All language subtitles for CrazedDeep.Rising.1998.1080p.BCrazed

[theme music]

[engine roaring]

Hi, Todd.

Hi.

Come here.

What have you boys been--

Morning, Pete.

Paul, how are you?

How was the game?

You sure look dirty.

Hi, Jimmy.

Well, Jimmy, you say you
hit a home run today, huh?

Yeah.

You did?

How many were on base?

[knocking]

Hey, Patrice?

You here?

Hey, Patrice.

Hey.

Hey, honey, you in here?

Patrice?

What the hell is going on?

Nothing, Malcolm.

Nothing.

What do you-- what
do you mean, nothing?

I mean nothing.

You know-- don't make
a scene, Malcolm.

It's uh--

Jesus Christ!

Don't make-- don't make a scene?

Look, I don't-- we don't
want to talk about it.

You want to talk about it?

Look, it's-- it's all right.

No, you're a son of a bitch.

No, no, no.

You're a son of a bitch!

Malcolm, I ask you--

Damn you, Hal.
You're my best--

I've got to go to--

You're my best damn friend!

Malcolm, don't!

Both of you, stop it!

Malcolm, look at me.

It was nothing what
you think it is!

Get the hell out of the way!

Get over there!

[yelling]

I'm going to kill you,
you son of a bitch!

Malcolm, no!

Malcolm, please stop it!

Please stop it!

[screaming]

Damn you!

[screaming]

Oh, my god!

[sobbing]

Oh, what did you do?

[door knob jiggling]

Let me out of here! [screaming]

Shut the door, come here.

Be quiet.

Christ's sake-- keep
your mouth shut.

[knocking]

For Christ's sake, shut up!

Keep your mouth shut.

[coughing]

[knocking]

[music]

[loud choral music]

You're driving me crazy
with this damn music!

[clinking ice]

[phone ringing]

Yes, ma'am?

Malcolm, we're going out.

Hello, Ben.

How are you?

My god, I've missed you.

[chattering]

Good evening, ma'am.

Still growing?

May I take your coat?

[chattering]

Rosa, Maria!

[speaking french] Come
on up, come on up.

Rosa, [speaking spanish]?

[speaking spanish]

Malcolm, would you
please get ready now?

I want to go now.

Come here, boy.

Rosa?

[speaking spanish]

[speaking spanish] Malcolm!

Yeah.

Come on, Duke.

[speaking spanish]

Ah, I find Malcolm.

--[speaking spanish]
Hello, big boy.

Hello, my love,
mama's sweetheart.

How are you this morning?

Did you sleep well?

Yes.

Duke, heel.

Come on, let's go.

Did you give him
his kidney, Malcolm?

Yes, I did.

Did you take your
vitamins, my darling?

Yes, you good boy.

What are you looking at?

What's so interesting
over there?

Malcolm, stop here, will you?

Yes, ma'am.

It's not legal to
park here, ma'am.

I know that, Malcolm.

Be a good boy, now.

Duke, come here.

Terry, hi!

Where have you been?

I haven't seen you
in three months.

Europe.

Did you buy lots
of beautiful things?

-Uh-huh.
-Well show me.

Come on, show me.

Good boy, Duke.

Good boy.

That's England You mean
you went to England?

Oh, yes.

Oh, you lucky girl!

[honking]

Oh, I just love them all.

I'll take all of them.

Wonderful.

Let me see now-- oh,
you count the money.

Madam, I have to move the car.

The police--

Move it, Malcolm, move it.

Yes, ma'am.

Here we are.

I'm so thrilled!

Great!

Thank you, sweetheart.

Hi.

Hi.

What's your name?

[inaudible].

You want a ride?

Yeah, I sure do.

What happened to your leg?

My leg?

Oh, it's really nothing.

I just hurt it.

It's not a big deal at all.

Listen, I love your jeans.

Where did you get them?
-Yeah?

I got them at the swap meet.

You did?

I'd love to buy from you.

You're kidding.

No, I'm not.

How about $10?

$10 for these?

$20?

Well, I mean I--
I live in these.

I mean, I have
nothing else to wear.

Maybe $30?

$30?

What do you want?

Want me to take
them off right here?

Yeah.

You're kidding.

Yeah.

No, I tell what you can do.

There's a shop right there.

You buy a new pair of pants,
and you let me have these.

Here's some money.

I mean, are you-- are
you really serious?

I'm very serious.

I want those jeans.

Here you are-- 20, 40, 45, OK?

Hurry up now.

Are you sure?

Absolutely.

Hurry up.

OK.

[chattering]

[choral music]

[fast-paced choral music]

SPEAKER (ON TV):
I make it a point

to-- to confer and work with--

SPEAKER (ON TV): It's a
30-day, unconditional guarantee

on motor transmission
and rear-end.

And what that
simply means to you,

is that if you purchase
a used automobile,

and it should happen to have--

SPEAKER (ON TV): Helps
the hurt stop hurt--

SPEAKER (ON TV): Before
we start the interview--

SPEAKER (ON TV): Fully custom
interior, wedge-wood paneling.

And we've got a beautiful
little country driver here.

This is the Cruiser--
very good I guess.

Nine-passenger.

Now, take this honey, here.

This is our custom executive
special-- full power,

full air, full everything.

You're economic?

Got this little Oldsmobile
Cutlass seven-passenger beauty.

Great for suburban driving
and running around town.

So, folks, as you can
see, come see Fletcher

the dollar stretcher here.

We've got the
finest cars in town.

Let's work out a deal.

You come see me now.

Won't you?

Malcolm!

Do you see him?

See who?

The guy on the-- on the,
uh-- on the commercial?

You have the wrong--

I wasn't watching, I
was reading the paper.

Oh, dammit, you have
the wrong channel on.

What about it?

That's it, that the one.

Well, what was it?

Oh, I thought I would catch it.

What about it?

What?

Tell me, how long is
it between commercials?

Five, maybe 10 minutes?

OK, I'll tell you one thing--
promise me to keep this on.

Stay on this channel.

I'll be right back.

Well, wh-- wh-- what,
to watch the commercial?

Watch for the commer--

[gun shots on tv]

Want some orange?

No, thank you.

Mm-mm-mm-mmm, they are good!

How far are you going?

Very far.

Oh, I think we can go
pretty far together.

Stop that!

What, do I scare you?

Get off me!

[laughing]

Stop the car!

--[yelling] Oh, look at
this little darling!

Stop this car!

[laughter]

Here, go on!

Bye!

[laughter]

Dumb broad!

SPEAKER (ON TV): Well, hello!

Fletcher, your friendly
dollar-stretcher here, where

money talks, and nobody walks.

Come on down.

Let me show you
something in a car today.

How about this beautiful
Oldsmobile Cutlass?

What about Cruiser?

What about finer little models?

Or this '71 demonstrator model?

Never registered,
very low mileage,

the only used car on the lot.

Good little vehicle.

Malcolm?

Yeah, in here.

Here.

What's that for?

I want them developed.

What, tonight?

No, not tonight.

First thing in the morning.

Oh, all right.

So did you watch the program?

And you took down
the name, the address,

and the name of the guy?

No, I didn't.

You didn't?

Nope.

Why did you-- why not?

Why did you--

You didn't tell me to do that.

You just told me to watch
the program, that was all.

I did, I told you--

No, you didn't.

You told me to watch the
program, and you walked out.

Oh, that's the dumbest
thing I've ever heard.

Well.

Well, I'll tell you
what I want you to do.

I want you to watch the program
until the commercial comes up

again, and you take down the
name of the pace, the address,

and the name of the guy.

And I want these developed
first thing in the morning.

Changed your mind again?

Don't want to go
to the horse races?

Yes, I've changed
my mind again.

This is far more important.

Now, remember-- first
thing in the morning.

OK.

[screaming]

Malcolm, no!

No!

Malcolm-- oh, my
god, you scared me.

Oh, my god, you scared me!

I'm sorry.

I just brought these.

I just brought these
to be developed.

All right, I'll
just put them there.

You can just develop
them in the morning.

I'm sorry, I didn't mean
to scare you like that.

That's all right.

You can go to sleep now.

Don't worry, I won't come back.

Good night.

Nicole!

Malcolm?

Here they are.

Oh, you've got the pictures.

Oh, god-- oh, terrific,
oh, wonderful.

Oh, my god, they're so good.

Oh, they're great.

Fantastic.

Did you get the address?

Yes, I got the address.

Gimme, gimme, gimme.

OK.

Yes, ma'am, can I help you?

Yes, you have a
salesman called Fletcher.

Fletcher?

Just a minute, I'll
get him for you.

Hey, Fletch, little lady
out here to see you.

Listen, I got to
run along right now.

OK?

Talk to you a little later.

Yeah, bye-bye.

She's around the
corner, right there.

Where is she?

Right over there.

Thanks.

Oh.

Can I help you, ma'am?

-Hello.
-Hello.

Fletcher.

Yeah.

How'd you get my name?

Um, a friend.

Did I, uh, sell a car
to a friend of yours?

Yes, that's right, yes.

Wonder who that could've been?

Mrs. Williamson.

That's it, Mrs. Williamson.

How is she?

Oh, she's very well, and
very happy with her car.

Give her my regards, will you?

I will.

Oh, good, good.

What can I do for you?

Well I, uh, would
love to buy a Chrysler.

We sell Oldsmobiles here,
dear, it's a better car.

Oh, well, Oldsmobile
would be fine.

Can I show you around?

Yes, show me what you have.

Well, come this way, please.

Now, this is our finest model.

It's the luxury
custom cruiser wagon.

It's fully equipped, fully
air conditioned, some

of the finest leather
upholstery, as you noticed.

And we've got
wall-to-wall carpeting.

Even the doors are carpeted.

Why don't you have
a seat in there.

I'd like to show you a
nice feature on this.

It's got a-- just sit there,
if you will, move your legs in.

Six-way power seat, which
can go up, down, sideways

and forward, as you can see.

It's fully carpeted
wall to wall.

Some of the finest plush,
heirloom carpeting.

It's a nine-passenger.

Tell me, do you
have any children?

No.

Well, maybe it's a
little practical for you.

Let me show you
something in a Cadillac.

All right.

There's a fine car.

It's one of our finest models.

It's the Fleetwood Brown.

Just get a feel of that
upholstery in there.

This is some of the
finest upholstery.

Soft as rubber.

Tell me, how do those
seats feel to you?

Wonderful.

You feel all right?

Yes.

Why?

I don't know.

Somehow I just feel you're not
interested in buying a car.

You really want to buy a car?

No, not really.

So what-- what are
you doing here, then?

Mm, I don't know.

Well, maybe we can go out,
have a drink, or something.

Well, right now it's
not such a good time.

I could have your phone number
then, and, uh, I'll call you.

I tell you what-- you
give me your phone number.

I don't have those phones.

No?

I don't believe in them.

Very original.

Why don't you give me
your address, then?

All right.

5046 Argyle, apartment 202.

Thank you.

Uh--

[choral music]

NICOLE (VOICE ON MACHINE):
Hello, this is a recording,

Margaret Duvall speaking.

In my absence, if you want to
leave your name and message,

please speak when
you hear the tone.

Thank you.

[beep]

SPEAKER (ON MACHINE): Hello?

Ms. Duvall?

This USA Cleaners.

Your laundry is ready, you
can pick it up at any time.

[beep]

SPEAKER (ON MACHINE):
Hello, Mrs. Duvall?

This is [inaudible] Produce.

We sent many boys over
there for your water,

but you weren't home.

Should we wait for
you to come here?

Or do you want us to be
there at a specified time?

Thank you.

[beep]

SPEAKER (ON MACHINE): Hello,
Ms. Duvall, this is USA Laundry.

Uh, your laundry's still here.

What do you want us to do?

Mail it in, or will you
come and pick it up?

[beep]

SPEAKER (ON MACHINE):
Uh, Ms. Duvall?

It's the gas station
calling again.

I called regarding
your automobile.

Just talked to [inaudible]
a couple weeks ago.

And so far I didn't
hear any answer for you.

I just wonder what's
going to be, you know.

Because, uh, I got kind
of half of it over there.

I don't know what to do.

And besides, my garage
is kind of small,

and I can't share
with automobiles,

so please give me some
advice what you want to do.

Because I would like
to finish the job.

[knocking]

Who is it?

Me.

Me, who?

You know, me.

What apart-- who
are you looking for?

Fletcher-- come
on, open the door.

Oh, it's you.

May I come in?

Well, yeah, of course.

So you know who I am?

Of course I know who you are.

Who am I?

You're the lady from
the car-- the car lot.

Yes, what else?

What do you mean, what else?

Never mind.

Say, this is a strange
place you live in.

What's, uh, so
strange about it?

Mm, the lobby, all
this, everything.

Oh.

[coughs]

Whose apartment is this?

It's my apartment.

Why?

Well, I just didn't
figure out a bachelor's

apartment to look like this.

What did you
figure a bachelor's

apartment to look like?

Mmm-- more modern, cleaner,
Playboy magazine, you know.

I'm not that type of bachelor.

No?

What kind of a bachelor are you?

I haven't figured it out yet.

Strange kind of man.

Well, I don't know
what you mean by that.

What kind of family
did you come from?

Italian, I guess.

Hmm.

Excuse me, I'll just
clean this up a little bit.

Huh, where's your mother?

She's dead.

She died when I was a year old.

Or year and a half.

And you father?

I don't know.

He was sort of all over.

Nobody knows.

What do you mean by all over?

I don't know--
he's here and there.

Comes and goes.

[laughter]

Just comes and goes, eh?

Yeah.

Now he's a strange guy.

So who brought you up?

Well, no one really.

Kind of grew up like a weed.

You did?

So your father's a bum?

No, not really.

Don't tell me he's
a nine to fiver.

No.

What is he, a millionaire?

No.

An artist?

No.

What is he, then?

Well, he's an Italian,
blue-blooded aristocrat.

We are the Viscontis of
Ferrara, if you must know.

Oh, Fletcher, oh, my god.

Oh--

What's--

Oh, you disappoint me again.

Well, how's that?

Well, at first I thought
you were a playboy.

And then I thought
maybe you were farm boy.

And then now, you tell
me you're a [inaudible].

Well, I can't help that.

Well, what are you
doing here, then,

with all this smog and plastic?

Well, I never
wanted to come here.

If my uncle hadn't died, I
never would have been here.

But he passed on, and left me
this big house in Monterrey,

as well as this apartment.

And, uh--

Monterrey?

Well, that's beautiful?

Why don't you live there?

It's nice.

It's so far away.

I, uh-- maybe when I
retire when I get older,

I'll go up there to live.

But right now, I'm too young.

Yeah, and what are you after?

You want to become rich?

Famous?

Yeah, like anyone else.

I'm after the big one.

Ah.

1, 2, [speaking french]

Ah, hello there.

Did you like her?

Eh, not bad.

Not bad, huh?

SPEAKER (ON TV): In
error, he says hello

at the start of the
season, good-bye

at the end of the year,
and then lets his bat talk.

And when he gets hot, he
can really get streaky.

Rick Mundy grabs it on
a hop, throws it on.

White.

Oh, you dum dum.

It was white, wasn't it?

No, it was a red one.

By the way, what did you
think of that little cutie pie

yesterday, huh?

She was all right.

She was all right, huh?

Sweet?

Cute.

Cute.

Do you, uh, would
you sort of like me

to sort of organize a-- you
know, a little threesome?

We could have fun, hmm?

What do you think of that?

That would be all right.

That would be all right?

I mean, the three of us
together, it would be nice.

But you two, together-- I
wouldn't stand for that.

I would kill you.

I would kill you,
do you know that?

[tv in background]

NICOLE: My mother was
a beautiful woman.

She was blond like a
Botticelli, she was gay,

she wore beautiful dresses.

She had so many admirers.

She gave beautiful parties
in her all-white ballroom.

In the summer we would
drive through Europe

in a huge car, a Hotchkiss.

And our chauffeur
was called Lalou.

He wore a smart uniform.

From time to time we would
stop on the side of the road,

my father would take
me on his shoulders,

and he would say-- my daughter,
my daughter will be the most

beautiful young lady in France.

And she will marry the
richest man in France.

And sometimes Lalou would
drive us to our estate

in the south of France.

We had a white farm there,
with all the animals white.

And then the Germans
marched in France.

Lalou was sent to the war,
and he never came back.

And my mother was broken.

She took to her bed, and
she never got up again.

She learned languages,
she taught herself

Russian, French history.

She read Shakespeare
and True Detective--

she said they're both unreal.

She forgot, I think, that
she had two children.

Except once, I was
invited to a party,

and she decided I should
be dressed beautifully.

And she got up and-- and for
three days and three nights,

she sewed me a dress.

And when I woke up
on the third morning,

my dress was there
on an armchair.

She would wake up at
night, because she

couldn't sleep anymore.

And she would wander around
the house, like Lady Macbeth.

And then she'd go to sleep
around 9:00 in the morning,

and sleep all day.

Then she'd wake up around
6:00 in the afternoon,

and she'd start to drink.

Didn't quite know who we were,
and she, for some reason,

became jealous of me.

And they were terrible rows.

And then one day
she tried to throw

herself out of the window.

Of course we stopped
her, but from that moment

on, we knew that she
was try to kill herself.

One night, my father and I
thought that she was asleep.

We went out for dinner
to a restaurant.

And when we came back, we found
her outside the door step,

in the rain, swaying back
forth-- she had taken pills.

We rushed her to the hospital,
but she could not be awakened.

The reason I took
this is because it's

similar to my home.

Somebody told me about it
when I first came here,

and I didn't know my
way around California.

Ah-hah, maps.

Look at that.

Are you interested in geography?

No, that-- that's
where I'm from, Arizona.

Oh, really?

That's a great state.

I was there, once.

Oh?

With my husband.

Your husband?

I didn't know that you
were married, Nicole?

I was.

Oh, where-- where is he?

He's dead.

Say, that's a great clock.

Oh, my dad gave that to me.

Really?

It was in his family.

His dad gave it to him.

Hmm.

And what does your father do?

Oh, well he doesn't
work anymore,

but he used to be a teacher.

Really?

Of what?

Mineralogy?

No, no-- these are rocks--
are some things to collect

when I was walking around.

And I have some--

I see.

When you were a little girl.

Well, yeah.

And are you still going
through the horse phase?

Uh, no--

Haven't grown out it, yet?

Well, this is
something that-- I

was a kid-- I used to
collect them instead

of dolls, all over the house.

In the bedroom, in the kitchen.

Yeah, I noticed.

You have some on the icebox.

And what's this
picture of the moon?

Are you a moon freak?

Well, no, not really.

This friend of mine who
worked on the space program,

he gave it to me.

How interesting.

A typewriter in the
kitchen-- do you type?

Oh, I was thinking
of maybe learning

how so I could be a secretary.

How nice.

And do your write something
for yourself, sometimes?

Well, I did this
creative writing course--

Yes?

Yeah, so maybe someday I will.

Someday you'd like to write?

That's nice.

You should.

Oh, and here are the horses.

My goodness-- that's quite
a stable you have here.

I know, every horse I saw in
a store or something, yeah,

I love them.

Oh, Nicole, are you hungry?

Can I fix you something?

Are you a good cook?

Well, sort of.

I'd love to fix you something.

But you're not too crazy
about washing up, hmm?

Seems like I
never have time to.

You don't.

Do you have other rooms?

Oh, yeah.

Let me show you.

I have a bedroom and
a bathroom to show.

Well.

How much do you
pay for this place?

$150.

Hmm.

And do you support yourself?

Uh, yes I do.

Your father doesn't
give you any allowance?

No, I'm independent,
and absolutely free.

Good.

Oh, how lovely!

Here's the little bedroom.

Listen-- what's this
obsession with animals?

You've got them everywhere.

I know.

I was brought up in the
country, so, and I--

I felt like I
identified with them,

and I love things that
are warm and soft.

Warm and soft, hmm?

I really like animals.

That's very sweet.

You know, you really have
a great looking face.

Absolutely great.

I don't know what this
agent is talking about.

What do you mean?

He didn't like me?

Did he say something to you?

No, no, no, no-- don't
worry about anything.

Don't you worry.

You'll see.

You and I will do
great things together.

Yeah?

Just trust me.

[MUSIC DANIEL BOONE, "BEAUTIFUL
SUNDAY"]

Well, hello, hello.

Come on in.

Sue?

Who's this over here?

Fletcher, glad to meet you.

It's a pleasure, I'm sure.

Sue, how are you?

It's about time you came back.

[chattering]

[chatter]

Fletcher, can you help?

Thank you.

Oh, Fletcher, this
horse is much too tall.

This is the place.

Everybody out.

So green.

My goodness.

Watch your step, Sue.

The only thing about this
place that's nice is the air.

God, how perfect!

Oh, wow-- look at this flower.

I love this place.

My, god.

He's had junk all
over the world.

[chattering]

This is where he lived?

Yeah, he lived here.

I think there were
mail bags that he

carried to Calico when he
used to ride in Death Valley.

It's the truth--
with some friends.

Honest to god.

My god.

This is haunted.

Try not to mess it up.

Oh, my goodness.

What happened?

Why is it all covered like this?

Well, after he died--

Oh, look.

Left me the place,
you know, none

of the family really cared to--

But this is good.

You have some
valuable things here.

Oh, look.

The family was supposed
to come pick his things up,

but he was such a black sheep,
they didn't want anything

to do with the old man.

He read a lot.

He's written books for
sale-- I mean five, six

books that he had published.

Really?

But they were firemen, he
was a fireman for four years.

He--
[excited chatter]

Yeah, he wrote a book about it.

Look a rocking chair.

He was nobody famous.

Ooh!

[laughter]

You don't need that?

He made that out of old hangers.

He built-- just about made
everything in the place.

And the family didn't
care to come and claim it.

You know, the place was not--

Whoopee!

Ooh!

[laughter]

You're all dirty.

How many years of dust is this?

Uh, three years of heavy dust.

That's three years,
because I haven't

been here in three years.

And what is this?

More junk.

I don't know, he-- geez, I
think it's a sledgehammer.

Give you an idea of what
kind of person he was.

Look at what's over there.

That's from the prehistoric man.

He collected all these
things, all over the world.

All over the world.

Watch yourself.

[laughter]

It's good you came in,
so we can talk about Sue,

and tell you what we
want to do for her.

She has a very
small defect, as you

can see from these photographs.

Her nose is just
a little too wide.

On the bridge, up here.

Right, just in the bridge part.

The tip is nice, and we can, I
think, refine it a little bit.

Now, tell me-- how long is
the operation going to last?

It takes about an hour
to an hour and a half

to complete the operation
and the surgery.

An hour and a half?

Yes, it takes--

And you give
compete anesthesia?

Yes, we make her completely
asleep for a short time.

And then we use a
local anesthetic.

And is it very painful
when she wakes up?

No, there's really no pain at
all following this operation.

Oh, really?

No.

Are you ready?

How you doing?

Watch your step, here.

Hello, my baby.

How are yo u?

I'm fine.

Did you sleep?

Yes, I've been asleep
the whole time, Nicole.

Does it hurt still?

I don't know.

Sweetheart.

I'm glad-- I'm glad
you came to see me.

You'll be going
away in a few days.

No more bruises.

I brought you something.

Oh, Nicole.

Oh, Nicole!

Those are beautiful!

You like it?

God, thank you.

You like red roses?

I love red roses.

And you like baby's breath?

Oh, yeah.

I love baby's breath.

Oh, good.

You're a sweetheart.

Now, tell me about the nurses.

Are they sweet to you?

Yeah, I don't really notice,
because I'm-- sleeping

all the time.

I'm tired.

You've been sleeping?

And what did they give
you for breakfast?

And there's the surprise!

Oh, Nicole!

This is very American.

Do you like the lamp?

And this one,
isn't it beautiful?

And look at all
the pots you have.

The photograph!

And look at the old coffee
maker, coffee grinder.

And this is a child's horse.

Isn't it pretty?

Oh, Nicole!

And I had the chimney
all bleached for you.

And the leather couch.

And I have also a painting
of a ship to go with it.

Isn't it lovely?

I love it.

And this couch
is very Oriental.

I thought it would
suit your personality.

And finally--

Nicole!

Look at this brass bed.

It's fantastic!

This quilt!

Yes?

The [inaudible] quilt.

Oh, my god.

Isn't it delicious?

Yeah, another horse.

Oh, I love it.

And then we have
another surprise.

My closet-- they're new.

Nicole!

But wait-- there's
something else.

Slow down a minute,
wait a minute.

Nicole?

OK, boys and
girls-- OK, you two.

[chattering]

Absolutely famished.

I'll get it, Sue.

Do you think the sun
will come out, Laslo?

[chattering]

Where is the boat?

Which one is it?

Oh, yes!

Look, Fletcher.

The one with the flag.

Come on, everyone.

Let's get going.

We're going away for
three weeks, it seems.

That's the one
down there, you see?

I want to get tan.

No, no, it's quite
the small boat.

But you'll see, it's
quite comfortable.

[chattering]

Very nice.

-Linda!
-What?

Get dressed!

[chattering]

Now, I understand I have
to take my shoes off.

Help, somebody.

Here, I'll take that.

[chattering]

What's your birthday?

Carefully, carefully, on the--

Let's go.

That's called a hatch.

Down the hatch.

Down the hatch.

[chatter]

Just wait a second.

Look at that.
-Oh, clever.

Isn't that nice?

Just everything is down.

Oh, Laslo.

Just beautiful, Laslo.

Wonderful!

Fletcher, sweetheart, will
you get me my tennis shoes?

Yes, you should put them on.

Laslo, hand me that black bag.

OK, now I show you
how it looks inside.

Fletcher, would you
help me, please?

Would you help me, opening?

Sure.

Is this the hatch, Laso?

It's pretty tight.

No, not hardly.

I would oil it a little bit.

Maybe it will--

[drumming]

[rock music playing]

[chatter]

[laughter]

Why don't you two dance?

Dance.

The dog.

I think he's a Jamaican dog.

[barking]

Shh!

[laughter]

Could I, uh--

OK, sweetheart, night-night!

Good night!

Now don't-- don't stay
up talking too late.

Good night, Sue.

Good night, I'll see
you in the morning.

I had such a nice time.

I'm glad you did.

I hope you'll sleep well.

Come on, Laslo, get going.

Night, night!

Good night, everyone!

Excuse me, excuse
me just a moment,

I have to say something.

Oh, come on now--

Sue, I didn't say good night
to you, I just remembered.

I hope you'll sleep well.

Good night, Laslo.

Coming.

Good night.

Good night.

Good night, Sue.

Good night!

Laslo, those boys of yours.

They--

What are you doing?

I'm trying-- I'm cleaning up.

You don't need to do that.

He's such a bastard, this child.

Yes, he's a bastard.

No, no, he's not a bastard.

Just roll away those blankets.

Wait, wait just a second.

Wait a second.

No, Laslo.

This is very important,
no-- believe me.

Why don't you listen to me?

It's very important,
I'm telling you.

Laslo!

Come on, I told it's important.

Laslo!

Oh, come on, now.

Oh, well.

[knocking]

Yeah, just a minute.

[knocking]

One moment, so
sorry to disturb you.

I just need something
very important.

Sorry, forgive me, I just
need-- oh, do you mind?

Just this-- I need.

Did I-- did I disturb
you or something?

No, Laslo, no.

I wanted to say good
night, I forgot before.

You know, I really want
you to be very comfortable.

Just make yourselves completely
at home-- and you, too.

And I think I better go now.

See you tomorrow.

Good night.

Good night, Laslo.

Sleep well now.

Sure, Laslo.

Nicole!

Nicole!

Nicole!

Shh!

All right, all right.

[laughter]

Yes, sir.

Don't sit there, I
haven't finished this bed.

This one is--

All I want is to
give you a nice--

Shh.

Where are your pajamas?

I haven't brought pajamas.

Oh, dear

I don't know where they are.

They took it, I think.

What do you want to do?

I don't know.

Go up?

OK.

So let's go.

Come on.

The little bitch, pretending
that she couldn't dance.

She could do it all right.

And Mr. Oldsmobile
loved it, too.

She's got no right to do that.

Dammit, she's got no right.

[sighs]

Oh, dammit.

Why do they keep the
light on so long?

It's quite obvious
what they're doing.

They'd be fools if they didn't.

I introduced him to Nicole.

She says it's for the
better of our relationship.

She wants to know who
I'm involved with.

But it's almost paranoid.

For example, you know the house?

The new house that she
bought me, Fletcher?

Sometimes-- sometimes I will
come home to this dark house,

and I immediately, see,
I jump out of my car,

and I turn-- I turn
on the garage lights.

And I go in the house, and
each room I pass there I

turn on the lights,
because there's just

something ominous--
something very,

very spooky about my own home.

It's not my own house, at all.

Or another thing-- when she
moved me into this house,

after my plastic
surgery, remember?

And, um, she'd come by before
and criticize all these things

that I'd collected.

Like, I've always collected
little objects, things that I'd

picked up from like
the beach-- driftwood,

or things that I made, or my
brother's airplanes, anything.

But she threw it
all away, and bought

me all these fancy
things, and it's not me.

I don't know, Sue.

If you're as miserable as
you say you are with her,

why don't you just pick
yourself up and go?

Leave, just like that.

It's just as easy.
-I can't.

What did you do
before you met her?

You were alone, weren't you?

Yeah.

You said she made an investment
in you-- dollars and sense.

But that's nothing.

You think anyone makes
an investment just

for someone else, selfishly?

Had a good night?

Yeah, why?

Yeah.

[boat engine humming]

Aren't you cold, Nicole?

No, I'm fine.

Here, let me grab that.

Hi, skipper.

Hi, skipper, how did you sail?

Did you have enough wind out
there to get the genny up?

None of your business.

Gee, we're really sorry
that we missed you.

I really don't care.

We can explain.

I'll tell you what
happened with us.

My wife sprained
her ankle, we had

to take her to the hospital.

I'm sorry about that,
but that's not my concern.

It was an emergency situation.

As far as Rick, I sent him
over to the marine trainer, I--

You should have been
here and you weren't.

So you are fired.

That's all I have to say.

Get off my boat.

Anyway, you can't go
sailing without the winch.

I don't want any argument.

All of you are fired.

Get off my boat.

I tell you, it will
never happen again.

No it won't, because
you won't be on my boat.

Let me explain, because
this was a mistake.

That's the end of it.

Get off my boat.

[speaking spanish]

You're 30 minutes
late, you know that?

15, dear.

30.

15-- what does it matter?

It matters.

I don't like people
who are unreliable.

Oh, because I'm 30 minutes
late, I'm unreliable?

Yes.

Last time you kept me
waiting for an hour,

I didn't say anything.

That's totally different.

I'm a woman, you're a man.

What difference does that make?

I just don't like
to be kept waiting.

To tell you the truth, I have
completely lost interest.

You can go by yourself.

All right, fine.

Then I'll go by myself.

-Yeah.
-Goodbye.

Goodbye.

Oh, Fletcher-- come on.

Jesus Christ, Nicole.

I just don't understand you.

Since the day of the boat,
you're a different person.

I can't get next to you,
I can't talk to you.

You're a bag of nerves.
What happened?

You changed, too, you know.

What's the matter.

I mean, you disappeared
for three days, then you--

I didn't disappear.

I told you I had to go away.

Am I your property,
or something?

I cannot go away for a few days?

What's so important
that you have to do?

I mean, you've
given up your job,

you've given up your apartment.

You see, that's what I mean.

You made me give up my
job and my apartment.

And you treat me
like I'm your son,

like a little pet on a leash.

Oh, so that's the
way you see it.

I haven't had to answer
questions like that

since I was 10 years old.

Well that is not
the way it happened.

You just stayed on and on, and
you just stayed on forever.

Until one morning
you just forgot

to go back to that
little pig sty of yours.

I don't need this
abuse from you.

There are plenty of
places I can go to--

Oh, yes, you do?

Where do you think
I've been for two days?

With friends of mine.

I have many friends around.

Oh, you think they're going
to put up with you forever?

And I have my apartment, I
only rented for two months.

It's still--

For two months you
sleep in a park.

And you saw my
place in Monterrey,

you loved it, remember?

That ghost house?

That ghost house.

In the middle of the forest?

Look, I won't even
bother you anymore.

Goodbye, Nicole.

Fletcher!

Fletcher!

Fletcher!

Fletcher!

Where are you going?

Come back!

Fletcher, come back!

Fletcher!

Fletcher, I didn't mean it.

Please, now come on.

I love you, please don't go!

Oh!

Fletcher!

Come on, please come back!

Don't do that to me!

Fletcher-- don't do that to me!

Don't!

I don't want you to
leave me alone, no!

Please come back!

No, please-- [sobbing]

Does Sue know about the row
that you had with Fletcher?

No, she doesn't know about it.

She was gone already.

And soon after, just immediately
after the row, Fletcher left.

He left for the airport.

He couldn't have called her.

He was already
late for his plane.

Yeah, but he could've stopped
on the road and called her.

I don't see how.

Or is there any chance that
Sue will go up to the house?

Why the hell would
she go to the house?

Nicole, you and I both
know why he would do that.

Well, I'll tell you
one thing-- she's not

going to go to the house,
because I'm going to be

keeping her company all night.

I'm going to stay
with the little bitch,

and I'm going to be nice to
her, and I'm going to take her

to the beach the next morning.

That's why.

So now way, no way
she can be there.

All right, Nicole.

I-- I still don't like it.

You've got a very
nice little alibi,

you know where that leaves me?

No alibi at all.

You're fine, you're fine.

I don't like it.

I don't like it, not a bit.

Come on Duke, let's go.

I'll let you out,
just one second.

Wait, Duke, wait.

There you are.

Good boy.

Don't run away too far.

Susie!

Sue?

Susie?

Oh dear, we loved each other.

"The Cloud Comes to Quibbletown.

The cloud will come,
as soon as it starts,

on a hot incoming day.

No one will see it coming,
because it will be shapeless,

mild-looking, just a
gray film in the sky.

Muggy day, people will say.

It's not the heat,
it's the humidity."

[screaming]

[barking]

Susie!

Nicole!

Nicole!

Stop it!

Duke!

Duke!

Get off!

[moaning]

Stop it!

Oh, my god!

Oh, no!

Stop it, Duke!

[barking]

Stop it!
Stop it!

Duke!

He's gone crazy.

Got to go back.

Got to go back.

Oh, Christ.

Dammit, what am I doing?

I've got to think-- I'm
going to have an accident.

No, that won't stop--
won't stop a mistake.

I blew it.

Goddamn alibi.

Now Malcolm is going up there.

Oh, if only they
had a telephone.

Lady?

Are you all right?

Can I help you?

Oh, she is crazy.

God, that town
is full of freaks.

Now, what was I going to do?

I've got to get
the map, I've got

to change clothes-- oh my god,
I'll never get there on time.

It's midnight already.

Oh, Christ-- got to
get the other car.

Other car.

Oh, god, I hope
nobody recognizes me.

No, they're all asleep.

It's-- it's OK.

Hey babe, what's going on?

Aren't I coming with ya?

Take your hands out.

Get away from me!

Ah, come on.

Let me in, let's go for a ride.

Get out!

Let me in the car.

[yelling]

I've got to hurry.

Oh, if I get through
tonight, I swear

I'll get rid of this bungalow.

Damn key.

Oh, this car won't go.

God, I'm tired.

Oh, this traffic.

Oh, this is what I would
get-- all the red lights.

All the red lights.

What are we, rats?

Red light, stop.

Green light, go.

There we go, go.

Get out of my way.

Sop kissing, you fools.

I want to stop someone.

Keep calm-- maybe Malcolm
won't get there on time,

maybe he'll have
changed his mind.

That's right.

No, he won't.

I know him.

He just carries out,
he just carries out.

He just does it all, he
just gets there on time.

Well maybe he will
have changed his mind.

He wasn't sure.

That's right, maybe
he won't have done it.

Maybe he won't
get there on time.

Maybe he'll have
a tire blow out.

Maybe-- maybe he'll be hungry,
maybe he'll stop somewhere.

Maybe-- maybe he'll need
to pee, maybe who knows?

Maybe need to sleep,
maybe-- I don't know.

[honking]

Anybody here?

Anybody in this place.

Hey?

Hey!

Yes, ma'am, can I help you?

Hi, can you fill it up?
Medium.

Sure will.

Thank you.

God, he's telephoning
right now, I bet he is.

I bet he is.

Those detectives,
that's all they need.

An extra clue.

Oh, god-- what an idiot I am.

I blew it.

I know, that's all he
needed, that detective.

The fat one, yeah.

That's all he needed,
just a few more clues.

God-- I should have
gone back for Sue,

I should have gone
back and looked.

Oh, god, what an idiot I am.

All they needed was
just those clues--

all they needed was just--

I know that crazy
old lady called them.

I know she did.

Oh, god-- my faith.

They're going to report me,
they're going to describe me.

I know it.

They're going to describe me.

What should I do?

Maybe I can bleach my hair.

Oh, what's the mater with me?

I'm just having nightmares.

I haven't slept,
that's what it is.

Fletcher?

Fletcher!

Fletcher, my darling,
where are you?

Fletcher!

[screaming]

Malcolm, Malcolm!

Malcolm, stop!

Malcolm, stop!

Where are you?

Malcolm, answer me, Malcolm!

Oh, Fletcher, where are you?

Fletcher!

Fletcher!

Malcolm!

Malcolm, no, don't!

Malcolm, don't!

Malcolm!

No, oh, my god.

Oh!

What did you do?

I did what the hell you asked!

Why did you do that?

Will you shut up
for Christ's sake!

You monster!

Nicole-- what the hell do you
think you're-- get off of him!

For Christ's sake!

Get away from me!

Oh, sweetheart, please.

Please answer me.

Don't look at me like that.

Oh, darling, he didn't
mean to hurt you.

My baby, my sweetheart, he
didn't mean to hurt you.

Oh, please don't
look at me like that.

Oh, my sweetheart,
everything will be all right.

Please don't look
at me like that.

It will be all right,
I swear to you.

Come on now, wake up.

Come with me, let's go home.

We want to go home,
do you hear me?

[choral music]