All language subtitles for The Joy of Painting - 2x01 - _track3_[eng]

Hi, welcome back.
Hope you have your easel set up

and you're ready to
paint along with me today.

So let's start out
and have them run all

the colours across the screen that
you need to do this painting.

And let's go up to the canvas
and get started.

I've already covered this canvas
with a thin even coat of

magic white, so it's nice and wet
and slick, and ready to go.

Start a little bit of thalo blue.

A little bit of thalo blue.

Just work it into the bristles
and let's just put a...

..let's just put a happy
little sky up here.

Just making little
crisscross strokes.

Just let your brush bounce around,
play, have fun.

There we go.

A little more of the blue.

It's always simple to add more
colour but it's a son of a gun

to take it out, so use very
little colour on your brush,

you can always go back
and put a little more in.

OK. And that quick we have...

..we have a happy little sky.

There we go.

And you don't want to kill all these
little spots here that happen.

It ends up looking like
little cloud indications,

and you really haven't done a thing.

Let the canvas work
and the magic white work.

And we wash our brush.

HE CHUCKLES

Tell you what,
let's just use this old big brush,

and I'll go right into
some titanium white.

I'm just going to pull the brush
right through the colour.

Just pull it right through
the colour.

Go down here
and get a little permanent red.

Put it right in there too.

And that'll make it,
make a little sunlight here.

Just pull in one direction.

Let's go up here.

Maybe, maybe, maybe there's a big
old cloud that lives right there.

It's your cloud so you just put him
wherever you want him.

Little tiny circles here.

He just sort of floats
across the sky.

And then he's got a friend
that lives right there.

Clouds need friends too.

We all need a friend.

OK, now I'm going to use
just the same old brush here.

We'll just fill that in a little.

Now, with a clean dry brush,
and I have several of them here,

we'll just blend this out a little.

Not touching the top at all yet.

Just blending.

Don't want to kill all
the little accents.

Just want to blend them
a little bit.

I'm going to lift it up,
sort of fluff that cloud up.

We'll fluff this one up.

And very lightly, very lightly...

..we'll just blend it all together.

That easy,
we've got a quick little sky.

That's all it takes.

Same old dirty brush,
I'll go right in to some sap green.

Just load the brush
full of sap green.

And let's go right up here to the
canvas and maybe today we'll have...

There it is.

Just a little, a little hill,
like right here.

Just let it go.

This is just straight sap green

and it's mixing with the magic
white that's on the canvas.

So you get all the beautiful
little things happening.

OK.

And all we're doing here is
applying some dark colour

so our light colour
will show later on.

You need the dark
in order to show light.

This is also where you begin
deciding the lay of the land,

and in my mind,
this is sort of roundish here.

So keep the strokes going that way.

Or however way you want.

OK, we'll just drop it in.

Now, I want it darker
in the foreground.

Landscapes should always be
darker as they get closer to you.

So, without cleaning the brush,
I'll go right into some thalo blue

and down here on the bottom,

we'll just drop that in.

Just to darken it up.

And then we'll work upward

so that it gets lighter
as we go towards the horizon.

And that gives us a nice
dark background to play with.

And we're not worried about detail
or shape or anything else

at this point. All I'm doing is
applying colour to the canvas

so we have something to work with.

While I've got this old dirty brush,
I'll go back

and lets' some sap green,
some Van Dyke brown,

little alizarin crimson.

And maybe, maybe, maybe there's some
little trees that live up here.

So we'll just drop in
some basic shapes,

still not looking
for a lot of detail.

Just very, very basic shapes.

Very basic.

Once again, you need this dark
colour in order to show light.

OK, now we have some little trees
up here on top of our hill.

Now, then... Now, then, I'm going
to take some titanium white

and a little burnt umber in it,
white with a little umber...

..and pull that paint out very flat.

Cut across it,

get a little roll of paint
right on the edge of your knife.

And with that, we can go up here

and we'll make some little
tree trunk indications.

We're not looking for detail yet,
so just drop them in.

Most of these will be covered up
but a few of them will show.

Few of them will show.

And people will think you worked for
long periods of time to put them in.

This is a little Van Dyke
brown here.

Maybe there's going to be a few
little trees that project

right on up like this.

We'll put some leaves on them
so we're not too worried right now.

All we're looking for is just some
indications here and there.

OK, let's get us a one-inch brush...

..and begin putting
some highlight here.

Let's put a little
magic white on the brush.

The magic white will
thin your paint.

So into the magic white,
I'll go into some cad yellow

and get up some sap green,

so we have cad yellow
and sap green, OK.

Pull that brush in one direction.

Load it full of paint. Look at all
the paint on that brush.

Just look right on the end.

You can see there's a tremendous
amount of paint there.

Let's go up to the canvas.

Let's start right in here, and very
gently, I'll just drop in some,

some nice little
leaves on this tree.

Now we begin worrying
about a little detail.

And this is a very gentle touch.

Barely, barely touching the canvas.

There's a lot of paint on the brush
so you don't have to push hard.

We'll add a little yellow ochre.

Just to change the colour.

And maybe...
There it is right there.

Another happy little tree.

OK, I want to go back and get
a little more of the sap green.

And let's...let's just drop a few
little indications of some leaves

out here on this little tree.

See how easy that is?

And maybe, maybe,
on this little tree here,

there's just a few little
things happening.

We can start adding a little
permanent red to our colour.

OK, maybe right here
there's another little tree.

And you have to make these
decisions in your world -

how many trees are there?

It's up to you.

Just vary these colours,
let them sort of go back and forth.

Play.

There's one over here.
Don't want him to be left out.

He'll cry if you leave him out.

You see, you're still
worried about the lay of the land.

You still want to pay
attention to that.

Let the land go in the direction
you want it to go in.

Don't kill all your dark colours.

Dark colours are needed to make
the light colours show.

OK, let's go over to the
other side of the canvas

and we'll drop in some highlights
right here on this one.

Sort of work in layers,
it really makes your painting much,

much deeper,
it makes all these things happen.

You need that depth in there -
we don't want flat paintings.

OK. Now, maybe...

..maybe, maybe we'll take
just the point of the knife,

cut out a few little
sticks and twigs.

Just here and there.

If you want a twig that's a little
wider, turn the knife sideways

and it'll make wider little sticks
and trunks and stuff.

If you want them real skinny,
use it straight on.

And now use just the point
of the knife.

Tell you what,
let's have a little...

..let's have a little house right
there, way back in the distance.

I'll start with some Van Dyke brown.

And, and we'll make a decision,
maybe it lives right there.

And we'll do the eaves.

See, that's sort of a nice way
just to lay it out.

And here goes the roof,
goes right over like that.

See?
And you just lay out a basic shape.

Pull it all together.

There. Just barely,
barely touching the canvas.

You need an overhang.

OK, now...

..right down through here.

There we go.

I don't want this to get too big,
I want it to be far away.

Far away.

OK, let's take some Van Dyke brown,

some white, a little burnt umber.

And we'll put some highlight
on this old building here.

Barely, barely touch.
Barely touch.

Barely touch.

Just let it whisper through.

Now, we have to make a decision.
What kind of roof does it have?

Does it have a shingle roof?

Flat roof? What do we want?

OK, let's take some permanent red.

And we'll use a little
edge of the knife

and maybe we'll just drop a few
little indications of some shingles.

Just touching, pulling.

At the top of this one, overlap..

..the other one.
Just let them overlap.

And you can put all the little
shingles you want on here.

It's a super way to make a very
simple little shingle roofs.

We need a door.

Maybe this is an old
barn-type building.

We'll put a big door in it,

maybe it's just an old barn the
farmer had sitting out here.

Little bit of white.

We can make that door stand out.

And when you're painting buildings,
you know, you can change your mind.

Maybe, maybe right out here there's
an old shed on this building.

Maybe this old farmer here
was like me, he ran out of room

so he started putting
additions on to it.

Need a front.

This side.

Take just a little paint.

We'll put some boards in there,
just cut right through the paint.

Got just a tiny bit of white
paint on the knife.

OK, let's put some indication
of... If he shingled the roof,

chances are, he probably
put some shingles over here

on his little shed.

There we go.

Just like that.

Now, then, let's put some...

..let's put a little bit of grass
around the bottom of this barn.

Just right here.

He ain't been
keeping his weeds mowed.

Nature's about to reclaim this one.

There we go, we just wash the brush
and start with a nice clean brush.

OK, let's go right up here.

There,
that stands out a little better.

OK.

We're about to have us
a little barn.

I'm going to add the tiniest little
bit of white right here, just to

make that stand out,

so hopefully you can see it
just a little better at home.

There.

Think it'll help make it
stand out a little.

Alrighty.

Now we can start making
some more decisions.

What do we have
here in the foreground?

And we'll just keep going
with this one-inch brush.

And...and maybe there's a
nice little bush that lives here.

You're still concerned
about the lay of the land.

Follow the lay of the land.
Most, most important.

There it comes.
Tell you what, maybe, maybe

you can see what's left
of an old path here.

Maybe the trees and the bushes
have just about taken it over,

but you can still make out a little
indication here and there.

Used to be an old path there.

Take a little brown and white.

Highlight that a little.

Just barely touching the canvas.

And we don't know where it goes.

OK.

Now we need to bring some of these
little grassy areas

right up to the path, that'll
set it down into the painting.

There.

And the path sort of
gives you a nice perspective,

pushes everything back.

And...

..a little more of the colour.

And as I say here,

the bushes and the trees have
just about taken over again.

Not much of the path left.

So you just cover up
whatever you don't want.

It just sort of...sort of fades out
down here.

Tell you what, maybe,
maybe lives a big tree over here.

Let's make some black.

I'll use some thalo green
and alizarin crimson

in about equal parts.

Thalo green, alizarin crimson.

PALETTE KNIFE SQUEAKS
Ooh!

That's one of those noises
like pulling your finger

down a chalk board.
Make you shudder.

OK. Now then, mix this up real good.

A little bit of paint.
Let's go up here.

Maybe we'll make a nice tree trunk.

There it is. There it is.

This will help push everything back.

Maybe, maybe, maybe, maybe there's
a friend that lives right there.

Got two tree trunks.
Just let them go...

..right on up.

Where does it go? Goes right on
out of sight, right off the canvas.

Right off the canvas.

Good dark colour.

Give him some little foots
down here.

Tree needs some foots.

OK.

Now, then...

..put a few little
indications of some limbs

and then we can drop
some leaves on this tree.

And it just helps push your
little building back further.

Gives you another plane.

Use a little brown and white.

And we'll just put some little
indications and some highlight here.

OK.

There,
just enough to make it stand out.

OK.

Good.

And I'll go right back and get this
old big brush, it's still dirty,

and let's just take him and just,
very quickly, drop in some...

..some general little
leaf shapes here.

We're not looking
for a lot of detail.

This is sap green,
a little Van Dyke brown.

A little alizarin crimson.

Just the same old dirty brush
I was using earlier.

It's got a little
bit of everything on it.

As long as it's dark,
that's the big thing.

Long as it's dark.
And here we're pushing quite hard,

we really want to push that colour
right into the canvas.

And I can go back to the one-inch
brush, we'll put a little...

Let's use a bit of cad yellow
and sap green.

Pull that brush in one direction,
load it full of paint, lot of paint.

Let's go up to the canvas here.

And very lightly, very lightly,
just begin touching

and building in some basic little,
little patterns, some little shapes.

You don't
want your tree to be all flat.

Remember that there's limbs
projecting towards you.

They're not all just
going off the sides.

So you need all these little
patterns inside to make it,

to make it have depth and shape.

Don't want it to be
just an old flat tree.

OK.

Now down here at his foots...

..we can put some little bushes
and stuff down here.

And if your paint doesn't stick,
add a little paint thinner to it

and then it'll stick.

OK. Still following
the lay of the land.

I tell you what,
I tell you what, maybe,

maybe we can see, maybe there's
a little bit of a stream we can see.

Maybe it just sort of creeps along
here, and it lives right there.

One touch of a little thalo blue.

Maybe it just comes right down
through here, wherever you want it.

Or if you don't want a stream
in your world, don't put it in.

Just pull straight down,
you need that dark.

Touch a little of the...little
of the black colour that I made,

I want it very dark. Very dark.
There we go, that's much better.

Much better.

And very lightly, just go across.

Now we need a fan brush.

And I'm going to use
a little magic white,

a little bit of the titanium white.

Magic white and titanium white.

I put the magic white in there
just to thin it a little.

And maybe the little stream
comes right down through here.

And it just bounces
and plays and has fun.

Let all these little things happen.

OK, he goes right on down.

Tell you what, maybe right here,
there's a big stone it hits,

kaploosh, and just falls over.

This is your stream so you make it
go anywhere you want it to go.

Splashes down here,
works right on through.

There's another one.

And there's always stones
that are underneath the water.

You really can't even see them

but they cause all kinds of
beautiful little things to happen.

And when you buy your
first tube of paint,

you get that artist's licence
and read it.

It says, "You can
do anything you want to do."

At least, on this piece of canvas.

This piece of canvas is your world,
anything that you want to do.

OK, we'll take a
little yellow ochre.

A little cad yellow, and I just want
to, just here and there,

drop in a few more bushes.

Tell you what let's do, I'm going
to take another fan brush.

Let's put some land in here.

Use some Van Dyke brown,
burnt umber.

Lot of paint on the brush.

And maybe we'll just
scrub in some dirt area here.

Put some borders
on our little stream,

comes right around,
maybe it's right here.

Just put some dirt in here.

OK, here's another little stone.
Wherever you want them.

Comes right on out here.

I'll just use the same old brush,

take some yellow ochre
and a little white on it.

And let's just put in
some little indications,

a little permanent red added
to that, that'll sparkle it up.

Make it just look like
little stones here and there.

Wherever, wherever.

There we go.

And you can put in as many little
stones as you want in your world.

OK, I'll use a fan brush,
a little bit of cad yellow.

And let's just drop in some happy
little bushes here and there.

They come right down
and this brings all this together.

Just bring it all together.

OK.

Look, that easy, you can
create a beautiful little painting.

And you really don't have to plan
it, just sort of look at it,

let it happen.

There we go.

OK, and then we can take our brush
that had the water colour on it,

clean up these edges.

This is where you bring it
all together.

Just like so.

Take your brown, some of these
stones here are very dark.

Want them very dark.

So they stand out better.

There's one right there.

Just let it go.

OK. Now, then...

Tell you what,
maybe there's a little stick,

little thing that lives right here.

All kinds of little limbs.

This is just...
I'm using that black colour.

Still using that alizarin crimson
and thalo green.

Want it to stand out.
Nice dark colour.

And a little limb here and there,
wherever you want them.

Wherever.

There we go.

And we can take our liner brush.

I'll use a little thin oil
or paint thinner, either one,

I use a little oil, and we can put
a few little limbs here.

I like the oil
because it slides a little easier

when you have a lot of paint here.

But paint thinner will work
just as well if you don't have oil.

Just put an old dead stick out here.

There we go.

And maybe there's some little things
that live right there.

With this thin paint,
you can move it very easily

on top of the other paint
without becoming a mud mixer.

And wherever you want these
little sticks, drop them in.

Drop them in.

OK.

Tell you what let's do, let's take
a little more of the oil,

I'll go right into
some permanent red here,

and let's sign this painting.

There we are.

And I hope you've enjoyed this one,
it's a lot of fun.

Give you some ideas.

And at home, you can make some
beautiful paintings also.

Until next week, God bless,
happy painting.