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1
00:00:10,053 --> 00:00:14,057
WOMAN: ♪♪ I COULD BE HAPPY
WITH YOU ♪♪
2
00:00:14,265 --> 00:00:18,311
♪♪ IF YOU COULD BE HAPPY
WITH ME ♪♪
3
00:00:18,520 --> 00:00:21,147
♪♪ I'D BE CONTENTED... ♪♪
4
00:00:21,356 --> 00:00:23,399
- HERE YOU ARE, POLL.
- OH, OH!
5
00:00:23,608 --> 00:00:25,068
OH, HOLD ON, OH.
6
00:00:25,276 --> 00:00:26,653
HERE YOU ARE.
YOU LOOK AFTER HER.
7
00:00:26,861 --> 00:00:27,570
BUT WHAT ABOUT
MY MONEY?
8
00:00:27,779 --> 00:00:29,531
HEY!
WHERE'S MY BABY?
9
00:00:29,739 --> 00:00:30,573
SHE'S OVER THERE.
10
00:00:30,782 --> 00:00:32,534
PUT IT ON THE SLATE.
11
00:00:36,371 --> 00:00:38,498
I'LL GET THE SACK
IF THEY'RE LATE AGAIN.
12
00:00:38,706 --> 00:00:40,250
WOMAN: HURRY UP, THEN.
13
00:00:40,458 --> 00:00:41,626
JUST ALONG THERE.
14
00:00:49,759 --> 00:00:51,094
GOOD AFTERNOON,
MR. AND MRS. PARKHILL.
15
00:00:51,302 --> 00:00:52,095
GOOD AFTERNOON,
LEN.
16
00:00:52,303 --> 00:00:53,555
ALL FOR MRS. P, I'M AFRAID.
17
00:00:53,763 --> 00:00:54,681
MUST BE BILLS, THEN.
18
00:00:54,889 --> 00:00:56,766
THANK YOU, DARLING.
19
00:00:56,975 --> 00:00:58,726
HAS MY OLD MAN SENT ME
MAINTENANCE ORDER, LEN?
20
00:00:58,935 --> 00:01:00,603
I'LL HAVE
A LOOK, LUV.
21
00:01:00,812 --> 00:01:04,107
♪♪ OH, DEAR OLD PALS,
ENJOY YOUR COMPANY ♪♪
22
00:01:04,315 --> 00:01:05,567
DISGUSTING!
23
00:01:05,775 --> 00:01:06,859
ALL FOR YOU, DEAR.
24
00:01:07,068 --> 00:01:08,236
ARE YOU SENDING BY POST
NOW, LUV?
25
00:01:08,444 --> 00:01:09,404
BETTER THAN
GIVING IT AWAY!
26
00:01:09,612 --> 00:01:10,863
HELLO, GORGEOUS.
27
00:01:11,072 --> 00:01:12,448
I SUPPOSE I SHOULD BE THANKFUL
28
00:01:12,657 --> 00:01:13,783
FOR SMALL MERCIES. ANYTHING?
29
00:01:13,992 --> 00:01:14,784
NOTHING FOR YOU
THIS MORNING...
30
00:01:14,993 --> 00:01:16,035
THEY ALL IN YET,
LEN?
31
00:01:16,244 --> 00:01:17,954
ALL IN EXCEPT
RITA AND TOMMY.
32
00:01:18,162 --> 00:01:21,291
HE WON'T BE LONG. YOU CAN HEAR
HIM COMING A MILE OFF.
33
00:01:21,499 --> 00:01:24,294
PRACTICING, PRACTICING.
DON'T YOU EVER STOP DANCING?
34
00:01:24,502 --> 00:01:26,796
CAN'T, TOOTS. I'M IN TRAINING
FOR MY SECOND BIG BREAK.
35
00:01:27,005 --> 00:01:28,756
SECOND? YOU'RE KIDDING.
WHAT WAS THE FIRST?
36
00:01:28,965 --> 00:01:31,634
DIDN'T YOU EVER HEAR
OF THE BABY TOAST OF BROADWAY?
37
00:01:31,843 --> 00:01:33,386
TINY TOM,
THE TAPPING TOT?
38
00:01:33,595 --> 00:01:36,889
(HUMMING)
39
00:01:37,098 --> 00:01:39,309
HA HA! GREW UP,
DIDN'T YOU?
40
00:01:39,517 --> 00:01:40,893
HA HA! OVERNIGHT.
41
00:01:41,102 --> 00:01:44,105
AND WHO CAN USE A TINY
TOT WHO'S 10 FEET TALL?
42
00:01:44,314 --> 00:01:45,773
HOW ABOUT
BARNUM & BAILEY?
43
00:01:45,982 --> 00:01:47,233
(LAUGHING)
44
00:01:47,442 --> 00:01:48,484
THEY ALREADY HAD ONE,
45
00:01:48,693 --> 00:01:50,653
AND HE WAS A BEARDED
LADY TO BOOT.
46
00:01:50,862 --> 00:01:52,071
SO I BOOKED
A ONE-WAY TICKET
47
00:01:52,280 --> 00:01:54,324
ON A CATTLE BOAT
TO MERRY OLD ENGLAND.
48
00:01:54,532 --> 00:01:56,826
BLIMEY! FROM BROADWAY
TO PORTSMOUTH?
49
00:01:57,035 --> 00:01:58,286
BIT OF A COMEDOWN,
ISN'T IT?
50
00:01:58,494 --> 00:01:59,829
A STEPPING STONE,
TOOTS...
51
00:02:00,038 --> 00:02:02,624
A MERE STEPPING STONE
TO STARDOM.
52
00:02:07,503 --> 00:02:09,172
HEY, NOT BAD.
53
00:02:09,380 --> 00:02:11,633
(MUSIC PLAYS)
54
00:02:11,841 --> 00:02:12,634
HERE'S YOUR
STOUT, LUV.
55
00:02:12,842 --> 00:02:14,844
TA.
56
00:02:15,053 --> 00:02:16,095
CHEESE AND CHUTNEY,
RIGHT?
57
00:02:16,304 --> 00:02:17,972
OH, THANKS, POLL. PUT
IT ON THE SLATE.
58
00:02:22,810 --> 00:02:23,811
TA.
59
00:02:27,690 --> 00:02:28,691
I SEEM TO...
60
00:02:28,900 --> 00:02:30,526
WHO SENT ME THE FLOWERS?
61
00:02:30,735 --> 00:02:33,154
OH, l...
62
00:02:33,363 --> 00:02:35,031
I FORGET.
63
00:02:35,239 --> 00:02:36,366
I BOUGHT ONE APPLE
TOO MANY.
64
00:02:36,574 --> 00:02:39,535
WOULD YOU LIKE IT?
65
00:02:39,744 --> 00:02:41,829
NO, THANKS.
66
00:02:42,038 --> 00:02:43,456
I HAD ONE ALREADY.
67
00:02:43,665 --> 00:02:48,503
MAN: ♪♪ DEE DEE DEE DA
DEE DEE DEE ♪♪
68
00:02:50,546 --> 00:02:52,382
POLL...
69
00:02:52,590 --> 00:02:54,050
I'LL HAVE IT IF
IT'S GOING BEGGING.
70
00:02:54,258 --> 00:02:55,468
RIGHT, LUV.
HERE. YOU HAVE IT.
71
00:02:55,677 --> 00:02:57,637
OH, TA.
72
00:02:57,845 --> 00:03:00,056
5 MINUTES, EVERYONE.
73
00:03:00,264 --> 00:03:03,476
MAN: ♪♪ DEE DA
DEE DA DEE DAH ♪♪
74
00:03:03,685 --> 00:03:06,145
♪♪ DEE DEE DEE ♪♪
75
00:03:09,232 --> 00:03:11,234
AFTERNOON.
HERE'S YOUR GIN.
76
00:03:11,442 --> 00:03:13,194
DON'T YOU KNOCK WHEN YOU ENTER
THE STARS' DRESSING ROOM?
77
00:03:13,403 --> 00:03:15,071
SORRY. THEY DIDN'T
HAVE SMOKED SALMON.
78
00:03:15,279 --> 00:03:16,489
SO I GOT SALMON
SHRIMP, ALRIGHT?
79
00:03:16,698 --> 00:03:17,824
PASTE! SURELY YOU DON'T EXPECT
80
00:03:18,032 --> 00:03:19,867
MRS. P. TO EAT PASTE, DO YOU?
81
00:03:20,076 --> 00:03:22,203
I'M SORRY, BUT IT WAS
THE NEAREST THEY HAD.
82
00:03:22,412 --> 00:03:24,747
NEAREST THEY HAD!
OH, HARK AT THAT!
83
00:03:24,956 --> 00:03:25,748
TAKE OFF, WILL YOU?
84
00:03:25,957 --> 00:03:27,417
DON'T MIND, POLLY. I JUST NEED
85
00:03:27,625 --> 00:03:29,585
A LITTLE SOMETHING TO SETTLE ME
BEFORE I GO ON.
86
00:03:29,794 --> 00:03:30,753
ANYTHING WILL DO.
87
00:03:30,962 --> 00:03:32,171
BUT IT WAS THE BEST THEY
HAD, MRS. P.
88
00:03:32,380 --> 00:03:33,840
SHIPHAM'S.
BY APPOINTMENT.
89
00:03:34,048 --> 00:03:35,258
THEY HAVE IT AT
BUCKINGHAM PALACE.
90
00:03:35,466 --> 00:03:36,384
WHEN THEY'RE ENTERTAINING
91
00:03:36,592 --> 00:03:37,677
THEIR COCKNEY HIGHNESSES,
92
00:03:37,885 --> 00:03:39,595
IT'S THE PEARLY KING AND
QUEEN, I SUPPOSE.
93
00:03:39,804 --> 00:03:40,430
HOW LONG WE GOT?
94
00:03:40,638 --> 00:03:41,431
OH, 5 MINUTES, PLEASE.
95
00:03:41,639 --> 00:03:43,099
THERE'LL BE SOME
CHANGE, THEN?
96
00:03:43,307 --> 00:03:45,893
CRIKEY. I FORGOT. I OWE YOU
2 AND 11 PLUS 3 FARTHINGS.
97
00:03:46,102 --> 00:03:48,396
IF I GIVE YOU A FARTHING,
YOU COULD GIVE ME 3 BOB, RIGHT?
98
00:03:48,604 --> 00:03:49,313
OH, YEAH.
99
00:03:51,566 --> 00:03:53,901
- POLLY!
- HMM?
100
00:03:54,110 --> 00:03:56,237
OH, TA, MRS. P.
YOU SHOULDN'T.
101
00:03:58,614 --> 00:04:00,241
WHY DO YOU
ENCOURAGE HER?
102
00:04:02,201 --> 00:04:06,456
OVERTURE,
BEGINNERS, PLEASE.
103
00:04:06,664 --> 00:04:08,750
MY HATBOX RIBBON CAME
UNDONE YESTERDAY, POLLY.
104
00:04:08,958 --> 00:04:10,209
OH, IT WON'T HAPPEN AGAIN,
MISS MAISIE.
105
00:04:10,418 --> 00:04:13,129
OH, POLLY, HELP ME WITH
MY HOOKS.
106
00:04:13,337 --> 00:04:14,297
HELLO, ROSIE.
107
00:04:14,505 --> 00:04:15,798
OH, LOOK, I DO LIKE ME
FEATHER DUSTER
108
00:04:16,007 --> 00:04:17,592
HANGING OUT BESIDE ME DISMAL
DESMOND, POLLY.
109
00:04:17,800 --> 00:04:19,427
DO TRY AND REMEMBER.
110
00:04:19,635 --> 00:04:21,095
GOT A FAG, POLL?
111
00:04:26,642 --> 00:04:29,270
OOH. AIN'T HE LOVELY?
112
00:04:29,479 --> 00:04:30,646
(WHISTLE)
113
00:04:30,855 --> 00:04:34,233
OH, POLLY, DON'T WHISTLE IN THE
DRESSING ROOM!
114
00:04:34,442 --> 00:04:35,818
- WHY NOT?
- BECAUSE IT'S UNLUCKY,
115
00:04:36,027 --> 00:04:38,154
THAT'S WHY. NOW GO OUTSIDE,
TURN AROUND 3 TIMES
116
00:04:38,362 --> 00:04:40,490
AND KNOCK ON THE DOOR.
117
00:04:40,698 --> 00:04:42,492
WHAT DO NURSING
MOTHERS NEED?
118
00:04:42,700 --> 00:04:44,452
EVERYONE:
MY-ROSE!
119
00:04:46,496 --> 00:04:47,580
COME IN!
120
00:04:47,789 --> 00:04:49,457
- NOW SWEAR.
- DAMN!
121
00:04:49,665 --> 00:04:51,083
WHERE'S THAT
LAZY LADY?
122
00:04:51,292 --> 00:04:52,502
SHE'LL TURN UP.
DON'T WORRY.
123
00:04:52,710 --> 00:04:54,962
SHE'LL BE LATE FOR HER
OWN FUNERAL, THAT ONE.
124
00:04:55,171 --> 00:04:56,964
HERE.
WHERE IS RITA?
125
00:04:57,173 --> 00:04:58,174
OH, ISN'T SHE
HERE YET?
126
00:04:58,382 --> 00:05:00,176
WELL, I DON'T EXPECT
SHE'LL BE MISSED.
127
00:05:00,384 --> 00:05:02,428
WELL, SHE IS THE STAR
OF THE SHOW.
128
00:05:04,847 --> 00:05:07,975
DO YOU REALLY
THINK SO?
129
00:05:08,184 --> 00:05:10,186
SHE'LL BE FINED AGAIN
IF SHE AIN'T CAREFUL.
130
00:05:10,394 --> 00:05:14,148
(FLORID PIANO INTRO)
131
00:05:33,042 --> 00:05:38,923
♪♪♪♪♪♪
132
00:05:51,561 --> 00:05:52,979
THEY'RE ALL CALLED,
MR. MAX, EXCEPT RITA.
133
00:05:53,187 --> 00:05:54,730
SHE AIN'T HERE YET.
134
00:05:54,939 --> 00:05:57,650
NOT HERE?
PUT HER DOWN FOR A FINE!
135
00:05:57,859 --> 00:06:00,570
IF YOU FINE HER AGAIN,
SHE'LL BE OWING YOU MONEY.
136
00:06:00,778 --> 00:06:02,530
WITH THIS HOUSE,
I NEED IT.
137
00:06:02,738 --> 00:06:05,491
WHY MUST THESE WRETCHED GARDEN
FETES ALWAYS COINCIDE
138
00:06:05,700 --> 00:06:07,201
WITH OUR MATINEES?
139
00:06:07,410 --> 00:06:09,328
NOT A CLOUD
IN THE SKY!
140
00:06:09,537 --> 00:06:10,580
LET ME KNOW THE MINUTE
SHE ARRIVES!
141
00:06:10,788 --> 00:06:11,956
YES, MR. MAX.
142
00:06:30,433 --> 00:06:31,893
BLIMEY! THERE'S
MORE ON THE STAGE
143
00:06:32,101 --> 00:06:33,769
THAN IN
THE BLOOMING AUDIENCE.
144
00:06:33,978 --> 00:06:35,521
(BABY CRIES)
145
00:06:39,275 --> 00:06:40,484
DOWN THERE.
146
00:07:00,588 --> 00:07:02,423
(TELEPHONE RINGS)
147
00:07:06,469 --> 00:07:09,221
ALLO? ALLO?
148
00:07:09,430 --> 00:07:11,807
IS THAT GASTON,
THE COSTUMIER?
149
00:07:12,016 --> 00:07:16,103
OH. IT IS
MADAME DUBONNET'S MAID.
150
00:07:16,312 --> 00:07:18,314
DUBONNET.
151
00:07:18,522 --> 00:07:24,028
DAY-OOH-BAY-OH-
ENNY-ENNY-EE-TEE.
152
00:07:25,613 --> 00:07:27,823
MADAME DUBONNET OF THE
VILLA CAPRICE!
153
00:07:28,032 --> 00:07:28,991
MR. MAX:
ACCENT!
154
00:07:29,200 --> 00:07:31,118
ACCENT!
155
00:07:31,327 --> 00:07:33,913
OH. HA HA HA!
156
00:07:34,121 --> 00:07:36,624
(IN FORMAL FRENCH ACCENT)
ZEE SCHOOL FOR YOUNG LADIES.
157
00:07:39,126 --> 00:07:40,670
I WISH TO KNOW IF YOU HAVE READY
THE COSTUME
158
00:07:40,878 --> 00:07:43,130
FOR MISS POLLY BROWNE.
159
00:07:43,339 --> 00:07:48,302
B-L-O-DOUBLE D-N-A-AHVE-EE.
160
00:07:48,511 --> 00:07:50,346
ACCENT!
161
00:07:50,554 --> 00:07:53,849
WITH AN E. SHE WISHES IT
FOR ZEE CARNIVAL BALL CE SOIR.
162
00:07:54,058 --> 00:07:56,852
HA HA HA.
YOU DO NOT COMPREHEND?
163
00:07:57,061 --> 00:07:59,188
THEN GET ME
MONSIEUR GASTON HIMSELF!
164
00:07:59,397 --> 00:08:02,525
MMPH! MONSIEUR GASTON?
165
00:08:02,733 --> 00:08:05,611
OH.
166
00:08:05,820 --> 00:08:06,821
ALLO.
167
00:08:07,029 --> 00:08:08,364
NO, NO, NO.
168
00:08:08,572 --> 00:08:10,282
SHE'S NO MORE
FRENCH THAN I AM.
169
00:08:10,491 --> 00:08:12,451
- RITA NOT HERE?
- NO, MR. MAX. NAUGHTY!
170
00:08:12,660 --> 00:08:13,703
NOBODY ASKED
FOR YOUR OPINION.
171
00:08:13,911 --> 00:08:15,037
SHE WAS HAVING HIJINKS
IN THE HIGH STREET
172
00:08:15,246 --> 00:08:16,455
WITH A SAILOR
AROUND LUNCHTIME.
173
00:08:16,664 --> 00:08:18,207
OPENING TIME, YOU MEAN,
DEAR. LET'S BE HONEST.
174
00:08:18,416 --> 00:08:19,500
FINE PUBLICITY!
175
00:08:19,709 --> 00:08:21,043
WELL, SHE'S NEVER
MISSED AN ENTRANCE YET.
176
00:08:21,252 --> 00:08:22,795
MIND YOUR
HATBOX, DULCIE.
177
00:08:23,004 --> 00:08:25,339
MAID: MADAME DUBONNET
OF VILLA CAPRICE!
178
00:08:25,548 --> 00:08:28,050
SHE'S NEVER BEEN THE SAME SINCE
I PROMOTED HER TO STAR BILLING.
179
00:08:28,259 --> 00:08:30,177
WENT TO HER HEAD, TOTALLY. NO...
TELEPHONE, MR. MAX.
180
00:08:30,386 --> 00:08:31,679
TELL THEM TO
RING AGAIN!
181
00:08:31,887 --> 00:08:33,639
HOW CAN YOU EXPECT ME TO SPEAK
AT A TIME LIKE THIS?
182
00:08:33,848 --> 00:08:36,058
BUT THEY MUST SPEAK
TO YOU PERSONALLY!
183
00:08:36,267 --> 00:08:38,394
IT'S NOT C.B. COCHRAN
FROM LONDON, IS IT?
184
00:08:38,602 --> 00:08:40,855
NO, IT AIN'T.
IT'S THE HOSPITAL.
185
00:08:41,063 --> 00:08:42,481
HA HA HA. BON.
186
00:08:42,690 --> 00:08:45,317
THEN YOU WILL DELIVER
IT STRAIGHT-AWAY?
187
00:08:45,526 --> 00:08:46,402
MERCI!
188
00:08:46,610 --> 00:08:50,156
(ALL CHATTERING AMONGST SELVES)
189
00:08:50,364 --> 00:08:51,991
S'IL VOUS PLAIT,
190
00:08:52,199 --> 00:08:54,326
HAVE YOU FORGOTTEN
WHO YOU ARE?
191
00:08:54,535 --> 00:08:56,996
ALL: FORGOTTEN
WHO WE ARE?
192
00:08:57,204 --> 00:08:59,582
OF COURSE NOT!
193
00:08:59,790 --> 00:09:03,002
♪♪♪♪♪♪
194
00:09:03,210 --> 00:09:05,087
♪♪ WE'RE PERFECT YOUNG LADIES ♪♪
195
00:09:05,296 --> 00:09:06,881
♪♪ PREPARING TO TAKE ♪♪
196
00:09:07,089 --> 00:09:10,551
♪♪ OUR PLACES AMONG
THE NOBLESSE ♪♪
197
00:09:10,760 --> 00:09:12,344
♪♪ WE'RE PERFECT YOUNG LADIES ♪♪
198
00:09:12,553 --> 00:09:14,388
♪♪ PREPARING TO MAKE ♪♪
199
00:09:14,597 --> 00:09:17,683
♪♪ THE MOST OF
THE CHARM WE POSSESS ♪♪
200
00:09:17,892 --> 00:09:21,062
♪♪ YOU'RE BEING FINISHED,
AND YOUR FAMILIES' WEALTH ♪♪
201
00:09:21,270 --> 00:09:23,731
♪♪ MAY BE DIMINISHED, BUT...♪♪
202
00:09:23,939 --> 00:09:27,068
♪♪ AT LEAST YOU ALL
HAVE PERFECT HEALTH ♪♪
203
00:09:29,445 --> 00:09:33,074
♪♪ AND MAKING THE GRADE
IS OUR DUTY, YOU SEE ♪♪
204
00:09:33,282 --> 00:09:36,410
♪♪ FOR PERFECT YOUNG
LADIES ARE WE ♪♪
205
00:09:36,619 --> 00:09:38,120
♪♪ WE'RE PERFECT YOUNG LADIES ♪♪
206
00:09:38,329 --> 00:09:39,955
♪♪ WE HOPE TO ATTRACT ♪♪
207
00:09:40,164 --> 00:09:43,793
♪♪ A HUSBAND WHOSE
CREDIT IS GOOD ♪♪
208
00:09:44,001 --> 00:09:45,461
♪♪ YOU MAY BE
YOUNG LADIES ♪♪
209
00:09:45,669 --> 00:09:47,254
♪♪ BUT WHY
DON'T YOU ACT ♪♪
210
00:09:47,463 --> 00:09:50,466
♪♪ THE WAY THAT
A YOUNG LADY SHOULD? ♪♪
211
00:09:50,674 --> 00:09:52,134
♪♪ I'VE OFTEN
TOLD YOU ♪♪
212
00:09:52,343 --> 00:09:54,095
♪♪ PLEASE DON'T
TELL US AGAIN ♪♪
213
00:09:54,303 --> 00:09:55,763
♪♪ I OUGHT
TO SCOLD YOU ♪♪
214
00:09:55,971 --> 00:09:57,431
♪♪ BUT... ♪♪
215
00:09:57,640 --> 00:09:59,308
♪♪ YOU KNOW IT
WILL BE QUITE IN VAIN ♪♪
216
00:09:59,517 --> 00:10:02,812
♪♪ FOR BEING OUR MAID
IS YOUR DUTY, YOU SEE ♪♪
217
00:10:03,020 --> 00:10:06,398
♪♪ FOR PERFECT
YOUNG LADIES ARE WE ♪♪
218
00:10:06,607 --> 00:10:12,446
♪♪♪♪♪♪
219
00:10:21,163 --> 00:10:22,623
OH!
220
00:10:23,999 --> 00:10:24,959
OH!
221
00:10:39,473 --> 00:10:41,100
♪♪ PERFECT YOUNG
LADIES ARE ♪♪
222
00:10:41,308 --> 00:10:43,018
♪♪ PERFECT YOUNG
LADIES ARE ♪♪
223
00:10:43,227 --> 00:10:46,647
♪♪ PERFECT YOUNG
LADIES ARE WE ♪♪
224
00:10:58,033 --> 00:11:00,035
TERRIBLE, TERRIBLE!
225
00:11:00,244 --> 00:11:02,329
NOT RITA.
226
00:11:02,538 --> 00:11:04,206
TRAPPED HER HIGH HEEL
IN A TRAM LINE.
227
00:11:04,415 --> 00:11:05,124
HER FOOT.
228
00:11:05,332 --> 00:11:06,500
OOH, IT AIN'T OFF?
229
00:11:06,709 --> 00:11:07,960
NO, OF COURSE NOT.
230
00:11:08,169 --> 00:11:09,879
MILD FRACTURE, BUT SHE'S
LAID UP JUST THE SAME.
231
00:11:10,087 --> 00:11:12,006
WE'RE RUINED!
232
00:11:12,214 --> 00:11:13,048
NO, WE'RE NOT.
233
00:11:13,257 --> 00:11:14,341
YOU WILL HAVE
TO GO ON.
234
00:11:14,550 --> 00:11:15,342
GET READY!
235
00:11:15,551 --> 00:11:16,886
WHAT, ME?
236
00:11:17,094 --> 00:11:18,554
BUT I'M ONLY
THE A.S.M.!
237
00:11:18,762 --> 00:11:20,055
L...l CAN'T GO ON.
238
00:11:20,264 --> 00:11:21,974
IT'S THE ASSISTANT STAGE
MANAGER'S JOB
239
00:11:22,183 --> 00:11:23,225
TO UNDERSTUDY EVERYBODY'S PART.
240
00:11:23,434 --> 00:11:24,852
NOW I TOLD YOU THAT
WHEN I TOOK YOU ON.
241
00:11:25,060 --> 00:11:26,687
NOW HURRY UP
AND DON'T ARGUE.
242
00:11:26,896 --> 00:11:28,981
YOU'VE GOT
EXACTLY 5 MINUTES!
243
00:11:29,190 --> 00:11:31,192
OOH, I DON'T KNOW.
I FEEL FUNNY.
244
00:11:34,028 --> 00:11:37,823
(STREET MUSICIANS PLAYING)
245
00:12:04,600 --> 00:12:06,018
ZOOM!
246
00:12:13,275 --> 00:12:14,235
YES?
247
00:12:14,443 --> 00:12:15,736
I WANT THE BEST SEAT IN
THE HOUSE.
248
00:12:15,945 --> 00:12:19,698
AH. NOW LET ME SEE.
249
00:12:19,907 --> 00:12:21,617
YOU COULD HAVE
THE ROYAL BOX.
250
00:12:21,825 --> 00:12:24,203
I'LL TAKE IT.
251
00:12:24,411 --> 00:12:26,580
EXCEPT THAT IT'S
PERMANENTLY RESERVED
252
00:12:26,789 --> 00:12:29,625
FOR THE PRINCESS
ARTHUR OF CONNAUGHT.
253
00:12:29,833 --> 00:12:31,543
WE OFTEN STAY WITH HER.
254
00:12:33,462 --> 00:12:35,464
OH, REALLY.
255
00:12:35,673 --> 00:12:38,425
NOW, HOW ABOUT
THE STAGE BOX?
256
00:12:38,634 --> 00:12:40,928
HOW MUCH?
257
00:12:41,136 --> 00:12:43,138
ONE POUND, PLEASE.
258
00:12:43,347 --> 00:12:44,974
MUST BE A SMALL BOX.
259
00:12:45,182 --> 00:12:45,975
HOW MANY ARE YOU?
260
00:12:46,183 --> 00:12:48,269
WE ARE ONE!
261
00:12:48,477 --> 00:12:50,813
ANY FURTHER ORDERS,
MR. DETHRILL, SIR?
262
00:12:51,021 --> 00:12:52,106
JUST WAIT OUTSIDE.
263
00:12:55,609 --> 00:12:58,070
ON NO ACCOUNT MUST MR. DETHRILL
BE DISTURBED, WOMAN.
264
00:12:58,279 --> 00:13:00,698
- GET IT?!
- REALLY!
265
00:13:05,577 --> 00:13:06,662
OH, WHY DOES SHE
HAVE TO HAVE
266
00:13:06,870 --> 00:13:08,789
SUCH BLINKING BIG
PLATES OF MEAT, ALPH?
267
00:13:08,998 --> 00:13:12,293
NOW STOP WORRYING
AND TRY THAT FOR SIZE.
268
00:13:12,501 --> 00:13:13,794
ROSEMARIE AND MISS SUKA
VOLLEN, THEN. OH, WELL.
269
00:13:14,003 --> 00:13:15,087
IT FITS.
270
00:13:15,296 --> 00:13:16,130
YES. OH, WELL, FIND THE
OTHER ONE,
271
00:13:16,338 --> 00:13:17,548
AND YOU'RE READY
FOR THE BALL.
272
00:13:21,927 --> 00:13:23,345
I HEAR YOU'RE
GOING ON.
273
00:13:23,554 --> 00:13:24,513
YES.
274
00:13:24,722 --> 00:13:26,307
ALL THE BEST.
275
00:13:29,268 --> 00:13:32,521
YOU'RE NOT WEARING THOSE,
ARE YOU?
276
00:13:32,730 --> 00:13:33,647
OH.
277
00:13:46,035 --> 00:13:49,121
BUT, Y-YOU'RE BEAUTIFUL!
278
00:14:03,135 --> 00:14:04,303
GOOD LUCK.
279
00:14:09,641 --> 00:14:12,895
ALL THIS IN ONE DAY.
IT'S TOO MUCH.
280
00:14:13,103 --> 00:14:15,814
COME ON, CINDERELLA.
281
00:14:16,023 --> 00:14:18,859
YOU'RE ON!
282
00:14:19,068 --> 00:14:21,737
OH, HOW PERFECTLY RIPPING!
283
00:14:21,945 --> 00:14:25,240
OUR VERY FIRST CARNIVAL BALL.
284
00:14:25,449 --> 00:14:27,242
EN FRANCAIS, OF COURSE.
285
00:14:27,451 --> 00:14:29,244
OH, I CAN'T WAIT
FOR THIS EVENING.
286
00:14:29,453 --> 00:14:31,246
MY FROCK IS A DREAM.
287
00:14:31,455 --> 00:14:33,874
SO IS MINE, AND
RATHER DARING, TOO.
288
00:14:34,083 --> 00:14:36,752
I'M SURE MADAME DUBONNET
WILL BE FURIOUS.
289
00:14:36,960 --> 00:14:38,337
OH, NOT SHE.
290
00:14:38,545 --> 00:14:40,214
I BET YOU
SHE'LL TURN UP
291
00:14:40,422 --> 00:14:42,257
IN SOMETHING
FRIGHTFULLY SHOCKING!
292
00:14:42,466 --> 00:14:44,551
(GIGGLING)
293
00:14:44,760 --> 00:14:46,678
NOT DETHRILL, THE FAMOUS
MOVIE DIRECTOR!
294
00:14:46,887 --> 00:14:49,890
HOW'D I KNOW WHAT SORT
OF A THRILL HE IS?
295
00:14:50,099 --> 00:14:52,059
LOOK FOR YOURSELF!
HE'S IN THE STAGE BOX.
296
00:14:52,267 --> 00:14:55,104
WHY DIDN'T
YOU SAY SO?
297
00:14:55,312 --> 00:14:57,231
WOMAN ON STAGE:
...ANYONE WHO ASKS ME!
298
00:15:00,943 --> 00:15:02,945
YES! IT'S HIM.
299
00:15:03,153 --> 00:15:06,115
WORD'S GOT ABOUT. MY
REPUTATION WILL BE MADE!
300
00:15:06,323 --> 00:15:08,117
NO. WE'LL BE RUINED.
301
00:15:08,325 --> 00:15:09,868
THAT GIRL!
302
00:15:10,077 --> 00:15:12,371
CHORUS ON STAGE:
OOH, ISN'T SHE THE LIMIT!
303
00:15:12,579 --> 00:15:13,914
THAT GIRL.
SHE CAN'T GO ON.
304
00:15:14,123 --> 00:15:14,915
WE MUST STOP HER!
305
00:15:15,124 --> 00:15:15,874
HE DON'T THINK
I'M ANY GOOD.
306
00:15:16,083 --> 00:15:17,209
I CAN'T GO ON NOW.
307
00:15:17,418 --> 00:15:18,627
OH, RING DOWN
THE CURTAIN.
308
00:15:18,836 --> 00:15:20,254
WE'LL SEND THE
AUDIENCE HOME.
309
00:15:20,462 --> 00:15:22,256
THEN I'LL GO AND REFUND
THE MONEY, SHALL I?
310
00:15:22,464 --> 00:15:25,801
WAIT! LET ME FIX,
SPENDTHRIFT.
311
00:15:26,009 --> 00:15:27,261
OH, LOOK!
312
00:15:27,469 --> 00:15:29,972
HERE COMES POLLY BROWNE
ACROSS THE TENNIS COURT.
313
00:15:30,180 --> 00:15:31,306
CHORUS: POLLY BROWNE?
314
00:15:31,515 --> 00:15:34,476
YES, AND SHE'S CARRYING
A LETTER.
315
00:15:34,685 --> 00:15:35,727
CHORUS: OH!
316
00:15:35,936 --> 00:15:37,604
HELLO, POLLY!
317
00:15:41,316 --> 00:15:43,485
OH, POLLY.
JUST THINK.
318
00:15:43,694 --> 00:15:47,072
LONDON'S GREAT THEATER
LAND, WAITING FOR YOU.
319
00:15:47,281 --> 00:15:49,158
HIS MAJESTIES,
THE PRINCE OF WALES,
320
00:15:49,366 --> 00:15:50,826
THE DUCHESS,
THE ROYALTY,
321
00:15:51,034 --> 00:15:52,453
THE DUKE OF YORKS,
THE QUEENS...
322
00:15:52,661 --> 00:15:54,830
NOW THAT'S AN ICE RINK.
HOLD YOUR TONGUE, WOMAN.
323
00:15:55,038 --> 00:15:57,291
IT'S HOLLYWOOD CALLING,
NOT THE PALACE!
324
00:15:57,499 --> 00:15:59,168
POLLY.
325
00:15:59,376 --> 00:16:00,752
LISTEN TO ME.
326
00:16:00,961 --> 00:16:04,798
THE CAREERS AND LIVES OF
ALL THESE BOYS AND GIRLS
327
00:16:05,007 --> 00:16:06,258
ARE DEPENDING ON YOU.
328
00:16:06,467 --> 00:16:08,010
I'M NOT ASKING
FOR MYSELF.
329
00:16:08,218 --> 00:16:10,095
BUT DO IT FOR THEM.
330
00:16:10,304 --> 00:16:11,472
NOW, POLLY,
LISTEN TO ME!
331
00:16:11,680 --> 00:16:14,266
YOU'RE GOING OUT THERE
AS A YOUNGSTER.
332
00:16:14,475 --> 00:16:15,434
YOU'VE GOT TO
COME BACK...
333
00:16:15,642 --> 00:16:16,685
A STAR!
334
00:16:16,894 --> 00:16:18,645
NOW GET OUT THERE AND DO
YOUR DAMNEDEST!
335
00:16:18,854 --> 00:16:19,855
HELLO, POLLY.
336
00:16:20,063 --> 00:16:20,856
OH, HELLO, EVERYONE...
337
00:16:21,064 --> 00:16:23,442
STAGE-WHISPERING: WHERE'S RITA?!
338
00:16:23,650 --> 00:16:25,027
SHE GOT HER FOOT CAUGHT
IN THE TRAM LINE.
339
00:16:25,235 --> 00:16:26,361
SHE'S IN THE HOSPITAL.
340
00:16:26,570 --> 00:16:28,322
(LAUGHING)
341
00:16:32,493 --> 00:16:34,703
PSST!
342
00:16:34,912 --> 00:16:36,497
STAGE-WHISPERING:
OH, HELLO, EVERYONE.
343
00:16:36,705 --> 00:16:38,248
WHERE HAVE YOU BEEN?
344
00:16:41,335 --> 00:16:44,796
OH, HELLO, EVERYONE.
WHERE HAVE YOU BEEN?
345
00:16:45,005 --> 00:16:46,548
WE DASHED INTO TOWN
THIS MORNING
346
00:16:46,757 --> 00:16:48,842
TO COLLECT OUR COSTUMES
FOR THE CARNIVAL BALL.
347
00:16:49,051 --> 00:16:51,553
WE COULDN'T WAIT UNTIL
MONSIEUR GASTON DELIVERED THEM.
348
00:16:51,762 --> 00:16:54,014
YOU MUST SEE MINE, POLLY.
YOU'LL ADORE IT!
349
00:16:54,223 --> 00:16:55,182
OH, MINE.
350
00:16:55,390 --> 00:16:57,142
YOU'LL BE GREEN
WITH ENVY!
351
00:16:57,351 --> 00:16:58,727
OH, BE QUIET, CHAPS.
352
00:16:58,936 --> 00:17:02,523
YOU KNOW WE'LL ALL BE JEALOUS
OF POLLY WHEN SHE GETS HERS.
353
00:17:02,731 --> 00:17:05,442
WHAT ARE YOU GOING AS, POLLY?
354
00:17:07,653 --> 00:17:10,072
I'M GOING AS PIERRETTE.
355
00:17:10,280 --> 00:17:11,573
PIERRETTE.
356
00:17:11,782 --> 00:17:13,534
CHORUS: HOW DIVINE!
357
00:17:13,742 --> 00:17:16,578
NOW DO TELL US
YOUR SECRET, POLLY.
358
00:17:16,787 --> 00:17:18,080
WHAT SECRET?
359
00:17:18,288 --> 00:17:22,000
WELL, IF YOU'RE
GOING AS PIERRETTE...
360
00:17:22,209 --> 00:17:25,420
WHO'S GOING...
361
00:17:25,629 --> 00:17:27,089
AS PIERROT?
362
00:17:27,297 --> 00:17:29,341
OH.
363
00:17:29,550 --> 00:17:31,927
I STILL WANT IT
TO BE A SECRET.
364
00:17:32,135 --> 00:17:34,513
CHORUS: OH, POLLY!
365
00:17:34,721 --> 00:17:37,766
BUT, I'VE HAD
ANOTHER LETTER...
366
00:17:37,975 --> 00:17:39,184
FROM PARIS!
367
00:17:39,393 --> 00:17:42,104
FROM PARIS.
HOW MARVELOUS!
368
00:17:42,312 --> 00:17:44,856
AND WHAT DOES
HE SAY?
369
00:17:55,450 --> 00:17:58,704
HE SAYS HE'S...
370
00:17:58,912 --> 00:18:00,497
MOTORING DOWN OVERNIGHT.
371
00:18:05,919 --> 00:18:08,589
IN FACT...
372
00:18:08,797 --> 00:18:10,382
HE SHOULD
BE HERE ANY MOMENT...
373
00:18:10,591 --> 00:18:12,593
- NOW.
- OH, HOW THRILLING.
374
00:18:12,801 --> 00:18:14,803
AND HOW DOES
HE SIGN HIMSELF?
375
00:18:15,012 --> 00:18:16,305
DOES HE SAY,
376
00:18:16,513 --> 00:18:18,974
"PASSIONATELY YOURS"?
377
00:18:19,182 --> 00:18:22,644
OR, "YOURS ADORINGLY"?
378
00:18:22,853 --> 00:18:26,315
OR DOES HE JUST SAY,
"WITH ALL MY LOVE"?
379
00:18:26,523 --> 00:18:29,610
CHORUS: OH, DO TELL
US ABOUT HIM, POLLY!
380
00:18:29,818 --> 00:18:33,822
WELL, THERE AIN'T VERY
MUCH TO TELL, REALLY.
381
00:18:34,031 --> 00:18:36,533
I EXPECT YOU KNOW
HOW I FEEL AS WELL AS I DO.
382
00:18:40,120 --> 00:18:43,165
♪♪ ANY GIRL
WHO'S REACHED THE AGE ♪♪
383
00:18:43,373 --> 00:18:47,252
♪♪ OF 17 OR THEREABOUTS ♪♪
384
00:18:47,461 --> 00:18:52,341
♪♪ HAS BUT ONE DESIRE IN VIEW ♪♪
385
00:18:52,549 --> 00:18:54,593
EYES AND TEETH.
EYES AND TEETH!
386
00:18:54,801 --> 00:18:57,596
♪♪ SHE KNOWS SHE HAS
REACHED THE STAGE ♪♪
387
00:18:57,804 --> 00:19:01,475
♪♪ OF NEEDING ONE
TO CARE ABOUT ♪♪
388
00:19:01,683 --> 00:19:07,272
♪♪ NOTHING ELSE
WILL REALLY DO ♪♪
389
00:19:08,857 --> 00:19:11,985
♪♪ CHILDHOOD GAMES ARE
LEFT BEHIND ♪♪
390
00:19:12,194 --> 00:19:15,781
♪♪ AND HER HEART
TAKES WING ♪♪
391
00:19:15,989 --> 00:19:19,660
♪♪ HOPING THAT
IT SOON WILL FIND ♪♪
392
00:19:19,868 --> 00:19:25,499
♪♪ JUST ONE THING ♪♪
393
00:19:25,707 --> 00:19:28,377
♪♪ WE'VE GOT TO HAVE ♪♪
394
00:19:28,585 --> 00:19:30,712
♪♪ WE PLOT TO HAVE ♪♪
395
00:19:30,921 --> 00:19:35,509
♪♪ FOR IT'S SO DREARY
NOT TO HAVE ♪♪
396
00:19:35,717 --> 00:19:38,845
♪♪ THAT CERTAIN
THING CALLED ♪♪
397
00:19:39,054 --> 00:19:41,515
♪♪ THE BOY FRIEND ♪♪
398
00:19:44,726 --> 00:19:46,687
♪♪ WE SCHEME ABOUT
AND DREAM ABOUT ♪♪
399
00:19:46,895 --> 00:19:49,398
♪♪ AND WE'VE BEEN
KNOWN TO SCREAM ABOUT ♪♪
400
00:19:49,606 --> 00:19:53,819
♪♪ THAT CERTAIN THING
CALLED THE BOY FRIEND ♪♪
401
00:19:54,027 --> 00:19:56,238
♪♪ HE IS REALLY
A NECESSITY ♪♪
402
00:19:56,446 --> 00:19:58,657
♪♪ IF YOU WANT
TO GET ON ♪♪
403
00:19:58,865 --> 00:20:00,992
♪♪ AND WE MIGHT AS
WELL CONFESS IT, HE ♪♪
404
00:20:01,201 --> 00:20:03,578
♪♪ IS OUR SINE QUA NON ♪♪
405
00:20:03,787 --> 00:20:05,747
♪♪ WE SIGH FOR HIM
AND CRY FOR HIM ♪♪
406
00:20:05,956 --> 00:20:08,041
♪♪ AND WE WOULD GLADLY
DIE FOR HIM ♪♪
407
00:20:08,250 --> 00:20:09,376
♪♪ THAT CERTAIN THING ♪♪
408
00:20:09,584 --> 00:20:11,420
♪♪ CALLED THE BOY FRIEND ♪♪
409
00:20:11,628 --> 00:20:17,467
♪♪♪♪♪♪
410
00:20:18,343 --> 00:20:20,262
PIANO AND DRUMS!
411
00:20:20,470 --> 00:20:22,681
WHAT MUST
DETHRILL THINK?
412
00:20:22,889 --> 00:20:26,184
IF ONLY WE HAD MONEY,
WHAT A SPECTACLE I'D SHOW THEM.
413
00:20:26,393 --> 00:20:29,438
A ROYAL
COMMAND PERFORMANCE!
414
00:20:29,646 --> 00:20:31,398
(ORCHESTRA TUNING UP)
415
00:20:45,454 --> 00:20:48,999
(ORCHESTRA PLAYS)
416
00:21:25,744 --> 00:21:26,828
♪♪ WE PLEAD TO HAVE ♪♪
417
00:21:27,037 --> 00:21:28,288
♪♪ WE NEED TO HAVE ♪♪
418
00:21:28,497 --> 00:21:30,957
♪♪ IN FACT, OUR POOR
HEARTS BLEED TO HAVE ♪♪
419
00:21:31,166 --> 00:21:34,836
♪♪ THAT CERTAIN THING
CALLED THE BOY FRIEND ♪♪
420
00:21:35,045 --> 00:21:36,797
(ORCHESTRA PLAYS)
421
00:22:52,747 --> 00:22:55,417
♪♪ WE'D SAVE FOR HIM ♪♪
422
00:22:55,625 --> 00:22:58,253
♪♪ AND SLAVE FOR HIM ♪♪
423
00:22:58,461 --> 00:23:02,090
♪♪ WE'D EVEN...♪♪
424
00:23:02,299 --> 00:23:05,886
♪♪ MISBEHAVE FOR HIM ♪♪
425
00:23:06,094 --> 00:23:10,181
♪♪ THAT CERTAIN
THING CALLED ♪♪
426
00:23:10,390 --> 00:23:13,894
♪♪ THE BOY FRIEND ♪♪
427
00:23:15,353 --> 00:23:17,731
♪♪ LIFE WITHOUT US
IS IMPOSSIBLE ♪♪
428
00:23:17,939 --> 00:23:20,108
♪♪ AND DEVOID OF ALL CHARMS ♪♪
429
00:23:20,317 --> 00:23:22,736
♪♪ NO AMOUNT OF IDLE GOSSIP'LL ♪♪
430
00:23:22,944 --> 00:23:27,741
♪♪ KEEP THEM OUT OF OUR ARMS ♪♪
431
00:23:27,949 --> 00:23:30,619
♪♪ WE'RE BLUE WITHOUT ♪♪
432
00:23:30,827 --> 00:23:33,747
♪♪ CAN'T DO WITHOUT ♪♪
433
00:23:33,955 --> 00:23:39,628
♪♪ OUR DREAMS JUST
WON'T COME TRUE WITHOUT ♪♪
434
00:23:39,836 --> 00:23:44,090
♪♪ THAT CERTAIN THING CALLED ♪♪
435
00:23:44,299 --> 00:23:47,761
♪♪ THE BOY FRIEND ♪♪
436
00:23:47,969 --> 00:23:49,763
POLLY, THE SPIRIT
OF ECSTASY.
437
00:23:49,971 --> 00:23:52,140
RIDICULOUS!
438
00:23:52,349 --> 00:23:53,808
OH, NO!
439
00:23:54,017 --> 00:23:55,977
SHE'S FORGOTTEN THE STEPS!
440
00:23:56,186 --> 00:23:57,938
(GIRLS SCREECH)
441
00:24:13,161 --> 00:24:15,288
♪♪ DEE DEE DEE DEE
DEE DEE DEE DEE DEE ♪♪
442
00:24:15,497 --> 00:24:17,332
♪♪ OOH, OOH, OOH ♪♪
443
00:24:17,540 --> 00:24:19,459
♪♪ DEE DEE DEE DEE
DEE DEE DEE DEE DEE ♪♪
444
00:24:19,668 --> 00:24:21,461
♪♪ OOH, OOH, OOH ♪♪
445
00:24:21,670 --> 00:24:23,630
♪♪ WHEE ♪♪
446
00:24:23,838 --> 00:24:26,174
♪♪ WE'RE BLUE WITHOUT ♪♪
447
00:24:26,383 --> 00:24:28,760
♪♪ CAN'T DO WITHOUT ♪♪
448
00:24:28,969 --> 00:24:30,261
♪♪ OUR DREAMS JUST...♪♪
449
00:24:30,470 --> 00:24:32,138
DO A RUBY KEELER!
450
00:24:34,140 --> 00:24:37,477
♪♪ THAT CERTAIN
THING CALLED ♪♪
451
00:24:37,686 --> 00:24:42,816
♪♪ THE BOY FRIEND ♪♪
452
00:24:44,859 --> 00:24:46,653
(APPLAUSE)
453
00:24:52,492 --> 00:24:54,119
HEH HEH. SHE'S DOING
ALRIGHT, HUH?
454
00:24:54,327 --> 00:24:55,370
ALRIGHT
FOR PYGMALION.
455
00:24:55,578 --> 00:24:56,705
SHE'S SUPPOSED TO COME
FROM WESTMINSTER,
456
00:24:56,913 --> 00:24:58,498
NOT WAPPING.
457
00:25:00,667 --> 00:25:01,835
WOMAN ON STAGE:
BOYS, BOYS.
458
00:25:02,043 --> 00:25:03,545
YOU KNOW YOU'RE NOT
ALLOWED ON THE PREMISES.
459
00:25:03,753 --> 00:25:04,796
YOU MUST LEAVE
AT ONCE!
460
00:25:05,005 --> 00:25:06,172
SEE YOU ON THE PLAGE!
461
00:25:06,381 --> 00:25:08,341
SHARP AT 2:00.
DON'T BE LATE, NOW.
462
00:25:08,550 --> 00:25:09,217
TOODLE-OO!
463
00:25:09,426 --> 00:25:10,468
MEN: BYE!
464
00:25:10,677 --> 00:25:11,845
GIRLS: BYE!
465
00:25:12,053 --> 00:25:13,471
BUT YOU STILL
HAVEN'T TOLD US
466
00:25:13,680 --> 00:25:15,515
MUCH ABOUT HIM, POLLY.
467
00:25:15,724 --> 00:25:17,517
NOT EVEN HIS
CHRISTIAN NAME.
468
00:25:17,726 --> 00:25:19,686
WHAT IS IT, POLLY?
469
00:25:19,894 --> 00:25:23,064
WELL, IT'S,
UM, UM...
470
00:25:23,273 --> 00:25:25,191
KEEP IT, GIRLS. HERE
COMES MADAME DUBONNET!
471
00:25:25,400 --> 00:25:27,360
CHORUS: OOH!
472
00:25:27,569 --> 00:25:29,029
(HUMMING)
473
00:25:34,909 --> 00:25:36,703
(GARGLING)
474
00:25:38,913 --> 00:25:40,999
♪♪ A-HA...♪♪
475
00:25:41,207 --> 00:25:45,503
♪♪ HA-AH-AH-AH-AH ♪♪
476
00:25:46,921 --> 00:25:48,757
AH, TIENS, TIENS, MES
ENFANTS!
477
00:25:48,965 --> 00:25:51,092
THIS IS NO
WAY TO BEHAVE.
478
00:25:51,301 --> 00:25:56,556
NOW THEN, ALL OF YOU
TO YOUR CLASSROOM...
479
00:25:56,765 --> 00:25:59,601
WHERE MADEMOISELLE ALICE IS
WAITING TO INSTRUCT YOU
480
00:25:59,809 --> 00:26:01,561
IN PETIT POIS.
481
00:26:01,770 --> 00:26:06,107
MADEMOISELLE BROWNE!
GIRLS: OUI, MADAME DUBONNET.
482
00:26:06,316 --> 00:26:08,610
MADEMOISELLE DUBONNET:
MADEMOISELLE BROWNE!
483
00:26:08,818 --> 00:26:10,111
MR. MAX, WHISPERING:
RITA! RITA!
484
00:26:10,320 --> 00:26:12,447
PLAY IT LIKE RITA!
485
00:26:12,655 --> 00:26:13,448
OH!
486
00:26:13,656 --> 00:26:14,991
OUI, MADAME?
487
00:26:18,453 --> 00:26:20,205
I WISH TO HAVE A LITTLE WORD
WITH YOU,
488
00:26:20,413 --> 00:26:21,539
MA PETITE.
489
00:26:21,748 --> 00:26:24,292
PROMENADE WITH ME INTO
LE JARDIN.
490
00:26:24,501 --> 00:26:29,089
YOU CAN HELP ME GATHER
SOME HOLLYHOCKS!
491
00:26:29,297 --> 00:26:30,799
DO NOT BE FRIGHTENED,
MA CHERE.
492
00:26:31,007 --> 00:26:32,634
YOU HAVE DONE
NOTHING WRONG.
493
00:26:32,842 --> 00:26:33,968
I MERELY WISH TO ASK
494
00:26:34,177 --> 00:26:36,638
IF YOU ARE COMING TO THE
BALL TONIGHT.
495
00:26:36,846 --> 00:26:39,808
OH, YES, OF COURSE.
I'VE ORDERED MY FROCK.
496
00:26:40,016 --> 00:26:41,726
I'M GOING
AS PIERRETTE.
497
00:26:41,935 --> 00:26:44,604
OH, SO YOU HAVE A FRIEND
TO TAKE YOU, HUH?
498
00:26:44,813 --> 00:26:46,481
I HAD A LETTER TODAY.
499
00:26:46,689 --> 00:26:48,566
HE'S ARRIVING BY CAR
FROM PARIS!
500
00:26:48,775 --> 00:26:50,985
FROM PAREE?
501
00:26:51,194 --> 00:26:53,113
YES, FROM PAREE.
502
00:26:56,741 --> 00:26:58,618
PSST. ONION!
503
00:26:58,827 --> 00:27:00,411
YOU'VE GOT TO CRY!
504
00:27:03,331 --> 00:27:06,459
THEN WHY IS THIS LETTER
POSTMARKED FROM NICE?
505
00:27:06,668 --> 00:27:08,419
(sesame)
506
00:27:11,339 --> 00:27:14,509
OH, NEVER MIND,
MY LITTLE POLLY.
507
00:27:14,717 --> 00:27:16,678
YOUR SECRET IS
SAFE WITH ME!
508
00:27:16,886 --> 00:27:20,265
SOYEZ GAIE
AND TRUST ME!
509
00:27:20,473 --> 00:27:22,350
NOW THEN, DRY YOUR EYES,
510
00:27:22,559 --> 00:27:24,978
THEN CHANGE INTO YOUR TUNIC.
511
00:27:25,186 --> 00:27:27,313
WE ARE DANCING
ON THE GRASS!
512
00:27:27,522 --> 00:27:29,023
HA HA HA!
513
00:27:29,232 --> 00:27:32,360
NO! I WON'T DO IT!
514
00:27:32,569 --> 00:27:36,114
A WESTERN ARTISTE ACT
WITH AN AMATEUR? NEVER!
515
00:27:36,322 --> 00:27:40,660
WE'VE ENOUGH COCKNEYS
IN THIS SHOW AS IT IS!
516
00:27:40,869 --> 00:27:42,871
AND WITH DETHRILL
OUT FRONT, TOO.
517
00:27:43,079 --> 00:27:45,707
HE'LL THINK HE'S
WATCHING A VARIETY ACT!
518
00:27:45,915 --> 00:27:47,959
YOU'LL BE EXPECTING
ME TO SING,
519
00:27:48,168 --> 00:27:49,335
ANY OLD IRON NEXT!
520
00:27:49,544 --> 00:27:50,712
YES!
521
00:27:50,920 --> 00:27:52,130
♪♪ ANY OLD IRON ANY OLD IRON ♪♪
522
00:27:52,338 --> 00:27:54,048
♪♪ ANY ANY ANY OLD IRON ♪♪
523
00:27:54,257 --> 00:27:55,550
♪♪ YOU LOOK NEAT
TALK ABOUT A TREAT ♪♪
524
00:27:55,758 --> 00:27:57,051
♪♪ YOU LOOK BETTER
FROM YOUR HEAD TO YOUR FEET ♪♪
525
00:27:57,260 --> 00:27:58,803
♪♪ DRESSED IN STYLE,
BRAND NEW DOLL ♪♪
526
00:27:59,012 --> 00:28:00,555
♪♪ WITH YOUR FATHER'S
OLD GREEN TIE ON ♪♪
527
00:28:00,763 --> 00:28:02,056
♪♪ I WOULDN'T BE THE DUFFER IN
THE OLD WATCH CHAIN ♪♪
528
00:28:02,265 --> 00:28:03,892
♪♪ OLD IRON, OLD IRON ♪♪
529
00:28:04,100 --> 00:28:05,518
♪♪ DAH DAH DAH DAH DAH DAH, DAH
DAH DAH DAH DAH DAH ♪♪
530
00:28:05,727 --> 00:28:07,562
♪♪ DAH-DAH, DAH-DAH
HOW'S THAT? ♪♪
531
00:28:07,770 --> 00:28:10,356
THAT'S IT! YOU'RE A
COCKNEY JUNK DEALER.
532
00:28:10,565 --> 00:28:12,233
MADE YOUR FORTUNE IN
SCRAP METAL AFTER THE WAR.
533
00:28:12,442 --> 00:28:13,318
YOU WANT TO
BETTER YOURSELF.
534
00:28:13,526 --> 00:28:14,527
POLLY, TOO!
535
00:28:14,736 --> 00:28:16,404
YOU'RE TRYING TO LIVE DOWN YOUR
PAST.
536
00:28:16,613 --> 00:28:18,948
I'LL WRITE IT.
WE'LL SAVE THE SHOW YET!
537
00:28:20,533 --> 00:28:22,160
I WON'T DO IT!
538
00:28:24,037 --> 00:28:25,205
HAS ANYONE GOT
A FOUNTAIN PEN?
539
00:28:27,248 --> 00:28:28,333
DID YOU HEAR THAT
GIRL'S ACCENT?
540
00:28:28,541 --> 00:28:32,003
PAPER, PAPER!
541
00:28:32,212 --> 00:28:33,254
I WANT YOU ALL
TO DO YOUR BEST.
542
00:28:33,463 --> 00:28:34,714
AND TELL THE BOYS I
HAVEN'T TIME.
543
00:28:34,923 --> 00:28:36,090
TELL THEM TO
DANCE LIKE NIJINSKY.
544
00:28:36,299 --> 00:28:37,383
DETHRILL'S OUT FRONT!
545
00:28:37,592 --> 00:28:39,093
OH, NOT DETHRILL, THE JENNY DILL
MERCHANT
546
00:28:39,302 --> 00:28:40,386
FROM CABLE STREET?
547
00:28:40,595 --> 00:28:41,930
NO, IT MUST BE DETHRILL,
548
00:28:42,138 --> 00:28:44,015
THE GREAT HOLLYWOOD
DIRECTOR,
549
00:28:44,224 --> 00:28:47,227
TALENT-SPOTTING FOR
HIS NEW, SUPER, COLOSSAL,
550
00:28:47,435 --> 00:28:52,357
ALL-TALKING, ALL-SINGING,
ALL-DANCING FAMOUS MUSICAL!
551
00:28:52,565 --> 00:28:54,484
GIRLS: OH, THAT ONE!
552
00:29:09,749 --> 00:29:13,878
HI, TOOTS.
HOW'S POLL DOING?
553
00:29:14,087 --> 00:29:16,547
QUITE PROMISING,
ACTUALLY.
554
00:29:16,756 --> 00:29:17,548
CARE FOR A PUFF?
555
00:29:17,757 --> 00:29:19,217
UH-UH.
556
00:29:19,425 --> 00:29:20,927
IT MIGHT STUNT MY GROWTH.
557
00:29:28,226 --> 00:29:31,646
I SAY,
THAT'S A KICKY STEP.
558
00:29:31,854 --> 00:29:33,147
WHO TAUGHT YOU THAT?
559
00:29:33,356 --> 00:29:34,482
SEARCH ME, TOOTS.
560
00:29:34,691 --> 00:29:37,944
YOU SEE, AS A KID I
WAS KICKED IN THE HEAD.
561
00:29:38,152 --> 00:29:40,571
AND WHEN I CAME TO...
562
00:29:40,780 --> 00:29:44,909
AMNESIA.
563
00:29:45,118 --> 00:29:47,495
HOW ON EARTH
DID THAT HAPPEN?
564
00:29:47,704 --> 00:29:50,123
YOU'VE HEARD OF
THE RUSSIAN REVOLUTION.
565
00:29:54,002 --> 00:29:55,753
BAH-BAH-BAH!
AND ALL THAT JAZZ.
566
00:29:55,962 --> 00:29:56,796
YES.
567
00:29:57,005 --> 00:29:58,006
WELL...
568
00:29:58,214 --> 00:29:59,465
I'M TOLD I WAS ON
569
00:29:59,674 --> 00:30:01,134
THE STEPPES OF ODESSA...
570
00:30:07,348 --> 00:30:09,309
WHEN THE WHITES
WENT BANANAS!
571
00:30:13,187 --> 00:30:14,522
WHEN I WOKE UP,
572
00:30:14,731 --> 00:30:17,692
ALL I COULD REMEMBER
WAS HOW TO TAP DANCE.
573
00:30:17,900 --> 00:30:20,111
FASCINATING!
574
00:30:20,320 --> 00:30:22,030
PLUS THE NAME
OF ONE STEP.
575
00:30:22,238 --> 00:30:24,657
THE DOUBLE TRIP...
576
00:30:24,866 --> 00:30:27,994
MAXIE FORD...
577
00:30:28,202 --> 00:30:29,662
WITH A KNICKERBOCKER BREAK!
578
00:30:37,378 --> 00:30:39,714
WHAT HAPPENED
TO YOUR PARENTS?
579
00:30:39,922 --> 00:30:42,050
I DON'T KNOW.
580
00:30:42,258 --> 00:30:44,010
I NEVER HEARD
FROM ANYBODY.
581
00:30:47,972 --> 00:30:49,307
I GUESS THEY
WERE DONE IN.
582
00:30:55,063 --> 00:30:58,024
ANYWAY, SINCE
I SPOKE AMERICAN,
583
00:30:58,232 --> 00:30:59,901
I WAS SHIPPED OFF
TO THE STATES,
584
00:31:00,109 --> 00:31:01,736
WHERE THEY PUT ME
IN AN ORPHANAGE.
585
00:31:01,944 --> 00:31:03,237
WHAT WAS THAT LIKE?
586
00:31:03,446 --> 00:31:05,740
IT WAS CRUMMY. THEY
WOULDN'T EVEN LET ME TAP-DANCE.
587
00:31:05,948 --> 00:31:07,909
SO...
588
00:31:08,117 --> 00:31:10,328
ONE DARK NIGHT,
589
00:31:10,536 --> 00:31:13,081
AT THE RIPE OLD AGE
OF 6 1/2,
590
00:31:13,289 --> 00:31:16,542
I RAN AWAY
TO NEW YORK!
591
00:31:16,751 --> 00:31:19,921
TO MANHATTAN.
TO TIMES SQUARE.
592
00:31:20,129 --> 00:31:22,340
TO BROADWAY!
593
00:31:24,258 --> 00:31:27,845
WHERE I BECAME
A BABY STAR.
594
00:31:28,054 --> 00:31:30,932
♪♪ I'M...♪♪
595
00:31:31,140 --> 00:31:34,060
♪♪ A-TAPPING
DOWN BROADWAY ♪♪
596
00:31:34,268 --> 00:31:36,687
♪♪ JUST A-TAP, TAP
TAPPING DOWN BROADWAY ♪♪
597
00:31:36,896 --> 00:31:40,608
♪♪ 'CAUSE BROADWAY'S
MY TAP SLAP-HAPPY HOME ♪♪
598
00:31:40,817 --> 00:31:43,319
♪♪ CRAM, ROLL, SHUFFLE,
BALL CHANGE, TAP TAP ♪♪
599
00:31:46,030 --> 00:31:47,949
THEN I OUTGREW
MY SHORT PANTS,
600
00:31:48,157 --> 00:31:51,911
AND IT WAS CURTAINS
FOR TINY TOM.
601
00:31:52,120 --> 00:31:55,790
I SAY, YOU WOULDN'T BE PULLING
A FELLA'S LEG, WOULD YOU?
602
00:31:55,998 --> 00:31:58,292
NO. EVERY WORD'S
THE TRUTH.
603
00:31:58,501 --> 00:32:00,294
CUB SCOUT'S OATH!
604
00:32:00,503 --> 00:32:04,924
OH, THERE'S OUR CUE.
READY?
605
00:32:05,133 --> 00:32:07,593
OH, THAT
WAS MARVELOUS.
606
00:32:07,802 --> 00:32:10,471
BUT TOMMY, COULD WE TAKE
IT EASY THIS AFTERNOON?
607
00:32:10,680 --> 00:32:13,224
I'VE GOT THE MOST
APPALLING HEADACHE.
608
00:32:13,433 --> 00:32:15,476
OH, OK, TOOTS.
609
00:32:15,685 --> 00:32:17,603
I'LL GIVE IT THE OLD
MATINEE SOFT SELL.
610
00:32:20,815 --> 00:32:22,400
(LAUGHING)
611
00:32:26,904 --> 00:32:27,989
MAN: AND...
612
00:32:28,197 --> 00:32:29,949
(PIANO PLAYS WALTZ)
613
00:32:42,503 --> 00:32:43,796
EXCUSE ME.
PLEASE, COULD YOU GIVE THIS
614
00:32:44,005 --> 00:32:45,173
TO THE MAITRE D'?
615
00:32:45,381 --> 00:32:46,591
OUI, MAM'SELLE.
616
00:32:46,799 --> 00:32:47,717
THANK YOU.
617
00:32:57,685 --> 00:32:59,520
- GUESS WHO.
- TOMMY!
618
00:32:59,729 --> 00:33:01,606
GOODNESS ME,
WHERE I AM...
619
00:33:01,814 --> 00:33:04,692
OH, GOSH, YOU DID
MAKE A TAP JUMP.
620
00:33:04,901 --> 00:33:06,319
FANCY MEETING YOU
HERE.
621
00:33:06,527 --> 00:33:07,528
I LIVE HERE.
622
00:33:07,737 --> 00:33:09,197
YOU WANT TO COME UP AND
SEE MY ETCHINGS?
623
00:33:09,405 --> 00:33:11,532
OH, I SAY, PLEASE...
624
00:33:11,741 --> 00:33:13,868
PLEASE! I MUST
LEAVE AT ONCE!
625
00:33:14,076 --> 00:33:14,994
I'M JUST HERE
ON AN ERRAND
626
00:33:15,203 --> 00:33:16,537
FOR MADAME DUBONNET,
627
00:33:16,746 --> 00:33:18,831
ARRANGEMENTS FOR THE
CARNIVAL BALL TONIGHT.
628
00:33:19,040 --> 00:33:20,208
IF SHE WERE
TO FIND OUT,
629
00:33:20,416 --> 00:33:22,126
I'D BE ASKED TO
LEAVE UNDER A CLOUD.
630
00:33:22,335 --> 00:33:23,544
MMM. I'M NOT
LETTING YOU GO
631
00:33:23,753 --> 00:33:25,880
UNTIL YOU PROMISE ME
ONE THING.
632
00:33:26,088 --> 00:33:26,964
AND WHAT IS THAT?
633
00:33:27,173 --> 00:33:28,341
OH, YOU KNOW AS
WELL AS I DO.
634
00:33:28,549 --> 00:33:30,301
- DO I?
- OF COURSE YOU DO.
635
00:33:30,510 --> 00:33:32,220
I WANT YOU TO PROMISE
THAT TONIGHT...
636
00:33:32,428 --> 00:33:33,346
YOU'RE GOING TO
DANCE EVERY DANCE
637
00:33:33,554 --> 00:33:34,555
AT THE BALL WITH ME.
638
00:33:34,764 --> 00:33:37,725
OH, THAT! THAT'S OUT OF
THE QUESTION.
639
00:33:37,934 --> 00:33:41,145
COME ON, MAISIE. BE A SPORT!
OH, YOU KNOW THERE'S NOBODY
640
00:33:41,354 --> 00:33:42,730
I WANT TO DANCE WITH
BUT YOU.
641
00:33:42,939 --> 00:33:45,775
REALLY?
I DON'T BELIEVE YOU!
642
00:33:50,196 --> 00:33:54,575
♪♪ LISTEN, BABY,
TO MY PLEA ♪♪
643
00:33:54,784 --> 00:33:58,329
♪♪ WON'T YOU COME
DANCING WITH ME? ♪♪
644
00:33:58,538 --> 00:34:02,833
♪♪ BE MY BABY AND SAY YES ♪♪
645
00:34:03,042 --> 00:34:07,505
♪♪ OR ELSE I'M
DONE FOR, I GUESS ♪♪
646
00:34:07,713 --> 00:34:09,257
♪♪ TO DANCE WITH YOU ♪♪
647
00:34:09,465 --> 00:34:13,511
♪♪ IS THRILLING TO
MY POOR EGO ♪♪
648
00:34:13,719 --> 00:34:15,888
♪♪ SO BABY,
SAY YOU'RE WILLING ♪♪
649
00:34:16,097 --> 00:34:20,935
♪♪ TO SHAKE A LEG,
OH...♪♪
650
00:34:21,143 --> 00:34:25,439
♪♪ WON'T YOU
CHARLESTON WITH ME? ♪♪
651
00:34:25,648 --> 00:34:29,944
♪♪ WON'T YOU
CHARLESTON WITH ME? ♪♪
652
00:34:30,152 --> 00:34:32,196
♪♪ AND WHILE THE BAND
IS PLAYING THAT ♪♪
653
00:34:32,405 --> 00:34:34,115
♪♪ OLD VO-DE-O-DO ♪♪
654
00:34:34,323 --> 00:34:36,450
♪♪ AROUND WE WILL GO ♪♪
655
00:34:36,659 --> 00:34:38,411
♪♪ TOGETHER WE'LL SHOW THEM ♪♪
656
00:34:38,619 --> 00:34:42,456
♪♪ HOW THE CHARLESTON
IS DONE ♪♪
657
00:34:42,665 --> 00:34:46,877
♪♪ WE'LL SURPRISE
EVERYONE ♪♪
658
00:34:47,086 --> 00:34:48,796
♪♪ JUST THINK
WHAT HEAVEN ♪♪
659
00:34:49,005 --> 00:34:51,090
♪♪ IT'S GONNA BE ♪♪
660
00:34:51,299 --> 00:34:52,925
♪♪ IF YOU WILL
CHARLESTON ♪♪
661
00:34:53,134 --> 00:34:55,094
♪♪ CHARLESTON
WITH ME ♪♪
662
00:34:55,303 --> 00:34:59,432
♪♪ WON'T YOU
CHARLESTON WITH ME? ♪♪
663
00:34:59,640 --> 00:35:03,603
♪♪ WON'T YOU
CHARLESTON WITH ME? ♪♪
664
00:35:03,811 --> 00:35:05,646
♪♪ AND WHILE THE BAND
IS PLAYING THAT ♪♪
665
00:35:05,855 --> 00:35:07,898
♪♪ OLD VO-DE-O-DO ♪♪
666
00:35:08,107 --> 00:35:09,775
♪♪ AROUND WE WILL GO ♪♪
667
00:35:09,984 --> 00:35:11,736
♪♪ TOGETHER WE'LL SHOW THEM ♪♪
668
00:35:11,944 --> 00:35:15,489
♪♪ HOW THE CHARLESTON
IS DONE ♪♪
669
00:35:15,698 --> 00:35:20,119
♪♪ WE'LL SURPRISE EVERYONE ♪♪
670
00:35:20,328 --> 00:35:21,996
♪♪ JUST THINK WHAT HEAVEN...♪♪
671
00:35:22,204 --> 00:35:23,581
SHE'S DOUBLE-CROSSED
YOU!
672
00:35:23,789 --> 00:35:24,582
WHAT?
673
00:35:24,790 --> 00:35:27,209
DETHRILL'S IN
THE STAGE BOX!
674
00:36:17,677 --> 00:36:19,387
CHORUS: ♪♪ WON'T YOU CHARLESTON ♪♪
675
00:36:19,595 --> 00:36:21,847
♪♪ CHARLESTON WITH ME? ♪♪
676
00:36:22,056 --> 00:36:23,391
♪♪ CHARLESTON, CHARLESTON,
CHARLESTON, CHARLESTON ♪♪
677
00:36:23,599 --> 00:36:25,851
♪♪ CHARLESTON WITH ME ♪♪
678
00:36:26,060 --> 00:36:27,687
♪♪ JUST THINK WHAT HEAVEN ♪♪
679
00:36:27,895 --> 00:36:29,980
♪♪ EVERYTHING'S GOING TO BE ♪♪
680
00:36:30,189 --> 00:36:33,984
♪♪ WHY DON'T YOU CHARLESTON ♪♪
681
00:36:34,193 --> 00:36:38,739
♪♪ CHARLESTON, CHARLESTON? ♪♪
682
00:36:38,948 --> 00:36:42,493
♪♪ WHY DON'T YOU CHARLESTON ♪♪
683
00:36:42,702 --> 00:36:48,165
♪♪ CHARLESTON WITH ME? ♪♪
684
00:37:03,764 --> 00:37:06,267
THEY TOLD ME WHEN I JOINED
IT WAS A NOEL COWARD PART.
685
00:37:06,475 --> 00:37:08,602
NOW YOU DON'T EXPECT NOEL
TO TALK COCKNEY, DO YOU?
686
00:37:08,811 --> 00:37:09,687
ANY MORE THAN
YOU WOULD A QUEEN.
687
00:37:09,895 --> 00:37:11,772
HERE.
I CAN ACT POSH.
688
00:37:11,981 --> 00:37:14,525
ACT POSH?
AH, CUT THAT.
689
00:37:14,734 --> 00:37:16,610
DETHRILL WON'T
UNDERSTAND A WORD OF IT.
690
00:37:16,819 --> 00:37:18,279
IT'S A FOREIGN LANGUAGE
TO THEM YANKS.
691
00:37:18,487 --> 00:37:19,363
IT'S NOT ENGLISH.
692
00:37:19,572 --> 00:37:20,948
HE'LL THINK I'M
A CHARACTER MAN.
693
00:37:21,157 --> 00:37:23,200
WELL, YOU'RE HARDLY
A JUVE, ARE YOU, DARLING?
694
00:37:23,409 --> 00:37:24,285
PLEASE KEEP OUT
OF IT, MOIRA.
695
00:37:24,493 --> 00:37:25,911
WELL, THE
CHILD'S NOT THAT BAD.
696
00:37:26,120 --> 00:37:27,246
SHE'S GOT
A LITTLE TALENT.
697
00:37:27,455 --> 00:37:28,581
TALENT? SHE'LL
NEVER MAKE THE WEST END
698
00:37:28,789 --> 00:37:30,791
IN A MILLION YEARS.
699
00:37:31,000 --> 00:37:32,293
WELL, LET'S BE
HONEST, DARLING.
700
00:37:32,501 --> 00:37:33,961
THE NEAREST YOU EVER
GOT TO THE WEST END
701
00:37:34,170 --> 00:37:36,130
WAS HARROW-ON-THE-HILL.
702
00:37:36,338 --> 00:37:38,048
UNLESS YOU COUNT
THE TWICE-NIGHTLIES.
703
00:37:38,257 --> 00:37:39,759
HAVE YOU FORGOTTEN
THAT CHARITY MATINEE
704
00:37:39,967 --> 00:37:41,135
I GAVE AT CROYDON?
705
00:37:41,343 --> 00:37:43,053
OH, HERE. I WAS
IN THAT SHOW.
706
00:37:43,262 --> 00:37:44,472
COCKNEY CAPERS.
707
00:37:44,680 --> 00:37:46,807
YOU SANG
HENRY THE EIGHTH.
708
00:37:47,016 --> 00:37:48,601
THERE YOU ARE.
WON'T TAKE A JIFFY.
709
00:37:48,809 --> 00:37:50,895
- WHAT ABOUT ME?
- YOU TALK COCKNEY VERY REFINED.
710
00:37:51,103 --> 00:37:53,814
YOU SHOULDN'T FIND
IT TOO DIFFICULT.
711
00:37:54,023 --> 00:37:56,901
I WON'T DO IT!
712
00:37:57,109 --> 00:37:59,904
UNLESS I PLAY IT STRAIGHT.
713
00:38:00,112 --> 00:38:02,323
- IT'S PERFECT.
- HAVE YOU FIXED IT ON?
714
00:38:02,531 --> 00:38:03,491
HERE, IT WON'T
COME OFF.
715
00:38:03,699 --> 00:38:05,993
JUST PUT THIS
ONE ON AS WELL.
716
00:38:06,202 --> 00:38:09,622
AND NOW, POLLY, BEFORE
YOUR FRIENDS ARRIVE,
717
00:38:09,830 --> 00:38:12,500
I WANT YOU TO TELL ME
JUST ONE THING.
718
00:38:12,708 --> 00:38:14,502
YES, MADAME?
719
00:38:14,710 --> 00:38:17,671
HOW IS IT THAT
ONE SO SWEET
720
00:38:17,880 --> 00:38:20,341
AND CHARMING
AS YOU ARE
721
00:38:20,549 --> 00:38:23,177
HAS TO PRETEND TO
HAVE...HOW YOU SAY...
722
00:38:23,385 --> 00:38:24,678
BOY FRIEND,
723
00:38:24,887 --> 00:38:28,098
AND WRITE HERSELF
LOVE LETTERS?
724
00:38:28,307 --> 00:38:30,309
IT'S BECAUSE OF
MY FATHER, MADAME.
725
00:38:30,518 --> 00:38:31,936
YOUR FATHER, HUH?
726
00:38:32,144 --> 00:38:34,188
YES. YOU SEE,
BEFORE KAISER BILL
727
00:38:34,396 --> 00:38:35,689
THE HORRIBLE,
HORRIBLE WAR,
728
00:38:35,898 --> 00:38:37,191
WE WERE TERRIBLY,
TERRIBLY POOR.
729
00:38:37,399 --> 00:38:38,776
DADDY WAS A SCRAP
METAL MERCHANT,
730
00:38:38,984 --> 00:38:41,821
AND I WAS
A LITTLE MATCH GIRL.
731
00:38:42,029 --> 00:38:43,948
BUT AFTER THE ARMISTICE
HE MADE HIS FORTUNE,
732
00:38:44,156 --> 00:38:45,991
BOUGHT UP ALL THE ALLOYS
OUT OF THE STREET,
733
00:38:46,200 --> 00:38:48,160
AND NOW WE ARE TERRIBLY
NOUVEAU RICHE, YOU SEE,
734
00:38:48,369 --> 00:38:51,163
AND WHEN HE DIES I SHALL
BE REALLY EXTREMELY WEALTHY,
735
00:38:51,372 --> 00:38:53,332
AND HE THINKS THAT EVERY MAN
WHO MAKES ADVANCES TO ME
736
00:38:53,541 --> 00:38:56,168
IS JUST AFTER
MY MILLIONS.
737
00:38:56,377 --> 00:38:57,670
SO, HE FORBIDS YOU
738
00:38:57,878 --> 00:39:00,214
TO HAVE A BOY FRIEND?
739
00:39:00,422 --> 00:39:02,174
WELL...
740
00:39:02,383 --> 00:39:03,384
PRACTICALLY.
741
00:39:03,592 --> 00:39:05,886
SO, YOU INVENT HIM?
742
00:39:06,095 --> 00:39:08,681
YES, I'M AFRAID SO...
743
00:39:08,889 --> 00:39:12,017
I SEE. POOR LITTLE
RICH GIRL.
744
00:39:12,226 --> 00:39:15,396
WELL, I, TOO, HAVE HAD A LETTER
TODAY FROM YOUR FATHER,
745
00:39:15,604 --> 00:39:16,897
AND HE IS COMING HERE
746
00:39:17,106 --> 00:39:21,652
THIS MORNING.
747
00:39:21,861 --> 00:39:24,029
DADDY? COMING HERE?
748
00:39:24,238 --> 00:39:25,823
OUI.
749
00:39:26,031 --> 00:39:30,035
HE IS COMING FROM TOULON
ON BUSINESS.
750
00:39:30,244 --> 00:39:32,997
AND WHEN I SEE HIM,
751
00:39:33,205 --> 00:39:36,375
I WILL HAVE A LITTLE
WORD WITH HIM.
752
00:39:36,584 --> 00:39:39,253
HE MUST LISTEN!
753
00:39:39,461 --> 00:39:40,671
HE SHALL SEE.
754
00:39:40,880 --> 00:39:43,549
ATTENDRE,
MY LITTLE DAUGHTER.
755
00:39:43,757 --> 00:39:46,844
TODAY, WE DANCE!
756
00:39:47,052 --> 00:39:49,346
MAN: ALRIGHT!
(PIANO MUSIC PLAYS)
757
00:40:51,825 --> 00:40:53,619
(ORCHESTRAL MUSIC BEGINS)
758
00:42:15,576 --> 00:42:19,038
(MUSIC CONTINUES)
759
00:42:19,246 --> 00:42:20,998
(CHARLESTON MUSIC PLAYS)
760
00:43:10,756 --> 00:43:12,257
(DRAMATIC ORCHESTRAL
MUSIC BEGINS)
761
00:43:43,789 --> 00:43:45,582
(CHARLESTON MUSIC PLAYS)
762
00:44:04,351 --> 00:44:06,145
(CHARLESTON MUSIC CONTINUES)
763
00:44:14,361 --> 00:44:16,113
(LIGHT ORCHESTRAL MUSIC BEGINS)
764
00:44:16,321 --> 00:44:18,073
(DRAMATIC MUSIC PLAYS)
765
00:45:04,036 --> 00:45:05,829
(DANCE MUSIC PLAYS)
766
00:45:12,586 --> 00:45:14,171
(DRAMATIC MUSIC PLAYS)
767
00:45:17,257 --> 00:45:19,051
(DANCE MUSIC PLAYS)
768
00:45:39,279 --> 00:45:41,073
(LIGHT ORCHESTRAL MUSIC PLAYS)
769
00:47:56,375 --> 00:47:58,085
BLESS YOU,
MES ENFANTS.
770
00:47:58,293 --> 00:48:00,045
MAY THE GODS
POUR LIBATIONS
771
00:48:00,253 --> 00:48:02,255
AND HAPPINESS
ON YOUR HOUSES.
772
00:48:02,464 --> 00:48:05,175
NOW RUN ALONG,
MY DEAR DAUGHTERS.
773
00:48:05,384 --> 00:48:08,303
MADAME WISHES
TO MEDITATE!
774
00:48:13,016 --> 00:48:15,352
OH, REALLY!
NO, THANK YOU.
775
00:48:25,779 --> 00:48:29,533
MADAME, ICI MONSIEUR BROWNE,
LE PERE DE POLLY.
776
00:48:29,741 --> 00:48:31,076
MONSIEUR!
777
00:48:37,124 --> 00:48:38,333
HERE YOU ARE.
778
00:48:46,466 --> 00:48:49,302
IN COCKNEY ACCENT:
HOW DO YOU DO, MADAME?
779
00:48:49,511 --> 00:48:51,430
HOW DO YOU DO?
780
00:48:54,474 --> 00:49:00,355
♪♪♪♪♪♪
781
00:49:05,318 --> 00:49:06,987
MONSIEUR BROWNE,
782
00:49:07,195 --> 00:49:10,907
OR SHOULD I SAY
MA PETIT PERCY?
783
00:49:11,116 --> 00:49:13,493
MR. BROWNE:
I DON'T FOLLOW YOU, MADAME.
784
00:49:13,702 --> 00:49:15,245
MADEMOISELLE DUBONNET:
MAIS OUI, MON CHER.
785
00:49:15,454 --> 00:49:17,998
WON'T YOU SIT DOWN?
786
00:49:18,206 --> 00:49:22,127
DO YOU NOT REMEMBER
YOUR LITTLE KIKI?
787
00:49:22,335 --> 00:49:24,588
KIKI.
GOOD HEAVENS!
788
00:49:24,796 --> 00:49:26,756
THIS IS
IMPOSSIBLE!
789
00:49:26,965 --> 00:49:28,091
MOST AWKWARD!
790
00:49:28,300 --> 00:49:30,177
HOW COULD IT BE?
791
00:49:30,385 --> 00:49:33,638
AFTER ALL WE HAVE BEEN
TO EACH OTHER!
792
00:49:37,267 --> 00:49:41,188
HAVE YOU FORGOTTEN
ARMISTICE NIGHT?
793
00:49:41,396 --> 00:49:46,860
WHEN YOU
KISSED ME ON...
794
00:49:47,068 --> 00:49:49,237
THE CHAMPS-ELYSEES?
795
00:50:19,392 --> 00:50:21,978
YES, MADAME.
I HAVE...
796
00:50:22,187 --> 00:50:24,314
COMPLETELY
FORGOTTEN!
797
00:50:24,523 --> 00:50:27,234
SURELY NOT, CHERI.
798
00:50:27,442 --> 00:50:31,821
I WORE A WHITE DRESS,
AND YOU WERE IN UNIFORM.
799
00:50:32,030 --> 00:50:33,365
LATER ON,
800
00:50:33,573 --> 00:50:36,576
I CALLED YOU
MY PRETTY PRIVATE.
801
00:50:36,785 --> 00:50:38,203
THEN WE DRANK
CHAMPAGNE.
802
00:50:38,411 --> 00:50:40,080
EVERYONE WAS HAPPY!
803
00:50:40,288 --> 00:50:41,498
THEN...
804
00:50:41,706 --> 00:50:44,751
TWO LITTLE
LOVEBIRDS FLEW OVER OUR HEADS.
805
00:50:44,960 --> 00:50:48,713
(BIRD WHISTLE)
806
00:50:57,847 --> 00:51:01,393
(FOOTSTEPS APPROACHING)
807
00:51:26,751 --> 00:51:30,964
SO, THE KID HAS STEPPED
INTO THE STAR'S SHOES.
808
00:51:31,172 --> 00:51:32,048
GOSH, RITA.
809
00:51:32,257 --> 00:51:33,967
I'M SORRY.
810
00:51:34,175 --> 00:51:35,302
DOES IT HURT?
811
00:51:35,510 --> 00:51:38,555
HURT? OF COURSE
IT HURTS...
812
00:51:38,763 --> 00:51:40,390
WHEN SOMEONE ELSE
TAKES YOUR PLACE.
813
00:51:40,599 --> 00:51:42,559
BUT I COULD NEVER HOPE
TO BE ANOTHER RITA MONROE.
814
00:51:42,767 --> 00:51:45,729
NO ONE COULD,
DEAR. EVER!
815
00:51:45,937 --> 00:51:47,981
BUT YOU MIGHT
JUST GET BY.
816
00:51:48,189 --> 00:51:51,610
MM-HMM. ONE DAY.
817
00:51:51,818 --> 00:51:56,489
NOW YOU'RE JUST
A NERVOUS, SKINNY KID
818
00:51:56,698 --> 00:51:58,158
OVERWHELMED AT
THE IMPOSSIBILITY
819
00:51:58,366 --> 00:52:00,118
OF TRYING TO
SAVE THE SHOW.
820
00:52:00,327 --> 00:52:01,828
AND ON TOP OF THAT,
YOU HAVE TO FACE
821
00:52:02,037 --> 00:52:03,288
THE BITTER
DISAPPOINTMENT
822
00:52:03,496 --> 00:52:06,333
OF ALL MY FANS
OUT THERE,
823
00:52:06,541 --> 00:52:08,126
WHO SCRIMPED AND
SAVED THEIR PENNIES
824
00:52:08,335 --> 00:52:09,961
WEEK AFTER WEEK
825
00:52:10,170 --> 00:52:11,463
TO COME HERE
THIS AFTERNOON
826
00:52:11,671 --> 00:52:13,632
TO SEE THAT SPECIAL
KIND OF MAGIC
827
00:52:13,840 --> 00:52:15,175
THAT ONLY...
828
00:52:15,383 --> 00:52:19,763
THEIR RITA
CAN GIVE THEM.
829
00:52:19,971 --> 00:52:20,930
OH, WELL.
830
00:52:21,139 --> 00:52:22,307
DO YOU KNOW YOUR STEPS?
NOW SHOW ME
831
00:52:22,515 --> 00:52:24,434
THE BUCK-AND-WING BREAK
FROM THE FIRST DUET.
832
00:52:30,482 --> 00:52:31,816
OH, SORRY, RITA.
833
00:52:34,194 --> 00:52:35,362
YES, WELL, FAKE IT!
834
00:52:35,570 --> 00:52:37,364
THAT'S WHAT I ALWAYS
DID WHENEVER I WAS ILL.
835
00:52:37,572 --> 00:52:39,699
CHANCES ARE THEY'LL
NEVER NOTICE.
836
00:52:39,908 --> 00:52:41,451
OH, AND THEN THERE IS
THAT TRICKY OBBLIGATO
837
00:52:41,660 --> 00:52:43,203
IN THE PIERRETTE NUMBER.
838
00:52:43,411 --> 00:52:49,292
♪♪ AH-AH-AH-AH-AH-AH-AH ♪♪
839
00:52:50,669 --> 00:52:51,961
♪♪ AH-AH-AH-AH...♪♪
840
00:52:52,170 --> 00:52:53,546
(COUGHING)
841
00:52:53,755 --> 00:52:56,633
♪♪ AH-AH-AH-AH-AH... ♪♪
842
00:52:58,885 --> 00:53:01,471
MMM...
OH, WELL,
843
00:53:01,680 --> 00:53:03,139
THAT PARKHILL WOMAN'S
844
00:53:03,348 --> 00:53:04,683
SURE TO BE SINGING FLAT.
845
00:53:04,891 --> 00:53:06,351
OH, THEY'LL
NEVER NOTICE.
846
00:53:06,559 --> 00:53:07,811
OH, AND IF YOU DO
FORGET YOUR LINES,
847
00:53:08,019 --> 00:53:09,354
AD LIB.
848
00:53:09,562 --> 00:53:10,689
IT'LL DESTROY
THE REST CF THE CAST,
849
00:53:10,897 --> 00:53:12,691
BUT AT LEAST
YOU WON'T DRY.
850
00:53:15,235 --> 00:53:17,987
OH, NOW, PULL YOURSELF TOGETHER
AND DON'T WORRY.
851
00:53:18,196 --> 00:53:21,533
THEY'LL FIND A REPLACEMENT
TOMORROW.
852
00:53:21,741 --> 00:53:23,535
NOW GET OUT THERE,
853
00:53:23,743 --> 00:53:27,080
AND BE SO GREAT...
854
00:53:27,288 --> 00:53:28,832
YOU'LL MAKE ME
HATE YOU.
855
00:53:29,040 --> 00:53:31,209
OH, THANK YOU, RITA.
YOU'RE REALLY TOO KIND.
856
00:53:33,712 --> 00:53:36,214
SWEET.
857
00:53:36,423 --> 00:53:42,053
♪♪ I COULD BE HAPPY WITH YOU ♪♪
858
00:53:43,430 --> 00:53:48,727
♪♪ IF YOU COULD BE
HAPPY WITH ME ♪♪
859
00:53:51,104 --> 00:53:54,649
(BIRD WHISTLE CONTINUES)
860
00:54:00,572 --> 00:54:03,575
THEN,
FROM A LITTLE CAFE,
861
00:54:03,783 --> 00:54:08,455
CAME THE STRAINS
OF A WALTZ.
862
00:54:08,663 --> 00:54:10,415
HOW DID IT GO?
863
00:54:10,623 --> 00:54:16,421
♪♪♪♪♪♪
864
00:54:26,806 --> 00:54:30,310
♪♪ I STILL RECALL
SO TENDERLY ♪♪
865
00:54:30,518 --> 00:54:33,438
♪♪ THE NIGHT WHEN
FIRST WE MET ♪♪
866
00:54:33,646 --> 00:54:37,317
♪♪ THE MEMORY'S
SO DEAR TO ME ♪♪
867
00:54:37,525 --> 00:54:41,029
♪♪ SO HOW CAN
YOU FORGET? ♪♪
868
00:54:45,617 --> 00:54:48,453
♪♪ FANCY FORGETTING ♪♪
869
00:54:48,661 --> 00:54:51,623
♪♪ THE LOVE THAT WE KNEW ♪♪
870
00:54:51,831 --> 00:54:56,461
♪♪ WHEN WE WERE
FANCY FREE ♪♪
871
00:54:57,837 --> 00:55:00,465
♪♪ FANCY FORGETTING ♪♪
872
00:55:00,673 --> 00:55:03,760
♪♪ WHAT I SAID TO YOU ♪♪
873
00:55:03,968 --> 00:55:07,639
♪♪ AND WHAT YOU
SAID TO ME ♪♪
874
00:55:10,475 --> 00:55:13,353
♪♪ THOUGH THE YEARS
GO BY ♪♪
875
00:55:13,561 --> 00:55:16,439
♪♪ AND OUR YOUTH
IS GONE ♪♪
876
00:55:16,648 --> 00:55:19,692
♪♪ MEMORIES
DON'T DIE ♪♪
877
00:55:19,901 --> 00:55:25,532
♪♪ LIKE A SONG
THEY LINGER ON ♪♪
878
00:55:25,740 --> 00:55:27,200
TOGETHER: ♪♪ SO JUST WHEN ♪♪
879
00:55:27,408 --> 00:55:28,618
♪♪ I THOUGHT YOU'D ♪♪
880
00:55:28,827 --> 00:55:34,666
♪♪ REMEMBERED IT, TOO ♪♪
881
00:55:36,376 --> 00:55:42,006
♪♪ FANCY, JUST FANCY
YOU FORGETTING ♪♪
882
00:55:46,469 --> 00:55:48,263
(APPLAUSE)
883
00:55:50,890 --> 00:55:54,394
I TOLD YOU
I'D PLAY IT STRAIGHT!
884
00:55:54,602 --> 00:55:57,355
WHOO! HARK
TO THAT!
885
00:55:57,564 --> 00:55:58,648
OOH, I'M REAL SCARED.
886
00:55:58,857 --> 00:56:00,233
I CAN'T REMEMBER A THING!
887
00:56:00,441 --> 00:56:03,528
AH, DON'T WORRY.
888
00:56:03,736 --> 00:56:05,321
AND POLL...
889
00:56:05,530 --> 00:56:08,658
DON'T TRY
TO COPY THE OTHERS.
890
00:56:08,867 --> 00:56:09,742
IF YOU REALLY MEAN
WHAT YOU SAY
891
00:56:09,951 --> 00:56:13,079
ON THE STAGE, YOU CAN'T
GO WRONG.
892
00:56:13,288 --> 00:56:14,706
I'LL LOOK AFTER YOU.
893
00:56:14,914 --> 00:56:16,666
(PIANO PLAYS
PERFECT YOUNG LADIES)
894
00:56:36,185 --> 00:56:37,395
OOH!
895
00:56:40,440 --> 00:56:41,399
OOH!
896
00:56:44,611 --> 00:56:45,737
OOH LA LA!
897
00:56:51,576 --> 00:56:53,953
CLASS DISMISSED!
898
00:56:54,162 --> 00:56:57,582
OOH...OOH...
899
00:56:57,790 --> 00:56:59,584
GIRLS, I KNOW.
900
00:56:59,792 --> 00:57:01,294
LET'S GO AND TRY ON
OUR COSTUMES
901
00:57:01,502 --> 00:57:02,545
BEFORE LUNCHEON!
902
00:57:02,754 --> 00:57:04,714
YES, LET'S!
903
00:57:04,923 --> 00:57:06,591
ARE YOU COMING
TOO, POLLY?
904
00:57:06,799 --> 00:57:08,801
OH, NO.
I THINK I'LL JUST STAY HERE.
905
00:57:09,010 --> 00:57:10,637
I'M EXPECTING
DADDY ANY MOMENT.
906
00:57:10,845 --> 00:57:12,639
AND AREN'T
YOU EXPECTING...
907
00:57:12,847 --> 00:57:13,973
HIM?
908
00:57:14,182 --> 00:57:15,558
HIM? OH.
909
00:57:15,767 --> 00:57:17,977
OH, YES, OF COURSE.
910
00:57:18,186 --> 00:57:19,729
HOW DESPERATELY
SMALL.
911
00:57:19,938 --> 00:57:22,106
OH, LET'S LEAVE HER GO.
SHE WANTS TO BE ALONE.
912
00:57:23,399 --> 00:57:24,776
GOOD-BYE.
913
00:57:32,575 --> 00:57:33,451
MAN: EXCUSEZ-MOI.
914
00:57:33,660 --> 00:57:35,828
OH! YOU STARTLED ME.
915
00:57:36,037 --> 00:57:37,497
I'M SORRY, MISS.
916
00:57:37,705 --> 00:57:40,833
I'M AFRAID I CAME IN
THE WRONG WAY.
917
00:57:41,042 --> 00:57:43,419
THIS IS THE VILLA
CAPRICE, ISN'T IT?
918
00:57:43,628 --> 00:57:45,129
YES.
919
00:57:45,338 --> 00:57:47,423
WELL, I HAVE A PACKAGE HERE FOR
MISS POLLY BROWNE.
920
00:57:47,632 --> 00:57:49,467
OH, REALLY?
HOW FUNNY.
921
00:57:49,676 --> 00:57:51,594
FUNNY? WHY?
922
00:57:51,803 --> 00:57:55,264
BECAUSE I'M
POLLY BROWNE.
923
00:57:55,473 --> 00:57:57,809
WELL, IT'S
A VERY PRETTY NAME.
924
00:57:58,017 --> 00:58:00,520
OH, THANK YOU.
925
00:58:00,728 --> 00:58:01,813
AND YOU LIVE
UP TO IT.
926
00:58:05,525 --> 00:58:06,484
OH!
927
00:58:06,693 --> 00:58:08,945
(CHUCKLING)
I'M SORRY, MISS.
928
00:58:09,153 --> 00:58:09,862
I'M AFRAID I'M
FORGETTING MYSELF.
929
00:58:10,071 --> 00:58:10,989
HERE'S YOUR
PACKAGE.
930
00:58:11,197 --> 00:58:12,490
OH, THANK YOU.
931
00:58:15,702 --> 00:58:17,036
DON'T THEY MAKE
A LOVELY COUPLE?
932
00:58:17,245 --> 00:58:18,997
(TITTERING)
933
00:58:22,959 --> 00:58:24,002
I'M SO SORRY.
934
00:58:28,047 --> 00:58:29,966
I PACKED IT
MYSELF, AND...
935
00:58:30,174 --> 00:58:31,050
WELL, IF YOU DON'T
MIND MY SAYING SO,
936
00:58:31,259 --> 00:58:32,635
IT'S A VERY
PRETTY DRESS.
937
00:58:32,844 --> 00:58:34,554
OH, YES,
IT IS, ISN'T IT?
938
00:58:34,762 --> 00:58:35,680
YES.
939
00:58:39,684 --> 00:58:40,977
I'M SURE THAT YOU'LL...
940
00:58:41,185 --> 00:58:42,562
I MEAN IT...
941
00:58:42,770 --> 00:58:45,189
IT WILL BE THE PRETTIEST
AT THE BALL.
942
00:58:45,398 --> 00:58:48,151
OH, I DON'T
EXPECT SO, REALLY.
943
00:58:48,359 --> 00:58:49,402
I DO.
944
00:58:49,610 --> 00:58:50,695
IN FACT, I KNOW IT.
945
00:58:53,489 --> 00:58:54,574
LI-I
946
00:58:54,782 --> 00:58:57,243
YES?
947
00:58:57,452 --> 00:58:59,662
WELL, PERHAPS
I'D BETTER BE GOING.
948
00:58:59,871 --> 00:59:00,997
OH, YES.
949
00:59:02,915 --> 00:59:04,625
OH, NO!
950
00:59:06,753 --> 00:59:10,256
OH, YES.
PERHAPS YOU HAD.
951
00:59:10,465 --> 00:59:12,884
ACCENT! ACCENT!
952
00:59:13,092 --> 00:59:15,219
I SAY!
953
00:59:15,428 --> 00:59:17,096
YES?
954
00:59:17,305 --> 00:59:19,766
YOU'RE ENGLISH,
AREN'T YOU?
955
00:59:19,974 --> 00:59:22,268
YES, AS A MATTER
OF FACT, I AM.
956
00:59:22,477 --> 00:59:24,687
YOU DON'T SEEM LIKE
A MESSENGER BOY SOMEHOW.
957
00:59:24,896 --> 00:59:25,772
DON'T I?
958
00:59:25,980 --> 00:59:27,690
WELL...TO TELL YOU THE
TRUTH,
959
00:59:27,899 --> 00:59:29,525
I DON'T USUALLY
DO THIS SORT OF THING,
960
00:59:29,734 --> 00:59:31,360
BUT JUST AT THE MOMENT,
961
00:59:31,569 --> 00:59:34,447
I'M AFRAID I'M RATHER
ON MY BEAM-ENDS.
962
00:59:34,655 --> 00:59:37,075
OH, WHAT A SHAME.
963
00:59:46,626 --> 00:59:48,294
AND AT CARNIVAL TIME, TOO.
964
00:59:48,503 --> 00:59:51,422
YES, IT'S A PITY, ISN'T IT?
I WAS HOPING I'D BE ABLE
965
00:59:51,631 --> 00:59:53,633
TO GO TO THE BALL TONIGHT.
966
00:59:53,841 --> 00:59:54,634
I'LL BE WATCHING.
967
00:59:54,842 --> 00:59:56,302
OH, WILL YOU?
968
00:59:56,511 --> 00:59:59,722
YES, OF COURSE.
969
00:59:59,931 --> 01:00:01,724
WHY DON'T YOU COME, TOO?
970
01:00:01,933 --> 01:00:04,310
ME, COME TO THE BALL?
971
01:00:04,519 --> 01:00:05,603
YES, WHY NOT?
972
01:00:05,812 --> 01:00:07,772
I'VE GOT AN EXTRA TICKET, AND...
973
01:00:07,980 --> 01:00:09,649
OH, DEAR.
974
01:00:09,857 --> 01:00:11,943
YOU MUST THINK ME
TERRIBLY FORWARD!
975
01:00:12,151 --> 01:00:13,903
NO, I DON'T!
976
01:00:14,112 --> 01:00:16,489
LI-I
977
01:00:16,697 --> 01:00:17,490
I THINK YOU'RE...
978
01:00:17,698 --> 01:00:20,159
TERRIBLY...TERRIBLY...
979
01:00:20,368 --> 01:00:22,120
(MUSIC PLAYS)
980
01:00:28,000 --> 01:00:31,003
MAN SINGS: ♪♪ I DON'T CLAIM
THAT I AM PSYCHIC ♪♪
981
01:00:31,212 --> 01:00:32,797
♪♪ BUT ONE LOOK AT YOU ♪♪
982
01:00:33,005 --> 01:00:34,966
(MOUTHS WORDS)
♪♪ AND I KICK AWAY ♪♪
983
01:00:35,174 --> 01:00:36,968
♪♪ EVERY SCRUPLE
I LEARNED AS A PUPIL ♪♪
984
01:00:37,176 --> 01:00:40,680
♪♪ IN SCHOOL, MY DEAR ♪♪
985
01:00:40,888 --> 01:00:44,100
WOMAN: ♪♪ I'M NOT ONE
TO MAKE PREDICTIONS ♪♪
986
01:00:44,308 --> 01:00:47,145
♪♪ BUT I'VE THROWN OFF
ALL RESTRICTIONS ♪♪
987
01:00:47,353 --> 01:00:49,772
♪♪ AND BY CONFESSING
I THINK IT'S A BLESSING ♪♪
988
01:00:49,981 --> 01:00:54,193
♪♪ THAT YOU ARE HERE ♪♪
989
01:00:54,402 --> 01:00:55,778
(BOTH MOUTHING)
m: THOUGH I'M PREPARED m:
990
01:00:55,987 --> 01:00:59,615
♪♪ TO FIND I'M WRONG ♪♪
991
01:00:59,824 --> 01:01:02,368
♪♪ I'VE GOT A FUNNY FEELING ♪♪
992
01:01:02,577 --> 01:01:08,166
♪♪ WE BELONG TOGETHER ♪♪
993
01:01:09,041 --> 01:01:09,876
(REAL SINGING)
994
01:01:10,084 --> 01:01:11,335
♪♪ I COULD BE HAPPY ♪♪
995
01:01:11,544 --> 01:01:14,547
♪♪ WITH YOU ♪♪
996
01:01:14,755 --> 01:01:17,633
♪♪ IF YOU COULD BE HAPPY ♪♪
997
01:01:17,842 --> 01:01:21,512
♪♪ WITH ME ♪♪
998
01:01:21,721 --> 01:01:24,390
♪♪ I'D BE CONTENTED ♪♪
999
01:01:24,599 --> 01:01:27,810
♪♪ TO LIVE ANYWHERE ♪♪
1000
01:01:28,019 --> 01:01:31,397
♪♪ WHAT WOULD I CARE? ♪♪
1001
01:01:31,606 --> 01:01:35,067
♪♪ AS LONG AS YOU WERE THERE ♪♪
1002
01:01:35,276 --> 01:01:37,904
♪♪ SKIES MAY NOT ALWAYS ♪♪
1003
01:01:38,112 --> 01:01:41,073
♪♪ BE BLUE ♪♪
1004
01:01:41,282 --> 01:01:44,202
♪♪ BUT ONE THING IS CLEAR AS ♪♪
1005
01:01:44,410 --> 01:01:46,871
♪♪ CAN BE ♪♪
1006
01:01:47,079 --> 01:01:49,040
♪♪ I KNOW THAT I COULD ♪♪
1007
01:01:49,248 --> 01:01:50,750
♪♪ BE HAPPY ♪♪
1008
01:01:50,958 --> 01:01:53,920
♪♪ WITH YOU, MY DARLING ♪♪
1009
01:01:54,128 --> 01:01:56,505
♪♪ IF YOU COULD BE HAPPY ♪♪
1010
01:01:56,714 --> 01:01:57,882
♪♪ WITH ♪♪
1011
01:01:58,090 --> 01:01:59,592
(RECORD SKIPS)
♪♪ HAPPY WITH ♪♪
1012
01:01:59,800 --> 01:02:01,552
♪♪ HAPPY WITH ♪♪
1013
01:02:01,761 --> 01:02:03,429
♪♪ HAPPY WITH ♪♪
1014
01:02:03,638 --> 01:02:05,556
♪♪ HAPPY WITH ♪♪
1015
01:02:05,765 --> 01:02:07,600
♪♪ HAPPY WITH ♪♪
1016
01:02:07,808 --> 01:02:09,560
♪♪ HAPPY WITH ♪♪
1017
01:02:09,769 --> 01:02:12,230
♪♪ HAPPY WITH... ♪♪
1018
01:02:29,622 --> 01:02:31,165
(WALTZING MUSIC)
1019
01:07:01,685 --> 01:07:03,187
THEN YOU WILL COME
TO THE BALL?
1020
01:07:03,395 --> 01:07:05,231
WELL, I'LL TRY.
1021
01:07:05,439 --> 01:07:07,525
I'LL HAVE TO SEE
ABOUT A COSTUME.
1022
01:07:07,733 --> 01:07:10,236
THERE'S A PIERROT'S
COSTUME AT GASTON'S.
1023
01:07:10,444 --> 01:07:12,029
COULDN'T YOU
BORROW IT?
1024
01:07:12,238 --> 01:07:14,532
WELL, I'LL SEE.
1025
01:07:14,740 --> 01:07:15,866
HOW CAN I LET YOU KNOW?
1026
01:07:16,075 --> 01:07:18,577
OH, LET ME THINK.
1027
01:07:18,786 --> 01:07:22,164
I'LL BE ON THE PLAGE
AT 3:00 THIS AFTERNOON...
1028
01:07:22,373 --> 01:07:24,750
ON THE CRAZY
GOLF COURSE.
1029
01:07:24,959 --> 01:07:26,085
GOOD-BYE TILL THEN.
1030
01:07:26,293 --> 01:07:30,339
GOOD-BYE.
1031
01:07:30,548 --> 01:07:33,092
AND I DON'T EVEN KNOW
HIS NAME.
1032
01:07:33,300 --> 01:07:35,094
POLLY! OH, POLLY!
1033
01:07:35,302 --> 01:07:37,221
I HAVE A VISITOR FOR YOU.
DADDY!
1034
01:07:37,429 --> 01:07:38,430
I'M SO HAPPY!
1035
01:07:38,639 --> 01:07:40,349
ARE YOU, MY DEAR? I'M
GLAD TO HEAR IT.
1036
01:07:40,558 --> 01:07:41,600
HAS HE ARRIVED YET,
POLLY?
1037
01:07:41,809 --> 01:07:43,227
YES, HE'S ARRIVED.
1038
01:07:45,437 --> 01:07:47,064
HE'S REALLY ARRIVED.
1039
01:07:47,273 --> 01:07:49,733
ALL: HEY!
1040
01:07:49,942 --> 01:07:52,236
♪♪ THEY'RE BLUE WITHOUT ♪♪
1041
01:07:52,444 --> 01:07:54,613
♪♪ CAN'T DO WITHOUT ♪♪
1042
01:07:54,822 --> 01:07:56,615
♪♪ AREN'T WE JUST ♪♪
1043
01:07:56,824 --> 01:07:59,618
♪♪ ONE PLUS TWO WITHOUT ♪♪
1044
01:07:59,827 --> 01:08:03,455
♪♪ THAT CERTAIN BIG BOY ♪♪
1045
01:08:03,664 --> 01:08:08,961
♪♪ THE BOY FRIEND? ♪♪
1046
01:08:09,169 --> 01:08:10,921
(APPLAUSE)
1047
01:11:18,901 --> 01:11:22,279
♪♪ IN MY IMAGINATION ♪♪
1048
01:11:22,488 --> 01:11:25,824
♪♪ I SEARCH THE STARLIT
SKY SO BRIGHT ♪♪
1049
01:11:26,033 --> 01:11:29,161
♪♪ IN MY IMAGINATION ♪♪
1050
01:11:29,369 --> 01:11:33,582
♪♪ THERE I SAW YOU
IN THE NIGHT ♪♪
1051
01:11:33,791 --> 01:11:37,294
♪♪ AND THEN ONE DAY
I FOUND YOU ♪♪
1052
01:11:37,503 --> 01:11:41,006
♪♪ HOW COULD I HELP
BUT REALIZE ♪♪
1053
01:11:41,215 --> 01:11:44,510
♪♪ MY LUCKY STAR WAS SMILING ♪♪
1054
01:11:44,718 --> 01:11:49,932
♪♪ RIGHT THERE BEFORE
MY VERY EYES? ♪♪
1055
01:11:50,140 --> 01:11:51,475
♪♪ YOU ♪♪
1056
01:11:51,683 --> 01:11:53,101
♪♪ ARE MY ♪♪
1057
01:11:53,310 --> 01:11:56,188
♪♪ LUCKY STAR ♪♪
1058
01:11:56,396 --> 01:11:59,316
♪♪ I SAW YOU ♪♪
1059
01:11:59,525 --> 01:12:02,861
♪♪ FROM AFAR ♪♪
1060
01:12:03,070 --> 01:12:05,030
♪♪ TWO LOVELY EYES AT ME ♪♪
1061
01:12:05,239 --> 01:12:08,492
♪♪ THEY WERE GLEAMING ♪♪
1062
01:12:08,700 --> 01:12:11,787
♪♪ BEAMING ♪♪
1063
01:12:11,995 --> 01:12:15,040
♪♪ I WAS STAR STRUCK ♪♪
1064
01:12:15,249 --> 01:12:17,209
♪♪ YOU WORE ♪♪
1065
01:12:17,417 --> 01:12:20,712
♪♪ MY LUCKY CHARMS ♪♪
1066
01:12:20,921 --> 01:12:23,841
♪♪ I'M LUCKY ♪♪
1067
01:12:24,049 --> 01:12:27,135
♪♪ IN YOUR ARMS ♪♪
1068
01:12:27,344 --> 01:12:30,180
♪♪ YOU OPENED HEAVEN'S PORTAL ♪♪
1069
01:12:30,389 --> 01:12:34,226
♪♪ HERE ON EARTH
FOR THIS POOR MORTAL ♪♪
1070
01:12:34,434 --> 01:12:36,854
♪♪ YOU ARE ♪♪
1071
01:12:37,062 --> 01:12:41,567
♪♪ MY LUCKY STAR ♪♪
1072
01:12:41,775 --> 01:12:45,362
(SPEAKS FRENCH)
1073
01:12:45,571 --> 01:12:46,405
EY?
1074
01:12:46,613 --> 01:12:48,407
HE SAYS YOU WERE
LOVELY, DARLING.
1075
01:12:48,615 --> 01:12:49,575
OH, YOU SPEAK
FRENCH?
1076
01:12:49,783 --> 01:12:53,203
(SPEAKING FRENCH)
1077
01:12:53,412 --> 01:12:55,080
...COLLEGE DE BRIGHTON.
1078
01:12:55,289 --> 01:12:57,416
EN FRANCE,
NATURELLEMENT.
1079
01:12:57,624 --> 01:12:58,750
(CHUCKLES)
1080
01:12:58,959 --> 01:13:03,171
(SPEAKING FRENCH)
1081
01:13:03,380 --> 01:13:06,258
MERCI,
MADEMOISELLE.
1082
01:13:06,466 --> 01:13:10,095
AU REVOIR,
MADEMOISELLE.
1083
01:13:10,304 --> 01:13:13,390
THAT MEANS
GOOD-BYE, MISS.
1084
01:13:13,599 --> 01:13:15,058
SHE'S ONLY AN UNDERSTUDY,
YOU KNOW.
1085
01:13:15,267 --> 01:13:16,810
NOT A REAL ACTRESS.
1086
01:13:18,896 --> 01:13:21,773
(INDISTINCT CONVERSATION)
1087
01:13:21,982 --> 01:13:25,485
(SPEAKING FRENCH)
1088
01:13:28,947 --> 01:13:31,450
I HAVE A FEW PHOTOGRAPHS
HERE OF OUR PAST SUCCESSES
1089
01:13:31,658 --> 01:13:32,951
THAT MIGHT INTEREST YOU,
MR. DETHRILL.
1090
01:13:33,160 --> 01:13:35,245
THAT'S ME
IN THE CHINESE BUNGALOW.
1091
01:13:35,454 --> 01:13:36,914
AND WHAT ARE YOU HERE?
1092
01:13:37,122 --> 01:13:39,583
OH, THAT'S ME AS HAMLET.
A TRAGEDY.
1093
01:13:39,791 --> 01:13:40,959
A TRAVESTY.
1094
01:13:41,168 --> 01:13:43,462
HERE I AM IN THE LUCK
OF THE NAVY.
1095
01:13:43,670 --> 01:13:47,215
(SPEAKING FRENCH)
1096
01:13:55,057 --> 01:13:58,602
...MERCI...
(CONTINUES IN FRENCH)
1097
01:14:11,239 --> 01:14:12,115
(CHUCKLES)
1098
01:14:12,324 --> 01:14:13,158
HA HA HA HA HA.
1099
01:14:13,367 --> 01:14:14,993
(ALL LAUGH)
1100
01:14:15,202 --> 01:14:16,119
(SNOOTY FRENCH)
1101
01:14:16,328 --> 01:14:17,120
SHADDUP.
1102
01:14:17,329 --> 01:14:21,083
(SPEAKING FRENCH)
1103
01:14:24,503 --> 01:14:25,754
OUI.
1104
01:14:25,963 --> 01:14:28,340
HAH!
1105
01:14:28,548 --> 01:14:29,675
HAH!
1106
01:14:29,883 --> 01:14:31,802
ALL: AAH!
1107
01:14:32,010 --> 01:14:35,764
(SEVERAL SPEAKING FRENCH)
1108
01:14:41,353 --> 01:14:43,522
THAT CHAMPAGNE
COST MONEY!
1109
01:14:43,730 --> 01:14:45,315
WE SHOULD BE SAFE IN HERE.
1110
01:14:45,524 --> 01:14:46,733
POLLY!
1111
01:14:49,361 --> 01:14:53,615
WE THOUGHT YOU WERE
WITH THE OTHERS.
1112
01:14:53,824 --> 01:14:54,825
SORRY.
1113
01:14:55,033 --> 01:14:56,702
E-EXCUSE US.
1114
01:14:56,910 --> 01:14:58,328
COME ON,
DULCIE.
1115
01:15:00,956 --> 01:15:02,791
(BABY CRIES)
1116
01:15:03,000 --> 01:15:04,751
(PIANO PLAYS)
1117
01:15:07,546 --> 01:15:13,176
♪♪♪♪♪♪
1118
01:15:49,171 --> 01:15:50,672
♪♪ WHAT A LOVELY DAY ♪♪
1119
01:15:50,881 --> 01:15:52,174
♪♪ WHAT A LOVELY DAY ♪♪
1120
01:15:52,382 --> 01:15:55,594
♪♪ FOR A DIP IN THE SEA ♪♪
1121
01:15:55,802 --> 01:15:58,764
♪♪ OH, WHAT FUN IT WILL BE ♪♪
1122
01:15:58,972 --> 01:16:02,184
♪♪ WON'T YOU COME
AND HAVE A SWIM WITH ME? ♪♪
1123
01:16:02,392 --> 01:16:05,520
♪♪ BUT WHATEVER YOU DO,
WHEN I'M SWIMMING WITH YOU ♪♪
1124
01:16:05,729 --> 01:16:08,774
♪♪ PLEASE REMEMBER
NOT TO GO TOO FAR ♪♪
1125
01:16:08,982 --> 01:16:11,943
♪♪ THOUGH YOU MAY LOOK CUTE
IN YOUR BATHING SUIT ♪♪
1126
01:16:12,152 --> 01:16:15,781
♪♪ WE DON'T KNOW WHO YOU ARE ♪♪
1127
01:16:15,989 --> 01:16:19,117
♪♪ THERE'S NO KNOWING
WHO YOU ARE GOING TO ♪♪
1128
01:16:19,326 --> 01:16:22,621
♪♪ MEET SUR LA PLAGE ♪♪
1129
01:16:22,829 --> 01:16:26,124
♪♪ YOU MAY RUN UP
AGAINST A RAJAH ♪♪
1130
01:16:26,333 --> 01:16:27,459
♪♪ OR MAYBE YOUR MAN ♪♪
1131
01:16:27,667 --> 01:16:29,044
♪♪ WILL BE
A POOR MAN ♪♪
1132
01:16:29,252 --> 01:16:31,963
♪♪ SAL OR SUSIE CANNOT
BE CHOOSY ♪♪
1133
01:16:32,172 --> 01:16:35,258
♪♪ FOR HERE LOVE'S
A GUESSING GAME ♪♪
1134
01:16:35,467 --> 01:16:38,887
♪♪ SUR LA PLAGE,
SUR LA PLAGE ♪♪
1135
01:16:39,096 --> 01:16:43,308
♪♪ EVERYONE LOOKS THE SAME ♪♪
1136
01:16:43,517 --> 01:16:44,309
HUBERT!
1137
01:16:44,518 --> 01:16:45,936
HUBERT, WHAT ARE
YOU DOING?
1138
01:16:46,144 --> 01:16:46,978
NOTHING,
MY DEAR.
1139
01:16:47,187 --> 01:16:48,480
JUST ADMIRING
THE VIEW.
1140
01:16:48,688 --> 01:16:50,398
SO DIFFERENT
FROM BOGNOR, ISN'T IT?
1141
01:16:50,607 --> 01:16:53,318
MUCH PRETTIER.
I FEEL 20 YEARS YOUNGER.
1142
01:16:53,527 --> 01:16:56,279
AND BEHAVING ACCORDINGLY,
I NOTICED!
1143
01:16:58,782 --> 01:17:01,284
REALLY, HUBERT,
HOW CAN YOU AFTER OUR LAST...
1144
01:17:01,493 --> 01:17:03,328
OH, NOW, HILDA,
DON'T TAKE ON SO.
1145
01:17:03,537 --> 01:17:05,122
TONY ISN'T DEAD,
YOU KNOW.
1146
01:17:05,330 --> 01:17:06,498
HIS NOTE SAID
HE WAS OFF TO NICE.
1147
01:17:06,706 --> 01:17:08,959
BUT HE HASN'T ANY MONEY.
WE MUST FIND HIM.
1148
01:17:09,167 --> 01:17:10,252
DO SOMETHING, HUBERT!
1149
01:17:10,460 --> 01:17:12,212
VERY WELL, MY DEAR!
1150
01:17:18,176 --> 01:17:19,010
(HONK HONK HONK HONK)
1151
01:17:19,219 --> 01:17:20,804
OH, HOW DARE YOU!
1152
01:17:27,352 --> 01:17:28,478
STOP IT!
1153
01:17:28,687 --> 01:17:32,149
♪♪ SUR LA PLAGE,
SUR LA PLAGE ♪♪
1154
01:17:32,357 --> 01:17:34,609
♪♪ EVERYONE LOOKS THE SAME ♪♪
1155
01:18:06,558 --> 01:18:08,185
♪♪ THERE'S NO SAYING WHO ♪♪
1156
01:18:08,393 --> 01:18:09,853
♪♪ MAY BE PLAYING WITH ♪♪
1157
01:18:10,061 --> 01:18:13,565
♪♪ YOU SUR LA PLAGE ♪♪
1158
01:18:13,773 --> 01:18:16,735
♪♪ A KNIGHT WHO'S LEFT
BEHIND HIS CHARGER ♪♪
1159
01:18:16,943 --> 01:18:18,236
♪♪ MAY CALL YOU
DUCKY ♪♪
1160
01:18:18,445 --> 01:18:20,030
♪♪ WON'T YOU
BE LUCKY? ♪♪
1161
01:18:20,238 --> 01:18:23,033
♪♪ IN THE OCEAN,
YOU'LL FIND EMOTION ♪♪
1162
01:18:23,241 --> 01:18:26,244
♪♪ MAY PLAY YOU
A FUNNY GAME ♪♪
1163
01:18:26,453 --> 01:18:30,040
♪♪ SUR LA PLAGE,
SUR LA PLAGE ♪♪
1164
01:18:30,248 --> 01:18:31,583
♪♪ EVERYONE LOOKS THE ♪♪
1165
01:18:31,791 --> 01:18:33,251
♪♪ EVERYONE LOOKS THE ♪♪
1166
01:18:33,460 --> 01:18:37,088
♪♪ EVERYONE LOOKS THE SAME ♪♪
1167
01:18:37,297 --> 01:18:39,049
(APPLAUSE)
1168
01:18:44,095 --> 01:18:46,681
OH! HA HA! OOH...
1169
01:18:52,062 --> 01:18:53,521
(GIGGLES)
1170
01:18:53,730 --> 01:18:54,522
WHAT DO YOU WEAR
THAT FOR,
1171
01:18:54,731 --> 01:18:56,233
TO KEEP WARM
IN BED?
1172
01:18:56,441 --> 01:18:57,901
SO ME OWN WIFE
WON'T RECOGNIZE ME.
1173
01:18:58,109 --> 01:18:59,069
OH, YOU! (GIGGLES)
1174
01:18:59,277 --> 01:19:00,403
OOH, COME HERE.
1175
01:19:02,530 --> 01:19:04,366
OH, THERE YOU ARE!
1176
01:19:04,574 --> 01:19:07,118
YES. DID YOU THINK
I WASN'T COMING?
1177
01:19:07,327 --> 01:19:10,205
WELL...l WASN'T SURE.
1178
01:19:10,413 --> 01:19:12,374
WELL, YOU OUGHT
TO HAVE BEEN.
1179
01:19:12,582 --> 01:19:14,417
OH, AND I'VE SEEN
MONSIEUR GASTON
1180
01:19:14,626 --> 01:19:16,711
ABOUT A COSTUME,
AND IT'S ALRIGHT.
1181
01:19:16,920 --> 01:19:19,256
NOW I SHALL REALLY
ENJOY THE CARNIVAL BALL.
1182
01:19:19,464 --> 01:19:21,800
SO SHALL l.
1183
01:19:22,008 --> 01:19:23,802
BY JOVE...
1184
01:19:24,010 --> 01:19:24,928
I NEVER THOUGHT
I SHOULD BE GOING TO IT
1185
01:19:25,136 --> 01:19:28,098
WITH ANYONE LIKE YOU.
1186
01:19:28,306 --> 01:19:30,642
MAKES ME FEEL RATHER
NERVOUS, REALLY.
1187
01:19:30,850 --> 01:19:32,811
NERVOUS? WHY?
1188
01:19:33,019 --> 01:19:34,271
WELL...
1189
01:19:34,479 --> 01:19:35,230
ME JUST
A MESSENGER BOY,
1190
01:19:35,438 --> 01:19:37,399
AND YOU A RICH
YOUNG LADY
1191
01:19:37,607 --> 01:19:39,317
FROM THE VILLA CAPRICE.
1192
01:19:39,526 --> 01:19:44,155
RICH? OH...
I AIN'T RICH.
1193
01:19:44,364 --> 01:19:47,409
I THOUGHT YOU COULD
TELL THAT BY ME ACCENT.
1194
01:19:47,617 --> 01:19:49,786
I JUST WORK THERE AS...
1195
01:19:49,995 --> 01:19:54,666
AS...MADAME DUBONNET'S
SECRETARY!
1196
01:19:54,874 --> 01:19:56,793
DO YOU HONESTLY?
1197
01:19:57,002 --> 01:19:59,671
Y-YES.
1198
01:19:59,879 --> 01:20:00,922
WELL, THEN...
1199
01:20:01,131 --> 01:20:02,924
WE'RE NOT SO DIFFERENT
AFTER ALL.
1200
01:20:05,010 --> 01:20:06,219
NO.
1201
01:20:09,472 --> 01:20:12,350
I'M SO GLAD.
1202
01:20:12,559 --> 01:20:13,518
I THOUGHT YOU'D
ONLY LIKE...
1203
01:20:13,727 --> 01:20:14,936
THE GRAND LIFE.
1204
01:20:15,145 --> 01:20:17,355
YOU KNOW, BIG CARS
AND DIAMONDS
1205
01:20:17,564 --> 01:20:18,940
AND CHAMPAGNE.
1206
01:20:19,149 --> 01:20:20,817
OH, NO.
1207
01:20:21,026 --> 01:20:25,196
I'M QUITE CONTENT
WITH SIMPLE THINGS.
1208
01:20:25,405 --> 01:20:27,324
HOW RIPPING.
1209
01:20:27,532 --> 01:20:29,159
SO AM I.
1210
01:20:29,367 --> 01:20:35,165
♪♪♪♪♪♪
1211
01:20:37,667 --> 01:20:41,004
♪♪ A LIFE OF WEALTH DOES NOT
APPEAL TO ME AT ALL ♪♪
1212
01:20:41,212 --> 01:20:42,547
♪♪ DO YOU AGREE AT ALL? ♪♪
1213
01:20:42,756 --> 01:20:44,966
♪♪ I DO ♪♪
1214
01:20:45,175 --> 01:20:48,178
♪♪ THE MERE IDEA OF LIVING
IN A PALACE IS ♪♪
1215
01:20:48,386 --> 01:20:50,221
♪♪ SO FULL OF FALLACIES ♪♪
1216
01:20:50,430 --> 01:20:52,724
♪♪ THAT'S TRUE ♪♪
1217
01:20:52,932 --> 01:20:54,392
♪♪ I'VE GOT
A VERY DIFFERENT ♪♪
1218
01:20:54,601 --> 01:20:56,728
♪♪ SORT OF SCHEME
IN MIND ♪♪
1219
01:20:56,936 --> 01:20:59,064
♪♪ IT'S JUST A DREAM
DESIGNED ♪♪
1220
01:20:59,272 --> 01:21:02,067
♪♪ FOR TWO ♪♪
1221
01:21:02,275 --> 01:21:05,236
♪♪ WOULD YOU CARE
TO HEAR ABOUT IT ♪♪
1222
01:21:05,445 --> 01:21:07,197
♪♪ DEAR? ♪♪
1223
01:21:07,405 --> 01:21:09,532
♪♪ WOULD I CARE TO? ♪♪
1224
01:21:09,741 --> 01:21:12,202
♪♪ CAN YOU DOUBT IT ♪♪
1225
01:21:12,410 --> 01:21:14,996
♪♪ DEAR? ♪♪
1226
01:21:15,205 --> 01:21:17,999
♪♪ ALL I WANT IS A ROOM ♪♪
1227
01:21:18,208 --> 01:21:20,085
♪♪ IN BLOOMS ♪♪
1228
01:21:20,293 --> 01:21:22,504
♪♪ BURY ♪♪
1229
01:21:22,712 --> 01:21:25,256
♪♪ JUST A ROOM
THAT WILL DO ♪♪
1230
01:21:25,465 --> 01:21:27,217
♪♪ FOR YOU ♪♪
1231
01:21:27,425 --> 01:21:29,677
♪♪ AND ME ♪♪
1232
01:21:29,886 --> 01:21:31,429
♪♪ ONE ROOM'S ♪♪
1233
01:21:31,638 --> 01:21:33,598
♪♪ ENOUGH FOR US ♪♪
1234
01:21:33,807 --> 01:21:37,435
♪♪ THOUGH IT'S ON
THE TOP FLOOR ♪♪
1235
01:21:37,644 --> 01:21:38,937
♪♪ LIFE MAY ♪♪
1236
01:21:39,145 --> 01:21:41,439
♪♪ BE ROUGH FOR US ♪♪
1237
01:21:41,648 --> 01:21:45,777
♪♪ BUT ITS TROUBLES
WE'LL IGNORE ♪♪
1238
01:21:45,985 --> 01:21:48,363
♪♪ WHILE I'M READING
A BOOK ♪♪
1239
01:21:48,571 --> 01:21:50,240
♪♪ I'LL COOK ♪♪
1240
01:21:50,448 --> 01:21:53,076
♪♪ A STEW ♪♪
1241
01:21:53,284 --> 01:21:55,787
♪♪ THEN I'LL BAKE
A PLUM DUFF ♪♪
1242
01:21:55,995 --> 01:21:57,580
♪♪ ENOUGH ♪♪
1243
01:21:57,789 --> 01:21:59,874
♪♪ FOR TWO ♪♪
1244
01:22:00,083 --> 01:22:01,543
♪♪ YOU'LL BE SITTING ♪♪
1245
01:22:01,751 --> 01:22:03,586
♪♪ AND YOU'LL BE
KNITTING ♪♪
1246
01:22:03,795 --> 01:22:07,799
♪♪ AND SO CONTENTED
WE'LL BE ♪♪
1247
01:22:08,007 --> 01:22:12,720
♪♪ IN OUR DEAR LITTLE
ROOM IN BLOOMSBURY ♪♪
1248
01:26:47,912 --> 01:26:50,581
♪♪ ALL WE WANT IS A ROOM ♪♪
1249
01:26:50,790 --> 01:26:52,333
♪♪ IN BLOOMS ♪♪
1250
01:26:52,542 --> 01:26:55,002
♪♪ BURY ♪♪
1251
01:26:55,211 --> 01:26:57,380
♪♪ JUST A ROOM
THAT WILL DO ♪♪
1252
01:26:57,588 --> 01:26:59,257
♪♪ FOR YOU ♪♪
1253
01:26:59,465 --> 01:27:01,426
♪♪ AND ME ♪♪
1254
01:27:01,634 --> 01:27:04,929
♪♪ I'LL SEW THE COVERS FOR ♪♪
1255
01:27:05,138 --> 01:27:08,516
♪♪ TWO OLD COZY ARMCHAIRS ♪♪
1256
01:27:08,725 --> 01:27:11,936
♪♪ NEIGHBORS WILL LOVE US FOR ♪♪
1257
01:27:12,145 --> 01:27:15,898
♪♪ WE SHALL LAUGH
AT ALL OUR CARES ♪♪
1258
01:27:16,107 --> 01:27:18,568
♪♪ FROM THE HEAVENS ABOVE ♪♪
1259
01:27:18,776 --> 01:27:22,739
♪♪ OUR LOVE WILL BRING ♪♪
1260
01:27:22,947 --> 01:27:25,408
♪♪ SUCH A BUNDLE OF JOY ♪♪
1261
01:27:25,616 --> 01:27:29,245
♪♪ OUR HEARTS WILL SING ♪♪
1262
01:27:29,454 --> 01:27:30,621
♪♪ LIFE'S SO JOLLY ♪♪
1263
01:27:30,830 --> 01:27:32,707
♪♪ FOR ME AND POLLY ♪♪
1264
01:27:32,915 --> 01:27:36,627
♪♪ A HAPPY FAMILY ARE WE ♪♪
1265
01:27:36,836 --> 01:27:42,425
♪♪ ALL WE WANT IS A ROOM
IN BLOOMSBURY ♪♪
1266
01:27:43,426 --> 01:27:44,719
(APPLAUSE)
1267
01:27:51,601 --> 01:27:53,019
SHH!
1268
01:28:03,738 --> 01:28:04,989
MADEMOISELLE BROWNE,
1269
01:28:05,198 --> 01:28:06,407
WHAT WOULD
MADAME DUBONNET SAY
1270
01:28:06,616 --> 01:28:07,617
IF SHE SAW YOU CARRYING ON
1271
01:28:07,825 --> 01:28:08,951
WITH A MESSENGER BOY!
1272
01:28:09,160 --> 01:28:11,788
OH, PLEASE DON'T TELL
HER, HORTENSE! PLEASE!
1273
01:28:11,996 --> 01:28:13,956
MADEMOISELLE,
PLEASE.
1274
01:28:14,165 --> 01:28:16,000
WELL, ALRIGHT.
1275
01:28:16,209 --> 01:28:19,003
AFTER ALL, IT IS
CARNIVAL TIME!
1276
01:28:19,212 --> 01:28:21,005
OH, MADEMOISELLE!
OH, THANK YOU!
1277
01:28:21,214 --> 01:28:23,007
AU REVOIR,
AU REVOIR!
1278
01:28:23,216 --> 01:28:25,510
GOOD-BYE! OH!
1279
01:28:25,718 --> 01:28:27,011
HORTENSE, DO TELL!
1280
01:28:27,220 --> 01:28:28,679
WAS THAT MADEMOISELLE BROWNE
WITH HER BEAU?
1281
01:28:28,888 --> 01:28:30,264
I HAVE NO IDEA!
(GASPS)
1282
01:28:30,473 --> 01:28:31,307
OH, YES YOU HAVE.
1283
01:28:31,516 --> 01:28:34,185
GO ON, HORTENSE,
DO TELL!
1284
01:28:34,393 --> 01:28:37,104
HORTENSE, IS HE
TERRIBLY SLICK AND HANDSOME?
1285
01:28:37,313 --> 01:28:38,648
I DO NOT KNOW WHAT
YOU ARE TALKING ABOUT!
1286
01:28:38,856 --> 01:28:40,441
OH, ISN'T SHE MEAN?
1287
01:28:40,650 --> 01:28:42,193
IF YOU JUST TELL ME
WHAT HE'S LIKE, HORTENSE,
1288
01:28:42,401 --> 01:28:44,111
I'LL GIVE YOU THAT
HANDKERCHIEF SACHET!
1289
01:28:44,320 --> 01:28:46,697
AND I'LL GIVE YOU
THOSE CROCHETED FLOWERS.
1290
01:28:46,906 --> 01:28:49,492
MEN: AND WE'LL GIVE YOU
A RIDE IN HIS CAR.
1291
01:28:49,700 --> 01:28:51,494
OH, YEAH!
1292
01:28:51,702 --> 01:28:53,621
(SPEAKS FRENCH)
1293
01:28:53,830 --> 01:28:56,541
IT IS NOT SEEMLY TO BE
SO CURIOUS ABOUT A YOUNG MAN.
1294
01:28:56,749 --> 01:28:57,834
AND WHY NOT?
1295
01:28:58,042 --> 01:28:59,877
HAVEN'T YOU EVER
BEEN CURIOUS,
1296
01:29:00,086 --> 01:29:01,170
HORTENSE?
1297
01:29:01,379 --> 01:29:04,215
ALL: HORTENSE, DO TELL!
1298
01:29:04,423 --> 01:29:07,301
OOH LA LA!
1299
01:29:07,510 --> 01:29:08,302
HORTENSE
IS NOT SO PRIM
1300
01:29:08,511 --> 01:29:09,220
AS SHE PRETENDS, EH?
1301
01:29:09,428 --> 01:29:11,222
OOH!
1302
01:29:11,430 --> 01:29:13,057
OF COURSE SHE ISN'T.
1303
01:29:13,266 --> 01:29:15,726
AFTER ALL,
SHE IS FRENCH.
1304
01:29:15,935 --> 01:29:17,645
YES, I AM! WITH...
1305
01:29:17,854 --> 01:29:19,188
HOW DO YOU SAY IT...
1306
01:29:19,397 --> 01:29:20,731
KNOBS ON.
1307
01:29:20,940 --> 01:29:21,482
CRIKEY, THE WIFE.
1308
01:29:21,691 --> 01:29:22,733
AY?
1309
01:29:22,942 --> 01:29:26,070
(BABY CRIES)
1310
01:29:26,279 --> 01:29:27,655
OH. HA.
1311
01:29:31,742 --> 01:29:33,411
AND LIKE EVERY
GOOD FRENCH WOMAN,
1312
01:29:33,619 --> 01:29:35,079
I HAVE A PAST.
1313
01:29:35,288 --> 01:29:39,250
ALL: OH, DO TELL US
ABOUT IT, HORTENSE.
1314
01:29:39,458 --> 01:29:43,045
(PIANO PLAYS)
1315
01:29:46,424 --> 01:29:48,009
HERE. YOU'RE NOT ON
IN THIS NUMBER!
1316
01:29:48,217 --> 01:29:49,510
I AM NOW. THE WIFE'S
OFF AFTER ME.
1317
01:29:49,719 --> 01:29:50,678
WHAT?
1318
01:29:53,598 --> 01:29:56,893
♪♪ I'M OFTEN ASKED IF
I WOULD LIKE TO TRAVEL ♪♪
1319
01:29:57,101 --> 01:30:00,271
♪♪ AND VISIT OTHER LANDS
ACROSS THE SEA ♪♪
1320
01:30:00,479 --> 01:30:02,899
♪♪ BUT THOUGH IT MIGHT
BE PLEASANT ♪♪
1321
01:30:03,107 --> 01:30:06,027
♪♪ I THINK THAT FOR
THE PRESENT ♪♪
1322
01:30:06,235 --> 01:30:09,864
♪♪ THIS IS THE PLACE
WHERE I PREFER TO BE ♪♪
1323
01:30:10,072 --> 01:30:15,244
♪♪ LET OTHERS GO
TO SWEDEN OR SIAM ♪♪
1324
01:30:15,453 --> 01:30:21,042
♪♪ I THINK I STAY
EXACTLY WHERE I AM ♪♪
1325
01:30:22,460 --> 01:30:25,546
♪♪ THEY SAY IT'S
LOVELY WHEN A ♪♪
1326
01:30:25,755 --> 01:30:27,214
♪♪ YOUNG LADY'S
IN VIENNA ♪♪
1327
01:30:27,423 --> 01:30:31,135
♪♪ BUT IT'S NICER,
MUCH NICER IN NICE ♪♪
1328
01:30:31,344 --> 01:30:32,929
♪♪ IN AMSTERDAM OR BRUSSELS ♪♪
1329
01:30:33,137 --> 01:30:34,305
♪♪ THE MEN HAVE
GREAT BIG MUSCLES ♪♪
1330
01:30:34,513 --> 01:30:38,225
♪♪ BUT THEY'RE NICER,
MUCH NICER IN NICE ♪♪
1331
01:30:38,434 --> 01:30:40,102
♪♪ I'VE HEARD THAT
THE ITALIANS ♪♪
1332
01:30:40,311 --> 01:30:41,646
♪♪ ARE VERY FOND
OF DALLIANCE ♪♪
1333
01:30:41,854 --> 01:30:45,149
♪♪ AND THEY'RE ALL SO KEEN
ON IT IN GREECE ♪♪
1334
01:30:45,358 --> 01:30:46,817
♪♪ BUT WHATEVER THEY MAY SAY ♪♪
1335
01:30:47,026 --> 01:30:48,319
♪♪ THIS IS WHERE
I WANT TO STAY ♪♪
1336
01:30:48,527 --> 01:30:51,072
♪♪ FOR IT'S SO MUCH NICER
IN NICE ♪♪
1337
01:30:51,280 --> 01:30:54,325
♪♪ SHE SAYS IT'S NICER,
MUCH NICER IN NICE ♪♪
1338
01:30:54,533 --> 01:30:57,286
♪♪ SHE SAYS IT'S NICER,
MUCH NICER IN NICE ♪♪
1339
01:31:04,502 --> 01:31:06,003
♪♪ SOME PEOPLE'S
ONE DESIRE IS ♪♪
1340
01:31:06,212 --> 01:31:07,421
♪♪ TO GO TO BUENOS AIRES ♪♪
1341
01:31:07,630 --> 01:31:11,133
♪♪ BUT IT'S NICER,
MUCH NICER IN NICE ♪♪
1342
01:31:11,342 --> 01:31:13,010
♪♪ THE LAWS
ARE RATHER VAGUE IN ♪♪
1343
01:31:13,219 --> 01:31:14,512
♪♪ THE TOWN OF COPENHAGEN ♪♪
1344
01:31:14,720 --> 01:31:18,265
♪♪ BUT THEY'RE NICER,
MUCH NICER IN NICE ♪♪
1345
01:31:18,474 --> 01:31:19,767
♪♪ AND SOME MAY
LIKE A FLUTTER ♪♪
1346
01:31:19,976 --> 01:31:21,477
♪♪ IN BOMBAY OR CALCUTTA ♪♪
1347
01:31:21,686 --> 01:31:23,938
♪♪ BUT THEY MIGHT HAVE TROUBLE
WITH THE POLICE ♪♪
1348
01:31:24,146 --> 01:31:25,982
♪♪ OOH LA LA ♪♪
1349
01:31:26,190 --> 01:31:28,442
♪♪ OTHER PLACES
MAY BE FUN ♪♪
1350
01:31:28,651 --> 01:31:32,196
♪♪ BUT WHEN ALL IS
SAID AND DONE ♪♪
1351
01:31:32,405 --> 01:31:34,907
♪♪ IT IS SO MUCH NICER
IN NICE ♪♪
1352
01:31:38,869 --> 01:31:39,829
♪♪ BUT IT'S NICER ♪♪
1353
01:31:40,037 --> 01:31:41,288
♪♪ MUCH NICER IN NICE ♪♪
1354
01:31:41,497 --> 01:31:43,416
AH HA HA HA HA HA!
1355
01:31:45,668 --> 01:31:46,544
♪♪ BUT IT'S NICER ♪♪
1356
01:31:46,752 --> 01:31:48,462
- ♪♪ MUCH NICER IN NICE ♪♪
- DO SOMETHING!
1357
01:31:48,671 --> 01:31:49,672
OOH, LA LA!
1358
01:31:52,508 --> 01:31:54,677
♪♪ BUT THEY MIGHT
HAVE TROUBLE ♪♪
1359
01:31:54,885 --> 01:31:55,886
♪♪ WITH THE POLICE ♪♪
1360
01:31:56,095 --> 01:31:58,180
OOH, MON DIEU!
1361
01:31:58,389 --> 01:31:59,974
♪♪ THOUGH I KNOW
A LOVE AFFAIR ♪♪
1362
01:32:00,182 --> 01:32:01,308
♪♪ IS DELICIOUS
ANYWHERE ♪♪
1363
01:32:01,517 --> 01:32:03,853
♪♪ IT'S SO MUCH NICER IN NICE ♪♪
1364
01:32:17,867 --> 01:32:18,826
♪♪ SOME MAY LIKE A FLUTTER ♪♪
1365
01:32:19,035 --> 01:32:19,827
♪♪ IN BOMBAY OR CALCUTTA ♪♪
1366
01:32:20,036 --> 01:32:20,911
♪♪ BUT THEY MIGHT HAVE TROUBLE
1367
01:32:21,120 --> 01:32:22,204
WITH THE POLICE ♪♪
1368
01:32:22,413 --> 01:32:23,247
♪♪ OTHER PLACES MAY BE FUN,
1369
01:32:23,456 --> 01:32:24,582
BUT WHEN ALL IS SAID AND DONE ♪♪
1370
01:32:24,790 --> 01:32:26,000
♪♪ IT'S SO MUCH NICER ♪♪
1371
01:32:26,208 --> 01:32:26,876
♪♪ SO MUCH NICER ♪♪
1372
01:32:27,084 --> 01:32:28,919
♪♪ SO MUCH NICER ♪♪
1373
01:32:29,128 --> 01:32:33,299
♪♪ IN NICE ♪♪
1374
01:32:36,761 --> 01:32:40,556
(LAUGHTER)
1375
01:32:46,020 --> 01:32:47,063
AND NOW I REALLY
MUST GO.
1376
01:32:47,271 --> 01:32:48,689
POLLY, WOULD YOU...
YES?
1377
01:32:48,898 --> 01:32:50,441
WOULD YOU KISS ME
GOOD-BYE?
1378
01:32:50,649 --> 01:32:52,234
YES, IF YOU
WANT ME TO.
1379
01:32:54,528 --> 01:32:55,362
WAS THAT ALRIGHT?
1380
01:32:55,571 --> 01:32:57,907
OH. OH, YES.
WORD PERFECT.
1381
01:32:58,115 --> 01:32:58,783
DETHRILL WILL
WHISK YOU OFF
1382
01:32:58,991 --> 01:33:00,117
TO HOLLYWOOD AFTER THIS.
1383
01:33:00,326 --> 01:33:02,036
OH, HOLLYWOOD? DON'T!
IF I JUST GET THROUGH
1384
01:33:02,244 --> 01:33:04,622
THE SHOW, IT WOULD BE
ENOUGH FOR ME.
1385
01:33:04,830 --> 01:33:06,457
IT WAS NICE OF YOU
TO REHEARSE WITH ME. THANKS.
1386
01:33:06,665 --> 01:33:08,209
OH, THAT'S ALRIGHT.
1387
01:33:08,417 --> 01:33:12,088
I WISH
I WAS PLAYING TONY.
1388
01:33:12,296 --> 01:33:14,715
I'M GLAD I COULDN'T
FIND HIM.
1389
01:33:14,924 --> 01:33:17,468
HE SEEMS TO AVOID ME
OFFSTAGE.
1390
01:33:17,676 --> 01:33:20,221
YET HE'S VERY KIND.
1391
01:33:20,429 --> 01:33:23,808
I SUPPOSE I'M JUST
NOT HIS TYPE.
1392
01:33:24,016 --> 01:33:25,810
I WONDER WHO HE'D...
REALLY GO FOR.
1393
01:33:26,018 --> 01:33:26,977
OH, WELL, IF SEEING
IS BELIEVING,
1394
01:33:27,186 --> 01:33:28,938
I RECKON IT'S SOMEONE
LIKE DULCIE.
1395
01:33:32,149 --> 01:33:33,943
(WHISTLING)
1396
01:33:36,153 --> 01:33:37,321
HEY, TOOTS,
YOU'RE QUITE A HOOFER.
1397
01:33:37,530 --> 01:33:38,614
OH! TA!
1398
01:33:38,823 --> 01:33:40,741
I'LL HAVE TO TEACH YOU
THE DOUBLE TRIP...
1399
01:33:40,950 --> 01:33:43,494
MAXIE FORD...
1400
01:33:43,702 --> 01:33:45,079
WITH A KNICKERBOCKER
BREAK.
1401
01:33:47,414 --> 01:33:49,083
THAT'S GOOD.
WHERE'D YOU LEARN THAT?
1402
01:33:49,291 --> 01:33:51,127
SEARCH ME, TOOTS.
YOU SEE, AS A KID
1403
01:33:51,335 --> 01:33:53,003
I WAS KICKED
IN THE HEAD.
1404
01:33:53,212 --> 01:33:56,132
AND WHEN I CAME TO,
AMNESIA...
1405
01:34:05,474 --> 01:34:07,268
(MUSIC PLAYS)
1406
01:34:21,448 --> 01:34:23,033
♪♪ PERCY, PERCY ♪♪
1407
01:34:23,242 --> 01:34:25,452
♪♪ PLEASE HAVE MERCY ♪♪
1408
01:34:25,661 --> 01:34:29,456
♪♪ WHY MUST YOU ALWAYS
BE SO SAD AND GLOOMY? ♪♪
1409
01:34:29,665 --> 01:34:33,043
♪♪ WHY CAN'T YOU BE
A LITTLE NICER TO ME? ♪♪
1410
01:34:33,252 --> 01:34:34,962
♪♪ CHERI, CHERI ♪♪
1411
01:34:35,171 --> 01:34:37,047
♪♪ PLEASE BE MERRY ♪♪
1412
01:34:37,256 --> 01:34:40,968
♪♪ WHEN I AM TRYING
TO BE BRIGHT AND JOLLY ♪♪
1413
01:34:41,177 --> 01:34:45,222
♪♪ IT ISN'T NICE TO BE
SO MEL-AN-CHOLY ♪♪
1414
01:34:45,431 --> 01:34:48,225
♪♪ OH, DEAR ♪♪
1415
01:34:48,434 --> 01:34:51,478
♪♪ I GOT THE YOU-DON'T-WANT
TO-PLAY-WITH-ME BLUES ♪♪
1416
01:34:51,687 --> 01:34:54,356
♪♪ DON'T-WANT-TO-PLAY
WITH-ME BLUES ♪♪
1417
01:34:54,565 --> 01:34:56,901
♪♪ IT'S CLEAR ♪♪
1418
01:34:57,109 --> 01:35:00,321
♪♪ I GOT THE YOU-DON'T-WANT
TO-STAY-WITH-ME BLUES ♪♪
1419
01:35:00,529 --> 01:35:03,032
♪♪ DON'T-WANT-TO-STAY
WITH-ME BLUES ♪♪
1420
01:35:03,240 --> 01:35:05,034
♪♪ I AM ♪♪
1421
01:35:05,242 --> 01:35:07,703
♪♪ SO GOOD ♪♪
1422
01:35:07,912 --> 01:35:11,373
♪♪ AT SPREADING MIRTH
AND JOY ♪♪
1423
01:35:11,582 --> 01:35:13,667
♪♪ BUT IT'S ♪♪
1424
01:35:13,876 --> 01:35:16,086
♪♪ NO GOOD ♪♪
1425
01:35:16,295 --> 01:35:19,882
♪♪ WITH SUCH A SULKY BOY ♪♪
1426
01:35:20,090 --> 01:35:22,760
♪♪ I TRY ♪♪
1427
01:35:22,968 --> 01:35:25,930
♪♪ TO PLAY THE GAME
THE OTHER FELLOWS ALL CHOOSE ♪♪
1428
01:35:26,138 --> 01:35:28,432
♪♪ THE OTHER FELLOWS
ALL CHOOSE ♪♪
1429
01:35:28,641 --> 01:35:31,101
♪♪ I SIGH ♪♪
1430
01:35:31,310 --> 01:35:32,603
♪♪ BECAUSE YOU ALWAYS ♪♪
1431
01:35:32,811 --> 01:35:34,063
♪♪ REFUSE ♪♪
1432
01:35:34,271 --> 01:35:36,941
(RI-I-IIP)
1433
01:35:37,149 --> 01:35:39,026
♪♪ WHAT IS A GIRL ♪♪
1434
01:35:39,235 --> 01:35:39,777
♪♪ TO DO? ♪♪
1435
01:35:39,985 --> 01:35:41,070
(SNAP!)
1436
01:35:41,278 --> 01:35:43,614
♪♪ WITH SUCH A BOY AS YOU? ♪♪
1437
01:35:43,822 --> 01:35:47,368
♪♪ I'VE GOT
THOSE DREARY ♪♪
1438
01:35:47,576 --> 01:35:49,536
♪♪ WEARY ♪♪
1439
01:35:49,745 --> 01:35:53,123
♪♪ YOU-DON'T-WANT-TO
PLAY-WITH-ME BLUES ♪♪
1440
01:35:53,332 --> 01:35:55,042
♪♪ OH, DEAR ♪♪
1441
01:35:55,251 --> 01:35:57,044
♪♪ I'VE GOT THE YOU-DON'T
WANT-TO-PLAY-WITH-ME BLUES ♪♪
1442
01:35:57,253 --> 01:35:58,963
♪♪ DON'T-WANT-TO-PLAY
WITH-ME-BLUES ♪♪
1443
01:35:59,171 --> 01:36:00,965
♪♪ IT'S CLEAR ♪♪
1444
01:36:01,173 --> 01:36:03,050
♪♪ I'VE GOT THE-YOU-DON'T
WANT-TO-STAY-WITH-ME BLUES ♪♪
1445
01:36:03,259 --> 01:36:05,052
♪♪ DON'T-WANT-TO-STAY
WITH-ME BLUES ♪♪
1446
01:36:05,261 --> 01:36:08,597
♪♪ I AM SO GOOD ♪♪
1447
01:36:08,806 --> 01:36:11,141
♪♪ AT SPREADING MIRTH
AND JOY ♪♪
1448
01:36:11,350 --> 01:36:14,270
♪♪ BUT IT'S NO GOOD ♪♪
1449
01:36:14,478 --> 01:36:16,981
♪♪ WITH SUCH A SULKY BOY ♪♪
1450
01:36:17,189 --> 01:36:18,983
♪♪ I TRY ♪♪
1451
01:36:19,191 --> 01:36:21,318
♪♪ TO PLAY THE GAME
THE OTHER FELLOWS ALL CHOOSE ♪♪
1452
01:36:21,527 --> 01:36:23,112
♪♪ THE OTHER FELLOWS
ALL CHOOSE ♪♪
1453
01:36:23,320 --> 01:36:24,488
♪♪ I SIGH ♪♪
1454
01:36:24,697 --> 01:36:25,489
♪♪ BECAUSE YOU ALWAYS ♪♪
1455
01:36:25,698 --> 01:36:28,993
♪♪ REFUSE ♪♪
1456
01:36:29,201 --> 01:36:32,121
♪♪ WHAT IS A GIRL
TO DO ♪♪
1457
01:36:32,329 --> 01:36:34,081
♪♪ WITH SUCH A BOY AS YOU? ♪♪
1458
01:36:34,290 --> 01:36:36,917
♪♪ I'VE GOT
THOSE DREARY ♪♪
1459
01:36:37,126 --> 01:36:38,460
♪♪ WEARY ♪♪
1460
01:36:38,669 --> 01:36:40,462
♪♪ YOU-DON'T-WANT-TO
PLAY-WITH-ME BLUES ♪♪
1461
01:36:40,671 --> 01:36:42,840
♪♪ I'VE GOT THOSE ♪♪
1462
01:36:43,048 --> 01:36:45,134
♪♪ DREARY ♪♪
1463
01:36:45,342 --> 01:36:47,928
♪♪ WEARY ♪♪
1464
01:36:48,137 --> 01:36:53,809
♪♪ YOU-DON'T-WANT-TO
PLAY-WITH-ME BLUES ♪♪
1465
01:36:56,937 --> 01:36:58,772
SHE TOLD ME SHE HAD
A HEADACHE FROM THE CHARLESTON.
1466
01:36:58,981 --> 01:37:00,190
WELL, SHE DIDN'T
AT ALL.
1467
01:37:00,399 --> 01:37:03,694
I THINK THERE'S GONNA BE
TROUBLE WITH THE CHAPS.
1468
01:37:03,902 --> 01:37:05,696
HMM...MAYBE SOME PEOPLE
1469
01:37:05,904 --> 01:37:08,699
DON'T LIKE BEING
DOUBLE-CROSSED.
1470
01:37:08,907 --> 01:37:11,493
WELL, WE'VE GOT TO LOOK
AFTER OURSELVES.
1471
01:37:11,702 --> 01:37:13,454
(PIANO PLAYS)
1472
01:37:28,052 --> 01:37:29,803
MAISIE!
1473
01:37:30,012 --> 01:37:31,055
MAISIE!
1474
01:37:31,263 --> 01:37:33,724
MAIS...OH, HERE YOU ARE
AT LAST.
1475
01:37:33,932 --> 01:37:35,517
I'VE BEEN LOOKING
EVERYWHERE FOR YOU.
1476
01:37:35,726 --> 01:37:37,561
HAVE YOU?
I'VE BEEN FOR A BATHE
1477
01:37:37,770 --> 01:37:38,854
WITH FAY.
1478
01:37:39,063 --> 01:37:40,189
OH, WITH FAY. ARE
YOU SURE THERE WASN'T
1479
01:37:40,397 --> 01:37:41,565
ANYBODY ELSE
WITH YOU?
1480
01:37:41,774 --> 01:37:43,484
WHAT IF THERE WAS?
1481
01:37:43,692 --> 01:37:47,029
I CAN GO BATHING
WITH WHOM I CHOOSE.
1482
01:37:47,237 --> 01:37:48,822
I WISH YOU'D CHOOSE ME.
1483
01:37:49,031 --> 01:37:50,157
YOU'RE JUST A BOY.
1484
01:37:50,366 --> 01:37:53,827
MAYBE I WANT SOMEONE
MORE MATURE.
1485
01:37:54,036 --> 01:37:56,705
SAY THE RIGHT LINES
OR SHUT UP!
1486
01:37:56,914 --> 01:37:58,832
BUT MAISIE, WHY?
1487
01:37:59,041 --> 01:38:02,336
BECAUSE I WANT TO HAVE
A GOOD TIME WHILE I'M YOUNG!
1488
01:38:02,544 --> 01:38:03,921
AFTER ALL,
1489
01:38:04,129 --> 01:38:06,256
I'M ONLY 17.
1490
01:38:06,465 --> 01:38:07,508
HEH HEH.
1491
01:38:07,716 --> 01:38:09,551
BUT I CAN SHOW YOU A
GOOD TIME.
1492
01:38:09,760 --> 01:38:11,720
IT'S NOT AS IF I HADN'T GOT
PLENTY OF CASH.
1493
01:38:11,929 --> 01:38:13,263
MONEY ISN'T EVERYTHING,
1494
01:38:13,472 --> 01:38:16,016
THOUGH IT CERTAINLY HELPS.
1495
01:38:16,225 --> 01:38:17,226
ONE MORE AD LIB
LIKE THAT, TOOTS,
1496
01:38:17,434 --> 01:38:18,894
AND YOU'RE GETTIN'
A KNUCKLE SANDWICH.
1497
01:38:19,103 --> 01:38:21,271
HA HA HA.
BUT, MAISIE,
1498
01:38:21,480 --> 01:38:23,607
WHEN ARE YOU GONNA COME
AND SEE MY YACHT AGAIN?
1499
01:38:23,816 --> 01:38:24,858
YOU LIKED THAT,
DIDN'T YOU?
1500
01:38:25,067 --> 01:38:25,776
OH, YES!
1501
01:38:25,984 --> 01:38:28,404
IT'S A VERY DINKY YACHT.
1502
01:38:28,612 --> 01:38:30,781
I LIKE YACHTS.
1503
01:38:30,989 --> 01:38:33,117
MADEMOISELLE MAISIE.
1504
01:38:33,325 --> 01:38:34,284
OH, ALPHONSE!
1505
01:38:34,493 --> 01:38:37,788
HA HA HA HA! YOU
LOOK RAVISSANT!
1506
01:38:37,996 --> 01:38:39,456
BEHAVE YOURSELF
OR I'LL BELT YA.
1507
01:38:39,665 --> 01:38:41,917
JUST TRY IT,
YOU LITTLE TWERP.
1508
01:38:42,126 --> 01:38:43,127
DO NOT FORGET TONIGHT
1509
01:38:43,335 --> 01:38:45,212
YOU WILL DANCE THE TANGO
WITH ME!
1510
01:38:45,421 --> 01:38:47,423
OF COURSE NOT!
1511
01:38:47,631 --> 01:38:48,924
MAISIE!
1512
01:38:49,133 --> 01:38:49,758
MICHAEL!
1513
01:38:49,967 --> 01:38:51,135
YOU LOOK ENCHANTING.
1514
01:38:51,343 --> 01:38:53,720
TONIGHT YOU AND I WILL
DANCE THE TWO-STEP, YES?
1515
01:38:53,929 --> 01:38:56,306
I CAN HARDLY WAIT!
1516
01:38:56,515 --> 01:38:57,891
PACK IT IN,
YOU OLD COW.
1517
01:38:58,100 --> 01:39:00,144
DROOP OFF,
YOU FADED PANSY.
1518
01:39:00,352 --> 01:39:01,895
OH, PETER!
1519
01:39:02,104 --> 01:39:03,564
I, TOO, WANT TO DANCE
WITH YOU AT THE BALL,
1520
01:39:03,772 --> 01:39:04,940
YOU BEAT UP OLD BAG!
1521
01:39:05,149 --> 01:39:08,610
AND SO YOU SHALL... YOU
BALD-HEADED OLD LETCH!
1522
01:39:08,819 --> 01:39:10,070
MAISIE!
1523
01:39:10,279 --> 01:39:11,488
LISTEN TO ME!
1524
01:39:11,697 --> 01:39:13,490
ALL: LISTEN TO
ALL OF US.
1525
01:39:13,699 --> 01:39:16,160
♪♪♪♪♪♪
1526
01:39:16,368 --> 01:39:19,746
♪♪ YOU'RE SO FASCINATING,
BUT IT'S AGGRAVATING ♪♪
1527
01:39:19,955 --> 01:39:23,333
♪♪ THAT YOU KEEP US
WAITING TO HEAR ♪♪
1528
01:39:23,542 --> 01:39:25,961
♪♪ WHICH ONE WILL BE ♪♪
1529
01:39:26,170 --> 01:39:29,173
♪♪ YOUR FAVORITE HE ♪♪
1530
01:39:29,381 --> 01:39:32,759
♪♪ YOU'RE SO VERY TAKING
THAT OUR HEARTS ARE BREAKING ♪♪
1531
01:39:32,968 --> 01:39:36,180
♪♪ SO YOU SHOULD BE
MAKING IT CLEAR ♪♪
1532
01:39:36,388 --> 01:39:39,016
♪♪ WHICH ONE OF US ♪♪
1533
01:39:39,224 --> 01:39:43,604
♪♪ YOU'LL RATE ALPHA PLUS ♪♪
1534
01:39:43,812 --> 01:39:45,314
♪♪ NOW LISTEN ♪♪
1535
01:39:45,522 --> 01:39:47,941
♪♪ BO-OYS ♪♪
1536
01:39:48,150 --> 01:39:52,529
♪♪ YOU SHOULD RECALL ♪♪
1537
01:39:52,738 --> 01:39:57,367
♪♪ I'VE OFTEN SAID ♪♪
1538
01:39:57,576 --> 01:40:03,165
♪♪ I LOVE YOU
ALL ♪♪
1539
01:40:03,373 --> 01:40:05,125
ALL: YOU LOVE US ALL?
1540
01:40:05,334 --> 01:40:09,713
YES! I LOVE YOU ALL!
1541
01:40:09,922 --> 01:40:12,799
♪♪ IT'S TIME YOU LEARNED ♪♪
1542
01:40:13,008 --> 01:40:16,386
♪♪ THAT I'M NO FOOL ♪♪
1543
01:40:16,595 --> 01:40:21,308
♪♪ WHERE LOVE'S CONCERNED ♪♪
1544
01:40:21,517 --> 01:40:24,144
♪♪ I STICK TO THIS ♪♪
1545
01:40:24,353 --> 01:40:28,023
♪♪ RU-U-ULE ♪♪
1546
01:40:33,237 --> 01:40:36,573
♪♪ THERE'S SAFETY
IN NUMBERS ♪♪
1547
01:40:36,782 --> 01:40:40,077
♪♪ THAT'S WHAT I BELIEVE ♪♪
1548
01:40:40,285 --> 01:40:41,828
♪♪ A GIRL WHO'S CUTE ♪♪
1549
01:40:42,037 --> 01:40:43,747
♪♪ AT MAKING LOOT ♪♪
1550
01:40:43,956 --> 01:40:46,875
♪♪ IS NEVER LIKELY
TO GRIEVE ♪♪
1551
01:40:47,084 --> 01:40:50,254
♪♪ THE LADY WHO SLUMBERS ♪♪
1552
01:40:50,462 --> 01:40:53,757
♪♪ IS LEFT HIGH AND DRY ♪♪
1553
01:40:53,966 --> 01:40:55,509
♪♪ BUT I COULD MAKE ♪♪
1554
01:40:55,717 --> 01:40:57,177
♪♪ AN HONEST BUCK ♪♪
1555
01:40:57,386 --> 01:40:58,720
♪♪ I ALWAYS BET ♪♪
1556
01:40:58,929 --> 01:41:00,389
♪♪ ON LADY LUCK ♪♪
1557
01:41:00,597 --> 01:41:01,890
♪♪ THERE'S SAFETY ♪♪
1558
01:41:02,099 --> 01:41:03,892
♪♪ IN NUMBERS ♪♪
1559
01:41:04,101 --> 01:41:07,354
♪♪ AND THE MORE THE MERRIER,
SAY I ♪♪
1560
01:41:09,022 --> 01:41:11,108
YOU...ME...
1561
01:41:11,316 --> 01:41:12,693
HOLLYWOOD.
1562
01:41:12,901 --> 01:41:14,820
CASH REGISTER SOUND:
(KA-CHING!)
1563
01:41:23,453 --> 01:41:24,871
(KA-CHING!)
1564
01:41:31,962 --> 01:41:33,380
(KA-CHING!)
1565
01:42:31,688 --> 01:42:33,523
WHOO!
WHOO!
1566
01:42:33,732 --> 01:42:36,151
YA-HOO!
YIP-EE!
1567
01:42:36,360 --> 01:42:37,653
YA-HOO!
1568
01:42:37,861 --> 01:42:39,154
YA-HOO!
1569
01:42:42,032 --> 01:42:43,408
(KA-CHING!)
1570
01:43:28,912 --> 01:43:30,539
(KA-CHING!)
1571
01:44:11,455 --> 01:44:12,456
(KA-CHING!)
1572
01:44:12,664 --> 01:44:14,458
(SPEAKS FRENCH)
1573
01:44:14,666 --> 01:44:16,460
(APPLAUSE)
1574
01:44:16,668 --> 01:44:18,462
CAN YOU SPEAK FRENCH?
1575
01:44:18,670 --> 01:44:20,589
AH, FRENCH!
1576
01:44:28,972 --> 01:44:30,265
I THINK PERHAPS
I'D BETTER BE
1577
01:44:30,474 --> 01:44:32,392
GETTING BACK TO
THE VILLA.
1578
01:44:32,601 --> 01:44:33,977
I HAVE SOME
LETTERS TO TYPE.
1579
01:44:34,186 --> 01:44:36,062
OH, DO YOU REALLY
HAVE TO GO SO SOON?
1580
01:44:36,271 --> 01:44:38,774
YES, I'M AFRAID I MUST.
1581
01:44:38,982 --> 01:44:40,901
BUT I'LL SEE YOU TONIGHT,
WON'T I?
1582
01:44:41,109 --> 01:44:42,903
I SHOULD JOLLY WELL
THINK SO.
1583
01:44:43,111 --> 01:44:44,154
WHERE SHALL I
MEET YOU?
1584
01:44:44,362 --> 01:44:46,490
OH, I DON'T KNOW.
YOU SAY.
1585
01:44:46,698 --> 01:44:49,993
WELL...HOW ABOUT
THE BALL AT 9:00?
1586
01:44:50,202 --> 01:44:51,286
LOVELY.
1587
01:44:51,495 --> 01:44:53,997
I SHALL BE WAITING.
1588
01:44:54,206 --> 01:44:55,290
OH, DEAR.
1589
01:44:55,499 --> 01:44:57,250
TONIGHT SEEMS
A VERY LONG TIME AWAY.
1590
01:44:57,459 --> 01:45:01,004
OH, IT'S NOT REALLY.
JUST A FEW HOURS.
1591
01:45:01,213 --> 01:45:02,339
YES.
1592
01:45:02,547 --> 01:45:03,465
AND IT'S GOING TO BE
A WONDERFUL EVENING,
1593
01:45:03,673 --> 01:45:04,674
ISN'T IT, POLLY?
1594
01:45:04,883 --> 01:45:08,345
YES, I'M SURE IT IS, TONY.
1595
01:45:08,553 --> 01:45:10,180
BUT IT'S JUST THE FIRST...
1596
01:45:10,388 --> 01:45:11,848
OF LOTS OF WONDERFUL
EVENINGS, ISN'T IT?
1597
01:45:12,057 --> 01:45:15,227
YES! A-AT LEAST,
I EXPECT SO.
1598
01:45:16,853 --> 01:45:18,939
BUT WHY
SHOULDN'T IT BE?
1599
01:45:19,147 --> 01:45:20,524
I MEANT WHAT I SAID
THIS MORNING.
1600
01:45:20,732 --> 01:45:21,525
♪♪♪♪♪♪
1601
01:45:21,733 --> 01:45:22,859
WHAT DID YOU SAY?
1602
01:45:23,068 --> 01:45:25,862
♪♪ I COULD BE HAPPY ♪♪
1603
01:45:26,071 --> 01:45:29,366
♪♪ WITH YOU ♪♪
1604
01:45:29,574 --> 01:45:32,702
♪♪ IF YOU COULD BE HAPPY ♪♪
1605
01:45:32,911 --> 01:45:36,873
♪♪ WITH ME ♪♪
1606
01:45:37,082 --> 01:45:39,960
♪♪ I'D BE CONTENTED ♪♪
1607
01:45:40,168 --> 01:45:43,713
♪♪ TO LIVE ANYWHERE ♪♪
1608
01:45:43,922 --> 01:45:47,175
♪♪ WHAT WOULD I CARE ♪♪
1609
01:45:47,384 --> 01:45:51,054
♪♪ AS LONG AS YOU
WERE THERE? ♪♪
1610
01:45:51,263 --> 01:45:54,558
♪♪ SKIES MAY NOT ALWAYS ♪♪
1611
01:45:54,766 --> 01:45:58,019
♪♪ BE BLUE ♪♪
1612
01:45:58,228 --> 01:46:01,731
♪♪ BUT ONE THING
IS CLEAR AS ♪♪
1613
01:46:01,940 --> 01:46:04,901
♪♪ CAN BE ♪♪
1614
01:46:05,110 --> 01:46:09,906
♪♪ I KNOW THAT I COULD
BE HAPPY ♪♪
1615
01:46:10,115 --> 01:46:14,995
♪♪ WITH YOU, MY DARLING ♪♪
1616
01:46:15,203 --> 01:46:19,082
♪♪ IF YOU COULD BE HAPPY ♪♪
1617
01:46:19,291 --> 01:46:20,667
♪♪ WITH ♪♪
1618
01:46:20,876 --> 01:46:21,751
OH, NO, TONY.
1619
01:46:21,960 --> 01:46:22,919
I REALLY MUST GO.
1620
01:46:23,128 --> 01:46:25,422
POLLY?
YES?
1621
01:46:25,630 --> 01:46:27,424
WOULD YOU...
1622
01:46:27,632 --> 01:46:28,758
WILL YOU KISS ME
GOOD-BYE?
1623
01:46:28,967 --> 01:46:31,303
OH, YES.
IF YOU WANT ME TO.
1624
01:46:37,267 --> 01:46:39,895
HAVE YOU DECIDED?
1625
01:46:40,103 --> 01:46:42,439
I...LOVE...YOU!
1626
01:46:42,647 --> 01:46:45,525
OH...GOOD.
1627
01:46:45,734 --> 01:46:46,610
(FOOTSTEPS
APPROACH)
1628
01:46:46,818 --> 01:46:47,611
OH, GOSH!
1629
01:46:47,819 --> 01:46:49,946
OH, LOOK! IT'S TONY!
1630
01:46:50,155 --> 01:46:51,114
I'VE GOT A HOP IT,
QUICKLY!
1631
01:46:51,323 --> 01:46:52,532
BUT WHAT'S THE MATTER?
1632
01:46:52,741 --> 01:46:53,742
WE MUST STOP HIM!
1633
01:46:53,950 --> 01:46:55,619
HEY, YOU THERE! GENDARME!
GENDARME!
1634
01:46:55,827 --> 01:46:58,955
GENDARME! GENDARME!
STOP, THIEF! STOP!
1635
01:46:59,164 --> 01:47:00,290
CALLING THE POLICE?
1636
01:47:00,498 --> 01:47:01,917
OH, SURELY NOT!
1637
01:47:02,125 --> 01:47:03,543
ALPHONSE,
TELL ME QUICKLY.
1638
01:47:03,752 --> 01:47:05,378
WHO ARE THAT LADY
AND GENTLEMAN?
1639
01:47:05,587 --> 01:47:07,964
WHY, IT IS THE RICH MILORD
BROCKHURST AND HIS WIFE.
1640
01:47:08,173 --> 01:47:09,299
THEY SEEM TO BE
CHASING A THIEF.
1641
01:47:09,507 --> 01:47:12,469
A THIEF? OH, NO!
1642
01:47:12,677 --> 01:47:14,554
IT COULDN'T BE.
1643
01:47:14,763 --> 01:47:16,598
AND YET, THEY ARE RICH,
1644
01:47:16,806 --> 01:47:18,767
AND HE'S PENNILESS.
1645
01:47:18,975 --> 01:47:21,269
HE TOLD ME SO HIMSELF.
1646
01:47:21,478 --> 01:47:22,812
OH, DEAR,
1647
01:47:23,021 --> 01:47:24,105
HE MUST HAVE KNOWN
ALL ALONG
1648
01:47:24,314 --> 01:47:26,149
THAT I'M NOT A WORKING GIRL
1649
01:47:26,358 --> 01:47:29,569
BUT A MILLIONAIRE'S
DAUGHTER.
1650
01:47:29,778 --> 01:47:31,279
OH, DEAR.
1651
01:47:35,283 --> 01:47:37,077
HE'S JUST LIKE
ALL THE REST!
1652
01:47:37,285 --> 01:47:39,496
OH, POLLY, DID HE
STEAL SOMETHING
1653
01:47:39,704 --> 01:47:40,622
FROM YOU?
1654
01:47:40,830 --> 01:47:42,999
YES, HE DID.
1655
01:47:43,208 --> 01:47:45,919
NOT YOUR GOLD BANGLE!
1656
01:47:46,127 --> 01:47:46,920
NO.
1657
01:47:47,128 --> 01:47:49,339
NOT MY GOLD BANGLE.
1658
01:47:49,547 --> 01:47:51,841
SOMETHING
MUCH MORE PRECIOUS.
1659
01:47:52,050 --> 01:47:53,760
WHAT IS IT,
MA PETITE?
1660
01:47:53,969 --> 01:47:55,345
YOU LOOK QUITE PALE.
1661
01:47:55,553 --> 01:47:57,180
I THINK I CAN
EXPLAIN, MADAME.
1662
01:47:57,389 --> 01:47:58,181
THAT MAN WAS...
1663
01:47:58,390 --> 01:48:00,100
NO HORTENSE.
1664
01:48:00,308 --> 01:48:02,769
YOU PROMISED.
WHAT IS IT, POLLY?
1665
01:48:02,978 --> 01:48:04,813
IT'S NOTHING, MADAME.
1666
01:48:05,021 --> 01:48:07,816
I'M JUST A LITTLE
DISAPPOINTED, THAT'S ALL.
1667
01:48:08,024 --> 01:48:11,820
YOU SEE...l SHAN'T BE
GOING TO THE CARNIVAL BALL
1668
01:48:12,028 --> 01:48:13,571
AFTER ALL.
1669
01:48:19,452 --> 01:48:23,707
♪♪ I COULD BE HAPPY ♪♪
1670
01:48:23,915 --> 01:48:27,711
♪♪ WITH YOU ♪♪
1671
01:48:27,919 --> 01:48:30,046
♪♪ IF YOU COULD ♪♪
1672
01:48:30,255 --> 01:48:32,507
♪♪ BE HAPPY ♪♪
1673
01:48:32,716 --> 01:48:34,009
♪♪ WITH ME ♪♪
1674
01:48:36,845 --> 01:48:40,807
♪♪ I'D BE CONTENTED ♪♪
1675
01:48:41,016 --> 01:48:44,853
♪♪ TO LIVE ANYWHERE ♪♪
1676
01:48:45,061 --> 01:48:49,399
♪♪ WHAT WOULD I CARE ♪♪
1677
01:48:49,607 --> 01:48:52,152
♪♪ AS LONG AS Y-YOU ♪♪
1678
01:48:52,360 --> 01:48:55,321
♪♪ WERE THERE? ♪♪
1679
01:48:55,530 --> 01:48:59,993
♪♪ SKIES MAY NOT ALWAYS BE BLUE ♪♪
1680
01:49:00,201 --> 01:49:04,330
♪♪ BUT ONE THING
IS CLEAR AS CAN BE ♪♪
1681
01:49:04,539 --> 01:49:06,916
♪♪ I KNOW THAT I COULD BE HAPPY ♪♪
1682
01:49:07,125 --> 01:49:09,502
♪♪ WITH YOU, MY DARLING ♪♪
1683
01:49:09,711 --> 01:49:13,089
♪♪ IF YOU COULD BE HAPPY WITH ♪♪
1684
01:49:13,298 --> 01:49:14,382
♪♪ ME ♪♪
1685
01:49:14,591 --> 01:49:18,595
♪♪ HAPPY WE'D BE ♪♪
1686
01:49:18,803 --> 01:49:20,555
(APPLAUSE)
1687
01:49:44,913 --> 01:49:46,122
MICHAEL, MICHAEL,
1688
01:49:46,331 --> 01:49:48,249
JUST SLIP DOWN TO THE
CANTINA CAFE
1689
01:49:48,458 --> 01:49:50,543
AND GET ME THE
IVY PERKINS TRIO.
1690
01:49:50,752 --> 01:49:52,045
IT'S NEARLY TEA TIME, MR. MAX.
THEY MAY BE PLAYING.
1691
01:49:52,253 --> 01:49:53,630
WELL, THEN GET ME
THE BEST MUSICIANS IN THE TOWN.
1692
01:49:53,838 --> 01:49:55,131
THERE ARE NO GOOD
MUSICIANS IN THIS TOWN.
1693
01:49:55,340 --> 01:49:57,509
WELL, THEN GET ME
ANYBODY!
1694
01:50:00,595 --> 01:50:04,057
(SPEAKS BAD FRENCH)
1695
01:50:04,265 --> 01:50:06,267
AH! HOLLYWOOD!
1696
01:50:06,476 --> 01:50:08,728
NO. 'OLLYWOOD.
1697
01:50:08,937 --> 01:50:10,897
'OLLYWOOD?
1698
01:50:11,106 --> 01:50:12,816
THEY DROP THEIR ♪♪S
IN FRANCE.
1699
01:50:13,024 --> 01:50:14,067
(sesame)
1700
01:50:14,275 --> 01:50:16,820
HEY, WHATSA MATTER, POLL?
1701
01:50:17,028 --> 01:50:18,321
OH. NOTHING.
1702
01:50:18,530 --> 01:50:19,781
I'VE GOT SOMETHING
IN MY EYE, THAT'S ALL.
1703
01:50:19,989 --> 01:50:23,993
DON'T WORRY, POLLY.
YOU WEREN'T THAT BAD.
1704
01:50:24,202 --> 01:50:25,662
THE DOG, IN LIFE,
1705
01:50:25,870 --> 01:50:28,248
MAN'S FIRMEST FRIEND,
1706
01:50:28,456 --> 01:50:31,960
IS WOMAN'S CONSOLATION
1707
01:50:32,168 --> 01:50:33,503
IN THE END.
1708
01:50:33,711 --> 01:50:34,504
UH...UH...
1709
01:50:34,712 --> 01:50:36,005
OH, MY DARLING, MY...
1710
01:50:36,214 --> 01:50:37,340
WHERE IS HE?
1711
01:50:37,549 --> 01:50:38,925
- WHO?
- DETHRILL, OF COURSE.
1712
01:50:39,134 --> 01:50:40,176
I INVITED HIM ROUND
1713
01:50:40,385 --> 01:50:41,928
FOR DRINKS IN
THE GREEN ROOM!
1714
01:50:42,137 --> 01:50:43,179
PERHAPS HE'S
COLORBLIND.
1715
01:50:43,388 --> 01:50:44,848
HO HO HO. VERY FUNNY.
1716
01:50:45,056 --> 01:50:47,183
YOU SHOULD BE
ON THE STAGE.
1717
01:50:47,392 --> 01:50:50,687
YOU ARE SUPPOSED TO
BE AN OLD MAN.
1718
01:50:50,895 --> 01:50:52,939
SO WHY DO YOU KEEP DYING
YOUR WHITE HAIR BLACK?
1719
01:50:53,148 --> 01:50:54,691
MY PUBLIC WOULDN'T
RECOGNIZE ME
1720
01:50:54,899 --> 01:50:56,317
FROM MY PHOTOGRAPH
IN THE FOYER.
1721
01:50:56,526 --> 01:50:58,945
NO, I SUPPOSE
THEY WOULDN'T.
1722
01:50:59,154 --> 01:51:00,530
IT'S SO YELLOW
WITH AGE,
1723
01:51:00,738 --> 01:51:02,824
YOU'D HAVE TO
MAKE UP AS A CHINAMAN!
1724
01:51:03,032 --> 01:51:05,201
HA HA. JEALOUSY
WILL GET YOU NOWHERE.
1725
01:51:05,410 --> 01:51:06,786
IS THAT MY MELBA SPRAY
1726
01:51:06,995 --> 01:51:08,204
YOU'RE USING ON
THAT WRETCHED DOG?
1727
01:51:08,413 --> 01:51:11,040
SHE'S NOT A DOG!
1728
01:51:11,249 --> 01:51:13,001
SHE IS A KING CHARLES!
1729
01:51:13,209 --> 01:51:14,294
HA HA. NAME-DROPPING
AGAIN.
1730
01:51:14,502 --> 01:51:16,045
HELP ME ON WITH
MY SPATS, WOMAN.
1731
01:51:16,254 --> 01:51:18,131
KA KA KA KA KA KA KA.
1732
01:51:18,339 --> 01:51:20,717
SHARP. POINT. SHARP. POINT.
1733
01:51:20,925 --> 01:51:25,471
HE'S THINKING OF TURNING
THE SHOW INTO A FILM.
1734
01:51:25,680 --> 01:51:28,224
HURRY UP!
1735
01:51:28,433 --> 01:51:30,018
TICK TOCK, TICK TOCK,
1736
01:51:30,226 --> 01:51:32,562
SHARP, POINT, HIP, BATH,
LUMP...
1737
01:51:32,770 --> 01:51:35,023
DID YOU BLANCO THEM?
1738
01:51:35,231 --> 01:51:36,900
OF COURSE!
1739
01:51:37,108 --> 01:51:38,902
AH. AH. AH. AH.
1740
01:51:39,110 --> 01:51:41,571
(BABY CRIES)
1741
01:51:41,779 --> 01:51:43,740
PSST!
1742
01:51:43,948 --> 01:51:45,450
(BABY CRIES)
1743
01:51:55,251 --> 01:52:01,174
♪♪♪♪♪♪
1744
01:52:14,771 --> 01:52:19,567
♪♪ WHEN EVERY DAY BEGINS ♪♪
1745
01:52:19,776 --> 01:52:24,781
♪♪ WHEN EVERY DAY IS DONE ♪♪
1746
01:52:24,989 --> 01:52:27,575
♪♪ HERE IN MY HEART ♪♪
1747
01:52:27,784 --> 01:52:30,578
♪♪ NEVER TO PART ♪♪
1748
01:52:30,787 --> 01:52:35,917
♪♪ YOU'LL ALWAYS BE THE ONE ♪♪
1749
01:52:38,044 --> 01:52:41,256
♪♪ ALL I DO
THE WHOLE NIGHT THROUGH ♪♪
1750
01:52:41,464 --> 01:52:45,093
♪♪ IS DREAM OF YOU ♪♪
1751
01:52:45,301 --> 01:52:48,596
♪♪ WITH THE DAWN,
I STILL GO ON ♪♪
1752
01:52:48,805 --> 01:52:52,225
♪♪ AND DREAM OF YOU ♪♪
1753
01:52:52,433 --> 01:52:56,062
♪♪ YOU'RE EVERY THOUGHT,
YOU'RE EVERY THING ♪♪
1754
01:52:56,271 --> 01:52:59,899
♪♪ YOU'RE EVERY SONG
I EVER SING ♪♪
1755
01:53:00,108 --> 01:53:05,154
♪♪ SUMMER, WINTER, AUTUMN ♪♪
1756
01:53:05,363 --> 01:53:07,615
♪♪ AND SPRING ♪♪
1757
01:53:07,824 --> 01:53:11,244
♪♪ AND WERE THERE MORE
THAN 24 ♪♪
1758
01:53:11,452 --> 01:53:14,998
♪♪ HOURS A DAY ♪♪
1759
01:53:15,206 --> 01:53:18,835
♪♪ THEY'D BE SPENT
IN SWEET CONTENT ♪♪
1760
01:53:19,043 --> 01:53:22,297
♪♪ DREAMING AWAY ♪♪
1761
01:53:22,505 --> 01:53:26,259
♪♪ WHEN SKIES ARE GRAY,
WHEN SKIES ARE BLUE ♪♪
1762
01:53:26,467 --> 01:53:30,138
♪♪ MORNING, NOON,
AND NIGHTTIME, TOO ♪♪
1763
01:53:30,346 --> 01:53:33,474
♪♪ ALL I DO
THE WHOLE DAY THROUGH ♪♪
1764
01:53:33,683 --> 01:53:37,520
♪♪ IS DREAM OF YOU ♪♪
1765
01:53:37,729 --> 01:53:39,480
(TONY TAP DANCING)
1766
01:53:41,107 --> 01:53:42,817
THIS WAY, GENTLEMEN,
PLEASE.
1767
01:53:43,026 --> 01:53:44,444
UH, MR. MAX.
1768
01:53:44,652 --> 01:53:45,820
WHAT'S THIS?!
1769
01:53:46,029 --> 01:53:48,197
FRED KARNO'S ARMY?
1770
01:53:48,406 --> 01:53:49,699
WHERE'S THE IVY PERKINS
TRIO?
1771
01:53:49,907 --> 01:53:51,534
BUT YOU DID SAY
GET ANYONE, MR. MAX.
1772
01:53:51,743 --> 01:53:53,453
AND I WAS THROWN OUT OF THE
CANTINA CAFE FDR SOLICITING.
1773
01:53:53,661 --> 01:53:54,787
WELL, THEY MUSTN'T BE SEEN.
1774
01:53:54,996 --> 01:53:56,706
THEY'LL HAVE TO PLAY
IN A RECUMBENT POSITION.
1775
01:53:56,914 --> 01:53:59,459
(GAGS) LET'S PRAY
FOR AN UPSTAGE WIND.
1776
01:53:59,667 --> 01:54:01,669
NOTHING MUST DISTRACT DETHRILL
FROM MY PERFORMANCE!
1777
01:54:01,878 --> 01:54:03,046
THAT GOES FOR YOU,
TOO, MISS.
1778
01:54:03,254 --> 01:54:05,048
YOU JUST SIT STILL
AND GIVE ME MY CUES,
1779
01:54:05,256 --> 01:54:07,300
AND I MIGHT TAKE YOU
TO HOLLYWOOD WITH ME.
1780
01:54:07,508 --> 01:54:10,803
AH HA HA HA...
(SINGS SCALES)
1781
01:54:15,558 --> 01:54:17,560
BONSOIR, MA PETITE.
1782
01:54:17,769 --> 01:54:20,188
OH...YOU STARTLED ME!
1783
01:54:20,396 --> 01:54:21,647
OH, YOU ARE ENGLISH.
1784
01:54:21,856 --> 01:54:23,358
I THOUGHT
YOU WERE FRENCH.
1785
01:54:23,566 --> 01:54:26,736
OH! DID YOU HONESTLY?
1786
01:54:26,944 --> 01:54:27,904
WELL, I'M NOT.
1787
01:54:28,112 --> 01:54:30,239
(LAUGHS) I DIDN'T MEAN
TO BE RUDE!
1788
01:54:30,448 --> 01:54:32,075
OH, THAT'S ALRIGHT.
1789
01:54:32,283 --> 01:54:33,493
IT'S JUST THAT...
1790
01:54:33,701 --> 01:54:35,411
I'M RATHER FED UP
WITH FRANCE.
1791
01:54:35,620 --> 01:54:38,539
HA HA! I CAN'T IMAGINE
A PRETTY LITTLE THING LIKE YOU
1792
01:54:38,748 --> 01:54:40,208
BEING FED UP
WITH ANYTHING!
1793
01:54:40,416 --> 01:54:41,834
WELL, I AM.
1794
01:54:42,043 --> 01:54:44,253
AND NOT JUST WITH
FRANCE.
1795
01:54:44,462 --> 01:54:46,506
I'M ALSO FED UP
WITH BOYS.
1796
01:54:46,714 --> 01:54:48,091
WITH BOYS?!
1797
01:54:48,299 --> 01:54:50,176
WELL, WHY NOT...
1798
01:54:50,385 --> 01:54:52,011
TRY SOMETHING OLDER?
1799
01:54:52,220 --> 01:54:54,722
SOMETHING...OLDER?
1800
01:55:02,939 --> 01:55:04,690
WHAT THE HELL
DO YOU THINK YOU'RE DOING?
1801
01:55:04,899 --> 01:55:07,777
YOU'RE SUPPOSED TO BE
A NURSE, NOT A TART!
1802
01:55:07,985 --> 01:55:09,737
HA HA HA!
1803
01:55:09,946 --> 01:55:10,863
SOMETHING OLDER...
1804
01:55:11,072 --> 01:55:12,782
LIKE ME, FOR INSTANCE.
1805
01:55:12,990 --> 01:55:16,244
♪♪ I MAY BE TOO OLD
TO RUN A MILE ♪♪
1806
01:55:16,452 --> 01:55:17,286
♪♪ RUN A MILE? ♪♪
1807
01:55:17,495 --> 01:55:19,122
♪♪ YES, RUN A MILE ♪♪
1808
01:55:19,330 --> 01:55:20,623
♪♪ BUT THERE'S ONE THING ♪♪
1809
01:55:20,832 --> 01:55:24,252
♪♪ I STILL DO VERY WELL ♪♪
1810
01:55:24,460 --> 01:55:27,380
♪♪ I MAY BE TOO OLD
TO CLIMB A STILE ♪♪
1811
01:55:27,588 --> 01:55:28,965
♪♪ CLIMB A STILE? ♪♪
1812
01:55:29,173 --> 01:55:30,967
♪♪ YES, CLIMB A STILE ♪♪
1813
01:55:31,175 --> 01:55:36,764
♪♪ BUT THERE'S ONE THING
AT WHICH I STILL EXCEL ♪♪
1814
01:55:36,973 --> 01:55:40,935
♪♪ ALTHOUGH MY HAIR
IS TURNING GRAY ♪♪
1815
01:55:41,144 --> 01:55:44,564
♪♪ YES, IT'S RATHER
GRAY ♪♪
1816
01:55:44,772 --> 01:55:48,985
♪♪ I STILL BELIEVE IT
WHEN I SAY ♪♪
1817
01:55:49,193 --> 01:55:52,155
♪♪ WELL,
WHAT DO OOH ♪♪
1818
01:55:52,363 --> 01:55:54,449
♪♪ SAY? ♪♪
1819
01:55:54,657 --> 01:55:57,785
♪♪ IT'S NEVER TOO LATE
TO HAVE A FLING ♪♪
1820
01:55:57,994 --> 01:56:00,496
♪♪ FOR AUTUMN IS JUST
AS NICE AS SPRING ♪♪
1821
01:56:00,705 --> 01:56:02,915
♪♪ AND IT'S NEVER TOO LATE
TO FALL ♪♪
1822
01:56:03,124 --> 01:56:04,292
♪♪ IN LOVE ♪♪
1823
01:56:04,500 --> 01:56:06,294
♪♪ BOOP-A DOOP, BOOP-A
DOOP, BOOP-A DOOP ♪♪
1824
01:56:06,502 --> 01:56:09,088
♪♪ IT'S NEVER TOO LATE
TO WINK AN EYE ♪♪
1825
01:56:09,297 --> 01:56:11,966
♪♪ I'LL DO IT UNTIL
THE DAY I DIE ♪♪
1826
01:56:12,175 --> 01:56:15,845
♪♪ IT'S NEVER TOO LATE
TO FALL IN LOVE ♪♪
1827
01:56:16,053 --> 01:56:18,097
♪♪ BOOP-A DOOP, BOOP-A DOOP,
BOOP-A DOOP ♪♪
1828
01:56:18,306 --> 01:56:21,350
♪♪ IF THEY SAY I'M
TOO OLD FOR YOU ♪♪
1829
01:56:21,559 --> 01:56:23,936
♪♪ THEN I SHALL
ANSWER, WHY, SIR ♪♪
1830
01:56:24,145 --> 01:56:26,981
♪♪ ONE NEVER DRINKS
THE WINE THAT'S NEW ♪♪
1831
01:56:27,190 --> 01:56:29,942
♪♪ THE OLD ONES
TASTE MUCH NICER ♪♪
1832
01:56:30,151 --> 01:56:32,862
♪♪ A GENTLEMAN NEVER
FEELS TOO WEAK ♪♪
1833
01:56:33,070 --> 01:56:36,032
♪♪ TO PAT A PINK ARM
OR PINCH A CHEEK ♪♪
1834
01:56:36,240 --> 01:56:39,368
♪♪ IT'S NEVER TOO LATE
TO FALL IN LOVE ♪♪
1835
01:56:39,577 --> 01:56:40,828
♪♪ SAYS WHO? ♪♪
♪♪ SAYS ME ♪♪
1836
01:56:41,037 --> 01:56:42,163
♪♪ SAYS YOU? ♪♪
♪♪ SAYS ME! ♪♪
1837
01:56:42,371 --> 01:56:44,999
♪♪ SAYS BOTH OF US TOGETHER ♪♪
1838
01:56:45,208 --> 01:56:47,877
♪♪ IT'S NEVER TOO LATE
TO WHISPER WORDS ♪♪
1839
01:56:48,085 --> 01:56:50,505
♪♪ CONCERNING THE WAYS
OF BEES AND BIRDS ♪♪
1840
01:56:50,713 --> 01:56:54,008
♪♪ AND IT'S NEVER TOO LATE
TO FALL IN LOVE ♪♪
1841
01:56:54,217 --> 01:56:55,176
♪♪ WHACK-A-DO, WHACK-A-DO,
WHACK-A-DO! ♪♪
1842
01:56:55,384 --> 01:56:56,802
PUSH ME BACK!
1843
01:56:57,011 --> 01:56:59,514
♪♪ IT'S NEVER TOO LATE
TO FLIRT AND SPOON ♪♪
1844
01:56:59,722 --> 01:57:02,016
♪♪ A FIDDLE THAT'S OLD
IS MORE IN TUNE ♪♪
1845
01:57:02,225 --> 01:57:05,895
♪♪ AND IT'S NEVER TOO LATE
TO FALL IN LOVE ♪♪
1846
01:57:06,103 --> 01:57:08,231
♪♪ WHACK-A DOO,
WHACK-A DOO, WHACK-A DOO ♪♪
1847
01:57:08,439 --> 01:57:11,317
♪♪ THE MODERN ARTISTS
OF TODAY ♪♪
1848
01:57:11,526 --> 01:57:13,903
♪♪ MAY PAINT
THEIR PICTURES FASTER ♪♪
1849
01:57:14,111 --> 01:57:17,031
♪♪ BUT WHEN IT COMES
TO SKILL, I SAY ♪♪
1850
01:57:17,240 --> 01:57:19,909
♪♪ YOU CAN'T BEAT
AN OLD MASTER ♪♪
1851
01:57:20,117 --> 01:57:22,995
♪♪ IT'S NEVER TOO LATE
TO BILL AND COO ♪♪
1852
01:57:23,204 --> 01:57:25,748
♪♪ AT ANY AGE,
ONE AND ONE MAKE TWO ♪♪
1853
01:57:25,957 --> 01:57:28,876
♪♪ IT'S NEVER TOO LATE
TO FALL IN ♪♪
1854
01:57:29,085 --> 01:57:31,754
♪♪ NEVER TOO LATE
TO FALL IN ♪♪
1855
01:57:31,963 --> 01:57:34,757
♪♪ NEVER TOO LATE
TO FALL IN ♪♪
1856
01:57:34,966 --> 01:57:37,468
BOTH: ♪♪ LOVE ♪♪
1857
01:57:51,357 --> 01:57:53,234
LADIES AND GENTLEMEN,
1858
01:57:53,442 --> 01:57:55,236
I PROUDLY PRESENT...
1859
01:57:55,444 --> 01:57:58,406
MY LATEST
CINEMATOGRAPHIC FANTASY
1860
01:57:58,614 --> 01:58:00,116
FOR THE SERVICE GREEN
1861
01:58:00,324 --> 01:58:04,203
ENTITLED
BEAUTY AND THE BATH CHAIR.
1862
01:58:04,412 --> 01:58:10,001
♪♪♪♪♪♪
1863
01:58:17,717 --> 01:58:19,260
(MUSICIANS PLAY OFF-KEY)
1864
01:58:49,457 --> 01:58:51,959
(APPLAUSE)
1865
01:58:52,168 --> 01:58:55,004
♪♪ IT'S NEVER TOO LATE
TO BLOW A KISS ♪♪
1866
01:58:55,212 --> 01:58:57,840
♪♪ ESPECIALLY
AT A TIME LIKE THIS ♪♪
1867
01:58:58,049 --> 01:59:01,010
♪♪ NO, IT'S NEVER TOO LATE
TO FALL IN LOVE ♪♪
1868
01:59:01,218 --> 01:59:03,471
♪♪ VO-DE-O, VO-DE-O,
VO-DE-O ♪♪
1869
01:59:03,679 --> 01:59:06,641
♪♪ IT'S NEVER TOO LATE
FOR FUN AND LARKS ♪♪
1870
01:59:06,849 --> 01:59:09,185
♪♪ A JOLLY OLD FLAME
HAS LOTS OF SPARKS ♪♪
1871
01:59:09,393 --> 01:59:12,938
♪♪ AND IT'S NEVER TOO LATE
TO FALL IN LOVE ♪♪
1872
01:59:13,147 --> 01:59:15,191
♪♪ VO-DE-O, VO-DE-O,
VO-DE-O ♪♪
1873
01:59:15,399 --> 01:59:18,319
♪♪ THE MODERN BUILDINGS
THAT YOU SEE ♪♪
1874
01:59:18,527 --> 01:59:21,030
♪♪ ARE OFTEN
MOST ALARMING ♪♪
1875
01:59:21,238 --> 01:59:23,658
♪♪ BUT I AM SURE
THAT YOU'LL AGREE ♪♪
1876
01:59:23,866 --> 01:59:24,659
♪♪ A RUIN ♪♪
1877
01:59:24,867 --> 01:59:26,369
♪♪ CAN BE CHARMING! ♪♪
1878
01:59:26,577 --> 01:59:29,163
THERE'S DOG'S DIRT
ALL OVER YOUR SPATS, SIR.
1879
01:59:29,372 --> 01:59:32,458
(LAUGHTER)
1880
01:59:32,667 --> 01:59:33,626
♪♪ OH, IT'S NEVER TOO LATE ♪♪
1881
01:59:33,834 --> 01:59:35,628
♪♪ TO FALL IN ♪♪
1882
01:59:35,836 --> 01:59:38,381
♪♪ NEVER TOO LATE
TO FALL IN ♪♪
1883
01:59:38,589 --> 01:59:41,342
♪♪ NEVER TOO LATE
TO FALL IN ♪♪
1884
01:59:41,550 --> 01:59:44,095
BOTH: ♪♪ LOVE ♪♪
1885
01:59:45,554 --> 01:59:47,348
(PIANO PLAYS)
1886
01:59:56,148 --> 01:59:57,650
THE OUTRAGE, MR. DETHRILL.
1887
01:59:57,858 --> 02:00:00,820
THE GIRL'S TAKEN LEAVE
OR HER SENSES! SHE'S DISMISSED.
1888
02:00:01,028 --> 02:00:02,905
SHE CAN PACK HER BAGS AND
LEAVE AT THE END OF THE WEEK.
1889
02:00:03,114 --> 02:00:04,407
SHE'S SACKED, FIRED!
1890
02:00:04,615 --> 02:00:07,410
YOU'VE HAD YOUR CHANCE,
AND YOU'VE LOST IT!
1891
02:00:07,618 --> 02:00:09,370
(PIANO PLAYS)
1892
02:00:16,419 --> 02:00:20,005
♪♪♪♪♪♪
1893
02:00:20,214 --> 02:00:22,425
SO SHE CAME TO THE BALL
AFTER ALL.
1894
02:00:22,633 --> 02:00:23,884
POOR CHILD.
1895
02:00:24,093 --> 02:00:26,512
HOW SAD SHE LOOKS.
1896
02:00:26,721 --> 02:00:29,265
LET ME TALK TO HER.
1897
02:00:29,473 --> 02:00:31,726
I KNOW HOW SHE IS FEELING.
1898
02:00:31,934 --> 02:00:34,520
WE ALL MISSED YOU LIKE MAD!
1899
02:00:34,729 --> 02:00:36,021
DIDN'T WE, CHAPS?
1900
02:00:36,230 --> 02:00:37,732
YES, WE DID, POLLY.
1901
02:00:37,940 --> 02:00:41,444
POLLY, YOU'LL NEVER GUESS
WHAT'S HAPPENED TO US.
1902
02:00:41,652 --> 02:00:44,405
WE'VE ALL BEEN
PROPOSED TO.
1903
02:00:44,613 --> 02:00:46,574
BUT WE HAVEN'T BEEN
ACCEPTED YET.
1904
02:00:46,782 --> 02:00:48,617
WE'RE LETTING THEM KNOW
1905
02:00:48,826 --> 02:00:51,203
AT MIDNIGHT.
1906
02:00:51,412 --> 02:00:54,790
POLLY, WHAT A SHAME YOUR
FELLA TURNED OUT TO BE A...
1907
02:00:54,999 --> 02:00:57,251
A ROTTER
AND A CAD.
1908
02:00:57,460 --> 02:00:59,962
SHH!
1909
02:01:00,171 --> 02:01:02,965
YOU DO NOT WISH
TO DANCE, POLLY?
1910
02:01:03,174 --> 02:01:05,259
UNTIL I DANCE
WITH HIM, MADAME,
1911
02:01:05,468 --> 02:01:07,136
I WILL NEVER DANCE
AGAIN.
1912
02:01:07,344 --> 02:01:09,597
NEVER MIND.
1913
02:01:09,805 --> 02:01:11,932
THE NIGHT IS STILL YOUNG.
1914
02:01:16,270 --> 02:01:18,314
YOU KNOW, POLLY,
1915
02:01:18,522 --> 02:01:22,151
WHEN I LOOK AT YOU
IN THAT SWEET COSTUME,
1916
02:01:22,359 --> 02:01:24,612
YOU REMIND ME...
1917
02:01:24,820 --> 02:01:27,281
OF A SONG I ONCE KNEW.
1918
02:01:27,490 --> 02:01:28,949
DO I, MADAME?
1919
02:01:29,158 --> 02:01:30,659
CAN YOU SING IT?
1920
02:01:30,868 --> 02:01:33,245
YES. I THINK SO.
1921
02:01:36,290 --> 02:01:38,667
♪♪ THERE IS AN OLD
FRENCH LEGEND ♪♪
1922
02:01:38,876 --> 02:01:41,504
♪♪ THAT'S SET TO
AN OLD FRENCH TUNE ♪♪
1923
02:01:41,712 --> 02:01:44,673
♪♪ IT TELLS HOW PIERROT LOVED
PIERRETTE ♪♪
1924
02:01:44,882 --> 02:01:47,635
♪♪ UNDER
A SUMMER MOON ♪♪
1925
02:01:47,843 --> 02:01:50,179
♪♪ EVERY NIGHT
THE LOVERS MEET ♪♪
1926
02:01:50,387 --> 02:01:53,516
♪♪ JUST AS THE CLOCK
STRIKES NINE ♪♪
1927
02:01:53,724 --> 02:01:56,644
♪♪ THEN HE GIVES HER
KISSES SWEET ♪♪
1928
02:01:56,852 --> 02:02:01,148
♪♪ AS VINTAGE WINE ♪♪
1929
02:02:03,359 --> 02:02:06,195
♪♪ BUT ALAS,
ONE FATEFUL NIGHT ♪♪
1930
02:02:06,403 --> 02:02:09,698
♪♪ PIERRETTE IS FORSWORN ♪♪
1931
02:02:09,907 --> 02:02:12,827
♪♪ THERE SHE STANDS, FORLORN ♪♪
1932
02:02:13,035 --> 02:02:15,746
♪♪ TILL THE COLD, GRAY DAWN ♪♪
1933
02:02:17,706 --> 02:02:20,626
♪♪ POOR LITTLE PIERRETTE ♪♪
1934
02:02:20,835 --> 02:02:23,546
♪♪ WHERE'S YOUR PIERROT? ♪♪
1935
02:02:23,754 --> 02:02:26,882
♪♪ WHY ARE YOU ALL ALONE? ♪♪
1936
02:02:27,091 --> 02:02:30,010
♪♪ AH AH AH AH AH AH AH ♪♪
1937
02:02:30,219 --> 02:02:32,805
♪♪ YOU SHOULD BE
SO FANCY FREE ♪♪
1938
02:02:33,013 --> 02:02:36,725
♪♪ YOUR HEART
SHOULD BE HIGH ♪♪
1939
02:02:36,934 --> 02:02:39,645
♪♪ BUT INSTEAD,
YOU HANG YOUR HEAD ♪♪
1940
02:02:39,854 --> 02:02:42,231
♪♪ AND TRY NOT TO CRY ♪♪
1941
02:02:42,439 --> 02:02:44,233
♪♪ AH AH AH ♪♪
1942
02:02:44,441 --> 02:02:47,236
♪♪ POOR LITTLE PIERRETTE ♪♪
1943
02:02:47,444 --> 02:02:50,489
♪♪ YOU MUSTN'T SHOW ♪♪
1944
02:02:50,698 --> 02:02:52,575
♪♪ YOUR DREAM OF LOVE ♪♪
1945
02:02:52,783 --> 02:02:57,162
♪♪ HAS FLOWN ♪♪
♪♪ AH AH AH AH ♪♪
1946
02:02:57,371 --> 02:03:00,583
♪♪ JUST KEEP ON DANCING ♪♪
1947
02:03:00,791 --> 02:03:03,878
♪♪ TILL THE DAWN AND THEN ♪♪
♪♪ AH AH AH AH ♪♪
1948
02:03:04,086 --> 02:03:08,674
♪♪ HE MAY COME BACK AGAIN ♪♪
1949
02:03:11,218 --> 02:03:13,888
♪♪ POOR LITTLE PIERRETTE ♪♪
1950
02:03:14,096 --> 02:03:16,765
♪♪ WHERE'S YOUR PIERROT? ♪♪
1951
02:03:16,974 --> 02:03:22,688
♪♪ WHY ARE YOU ALL ALONE? ♪♪
1952
02:03:22,897 --> 02:03:24,106
♪♪ YOU SHOULD BE ♪♪
♪♪ AH AH ♪♪
1953
02:03:24,315 --> 02:03:25,441
♪♪ SO FANCY FREE ♪♪
♪♪ AH AH ♪♪
1954
02:03:25,649 --> 02:03:28,777
♪♪ YOUR HEART
SHOULD BE HIGH ♪♪
1955
02:03:28,986 --> 02:03:30,237
♪♪ BUT INSTEAD ♪♪
♪♪ AH HA HA ♪♪
1956
02:03:30,446 --> 02:03:31,780
♪♪ YOU HANG YOUR HEAD ♪♪
♪♪ AH AH HA ♪♪
1957
02:03:31,989 --> 02:03:35,075
♪♪ AND TRY NOT TO CRY ♪♪
1958
02:03:36,368 --> 02:03:39,246
♪♪ POOR LITTLE PIERRETTE ♪♪
1959
02:03:39,455 --> 02:03:42,291
♪♪ YOU MUSTN'T SHOW ♪♪
1960
02:03:42,499 --> 02:03:48,088
♪♪ YOUR DREAM OF LOVE
HAS FLOWN ♪♪
1961
02:03:49,298 --> 02:03:51,383
♪♪ JUST KEEP ON DANCING ♪♪
1962
02:03:51,592 --> 02:03:55,804
♪♪ TILL THE DAWN AND THEN ♪♪
1963
02:03:56,013 --> 02:03:58,807
♪♪ HE MAY COME BACK ♪♪
1964
02:03:59,016 --> 02:04:04,897
♪♪ A...GAIN ♪♪
1965
02:04:09,777 --> 02:04:11,445
MAY I HAVE
THIS DANCE, PIERRETTE?
1966
02:04:11,654 --> 02:04:14,657
I'M AFRAID I CAN'T
DANCE WITH A STRANGER.
1967
02:04:14,865 --> 02:04:16,617
BUT I AM PIERROT...
1968
02:04:16,825 --> 02:04:18,661
YOU ARE PIERRETTE.
1969
02:04:18,869 --> 02:04:20,788
SURELY WE ARE
NOT STRANGERS.
1970
02:04:20,996 --> 02:04:23,123
BUT I DON'T KNOW
WHO YOU ARE.
1971
02:04:23,332 --> 02:04:25,209
MAYBE THIS...
WILL REMIND YOU.
1972
02:04:28,170 --> 02:04:30,756
IT ISN'T...
IT CAN'T BE!
1973
02:04:30,965 --> 02:04:32,007
YES, IT'S ME!
1974
02:04:32,216 --> 02:04:33,550
TONY!
1975
02:04:35,678 --> 02:04:37,096
POLLY!
1976
02:04:43,185 --> 02:04:46,772
DULCIE AND I MADE IT
BETWEEN US DURING THE SHOW.
1977
02:04:46,981 --> 02:04:49,608
"HAPPY FIRST NIGHT.
1978
02:04:49,817 --> 02:04:52,152
I LOVE YOU. TONY."
1979
02:04:53,612 --> 02:04:54,863
OH!
1980
02:04:55,072 --> 02:04:56,824
BLOW IT OUT THEN.
1981
02:05:05,040 --> 02:05:06,625
HUBERT, IT'S TONY!
1982
02:05:06,834 --> 02:05:10,170
OH, WE'VE FOUND HIM
AT LAST!
1983
02:05:10,379 --> 02:05:11,547
MY SON!
1984
02:05:11,755 --> 02:05:12,715
MOTHER.
1985
02:05:12,923 --> 02:05:13,882
TONY!
1986
02:05:14,091 --> 02:05:16,135
- MY BOY!
- FATHER!
1987
02:05:16,343 --> 02:05:18,470
AND WHOM,
MAY I ASK,
1988
02:05:18,679 --> 02:05:21,181
IS THIS YOUNG MAN?
1989
02:05:21,390 --> 02:05:23,851
THIS, SIR,
IS MY SON,
1990
02:05:24,059 --> 02:05:26,729
THE HONORABLE
TONY BROCKHURST!
1991
02:05:26,937 --> 02:05:29,481
THE HONORABLE
TONY BROCKHURST?
1992
02:05:29,690 --> 02:05:30,691
OH!
1993
02:05:30,899 --> 02:05:32,526
YES, POLLY.
1994
02:05:32,735 --> 02:05:35,904
I'M AFRAID I'M NOT
A MESSENGER BOY AFTER ALL.
1995
02:05:36,113 --> 02:05:37,531
CAN YOU FORGIVE ME?
1996
02:05:37,740 --> 02:05:39,491
OH, YES, OF COURSE!
1997
02:05:39,700 --> 02:05:41,368
AND WHO,
MAY I ASK,
1998
02:05:41,577 --> 02:05:43,245
IS THIS
YOUNG WOMAN?
1999
02:05:43,454 --> 02:05:46,749
THAT, MADAME,
IS MY DAUGHTER,
2000
02:05:46,957 --> 02:05:48,667
AND l...
2001
02:05:48,876 --> 02:05:51,420
AM PERCIVAL BROWNE.
2002
02:05:51,628 --> 02:05:54,423
NOT...PERCIVAL BROWNE
THE MILLIONAIRE?
2003
02:05:54,631 --> 02:05:57,509
YES. I'M AFRAID I'VE
DECEIVED YOU, TOO.
2004
02:05:57,718 --> 02:06:00,596
I'M NOT A SECRETARY
AFTER ALL.
2005
02:06:00,804 --> 02:06:03,015
CAN YOU FORGIVE ME?
2006
02:06:03,223 --> 02:06:05,267
OH, OF COURSE,
MY DARLING!
2007
02:06:05,476 --> 02:06:06,935
OOH LA LA!
2008
02:06:07,144 --> 02:06:10,397
IT SEEMS THAT LOVE
IS IN THE AIR TONIGHT.
2009
02:06:10,606 --> 02:06:12,024
IT IS, INDEED.
2010
02:06:12,232 --> 02:06:15,027
I, TOO, POLLY,
HAVE SOME NEWS.
2011
02:06:15,235 --> 02:06:17,446
HAVE YOU, DADDY?
HOW THRILLING!
2012
02:06:17,654 --> 02:06:19,740
MAY I TELL HER,
KIKI?
2013
02:06:19,948 --> 02:06:21,283
OF COURSE.
2014
02:06:21,492 --> 02:06:23,744
SHE SHOULD BE
THE FIRST TO KNOW.
2015
02:06:23,952 --> 02:06:26,121
VERY WELL, THEN,
POLLY.
2016
02:06:26,330 --> 02:06:29,249
MADAME DUBONNET
HAS CONSENTED
2017
02:06:29,458 --> 02:06:32,127
TO BECOME...
MY WIFE.
2018
02:06:32,336 --> 02:06:33,587
OH!
2019
02:06:33,796 --> 02:06:36,090
MAISIE,
IT'S MIDNIGHT.
2020
02:06:36,298 --> 02:06:37,299
HAVE YOU
THOUGHT IT OVER?
2021
02:06:37,508 --> 02:06:38,467
AND YOU?
AND YOU?
2022
02:06:38,675 --> 02:06:39,968
ET TOI?
2023
02:06:40,177 --> 02:06:42,471
WOMEN: AFTER DUE CONSIDERATION,
2024
02:06:42,679 --> 02:06:45,432
WE HAVE COME TO THE CONCLUSION
2025
02:06:45,641 --> 02:06:49,978
THAT THE ANSWER
IS UNANIMOUSLY...
2026
02:06:50,187 --> 02:06:51,647
YES!
2027
02:06:51,855 --> 02:06:53,107
MEN: SWELL!
2028
02:06:53,315 --> 02:06:55,150
NOW WHERE SHALL WE GO
FOR THE HONEYMOON?
2029
02:06:55,359 --> 02:06:57,486
ALL: THE RIVIERA!
2030
02:06:57,694 --> 02:06:59,655
MAN: READY WHEN
YOU ARE, MR. DETHRILL.
2031
02:06:59,863 --> 02:07:00,948
BACKGROUND. ACTION!
2032
02:07:01,156 --> 02:07:02,616
1 TAKE 1.
STANDBY.
2033
02:07:02,825 --> 02:07:04,493
♪♪ WRIGGLE YOUR HIPS AND
KICK UP YOUR HEELS ♪♪
2034
02:07:04,701 --> 02:07:06,161
♪♪ YOU'LL BE SURPRISED
HOW LOVELY IT FEELS ♪♪
2035
02:07:06,370 --> 02:07:09,790
♪♪ EVERYBODY'S DOING
THE RIVIERA ♪♪
2036
02:07:09,998 --> 02:07:11,583
♪♪ WIGGLE YOUR FINGERS
WAGGLE YOUR TOES ♪♪
2037
02:07:11,792 --> 02:07:13,502
♪♪ JUST HOW IT STARTED,
NOBODY KNOWS ♪♪
2038
02:07:13,710 --> 02:07:17,297
♪♪ EVERYBODY'S DOING
THE RIVIERA ♪♪
2039
02:07:17,506 --> 02:07:19,758
♪♪ MULTIMILLIONAIRES
AND THEIR LITTLE PETS ♪♪
2040
02:07:19,967 --> 02:07:20,759
♪♪ DO IT ♪♪
2041
02:07:20,968 --> 02:07:22,010
♪♪ EVEN MAIDEN LADIES
2042
02:07:22,219 --> 02:07:23,262
WHO WEAR LORGNETTES ♪♪
2043
02:07:23,470 --> 02:07:24,596
♪♪ HAVE TAKEN TO IT ♪♪
2044
02:07:24,805 --> 02:07:26,473
♪♪ TELL EVERYONE TO GIVE OUT THE
NEWS ♪♪
2045
02:07:26,682 --> 02:07:28,183
♪♪ THIS IS THE WAY TO
SHAKE OFF THE BLUES ♪♪
2046
02:07:28,392 --> 02:07:31,145
♪♪ EVERYBODY'S DOING
THE RIVIERA ♪♪
2047
02:07:31,353 --> 02:07:33,021
- YEAH!
- PLAYBACK.
2048
02:07:33,230 --> 02:07:34,773
QUIET ON THE SET,
EVERYBODY!
2049
02:07:34,982 --> 02:07:38,152
2...1,
AND...
2050
02:07:38,360 --> 02:07:40,821
HUSHED VOICES:
♪♪ GET ON THE DANCE FLOOR ♪♪
2051
02:07:41,029 --> 02:07:43,615
♪♪ GET IN THE SWING ♪♪
2052
02:07:43,824 --> 02:07:46,034
♪♪ THIS IS THE TIME FOR ♪♪
2053
02:07:46,243 --> 02:07:48,537
♪♪ HAVING A FLING ♪♪
2054
02:07:48,745 --> 02:07:51,874
♪♪ EVERYBODY'S DOING ♪♪
2055
02:07:52,082 --> 02:07:54,585
♪♪ THE RIVIERA ♪♪
2056
02:07:56,712 --> 02:07:58,213
♪♪ CLAP-A YOUR HANDS AND ♪♪
2057
02:07:58,422 --> 02:07:59,882
♪♪ SLAP ON YOUR THIGHS ♪♪
2058
02:08:00,090 --> 02:08:01,216
♪♪ GRIN LIKE A GOON AND ♪♪
2059
02:08:01,425 --> 02:08:02,676
♪♪ ROLL UP YOUR EYES ♪♪
2060
02:08:02,885 --> 02:08:04,720
♪♪ EVERYBODY'S DOING ♪♪
2061
02:08:04,928 --> 02:08:08,557
♪♪ THE RIVIERA ♪♪
2062
02:08:08,765 --> 02:08:11,894
♪♪ ALL THE BRIGHT YOUNG THINGS
AND THEIR BRIGHT YOUNG BEAUS ♪♪
2063
02:08:12,102 --> 02:08:13,353
♪♪ DO IT ♪♪
2064
02:08:13,562 --> 02:08:16,023
♪♪ EVEN DUCHESSES
AND THEIR GIGOLOS ♪♪
2065
02:08:16,231 --> 02:08:17,691
♪♪ HAVE TAKEN TO IT ♪♪
2066
02:08:17,900 --> 02:08:19,818
♪♪ AIN'T IT TERRIFIC,
AIN'T IT THE TOP? ♪♪
2067
02:08:20,027 --> 02:08:21,904
♪♪ YOU GOTTA DANCE RIGHT ON
TILL YOU DROP ♪♪
2068
02:08:22,112 --> 02:08:25,282
♪♪ EVERYBODY'S DOING
THE RIVIERA ♪♪
2069
02:09:21,046 --> 02:09:23,799
♪♪ I KNOW THAT I COULD ♪♪
2070
02:09:24,007 --> 02:09:25,634
♪♪ BE HAPPY ♪♪
2071
02:09:25,842 --> 02:09:29,513
♪♪ WITH YOU, MY DARLING ♪♪
2072
02:09:45,070 --> 02:09:48,407
♪♪ IF YOU COULD BE HAPPY ♪♪
2073
02:09:48,615 --> 02:09:54,454
♪♪ WITH ME ♪♪
2074
02:09:57,291 --> 02:09:59,084
(APPLAUSE)
2075
02:10:01,169 --> 02:10:02,963
(PIANO PLAYS)
2076
02:10:15,767 --> 02:10:17,561
(APPLAUSE PICKS UP)
2077
02:10:30,615 --> 02:10:32,409
(APPLAUSE PICKS UP)
2078
02:10:54,890 --> 02:10:57,225
WELL DONE, LOVE.
YOU SAVED THE SHOW.
2079
02:10:57,434 --> 02:10:58,810
A STAR IS BORN.
2080
02:10:59,019 --> 02:10:59,895
YOU'RE WELCOME
TO BE THE STAR
2081
02:11:00,103 --> 02:11:01,730
OF A CRUMMY
SHOW LIKE THIS.
2082
02:11:01,938 --> 02:11:04,066
AND YOU CAN UNDERSTUDY
MY PART TONIGHT, DEARIE.
2083
02:11:04,274 --> 02:11:05,859
THE PUBLIC LIKES YOU.
DETHRILL LIKES YOU.
2084
02:11:06,068 --> 02:11:08,070
I LIKE YOU. YOU CAN STAY ON
FOR ANOTHER WEEK.
2085
02:11:08,278 --> 02:11:09,154
A DOUBLE SALARY,
OF COURSE.
2086
02:11:09,363 --> 02:11:10,238
WE'LL DISCUSS THAT LATER.
2087
02:11:10,447 --> 02:11:12,240
WE'LL DISCUSS THE YOUNG
LADY NOW,
2088
02:11:12,449 --> 02:11:14,201
IF YOU DON'T MIND.
2089
02:11:14,409 --> 02:11:15,577
SHE'S A JONAH!
2090
02:11:15,786 --> 02:11:17,829
I'VE NEVER KNOWN
OF A FORCE LIKE IT!
2091
02:11:18,038 --> 02:11:21,083
AD-LIBBING, UPSTAGING,
A FAMILY ROW ON STAGE?
2092
02:11:21,291 --> 02:11:24,503
CAKES AND BUSKERS?!
2093
02:11:24,711 --> 02:11:27,547
MY PROFESSIONAL
CAREER IN TATTERS!
2094
02:11:27,756 --> 02:11:30,675
MY HARD-WON REPUTATION RUINED!
2095
02:11:30,884 --> 02:11:33,261
AND IT ALL STARTED
WITH HER!
2096
02:11:33,470 --> 02:11:35,764
EITHER SHE GOES,
OR I GO!
2097
02:11:35,972 --> 02:11:37,557
THAT'S EASILY SETTLED.
I'VE BEEN THINKING
2098
02:11:37,766 --> 02:11:39,768
FOR SOME TIME OF
TAKING OVER YOUR PART.
2099
02:11:39,976 --> 02:11:42,270
I'M REALLY MISCAST
AS LORD BROCKHURST.
2100
02:11:42,479 --> 02:11:43,438
FAR TOO YOUNG.
2101
02:11:43,647 --> 02:11:45,107
PAY NO ATTENTION
TO HIM, MR. MAX.
2102
02:11:45,315 --> 02:11:46,233
HE'S RATHER OVERWROUGHT!
2103
02:11:46,441 --> 02:11:47,567
DON'T BOTHER ME NOW.
2104
02:11:47,776 --> 02:11:49,861
MR. DETHRILL AND I HAVE
THINGS TO SEE TO.
2105
02:11:52,531 --> 02:11:54,074
BONJOUR,
MR. DETHRILL!
2106
02:11:54,282 --> 02:11:57,702
(SPEAKING BAD FRENCH)
...HOLLYWOOD!
2107
02:11:57,911 --> 02:12:01,415
(SPEAKS GERMAN)
...FRAULEIN POLLY.
2108
02:12:01,623 --> 02:12:04,709
FOR POLLY.
CAN'T YOU SPEAK GERMAN?
2109
02:12:04,918 --> 02:12:06,253
GERMAN?
2110
02:12:10,215 --> 02:12:14,136
I THINK I WILL
MAKE, UH...
2111
02:12:14,344 --> 02:12:15,720
SINGING IN THE RAIN.
2112
02:13:22,496 --> 02:13:24,498
I'LL SEND YOU A POST CARD
FROM HOLLYWOOD, CHAPS.
2113
02:13:28,168 --> 02:13:29,294
THERE, MY DARLING.
2114
02:13:29,503 --> 02:13:31,963
WE'LL MAKE YOU
THE MOST LOVELY-SMELLING
2115
02:13:32,172 --> 02:13:34,090
LADY IN CHRISTENDOM.
2116
02:13:40,555 --> 02:13:41,681
JUST REHEARSING.
2117
02:13:49,856 --> 02:13:51,191
HOO-EEE!
2118
02:13:53,151 --> 02:13:54,778
HEY!
2119
02:14:13,505 --> 02:14:14,589
WAIT! WAIT! LOOK!
2120
02:14:14,798 --> 02:14:15,757
LOOK!
2121
02:14:15,966 --> 02:14:17,092
♪♪ PA PA PA PUM PA PA PA
PUM ♪♪
2122
02:14:17,300 --> 02:14:19,177
♪♪ BRRR PA PA
BRRR PA PA ♪♪
2123
02:14:19,386 --> 02:14:20,720
♪♪ PUM PUM PUM PUM ♪♪
2124
02:14:20,929 --> 02:14:21,930
♪♪ PA PA PA PUM
PA PA PA PUM ♪♪
2125
02:14:22,138 --> 02:14:23,098
♪♪ BRRR PA PA ♪♪
2126
02:14:23,306 --> 02:14:24,558
♪♪ PA PA PA PUM
PA PA PA PUM ♪♪
2127
02:14:24,766 --> 02:14:26,226
♪♪ PA PA PA PA
PUM! ♪♪
2128
02:14:26,434 --> 02:14:27,561
YOU KNOW THE DOUBLE TRIP
MAXIE FORD
2129
02:14:27,769 --> 02:14:29,104
WITH A KNICKERBOCKER
BREAK!
2130
02:14:29,312 --> 02:14:31,606
WELL,
I TAUGHT IT TO YOU.
2131
02:14:31,815 --> 02:14:32,899
BOTH: I THOUGHT YOU WERE DEAD!
2132
02:14:33,108 --> 02:14:34,442
NO, I LOST MY MEMORY!
NO, I WASN'T DEAD!
2133
02:14:34,651 --> 02:14:35,443
POP?
2134
02:14:35,652 --> 02:14:39,948
MY SON!
2135
02:14:40,156 --> 02:14:41,908
I CAN'T BELIEVE IT!
NEITHER CAN I!
2136
02:14:42,117 --> 02:14:44,452
COME! HA HA HA!
MR. DETHRI...
2137
02:14:44,661 --> 02:14:47,080
IT'S ALL A GAME.
GOOD-BYE, MISS.
2138
02:14:47,289 --> 02:14:48,707
ZOOM!
HOPE YOUR HEADACHE GETS BETTER!
2139
02:14:48,915 --> 02:14:49,708
BOTH: HA HA HA HA!
2140
02:14:49,916 --> 02:14:51,668
(GIGGLING)
2141
02:14:55,463 --> 02:14:56,298
(BEEP BEEP)
2142
02:14:56,506 --> 02:14:57,632
BYE, Y'ALL!
2143
02:14:57,841 --> 02:14:59,759
BYE!
HAVE FUN!
2144
02:15:13,440 --> 02:15:15,191
FROM DETHRILL!
2145
02:15:17,819 --> 02:15:20,322
WHAT
DOES IT SAY?
2146
02:15:20,530 --> 02:15:22,073
OH, NOTHING.
2147
02:15:22,282 --> 02:15:23,325
COME ON.
2148
02:15:23,533 --> 02:15:24,993
LET ME LOOK.
2149
02:15:25,201 --> 02:15:26,661
GOSH!
2150
02:15:26,870 --> 02:15:30,123
HE WANTS YOU
TO GO TO HOLLYWOOD.
2151
02:15:30,332 --> 02:15:32,584
SHOULD I
HELP YOU PACK?
2152
02:15:32,792 --> 02:15:33,752
NO.
2153
02:15:33,960 --> 02:15:36,379
LET'S GO FIND OUR ROOM
IN BLOOMSBURY.
2154
02:15:40,133 --> 02:15:42,594
I THINK I'LL
TAKE THE CLOTH.
2155
02:15:42,802 --> 02:15:44,596
LIKE TO BET ON
YOUR FIRST CUSTOMERS?
149614
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