All language subtitles for The Joy of Painting - 2x18 - _track3_[eng]

Hi. Certainly glad you
could join me today.

Are you ready to do a fantastic
painting?

Let's do it together, then.

I'm going to have them
graphically run all the colours

across your screens you need to do
the painting I'm going to do today.

They'll come across in exactly
the same order

I had them on my palette,

starting with
the white and working around.

I've already covered the canvas
with a thin, even coat

of the liquid white.
It's nice and wet.

We've got our oil paints here,
we're all ready.

So, let's take off and go right
into a little bit of Prussian Blue.

Prussian Blue. Very strong.

Good, dark blue. Tap that brush
in there.

We are just going to build
a happy little sky.

Now I thought today we would do some
fantastic mountains.

I get a lot of letters,
wanting beautiful mountains

that have snow on them
and also that you can see parts

that don't have snow on them, so
we'll play a little bit with that.

And notice, I'm leaving some
holes in the sky here,

we don't want it completely covered.

Just want to leave some little
holes up here in the sky.

Let the light play through.

OK. Maybe a little bit right
in there.

Just like so.

And we don't care where this goes.

Today, I'm going to devote
most of the show

to showing you how to do
these mountains.

And then we'll just throw in a quick
little foreground and go from there.

That is if everything goes right.

Sometimes I get slow or fast

and I have to do things
I didn't plan to do.

There we are.

And that easy, we have a very
simple, nice quick little sky.

OK.

Now then, I'll take the knife
and we'll go right into

some Midnight Black.

Right into some black

and some of the Prussian Blue.
Black and blue.

If I can pull it out,
cut off a little piece,

just looking for a little
roll of paint. There it is. See?

Just go up here. Now then,
we have to make some decisions.

Where are these big old mountains
going to live in this painting?

Maybe right there.

I'm really going to put some big
mountains in this one.

Comes down maybe.

You have to make decisions here.

This is your world, your creation,

so you have to decide
where all these little mountains

and big mountains live
and right there.

See there?

And don't make all
the peaks too sharp.

Also, if you're not careful,

the mountains will very soon
look like wig-wam village.

Or ice cream cones.

So, break up your shapes

and I'm scraping off
all the excess paint.

Maybe you can hear how hard
I'm scraping the canvas.

I'm really, really going into that
canvas and scraping very hard.

Push that colour
right into the fabric.

Looky there. OK? There we are.

And that gives us
a quick basic little outline

and at this point, the only thing
that you're really worried about

is the top of these mountains.

You could care less
what's happening in here.

I will take our two-inch brush
and grab that and begin pulling it.

And this is a nice way
to begin laying out

the highlights and the shadows
and all the beautiful little things

that are going to happen in this.
See?

Just by using brushstrokes,
you can begin laying out

all the little things.

And you're not committed.

Maybe.

And you can still, you could even
change some of the basic shapes,

Looky there.
Look at that.

Maybe that'll come right down
through there,

and then we'll have
something there.

Wherever, wherever, wherever.

Just make a decision,
throw it in and go.

This is just blue and black.

Just blue and black.

And we just let it fade
right into the liquid white here

and it just looks like it's sort
of hanging in the mist.

And that's exactly what we're
trying to achieve,

we want it very soft at the base.

If you can see, the entire mountain,

it's always more distinct
at the top than it is at the bottom,

because of mist, pollution,
all those terrible things.

OK, now we'll start putting
some snow on it.

Pull the paint out as flat
as you can get it

and cut across,
get that little roll of paint again.

OK, let's go up here.

And you have to start making
big decisions, big decisions.

Graze the canvas, no pressure.

Absolutely no pressure.

None.

The light is coming from the right.

Now, if you're left-handed,

you might find it easier to have the
light coming from the other side.

Left-handed people have been forced
to do right-handed things

their entire lives, so it sort of
varies. OK.

Maybe there's a little light that
just plays right through here.

Look at that.

See there? Just drop in.

They don't know where that goes yet.
Don't care.

Here we go. I will have some light
coming right down through there.

Just think where the happy little
sunlight would strike. Right here.

And we will have a little more.

This is the way you create little
peaks and valleys,

and all kinds of interesting things
happening in there.

Just sort of let
your imagination go.

Just let it go.

You want that paint to break,
and by break,

I mean it has all these
little holes here in it.

There we are.

And we can jaggy up
the little edges,

there goes one of them
crazy words I use, jaggy.

I don't know
if that's a real word or not,

but you understand what I'm saying.

You don't want it too straight.

OK. Now then.

Let's take, let's take here and mix
up a little blue and white,

a little bit of Prussian Blue
and white

and with that, we'll create shadows.

Pull it out flat, go across,
that same little roll of paint.

There you are.
Let's go up here and do it.

Now then, begin going in here,
picking out where the shadows are.

And don't kill all those
beautiful dark colours

that we worked so hard
to lay on there.

Maybe that comes down and maybe it
drops right on down like that.

See?

And lets that show through.

There comes another one,
wherever.

Wherever, anywhere you want
a little peak,

just lay it in.

Maybe there's a little shadow
that comes right down here

and just sort of blends together.

There comes another one.

See how you can bring
all of these right together?

And all these happy little
things just happen.

There is another little peak.
Works right up in there.

And you can go on and on and on,

and make just as many of these
or as few as you want.

I tell you what, I'm going to get
the smaller knife here

and I'm going to go back in here
and play in a few little shadows

right in this area.

See this little knife,
I can sneak in here

and hit some of these little areas.

You can do the whole mountain
with just the little knife

if you wanted to.

Blend it together.
Blend it together.

Very soft, very quiet.

OK. Now.

Uphill, put us a little bit
of shadow right there.

A little more in here.
Wherever.

Long in here.

Maybe I'll put some great big
evergreens in this one.

I'm going to show you how to do some
beautiful big evergreens, too.

If we have time, I'll just throw
some of those in.

I'm going right back into my
same old dark colour

and I'm going to bounce in
just the indication

of some darks here and there.

Just here and there. Just...

Look at that, look at that.

Help me get a little bit deeper
in places, create deeper recesses.

There we go.

I'll say, maybe the tiniest little
bit, right there, right there.

All of that shows different planes,
different little things happening

and you can bounce these colours
back and forth,

create all kinds of illusions.

Right. Now, with a clean brush,
I'm going to create

a little mist right in here,

and just barely going to tap
and then just blend it all together.

Just the bottom. Just the bottom.

I don't want to mess up
the nice sharp peaks.

We said earlier,
if you can see the entire mountain,

it's more distinct at the top
than it is at the bottom.

So, I just want to create some nice
soft areas in here.

There.

Just barely tap. Follow the
angles. Always follow the angles.

OK. Now then.

We were going to have these
mountains continue

and we were going to have parts
of them

that just have a little snow
around them, so you can see it.

I'm going to go right
back into this black.

I'm going to add some brown
into my black. There we go.

Pull it out, get that little roll
of paint and then just go up here.

Maybe right along here,
maybe this little peak we have here,

maybe it just comes right on out.

Ooh, ooh, ooh, a lot of mist.

A lot of mist. Look at that.

See?

You need that dark so your lighter
colours will show up.

And maybe, I tell you what,
maybe there is a big bump,

a big rock. Right there.

Wherever you want it,
just drop it in.

This is black with brown in it.

I'm just throwing in some
little things here.

Let it just taper right down
into nothing.

Taking off all the excess
paint down here at the bottom.

OK?

Now go to some of the Dark Sienna,
a little bit of the Van Dyke,

touch of white into that, not much.

I want to stay quite dark.

I like it, OK?

Now then. Just barely touch.

Barely touch.

Think about where your light is.

There we go.
There's a little bit there.

A little bit of plane
right through there.

There we go. Here's a little more.

We had fun.

See how you can just make
all those little effects.

There we go. Here.
Right there, right there.

Just drop them in.

Now then.

Over here, this is
just about straight brown here.

Just want to put in some basic
angles, let that disappear right in.

Just brown.

Allow a little of it to mix with
the colour that's already on there.

Some of these things
just automatically happen.

There we go.

There we go. OK, now then.

I tell you what,
let's go back into some of the white

and I want to have the indication
of a little snow

laying right in here.
It is just coming down.

Look at that,
let it climb right up the sides.

And if you get a little on there,
don't worry about it,

you can go right back and fix it.

The little knife you might find
works a little better for that.

It comes right on down here,
look at that.

Think dark against light,
light against dark

and all these beautiful
little effects happen.

I'm going to take the little knife
and go right in here

and smooth that out, so it's just...
there, there.

There. Just let it...

See? Just let it go
right into the background.

OK. OK.

Maybe there's a little where it lays
right in here.

Just wherever you want it.

Make a decision, throw it in.

And it just goes
right off into the distance.

A little of it flows right up
through there.

And you don't care if a little
of this brown gets into your white.

It will make it very nice
and very pretty.

And here and there, maybe,

maybe there's a little land
right along in there.

A touch of the blue and white here,
just a touch. Little bit.

A few little things
are happening right over in here.

Just let the knife bounce and play.

OK.

Well, that's pretty much how we can
make some fantastic mountains

and if we're going to have time to
put a whole foreground in here,

we ought to get moving along.

I like mountains so much,
I get in there and get to playing

and forget that we had other things
to do. I just want to tap this.

I'm going to add. I tell you what,

I'm going to add a little bit of
green and a little bit of yellow,

a little bit of Yellow Ochre.
Just right on the brush here.

And maybe, there are some happy
little grassy things

that live right in there.

A touch more green.

There, there. There, there.

See?
You're following those angles.

Following those angles.

Just let them work, right on there.

Wherever, wherever. Over here
we'll follow these angles.

Add a little more of the green,
touch of brown into that.

There.

This is the shadow side.
Looky there.

Just helps it all settle down in
there. Let me clean this brush.

I will wash this brush, then
we will soften that all up.

And we'll be ready to play.

There we go.

As I said in
one of the earlier shows,

we have to have one of the funniest-
looking cameramen in the business.

He's absolutely covered with paint.

He's got multicoloured freckles.

There we are.

Lift, just lifting it up.

Gives it the impression of little
grassy hills.

There we go. Clean that all up.

And you can take and touch a little
bit of the darker colour,

a little green here
and there, to show different planes.

See how that just shows a whole
new plane?

All right.

Let's have some fun now.

Let's put some, let's have a little
rolling hill here,

like it's maybe up on a little
plateau, looking off

and you can see all of this.

I'll go into a little bit of black.

A little bit of green, Sap Green.

Just tap the brush into it.

See there? Just tap it.
OK, let's go right up here.

Now you've got to make a big
decision. Where does this go?

And in my world, I'm going
to have it come right here

and all I'm doing is taking
the brush and tapping downward.

Maybe there's a little valley right
there, it goes up and round.

See?

Just like that.

Then we can begin filling this in.

This is where you begin creating
the lay of the land.

Right through there.

Get a little more colour
on my brush.

Ran out.

There we go.

See there?

Isn't that a super way just to put
a nice, grassy little hill there?

There we go.

Little more of the colour.

Let's go back over on this side
and bring this one down.

Don't want him to feel left out.

Once again, here, all you're doing
is putting in some dark

so your lighter colours will show
later on.

We'll come back and
we'll highlight all this later.

OK, little more of the black.

I want it to get a little
darker here in the foreground,

as things get closer to you,
landscape there,

they only get darker.

Add a little more of the black.

OK.

We've pretty well
got that filled in.

Just like so.

There we are.

All right. All right.

Let me clean my brush.

If you've painted along with us
before, you know this is

the most fun of the whole technique,
is cleaning this brush.

Doodle-oodle-oodle-oo!

That's really fun.

OK, I'm going to use,

today I'm going to use a number
three fan brush,

I'm going to go right into, let's go
into a little Yellow Ochre.

Little Cad Yellow,
just mix them together.

OK. Let's go right up here.

Maybe right in here...

That's a little too bright,
I'm going to put some green with it.

A little too bright.

..right in here,
and I'm pushing upward.

Oh, yeah, that's nice, that's nice.

There's a happy little evergreen
lives right there.

And I'm using some bright colours,
I want him to be pretty strong.

Same colours, going to give him
a little friend. Trees get lonely.

Just like we do.
Or at least I do.

There we are.

There we are.

There we go,
just push upward with the brush.

Can you see how that's working?

Push upward, make all those happy
little things.

Drop them in.

And you have to make a decision,

how many of these little trees
live in your world?

You decide and you put them in.

Put them in.

Look at that!

Look at them!

Mmm! I like to do little trees,
I get carried away with them!

OK.

And we'll just put a few here
and there.

If I don't stop, I'll have a whole
canvas covered up with little trees

and you'll lose the painting!

Maybe,
maybe there's one right there.

See there? Just push up, push up
wherever you want it to go.

OK, let's start building some
little grassy areas all in here

that are very pretty. I'll go right
into some Sap Green and some yellow.

Tap that brush, tap it.

Tap it. OK. Let's go up here.

Now then, let's begin determining
the lay of the land.

That's not quite bright enough,
it doesn't show,

I add a little bit of the liquid
white and go right

back into my colour, liquid white
to make it a little lighter.

Let's do it again.

I want you to be able to see it.
Yeah, that's much better.

Just tap.

Just tap.
Don't kill all your dark areas

but you'll be creating all
kinds of little things.

We'll add a tiny little bit of red
to that, see there? Look at that.

See how that stands out?

And you can make just plane after
plane, hill after hill.

Bring it all together.

Super, super way to make
little soft meadows

and little grassy areas. Oh!

This'd be a nice place to go lay
under a big tree,

read a book
and sleep a little while.

There!

And just vary the colours
a little bit.

All right.

Layer after layer after layer.

Look at the depth in that, though.

You can create a tremendous
amount of depth,

just by working
the different layers.

There's another one.

Try this, I think you'll really,
really enjoy it, it's a lot of fun.

Put another one right there.

Let's go on the other side here.

All right.

Now then.

Let's have some fun.

Maybe, go right into
some Van Dyke brown.

Maybe there's a happy little tree
that lives right here and he's

a little bigger, a little stronger,
we can see more of his trunk.

He's a strong little tree.

And he's got a friend right there.

And if, you know, if you had two
trees there,

there'd probably be a third one.

Sooner or later,

maybe there's one over here too.
Four.

Put just as many
trees in here as you want.

While I got that going, I want to
put the indication just here

and there, of a little trunk in some
of these.

Just a little indication.

See? Don't overdo them.

Just here and there.

I'm going back to my fan brush.

Some Sap Green and some of
the yellows.

And let's just go right in here.

We'll just pop on
some happy little leaves.

Like so.

Just pop them on.

Mmm. There's a nice little bright
one there.

He really stands out nice.

OK. Put some leaves on this one.

Now.

Maybe this one back here, maybe,

maybe he's not with us any more.

I'll just put some old hangy-downs
that indicate some limbs.

There we go.

Got a little too tough
for him, he quit on us!

All right.

Let's have some fun.

Let's have some fun.

I want to build up a couple of huge
big trees here,

some big, strong and I'll show you
how to make those.

Let's go right
into some Van Dyke Brown.

Watch here. You have to make a
decision. Where does this tree live?

Oh, I hate to go through that big
mountain! We will anyway.

We will, right there.
Just tap.

Just tap.

Somebody's going to send me

a bad-mouth letter for going right
through that mountain!

There we go.

Just tapping with
the brush to make it fuzzy.

That was so much fun, let's do
another one, right here.

Right here.

Big old tree, there he comes.

There he comes.

Drop him in.

Drop him in.

Now, same old brush, I'm going
to go right into some white,

right into some white,
come right down this edge.

See there?

Looky there.

And that gives us our highlight,
makes a tree look round.

Let's do the same
thing to the other one -

don't want him to feel left out!

Just like so.

There we go.

Gives that tree some roundness.

Little bit of roundness.

There we go. Maybe he's a big
old root, right here, on this tree.

We'll just put some dark colour in
here. That'll indicate a shadow.

We'll tinker with that a
little bit later.

OK.

I'm going to take a little
bit of the liquid black,

put it on my palette.

Find my liner brush,
put a little thinner on it,

go right into the liner brush.

I have a little paint thinner
in that, it's very thin, like water.

Let's go up here.

Now we need to put the indication
of some little limbs here.

Just decide wherever they're at.

Drop them in.

Oh, right over our mountains that
we worked so hard on!

It's all right. It's all right.

If you learned how to make them,
it wasn't wasted time.

Wasn't wasted.

There. Just put a few little
hanger-downs here and there.

There's a nice one.

Nice, big strong limb,
lives right there.

Some come right across.

There we go.

Oh, right over that peak!

Mmm!

OK. That easy. We have some limbs,
let's put some on this other

big old tree over here.

There it comes. Shooom!

Helps to make little sounds!

See here? There's a big limb lives
right there.

Few old hangy-downs on there.

Evergreens always have these old,
I call them hangy-downs,

I don't really know what they are.

That's as good a word as any until
we find a better one!

Looky there.

There we are.

OK. See? We can just put all
these in here that we want.

You always have old broken ones
on there.

Now then,
go right into the liquid white.

You can add a little
bit of highlight here and there,

make that rascal stand out,
the light against the dark again.

Light against the dark.

Up here, put a little bit.

There we go. Just a little,
just a little.

Over here, a tiny bit.

See, it just adds a little bit
to your painting,

makes it look a little better,
a little more detail.

And come right across.

There we are.

OK. Now let's put some happy little
leaves on there.

And we'll take our number
three fan brush.

Let me clean it off,
it's full of paint.

OK. I'll go right into Sap Green,

right into Sap Green.

And some black, OK,
let's go right up here.

Now you don't have to have
leaves on all of these.

Just touch, push, bend it upward,
I just want leaves on some of them.

Looky there.

Oh, right over our mountain.
Right over the mountain!

There they go!

Wherever you think they live,
that's where they live!

OK, let's go over to the other tree.

Put a few little happy things
on him.

Just like so.

Just like so.

Wherever.

Wherever.

There they are.

And we go right into a little
bit of Cad Yellow.

Because it's got a lot of green
on here.

We'll drop him in.

Hope you enjoyed this one.

This fantastic little painting,

it really showed you
how to do these mountains.

There.

Got this one all finished here.

And I'll call this one done,
and from all of us here,

I'd like to wish you happy painting.
See you next time.