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1
00:00:14,748 --> 00:00:18,218
"I DO NOT SUCK THEM
THROUGH A STRAW,
2
00:00:18,251 --> 00:00:20,554
I DO NOT CRACK THEM
WITH MY JAW."
3
00:00:20,587 --> 00:00:22,222
IS DADDY MAKING THAT UP?
4
00:00:22,255 --> 00:00:25,025
"I DO NOT PACK THEM
IN MY BACK
5
00:00:25,058 --> 00:00:27,060
OR TAKE THEM OUT
FOR A MIDNIGHT SNACK."
6
00:00:27,093 --> 00:00:29,830
I WANT A SNACK
AND ORANGE JUICE. A LITTLE LATER, THEO.
7
00:00:29,863 --> 00:00:31,264
MORNING.
8
00:00:33,066 --> 00:00:34,668
HOW�S IT GOING?
9
00:00:34,701 --> 00:00:36,703
HOW YOU DOING, THEO?
10
00:00:36,737 --> 00:00:38,104
I�M WAITING FOR MY TEST.
11
00:00:38,138 --> 00:00:40,040
WELL, YEAH, HUH? HI.
12
00:00:40,073 --> 00:00:42,042
HI, DANNY. SIT DOWN.
13
00:00:42,075 --> 00:00:44,545
OH, "GREEN EGGS
AND HAM," HUH?
14
00:00:44,578 --> 00:00:48,214
I USED TO READ THAT
TILL I WAS CROSS?EYED.
15
00:00:48,248 --> 00:00:50,450
I�D READ THAT
TO MY SISTERS. GET ME A WATER.
16
00:00:50,483 --> 00:00:52,418
DON�T.
HE CAN�T HAVE THAT.
17
00:00:52,452 --> 00:00:55,889
WHAT�S UP AFTER, THOUGH,
THEO ?? ICE CREAM?
18
00:00:55,922 --> 00:00:59,392
THEY GOT ICICLE POPS
IN THE BALD ROOM.
19
00:00:59,425 --> 00:01:01,895
THEY�VE GOT FISH,
THEO, RIGHT?
20
00:01:01,928 --> 00:01:04,130
ANYWAYS,
A COUPLE HOURS NOW, HUH?
21
00:01:04,164 --> 00:01:06,232
MAKE YOU COME AND SIT.
22
00:01:06,266 --> 00:01:08,902
BRING YOU ANYTHING,
A SNACK FROM OUTSIDE?
23
00:01:08,935 --> 00:01:10,804
Andy: NO, THANKS.
24
00:01:10,837 --> 00:01:13,139
WELL, I�M GOING
TO GET TO WORK.
25
00:01:13,173 --> 00:01:16,743
HOW�S ?? HOW�S THAT
OTHER SITUATION?
26
00:01:16,777 --> 00:01:18,211
FEELS BAD, YOU KNOW.
27
00:01:18,244 --> 00:01:19,880
WORSE?
28
00:01:19,913 --> 00:01:21,882
LIKE THAT�S COMING.
29
00:01:21,915 --> 00:01:25,586
ANYWAYS,
THANKS FOR STOPPING.
30
00:01:28,254 --> 00:01:31,224
HAVE A GOOD TEST, THEO.
31
00:01:31,257 --> 00:01:32,559
GOD BLESS.
32
00:01:32,593 --> 00:01:33,894
GOD BLESS.
33
00:01:33,927 --> 00:01:35,295
GOOD TO SEE YOU.
34
00:01:35,328 --> 00:01:37,430
YOU TOO, DANNY.
35
00:01:37,463 --> 00:01:39,833
THE ELEVATOR�S OPENING.
YOU BETTER HURRY.
36
00:01:39,866 --> 00:01:42,268
ALL RIGHT, THEN.
37
00:01:56,016 --> 00:01:57,684
WHAT�S THE MATTER?
38
00:01:57,718 --> 00:02:01,988
HE MAKES ME SEE
ANDY JR.
39
00:03:40,420 --> 00:03:42,388
DID YOU HEAR ANYTHING
FROM THE HOSPITAL?
40
00:03:42,422 --> 00:03:44,925
UH, DANNY
WAS GOING TO STOP
41
00:03:44,958 --> 00:03:46,693
ON HIS WAY IN.
42
00:03:46,727 --> 00:03:48,595
WHAT�S THIS ALL ABOUT?
43
00:03:48,629 --> 00:03:51,565
I�D LIKE YOU TO TALK
ABOUT YOUR PARTNER�S PROBLEM.
44
00:03:51,598 --> 00:03:53,567
JILL?
45
00:03:53,600 --> 00:03:56,036
THE PARTNER THAT
WHEN SHE�S WORKING,
46
00:03:56,069 --> 00:03:57,704
SHE�S NOT HERE ANYWAY,
47
00:03:57,738 --> 00:03:59,806
AND HALF THE TIME
SHE�S NOT HERE.
48
00:03:59,840 --> 00:04:02,142
IF THAT�S
WHAT YOU�VE NOTICED,
49
00:04:02,175 --> 00:04:04,444
I ASSUME
SOMETHING PERSONAL.
50
00:04:04,477 --> 00:04:06,647
GUESSING.
YEAH.
51
00:04:06,680 --> 00:04:08,448
YEAH, OKAY.
52
00:04:08,481 --> 00:04:12,819
YEAH, WELL, I�M TAKING HER
OFF THE CHART.
53
00:04:12,853 --> 00:04:15,455
YOU KNOW, DO YOU FEEL
THAT�S NECESSARY?
54
00:04:15,488 --> 00:04:18,058
ABSOLUTELY, IF HER WORK
IS UNSATISFACTORY
55
00:04:18,091 --> 00:04:20,794
AND HER PARTNER
IS NOT FORTHCOMING.
56
00:04:20,827 --> 00:04:22,896
BOSS, WHY WOULDN�T I
BE FORTHCOMING?
57
00:04:22,929 --> 00:04:24,565
THERE YOU GO.
58
00:04:24,598 --> 00:04:28,101
I MEAN, DO YOU THINK
I WOULDN�T WANT
59
00:04:28,134 --> 00:04:29,903
TO BE FORTHCOMING?
60
00:04:29,936 --> 00:04:33,006
IF YOU WANTED TO, DIANE,
WHY WOULDN�T YOU BE?
61
00:04:33,039 --> 00:04:34,307
OKAY? ALL RIGHT?
62
00:04:34,340 --> 00:04:37,177
IF SHE�S IN TROUBLE,
TELL ME HOW.
63
00:04:37,210 --> 00:04:40,146
WOULD YOU WANT THAT
IN EVERY SINGLE SITUATION,
64
00:04:40,180 --> 00:04:42,015
OR CAN YOU THINK
OF A SITUATION
65
00:04:42,048 --> 00:04:44,350
WHERE YOU WOULDN�T
WANT THAT TOLD?
66
00:04:44,384 --> 00:04:46,452
THE JOB KNOWS, DIANE.
67
00:04:49,690 --> 00:04:51,658
THE JOB KNOWS?
68
00:04:51,692 --> 00:04:52,693
WHAT?
69
00:04:52,726 --> 00:04:55,461
I�M TAKING IT
YOU WERE FORTHCOMING
70
00:04:55,495 --> 00:04:58,665
AND YOU WEREN�T CONCEALING
OR COMPLICIT.
71
00:04:58,699 --> 00:05:00,433
THAT�S HOW I�M GOING
TO WRITE UP OUR TALK.
72
00:05:00,466 --> 00:05:02,703
YOU TELL ME
WHAT THE JOB KNOWS.
73
00:05:02,736 --> 00:05:04,204
WOULD YOU WANT THAT, DIANE,
74
00:05:04,237 --> 00:05:06,072
IN EVERY SINGLE SITUATION?
75
00:05:08,709 --> 00:05:12,412
NOW YOU NEED
TO GET OUT OF THE WAY.
76
00:05:22,055 --> 00:05:23,790
MORNING, JILL.
77
00:05:23,824 --> 00:05:26,226
MORNING. FINGERS CROSSED
FOR THEO.
78
00:05:26,259 --> 00:05:29,229
YEP, FINGERS CROSSED.
79
00:05:33,066 --> 00:05:34,334
HEY, DIANE.
80
00:05:34,367 --> 00:05:35,802
HOW�S THEO?
81
00:05:35,836 --> 00:05:38,004
THEY�RE TAKING SOME
OF THE LITTLE GUY�S BONE MARROW
82
00:05:38,038 --> 00:05:39,573
TO MAKE THEIR DIAGNOSIS.
83
00:05:39,606 --> 00:05:41,174
WHEN?
11:00, ANDY SAID.
84
00:05:41,207 --> 00:05:43,877
THEO LOOKS GOOD,
I�LL TELL YOU THAT MUCH ??
85
00:05:43,910 --> 00:05:46,513
HIS ENERGY AND SO FORTH.
HE�S PALE.
86
00:05:46,547 --> 00:05:47,881
HOW LONG DOES IT TAKE?
87
00:05:47,914 --> 00:05:49,683
THE PROCEDURE?
I DON�T KNOW.
88
00:05:49,716 --> 00:05:51,685
THEY PUT A NEEDLE
IN HIS HIP,
89
00:05:51,718 --> 00:05:53,720
AND THAT GIVES THEM
WHAT THEY NEED.
90
00:05:53,754 --> 00:05:55,021
HOLLOW NEEDLE.
91
00:05:55,055 --> 00:05:56,723
SO ANDY�S
GOING TO BE WITH HIM.
92
00:05:56,757 --> 00:05:58,158
AND KATIE.
93
00:05:58,191 --> 00:05:59,359
GOOD.
94
00:05:59,392 --> 00:06:01,394
YEAH, THEY�LL BE
RIGHT BY HIS SIDE.
95
00:06:01,427 --> 00:06:03,564
SOMEONE SHOULD BE
IN THE CAFETERIA
96
00:06:03,597 --> 00:06:05,165
ONCE THEY DO THE TEST,
97
00:06:05,198 --> 00:06:07,167
IF ANDY NEEDS
TO WALK AWAY A MINUTE.
98
00:06:07,200 --> 00:06:08,769
I GOT THAT, ABSOLUTELY,
99
00:06:08,802 --> 00:06:12,338
TILL THEY FIND OUT
WHAT�S WHAT.
100
00:06:12,372 --> 00:06:13,907
AND IT�S NOT A CAFETERIA,
IT�S MORE LIKE A FOOD AREA.
101
00:06:18,044 --> 00:06:19,613
WHY�D HE HAVE YOU IN?
102
00:06:22,048 --> 00:06:24,685
THE JOB�S SITTING
ON DON AND DENBY...
103
00:06:24,718 --> 00:06:26,019
AND JILL.
104
00:06:26,052 --> 00:06:28,221
MORNING.
105
00:06:28,254 --> 00:06:30,356
HI, GREG.
106
00:06:30,390 --> 00:06:31,892
HI, GREG.
107
00:06:31,925 --> 00:06:34,227
WERE YOU AT THE HOSPITAL?
108
00:06:34,260 --> 00:06:36,262
YEAH. THE LITTLE GUY
LOOKED GOOD.
109
00:06:36,296 --> 00:06:38,264
HE WAS BOUNCING AROUND.
110
00:06:39,933 --> 00:06:41,935
WHEN ARE THEY GOING
TO DO THAT TEST?
111
00:06:41,968 --> 00:06:44,404
11:00 THEY�RE GOING
TO DO IT.
112
00:06:44,437 --> 00:06:47,908
YEAH, DANNY SAID 11:00.
113
00:06:49,610 --> 00:06:53,225
ANYWAYS, I DON�T MEAN
TO INTERRUPT.
114
00:06:53,316 --> 00:06:55,198
I�LL, UH,
HAVE A GOOD THOUGHT.
115
00:07:04,825 --> 00:07:08,261
THE BOSS TOLD YOU
THE JOB WAS MOVING ON THEM?
116
00:07:08,294 --> 00:07:10,496
SAID HE WAS PUTTING IT
ON PAPER
117
00:07:10,531 --> 00:07:12,165
I WASN�T CONCEALING
OR COMPLICIT
118
00:07:12,198 --> 00:07:13,567
WHEN HE ASKED ME
ABOUT JILL�S BEHAVIOR.
119
00:07:13,600 --> 00:07:16,269
THAT�S A HEADS?UP
TO GET OUT OF THE WAY.
120
00:07:16,302 --> 00:07:20,240
THEY�RE NOT ON HER
WITHOUT DON AND DENBY, TOO.
121
00:07:20,273 --> 00:07:21,474
HOW�S IT GOING?
122
00:07:21,508 --> 00:07:23,443
MORNING.
MORNING, DIANE.
123
00:07:23,476 --> 00:07:24,444
HI, BALDWIN.
124
00:07:28,549 --> 00:07:30,116
HEY, PARTNER.
125
00:07:30,150 --> 00:07:31,852
HEY, BALDWIN,
BE CAREFUL.
126
00:07:31,885 --> 00:07:34,087
THAT WAS
A PRETTY OPEN STATEMENT.
127
00:07:34,120 --> 00:07:36,489
YOU DON�T WANT TO SAY
NOTHING IN THIS SQUAD
128
00:07:36,523 --> 00:07:38,458
THAT SOMEONE DON�T
HAVE TO WORK ON
129
00:07:38,491 --> 00:07:40,460
WITH A SECRET DECODER RING.
130
00:07:45,398 --> 00:07:47,200
YOU DO WHAT THE BOSS SAID?
131
00:07:47,233 --> 00:07:50,003
GET OUT OF THE WAY?
DID JILL HAVE THAT CHOICE?
132
00:07:50,036 --> 00:07:52,338
I WASN�T THERE
WHEN DON SHOWED UP AGAIN.
133
00:07:52,372 --> 00:07:54,541
I DON�T KNOW
HOW HE GOT OVER.
134
00:07:54,575 --> 00:07:57,878
AND NEITHER OF US
HAS KIDS, DO WE?
135
00:07:57,911 --> 00:08:00,113
OR WHAT DON SAID
MIGHT HAPPEN.
136
00:08:00,146 --> 00:08:02,215
DIANE, TELL ME THE PLAY,
I�M DOWN.
137
00:08:02,248 --> 00:08:03,283
[ CRASH ]
138
00:08:03,316 --> 00:08:05,151
Greg: SON OF A BITCH!
139
00:08:05,185 --> 00:08:09,790
DOOR CAME OFF ITS HINGES.
I FELL ON MY BUTT!
140
00:08:09,823 --> 00:08:12,158
LEAVE ME ALONE.
141
00:08:25,506 --> 00:08:27,273
AAH!
142
00:08:31,912 --> 00:08:34,915
"IN THE DARK?
HERE IN THE DARK.
143
00:08:34,948 --> 00:08:37,718
WOULD YOU, COULD YOU
IN THE DARK?"
144
00:08:37,751 --> 00:08:40,587
THEO, LET�S GO PUT ON
SOME CIRCUS PAJAMAS.
145
00:08:40,621 --> 00:08:42,923
GIVE ME A SECRET ICE POP.
146
00:08:42,956 --> 00:08:44,558
AFTER YOUR TEST, SON.
147
00:08:44,591 --> 00:08:46,727
AFTERWARDS, YOU CAN HAVE
ICE POPS.
148
00:08:46,760 --> 00:08:49,596
CAN I COME WITH THEO
TILL HIS JAMMIES ARE ON?
149
00:08:49,630 --> 00:08:50,597
YOU BET.
150
00:08:50,631 --> 00:08:52,265
LET�S GO.
151
00:08:52,298 --> 00:08:53,600
OH, BOY.
152
00:08:53,634 --> 00:08:55,168
COME ON, DADDY.
153
00:08:55,201 --> 00:08:56,703
OKAY.
154
00:08:56,737 --> 00:08:59,472
HERE I COME, TOO.
155
00:09:15,255 --> 00:09:17,357
DIANE,
156
00:09:17,390 --> 00:09:18,892
BOSS TELLS YOU
TO GET OUT OF THE WAY,
157
00:09:18,925 --> 00:09:20,761
HE KNOWS
WHO HE�S TALKING TO.
158
00:09:20,794 --> 00:09:23,196
HE THINKS I WILL
GIVE JILL A HEADS?UP?
159
00:09:23,229 --> 00:09:25,532
YOU DO, I DON�T THINK
HE�D TEAR HIS HAIR,
160
00:09:25,566 --> 00:09:26,900
IF HE HAD ENOUGH.
161
00:09:32,573 --> 00:09:35,341
I�M GOING IN FIVE MINUTES
TO BE WITH ANDY.
162
00:09:44,918 --> 00:09:46,920
HOW ABOUT IF WE TALK?
163
00:09:46,953 --> 00:09:49,489
THAT SOUNDS LIKE
I�M A SKEL, DIANE.
164
00:09:49,523 --> 00:09:51,057
AM I A COLLAR?
165
00:09:51,091 --> 00:09:52,693
YEAH. HO HO HO.
166
00:10:04,137 --> 00:10:06,272
WHAT�S GOING ON?
167
00:10:06,306 --> 00:10:08,074
AS FAR AS WHAT, DIANE?
168
00:10:08,108 --> 00:10:09,910
AS FAR AS WHAT YOU�RE DOING
169
00:10:09,943 --> 00:10:12,579
WITH YOUR LIFE AND EVERYBODY
WHO CARES ABOUT YOU!
170
00:10:12,613 --> 00:10:14,615
MAYBE IF THEY MINDED
THEIR OWN BUSINESS,
171
00:10:14,648 --> 00:10:16,249
THEY�D BE FEELING BETTER!
172
00:10:16,282 --> 00:10:18,685
�CAUSE YOU NEVER REACHED OUT
TO ME, RIGHT, JILL?
173
00:10:18,719 --> 00:10:21,588
YOU NEVER HELPED ME GET THROUGH
WHEN IT WAS BAD, RIGHT?
174
00:10:21,622 --> 00:10:22,656
CALL US EVEN.
175
00:10:22,689 --> 00:10:24,991
YOU�RE GOING TO LOSE
EVERYTHING.
176
00:10:25,025 --> 00:10:27,694
NO, I�VE GOT
WHAT I NEED.
177
00:10:27,728 --> 00:10:29,362
EVERYTHING.
IT�S ABOUT TO HAPPEN.
178
00:10:29,395 --> 00:10:31,331
SAYS WHO?
179
00:10:31,364 --> 00:10:32,566
NEVER MIND WHO.
180
00:10:35,068 --> 00:10:36,937
WHAT DO YOU MEAN "NOW"?
181
00:10:36,970 --> 00:10:39,205
I DON�T HAVE ANY TIME
AT ALL?
182
00:10:39,239 --> 00:10:40,306
OH, JILL.
183
00:10:40,340 --> 00:10:42,876
YOU BROUGHT ME IN HERE.
184
00:10:42,909 --> 00:10:44,945
TELL ME WHAT YOU MEAN.
185
00:10:44,978 --> 00:10:48,014
NO TIME.
186
00:10:48,048 --> 00:10:51,718
NO ?? NO TIME AT ALL,
NOT EVEN A DAY.
187
00:10:54,420 --> 00:10:55,789
OKAY.
188
00:10:55,822 --> 00:10:57,924
YEAH.
189
00:11:03,063 --> 00:11:04,865
OKAY, THANKS.
190
00:11:04,898 --> 00:11:07,033
YEAH, SURE.
191
00:11:31,224 --> 00:11:32,959
John: LOST TIME?
YEAH.
192
00:11:45,205 --> 00:11:48,208
ANYWAYS, I�M GOING
TO THE HOSPITAL.
193
00:11:48,241 --> 00:11:49,375
LOVE TO ANDY.
194
00:11:49,409 --> 00:11:51,377
BEST TO ANDY.
195
00:11:51,411 --> 00:11:52,646
OKAY, GREG.
196
00:11:54,414 --> 00:11:55,849
LOST TIME.
197
00:11:55,882 --> 00:11:57,217
UH, DETECTIVE,
198
00:11:57,250 --> 00:12:00,053
COULD YOU GIVE
THIS LITTLE BEAR TO THEO?
199
00:13:03,784 --> 00:13:06,853
HOW�S THE FOOT?
200
00:13:06,887 --> 00:13:10,791
I USED TO KEEP AN OPEN?TOED
PAIR OF SLIPPERS IN HERE
201
00:13:10,824 --> 00:13:13,459
FROM WHEN MARIE AND ME
FIRST SEPARATED
202
00:13:13,493 --> 00:13:14,494
AND I WAS LIVING
IN THE CRIB,
203
00:13:14,528 --> 00:13:16,362
BUT NOW, OF COURSE,
I DON�T FIND THEM.
204
00:13:16,396 --> 00:13:19,866
YOU�RE NOT GOING TO MAKE ME
FIND A NEW PARTNER?
205
00:13:19,900 --> 00:13:21,868
TO TELL YOU
THE TRUTH, D.,
206
00:13:21,902 --> 00:13:23,537
SOMETIMES I GET SO HURT
207
00:13:23,570 --> 00:13:25,438
THAT THAT�S NOT
BEYOND THE REALM,
208
00:13:25,471 --> 00:13:28,875
FROM THE LEVEL OF EXCLUSION
I PERIODICALLY FEEL
209
00:13:28,909 --> 00:13:32,312
FROM THE GOINGS?ON
OF THIS SQUAD, 100% CANDID,
210
00:13:32,345 --> 00:13:35,949
THAT I�VE BEEN EXPERIENCING
THE LAST SEVERAL DAYS.
211
00:13:35,982 --> 00:13:39,185
THIS, THE REFRIGERATOR DOOR
FALLING ON MY FOOT,
212
00:13:39,219 --> 00:13:41,988
THAT I REGARD
AS THE APPLIANCES
213
00:13:42,022 --> 00:13:44,725
ON THIS FLOOR
FALLING IN STEP
214
00:13:44,758 --> 00:13:46,660
WITH THE PEOPLE INSIDE,
215
00:13:46,693 --> 00:13:48,328
SUPPOSED TO BE
MY COLLEAGUES.
216
00:13:50,531 --> 00:13:52,699
PRESENT COMPANY EXCEPTED.
217
00:13:52,733 --> 00:13:55,235
I�M GLAD YOU SAID THAT.
218
00:13:57,037 --> 00:13:59,005
NO ONE ASKED,
DO I WANT
219
00:13:59,039 --> 00:14:00,206
TO DROP BY THE HOSPITAL
OR SO FORTH,
220
00:14:00,240 --> 00:14:01,842
KEEP COMPANY WITH ANDY,
221
00:14:01,875 --> 00:14:03,744
SEE HOW
THE LITTLE GUY�S DOING?
222
00:14:03,777 --> 00:14:05,311
THE LAST COUPLE OF DAYS,
223
00:14:05,345 --> 00:14:07,147
PEOPLE RUNNING
FROM DESK TO DESK
224
00:14:07,180 --> 00:14:08,849
LIKE IT�S A RELAY RACE,
225
00:14:08,882 --> 00:14:12,152
CONFIDING IN EACH OTHER
OVER SOMETHING INVOLVING JILL.
226
00:14:12,185 --> 00:14:14,521
EVEN THAT LOST TIME
YOU TOOK THE OTHER DAY
227
00:14:14,555 --> 00:14:16,657
IT SEEMED TO ME
COULD HAVE
228
00:14:16,690 --> 00:14:19,025
POSSIBLY BEEN PERTINENT
TO THAT
229
00:14:19,059 --> 00:14:21,662
WHERE YOU COME BACK,
CONFIDE IN RUSSELL.
230
00:14:21,695 --> 00:14:23,664
BELIEVE ME, GREG,
WHEN I CAME BACK,
231
00:14:23,697 --> 00:14:25,566
I DIDN�T KNOW NO MORE
ABOUT WHAT DIANE
232
00:14:25,599 --> 00:14:28,034
SENT ME OUT TO DO
THAN WHEN I LEFT.
233
00:14:28,068 --> 00:14:30,837
I GAVE DIANE A COUPLE
OF CHANCES TO TELL ME.
234
00:14:30,871 --> 00:14:34,207
SO YOU DIDN�T GET TAKEN
INSIDE THE INNER CIRCLE, EITHER.
235
00:14:34,240 --> 00:14:37,010
TO TELL YOU THE TRUTH,
236
00:14:37,043 --> 00:14:39,112
I�VE HAD THAT FEELING
ONCE OR TWICE
237
00:14:39,145 --> 00:14:40,681
IN MY LIFE BEFORE.
238
00:14:40,714 --> 00:14:42,215
REALLY?
239
00:14:42,248 --> 00:14:43,383
REALLY.
240
00:14:44,417 --> 00:14:45,919
ANYWAYS, ESSENTIALLY,
241
00:14:45,952 --> 00:14:48,889
PRESENT COMPANY EXCLUDED,
LIKE I SAID.
242
00:14:48,922 --> 00:14:51,024
PLUS, IT�S NOT LIKE
I DON�T REALIZE
243
00:14:51,057 --> 00:14:53,560
PEOPLE GOT OTHER THINGS
ON THEIR MINDS
244
00:14:53,594 --> 00:14:55,228
PAST NOT STEPPING
ON MY TOES.
245
00:14:55,261 --> 00:14:56,797
IF I WAS OTHER PEOPLE
246
00:14:56,830 --> 00:14:58,264
AND I DIDN�T WANT
A PUNCH IN THE FACE,
247
00:14:58,298 --> 00:15:00,433
I THINK THE NEXT FEW DAYS
I�D BE PRETTY CAREFUL
248
00:15:00,466 --> 00:15:02,736
NOT STEPPING
ON THAT ONE SET OF TOES.
249
00:15:02,769 --> 00:15:06,206
MY RIGHT SET, YEAH.
250
00:15:06,239 --> 00:15:10,243
HEY, IF I COULDN�T BE
NO HELP TO JILL,
251
00:15:10,276 --> 00:15:13,547
ANDY�S LITTLE GUY�S
ALL RIGHT,
252
00:15:13,580 --> 00:15:16,216
FORGET I EVER
MENTIONED NOTHING.
253
00:15:16,249 --> 00:15:18,952
THAT NICOLE ??
254
00:15:18,985 --> 00:15:20,954
DIDN�T WORK OUT WITH HER.
255
00:15:20,987 --> 00:15:23,824
I�M CONFIDING THAT.
256
00:15:23,857 --> 00:15:25,491
ALL RIGHT.
257
00:15:25,526 --> 00:15:28,161
WE GOT OUR OWN
INNER CIRCLE GOING.
258
00:15:28,194 --> 00:15:29,395
POINT TAKEN.
259
00:15:29,429 --> 00:15:32,065
Diane: OKAY.
260
00:15:32,098 --> 00:15:34,568
OKAY, DENBY.
261
00:15:34,601 --> 00:15:36,436
I WILL MEET YOU.
262
00:15:54,454 --> 00:15:55,722
HI, ANDY.
263
00:16:00,060 --> 00:16:02,963
HOW�S OUR BOY DOING?
264
00:16:02,996 --> 00:16:05,098
HE TOOK IT GOOD,
THE DOC SAID.
265
00:16:05,131 --> 00:16:07,467
GOOD FOR THEO.
266
00:16:07,500 --> 00:16:10,704
GOING TO HAVE DISCOMFORT
WHEN THE ANESTHETIC WEARS OFF.
267
00:16:10,737 --> 00:16:12,773
YEAH, I GUESS THAT�S
TO BE EXPECTED.
268
00:16:12,806 --> 00:16:14,440
YEAH, THAT�S WHAT SHE SAID.
269
00:16:14,474 --> 00:16:16,977
SHE�S HOLDING HIS HAND THERE
IN THE RECOVERY ROOM.
270
00:16:17,010 --> 00:16:18,812
THE DOC�S WITH HIM?
271
00:16:18,845 --> 00:16:21,815
NO, KATIE.
272
00:16:21,848 --> 00:16:24,317
ANYTHING HAPPEN?
273
00:16:24,350 --> 00:16:25,786
THE JOB KNOWS.
274
00:16:25,819 --> 00:16:29,055
THE BOSS TOLD DIANE,
"GET OUT OF THE WAY."
275
00:16:29,089 --> 00:16:31,725
DON�T READ HUMAN NATURE
VERY GOOD, FANCY,
276
00:16:31,758 --> 00:16:34,695
IF HE THINKS DIANE�S
GETTING OUT OF THE WAY.
277
00:16:34,728 --> 00:16:36,196
MAYBE.
278
00:16:36,229 --> 00:16:37,864
SAYING HE TOLD DIANE,
279
00:16:37,898 --> 00:16:40,366
EXPECTING HER TO GIVE JILL
THE HEADS?UP?
280
00:16:40,400 --> 00:16:42,202
DIANE THINKS JILL�S
GOING TO BOOK.
281
00:16:42,235 --> 00:16:44,370
SHE DON�T RUN
WITH THESE ASSHOLES.
282
00:16:44,404 --> 00:16:46,372
SHE DON�T JEOPARDIZE
HER KIDS.
283
00:16:46,406 --> 00:16:47,974
YOU WOULDN�T THINK SO,
284
00:16:48,008 --> 00:16:50,376
UNLESS HER AND THE KIDS
ARE UNDER DURESS.
285
00:16:50,410 --> 00:16:52,345
WHICH IS POSSIBLE?
286
00:16:54,681 --> 00:16:57,417
SUPPOSE A GUY NEEDED
TO DISAPPEAR
287
00:16:57,450 --> 00:16:59,586
SO THE WORLD�S
A BETTER PLACE.
288
00:17:02,122 --> 00:17:04,090
THAT�S SOMETHING
COMPLETELY PRIVATE.
289
00:17:04,124 --> 00:17:05,759
ABSOLUTELY.
290
00:17:05,792 --> 00:17:07,460
ASKING ABOUT MECHANICS.
291
00:17:14,067 --> 00:17:17,838
BODIES IN DUMPSTERS
GET RECOVERED.
292
00:17:17,871 --> 00:17:20,741
BODIES IN WATER,
ANY KIND OF WEIGHTS,
293
00:17:20,774 --> 00:17:22,609
CAN STILL POP UP.
294
00:17:22,643 --> 00:17:24,410
A BODY 6 FEET DOWN,
295
00:17:24,444 --> 00:17:27,247
NO ANIMAL GETS THE SCENT.
296
00:17:29,282 --> 00:17:32,285
IN BROOKLYN,
297
00:17:32,318 --> 00:17:34,855
OFF FLATLANDS
AND PENNSYLVANIA AVENUES,
298
00:17:34,888 --> 00:17:36,957
USED TO BE A LANDFILL.
299
00:17:36,990 --> 00:17:40,293
THEY TURNED IT INTO
A WILDLIFE REFUGE NOW.
300
00:17:40,326 --> 00:17:42,228
GOT REAL SANDY SOIL,
301
00:17:42,262 --> 00:17:44,297
NO ROOTS OR ROCKS.
302
00:17:44,330 --> 00:17:45,732
EASY DIGGING.
303
00:17:45,766 --> 00:17:49,235
THE HOLE WOULD GET DUG
WITHOUT THE BODY AROUND
304
00:17:49,269 --> 00:17:51,271
SO WHEN THE BODY GOT THERE,
305
00:17:51,304 --> 00:17:54,240
IT�S JUST A FEW MINUTES
TO FILL THE HOLE.
306
00:17:54,274 --> 00:17:57,544
AND THEN THE LEAVES AND TWIGS
WOULD NEED TO GET SCATTERED,
307
00:17:57,578 --> 00:17:59,279
COVER THE DIGGING.
308
00:18:06,419 --> 00:18:10,557
AND A DECENT PERSON
WHO DID ALL THAT,
309
00:18:10,591 --> 00:18:13,426
HIS LIFE
WOULD NEVER BE THE SAME.
310
00:18:14,928 --> 00:18:16,897
I DON�T WANT IT
TO HAPPEN, ANDY.
311
00:18:16,930 --> 00:18:18,899
I�M TRYING
TO STEER AWAY FROM IT.
312
00:18:18,932 --> 00:18:22,302
YOU DON�T WANT
YOUR PANTS DOWN IF IT DOES.
313
00:18:29,943 --> 00:18:33,647
ANY IDEA WHEN YOU�LL HEAR?
314
00:18:33,680 --> 00:18:37,317
NO, THEY SAID A FEW HOURS.
315
00:18:37,350 --> 00:18:41,054
THEY SAID NEVER RUSH
A PATHOLOGIST.
316
00:18:44,124 --> 00:18:46,560
ALL RIGHT.
317
00:18:59,005 --> 00:19:01,908
[ COUGHING ]
318
00:19:13,353 --> 00:19:18,458
I�M DEVELOPING
MY LEISURE SKILLS.
319
00:19:18,491 --> 00:19:20,326
YOU FIND
THIS RENDEZVOUS BRAZEN
320
00:19:20,360 --> 00:19:21,528
GIVEN THE POSSIBILITY
WE�RE BEING WATCHED?
321
00:19:21,562 --> 00:19:23,329
NOT FOR YOU.
322
00:19:23,363 --> 00:19:24,898
I BOUGHT THIS CHECKER SET
323
00:19:24,931 --> 00:19:26,800
FROM THIS
AFRICAN?AMERICAN GENTLEMAN
324
00:19:26,833 --> 00:19:29,035
WHO SAYS IT�S BEEN
IN HIS FAMILY FOR 20 YEARS.
325
00:19:29,069 --> 00:19:31,337
HOW EASILY WE PUT
THE PAST UP FOR BID.
326
00:19:31,371 --> 00:19:33,406
TELL ME, DENBY.
327
00:19:33,439 --> 00:19:35,375
ALL THE QUALITIES
I�D WANT IN A FRIEND,
328
00:19:35,408 --> 00:19:38,545
YOU EXHIBIT ?? STEADFAST,
LOYAL TO THE POINT
329
00:19:38,579 --> 00:19:42,983
OF PERSONAL
AND PROFESSIONAL RISK.
330
00:19:43,016 --> 00:19:44,150
REFERRING TO YOU
331
00:19:44,184 --> 00:19:45,351
REACHING OUT
TO YOUR PARTNER
332
00:19:45,385 --> 00:19:47,854
WHO REACHES OUT IN TURN.
333
00:19:47,888 --> 00:19:49,389
SO HERE�S THE PICTURE ??
334
00:19:49,422 --> 00:19:50,490
FUGITIVES IN FLIGHT.
335
00:19:50,524 --> 00:19:52,192
NOT FUNKY FUGITIVES, DIANE.
336
00:19:52,225 --> 00:19:54,561
AFFLUENT,
FLEEING IN COMFORT.
337
00:19:54,595 --> 00:19:56,663
IT MUST HAVE SOME APPEAL
338
00:19:56,697 --> 00:19:58,732
OR WHY GIVE YOUR PARTNER
THE PUSH?
339
00:19:58,765 --> 00:20:02,869
I DIDN�T SEE YOU OR DON
IN THE PICTURE, DENBY.
340
00:20:02,903 --> 00:20:04,738
I THOUGHT SHE MIGHT
GRAB HER KIDS AND GO.
341
00:20:04,771 --> 00:20:06,873
PERHAPS YOU HAD
SOME DEEPER INTENTION.
342
00:20:06,907 --> 00:20:09,576
PERHAPS YOU WERE EMPLOYING
A SELF?MOTIVATION TECHNIQUE
343
00:20:09,610 --> 00:20:11,377
WITH WHICH I AM
PERSONALLY FAMILIAR ??
344
00:20:11,411 --> 00:20:14,214
i.e., PAINTING YOURSELF
IN A CORNER.
345
00:20:14,247 --> 00:20:15,716
DO YOU KNOW WHAT HALF SMART
MEANS, DENBY?
346
00:20:15,749 --> 00:20:17,751
DIANE, CORNERED, I FIND
347
00:20:17,784 --> 00:20:19,753
THAT WHAT I�VE NEVER
CONSIDERED BEFORE
348
00:20:19,786 --> 00:20:21,755
IS NOT ONLY POSSIBLE,
BUT INTRIGUINGLY,
349
00:20:21,788 --> 00:20:24,858
WHAT I�VE WANTED
TO DO ALL ALONG.
350
00:20:24,891 --> 00:20:27,728
SO THAT�S HOW A SCUMBAG
TURNS INTO A SKEL?
351
00:20:27,761 --> 00:20:30,296
DIANE, ALL THIS PUTTING
YOURSELF IN HARM�S WAY,
352
00:20:30,330 --> 00:20:32,899
ARE WE BEING 100% HONEST
WITH OURSELVES?
353
00:20:32,933 --> 00:20:35,969
I ASK IN THIS HURRIED FASHION
BECAUSE I�M PLANNING A TRIP,
354
00:20:36,002 --> 00:20:38,404
AND I�M NOW CONVINCED
YOU�D LIKE TO COME.
355
00:20:38,438 --> 00:20:41,441
DENBY, ARE YOU TRYING
TO TURN ME OUT,
356
00:20:41,474 --> 00:20:43,877
OR DO YOU WANT ME
TO PULL YOU BACK?
357
00:20:43,910 --> 00:20:45,712
LITTLE LATE FOR THAT, DIANE.
358
00:20:45,746 --> 00:20:48,549
GETTING SAVED HAS TO WAIT
FOR MY NEXT TIME AT THE PLATE.
359
00:20:48,582 --> 00:20:50,050
IF YOU WANT
TO HURRY THAT ALONG,
360
00:20:50,083 --> 00:20:52,052
I�D LIKE IT FAST
AND FROM THE BACK,
361
00:20:52,085 --> 00:20:54,487
AND I�D LIKE TO BE SURPRISED,
AND IF YOU DO IT,
362
00:20:54,521 --> 00:20:56,757
I BEQUEATH
ALL THESE CHECKERS TO YOU.
363
00:20:58,759 --> 00:21:00,493
READY, AIM...
364
00:21:39,499 --> 00:21:43,369
SO, SHE�S GOT HIS RESULTS.
365
00:21:43,403 --> 00:21:45,371
THEO�S BONE MARROW STUDY
SHOWED WHAT�S CALLED
366
00:21:45,405 --> 00:21:47,874
A RED?CELL
MATURATION ARREST.
367
00:21:47,908 --> 00:21:49,209
COME ON, NOW.
368
00:21:49,242 --> 00:21:51,678
THE RED CELLS HE�S MAKING
AREN�T FULLY FORMED.
369
00:21:51,712 --> 00:21:53,647
WHY IS THAT HAPPENING?
370
00:21:53,680 --> 00:21:56,449
WE DON�T KNOW. HE�S ALSO
NOT MAKING ENOUGH PLATELETS,
371
00:21:56,482 --> 00:21:58,151
WHICH IS CALLED
THROMBOCYTOPENIA.
372
00:21:58,184 --> 00:21:59,786
WHAT�S HIS DISEASE?
373
00:21:59,820 --> 00:22:01,855
WHEN MULTIPLE ELEMENTS
OF THE MARROW ARE COMPROMISED,
374
00:22:01,888 --> 00:22:03,724
WE BEGIN TO WORRY
ABOUT LEUKEMIA.
375
00:22:03,757 --> 00:22:06,727
OH, NO.
376
00:22:06,760 --> 00:22:08,695
I KNOW THAT�S
A FRIGHTENING WORD,
377
00:22:08,729 --> 00:22:11,497
AND IT�S MY RESPONSIBILITY
TO SAY IT TO YOU,
378
00:22:11,532 --> 00:22:13,499
BUT I ALSO WANT YOU
TO UNDERSTAND
379
00:22:13,534 --> 00:22:15,836
THERE�S JUST
AS MUCH LIKELIHOOD
380
00:22:15,869 --> 00:22:17,538
THAT THEO�S PROBLEMS
ARE BEING CAUSED
381
00:22:17,571 --> 00:22:19,039
BY SOMETHING ELSE.
382
00:22:19,072 --> 00:22:20,240
IS THERE MORE LIKELIHOOD?
383
00:22:20,273 --> 00:22:21,875
I WOULDN�T WEIGH
THE LIKELIHOODS
384
00:22:21,908 --> 00:22:23,176
IN ONE DIRECTION
OR THE OTHER.
385
00:22:23,209 --> 00:22:24,545
OH, GOD.
386
00:22:24,578 --> 00:22:28,181
THEO�S WHITE COUNT IS
ALMOST NORMAL. THAT�S GOOD.
387
00:22:28,214 --> 00:22:29,315
IT�S NOT NORMAL?
388
00:22:29,349 --> 00:22:31,417
IT�S A LITTLE LOW,
BUT NOT DRAMATICALLY.
389
00:22:31,451 --> 00:22:35,188
WE NEED TO FOLLOW THEO,
MONITOR HIS BLOOD VALUES.
390
00:22:35,221 --> 00:22:36,723
HE�LL HAVE TO STAY HERE?
391
00:22:36,757 --> 00:22:38,659
NO, YOU�LL BRING HIM IN
ONCE A WEEK.
392
00:22:38,692 --> 00:22:41,061
AND WHEN ARE WE GOING
TO KNOW WHAT�S HAPPENING?
393
00:22:41,094 --> 00:22:43,096
I CAN�T TELL YOU
THAT FOR SURE.
394
00:22:43,129 --> 00:22:45,065
THEO MAY BE HAVING
WHAT�S CALLED
395
00:22:45,098 --> 00:22:47,067
AN IDIOPATHIC REACTION
TO MEDICINE HE TOOK.
396
00:22:47,100 --> 00:22:50,036
HIS MARROW MAY HAVE BEEN
KNOCKED OUT BY A VIRUS.
397
00:22:50,070 --> 00:22:51,705
HE�S BEEN SICK.
398
00:22:51,738 --> 00:22:53,874
I KNOW. YOU TOLD ME
HE HAD A COLD.
399
00:22:53,907 --> 00:22:55,709
SO THIS COULD BE
FROM THAT?
400
00:22:55,742 --> 00:22:57,210
IF IT IS,
401
00:22:57,243 --> 00:22:59,045
AS SUDDENLY AS HIS MARROW
STOPPED FUNCTIONING,
402
00:22:59,079 --> 00:23:00,547
IT MAY START UP AGAIN.
403
00:23:00,581 --> 00:23:03,850
I WISH I HAD
DEFINITIVE ANSWERS FOR YOU.
404
00:23:03,884 --> 00:23:06,720
I PROMISE WHATEVER TURNS OUT
TO BE CAUSING THIS,
405
00:23:06,753 --> 00:23:08,789
WE�LL HAVE WAYS
TO HELP THEO.
406
00:23:08,822 --> 00:23:11,792
DON�T SAY YOU CAN CURE HIM
NO MATTER WHAT.
407
00:23:11,825 --> 00:23:14,060
DON�T LIE
AND THEN TAKE THAT BACK.
408
00:23:14,094 --> 00:23:16,062
SOME DISEASES
HAVE NO CURE, MR. SIPOWICZ,
409
00:23:16,096 --> 00:23:17,798
BUT MANY DO,
410
00:23:17,831 --> 00:23:20,901
AND IN EVERY CASE,
WE�RE ABLE TO HELP.
411
00:23:20,934 --> 00:23:23,570
HERE THEY GO
WITH DOUBLE TALK NOW.
412
00:23:23,604 --> 00:23:25,706
WHY DON�T YOU
TAKE THEO HOME
413
00:23:25,739 --> 00:23:27,140
A LITTLE LATER ON?
414
00:23:27,173 --> 00:23:28,374
I�M SURE HE�LL BE
A LOT HAPPIER THERE.
415
00:23:28,408 --> 00:23:29,976
ALL RIGHT, THANK YOU.
416
00:23:30,010 --> 00:23:31,612
YEAH, THANKS.
417
00:23:52,332 --> 00:23:54,434
NOW, THE PATHOLOGIST
IS BACKED UP.
418
00:23:54,467 --> 00:23:56,402
THEY WON�T HEAR
FOR A COUPLE OF HOURS.
419
00:23:56,436 --> 00:23:57,738
HOW�S THEO?
420
00:23:57,771 --> 00:23:59,940
OH, HE STOOD IT
LIKE A CHAMP,
421
00:23:59,973 --> 00:24:01,942
THEM TAKING
THE BONE MARROW.
422
00:24:06,647 --> 00:24:09,583
SO THAT BEGAN FRANK,
YOU, AND JILL.
423
00:24:09,616 --> 00:24:12,519
I HOPED SHE�D TELL ME
SHE WAS TRAPPED,
424
00:24:12,553 --> 00:24:14,521
ASK FOR HELP.
425
00:24:14,555 --> 00:24:16,857
SHE REACHED OUT
TO DON INSTEAD.
426
00:24:16,890 --> 00:24:18,859
HOW DO YOU KNOW THAT?
427
00:24:18,892 --> 00:24:20,927
DENBY SHOWED UP
TO TELL ME.
428
00:24:20,961 --> 00:24:24,264
THEY�RE ?? THEY�RE
GETTING READY TO GO.
429
00:24:24,297 --> 00:24:26,867
WHO? WHAT, JILL�S
TAKING HER KIDS?
430
00:24:26,900 --> 00:24:29,670
I DON�T KNOW, DANNY.
THAT�S WHAT IT SOUNDS LIKE.
431
00:24:29,703 --> 00:24:31,171
YEAH, ALL RIGHT.
432
00:24:31,204 --> 00:24:33,039
ALL RIGHT, LET ME SEE
WHERE THE RAT SQUAD IS,
433
00:24:33,073 --> 00:24:35,509
IF WE�D HAVE AN AUDIENCE,
WHATEVER WE NEED TO DO.
434
00:24:44,751 --> 00:24:45,886
YOU WANT TO TALK IN HERE?
435
00:24:45,919 --> 00:24:47,320
YOU WANT US TO?
436
00:24:47,353 --> 00:24:49,355
YEAH, SORENSON,
I WAS IN HERE OVERNIGHT
437
00:24:49,389 --> 00:24:51,892
HOOKING UP YOUR MICROPHONES
TO OUR TAPE RECORDERS.
438
00:24:51,925 --> 00:24:54,427
HUMOR ME.
439
00:25:05,706 --> 00:25:07,040
LOOK, WE AREN�T
GOING TO ARGUE.
440
00:25:07,073 --> 00:25:08,809
IF A HOUSE IS UP,
INNOCENT PEOPLE GET HURT.
441
00:25:08,842 --> 00:25:10,210
AND?
442
00:25:10,243 --> 00:25:11,512
AND THIS HOUSE IS UP.
443
00:25:11,545 --> 00:25:13,514
AND WHEN IS IT
GOING TO BE OVER?
444
00:25:13,547 --> 00:25:15,516
REFRESH ME WHY
YOU�RE IN THAT LOOP?
445
00:25:15,549 --> 00:25:17,183
I�D NEVER SAY INNOCENT
SHOULD GET ME THERE.
446
00:25:17,217 --> 00:25:18,752
YEAH, THAT WOULD
BE CHILDISH.
447
00:25:18,785 --> 00:25:20,654
LET ME GO WITH
I CAN�T WORK WORRYING
448
00:25:20,687 --> 00:25:21,822
THAT MY PHONES
ARE MONITORED
449
00:25:21,855 --> 00:25:23,089
AND MY MOVEMENTS
ARE BEING WATCHED.
450
00:25:23,123 --> 00:25:26,059
YOU DON�T GET DAY AND DATE
WHEN THIS IS OVER, SORENSON.
451
00:25:26,092 --> 00:25:27,528
HOW ABOUT A MONTH?
452
00:25:27,561 --> 00:25:30,430
WELL, JUNIOR,
453
00:25:30,463 --> 00:25:32,899
YOU WON�T FEEL PRESSURED
LIKE THIS NEXT MONTH.
454
00:25:32,933 --> 00:25:34,067
TOMORROW?
455
00:25:34,100 --> 00:25:35,536
TOMORROW ??
456
00:25:35,569 --> 00:25:37,538
I�D STILL BE AVOIDING
GRAY?AREA PHONE CALLS
457
00:25:37,571 --> 00:25:40,040
OR SHACKING UP
WITH SOME OTHER GUY�S WIFE.
458
00:25:40,073 --> 00:25:41,875
BUT IT SHOULDN�T GO
MUCH LONGER THAN THAT?
459
00:25:41,908 --> 00:25:43,510
NO.
460
00:25:43,544 --> 00:25:45,712
THAT�S ONE IN YOUR BANK.
461
00:25:45,746 --> 00:25:47,548
YOU�RE NOT MY BANKER.
462
00:25:53,554 --> 00:25:55,656
MEDAVOY, BALDWIN.
463
00:26:16,476 --> 00:26:19,079
SO, FIRST, COULD SOMEONE
GET HURT CAREER?WISE?
464
00:26:19,112 --> 00:26:20,380
DEFINITELY.
465
00:26:20,413 --> 00:26:22,082
PHYSICALLY HURT
COULD HAPPEN, TOO.
466
00:26:22,115 --> 00:26:23,449
WHAT�S GOING ON?
467
00:26:23,483 --> 00:26:25,451
YEAH, HOW CAN WE HELP?
468
00:26:25,485 --> 00:26:27,453
SAY A SITUATION DEVELOPED,
A STREET SITUATION,
469
00:26:27,487 --> 00:26:29,990
A COP AND A SKEL
ARE TRYING TO BOOK.
470
00:26:30,023 --> 00:26:32,492
GRABBING THE COP UP
WOULD BE ON YOU GUYS.
471
00:26:32,526 --> 00:26:34,060
THE SKEL�S ON YOU.
472
00:26:34,094 --> 00:26:36,396
CORRECT.
WHERE�S THE COP WIND UP?
473
00:26:36,429 --> 00:26:39,399
HE DON�T MAKE YOU
DO DIFFERENT, AT THE HOUSE.
474
00:26:39,432 --> 00:26:41,334
IS HE A COLLAR?
IF THE SON OF A BITCH
475
00:26:41,367 --> 00:26:43,737
MAKES IT TO THE HOUSE,
CALL THE RAT SQUAD.
476
00:26:43,770 --> 00:26:46,139
THE COP�S
NOT IN THE SQUAD?
477
00:26:46,172 --> 00:26:47,841
THE COP�S NOT,
478
00:26:47,874 --> 00:26:50,911
BUT A COP IN THE SQUAD
MIGHT BE WITH HIM.
479
00:26:50,944 --> 00:26:52,478
WITH HIM AND THE SKEL.
480
00:26:52,513 --> 00:26:55,616
WHO�S GOING TO TAKE CARE
OF THAT COP?
481
00:26:55,649 --> 00:26:57,584
WELL, EITHER SOMEONE
WILL BE WITH US
482
00:26:57,618 --> 00:26:58,619
TO TAKE CARE OF THAT COP,
483
00:26:58,652 --> 00:27:00,554
OR OTHERWISE, WE LEAVE HER
ON THE STREET.
484
00:27:02,523 --> 00:27:04,825
I�LL TELL YOU WHEN.
485
00:27:04,858 --> 00:27:06,793
[ TELEPHONE RINGS ]
486
00:27:06,827 --> 00:27:09,663
15th SQUAD.
487
00:27:09,696 --> 00:27:10,897
WHERE ARE YOU?
488
00:27:12,966 --> 00:27:14,234
YEAH.
489
00:27:42,262 --> 00:27:43,897
AHEM.
490
00:28:27,708 --> 00:28:30,944
THIS MAKES A LOT OF SENSE.
491
00:28:34,715 --> 00:28:37,417
THIS MAKES A LOT OF SENSE.
492
00:28:44,124 --> 00:28:46,059
WHAT I SAID BEFORE
ABOUT THE BURIAL
493
00:28:46,092 --> 00:28:47,561
AND SO FORTH,
494
00:28:47,594 --> 00:28:50,564
THAT�S ON ME.
495
00:28:50,597 --> 00:28:52,899
THAT�S ON ME.
496
00:28:56,837 --> 00:28:58,772
I�M SICK OF ASKING.
497
00:29:00,907 --> 00:29:02,442
I�M SICK OF ASKING.
498
00:29:04,911 --> 00:29:07,280
I�M TELLING YOU
WHAT HE DON�T DESERVE...
499
00:29:10,083 --> 00:29:13,419
AND HE DON�T DESERVE
TO BE SICK.
500
00:29:17,624 --> 00:29:19,693
YOU PRICK.
501
00:29:21,762 --> 00:29:25,932
NONE OF THEM
DESERVED ANY OF THAT.
502
00:29:25,966 --> 00:29:27,934
YOU PRICK.
503
00:29:30,704 --> 00:29:34,240
IF IT�S ME,
PUT IT ON ME,
504
00:29:34,274 --> 00:29:36,643
OR DON�T YOU
GOT THE BALLS?
505
00:29:44,618 --> 00:29:47,320
DO WHAT YOU WANT.
506
00:29:49,122 --> 00:29:52,092
DO WHAT YOU WANT.
507
00:29:52,125 --> 00:29:55,061
THIS IDIOT
ISN�T GOING TO NOTICE.
508
00:30:03,537 --> 00:30:06,139
DON�T LET HIM BE SICK.
509
00:30:10,076 --> 00:30:13,479
PLEASE, DON�T LET HIM
BE SICK.
510
00:30:17,751 --> 00:30:19,820
I�LL DO WHATEVER YOU WANT.
511
00:30:21,421 --> 00:30:24,691
JUST TELL ME
AND I�LL DO IT.
512
00:30:28,061 --> 00:30:30,997
I�LL STOP SORENSON
IF YOU WANT.
513
00:30:33,867 --> 00:30:39,105
PLEASE,
TAKE CARE OF MY BOY.
514
00:31:27,654 --> 00:31:29,556
I DON�T WANT YOU
TO THINK I�M A CRIMINAL,
515
00:31:29,590 --> 00:31:32,559
AT LEAST NOT THE WAY
YOU THINK I AM NOW.
516
00:31:32,593 --> 00:31:35,395
I�D SEE HIM IN THE CRUMMY
BASEMENT PLACE HE HAD,
517
00:31:35,428 --> 00:31:38,198
LIKE I COULD SEPARATE
WHAT HE WAS FROM LOVING HIM
518
00:31:38,231 --> 00:31:39,933
AND BEING WITH HIM
FROM THE REST OF WHAT I WAS.
519
00:31:39,966 --> 00:31:43,537
THEY KILLED A GUY WHO WAS
GUARDING THE DRUG STASH
520
00:31:43,570 --> 00:31:45,438
FOR THE PEOPLE
DONNY WORKED FOR.
521
00:31:45,471 --> 00:31:48,074
THAT�S WHO DENBY SHOWED ME
IN THE DUMPSTER.
522
00:31:48,108 --> 00:31:50,744
DON AND DENBY HAVE BEEN
SELLING DRUGS OUT OF TOWN.
523
00:31:50,777 --> 00:31:51,945
I WOULDN�T TAKE DRUGS
WITH HIM.
524
00:31:51,978 --> 00:31:54,948
HE KEPT TRYING TO MAKE ME,
AND I WOULDN�T DO IT.
525
00:31:54,981 --> 00:31:59,720
ONCE I SAW IN HIS EYES
HOW MUCH HE HATED ME
526
00:31:59,753 --> 00:32:03,456
AND WANTED TO HURT ME,
AND HE SAW ME SEE IT.
527
00:32:03,489 --> 00:32:05,626
THE NEXT DAY KYLE TOLD ME
528
00:32:05,659 --> 00:32:08,228
THAT FRANK HAD GONE
TO THE MOUNTAINS WITH DON,
529
00:32:08,261 --> 00:32:10,396
AND I HAVEN�T
SEEN FRANK SINCE.
530
00:32:10,430 --> 00:32:11,965
OH, MY GOD.
531
00:32:15,435 --> 00:32:18,772
DON�S TAKING ME
TO SEE FRANK TONIGHT.
532
00:32:18,805 --> 00:32:20,507
HE PROMISED.
533
00:32:20,541 --> 00:32:23,910
HE SAID HE HAD TO DO IT
534
00:32:23,944 --> 00:32:25,278
TO KEEP ME
FROM TRYING TO STOP HIM...
535
00:32:25,311 --> 00:32:26,747
JILL ??
536
00:32:26,780 --> 00:32:28,481
AND WHEN HE DOES,
I�M GOING TO KILL HIM.
537
00:32:28,515 --> 00:32:32,619
JILL, SUPPOSE DON�S LYING.
538
00:32:32,653 --> 00:32:34,087
IF HE�S HURT FRANK,
539
00:32:34,120 --> 00:32:35,589
DON�T YOU THINK
I�M GOING TO KILL HIM?
540
00:32:35,622 --> 00:32:37,323
IF HE�S HURT FRANK,
541
00:32:37,357 --> 00:32:40,561
DON�T YOU THINK HE�S
GOING TO TRY TO KILL YOU?
542
00:32:42,629 --> 00:32:47,668
JILL, WHERE IS HIS PLACE?
543
00:32:47,701 --> 00:32:48,835
I�M MEETING HIM AT 5:00.
544
00:32:48,869 --> 00:32:51,437
I�M PICKING UP KYLE,
AND I�M MEETING HIM THERE,
545
00:32:51,471 --> 00:32:52,873
AND DON�S GOING TO TAKE ME
TO SEE FRANK.
546
00:32:52,906 --> 00:32:55,208
OKAY.
547
00:32:55,241 --> 00:32:56,677
OKAY.
548
00:32:58,912 --> 00:33:01,014
OHH. YOU CAN�T DO ANYTHING.
549
00:33:01,047 --> 00:33:04,551
YOU CAN�T DO ANYTHING,
OR HE�LL HURT FRANK.
550
00:33:04,585 --> 00:33:06,887
THIS IS GOING TO BE OKAY.
551
00:33:11,057 --> 00:33:12,959
HOW DOES IT FEEL?
552
00:33:12,993 --> 00:33:16,462
TAPE IT UP, I�LL BE ABLE
TO MOVE PRETTY GOOD ON IT.
553
00:33:16,496 --> 00:33:18,532
COP YOU AND ME
ARE GOING TO BE GRABBING UP,
554
00:33:18,565 --> 00:33:22,002
I THINK THAT�S A NARCOTICS
TASK FORCE DETECTIVE
555
00:33:22,035 --> 00:33:23,704
NAMED HARRY DENBY.
556
00:33:23,737 --> 00:33:25,038
UH?HUH.
557
00:33:25,071 --> 00:33:27,641
DENBY�S WHO DIANE
HAD ME FOLLOW THE OTHER DAY.
558
00:33:27,674 --> 00:33:29,175
I SEE.
559
00:33:29,209 --> 00:33:31,044
MUST BE DIANE DANNY MEANT
MIGHT BE WITH US
560
00:33:31,077 --> 00:33:33,079
DEALING WITH THE COP
THAT ISN�T DENBY,
561
00:33:33,113 --> 00:33:35,549
WHICH MEANS THE OTHER COP
HAS GOT TO BE JILL.
562
00:33:35,582 --> 00:33:39,419
D., MUCH AS I AM
MR. SENSITIVITY
563
00:33:39,452 --> 00:33:42,422
WHEN I AM OUT
OF THE INFORMATION LOOP,
564
00:33:42,455 --> 00:33:44,591
CERTAIN SITUATIONS
I�VE LEARNED
565
00:33:44,625 --> 00:33:47,393
I�M BETTER WORKING
NEED?TO?KNOW.
566
00:33:47,427 --> 00:33:50,163
IT�S JUST US TALKING,
GREG.
567
00:33:50,196 --> 00:33:52,899
AND IF WE KEEP TALKING,
568
00:33:52,933 --> 00:33:54,735
THE NEXT SUBJECT
IS GOING TO BE
569
00:33:54,768 --> 00:33:57,904
WHO�S THE SKEL
DANNY�S TAKING CARE OF
570
00:33:57,938 --> 00:33:59,339
AND HOW IS HE
GOING TO TAKE CARE OF HIM?
571
00:33:59,372 --> 00:34:02,342
AND HOW DANNY�S GOING TO
TAKE CARE OF THAT SKEL ??
572
00:34:02,375 --> 00:34:04,778
WHAT GOOD CAN COME
OF US TALKING ABOUT THAT?
573
00:34:11,084 --> 00:34:13,219
THIS WORKS.
574
00:34:39,946 --> 00:34:41,648
TIME�S GONE ON, BALDWIN,
575
00:34:41,682 --> 00:34:43,216
I�VE LEARNED TO RECOGNIZE
THE DIFFERENCE
576
00:34:43,249 --> 00:34:47,120
BETWEEN BELIEVING SOMETHING
AND NEEDING TO BELIEVE IT.
577
00:34:47,153 --> 00:34:48,655
LIKE SOMETIMES
578
00:34:48,689 --> 00:34:51,391
I MIGHT NEED TO BELIEVE
I WAS PART OF SOMETHING
579
00:34:51,424 --> 00:34:53,660
OR I OUGHT TO BE
A PART OF IT
580
00:34:53,694 --> 00:34:57,063
OR I SHOULD DO SOMETHING
TO PROVE I WAS A PART OF IT,
581
00:34:57,097 --> 00:34:59,566
AND THAT�S
AN IMPORTANT DIFFERENCE.
582
00:34:59,600 --> 00:35:00,667
�CAUSE IF I�M STAND?UP,
583
00:35:00,701 --> 00:35:02,468
I�M GOING TO BACK
WHAT I BELIEVE
584
00:35:02,503 --> 00:35:05,906
EVEN IF IT GETS ME HURT
OR JACKED UP.
585
00:35:05,939 --> 00:35:08,509
THAT�S HOW MY LIFE
MAKES SENSE.
586
00:35:08,542 --> 00:35:10,511
BUT IF I GET MYSELF
HURT OR JACKED UP
587
00:35:10,544 --> 00:35:12,913
JUST �CAUSE I WANTED
TO BELIEVE SOMETHING,
588
00:35:12,946 --> 00:35:15,649
I WASN�T BEING STAND?UP.
589
00:35:15,682 --> 00:35:18,685
I WAS ACTING LIKE A KID
OR A DAMN FOOL.
590
00:35:18,719 --> 00:35:21,187
IS THAT WHAT YOU THINK
I�M DOING?
591
00:35:21,221 --> 00:35:22,455
I DON�T KNOW.
592
00:35:22,488 --> 00:35:24,991
I CAN�T DECIDE
THAT DIFFERENCE FOR YOU ??
593
00:35:25,025 --> 00:35:27,528
IF YOU BELIEVE
YOU�RE A PART OF SOMETHING
594
00:35:27,561 --> 00:35:31,164
OR IF YOU WANT
TO BELIEVE IT.
595
00:35:31,197 --> 00:35:34,367
YEAH, I BELIEVE
I�M PART OF SOMETHING.
596
00:35:34,400 --> 00:35:36,469
OKAY.
597
00:35:36,503 --> 00:35:38,972
THEN YOU DO
WHAT YOU GOT TO DO.
598
00:37:02,455 --> 00:37:05,391
I JUST WANTED SOMEONE
TO HEAR HIS VOICE.
599
00:37:05,425 --> 00:37:08,629
EVERYTHING�S GREAT.
EVERYTHING�S RIGHT ON TIME.
600
00:37:08,662 --> 00:37:11,865
BABY, I CAN�T TALK
RIGHT NOW.
601
00:37:11,898 --> 00:37:13,299
ALL RIGHT.
602
00:37:13,333 --> 00:37:16,069
ALL RIGHT, BABY.
603
00:37:16,102 --> 00:37:17,571
DON�T KILL ME.
604
00:37:17,604 --> 00:37:20,073
DID I WRITE ALL THIS
INFORMATION CORRECT?
605
00:37:20,106 --> 00:37:21,307
IT�S ALL CORRECT.
606
00:37:21,341 --> 00:37:24,711
NO, LOOK AT IT!
607
00:37:24,745 --> 00:37:26,647
IT�S ALL CORRECT.
608
00:37:31,417 --> 00:37:33,053
PLEASE DON�T KILL ME.
609
00:37:33,086 --> 00:37:34,387
SHUT UP.
610
00:37:34,420 --> 00:37:35,722
PLEASE. I�LL NEVER
TALK TO HER AGAIN.
611
00:37:35,756 --> 00:37:38,659
SEE, YOU BELIEVE THAT
BECAUSE YOU�RE A SKEL.
612
00:37:38,692 --> 00:37:39,593
THAT�S WHY IT�S NO POINT
IN LISTENING
613
00:37:39,626 --> 00:37:41,394
TO NOTHING YOU GOT TO SAY.
614
00:37:41,427 --> 00:37:44,330
YOU WILL REACH OUT AGAIN
�CAUSE THAT�S WHO YOU ARE!
615
00:37:53,707 --> 00:37:57,578
I GOT HIM TO TAKE
A GOOD SIP OF APPLE JUICE.
616
00:37:57,611 --> 00:38:00,246
IS HE BACK TO HIMSELF?
617
00:38:00,280 --> 00:38:03,617
HE�S SO GROGGY.
618
00:38:03,650 --> 00:38:06,452
HE TOOK A GOOD SIP, THOUGH,
BEFORE HE DROPPED BACK OFF.
619
00:38:09,523 --> 00:38:12,492
WE�RE ALL PART OF HIM.
620
00:38:12,526 --> 00:38:14,260
HE WON�T GIVE US MORE
THAN WE CAN BEAR
621
00:38:14,294 --> 00:38:16,830
IF WE LET HIM HELP US
WITH THE LOAD.
622
00:38:16,863 --> 00:38:19,866
SO THEN WHAT ARE YOU
CHOKING FOR?
623
00:38:19,900 --> 00:38:23,136
BECAUSE SOMETIMES
IT�S HARD TO REMEMBER.
624
00:38:28,341 --> 00:38:30,043
GOING ALONG,
625
00:38:30,076 --> 00:38:32,513
LET�S HELP EACH OTHER
TO REMEMBER.
626
00:38:43,757 --> 00:38:45,892
THANK YOU, KATIE.
627
00:38:47,661 --> 00:38:49,896
THANK YOU, ANDY.
628
00:38:53,867 --> 00:38:56,870
THIS IS CRAP, YOU KNOW.
THIS WHOLE STORY�S CRAP.
629
00:38:56,903 --> 00:38:58,038
ALL I KNOW
IS WHAT THEY CALLED IN.
630
00:38:58,071 --> 00:38:59,573
OUT COMES HARRY DENBY?
631
00:38:59,606 --> 00:39:01,542
THEY�RE SITTING
ON A DRUG LOCATION
632
00:39:01,575 --> 00:39:02,643
ON AN OLD CASE.
633
00:39:02,676 --> 00:39:04,978
OUT COMES HARRY DENBY,
HIGH AND HOLDING DRUGS.
634
00:39:05,011 --> 00:39:06,980
I�M TELLING YOU,
THAT STORY�S CRAP.
635
00:39:07,013 --> 00:39:10,250
I SHOULDN�T HAVE CONTACTED
YOU ?? COP UNDER ARREST?
636
00:39:10,283 --> 00:39:12,018
HEY, WE GOT HIM.
637
00:39:12,052 --> 00:39:13,219
WHERE DO YOU
WANT THIS GUY, BOSS?
638
00:39:13,253 --> 00:39:15,155
WHERE DO YOU WANT HIM,
SERGEANT?
639
00:39:15,188 --> 00:39:17,724
PUT ALL YOUR DEPARTMENT PROPERTY
ON THE P. A. A.�s DESK.
640
00:39:17,758 --> 00:39:19,560
I WOULD NEED
THE USE OF MY HANDS.
641
00:39:22,529 --> 00:39:23,664
WHERE�S KIRKENDALL?
642
00:39:23,697 --> 00:39:24,765
KIRKENDALL DIDN�T
GO OUT WITH US.
643
00:39:24,798 --> 00:39:26,600
KIRKENDALL TOOK
LOST TIME.
644
00:39:26,633 --> 00:39:28,368
WHERE�S HER EX?HUSBAND?
ASK THESE GUYS.
645
00:39:28,401 --> 00:39:30,671
DID SORENSON GRAB HIM?
WHERE�S SORENSON?
646
00:39:30,704 --> 00:39:34,407
HE DIDN�T HAVE A RADIO.
I GUESS HE�S ON HIS WAY IN.
647
00:39:34,440 --> 00:39:36,409
I DON�T KNOW WHO YOU GUYS
THINK YOU�RE PLAYING WITH.
648
00:39:36,442 --> 00:39:38,044
I WANT WHERE SORENSON IS
649
00:39:38,078 --> 00:39:41,414
AND WHERE THIS PRICK�S
RUNNING BUDDY IS.
650
00:39:41,447 --> 00:39:44,084
PEOPLE ARE GETTING SUSPENDED
IF I DON�T FIND OUT.
651
00:39:44,117 --> 00:39:46,452
THAT�S DANNY NOW.
HE DIDN�T HAVE A RADIO ?? DANNY.
652
00:39:46,486 --> 00:39:49,923
THIS GUY WAS BEATING FEET
AROUND THE CORNER WHERE I WAS.
653
00:39:49,956 --> 00:39:52,292
HE HAD TWO SPOONS
IN HIS POCKET, NO I. D.
654
00:39:52,325 --> 00:39:54,961
THAT�S DON KIRKENDALL.
I TALKED TO HIM ONCE IN JAIL.
655
00:39:54,995 --> 00:39:57,097
THERE�S YOUR MYSTERY SOLVED.
656
00:39:57,130 --> 00:39:59,933
I GOT TO MAKE
A PERSONAL CALL.
657
00:39:59,966 --> 00:40:01,101
USE MY LINE.
658
00:40:04,470 --> 00:40:06,239
PUT HIM IN THE CELLS
DOWNSTAIRS.
659
00:40:06,272 --> 00:40:07,473
OKAY, SERGEANT.
660
00:40:07,508 --> 00:40:10,611
THIS GUY WAS IN A POSITION
TO HURT ONE OF US AND DIDN�T.
661
00:40:10,644 --> 00:40:12,478
HURT YOU WITH A GUN?
662
00:40:12,513 --> 00:40:13,747
YEAH, WITH A GUN.
663
00:40:13,780 --> 00:40:14,915
I THOUGHT MAYBE YOU MEANT
664
00:40:14,948 --> 00:40:16,583
HURT YOU TELLING THE TRUTH.
665
00:40:19,319 --> 00:40:21,221
[ TELEPHONE RINGS ]
666
00:40:21,254 --> 00:40:23,957
[ GASPS ]
667
00:40:23,990 --> 00:40:26,893
HELLO? YES.
668
00:40:26,927 --> 00:40:28,795
HI.
669
00:40:33,700 --> 00:40:35,636
UH?HUH.
670
00:40:37,003 --> 00:40:40,406
AND IS IT EVEN WORTH DISCUSSING
THAT OTHER SITUATION?
671
00:40:40,440 --> 00:40:42,175
OKAY.
672
00:40:42,208 --> 00:40:44,344
THANKS SO MUCH.
673
00:40:50,216 --> 00:40:54,855
KYLE, THINGS ARE GOING TO GET
HAPPIER FOR YOU REAL SOON,
674
00:40:54,888 --> 00:40:57,157
AND YOUR MOM�S GOING TO TALK
TO YOU ABOUT ALL OF IT.
675
00:40:57,190 --> 00:40:58,191
OKAY.
676
00:40:58,224 --> 00:40:59,359
RIGHT NOW I�M GOING TO NEED
677
00:40:59,392 --> 00:41:00,694
TO TALK TO YOUR MOM
BY HERSELF.
678
00:41:00,727 --> 00:41:02,295
OKAY.
I UNDERSTAND.
679
00:41:03,363 --> 00:41:04,364
OKAY, HONEY.
680
00:41:07,400 --> 00:41:09,469
ARE YOU SURE
FRANK�S STILL ALIVE?
681
00:41:09,503 --> 00:41:11,204
HE�S UPSTATE
IN CANANDAIGUA,
682
00:41:11,237 --> 00:41:13,006
SOME GIRLFRIEND OF DENBY�S.
683
00:41:13,039 --> 00:41:14,875
HE�S FINE, JILL.
684
00:41:14,908 --> 00:41:18,712
DANNY TALKED TO HIM.
685
00:41:18,745 --> 00:41:20,714
AFTER YOU PICK FRANK UP,
686
00:41:20,747 --> 00:41:23,817
I DON�T KNOW THAT THERE�S
MUCH SENSE COMING BACK.
687
00:41:23,850 --> 00:41:26,887
NO, I KNOW
WHERE I�M GOING.
688
00:41:26,920 --> 00:41:28,488
DO YOU NEED MONEY?
689
00:41:28,522 --> 00:41:30,891
NO.
690
00:41:30,924 --> 00:41:33,326
DON�S ALIVE.
691
00:41:33,359 --> 00:41:34,861
NOT TO ME.
692
00:41:34,895 --> 00:41:38,498
JILL, I�M A DRUNK,
AND THE FIRST THING
693
00:41:38,532 --> 00:41:42,135
I GOT TO KNOW
IS I�M NEVER CURED.
694
00:41:42,168 --> 00:41:44,470
I WANT YOU
TO KEEP THIS WITH YOU.
695
00:41:44,505 --> 00:41:47,541
DIANE, NO.
THAT�S BOBBY�S RING.
696
00:41:47,574 --> 00:41:49,042
AND I WANT YOU
TO KEEP IT WITH YOU,
697
00:41:49,075 --> 00:41:50,711
AND WHEN THAT PRICK
REACHES OUT FROM PRISON,
698
00:41:50,744 --> 00:41:53,580
YOU HOLD BOBBY�S RING
AND REMEMBER.
699
00:41:57,518 --> 00:41:59,052
I�LL REMEMBER EVERYTHING.
700
00:41:59,085 --> 00:42:00,854
YOU REMEMBER EVERYTHING.
701
00:42:02,789 --> 00:42:04,991
[ SIGHS ]
702
00:42:05,025 --> 00:42:07,594
NOW GO GET FRANK.
703
00:42:12,132 --> 00:42:14,701
Andy: THAT�S GOOD.
THAT�S MUCH BETTER, DANNY.
704
00:42:14,735 --> 00:42:17,003
YOU, TOO.
705
00:42:17,037 --> 00:42:19,072
[ HANGS UP ]
706
00:42:54,641 --> 00:42:56,877
AS LONG AS I HAVE YOU,
707
00:42:56,910 --> 00:42:59,746
FOR AS LONG AS I HAVE YOU.
708
00:43:07,921 --> 00:43:10,924
I DO SO LIKE
GREEN EGGS AND HAM.
709
00:43:15,295 --> 00:43:17,397
THANK YOU.
710
00:43:17,430 --> 00:43:20,634
THANK YOU, SAM I AM.
711
00:43:20,684 --> 00:43:25,234
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