All language subtitles for The Joy of Painting - 1x20 - _track3_[eng]

Hi, welcome back.

I'm certainly glad you could join me
today.

You ready to do a fantastic little
painting?

Tell you what, let's start off
and have them run all the colours

across the screen that you need to
paint along with me

and they'll come across in the same
order as I have them on the palette.

While they're doing that, let's go
on up here.

I've got my regular 18 by 24 canvas
and I've already covered it

with a nice, thin, even coat of the
liquid white.

So, it's all ready to go.

So, let's get started.

Let's start with the old
two-inch brush today.

I like that big brush.

I'm going to go right into a little
touch of the Prussian blue.

A little Prussian blue.

I'm going to reach right up here and
grab a touch of the black.

So, I've got Prussian blue and
black.

And just tap 'em, tap the bristles
right into the paint, like so.

OK, let's go up here.

Now then, let's make...

Let's make some happy little
clouds today.

So, we'll start off...

Just use little X's.

Little X's, like so...

..and lay in some...lay in some sky
area,

just little crisscross strokes.

And we don't want to cover the whole
canvas today.

I want to leave some...I want to
leave some holes in the sky.

Sometimes it's a little easier
to...to put a cloud in

if you just leave an area open.

Just let it blend right on down

and just continually...

..continually mixing with the liquid
white

that's on the canvas,

and it gets lighter and lighter and
lighter as it works down.

So, let the canvas work for you.

Maybe right in here.

Whatever. Wherever you want it.

Just let that blend right on down...

..like so.

There.

See? That easy.

That easy. You have a happy little
sky.

There we go.

Very lightly, we'll just blend
that

to take out the brush strokes.

And, while I have that going,

same old dirty brush.

I want to have a little touch
of Phtalo blue this time.

Just a small amount.

A very small amount.

Little bit of black.

So, I have Phtalo blue and black,
and then a touch of Phtalo green.

Just a touch.

It's very strong.

Very strong.

OK, so, go right up here.

I want to have some water in this
painting today.

So, let's go ahead and just lay in
some little water indications.

Start on the outside

and pull inward.

Outside and pull inward.

Like so.

OK.

Then, over here, we're going
this direction.

And I'm not sure exactly how much
water we're going to have.

So we'll just do the whole thing and
we'll leave water where we want it,

the rest of it we'll just paint
over.

You can do anything here.

So don't worry about it.

All we're doing is laying colour on
the canvas at this point.

There.

OK? Then, very lightly,
very lightly here...

..we'll just blend right across.

OK.

Let's wash our brush.

And we wash our brush with odourless
thinner.

Shake off the excess.

Just beat the devil out of it.

OK, let's build a happy little
cloud.

We'll just use that same old brush.

Go right through the titanium white.

I'll reach down here and grab
the least little touch

of the bright red.

Least little touch.

Doesn't take much.

Pull it...Pull it firmly through
there.

Get a lot of paint on it, OK?

Let's go up here.

Now then, if we're going to have a
little cloud,

maybe one lives right here.

Just use a corner of the brush and
make little circular strokes, see?

Let that little cloud just...just
come right off your brush.

They live right here in the
bristles.

All you have to do is sort of
shake 'em out.

Maybe right here.

There's another little cloud that
just floats around, see there?

Just as many or as few as you want.

Maybe there's another one there.

Wherever.

Wherever. OK.

Maybe over in here...

..there's another one.

And, in your painting, you sort of
look at it and decide how many

clouds you want in your world.

But more or less or whatever -
whatever makes you happy.

Painting should set you free,

should make you very happy,

should be relaxing,

a lot of fun.

It should be your good friend.

OK.

I'll grab a clean brush here,
and I have several brushes

going so I don't have to spend
all my time washing them.

I get too big a kick out of
washing the brushes.

OK, now I'm going to just blend
the base of these.

I don't...I don't want to blend the
outside edges as yet.

Just sort of blend the base,
and don't overwork them.

Don't overwork 'em.

Just a little bit and
leave them alone.

And, if you have a little paint on
your brush, you can just beat it

and that'll take off the excess
paint without going through

the entire cleaning procedure.

There.

OK.

Beat the little devil there.

Lift it, lift it, big circular
strokes.

Don't want to go straight up.

If you do, it'll look like it's
raining up.

It'll sort of bother you if it's
raining up.

There.

All right.

OK.

There.

Now, very lightly just over the
entire sky. Very lightly.

And look at that.

Would you ever believe

you could make such fantastic clouds
that easy?

You can.

You really can.

There we go.

OK.

All right.

Now, I'll wash this brush a little.

Give it a little shake...and just
beat the devil out of him, too.

Let's build us a little mountain
today.

Let's have some fun.

I'm going to take some black.

Oh, with a little Prussian blue
in it and some crimson.

And maybe the least little touch of
yellow ochre.

Some black, blue, little crimson,
little yellow ochre.

Now, if you want to check and see
what colour you got,

you have to sort of put a little
white out here

and test it, because that just looks
black to you.

And that looks all right.

The yellow ochre gives it just a
little greenish hue.

We'll cut off that little roll
of paint. Let's go right up here.

Maybe today we have a mountain that
lives right here

and comes around and down.

Now, I'm pushing very firm,
very firm.

Maybe there's a little bump,
wherever you want a little bump?

And just right on out.

So, really, really push that
paint right into the fabric, though.

Just really get in there and give it
a good, strong...good, strong push.

Don't be afraid...

..that you're going to hurt the
canvas.

Get in there and...

..really put it in.

Mm!

All right.

All right.

OK.

Scrape off all the excess.

Scrape it.
Scrape it quite firmly.

All right.

Now we can take a large brush,
be sure it's good and dry,

and let's blend that.

Grab it and pull it.

Just grab it.

Give it a pull.

And you can begin sort of
laying out the highlights

and shadows of your mountain.

These brush strokes will show
and you're not committed.

You can see how all those brush
strokes...

So they give you an idea of how you
want to lay it out.

And you can change your mind.

You can...

You can change the whole mountain.

And you can do this over and over
and over

till you get it the way you want
it.

Over here, maybe it comes down...
Zoom!

Goes right on out.

See there?

Already you can begin picking out
shapes here

and you haven't really done
anything.

Now we want to blend this with just
sort of...

Comes right down to nothing down at
the base.

Very soft.

There we go.

OK. Now, I thought today we'd do
something a little bit different,

so I'm going to...

..take a little bit of
titanium white on the knife and,

up in here, I just want to put
an indication of a little bit of...

..a little bit of colour.

This is titanium white.

The least little touch of the
bright red in it.

Sort of gives it a slight
pinkish hue, but not much.

Maybe right in here.

No pressure.

Just a little touch here and there.

OK. Now, then.

I'm just going to take this single
brush.

I'm going to go right into a little
yellow ochre,

I'll reach up here and get a little
sap green...

..and I'm just going to tap this
right into it.

So, it's sort of a greenish colour -
it's yellow ochre,

sap green, a little black in it.

Pick up a little of that cad yellow.

Tap to load it, though.

Just tap firmly.

OK? Let's go right up here.

And maybe this is a soft...

..grassy little mountain, it's got
little...

..little grasses that grow right up
the side of it.

There, see?

Here they come, here they come.

There.

And that's super.

You can just see the sun shining out
here and playing...

And just sort of vary your colours

back and forth, and a little
Indian yellow here and there.

Maybe...? Yeah, right in there.

See?

You can make all kinds of beautiful
little effects.

That easy. That easy.

There we go.

Maybe... Maybe, tell you what,
maybe there's a...sort of a hill

right here that just leans
over, like that.

As well, you can touch a little bit
of white,

just pure white and let it mix
with that colour.

It'll make it look like the sun's
really shining through there.

There.

See there?

Creating that feeling
that it's bending over here.

This is a super nice, easy way to
make a very effective

little mountain. Very effective.

It's also an excellent way...

Er, a lot of my friends down in,
like, North Carolina and etc.

say, "We don't have snow on our
mountain."

This is a super way of making a
mountain that doesn't...

..doesn't have snow like the...

..the big Alaskan mountains
that I paint so often.

Little darker over on this side
cos this is the shadow side.

Maybe there's a touch running up
through here,

but all you're doing is just
tapping.

It's very light tapping.

OK, we can take a little bit of that
same mountain colour.

Just define some of our edges
here and there.

Maybe a little...

There we go.

Wherever you want it.

Maybe just a little bit right in
here.

It's that easy.

You have got one nice-looking
little mountain.

It's very easy to do.

Now, with just a clean brush -
nothing on it,

just a clean, dry brush -

I just want to tap this to create
the illusion of the mist

down here at the base.

I want it to be very soft,
very misty.

There. Just let it disappear right
into nothing.

There we go.

OK.

See there?

OK.

Shoot.

That was a lot of fun.

I enjoy making little mountains
like it.

I'll tell you what, let's do...

Today, let's take the old fan brush
and I'm going to mix up...

Let's see, we'll try some black,
Prussian blue,

there's some Van Dyke brown,
some alizarin crimson,

a little sap green.

Shoot, whatever you get.

Just a good, dark colour here.

Good, dark colour.

OK. Might as well mix up a pretty
good little palette.

We're going to use that over and
over.

Clean my knife off.

Now, we'll use the fan brush.

Just go right into that colour.

A lot of colour on the brush.

Both sides.

See, the whole brush is very full.

There. OK?

Now, maybe back here live some
happy little trees.

All you got to do is take and
touch and just tap downward.

These are little distant trees that
are far, far away.

There. See how easy those are?

Just tap it downward...

..like so.

Wherever you want it to go.

There.

That's the easiest, nicest ways
to make a lot of little trees

very fast. Very fast.

Can't hardly go wrong.

If you get them too far apart,
like that,

they'll begin looking like
fence posts.

You don't want that, unless you want
a fence back here.

If you want a fence back here,
that's the way to do it.

Fill them up a little more.

If you want to make it look like
this water goes back,

let them get smaller as they go away
from you -

smaller, smaller, smaller.

That'll give...give the illusion
that it's farther away,

cos your mind knows that, as things
get farther away from you,

they look smaller.

See there? So you can create that
that easy.

You can do anything here.

And we just throw some of that right
here.

We'll let that...we'll let that
reflect right into the water.

Right into the water.

See here? Take the brush.

Grab it.

And because the liquid white's on
the canvas, this paint will move.

Just pull it straight down, straight
down, straight down,

straight down. And then come across.

And, that easy,
you have instant reflections.

You could take this same old brush,

go right into a little bit of the
yellow.

Just load it the same way.

A lot of colour.

OK?

Now maybe there's some highlights
on some of these trees.

So, all you've got to do is tap the
edge here on some of them.

Don't do them all.

Just some of them here.

It makes it look like there's light
playing through there

and shining on those trees
and really makes them sparkle.

That easy.

OK, maybe... Shoot,
maybe there's some land out there.

Let's take some brown.

Take some Van Dyke brown,
a little dark sienna on the knife,

pull it up flat, cut across,

and we'll load that little
roll of paint.

OK? And let's just go right up here
and lay in some land.

See?

Now, once again,
allow it to get bigger down this way

and it'll help create that illusion
that it's going around the bend

and going farther and farther away.

Boy, that's nice.

So pretty.

OK, I'll take a little
touch of white, a little white,

a little dark sienna. Pull it out
also very flat, cut across.

And once again
we have our little roll of paint.

It's so important you load that
knife the correct way.

And that little roll of paint's
right out on the edge of the knife.

And then very lightly
just grazing the canvas,

sort of let it bounce along here
and there, just barely touch.

Don't kill all the dark.
That dark's what makes it pretty.

Just sort of let that bounce along,
look like little rocks

and stones and all kinds of happy
little things back here.

And we can take our brush that
has the yellow, fan brush,

and we can go back in here.

And let's just pop in a few little

grassy areas that live right out
here on all this land that we made.

Just push upward with the brush.

Now, if you have trouble making
your paint stick, add a little touch

of paint thinner, or a little touch
of the liquid white, either one.

Either one will thin the paint.

OK.

Maybe a touch...
A little bit of the titanium white

and you could highlight some of
those and make them really sparkle.

Just a little touch
of titanium white right on there.

Like so.

OK.

Now, I'm going to find
my other fan brush. Here's one.

Take a little touch
of the liquid white on the fan brush

and go into titanium white.

Now, I put the liquid white
on there

only to thin the titanium white.

Because you remember our golden rule
- a thin paint will stick to

a thick paint, so this is a very
firm paint up here.

Now, this thinner paint will
literally slide right over

the top of it.

And you can do this without
becoming a mud mixer,

without all your colour just
mixing together.

I'm just barely grazing the surface.

Now, this thinner paint's going to
grab and it's going to make it look

like a little sheen
coming across there,

a little light playing on the water.

See?

There.

Just barely,
barely grazing the canvas.

Mm! It's very effective.

And you can do it.

All right.

Now, then, I'll tell you what
let's do here.

Let me find another old brush.

I'm going to go right into
Van Dyke brown.

I'm just going to use this
little two-inch brush,

just tap the Van Dyke brown,
reach up here

and get a little touch of the
dark sienna. Just going to tap it

firmly, really get in there
and bend that brush - tap it.

Let's go right here.

Maybe right in here.

Maybe there's a happy little
peninsula that lives here,

so I'm just putting in some dark.

Comes right out,

like so.

Maybe there's all kind of little
things that live back

here in the background.

There. Start at the bottom
and work up.

And that way, it'll get lighter
and lighter as you work up.

You want these deep,
dark shadows down in here.

I'm going to add a little
touch of yellow ochre,

right on that dirty brush,
so it gets lighter and lighter

and lighter as it moves up here.

I want it to get much lighter.

There.

OK.

See, already you can make out all
kinds of nice little

forms in there,
and they just sort of happen.

There.

OK, and now's the time you have to
start making some big decisions.

Where are you going to go with this?

Are you going to have a little
peninsula of land here?

Where does it live?
Maybe right there, what the heck!

Just drop it in wherever
you want it.

OK, let's have a little
reflection right here.

And there's our reflection.

Pull it straight down.

And then very lightly go across.

Very lightly.

And that'll create a nice
reflection.

Maybe right out through here,

will be another little
peninsula of the land.

All we're doing now is
laying in a base colour.

You could do this with a
paint roller, you can

do it with a mop - anything.

We're just laying in base colour.

All we're looking for is very basic
shapes, nothing else.

OK.

Now, then.

Go right into Van Dyke brown
with the old knife.

And maybe there's a nice stone
that lives right out here. Shoot.

Big old stone.

A little beaver lives out here
and he has got to have a place to

sit and watch
and see what's happening.

So, we'll give him a little...

..a little projection
right there to sit on.

And some land.

All I'm doing here is just laying
this in with straight old

Van Dyke brown.

Straight old Van Dyke brown.

OK. Maybe there's another little
stone here. Wherever you want 'em.

You could have some stones and rocks

and stuff. Maybe over here on the
other side, if you wanted them.

Who knows? Maybe there's a big
stone that lives here.

These things just sort of...just
sort of grow wherever they're happy.

There we go.

We'll give him
a little friend that lives there.

Pull a little bit of that down.

So you pull that down and that'll
end up being your reflection.

A little stone needs a reflection
out here in the water.

These stones will grow on you,
if you're not careful!

They'll just get bigger and bigger
till they turn into mountains.

There's another one.

OK.

Now, then,
very lightly pull that down.

Same as before.

Need those reflections.

And across, over here.

Same, same.

OK, and we'll go to the little knife
and we'll go right into...

Oh, we got some black, white
and a little bit of dark sienna.

I just want it to be a sort of
grey... Greyish-brown colour.

Like so. Take the little knife

and get that roll of paint
right out on the edge of it.

OK, let's go right up in here.

And let's just begin...
The light's coming from the left,

so let's just begin laying in some
little light things here.

There we go.

On the shadow side,
I'm using a blueish-grey colour -

just sort of pop him in.

There we are.

Same thing over here on this stone,

we don't want him left out.

And these stones out here, they too
need some little highlights on them.

There we go.

There's another one.

Maybe the light's really
hitting right in here

and it's got some bright spots on.

Then...

..all kinds of little things
happening.

Then take our fan brush, put a
little water line right around.

And this has a thinner paint on it,
it has a little liquid white

and titanium white. See? That thing
is still under there.

All right, I'm going
to grab another fan brush.

I just have all kind of
fan brushes going.

I'm a go right into Van Dyke brown
and dark sienna,

just mix them right on the brush.
Both sides, fill it up.

Then on the other side of the brush,
I'm going to pull it through here

and just put white.

So I have brown and white.

A light and a dark side.

OK, let's go up here.

Now, there's some trees
live over here.

Just a touch and just pull down.

By double loading the brush, you can

make both sides
of the tree at one time.

And you decide how many
trees live here.

However many you want.

Just throw them in.

Maybe can't see all that one -
he's somewhere hid back here.

A few little limbs here and there.

OK, and with a liner brush
and a little brown paint on it,

you can go in here and put
in the indication of a limb every

so often, wherever you want them.

There.

OK, let's use our little oval brush.

I'm going to go right into a little
touch of that same dark colour

we used back here and just tap in

the indication of a few little
branches and limbs.

Don't cover up all that nice
background that you've made, though.

All you got to do is just
tap in a few things.

And then some
highlight colour on that.

For that, we'll use yellow
and some green.

And just tap in some nice
leaves on these trees back here.

Just like so.

But you see how easy
those are to make?

You can just throw them right in.

Just wherever you want them.

OK.

Go to the old two-inch brush here.

I'm going to put the indication
of some little grassy areas.

There they are.

Look at that.

See? Greens and yellows.
Yellow ochre, Indian yellow.

Follow the lay of the land.

Every once in a while you can touch
a little...

..little tiny bit of the bright red.

See?

There.

You can create just plane after
plane, layer after layer...

..pretty little things,
wherever you want them.

OK, and...

..you can use a fan brush and pop
in a few that run right down here,

right down on the rocks and stuff.

Like that.

Shoot, let's have some fun here.

I'm going to go right back into our
brown, and maybe there lives...

You know me,
I like an old big tree, right there.

Right there.

Just straight old Van Dyke brown.

And with our liner brush, I'll
put in an old limb here and there.

Just a big old strong limb.

Wherever you want 'em.

Like so.

Take a little bit of white
and sparkle up the edge.

Make it nice and...nice and shiny
here.

OK.

And the old clock on the wall
is telling me

I got to finish this one up.

So let's just put in a few little
leaves, like so.

And few little
highlights on there,

using a little yellow,
a little green,

and you've got a beautiful little
tree right here.

Hope you've enjoyed this painting.
It'll certainly,

certainly teach you how to do some
fantastic things.

From all of us here,
happy painting, God bless.