLAUSE FOR OUR MAESTRO

TONIGHT, RICKEY MINOR AND HIS

OSCAR ORCHESTRA.

[ APPLAUSE ]

WAVE HELLO, EVERYBODY.

♪

♪

>> HOW'S EVERYBODY DOING?

FEELING WELL?

WHAT'S HAPPENING, COLMAN?

HOW ARE YOU?

COLMAN DOMINGO IS A BEST ACTOR

NOMINEE FOR HIS WORK IN THE

MOVIE "RUSTIN."

HIS NEXT ROLE, I CAN'T WAIT TO

SEE THIS, IS PLAYING

MICHAEL JACKSON'S FATHER IN THE

UPCOMING BIOPIC "MICHAEL."

AND LET ME TELL YOU SOMETHING,

IF YOU THINK "MAESTRO" HAD FAKE

NOSES, HANG ON TO YOUR

JHERI CURLS.

YOU AIN'T SEEN NOTHING YET.

GUILLERMO?

WHAT ARE YOU DOING?

>> MR. COLMAN NEEDED A DRINK.

>> OH, HE DOES?

WHAT ARE YOU DRINKING THERE?

>> DON JULIO 1942.

I HAVE TEQUILA FOR EVERYONE IN

THE AUDIENCE.

>> OH, THAT'S VERY CONSIDERATE

OF YOU.

FOR EVERYONE IN THE AUDIENCE?

>> I THINK WE SHOULD DO A TOAST.

>> NO, WE DON'T HAVE TIME FOR A

POST.

>> YES, WE DO.

EVERYONE, RAISE YOUR GLASS TO

MR. COLMAN FLAMINGO.

AND EMILY BLUNT.

AND JOHN KACHINSKI.

>> IT'S KRASINSKI AND DOMINGO.

ARE YOU TOASTING EVERYONE?

>> YES.

A TOAST TO EVERYONE.

I LOVE YOU ALL OF YOU.

I LOVE YOU, JIMMY.

AND I LOVE TEQUILA.

AND I LOVE TO MY BEAUTIFUL WIFE,

MS. CHARLIZE THERON.

I LOVE YOU.

YOU'RE MY ANGEL.

SALUD, EVERYBODY!

>> SALUD.

>> AND ANOTHER TOAST FOR AMERICA

FERRARA AND KATE McKINNON.

[ APPLAUSE ]

>> WE ARE HERE TO PRESENT THE

AWARDS FOR BEST DOCUMENTARY

SHORT AND BEST DOCUMENTARY

FEATURE.

>> THESE AWARDS HONOR THE BEST

IN DOCUMENTARY FILMMAKING, FILMS

THAT GIVE US REAL STORIES AND

REAL LIFE AND REAL LIVES, WITH

PAST WINNERS LIKE "WOODSTOCK,"

"FREE SOLO," "AN INCONVENIENT

TRUTH" --

>> "JURASSIC PARK," "JURASSIC

WORLD," "JURASSIC WORLD:

DOMINION."

>> KATE, NO.

THOSE AREN'T DOCUMENTARIES.

>> WHAT DO YOU MEAN?

>> THE DINOSAURS WEREN'T REAL.

>> AMERICA, NOT YOU TOO?

>> I KNOW DINOSAUS WERE REAL,

BUT IN THE MOVIE THEY WERE CGI.

THERE WAS A DOCUMENTARY ABOUT

IT.

>> MY GOD.

DR. SPIELBERG, SIR, IS THIS

TRUE?

WOW.

BUT JEFF GOLDBLUM IS REAL,

RIGHT?

>> NO.

>> THEN TO WHOM HAVE I BEEN

MAILING MY TASTEFUL NUDES?

[ APPLAUSE ]

YOU'RE WELCOME.

>> THE NOMINEES FOR BEST

DOCUMENTARY SHORT ARE --

"THE ABCS OF BOOK BANNING."

SHEILA NEVINS AND TRISH ADLESIC.

"THE BARBER OF LITTLE ROCK."

JOHN HOFFMAN AND

CHRISTINE TURNER.

"ISLAND IN BETWEEN."

S. LEO CHIANG AND JEAN TSIEN.

"THE LAST REPAIR SHOP."

BEN PROUDFOOT AND KRIS BOWERS.

"NAI NAI & WAI PO."

SEAN WANG AND SAM DAVIS.

>> AND THE OSCAR GOES TO "THE

LAST REPAIR SHOP," BEN PROUDFOOT

AND KRIS BOWERS.

>> THIS IS THE SECOND OSCAR WIN

AND THIRD NOMINATION FOR BEN

PROUDFOOT AND THE FIRST WIN AND

SECOND NOMINATION FOR KRIS

BOWERS.

[ APPLAUSE ]

♪

♪

>> WOW.

THANK YOU SO MUCH TO THE

ACADEMY.

THIS IS INCREDIBLE.

THANK YOU.

THANK YOU SO MUCH.

"THE LAST REPAIR SHOP" IS ABOUT

THE HEROES IN OUR SCHOOLS WHO

OFTEN GO UNSUNG, UNTHANKED AND

UNSEEN.

TONIGHT YOU ARE SUNG, YOU ARE

THANKED AND YOU ARE SEEN.

THANK YOU ALL SO MUCH FOR WHAT

YOU DO.

JOHN WILLIAMS INSPIRED ME TO

BECOME A COMPOSER.

HE WENT TO L.A. PUBLIC SCHOOLS.

I WENT TO L.A. PUBLIC SCHOOLS

THIS IS PORSCHE WHO IS LEARNING

TO PLAY VIOLIN.

[ APPLAUSE ]

AND L.A. IS ONE OF THE LAST

CITIES IN AMERICA TO GIVE PUBLIC

SCHOOL STUDENTS FREE INSTRUMENTS

AM WE NEED TO FIX THAT.

IT ISN'T JUST ABOUT CREATING

INCREDIBLE MUSICIANS BUT

INCREDIBLE HUMANS.

WE WANT TO THANK YOU, "L.A.

TIMES," BRINK WATER STUDIOS AND

EVERY REPORTER THAT POURED THEIR

HEART IN THIS FILL.

I WANT TO THANK MY WIFE, MY MOM

AND DAUGHTER.

I LOVE YOU, I LOVE YOU, THANK

YOU.

♪

[ APPLAUSE ]

>> AND NOW, HERE ARE THE

NOMINEES FOR BEST DOCUMENTARY

FEATURE.

"BOBI WINE: THE PEOPLE'S

PRESIDENT."

MOSES BWAYO, CHRISTOPHER SHARP,

AND JOHN BATTSEK.

"THE ETERNAL MEMORY."

MAITE ALBERDI.

"FOUR DAUGHTERS."

KAOUTHER BEN HANIA AND

NADIM CHEIKHROUHA.

"TO KILL A TIGER."

NISHA PAHUJA, CORNELIA PRINCIPE,

AND DAVID OPPENHEIM.

"20 DAYS IN MARIUPOL."

MSTYSLAV CHERNOV,

MICHELLE MIZNER, AND

RANEY ARONSON-RATH.

>> AND THE OSCAR GOES TO --

"20 DAYS IN MARIUPOL."

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR MSTYSLAV

CHERNOV, MICHELLE MIZNER AND

RANEY ARONSON-RATH.

[ APPLAUSE ]

>> THANK YOU.

THE FIRST LINE, EVGENY,

MICHELLE, BRADY, THANK YOU FOR

MAKING THIS FILM WITH ME.

THANK YOU FOR HELPING ME ON THIS

JOURNEY.

THIS IS THE FIRST -- THIS IS THE

FIRST OSCAR IN UKRAINIAN

HISTORY.

[ APPLAUSE ]

AND I'M HONORED.

I'M HONORED.

BUT PROBABLY I WILL BE THE FIRST

DIRECTOR ON THIS STAGE WHO WILL

SAY I WISH NEVER MADE THIS FILM.

I WISH TO BE ABLE TO EXCHANGE

THIS TO RUSSIA NEVER ATTACKING

UKRAINE, NEVER OCCUPYING OUR

CITIES --

[ APPLAUSE ]

I WISH TO GIVE TO RUSSIA NOT

KILLING TENS OF THOUSANDS OF MY

FELLOW UKRAINIANS.

I WISH FOR THEM TO RELEASE ALL

THE HOSTAGES, ALL THE SOULEDIERS

WHO ARE PROTECTING THEIR LAND,

ALL THE CIVILIANS WHO ARE NOW IN

THEIR JAILS.

BUT I CANNOT CHANGE THE HISTORY.

I CANNOT CHANGE THE PAST.

BUT, WE ALL TOGETHER, YOU, SOME

OF THE MOST TALENTED PEOPLE IN

THE WORLD, WE CAN MAKE SURE THAT

THE HISTORY RECORD IS SET

STRAIGHT AND THAT THE TRUTH WILL

PREVAIL AND THAT THE PEOPLE OF

MARIUPOL AND THOSE WHO HAVE

GIVEN THEIR LIVES WILL NEVER BE

FORGOTTEN BECAUSE CINEMA FORMS

MEMORIES, AND MEMORIES FORM

HISTORY.

SO THANK YOU ALL AND THANK YOU

ALL, THANKS TO UKRAINE.

[ APPLAUSE ]

♪

>> Announcer: JUST AHEAD,

ZENDAYA.

AND THEN LATER, RYAN GOSLING

WITH THE “I'M JUST KEN”

PERFORMANCE YOU'VE BEEN WAITING

FOR.

♪

>> Announcer: THE OSCARS ON ABC,

BROUGHT TO YOU BY --

TEQUILA DON JULIO.

SIEMPRE POR AMOR.

PLEASE DRINK RESPONSIBLY.

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Marshalls.

It's not about the guy
ahead or behind you.

It's about you
competing against you.

Yeah, you can quit
at any time.

Yeah, go ahead - quit.

After I lost my legs,

I really didn't know
who I was.

Achilles International put me
back on the starting line.

They showed me

if you can beat that voice
on the inside,

there ain't nothing on the
outside that you can lose to.

My marathon is for Achilles.

And showing people
that disabilities

don't have to slow you down.

[ APPLAUSE ]

♪

>> Announcer: PLEASE WELCOME

ZENDAYA.

♪

>> A CINEMATOGRAPHER IS AN

INTERPRETER.

THEY TAKE A VISION AND TRANSLATE

IT INTO THE LANGUAGE OF FILM.

THE LANGUAGE THEY SPEAK IS

AESTHETIC, BUT THE STORIES THEY

TELL ARE VISCERAL.

CINEMATOGRAPHERS DIRECT OUR GAZE

WHERE THE STORY DEMANDS, AND OUR

IMAGINATIONS PURSUE WHERE THEIR

VISUAL ROADMAP LEADS US.

HERE ARE THE NOMINEES FOR

ACHIEVEMENT IN CINEMATOGRAPHY.

"EL CONDE."

EDWARD LACHMAN.

"KILLERS OF THE FLOWER MOON."

RODRIGO PRIETO.

"MAESTRO."

MATTHEW LIBATIQUE.

"OPPENHEIMER."

HOYTE VAN HOYTEMA.

"POOR THINGS."

ROBBIE RYAN.

AND THE OSCAR GOES TO --

"OPPENHEIMER," HOYTE VAN

HOYTEMA.

>> THIS IS THE FIRST OSCAR WIN

AND SECOND NOMINATION FOR HOYTE

VAN HOYTEMA WHO WAS PREVIOUSLY

NOMINATED F D FOR "DONAHER."

[ APPLAUSE ]

♪

>> OH, SILLY.

TO ALL ASPIRING FILMMAKERS OUT

THERE I WOULD LIKE TO SAY PLEASE

TRY SHOOTING THAT INCREDIBLE NEW

HIP THING CALLED CELLULOIDS, IT

MAKES THINGS LOOK SO MUCH

BETTER.

THANK YOU TO THE ACADEMY, A BIG

THANK YOU TO MY WHOLE CREW LED

BY KEITH DAVIS, ADAM CHAMBERS,

AND THANK YOU, CHRIS NOLAN,

THANK YOU, EMMA THOMAS.

YOU ARE BY FAR THE BEST THING

THAT COULD HAVE HAPPENED TO MY

CAREER, OBVIOUSLY.

THIS WOULDN'T HAVE EXISTED

WITHOUT YOU.

THANK YOU, UNIVERSAL.

THANK YOU TO MY WIFE AND

DAUGHTER, MIA AND BONNIE, FOR

KEEPING ME SANE AND ANCHORED

THROUGH THIS CIRCUS CALLED FILM

MAKING.

THANK YOU FOR THE CANDY APPLES.

THANK YOU.

[ APPLAUSE ]

♪

>> Announcer: PLEASE WELCOME

RAMY YOUSSEF AND ISSA RAE.

[ APPLAUSE ]

♪

>> THE GENIUS IN THE WAY SHORT

FILMS STRIP DOWN STORIES TO

THEIR MOST FUNDAMENTAL

ELEMENTS --

>> WHICH IS WHAT WE'RE GOING TO

DO WITH THIS PRESENTER CATEGORY.

>> THE AFTER --

MISAN HARRIMAN AND

NICKY BENTHAM.

"INVINCIBLE."

VINCENT RENE-LORTIE AND

SAMUEL CARON.

"KNIGHT OF FORTUNE."

LASSE LYSKJER NOER AND CHRISTIAN

NORLYK.

"RED, WHITE AND BLUE."

NAZRIN CHOUDHURY AND

SARA McFARLANE.

"THE WONDERFUL STORY OF

HENRY SUGAR."

WES ANDERSON AND STEVEN RALES.

>> AND THE OSCAR GOES TO --

"THE WONDERFUL STORY OF

HENRY SUGAR."

WES ANDERSON AND STEVEN RALES.

>> WES COULD NOT BE HERE

TONIGHT.

WE ACCEPT THE AWARD --

CONGRATULATIONS, WES, WE KNEW

YOU COULD MAKE THEM, BEAUTIFUL.

[ APPLAUSE ]

♪

>> Announcer: PERFORMING THE

OSCAR NOMINATED SONG "THE FIRE

INSIDE" FROM THE MOVIE "FLAMIN

HOT," HERE IS BECKY G.

[ APPLAUSE ]

♪

♪ OH, OH YOU GOT

PLACES TO GO ♪

♪ OH, YOU'RE NOT

GOING THERE SLOW

OH, NO, NO, NO, NO, NO ♪

♪ THEY WILL TELL YOU

YOU'RE CRAZY ♪

♪ THEY WILL CALL YOU A FOOL

THEY WILL THINK

THEY CAN STOP YOU ♪

♪ BUT THERE'S NO

STOPPING YOU ♪

♪ THEY CAN'T PUT OUT

WHAT YOU GOT INSIDE YOU ♪

♪ NO WAY TO PUT OUT THAT FLAME

NOTHING CAN HOLD YOU BACK ♪

♪ NO ONE CAN KILL YOUR VIBE

WHEN YOU GOT

THE FIRE INSIDE ♪

♪ WHEN YOU GOT

THE FIRE INSIDE ♪

♪ OH, YOU'RE GONNA

OWN THIS LIFE ♪

♪ 'CAUSE YOU GOT

THE FIRE INSIDE ♪

♪ 'CAUSE YOU GOT THE FIRE

YOU GOT THE FIRE

OH OH OH ♪

♪ THE FIRE

OH OH OH

THE FIRE ♪

♪ 'CAUSE YOU GOT

THE FIRE INSIDE ♪

♪ 'CAUSE YOU GOT

THE FIRE

YOU GOT THE FIRE, OH ♪

♪ THE FIRE, OH

THE FIRE ♪

♪ 'CAUSE YOU GOT

THE FIRE INSIDE ♪

♪ 'CAUSE YOU GOT

THE FIRE INSIDE YOU ♪

[ APPLAUSE ]

♪

>> Announcer: JOHN MULANEY IS

NEXT, AND THEN LATER, "BARBIE'S"

RYAN GOSLING PERFORMS.

AND KEEP WATCHING TO FIND OUT

WHO WINS THE OSCAR FOR BEST

ACTOR.

Okay, when you turn around,
you're gonna see someone.

May I have a turkey and cheese?

Let's imagine that LL Cool J
has a bubble around him.

-Do we want to be inside -- Ohh.
-Hey, I'm Keith.

There are some situations
that young homeowners

turning into their parents
just can't handle.

Yeah, there he is.

-There's my nephew.
-Very cool.

I got a video of him,
uh, playing piano.

That's not how
you take a selfie.

Progressive can't save you
from becoming your parents,

but we can save you money

when you bundle
home and auto with us.

-Three, two, one.
-We don't need a countdown.

Just take the picture.

♪ ("Good Feeling"
by Flo Rida feat. ATR) ♪

This is a hot flash.

(♪)

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(♪)

But this is a not flash.

(♪)

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(♪)

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And enjoy more
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>> Announcer: THE OSCARS WILL

CONTINUE IN A MOMENT.

♪

>>> GIRL, YOU BE PREGNANT AGAIN?

>> I JUST WANT TO RUB THEIR

NOSES IN IT.

>> ACTUALLY THAT'S ONE OF YOUR

BOOKS.

>> SO YOU'RE THE ONE.

>> WE BELIEVE MR. LEE HAS WRIT

ANN BESTSELLER.

>> THAT'S A JOKE.

THE MOST LUCRATIVE JOKE YOU'VE

EVER TOLD.

>> IT IS VERY --

>> BLACK?

>> YES.

I'M GLAD YOU SAID IT AND NOT ME.

[ APPLAUSE ]

>> I HAVE A STRATEGICALLY

SWITCHED JACKETS SO THEY

COULDN'T EDIT ME OUT OF THE

SHOW.

CONGRATULATIONS TO WES ANDERSON

ON HIS OSCAR.

HE'S AT HOME BUILDING A DIARAMA.

OUR NEXT GUEST, HERE TO PRESENT

FOR BEST SOUND, ONE OF THE

FUNNIEST AND LOUDEST PEOPLE I

KNOW, PLEASE WELCOME JOHN

MULANEY.

♪

>> AND NOW, THE OSCAR FOR

ACHIEVEMENT IN SOUND.

FOR YEARS, MOVIES DIDN'T HAVE

SOUND.

AND THEN THEY FIGURED IT OUT.

SOME PEOPLE SAY THAT THE SILENT

ERA WAS THE GOLDEN ERA OF FILM.

THESE PEOPLE ARE DIFFICULT AND

INSANE.

WITHOUT SOUND WE WOULDN'T BE

ABLE TO HEAR CLASSIC LINES LIKE

"WE'RE GONNA NEED A BIGGER

BOAT," "I'LL HAVE WHAT SHE'S

HAVING," AND "HE WAS IN THE

AMAZON WITH MY MOTHER WHEN SHE

WAS RESEARCHING SPIDERS JUST

BEFORE SHE DIED."

OR WHAT ABOUT THAT MOMENT IN

"FIELD OF DREAMS" WHEN WE HEAR

"IF YOU BUILD IT, HE WILL COME."

AND THEN, COSTNER BUILDS A

BASEBALL FIELD.

I GUESS HE DOESN'T BUILD IT, HE

MOWS DOWN CORN AND THEN THERE IS

A FIELD THERE.

AND THEN, HE'S LIKE "I'M GONNA

WATCH GHOSTS PLAY BASEBALL.” AND

THEN THE BANK IS LIKE “ARE YOU

GOING TO PAY YOUR MORTGAGE?"

AND THEN, HE'S LIKE "I'M GONNA

WATCH GHOSTS PLAY BASEBALL.”

THEN HE FINDS JAMES EARL JONES

WHO WROTE "THE BOATROCKER,"

WHICH I THOUGHT WAS A REAL BOOK

DEEP INTO MY 20s, AND

HE'S LIKE "PEOPLE WILL COME RAY"

BECAUSE HE'S THE ONLY ONE WITH A

FINANCIAL PLAN.

THEN, BUSFIELD PUSHES LITTLE

GABBY HOFFMAN OFF THE BLEACHERS,

SHE FALLS DOWN AND IS

UNCONSCIOUS.

AND THEN HOT DOG STUCK IN THE

THROAT AND HE CAN'T GO BACK IN

THE GAME BECAUSE THERE'S A RULE

IN GHOST BASEBALL.

IF YOU LEAVE THE FIELD AT ANY

POINT TO BECOME ELDERLY AND DO

THE HEIMLICH YOU CAN'T RETURN TO

PLAY.

I LOVE "FIELD OF DREAMS."

HERE ARE THE NOMINATIONS IN

ACHIEVEMENT IN SOUND.

[ APPLAUSE ]

AND THE OSCAR GOES TO "THE ZONE

OF INTEREST," TARN WILLERS AND

JOHNNIE BURN.

[ APPLAUSE ]

♪

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR TARN WILLERS

AND JOHNNIE BURN.

♪

[ APPLAUSE ]

♪

>> WOW.

SO AMAZING TO BE STANDING HERE

AND SUCH AN EXTRAORDINARY THANK

YOU TO THE ACADEMY FOR

RECOGNIZING THE ART OF SOUND IN

FILM, AN EXTRAORDINARY YEAR.

YOU OVER THERE IN SOUND, AND MY

MOTHER NEVER UNDERSTOOD, WHAT DO

YOU MEAN YOU DO THE SOUND OF

FILM?

THEY SOUND RIGHT TO ME.

YEAH, BUT WHO DO WE NEED TO

THANK?

>> EVERYBODY.

THE ACADEMY FOR LISTENING TO OUR

FILM.

THANK YOU, ACADEMY.

>> WE NEED TO THANK A-24 AND

JONATHAN.

YOU TAUGHT ME EVERYTHING AND TO

OSCAR, SOPHIE AND EVERYONE AT

A-24.

>> JIMMY OGDEN AND GRETA AND

ANYA, THANK YOU.

AND HAPPY MOTHER'S DAY.

>> HAPPY MOTHER'S DAY.

[ APPLAUSE ]

♪

♪

♪ DOESN'T SEEM TO MATTER

WHAT I DO

I'M ALWAYS NUMBER TWO ♪

♪ NO ONE KNOWS

HOW HARD I TRIED ♪

♪ I HAVE FEELINGS

THAT I CAN'T EXPLAIN

DRIVIN' ME INSANE ♪

♪ ALL MY LIFE BEEN SO POLITE

BUT I'LL SLEEP ALONE TONIGHT

CAUSE I'M JUST KEN ♪

♪ ANYWHERE ELSE I'D BE A TEN

IS IT MY DESTINY

TO LIVE AND DIE ♪

♪ A LIFE OF BLOND FRAGILITY

I'M JUST KEN ♪

♪ WHERE I SEE LOVE

SHE SEES A FRIEND ♪

♪ WHAT WILL IT TAKE FOR HER

TO SEE THE MAN ♪

♪ BEHIND THE TAN

AND FIGHT FOR ME ♪

♪

♪ I WANNA KNOW WHAT

IT'S LIKE TO LOVE

TO BE THE REAL THING ♪

♪ IS IT A CRIME

AM I NOT HOT WHEN

I'M IN MY FEELINGS ♪

♪ AND IS MY MOMENT

FINALLY HERE ♪

♪ OR AM I DREAMING

I'M NO DREAMER ♪

♪

♪ CAN YOU FEEL

THE KENERGY ♪

♪ FEELS SO REAL

MY KENERGY ♪

♪ CAN YOU FEEL

THE KENERGY ♪

♪ I'M JUST KEN

ANYWHERE ELSE IDENTIFY BE A

TEN ♪

♪ IS IT MY DESTINY TO LIVE A

LIFE

I'M JUST KEN WHERE I SEE LOVE

SHE SEES A FRIEND ♪

♪ WHAT WILL IT TAKE FOR HER

TO SEE THE MAN

BEHIND THE TAN ♪

♪ AND FIGHT FOR ME

I'M JUST KEN

AND I'M ENOUGH ♪

♪ AND I'M GREAT

AT DOING STUFF ♪

♪ SO, HEY CHECK ME OUT

YEAH, I'M JUST KEN ♪

♪ MY NAME'S KEN

AND SO AM I ♪

♪ PUT THAT MANLY HAND

IN MINE ♪

♪ SO HEY WORLD

CHECK ME OUT, YEAH ♪

♪ I'M JUST KEN, BABY

I'M JUST KEN ♪

[ CHEERS AND APPLAUSE ]

♪

>> Announcer: JUST AHEAD,

CYNTHIA ERIVO AND ARIANA GRANDE.

THEN LATER, STEVEN SPIELBERG

PRESENTS THE OSCAR FOR

DIRECTING, FOLLOWED BY THE

AWARDS FOR BEST ACTOR, ACTRESS

AND BEST PICTURE.

♪

>> Announcer: THE OSCARS ON ABC,

BROUGHT TO YOU BY --

ALLSTATE.

YOU'RE IN GOOD HANDS.

(♪)

Some people just know
that the best rate for you

is a rate based on you,
with Allstate.

Not one based on Paul.

You don't want to ride
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he's got some important
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Why would you pay a rate
based on anyone else?

With Allstate,
you're connected to a rate

based on you.

♪

Y’all ready?

Ready.

♪

♪

♪

♪ Hey it's me,
your future you. ♪

♪ You made some
bad money moves... ♪

♪ Now we're
totally screwed. ♪

♪ Didn't fund your IRA. ♪

♪ Thought NFTs
were a better play. ♪

♪ Now you still
work at 103, ♪

♪ Your boss hasn't
hit puubertyy! ♪

Who's ready for
their performance review?

(♪)

♪ Don't make your future
you hate you! ♪

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financial decisions today.

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(♪)

I'm getting
vaccinated with

Pfizer's pneumococcal
pneumonia vaccine.

So am I. Because I'm at risk
for pneumococcal pneumonia.

Come on.

I already got
a pneumonia vaccine,

but I'm asking about the added
protection of Prevnar 20®.

If you're 19 or older with
certain chronic conditions

like asthma, diabetes,

COPD, or heart disease,
or are 65 or older,

you are at increased risk

for pneumococcal
pneumonia.

Prevnar 20® is
approved in adults

to help prevent infections

from 20 strains
of the bacteria

that cause pneumococcal
pneumonia.

In just one dose.

Don't get Prevnar 20®
if you've had

a severe allergic
reaction to the vaccine

or its ingredients.

Adults with weakened
immune systems

may have a lower response
to the vaccine.

The most common
side effects were pain

and swelling at the injection
site, muscle pain,

fatigue,
headache, and joint pain.

I want to be able
to keep my plans.

I don't want to risk
ending up in the

hospital with pneumococcal
pneumonia.

That's why I chose
Prevnar 20®.

Ask your doctor or pharmacist
about the Pfizer vaccine

for pneumococcal pneumonia.

♪ I see trees of green ♪

♪ and clouds of white ♪

♪ and I think to myself ♪

♪ what a wonderful world ♪

Sometimes, to survive...

we must become more

than we were
programmed to be.

>>> YOU'RE SAYING THERE'S A

CHANCE THAT WHEN WE PUSH THAT

BUTTON, WE DESTROY THE WORLD?

>> YOU THINK THE RULES STILL

APPLY TO THE GOLDEN BOY?

>> THE PRESIDENT NEEDS TO KNOW

WHAT'S NEXT?

>> WHAT'S NEXT?

>> MAYBE HE THOUGHT IT COULD

PROTECT HIM.

>> THE WORLD WILL REMEMBER THIS

DAY.

[ APPLAUSE ]

>> LOOK WHAT I GOT OFF RYAN

GOSLING'S BODY.

WE'LL START THE BIDDING AT

$10,000.

OH, BRADLEY COOPER'S MOTHER,

YES.

NO, THIS IS GOING HOME WITH ME,

SORRY, LADIES.

HERE TO PRESENT THE OSCARS

FOR ORIGINAL SCORE AND SONG,

PLEASE WELCOME ARIANA GRANDE AND

CYNTHIA ERIVO.

[ APPLAUSE ]

♪

[ APPLAUSE ]

>> WE'RE HERE TO PRESENT THE

OSCARS FOR ORIGINAL SONG AND

ORIGINAL SCORE.

A GREAT MOVIE SONG CAN SET THE

MOOD, REVEAL SOMETHING ABOUT A

CHARACTER AND HELP US TELL A

STORY.

>> AND A GREAT FILM SCORE CAN

FOREVER LEAVE A HANDPRINT ON OUR

HEARTS FOREVER.

IT CAN IGNITE WONDER AND

ASTONISHMENT, MAKE US FEEL

SADNESS AND LONGING, AND CAN

EVEN TRANSPORT US TO NEW WORLDS.

>> OR SOMEWHERE OVER THE

RAINBOW, WHERE THE DREAMS THAT

YOU DARE TO DREAM REALLY DO COME

TRUE.

>> HOW WICKEDLY SUBTLE OF YOU.

>> I DO TRY.

AND NOW, HERE ARE THE NOMINEES

FOR ORIGINAL SCORE.

"AMERICAN FICTION" BY

LAURA KARPMAN.

"INDIANA JONES AND THE DIAL OF

DESTINY" BY JOHN WILLIAMS.

"KILLERS OF THE FLOWER MOON" BY

ROBBIE ROBERTSON.

"OPPENHEIMER" BY

LUDWIG GORANSSON.

"POOR THINGS" BY

JERSKIN FENDRIX.

>> AND THE OSCAR GOES TO

"OPPENHEIMER," LUDWIG GORANSSON.

>> THIS IS THE SECOND OSCAR WIN

AND THIRD NOMINATION FOR LUDWIG

GORANSSON WHO TOOK HOME AN OSCAR

FOR "BLACK PANTHER" IN THIS

CATEGORY.

[ APPLAUSE ]

♪

>> WOW.

THANK YOU.

CHRISTOPHER NOLAN, FOR INVITING

ME ON THIS WORLD.

CHRISTOPHER NOLAN, YOUR IDEA TO

USE THE VIOLINS IN THE SCORE AND

ALLOWED ME TO WORK AND

COLLABORATE WITH MY WIFE.

[ APPLAUSE ]

WE HAD -- WE WERE RECORDING AT

NIGHT AND RUSHED HOME TO PUT OUR

BABY TO BED.

IT SET A REALLY NICE TONE FOR

THE FILM OF THAT PERFORMANCE.

TO JAKE BROWN, ANTHONY, ALYSSA

PARK, THANK YOU FOR MAKING IT

GREAT.

AND TO MY PARENTS UP THERE,

THANK YOU FOR GIVING ME GUITARS

AND DRUMS INSTEAD OF VIDEO

GAMES.

THANK YOU.

[ APPLAUSE ]

>> ALL NIGHT, YOU'VE SEEN

PERFORMANCES OF THIS YEAR'S

NOMINATED SONGS.

AND NOW, IT'S TIME FOR THE

AWARD.

>> AND THE OSCAR GOES TO --

>> BILLIE EILISH.

>> THIS THE SECOND WIN FOR

BILLIE EILISH AND FINNEAS

O'CONNELL.

THEY WON FOR THE SONG "NO TIME

TO DIE."

[ APPLAUSE ]

♪

>> I HAD A NIGHTMARE ABOUT THIS

LAST NIGHT.

UM, THANK YOU SO MUCH TO THE

ACADEMY.

I FEEL LIKE I DON'T -- I JUST

DIDN'T THINK THIS WOULD HAPPEN.

I WAS NOT EXPECTING THIS.

I FEEL SO INCREDIBLY LUCKY AND

HONORED.

THANK YOU TO GRETA.

I LOVE YOU.

THANK YOU FOR THIS.

I'M GRATEFUL FOR THIS SONG, THIS

MOVIE AND THE WAY THAT IT MADE

ME FEEL.

AND THIS GOES OUT TO EVERYONE

WHO WAS AFFECTED BY THE MOVIE

AND HOW INCREDIBLE IT IS, AND I

WANT TO THANK MY TEAM AND MY

PARENTS, LOVE YOU SO MUCH.

>> THAT YOU, PAUL WALKER, THANK

YOU MARK AND ANDREW FOR MAKING

THE SONG WITH US.

THANK YOU TO --

>> MARGOT.

>> MARGOT, OF COURSE.

LUCKY CHAP, TOM.

THANK YOU TO OUR PARENTS FOREVER

AND EVER AND EVER.

THANK YOU TO MY BEST FRIEND,

DAVID, FOR LISTENING TO MY

MUSIC, AND CLAUDIA.

>> MY BEST FRIEND ZOE FOR

PLAYING BARBIES WITH ME GROWING

UP AND BEING BY MY SIDE, MY

DANCE TEACHERS GROWING UP.

I WANT TO THANK MY CHOIR

TEACHERS, MS. BRIGHAM.

THANKS FOR BELIEVING IN ME.

AND MS. T, YOU DIDN'T LIKE ME

BUT YOU WERE GOOD AT YOUR JOB,

AND THANK YOU TO THE ACADEMY.

>> I LOVE YOU.

[ APPLAUSE ]

♪

>> THIS PAST JANUARY,

MEL BROOKS, CAROL LITTLETON AND

ANGELA BASSETT EACH RECEIVED AN

HONORARY OSCAR.

AND MICHELLE SATTER RECEIVED THE

JEAN HERSHOLT HUMANITARIAN AWARD

AT OUR ANNUAL GOVERNORS AWARDS.

TO WATCH THEIR INSPIRING

SPEECHES FROM THE CEREMONY, SCAN

THE QR CODE ON YOUR SCREEN.

>> SORRY.

>> CONGRATULATIONS.

>> Announcer: COMING UP NEXT ON

THE OSCARS, THE BIGGEST

AWARDS OF THE NIGHT, ACTOR,

ACTRESS AND BEST PICTURE.

But SHINGRIX PROTECTS.

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The most common side effects
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muscle pain, tiredness,
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shivering, fever,
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Ask your doctor or pharmacist
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>> Announcer: THE OSCARS WILL

CONTINUE IN A MOMENT HERE ON

ABC.

♪

>> DO NOT BELIEVE WE ARE DEAD

BECAUSE WE ARE LIVING.

ABOVE ALL, ALL THOSE WHO LIVE

WITHOUT LOVE.

>> SOMEBODY THAT IS SO AFRAID OF

NOT WINNING, THEY DON'T EVEN

TRY.

>> THERE'S ONLY ONE PERFECT

VIEW, AND THAT'S THE VIEW OF THE

SKY OVER OUR HEADS.

♪

>> ALL WE ASK FOR IS A CHANCE TO

PROVE OURSELVES, A FAIR AND

IMPARTIAL OPPORTUNITY.

>> IT'S WHAT YOU DO TO THE

PEOPLE YOU SAY YOU LOVE.

THAT'S WHAT MATTERS.

>> I DON'T HAVE TO SEE IT, BE

DADDY.

I LIVED IT.

>> LOVE, LOVE MEANS NEVER HAVING

TO SAY YOU'RE SORRY.

♪

[ SINGING IN NON-ENGLISH

LANGUAGE ]

♪

♪

[ SINGING IN NON-ENGLISH

LANGUAGE ]

♪

[ SINGING IN NON-ENGLISH

LANGUAGE ]

♪

♪ IT'S TIME TO SAY GOOD-BYE ♪

♪

[ SINGING IN NON-ENGLISH

LANGUAGE ]

♪

♪

>> NOBODY HAD A CHANCE.

[ SINGING IN NON-ENGLISH

LANGUAGE ]

[ APPLAUSE ]

Tuned for sport.

Designed ...

[beep] Ah, let's do another one.
I can do better.

I can do better than that.

Tuned for sport.

Designed ...

for luxury.

When it comes to all true --

[beep] all right, I got it,
I got it.

This is the one.

When it comes to the
new FS Sport --

I said Sport
instead of Coupe.

[Director] Let's go again.

When it comes to true
driving experience --

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say experience, ahhh,

excellence, excellence.

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♪

[ APPLAUSE ]

>>> WE'RE BACK AT THE OSCARS,

WELL, SOME OF US ARE BACK.

SOME OF THE OTHER ARE GETTING

OPPEN-HAMMERED.

WE ONLY HAVE FOUR AWARDS LEFT,

WHICH SHOULDN'T TAKE LONG, AND

YET IT WILL.

BUT FIRST, IT'S TIME TO FIND OUT

WHO WILL BE NAMED BEST ACTOR AND

WHAT A LINEUP TO PRESENT.

HERE WITH THE OSCAR FOR BEST

ACTOR PLEASE WELCOME ALL FIVE

ORIGINAL MEMBERS OF N SYNC.

♪

>> AND THE OSCAR GOES TO NICOLAS

CAGE.

>> MATTHEW McCONAUGHEY.

>> FOREST WHITAKER.

[ APPLAUSE ]

>> WE'RE HERE TO SPEAK ABOUT THE

GREAT TALENT OF THIS YEAR'S FIVE

NOMINEES FOR ACTOR IN A LEADING

ROLE.

WHEN YOU SEE JEFFREY WRIGHT IN A

FILM --

[ APPLAUSE ]

-- YOU INSTANTLY KNOW IT'S

GONNA BE GOOD, BECAUSE HE'S SO

GOOD.

JEFFREY, IN "AMERICAN FICTION,"

YOU ARE FUNNY AND FURIOUS AND

EMPATHETIC AND FOR THE WAY YOU

ELEVATE THE CRAFT, WE'RE

INDEBTED TO YOU.

[ APPLAUSE ]

>> THE GREATS GO ABOVE AND

BEYOND IN THEIR COMMITMENT TO A

ROLE.

JUST AS DANIEL DAY-LEWIS STAYED

IN CHARACTER AS LINCOLN, THIS

PAST YEAR PAUL GIAMATTI WAS SO

COMMITTED THAT FOR THE CHARACTER

TO HAVE A LAZY EYE HE WORE A

SOFT CONTACT LENS DURING THE

ENTIRE SHOOT, WHICH MADE HIM

BLIND IN THAT EYE WHILE FILMING.

WOULD I HAVE DONE THAT?

HELL YES.

BUT THE POINT IS YOU DID DO IT,

PAUL, AND YOU WERE BRILLIANT

AGAIN.

BRAVO.

[ APPLAUSE ]

>> A MODERN DAY "RENAISSANCE

MAN," NOTHING BETTER DESCRIBES

YOU, BRADLEY COOPER, WHO WROTE,

DIRECTED, PRODUCED, AND ACTED IN

HIS LATEST FILM, "MAESTRO."

FROM THE SCRIPT TO THE SCREEN,

BRADLEY TAKES A TRANSFORMATIVE

JOURNEY INTO BECOMING

LEONARD BERNSTEIN, BRINGING TO

LIFE ALL THE CHARACTER,

CHARISMA, AND COMPLEX BRILLIANCE

OF AN AMERICAN ICON.

CONGRATULATIONS FOR THAT.

[ APPLAUSE ]

>> CILLIAN MURPHY.

[ APPLAUSE ]

HE ACCEPTED THE

LEADING ROLE OF "OPPENHEIMER"

BEFORE EVEN READING THE SCRIPT,

WHICH MUST HAVE TAKEN MUCH

COURAGE AND TRUST.

OR SIMPLE CHUTZPAH.

EITHER WAY, THE PERFORMANCE IS

MASTERFUL, ENDOWING HIS

PORTRAYAL WITH LAYERS OF

HUMANITY WHILST HIS CHARACTER

CREATES SOMETHING INHUMAN.

IT'S RIVETING TO WATCH.

MY CONGRATULATIONS.

[ APPLAUSE ]

>> COLMAN, WHEN I FIRST WORKED

WITH YOU --

[ APPLAUSE ]

-- OVER A DECADE AGO, I SAW THAT

YOU WERE BOLD,

BRILLIANT AND BOUND FOR

GREATNESS.

IT'S BEEN EXCITING TO WATCH YOU

LIGHT UP THE SCREEN OVER THE

YEARS, MOST RECENTLY WITH YOUR

TRULY INSPIRED PORTRAYAL OF

CIVIL RIGHTS LEADER

BYE-URD RUSTIN.

COLMAN, YOUR GENIUS AS AN ACTOR

ILLUMINATES THE GENIUS OF AN

"ANGELIC TROUBLEMAKER" WHO WAS

NEARLY BURIED IN THE HISTORY

BOOKS.

THANKFULLY, RUSTIN IS GETTING

HIS DUE, AS ARE YOU,

COLMAN DOMINGO.

[ APPLAUSE ]

>> AND THE OSCAR GOES TO --

CILLIAN MURPHY.

[ APPLAUSE ]

♪

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR CILLIAN

MURPHY.

♪

♪

[ APPLAUSE ]

>> I'M A LITTLE OVERWHELMED.

THANK YOU TO THE ACADEMY.

CHRIS NOLAN AND EMMA THOMAS, THE

WILDEST, MOST EXHILARATING,

CREATIVELY SATISFYING JOURNEY

YOU'VE TAKEN ME ON OVER THE LAST

20 YEARS.

I OWE YOU MORE THAN I CAN SAY.

THANK YOU SO MUCH.

EVERY SINGLE CREW MEMBER, EVERY

SINGLE CAST MEMBER ON

"OPPENHEIMER," YOU GUYS CARRIED

ME THROUGH.

ALL MY FELLOW NOMINEES, I REMAIN

IN AWE OF YOU, TRULY.

I WANT TO THANK MY INCREDIBLE

TEAM.

BIG SHOUTOUT TO CRAIG, BRENDON

MURPHY, GARY MURPHY, MY PARTNER

IN LIFE, MY TWO BOYS WHO ARE

SITTING UP THERE.

I LOVE YOU SO MUCH.

AND I'M A PROUD IRISHMAN

STANDING HERE TONIGHT.

YOU KNOW, WE MADE A FILM -- WE

MADE A FILM ABOUT THE MAN WHO

CREATED THE ATOMIC BOMB, AND FOR

BETTER OR WORSE, WE'RE ALL

LIVING IN OPPENHEIMER'S WORLD SO

I WOULD LIKE TO DEDICATE THIS TO

THE PEACEMAKERS EVERYWHERE.

[ APPLAUSE ]

♪

>> Announcer: ON THE

30th ANNIVERSARY OF ITS WIN FOR

BEST PICTURE, PLEASE WELCOME THE

ACADEMY AWARD WINNING DIRECTOR

OF "SCHINDLER'S LIST,"

STEVEN SPIELBERG.

♪

>> AT THEIR VERY BEST, FILMS CAN

DO MORE THAN ENTERTAIN US.

THEY CAN OPEN OUR HEARTS TO EACH

OTHER.

THEY CAN SHOW US OURSELVES.

THEY CAN SHINE A LIGHT ON WHERE

WE'VE BEEN AND MAKE US THINK

ABOUT WHERE WE ARE GOING.

WE ARE SO FORTUNATE THAT THIS

HAS BEEN A GREAT AND ECLECTIC

YEAR FOR MOVIES AND A TRIBUTE TO

ALL THE PLACES THESE

FIVE NOMINATED DIRECTORS HAVE

TAKEN THE ENTIRE WORLD.

JUSTINE TRIET, "ANATOMY OF A

FALL."

MARTIN SCORSESE, "KILLERS OF THE

FLOWER MOON."

CHRISTOPHER NOLAN,

"OPPENHEIMER."

YORGOS LANTHIMOS, "POOR THINGS."

JONATHAN GLAZER, "THE ZONE OF

INTEREST."

AND THE OSCAR GOES TO --

CHRISTOPHER NOLAN,

"OPPENHEIMER."

[ APPLAUSE ]

>> THIS IS THE FIRST OSCAR WIN

AND EIGHTH NOMINATION FOR

CHRISTOPHER NOLAN.

HE RECEIVED THE FIRST NOMINATION

FOR HIS "MEMENTO" SCREENPLAY.

[ APPLAUSE ]

♪

>> THANK YOU.

THERE ARE SO MANY PEOPLE WHO

DRAGGED ME UP HERE.

UNIVERSAL STUDIOS, DONNA

LANGLEY.

THANK YOU FOR SEEING THE

POTENTIAL IN THIS.

THANK YOU FOR THE 25 YEARS YOU

PUT INTO THE BOOK.

THIS FILM IS BASED ON.

I HAVE SO MANY PEOPLE TO THANK,

THE MOST INCREDIBLE CAST, MATT

DAMON, ROBERT, EMILY, FLORENCE,

SO MANY OTHERS, ALL AT THE TOP

OF THEIR GAME LED BY THE

INCREDIBLE CILLIAN MURPHY.

SOME HAVE BEEN REWARDED TONIGHT.

I CAN'T SAY ENOUGH ABOUT THE

INCREDIBLE CREW WE HAVE ON THIS

FILL .

THANK YOU FOR PUTTING THE BOOK

IN MY HANDS, AND THANK YOU FOR

THOSE WHO HAVE BEEN THERE FOR ME

AND BELIEVED IN ME MY WHOLE

CAREER.

DAN, MICHAEL, MY BROTHER JONAH,

MY FAMILY, AND THE INCREDIBLE

EMMA THOMAS, PRODUCER.

[ APPLAUSE ]

PRODUCER OF ALL OUR FILMS AND

ALL OUR CHILDREN.

I LOVE YOU.

AND TO THE ACADEMY JUST TO SAY

THE MOVIE OVER 100 YEARS OLD,

BEING THERE IN PAINTING OR

THEATER, WE DON'T KNOW WHERE

THIS INCREDIBLE JOURNEY IS GOING

FROM HERE, BUT TO KNOW THAT YOU

THINK I'M A MEANINGFUL PART OF

IT MEANS THE WORLD TO ME.

THANK YOU VERY MUCH.

[ APPLAUSE ]

♪

♪

>> Announcer: COMING UP NEXT,

THE OSCARS FOR BEST ACTRESS AND

BEST PICTURE.

HERE ON ABC.

♪

Some couples go on vacation
for the adventure...

Fun vacation?

Amazing.

He is rarely speechless.

And others just for the food.

Welcome.

That’s all she talks about.

On this cruise,
you can do it all.

Or do...

Nothing.

No one does fun like Carnival.

[funnel horn blares]

Coming soon to a vacation
near you.

(Man)
Excuse me,

would you mind taking a picture
of us?

(Tony)
Oh, no problem.

(Man)
Thanks.

(Tony)
Oh, yeah that’s a problem

You need Verizon.

Trade-in that old thing and get
a new iPhone 15 Pro

with tons of storage.

So you can take all the pics!

So many selfies.

A preposterous amount of pano!

That means panoramic.

And as many portraits of me as
your heart desires.

(Woman) How about none?
(Boy) None.

(Man)
Yea none feels right.

(VO)
Trade-in any iPhone in any
condition

and get a new iPhone 15 Pro -
on us.

Only on Verizon.

♪

>>> AND THE OSCAR GOES TO --

>> SALLY FIELD --

>> MICHELLE YEOH.

>> JESSICA LANGE.

♪

[ APPLAUSE ]

>> IT'S AN HONOR FOR US TO

PRESENT THE AWARD FOR ACTRESS IN

A LEADING ROLE.

THE AMAZING SANDRA HULLER IS

NOMINATED FOR HER ROLE IN

"ANATOMY OF A FALL,"

AS A WOMAN ACCUSED OF KILLING

HER HUSBAND.

AT THE HEART OF THIS POWERFUL

PERFORMANCE IS HOW SANDRA

MAINTAINS A CERTAIN AMBIGUITY

THROUGHOUT, AS IF HER CHARACTER

WAS CAPABLE OF COMMITTING THAT

CRIME.

AND HERE WE ARE ON OSCAR NIGHT,

AND I STILL DON'T KNOW IF SHE

DID IT.

[ APPLAUSE ]

>> CURIOUS AS A PUPPY AND HUNGRY

AS A BEAR, EMMA STONE'S

BRILLIANT BELLA IS UNHINGED,

UNINHIBITED AND COMPLETELY

ORIGINAL.

WITH THE FEARLESSNESS OF A

TODDLER, SHE AWKWARDLY STEPS

INTO THE WORLD, AWAKENING INTO

HER BODY AND THE SENSATIONS OF

BEING ALIVE WITHOUT BOUNDARIES.

IT IS AN UNFORGETTABLE AND

ENDEARING CHARACTER CREATED BY

AN ACTOR WHO IS ALWAYS

SURPRISING, WHO REFUSES TO BE

CATEGORIZED, AND, LIKE BELA, IS

COMPLETELY ORIGINAL.

[ APPLAUSE ]

>> LILY, YOU ARE THE SOUL OF

"KILLERS OF THE FLOWER MOON."

[ APPLAUSE ]

EVERY SECOND OF YOUR PERFORMANCE

AS MOLLY BURKHART IS IMBUED WITH

THE PLIGHT, RESILIENCE AND

SPIRIT OF THE OSAGE PEOPLE.

YOUR ADVOCACY OFF SET IS A

POWERFUL DISPLAY OF DEDICATION

AND LEADERSHIP, ILLUMINATING AND

HELPING US RECONCILE ONE OF THE

DARKEST PARTS OF OUR COUNTRY'S

HISTORY.

LILY, CONGRATULATIONS.

[ APPLAUSE ]

>> ANNETTE --

[ APPLAUSE ]

-- I'VE NEVER BEEN

STUNG BY A JELLYFISH.

BUT SEEING YOU ENDURE IT

MULTIPLE TIMES MADE ME FEEL LIKE

I HAD.

WATCHING YOU PORTRAY DIANA NYAD

IS AN INTENSE SENSORY

EXPERIENCE.

YOU CAN TASTE THE SALTWATER.

YOU CAN FEEL THE SUNBURN.

YOU CAN RELATE TO THE RELENTLESS

DETERMINATION.

YOUR WORK IS A BEAUTIFUL

ILLUSTRATION OF HOW TO NAVIGATE

THE WAVES IN THE OCEAN AND IN

LIFE.

[ APPLAUSE ]

>> IN "MAESTRO," CAREY MULLIGAN

RADIATES AS LEONARD BERNSTEIN'S

WIFE, FELICIA.

[ APPLAUSE ]

SHINING A PIERCING LIGHT ON

THEIR COMPLICATED, YET ENDURING

LOVE.

BUT THIS LEVEL OF EXCELLENCE IS

THE NORM FOR CAREY, FOR IN EVERY

ROLE SHE TAKES ON SHE INFUSES IT

WITH A UNIQUE HUMANITY.

WITHOUT THIS SPECTACULAR

PERFORMANCE, "MAESTRO" WOULD NOT

HAVE BEEN THE MOVIE IT BECAME.

CAREY, YOU ARE SO DESERVING OF

THIS HONOR.

[ APPLAUSE ]

>> AND THE OSCAR GOES TO --

EMMA STONE.

>> THIS IS THE SECOND OSCAR WIN

AND SIXTH NOMINATION FOR EMMA

STONE.

SHE TOOK HOME HER FIRST OSCAR

FOR LEADING PERFORMANCE IN "LALA

LAND."

[ APPLAUSE ]

♪

>> OH, BOY.

MY DRESS IS BROKEN.

I THINK IT HAPPENED DURING "I'M

JUST KEN."

I'M PRETTY SURE.

OH, BOY, THIS IS REALLY

OVERWHELMING.

SORRY.

MY VOICE IS ALSO A LITTLE GONE.

WHATEVER.

THE WOMEN ON THE STAGE, YOU ARE

ALL INCREDIBLE, AND THE WOMEN IN

THIS CATEGORY -- SANDRA,

ANNETTE, CAREY, LILY, I SHARE

THIS WITH YOU.

I'M IN AWE OF YOU.

IT HAS BEEN SUCH AN HONOR TO DO

ALL OF THIS, I HOPE WE GET TO

KEEP DOING MORE TOGETHER.

I DON'T KNOW WHAT I'M SAYING.

I'M TOTALLY, OKAY -- THE OTHER

NIGHT I WAS PANICKING, AS YOU

CAN KIND OF SEE, HAPPENS A LOT,

THAT MAYBE SOMETHING LIKE THIS

COULD HAPPEN AND YORGOS SAID,

PLEASE TAKE YOURSELF OUT OF IT.

AND HE WAS RIGHT BECAUSE IT'S

NOT ABOUT ME.

IT'S ABOUT A TEAM THAT CAME

TOGETHER TO MAKE SOMETHING

GREATER THAN THE SUM OF ITS

PARTS.

AND THAT IS THE BEST PART ABOUT

MAKING MOVIES, ALL OF US

TOGETHER, AND I AM SO DEEPLY

HONORED TO SHARE THIS WITH EVERY

CAST MEMBER, WITH EVERY CREW

MEMBER, WITH EVERY SINGLE PERSON

WHO POURED THEIR LOVE AND THEIR

CARE AND THEIR BRILLIANCE INTO

THE MAKING OF THIS FILM AND,

YORGOS, THANK YOU FOR THE GIFT

OF A LIFETIME.

THANK YOU FOR INVITING ALL OF US

TO BE MEMBERS OF THIS TEAM.

THANK YOU.

[ APPLAUSE ]

I KNOW I HAVE TO WRAP UP, BUT I

JUST WANT TO THANK MY FAMILY, MY

MOM, SPENCER, MY DAD, MY HUSBAND

DAVE, I LOVE YOU SO MUCH, AND

MOST IMPORTANTLY, MY DAUGHTER

WHO WILL BE 3 IN THREE DAYS AND

HAS TURNED OUR LIVES

TECHNICOLOR.

I LOVE YOU BIGGER.

THANK YOU SO MUCH.

DON'T LOOK AT THE BACK OF MY

DRESS.

THANK YOU.

[ APPLAUSE ]

♪

>> GUYS, MAKE SURE WE TEAR UP

THAT ENVELOPE SO THERE'S NO

CONFUSION WITH BEST PICTURE.

HI, EVERYONE.

YOU KNOW, DOING THIS SHOW IS NOT

ABOUT ME, AND I APPRECIATE YOU

HAVING ME.

IT'S REALLY ABOUT YOU AND EMMA

AND ALL THESE GREAT ACTORS AND

ACTRESSES AND FILMMAKERS.

I WAS TOLD WE HAVE AN EXTRA

MINUTE, I'M REALLY PROUD -- AND

I WONDERED IF I COULD SHARE IT

WITH YOU.

I GOT A REVIEW AND HAS THERE

EVER BEEN A WORST HOST THAN

JIMMY KIMMEL AT THE OSCARS?

HIS OPENING WAS THAT LESS THAN

AN AVERAGE PERSON TRYING TO BE

SOMETHING HE WAS NOT AND NEVER

CAN BE.

GET RID OF KIMMEL AND REPLACE

HIM WITH ANOTHER WASHED UP BUT

CHEAP ABC TALENT GEORGE

STEPHANOPOULOS.

HE WOULD MAKE EVERYBODY LOOK

BIGGER, STRONGER AND MORE

GLAMOROUS, BLAH, BLAH, BLAH,

MAKE AMERICA GREAT AGAIN.

SEE IF YOU CAN GUESS WHICH

FORMER PRESIDENT JUST POSTED

THAT ON TRUTH SOCIAL.

ANYONE?

THANK YOU, PRESIDENT TRUMP.

THANK YOU FOR WATCHING.

I'M SURPRISED YOU'RE STILL --

ISN'T IT PAST YOUR JAIL TIME?

[ APPLAUSE ]

>> FOCUSED ON THE IMPORTANT

STUFF FOR SURE.

BEFORE WE GIVE OUT THE FINAL

AWARD, DID ANYONE NOT GET A

CHANCE TO GIVE A SPEECH?

WE DO HAVE SOME TIME IF THERE'S

ANYTHING YOU WANT TO SAY.

WE'LL MAKE SURE EVERYBODY HAS A

CHANCE TO TALK.

TO PRESENT OUR FINAL AWARD OF

THE EVENING AND TO COMMEMORATE

THE 50th ANNIVERSARY OF "THE

GODFATHER PART 2," A MAN WHO

CREATED THE MOST ICONIC, AN

OSCAR WINNER AND NINE-TIME

NOMINEE AND WE ARE SO GLAD HE

WAS ABLE TO FIND A SITTER SO HE

COULD BE HERE TONIGHT.

WITH THE AWARD FOR BEST PICTURE,

PLEASE WELCOME AL PACINO.

[ APPLAUSE ]

♪

>> OH, MY FRIENDS, THANK YOU,

THANK YOU.

I DON'T KNOW, DO I DO SOME

SHAKESPEARE NOW IS IN ORDER,

RIGHT?

TO BE -- NO, I'M NOT GOING TO DO

IT, NO, NO.

SORRY.

THIS IS THE TIME FOR THE LAST

AWARD OF THE EVENING.

AND IT'S MY HONOR TO PRESENT IT.

TEN WONDERFUL FILMS ARE

NOMINATED, BUT ONLY WILL TAKE

THE AWARD FOR BEST PICTURE.

AND I HAVE TO GO TO THE ENVELOPE

FOR THAT.

AND I WILL.

HERE IT COMES.

AND I SEE "OPPENHEIMER."

YES.

YES.

EMMA THOMAS, CHARLES ROVEN.

>> "OPPENHEIMER" HAS 13

NOMINATIONS AND HAS WON SEVEN

OSCARS TONIGHT FOR ACTOR IN A

SUPPORTING ROLE, FILM

CINEMATOGRAPHY, BEST PICTURE,

ACTOR IN A LEADING ROLE AND BEST

PICTURE.

[ APPLAUSE ]

♪

>> WHOO!

OH, MY GOODNESS.

WOW.

I THINK ANY OF US WHO MAKE

MOVIES KNOW YOU KIND OF DREAM OF

THIS MOMENT.

YOU KNOW YOU DO, RIGHT?

I COULD DENY IT, BUT I HAVE BEEN

DREAMING ABOUT THIS MOMENT FOR

SO LONG, BUT IT SEEMED SO

UNLIKELY THAT IT WOULD EVER

ACTUALLY HAPPEN, AND NOW I'M

STANDING HERE AND EVERYTHING HAS

GONE OUT OF MY HEAD.

THE REASON THIS MOVIE WAS THE

MOVIE IT WAS WAS CHRIS NOLAN.

HE IS SINGULAR, HE IS BRILLIANT,

AND I'M SO GRATEFUL TO YOU.

BUT THE THING THAT IS FANTASTIC

ABOUT OUR JOBS, IT'S ABOUT

COLLABORATION, ABOUT TEAMWORK,

AND OUR TEAM WAS JUST INCREDIBLE

ON THIS MOVIE.

THANK YOU TO ALL OF THEM, BOTH

CAST AND CREW.

THANK YOU TO UNIVERSAL FOR

SUPPORTING US, AND I WANT TO

THANK IMAX AND EVERYBODY ELSE AT

IMAX FOR BELIEVING IN THIS MOVIE

WHEN IT MAYBE DIDN'T MAKE MUCH

SENSE TO DO SO.

THANK YOU TO ALL THE THEATERS.

AS A MOVIEGOER AND AS A

FILMMAKER, THAT'S WHY WE DO WHAT

WE DO.

SO THANK YOU SO MUCH.

AND TO MY CHILDREN, THANK YOU.

IT'S U.K. MOTHER'S DAY, SO I'M

THINKING OF MY MOM, WHO IS NO

LONGER HERE TODAY, AND MY

MOTHER-IN-LAW WHO IS HERE WITH

MY DAD, SO THANK YOU.

THANK YOU TO THE ACADEMY.

I'M SO HONORED TO BE HERE.

[ APPLAUSE ]

>> I CERTAINLY WANT TO THANK THE

ACADEMY.

I WANT TO THANK UNIVERSAL

PICTURES, DONNA LANGLEY AND THE

WHOLE TEAM THERE.

I, OF COURSE WANT TO THANK MY

FAMILY AND MY WIFE WHO ALWAYS

HAS MY BACK AND, AS ALL MY

FRIENDS KNOW, IS THE SECRET

WEAPON OF MY LIFE.

AND I ALSO WANT TO THANK JAMES

WOODS AND DAVID WERGOT FOR

LETTING ME MOVE THIS FORWARD, TO

GIVE THE BOOK TO CHRIS AND EMMA.

I'VE HAD THIS AMAZING

20-PLUS-YEAR EXPERIENCE WITH

CHRIS AND EMMA.

FIVE MOVIES OVER 20 YEARS, AND

IT'S BEEN ONE OF THE MOST

EXHILARATING EXPERIENCES I'VE

EVER HAD.

THEY'RE A FANTASTIC TEAM, AND

JUST TO BE PART OF MAKING MOVIES

WITH THEM HAS BEEN COMPLETELY

THRILLING, SO THANK YOU SO MUCH.

[ APPLAUSE ]

>> WHOO!

>> YES!

>> ISN'T THAT GREAT?

CONGRATULATIONS TO

"OPPENHEIMER."

IF ONLY THERE WERE SOME WAY FOR

CHRISTOPHER NOLAN TO TEXT HIS

FAMILY TO TELL THEM THE GOOD

NEWS.

THAT'S IT FOR OUR SHOW.

I WANT TO THANK THE ACADEMY FOR

HAVING ME ON, OUR VERY

HARD-WORKING PRODUCERS, KAJ

KAPOOR, OUR ANNOUNCER DAVID ALAN

GRIER, RICKEY MINOR AND THE

WHOLE OSCARS CREW.

STAY UP FOR A NEW "ABBOTT

ELEMENTARY" AND MY SHOW TOMORROW

WITH DWAYNE JOHNSON, JUSTIN KIM

B

TIMBERLAKE AND ROBERT DE NIRO.

THANK YOU FOR WATCHING THE 96th

OSCARS TONIGHT.

♪

>> Announcer: THE ACADEMY

GRATEFULLY ACKNOWLEDGES OUR

AIRLINE PARTNER DELTA AIR LINES

FOR PROVIDING AIR TRANSPORTATION

FOR SOME OF THIS EVENING'S

PRESENTERS, PERFORMERS AND

NOMINEES.

L.E.D. AND PROJECTION PROVIDED

IN PART BY SENOVVA.

♪

♪

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♪

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>> DO YOU NEED TO RIDE TO THE

OSCARS AFTER PARTY?

>> OSCARS AFTER PARTY, HERE WE

COME.

"GOOD MORNING AMERICA."