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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,053 --> 00:00:14,057 WOMAN: ♪♪ I COULD BE HAPPY WITH YOU ♪♪ 2 00:00:14,265 --> 00:00:18,311 ♪♪ IF YOU COULD BE HAPPY WITH ME ♪♪ 3 00:00:18,520 --> 00:00:21,147 ♪♪ I'D BE CONTENTED... ♪♪ 4 00:00:21,356 --> 00:00:23,399 - HERE YOU ARE, POLL. - OH, OH! 5 00:00:23,608 --> 00:00:25,068 OH, HOLD ON, OH. 6 00:00:25,276 --> 00:00:26,653 HERE YOU ARE. YOU LOOK AFTER HER. 7 00:00:26,861 --> 00:00:27,570 BUT WHAT ABOUT MY MONEY? 8 00:00:27,779 --> 00:00:29,531 HEY! WHERE'S MY BABY? 9 00:00:29,739 --> 00:00:30,573 SHE'S OVER THERE. 10 00:00:30,782 --> 00:00:32,534 PUT IT ON THE SLATE. 11 00:00:36,371 --> 00:00:38,498 I'LL GET THE SACK IF THEY'RE LATE AGAIN. 12 00:00:38,706 --> 00:00:40,250 WOMAN: HURRY UP, THEN. 13 00:00:40,458 --> 00:00:41,626 JUST ALONG THERE. 14 00:00:49,759 --> 00:00:51,094 GOOD AFTERNOON, MR. AND MRS. PARKHILL. 15 00:00:51,302 --> 00:00:52,095 GOOD AFTERNOON, LEN. 16 00:00:52,303 --> 00:00:53,555 ALL FOR MRS. P, I'M AFRAID. 17 00:00:53,763 --> 00:00:54,681 MUST BE BILLS, THEN. 18 00:00:54,889 --> 00:00:56,766 THANK YOU, DARLING. 19 00:00:56,975 --> 00:00:58,726 HAS MY OLD MAN SENT ME MAINTENANCE ORDER, LEN? 20 00:00:58,935 --> 00:01:00,603 I'LL HAVE A LOOK, LUV. 21 00:01:00,812 --> 00:01:04,107 ♪♪ OH, DEAR OLD PALS, ENJOY YOUR COMPANY ♪♪ 22 00:01:04,315 --> 00:01:05,567 DISGUSTING! 23 00:01:05,775 --> 00:01:06,859 ALL FOR YOU, DEAR. 24 00:01:07,068 --> 00:01:08,236 ARE YOU SENDING BY POST NOW, LUV? 25 00:01:08,444 --> 00:01:09,404 BETTER THAN GIVING IT AWAY! 26 00:01:09,612 --> 00:01:10,863 HELLO, GORGEOUS. 27 00:01:11,072 --> 00:01:12,448 I SUPPOSE I SHOULD BE THANKFUL 28 00:01:12,657 --> 00:01:13,783 FOR SMALL MERCIES. ANYTHING? 29 00:01:13,992 --> 00:01:14,784 NOTHING FOR YOU THIS MORNING... 30 00:01:14,993 --> 00:01:16,035 THEY ALL IN YET, LEN? 31 00:01:16,244 --> 00:01:17,954 ALL IN EXCEPT RITA AND TOMMY. 32 00:01:18,162 --> 00:01:21,291 HE WON'T BE LONG. YOU CAN HEAR HIM COMING A MILE OFF. 33 00:01:21,499 --> 00:01:24,294 PRACTICING, PRACTICING. DON'T YOU EVER STOP DANCING? 34 00:01:24,502 --> 00:01:26,796 CAN'T, TOOTS. I'M IN TRAINING FOR MY SECOND BIG BREAK. 35 00:01:27,005 --> 00:01:28,756 SECOND? YOU'RE KIDDING. WHAT WAS THE FIRST? 36 00:01:28,965 --> 00:01:31,634 DIDN'T YOU EVER HEAR OF THE BABY TOAST OF BROADWAY? 37 00:01:31,843 --> 00:01:33,386 TINY TOM, THE TAPPING TOT? 38 00:01:33,595 --> 00:01:36,889 (HUMMING) 39 00:01:37,098 --> 00:01:39,309 HA HA! GREW UP, DIDN'T YOU? 40 00:01:39,517 --> 00:01:40,893 HA HA! OVERNIGHT. 41 00:01:41,102 --> 00:01:44,105 AND WHO CAN USE A TINY TOT WHO'S 10 FEET TALL? 42 00:01:44,314 --> 00:01:45,773 HOW ABOUT BARNUM & BAILEY? 43 00:01:45,982 --> 00:01:47,233 (LAUGHING) 44 00:01:47,442 --> 00:01:48,484 THEY ALREADY HAD ONE, 45 00:01:48,693 --> 00:01:50,653 AND HE WAS A BEARDED LADY TO BOOT. 46 00:01:50,862 --> 00:01:52,071 SO I BOOKED A ONE-WAY TICKET 47 00:01:52,280 --> 00:01:54,324 ON A CATTLE BOAT TO MERRY OLD ENGLAND. 48 00:01:54,532 --> 00:01:56,826 BLIMEY! FROM BROADWAY TO PORTSMOUTH? 49 00:01:57,035 --> 00:01:58,286 BIT OF A COMEDOWN, ISN'T IT? 50 00:01:58,494 --> 00:01:59,829 A STEPPING STONE, TOOTS... 51 00:02:00,038 --> 00:02:02,624 A MERE STEPPING STONE TO STARDOM. 52 00:02:07,503 --> 00:02:09,172 HEY, NOT BAD. 53 00:02:09,380 --> 00:02:11,633 (MUSIC PLAYS) 54 00:02:11,841 --> 00:02:12,634 HERE'S YOUR STOUT, LUV. 55 00:02:12,842 --> 00:02:14,844 TA. 56 00:02:15,053 --> 00:02:16,095 CHEESE AND CHUTNEY, RIGHT? 57 00:02:16,304 --> 00:02:17,972 OH, THANKS, POLL. PUT IT ON THE SLATE. 58 00:02:22,810 --> 00:02:23,811 TA. 59 00:02:27,690 --> 00:02:28,691 I SEEM TO... 60 00:02:28,900 --> 00:02:30,526 WHO SENT ME THE FLOWERS? 61 00:02:30,735 --> 00:02:33,154 OH, l... 62 00:02:33,363 --> 00:02:35,031 I FORGET. 63 00:02:35,239 --> 00:02:36,366 I BOUGHT ONE APPLE TOO MANY. 64 00:02:36,574 --> 00:02:39,535 WOULD YOU LIKE IT? 65 00:02:39,744 --> 00:02:41,829 NO, THANKS. 66 00:02:42,038 --> 00:02:43,456 I HAD ONE ALREADY. 67 00:02:43,665 --> 00:02:48,503 MAN: ♪♪ DEE DEE DEE DA DEE DEE DEE ♪♪ 68 00:02:50,546 --> 00:02:52,382 POLL... 69 00:02:52,590 --> 00:02:54,050 I'LL HAVE IT IF IT'S GOING BEGGING. 70 00:02:54,258 --> 00:02:55,468 RIGHT, LUV. HERE. YOU HAVE IT. 71 00:02:55,677 --> 00:02:57,637 OH, TA. 72 00:02:57,845 --> 00:03:00,056 5 MINUTES, EVERYONE. 73 00:03:00,264 --> 00:03:03,476 MAN: ♪♪ DEE DA DEE DA DEE DAH ♪♪ 74 00:03:03,685 --> 00:03:06,145 ♪♪ DEE DEE DEE ♪♪ 75 00:03:09,232 --> 00:03:11,234 AFTERNOON. HERE'S YOUR GIN. 76 00:03:11,442 --> 00:03:13,194 DON'T YOU KNOCK WHEN YOU ENTER THE STARS' DRESSING ROOM? 77 00:03:13,403 --> 00:03:15,071 SORRY. THEY DIDN'T HAVE SMOKED SALMON. 78 00:03:15,279 --> 00:03:16,489 SO I GOT SALMON SHRIMP, ALRIGHT? 79 00:03:16,698 --> 00:03:17,824 PASTE! SURELY YOU DON'T EXPECT 80 00:03:18,032 --> 00:03:19,867 MRS. P. TO EAT PASTE, DO YOU? 81 00:03:20,076 --> 00:03:22,203 I'M SORRY, BUT IT WAS THE NEAREST THEY HAD. 82 00:03:22,412 --> 00:03:24,747 NEAREST THEY HAD! OH, HARK AT THAT! 83 00:03:24,956 --> 00:03:25,748 TAKE OFF, WILL YOU? 84 00:03:25,957 --> 00:03:27,417 DON'T MIND, POLLY. I JUST NEED 85 00:03:27,625 --> 00:03:29,585 A LITTLE SOMETHING TO SETTLE ME BEFORE I GO ON. 86 00:03:29,794 --> 00:03:30,753 ANYTHING WILL DO. 87 00:03:30,962 --> 00:03:32,171 BUT IT WAS THE BEST THEY HAD, MRS. P. 88 00:03:32,380 --> 00:03:33,840 SHIPHAM'S. BY APPOINTMENT. 89 00:03:34,048 --> 00:03:35,258 THEY HAVE IT AT BUCKINGHAM PALACE. 90 00:03:35,466 --> 00:03:36,384 WHEN THEY'RE ENTERTAINING 91 00:03:36,592 --> 00:03:37,677 THEIR COCKNEY HIGHNESSES, 92 00:03:37,885 --> 00:03:39,595 IT'S THE PEARLY KING AND QUEEN, I SUPPOSE. 93 00:03:39,804 --> 00:03:40,430 HOW LONG WE GOT? 94 00:03:40,638 --> 00:03:41,431 OH, 5 MINUTES, PLEASE. 95 00:03:41,639 --> 00:03:43,099 THERE'LL BE SOME CHANGE, THEN? 96 00:03:43,307 --> 00:03:45,893 CRIKEY. I FORGOT. I OWE YOU 2 AND 11 PLUS 3 FARTHINGS. 97 00:03:46,102 --> 00:03:48,396 IF I GIVE YOU A FARTHING, YOU COULD GIVE ME 3 BOB, RIGHT? 98 00:03:48,604 --> 00:03:49,313 OH, YEAH. 99 00:03:51,566 --> 00:03:53,901 - POLLY! - HMM? 100 00:03:54,110 --> 00:03:56,237 OH, TA, MRS. P. YOU SHOULDN'T. 101 00:03:58,614 --> 00:04:00,241 WHY DO YOU ENCOURAGE HER? 102 00:04:02,201 --> 00:04:06,456 OVERTURE, BEGINNERS, PLEASE. 103 00:04:06,664 --> 00:04:08,750 MY HATBOX RIBBON CAME UNDONE YESTERDAY, POLLY. 104 00:04:08,958 --> 00:04:10,209 OH, IT WON'T HAPPEN AGAIN, MISS MAISIE. 105 00:04:10,418 --> 00:04:13,129 OH, POLLY, HELP ME WITH MY HOOKS. 106 00:04:13,337 --> 00:04:14,297 HELLO, ROSIE. 107 00:04:14,505 --> 00:04:15,798 OH, LOOK, I DO LIKE ME FEATHER DUSTER 108 00:04:16,007 --> 00:04:17,592 HANGING OUT BESIDE ME DISMAL DESMOND, POLLY. 109 00:04:17,800 --> 00:04:19,427 DO TRY AND REMEMBER. 110 00:04:19,635 --> 00:04:21,095 GOT A FAG, POLL? 111 00:04:26,642 --> 00:04:29,270 OOH. AIN'T HE LOVELY? 112 00:04:29,479 --> 00:04:30,646 (WHISTLE) 113 00:04:30,855 --> 00:04:34,233 OH, POLLY, DON'T WHISTLE IN THE DRESSING ROOM! 114 00:04:34,442 --> 00:04:35,818 - WHY NOT? - BECAUSE IT'S UNLUCKY, 115 00:04:36,027 --> 00:04:38,154 THAT'S WHY. NOW GO OUTSIDE, TURN AROUND 3 TIMES 116 00:04:38,362 --> 00:04:40,490 AND KNOCK ON THE DOOR. 117 00:04:40,698 --> 00:04:42,492 WHAT DO NURSING MOTHERS NEED? 118 00:04:42,700 --> 00:04:44,452 EVERYONE: MY-ROSE! 119 00:04:46,496 --> 00:04:47,580 COME IN! 120 00:04:47,789 --> 00:04:49,457 - NOW SWEAR. - DAMN! 121 00:04:49,665 --> 00:04:51,083 WHERE'S THAT LAZY LADY? 122 00:04:51,292 --> 00:04:52,502 SHE'LL TURN UP. DON'T WORRY. 123 00:04:52,710 --> 00:04:54,962 SHE'LL BE LATE FOR HER OWN FUNERAL, THAT ONE. 124 00:04:55,171 --> 00:04:56,964 HERE. WHERE IS RITA? 125 00:04:57,173 --> 00:04:58,174 OH, ISN'T SHE HERE YET? 126 00:04:58,382 --> 00:05:00,176 WELL, I DON'T EXPECT SHE'LL BE MISSED. 127 00:05:00,384 --> 00:05:02,428 WELL, SHE IS THE STAR OF THE SHOW. 128 00:05:04,847 --> 00:05:07,975 DO YOU REALLY THINK SO? 129 00:05:08,184 --> 00:05:10,186 SHE'LL BE FINED AGAIN IF SHE AIN'T CAREFUL. 130 00:05:10,394 --> 00:05:14,148 (FLORID PIANO INTRO) 131 00:05:33,042 --> 00:05:38,923 ♪♪♪♪♪♪ 132 00:05:51,561 --> 00:05:52,979 THEY'RE ALL CALLED, MR. MAX, EXCEPT RITA. 133 00:05:53,187 --> 00:05:54,730 SHE AIN'T HERE YET. 134 00:05:54,939 --> 00:05:57,650 NOT HERE? PUT HER DOWN FOR A FINE! 135 00:05:57,859 --> 00:06:00,570 IF YOU FINE HER AGAIN, SHE'LL BE OWING YOU MONEY. 136 00:06:00,778 --> 00:06:02,530 WITH THIS HOUSE, I NEED IT. 137 00:06:02,738 --> 00:06:05,491 WHY MUST THESE WRETCHED GARDEN FETES ALWAYS COINCIDE 138 00:06:05,700 --> 00:06:07,201 WITH OUR MATINEES? 139 00:06:07,410 --> 00:06:09,328 NOT A CLOUD IN THE SKY! 140 00:06:09,537 --> 00:06:10,580 LET ME KNOW THE MINUTE SHE ARRIVES! 141 00:06:10,788 --> 00:06:11,956 YES, MR. MAX. 142 00:06:30,433 --> 00:06:31,893 BLIMEY! THERE'S MORE ON THE STAGE 143 00:06:32,101 --> 00:06:33,769 THAN IN THE BLOOMING AUDIENCE. 144 00:06:33,978 --> 00:06:35,521 (BABY CRIES) 145 00:06:39,275 --> 00:06:40,484 DOWN THERE. 146 00:07:00,588 --> 00:07:02,423 (TELEPHONE RINGS) 147 00:07:06,469 --> 00:07:09,221 ALLO? ALLO? 148 00:07:09,430 --> 00:07:11,807 IS THAT GASTON, THE COSTUMIER? 149 00:07:12,016 --> 00:07:16,103 OH. IT IS MADAME DUBONNET'S MAID. 150 00:07:16,312 --> 00:07:18,314 DUBONNET. 151 00:07:18,522 --> 00:07:24,028 DAY-OOH-BAY-OH- ENNY-ENNY-EE-TEE. 152 00:07:25,613 --> 00:07:27,823 MADAME DUBONNET OF THE VILLA CAPRICE! 153 00:07:28,032 --> 00:07:28,991 MR. MAX: ACCENT! 154 00:07:29,200 --> 00:07:31,118 ACCENT! 155 00:07:31,327 --> 00:07:33,913 OH. HA HA HA! 156 00:07:34,121 --> 00:07:36,624 (IN FORMAL FRENCH ACCENT) ZEE SCHOOL FOR YOUNG LADIES. 157 00:07:39,126 --> 00:07:40,670 I WISH TO KNOW IF YOU HAVE READY THE COSTUME 158 00:07:40,878 --> 00:07:43,130 FOR MISS POLLY BROWNE. 159 00:07:43,339 --> 00:07:48,302 B-L-O-DOUBLE D-N-A-AHVE-EE. 160 00:07:48,511 --> 00:07:50,346 ACCENT! 161 00:07:50,554 --> 00:07:53,849 WITH AN E. SHE WISHES IT FOR ZEE CARNIVAL BALL CE SOIR. 162 00:07:54,058 --> 00:07:56,852 HA HA HA. YOU DO NOT COMPREHEND? 163 00:07:57,061 --> 00:07:59,188 THEN GET ME MONSIEUR GASTON HIMSELF! 164 00:07:59,397 --> 00:08:02,525 MMPH! MONSIEUR GASTON? 165 00:08:02,733 --> 00:08:05,611 OH. 166 00:08:05,820 --> 00:08:06,821 ALLO. 167 00:08:07,029 --> 00:08:08,364 NO, NO, NO. 168 00:08:08,572 --> 00:08:10,282 SHE'S NO MORE FRENCH THAN I AM. 169 00:08:10,491 --> 00:08:12,451 - RITA NOT HERE? - NO, MR. MAX. NAUGHTY! 170 00:08:12,660 --> 00:08:13,703 NOBODY ASKED FOR YOUR OPINION. 171 00:08:13,911 --> 00:08:15,037 SHE WAS HAVING HIJINKS IN THE HIGH STREET 172 00:08:15,246 --> 00:08:16,455 WITH A SAILOR AROUND LUNCHTIME. 173 00:08:16,664 --> 00:08:18,207 OPENING TIME, YOU MEAN, DEAR. LET'S BE HONEST. 174 00:08:18,416 --> 00:08:19,500 FINE PUBLICITY! 175 00:08:19,709 --> 00:08:21,043 WELL, SHE'S NEVER MISSED AN ENTRANCE YET. 176 00:08:21,252 --> 00:08:22,795 MIND YOUR HATBOX, DULCIE. 177 00:08:23,004 --> 00:08:25,339 MAID: MADAME DUBONNET OF VILLA CAPRICE! 178 00:08:25,548 --> 00:08:28,050 SHE'S NEVER BEEN THE SAME SINCE I PROMOTED HER TO STAR BILLING. 179 00:08:28,259 --> 00:08:30,177 WENT TO HER HEAD, TOTALLY. NO... TELEPHONE, MR. MAX. 180 00:08:30,386 --> 00:08:31,679 TELL THEM TO RING AGAIN! 181 00:08:31,887 --> 00:08:33,639 HOW CAN YOU EXPECT ME TO SPEAK AT A TIME LIKE THIS? 182 00:08:33,848 --> 00:08:36,058 BUT THEY MUST SPEAK TO YOU PERSONALLY! 183 00:08:36,267 --> 00:08:38,394 IT'S NOT C.B. COCHRAN FROM LONDON, IS IT? 184 00:08:38,602 --> 00:08:40,855 NO, IT AIN'T. IT'S THE HOSPITAL. 185 00:08:41,063 --> 00:08:42,481 HA HA HA. BON. 186 00:08:42,690 --> 00:08:45,317 THEN YOU WILL DELIVER IT STRAIGHT-AWAY? 187 00:08:45,526 --> 00:08:46,402 MERCI! 188 00:08:46,610 --> 00:08:50,156 (ALL CHATTERING AMONGST SELVES) 189 00:08:50,364 --> 00:08:51,991 S'IL VOUS PLAIT, 190 00:08:52,199 --> 00:08:54,326 HAVE YOU FORGOTTEN WHO YOU ARE? 191 00:08:54,535 --> 00:08:56,996 ALL: FORGOTTEN WHO WE ARE? 192 00:08:57,204 --> 00:08:59,582 OF COURSE NOT! 193 00:08:59,790 --> 00:09:03,002 ♪♪♪♪♪♪ 194 00:09:03,210 --> 00:09:05,087 ♪♪ WE'RE PERFECT YOUNG LADIES ♪♪ 195 00:09:05,296 --> 00:09:06,881 ♪♪ PREPARING TO TAKE ♪♪ 196 00:09:07,089 --> 00:09:10,551 ♪♪ OUR PLACES AMONG THE NOBLESSE ♪♪ 197 00:09:10,760 --> 00:09:12,344 ♪♪ WE'RE PERFECT YOUNG LADIES ♪♪ 198 00:09:12,553 --> 00:09:14,388 ♪♪ PREPARING TO MAKE ♪♪ 199 00:09:14,597 --> 00:09:17,683 ♪♪ THE MOST OF THE CHARM WE POSSESS ♪♪ 200 00:09:17,892 --> 00:09:21,062 ♪♪ YOU'RE BEING FINISHED, AND YOUR FAMILIES' WEALTH ♪♪ 201 00:09:21,270 --> 00:09:23,731 ♪♪ MAY BE DIMINISHED, BUT...♪♪ 202 00:09:23,939 --> 00:09:27,068 ♪♪ AT LEAST YOU ALL HAVE PERFECT HEALTH ♪♪ 203 00:09:29,445 --> 00:09:33,074 ♪♪ AND MAKING THE GRADE IS OUR DUTY, YOU SEE ♪♪ 204 00:09:33,282 --> 00:09:36,410 ♪♪ FOR PERFECT YOUNG LADIES ARE WE ♪♪ 205 00:09:36,619 --> 00:09:38,120 ♪♪ WE'RE PERFECT YOUNG LADIES ♪♪ 206 00:09:38,329 --> 00:09:39,955 ♪♪ WE HOPE TO ATTRACT ♪♪ 207 00:09:40,164 --> 00:09:43,793 ♪♪ A HUSBAND WHOSE CREDIT IS GOOD ♪♪ 208 00:09:44,001 --> 00:09:45,461 ♪♪ YOU MAY BE YOUNG LADIES ♪♪ 209 00:09:45,669 --> 00:09:47,254 ♪♪ BUT WHY DON'T YOU ACT ♪♪ 210 00:09:47,463 --> 00:09:50,466 ♪♪ THE WAY THAT A YOUNG LADY SHOULD? ♪♪ 211 00:09:50,674 --> 00:09:52,134 ♪♪ I'VE OFTEN TOLD YOU ♪♪ 212 00:09:52,343 --> 00:09:54,095 ♪♪ PLEASE DON'T TELL US AGAIN ♪♪ 213 00:09:54,303 --> 00:09:55,763 ♪♪ I OUGHT TO SCOLD YOU ♪♪ 214 00:09:55,971 --> 00:09:57,431 ♪♪ BUT... ♪♪ 215 00:09:57,640 --> 00:09:59,308 ♪♪ YOU KNOW IT WILL BE QUITE IN VAIN ♪♪ 216 00:09:59,517 --> 00:10:02,812 ♪♪ FOR BEING OUR MAID IS YOUR DUTY, YOU SEE ♪♪ 217 00:10:03,020 --> 00:10:06,398 ♪♪ FOR PERFECT YOUNG LADIES ARE WE ♪♪ 218 00:10:06,607 --> 00:10:12,446 ♪♪♪♪♪♪ 219 00:10:21,163 --> 00:10:22,623 OH! 220 00:10:23,999 --> 00:10:24,959 OH! 221 00:10:39,473 --> 00:10:41,100 ♪♪ PERFECT YOUNG LADIES ARE ♪♪ 222 00:10:41,308 --> 00:10:43,018 ♪♪ PERFECT YOUNG LADIES ARE ♪♪ 223 00:10:43,227 --> 00:10:46,647 ♪♪ PERFECT YOUNG LADIES ARE WE ♪♪ 224 00:10:58,033 --> 00:11:00,035 TERRIBLE, TERRIBLE! 225 00:11:00,244 --> 00:11:02,329 NOT RITA. 226 00:11:02,538 --> 00:11:04,206 TRAPPED HER HIGH HEEL IN A TRAM LINE. 227 00:11:04,415 --> 00:11:05,124 HER FOOT. 228 00:11:05,332 --> 00:11:06,500 OOH, IT AIN'T OFF? 229 00:11:06,709 --> 00:11:07,960 NO, OF COURSE NOT. 230 00:11:08,169 --> 00:11:09,879 MILD FRACTURE, BUT SHE'S LAID UP JUST THE SAME. 231 00:11:10,087 --> 00:11:12,006 WE'RE RUINED! 232 00:11:12,214 --> 00:11:13,048 NO, WE'RE NOT. 233 00:11:13,257 --> 00:11:14,341 YOU WILL HAVE TO GO ON. 234 00:11:14,550 --> 00:11:15,342 GET READY! 235 00:11:15,551 --> 00:11:16,886 WHAT, ME? 236 00:11:17,094 --> 00:11:18,554 BUT I'M ONLY THE A.S.M.! 237 00:11:18,762 --> 00:11:20,055 L...l CAN'T GO ON. 238 00:11:20,264 --> 00:11:21,974 IT'S THE ASSISTANT STAGE MANAGER'S JOB 239 00:11:22,183 --> 00:11:23,225 TO UNDERSTUDY EVERYBODY'S PART. 240 00:11:23,434 --> 00:11:24,852 NOW I TOLD YOU THAT WHEN I TOOK YOU ON. 241 00:11:25,060 --> 00:11:26,687 NOW HURRY UP AND DON'T ARGUE. 242 00:11:26,896 --> 00:11:28,981 YOU'VE GOT EXACTLY 5 MINUTES! 243 00:11:29,190 --> 00:11:31,192 OOH, I DON'T KNOW. I FEEL FUNNY. 244 00:11:34,028 --> 00:11:37,823 (STREET MUSICIANS PLAYING) 245 00:12:04,600 --> 00:12:06,018 ZOOM! 246 00:12:13,275 --> 00:12:14,235 YES? 247 00:12:14,443 --> 00:12:15,736 I WANT THE BEST SEAT IN THE HOUSE. 248 00:12:15,945 --> 00:12:19,698 AH. NOW LET ME SEE. 249 00:12:19,907 --> 00:12:21,617 YOU COULD HAVE THE ROYAL BOX. 250 00:12:21,825 --> 00:12:24,203 I'LL TAKE IT. 251 00:12:24,411 --> 00:12:26,580 EXCEPT THAT IT'S PERMANENTLY RESERVED 252 00:12:26,789 --> 00:12:29,625 FOR THE PRINCESS ARTHUR OF CONNAUGHT. 253 00:12:29,833 --> 00:12:31,543 WE OFTEN STAY WITH HER. 254 00:12:33,462 --> 00:12:35,464 OH, REALLY. 255 00:12:35,673 --> 00:12:38,425 NOW, HOW ABOUT THE STAGE BOX? 256 00:12:38,634 --> 00:12:40,928 HOW MUCH? 257 00:12:41,136 --> 00:12:43,138 ONE POUND, PLEASE. 258 00:12:43,347 --> 00:12:44,974 MUST BE A SMALL BOX. 259 00:12:45,182 --> 00:12:45,975 HOW MANY ARE YOU? 260 00:12:46,183 --> 00:12:48,269 WE ARE ONE! 261 00:12:48,477 --> 00:12:50,813 ANY FURTHER ORDERS, MR. DETHRILL, SIR? 262 00:12:51,021 --> 00:12:52,106 JUST WAIT OUTSIDE. 263 00:12:55,609 --> 00:12:58,070 ON NO ACCOUNT MUST MR. DETHRILL BE DISTURBED, WOMAN. 264 00:12:58,279 --> 00:13:00,698 - GET IT?! - REALLY! 265 00:13:05,577 --> 00:13:06,662 OH, WHY DOES SHE HAVE TO HAVE 266 00:13:06,870 --> 00:13:08,789 SUCH BLINKING BIG PLATES OF MEAT, ALPH? 267 00:13:08,998 --> 00:13:12,293 NOW STOP WORRYING AND TRY THAT FOR SIZE. 268 00:13:12,501 --> 00:13:13,794 ROSEMARIE AND MISS SUKA VOLLEN, THEN. OH, WELL. 269 00:13:14,003 --> 00:13:15,087 IT FITS. 270 00:13:15,296 --> 00:13:16,130 YES. OH, WELL, FIND THE OTHER ONE, 271 00:13:16,338 --> 00:13:17,548 AND YOU'RE READY FOR THE BALL. 272 00:13:21,927 --> 00:13:23,345 I HEAR YOU'RE GOING ON. 273 00:13:23,554 --> 00:13:24,513 YES. 274 00:13:24,722 --> 00:13:26,307 ALL THE BEST. 275 00:13:29,268 --> 00:13:32,521 YOU'RE NOT WEARING THOSE, ARE YOU? 276 00:13:32,730 --> 00:13:33,647 OH. 277 00:13:46,035 --> 00:13:49,121 BUT, Y-YOU'RE BEAUTIFUL! 278 00:14:03,135 --> 00:14:04,303 GOOD LUCK. 279 00:14:09,641 --> 00:14:12,895 ALL THIS IN ONE DAY. IT'S TOO MUCH. 280 00:14:13,103 --> 00:14:15,814 COME ON, CINDERELLA. 281 00:14:16,023 --> 00:14:18,859 YOU'RE ON! 282 00:14:19,068 --> 00:14:21,737 OH, HOW PERFECTLY RIPPING! 283 00:14:21,945 --> 00:14:25,240 OUR VERY FIRST CARNIVAL BALL. 284 00:14:25,449 --> 00:14:27,242 EN FRANCAIS, OF COURSE. 285 00:14:27,451 --> 00:14:29,244 OH, I CAN'T WAIT FOR THIS EVENING. 286 00:14:29,453 --> 00:14:31,246 MY FROCK IS A DREAM. 287 00:14:31,455 --> 00:14:33,874 SO IS MINE, AND RATHER DARING, TOO. 288 00:14:34,083 --> 00:14:36,752 I'M SURE MADAME DUBONNET WILL BE FURIOUS. 289 00:14:36,960 --> 00:14:38,337 OH, NOT SHE. 290 00:14:38,545 --> 00:14:40,214 I BET YOU SHE'LL TURN UP 291 00:14:40,422 --> 00:14:42,257 IN SOMETHING FRIGHTFULLY SHOCKING! 292 00:14:42,466 --> 00:14:44,551 (GIGGLING) 293 00:14:44,760 --> 00:14:46,678 NOT DETHRILL, THE FAMOUS MOVIE DIRECTOR! 294 00:14:46,887 --> 00:14:49,890 HOW'D I KNOW WHAT SORT OF A THRILL HE IS? 295 00:14:50,099 --> 00:14:52,059 LOOK FOR YOURSELF! HE'S IN THE STAGE BOX. 296 00:14:52,267 --> 00:14:55,104 WHY DIDN'T YOU SAY SO? 297 00:14:55,312 --> 00:14:57,231 WOMAN ON STAGE: ...ANYONE WHO ASKS ME! 298 00:15:00,943 --> 00:15:02,945 YES! IT'S HIM. 299 00:15:03,153 --> 00:15:06,115 WORD'S GOT ABOUT. MY REPUTATION WILL BE MADE! 300 00:15:06,323 --> 00:15:08,117 NO. WE'LL BE RUINED. 301 00:15:08,325 --> 00:15:09,868 THAT GIRL! 302 00:15:10,077 --> 00:15:12,371 CHORUS ON STAGE: OOH, ISN'T SHE THE LIMIT! 303 00:15:12,579 --> 00:15:13,914 THAT GIRL. SHE CAN'T GO ON. 304 00:15:14,123 --> 00:15:14,915 WE MUST STOP HER! 305 00:15:15,124 --> 00:15:15,874 HE DON'T THINK I'M ANY GOOD. 306 00:15:16,083 --> 00:15:17,209 I CAN'T GO ON NOW. 307 00:15:17,418 --> 00:15:18,627 OH, RING DOWN THE CURTAIN. 308 00:15:18,836 --> 00:15:20,254 WE'LL SEND THE AUDIENCE HOME. 309 00:15:20,462 --> 00:15:22,256 THEN I'LL GO AND REFUND THE MONEY, SHALL I? 310 00:15:22,464 --> 00:15:25,801 WAIT! LET ME FIX, SPENDTHRIFT. 311 00:15:26,009 --> 00:15:27,261 OH, LOOK! 312 00:15:27,469 --> 00:15:29,972 HERE COMES POLLY BROWNE ACROSS THE TENNIS COURT. 313 00:15:30,180 --> 00:15:31,306 CHORUS: POLLY BROWNE? 314 00:15:31,515 --> 00:15:34,476 YES, AND SHE'S CARRYING A LETTER. 315 00:15:34,685 --> 00:15:35,727 CHORUS: OH! 316 00:15:35,936 --> 00:15:37,604 HELLO, POLLY! 317 00:15:41,316 --> 00:15:43,485 OH, POLLY. JUST THINK. 318 00:15:43,694 --> 00:15:47,072 LONDON'S GREAT THEATER LAND, WAITING FOR YOU. 319 00:15:47,281 --> 00:15:49,158 HIS MAJESTIES, THE PRINCE OF WALES, 320 00:15:49,366 --> 00:15:50,826 THE DUCHESS, THE ROYALTY, 321 00:15:51,034 --> 00:15:52,453 THE DUKE OF YORKS, THE QUEENS... 322 00:15:52,661 --> 00:15:54,830 NOW THAT'S AN ICE RINK. HOLD YOUR TONGUE, WOMAN. 323 00:15:55,038 --> 00:15:57,291 IT'S HOLLYWOOD CALLING, NOT THE PALACE! 324 00:15:57,499 --> 00:15:59,168 POLLY. 325 00:15:59,376 --> 00:16:00,752 LISTEN TO ME. 326 00:16:00,961 --> 00:16:04,798 THE CAREERS AND LIVES OF ALL THESE BOYS AND GIRLS 327 00:16:05,007 --> 00:16:06,258 ARE DEPENDING ON YOU. 328 00:16:06,467 --> 00:16:08,010 I'M NOT ASKING FOR MYSELF. 329 00:16:08,218 --> 00:16:10,095 BUT DO IT FOR THEM. 330 00:16:10,304 --> 00:16:11,472 NOW, POLLY, LISTEN TO ME! 331 00:16:11,680 --> 00:16:14,266 YOU'RE GOING OUT THERE AS A YOUNGSTER. 332 00:16:14,475 --> 00:16:15,434 YOU'VE GOT TO COME BACK... 333 00:16:15,642 --> 00:16:16,685 A STAR! 334 00:16:16,894 --> 00:16:18,645 NOW GET OUT THERE AND DO YOUR DAMNEDEST! 335 00:16:18,854 --> 00:16:19,855 HELLO, POLLY. 336 00:16:20,063 --> 00:16:20,856 OH, HELLO, EVERYONE... 337 00:16:21,064 --> 00:16:23,442 STAGE-WHISPERING: WHERE'S RITA?! 338 00:16:23,650 --> 00:16:25,027 SHE GOT HER FOOT CAUGHT IN THE TRAM LINE. 339 00:16:25,235 --> 00:16:26,361 SHE'S IN THE HOSPITAL. 340 00:16:26,570 --> 00:16:28,322 (LAUGHING) 341 00:16:32,493 --> 00:16:34,703 PSST! 342 00:16:34,912 --> 00:16:36,497 STAGE-WHISPERING: OH, HELLO, EVERYONE. 343 00:16:36,705 --> 00:16:38,248 WHERE HAVE YOU BEEN? 344 00:16:41,335 --> 00:16:44,796 OH, HELLO, EVERYONE. WHERE HAVE YOU BEEN? 345 00:16:45,005 --> 00:16:46,548 WE DASHED INTO TOWN THIS MORNING 346 00:16:46,757 --> 00:16:48,842 TO COLLECT OUR COSTUMES FOR THE CARNIVAL BALL. 347 00:16:49,051 --> 00:16:51,553 WE COULDN'T WAIT UNTIL MONSIEUR GASTON DELIVERED THEM. 348 00:16:51,762 --> 00:16:54,014 YOU MUST SEE MINE, POLLY. YOU'LL ADORE IT! 349 00:16:54,223 --> 00:16:55,182 OH, MINE. 350 00:16:55,390 --> 00:16:57,142 YOU'LL BE GREEN WITH ENVY! 351 00:16:57,351 --> 00:16:58,727 OH, BE QUIET, CHAPS. 352 00:16:58,936 --> 00:17:02,523 YOU KNOW WE'LL ALL BE JEALOUS OF POLLY WHEN SHE GETS HERS. 353 00:17:02,731 --> 00:17:05,442 WHAT ARE YOU GOING AS, POLLY? 354 00:17:07,653 --> 00:17:10,072 I'M GOING AS PIERRETTE. 355 00:17:10,280 --> 00:17:11,573 PIERRETTE. 356 00:17:11,782 --> 00:17:13,534 CHORUS: HOW DIVINE! 357 00:17:13,742 --> 00:17:16,578 NOW DO TELL US YOUR SECRET, POLLY. 358 00:17:16,787 --> 00:17:18,080 WHAT SECRET? 359 00:17:18,288 --> 00:17:22,000 WELL, IF YOU'RE GOING AS PIERRETTE... 360 00:17:22,209 --> 00:17:25,420 WHO'S GOING... 361 00:17:25,629 --> 00:17:27,089 AS PIERROT? 362 00:17:27,297 --> 00:17:29,341 OH. 363 00:17:29,550 --> 00:17:31,927 I STILL WANT IT TO BE A SECRET. 364 00:17:32,135 --> 00:17:34,513 CHORUS: OH, POLLY! 365 00:17:34,721 --> 00:17:37,766 BUT, I'VE HAD ANOTHER LETTER... 366 00:17:37,975 --> 00:17:39,184 FROM PARIS! 367 00:17:39,393 --> 00:17:42,104 FROM PARIS. HOW MARVELOUS! 368 00:17:42,312 --> 00:17:44,856 AND WHAT DOES HE SAY? 369 00:17:55,450 --> 00:17:58,704 HE SAYS HE'S... 370 00:17:58,912 --> 00:18:00,497 MOTORING DOWN OVERNIGHT. 371 00:18:05,919 --> 00:18:08,589 IN FACT... 372 00:18:08,797 --> 00:18:10,382 HE SHOULD BE HERE ANY MOMENT... 373 00:18:10,591 --> 00:18:12,593 - NOW. - OH, HOW THRILLING. 374 00:18:12,801 --> 00:18:14,803 AND HOW DOES HE SIGN HIMSELF? 375 00:18:15,012 --> 00:18:16,305 DOES HE SAY, 376 00:18:16,513 --> 00:18:18,974 "PASSIONATELY YOURS"? 377 00:18:19,182 --> 00:18:22,644 OR, "YOURS ADORINGLY"? 378 00:18:22,853 --> 00:18:26,315 OR DOES HE JUST SAY, "WITH ALL MY LOVE"? 379 00:18:26,523 --> 00:18:29,610 CHORUS: OH, DO TELL US ABOUT HIM, POLLY! 380 00:18:29,818 --> 00:18:33,822 WELL, THERE AIN'T VERY MUCH TO TELL, REALLY. 381 00:18:34,031 --> 00:18:36,533 I EXPECT YOU KNOW HOW I FEEL AS WELL AS I DO. 382 00:18:40,120 --> 00:18:43,165 ♪♪ ANY GIRL WHO'S REACHED THE AGE ♪♪ 383 00:18:43,373 --> 00:18:47,252 ♪♪ OF 17 OR THEREABOUTS ♪♪ 384 00:18:47,461 --> 00:18:52,341 ♪♪ HAS BUT ONE DESIRE IN VIEW ♪♪ 385 00:18:52,549 --> 00:18:54,593 EYES AND TEETH. EYES AND TEETH! 386 00:18:54,801 --> 00:18:57,596 ♪♪ SHE KNOWS SHE HAS REACHED THE STAGE ♪♪ 387 00:18:57,804 --> 00:19:01,475 ♪♪ OF NEEDING ONE TO CARE ABOUT ♪♪ 388 00:19:01,683 --> 00:19:07,272 ♪♪ NOTHING ELSE WILL REALLY DO ♪♪ 389 00:19:08,857 --> 00:19:11,985 ♪♪ CHILDHOOD GAMES ARE LEFT BEHIND ♪♪ 390 00:19:12,194 --> 00:19:15,781 ♪♪ AND HER HEART TAKES WING ♪♪ 391 00:19:15,989 --> 00:19:19,660 ♪♪ HOPING THAT IT SOON WILL FIND ♪♪ 392 00:19:19,868 --> 00:19:25,499 ♪♪ JUST ONE THING ♪♪ 393 00:19:25,707 --> 00:19:28,377 ♪♪ WE'VE GOT TO HAVE ♪♪ 394 00:19:28,585 --> 00:19:30,712 ♪♪ WE PLOT TO HAVE ♪♪ 395 00:19:30,921 --> 00:19:35,509 ♪♪ FOR IT'S SO DREARY NOT TO HAVE ♪♪ 396 00:19:35,717 --> 00:19:38,845 ♪♪ THAT CERTAIN THING CALLED ♪♪ 397 00:19:39,054 --> 00:19:41,515 ♪♪ THE BOY FRIEND ♪♪ 398 00:19:44,726 --> 00:19:46,687 ♪♪ WE SCHEME ABOUT AND DREAM ABOUT ♪♪ 399 00:19:46,895 --> 00:19:49,398 ♪♪ AND WE'VE BEEN KNOWN TO SCREAM ABOUT ♪♪ 400 00:19:49,606 --> 00:19:53,819 ♪♪ THAT CERTAIN THING CALLED THE BOY FRIEND ♪♪ 401 00:19:54,027 --> 00:19:56,238 ♪♪ HE IS REALLY A NECESSITY ♪♪ 402 00:19:56,446 --> 00:19:58,657 ♪♪ IF YOU WANT TO GET ON ♪♪ 403 00:19:58,865 --> 00:20:00,992 ♪♪ AND WE MIGHT AS WELL CONFESS IT, HE ♪♪ 404 00:20:01,201 --> 00:20:03,578 ♪♪ IS OUR SINE QUA NON ♪♪ 405 00:20:03,787 --> 00:20:05,747 ♪♪ WE SIGH FOR HIM AND CRY FOR HIM ♪♪ 406 00:20:05,956 --> 00:20:08,041 ♪♪ AND WE WOULD GLADLY DIE FOR HIM ♪♪ 407 00:20:08,250 --> 00:20:09,376 ♪♪ THAT CERTAIN THING ♪♪ 408 00:20:09,584 --> 00:20:11,420 ♪♪ CALLED THE BOY FRIEND ♪♪ 409 00:20:11,628 --> 00:20:17,467 ♪♪♪♪♪♪ 410 00:20:18,343 --> 00:20:20,262 PIANO AND DRUMS! 411 00:20:20,470 --> 00:20:22,681 WHAT MUST DETHRILL THINK? 412 00:20:22,889 --> 00:20:26,184 IF ONLY WE HAD MONEY, WHAT A SPECTACLE I'D SHOW THEM. 413 00:20:26,393 --> 00:20:29,438 A ROYAL COMMAND PERFORMANCE! 414 00:20:29,646 --> 00:20:31,398 (ORCHESTRA TUNING UP) 415 00:20:45,454 --> 00:20:48,999 (ORCHESTRA PLAYS) 416 00:21:25,744 --> 00:21:26,828 ♪♪ WE PLEAD TO HAVE ♪♪ 417 00:21:27,037 --> 00:21:28,288 ♪♪ WE NEED TO HAVE ♪♪ 418 00:21:28,497 --> 00:21:30,957 ♪♪ IN FACT, OUR POOR HEARTS BLEED TO HAVE ♪♪ 419 00:21:31,166 --> 00:21:34,836 ♪♪ THAT CERTAIN THING CALLED THE BOY FRIEND ♪♪ 420 00:21:35,045 --> 00:21:36,797 (ORCHESTRA PLAYS) 421 00:22:52,747 --> 00:22:55,417 ♪♪ WE'D SAVE FOR HIM ♪♪ 422 00:22:55,625 --> 00:22:58,253 ♪♪ AND SLAVE FOR HIM ♪♪ 423 00:22:58,461 --> 00:23:02,090 ♪♪ WE'D EVEN...♪♪ 424 00:23:02,299 --> 00:23:05,886 ♪♪ MISBEHAVE FOR HIM ♪♪ 425 00:23:06,094 --> 00:23:10,181 ♪♪ THAT CERTAIN THING CALLED ♪♪ 426 00:23:10,390 --> 00:23:13,894 ♪♪ THE BOY FRIEND ♪♪ 427 00:23:15,353 --> 00:23:17,731 ♪♪ LIFE WITHOUT US IS IMPOSSIBLE ♪♪ 428 00:23:17,939 --> 00:23:20,108 ♪♪ AND DEVOID OF ALL CHARMS ♪♪ 429 00:23:20,317 --> 00:23:22,736 ♪♪ NO AMOUNT OF IDLE GOSSIP'LL ♪♪ 430 00:23:22,944 --> 00:23:27,741 ♪♪ KEEP THEM OUT OF OUR ARMS ♪♪ 431 00:23:27,949 --> 00:23:30,619 ♪♪ WE'RE BLUE WITHOUT ♪♪ 432 00:23:30,827 --> 00:23:33,747 ♪♪ CAN'T DO WITHOUT ♪♪ 433 00:23:33,955 --> 00:23:39,628 ♪♪ OUR DREAMS JUST WON'T COME TRUE WITHOUT ♪♪ 434 00:23:39,836 --> 00:23:44,090 ♪♪ THAT CERTAIN THING CALLED ♪♪ 435 00:23:44,299 --> 00:23:47,761 ♪♪ THE BOY FRIEND ♪♪ 436 00:23:47,969 --> 00:23:49,763 POLLY, THE SPIRIT OF ECSTASY. 437 00:23:49,971 --> 00:23:52,140 RIDICULOUS! 438 00:23:52,349 --> 00:23:53,808 OH, NO! 439 00:23:54,017 --> 00:23:55,977 SHE'S FORGOTTEN THE STEPS! 440 00:23:56,186 --> 00:23:57,938 (GIRLS SCREECH) 441 00:24:13,161 --> 00:24:15,288 ♪♪ DEE DEE DEE DEE DEE DEE DEE DEE DEE ♪♪ 442 00:24:15,497 --> 00:24:17,332 ♪♪ OOH, OOH, OOH ♪♪ 443 00:24:17,540 --> 00:24:19,459 ♪♪ DEE DEE DEE DEE DEE DEE DEE DEE DEE ♪♪ 444 00:24:19,668 --> 00:24:21,461 ♪♪ OOH, OOH, OOH ♪♪ 445 00:24:21,670 --> 00:24:23,630 ♪♪ WHEE ♪♪ 446 00:24:23,838 --> 00:24:26,174 ♪♪ WE'RE BLUE WITHOUT ♪♪ 447 00:24:26,383 --> 00:24:28,760 ♪♪ CAN'T DO WITHOUT ♪♪ 448 00:24:28,969 --> 00:24:30,261 ♪♪ OUR DREAMS JUST...♪♪ 449 00:24:30,470 --> 00:24:32,138 DO A RUBY KEELER! 450 00:24:34,140 --> 00:24:37,477 ♪♪ THAT CERTAIN THING CALLED ♪♪ 451 00:24:37,686 --> 00:24:42,816 ♪♪ THE BOY FRIEND ♪♪ 452 00:24:44,859 --> 00:24:46,653 (APPLAUSE) 453 00:24:52,492 --> 00:24:54,119 HEH HEH. SHE'S DOING ALRIGHT, HUH? 454 00:24:54,327 --> 00:24:55,370 ALRIGHT FOR PYGMALION. 455 00:24:55,578 --> 00:24:56,705 SHE'S SUPPOSED TO COME FROM WESTMINSTER, 456 00:24:56,913 --> 00:24:58,498 NOT WAPPING. 457 00:25:00,667 --> 00:25:01,835 WOMAN ON STAGE: BOYS, BOYS. 458 00:25:02,043 --> 00:25:03,545 YOU KNOW YOU'RE NOT ALLOWED ON THE PREMISES. 459 00:25:03,753 --> 00:25:04,796 YOU MUST LEAVE AT ONCE! 460 00:25:05,005 --> 00:25:06,172 SEE YOU ON THE PLAGE! 461 00:25:06,381 --> 00:25:08,341 SHARP AT 2:00. DON'T BE LATE, NOW. 462 00:25:08,550 --> 00:25:09,217 TOODLE-OO! 463 00:25:09,426 --> 00:25:10,468 MEN: BYE! 464 00:25:10,677 --> 00:25:11,845 GIRLS: BYE! 465 00:25:12,053 --> 00:25:13,471 BUT YOU STILL HAVEN'T TOLD US 466 00:25:13,680 --> 00:25:15,515 MUCH ABOUT HIM, POLLY. 467 00:25:15,724 --> 00:25:17,517 NOT EVEN HIS CHRISTIAN NAME. 468 00:25:17,726 --> 00:25:19,686 WHAT IS IT, POLLY? 469 00:25:19,894 --> 00:25:23,064 WELL, IT'S, UM, UM... 470 00:25:23,273 --> 00:25:25,191 KEEP IT, GIRLS. HERE COMES MADAME DUBONNET! 471 00:25:25,400 --> 00:25:27,360 CHORUS: OOH! 472 00:25:27,569 --> 00:25:29,029 (HUMMING) 473 00:25:34,909 --> 00:25:36,703 (GARGLING) 474 00:25:38,913 --> 00:25:40,999 ♪♪ A-HA...♪♪ 475 00:25:41,207 --> 00:25:45,503 ♪♪ HA-AH-AH-AH-AH ♪♪ 476 00:25:46,921 --> 00:25:48,757 AH, TIENS, TIENS, MES ENFANTS! 477 00:25:48,965 --> 00:25:51,092 THIS IS NO WAY TO BEHAVE. 478 00:25:51,301 --> 00:25:56,556 NOW THEN, ALL OF YOU TO YOUR CLASSROOM... 479 00:25:56,765 --> 00:25:59,601 WHERE MADEMOISELLE ALICE IS WAITING TO INSTRUCT YOU 480 00:25:59,809 --> 00:26:01,561 IN PETIT POIS. 481 00:26:01,770 --> 00:26:06,107 MADEMOISELLE BROWNE! GIRLS: OUI, MADAME DUBONNET. 482 00:26:06,316 --> 00:26:08,610 MADEMOISELLE DUBONNET: MADEMOISELLE BROWNE! 483 00:26:08,818 --> 00:26:10,111 MR. MAX, WHISPERING: RITA! RITA! 484 00:26:10,320 --> 00:26:12,447 PLAY IT LIKE RITA! 485 00:26:12,655 --> 00:26:13,448 OH! 486 00:26:13,656 --> 00:26:14,991 OUI, MADAME? 487 00:26:18,453 --> 00:26:20,205 I WISH TO HAVE A LITTLE WORD WITH YOU, 488 00:26:20,413 --> 00:26:21,539 MA PETITE. 489 00:26:21,748 --> 00:26:24,292 PROMENADE WITH ME INTO LE JARDIN. 490 00:26:24,501 --> 00:26:29,089 YOU CAN HELP ME GATHER SOME HOLLYHOCKS! 491 00:26:29,297 --> 00:26:30,799 DO NOT BE FRIGHTENED, MA CHERE. 492 00:26:31,007 --> 00:26:32,634 YOU HAVE DONE NOTHING WRONG. 493 00:26:32,842 --> 00:26:33,968 I MERELY WISH TO ASK 494 00:26:34,177 --> 00:26:36,638 IF YOU ARE COMING TO THE BALL TONIGHT. 495 00:26:36,846 --> 00:26:39,808 OH, YES, OF COURSE. I'VE ORDERED MY FROCK. 496 00:26:40,016 --> 00:26:41,726 I'M GOING AS PIERRETTE. 497 00:26:41,935 --> 00:26:44,604 OH, SO YOU HAVE A FRIEND TO TAKE YOU, HUH? 498 00:26:44,813 --> 00:26:46,481 I HAD A LETTER TODAY. 499 00:26:46,689 --> 00:26:48,566 HE'S ARRIVING BY CAR FROM PARIS! 500 00:26:48,775 --> 00:26:50,985 FROM PAREE? 501 00:26:51,194 --> 00:26:53,113 YES, FROM PAREE. 502 00:26:56,741 --> 00:26:58,618 PSST. ONION! 503 00:26:58,827 --> 00:27:00,411 YOU'VE GOT TO CRY! 504 00:27:03,331 --> 00:27:06,459 THEN WHY IS THIS LETTER POSTMARKED FROM NICE? 505 00:27:06,668 --> 00:27:08,419 (sesame) 506 00:27:11,339 --> 00:27:14,509 OH, NEVER MIND, MY LITTLE POLLY. 507 00:27:14,717 --> 00:27:16,678 YOUR SECRET IS SAFE WITH ME! 508 00:27:16,886 --> 00:27:20,265 SOYEZ GAIE AND TRUST ME! 509 00:27:20,473 --> 00:27:22,350 NOW THEN, DRY YOUR EYES, 510 00:27:22,559 --> 00:27:24,978 THEN CHANGE INTO YOUR TUNIC. 511 00:27:25,186 --> 00:27:27,313 WE ARE DANCING ON THE GRASS! 512 00:27:27,522 --> 00:27:29,023 HA HA HA! 513 00:27:29,232 --> 00:27:32,360 NO! I WON'T DO IT! 514 00:27:32,569 --> 00:27:36,114 A WESTERN ARTISTE ACT WITH AN AMATEUR? NEVER! 515 00:27:36,322 --> 00:27:40,660 WE'VE ENOUGH COCKNEYS IN THIS SHOW AS IT IS! 516 00:27:40,869 --> 00:27:42,871 AND WITH DETHRILL OUT FRONT, TOO. 517 00:27:43,079 --> 00:27:45,707 HE'LL THINK HE'S WATCHING A VARIETY ACT! 518 00:27:45,915 --> 00:27:47,959 YOU'LL BE EXPECTING ME TO SING, 519 00:27:48,168 --> 00:27:49,335 ANY OLD IRON NEXT! 520 00:27:49,544 --> 00:27:50,712 YES! 521 00:27:50,920 --> 00:27:52,130 ♪♪ ANY OLD IRON ANY OLD IRON ♪♪ 522 00:27:52,338 --> 00:27:54,048 ♪♪ ANY ANY ANY OLD IRON ♪♪ 523 00:27:54,257 --> 00:27:55,550 ♪♪ YOU LOOK NEAT TALK ABOUT A TREAT ♪♪ 524 00:27:55,758 --> 00:27:57,051 ♪♪ YOU LOOK BETTER FROM YOUR HEAD TO YOUR FEET ♪♪ 525 00:27:57,260 --> 00:27:58,803 ♪♪ DRESSED IN STYLE, BRAND NEW DOLL ♪♪ 526 00:27:59,012 --> 00:28:00,555 ♪♪ WITH YOUR FATHER'S OLD GREEN TIE ON ♪♪ 527 00:28:00,763 --> 00:28:02,056 ♪♪ I WOULDN'T BE THE DUFFER IN THE OLD WATCH CHAIN ♪♪ 528 00:28:02,265 --> 00:28:03,892 ♪♪ OLD IRON, OLD IRON ♪♪ 529 00:28:04,100 --> 00:28:05,518 ♪♪ DAH DAH DAH DAH DAH DAH, DAH DAH DAH DAH DAH DAH ♪♪ 530 00:28:05,727 --> 00:28:07,562 ♪♪ DAH-DAH, DAH-DAH HOW'S THAT? ♪♪ 531 00:28:07,770 --> 00:28:10,356 THAT'S IT! YOU'RE A COCKNEY JUNK DEALER. 532 00:28:10,565 --> 00:28:12,233 MADE YOUR FORTUNE IN SCRAP METAL AFTER THE WAR. 533 00:28:12,442 --> 00:28:13,318 YOU WANT TO BETTER YOURSELF. 534 00:28:13,526 --> 00:28:14,527 POLLY, TOO! 535 00:28:14,736 --> 00:28:16,404 YOU'RE TRYING TO LIVE DOWN YOUR PAST. 536 00:28:16,613 --> 00:28:18,948 I'LL WRITE IT. WE'LL SAVE THE SHOW YET! 537 00:28:20,533 --> 00:28:22,160 I WON'T DO IT! 538 00:28:24,037 --> 00:28:25,205 HAS ANYONE GOT A FOUNTAIN PEN? 539 00:28:27,248 --> 00:28:28,333 DID YOU HEAR THAT GIRL'S ACCENT? 540 00:28:28,541 --> 00:28:32,003 PAPER, PAPER! 541 00:28:32,212 --> 00:28:33,254 I WANT YOU ALL TO DO YOUR BEST. 542 00:28:33,463 --> 00:28:34,714 AND TELL THE BOYS I HAVEN'T TIME. 543 00:28:34,923 --> 00:28:36,090 TELL THEM TO DANCE LIKE NIJINSKY. 544 00:28:36,299 --> 00:28:37,383 DETHRILL'S OUT FRONT! 545 00:28:37,592 --> 00:28:39,093 OH, NOT DETHRILL, THE JENNY DILL MERCHANT 546 00:28:39,302 --> 00:28:40,386 FROM CABLE STREET? 547 00:28:40,595 --> 00:28:41,930 NO, IT MUST BE DETHRILL, 548 00:28:42,138 --> 00:28:44,015 THE GREAT HOLLYWOOD DIRECTOR, 549 00:28:44,224 --> 00:28:47,227 TALENT-SPOTTING FOR HIS NEW, SUPER, COLOSSAL, 550 00:28:47,435 --> 00:28:52,357 ALL-TALKING, ALL-SINGING, ALL-DANCING FAMOUS MUSICAL! 551 00:28:52,565 --> 00:28:54,484 GIRLS: OH, THAT ONE! 552 00:29:09,749 --> 00:29:13,878 HI, TOOTS. HOW'S POLL DOING? 553 00:29:14,087 --> 00:29:16,547 QUITE PROMISING, ACTUALLY. 554 00:29:16,756 --> 00:29:17,548 CARE FOR A PUFF? 555 00:29:17,757 --> 00:29:19,217 UH-UH. 556 00:29:19,425 --> 00:29:20,927 IT MIGHT STUNT MY GROWTH. 557 00:29:28,226 --> 00:29:31,646 I SAY, THAT'S A KICKY STEP. 558 00:29:31,854 --> 00:29:33,147 WHO TAUGHT YOU THAT? 559 00:29:33,356 --> 00:29:34,482 SEARCH ME, TOOTS. 560 00:29:34,691 --> 00:29:37,944 YOU SEE, AS A KID I WAS KICKED IN THE HEAD. 561 00:29:38,152 --> 00:29:40,571 AND WHEN I CAME TO... 562 00:29:40,780 --> 00:29:44,909 AMNESIA. 563 00:29:45,118 --> 00:29:47,495 HOW ON EARTH DID THAT HAPPEN? 564 00:29:47,704 --> 00:29:50,123 YOU'VE HEARD OF THE RUSSIAN REVOLUTION. 565 00:29:54,002 --> 00:29:55,753 BAH-BAH-BAH! AND ALL THAT JAZZ. 566 00:29:55,962 --> 00:29:56,796 YES. 567 00:29:57,005 --> 00:29:58,006 WELL... 568 00:29:58,214 --> 00:29:59,465 I'M TOLD I WAS ON 569 00:29:59,674 --> 00:30:01,134 THE STEPPES OF ODESSA... 570 00:30:07,348 --> 00:30:09,309 WHEN THE WHITES WENT BANANAS! 571 00:30:13,187 --> 00:30:14,522 WHEN I WOKE UP, 572 00:30:14,731 --> 00:30:17,692 ALL I COULD REMEMBER WAS HOW TO TAP DANCE. 573 00:30:17,900 --> 00:30:20,111 FASCINATING! 574 00:30:20,320 --> 00:30:22,030 PLUS THE NAME OF ONE STEP. 575 00:30:22,238 --> 00:30:24,657 THE DOUBLE TRIP... 576 00:30:24,866 --> 00:30:27,994 MAXIE FORD... 577 00:30:28,202 --> 00:30:29,662 WITH A KNICKERBOCKER BREAK! 578 00:30:37,378 --> 00:30:39,714 WHAT HAPPENED TO YOUR PARENTS? 579 00:30:39,922 --> 00:30:42,050 I DON'T KNOW. 580 00:30:42,258 --> 00:30:44,010 I NEVER HEARD FROM ANYBODY. 581 00:30:47,972 --> 00:30:49,307 I GUESS THEY WERE DONE IN. 582 00:30:55,063 --> 00:30:58,024 ANYWAY, SINCE I SPOKE AMERICAN, 583 00:30:58,232 --> 00:30:59,901 I WAS SHIPPED OFF TO THE STATES, 584 00:31:00,109 --> 00:31:01,736 WHERE THEY PUT ME IN AN ORPHANAGE. 585 00:31:01,944 --> 00:31:03,237 WHAT WAS THAT LIKE? 586 00:31:03,446 --> 00:31:05,740 IT WAS CRUMMY. THEY WOULDN'T EVEN LET ME TAP-DANCE. 587 00:31:05,948 --> 00:31:07,909 SO... 588 00:31:08,117 --> 00:31:10,328 ONE DARK NIGHT, 589 00:31:10,536 --> 00:31:13,081 AT THE RIPE OLD AGE OF 6 1/2, 590 00:31:13,289 --> 00:31:16,542 I RAN AWAY TO NEW YORK! 591 00:31:16,751 --> 00:31:19,921 TO MANHATTAN. TO TIMES SQUARE. 592 00:31:20,129 --> 00:31:22,340 TO BROADWAY! 593 00:31:24,258 --> 00:31:27,845 WHERE I BECAME A BABY STAR. 594 00:31:28,054 --> 00:31:30,932 ♪♪ I'M...♪♪ 595 00:31:31,140 --> 00:31:34,060 ♪♪ A-TAPPING DOWN BROADWAY ♪♪ 596 00:31:34,268 --> 00:31:36,687 ♪♪ JUST A-TAP, TAP TAPPING DOWN BROADWAY ♪♪ 597 00:31:36,896 --> 00:31:40,608 ♪♪ 'CAUSE BROADWAY'S MY TAP SLAP-HAPPY HOME ♪♪ 598 00:31:40,817 --> 00:31:43,319 ♪♪ CRAM, ROLL, SHUFFLE, BALL CHANGE, TAP TAP ♪♪ 599 00:31:46,030 --> 00:31:47,949 THEN I OUTGREW MY SHORT PANTS, 600 00:31:48,157 --> 00:31:51,911 AND IT WAS CURTAINS FOR TINY TOM. 601 00:31:52,120 --> 00:31:55,790 I SAY, YOU WOULDN'T BE PULLING A FELLA'S LEG, WOULD YOU? 602 00:31:55,998 --> 00:31:58,292 NO. EVERY WORD'S THE TRUTH. 603 00:31:58,501 --> 00:32:00,294 CUB SCOUT'S OATH! 604 00:32:00,503 --> 00:32:04,924 OH, THERE'S OUR CUE. READY? 605 00:32:05,133 --> 00:32:07,593 OH, THAT WAS MARVELOUS. 606 00:32:07,802 --> 00:32:10,471 BUT TOMMY, COULD WE TAKE IT EASY THIS AFTERNOON? 607 00:32:10,680 --> 00:32:13,224 I'VE GOT THE MOST APPALLING HEADACHE. 608 00:32:13,433 --> 00:32:15,476 OH, OK, TOOTS. 609 00:32:15,685 --> 00:32:17,603 I'LL GIVE IT THE OLD MATINEE SOFT SELL. 610 00:32:20,815 --> 00:32:22,400 (LAUGHING) 611 00:32:26,904 --> 00:32:27,989 MAN: AND... 612 00:32:28,197 --> 00:32:29,949 (PIANO PLAYS WALTZ) 613 00:32:42,503 --> 00:32:43,796 EXCUSE ME. PLEASE, COULD YOU GIVE THIS 614 00:32:44,005 --> 00:32:45,173 TO THE MAITRE D'? 615 00:32:45,381 --> 00:32:46,591 OUI, MAM'SELLE. 616 00:32:46,799 --> 00:32:47,717 THANK YOU. 617 00:32:57,685 --> 00:32:59,520 - GUESS WHO. - TOMMY! 618 00:32:59,729 --> 00:33:01,606 GOODNESS ME, WHERE I AM... 619 00:33:01,814 --> 00:33:04,692 OH, GOSH, YOU DID MAKE A TAP JUMP. 620 00:33:04,901 --> 00:33:06,319 FANCY MEETING YOU HERE. 621 00:33:06,527 --> 00:33:07,528 I LIVE HERE. 622 00:33:07,737 --> 00:33:09,197 YOU WANT TO COME UP AND SEE MY ETCHINGS? 623 00:33:09,405 --> 00:33:11,532 OH, I SAY, PLEASE... 624 00:33:11,741 --> 00:33:13,868 PLEASE! I MUST LEAVE AT ONCE! 625 00:33:14,076 --> 00:33:14,994 I'M JUST HERE ON AN ERRAND 626 00:33:15,203 --> 00:33:16,537 FOR MADAME DUBONNET, 627 00:33:16,746 --> 00:33:18,831 ARRANGEMENTS FOR THE CARNIVAL BALL TONIGHT. 628 00:33:19,040 --> 00:33:20,208 IF SHE WERE TO FIND OUT, 629 00:33:20,416 --> 00:33:22,126 I'D BE ASKED TO LEAVE UNDER A CLOUD. 630 00:33:22,335 --> 00:33:23,544 MMM. I'M NOT LETTING YOU GO 631 00:33:23,753 --> 00:33:25,880 UNTIL YOU PROMISE ME ONE THING. 632 00:33:26,088 --> 00:33:26,964 AND WHAT IS THAT? 633 00:33:27,173 --> 00:33:28,341 OH, YOU KNOW AS WELL AS I DO. 634 00:33:28,549 --> 00:33:30,301 - DO I? - OF COURSE YOU DO. 635 00:33:30,510 --> 00:33:32,220 I WANT YOU TO PROMISE THAT TONIGHT... 636 00:33:32,428 --> 00:33:33,346 YOU'RE GOING TO DANCE EVERY DANCE 637 00:33:33,554 --> 00:33:34,555 AT THE BALL WITH ME. 638 00:33:34,764 --> 00:33:37,725 OH, THAT! THAT'S OUT OF THE QUESTION. 639 00:33:37,934 --> 00:33:41,145 COME ON, MAISIE. BE A SPORT! OH, YOU KNOW THERE'S NOBODY 640 00:33:41,354 --> 00:33:42,730 I WANT TO DANCE WITH BUT YOU. 641 00:33:42,939 --> 00:33:45,775 REALLY? I DON'T BELIEVE YOU! 642 00:33:50,196 --> 00:33:54,575 ♪♪ LISTEN, BABY, TO MY PLEA ♪♪ 643 00:33:54,784 --> 00:33:58,329 ♪♪ WON'T YOU COME DANCING WITH ME? ♪♪ 644 00:33:58,538 --> 00:34:02,833 ♪♪ BE MY BABY AND SAY YES ♪♪ 645 00:34:03,042 --> 00:34:07,505 ♪♪ OR ELSE I'M DONE FOR, I GUESS ♪♪ 646 00:34:07,713 --> 00:34:09,257 ♪♪ TO DANCE WITH YOU ♪♪ 647 00:34:09,465 --> 00:34:13,511 ♪♪ IS THRILLING TO MY POOR EGO ♪♪ 648 00:34:13,719 --> 00:34:15,888 ♪♪ SO BABY, SAY YOU'RE WILLING ♪♪ 649 00:34:16,097 --> 00:34:20,935 ♪♪ TO SHAKE A LEG, OH...♪♪ 650 00:34:21,143 --> 00:34:25,439 ♪♪ WON'T YOU CHARLESTON WITH ME? ♪♪ 651 00:34:25,648 --> 00:34:29,944 ♪♪ WON'T YOU CHARLESTON WITH ME? ♪♪ 652 00:34:30,152 --> 00:34:32,196 ♪♪ AND WHILE THE BAND IS PLAYING THAT ♪♪ 653 00:34:32,405 --> 00:34:34,115 ♪♪ OLD VO-DE-O-DO ♪♪ 654 00:34:34,323 --> 00:34:36,450 ♪♪ AROUND WE WILL GO ♪♪ 655 00:34:36,659 --> 00:34:38,411 ♪♪ TOGETHER WE'LL SHOW THEM ♪♪ 656 00:34:38,619 --> 00:34:42,456 ♪♪ HOW THE CHARLESTON IS DONE ♪♪ 657 00:34:42,665 --> 00:34:46,877 ♪♪ WE'LL SURPRISE EVERYONE ♪♪ 658 00:34:47,086 --> 00:34:48,796 ♪♪ JUST THINK WHAT HEAVEN ♪♪ 659 00:34:49,005 --> 00:34:51,090 ♪♪ IT'S GONNA BE ♪♪ 660 00:34:51,299 --> 00:34:52,925 ♪♪ IF YOU WILL CHARLESTON ♪♪ 661 00:34:53,134 --> 00:34:55,094 ♪♪ CHARLESTON WITH ME ♪♪ 662 00:34:55,303 --> 00:34:59,432 ♪♪ WON'T YOU CHARLESTON WITH ME? ♪♪ 663 00:34:59,640 --> 00:35:03,603 ♪♪ WON'T YOU CHARLESTON WITH ME? ♪♪ 664 00:35:03,811 --> 00:35:05,646 ♪♪ AND WHILE THE BAND IS PLAYING THAT ♪♪ 665 00:35:05,855 --> 00:35:07,898 ♪♪ OLD VO-DE-O-DO ♪♪ 666 00:35:08,107 --> 00:35:09,775 ♪♪ AROUND WE WILL GO ♪♪ 667 00:35:09,984 --> 00:35:11,736 ♪♪ TOGETHER WE'LL SHOW THEM ♪♪ 668 00:35:11,944 --> 00:35:15,489 ♪♪ HOW THE CHARLESTON IS DONE ♪♪ 669 00:35:15,698 --> 00:35:20,119 ♪♪ WE'LL SURPRISE EVERYONE ♪♪ 670 00:35:20,328 --> 00:35:21,996 ♪♪ JUST THINK WHAT HEAVEN...♪♪ 671 00:35:22,204 --> 00:35:23,581 SHE'S DOUBLE-CROSSED YOU! 672 00:35:23,789 --> 00:35:24,582 WHAT? 673 00:35:24,790 --> 00:35:27,209 DETHRILL'S IN THE STAGE BOX! 674 00:36:17,677 --> 00:36:19,387 CHORUS: ♪♪ WON'T YOU CHARLESTON ♪♪ 675 00:36:19,595 --> 00:36:21,847 ♪♪ CHARLESTON WITH ME? ♪♪ 676 00:36:22,056 --> 00:36:23,391 ♪♪ CHARLESTON, CHARLESTON, CHARLESTON, CHARLESTON ♪♪ 677 00:36:23,599 --> 00:36:25,851 ♪♪ CHARLESTON WITH ME ♪♪ 678 00:36:26,060 --> 00:36:27,687 ♪♪ JUST THINK WHAT HEAVEN ♪♪ 679 00:36:27,895 --> 00:36:29,980 ♪♪ EVERYTHING'S GOING TO BE ♪♪ 680 00:36:30,189 --> 00:36:33,984 ♪♪ WHY DON'T YOU CHARLESTON ♪♪ 681 00:36:34,193 --> 00:36:38,739 ♪♪ CHARLESTON, CHARLESTON? ♪♪ 682 00:36:38,948 --> 00:36:42,493 ♪♪ WHY DON'T YOU CHARLESTON ♪♪ 683 00:36:42,702 --> 00:36:48,165 ♪♪ CHARLESTON WITH ME? ♪♪ 684 00:37:03,764 --> 00:37:06,267 THEY TOLD ME WHEN I JOINED IT WAS A NOEL COWARD PART. 685 00:37:06,475 --> 00:37:08,602 NOW YOU DON'T EXPECT NOEL TO TALK COCKNEY, DO YOU? 686 00:37:08,811 --> 00:37:09,687 ANY MORE THAN YOU WOULD A QUEEN. 687 00:37:09,895 --> 00:37:11,772 HERE. I CAN ACT POSH. 688 00:37:11,981 --> 00:37:14,525 ACT POSH? AH, CUT THAT. 689 00:37:14,734 --> 00:37:16,610 DETHRILL WON'T UNDERSTAND A WORD OF IT. 690 00:37:16,819 --> 00:37:18,279 IT'S A FOREIGN LANGUAGE TO THEM YANKS. 691 00:37:18,487 --> 00:37:19,363 IT'S NOT ENGLISH. 692 00:37:19,572 --> 00:37:20,948 HE'LL THINK I'M A CHARACTER MAN. 693 00:37:21,157 --> 00:37:23,200 WELL, YOU'RE HARDLY A JUVE, ARE YOU, DARLING? 694 00:37:23,409 --> 00:37:24,285 PLEASE KEEP OUT OF IT, MOIRA. 695 00:37:24,493 --> 00:37:25,911 WELL, THE CHILD'S NOT THAT BAD. 696 00:37:26,120 --> 00:37:27,246 SHE'S GOT A LITTLE TALENT. 697 00:37:27,455 --> 00:37:28,581 TALENT? SHE'LL NEVER MAKE THE WEST END 698 00:37:28,789 --> 00:37:30,791 IN A MILLION YEARS. 699 00:37:31,000 --> 00:37:32,293 WELL, LET'S BE HONEST, DARLING. 700 00:37:32,501 --> 00:37:33,961 THE NEAREST YOU EVER GOT TO THE WEST END 701 00:37:34,170 --> 00:37:36,130 WAS HARROW-ON-THE-HILL. 702 00:37:36,338 --> 00:37:38,048 UNLESS YOU COUNT THE TWICE-NIGHTLIES. 703 00:37:38,257 --> 00:37:39,759 HAVE YOU FORGOTTEN THAT CHARITY MATINEE 704 00:37:39,967 --> 00:37:41,135 I GAVE AT CROYDON? 705 00:37:41,343 --> 00:37:43,053 OH, HERE. I WAS IN THAT SHOW. 706 00:37:43,262 --> 00:37:44,472 COCKNEY CAPERS. 707 00:37:44,680 --> 00:37:46,807 YOU SANG HENRY THE EIGHTH. 708 00:37:47,016 --> 00:37:48,601 THERE YOU ARE. WON'T TAKE A JIFFY. 709 00:37:48,809 --> 00:37:50,895 - WHAT ABOUT ME? - YOU TALK COCKNEY VERY REFINED. 710 00:37:51,103 --> 00:37:53,814 YOU SHOULDN'T FIND IT TOO DIFFICULT. 711 00:37:54,023 --> 00:37:56,901 I WON'T DO IT! 712 00:37:57,109 --> 00:37:59,904 UNLESS I PLAY IT STRAIGHT. 713 00:38:00,112 --> 00:38:02,323 - IT'S PERFECT. - HAVE YOU FIXED IT ON? 714 00:38:02,531 --> 00:38:03,491 HERE, IT WON'T COME OFF. 715 00:38:03,699 --> 00:38:05,993 JUST PUT THIS ONE ON AS WELL. 716 00:38:06,202 --> 00:38:09,622 AND NOW, POLLY, BEFORE YOUR FRIENDS ARRIVE, 717 00:38:09,830 --> 00:38:12,500 I WANT YOU TO TELL ME JUST ONE THING. 718 00:38:12,708 --> 00:38:14,502 YES, MADAME? 719 00:38:14,710 --> 00:38:17,671 HOW IS IT THAT ONE SO SWEET 720 00:38:17,880 --> 00:38:20,341 AND CHARMING AS YOU ARE 721 00:38:20,549 --> 00:38:23,177 HAS TO PRETEND TO HAVE...HOW YOU SAY... 722 00:38:23,385 --> 00:38:24,678 BOY FRIEND, 723 00:38:24,887 --> 00:38:28,098 AND WRITE HERSELF LOVE LETTERS? 724 00:38:28,307 --> 00:38:30,309 IT'S BECAUSE OF MY FATHER, MADAME. 725 00:38:30,518 --> 00:38:31,936 YOUR FATHER, HUH? 726 00:38:32,144 --> 00:38:34,188 YES. YOU SEE, BEFORE KAISER BILL 727 00:38:34,396 --> 00:38:35,689 THE HORRIBLE, HORRIBLE WAR, 728 00:38:35,898 --> 00:38:37,191 WE WERE TERRIBLY, TERRIBLY POOR. 729 00:38:37,399 --> 00:38:38,776 DADDY WAS A SCRAP METAL MERCHANT, 730 00:38:38,984 --> 00:38:41,821 AND I WAS A LITTLE MATCH GIRL. 731 00:38:42,029 --> 00:38:43,948 BUT AFTER THE ARMISTICE HE MADE HIS FORTUNE, 732 00:38:44,156 --> 00:38:45,991 BOUGHT UP ALL THE ALLOYS OUT OF THE STREET, 733 00:38:46,200 --> 00:38:48,160 AND NOW WE ARE TERRIBLY NOUVEAU RICHE, YOU SEE, 734 00:38:48,369 --> 00:38:51,163 AND WHEN HE DIES I SHALL BE REALLY EXTREMELY WEALTHY, 735 00:38:51,372 --> 00:38:53,332 AND HE THINKS THAT EVERY MAN WHO MAKES ADVANCES TO ME 736 00:38:53,541 --> 00:38:56,168 IS JUST AFTER MY MILLIONS. 737 00:38:56,377 --> 00:38:57,670 SO, HE FORBIDS YOU 738 00:38:57,878 --> 00:39:00,214 TO HAVE A BOY FRIEND? 739 00:39:00,422 --> 00:39:02,174 WELL... 740 00:39:02,383 --> 00:39:03,384 PRACTICALLY. 741 00:39:03,592 --> 00:39:05,886 SO, YOU INVENT HIM? 742 00:39:06,095 --> 00:39:08,681 YES, I'M AFRAID SO... 743 00:39:08,889 --> 00:39:12,017 I SEE. POOR LITTLE RICH GIRL. 744 00:39:12,226 --> 00:39:15,396 WELL, I, TOO, HAVE HAD A LETTER TODAY FROM YOUR FATHER, 745 00:39:15,604 --> 00:39:16,897 AND HE IS COMING HERE 746 00:39:17,106 --> 00:39:21,652 THIS MORNING. 747 00:39:21,861 --> 00:39:24,029 DADDY? COMING HERE? 748 00:39:24,238 --> 00:39:25,823 OUI. 749 00:39:26,031 --> 00:39:30,035 HE IS COMING FROM TOULON ON BUSINESS. 750 00:39:30,244 --> 00:39:32,997 AND WHEN I SEE HIM, 751 00:39:33,205 --> 00:39:36,375 I WILL HAVE A LITTLE WORD WITH HIM. 752 00:39:36,584 --> 00:39:39,253 HE MUST LISTEN! 753 00:39:39,461 --> 00:39:40,671 HE SHALL SEE. 754 00:39:40,880 --> 00:39:43,549 ATTENDRE, MY LITTLE DAUGHTER. 755 00:39:43,757 --> 00:39:46,844 TODAY, WE DANCE! 756 00:39:47,052 --> 00:39:49,346 MAN: ALRIGHT! (PIANO MUSIC PLAYS) 757 00:40:51,825 --> 00:40:53,619 (ORCHESTRAL MUSIC BEGINS) 758 00:42:15,576 --> 00:42:19,038 (MUSIC CONTINUES) 759 00:42:19,246 --> 00:42:20,998 (CHARLESTON MUSIC PLAYS) 760 00:43:10,756 --> 00:43:12,257 (DRAMATIC ORCHESTRAL MUSIC BEGINS) 761 00:43:43,789 --> 00:43:45,582 (CHARLESTON MUSIC PLAYS) 762 00:44:04,351 --> 00:44:06,145 (CHARLESTON MUSIC CONTINUES) 763 00:44:14,361 --> 00:44:16,113 (LIGHT ORCHESTRAL MUSIC BEGINS) 764 00:44:16,321 --> 00:44:18,073 (DRAMATIC MUSIC PLAYS) 765 00:45:04,036 --> 00:45:05,829 (DANCE MUSIC PLAYS) 766 00:45:12,586 --> 00:45:14,171 (DRAMATIC MUSIC PLAYS) 767 00:45:17,257 --> 00:45:19,051 (DANCE MUSIC PLAYS) 768 00:45:39,279 --> 00:45:41,073 (LIGHT ORCHESTRAL MUSIC PLAYS) 769 00:47:56,375 --> 00:47:58,085 BLESS YOU, MES ENFANTS. 770 00:47:58,293 --> 00:48:00,045 MAY THE GODS POUR LIBATIONS 771 00:48:00,253 --> 00:48:02,255 AND HAPPINESS ON YOUR HOUSES. 772 00:48:02,464 --> 00:48:05,175 NOW RUN ALONG, MY DEAR DAUGHTERS. 773 00:48:05,384 --> 00:48:08,303 MADAME WISHES TO MEDITATE! 774 00:48:13,016 --> 00:48:15,352 OH, REALLY! NO, THANK YOU. 775 00:48:25,779 --> 00:48:29,533 MADAME, ICI MONSIEUR BROWNE, LE PERE DE POLLY. 776 00:48:29,741 --> 00:48:31,076 MONSIEUR! 777 00:48:37,124 --> 00:48:38,333 HERE YOU ARE. 778 00:48:46,466 --> 00:48:49,302 IN COCKNEY ACCENT: HOW DO YOU DO, MADAME? 779 00:48:49,511 --> 00:48:51,430 HOW DO YOU DO? 780 00:48:54,474 --> 00:49:00,355 ♪♪♪♪♪♪ 781 00:49:05,318 --> 00:49:06,987 MONSIEUR BROWNE, 782 00:49:07,195 --> 00:49:10,907 OR SHOULD I SAY MA PETIT PERCY? 783 00:49:11,116 --> 00:49:13,493 MR. BROWNE: I DON'T FOLLOW YOU, MADAME. 784 00:49:13,702 --> 00:49:15,245 MADEMOISELLE DUBONNET: MAIS OUI, MON CHER. 785 00:49:15,454 --> 00:49:17,998 WON'T YOU SIT DOWN? 786 00:49:18,206 --> 00:49:22,127 DO YOU NOT REMEMBER YOUR LITTLE KIKI? 787 00:49:22,335 --> 00:49:24,588 KIKI. GOOD HEAVENS! 788 00:49:24,796 --> 00:49:26,756 THIS IS IMPOSSIBLE! 789 00:49:26,965 --> 00:49:28,091 MOST AWKWARD! 790 00:49:28,300 --> 00:49:30,177 HOW COULD IT BE? 791 00:49:30,385 --> 00:49:33,638 AFTER ALL WE HAVE BEEN TO EACH OTHER! 792 00:49:37,267 --> 00:49:41,188 HAVE YOU FORGOTTEN ARMISTICE NIGHT? 793 00:49:41,396 --> 00:49:46,860 WHEN YOU KISSED ME ON... 794 00:49:47,068 --> 00:49:49,237 THE CHAMPS-ELYSEES? 795 00:50:19,392 --> 00:50:21,978 YES, MADAME. I HAVE... 796 00:50:22,187 --> 00:50:24,314 COMPLETELY FORGOTTEN! 797 00:50:24,523 --> 00:50:27,234 SURELY NOT, CHERI. 798 00:50:27,442 --> 00:50:31,821 I WORE A WHITE DRESS, AND YOU WERE IN UNIFORM. 799 00:50:32,030 --> 00:50:33,365 LATER ON, 800 00:50:33,573 --> 00:50:36,576 I CALLED YOU MY PRETTY PRIVATE. 801 00:50:36,785 --> 00:50:38,203 THEN WE DRANK CHAMPAGNE. 802 00:50:38,411 --> 00:50:40,080 EVERYONE WAS HAPPY! 803 00:50:40,288 --> 00:50:41,498 THEN... 804 00:50:41,706 --> 00:50:44,751 TWO LITTLE LOVEBIRDS FLEW OVER OUR HEADS. 805 00:50:44,960 --> 00:50:48,713 (BIRD WHISTLE) 806 00:50:57,847 --> 00:51:01,393 (FOOTSTEPS APPROACHING) 807 00:51:26,751 --> 00:51:30,964 SO, THE KID HAS STEPPED INTO THE STAR'S SHOES. 808 00:51:31,172 --> 00:51:32,048 GOSH, RITA. 809 00:51:32,257 --> 00:51:33,967 I'M SORRY. 810 00:51:34,175 --> 00:51:35,302 DOES IT HURT? 811 00:51:35,510 --> 00:51:38,555 HURT? OF COURSE IT HURTS... 812 00:51:38,763 --> 00:51:40,390 WHEN SOMEONE ELSE TAKES YOUR PLACE. 813 00:51:40,599 --> 00:51:42,559 BUT I COULD NEVER HOPE TO BE ANOTHER RITA MONROE. 814 00:51:42,767 --> 00:51:45,729 NO ONE COULD, DEAR. EVER! 815 00:51:45,937 --> 00:51:47,981 BUT YOU MIGHT JUST GET BY. 816 00:51:48,189 --> 00:51:51,610 MM-HMM. ONE DAY. 817 00:51:51,818 --> 00:51:56,489 NOW YOU'RE JUST A NERVOUS, SKINNY KID 818 00:51:56,698 --> 00:51:58,158 OVERWHELMED AT THE IMPOSSIBILITY 819 00:51:58,366 --> 00:52:00,118 OF TRYING TO SAVE THE SHOW. 820 00:52:00,327 --> 00:52:01,828 AND ON TOP OF THAT, YOU HAVE TO FACE 821 00:52:02,037 --> 00:52:03,288 THE BITTER DISAPPOINTMENT 822 00:52:03,496 --> 00:52:06,333 OF ALL MY FANS OUT THERE, 823 00:52:06,541 --> 00:52:08,126 WHO SCRIMPED AND SAVED THEIR PENNIES 824 00:52:08,335 --> 00:52:09,961 WEEK AFTER WEEK 825 00:52:10,170 --> 00:52:11,463 TO COME HERE THIS AFTERNOON 826 00:52:11,671 --> 00:52:13,632 TO SEE THAT SPECIAL KIND OF MAGIC 827 00:52:13,840 --> 00:52:15,175 THAT ONLY... 828 00:52:15,383 --> 00:52:19,763 THEIR RITA CAN GIVE THEM. 829 00:52:19,971 --> 00:52:20,930 OH, WELL. 830 00:52:21,139 --> 00:52:22,307 DO YOU KNOW YOUR STEPS? NOW SHOW ME 831 00:52:22,515 --> 00:52:24,434 THE BUCK-AND-WING BREAK FROM THE FIRST DUET. 832 00:52:30,482 --> 00:52:31,816 OH, SORRY, RITA. 833 00:52:34,194 --> 00:52:35,362 YES, WELL, FAKE IT! 834 00:52:35,570 --> 00:52:37,364 THAT'S WHAT I ALWAYS DID WHENEVER I WAS ILL. 835 00:52:37,572 --> 00:52:39,699 CHANCES ARE THEY'LL NEVER NOTICE. 836 00:52:39,908 --> 00:52:41,451 OH, AND THEN THERE IS THAT TRICKY OBBLIGATO 837 00:52:41,660 --> 00:52:43,203 IN THE PIERRETTE NUMBER. 838 00:52:43,411 --> 00:52:49,292 ♪♪ AH-AH-AH-AH-AH-AH-AH ♪♪ 839 00:52:50,669 --> 00:52:51,961 ♪♪ AH-AH-AH-AH...♪♪ 840 00:52:52,170 --> 00:52:53,546 (COUGHING) 841 00:52:53,755 --> 00:52:56,633 ♪♪ AH-AH-AH-AH-AH... ♪♪ 842 00:52:58,885 --> 00:53:01,471 MMM... OH, WELL, 843 00:53:01,680 --> 00:53:03,139 THAT PARKHILL WOMAN'S 844 00:53:03,348 --> 00:53:04,683 SURE TO BE SINGING FLAT. 845 00:53:04,891 --> 00:53:06,351 OH, THEY'LL NEVER NOTICE. 846 00:53:06,559 --> 00:53:07,811 OH, AND IF YOU DO FORGET YOUR LINES, 847 00:53:08,019 --> 00:53:09,354 AD LIB. 848 00:53:09,562 --> 00:53:10,689 IT'LL DESTROY THE REST CF THE CAST, 849 00:53:10,897 --> 00:53:12,691 BUT AT LEAST YOU WON'T DRY. 850 00:53:15,235 --> 00:53:17,987 OH, NOW, PULL YOURSELF TOGETHER AND DON'T WORRY. 851 00:53:18,196 --> 00:53:21,533 THEY'LL FIND A REPLACEMENT TOMORROW. 852 00:53:21,741 --> 00:53:23,535 NOW GET OUT THERE, 853 00:53:23,743 --> 00:53:27,080 AND BE SO GREAT... 854 00:53:27,288 --> 00:53:28,832 YOU'LL MAKE ME HATE YOU. 855 00:53:29,040 --> 00:53:31,209 OH, THANK YOU, RITA. YOU'RE REALLY TOO KIND. 856 00:53:33,712 --> 00:53:36,214 SWEET. 857 00:53:36,423 --> 00:53:42,053 ♪♪ I COULD BE HAPPY WITH YOU ♪♪ 858 00:53:43,430 --> 00:53:48,727 ♪♪ IF YOU COULD BE HAPPY WITH ME ♪♪ 859 00:53:51,104 --> 00:53:54,649 (BIRD WHISTLE CONTINUES) 860 00:54:00,572 --> 00:54:03,575 THEN, FROM A LITTLE CAFE, 861 00:54:03,783 --> 00:54:08,455 CAME THE STRAINS OF A WALTZ. 862 00:54:08,663 --> 00:54:10,415 HOW DID IT GO? 863 00:54:10,623 --> 00:54:16,421 ♪♪♪♪♪♪ 864 00:54:26,806 --> 00:54:30,310 ♪♪ I STILL RECALL SO TENDERLY ♪♪ 865 00:54:30,518 --> 00:54:33,438 ♪♪ THE NIGHT WHEN FIRST WE MET ♪♪ 866 00:54:33,646 --> 00:54:37,317 ♪♪ THE MEMORY'S SO DEAR TO ME ♪♪ 867 00:54:37,525 --> 00:54:41,029 ♪♪ SO HOW CAN YOU FORGET? ♪♪ 868 00:54:45,617 --> 00:54:48,453 ♪♪ FANCY FORGETTING ♪♪ 869 00:54:48,661 --> 00:54:51,623 ♪♪ THE LOVE THAT WE KNEW ♪♪ 870 00:54:51,831 --> 00:54:56,461 ♪♪ WHEN WE WERE FANCY FREE ♪♪ 871 00:54:57,837 --> 00:55:00,465 ♪♪ FANCY FORGETTING ♪♪ 872 00:55:00,673 --> 00:55:03,760 ♪♪ WHAT I SAID TO YOU ♪♪ 873 00:55:03,968 --> 00:55:07,639 ♪♪ AND WHAT YOU SAID TO ME ♪♪ 874 00:55:10,475 --> 00:55:13,353 ♪♪ THOUGH THE YEARS GO BY ♪♪ 875 00:55:13,561 --> 00:55:16,439 ♪♪ AND OUR YOUTH IS GONE ♪♪ 876 00:55:16,648 --> 00:55:19,692 ♪♪ MEMORIES DON'T DIE ♪♪ 877 00:55:19,901 --> 00:55:25,532 ♪♪ LIKE A SONG THEY LINGER ON ♪♪ 878 00:55:25,740 --> 00:55:27,200 TOGETHER: ♪♪ SO JUST WHEN ♪♪ 879 00:55:27,408 --> 00:55:28,618 ♪♪ I THOUGHT YOU'D ♪♪ 880 00:55:28,827 --> 00:55:34,666 ♪♪ REMEMBERED IT, TOO ♪♪ 881 00:55:36,376 --> 00:55:42,006 ♪♪ FANCY, JUST FANCY YOU FORGETTING ♪♪ 882 00:55:46,469 --> 00:55:48,263 (APPLAUSE) 883 00:55:50,890 --> 00:55:54,394 I TOLD YOU I'D PLAY IT STRAIGHT! 884 00:55:54,602 --> 00:55:57,355 WHOO! HARK TO THAT! 885 00:55:57,564 --> 00:55:58,648 OOH, I'M REAL SCARED. 886 00:55:58,857 --> 00:56:00,233 I CAN'T REMEMBER A THING! 887 00:56:00,441 --> 00:56:03,528 AH, DON'T WORRY. 888 00:56:03,736 --> 00:56:05,321 AND POLL... 889 00:56:05,530 --> 00:56:08,658 DON'T TRY TO COPY THE OTHERS. 890 00:56:08,867 --> 00:56:09,742 IF YOU REALLY MEAN WHAT YOU SAY 891 00:56:09,951 --> 00:56:13,079 ON THE STAGE, YOU CAN'T GO WRONG. 892 00:56:13,288 --> 00:56:14,706 I'LL LOOK AFTER YOU. 893 00:56:14,914 --> 00:56:16,666 (PIANO PLAYS PERFECT YOUNG LADIES) 894 00:56:36,185 --> 00:56:37,395 OOH! 895 00:56:40,440 --> 00:56:41,399 OOH! 896 00:56:44,611 --> 00:56:45,737 OOH LA LA! 897 00:56:51,576 --> 00:56:53,953 CLASS DISMISSED! 898 00:56:54,162 --> 00:56:57,582 OOH...OOH... 899 00:56:57,790 --> 00:56:59,584 GIRLS, I KNOW. 900 00:56:59,792 --> 00:57:01,294 LET'S GO AND TRY ON OUR COSTUMES 901 00:57:01,502 --> 00:57:02,545 BEFORE LUNCHEON! 902 00:57:02,754 --> 00:57:04,714 YES, LET'S! 903 00:57:04,923 --> 00:57:06,591 ARE YOU COMING TOO, POLLY? 904 00:57:06,799 --> 00:57:08,801 OH, NO. I THINK I'LL JUST STAY HERE. 905 00:57:09,010 --> 00:57:10,637 I'M EXPECTING DADDY ANY MOMENT. 906 00:57:10,845 --> 00:57:12,639 AND AREN'T YOU EXPECTING... 907 00:57:12,847 --> 00:57:13,973 HIM? 908 00:57:14,182 --> 00:57:15,558 HIM? OH. 909 00:57:15,767 --> 00:57:17,977 OH, YES, OF COURSE. 910 00:57:18,186 --> 00:57:19,729 HOW DESPERATELY SMALL. 911 00:57:19,938 --> 00:57:22,106 OH, LET'S LEAVE HER GO. SHE WANTS TO BE ALONE. 912 00:57:23,399 --> 00:57:24,776 GOOD-BYE. 913 00:57:32,575 --> 00:57:33,451 MAN: EXCUSEZ-MOI. 914 00:57:33,660 --> 00:57:35,828 OH! YOU STARTLED ME. 915 00:57:36,037 --> 00:57:37,497 I'M SORRY, MISS. 916 00:57:37,705 --> 00:57:40,833 I'M AFRAID I CAME IN THE WRONG WAY. 917 00:57:41,042 --> 00:57:43,419 THIS IS THE VILLA CAPRICE, ISN'T IT? 918 00:57:43,628 --> 00:57:45,129 YES. 919 00:57:45,338 --> 00:57:47,423 WELL, I HAVE A PACKAGE HERE FOR MISS POLLY BROWNE. 920 00:57:47,632 --> 00:57:49,467 OH, REALLY? HOW FUNNY. 921 00:57:49,676 --> 00:57:51,594 FUNNY? WHY? 922 00:57:51,803 --> 00:57:55,264 BECAUSE I'M POLLY BROWNE. 923 00:57:55,473 --> 00:57:57,809 WELL, IT'S A VERY PRETTY NAME. 924 00:57:58,017 --> 00:58:00,520 OH, THANK YOU. 925 00:58:00,728 --> 00:58:01,813 AND YOU LIVE UP TO IT. 926 00:58:05,525 --> 00:58:06,484 OH! 927 00:58:06,693 --> 00:58:08,945 (CHUCKLING) I'M SORRY, MISS. 928 00:58:09,153 --> 00:58:09,862 I'M AFRAID I'M FORGETTING MYSELF. 929 00:58:10,071 --> 00:58:10,989 HERE'S YOUR PACKAGE. 930 00:58:11,197 --> 00:58:12,490 OH, THANK YOU. 931 00:58:15,702 --> 00:58:17,036 DON'T THEY MAKE A LOVELY COUPLE? 932 00:58:17,245 --> 00:58:18,997 (TITTERING) 933 00:58:22,959 --> 00:58:24,002 I'M SO SORRY. 934 00:58:28,047 --> 00:58:29,966 I PACKED IT MYSELF, AND... 935 00:58:30,174 --> 00:58:31,050 WELL, IF YOU DON'T MIND MY SAYING SO, 936 00:58:31,259 --> 00:58:32,635 IT'S A VERY PRETTY DRESS. 937 00:58:32,844 --> 00:58:34,554 OH, YES, IT IS, ISN'T IT? 938 00:58:34,762 --> 00:58:35,680 YES. 939 00:58:39,684 --> 00:58:40,977 I'M SURE THAT YOU'LL... 940 00:58:41,185 --> 00:58:42,562 I MEAN IT... 941 00:58:42,770 --> 00:58:45,189 IT WILL BE THE PRETTIEST AT THE BALL. 942 00:58:45,398 --> 00:58:48,151 OH, I DON'T EXPECT SO, REALLY. 943 00:58:48,359 --> 00:58:49,402 I DO. 944 00:58:49,610 --> 00:58:50,695 IN FACT, I KNOW IT. 945 00:58:53,489 --> 00:58:54,574 LI-I 946 00:58:54,782 --> 00:58:57,243 YES? 947 00:58:57,452 --> 00:58:59,662 WELL, PERHAPS I'D BETTER BE GOING. 948 00:58:59,871 --> 00:59:00,997 OH, YES. 949 00:59:02,915 --> 00:59:04,625 OH, NO! 950 00:59:06,753 --> 00:59:10,256 OH, YES. PERHAPS YOU HAD. 951 00:59:10,465 --> 00:59:12,884 ACCENT! ACCENT! 952 00:59:13,092 --> 00:59:15,219 I SAY! 953 00:59:15,428 --> 00:59:17,096 YES? 954 00:59:17,305 --> 00:59:19,766 YOU'RE ENGLISH, AREN'T YOU? 955 00:59:19,974 --> 00:59:22,268 YES, AS A MATTER OF FACT, I AM. 956 00:59:22,477 --> 00:59:24,687 YOU DON'T SEEM LIKE A MESSENGER BOY SOMEHOW. 957 00:59:24,896 --> 00:59:25,772 DON'T I? 958 00:59:25,980 --> 00:59:27,690 WELL...TO TELL YOU THE TRUTH, 959 00:59:27,899 --> 00:59:29,525 I DON'T USUALLY DO THIS SORT OF THING, 960 00:59:29,734 --> 00:59:31,360 BUT JUST AT THE MOMENT, 961 00:59:31,569 --> 00:59:34,447 I'M AFRAID I'M RATHER ON MY BEAM-ENDS. 962 00:59:34,655 --> 00:59:37,075 OH, WHAT A SHAME. 963 00:59:46,626 --> 00:59:48,294 AND AT CARNIVAL TIME, TOO. 964 00:59:48,503 --> 00:59:51,422 YES, IT'S A PITY, ISN'T IT? I WAS HOPING I'D BE ABLE 965 00:59:51,631 --> 00:59:53,633 TO GO TO THE BALL TONIGHT. 966 00:59:53,841 --> 00:59:54,634 I'LL BE WATCHING. 967 00:59:54,842 --> 00:59:56,302 OH, WILL YOU? 968 00:59:56,511 --> 00:59:59,722 YES, OF COURSE. 969 00:59:59,931 --> 01:00:01,724 WHY DON'T YOU COME, TOO? 970 01:00:01,933 --> 01:00:04,310 ME, COME TO THE BALL? 971 01:00:04,519 --> 01:00:05,603 YES, WHY NOT? 972 01:00:05,812 --> 01:00:07,772 I'VE GOT AN EXTRA TICKET, AND... 973 01:00:07,980 --> 01:00:09,649 OH, DEAR. 974 01:00:09,857 --> 01:00:11,943 YOU MUST THINK ME TERRIBLY FORWARD! 975 01:00:12,151 --> 01:00:13,903 NO, I DON'T! 976 01:00:14,112 --> 01:00:16,489 LI-I 977 01:00:16,697 --> 01:00:17,490 I THINK YOU'RE... 978 01:00:17,698 --> 01:00:20,159 TERRIBLY...TERRIBLY... 979 01:00:20,368 --> 01:00:22,120 (MUSIC PLAYS) 980 01:00:28,000 --> 01:00:31,003 MAN SINGS: ♪♪ I DON'T CLAIM THAT I AM PSYCHIC ♪♪ 981 01:00:31,212 --> 01:00:32,797 ♪♪ BUT ONE LOOK AT YOU ♪♪ 982 01:00:33,005 --> 01:00:34,966 (MOUTHS WORDS) ♪♪ AND I KICK AWAY ♪♪ 983 01:00:35,174 --> 01:00:36,968 ♪♪ EVERY SCRUPLE I LEARNED AS A PUPIL ♪♪ 984 01:00:37,176 --> 01:00:40,680 ♪♪ IN SCHOOL, MY DEAR ♪♪ 985 01:00:40,888 --> 01:00:44,100 WOMAN: ♪♪ I'M NOT ONE TO MAKE PREDICTIONS ♪♪ 986 01:00:44,308 --> 01:00:47,145 ♪♪ BUT I'VE THROWN OFF ALL RESTRICTIONS ♪♪ 987 01:00:47,353 --> 01:00:49,772 ♪♪ AND BY CONFESSING I THINK IT'S A BLESSING ♪♪ 988 01:00:49,981 --> 01:00:54,193 ♪♪ THAT YOU ARE HERE ♪♪ 989 01:00:54,402 --> 01:00:55,778 (BOTH MOUTHING) m: THOUGH I'M PREPARED m: 990 01:00:55,987 --> 01:00:59,615 ♪♪ TO FIND I'M WRONG ♪♪ 991 01:00:59,824 --> 01:01:02,368 ♪♪ I'VE GOT A FUNNY FEELING ♪♪ 992 01:01:02,577 --> 01:01:08,166 ♪♪ WE BELONG TOGETHER ♪♪ 993 01:01:09,041 --> 01:01:09,876 (REAL SINGING) 994 01:01:10,084 --> 01:01:11,335 ♪♪ I COULD BE HAPPY ♪♪ 995 01:01:11,544 --> 01:01:14,547 ♪♪ WITH YOU ♪♪ 996 01:01:14,755 --> 01:01:17,633 ♪♪ IF YOU COULD BE HAPPY ♪♪ 997 01:01:17,842 --> 01:01:21,512 ♪♪ WITH ME ♪♪ 998 01:01:21,721 --> 01:01:24,390 ♪♪ I'D BE CONTENTED ♪♪ 999 01:01:24,599 --> 01:01:27,810 ♪♪ TO LIVE ANYWHERE ♪♪ 1000 01:01:28,019 --> 01:01:31,397 ♪♪ WHAT WOULD I CARE? ♪♪ 1001 01:01:31,606 --> 01:01:35,067 ♪♪ AS LONG AS YOU WERE THERE ♪♪ 1002 01:01:35,276 --> 01:01:37,904 ♪♪ SKIES MAY NOT ALWAYS ♪♪ 1003 01:01:38,112 --> 01:01:41,073 ♪♪ BE BLUE ♪♪ 1004 01:01:41,282 --> 01:01:44,202 ♪♪ BUT ONE THING IS CLEAR AS ♪♪ 1005 01:01:44,410 --> 01:01:46,871 ♪♪ CAN BE ♪♪ 1006 01:01:47,079 --> 01:01:49,040 ♪♪ I KNOW THAT I COULD ♪♪ 1007 01:01:49,248 --> 01:01:50,750 ♪♪ BE HAPPY ♪♪ 1008 01:01:50,958 --> 01:01:53,920 ♪♪ WITH YOU, MY DARLING ♪♪ 1009 01:01:54,128 --> 01:01:56,505 ♪♪ IF YOU COULD BE HAPPY ♪♪ 1010 01:01:56,714 --> 01:01:57,882 ♪♪ WITH ♪♪ 1011 01:01:58,090 --> 01:01:59,592 (RECORD SKIPS) ♪♪ HAPPY WITH ♪♪ 1012 01:01:59,800 --> 01:02:01,552 ♪♪ HAPPY WITH ♪♪ 1013 01:02:01,761 --> 01:02:03,429 ♪♪ HAPPY WITH ♪♪ 1014 01:02:03,638 --> 01:02:05,556 ♪♪ HAPPY WITH ♪♪ 1015 01:02:05,765 --> 01:02:07,600 ♪♪ HAPPY WITH ♪♪ 1016 01:02:07,808 --> 01:02:09,560 ♪♪ HAPPY WITH ♪♪ 1017 01:02:09,769 --> 01:02:12,230 ♪♪ HAPPY WITH... ♪♪ 1018 01:02:29,622 --> 01:02:31,165 (WALTZING MUSIC) 1019 01:07:01,685 --> 01:07:03,187 THEN YOU WILL COME TO THE BALL? 1020 01:07:03,395 --> 01:07:05,231 WELL, I'LL TRY. 1021 01:07:05,439 --> 01:07:07,525 I'LL HAVE TO SEE ABOUT A COSTUME. 1022 01:07:07,733 --> 01:07:10,236 THERE'S A PIERROT'S COSTUME AT GASTON'S. 1023 01:07:10,444 --> 01:07:12,029 COULDN'T YOU BORROW IT? 1024 01:07:12,238 --> 01:07:14,532 WELL, I'LL SEE. 1025 01:07:14,740 --> 01:07:15,866 HOW CAN I LET YOU KNOW? 1026 01:07:16,075 --> 01:07:18,577 OH, LET ME THINK. 1027 01:07:18,786 --> 01:07:22,164 I'LL BE ON THE PLAGE AT 3:00 THIS AFTERNOON... 1028 01:07:22,373 --> 01:07:24,750 ON THE CRAZY GOLF COURSE. 1029 01:07:24,959 --> 01:07:26,085 GOOD-BYE TILL THEN. 1030 01:07:26,293 --> 01:07:30,339 GOOD-BYE. 1031 01:07:30,548 --> 01:07:33,092 AND I DON'T EVEN KNOW HIS NAME. 1032 01:07:33,300 --> 01:07:35,094 POLLY! OH, POLLY! 1033 01:07:35,302 --> 01:07:37,221 I HAVE A VISITOR FOR YOU. DADDY! 1034 01:07:37,429 --> 01:07:38,430 I'M SO HAPPY! 1035 01:07:38,639 --> 01:07:40,349 ARE YOU, MY DEAR? I'M GLAD TO HEAR IT. 1036 01:07:40,558 --> 01:07:41,600 HAS HE ARRIVED YET, POLLY? 1037 01:07:41,809 --> 01:07:43,227 YES, HE'S ARRIVED. 1038 01:07:45,437 --> 01:07:47,064 HE'S REALLY ARRIVED. 1039 01:07:47,273 --> 01:07:49,733 ALL: HEY! 1040 01:07:49,942 --> 01:07:52,236 ♪♪ THEY'RE BLUE WITHOUT ♪♪ 1041 01:07:52,444 --> 01:07:54,613 ♪♪ CAN'T DO WITHOUT ♪♪ 1042 01:07:54,822 --> 01:07:56,615 ♪♪ AREN'T WE JUST ♪♪ 1043 01:07:56,824 --> 01:07:59,618 ♪♪ ONE PLUS TWO WITHOUT ♪♪ 1044 01:07:59,827 --> 01:08:03,455 ♪♪ THAT CERTAIN BIG BOY ♪♪ 1045 01:08:03,664 --> 01:08:08,961 ♪♪ THE BOY FRIEND? ♪♪ 1046 01:08:09,169 --> 01:08:10,921 (APPLAUSE) 1047 01:11:18,901 --> 01:11:22,279 ♪♪ IN MY IMAGINATION ♪♪ 1048 01:11:22,488 --> 01:11:25,824 ♪♪ I SEARCH THE STARLIT SKY SO BRIGHT ♪♪ 1049 01:11:26,033 --> 01:11:29,161 ♪♪ IN MY IMAGINATION ♪♪ 1050 01:11:29,369 --> 01:11:33,582 ♪♪ THERE I SAW YOU IN THE NIGHT ♪♪ 1051 01:11:33,791 --> 01:11:37,294 ♪♪ AND THEN ONE DAY I FOUND YOU ♪♪ 1052 01:11:37,503 --> 01:11:41,006 ♪♪ HOW COULD I HELP BUT REALIZE ♪♪ 1053 01:11:41,215 --> 01:11:44,510 ♪♪ MY LUCKY STAR WAS SMILING ♪♪ 1054 01:11:44,718 --> 01:11:49,932 ♪♪ RIGHT THERE BEFORE MY VERY EYES? ♪♪ 1055 01:11:50,140 --> 01:11:51,475 ♪♪ YOU ♪♪ 1056 01:11:51,683 --> 01:11:53,101 ♪♪ ARE MY ♪♪ 1057 01:11:53,310 --> 01:11:56,188 ♪♪ LUCKY STAR ♪♪ 1058 01:11:56,396 --> 01:11:59,316 ♪♪ I SAW YOU ♪♪ 1059 01:11:59,525 --> 01:12:02,861 ♪♪ FROM AFAR ♪♪ 1060 01:12:03,070 --> 01:12:05,030 ♪♪ TWO LOVELY EYES AT ME ♪♪ 1061 01:12:05,239 --> 01:12:08,492 ♪♪ THEY WERE GLEAMING ♪♪ 1062 01:12:08,700 --> 01:12:11,787 ♪♪ BEAMING ♪♪ 1063 01:12:11,995 --> 01:12:15,040 ♪♪ I WAS STAR STRUCK ♪♪ 1064 01:12:15,249 --> 01:12:17,209 ♪♪ YOU WORE ♪♪ 1065 01:12:17,417 --> 01:12:20,712 ♪♪ MY LUCKY CHARMS ♪♪ 1066 01:12:20,921 --> 01:12:23,841 ♪♪ I'M LUCKY ♪♪ 1067 01:12:24,049 --> 01:12:27,135 ♪♪ IN YOUR ARMS ♪♪ 1068 01:12:27,344 --> 01:12:30,180 ♪♪ YOU OPENED HEAVEN'S PORTAL ♪♪ 1069 01:12:30,389 --> 01:12:34,226 ♪♪ HERE ON EARTH FOR THIS POOR MORTAL ♪♪ 1070 01:12:34,434 --> 01:12:36,854 ♪♪ YOU ARE ♪♪ 1071 01:12:37,062 --> 01:12:41,567 ♪♪ MY LUCKY STAR ♪♪ 1072 01:12:41,775 --> 01:12:45,362 (SPEAKS FRENCH) 1073 01:12:45,571 --> 01:12:46,405 EY? 1074 01:12:46,613 --> 01:12:48,407 HE SAYS YOU WERE LOVELY, DARLING. 1075 01:12:48,615 --> 01:12:49,575 OH, YOU SPEAK FRENCH? 1076 01:12:49,783 --> 01:12:53,203 (SPEAKING FRENCH) 1077 01:12:53,412 --> 01:12:55,080 ...COLLEGE DE BRIGHTON. 1078 01:12:55,289 --> 01:12:57,416 EN FRANCE, NATURELLEMENT. 1079 01:12:57,624 --> 01:12:58,750 (CHUCKLES) 1080 01:12:58,959 --> 01:13:03,171 (SPEAKING FRENCH) 1081 01:13:03,380 --> 01:13:06,258 MERCI, MADEMOISELLE. 1082 01:13:06,466 --> 01:13:10,095 AU REVOIR, MADEMOISELLE. 1083 01:13:10,304 --> 01:13:13,390 THAT MEANS GOOD-BYE, MISS. 1084 01:13:13,599 --> 01:13:15,058 SHE'S ONLY AN UNDERSTUDY, YOU KNOW. 1085 01:13:15,267 --> 01:13:16,810 NOT A REAL ACTRESS. 1086 01:13:18,896 --> 01:13:21,773 (INDISTINCT CONVERSATION) 1087 01:13:21,982 --> 01:13:25,485 (SPEAKING FRENCH) 1088 01:13:28,947 --> 01:13:31,450 I HAVE A FEW PHOTOGRAPHS HERE OF OUR PAST SUCCESSES 1089 01:13:31,658 --> 01:13:32,951 THAT MIGHT INTEREST YOU, MR. DETHRILL. 1090 01:13:33,160 --> 01:13:35,245 THAT'S ME IN THE CHINESE BUNGALOW. 1091 01:13:35,454 --> 01:13:36,914 AND WHAT ARE YOU HERE? 1092 01:13:37,122 --> 01:13:39,583 OH, THAT'S ME AS HAMLET. A TRAGEDY. 1093 01:13:39,791 --> 01:13:40,959 A TRAVESTY. 1094 01:13:41,168 --> 01:13:43,462 HERE I AM IN THE LUCK OF THE NAVY. 1095 01:13:43,670 --> 01:13:47,215 (SPEAKING FRENCH) 1096 01:13:55,057 --> 01:13:58,602 ...MERCI... (CONTINUES IN FRENCH) 1097 01:14:11,239 --> 01:14:12,115 (CHUCKLES) 1098 01:14:12,324 --> 01:14:13,158 HA HA HA HA HA. 1099 01:14:13,367 --> 01:14:14,993 (ALL LAUGH) 1100 01:14:15,202 --> 01:14:16,119 (SNOOTY FRENCH) 1101 01:14:16,328 --> 01:14:17,120 SHADDUP. 1102 01:14:17,329 --> 01:14:21,083 (SPEAKING FRENCH) 1103 01:14:24,503 --> 01:14:25,754 OUI. 1104 01:14:25,963 --> 01:14:28,340 HAH! 1105 01:14:28,548 --> 01:14:29,675 HAH! 1106 01:14:29,883 --> 01:14:31,802 ALL: AAH! 1107 01:14:32,010 --> 01:14:35,764 (SEVERAL SPEAKING FRENCH) 1108 01:14:41,353 --> 01:14:43,522 THAT CHAMPAGNE COST MONEY! 1109 01:14:43,730 --> 01:14:45,315 WE SHOULD BE SAFE IN HERE. 1110 01:14:45,524 --> 01:14:46,733 POLLY! 1111 01:14:49,361 --> 01:14:53,615 WE THOUGHT YOU WERE WITH THE OTHERS. 1112 01:14:53,824 --> 01:14:54,825 SORRY. 1113 01:14:55,033 --> 01:14:56,702 E-EXCUSE US. 1114 01:14:56,910 --> 01:14:58,328 COME ON, DULCIE. 1115 01:15:00,956 --> 01:15:02,791 (BABY CRIES) 1116 01:15:03,000 --> 01:15:04,751 (PIANO PLAYS) 1117 01:15:07,546 --> 01:15:13,176 ♪♪♪♪♪♪ 1118 01:15:49,171 --> 01:15:50,672 ♪♪ WHAT A LOVELY DAY ♪♪ 1119 01:15:50,881 --> 01:15:52,174 ♪♪ WHAT A LOVELY DAY ♪♪ 1120 01:15:52,382 --> 01:15:55,594 ♪♪ FOR A DIP IN THE SEA ♪♪ 1121 01:15:55,802 --> 01:15:58,764 ♪♪ OH, WHAT FUN IT WILL BE ♪♪ 1122 01:15:58,972 --> 01:16:02,184 ♪♪ WON'T YOU COME AND HAVE A SWIM WITH ME? ♪♪ 1123 01:16:02,392 --> 01:16:05,520 ♪♪ BUT WHATEVER YOU DO, WHEN I'M SWIMMING WITH YOU ♪♪ 1124 01:16:05,729 --> 01:16:08,774 ♪♪ PLEASE REMEMBER NOT TO GO TOO FAR ♪♪ 1125 01:16:08,982 --> 01:16:11,943 ♪♪ THOUGH YOU MAY LOOK CUTE IN YOUR BATHING SUIT ♪♪ 1126 01:16:12,152 --> 01:16:15,781 ♪♪ WE DON'T KNOW WHO YOU ARE ♪♪ 1127 01:16:15,989 --> 01:16:19,117 ♪♪ THERE'S NO KNOWING WHO YOU ARE GOING TO ♪♪ 1128 01:16:19,326 --> 01:16:22,621 ♪♪ MEET SUR LA PLAGE ♪♪ 1129 01:16:22,829 --> 01:16:26,124 ♪♪ YOU MAY RUN UP AGAINST A RAJAH ♪♪ 1130 01:16:26,333 --> 01:16:27,459 ♪♪ OR MAYBE YOUR MAN ♪♪ 1131 01:16:27,667 --> 01:16:29,044 ♪♪ WILL BE A POOR MAN ♪♪ 1132 01:16:29,252 --> 01:16:31,963 ♪♪ SAL OR SUSIE CANNOT BE CHOOSY ♪♪ 1133 01:16:32,172 --> 01:16:35,258 ♪♪ FOR HERE LOVE'S A GUESSING GAME ♪♪ 1134 01:16:35,467 --> 01:16:38,887 ♪♪ SUR LA PLAGE, SUR LA PLAGE ♪♪ 1135 01:16:39,096 --> 01:16:43,308 ♪♪ EVERYONE LOOKS THE SAME ♪♪ 1136 01:16:43,517 --> 01:16:44,309 HUBERT! 1137 01:16:44,518 --> 01:16:45,936 HUBERT, WHAT ARE YOU DOING? 1138 01:16:46,144 --> 01:16:46,978 NOTHING, MY DEAR. 1139 01:16:47,187 --> 01:16:48,480 JUST ADMIRING THE VIEW. 1140 01:16:48,688 --> 01:16:50,398 SO DIFFERENT FROM BOGNOR, ISN'T IT? 1141 01:16:50,607 --> 01:16:53,318 MUCH PRETTIER. I FEEL 20 YEARS YOUNGER. 1142 01:16:53,527 --> 01:16:56,279 AND BEHAVING ACCORDINGLY, I NOTICED! 1143 01:16:58,782 --> 01:17:01,284 REALLY, HUBERT, HOW CAN YOU AFTER OUR LAST... 1144 01:17:01,493 --> 01:17:03,328 OH, NOW, HILDA, DON'T TAKE ON SO. 1145 01:17:03,537 --> 01:17:05,122 TONY ISN'T DEAD, YOU KNOW. 1146 01:17:05,330 --> 01:17:06,498 HIS NOTE SAID HE WAS OFF TO NICE. 1147 01:17:06,706 --> 01:17:08,959 BUT HE HASN'T ANY MONEY. WE MUST FIND HIM. 1148 01:17:09,167 --> 01:17:10,252 DO SOMETHING, HUBERT! 1149 01:17:10,460 --> 01:17:12,212 VERY WELL, MY DEAR! 1150 01:17:18,176 --> 01:17:19,010 (HONK HONK HONK HONK) 1151 01:17:19,219 --> 01:17:20,804 OH, HOW DARE YOU! 1152 01:17:27,352 --> 01:17:28,478 STOP IT! 1153 01:17:28,687 --> 01:17:32,149 ♪♪ SUR LA PLAGE, SUR LA PLAGE ♪♪ 1154 01:17:32,357 --> 01:17:34,609 ♪♪ EVERYONE LOOKS THE SAME ♪♪ 1155 01:18:06,558 --> 01:18:08,185 ♪♪ THERE'S NO SAYING WHO ♪♪ 1156 01:18:08,393 --> 01:18:09,853 ♪♪ MAY BE PLAYING WITH ♪♪ 1157 01:18:10,061 --> 01:18:13,565 ♪♪ YOU SUR LA PLAGE ♪♪ 1158 01:18:13,773 --> 01:18:16,735 ♪♪ A KNIGHT WHO'S LEFT BEHIND HIS CHARGER ♪♪ 1159 01:18:16,943 --> 01:18:18,236 ♪♪ MAY CALL YOU DUCKY ♪♪ 1160 01:18:18,445 --> 01:18:20,030 ♪♪ WON'T YOU BE LUCKY? ♪♪ 1161 01:18:20,238 --> 01:18:23,033 ♪♪ IN THE OCEAN, YOU'LL FIND EMOTION ♪♪ 1162 01:18:23,241 --> 01:18:26,244 ♪♪ MAY PLAY YOU A FUNNY GAME ♪♪ 1163 01:18:26,453 --> 01:18:30,040 ♪♪ SUR LA PLAGE, SUR LA PLAGE ♪♪ 1164 01:18:30,248 --> 01:18:31,583 ♪♪ EVERYONE LOOKS THE ♪♪ 1165 01:18:31,791 --> 01:18:33,251 ♪♪ EVERYONE LOOKS THE ♪♪ 1166 01:18:33,460 --> 01:18:37,088 ♪♪ EVERYONE LOOKS THE SAME ♪♪ 1167 01:18:37,297 --> 01:18:39,049 (APPLAUSE) 1168 01:18:44,095 --> 01:18:46,681 OH! HA HA! OOH... 1169 01:18:52,062 --> 01:18:53,521 (GIGGLES) 1170 01:18:53,730 --> 01:18:54,522 WHAT DO YOU WEAR THAT FOR, 1171 01:18:54,731 --> 01:18:56,233 TO KEEP WARM IN BED? 1172 01:18:56,441 --> 01:18:57,901 SO ME OWN WIFE WON'T RECOGNIZE ME. 1173 01:18:58,109 --> 01:18:59,069 OH, YOU! (GIGGLES) 1174 01:18:59,277 --> 01:19:00,403 OOH, COME HERE. 1175 01:19:02,530 --> 01:19:04,366 OH, THERE YOU ARE! 1176 01:19:04,574 --> 01:19:07,118 YES. DID YOU THINK I WASN'T COMING? 1177 01:19:07,327 --> 01:19:10,205 WELL...l WASN'T SURE. 1178 01:19:10,413 --> 01:19:12,374 WELL, YOU OUGHT TO HAVE BEEN. 1179 01:19:12,582 --> 01:19:14,417 OH, AND I'VE SEEN MONSIEUR GASTON 1180 01:19:14,626 --> 01:19:16,711 ABOUT A COSTUME, AND IT'S ALRIGHT. 1181 01:19:16,920 --> 01:19:19,256 NOW I SHALL REALLY ENJOY THE CARNIVAL BALL. 1182 01:19:19,464 --> 01:19:21,800 SO SHALL l. 1183 01:19:22,008 --> 01:19:23,802 BY JOVE... 1184 01:19:24,010 --> 01:19:24,928 I NEVER THOUGHT I SHOULD BE GOING TO IT 1185 01:19:25,136 --> 01:19:28,098 WITH ANYONE LIKE YOU. 1186 01:19:28,306 --> 01:19:30,642 MAKES ME FEEL RATHER NERVOUS, REALLY. 1187 01:19:30,850 --> 01:19:32,811 NERVOUS? WHY? 1188 01:19:33,019 --> 01:19:34,271 WELL... 1189 01:19:34,479 --> 01:19:35,230 ME JUST A MESSENGER BOY, 1190 01:19:35,438 --> 01:19:37,399 AND YOU A RICH YOUNG LADY 1191 01:19:37,607 --> 01:19:39,317 FROM THE VILLA CAPRICE. 1192 01:19:39,526 --> 01:19:44,155 RICH? OH... I AIN'T RICH. 1193 01:19:44,364 --> 01:19:47,409 I THOUGHT YOU COULD TELL THAT BY ME ACCENT. 1194 01:19:47,617 --> 01:19:49,786 I JUST WORK THERE AS... 1195 01:19:49,995 --> 01:19:54,666 AS...MADAME DUBONNET'S SECRETARY! 1196 01:19:54,874 --> 01:19:56,793 DO YOU HONESTLY? 1197 01:19:57,002 --> 01:19:59,671 Y-YES. 1198 01:19:59,879 --> 01:20:00,922 WELL, THEN... 1199 01:20:01,131 --> 01:20:02,924 WE'RE NOT SO DIFFERENT AFTER ALL. 1200 01:20:05,010 --> 01:20:06,219 NO. 1201 01:20:09,472 --> 01:20:12,350 I'M SO GLAD. 1202 01:20:12,559 --> 01:20:13,518 I THOUGHT YOU'D ONLY LIKE... 1203 01:20:13,727 --> 01:20:14,936 THE GRAND LIFE. 1204 01:20:15,145 --> 01:20:17,355 YOU KNOW, BIG CARS AND DIAMONDS 1205 01:20:17,564 --> 01:20:18,940 AND CHAMPAGNE. 1206 01:20:19,149 --> 01:20:20,817 OH, NO. 1207 01:20:21,026 --> 01:20:25,196 I'M QUITE CONTENT WITH SIMPLE THINGS. 1208 01:20:25,405 --> 01:20:27,324 HOW RIPPING. 1209 01:20:27,532 --> 01:20:29,159 SO AM I. 1210 01:20:29,367 --> 01:20:35,165 ♪♪♪♪♪♪ 1211 01:20:37,667 --> 01:20:41,004 ♪♪ A LIFE OF WEALTH DOES NOT APPEAL TO ME AT ALL ♪♪ 1212 01:20:41,212 --> 01:20:42,547 ♪♪ DO YOU AGREE AT ALL? ♪♪ 1213 01:20:42,756 --> 01:20:44,966 ♪♪ I DO ♪♪ 1214 01:20:45,175 --> 01:20:48,178 ♪♪ THE MERE IDEA OF LIVING IN A PALACE IS ♪♪ 1215 01:20:48,386 --> 01:20:50,221 ♪♪ SO FULL OF FALLACIES ♪♪ 1216 01:20:50,430 --> 01:20:52,724 ♪♪ THAT'S TRUE ♪♪ 1217 01:20:52,932 --> 01:20:54,392 ♪♪ I'VE GOT A VERY DIFFERENT ♪♪ 1218 01:20:54,601 --> 01:20:56,728 ♪♪ SORT OF SCHEME IN MIND ♪♪ 1219 01:20:56,936 --> 01:20:59,064 ♪♪ IT'S JUST A DREAM DESIGNED ♪♪ 1220 01:20:59,272 --> 01:21:02,067 ♪♪ FOR TWO ♪♪ 1221 01:21:02,275 --> 01:21:05,236 ♪♪ WOULD YOU CARE TO HEAR ABOUT IT ♪♪ 1222 01:21:05,445 --> 01:21:07,197 ♪♪ DEAR? ♪♪ 1223 01:21:07,405 --> 01:21:09,532 ♪♪ WOULD I CARE TO? ♪♪ 1224 01:21:09,741 --> 01:21:12,202 ♪♪ CAN YOU DOUBT IT ♪♪ 1225 01:21:12,410 --> 01:21:14,996 ♪♪ DEAR? ♪♪ 1226 01:21:15,205 --> 01:21:17,999 ♪♪ ALL I WANT IS A ROOM ♪♪ 1227 01:21:18,208 --> 01:21:20,085 ♪♪ IN BLOOMS ♪♪ 1228 01:21:20,293 --> 01:21:22,504 ♪♪ BURY ♪♪ 1229 01:21:22,712 --> 01:21:25,256 ♪♪ JUST A ROOM THAT WILL DO ♪♪ 1230 01:21:25,465 --> 01:21:27,217 ♪♪ FOR YOU ♪♪ 1231 01:21:27,425 --> 01:21:29,677 ♪♪ AND ME ♪♪ 1232 01:21:29,886 --> 01:21:31,429 ♪♪ ONE ROOM'S ♪♪ 1233 01:21:31,638 --> 01:21:33,598 ♪♪ ENOUGH FOR US ♪♪ 1234 01:21:33,807 --> 01:21:37,435 ♪♪ THOUGH IT'S ON THE TOP FLOOR ♪♪ 1235 01:21:37,644 --> 01:21:38,937 ♪♪ LIFE MAY ♪♪ 1236 01:21:39,145 --> 01:21:41,439 ♪♪ BE ROUGH FOR US ♪♪ 1237 01:21:41,648 --> 01:21:45,777 ♪♪ BUT ITS TROUBLES WE'LL IGNORE ♪♪ 1238 01:21:45,985 --> 01:21:48,363 ♪♪ WHILE I'M READING A BOOK ♪♪ 1239 01:21:48,571 --> 01:21:50,240 ♪♪ I'LL COOK ♪♪ 1240 01:21:50,448 --> 01:21:53,076 ♪♪ A STEW ♪♪ 1241 01:21:53,284 --> 01:21:55,787 ♪♪ THEN I'LL BAKE A PLUM DUFF ♪♪ 1242 01:21:55,995 --> 01:21:57,580 ♪♪ ENOUGH ♪♪ 1243 01:21:57,789 --> 01:21:59,874 ♪♪ FOR TWO ♪♪ 1244 01:22:00,083 --> 01:22:01,543 ♪♪ YOU'LL BE SITTING ♪♪ 1245 01:22:01,751 --> 01:22:03,586 ♪♪ AND YOU'LL BE KNITTING ♪♪ 1246 01:22:03,795 --> 01:22:07,799 ♪♪ AND SO CONTENTED WE'LL BE ♪♪ 1247 01:22:08,007 --> 01:22:12,720 ♪♪ IN OUR DEAR LITTLE ROOM IN BLOOMSBURY ♪♪ 1248 01:26:47,912 --> 01:26:50,581 ♪♪ ALL WE WANT IS A ROOM ♪♪ 1249 01:26:50,790 --> 01:26:52,333 ♪♪ IN BLOOMS ♪♪ 1250 01:26:52,542 --> 01:26:55,002 ♪♪ BURY ♪♪ 1251 01:26:55,211 --> 01:26:57,380 ♪♪ JUST A ROOM THAT WILL DO ♪♪ 1252 01:26:57,588 --> 01:26:59,257 ♪♪ FOR YOU ♪♪ 1253 01:26:59,465 --> 01:27:01,426 ♪♪ AND ME ♪♪ 1254 01:27:01,634 --> 01:27:04,929 ♪♪ I'LL SEW THE COVERS FOR ♪♪ 1255 01:27:05,138 --> 01:27:08,516 ♪♪ TWO OLD COZY ARMCHAIRS ♪♪ 1256 01:27:08,725 --> 01:27:11,936 ♪♪ NEIGHBORS WILL LOVE US FOR ♪♪ 1257 01:27:12,145 --> 01:27:15,898 ♪♪ WE SHALL LAUGH AT ALL OUR CARES ♪♪ 1258 01:27:16,107 --> 01:27:18,568 ♪♪ FROM THE HEAVENS ABOVE ♪♪ 1259 01:27:18,776 --> 01:27:22,739 ♪♪ OUR LOVE WILL BRING ♪♪ 1260 01:27:22,947 --> 01:27:25,408 ♪♪ SUCH A BUNDLE OF JOY ♪♪ 1261 01:27:25,616 --> 01:27:29,245 ♪♪ OUR HEARTS WILL SING ♪♪ 1262 01:27:29,454 --> 01:27:30,621 ♪♪ LIFE'S SO JOLLY ♪♪ 1263 01:27:30,830 --> 01:27:32,707 ♪♪ FOR ME AND POLLY ♪♪ 1264 01:27:32,915 --> 01:27:36,627 ♪♪ A HAPPY FAMILY ARE WE ♪♪ 1265 01:27:36,836 --> 01:27:42,425 ♪♪ ALL WE WANT IS A ROOM IN BLOOMSBURY ♪♪ 1266 01:27:43,426 --> 01:27:44,719 (APPLAUSE) 1267 01:27:51,601 --> 01:27:53,019 SHH! 1268 01:28:03,738 --> 01:28:04,989 MADEMOISELLE BROWNE, 1269 01:28:05,198 --> 01:28:06,407 WHAT WOULD MADAME DUBONNET SAY 1270 01:28:06,616 --> 01:28:07,617 IF SHE SAW YOU CARRYING ON 1271 01:28:07,825 --> 01:28:08,951 WITH A MESSENGER BOY! 1272 01:28:09,160 --> 01:28:11,788 OH, PLEASE DON'T TELL HER, HORTENSE! PLEASE! 1273 01:28:11,996 --> 01:28:13,956 MADEMOISELLE, PLEASE. 1274 01:28:14,165 --> 01:28:16,000 WELL, ALRIGHT. 1275 01:28:16,209 --> 01:28:19,003 AFTER ALL, IT IS CARNIVAL TIME! 1276 01:28:19,212 --> 01:28:21,005 OH, MADEMOISELLE! OH, THANK YOU! 1277 01:28:21,214 --> 01:28:23,007 AU REVOIR, AU REVOIR! 1278 01:28:23,216 --> 01:28:25,510 GOOD-BYE! OH! 1279 01:28:25,718 --> 01:28:27,011 HORTENSE, DO TELL! 1280 01:28:27,220 --> 01:28:28,679 WAS THAT MADEMOISELLE BROWNE WITH HER BEAU? 1281 01:28:28,888 --> 01:28:30,264 I HAVE NO IDEA! (GASPS) 1282 01:28:30,473 --> 01:28:31,307 OH, YES YOU HAVE. 1283 01:28:31,516 --> 01:28:34,185 GO ON, HORTENSE, DO TELL! 1284 01:28:34,393 --> 01:28:37,104 HORTENSE, IS HE TERRIBLY SLICK AND HANDSOME? 1285 01:28:37,313 --> 01:28:38,648 I DO NOT KNOW WHAT YOU ARE TALKING ABOUT! 1286 01:28:38,856 --> 01:28:40,441 OH, ISN'T SHE MEAN? 1287 01:28:40,650 --> 01:28:42,193 IF YOU JUST TELL ME WHAT HE'S LIKE, HORTENSE, 1288 01:28:42,401 --> 01:28:44,111 I'LL GIVE YOU THAT HANDKERCHIEF SACHET! 1289 01:28:44,320 --> 01:28:46,697 AND I'LL GIVE YOU THOSE CROCHETED FLOWERS. 1290 01:28:46,906 --> 01:28:49,492 MEN: AND WE'LL GIVE YOU A RIDE IN HIS CAR. 1291 01:28:49,700 --> 01:28:51,494 OH, YEAH! 1292 01:28:51,702 --> 01:28:53,621 (SPEAKS FRENCH) 1293 01:28:53,830 --> 01:28:56,541 IT IS NOT SEEMLY TO BE SO CURIOUS ABOUT A YOUNG MAN. 1294 01:28:56,749 --> 01:28:57,834 AND WHY NOT? 1295 01:28:58,042 --> 01:28:59,877 HAVEN'T YOU EVER BEEN CURIOUS, 1296 01:29:00,086 --> 01:29:01,170 HORTENSE? 1297 01:29:01,379 --> 01:29:04,215 ALL: HORTENSE, DO TELL! 1298 01:29:04,423 --> 01:29:07,301 OOH LA LA! 1299 01:29:07,510 --> 01:29:08,302 HORTENSE IS NOT SO PRIM 1300 01:29:08,511 --> 01:29:09,220 AS SHE PRETENDS, EH? 1301 01:29:09,428 --> 01:29:11,222 OOH! 1302 01:29:11,430 --> 01:29:13,057 OF COURSE SHE ISN'T. 1303 01:29:13,266 --> 01:29:15,726 AFTER ALL, SHE IS FRENCH. 1304 01:29:15,935 --> 01:29:17,645 YES, I AM! WITH... 1305 01:29:17,854 --> 01:29:19,188 HOW DO YOU SAY IT... 1306 01:29:19,397 --> 01:29:20,731 KNOBS ON. 1307 01:29:20,940 --> 01:29:21,482 CRIKEY, THE WIFE. 1308 01:29:21,691 --> 01:29:22,733 AY? 1309 01:29:22,942 --> 01:29:26,070 (BABY CRIES) 1310 01:29:26,279 --> 01:29:27,655 OH. HA. 1311 01:29:31,742 --> 01:29:33,411 AND LIKE EVERY GOOD FRENCH WOMAN, 1312 01:29:33,619 --> 01:29:35,079 I HAVE A PAST. 1313 01:29:35,288 --> 01:29:39,250 ALL: OH, DO TELL US ABOUT IT, HORTENSE. 1314 01:29:39,458 --> 01:29:43,045 (PIANO PLAYS) 1315 01:29:46,424 --> 01:29:48,009 HERE. YOU'RE NOT ON IN THIS NUMBER! 1316 01:29:48,217 --> 01:29:49,510 I AM NOW. THE WIFE'S OFF AFTER ME. 1317 01:29:49,719 --> 01:29:50,678 WHAT? 1318 01:29:53,598 --> 01:29:56,893 ♪♪ I'M OFTEN ASKED IF I WOULD LIKE TO TRAVEL ♪♪ 1319 01:29:57,101 --> 01:30:00,271 ♪♪ AND VISIT OTHER LANDS ACROSS THE SEA ♪♪ 1320 01:30:00,479 --> 01:30:02,899 ♪♪ BUT THOUGH IT MIGHT BE PLEASANT ♪♪ 1321 01:30:03,107 --> 01:30:06,027 ♪♪ I THINK THAT FOR THE PRESENT ♪♪ 1322 01:30:06,235 --> 01:30:09,864 ♪♪ THIS IS THE PLACE WHERE I PREFER TO BE ♪♪ 1323 01:30:10,072 --> 01:30:15,244 ♪♪ LET OTHERS GO TO SWEDEN OR SIAM ♪♪ 1324 01:30:15,453 --> 01:30:21,042 ♪♪ I THINK I STAY EXACTLY WHERE I AM ♪♪ 1325 01:30:22,460 --> 01:30:25,546 ♪♪ THEY SAY IT'S LOVELY WHEN A ♪♪ 1326 01:30:25,755 --> 01:30:27,214 ♪♪ YOUNG LADY'S IN VIENNA ♪♪ 1327 01:30:27,423 --> 01:30:31,135 ♪♪ BUT IT'S NICER, MUCH NICER IN NICE ♪♪ 1328 01:30:31,344 --> 01:30:32,929 ♪♪ IN AMSTERDAM OR BRUSSELS ♪♪ 1329 01:30:33,137 --> 01:30:34,305 ♪♪ THE MEN HAVE GREAT BIG MUSCLES ♪♪ 1330 01:30:34,513 --> 01:30:38,225 ♪♪ BUT THEY'RE NICER, MUCH NICER IN NICE ♪♪ 1331 01:30:38,434 --> 01:30:40,102 ♪♪ I'VE HEARD THAT THE ITALIANS ♪♪ 1332 01:30:40,311 --> 01:30:41,646 ♪♪ ARE VERY FOND OF DALLIANCE ♪♪ 1333 01:30:41,854 --> 01:30:45,149 ♪♪ AND THEY'RE ALL SO KEEN ON IT IN GREECE ♪♪ 1334 01:30:45,358 --> 01:30:46,817 ♪♪ BUT WHATEVER THEY MAY SAY ♪♪ 1335 01:30:47,026 --> 01:30:48,319 ♪♪ THIS IS WHERE I WANT TO STAY ♪♪ 1336 01:30:48,527 --> 01:30:51,072 ♪♪ FOR IT'S SO MUCH NICER IN NICE ♪♪ 1337 01:30:51,280 --> 01:30:54,325 ♪♪ SHE SAYS IT'S NICER, MUCH NICER IN NICE ♪♪ 1338 01:30:54,533 --> 01:30:57,286 ♪♪ SHE SAYS IT'S NICER, MUCH NICER IN NICE ♪♪ 1339 01:31:04,502 --> 01:31:06,003 ♪♪ SOME PEOPLE'S ONE DESIRE IS ♪♪ 1340 01:31:06,212 --> 01:31:07,421 ♪♪ TO GO TO BUENOS AIRES ♪♪ 1341 01:31:07,630 --> 01:31:11,133 ♪♪ BUT IT'S NICER, MUCH NICER IN NICE ♪♪ 1342 01:31:11,342 --> 01:31:13,010 ♪♪ THE LAWS ARE RATHER VAGUE IN ♪♪ 1343 01:31:13,219 --> 01:31:14,512 ♪♪ THE TOWN OF COPENHAGEN ♪♪ 1344 01:31:14,720 --> 01:31:18,265 ♪♪ BUT THEY'RE NICER, MUCH NICER IN NICE ♪♪ 1345 01:31:18,474 --> 01:31:19,767 ♪♪ AND SOME MAY LIKE A FLUTTER ♪♪ 1346 01:31:19,976 --> 01:31:21,477 ♪♪ IN BOMBAY OR CALCUTTA ♪♪ 1347 01:31:21,686 --> 01:31:23,938 ♪♪ BUT THEY MIGHT HAVE TROUBLE WITH THE POLICE ♪♪ 1348 01:31:24,146 --> 01:31:25,982 ♪♪ OOH LA LA ♪♪ 1349 01:31:26,190 --> 01:31:28,442 ♪♪ OTHER PLACES MAY BE FUN ♪♪ 1350 01:31:28,651 --> 01:31:32,196 ♪♪ BUT WHEN ALL IS SAID AND DONE ♪♪ 1351 01:31:32,405 --> 01:31:34,907 ♪♪ IT IS SO MUCH NICER IN NICE ♪♪ 1352 01:31:38,869 --> 01:31:39,829 ♪♪ BUT IT'S NICER ♪♪ 1353 01:31:40,037 --> 01:31:41,288 ♪♪ MUCH NICER IN NICE ♪♪ 1354 01:31:41,497 --> 01:31:43,416 AH HA HA HA HA HA! 1355 01:31:45,668 --> 01:31:46,544 ♪♪ BUT IT'S NICER ♪♪ 1356 01:31:46,752 --> 01:31:48,462 - ♪♪ MUCH NICER IN NICE ♪♪ - DO SOMETHING! 1357 01:31:48,671 --> 01:31:49,672 OOH, LA LA! 1358 01:31:52,508 --> 01:31:54,677 ♪♪ BUT THEY MIGHT HAVE TROUBLE ♪♪ 1359 01:31:54,885 --> 01:31:55,886 ♪♪ WITH THE POLICE ♪♪ 1360 01:31:56,095 --> 01:31:58,180 OOH, MON DIEU! 1361 01:31:58,389 --> 01:31:59,974 ♪♪ THOUGH I KNOW A LOVE AFFAIR ♪♪ 1362 01:32:00,182 --> 01:32:01,308 ♪♪ IS DELICIOUS ANYWHERE ♪♪ 1363 01:32:01,517 --> 01:32:03,853 ♪♪ IT'S SO MUCH NICER IN NICE ♪♪ 1364 01:32:17,867 --> 01:32:18,826 ♪♪ SOME MAY LIKE A FLUTTER ♪♪ 1365 01:32:19,035 --> 01:32:19,827 ♪♪ IN BOMBAY OR CALCUTTA ♪♪ 1366 01:32:20,036 --> 01:32:20,911 ♪♪ BUT THEY MIGHT HAVE TROUBLE 1367 01:32:21,120 --> 01:32:22,204 WITH THE POLICE ♪♪ 1368 01:32:22,413 --> 01:32:23,247 ♪♪ OTHER PLACES MAY BE FUN, 1369 01:32:23,456 --> 01:32:24,582 BUT WHEN ALL IS SAID AND DONE ♪♪ 1370 01:32:24,790 --> 01:32:26,000 ♪♪ IT'S SO MUCH NICER ♪♪ 1371 01:32:26,208 --> 01:32:26,876 ♪♪ SO MUCH NICER ♪♪ 1372 01:32:27,084 --> 01:32:28,919 ♪♪ SO MUCH NICER ♪♪ 1373 01:32:29,128 --> 01:32:33,299 ♪♪ IN NICE ♪♪ 1374 01:32:36,761 --> 01:32:40,556 (LAUGHTER) 1375 01:32:46,020 --> 01:32:47,063 AND NOW I REALLY MUST GO. 1376 01:32:47,271 --> 01:32:48,689 POLLY, WOULD YOU... YES? 1377 01:32:48,898 --> 01:32:50,441 WOULD YOU KISS ME GOOD-BYE? 1378 01:32:50,649 --> 01:32:52,234 YES, IF YOU WANT ME TO. 1379 01:32:54,528 --> 01:32:55,362 WAS THAT ALRIGHT? 1380 01:32:55,571 --> 01:32:57,907 OH. OH, YES. WORD PERFECT. 1381 01:32:58,115 --> 01:32:58,783 DETHRILL WILL WHISK YOU OFF 1382 01:32:58,991 --> 01:33:00,117 TO HOLLYWOOD AFTER THIS. 1383 01:33:00,326 --> 01:33:02,036 OH, HOLLYWOOD? DON'T! IF I JUST GET THROUGH 1384 01:33:02,244 --> 01:33:04,622 THE SHOW, IT WOULD BE ENOUGH FOR ME. 1385 01:33:04,830 --> 01:33:06,457 IT WAS NICE OF YOU TO REHEARSE WITH ME. THANKS. 1386 01:33:06,665 --> 01:33:08,209 OH, THAT'S ALRIGHT. 1387 01:33:08,417 --> 01:33:12,088 I WISH I WAS PLAYING TONY. 1388 01:33:12,296 --> 01:33:14,715 I'M GLAD I COULDN'T FIND HIM. 1389 01:33:14,924 --> 01:33:17,468 HE SEEMS TO AVOID ME OFFSTAGE. 1390 01:33:17,676 --> 01:33:20,221 YET HE'S VERY KIND. 1391 01:33:20,429 --> 01:33:23,808 I SUPPOSE I'M JUST NOT HIS TYPE. 1392 01:33:24,016 --> 01:33:25,810 I WONDER WHO HE'D... REALLY GO FOR. 1393 01:33:26,018 --> 01:33:26,977 OH, WELL, IF SEEING IS BELIEVING, 1394 01:33:27,186 --> 01:33:28,938 I RECKON IT'S SOMEONE LIKE DULCIE. 1395 01:33:32,149 --> 01:33:33,943 (WHISTLING) 1396 01:33:36,153 --> 01:33:37,321 HEY, TOOTS, YOU'RE QUITE A HOOFER. 1397 01:33:37,530 --> 01:33:38,614 OH! TA! 1398 01:33:38,823 --> 01:33:40,741 I'LL HAVE TO TEACH YOU THE DOUBLE TRIP... 1399 01:33:40,950 --> 01:33:43,494 MAXIE FORD... 1400 01:33:43,702 --> 01:33:45,079 WITH A KNICKERBOCKER BREAK. 1401 01:33:47,414 --> 01:33:49,083 THAT'S GOOD. WHERE'D YOU LEARN THAT? 1402 01:33:49,291 --> 01:33:51,127 SEARCH ME, TOOTS. YOU SEE, AS A KID 1403 01:33:51,335 --> 01:33:53,003 I WAS KICKED IN THE HEAD. 1404 01:33:53,212 --> 01:33:56,132 AND WHEN I CAME TO, AMNESIA... 1405 01:34:05,474 --> 01:34:07,268 (MUSIC PLAYS) 1406 01:34:21,448 --> 01:34:23,033 ♪♪ PERCY, PERCY ♪♪ 1407 01:34:23,242 --> 01:34:25,452 ♪♪ PLEASE HAVE MERCY ♪♪ 1408 01:34:25,661 --> 01:34:29,456 ♪♪ WHY MUST YOU ALWAYS BE SO SAD AND GLOOMY? ♪♪ 1409 01:34:29,665 --> 01:34:33,043 ♪♪ WHY CAN'T YOU BE A LITTLE NICER TO ME? ♪♪ 1410 01:34:33,252 --> 01:34:34,962 ♪♪ CHERI, CHERI ♪♪ 1411 01:34:35,171 --> 01:34:37,047 ♪♪ PLEASE BE MERRY ♪♪ 1412 01:34:37,256 --> 01:34:40,968 ♪♪ WHEN I AM TRYING TO BE BRIGHT AND JOLLY ♪♪ 1413 01:34:41,177 --> 01:34:45,222 ♪♪ IT ISN'T NICE TO BE SO MEL-AN-CHOLY ♪♪ 1414 01:34:45,431 --> 01:34:48,225 ♪♪ OH, DEAR ♪♪ 1415 01:34:48,434 --> 01:34:51,478 ♪♪ I GOT THE YOU-DON'T-WANT TO-PLAY-WITH-ME BLUES ♪♪ 1416 01:34:51,687 --> 01:34:54,356 ♪♪ DON'T-WANT-TO-PLAY WITH-ME BLUES ♪♪ 1417 01:34:54,565 --> 01:34:56,901 ♪♪ IT'S CLEAR ♪♪ 1418 01:34:57,109 --> 01:35:00,321 ♪♪ I GOT THE YOU-DON'T-WANT TO-STAY-WITH-ME BLUES ♪♪ 1419 01:35:00,529 --> 01:35:03,032 ♪♪ DON'T-WANT-TO-STAY WITH-ME BLUES ♪♪ 1420 01:35:03,240 --> 01:35:05,034 ♪♪ I AM ♪♪ 1421 01:35:05,242 --> 01:35:07,703 ♪♪ SO GOOD ♪♪ 1422 01:35:07,912 --> 01:35:11,373 ♪♪ AT SPREADING MIRTH AND JOY ♪♪ 1423 01:35:11,582 --> 01:35:13,667 ♪♪ BUT IT'S ♪♪ 1424 01:35:13,876 --> 01:35:16,086 ♪♪ NO GOOD ♪♪ 1425 01:35:16,295 --> 01:35:19,882 ♪♪ WITH SUCH A SULKY BOY ♪♪ 1426 01:35:20,090 --> 01:35:22,760 ♪♪ I TRY ♪♪ 1427 01:35:22,968 --> 01:35:25,930 ♪♪ TO PLAY THE GAME THE OTHER FELLOWS ALL CHOOSE ♪♪ 1428 01:35:26,138 --> 01:35:28,432 ♪♪ THE OTHER FELLOWS ALL CHOOSE ♪♪ 1429 01:35:28,641 --> 01:35:31,101 ♪♪ I SIGH ♪♪ 1430 01:35:31,310 --> 01:35:32,603 ♪♪ BECAUSE YOU ALWAYS ♪♪ 1431 01:35:32,811 --> 01:35:34,063 ♪♪ REFUSE ♪♪ 1432 01:35:34,271 --> 01:35:36,941 (RI-I-IIP) 1433 01:35:37,149 --> 01:35:39,026 ♪♪ WHAT IS A GIRL ♪♪ 1434 01:35:39,235 --> 01:35:39,777 ♪♪ TO DO? ♪♪ 1435 01:35:39,985 --> 01:35:41,070 (SNAP!) 1436 01:35:41,278 --> 01:35:43,614 ♪♪ WITH SUCH A BOY AS YOU? ♪♪ 1437 01:35:43,822 --> 01:35:47,368 ♪♪ I'VE GOT THOSE DREARY ♪♪ 1438 01:35:47,576 --> 01:35:49,536 ♪♪ WEARY ♪♪ 1439 01:35:49,745 --> 01:35:53,123 ♪♪ YOU-DON'T-WANT-TO PLAY-WITH-ME BLUES ♪♪ 1440 01:35:53,332 --> 01:35:55,042 ♪♪ OH, DEAR ♪♪ 1441 01:35:55,251 --> 01:35:57,044 ♪♪ I'VE GOT THE YOU-DON'T WANT-TO-PLAY-WITH-ME BLUES ♪♪ 1442 01:35:57,253 --> 01:35:58,963 ♪♪ DON'T-WANT-TO-PLAY WITH-ME-BLUES ♪♪ 1443 01:35:59,171 --> 01:36:00,965 ♪♪ IT'S CLEAR ♪♪ 1444 01:36:01,173 --> 01:36:03,050 ♪♪ I'VE GOT THE-YOU-DON'T WANT-TO-STAY-WITH-ME BLUES ♪♪ 1445 01:36:03,259 --> 01:36:05,052 ♪♪ DON'T-WANT-TO-STAY WITH-ME BLUES ♪♪ 1446 01:36:05,261 --> 01:36:08,597 ♪♪ I AM SO GOOD ♪♪ 1447 01:36:08,806 --> 01:36:11,141 ♪♪ AT SPREADING MIRTH AND JOY ♪♪ 1448 01:36:11,350 --> 01:36:14,270 ♪♪ BUT IT'S NO GOOD ♪♪ 1449 01:36:14,478 --> 01:36:16,981 ♪♪ WITH SUCH A SULKY BOY ♪♪ 1450 01:36:17,189 --> 01:36:18,983 ♪♪ I TRY ♪♪ 1451 01:36:19,191 --> 01:36:21,318 ♪♪ TO PLAY THE GAME THE OTHER FELLOWS ALL CHOOSE ♪♪ 1452 01:36:21,527 --> 01:36:23,112 ♪♪ THE OTHER FELLOWS ALL CHOOSE ♪♪ 1453 01:36:23,320 --> 01:36:24,488 ♪♪ I SIGH ♪♪ 1454 01:36:24,697 --> 01:36:25,489 ♪♪ BECAUSE YOU ALWAYS ♪♪ 1455 01:36:25,698 --> 01:36:28,993 ♪♪ REFUSE ♪♪ 1456 01:36:29,201 --> 01:36:32,121 ♪♪ WHAT IS A GIRL TO DO ♪♪ 1457 01:36:32,329 --> 01:36:34,081 ♪♪ WITH SUCH A BOY AS YOU? ♪♪ 1458 01:36:34,290 --> 01:36:36,917 ♪♪ I'VE GOT THOSE DREARY ♪♪ 1459 01:36:37,126 --> 01:36:38,460 ♪♪ WEARY ♪♪ 1460 01:36:38,669 --> 01:36:40,462 ♪♪ YOU-DON'T-WANT-TO PLAY-WITH-ME BLUES ♪♪ 1461 01:36:40,671 --> 01:36:42,840 ♪♪ I'VE GOT THOSE ♪♪ 1462 01:36:43,048 --> 01:36:45,134 ♪♪ DREARY ♪♪ 1463 01:36:45,342 --> 01:36:47,928 ♪♪ WEARY ♪♪ 1464 01:36:48,137 --> 01:36:53,809 ♪♪ YOU-DON'T-WANT-TO PLAY-WITH-ME BLUES ♪♪ 1465 01:36:56,937 --> 01:36:58,772 SHE TOLD ME SHE HAD A HEADACHE FROM THE CHARLESTON. 1466 01:36:58,981 --> 01:37:00,190 WELL, SHE DIDN'T AT ALL. 1467 01:37:00,399 --> 01:37:03,694 I THINK THERE'S GONNA BE TROUBLE WITH THE CHAPS. 1468 01:37:03,902 --> 01:37:05,696 HMM...MAYBE SOME PEOPLE 1469 01:37:05,904 --> 01:37:08,699 DON'T LIKE BEING DOUBLE-CROSSED. 1470 01:37:08,907 --> 01:37:11,493 WELL, WE'VE GOT TO LOOK AFTER OURSELVES. 1471 01:37:11,702 --> 01:37:13,454 (PIANO PLAYS) 1472 01:37:28,052 --> 01:37:29,803 MAISIE! 1473 01:37:30,012 --> 01:37:31,055 MAISIE! 1474 01:37:31,263 --> 01:37:33,724 MAIS...OH, HERE YOU ARE AT LAST. 1475 01:37:33,932 --> 01:37:35,517 I'VE BEEN LOOKING EVERYWHERE FOR YOU. 1476 01:37:35,726 --> 01:37:37,561 HAVE YOU? I'VE BEEN FOR A BATHE 1477 01:37:37,770 --> 01:37:38,854 WITH FAY. 1478 01:37:39,063 --> 01:37:40,189 OH, WITH FAY. ARE YOU SURE THERE WASN'T 1479 01:37:40,397 --> 01:37:41,565 ANYBODY ELSE WITH YOU? 1480 01:37:41,774 --> 01:37:43,484 WHAT IF THERE WAS? 1481 01:37:43,692 --> 01:37:47,029 I CAN GO BATHING WITH WHOM I CHOOSE. 1482 01:37:47,237 --> 01:37:48,822 I WISH YOU'D CHOOSE ME. 1483 01:37:49,031 --> 01:37:50,157 YOU'RE JUST A BOY. 1484 01:37:50,366 --> 01:37:53,827 MAYBE I WANT SOMEONE MORE MATURE. 1485 01:37:54,036 --> 01:37:56,705 SAY THE RIGHT LINES OR SHUT UP! 1486 01:37:56,914 --> 01:37:58,832 BUT MAISIE, WHY? 1487 01:37:59,041 --> 01:38:02,336 BECAUSE I WANT TO HAVE A GOOD TIME WHILE I'M YOUNG! 1488 01:38:02,544 --> 01:38:03,921 AFTER ALL, 1489 01:38:04,129 --> 01:38:06,256 I'M ONLY 17. 1490 01:38:06,465 --> 01:38:07,508 HEH HEH. 1491 01:38:07,716 --> 01:38:09,551 BUT I CAN SHOW YOU A GOOD TIME. 1492 01:38:09,760 --> 01:38:11,720 IT'S NOT AS IF I HADN'T GOT PLENTY OF CASH. 1493 01:38:11,929 --> 01:38:13,263 MONEY ISN'T EVERYTHING, 1494 01:38:13,472 --> 01:38:16,016 THOUGH IT CERTAINLY HELPS. 1495 01:38:16,225 --> 01:38:17,226 ONE MORE AD LIB LIKE THAT, TOOTS, 1496 01:38:17,434 --> 01:38:18,894 AND YOU'RE GETTIN' A KNUCKLE SANDWICH. 1497 01:38:19,103 --> 01:38:21,271 HA HA HA. BUT, MAISIE, 1498 01:38:21,480 --> 01:38:23,607 WHEN ARE YOU GONNA COME AND SEE MY YACHT AGAIN? 1499 01:38:23,816 --> 01:38:24,858 YOU LIKED THAT, DIDN'T YOU? 1500 01:38:25,067 --> 01:38:25,776 OH, YES! 1501 01:38:25,984 --> 01:38:28,404 IT'S A VERY DINKY YACHT. 1502 01:38:28,612 --> 01:38:30,781 I LIKE YACHTS. 1503 01:38:30,989 --> 01:38:33,117 MADEMOISELLE MAISIE. 1504 01:38:33,325 --> 01:38:34,284 OH, ALPHONSE! 1505 01:38:34,493 --> 01:38:37,788 HA HA HA HA! YOU LOOK RAVISSANT! 1506 01:38:37,996 --> 01:38:39,456 BEHAVE YOURSELF OR I'LL BELT YA. 1507 01:38:39,665 --> 01:38:41,917 JUST TRY IT, YOU LITTLE TWERP. 1508 01:38:42,126 --> 01:38:43,127 DO NOT FORGET TONIGHT 1509 01:38:43,335 --> 01:38:45,212 YOU WILL DANCE THE TANGO WITH ME! 1510 01:38:45,421 --> 01:38:47,423 OF COURSE NOT! 1511 01:38:47,631 --> 01:38:48,924 MAISIE! 1512 01:38:49,133 --> 01:38:49,758 MICHAEL! 1513 01:38:49,967 --> 01:38:51,135 YOU LOOK ENCHANTING. 1514 01:38:51,343 --> 01:38:53,720 TONIGHT YOU AND I WILL DANCE THE TWO-STEP, YES? 1515 01:38:53,929 --> 01:38:56,306 I CAN HARDLY WAIT! 1516 01:38:56,515 --> 01:38:57,891 PACK IT IN, YOU OLD COW. 1517 01:38:58,100 --> 01:39:00,144 DROOP OFF, YOU FADED PANSY. 1518 01:39:00,352 --> 01:39:01,895 OH, PETER! 1519 01:39:02,104 --> 01:39:03,564 I, TOO, WANT TO DANCE WITH YOU AT THE BALL, 1520 01:39:03,772 --> 01:39:04,940 YOU BEAT UP OLD BAG! 1521 01:39:05,149 --> 01:39:08,610 AND SO YOU SHALL... YOU BALD-HEADED OLD LETCH! 1522 01:39:08,819 --> 01:39:10,070 MAISIE! 1523 01:39:10,279 --> 01:39:11,488 LISTEN TO ME! 1524 01:39:11,697 --> 01:39:13,490 ALL: LISTEN TO ALL OF US. 1525 01:39:13,699 --> 01:39:16,160 ♪♪♪♪♪♪ 1526 01:39:16,368 --> 01:39:19,746 ♪♪ YOU'RE SO FASCINATING, BUT IT'S AGGRAVATING ♪♪ 1527 01:39:19,955 --> 01:39:23,333 ♪♪ THAT YOU KEEP US WAITING TO HEAR ♪♪ 1528 01:39:23,542 --> 01:39:25,961 ♪♪ WHICH ONE WILL BE ♪♪ 1529 01:39:26,170 --> 01:39:29,173 ♪♪ YOUR FAVORITE HE ♪♪ 1530 01:39:29,381 --> 01:39:32,759 ♪♪ YOU'RE SO VERY TAKING THAT OUR HEARTS ARE BREAKING ♪♪ 1531 01:39:32,968 --> 01:39:36,180 ♪♪ SO YOU SHOULD BE MAKING IT CLEAR ♪♪ 1532 01:39:36,388 --> 01:39:39,016 ♪♪ WHICH ONE OF US ♪♪ 1533 01:39:39,224 --> 01:39:43,604 ♪♪ YOU'LL RATE ALPHA PLUS ♪♪ 1534 01:39:43,812 --> 01:39:45,314 ♪♪ NOW LISTEN ♪♪ 1535 01:39:45,522 --> 01:39:47,941 ♪♪ BO-OYS ♪♪ 1536 01:39:48,150 --> 01:39:52,529 ♪♪ YOU SHOULD RECALL ♪♪ 1537 01:39:52,738 --> 01:39:57,367 ♪♪ I'VE OFTEN SAID ♪♪ 1538 01:39:57,576 --> 01:40:03,165 ♪♪ I LOVE YOU ALL ♪♪ 1539 01:40:03,373 --> 01:40:05,125 ALL: YOU LOVE US ALL? 1540 01:40:05,334 --> 01:40:09,713 YES! I LOVE YOU ALL! 1541 01:40:09,922 --> 01:40:12,799 ♪♪ IT'S TIME YOU LEARNED ♪♪ 1542 01:40:13,008 --> 01:40:16,386 ♪♪ THAT I'M NO FOOL ♪♪ 1543 01:40:16,595 --> 01:40:21,308 ♪♪ WHERE LOVE'S CONCERNED ♪♪ 1544 01:40:21,517 --> 01:40:24,144 ♪♪ I STICK TO THIS ♪♪ 1545 01:40:24,353 --> 01:40:28,023 ♪♪ RU-U-ULE ♪♪ 1546 01:40:33,237 --> 01:40:36,573 ♪♪ THERE'S SAFETY IN NUMBERS ♪♪ 1547 01:40:36,782 --> 01:40:40,077 ♪♪ THAT'S WHAT I BELIEVE ♪♪ 1548 01:40:40,285 --> 01:40:41,828 ♪♪ A GIRL WHO'S CUTE ♪♪ 1549 01:40:42,037 --> 01:40:43,747 ♪♪ AT MAKING LOOT ♪♪ 1550 01:40:43,956 --> 01:40:46,875 ♪♪ IS NEVER LIKELY TO GRIEVE ♪♪ 1551 01:40:47,084 --> 01:40:50,254 ♪♪ THE LADY WHO SLUMBERS ♪♪ 1552 01:40:50,462 --> 01:40:53,757 ♪♪ IS LEFT HIGH AND DRY ♪♪ 1553 01:40:53,966 --> 01:40:55,509 ♪♪ BUT I COULD MAKE ♪♪ 1554 01:40:55,717 --> 01:40:57,177 ♪♪ AN HONEST BUCK ♪♪ 1555 01:40:57,386 --> 01:40:58,720 ♪♪ I ALWAYS BET ♪♪ 1556 01:40:58,929 --> 01:41:00,389 ♪♪ ON LADY LUCK ♪♪ 1557 01:41:00,597 --> 01:41:01,890 ♪♪ THERE'S SAFETY ♪♪ 1558 01:41:02,099 --> 01:41:03,892 ♪♪ IN NUMBERS ♪♪ 1559 01:41:04,101 --> 01:41:07,354 ♪♪ AND THE MORE THE MERRIER, SAY I ♪♪ 1560 01:41:09,022 --> 01:41:11,108 YOU...ME... 1561 01:41:11,316 --> 01:41:12,693 HOLLYWOOD. 1562 01:41:12,901 --> 01:41:14,820 CASH REGISTER SOUND: (KA-CHING!) 1563 01:41:23,453 --> 01:41:24,871 (KA-CHING!) 1564 01:41:31,962 --> 01:41:33,380 (KA-CHING!) 1565 01:42:31,688 --> 01:42:33,523 WHOO! WHOO! 1566 01:42:33,732 --> 01:42:36,151 YA-HOO! YIP-EE! 1567 01:42:36,360 --> 01:42:37,653 YA-HOO! 1568 01:42:37,861 --> 01:42:39,154 YA-HOO! 1569 01:42:42,032 --> 01:42:43,408 (KA-CHING!) 1570 01:43:28,912 --> 01:43:30,539 (KA-CHING!) 1571 01:44:11,455 --> 01:44:12,456 (KA-CHING!) 1572 01:44:12,664 --> 01:44:14,458 (SPEAKS FRENCH) 1573 01:44:14,666 --> 01:44:16,460 (APPLAUSE) 1574 01:44:16,668 --> 01:44:18,462 CAN YOU SPEAK FRENCH? 1575 01:44:18,670 --> 01:44:20,589 AH, FRENCH! 1576 01:44:28,972 --> 01:44:30,265 I THINK PERHAPS I'D BETTER BE 1577 01:44:30,474 --> 01:44:32,392 GETTING BACK TO THE VILLA. 1578 01:44:32,601 --> 01:44:33,977 I HAVE SOME LETTERS TO TYPE. 1579 01:44:34,186 --> 01:44:36,062 OH, DO YOU REALLY HAVE TO GO SO SOON? 1580 01:44:36,271 --> 01:44:38,774 YES, I'M AFRAID I MUST. 1581 01:44:38,982 --> 01:44:40,901 BUT I'LL SEE YOU TONIGHT, WON'T I? 1582 01:44:41,109 --> 01:44:42,903 I SHOULD JOLLY WELL THINK SO. 1583 01:44:43,111 --> 01:44:44,154 WHERE SHALL I MEET YOU? 1584 01:44:44,362 --> 01:44:46,490 OH, I DON'T KNOW. YOU SAY. 1585 01:44:46,698 --> 01:44:49,993 WELL...HOW ABOUT THE BALL AT 9:00? 1586 01:44:50,202 --> 01:44:51,286 LOVELY. 1587 01:44:51,495 --> 01:44:53,997 I SHALL BE WAITING. 1588 01:44:54,206 --> 01:44:55,290 OH, DEAR. 1589 01:44:55,499 --> 01:44:57,250 TONIGHT SEEMS A VERY LONG TIME AWAY. 1590 01:44:57,459 --> 01:45:01,004 OH, IT'S NOT REALLY. JUST A FEW HOURS. 1591 01:45:01,213 --> 01:45:02,339 YES. 1592 01:45:02,547 --> 01:45:03,465 AND IT'S GOING TO BE A WONDERFUL EVENING, 1593 01:45:03,673 --> 01:45:04,674 ISN'T IT, POLLY? 1594 01:45:04,883 --> 01:45:08,345 YES, I'M SURE IT IS, TONY. 1595 01:45:08,553 --> 01:45:10,180 BUT IT'S JUST THE FIRST... 1596 01:45:10,388 --> 01:45:11,848 OF LOTS OF WONDERFUL EVENINGS, ISN'T IT? 1597 01:45:12,057 --> 01:45:15,227 YES! A-AT LEAST, I EXPECT SO. 1598 01:45:16,853 --> 01:45:18,939 BUT WHY SHOULDN'T IT BE? 1599 01:45:19,147 --> 01:45:20,524 I MEANT WHAT I SAID THIS MORNING. 1600 01:45:20,732 --> 01:45:21,525 ♪♪♪♪♪♪ 1601 01:45:21,733 --> 01:45:22,859 WHAT DID YOU SAY? 1602 01:45:23,068 --> 01:45:25,862 ♪♪ I COULD BE HAPPY ♪♪ 1603 01:45:26,071 --> 01:45:29,366 ♪♪ WITH YOU ♪♪ 1604 01:45:29,574 --> 01:45:32,702 ♪♪ IF YOU COULD BE HAPPY ♪♪ 1605 01:45:32,911 --> 01:45:36,873 ♪♪ WITH ME ♪♪ 1606 01:45:37,082 --> 01:45:39,960 ♪♪ I'D BE CONTENTED ♪♪ 1607 01:45:40,168 --> 01:45:43,713 ♪♪ TO LIVE ANYWHERE ♪♪ 1608 01:45:43,922 --> 01:45:47,175 ♪♪ WHAT WOULD I CARE ♪♪ 1609 01:45:47,384 --> 01:45:51,054 ♪♪ AS LONG AS YOU WERE THERE? ♪♪ 1610 01:45:51,263 --> 01:45:54,558 ♪♪ SKIES MAY NOT ALWAYS ♪♪ 1611 01:45:54,766 --> 01:45:58,019 ♪♪ BE BLUE ♪♪ 1612 01:45:58,228 --> 01:46:01,731 ♪♪ BUT ONE THING IS CLEAR AS ♪♪ 1613 01:46:01,940 --> 01:46:04,901 ♪♪ CAN BE ♪♪ 1614 01:46:05,110 --> 01:46:09,906 ♪♪ I KNOW THAT I COULD BE HAPPY ♪♪ 1615 01:46:10,115 --> 01:46:14,995 ♪♪ WITH YOU, MY DARLING ♪♪ 1616 01:46:15,203 --> 01:46:19,082 ♪♪ IF YOU COULD BE HAPPY ♪♪ 1617 01:46:19,291 --> 01:46:20,667 ♪♪ WITH ♪♪ 1618 01:46:20,876 --> 01:46:21,751 OH, NO, TONY. 1619 01:46:21,960 --> 01:46:22,919 I REALLY MUST GO. 1620 01:46:23,128 --> 01:46:25,422 POLLY? YES? 1621 01:46:25,630 --> 01:46:27,424 WOULD YOU... 1622 01:46:27,632 --> 01:46:28,758 WILL YOU KISS ME GOOD-BYE? 1623 01:46:28,967 --> 01:46:31,303 OH, YES. IF YOU WANT ME TO. 1624 01:46:37,267 --> 01:46:39,895 HAVE YOU DECIDED? 1625 01:46:40,103 --> 01:46:42,439 I...LOVE...YOU! 1626 01:46:42,647 --> 01:46:45,525 OH...GOOD. 1627 01:46:45,734 --> 01:46:46,610 (FOOTSTEPS APPROACH) 1628 01:46:46,818 --> 01:46:47,611 OH, GOSH! 1629 01:46:47,819 --> 01:46:49,946 OH, LOOK! IT'S TONY! 1630 01:46:50,155 --> 01:46:51,114 I'VE GOT A HOP IT, QUICKLY! 1631 01:46:51,323 --> 01:46:52,532 BUT WHAT'S THE MATTER? 1632 01:46:52,741 --> 01:46:53,742 WE MUST STOP HIM! 1633 01:46:53,950 --> 01:46:55,619 HEY, YOU THERE! GENDARME! GENDARME! 1634 01:46:55,827 --> 01:46:58,955 GENDARME! GENDARME! STOP, THIEF! STOP! 1635 01:46:59,164 --> 01:47:00,290 CALLING THE POLICE? 1636 01:47:00,498 --> 01:47:01,917 OH, SURELY NOT! 1637 01:47:02,125 --> 01:47:03,543 ALPHONSE, TELL ME QUICKLY. 1638 01:47:03,752 --> 01:47:05,378 WHO ARE THAT LADY AND GENTLEMAN? 1639 01:47:05,587 --> 01:47:07,964 WHY, IT IS THE RICH MILORD BROCKHURST AND HIS WIFE. 1640 01:47:08,173 --> 01:47:09,299 THEY SEEM TO BE CHASING A THIEF. 1641 01:47:09,507 --> 01:47:12,469 A THIEF? OH, NO! 1642 01:47:12,677 --> 01:47:14,554 IT COULDN'T BE. 1643 01:47:14,763 --> 01:47:16,598 AND YET, THEY ARE RICH, 1644 01:47:16,806 --> 01:47:18,767 AND HE'S PENNILESS. 1645 01:47:18,975 --> 01:47:21,269 HE TOLD ME SO HIMSELF. 1646 01:47:21,478 --> 01:47:22,812 OH, DEAR, 1647 01:47:23,021 --> 01:47:24,105 HE MUST HAVE KNOWN ALL ALONG 1648 01:47:24,314 --> 01:47:26,149 THAT I'M NOT A WORKING GIRL 1649 01:47:26,358 --> 01:47:29,569 BUT A MILLIONAIRE'S DAUGHTER. 1650 01:47:29,778 --> 01:47:31,279 OH, DEAR. 1651 01:47:35,283 --> 01:47:37,077 HE'S JUST LIKE ALL THE REST! 1652 01:47:37,285 --> 01:47:39,496 OH, POLLY, DID HE STEAL SOMETHING 1653 01:47:39,704 --> 01:47:40,622 FROM YOU? 1654 01:47:40,830 --> 01:47:42,999 YES, HE DID. 1655 01:47:43,208 --> 01:47:45,919 NOT YOUR GOLD BANGLE! 1656 01:47:46,127 --> 01:47:46,920 NO. 1657 01:47:47,128 --> 01:47:49,339 NOT MY GOLD BANGLE. 1658 01:47:49,547 --> 01:47:51,841 SOMETHING MUCH MORE PRECIOUS. 1659 01:47:52,050 --> 01:47:53,760 WHAT IS IT, MA PETITE? 1660 01:47:53,969 --> 01:47:55,345 YOU LOOK QUITE PALE. 1661 01:47:55,553 --> 01:47:57,180 I THINK I CAN EXPLAIN, MADAME. 1662 01:47:57,389 --> 01:47:58,181 THAT MAN WAS... 1663 01:47:58,390 --> 01:48:00,100 NO HORTENSE. 1664 01:48:00,308 --> 01:48:02,769 YOU PROMISED. WHAT IS IT, POLLY? 1665 01:48:02,978 --> 01:48:04,813 IT'S NOTHING, MADAME. 1666 01:48:05,021 --> 01:48:07,816 I'M JUST A LITTLE DISAPPOINTED, THAT'S ALL. 1667 01:48:08,024 --> 01:48:11,820 YOU SEE...l SHAN'T BE GOING TO THE CARNIVAL BALL 1668 01:48:12,028 --> 01:48:13,571 AFTER ALL. 1669 01:48:19,452 --> 01:48:23,707 ♪♪ I COULD BE HAPPY ♪♪ 1670 01:48:23,915 --> 01:48:27,711 ♪♪ WITH YOU ♪♪ 1671 01:48:27,919 --> 01:48:30,046 ♪♪ IF YOU COULD ♪♪ 1672 01:48:30,255 --> 01:48:32,507 ♪♪ BE HAPPY ♪♪ 1673 01:48:32,716 --> 01:48:34,009 ♪♪ WITH ME ♪♪ 1674 01:48:36,845 --> 01:48:40,807 ♪♪ I'D BE CONTENTED ♪♪ 1675 01:48:41,016 --> 01:48:44,853 ♪♪ TO LIVE ANYWHERE ♪♪ 1676 01:48:45,061 --> 01:48:49,399 ♪♪ WHAT WOULD I CARE ♪♪ 1677 01:48:49,607 --> 01:48:52,152 ♪♪ AS LONG AS Y-YOU ♪♪ 1678 01:48:52,360 --> 01:48:55,321 ♪♪ WERE THERE? ♪♪ 1679 01:48:55,530 --> 01:48:59,993 ♪♪ SKIES MAY NOT ALWAYS BE BLUE ♪♪ 1680 01:49:00,201 --> 01:49:04,330 ♪♪ BUT ONE THING IS CLEAR AS CAN BE ♪♪ 1681 01:49:04,539 --> 01:49:06,916 ♪♪ I KNOW THAT I COULD BE HAPPY ♪♪ 1682 01:49:07,125 --> 01:49:09,502 ♪♪ WITH YOU, MY DARLING ♪♪ 1683 01:49:09,711 --> 01:49:13,089 ♪♪ IF YOU COULD BE HAPPY WITH ♪♪ 1684 01:49:13,298 --> 01:49:14,382 ♪♪ ME ♪♪ 1685 01:49:14,591 --> 01:49:18,595 ♪♪ HAPPY WE'D BE ♪♪ 1686 01:49:18,803 --> 01:49:20,555 (APPLAUSE) 1687 01:49:44,913 --> 01:49:46,122 MICHAEL, MICHAEL, 1688 01:49:46,331 --> 01:49:48,249 JUST SLIP DOWN TO THE CANTINA CAFE 1689 01:49:48,458 --> 01:49:50,543 AND GET ME THE IVY PERKINS TRIO. 1690 01:49:50,752 --> 01:49:52,045 IT'S NEARLY TEA TIME, MR. MAX. THEY MAY BE PLAYING. 1691 01:49:52,253 --> 01:49:53,630 WELL, THEN GET ME THE BEST MUSICIANS IN THE TOWN. 1692 01:49:53,838 --> 01:49:55,131 THERE ARE NO GOOD MUSICIANS IN THIS TOWN. 1693 01:49:55,340 --> 01:49:57,509 WELL, THEN GET ME ANYBODY! 1694 01:50:00,595 --> 01:50:04,057 (SPEAKS BAD FRENCH) 1695 01:50:04,265 --> 01:50:06,267 AH! HOLLYWOOD! 1696 01:50:06,476 --> 01:50:08,728 NO. 'OLLYWOOD. 1697 01:50:08,937 --> 01:50:10,897 'OLLYWOOD? 1698 01:50:11,106 --> 01:50:12,816 THEY DROP THEIR ♪♪S IN FRANCE. 1699 01:50:13,024 --> 01:50:14,067 (sesame) 1700 01:50:14,275 --> 01:50:16,820 HEY, WHATSA MATTER, POLL? 1701 01:50:17,028 --> 01:50:18,321 OH. NOTHING. 1702 01:50:18,530 --> 01:50:19,781 I'VE GOT SOMETHING IN MY EYE, THAT'S ALL. 1703 01:50:19,989 --> 01:50:23,993 DON'T WORRY, POLLY. YOU WEREN'T THAT BAD. 1704 01:50:24,202 --> 01:50:25,662 THE DOG, IN LIFE, 1705 01:50:25,870 --> 01:50:28,248 MAN'S FIRMEST FRIEND, 1706 01:50:28,456 --> 01:50:31,960 IS WOMAN'S CONSOLATION 1707 01:50:32,168 --> 01:50:33,503 IN THE END. 1708 01:50:33,711 --> 01:50:34,504 UH...UH... 1709 01:50:34,712 --> 01:50:36,005 OH, MY DARLING, MY... 1710 01:50:36,214 --> 01:50:37,340 WHERE IS HE? 1711 01:50:37,549 --> 01:50:38,925 - WHO? - DETHRILL, OF COURSE. 1712 01:50:39,134 --> 01:50:40,176 I INVITED HIM ROUND 1713 01:50:40,385 --> 01:50:41,928 FOR DRINKS IN THE GREEN ROOM! 1714 01:50:42,137 --> 01:50:43,179 PERHAPS HE'S COLORBLIND. 1715 01:50:43,388 --> 01:50:44,848 HO HO HO. VERY FUNNY. 1716 01:50:45,056 --> 01:50:47,183 YOU SHOULD BE ON THE STAGE. 1717 01:50:47,392 --> 01:50:50,687 YOU ARE SUPPOSED TO BE AN OLD MAN. 1718 01:50:50,895 --> 01:50:52,939 SO WHY DO YOU KEEP DYING YOUR WHITE HAIR BLACK? 1719 01:50:53,148 --> 01:50:54,691 MY PUBLIC WOULDN'T RECOGNIZE ME 1720 01:50:54,899 --> 01:50:56,317 FROM MY PHOTOGRAPH IN THE FOYER. 1721 01:50:56,526 --> 01:50:58,945 NO, I SUPPOSE THEY WOULDN'T. 1722 01:50:59,154 --> 01:51:00,530 IT'S SO YELLOW WITH AGE, 1723 01:51:00,738 --> 01:51:02,824 YOU'D HAVE TO MAKE UP AS A CHINAMAN! 1724 01:51:03,032 --> 01:51:05,201 HA HA. JEALOUSY WILL GET YOU NOWHERE. 1725 01:51:05,410 --> 01:51:06,786 IS THAT MY MELBA SPRAY 1726 01:51:06,995 --> 01:51:08,204 YOU'RE USING ON THAT WRETCHED DOG? 1727 01:51:08,413 --> 01:51:11,040 SHE'S NOT A DOG! 1728 01:51:11,249 --> 01:51:13,001 SHE IS A KING CHARLES! 1729 01:51:13,209 --> 01:51:14,294 HA HA. NAME-DROPPING AGAIN. 1730 01:51:14,502 --> 01:51:16,045 HELP ME ON WITH MY SPATS, WOMAN. 1731 01:51:16,254 --> 01:51:18,131 KA KA KA KA KA KA KA. 1732 01:51:18,339 --> 01:51:20,717 SHARP. POINT. SHARP. POINT. 1733 01:51:20,925 --> 01:51:25,471 HE'S THINKING OF TURNING THE SHOW INTO A FILM. 1734 01:51:25,680 --> 01:51:28,224 HURRY UP! 1735 01:51:28,433 --> 01:51:30,018 TICK TOCK, TICK TOCK, 1736 01:51:30,226 --> 01:51:32,562 SHARP, POINT, HIP, BATH, LUMP... 1737 01:51:32,770 --> 01:51:35,023 DID YOU BLANCO THEM? 1738 01:51:35,231 --> 01:51:36,900 OF COURSE! 1739 01:51:37,108 --> 01:51:38,902 AH. AH. AH. AH. 1740 01:51:39,110 --> 01:51:41,571 (BABY CRIES) 1741 01:51:41,779 --> 01:51:43,740 PSST! 1742 01:51:43,948 --> 01:51:45,450 (BABY CRIES) 1743 01:51:55,251 --> 01:52:01,174 ♪♪♪♪♪♪ 1744 01:52:14,771 --> 01:52:19,567 ♪♪ WHEN EVERY DAY BEGINS ♪♪ 1745 01:52:19,776 --> 01:52:24,781 ♪♪ WHEN EVERY DAY IS DONE ♪♪ 1746 01:52:24,989 --> 01:52:27,575 ♪♪ HERE IN MY HEART ♪♪ 1747 01:52:27,784 --> 01:52:30,578 ♪♪ NEVER TO PART ♪♪ 1748 01:52:30,787 --> 01:52:35,917 ♪♪ YOU'LL ALWAYS BE THE ONE ♪♪ 1749 01:52:38,044 --> 01:52:41,256 ♪♪ ALL I DO THE WHOLE NIGHT THROUGH ♪♪ 1750 01:52:41,464 --> 01:52:45,093 ♪♪ IS DREAM OF YOU ♪♪ 1751 01:52:45,301 --> 01:52:48,596 ♪♪ WITH THE DAWN, I STILL GO ON ♪♪ 1752 01:52:48,805 --> 01:52:52,225 ♪♪ AND DREAM OF YOU ♪♪ 1753 01:52:52,433 --> 01:52:56,062 ♪♪ YOU'RE EVERY THOUGHT, YOU'RE EVERY THING ♪♪ 1754 01:52:56,271 --> 01:52:59,899 ♪♪ YOU'RE EVERY SONG I EVER SING ♪♪ 1755 01:53:00,108 --> 01:53:05,154 ♪♪ SUMMER, WINTER, AUTUMN ♪♪ 1756 01:53:05,363 --> 01:53:07,615 ♪♪ AND SPRING ♪♪ 1757 01:53:07,824 --> 01:53:11,244 ♪♪ AND WERE THERE MORE THAN 24 ♪♪ 1758 01:53:11,452 --> 01:53:14,998 ♪♪ HOURS A DAY ♪♪ 1759 01:53:15,206 --> 01:53:18,835 ♪♪ THEY'D BE SPENT IN SWEET CONTENT ♪♪ 1760 01:53:19,043 --> 01:53:22,297 ♪♪ DREAMING AWAY ♪♪ 1761 01:53:22,505 --> 01:53:26,259 ♪♪ WHEN SKIES ARE GRAY, WHEN SKIES ARE BLUE ♪♪ 1762 01:53:26,467 --> 01:53:30,138 ♪♪ MORNING, NOON, AND NIGHTTIME, TOO ♪♪ 1763 01:53:30,346 --> 01:53:33,474 ♪♪ ALL I DO THE WHOLE DAY THROUGH ♪♪ 1764 01:53:33,683 --> 01:53:37,520 ♪♪ IS DREAM OF YOU ♪♪ 1765 01:53:37,729 --> 01:53:39,480 (TONY TAP DANCING) 1766 01:53:41,107 --> 01:53:42,817 THIS WAY, GENTLEMEN, PLEASE. 1767 01:53:43,026 --> 01:53:44,444 UH, MR. MAX. 1768 01:53:44,652 --> 01:53:45,820 WHAT'S THIS?! 1769 01:53:46,029 --> 01:53:48,197 FRED KARNO'S ARMY? 1770 01:53:48,406 --> 01:53:49,699 WHERE'S THE IVY PERKINS TRIO? 1771 01:53:49,907 --> 01:53:51,534 BUT YOU DID SAY GET ANYONE, MR. MAX. 1772 01:53:51,743 --> 01:53:53,453 AND I WAS THROWN OUT OF THE CANTINA CAFE FDR SOLICITING. 1773 01:53:53,661 --> 01:53:54,787 WELL, THEY MUSTN'T BE SEEN. 1774 01:53:54,996 --> 01:53:56,706 THEY'LL HAVE TO PLAY IN A RECUMBENT POSITION. 1775 01:53:56,914 --> 01:53:59,459 (GAGS) LET'S PRAY FOR AN UPSTAGE WIND. 1776 01:53:59,667 --> 01:54:01,669 NOTHING MUST DISTRACT DETHRILL FROM MY PERFORMANCE! 1777 01:54:01,878 --> 01:54:03,046 THAT GOES FOR YOU, TOO, MISS. 1778 01:54:03,254 --> 01:54:05,048 YOU JUST SIT STILL AND GIVE ME MY CUES, 1779 01:54:05,256 --> 01:54:07,300 AND I MIGHT TAKE YOU TO HOLLYWOOD WITH ME. 1780 01:54:07,508 --> 01:54:10,803 AH HA HA HA... (SINGS SCALES) 1781 01:54:15,558 --> 01:54:17,560 BONSOIR, MA PETITE. 1782 01:54:17,769 --> 01:54:20,188 OH...YOU STARTLED ME! 1783 01:54:20,396 --> 01:54:21,647 OH, YOU ARE ENGLISH. 1784 01:54:21,856 --> 01:54:23,358 I THOUGHT YOU WERE FRENCH. 1785 01:54:23,566 --> 01:54:26,736 OH! DID YOU HONESTLY? 1786 01:54:26,944 --> 01:54:27,904 WELL, I'M NOT. 1787 01:54:28,112 --> 01:54:30,239 (LAUGHS) I DIDN'T MEAN TO BE RUDE! 1788 01:54:30,448 --> 01:54:32,075 OH, THAT'S ALRIGHT. 1789 01:54:32,283 --> 01:54:33,493 IT'S JUST THAT... 1790 01:54:33,701 --> 01:54:35,411 I'M RATHER FED UP WITH FRANCE. 1791 01:54:35,620 --> 01:54:38,539 HA HA! I CAN'T IMAGINE A PRETTY LITTLE THING LIKE YOU 1792 01:54:38,748 --> 01:54:40,208 BEING FED UP WITH ANYTHING! 1793 01:54:40,416 --> 01:54:41,834 WELL, I AM. 1794 01:54:42,043 --> 01:54:44,253 AND NOT JUST WITH FRANCE. 1795 01:54:44,462 --> 01:54:46,506 I'M ALSO FED UP WITH BOYS. 1796 01:54:46,714 --> 01:54:48,091 WITH BOYS?! 1797 01:54:48,299 --> 01:54:50,176 WELL, WHY NOT... 1798 01:54:50,385 --> 01:54:52,011 TRY SOMETHING OLDER? 1799 01:54:52,220 --> 01:54:54,722 SOMETHING...OLDER? 1800 01:55:02,939 --> 01:55:04,690 WHAT THE HELL DO YOU THINK YOU'RE DOING? 1801 01:55:04,899 --> 01:55:07,777 YOU'RE SUPPOSED TO BE A NURSE, NOT A TART! 1802 01:55:07,985 --> 01:55:09,737 HA HA HA! 1803 01:55:09,946 --> 01:55:10,863 SOMETHING OLDER... 1804 01:55:11,072 --> 01:55:12,782 LIKE ME, FOR INSTANCE. 1805 01:55:12,990 --> 01:55:16,244 ♪♪ I MAY BE TOO OLD TO RUN A MILE ♪♪ 1806 01:55:16,452 --> 01:55:17,286 ♪♪ RUN A MILE? ♪♪ 1807 01:55:17,495 --> 01:55:19,122 ♪♪ YES, RUN A MILE ♪♪ 1808 01:55:19,330 --> 01:55:20,623 ♪♪ BUT THERE'S ONE THING ♪♪ 1809 01:55:20,832 --> 01:55:24,252 ♪♪ I STILL DO VERY WELL ♪♪ 1810 01:55:24,460 --> 01:55:27,380 ♪♪ I MAY BE TOO OLD TO CLIMB A STILE ♪♪ 1811 01:55:27,588 --> 01:55:28,965 ♪♪ CLIMB A STILE? ♪♪ 1812 01:55:29,173 --> 01:55:30,967 ♪♪ YES, CLIMB A STILE ♪♪ 1813 01:55:31,175 --> 01:55:36,764 ♪♪ BUT THERE'S ONE THING AT WHICH I STILL EXCEL ♪♪ 1814 01:55:36,973 --> 01:55:40,935 ♪♪ ALTHOUGH MY HAIR IS TURNING GRAY ♪♪ 1815 01:55:41,144 --> 01:55:44,564 ♪♪ YES, IT'S RATHER GRAY ♪♪ 1816 01:55:44,772 --> 01:55:48,985 ♪♪ I STILL BELIEVE IT WHEN I SAY ♪♪ 1817 01:55:49,193 --> 01:55:52,155 ♪♪ WELL, WHAT DO OOH ♪♪ 1818 01:55:52,363 --> 01:55:54,449 ♪♪ SAY? ♪♪ 1819 01:55:54,657 --> 01:55:57,785 ♪♪ IT'S NEVER TOO LATE TO HAVE A FLING ♪♪ 1820 01:55:57,994 --> 01:56:00,496 ♪♪ FOR AUTUMN IS JUST AS NICE AS SPRING ♪♪ 1821 01:56:00,705 --> 01:56:02,915 ♪♪ AND IT'S NEVER TOO LATE TO FALL ♪♪ 1822 01:56:03,124 --> 01:56:04,292 ♪♪ IN LOVE ♪♪ 1823 01:56:04,500 --> 01:56:06,294 ♪♪ BOOP-A DOOP, BOOP-A DOOP, BOOP-A DOOP ♪♪ 1824 01:56:06,502 --> 01:56:09,088 ♪♪ IT'S NEVER TOO LATE TO WINK AN EYE ♪♪ 1825 01:56:09,297 --> 01:56:11,966 ♪♪ I'LL DO IT UNTIL THE DAY I DIE ♪♪ 1826 01:56:12,175 --> 01:56:15,845 ♪♪ IT'S NEVER TOO LATE TO FALL IN LOVE ♪♪ 1827 01:56:16,053 --> 01:56:18,097 ♪♪ BOOP-A DOOP, BOOP-A DOOP, BOOP-A DOOP ♪♪ 1828 01:56:18,306 --> 01:56:21,350 ♪♪ IF THEY SAY I'M TOO OLD FOR YOU ♪♪ 1829 01:56:21,559 --> 01:56:23,936 ♪♪ THEN I SHALL ANSWER, WHY, SIR ♪♪ 1830 01:56:24,145 --> 01:56:26,981 ♪♪ ONE NEVER DRINKS THE WINE THAT'S NEW ♪♪ 1831 01:56:27,190 --> 01:56:29,942 ♪♪ THE OLD ONES TASTE MUCH NICER ♪♪ 1832 01:56:30,151 --> 01:56:32,862 ♪♪ A GENTLEMAN NEVER FEELS TOO WEAK ♪♪ 1833 01:56:33,070 --> 01:56:36,032 ♪♪ TO PAT A PINK ARM OR PINCH A CHEEK ♪♪ 1834 01:56:36,240 --> 01:56:39,368 ♪♪ IT'S NEVER TOO LATE TO FALL IN LOVE ♪♪ 1835 01:56:39,577 --> 01:56:40,828 ♪♪ SAYS WHO? ♪♪ ♪♪ SAYS ME ♪♪ 1836 01:56:41,037 --> 01:56:42,163 ♪♪ SAYS YOU? ♪♪ ♪♪ SAYS ME! ♪♪ 1837 01:56:42,371 --> 01:56:44,999 ♪♪ SAYS BOTH OF US TOGETHER ♪♪ 1838 01:56:45,208 --> 01:56:47,877 ♪♪ IT'S NEVER TOO LATE TO WHISPER WORDS ♪♪ 1839 01:56:48,085 --> 01:56:50,505 ♪♪ CONCERNING THE WAYS OF BEES AND BIRDS ♪♪ 1840 01:56:50,713 --> 01:56:54,008 ♪♪ AND IT'S NEVER TOO LATE TO FALL IN LOVE ♪♪ 1841 01:56:54,217 --> 01:56:55,176 ♪♪ WHACK-A-DO, WHACK-A-DO, WHACK-A-DO! ♪♪ 1842 01:56:55,384 --> 01:56:56,802 PUSH ME BACK! 1843 01:56:57,011 --> 01:56:59,514 ♪♪ IT'S NEVER TOO LATE TO FLIRT AND SPOON ♪♪ 1844 01:56:59,722 --> 01:57:02,016 ♪♪ A FIDDLE THAT'S OLD IS MORE IN TUNE ♪♪ 1845 01:57:02,225 --> 01:57:05,895 ♪♪ AND IT'S NEVER TOO LATE TO FALL IN LOVE ♪♪ 1846 01:57:06,103 --> 01:57:08,231 ♪♪ WHACK-A DOO, WHACK-A DOO, WHACK-A DOO ♪♪ 1847 01:57:08,439 --> 01:57:11,317 ♪♪ THE MODERN ARTISTS OF TODAY ♪♪ 1848 01:57:11,526 --> 01:57:13,903 ♪♪ MAY PAINT THEIR PICTURES FASTER ♪♪ 1849 01:57:14,111 --> 01:57:17,031 ♪♪ BUT WHEN IT COMES TO SKILL, I SAY ♪♪ 1850 01:57:17,240 --> 01:57:19,909 ♪♪ YOU CAN'T BEAT AN OLD MASTER ♪♪ 1851 01:57:20,117 --> 01:57:22,995 ♪♪ IT'S NEVER TOO LATE TO BILL AND COO ♪♪ 1852 01:57:23,204 --> 01:57:25,748 ♪♪ AT ANY AGE, ONE AND ONE MAKE TWO ♪♪ 1853 01:57:25,957 --> 01:57:28,876 ♪♪ IT'S NEVER TOO LATE TO FALL IN ♪♪ 1854 01:57:29,085 --> 01:57:31,754 ♪♪ NEVER TOO LATE TO FALL IN ♪♪ 1855 01:57:31,963 --> 01:57:34,757 ♪♪ NEVER TOO LATE TO FALL IN ♪♪ 1856 01:57:34,966 --> 01:57:37,468 BOTH: ♪♪ LOVE ♪♪ 1857 01:57:51,357 --> 01:57:53,234 LADIES AND GENTLEMEN, 1858 01:57:53,442 --> 01:57:55,236 I PROUDLY PRESENT... 1859 01:57:55,444 --> 01:57:58,406 MY LATEST CINEMATOGRAPHIC FANTASY 1860 01:57:58,614 --> 01:58:00,116 FOR THE SERVICE GREEN 1861 01:58:00,324 --> 01:58:04,203 ENTITLED BEAUTY AND THE BATH CHAIR. 1862 01:58:04,412 --> 01:58:10,001 ♪♪♪♪♪♪ 1863 01:58:17,717 --> 01:58:19,260 (MUSICIANS PLAY OFF-KEY) 1864 01:58:49,457 --> 01:58:51,959 (APPLAUSE) 1865 01:58:52,168 --> 01:58:55,004 ♪♪ IT'S NEVER TOO LATE TO BLOW A KISS ♪♪ 1866 01:58:55,212 --> 01:58:57,840 ♪♪ ESPECIALLY AT A TIME LIKE THIS ♪♪ 1867 01:58:58,049 --> 01:59:01,010 ♪♪ NO, IT'S NEVER TOO LATE TO FALL IN LOVE ♪♪ 1868 01:59:01,218 --> 01:59:03,471 ♪♪ VO-DE-O, VO-DE-O, VO-DE-O ♪♪ 1869 01:59:03,679 --> 01:59:06,641 ♪♪ IT'S NEVER TOO LATE FOR FUN AND LARKS ♪♪ 1870 01:59:06,849 --> 01:59:09,185 ♪♪ A JOLLY OLD FLAME HAS LOTS OF SPARKS ♪♪ 1871 01:59:09,393 --> 01:59:12,938 ♪♪ AND IT'S NEVER TOO LATE TO FALL IN LOVE ♪♪ 1872 01:59:13,147 --> 01:59:15,191 ♪♪ VO-DE-O, VO-DE-O, VO-DE-O ♪♪ 1873 01:59:15,399 --> 01:59:18,319 ♪♪ THE MODERN BUILDINGS THAT YOU SEE ♪♪ 1874 01:59:18,527 --> 01:59:21,030 ♪♪ ARE OFTEN MOST ALARMING ♪♪ 1875 01:59:21,238 --> 01:59:23,658 ♪♪ BUT I AM SURE THAT YOU'LL AGREE ♪♪ 1876 01:59:23,866 --> 01:59:24,659 ♪♪ A RUIN ♪♪ 1877 01:59:24,867 --> 01:59:26,369 ♪♪ CAN BE CHARMING! ♪♪ 1878 01:59:26,577 --> 01:59:29,163 THERE'S DOG'S DIRT ALL OVER YOUR SPATS, SIR. 1879 01:59:29,372 --> 01:59:32,458 (LAUGHTER) 1880 01:59:32,667 --> 01:59:33,626 ♪♪ OH, IT'S NEVER TOO LATE ♪♪ 1881 01:59:33,834 --> 01:59:35,628 ♪♪ TO FALL IN ♪♪ 1882 01:59:35,836 --> 01:59:38,381 ♪♪ NEVER TOO LATE TO FALL IN ♪♪ 1883 01:59:38,589 --> 01:59:41,342 ♪♪ NEVER TOO LATE TO FALL IN ♪♪ 1884 01:59:41,550 --> 01:59:44,095 BOTH: ♪♪ LOVE ♪♪ 1885 01:59:45,554 --> 01:59:47,348 (PIANO PLAYS) 1886 01:59:56,148 --> 01:59:57,650 THE OUTRAGE, MR. DETHRILL. 1887 01:59:57,858 --> 02:00:00,820 THE GIRL'S TAKEN LEAVE OR HER SENSES! SHE'S DISMISSED. 1888 02:00:01,028 --> 02:00:02,905 SHE CAN PACK HER BAGS AND LEAVE AT THE END OF THE WEEK. 1889 02:00:03,114 --> 02:00:04,407 SHE'S SACKED, FIRED! 1890 02:00:04,615 --> 02:00:07,410 YOU'VE HAD YOUR CHANCE, AND YOU'VE LOST IT! 1891 02:00:07,618 --> 02:00:09,370 (PIANO PLAYS) 1892 02:00:16,419 --> 02:00:20,005 ♪♪♪♪♪♪ 1893 02:00:20,214 --> 02:00:22,425 SO SHE CAME TO THE BALL AFTER ALL. 1894 02:00:22,633 --> 02:00:23,884 POOR CHILD. 1895 02:00:24,093 --> 02:00:26,512 HOW SAD SHE LOOKS. 1896 02:00:26,721 --> 02:00:29,265 LET ME TALK TO HER. 1897 02:00:29,473 --> 02:00:31,726 I KNOW HOW SHE IS FEELING. 1898 02:00:31,934 --> 02:00:34,520 WE ALL MISSED YOU LIKE MAD! 1899 02:00:34,729 --> 02:00:36,021 DIDN'T WE, CHAPS? 1900 02:00:36,230 --> 02:00:37,732 YES, WE DID, POLLY. 1901 02:00:37,940 --> 02:00:41,444 POLLY, YOU'LL NEVER GUESS WHAT'S HAPPENED TO US. 1902 02:00:41,652 --> 02:00:44,405 WE'VE ALL BEEN PROPOSED TO. 1903 02:00:44,613 --> 02:00:46,574 BUT WE HAVEN'T BEEN ACCEPTED YET. 1904 02:00:46,782 --> 02:00:48,617 WE'RE LETTING THEM KNOW 1905 02:00:48,826 --> 02:00:51,203 AT MIDNIGHT. 1906 02:00:51,412 --> 02:00:54,790 POLLY, WHAT A SHAME YOUR FELLA TURNED OUT TO BE A... 1907 02:00:54,999 --> 02:00:57,251 A ROTTER AND A CAD. 1908 02:00:57,460 --> 02:00:59,962 SHH! 1909 02:01:00,171 --> 02:01:02,965 YOU DO NOT WISH TO DANCE, POLLY? 1910 02:01:03,174 --> 02:01:05,259 UNTIL I DANCE WITH HIM, MADAME, 1911 02:01:05,468 --> 02:01:07,136 I WILL NEVER DANCE AGAIN. 1912 02:01:07,344 --> 02:01:09,597 NEVER MIND. 1913 02:01:09,805 --> 02:01:11,932 THE NIGHT IS STILL YOUNG. 1914 02:01:16,270 --> 02:01:18,314 YOU KNOW, POLLY, 1915 02:01:18,522 --> 02:01:22,151 WHEN I LOOK AT YOU IN THAT SWEET COSTUME, 1916 02:01:22,359 --> 02:01:24,612 YOU REMIND ME... 1917 02:01:24,820 --> 02:01:27,281 OF A SONG I ONCE KNEW. 1918 02:01:27,490 --> 02:01:28,949 DO I, MADAME? 1919 02:01:29,158 --> 02:01:30,659 CAN YOU SING IT? 1920 02:01:30,868 --> 02:01:33,245 YES. I THINK SO. 1921 02:01:36,290 --> 02:01:38,667 ♪♪ THERE IS AN OLD FRENCH LEGEND ♪♪ 1922 02:01:38,876 --> 02:01:41,504 ♪♪ THAT'S SET TO AN OLD FRENCH TUNE ♪♪ 1923 02:01:41,712 --> 02:01:44,673 ♪♪ IT TELLS HOW PIERROT LOVED PIERRETTE ♪♪ 1924 02:01:44,882 --> 02:01:47,635 ♪♪ UNDER A SUMMER MOON ♪♪ 1925 02:01:47,843 --> 02:01:50,179 ♪♪ EVERY NIGHT THE LOVERS MEET ♪♪ 1926 02:01:50,387 --> 02:01:53,516 ♪♪ JUST AS THE CLOCK STRIKES NINE ♪♪ 1927 02:01:53,724 --> 02:01:56,644 ♪♪ THEN HE GIVES HER KISSES SWEET ♪♪ 1928 02:01:56,852 --> 02:02:01,148 ♪♪ AS VINTAGE WINE ♪♪ 1929 02:02:03,359 --> 02:02:06,195 ♪♪ BUT ALAS, ONE FATEFUL NIGHT ♪♪ 1930 02:02:06,403 --> 02:02:09,698 ♪♪ PIERRETTE IS FORSWORN ♪♪ 1931 02:02:09,907 --> 02:02:12,827 ♪♪ THERE SHE STANDS, FORLORN ♪♪ 1932 02:02:13,035 --> 02:02:15,746 ♪♪ TILL THE COLD, GRAY DAWN ♪♪ 1933 02:02:17,706 --> 02:02:20,626 ♪♪ POOR LITTLE PIERRETTE ♪♪ 1934 02:02:20,835 --> 02:02:23,546 ♪♪ WHERE'S YOUR PIERROT? ♪♪ 1935 02:02:23,754 --> 02:02:26,882 ♪♪ WHY ARE YOU ALL ALONE? ♪♪ 1936 02:02:27,091 --> 02:02:30,010 ♪♪ AH AH AH AH AH AH AH ♪♪ 1937 02:02:30,219 --> 02:02:32,805 ♪♪ YOU SHOULD BE SO FANCY FREE ♪♪ 1938 02:02:33,013 --> 02:02:36,725 ♪♪ YOUR HEART SHOULD BE HIGH ♪♪ 1939 02:02:36,934 --> 02:02:39,645 ♪♪ BUT INSTEAD, YOU HANG YOUR HEAD ♪♪ 1940 02:02:39,854 --> 02:02:42,231 ♪♪ AND TRY NOT TO CRY ♪♪ 1941 02:02:42,439 --> 02:02:44,233 ♪♪ AH AH AH ♪♪ 1942 02:02:44,441 --> 02:02:47,236 ♪♪ POOR LITTLE PIERRETTE ♪♪ 1943 02:02:47,444 --> 02:02:50,489 ♪♪ YOU MUSTN'T SHOW ♪♪ 1944 02:02:50,698 --> 02:02:52,575 ♪♪ YOUR DREAM OF LOVE ♪♪ 1945 02:02:52,783 --> 02:02:57,162 ♪♪ HAS FLOWN ♪♪ ♪♪ AH AH AH AH ♪♪ 1946 02:02:57,371 --> 02:03:00,583 ♪♪ JUST KEEP ON DANCING ♪♪ 1947 02:03:00,791 --> 02:03:03,878 ♪♪ TILL THE DAWN AND THEN ♪♪ ♪♪ AH AH AH AH ♪♪ 1948 02:03:04,086 --> 02:03:08,674 ♪♪ HE MAY COME BACK AGAIN ♪♪ 1949 02:03:11,218 --> 02:03:13,888 ♪♪ POOR LITTLE PIERRETTE ♪♪ 1950 02:03:14,096 --> 02:03:16,765 ♪♪ WHERE'S YOUR PIERROT? ♪♪ 1951 02:03:16,974 --> 02:03:22,688 ♪♪ WHY ARE YOU ALL ALONE? ♪♪ 1952 02:03:22,897 --> 02:03:24,106 ♪♪ YOU SHOULD BE ♪♪ ♪♪ AH AH ♪♪ 1953 02:03:24,315 --> 02:03:25,441 ♪♪ SO FANCY FREE ♪♪ ♪♪ AH AH ♪♪ 1954 02:03:25,649 --> 02:03:28,777 ♪♪ YOUR HEART SHOULD BE HIGH ♪♪ 1955 02:03:28,986 --> 02:03:30,237 ♪♪ BUT INSTEAD ♪♪ ♪♪ AH HA HA ♪♪ 1956 02:03:30,446 --> 02:03:31,780 ♪♪ YOU HANG YOUR HEAD ♪♪ ♪♪ AH AH HA ♪♪ 1957 02:03:31,989 --> 02:03:35,075 ♪♪ AND TRY NOT TO CRY ♪♪ 1958 02:03:36,368 --> 02:03:39,246 ♪♪ POOR LITTLE PIERRETTE ♪♪ 1959 02:03:39,455 --> 02:03:42,291 ♪♪ YOU MUSTN'T SHOW ♪♪ 1960 02:03:42,499 --> 02:03:48,088 ♪♪ YOUR DREAM OF LOVE HAS FLOWN ♪♪ 1961 02:03:49,298 --> 02:03:51,383 ♪♪ JUST KEEP ON DANCING ♪♪ 1962 02:03:51,592 --> 02:03:55,804 ♪♪ TILL THE DAWN AND THEN ♪♪ 1963 02:03:56,013 --> 02:03:58,807 ♪♪ HE MAY COME BACK ♪♪ 1964 02:03:59,016 --> 02:04:04,897 ♪♪ A...GAIN ♪♪ 1965 02:04:09,777 --> 02:04:11,445 MAY I HAVE THIS DANCE, PIERRETTE? 1966 02:04:11,654 --> 02:04:14,657 I'M AFRAID I CAN'T DANCE WITH A STRANGER. 1967 02:04:14,865 --> 02:04:16,617 BUT I AM PIERROT... 1968 02:04:16,825 --> 02:04:18,661 YOU ARE PIERRETTE. 1969 02:04:18,869 --> 02:04:20,788 SURELY WE ARE NOT STRANGERS. 1970 02:04:20,996 --> 02:04:23,123 BUT I DON'T KNOW WHO YOU ARE. 1971 02:04:23,332 --> 02:04:25,209 MAYBE THIS... WILL REMIND YOU. 1972 02:04:28,170 --> 02:04:30,756 IT ISN'T... IT CAN'T BE! 1973 02:04:30,965 --> 02:04:32,007 YES, IT'S ME! 1974 02:04:32,216 --> 02:04:33,550 TONY! 1975 02:04:35,678 --> 02:04:37,096 POLLY! 1976 02:04:43,185 --> 02:04:46,772 DULCIE AND I MADE IT BETWEEN US DURING THE SHOW. 1977 02:04:46,981 --> 02:04:49,608 "HAPPY FIRST NIGHT. 1978 02:04:49,817 --> 02:04:52,152 I LOVE YOU. TONY." 1979 02:04:53,612 --> 02:04:54,863 OH! 1980 02:04:55,072 --> 02:04:56,824 BLOW IT OUT THEN. 1981 02:05:05,040 --> 02:05:06,625 HUBERT, IT'S TONY! 1982 02:05:06,834 --> 02:05:10,170 OH, WE'VE FOUND HIM AT LAST! 1983 02:05:10,379 --> 02:05:11,547 MY SON! 1984 02:05:11,755 --> 02:05:12,715 MOTHER. 1985 02:05:12,923 --> 02:05:13,882 TONY! 1986 02:05:14,091 --> 02:05:16,135 - MY BOY! - FATHER! 1987 02:05:16,343 --> 02:05:18,470 AND WHOM, MAY I ASK, 1988 02:05:18,679 --> 02:05:21,181 IS THIS YOUNG MAN? 1989 02:05:21,390 --> 02:05:23,851 THIS, SIR, IS MY SON, 1990 02:05:24,059 --> 02:05:26,729 THE HONORABLE TONY BROCKHURST! 1991 02:05:26,937 --> 02:05:29,481 THE HONORABLE TONY BROCKHURST? 1992 02:05:29,690 --> 02:05:30,691 OH! 1993 02:05:30,899 --> 02:05:32,526 YES, POLLY. 1994 02:05:32,735 --> 02:05:35,904 I'M AFRAID I'M NOT A MESSENGER BOY AFTER ALL. 1995 02:05:36,113 --> 02:05:37,531 CAN YOU FORGIVE ME? 1996 02:05:37,740 --> 02:05:39,491 OH, YES, OF COURSE! 1997 02:05:39,700 --> 02:05:41,368 AND WHO, MAY I ASK, 1998 02:05:41,577 --> 02:05:43,245 IS THIS YOUNG WOMAN? 1999 02:05:43,454 --> 02:05:46,749 THAT, MADAME, IS MY DAUGHTER, 2000 02:05:46,957 --> 02:05:48,667 AND l... 2001 02:05:48,876 --> 02:05:51,420 AM PERCIVAL BROWNE. 2002 02:05:51,628 --> 02:05:54,423 NOT...PERCIVAL BROWNE THE MILLIONAIRE? 2003 02:05:54,631 --> 02:05:57,509 YES. I'M AFRAID I'VE DECEIVED YOU, TOO. 2004 02:05:57,718 --> 02:06:00,596 I'M NOT A SECRETARY AFTER ALL. 2005 02:06:00,804 --> 02:06:03,015 CAN YOU FORGIVE ME? 2006 02:06:03,223 --> 02:06:05,267 OH, OF COURSE, MY DARLING! 2007 02:06:05,476 --> 02:06:06,935 OOH LA LA! 2008 02:06:07,144 --> 02:06:10,397 IT SEEMS THAT LOVE IS IN THE AIR TONIGHT. 2009 02:06:10,606 --> 02:06:12,024 IT IS, INDEED. 2010 02:06:12,232 --> 02:06:15,027 I, TOO, POLLY, HAVE SOME NEWS. 2011 02:06:15,235 --> 02:06:17,446 HAVE YOU, DADDY? HOW THRILLING! 2012 02:06:17,654 --> 02:06:19,740 MAY I TELL HER, KIKI? 2013 02:06:19,948 --> 02:06:21,283 OF COURSE. 2014 02:06:21,492 --> 02:06:23,744 SHE SHOULD BE THE FIRST TO KNOW. 2015 02:06:23,952 --> 02:06:26,121 VERY WELL, THEN, POLLY. 2016 02:06:26,330 --> 02:06:29,249 MADAME DUBONNET HAS CONSENTED 2017 02:06:29,458 --> 02:06:32,127 TO BECOME... MY WIFE. 2018 02:06:32,336 --> 02:06:33,587 OH! 2019 02:06:33,796 --> 02:06:36,090 MAISIE, IT'S MIDNIGHT. 2020 02:06:36,298 --> 02:06:37,299 HAVE YOU THOUGHT IT OVER? 2021 02:06:37,508 --> 02:06:38,467 AND YOU? AND YOU? 2022 02:06:38,675 --> 02:06:39,968 ET TOI? 2023 02:06:40,177 --> 02:06:42,471 WOMEN: AFTER DUE CONSIDERATION, 2024 02:06:42,679 --> 02:06:45,432 WE HAVE COME TO THE CONCLUSION 2025 02:06:45,641 --> 02:06:49,978 THAT THE ANSWER IS UNANIMOUSLY... 2026 02:06:50,187 --> 02:06:51,647 YES! 2027 02:06:51,855 --> 02:06:53,107 MEN: SWELL! 2028 02:06:53,315 --> 02:06:55,150 NOW WHERE SHALL WE GO FOR THE HONEYMOON? 2029 02:06:55,359 --> 02:06:57,486 ALL: THE RIVIERA! 2030 02:06:57,694 --> 02:06:59,655 MAN: READY WHEN YOU ARE, MR. DETHRILL. 2031 02:06:59,863 --> 02:07:00,948 BACKGROUND. ACTION! 2032 02:07:01,156 --> 02:07:02,616 1 TAKE 1. STANDBY. 2033 02:07:02,825 --> 02:07:04,493 ♪♪ WRIGGLE YOUR HIPS AND KICK UP YOUR HEELS ♪♪ 2034 02:07:04,701 --> 02:07:06,161 ♪♪ YOU'LL BE SURPRISED HOW LOVELY IT FEELS ♪♪ 2035 02:07:06,370 --> 02:07:09,790 ♪♪ EVERYBODY'S DOING THE RIVIERA ♪♪ 2036 02:07:09,998 --> 02:07:11,583 ♪♪ WIGGLE YOUR FINGERS WAGGLE YOUR TOES ♪♪ 2037 02:07:11,792 --> 02:07:13,502 ♪♪ JUST HOW IT STARTED, NOBODY KNOWS ♪♪ 2038 02:07:13,710 --> 02:07:17,297 ♪♪ EVERYBODY'S DOING THE RIVIERA ♪♪ 2039 02:07:17,506 --> 02:07:19,758 ♪♪ MULTIMILLIONAIRES AND THEIR LITTLE PETS ♪♪ 2040 02:07:19,967 --> 02:07:20,759 ♪♪ DO IT ♪♪ 2041 02:07:20,968 --> 02:07:22,010 ♪♪ EVEN MAIDEN LADIES 2042 02:07:22,219 --> 02:07:23,262 WHO WEAR LORGNETTES ♪♪ 2043 02:07:23,470 --> 02:07:24,596 ♪♪ HAVE TAKEN TO IT ♪♪ 2044 02:07:24,805 --> 02:07:26,473 ♪♪ TELL EVERYONE TO GIVE OUT THE NEWS ♪♪ 2045 02:07:26,682 --> 02:07:28,183 ♪♪ THIS IS THE WAY TO SHAKE OFF THE BLUES ♪♪ 2046 02:07:28,392 --> 02:07:31,145 ♪♪ EVERYBODY'S DOING THE RIVIERA ♪♪ 2047 02:07:31,353 --> 02:07:33,021 - YEAH! - PLAYBACK. 2048 02:07:33,230 --> 02:07:34,773 QUIET ON THE SET, EVERYBODY! 2049 02:07:34,982 --> 02:07:38,152 2...1, AND... 2050 02:07:38,360 --> 02:07:40,821 HUSHED VOICES: ♪♪ GET ON THE DANCE FLOOR ♪♪ 2051 02:07:41,029 --> 02:07:43,615 ♪♪ GET IN THE SWING ♪♪ 2052 02:07:43,824 --> 02:07:46,034 ♪♪ THIS IS THE TIME FOR ♪♪ 2053 02:07:46,243 --> 02:07:48,537 ♪♪ HAVING A FLING ♪♪ 2054 02:07:48,745 --> 02:07:51,874 ♪♪ EVERYBODY'S DOING ♪♪ 2055 02:07:52,082 --> 02:07:54,585 ♪♪ THE RIVIERA ♪♪ 2056 02:07:56,712 --> 02:07:58,213 ♪♪ CLAP-A YOUR HANDS AND ♪♪ 2057 02:07:58,422 --> 02:07:59,882 ♪♪ SLAP ON YOUR THIGHS ♪♪ 2058 02:08:00,090 --> 02:08:01,216 ♪♪ GRIN LIKE A GOON AND ♪♪ 2059 02:08:01,425 --> 02:08:02,676 ♪♪ ROLL UP YOUR EYES ♪♪ 2060 02:08:02,885 --> 02:08:04,720 ♪♪ EVERYBODY'S DOING ♪♪ 2061 02:08:04,928 --> 02:08:08,557 ♪♪ THE RIVIERA ♪♪ 2062 02:08:08,765 --> 02:08:11,894 ♪♪ ALL THE BRIGHT YOUNG THINGS AND THEIR BRIGHT YOUNG BEAUS ♪♪ 2063 02:08:12,102 --> 02:08:13,353 ♪♪ DO IT ♪♪ 2064 02:08:13,562 --> 02:08:16,023 ♪♪ EVEN DUCHESSES AND THEIR GIGOLOS ♪♪ 2065 02:08:16,231 --> 02:08:17,691 ♪♪ HAVE TAKEN TO IT ♪♪ 2066 02:08:17,900 --> 02:08:19,818 ♪♪ AIN'T IT TERRIFIC, AIN'T IT THE TOP? ♪♪ 2067 02:08:20,027 --> 02:08:21,904 ♪♪ YOU GOTTA DANCE RIGHT ON TILL YOU DROP ♪♪ 2068 02:08:22,112 --> 02:08:25,282 ♪♪ EVERYBODY'S DOING THE RIVIERA ♪♪ 2069 02:09:21,046 --> 02:09:23,799 ♪♪ I KNOW THAT I COULD ♪♪ 2070 02:09:24,007 --> 02:09:25,634 ♪♪ BE HAPPY ♪♪ 2071 02:09:25,842 --> 02:09:29,513 ♪♪ WITH YOU, MY DARLING ♪♪ 2072 02:09:45,070 --> 02:09:48,407 ♪♪ IF YOU COULD BE HAPPY ♪♪ 2073 02:09:48,615 --> 02:09:54,454 ♪♪ WITH ME ♪♪ 2074 02:09:57,291 --> 02:09:59,084 (APPLAUSE) 2075 02:10:01,169 --> 02:10:02,963 (PIANO PLAYS) 2076 02:10:15,767 --> 02:10:17,561 (APPLAUSE PICKS UP) 2077 02:10:30,615 --> 02:10:32,409 (APPLAUSE PICKS UP) 2078 02:10:54,890 --> 02:10:57,225 WELL DONE, LOVE. YOU SAVED THE SHOW. 2079 02:10:57,434 --> 02:10:58,810 A STAR IS BORN. 2080 02:10:59,019 --> 02:10:59,895 YOU'RE WELCOME TO BE THE STAR 2081 02:11:00,103 --> 02:11:01,730 OF A CRUMMY SHOW LIKE THIS. 2082 02:11:01,938 --> 02:11:04,066 AND YOU CAN UNDERSTUDY MY PART TONIGHT, DEARIE. 2083 02:11:04,274 --> 02:11:05,859 THE PUBLIC LIKES YOU. DETHRILL LIKES YOU. 2084 02:11:06,068 --> 02:11:08,070 I LIKE YOU. YOU CAN STAY ON FOR ANOTHER WEEK. 2085 02:11:08,278 --> 02:11:09,154 A DOUBLE SALARY, OF COURSE. 2086 02:11:09,363 --> 02:11:10,238 WE'LL DISCUSS THAT LATER. 2087 02:11:10,447 --> 02:11:12,240 WE'LL DISCUSS THE YOUNG LADY NOW, 2088 02:11:12,449 --> 02:11:14,201 IF YOU DON'T MIND. 2089 02:11:14,409 --> 02:11:15,577 SHE'S A JONAH! 2090 02:11:15,786 --> 02:11:17,829 I'VE NEVER KNOWN OF A FORCE LIKE IT! 2091 02:11:18,038 --> 02:11:21,083 AD-LIBBING, UPSTAGING, A FAMILY ROW ON STAGE? 2092 02:11:21,291 --> 02:11:24,503 CAKES AND BUSKERS?! 2093 02:11:24,711 --> 02:11:27,547 MY PROFESSIONAL CAREER IN TATTERS! 2094 02:11:27,756 --> 02:11:30,675 MY HARD-WON REPUTATION RUINED! 2095 02:11:30,884 --> 02:11:33,261 AND IT ALL STARTED WITH HER! 2096 02:11:33,470 --> 02:11:35,764 EITHER SHE GOES, OR I GO! 2097 02:11:35,972 --> 02:11:37,557 THAT'S EASILY SETTLED. I'VE BEEN THINKING 2098 02:11:37,766 --> 02:11:39,768 FOR SOME TIME OF TAKING OVER YOUR PART. 2099 02:11:39,976 --> 02:11:42,270 I'M REALLY MISCAST AS LORD BROCKHURST. 2100 02:11:42,479 --> 02:11:43,438 FAR TOO YOUNG. 2101 02:11:43,647 --> 02:11:45,107 PAY NO ATTENTION TO HIM, MR. MAX. 2102 02:11:45,315 --> 02:11:46,233 HE'S RATHER OVERWROUGHT! 2103 02:11:46,441 --> 02:11:47,567 DON'T BOTHER ME NOW. 2104 02:11:47,776 --> 02:11:49,861 MR. DETHRILL AND I HAVE THINGS TO SEE TO. 2105 02:11:52,531 --> 02:11:54,074 BONJOUR, MR. DETHRILL! 2106 02:11:54,282 --> 02:11:57,702 (SPEAKING BAD FRENCH) ...HOLLYWOOD! 2107 02:11:57,911 --> 02:12:01,415 (SPEAKS GERMAN) ...FRAULEIN POLLY. 2108 02:12:01,623 --> 02:12:04,709 FOR POLLY. CAN'T YOU SPEAK GERMAN? 2109 02:12:04,918 --> 02:12:06,253 GERMAN? 2110 02:12:10,215 --> 02:12:14,136 I THINK I WILL MAKE, UH... 2111 02:12:14,344 --> 02:12:15,720 SINGING IN THE RAIN. 2112 02:13:22,496 --> 02:13:24,498 I'LL SEND YOU A POST CARD FROM HOLLYWOOD, CHAPS. 2113 02:13:28,168 --> 02:13:29,294 THERE, MY DARLING. 2114 02:13:29,503 --> 02:13:31,963 WE'LL MAKE YOU THE MOST LOVELY-SMELLING 2115 02:13:32,172 --> 02:13:34,090 LADY IN CHRISTENDOM. 2116 02:13:40,555 --> 02:13:41,681 JUST REHEARSING. 2117 02:13:49,856 --> 02:13:51,191 HOO-EEE! 2118 02:13:53,151 --> 02:13:54,778 HEY! 2119 02:14:13,505 --> 02:14:14,589 WAIT! WAIT! LOOK! 2120 02:14:14,798 --> 02:14:15,757 LOOK! 2121 02:14:15,966 --> 02:14:17,092 ♪♪ PA PA PA PUM PA PA PA PUM ♪♪ 2122 02:14:17,300 --> 02:14:19,177 ♪♪ BRRR PA PA BRRR PA PA ♪♪ 2123 02:14:19,386 --> 02:14:20,720 ♪♪ PUM PUM PUM PUM ♪♪ 2124 02:14:20,929 --> 02:14:21,930 ♪♪ PA PA PA PUM PA PA PA PUM ♪♪ 2125 02:14:22,138 --> 02:14:23,098 ♪♪ BRRR PA PA ♪♪ 2126 02:14:23,306 --> 02:14:24,558 ♪♪ PA PA PA PUM PA PA PA PUM ♪♪ 2127 02:14:24,766 --> 02:14:26,226 ♪♪ PA PA PA PA PUM! ♪♪ 2128 02:14:26,434 --> 02:14:27,561 YOU KNOW THE DOUBLE TRIP MAXIE FORD 2129 02:14:27,769 --> 02:14:29,104 WITH A KNICKERBOCKER BREAK! 2130 02:14:29,312 --> 02:14:31,606 WELL, I TAUGHT IT TO YOU. 2131 02:14:31,815 --> 02:14:32,899 BOTH: I THOUGHT YOU WERE DEAD! 2132 02:14:33,108 --> 02:14:34,442 NO, I LOST MY MEMORY! NO, I WASN'T DEAD! 2133 02:14:34,651 --> 02:14:35,443 POP? 2134 02:14:35,652 --> 02:14:39,948 MY SON! 2135 02:14:40,156 --> 02:14:41,908 I CAN'T BELIEVE IT! NEITHER CAN I! 2136 02:14:42,117 --> 02:14:44,452 COME! HA HA HA! MR. DETHRI... 2137 02:14:44,661 --> 02:14:47,080 IT'S ALL A GAME. GOOD-BYE, MISS. 2138 02:14:47,289 --> 02:14:48,707 ZOOM! HOPE YOUR HEADACHE GETS BETTER! 2139 02:14:48,915 --> 02:14:49,708 BOTH: HA HA HA HA! 2140 02:14:49,916 --> 02:14:51,668 (GIGGLING) 2141 02:14:55,463 --> 02:14:56,298 (BEEP BEEP) 2142 02:14:56,506 --> 02:14:57,632 BYE, Y'ALL! 2143 02:14:57,841 --> 02:14:59,759 BYE! HAVE FUN! 2144 02:15:13,440 --> 02:15:15,191 FROM DETHRILL! 2145 02:15:17,819 --> 02:15:20,322 WHAT DOES IT SAY? 2146 02:15:20,530 --> 02:15:22,073 OH, NOTHING. 2147 02:15:22,282 --> 02:15:23,325 COME ON. 2148 02:15:23,533 --> 02:15:24,993 LET ME LOOK. 2149 02:15:25,201 --> 02:15:26,661 GOSH! 2150 02:15:26,870 --> 02:15:30,123 HE WANTS YOU TO GO TO HOLLYWOOD. 2151 02:15:30,332 --> 02:15:32,584 SHOULD I HELP YOU PACK? 2152 02:15:32,792 --> 02:15:33,752 NO. 2153 02:15:33,960 --> 02:15:36,379 LET'S GO FIND OUR ROOM IN BLOOMSBURY. 2154 02:15:40,133 --> 02:15:42,594 I THINK I'LL TAKE THE CLOTH. 2155 02:15:42,802 --> 02:15:44,596 LIKE TO BET ON YOUR FIRST CUSTOMERS? 149614

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