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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:28,920 --> 00:00:31,160 Hello, welcome back. I'm glad you could join me today. 2 00:00:31,160 --> 00:00:33,400 You ready to do a fantastic painting with me? All right. 3 00:00:33,400 --> 00:00:35,880 Well, let's start off and have them graphically run all 4 00:00:35,880 --> 00:00:38,760 the colours across the screen that you need to paint along with me, 5 00:00:38,760 --> 00:00:42,320 and they'll start with the titanium white and go all the way round. 6 00:00:42,320 --> 00:00:45,120 While they're doing that, let's go on up here and get started. 7 00:00:45,120 --> 00:00:46,760 Now, I've already covered the canvas 8 00:00:46,760 --> 00:00:48,800 with a nice, thin, even coat of liquid white. 9 00:00:48,800 --> 00:00:50,920 It's slick and wet and ready to go. 10 00:00:50,920 --> 00:00:52,520 So let's start. 11 00:00:52,520 --> 00:00:54,200 Take a little bit of the midnight black. 12 00:00:54,200 --> 00:00:57,200 Mix it with a little Thalo blue. 13 00:00:57,200 --> 00:00:59,440 I'm just going to mix it right on the brush. 14 00:00:59,440 --> 00:01:00,840 Just right on the brush, see? 15 00:01:00,840 --> 00:01:02,840 Just literally tap that brush in there. 16 00:01:02,840 --> 00:01:04,280 OK, let's go up here. 17 00:01:04,280 --> 00:01:08,040 Now, very lightly, we're just barely going to stroke the canvas. 18 00:01:09,160 --> 00:01:11,200 Just going to stroke the canvas. 19 00:01:11,200 --> 00:01:13,440 I think today we'll do a beautiful little sky. 20 00:01:13,440 --> 00:01:15,640 I like bright, shiny little skies. 21 00:01:15,640 --> 00:01:18,600 I'm going to put a little more black in there. 22 00:01:18,600 --> 00:01:19,880 There, that's better. 23 00:01:21,520 --> 00:01:22,760 That's better. 24 00:01:22,760 --> 00:01:26,160 See here, and I'm sort of creating a little downward angle. 25 00:01:26,160 --> 00:01:29,760 Very lightly, as we work down in the sky, 26 00:01:29,760 --> 00:01:32,160 I want it to get lighter and lighter in colour. 27 00:01:34,160 --> 00:01:35,640 So if you start at the top, 28 00:01:35,640 --> 00:01:38,200 when you have the most paint on your brush and work downward, 29 00:01:38,200 --> 00:01:41,880 automatically, it will mix with the liquid white, and that will happen. 30 00:01:41,880 --> 00:01:45,480 There we go. Little touch right in there. 31 00:01:45,480 --> 00:01:47,880 See how it's getting lighter and lighter? 32 00:01:47,880 --> 00:01:49,640 Because I'm running out of paint. 33 00:01:49,640 --> 00:01:50,680 There. 34 00:01:51,680 --> 00:01:53,800 OK. Down to about there. 35 00:01:53,800 --> 00:01:55,680 And maybe in this particular painting, 36 00:01:55,680 --> 00:01:57,640 maybe we'll have a tiny bit of water. 37 00:01:57,640 --> 00:02:00,640 So while I'm going here, just leave that colour on the brush, 38 00:02:00,640 --> 00:02:03,720 and I'll add a small amount of Thalo green. 39 00:02:03,720 --> 00:02:06,920 Let me repeat that - small amount. 40 00:02:06,920 --> 00:02:08,920 It is so strong. 41 00:02:08,920 --> 00:02:11,840 It will turn your whole world green in a heartbeat. 42 00:02:11,840 --> 00:02:13,120 Just go up here. 43 00:02:13,120 --> 00:02:15,160 Maybe the water'll live right here. 44 00:02:15,160 --> 00:02:17,280 So we'll take and go across. 45 00:02:18,600 --> 00:02:21,400 Now, normally, if water is still, it's flat. 46 00:02:21,400 --> 00:02:24,440 It's level, so try to keep your strokes pretty straight. 47 00:02:25,680 --> 00:02:28,760 You don't want your water to run off on the floor. 48 00:02:28,760 --> 00:02:29,800 There. 49 00:02:31,160 --> 00:02:33,360 OK. 50 00:02:33,360 --> 00:02:34,600 Isn't that easy? 51 00:02:34,600 --> 00:02:37,000 We have the indication of water. 52 00:02:37,000 --> 00:02:39,720 All right, let's wash the brush. 53 00:02:39,720 --> 00:02:42,240 And I have odourless paint thinner in my can here, 54 00:02:42,240 --> 00:02:44,160 and there's a screen in the bottom of the can 55 00:02:44,160 --> 00:02:46,160 that I scrub the brush against. 56 00:02:46,160 --> 00:02:47,880 That removes the paint. 57 00:02:47,880 --> 00:02:50,840 Then we'll shake off the excess - like so. 58 00:02:53,560 --> 00:02:56,040 And we just covered the whole studio! 59 00:02:56,040 --> 00:02:59,160 All righty. Now into the sky I'm going to begin playing a little 60 00:02:59,160 --> 00:03:01,800 bit of colour, so let's mix a lavender. 61 00:03:01,800 --> 00:03:05,560 We'll use some Alizarin crimson and a little bit of the blue. 62 00:03:07,000 --> 00:03:10,400 A little Thalo blue. Much, much more crimson than blue. 63 00:03:10,400 --> 00:03:12,760 Blue's many times stronger. 64 00:03:12,760 --> 00:03:16,000 There. Just mix it up, OK? 65 00:03:16,000 --> 00:03:18,160 Wipe off my knife. 66 00:03:18,160 --> 00:03:20,960 Now, with the same brush, I'm going to go right into that, 67 00:03:20,960 --> 00:03:24,160 and let's begin just going right up here, 68 00:03:24,160 --> 00:03:28,520 and I want a layer, just a hint, of this nice reddish, lavender colour. 69 00:03:29,760 --> 00:03:31,600 Just like so. 70 00:03:31,600 --> 00:03:33,720 Just let it sort of play right up into that. 71 00:03:34,920 --> 00:03:37,360 We're going to put a little yellow in the sky too. 72 00:03:37,360 --> 00:03:38,680 This acts as a barrier. 73 00:03:39,880 --> 00:03:43,160 It keeps the yellow from hitting the blue and the black. 74 00:03:43,160 --> 00:03:44,560 There. 75 00:03:44,560 --> 00:03:45,600 Sneaky, huh? 76 00:03:47,040 --> 00:03:48,520 There we go. 77 00:03:49,720 --> 00:03:51,240 Just very gently, 78 00:03:51,240 --> 00:03:54,160 we're just caressing the canvas with the brush sideways. 79 00:03:56,160 --> 00:03:58,160 All right. Maybe a little touch in here. 80 00:04:00,640 --> 00:04:04,120 See, they're very soft right down in here, very soft. 81 00:04:05,160 --> 00:04:07,680 Then we go right into a little bit of the bright red. 82 00:04:07,680 --> 00:04:09,400 The tiniest, tiniest little bit. 83 00:04:11,520 --> 00:04:13,680 Just - oh, graze it a little bit. 84 00:04:13,680 --> 00:04:16,240 A little bit. Little bit. OK? 85 00:04:16,240 --> 00:04:22,160 Now here and there, just, just to warm it up, 86 00:04:22,160 --> 00:04:23,480 a little bit of that. 87 00:04:24,520 --> 00:04:25,920 Just here and there. 88 00:04:25,920 --> 00:04:27,480 Don't overkill with this. 89 00:04:28,720 --> 00:04:31,000 It's a very strong colour. 90 00:04:31,000 --> 00:04:32,360 Without washing the brush, 91 00:04:32,360 --> 00:04:35,600 we'll go into a little bit of the Indian yellow, 92 00:04:35,600 --> 00:04:39,040 and I'm just going to tap that right into the brush. 93 00:04:39,040 --> 00:04:40,680 Just go right back up here. 94 00:04:40,680 --> 00:04:42,640 Now very lightly... 95 00:04:42,640 --> 00:04:45,800 ..just still caressing the canvas, 96 00:04:45,800 --> 00:04:49,120 just begin laying in a hint here and there. 97 00:04:50,400 --> 00:04:52,840 Once again, don't overkill. 98 00:04:52,840 --> 00:04:55,520 We want this to be a very colourful, but very soft sky. 99 00:04:56,880 --> 00:04:58,880 This is a sky that should make you happy. 100 00:05:00,440 --> 00:05:02,440 Should bring good feelings to you. 101 00:05:03,440 --> 00:05:06,400 A lot of times, if you're interested in selling paintings, 102 00:05:06,400 --> 00:05:08,560 of course we're not interested in monetary gains, 103 00:05:08,560 --> 00:05:09,760 but if you should be, 104 00:05:09,760 --> 00:05:14,920 a lot of times paintings sell as much for colour, as for content. 105 00:05:14,920 --> 00:05:17,480 And these kind of colours will certainly brighten up a room, 106 00:05:17,480 --> 00:05:20,120 and they make people happy when they come in. 107 00:05:20,120 --> 00:05:21,480 So let's go right up here now. 108 00:05:21,480 --> 00:05:23,960 I have a clean, dry brush, 109 00:05:23,960 --> 00:05:27,880 and I'm just going to just take and blend all of this together. 110 00:05:27,880 --> 00:05:31,600 Just use this little two inch brush, and just bring it all together. 111 00:05:31,600 --> 00:05:32,880 Just like so. 112 00:05:34,000 --> 00:05:35,360 See? 113 00:05:36,520 --> 00:05:39,480 Now, that yellow is working quite well in the sky, 114 00:05:39,480 --> 00:05:40,920 without turning bright green, 115 00:05:40,920 --> 00:05:44,560 because we have that barrier of a lavender colour in there. 116 00:05:46,000 --> 00:05:49,080 And you can blend this to any degree of softness that you want. 117 00:05:50,320 --> 00:05:53,640 Or you could leave it quite bright and quite striking. 118 00:05:53,640 --> 00:05:57,040 You have to make... you have to make these big decisions 119 00:05:57,040 --> 00:05:58,800 when you create worlds of your own. 120 00:06:00,520 --> 00:06:02,320 OK. 121 00:06:02,320 --> 00:06:04,440 That quick, we have a happy little sky. 122 00:06:05,480 --> 00:06:07,360 Pretty little sky. 123 00:06:07,360 --> 00:06:10,520 All right. We'll lay that brush down, 124 00:06:10,520 --> 00:06:13,200 and maybe right back in here we'll have some little... 125 00:06:13,200 --> 00:06:15,480 let's have some little footiehills. 126 00:06:15,480 --> 00:06:16,880 Some little foothills. 127 00:06:16,880 --> 00:06:21,040 I'm going to go back into, this is the black and a little bit of blue. 128 00:06:21,040 --> 00:06:23,360 I'll reach over here and grab a little white. 129 00:06:24,480 --> 00:06:26,960 I want to make a grey colour, blueish-grey colour, 130 00:06:26,960 --> 00:06:30,400 and this brush is round, but it comes to a chiselled edge. 131 00:06:30,400 --> 00:06:33,480 See? You can see how sharp it is right there. 132 00:06:34,520 --> 00:06:36,640 OK, let's go right up here. 133 00:06:36,640 --> 00:06:39,600 Maybe there's a little footiehill and he lives right there. 134 00:06:39,600 --> 00:06:43,160 I'm just touching and giving it a little downward pull. 135 00:06:43,160 --> 00:06:44,800 Just want to make that indication. 136 00:06:44,800 --> 00:06:46,760 I got the brush sort of tilted that way. 137 00:06:48,080 --> 00:06:49,960 There. Just very quickly, 138 00:06:49,960 --> 00:06:53,240 we'll just drop in some of those happy little things. 139 00:06:53,240 --> 00:06:54,840 Just let them happen. 140 00:06:54,840 --> 00:06:56,600 Let them fall right off your brush. 141 00:06:58,520 --> 00:07:00,040 There. 142 00:07:00,040 --> 00:07:01,880 OK, now then. 143 00:07:01,880 --> 00:07:04,640 I want to create, at the bottom of this, 144 00:07:04,640 --> 00:07:06,280 the illusion of mist, 145 00:07:06,280 --> 00:07:09,800 a soft area, so take the big brush, 146 00:07:09,800 --> 00:07:12,200 and just beat the devil out of it. 147 00:07:12,200 --> 00:07:13,520 Just raise Cain. 148 00:07:17,000 --> 00:07:19,920 This is a much better way of taking out your hostilities than 149 00:07:19,920 --> 00:07:22,440 going home and kicking the dog! 150 00:07:22,440 --> 00:07:24,560 If you have a dog like I do, he'll kick back! 151 00:07:25,760 --> 00:07:27,720 Take off half your leg. 152 00:07:27,720 --> 00:07:29,080 There. 153 00:07:29,080 --> 00:07:30,360 Lift it right up. 154 00:07:32,520 --> 00:07:35,000 See, that quick, you got very soft little trees, 155 00:07:35,000 --> 00:07:38,680 really back in the distance, with a bit of light mist floating here. 156 00:07:40,480 --> 00:07:41,520 Isn't that super? 157 00:07:42,760 --> 00:07:44,320 All right. 158 00:07:44,320 --> 00:07:45,800 That was so much fun. 159 00:07:45,800 --> 00:07:48,240 Tell you what, let's put some bigger trees in here. 160 00:07:48,240 --> 00:07:49,720 We'll use that same colour. 161 00:07:49,720 --> 00:07:52,920 That was a nice colour - it's just blue and black. 162 00:07:52,920 --> 00:07:55,080 OK, tap it into the bristles. 163 00:07:55,080 --> 00:07:56,520 Let's go up here and decide. 164 00:07:56,520 --> 00:07:59,520 We had to make some decisions, maybe... 165 00:07:59,520 --> 00:08:01,920 ..maybe - certainly now, maybe. 166 00:08:03,400 --> 00:08:06,640 Maybe there's a nice tree that lives right here. 167 00:08:06,640 --> 00:08:08,080 Big tree. 168 00:08:08,080 --> 00:08:11,400 We're going to have a big tree right there. 169 00:08:12,880 --> 00:08:15,120 And begin thinking about this tree's shape. 170 00:08:16,800 --> 00:08:18,720 Begin thinking about the shapes, 171 00:08:18,720 --> 00:08:22,080 and all the little things that make the tree so pretty, 172 00:08:22,080 --> 00:08:25,360 and he's got little arms that hang out here - 173 00:08:25,360 --> 00:08:26,640 oh, look at that. 174 00:08:26,640 --> 00:08:27,800 Let the sky show through. 175 00:08:30,120 --> 00:08:32,560 And sometimes, maybe you like to play a little bit. 176 00:08:32,560 --> 00:08:37,840 Tell you what let's do, let's have some fun here. 177 00:08:37,840 --> 00:08:41,040 Maybe back in here, there's a little footiehill. 178 00:08:41,040 --> 00:08:45,720 I'm going to take that same purplish colour we started off with 179 00:08:45,720 --> 00:08:50,560 in the sky, and to that, just on the brush, add a little sap green. 180 00:08:52,160 --> 00:08:54,400 Little green running into that purple. 181 00:08:54,400 --> 00:08:58,240 We'll just make a crazy colour here, pick up a little white. 182 00:08:58,240 --> 00:09:02,160 Go in there. See, and it makes a nice brown tone. 183 00:09:02,160 --> 00:09:04,880 Greenish brown, very pretty, very pretty colour. 184 00:09:04,880 --> 00:09:06,200 OK, let's go up here. 185 00:09:06,200 --> 00:09:10,720 Maybe we want to show there's a little meadow back here, 186 00:09:10,720 --> 00:09:12,920 just like so. 187 00:09:12,920 --> 00:09:16,120 So I'm just using this brush and we're laying some basic colour. 188 00:09:17,800 --> 00:09:19,040 There we go. 189 00:09:20,240 --> 00:09:22,800 Way back in there. 190 00:09:22,800 --> 00:09:25,480 This will help create a little more distance in the painting. 191 00:09:25,480 --> 00:09:26,760 We'll just drop that in. 192 00:09:28,400 --> 00:09:30,840 And we'll take a little black and a little green, 193 00:09:30,840 --> 00:09:34,520 put a little brown into it. What the heck! 194 00:09:34,520 --> 00:09:37,800 Just tap it into the brush. OK. 195 00:09:37,800 --> 00:09:39,800 Maybe there's some happy little trees. 196 00:09:40,840 --> 00:09:44,320 These are a little closer, so you're going to see a little more colour. 197 00:09:44,320 --> 00:09:46,520 And they live right there. 198 00:09:46,520 --> 00:09:49,520 Just however many little trees you want. 199 00:09:49,520 --> 00:09:52,840 And without washing the brush, I'll just pick up some yellows 200 00:09:52,840 --> 00:09:54,920 and some yellow ochre here. 201 00:09:54,920 --> 00:09:56,200 Just tap it in. 202 00:09:56,200 --> 00:09:58,000 Just tap it in. Let's go up here. 203 00:10:00,120 --> 00:10:03,160 And we'll just put indication of a few little highlights. 204 00:10:03,160 --> 00:10:06,280 Now, these are far away. I don't want a lot of detail. 205 00:10:06,280 --> 00:10:09,400 When things are far away, you don't see every little leaf. 206 00:10:09,400 --> 00:10:14,200 All you see is basic shapes, colour changes, that type of thing. 207 00:10:15,360 --> 00:10:18,800 Don't overdo detail when you're trying to make 208 00:10:18,800 --> 00:10:21,560 the illusion of things being far, far away. 209 00:10:21,560 --> 00:10:23,240 Look at that. See? 210 00:10:23,240 --> 00:10:26,680 And it's all you need to create the illusion of distance 211 00:10:26,680 --> 00:10:28,160 in the painting. 212 00:10:28,160 --> 00:10:32,240 And with the fan brush, we can go right in here, 213 00:10:32,240 --> 00:10:33,800 and pick up some of that colour, 214 00:10:33,800 --> 00:10:35,280 and let's just blend it down. 215 00:10:37,520 --> 00:10:40,800 Maybe I'll add a little bit of the yellows in there. Brighten it up. 216 00:10:40,800 --> 00:10:42,880 This is bright, shiny day. 217 00:10:42,880 --> 00:10:44,200 Beautiful sky. 218 00:10:45,280 --> 00:10:46,640 See? 219 00:10:46,640 --> 00:10:49,120 Now bring it right up in there, and that easy, you watch, 220 00:10:49,120 --> 00:10:51,440 when we get a little further along, that will look 221 00:10:51,440 --> 00:10:54,000 just like a happy little meadow back there. 222 00:10:54,000 --> 00:10:56,880 And you could take the fan brush and pick up a few little bushes 223 00:10:56,880 --> 00:10:59,440 and weeds - that easy. 224 00:11:00,600 --> 00:11:02,760 That easy. 225 00:11:02,760 --> 00:11:03,800 Isn't that fun? 226 00:11:03,800 --> 00:11:05,960 Painting should make you happy. 227 00:11:05,960 --> 00:11:08,280 That's really what we design these shows. 228 00:11:08,280 --> 00:11:10,720 It really should make you happy, whether you just watch, 229 00:11:10,720 --> 00:11:12,400 whether you paint along with us, 230 00:11:12,400 --> 00:11:13,840 we really hope you enjoy it. 231 00:11:13,840 --> 00:11:15,560 Let us hear from you. 232 00:11:15,560 --> 00:11:17,960 We really... We want to hear what you like. 233 00:11:19,360 --> 00:11:20,760 Drop us a line. 234 00:11:22,040 --> 00:11:24,400 Drop us a line. We'd love to hear from you. 235 00:11:24,400 --> 00:11:25,960 We like the comments. 236 00:11:25,960 --> 00:11:27,200 I'll take the knife here 237 00:11:27,200 --> 00:11:31,120 and just going to drop in a few little indications here and there, 238 00:11:31,120 --> 00:11:35,680 of just some happy little sticks and twigs, 239 00:11:35,680 --> 00:11:37,000 and that easy, 240 00:11:37,000 --> 00:11:39,680 it makes it look just like there's all kind of things happening. 241 00:11:39,680 --> 00:11:42,400 Tell you what. Let's go back into this black and blue. 242 00:11:43,840 --> 00:11:46,040 Tap it in. 243 00:11:46,040 --> 00:11:48,520 And I want to show you how to push all that back now. 244 00:11:48,520 --> 00:11:50,160 What we are working with here... 245 00:11:51,760 --> 00:11:54,080 Let's just take - look here, 246 00:11:54,080 --> 00:11:57,560 watch here, bring this right down, right down. 247 00:11:57,560 --> 00:11:59,800 Look at that. See how it pushed all that back? 248 00:12:00,800 --> 00:12:02,680 That easy. 249 00:12:02,680 --> 00:12:05,480 It's unbelievable that you have that much power. 250 00:12:06,840 --> 00:12:09,280 But on this canvas, you do. 251 00:12:09,280 --> 00:12:11,960 Boy, when I go home, all I can say is, "Yes, ma'am." 252 00:12:11,960 --> 00:12:14,400 But on this canvas, I can say anything, 253 00:12:14,400 --> 00:12:18,840 I can build anything, I can create a world that makes me happy. 254 00:12:18,840 --> 00:12:20,880 It's bright, it's shiny, 255 00:12:20,880 --> 00:12:22,480 there's nothing bad here. 256 00:12:22,480 --> 00:12:24,800 There's nothing but good things here. 257 00:12:24,800 --> 00:12:27,760 You listen to the news sometimes, and it really depresses you. 258 00:12:27,760 --> 00:12:30,600 Somebody got hurt, somebody else got shot or killed. 259 00:12:31,920 --> 00:12:36,440 You can go to the easel and make the kind of world that makes you happy. 260 00:12:36,440 --> 00:12:38,720 There's no violence, no-one's hurt here, 261 00:12:38,720 --> 00:12:40,360 everyone's happy. 262 00:12:40,360 --> 00:12:44,880 Everyone's happy and that's what I'm looking for. 263 00:12:44,880 --> 00:12:47,320 I spent half my life in the military. 264 00:12:49,400 --> 00:12:52,680 And I was a bad guy in the military. Boy, I had to yell and scream. 265 00:12:52,680 --> 00:12:57,360 And now, I just enjoy life. 266 00:12:57,360 --> 00:12:59,240 And I do what makes me happy. 267 00:13:02,120 --> 00:13:03,520 There we go. 268 00:13:03,520 --> 00:13:05,400 Let's have a little tree - 269 00:13:05,400 --> 00:13:07,720 he lives right there. 270 00:13:07,720 --> 00:13:09,400 There he is. There he is. 271 00:13:09,400 --> 00:13:11,560 These little trees just live in your brush, 272 00:13:11,560 --> 00:13:15,360 just have to tap them out, scare them out sometimes. 273 00:13:16,520 --> 00:13:17,560 There we go. 274 00:13:19,080 --> 00:13:20,880 Maybe right there. 275 00:13:20,880 --> 00:13:23,440 But now, see, I'm glad I went back and put that in. 276 00:13:23,440 --> 00:13:25,480 Look how far away that looks already. 277 00:13:26,560 --> 00:13:27,680 Already. 278 00:13:29,360 --> 00:13:30,560 Already. 279 00:13:30,560 --> 00:13:35,000 It's fantastic that you can create that much distance, 280 00:13:35,000 --> 00:13:37,480 with just a few strokes. 281 00:13:37,480 --> 00:13:39,360 And you can. You can. 282 00:13:40,840 --> 00:13:42,120 There we are. 283 00:13:43,560 --> 00:13:45,000 All right. 284 00:13:45,000 --> 00:13:47,320 Now we have to start making some big decisions. 285 00:13:47,320 --> 00:13:49,600 What are we going to have in these trees here? 286 00:13:49,600 --> 00:13:52,600 I'm going to take my number two script liner brush, 287 00:13:52,600 --> 00:13:55,240 go right into a little bit of brown. 288 00:13:55,240 --> 00:13:56,320 Just turn that brush. 289 00:13:56,320 --> 00:13:59,080 I've dipped it into a little thinner so it's nice and thin. 290 00:13:59,080 --> 00:14:01,880 Let's go up here and let's put the indication, 291 00:14:01,880 --> 00:14:04,360 here and there, of a few happy little tree trunks. 292 00:14:05,720 --> 00:14:08,680 Just, just let them come right off wherever you think 293 00:14:08,680 --> 00:14:10,200 they ought to be. 294 00:14:10,200 --> 00:14:11,760 That's where they ought to be, 295 00:14:11,760 --> 00:14:15,280 and as many as you want in your world, you put them in here. 296 00:14:15,280 --> 00:14:16,560 See, just drop them in. 297 00:14:18,520 --> 00:14:19,560 There we go. 298 00:14:21,800 --> 00:14:23,920 Look at that. Look at that. 299 00:14:23,920 --> 00:14:27,760 Now, also you can take and go right into the liquid white, 300 00:14:27,760 --> 00:14:29,120 and watch here. 301 00:14:29,120 --> 00:14:32,560 Maybe some of them aren't all brown. Maybe - lookit, there. 302 00:14:32,560 --> 00:14:36,160 There's an old trunk, it's sort of white. 303 00:14:36,160 --> 00:14:38,040 You have to make these decisions. 304 00:14:38,040 --> 00:14:41,720 That's the responsibility that comes when you become a painter. 305 00:14:43,080 --> 00:14:44,440 There. 306 00:14:44,440 --> 00:14:46,480 And as many as you want. There we go. 307 00:14:46,480 --> 00:14:48,920 That ought to be enough to give us some indications. 308 00:14:48,920 --> 00:14:51,520 Well, we better put one over here. 309 00:14:51,520 --> 00:14:53,760 This old tree, we don't want him to get lost. 310 00:14:53,760 --> 00:14:56,600 There. Give him one too. 311 00:14:58,960 --> 00:15:01,120 And there. 312 00:15:01,120 --> 00:15:03,200 There we go. See there? That easy. 313 00:15:03,200 --> 00:15:07,840 Now, then, let's begin putting some highlights 314 00:15:07,840 --> 00:15:10,880 and some details on this big tree. 315 00:15:10,880 --> 00:15:12,520 I tell you what I want to do first. 316 00:15:13,720 --> 00:15:16,800 I want to take a little bit of the dark sienna, 317 00:15:16,800 --> 00:15:19,680 mixed with a little bit of brown, Van Dyke brown, 318 00:15:19,680 --> 00:15:23,400 and I'm going to put the indication here of a bigger trunk in this one. 319 00:15:23,400 --> 00:15:24,920 We'll just make him stand out. 320 00:15:26,040 --> 00:15:28,080 Take a little white. 321 00:15:29,560 --> 00:15:34,760 Use a little bit of yellow ochre and a touch of red in there. 322 00:15:36,920 --> 00:15:37,960 There we go. 323 00:15:37,960 --> 00:15:41,440 Just make a colour like, whatever. Let's go up here. 324 00:15:41,440 --> 00:15:43,960 Let's put some highlight here. This is touching... 325 00:15:43,960 --> 00:15:45,720 Look at that. 326 00:15:45,720 --> 00:15:48,120 Look at that. Just let it sparkle. 327 00:15:49,400 --> 00:15:50,560 Let it sparkle. 328 00:15:50,560 --> 00:15:54,040 We'll let this tree stand out. He's strong. 329 00:15:54,040 --> 00:15:55,280 He's a big tree. 330 00:15:55,280 --> 00:15:57,880 I'm going to go right into a little bit of the liquid black, 331 00:15:57,880 --> 00:15:59,560 and with that... 332 00:15:59,560 --> 00:16:00,920 Ah, look at that! 333 00:16:00,920 --> 00:16:02,520 Put a little tree limb on there. 334 00:16:05,080 --> 00:16:06,200 See now. 335 00:16:06,200 --> 00:16:10,440 When you take up painting, also take up looking at nature. 336 00:16:10,440 --> 00:16:13,880 Spend some time, spend some time out talking to a tree. 337 00:16:13,880 --> 00:16:15,880 I know that sounds crazy. 338 00:16:15,880 --> 00:16:18,280 I don't mean you physically go out and talk to a tree, 339 00:16:18,280 --> 00:16:19,880 but make friends with a tree. 340 00:16:19,880 --> 00:16:22,240 See what makes a tree look the way it does. 341 00:16:22,240 --> 00:16:24,840 Just spend some time looking at trees. 342 00:16:24,840 --> 00:16:27,200 It'll pay you big dividends in your paintings. 343 00:16:28,680 --> 00:16:30,040 There. 344 00:16:31,040 --> 00:16:33,760 And if you want to talk to a tree, that's your business, 345 00:16:33,760 --> 00:16:35,840 you go right ahead. 346 00:16:35,840 --> 00:16:37,240 You talk to him if you want to. 347 00:16:37,240 --> 00:16:39,480 I've been known to do that several times. 348 00:16:40,800 --> 00:16:42,240 OK. 349 00:16:42,240 --> 00:16:44,960 Now, then, I'm going to a little bit of the liquid white, 350 00:16:44,960 --> 00:16:46,680 a little bit of my colour. 351 00:16:46,680 --> 00:16:49,240 We'll tap a little bit of that, a little bit of yellow. 352 00:16:49,240 --> 00:16:52,680 Let me run up here and grab some sap green. 353 00:16:52,680 --> 00:16:56,120 We're going to load this brush full. Let's go up here. 354 00:16:56,120 --> 00:16:59,600 I want to put some indication of some happy little leaves that are... 355 00:16:59,600 --> 00:17:00,880 Lookit there. 356 00:17:00,880 --> 00:17:03,280 Just thousands of little leaves and a couple of strokes, 357 00:17:03,280 --> 00:17:06,440 and this is where you begin shaping your tree. 358 00:17:06,440 --> 00:17:09,120 Think about form, think about shape. 359 00:17:09,120 --> 00:17:11,680 What makes this tree stand out? 360 00:17:11,680 --> 00:17:14,960 Think where light would strike and play through here. 361 00:17:14,960 --> 00:17:18,880 And all these little things which just happen and bounce. 362 00:17:18,880 --> 00:17:21,120 Just let them bounce right off your brush. 363 00:17:21,120 --> 00:17:22,160 There they go. 364 00:17:23,200 --> 00:17:26,840 And if your paint won't stick, add a little bit of the liquid white, 365 00:17:26,840 --> 00:17:30,440 or a tiny, tiny little bit of paint thinner, 366 00:17:30,440 --> 00:17:35,440 and that will make it stick much easier. 367 00:17:35,440 --> 00:17:38,600 Just brighten this one up a little bit right there. He's on top. 368 00:17:38,600 --> 00:17:40,680 He'd get the most light. 369 00:17:40,680 --> 00:17:43,320 Sun's really going to hit him. 370 00:17:43,320 --> 00:17:45,040 OK. 371 00:17:45,040 --> 00:17:48,320 Maybe a little bit... Oh, right there. 372 00:17:48,320 --> 00:17:50,040 Right there. 373 00:17:50,040 --> 00:17:51,480 See there? 374 00:17:51,480 --> 00:17:54,920 How easy it is to make all kinds of beautiful little things. 375 00:17:56,160 --> 00:17:59,280 Add a little more green here. I'm using just green, 376 00:17:59,280 --> 00:18:01,320 all the different yellows, 377 00:18:01,320 --> 00:18:03,320 touch of the red here and there. 378 00:18:04,400 --> 00:18:05,440 Look at that. 379 00:18:07,000 --> 00:18:09,400 And don't kill all this nice, dark colour that you 380 00:18:09,400 --> 00:18:10,520 have in the background. 381 00:18:10,520 --> 00:18:14,040 That helps, that really helps create the illusion of distance. 382 00:18:14,040 --> 00:18:16,720 Tell you what, while I got that old brush running here, 383 00:18:16,720 --> 00:18:18,400 let's do this one over here too. 384 00:18:18,400 --> 00:18:21,280 Shoot, we'll just get all these done. 385 00:18:21,280 --> 00:18:23,360 Some happy little things right there. 386 00:18:25,800 --> 00:18:27,760 And all we do is happy. 387 00:18:27,760 --> 00:18:30,480 We have nothing but happy paintings. 388 00:18:30,480 --> 00:18:31,520 There. 389 00:18:31,520 --> 00:18:33,400 You know one thing, one thing I've noticed 390 00:18:33,400 --> 00:18:35,160 as I travel across the country, 391 00:18:35,160 --> 00:18:38,080 doing demonstrations and teaching classes - 392 00:18:38,080 --> 00:18:40,000 only nice people paint. 393 00:18:41,120 --> 00:18:44,880 Everybody I've ever met that's a painter, they're super people. 394 00:18:44,880 --> 00:18:46,640 I'm going to use the one inch brush, 395 00:18:46,640 --> 00:18:50,280 and we'll begin putting in some of the little details here. 396 00:18:50,280 --> 00:18:52,280 Pull that brush in one direction. 397 00:18:52,280 --> 00:18:55,280 One direction, load it full of paint. Let's go up here. 398 00:18:55,280 --> 00:18:57,800 Maybe in here there's some happy little bushes that live 399 00:18:57,800 --> 00:19:00,400 and they play - look at that. 400 00:19:00,400 --> 00:19:03,400 Just let them pop right off your brush. Bend that brush. 401 00:19:03,400 --> 00:19:04,760 Bend it. 402 00:19:04,760 --> 00:19:07,360 Make individuals, one at a time. 403 00:19:07,360 --> 00:19:08,480 One at a time. 404 00:19:08,480 --> 00:19:10,200 Don't try to hit them all at once. 405 00:19:10,200 --> 00:19:11,920 Just do one little bush at a time. 406 00:19:13,000 --> 00:19:14,360 Look at that. Look at that. 407 00:19:15,600 --> 00:19:18,800 And you can put as many of these or as few as you want in your world. 408 00:19:20,520 --> 00:19:22,400 You have to make decisions. 409 00:19:22,400 --> 00:19:24,680 Going to some of the ochres and the reds. 410 00:19:25,960 --> 00:19:27,880 There. 411 00:19:27,880 --> 00:19:29,080 Isn't that a pretty one? 412 00:19:30,640 --> 00:19:33,000 See, that tree just comes right out of that bush. 413 00:19:35,200 --> 00:19:39,360 I've painted probably 20,000 paintings or more, 414 00:19:39,360 --> 00:19:42,960 and I still get excited when I see this work. 415 00:19:42,960 --> 00:19:45,800 Never, never ceases to amaze me. 416 00:19:45,800 --> 00:19:47,880 For many years, I was a traditional painter, 417 00:19:47,880 --> 00:19:49,720 and I used to labour over paintings. 418 00:19:51,360 --> 00:19:53,320 Labour for weeks and months. 419 00:19:57,280 --> 00:19:59,200 And this makes it fun. 420 00:19:59,200 --> 00:20:02,800 Look at that. Just layer after layer of happy little bushes. 421 00:20:03,920 --> 00:20:06,360 But layer them - here I'm using the brush sideways 422 00:20:06,360 --> 00:20:08,280 and pushing upward, can you see that? 423 00:20:08,280 --> 00:20:09,320 There you go. 424 00:20:09,320 --> 00:20:11,640 That creates just layer after layer. 425 00:20:11,640 --> 00:20:15,920 And what happens if you happen to get some colour down in here? 426 00:20:15,920 --> 00:20:18,040 Don't get upset. 427 00:20:18,040 --> 00:20:20,480 Just let it happen. We don't care. 428 00:20:20,480 --> 00:20:21,920 Let's go over here. 429 00:20:21,920 --> 00:20:23,520 Let's go over to the other side. 430 00:20:24,520 --> 00:20:26,200 As I say, if your paint doesn't stick, 431 00:20:26,200 --> 00:20:28,560 add a tiny bit of paint thinner, 432 00:20:28,560 --> 00:20:31,880 or a little bit of the liquid white. Either one. 433 00:20:34,000 --> 00:20:35,680 There. 434 00:20:35,680 --> 00:20:39,640 And we can begin the layers of happy little things happening right here. 435 00:20:42,520 --> 00:20:44,600 Is this scene beginning to come together yet? 436 00:20:45,840 --> 00:20:48,320 All right, tell you what let's do. 437 00:20:48,320 --> 00:20:49,760 Tell you what let's do. 438 00:20:49,760 --> 00:20:53,200 Let's take a clean brush here, and I'm going to touch, 439 00:20:53,200 --> 00:20:56,280 and watch here, we were worried about all this mess. 440 00:20:56,280 --> 00:20:58,840 This is where you make the determination what's water 441 00:20:58,840 --> 00:21:00,720 and what's reflection, 442 00:21:00,720 --> 00:21:02,520 and that easy. That easy. 443 00:21:04,040 --> 00:21:05,440 You can change your mind. 444 00:21:07,040 --> 00:21:08,080 You can do it. 445 00:21:09,320 --> 00:21:12,880 And very lightly, very lightly, watch here, take the brush and go 446 00:21:12,880 --> 00:21:17,440 across, just go across, just enough to give it a watery appearance. 447 00:21:18,600 --> 00:21:19,880 That's all there is to it. 448 00:21:21,280 --> 00:21:24,240 Maybe we'll go back into a little bit of a dark colour 449 00:21:24,240 --> 00:21:26,680 and let's just pop a little colour right in here. 450 00:21:27,920 --> 00:21:29,920 I want to bring this whole area over. 451 00:21:32,040 --> 00:21:33,440 And, and... 452 00:21:33,440 --> 00:21:35,560 ..going to make us a reflection. 453 00:21:35,560 --> 00:21:37,120 See there? Look at that. 454 00:21:37,120 --> 00:21:38,360 Look at that. 455 00:21:41,000 --> 00:21:43,760 Take our one inch brush with a little bit of colour on it. 456 00:21:43,760 --> 00:21:45,160 We can go right in here. 457 00:21:47,360 --> 00:21:49,960 Yeah, just pop in a happy little bush. 458 00:21:49,960 --> 00:21:51,840 Maybe we'll add a little red. 459 00:21:51,840 --> 00:21:52,880 Oh, look at that! 460 00:21:55,680 --> 00:21:58,320 Let's reflect some of that - that colour is so pretty, 461 00:21:58,320 --> 00:22:01,320 that you really need to put a bit of it right down in there. 462 00:22:03,880 --> 00:22:05,440 Then with our big brush again, 463 00:22:05,440 --> 00:22:08,000 three hairs and some air. 464 00:22:08,000 --> 00:22:09,040 Lightly. 465 00:22:09,040 --> 00:22:11,200 Lightly, lightly, lightly. 466 00:22:11,200 --> 00:22:12,720 Tell you what. 467 00:22:12,720 --> 00:22:16,480 Maybe there's some happy little stones that live along here. 468 00:22:16,480 --> 00:22:18,120 So let's go right into the browns. 469 00:22:18,120 --> 00:22:20,800 Use a bit of the sienna and a little bit of the Van Dyke. 470 00:22:24,600 --> 00:22:26,600 Just cut off a little hunk like that, 471 00:22:26,600 --> 00:22:28,160 OK? Let's go up here. 472 00:22:28,160 --> 00:22:30,760 Now, begin figuring out where your stones live, 473 00:22:30,760 --> 00:22:33,400 and just drop them in. 474 00:22:34,880 --> 00:22:38,080 Just drop them in, wherever you want them. Lookit there. 475 00:22:38,080 --> 00:22:40,560 Lookit there. 476 00:22:40,560 --> 00:22:42,280 Maybe some are big. 477 00:22:42,280 --> 00:22:43,800 Some are little. 478 00:22:43,800 --> 00:22:46,760 Make little sounds, make up little stories when you paint. 479 00:22:48,600 --> 00:22:51,840 Really helps. Of course, all your friends think you're crazy! 480 00:22:51,840 --> 00:22:54,160 But that's all right. 481 00:22:56,080 --> 00:22:57,120 That's all right. 482 00:22:58,600 --> 00:23:01,160 Maybe it comes right around like that. 483 00:23:01,160 --> 00:23:03,240 Lookit there. We're making us a little pond. 484 00:23:03,240 --> 00:23:05,400 You know, if you had a little pond that was that pretty, 485 00:23:05,400 --> 00:23:07,440 you'd have to have a path come round to see it. 486 00:23:07,440 --> 00:23:11,120 So let's start right here and just barely grazing the canvas, 487 00:23:11,120 --> 00:23:12,360 going back-and-forth, 488 00:23:12,360 --> 00:23:14,120 just build us a happy little path. 489 00:23:15,320 --> 00:23:18,800 It comes right on, right on, right on, right on, where does it go? 490 00:23:18,800 --> 00:23:21,720 Where does it go? There it is. 491 00:23:21,720 --> 00:23:25,000 It comes right out like that. OK? 492 00:23:26,040 --> 00:23:28,920 Now take a little brown and a little white, we'll just take 493 00:23:28,920 --> 00:23:31,400 and put a little highlight on there. 494 00:23:32,680 --> 00:23:37,080 Just gently, gently, gently, barely touching, dragging it across. 495 00:23:37,080 --> 00:23:40,920 That easy. That'll end up being a little path for us. 496 00:23:40,920 --> 00:23:43,800 Tell you what, I'm going to get that knife going and that brown 497 00:23:43,800 --> 00:23:47,520 and white, let's put some highlight on our stones here. 498 00:23:47,520 --> 00:23:52,640 There. Just barely let it graze. Just let it touch. 499 00:23:54,240 --> 00:23:58,600 Just let the light play across the stones and have fun. 500 00:23:58,600 --> 00:24:01,160 Let all the little colours happen. It's that easy. 501 00:24:03,640 --> 00:24:04,880 It's fun. 502 00:24:06,240 --> 00:24:07,840 There. There we go. 503 00:24:07,840 --> 00:24:11,000 Now I'm going to take a little bit of the liquid white 504 00:24:11,000 --> 00:24:14,000 and to that add a little bit of the blueish colour, 505 00:24:14,000 --> 00:24:16,000 and just go across, 506 00:24:16,000 --> 00:24:19,720 and let's put, put in some little waterlines here and there. 507 00:24:21,600 --> 00:24:23,440 This is a nice way to clean up the edges 508 00:24:23,440 --> 00:24:27,120 and help create the illusion of depth in the painting. 509 00:24:27,120 --> 00:24:28,880 See how it pushes everything back. 510 00:24:30,320 --> 00:24:32,960 But it cleans up all the edges here. 511 00:24:32,960 --> 00:24:35,960 That easy. That easy. 512 00:24:37,000 --> 00:24:39,280 There's one right there. 513 00:24:39,280 --> 00:24:41,040 Now... 514 00:24:41,040 --> 00:24:43,240 ..we have to make some big decisions here. 515 00:24:43,240 --> 00:24:45,760 Go right into some of my dark colour. 516 00:24:45,760 --> 00:24:47,240 Right here. 517 00:24:47,240 --> 00:24:51,160 I think we're going to have some little things right there. 518 00:24:51,160 --> 00:24:52,760 Comes right out. 519 00:24:54,000 --> 00:24:55,160 There we go. 520 00:24:55,160 --> 00:24:56,560 You need that dark once again. 521 00:24:56,560 --> 00:24:59,160 That dark is the only thing that makes the light show, 522 00:24:59,160 --> 00:25:01,640 so put some dark in there before you put light on. 523 00:25:01,640 --> 00:25:04,080 If you put light against light, nothing happens. 524 00:25:04,080 --> 00:25:05,280 Grab some green. 525 00:25:07,880 --> 00:25:10,040 There we are. Load that brush full of paint. 526 00:25:10,040 --> 00:25:11,080 Load it full. 527 00:25:11,080 --> 00:25:12,920 OK, let's go up here. 528 00:25:12,920 --> 00:25:16,320 Now, then, we want to begin bringing this path right into the painting, 529 00:25:16,320 --> 00:25:20,480 so have some of these little grassy things that come right over it. 530 00:25:20,480 --> 00:25:23,760 See? And that brings it right into the painting. 531 00:25:23,760 --> 00:25:26,840 Otherwise it just sort of floats out there. We don't want that. 532 00:25:26,840 --> 00:25:29,200 Push, bend the bristles. 533 00:25:29,200 --> 00:25:30,560 Lookit there. 534 00:25:30,560 --> 00:25:34,000 All those little things, and because you mixed several colours 535 00:25:34,000 --> 00:25:38,440 on the brush, you have all these things happening automatically. 536 00:25:38,440 --> 00:25:40,200 Double, triple load the brush. 537 00:25:41,600 --> 00:25:43,320 There we go. 538 00:25:43,320 --> 00:25:47,200 Just add a little bit more of the liquid white there. 539 00:25:47,200 --> 00:25:48,760 Tiny bit more. 540 00:25:50,760 --> 00:25:54,320 Let's put a nice sparkler right out here in the sun. 541 00:25:54,320 --> 00:25:57,440 That will help lead your eye right into the painting. 542 00:25:57,440 --> 00:25:58,720 There's one right there. 543 00:25:59,800 --> 00:26:01,400 And you do these in layers. 544 00:26:01,400 --> 00:26:03,440 Once again, I say that over and over 545 00:26:03,440 --> 00:26:05,800 because these layers are so important, 546 00:26:05,800 --> 00:26:07,680 they bring depth into your painting. 547 00:26:09,760 --> 00:26:13,120 And that's what makes a painting look very good 548 00:26:13,120 --> 00:26:14,560 and very real. 549 00:26:14,560 --> 00:26:17,840 Now, let's just take a knife and we'll use just a clean knife, 550 00:26:17,840 --> 00:26:20,200 and very lightly, I'm going to go in here and there, 551 00:26:20,200 --> 00:26:24,480 just scratch in a little indication of all kind of little trunks 552 00:26:24,480 --> 00:26:27,480 and stems, all the little things that help. 553 00:26:27,480 --> 00:26:29,880 It looks like detail in your paining. 554 00:26:29,880 --> 00:26:33,240 People will look at this and think you've worked for literally days, 555 00:26:33,240 --> 00:26:35,800 weeks, putting all this in with a one haired brush. 556 00:26:36,920 --> 00:26:39,360 Don't tell them any different! 557 00:26:39,360 --> 00:26:42,240 Now right here with the path, I want to push that path down. 558 00:26:42,240 --> 00:26:45,320 Bring some of them sticks, so they go right over the path. 559 00:26:45,320 --> 00:26:46,720 Just like so. 560 00:26:46,720 --> 00:26:50,160 And normally you put these little sticks and twigs in the dark areas. 561 00:26:51,680 --> 00:26:54,720 I think we're on the verge of having a finished painting here. 562 00:26:54,720 --> 00:26:57,640 I'm going to take a little bit of thin oil, 563 00:26:57,640 --> 00:27:01,320 a little bit of my red colour, we'll mix it up here, 564 00:27:01,320 --> 00:27:04,400 and I think this one's ready for a signature. 565 00:27:04,400 --> 00:27:06,680 We thin this down until it's like water. 566 00:27:06,680 --> 00:27:08,120 And just sign it right here. 567 00:27:09,160 --> 00:27:13,720 I have a very short name, so it's easy to do a quick signature. 568 00:27:13,720 --> 00:27:15,040 While I'm signing this, 569 00:27:15,040 --> 00:27:18,000 I'd like to thank you for being with us today. 570 00:27:18,000 --> 00:27:19,720 From all of us here, 571 00:27:19,720 --> 00:27:22,200 I'd like to wish you happy painting, 572 00:27:22,200 --> 00:27:24,680 God bless, and we look forward to seeing you again. 70023

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