All language subtitles for The Joy of Painting - 2x17 - _track3_[eng]

Hi, I'm glad you could join me
today,

and today I thought we'd do
a beautiful little painting that's

got some snow in it, and maybe we'll
put a great big barn in it,

and do it in a lot of warm colours,
and I think you'll really enjoy it.

Now I've already covered
the canvas with a thin even

coat of the liquid white, and it's
slick and wet and ready to go.

So let's have them run all
the colours across the screen

that you need to do this
painting with me.

And they'll come across your screen
in exactly the same

order as I have them
laid out on my palette,

starting with the titanium white and
working all the way round to red.

While they're doing that,
let's go on up here and get started.

Today, we're going to use
the old two-inch brush

and I'm going to go
right into a little Indian yellow

and just tap a little
bit of that into the bristles.

Tiniest little bit.

Let's go right up here.

You have to make
a decision right off.

Where's your horizon going to be?

And in my world, I think it's going
to be right about there.

Right about there.

So just go across.

Right above that, I'm going to go
into a little bit of yellow ochre,

just a small amount of yellow ochre,

tapped onto the bristles
the same way.

We'll go right up here, and right
above that, a little yellow ochre.

See. Just let them - now where they
touch here,

just blend them together
a little.

Go right into some bright red.

I haven't cleaned the brush.

I'm just still tapping
a little colour on, OK?

The bright red...

..right there.

Just like you suspected.

There we go.

So we have three layers of colour.

Now we can just very lightly just
blend those together.

There we go.

Mm, already we have something ready
for the Museum of Modern Art.

There. OK.

Beat the brush off.

I'm going to go right into
midnight black.

Very transparent black.

All right. Let's go up here.

And I want a very contrasting
sky today,

so we'll put a little
black right here,

and just use little
crisscross strokes.

And let it work right into the sky.

There we go. That easy.

That easy.

Well, we really do have a modern art
masterpiece going on here.

A couple more colours,
and we'll have this one finished!

I laugh, because there's a cameraman
over here that's got

the funniest-looking disease
you've ever seen.

He's got spots all over him.

Right into a little bit of the dark
sienna.

Just pull the brush through.

Let's go right up here.

I'm going to put just an indication
of some happy little cloud shapes.

Still using the same brush,
and I'm just turning it,

making little circles.

Little tiny circles.

Little tiny circles.

Just let it
come right down into the colour.

I like these kind of paintings,

because they've got
so much colour in them.

They're so bright.

Sometimes winter scenes,

they can have so many cold
colours in them,

ooh, you almost have to
wear a parka to look at them!

And if you're unfamiliar with a
parka, that's the kind of coat

we wear in Alaska, it's got the big
ruff around the top, and fur, and...

..ooh, cold.

Very lightly.
Very lightly here.

Just going to blend those
colours together now.

So we're just getting a continual
progression of colour.

Now it's time to
have some fun.

I'll go right into a one-inch brush.

We need some light colour in here,
to separate all these.

I'll use titanium white.

A little bit of the red.

Make a nice warm pinkish colour.

OK, let's go up here.

Now then, in here, where
these two colours come together,

I'm going to drop in the indication
of some happy little clouds

that are just floating around.

Just having fun.

Keep your brush
moving, keep it moving.

Keep it going, all the time.

Over here, there's one -
look at that.

Look at that - that easy.
Just drop them in. Drop them in.

Wherever you think they should live,

that's exactly where they should be.

There.

And as many as you want, or as few
as you want, whatever.

Whatever.

Take a nice, clean, dry brush here.

I'm just going to gently,
gently blend this.

Just blend it a little bit.

Don't overdo.

It's a temptation, when you
get in here, to absolutely kill it,

overblend.

There. See how that sky
is now beginning to come together?

Isn't that a beauty?

You know, of course I know
none of us

are interested in these
monetary gains,

but if you are,

if you are...

..and some of us are...

..these are the kind of paintings
that sell.

I've said it before,

a lot of times paintings
sell for colour, as well as content.

And when you're selling paintings,
study your audience.

Study your audience.

A lot of times if you're selling
paintings predominantly to men,

men, you know, we are macho.

Men like paintings that are cold,

a lot of blue in them,
a lot of mountains.

If you're selling paintings to
ladies, they're a little smarter.

They buy paintings
because they fit into a room,

or they match a couch,
or rug or something.

And ladies normally will buy
warmer colours.

OK.

Now that I've made all the men
mad at me,

we'll put another cloud
over here.

There we go.

I'm just crazy about ladies.
I like ladies.

There.

Little cloud right there.

And wherever you want them.

You could spend...

..spend all day just putting happy
little clouds in here,

just a few.

Same old brush.

And we'll blend this out.

Blend it out.

Tiny little circles.

Fluff it up.

Fluff it up.

Gently blend it all together.

Same way. Right there. See there?

Isn't that super?

There we go.

Now, let's have some fun.

I'm going to take the knife,

and go right into the tiniest
little amount of cadmium yellow.

Just straight cadmium yellow. Cut
across, a little tiny roll of paint.

Let's go up here.

Now, right back in here,
I'm just going to let it just,

just barely, barely graze
the canvas.

I want to put some little happy
doers in there.

There. See them?

Let them play across.

And with a clean, dry brush - and
this is three hairs and some air.

Lightly. Lightly.

Lightly stroke the canvas.

Just enough to sort of bring that
together.

Don't want to overdo.

And I'm going to let this blend with
a little bit of the liquid white,

and come down a little bit more.

We're going to put some little
background trees in there,

and a few of them
might show through.

Little bit of the sky might
show through.

There we go. Look at that.

OK. Isn't that a super sky?

That will certainly warm up a room.

OK. Clean my old brush.

Give it a shake.

Beat the devil out of it.

All right, let's make some
decisions here.

Let's put some happy little
trees in the background,

and for that, I'm going to mix up...

..let's take a little black,
a little blue...

..I'll throw in a little alizarin
crimson too, what the heck!

What the heck.

Maybe mix a little more black,
blue, crimson.

Let me clean my knife here.

And we'll take our round brush and
just tap it in there a little bit.

Just tap, tap, there.

Now let's put some little trees.

Look, there.

Just little basic shapes,
and they live right in there.

Just think like a tree.

How would you like to...how would
you like to grow here?

There we go.

And don't kill all the pretty areas
you've put into this beautiful sky,

because that can
happen very rapidly.

Just begin putting in some very
basic happy little shapes.

There we go.

Maybe there's one here.

You notice I usually try to
start at the bottom and work up,

that way it automatically gets
lighter toward the top,

and you keep the dark
shadows at the bottom.

That really helps.

Makes your life easier.

There we go.

All right.

OK, just put a few on the other
side over here -

we don't want him to feel left out.

Now I'm just tapping with
this brush.

Oh, there goes my beautiful little
cloud! And I liked that one too.

That's all right. We learned how to
make it,

and the name of the game
is practice,

so if you got some practice, your
efforts weren't wasted...

..because you know every
painting you do,

you look at it, and you know the
next one's going to be better,

because you learn something
from every single painting you do.

All right.

Maybe just drop a little bit of that
colour right in there, wherever.

Wherever.

That's sort of a black to a
lavender, little grey, whatever.

OK.

Let's take our liner brush,

and we'll put a little bit of paint
thinner on it,

and we'll go into some
Van Dyke brown,

turn that brush till
it comes to a nice, sharp point.

Let's go up here.

Now we need some little trunk
indications here and there.

I'm not looking for a whole bunch.

Just, just enough so that when you
look back here you can see -

oh, there's one that didn't have
any leaves on him.

He's just laying up there naked.

There.

Put one right in there.

Let your brush turn
and wiggle, and have fun,

because tree limbs grow all
kind of crooked ways.

Sometimes...

..sometimes maybe a big
old deer comes by,

or a moose steps on them and hurts
them when they're little.

Let's go over here - and there's
one over here.

So they're not always straight.

You know, they have to go out
and look a long time to find one

to make a telephone pole out of!

The majority of them grow
sort of crooked.

There.

All right.

So that give us a little, a little
bit inside the tree.

I'm going to take the same old
brush, what the heck.

We'll go right into the tiniest
little bit of the yellow,

and to that I'm going to add
a little bit of alizarin crimson.

We're going to have a very warm
painting here.

I also want to add some
white to that.

Maybe - shoot, we'll even add some
red in there. Here we go.

There we go.

Let's go up here.

And I want to go
right up here, and just touch.

I don't want a lot of colour yet.

Don't want a lot of colour yet.

We'll put that in later.

Just, some happy little snow things.

You could even take a little
bit of blue and add right in there.

A little blue and white,
just tap it into.

That's pretty.

Cold colour. Look at there.

Mm.

Look at that. Look at that.

There's one up here.

And we're not looking for a lot
of detail yet, just,

just some little indications,

just a few here and there.
Just a few.

And then you can begin picking out
little things that are down in here.

Just decide where they are,
drop them in.

There's one.

See, right there, see?
See?

You knew that he was there.

Going to go back in to some red.

Get a little more of the white,

a little more of the red.

Put it all together.

Right here. Look at that.

Makes sort of a nice little
lavender colour.

Beautiful little colour.

We'll make this tree have some too.

Little white one right there.

Look how he stand out. See?

That light stands out against
the dark.

Nice one.

That's one of them happy accidents,

and when you get those,
don't fight with them, keep them.

Put a little bit more of the bright
red into that one.

I'm just really having some
fun with colour now.

When you do this at home,
if you want to change the colour,

you have an artist's licence.

It comes with your first
tube of paint.

Says you can do
anything you want to do.

At least on canvas!

All right, that's enough piddling
around there.

Let's have some fun.

I'm going to take a two-inch brush
here, and we'll begin

laying in some areas in the back
here,

where the snow's going to be.

I'm just going with this colour
I've been playing with.

It's got some pink in it.
White, whatever, we don't care.

Now you begin
worrying about the lay of the land.

Maybe make a decision,
which way is it going to go?

Have it go sort of that way?

I'm just laying
paint on the canvas right now.

Reach up here
and grab a little of this,

and pull it down or you could
even get over here.

Just let some of these
little things happen.

It's going to be
far in the background.

We're not too worried about it.

In fact I'll probably just cover
it up.

Put several little colours there -

there's some pink in there,
and blue,

and then I'm picking up
some of these little shadow colours.

There.

Now, I'm going to take a fan brush,

and very soft, just grab that.

Ain't got nothing wrong with
picking a little colour,

see how you can create
the lay of the land there.

Just like that.
Work this around, let it play.

As I say, I think I'll put a big
barn there anyway,

so we're not worried about that.

Lift upward. You see, that sort of
gives a little misty effect.

Sneaky!

Quiet and soft and dark back there.

That's where the little
rabbit hides.

He lives back in there and watches
what's going on out here.

Seeing all the crazy people out
there, what are they doing?

All right.

Let's build a barn.

Now, when you do this, probably
one of the easiest ways I've found

is to take your knife and very
gently scrape out a basic shape.

This allows you to
get your perspective right,

but most important, it takes off the
paint you already have on the

canvas, and the next layer sticks
much easier.

So let's go right here. See?

I just use the point.

Maybe you can see that -
yeah, you can see that quite well.

There we go.

See, we'll come down maybe here.

Here's the other part - comes out...

..like so.

And you're not committed yet. This
is just giving you an idea.

Maybe there's an arm that lives
right over here on this barn.

We'll put an arm over here,
comes across, sort of.

Look at there. See,
that gives you a general shape.

Now with the knife, with
the knife...

..I'm just going to tear out,

rip it out, all the beautiful things
we had back here.

There they go. There they go.

I think today I'll show you
a different way to paint a barn.

This is an old barn, it has old
wood on it.

Get all this colour out.

I'm going to put some snow on the
roof, and we don't want it to...

Huh, you know about that yellow
snow!

We don't want that up there.

OK.

There. I know that looks terrible.

You're probably sitting at home

saying, "Bob, you have done it
this time."

Use a two-inch brush, I'm going
right into the Van Dyke brown,

load the brush full of colour.

Give it a wiggle and pull it.

That brings it to a nice sharp edge
- look how sharp that brush is.

It's very sharp.

Good. Let's go up here.

Right, let's start with overhang.

There it is. See there?

Now you could do all of this that
I'm going to do with your knife.

I just want to show you
a different way of doing it.

Grab this, pull it down.

Pull down.

Use both sides, because the other
side is fully loaded too.

Here we go. Over here.

Look at that.

That quick. That quick.

There.

He's going to have a little arm
out there.

We need to put some wood out there.

Got a little arm on the other side.

Put some brown in there.

And you really...you're really still
not too committed.

You can still change your mind here.

Let's go up the side. See there?

Right up the side. Like that.

Maybe - yeah, I'm going to have a
little bit of wood

showing right in here.

All right. Now, I want to make this
look like old wood.

Old, old wood.

Now, I'm going to use the same old
brush, and go right into some white,

some of the dark sienna, just...

..and I'm just - look at the brush.

There, let's go up to the canvas.

Now, start right here, touch,
no pressure.

No pressure. No pressure.
No pressure.

See there? Isn't that super?

Helps if you're a little nervous.

If your hand shakes a little bit,
this is the time to use it.

There. Because it makes all these
beautiful old-wood effects.

There we go.

Now, we need some on the other side.

Ooh, there's a pretty one happening
right there.

Beautiful, beautiful, beautiful.

I get carried away
sometime just watching.

There we go. Let's put some right
out here.

OK.

Now, over here, I'll just put a
little indication -

not much of that's going to show.

We can go back into the brown, I'm
going to put some shadows in here.

We're just barely touching.

Barely touching.

This is when we find out
if you have a delicate touch.

All right. Now, back to my knife.

Go right into the Van Dyke brown,
cut me off a little.

And let's put us some
indication of a few boards in here.

I'm just going to quickly do this
so you can see how it's done.

Doo-doo-doo-doo-doo-doo-doo.

Just let them go.

And you put as many
boards in yours as you want.

This carpenter was like me,
he wasn't too good.

Just whatever he had he used.

Over here, there's a few.

There we go.

Now with a clean brush,

very light touch,

grab this,

and just caress it.

Look at that.
Bring all this together.

Have you ever seen an easier,
nicer way to make old boards?

Now then, now we can get serious.

First thing we need here is a door.

Going to have a place to put
the cow.

There. We got a barn, got to have a
way for him to get in.

There we go.

Nice door.

And, and, tell you what,

we'll put some snow right up
here on this little arm.

Some snow right along here.

Just, just lay it on.

And going to go
come right down here,

there we go, there we go,
there we go.

See there?

And that gives us
an idea of how to do a roof.

I tell you what, I'm just going to
sort of block this in

so you can see it a little
easier on your set.

It's also a nice way to cheat
a little, and give yourself a guide.

Touch. Just pull down.

Just give it a little pull, a little
pull like so.

There you go. OK.

Now, right out here, look here,
look here, look here, a little more.

There it is.

See?

Little bit right out here,

and then just take your knife,

smooth it out.

And then a sneaky way to
make a barn -

I'm going to take
the little knife here,

I'm going to put some curves in
this door.

It's just the right size for that.

Pull that down.

There.

And a little bit of light
brown colour - there we are.

Just sort of outline it,
and give it a touch of highlight,

so it stands out a little better.

A little bit better.
This old barn's seen its better day.

It's like me, it's had a rough life.

Now then, we can begin working on
some of the perspective here

and get all this stuff together.

Maybe it comes right up through
there.

All right. All right, we're ready
to have some fun.

I'm going to go back into
some of these dark colours,

brown, a little sienna.

Van Dyke, black, whatever.

OK, let's go right up here.

Maybe there's a happy little tree
and he lives right there.

Comes right out through there.

Tell you what we need.

Got a brush here that's still
got white on it.

Let's put snow indications.

Comes right along the barn.

Look at there.

One thing nice about a big old
brush, you can do these

things in just a second.

Just a second, just throw them in.

I'm going to add a little blue
to the brush,

and maybe right in here,
look there...

..look there.

There we go.

Little path indication.

Over here, maybe, maybe we got
a little bit of snow comes down.

We'll take a fan brush or
something here,

we can smooth all this out.

This is just a nice
way of dropping it on very rapidly.

OK, here lives a nice happy
little bush.

He comes right down through there.

OK, with the liner brush, a little
bit of liquid white,

I'm just going to put the
indication of a...

..there we go, little trunk
here and there.

And I'll take the same old brush,
what the heck.

We're going into a little red,
little white.

Add a little yellow ochre to that.
We'll get crazy.

OK. Let's go right up here.

I'm going to put some happy little
colours in this one,

just to really warm it up.

Look at that.

See there?

Isn't that neat?

See, this keeps the whole winter
scene from being

so cold it's uncomfortable.

There we go.

And you just put as many
little bushes

and stuff in there as you want.

Tell you what, tell you what.

Just grab some of that and pull it.

That'll be our snow that
comes out of there.

And take a fan brush now,
and just begin blending all this.

Just blend it. Let some of it slide
right down here.

It comes right up. Look there, it
goes back in to there.

And that little brown I got on the
brush, I'll use that for a shadow.

Right in there.

Straighten up the edges - like so.

Let's have some fun.

Let's have some fun here.

I'm going to go right into a little
bit of black

and a little bit of blue.

And maybe, yes,
right there, right there....

..we'll put another layer of bushes.

This just helps create different
planes in the paintings.

To that I'll add a little Indian
yellow.

Let's go right there.

We'll just put a few little happy
highlights on these bushes.

We'll use some of the reds
and yellows,

just to make it a happy
little thing.

All right. Tell you what let's do,
let's have some fun.

Let's have some fun.

I'm going to go right into the
brown, right into the brown.

OK, let's go up here.

Maybe there lives - does now,

boy, it sure does now - a big tree.

A big tree.

This is just a brown,
he lives right there.

Looks like a big slingshot,
doesn't it?

That is a big slingshot!

My dad was the best slingshot
shooter in the country.

He could really work a slingshot.

I came from the Deep South,
so people used a lot of slingshots.

Then I migrated to Alaska.

Had to go find some snow,
I'd never seen snow.

I was 20 years old before I
ever saw snow.

But I moved to Alaska, and almost
overnight I saw my share!

I'm using a little
bit of the liquid black now.

Just put some of that,
just to create the illusion of

some happy little limbs here
and there.

And in your world, you put as many
limbs or as few as you want.

Just drop them in.

There we go. There we go.

All right.

Take the knife, take some of this
colour we've been using here.

I just want to put just indication
of some highlight around this tree.

Just here and there.

That'll make it
stand out a little better.

See how you can drop in a big old
tree in just a minute or two.

That easy.

That easy.

Over on this side,
the least little touch of some blue,

just to sparkle it up.

And the old clock on the wall
tells me I have to leave you,

and I'd like to thank you for
being with me.

Taking a little bit of the liquid
white,

just highlighting a little
snow here.

And from all of us here, happy
painting,

God bless, see you next week.