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1
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Hi. Glad to see you again today.
2
00:00:30,036 --> 00:00:32,016
Are you ready to do
a fantastic seascape?
3
00:00:32,016 --> 00:00:33,084
I thought that's what we'd do today.
4
00:00:33,084 --> 00:00:36,040
So let's start out and have 'em run
all the colours across the screen
5
00:00:36,040 --> 00:00:38,028
that you need to do this seascape
with me.
6
00:00:38,028 --> 00:00:40,036
And let's go on up here let me talk
just a little bit
7
00:00:40,036 --> 00:00:41,056
while they're doing that.
8
00:00:41,056 --> 00:00:45,000
I started with a good old standard
18 x 24-inch canvas,
9
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but I've done something a little bit
different today.
10
00:00:47,076 --> 00:00:50,024
The top part of the canvas is
totally covered
11
00:00:50,024 --> 00:00:53,076
with a thin even coat of Liquid
White, all the way up here.
12
00:00:53,076 --> 00:00:55,060
You can see this little line here.
13
00:00:55,060 --> 00:00:59,044
Now, from here down is covered with
Liquid Clear.
14
00:00:59,044 --> 00:01:03,040
Now, this is just like Liquid White,
only it's clear - that's all.
15
00:01:03,040 --> 00:01:06,064
So let's go and do a fantastic
little seascape.
16
00:01:06,064 --> 00:01:09,020
I'm going to start out
with a two-inch brush
17
00:01:09,020 --> 00:01:12,032
and a small, small amount
of the Cad Yellow.
18
00:01:12,032 --> 00:01:13,096
A very small amount.
19
00:01:13,096 --> 00:01:16,000
Just beat it into the bristles
a little bit.
20
00:01:16,000 --> 00:01:17,068
OK, let's go up here.
21
00:01:17,068 --> 00:01:19,080
Now then, maybe we'll have a
beautiful,
22
00:01:19,080 --> 00:01:21,000
bright little sky today.
23
00:01:21,000 --> 00:01:23,036
So I'm just going to start with a
little yellow.
24
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Do something like so.
25
00:01:28,020 --> 00:01:30,056
Just let that mix with the
Liquid White.
26
00:01:32,000 --> 00:01:33,016
There!
27
00:01:33,016 --> 00:01:35,000
Now, without cleaning the brush,
28
00:01:35,000 --> 00:01:39,000
we're right in to a touch of
Yellow Ochre.
29
00:01:39,000 --> 00:01:41,000
Load the brush the same way.
30
00:01:41,000 --> 00:01:42,052
Go back up here.
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Right around the edges of that.
32
00:01:45,016 --> 00:01:48,084
See there? Still using little
crisscross strokes.
33
00:01:48,084 --> 00:01:51,044
We'll just bring that right
around, sort of like so.
34
00:01:53,036 --> 00:01:54,060
There we go.
35
00:01:54,060 --> 00:01:56,072
If a little happens to get down here
in your paint,
36
00:01:56,072 --> 00:01:59,032
don't worry about it.
Don't worry about it.
37
00:01:59,032 --> 00:02:00,080
It's no problem at all.
38
00:02:02,000 --> 00:02:05,040
OK. Still without cleaning
the brush,
39
00:02:05,040 --> 00:02:09,000
we'll go right into Bright Red.
40
00:02:09,000 --> 00:02:10,040
A little bit.
41
00:02:10,040 --> 00:02:12,080
It's very strong, OK?
42
00:02:12,080 --> 00:02:15,056
Now, then, right around those edges,
43
00:02:15,056 --> 00:02:18,016
we'll take a little bit of this
beautiful red colour.
44
00:02:20,000 --> 00:02:21,080
Just like so.
45
00:02:21,080 --> 00:02:23,012
Isn't that pretty?
46
00:02:24,072 --> 00:02:29,056
Already, we have a painting for
the Museum of Modern Art here.
47
00:02:29,056 --> 00:02:32,028
You can just stop right there.
48
00:02:32,028 --> 00:02:34,068
Now then, I want to put a little bit
of red over here
49
00:02:34,068 --> 00:02:36,052
and just let it work right along.
50
00:02:36,052 --> 00:02:38,040
Right in here is going to be
the horizon.
51
00:02:40,040 --> 00:02:41,072
There we go.
52
00:02:45,060 --> 00:02:48,028
And we'll just very lightly blend
all this together.
53
00:02:52,004 --> 00:02:53,072
OK.
54
00:02:53,072 --> 00:02:56,040
Now then, I have several brushes
going
55
00:02:56,040 --> 00:02:58,064
so I don't have to spend all my time
washing.
56
00:02:58,064 --> 00:03:01,012
I'm going to take straight
Titanium White,
57
00:03:01,012 --> 00:03:05,036
just straight white and
go right up into this area.
58
00:03:05,036 --> 00:03:07,012
And I want this to be very bright
59
00:03:07,012 --> 00:03:10,068
so I'm going to take white
and put it right there.
60
00:03:10,068 --> 00:03:12,052
Straight Titanium White.
61
00:03:13,060 --> 00:03:16,048
That won't show up much because
light against light is nothing.
62
00:03:16,048 --> 00:03:17,080
But you just wait!
63
00:03:17,080 --> 00:03:20,016
Now I'm going to grab it
and pull it.
64
00:03:21,056 --> 00:03:22,092
Just pull.
65
00:03:27,064 --> 00:03:29,036
Grab it and pull.
66
00:03:29,036 --> 00:03:30,088
We don't care what happens in here,
67
00:03:30,088 --> 00:03:33,028
we're going to cover all that up
anyway.
68
00:03:33,028 --> 00:03:35,048
Now then, let me wash the brush.
69
00:03:37,092 --> 00:03:41,024
And we just wash our brushes with
odourless paint thinner,
70
00:03:41,024 --> 00:03:43,028
shake 'em off
71
00:03:43,028 --> 00:03:45,032
and beat the devil out of 'em.
72
00:03:45,032 --> 00:03:47,000
OK.
73
00:03:47,000 --> 00:03:49,096
Now we can just use this
same old brush.
74
00:03:49,096 --> 00:03:53,016
I'm going to go into a small amount
of Phthalo Blue
75
00:03:53,016 --> 00:03:57,048
and reach up here and grab a little
touch of Alizarin Crimson.
76
00:03:57,048 --> 00:04:00,040
So we have Phthalo Blue
and Alizarin Crimson -
77
00:04:00,040 --> 00:04:03,044
proportionately, much more crimson
than blue.
78
00:04:03,044 --> 00:04:06,072
I want this to be a little bit
to the reddish side.
79
00:04:06,072 --> 00:04:08,000
OK.
80
00:04:08,000 --> 00:04:10,000
There's very little paint
on the brush.
81
00:04:10,000 --> 00:04:11,048
Let's go back up here.
82
00:04:11,048 --> 00:04:16,000
Now then, just the corner of
the brush...
83
00:04:16,000 --> 00:04:19,072
..using little circular strokes.
84
00:04:19,072 --> 00:04:23,000
And let's just begin laying in some
happy little clouds.
85
00:04:23,000 --> 00:04:24,060
Maybe there's one that lives...
86
00:04:24,060 --> 00:04:26,040
Oh, looky there. Looky there.
87
00:04:26,040 --> 00:04:29,040
There he is. See? He comes right out
there.
88
00:04:31,044 --> 00:04:32,052
Look at that!
89
00:04:32,052 --> 00:04:36,032
See how easy it is to make all kinds
of beautiful little cloud shapes?
90
00:04:36,032 --> 00:04:40,040
All you need is just the corner
of the brush.
91
00:04:40,040 --> 00:04:41,060
There we go.
92
00:04:43,016 --> 00:04:44,048
OK.
93
00:04:44,048 --> 00:04:47,072
Now then, over here, we'll put in a
little cloud
94
00:04:47,072 --> 00:04:49,044
that lives right there.
95
00:04:50,084 --> 00:04:52,080
There we go.
96
00:04:52,080 --> 00:04:55,092
And, in your world, you decide where
the clouds live,
97
00:04:55,092 --> 00:04:59,000
and you put as many or as few as
you want.
98
00:04:59,000 --> 00:05:00,056
It's your decision.
99
00:05:02,060 --> 00:05:04,092
There we go.
100
00:05:04,092 --> 00:05:06,012
Just wherever.
101
00:05:06,012 --> 00:05:09,008
Maybe there's one right there.
102
00:05:09,008 --> 00:05:11,072
Still using those tiny little
strokes,
103
00:05:11,072 --> 00:05:13,064
little circular strokes,
104
00:05:13,064 --> 00:05:15,060
just with the corner of the brush.
105
00:05:20,000 --> 00:05:23,080
OK. As I say, I have several brushes
going here.
106
00:05:23,080 --> 00:05:25,016
Now, with a clean brush...
107
00:05:26,044 --> 00:05:29,000
..I'm just going to very gently
blend this a little.
108
00:05:29,000 --> 00:05:30,080
You don't have to over-blend it.
109
00:05:32,000 --> 00:05:34,004
Just enough to sort of mix it up.
110
00:05:36,020 --> 00:05:37,060
Like so.
111
00:05:39,000 --> 00:05:40,040
There we go.
112
00:05:40,040 --> 00:05:44,056
Still using little round strokes,
little circular strokes,
113
00:05:44,056 --> 00:05:47,076
Now, you can blend this til it
absolutely goes away.
114
00:05:47,076 --> 00:05:50,040
All we want to do is blend it just
enough to soften the edges
115
00:05:50,040 --> 00:05:51,060
so it comes all together.
116
00:05:51,060 --> 00:05:53,000
And then watch here.
117
00:05:53,000 --> 00:05:55,080
Then we'll take this and very
gently...
118
00:05:55,080 --> 00:05:57,060
Three hairs and some air.
119
00:05:58,080 --> 00:06:01,016
Very gently just bring it
all together.
120
00:06:01,016 --> 00:06:03,072
You don't want to lose your shapes.
121
00:06:03,072 --> 00:06:06,004
You just want to soften
all the edges.
122
00:06:08,052 --> 00:06:11,016
And then you can do like that.
123
00:06:11,016 --> 00:06:13,036
See how it just brings it right
over?
124
00:06:14,044 --> 00:06:18,000
Makes it look like little light
streaks coming through there.
125
00:06:18,000 --> 00:06:20,080
Now, then, to really
add a little more contrast,
126
00:06:20,080 --> 00:06:24,028
I'm going to mix a little more
colour, the same colour,
127
00:06:24,028 --> 00:06:27,024
crimson and Phthalo Blue.
128
00:06:27,024 --> 00:06:30,032
Alizarin Crimson and Phthalo Blue.
129
00:06:30,032 --> 00:06:32,048
But a little darker, a little more
on the brush.
130
00:06:32,048 --> 00:06:35,068
And, right in here, I want to show
a cloud that's a little closer.
131
00:06:36,088 --> 00:06:41,000
So, for that, we'll just use a
little darker colour
132
00:06:41,000 --> 00:06:46,024
and it'll give the impression that
this cloud is closer to us.
133
00:06:46,024 --> 00:06:47,096
See how easy that is?
134
00:06:50,088 --> 00:06:53,048
You can create all kinds of
beautiful little things
135
00:06:53,048 --> 00:06:54,088
happening in here.
136
00:06:56,024 --> 00:07:00,000
All right. Then we'll go back to our
clean brush.
137
00:07:00,000 --> 00:07:02,000
Stir this up a little bit.
138
00:07:02,000 --> 00:07:03,064
Just mix it.
139
00:07:03,064 --> 00:07:06,036
Don't overdo it. Don't overdo it.
140
00:07:06,036 --> 00:07:09,000
It's easy to get carried away.
141
00:07:09,000 --> 00:07:10,048
And, then, very lightly...
142
00:07:11,096 --> 00:07:14,004
Two hairs and some air this time.
143
00:07:16,088 --> 00:07:19,072
See? It gives the impression
that that cloud is in front
144
00:07:19,072 --> 00:07:20,096
a little bit,
145
00:07:20,096 --> 00:07:24,056
so it helps create the illusion of
depth and distance in your sky.
146
00:07:24,056 --> 00:07:26,032
And you can put a couple here
and there.
147
00:07:26,032 --> 00:07:28,000
Wherever.
148
00:07:28,000 --> 00:07:33,020
But - that easy - you can make
a fantastic, fantastic sky.
149
00:07:36,024 --> 00:07:38,040
Looks like a nice sunset already.
150
00:07:41,000 --> 00:07:46,072
And, if you want to, you can go in
here with a fan brush
151
00:07:46,072 --> 00:07:49,012
and you can add
some little streakers.
152
00:07:50,072 --> 00:07:52,084
Little streaky clouds.
153
00:07:52,084 --> 00:07:54,012
See?
154
00:07:54,012 --> 00:07:55,048
That easy.
155
00:07:57,008 --> 00:07:59,000
And you can put as many of these
in as you want.
156
00:07:59,000 --> 00:08:02,000
I just want to show you how.
157
00:08:02,000 --> 00:08:04,032
Clean, dry brush.
158
00:08:04,032 --> 00:08:06,068
And then blend them right
into the painting.
159
00:08:10,076 --> 00:08:12,036
There we go.
160
00:08:12,036 --> 00:08:14,060
Isn't that a beautiful sky?
161
00:08:14,060 --> 00:08:16,024
And you can do it.
162
00:08:18,048 --> 00:08:21,056
There. Wash that brush. I have some
paper towels over here.
163
00:08:21,056 --> 00:08:24,040
I'll just dry the fan brush off.
164
00:08:30,000 --> 00:08:33,000
That's the fun part
of this whole technique.
165
00:08:33,000 --> 00:08:34,032
All righty.
166
00:08:34,032 --> 00:08:37,052
Now, then, we have to make
a big decision here.
167
00:08:37,052 --> 00:08:39,024
Let's take...
168
00:08:39,024 --> 00:08:40,064
Let's take...
169
00:08:40,064 --> 00:08:43,056
Let's take our Phthalo Blue....
170
00:08:43,056 --> 00:08:46,012
..Alizarin Crimson...
171
00:08:46,012 --> 00:08:49,092
..and I'm going to make a dark, dark
lavender colour.
172
00:08:49,092 --> 00:08:53,004
On the palette,
it should look black.
173
00:08:55,028 --> 00:08:56,048
All right.
174
00:08:56,048 --> 00:08:57,080
We've got our mixed here.
175
00:08:57,080 --> 00:09:00,072
Now, then, let me show you
one other thing first.
176
00:09:00,072 --> 00:09:03,064
One of the easiest ways to help you
with a seascape -
177
00:09:03,064 --> 00:09:06,052
because they're hard at first until
you practise a little -
178
00:09:06,052 --> 00:09:09,060
I'm going to take the little
filbert brush here
179
00:09:09,060 --> 00:09:11,060
and, to that, I've added a bunch of
paint thinner
180
00:09:11,060 --> 00:09:13,064
so this is thin as water, nearly.
181
00:09:13,064 --> 00:09:17,080
Sort of come in here and sketch out
where you want
182
00:09:17,080 --> 00:09:19,060
the major wave to be.
183
00:09:19,060 --> 00:09:22,088
And let's just say it's going to
live - boom - right there.
184
00:09:22,088 --> 00:09:24,080
And this is not a commitment
at this time.
185
00:09:24,080 --> 00:09:26,016
You can still change it.
186
00:09:26,016 --> 00:09:28,056
Zoom! It comes up like that.
187
00:09:28,056 --> 00:09:30,000
Maybe it comes over.
188
00:09:30,000 --> 00:09:33,056
Maybe the foam's going to crash up
in here - somewhere like that.
189
00:09:33,056 --> 00:09:36,080
Now, our shoreline, maybe
it'll come...
190
00:09:37,084 --> 00:09:40,032
Oh, like that. Something like it.
191
00:09:40,032 --> 00:09:44,056
That just helps give you a little
bit of, sort of, a layout.
192
00:09:44,056 --> 00:09:46,068
And it'll really save you
a lot of trouble.
193
00:09:48,008 --> 00:09:50,000
OK.
194
00:09:50,000 --> 00:09:52,072
After you've practised a while,
maybe you don't need to do this.
195
00:09:52,072 --> 00:09:56,036
But, at first, I really recommend
you do it that way.
196
00:09:56,036 --> 00:09:58,008
It'll help you lay it out.
197
00:09:58,008 --> 00:10:00,060
Here, I'm using that dark colour we
made.
198
00:10:00,060 --> 00:10:03,004
It's a very dark lavender colour.
199
00:10:04,052 --> 00:10:08,016
See, if we had used
Liquid White here,
200
00:10:08,016 --> 00:10:11,084
when we put this on it would pick
up the white
201
00:10:11,084 --> 00:10:15,004
and you would lose this beautiful,
beautiful dark colour.
202
00:10:16,064 --> 00:10:21,088
There! Liquid Clear allows us
to mix on the canvas
203
00:10:21,088 --> 00:10:24,040
without changing the value
of the colour.
204
00:10:25,080 --> 00:10:26,096
Look at that!
205
00:10:28,056 --> 00:10:31,016
And we just come right on down
in here.
206
00:10:31,016 --> 00:10:33,084
In here, we're going to have
the transparency,
207
00:10:33,084 --> 00:10:36,068
or the bright spot of the wave.
208
00:10:36,068 --> 00:10:38,020
That's the part of the wave...
209
00:10:38,020 --> 00:10:39,072
If you're into selling paintings,
210
00:10:39,072 --> 00:10:42,088
that's the part of the wave
that sells.
211
00:10:42,088 --> 00:10:47,036
That's what everybody wants to see,
is that big, big crasher.
212
00:10:47,036 --> 00:10:48,084
It'll come right in here.
213
00:10:50,092 --> 00:10:53,088
And just sort of follow
this guide.
214
00:10:53,088 --> 00:10:56,056
All we're doing here is putting
in some dark colour,
215
00:10:56,056 --> 00:10:59,012
so our light will show later on.
216
00:10:59,012 --> 00:11:01,068
I'm going to add
a little more colour.
217
00:11:01,068 --> 00:11:03,020
A little more colour.
218
00:11:05,000 --> 00:11:08,088
Just Alizarin Crimson
and Phthalo Blue.
219
00:11:10,036 --> 00:11:13,044
Now, when you're doing this at home,
you can add all kinds of colours.
220
00:11:13,044 --> 00:11:16,068
A lot of times, Phthalo Green is
very pretty in seascapes.
221
00:11:16,068 --> 00:11:20,072
Ooh, it is a dynamite colour -
beautiful colour.
222
00:11:22,000 --> 00:11:24,008
But it's very strong.
Be careful with it.
223
00:11:26,020 --> 00:11:31,012
See? Already, we have all of our
dark areas blocked in.
224
00:11:31,012 --> 00:11:33,000
When you're using the big old
two-inch brush,
225
00:11:33,000 --> 00:11:34,048
it'll take about a second.
226
00:11:38,000 --> 00:11:39,048
OK.
227
00:11:42,060 --> 00:11:44,096
Isn't that a beautiful, rich colour?
228
00:11:46,060 --> 00:11:47,072
All right.
229
00:11:49,052 --> 00:11:51,004
Now we can really start playing.
230
00:11:51,004 --> 00:11:53,024
Let me grab my fan brush.
231
00:11:53,024 --> 00:11:56,056
I'm going to take the same old
colours -
232
00:11:56,056 --> 00:11:58,060
Alizarin Crimson and Phthalo Blue.
233
00:12:00,000 --> 00:12:03,000
And let's put some on the fan
brush here.
234
00:12:03,000 --> 00:12:06,036
Just load it back and forth,
like that.
235
00:12:06,036 --> 00:12:08,048
Not a great deal of paint
on the brush, OK?
236
00:12:08,048 --> 00:12:09,060
Let's go up here.
237
00:12:09,060 --> 00:12:12,020
Maybe there's a little footland
back here.
238
00:12:12,020 --> 00:12:15,080
That's a fancy name for a rock that
sticks out in the water.
239
00:12:15,080 --> 00:12:18,040
A little peninsula, WAY back in the
distance.
240
00:12:19,076 --> 00:12:22,000
And this is too far away
to show detail,
241
00:12:22,000 --> 00:12:23,016
so don't worry about it.
242
00:12:23,016 --> 00:12:26,004
All we're looking for here is
just a basic shape.
243
00:12:27,060 --> 00:12:30,084
OK, tell you what, truth is that was
so much fun,
244
00:12:30,084 --> 00:12:32,048
let's do another one.
245
00:12:32,048 --> 00:12:35,024
Maybe there's another bigger stone
in front of it here.
246
00:12:35,024 --> 00:12:36,044
Bigger footland.
247
00:12:37,092 --> 00:12:42,004
This will help create the illusion
of distance in your painting.
248
00:12:44,000 --> 00:12:45,084
And you can put all kinds of things
back here.
249
00:12:45,084 --> 00:12:49,032
You can put little trees on these
footlands, and just whatever.
250
00:12:49,032 --> 00:12:50,072
But it really helps.
251
00:12:50,072 --> 00:12:53,076
So you choose different planes in
your painting.
252
00:12:53,076 --> 00:12:55,036
I hope you can see that.
253
00:12:57,044 --> 00:12:58,060
OK.
254
00:12:58,060 --> 00:13:01,008
Now, if it doesn't show up quite
well enough,
255
00:13:01,008 --> 00:13:04,084
you can add a little highlight
to it.
256
00:13:04,084 --> 00:13:07,068
Just to get it to stand out
a little more.
257
00:13:09,016 --> 00:13:11,000
Maybe that'll help.
258
00:13:11,000 --> 00:13:13,076
You can see that a little
better now.
259
00:13:13,076 --> 00:13:15,000
There we go.
260
00:13:15,000 --> 00:13:17,008
Good.
261
00:13:17,008 --> 00:13:18,072
OK.
262
00:13:18,072 --> 00:13:21,096
And, that quick, we've got a happy
little footland back here.
263
00:13:25,056 --> 00:13:28,044
All right. Now we can begin putting
in some of the good stuff.
264
00:13:28,044 --> 00:13:32,028
I'll start with just plain old
Titanium White.
265
00:13:37,048 --> 00:13:39,016
And we'll go right up here...
266
00:13:40,064 --> 00:13:44,056
..and just begin putting in some
happy little highlights.
267
00:13:44,056 --> 00:13:46,040
WAY back here in the distance.
268
00:13:48,040 --> 00:13:50,004
Barely, barely touching.
269
00:13:53,068 --> 00:13:55,068
Barely touching.
270
00:13:55,068 --> 00:13:59,028
And, sort of like that, make all
these little things happen.
271
00:13:59,028 --> 00:14:01,048
Bring it right around the base
of this little
272
00:14:01,048 --> 00:14:03,092
footland back here.
273
00:14:03,092 --> 00:14:06,076
Now, then, let's have some fun.
274
00:14:06,076 --> 00:14:08,068
Let's go, like, right in here.
275
00:14:09,080 --> 00:14:11,064
Watch here. Grab it...
276
00:14:13,044 --> 00:14:16,024
..and just come right up like that.
277
00:14:16,024 --> 00:14:18,064
Uh-oh, what have we done now?
278
00:14:18,064 --> 00:14:21,096
And maybe there's another
one right here.
279
00:14:23,036 --> 00:14:25,020
And back.
280
00:14:25,020 --> 00:14:27,092
And let's go right along here.
281
00:14:32,000 --> 00:14:33,004
Like that.
282
00:14:34,052 --> 00:14:37,076
And then right along there.
283
00:14:37,076 --> 00:14:39,028
See how easy that is?
284
00:14:41,080 --> 00:14:44,044
Clean off the old brush here.
285
00:14:50,024 --> 00:14:52,020
OK.
286
00:14:52,020 --> 00:14:56,020
Now, then, I'm going to take another
fan brush that's clean
287
00:14:56,020 --> 00:14:59,064
and very gently, very gently,
288
00:14:59,064 --> 00:15:02,080
I'm just going to begin doing
like so.
289
00:15:04,000 --> 00:15:06,044
See? Just work that back.
290
00:15:06,044 --> 00:15:10,000
Pay very, very close attention to
angles.
291
00:15:10,000 --> 00:15:12,004
All you want to leave in here
is the dark area.
292
00:15:12,004 --> 00:15:15,040
This is a time when the dark areas
are much more important
293
00:15:15,040 --> 00:15:17,020
than the light areas.
294
00:15:17,020 --> 00:15:19,012
Now, right in here, same thing.
295
00:15:21,064 --> 00:15:23,004
Same thing.
296
00:15:24,048 --> 00:15:26,048
Just blend that up, like that.
297
00:15:28,072 --> 00:15:31,064
That's beginning to look pretty
already.
298
00:15:31,064 --> 00:15:33,040
OK.
299
00:15:33,040 --> 00:15:37,068
Now then, we can go right into
a little bit of white.
300
00:15:37,068 --> 00:15:40,072
See? We're making all these little
things that are far, far away.
301
00:15:40,072 --> 00:15:43,092
Little swells that are far
in the distance.
302
00:15:45,016 --> 00:15:47,012
Don't want too much detail
back there.
303
00:15:49,020 --> 00:15:50,072
There's our little footland.
304
00:15:52,088 --> 00:15:54,028
OK, good.
305
00:15:57,000 --> 00:16:01,000
This painting, it'll teach you to
be an expert brush-washer.
306
00:16:01,000 --> 00:16:03,060
Let's go back into our blue
and crimson.
307
00:16:03,060 --> 00:16:06,012
Blue and crimson.
308
00:16:06,012 --> 00:16:08,020
Just mix it right on the palate.
309
00:16:09,080 --> 00:16:11,000
All right.
310
00:16:11,000 --> 00:16:13,060
Now, this area here,
we have to put dark in
311
00:16:13,060 --> 00:16:15,088
before we can put our light in.
312
00:16:15,088 --> 00:16:18,076
So let's just add a little bit
of dark colour right here.
313
00:16:18,076 --> 00:16:20,024
See how easy that is?
314
00:16:21,044 --> 00:16:23,016
Follow that basic angle.
315
00:16:25,000 --> 00:16:26,048
Look at that.
316
00:16:29,096 --> 00:16:32,000
All we're doing is just applying
dark.
317
00:16:32,000 --> 00:16:35,036
We'll come back later
and put all the highlights on.
318
00:16:35,036 --> 00:16:36,080
The good parts.
319
00:16:36,080 --> 00:16:38,068
Everybody wants to jump on these
good parts.
320
00:16:38,068 --> 00:16:41,060
But you have to do
the framework first.
321
00:16:44,000 --> 00:16:46,016
OK. Now that we've got some dark
on there...
322
00:16:47,056 --> 00:16:50,000
..let's take some white.
323
00:16:50,000 --> 00:16:52,084
I'm just using Titanium White.
324
00:16:52,084 --> 00:16:55,028
A lot of paint on the brush now -
a lot of paint.
325
00:16:56,036 --> 00:16:57,068
OK.
326
00:16:57,068 --> 00:17:00,020
Now then, grab this and pull it.
327
00:17:02,000 --> 00:17:04,020
Pull it. The strokes are very
important.
328
00:17:04,020 --> 00:17:06,080
You might need to wash or wipe your
brush.
329
00:17:06,080 --> 00:17:10,052
Sometimes you just wipe it in
between each stroke,
330
00:17:10,052 --> 00:17:15,000
because you're going to pick up some
of this under-colour.
331
00:17:15,000 --> 00:17:18,004
See? Grab it and pull it.
332
00:17:20,084 --> 00:17:24,000
Here, like that.
333
00:17:24,000 --> 00:17:25,068
OK.
334
00:17:25,068 --> 00:17:31,084
Now then, let's get our little
filbert brush here.
335
00:17:31,084 --> 00:17:34,020
I'm going to go into white
336
00:17:34,020 --> 00:17:38,000
and the least, least little touch of
Cadmium Yellow.
337
00:17:38,000 --> 00:17:39,052
White and yellow.
338
00:17:40,072 --> 00:17:43,008
White and yellow. Let's go up here.
339
00:17:43,008 --> 00:17:45,060
Now, then, let's go right in here.
340
00:17:45,060 --> 00:17:50,020
This is the part that makes
the painting so pretty.
341
00:17:51,056 --> 00:17:52,072
This is it.
342
00:17:52,072 --> 00:17:56,024
All we're doing here is scrubbing
in some colour.
343
00:17:56,024 --> 00:17:59,040
And the light would come right
along the top of this wave
344
00:17:59,040 --> 00:18:01,024
because the water is thinner here.
345
00:18:02,028 --> 00:18:03,040
Look at that.
346
00:18:04,044 --> 00:18:08,028
Just like so. And maybe there's a
touch even right over in here.
347
00:18:08,028 --> 00:18:09,064
Just a little bit right
in there.
348
00:18:10,076 --> 00:18:12,000
All right.
349
00:18:13,092 --> 00:18:18,004
Now then, with a clean...
350
00:18:18,004 --> 00:18:19,084
..dry...
351
00:18:19,084 --> 00:18:22,000
Be sure it's dry.
It's most important.
352
00:18:22,000 --> 00:18:23,084
Clean, dry, two-inch brush.
353
00:18:23,084 --> 00:18:25,060
Come right in here.
354
00:18:25,060 --> 00:18:28,044
Very, very gently.
355
00:18:28,044 --> 00:18:30,044
Just begin blending this.
356
00:18:32,020 --> 00:18:35,000
Now then, we're going to begin
picking up
357
00:18:35,000 --> 00:18:39,040
some of this nice, rich lavender
colour we have down here
358
00:18:39,040 --> 00:18:41,044
and blending it right up into it.
359
00:18:43,000 --> 00:18:44,008
Looky there!
360
00:18:45,064 --> 00:18:48,064
This is where we begin forming
the basic angle of the wave.
361
00:18:51,056 --> 00:18:55,012
I beat the brush just to remove
excess paint.
362
00:18:56,084 --> 00:18:59,072
See? It doesn't matter if a little
of that colour goes up in there.
363
00:18:59,072 --> 00:19:00,088
That light...
364
00:19:00,088 --> 00:19:02,044
The light area will remain.
365
00:19:02,044 --> 00:19:04,004
Just grab it and pull.
366
00:19:05,092 --> 00:19:07,060
OK.
367
00:19:07,060 --> 00:19:10,096
Let me find my little filbert
brush here.
368
00:19:10,096 --> 00:19:14,000
We'll use some of this lavender
colour that we have.
369
00:19:14,000 --> 00:19:17,028
Same old lavender colour,
but a touch of white in it.
370
00:19:17,028 --> 00:19:18,068
There we go.
371
00:19:18,068 --> 00:19:21,080
Now, let's begin putting some foam
in here.
372
00:19:21,080 --> 00:19:23,080
First, we'll put the shadows in.
373
00:19:25,036 --> 00:19:28,012
Then you take this brush
and just lay it over
374
00:19:28,012 --> 00:19:30,000
and just really scrub it in.
375
00:19:30,000 --> 00:19:32,064
Get tough with it. Get mean with it.
376
00:19:32,064 --> 00:19:35,044
Think about water churning
and bubbling
377
00:19:35,044 --> 00:19:39,044
and maybe it comes way up here
and crashes and splashes
378
00:19:39,044 --> 00:19:43,028
and all kinds of fantastic little
things are happening.
379
00:19:43,028 --> 00:19:45,012
And this is only the shadow.
380
00:19:46,064 --> 00:19:47,092
Only the shadow.
381
00:19:47,092 --> 00:19:51,004
We'll come back and put
the highlights on in a second.
382
00:19:52,084 --> 00:19:54,016
OK.
383
00:19:55,036 --> 00:19:58,000
Now, then, I want to fill this in.
384
00:19:58,000 --> 00:19:59,080
This needs to be good and dark also.
385
00:20:01,012 --> 00:20:02,068
Like that.
386
00:20:04,060 --> 00:20:08,008
Then, with our clean brush, we want
to continue this angle.
387
00:20:08,008 --> 00:20:10,056
Just grab it and bring it through.
388
00:20:12,000 --> 00:20:14,000
Looky there.
389
00:20:15,076 --> 00:20:17,092
OK.
390
00:20:17,092 --> 00:20:21,088
Now, be sure the filbert brush
is good and clean and dry.
391
00:20:23,000 --> 00:20:24,064
Now comes the fun part.
392
00:20:24,064 --> 00:20:26,052
This is what we wait on.
393
00:20:26,052 --> 00:20:28,084
Take white, Cad Yellow.
394
00:20:31,072 --> 00:20:34,008
Load a lot of paint
into the bristles.
395
00:20:34,008 --> 00:20:36,056
Just really fill this
son of a gun up.
396
00:20:38,000 --> 00:20:42,000
Now, then, sort of hold a brush here
397
00:20:42,000 --> 00:20:44,016
and give it a little upward push.
398
00:20:44,016 --> 00:20:49,000
And it's that upward push, that's
where the splash happens.
399
00:20:49,000 --> 00:20:50,076
And, when you begin running out of
paint,
400
00:20:50,076 --> 00:20:53,056
turn it over and use the other side
of the brush.
401
00:20:53,056 --> 00:20:55,052
And usually you can just wipe off
the excess.
402
00:20:55,052 --> 00:20:58,000
You don't have to go through
the whole cleaning procedure.
403
00:20:58,000 --> 00:21:02,000
You want to keep this colour
as pure as you can.
404
00:21:02,000 --> 00:21:04,012
Cos it's going to mix
with what's on there.
405
00:21:06,040 --> 00:21:07,080
OK.
406
00:21:07,080 --> 00:21:10,000
Plenty of paint on the brush.
407
00:21:10,000 --> 00:21:11,024
Plenty of paint.
408
00:21:13,028 --> 00:21:14,060
Splash it way up here.
409
00:21:14,060 --> 00:21:17,044
All kinds of beautiful little things
are happening.
410
00:21:18,072 --> 00:21:21,064
Continually wipe that brush.
Keep it good and clean.
411
00:21:29,000 --> 00:21:31,044
And we'll have a little bit...
412
00:21:31,044 --> 00:21:34,076
Boom. Oh, you get carried away
with these.
413
00:21:34,076 --> 00:21:38,024
You can really get carried away
and have a super time.
414
00:21:39,064 --> 00:21:41,004
Seascapes are fun.
415
00:21:44,048 --> 00:21:46,000
OK.
416
00:21:46,000 --> 00:21:47,080
Clean off the brush.
417
00:21:51,024 --> 00:21:53,068
OK. Now, with a good, clean,
dry brush,
418
00:21:53,068 --> 00:21:55,064
you just want to sort of mix this
together.
419
00:21:55,064 --> 00:21:59,076
That'll sort of make a different
value, a medium value,
420
00:21:59,076 --> 00:22:03,028
cos it'll mix with the dark and the
light, and brings it all together.
421
00:22:03,028 --> 00:22:05,004
Just stir it up a little bit.
422
00:22:07,060 --> 00:22:08,080
OK.
423
00:22:10,000 --> 00:22:14,000
Now, then, a good, clean, dry,
two-inch brush.
424
00:22:14,000 --> 00:22:15,060
Just the corner.
425
00:22:15,060 --> 00:22:17,084
And just mix this up.
426
00:22:17,084 --> 00:22:22,024
All you have to do is just very
gently bring all this together.
427
00:22:24,012 --> 00:22:25,040
Very gently.
428
00:22:25,040 --> 00:22:27,020
This is two hairs and some air.
429
00:22:28,088 --> 00:22:30,044
Barely, barely touching
430
00:22:32,048 --> 00:22:34,080
And, that easy, we have it.
431
00:22:38,040 --> 00:22:42,048
I'm going to take paint thinner,
yellow and white.
432
00:22:44,024 --> 00:22:48,000
And be sure your paint
is as thin as ink.
433
00:22:48,000 --> 00:22:51,028
So, very thin, water consistency.
434
00:22:51,028 --> 00:22:52,044
Let's go right up here.
435
00:22:52,044 --> 00:22:54,020
This nice, bright area here,
436
00:22:54,020 --> 00:22:58,036
there's going to be all kinds
of light shining through.
437
00:22:58,036 --> 00:23:02,000
Just put all these happy little
things.
438
00:23:02,000 --> 00:23:04,024
And, at home, when you have
unlimited time,
439
00:23:04,024 --> 00:23:08,036
you can just really go in here and
put all kinds of beautiful,
440
00:23:08,036 --> 00:23:10,004
beautiful little things.
441
00:23:13,080 --> 00:23:16,000
OK.
442
00:23:16,000 --> 00:23:20,000
Come right along here and just
sparkle that, like so.
443
00:23:23,008 --> 00:23:24,012
All right.
444
00:23:25,056 --> 00:23:29,084
Now let's take some white, a little
touch of the Phthalo Blue -
445
00:23:29,084 --> 00:23:31,016
very little blue.
446
00:23:31,016 --> 00:23:32,056
Just white and blue.
447
00:23:32,056 --> 00:23:35,084
And let's begin working on some
happy little things
448
00:23:35,084 --> 00:23:38,076
that are just floating right
on down through here.
449
00:23:38,076 --> 00:23:41,000
All kinds of little...
450
00:23:41,000 --> 00:23:43,020
This is where you begin forming the
wave.
451
00:23:46,048 --> 00:23:49,004
This gives it shape, it gives
it character.
452
00:23:50,008 --> 00:23:51,012
Look at that!
453
00:23:55,052 --> 00:23:56,080
And back in here.
454
00:23:59,000 --> 00:24:00,076
Just bring it right on back.
455
00:24:02,008 --> 00:24:04,000
Let's have some fun.
456
00:24:04,000 --> 00:24:05,056
Right into that light area,
457
00:24:05,056 --> 00:24:09,032
I'm going to go right into some
Cad Yellow.
458
00:24:09,032 --> 00:24:12,000
We'll just throw that right on
there.
459
00:24:12,000 --> 00:24:15,064
Right into Yellow Ochre,
just like we did the sky.
460
00:24:16,080 --> 00:24:19,000
Just drop it in.
461
00:24:19,000 --> 00:24:21,068
Right into some Bright Red.
462
00:24:22,084 --> 00:24:25,016
We've got us a fireball going here.
463
00:24:25,016 --> 00:24:27,080
Then I'm going to reach into
Dark Sienna.
464
00:24:31,088 --> 00:24:34,052
Little bit more Dark Sienna here.
465
00:24:35,076 --> 00:24:37,084
Then right into Van Dyke Brown.
466
00:24:37,084 --> 00:24:40,044
Over here, I want it to get
quite dark
467
00:24:40,044 --> 00:24:43,036
so it makes that light REALLY stand
out.
468
00:24:44,036 --> 00:24:48,088
OK. Now, then, a little touch of
white right there.
469
00:24:48,088 --> 00:24:51,000
And then, with a clean brush,
470
00:24:51,000 --> 00:24:54,028
all you have to do
is blend all this together.
471
00:24:54,028 --> 00:24:56,016
Just blend it together.
472
00:24:57,064 --> 00:24:59,068
Let the colours sort of mix...
473
00:25:01,028 --> 00:25:05,004
..and then lightly, lightly,
lightly go across.
474
00:25:07,044 --> 00:25:09,000
Lightly go across.
475
00:25:09,000 --> 00:25:11,036
Then we'll take a fan brush.
476
00:25:11,036 --> 00:25:13,020
I want to put Titanium White
477
00:25:13,020 --> 00:25:17,012
with the least, least little touch
of Phthalo Blue on it,
478
00:25:17,012 --> 00:25:19,072
and then let's come right in here
and begin making
479
00:25:19,072 --> 00:25:23,020
all kinds of happy little foam
things.
480
00:25:23,020 --> 00:25:26,000
Just laying out here,
having a good time.
481
00:25:26,000 --> 00:25:28,004
Leave some of these dark areas.
482
00:25:29,020 --> 00:25:31,000
Leave some dark areas.
483
00:25:31,000 --> 00:25:32,052
Don't kill 'em all.
484
00:25:35,000 --> 00:25:38,068
See? Begin paying attention
to the shape of the wave.
485
00:25:38,068 --> 00:25:40,016
It's very important.
486
00:25:42,000 --> 00:25:45,064
Very important. Over here, I have
some coming up like that.
487
00:25:49,048 --> 00:25:51,020
Now, while I've got the ol' brush
going,
488
00:25:51,020 --> 00:25:53,084
I'll just take it
right into some brown.
489
00:25:53,084 --> 00:25:57,004
And let's have, maybe, just some
sand right here.
490
00:25:58,088 --> 00:26:01,000
There it is. Looky there.
491
00:26:01,000 --> 00:26:05,000
This is just brown with a little
touch of white that was left on it.
492
00:26:05,000 --> 00:26:06,060
Right down like that.
493
00:26:06,060 --> 00:26:09,000
A little bit of sand on the beach.
494
00:26:09,000 --> 00:26:13,004
Van Dyke Brown, Dark Sienna,
a little touch of white.
495
00:26:14,048 --> 00:26:16,084
Little seagulls, they've got to have
a place to run.
496
00:26:19,024 --> 00:26:21,032
OK, now.
497
00:26:23,000 --> 00:26:25,052
Take a little paint thinner with
some dark paint.
498
00:26:25,052 --> 00:26:27,096
We just run a little line
right under here.
499
00:26:29,032 --> 00:26:30,048
Like so.
500
00:26:33,068 --> 00:26:36,088
Paint thinner with some of
the light blue.
501
00:26:36,088 --> 00:26:40,072
And we can just put the indication
of a little bit of water
502
00:26:40,072 --> 00:26:42,032
playing all down here on the beach.
503
00:26:43,064 --> 00:26:46,096
Put all kinds of little lines
and stuff here and there.
504
00:26:46,096 --> 00:26:48,080
See how easy that is?
505
00:26:48,080 --> 00:26:51,024
It really makes some nice,
nice effects.
506
00:26:53,080 --> 00:26:55,072
And let's have a happy
little stone.
507
00:26:55,072 --> 00:26:57,076
It lives right there.
508
00:26:57,076 --> 00:26:59,040
This is just Van Dyke Brown.
509
00:27:00,076 --> 00:27:04,040
Shoot, I tell you, we'll have
another little stone right there.
510
00:27:04,040 --> 00:27:06,004
Pull a little bit down.
511
00:27:07,076 --> 00:27:09,032
Grab it.
512
00:27:09,032 --> 00:27:11,044
That makes a reflection.
513
00:27:11,044 --> 00:27:13,024
Take the little knife...
514
00:27:16,076 --> 00:27:20,084
..and we'll put the least little
touch of some highlights on here.
515
00:27:20,084 --> 00:27:22,056
Like so.
516
00:27:22,056 --> 00:27:26,000
The old clock on the wall's telling
me I've got to stop for today.
517
00:27:26,000 --> 00:27:29,076
So, with that, I think we'll call
this painting finished.
518
00:27:29,076 --> 00:27:32,060
I sincerely hope you've enjoyed it.
519
00:27:32,060 --> 00:27:35,044
That'll give you a good idea of how
to do a fantastic seascape.
520
00:27:35,044 --> 00:27:37,012
Happy painting. God bless.
39242
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