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1
00:00:16,917 --> 00:00:19,085
HI, ANDY.
2
00:00:19,119 --> 00:00:20,654
DOES THEO
STILL HAVE A TEMP?
3
00:00:20,687 --> 00:00:22,322
NO, HIS FOREHEAD�S COOL.
4
00:00:22,355 --> 00:00:23,924
OH, GOOD.
5
00:00:23,957 --> 00:00:26,560
HE BROKE, LIKE,
4:00 THIS MORNING.
6
00:00:26,593 --> 00:00:28,962
OH, I�M SO GLAD.
7
00:00:30,130 --> 00:00:31,565
A FEW HOURS,
8
00:00:31,598 --> 00:00:33,900
HE�LL BE PUTTING YOU
THROUGH YOUR PACES.
9
00:00:33,934 --> 00:00:35,902
THAT�LL BE ALL RIGHT.
10
00:00:35,936 --> 00:00:37,771
SO, HOW YOU DOING?
11
00:00:37,804 --> 00:00:41,041
I�M WELL.
THANKS FOR ASKING.
12
00:00:41,074 --> 00:00:42,709
HOW ABOUT YOU?
13
00:00:42,743 --> 00:00:45,178
I�M NOT THE ONE
I�M WORRIED ABOUT,
14
00:00:45,211 --> 00:00:46,513
BELIEVE ME.
15
00:00:46,547 --> 00:00:48,615
WHO ARE YOU
WORRIED ABOUT?
16
00:00:48,649 --> 00:00:51,918
WANT TO KNOW THE LAST TIME
I SAW MY PARTNER, KATIE?
17
00:00:51,952 --> 00:00:54,154
LAST NIGHT,
THE END OF THE SHIFT.
18
00:00:55,589 --> 00:00:57,591
WHEN HE TELLS ME,
TO MY FACE,
19
00:00:57,624 --> 00:00:59,593
HE�S GOING OUT
TO GET HIS LOAD ON
20
00:00:59,626 --> 00:01:01,595
BECAUSE A SKEL JUNKIE
INFORMANT
21
00:01:01,628 --> 00:01:04,030
THAT HE TOOK
TO HIS OWN APARTMENT,
22
00:01:04,064 --> 00:01:05,966
YESTERDAY THEY FIND HIM
BURNED UP
23
00:01:05,999 --> 00:01:07,734
IN SOME SHOOTING GALLERY,
24
00:01:07,768 --> 00:01:09,803
AND THIS KID ACTS
LIKE IT�S HIS FAULT.
25
00:01:09,836 --> 00:01:10,804
DANNY DOES?
26
00:01:10,837 --> 00:01:14,941
I DON�T KNOW
HOW TO HELP HIM,
27
00:01:14,975 --> 00:01:17,143
AND I DON�T KNOW
IF HE�S GETTING
28
00:01:17,177 --> 00:01:19,312
TO SOME CRISIS POINT
OR THE LIKE.
29
00:01:19,345 --> 00:01:20,747
MAYBE HE IS.
30
00:01:20,781 --> 00:01:22,482
"MAYBE HE IS"?
31
00:01:22,516 --> 00:01:23,984
GOOD, THANKS.
32
00:01:26,186 --> 00:01:28,321
I�VE BEEN
GETTING VISIONS, ANDY.
33
00:01:28,354 --> 00:01:31,825
DON�T RUN.
34
00:01:31,858 --> 00:01:36,296
DO YOU EVER SEE ANDY JR.?
35
00:01:36,329 --> 00:01:39,232
DOES HE EVER COME TO YOU
IN DREAMS?
36
00:01:39,265 --> 00:01:41,768
AH, KATIE, COME ON.
37
00:01:41,802 --> 00:01:44,771
I SEE HIM.
I DREAM ABOUT HIM.
38
00:01:44,805 --> 00:01:47,107
AND SOMETIMES
I THINK I SEE HIM
39
00:01:47,140 --> 00:01:50,110
FOR JUST A SECOND
OR TWO IN OTHER PEOPLE.
40
00:01:50,143 --> 00:01:52,846
NOT THAT THEY
REMIND ME OF HIM,
41
00:01:52,879 --> 00:01:55,181
BUT JUST FOR A SECOND
OR TWO,
42
00:01:55,215 --> 00:01:57,918
ANDY�S THERE IN THEM.
43
00:01:57,951 --> 00:01:59,986
THINKING I�D NEVER
SEE HIM AGAIN
44
00:02:00,020 --> 00:02:04,525
WAS THE WORST OF IT FOR ME
AFTER ANDY GOT KILLED.
45
00:02:04,558 --> 00:02:07,861
AND TO BEGIN TO SEE HIM
IN OTHER PEOPLE,
46
00:02:07,894 --> 00:02:10,531
EVEN FOR JUST
THOSE FEW SECONDS,
47
00:02:10,564 --> 00:02:12,866
I FEEL LIKE,
LOVING THEM,
48
00:02:12,899 --> 00:02:15,068
I GET TO LOVE ANDY AGAIN.
49
00:02:17,504 --> 00:02:20,206
I DIDN�T REALIZE IT.
50
00:02:20,240 --> 00:02:23,877
I MEAN, I DIDN�T UNDERSTAND
WHAT I WAS FEELING,
51
00:02:23,910 --> 00:02:26,012
BUT...
52
00:02:26,046 --> 00:02:28,214
THE FIRST TIME
I SAW ANDY JR.
53
00:02:28,248 --> 00:02:29,983
WAS WHEN I MET DANNY.
54
00:02:30,016 --> 00:02:33,687
AND IT�S OFTEN
A COMFORT TO ME
55
00:02:33,720 --> 00:02:35,556
WHEN I THINK OF HIM,
56
00:02:35,589 --> 00:02:38,559
AND OF ANDY JR. IN HIM,
57
00:02:38,592 --> 00:02:40,961
THAT DANNY HAS YOU
TO BE WITH HIM.
58
00:02:40,994 --> 00:02:43,630
FOR ALL THE GOOD
I�M DOING HIM.
59
00:02:43,664 --> 00:02:48,735
WE�RE ALL JUST A LITTLE PART
OF THINGS, ANDY.
60
00:02:48,769 --> 00:02:51,371
IF DANNY WATCHES OUT,
61
00:02:51,404 --> 00:02:53,907
GOD WILL PUT OTHERS
IN HIS LIFE
62
00:02:53,940 --> 00:02:55,909
WHO CARRY HIS SORROWS,
63
00:02:55,942 --> 00:02:59,846
AND THEY CAN SHOW HIM
HOW TO TURN THEM TO JOY.
64
00:03:08,622 --> 00:03:13,426
I SAW ANDY JR., TOO, ONCE,
IN A DREAM,
65
00:03:13,459 --> 00:03:16,763
VERY REALISTICALLY.
66
00:03:22,302 --> 00:03:23,604
HEY, SON.
67
00:03:23,637 --> 00:03:25,772
HI, THEO.
68
00:03:25,806 --> 00:03:28,909
[ COUGHING ]
69
00:03:28,942 --> 00:03:30,611
I WAS SICK, AUNT KATIE,
70
00:03:30,644 --> 00:03:33,079
BUT NOW I NEED YOU
TO PLAY WITH ME.
71
00:03:33,113 --> 00:03:35,549
FIRST I�M GOING TO
MAKE YOU SOME BREAKFAST.
72
00:03:35,582 --> 00:03:37,751
ALL RIGHT, LET ME
GO TO WORK NOW.
73
00:03:37,784 --> 00:03:39,686
I FEEL BETTER NOW, DADDY.
74
00:03:39,720 --> 00:03:41,154
DO YOU? GOOD.
75
00:03:43,056 --> 00:03:44,891
GOOD FOR YOU.
76
00:03:44,925 --> 00:03:46,560
GOOD FOR YOU.
77
00:03:46,593 --> 00:03:48,629
WHAT DO YOU WANT
FOR BREAKFAST?
78
00:03:48,662 --> 00:03:49,763
CANDY.
79
00:03:49,796 --> 00:03:51,765
YOU WANT TO HAVE
A CANDY WAFFLE?
80
00:03:51,798 --> 00:03:54,300
HOW ABOUT
CHOCOLATE CHIP PANCAKES
81
00:03:54,334 --> 00:03:57,370
AND PEANUT BUTTER?
YEAH?
82
00:03:57,403 --> 00:04:00,006
OKAY. WE�LL DO THAT.
83
00:05:17,518 --> 00:05:18,585
AHEM.
84
00:05:20,754 --> 00:05:21,788
MORNING, DANNY.
85
00:05:21,822 --> 00:05:22,856
MORNING.
86
00:05:22,889 --> 00:05:24,157
JOHN�S PAST THE KITCHEN.
87
00:05:24,190 --> 00:05:27,961
GOOD. THANKS.
EXCUSE ME.
88
00:05:27,994 --> 00:05:29,663
HOW�S YOUR HEAD?
89
00:05:29,696 --> 00:05:31,164
GOOD. NO PROBLEM.
90
00:06:02,863 --> 00:06:04,030
WANT SOME COFFEE?
91
00:06:04,064 --> 00:06:05,231
NO, THANKS.
92
00:06:05,265 --> 00:06:06,633
THANKS ANYWAY.
93
00:06:12,906 --> 00:06:14,808
OH, GOD, THANKS.
94
00:06:17,377 --> 00:06:19,946
DID YOU EVER SEE A PICTURE
OF BOBBY?
95
00:06:19,980 --> 00:06:22,215
NO.
96
00:06:33,994 --> 00:06:36,797
EVERYTHING YOU HEAR,
HE WAS SUCH A GREAT COP.
97
00:06:39,399 --> 00:06:41,702
I, UH,
98
00:06:41,735 --> 00:06:45,238
I WAS SO DIFFERENT
ONCE I WAS WITH HIM.
99
00:06:45,271 --> 00:06:47,007
SO HAPPY, HUH?
100
00:06:49,275 --> 00:06:51,444
I WAS JUST DIFFERENT
101
00:06:51,477 --> 00:06:53,780
FROM HOW I EVER THOUGHT
I COULD BE
102
00:06:53,814 --> 00:06:55,982
BEFORE I KNEW BOBBY.
103
00:06:56,016 --> 00:06:57,651
AND THE WAY
I�D FELT BEFORE,
104
00:06:57,684 --> 00:06:59,219
IT TURNED OUT
THAT WAS JUST
105
00:06:59,252 --> 00:07:01,321
BECAUSE OF THE WAY
I GREW UP
106
00:07:01,354 --> 00:07:07,127
OR SOME THINGS
THAT HAD HAPPENED.
107
00:07:07,160 --> 00:07:09,395
AND LOVING BOBBY,
I REALIZED THAT.
108
00:07:09,429 --> 00:07:12,332
DO YOU MIND IF I ASK
WHAT HAPPENED
109
00:07:12,365 --> 00:07:14,067
WHEN YOU WERE GROWING UP?
110
00:07:14,100 --> 00:07:18,138
YEAH. I�M NOT COMFORTABLE
TALKING ABOUT IT.
111
00:07:18,171 --> 00:07:20,006
SORRY, SORRY.
112
00:07:20,040 --> 00:07:23,009
I DON�T KNOW HOW
I COULD HAVE ASKED THAT.
113
00:07:23,043 --> 00:07:27,213
THERE ARE THINGS I�M
UNCOMFORTABLE WITH ?? PLENTY.
114
00:07:31,117 --> 00:07:32,919
IT�S, UM,
115
00:07:32,953 --> 00:07:36,022
IT�S JUST A QUESTION
116
00:07:36,056 --> 00:07:40,426
OF SOMETHING COMING
INTO OUR LIVES, DANNY,
117
00:07:40,460 --> 00:07:44,097
BEING LUCKY ENOUGH
FOR SOMETHING GOOD TO COME IN
118
00:07:44,130 --> 00:07:48,101
TO HELP US PAST
WHATEVER CAME BEFORE.
119
00:07:48,134 --> 00:07:52,506
AND THEN WE HAVE TO
BE ABLE TO SEE IT.
120
00:07:52,539 --> 00:07:55,175
WE HAVE TO WANT
TO BE ABLE TO,
121
00:07:55,208 --> 00:07:57,644
AND WE HAVE TO
KEEP OUR EYES OPEN.
122
00:07:57,678 --> 00:08:01,014
SO YOU DON�T RECOMMEND
PROLONGED BOUTS OF DRUNKENNESS.
123
00:08:01,047 --> 00:08:03,083
NEVER WORKED FOR ME.
124
00:08:05,218 --> 00:08:07,187
THANKS SO MUCH, DIANE,
125
00:08:07,220 --> 00:08:09,690
FOR LETTING ME CRASH
AND EVERYTHING ELSE.
126
00:08:11,892 --> 00:08:14,695
EVERYONE NEEDS
A PLACE TO CRASH.
127
00:08:46,693 --> 00:08:48,161
WHAT�S ANDY�S PROBLEM?
128
00:08:48,194 --> 00:08:49,830
I DON�T KNOW, D.
129
00:08:49,863 --> 00:08:51,932
WHEN ANDY�S GOT
THAT LOOK ON HIS MUG,
130
00:08:51,965 --> 00:08:53,433
YOU�D AS SOON FIRST WORK
131
00:08:53,466 --> 00:08:56,236
ON THE INS AND OUTS
IN THAT CHECHNYAN CONFLICT.
132
00:09:08,949 --> 00:09:10,884
HEY, HOW�S IT GOING, ANDY?
133
00:09:10,917 --> 00:09:12,786
NOT BAD.
134
00:09:12,819 --> 00:09:14,988
GOOD.
135
00:09:18,925 --> 00:09:21,127
THAT�S COMMAND
IN A NUTSHELL, PAL.
136
00:09:21,161 --> 00:09:23,964
ASK A QUESTION
AND DUCK THE ANSWER.
137
00:09:23,997 --> 00:09:27,433
THAT�S THE TEXTBOOK COURSE
RIGHT BEFORE YOUR EYES.
138
00:09:27,467 --> 00:09:29,570
SO THINGS
AREN�T GOING WELL.
139
00:09:29,603 --> 00:09:32,806
WHAT IS THAT TO YOU?
140
00:09:35,776 --> 00:09:38,979
CHARLIE SUNG,
FRIEND OF GREG MEDAVOY.
141
00:09:39,012 --> 00:09:40,380
CHARLES SUNG, I PRESUME.
142
00:09:40,413 --> 00:09:42,716
HOW�S IT GOING, GREG?
THANKS A LOT.
143
00:09:42,749 --> 00:09:44,484
MORE OF BOTH OF US, HUH?
144
00:09:44,518 --> 00:09:46,419
YEAH, A FEW POUNDS MORE,
CHARLIE.
145
00:09:46,452 --> 00:09:48,989
THIS IS MY PARTNER
BALDWIN JONES.
146
00:09:49,022 --> 00:09:51,592
THIS IS CHARLIE SUNG,
MANAGER AT THE WEATHERLY HOTEL.
147
00:09:51,625 --> 00:09:54,094
PLEASED TO MEET YOU,
CHARLIE.
148
00:09:54,127 --> 00:09:55,896
NOT AFRAID TO WALK THE STREETS
WITH THIS GUY, HUH?
149
00:09:55,929 --> 00:09:57,931
NO, THERE�S A NEW SPRING
IN MY STEP.
150
00:09:57,964 --> 00:10:00,066
I USED TO WORK
FOR CHARLIE NIGHTS
151
00:10:00,100 --> 00:10:02,569
WHEN I FIRST
COME ON THE JOB. CRACK SECURITY.
152
00:10:02,603 --> 00:10:06,439
YEAH, CRACK SECURITY
FLOPPING ON THE COT
153
00:10:06,472 --> 00:10:08,008
BEHIND CHARLIE�S
RECEPTION DESK.
154
00:10:08,041 --> 00:10:10,076
THAT JOB WAS CHARLIE
DOING ME A GOOD TURN
155
00:10:10,110 --> 00:10:12,946
WHERE I WAS SPREAD TOO THIN
TRYING TO MAKE ENDS MEET.
156
00:10:12,979 --> 00:10:14,681
YOU GOT TWO MINUTES?
157
00:10:14,715 --> 00:10:16,282
YEAH, SURE, DEFINITELY.
158
00:10:16,316 --> 00:10:18,151
MAYBE WE TALK IN THERE.
159
00:10:18,184 --> 00:10:20,954
SURE, YEAH, WE CAN TALK
IN THE COFFEE ROOM.
160
00:10:20,987 --> 00:10:22,823
GOOD TO MEET YOU,
CHARLIE.
161
00:10:22,856 --> 00:10:24,891
OKAY, BALDWIN.
KEEP UP THE GOOD WORK.
162
00:10:31,397 --> 00:10:34,200
COFFEE�S MY BATCH,
SO HOLD ALL WISECRACKS.
163
00:10:34,234 --> 00:10:36,637
GREG, YOU CLOSE THE DOOR?
164
00:10:36,670 --> 00:10:38,605
SURE. ABSOLUTELY.
165
00:10:38,639 --> 00:10:40,440
DON�T WORRY,
I DON�T KILL NOBODY.
166
00:10:40,473 --> 00:10:41,875
WELL, THAT�S A RELIEF.
167
00:10:41,908 --> 00:10:44,377
I GOT SOME JACKPOT
GOING ON, THOUGH, GREG,
168
00:10:44,410 --> 00:10:46,647
DAMN JACKPOT
IN 1412 AT MY PLACE.
169
00:10:46,680 --> 00:10:48,448
WHAT�S GOING ON,
CHARLIE?
170
00:10:48,481 --> 00:10:51,852
LUNATIC CHINAMAN IN 1412
GOT A HALF A DOZEN HOOKERS
171
00:10:51,885 --> 00:10:54,054
IN AND OUT
INTO HIS THIRD DAY.
172
00:10:54,087 --> 00:10:56,523
GOT THE DAMN
UNITED NATIONS UP THERE.
173
00:10:56,557 --> 00:10:58,625
YOU SCRIMPING
ON YOUR SECURITY STAFF?
174
00:10:58,659 --> 00:11:02,729
WORKS FOR AN ASSOCIATION
WISEGUY, THIS DOPE IN 1412.
175
00:11:02,763 --> 00:11:04,565
IMPORTANT I KNOW
WHICH WISEGUY?
176
00:11:04,598 --> 00:11:07,067
HE DON�T EVEN HAVE
BRAINS ENOUGH TO LIE,
177
00:11:07,100 --> 00:11:08,569
THIS DOPEY JO CHANG.
178
00:11:08,602 --> 00:11:10,637
"I DON�T PLAY
THE LOTTERY, CHARLIE."
179
00:11:10,671 --> 00:11:13,807
SO JO CHANG�S
BUYING HOOKERS
180
00:11:13,840 --> 00:11:16,910
WITH ILL?GOTTEN GAINS
HE PROBABLY CAME INTO
181
00:11:16,943 --> 00:11:18,745
AT THE EXPENSE OF SOME
ASSOCIATION BIG SHOT,
182
00:11:18,779 --> 00:11:21,481
YOU PRETEND NOT TO HEAR ME
WHEN I ASK YOU TO NAME HIM,
183
00:11:21,515 --> 00:11:24,417
IS MY SENSE OF WHERE WE ARE
WITH THIS, CHARLIE,
184
00:11:24,450 --> 00:11:26,419
EXCEPT WHAT
DO YOU WANT ME TO DO?
185
00:11:26,452 --> 00:11:29,690
COLLAR HIM, GREG.
PUT THE FEAR OF GOD IN HIM.
186
00:11:29,723 --> 00:11:32,593
SEND HIM ON A BUS
OUT OF TOWN. TICKET ON ME.
187
00:11:32,626 --> 00:11:35,596
OUR COLLARS, BY AND LARGE,
WE TEND TO PUT IN JAIL.
188
00:11:35,629 --> 00:11:38,498
PUT HIM IN JAIL, EVERYONE
GOING TO WANT TO KNOW
189
00:11:38,532 --> 00:11:41,034
HOW I LET HIM PARTY
WITH TOMMY CHOW�S MONEY.
190
00:11:41,067 --> 00:11:43,436
THEN I NEED TO STAY
OUT OF IT, CHARLIE,
191
00:11:43,469 --> 00:11:45,939
�CAUSE DROPPING A GUY OFF
AT PORT AUTHORITY
192
00:11:45,972 --> 00:11:47,774
ISN�T WHAT
THEY PAY ME FOR.
193
00:11:47,808 --> 00:11:50,343
PLUS I DIDN�T HEAR
THAT LAST NAME YOU SAID.
194
00:11:50,376 --> 00:11:54,080
ALL RIGHT.
195
00:11:54,114 --> 00:11:56,049
I�M SORRY
I CAN�T HELP YOU.
196
00:11:56,082 --> 00:11:58,585
I DON�T MEAN
TO PUT YOU IN A JACKPOT.
197
00:11:58,619 --> 00:12:01,588
IT�S JUST THAT I DON�T
GOT MY HEAD ON STRAIGHT.
198
00:12:01,622 --> 00:12:04,024
WE HAD A FEW
OF THOSE NIGHTS, DIDN�T WE?
199
00:12:04,057 --> 00:12:06,259
WE HAD NIGHTS WE DIDN�T KNOW
WHETHER WE WERE DUMPING
200
00:12:06,292 --> 00:12:07,994
OR GOING BLIND,
RIGHT, GREG?
201
00:12:15,769 --> 00:12:17,738
IS THIS
THE DETECTIVE SQUAD?
202
00:12:17,771 --> 00:12:20,073
John: YES.
CAN I HELP YOU?
203
00:12:20,106 --> 00:12:22,709
IT�S IN REGARD
TO A MURDER.
204
00:12:22,743 --> 00:12:23,977
I�M DETECTIVE SIPOWICZ.
205
00:12:24,010 --> 00:12:25,311
I�M ROGER LUNDQUIST.
206
00:12:25,345 --> 00:12:27,280
THIS IS MY GIRLFRIEND
SUGAR GRIFFIN.
207
00:12:27,313 --> 00:12:28,281
HI.
208
00:12:28,314 --> 00:12:31,117
COME ON OVER HERE.
209
00:12:32,519 --> 00:12:35,889
THESE ARE USUALLY OCCUPIED,
210
00:12:35,922 --> 00:12:38,324
BUT I DON�T KNOW
WHERE ANYONE IS.
211
00:12:42,863 --> 00:12:44,631
IT�S HORRIBLE.
212
00:12:44,665 --> 00:12:46,232
IT�S MY PARENTS.
213
00:12:46,266 --> 00:12:48,835
SOMEONE SHOT THEM
AT OUR HOME.
214
00:12:48,869 --> 00:12:51,337
THEY�RE BOTH DEAD, AND THEY�RE
LYING ON THE KITCHEN FLOOR.
215
00:12:51,371 --> 00:12:52,739
NOW?
216
00:12:52,773 --> 00:12:54,340
WE CRASHED AT SUGAR�S.
217
00:12:54,374 --> 00:12:56,076
I COME HOME THIS MORNING ??
218
00:12:56,109 --> 00:12:58,011
MY PARENTS NEVER LEAVE
THE DOOR OPEN.
219
00:12:58,044 --> 00:13:00,647
I GOT A BAD HIT, SO I THOUGHT
I�D GO IN THE BACK WINDOW
220
00:13:00,681 --> 00:13:02,849
AND GET MY DAD�S GUN,
BUT IT�S GONE.
221
00:13:02,883 --> 00:13:06,520
I FOUND THEM LAYING
ON THE KITCHEN FLOOR DEAD,
222
00:13:06,553 --> 00:13:08,321
AND THERE�S BLOOD
ALL OVER.
223
00:13:08,354 --> 00:13:09,523
YOU SAW THEM?
224
00:13:09,556 --> 00:13:11,357
NO, ROGER HAD ME
STAY OUTSIDE.
225
00:13:11,391 --> 00:13:12,492
YOU CALL 911?
226
00:13:12,526 --> 00:13:15,128
NOT YET. I JUST
HAD TO GET OUT OF THERE.
227
00:13:15,161 --> 00:13:17,030
ARE YOU ALL RIGHT
TO GO BACK?
228
00:13:17,063 --> 00:13:20,500
YEAH, WE�RE ALL RIGHT.
229
00:13:20,534 --> 00:13:22,202
MEDAVOY, JONES ??
230
00:13:22,235 --> 00:13:23,336
WHERE DO YOU LIVE?
231
00:13:23,369 --> 00:13:24,705
852 EAST 12th STREET.
232
00:13:24,738 --> 00:13:28,208
LET THE BOSS KNOW THAT
WE�RE ALL GOING OVER
233
00:13:28,241 --> 00:13:29,710
TO 852 EAST 12th STREET.
234
00:13:29,743 --> 00:13:31,778
ROGER HERE JUST REPORTED
A DOUBLE.
235
00:13:31,812 --> 00:13:32,879
SURE.
236
00:13:32,913 --> 00:13:35,448
COME ON. WE�LL RIDE OVER
IN MY CAR.
237
00:13:35,481 --> 00:13:37,250
YEAH, WHATEVER IT TAKES.
238
00:13:44,991 --> 00:13:46,960
WANT TO WORK A HOMICIDE?
239
00:13:46,993 --> 00:13:48,595
SURE, ANDY.
240
00:13:51,865 --> 00:13:54,000
MORNING, ANDY.
241
00:13:54,034 --> 00:13:56,269
YOU WERE WEARING THAT
YESTERDAY.
242
00:14:54,494 --> 00:14:57,163
NO BLOOD SPLATTER
BY THE EXIT WOUND.
243
00:15:02,002 --> 00:15:03,604
UGH.
244
00:15:03,637 --> 00:15:05,939
HALF HER FACE IS GONE.
245
00:16:02,963 --> 00:16:04,097
THEY WERE SHOT IN HERE.
246
00:16:04,130 --> 00:16:07,000
THIS IS THE BLOOD SPLATTER,
AND IT WAS CLEANED.
247
00:16:12,973 --> 00:16:15,976
THIS IS HER TONGUE.
IT WAS OVER THERE.
248
00:16:17,410 --> 00:16:22,934
THEY WERE MOVED OVER TO HERE
AND PUT IN THESE CHAIRS.
249
00:16:23,584 --> 00:16:26,820
SHE MUST HAVE
FALLEN OVER.
250
00:16:28,154 --> 00:16:31,157
THEY WERE MURDERED
IN THERE,
251
00:16:31,191 --> 00:16:37,063
THEN THEY WERE MOVED HERE
AND POSED.
252
00:17:04,791 --> 00:17:07,928
THIS IS AS SPECIFIC
AS I CAN MAKE IT.
253
00:17:07,961 --> 00:17:10,096
THE COURSE OF MY MOVEMENT
ONCE I WAS INSIDE THE HOUSE.
254
00:17:10,130 --> 00:17:12,032
THE ARROWS
INDICATING MOVEMENT?
255
00:17:12,065 --> 00:17:14,901
YOU WANT ME
TO INITIAL IT?
256
00:17:14,935 --> 00:17:16,436
SURE. THANKS.
257
00:17:16,469 --> 00:17:19,540
THIS DRY CLEANING BUSINESS
YOUR DAD HAD ??
258
00:17:19,573 --> 00:17:20,874
YEAH, HE WAS
THE SOLE OWNER.
259
00:17:20,907 --> 00:17:22,943
YOU TOLD ME THAT,
DIDN�T YOU?
260
00:17:22,976 --> 00:17:24,778
NO ANGRY PARTNERS.
261
00:17:24,811 --> 00:17:27,948
WHAT I WAS GOING TO ASK,
WAS THERE ANY ANIMOSITY
262
00:17:27,981 --> 00:17:30,050
WITH NEIGHBORING BUSINESS
TENANTS OR THE LIKE?
263
00:17:30,083 --> 00:17:33,419
I THINK THIS BUSINESS ANGLE
IS PRETTY MUCH A DEAD END.
264
00:17:35,989 --> 00:17:37,791
HOW DID YOU GET
TO KNOW ROGER?
265
00:17:37,824 --> 00:17:39,125
IN A CHAT ROOM.
266
00:17:39,159 --> 00:17:40,293
THAT�S ON THE INTERNET?
267
00:17:40,326 --> 00:17:41,427
UH?HUH.
268
00:17:41,461 --> 00:17:43,296
WHAT WAS
THE CHAT ROOM�S NAME?
269
00:17:43,329 --> 00:17:44,865
THE RAINBOW ROOM.
270
00:17:44,898 --> 00:17:46,567
THE RAINBOW ROOM, HUH?
271
00:17:46,600 --> 00:17:48,935
PEOPLE WILLING TO CONSIDER
INTERRACIAL DATING.
272
00:17:48,969 --> 00:17:50,804
HOW CLOSE HAVE YOU GOTTEN
WITH ROGER?
273
00:17:50,837 --> 00:17:53,306
ARE YOU GOING TO BE ABLE
TO HELP HIM THROUGH THIS?
274
00:17:53,339 --> 00:17:55,308
THIS IS ALL NEW TO ME.
275
00:17:55,341 --> 00:17:58,111
THIS IS
LIFE AND DEATH NOW.
276
00:17:58,144 --> 00:17:59,245
HOW DO YOU MEAN?
277
00:17:59,279 --> 00:18:00,647
THE MURDER OF TWO PARENTS
278
00:18:00,681 --> 00:18:02,215
IS LIFE AND DEATH FOR ROGER,
279
00:18:02,248 --> 00:18:04,985
AND YOU HAVE TO KNOW IF YOU�RE
WILLING TO STAND BESIDE HIM.
280
00:18:05,018 --> 00:18:06,553
HE WASN�T INVOLVED.
281
00:18:06,587 --> 00:18:08,555
HOW COULD A SON
NOT BE INVOLVED
282
00:18:08,589 --> 00:18:10,624
WHEN HIS PARENTS
ARE MURDERED?
283
00:18:10,657 --> 00:18:12,793
HOW DEEPLY ARE THE TWO
OF YOU IN LOVE?
284
00:18:12,826 --> 00:18:13,894
I DON�T KNOW.
285
00:18:13,927 --> 00:18:15,729
YOU BETTER FIGURE
THAT OUT, SUGAR,
286
00:18:15,762 --> 00:18:17,163
BECAUSE IN THIS SITUATION,
287
00:18:17,197 --> 00:18:19,299
PEOPLE LEAN ON WHATEVER
SHOULDER�S AVAILABLE.
288
00:18:19,332 --> 00:18:21,535
THEY PUT
THEIR FULL WEIGHT ON.
289
00:18:26,873 --> 00:18:29,142
DO YOU ALREADY
FEEL PRESSURED NOW?
290
00:18:29,175 --> 00:18:30,511
I FEEL SOME PRESSURE.
291
00:18:30,544 --> 00:18:32,913
DO YOU FEEL THE WEIGHT OF
BEING RESPONSIBLE FOR ROGER?
292
00:18:32,946 --> 00:18:36,249
I JUST DON�T FEEL
IT�S FAIR IN SOME WAYS.
293
00:18:36,282 --> 00:18:39,185
YOU KNOW, YOU SOUND LIKE
YOU�RE ABOUT TO CRY.
294
00:18:39,219 --> 00:18:41,187
I FEEL LIKE I�M GOING TO.
295
00:18:41,221 --> 00:18:44,525
THAT�S ALL RIGHT, SUGAR.
GO AHEAD.
296
00:18:44,558 --> 00:18:47,628
I JUST FEEL SO PRESSURED.
297
00:18:47,661 --> 00:18:48,695
YOU�RE BEING ASKED
298
00:18:48,729 --> 00:18:50,597
TO SHOULDER
A TREMENDOUS WEIGHT.
299
00:18:50,631 --> 00:18:52,999
I DON�T KNOW
IF I CAN STAND IT.
300
00:18:53,033 --> 00:18:56,102
YOU OWE IT TO YOURSELF
TO EXPLORE THOSE FEELINGS.
301
00:18:56,136 --> 00:18:58,171
I�M AFRAID OF SO MUCH.
302
00:18:58,204 --> 00:19:00,941
THESE ARE MULTIPLE MURDERS.
IT�S TERRIFYING.
303
00:19:00,974 --> 00:19:03,109
I FEEL LIKE
I COULD BE KILLED, TOO.
304
00:19:03,143 --> 00:19:04,878
ALL RIGHT, ALL RIGHT.
305
00:19:04,911 --> 00:19:06,947
THOSE ARE FEARS
COMING OUT.
306
00:19:06,980 --> 00:19:09,482
I FEEL LIKE I COULD
BE HELD RESPONSIBLE.
307
00:19:09,516 --> 00:19:12,118
WE CAN WORK THAT OUT
IF YOU STAY HONEST.
308
00:19:12,152 --> 00:19:14,020
CAN YOU PROTECT ME?
309
00:19:14,054 --> 00:19:16,623
I�M RIGHT HERE, SUGAR.
ABSOLUTELY.
310
00:19:16,657 --> 00:19:19,459
I DON�T THINK I CAN TAKE
ALL THAT WEIGHT.
311
00:19:19,492 --> 00:19:22,162
HOW CAN I TAKE SOME
OF THE WEIGHT OFF YOU?
312
00:19:22,195 --> 00:19:23,730
JUST HOLD ME.
313
00:19:32,773 --> 00:19:36,643
IS THERE ANYTHING
YOU WANT TO TELL ME?
314
00:19:36,677 --> 00:19:38,478
NO.
315
00:19:38,512 --> 00:19:41,515
NOT NOW, HUH?
316
00:19:41,548 --> 00:19:44,751
NOT YET.
317
00:19:53,226 --> 00:19:55,195
HOW�S IT GOING
WITH ROGER?
318
00:19:55,228 --> 00:19:56,763
STILL TALKING TO HIM.
319
00:19:56,797 --> 00:19:58,098
SUGAR LIKES ME,
320
00:19:58,131 --> 00:20:00,100
IF ANDY AND DANNY WANT
TO TURN HIS HEAD AROUND.
321
00:20:00,133 --> 00:20:01,367
SEE HOW THEY�RE DOING.
322
00:20:01,401 --> 00:20:02,435
I WOULDN�T WANT
323
00:20:02,468 --> 00:20:04,838
TO GET ANYONE�S NOSE
OUT OF JOINT.
324
00:20:04,871 --> 00:20:06,707
WHOSE NOSE
YOU GOT IN MIND?
325
00:20:09,976 --> 00:20:12,613
WOULD YOU SAY YOUR FOLKS
HAD A HAPPY MARRIAGE, ROGER?
326
00:20:12,646 --> 00:20:15,448
AS FAR AS ONE OF THEM
WANTING TO HAVE AN AFFAIR,
327
00:20:15,481 --> 00:20:16,750
MY MOM, NO,
328
00:20:16,783 --> 00:20:19,419
MY DAD, IT WAS POSSIBLE,
BUT I COULDN�T TELL YOU WHO.
329
00:20:19,452 --> 00:20:21,688
WHAT DO YOU DO
WHEN YOU�RE NOT AHEAD
330
00:20:21,722 --> 00:20:23,790
OF OTHER PEOPLE�S
THOUGHT PROCESSES?
331
00:20:23,824 --> 00:20:26,026
I WORK HALF?TIME
INPUTTING COMPUTER DATA
332
00:20:26,059 --> 00:20:27,594
AT A MARKETING COMPANY.
333
00:20:27,628 --> 00:20:29,863
I�VE BEEN DOING IT SINCE
I WAS IN HIGH SCHOOL
334
00:20:29,896 --> 00:20:32,232
IN ORDER TO MAKE MONEY
TO GO TO COLLEGE.
335
00:20:32,265 --> 00:20:34,701
I WENT TO COLLEGE
AT LEHIGH IN PENNSYLVANIA,
336
00:20:34,735 --> 00:20:37,437
BUT I RETURNED HOME
LAST SEMESTER.
337
00:20:37,470 --> 00:20:38,705
HOW COME?
338
00:20:38,739 --> 00:20:40,306
I WANTED A CHANGE.
339
00:20:40,340 --> 00:20:42,042
AND SO
NOW YOU�RE HOME AGAIN.
340
00:20:42,075 --> 00:20:44,711
WHAT WERE YOU UP TO
WHEN YOU WEREN�T INPUTTING?
341
00:20:44,745 --> 00:20:47,380
SUGAR AND I HAVE BEEN
GETTING HEAVILY INVOLVED,
342
00:20:47,413 --> 00:20:49,382
SO YOU COULD SAY
I�VE BEEN DOING
343
00:20:49,415 --> 00:20:51,351
A LITTLE INPUTTING
WITH HER, TOO.
344
00:20:52,753 --> 00:20:57,858
EXCUSE ME. I DIDN�T KNOW
SOMEONE WAS IN HERE.
345
00:20:59,192 --> 00:21:01,461
HOW LONG YOU AND SUGAR
BEEN GOING OUT?
346
00:21:01,494 --> 00:21:02,996
ABOUT FIVE WEEKS.
347
00:21:03,029 --> 00:21:05,732
I�LL BET YOUR PARENTS WERE
PLEASED AS PUNCH ABOUT THAT.
348
00:21:05,766 --> 00:21:08,001
I NEVER LET
MY PARENTS INPUT
349
00:21:08,034 --> 00:21:10,604
ON THE SUBJECT
OF WHO I DATE.
350
00:21:10,637 --> 00:21:12,806
WERE THEY GIVING YOU
A LITTLE ANYHOW?
351
00:21:12,839 --> 00:21:15,275
HOW DID WE GET FROM
MY PARENTS BEING MURDERED
352
00:21:15,308 --> 00:21:17,944
TO THE SUBJECT
OF ME AND SUGAR?
353
00:21:17,978 --> 00:21:19,613
EVEN AT
THE CRAZY FARES TODAY,
354
00:21:19,646 --> 00:21:21,948
I�D BE SURPRISED
IF IT WAS MORE
355
00:21:21,982 --> 00:21:24,350
THAN A BUCK AND A HALF
CAB RIDE.
356
00:21:24,384 --> 00:21:26,853
WE�RE JUST TRYING TO WORK UP
POSSIBLE MOTIVES, ROGER,
357
00:21:26,887 --> 00:21:29,422
LIKE MAYBE SUGAR�S PARENTS.
WERE THEY EVER UPSET?
358
00:21:29,455 --> 00:21:32,092
DID THEY AND YOUR FOLKS
EVER HAVE WORDS?
359
00:21:32,125 --> 00:21:33,493
THEY NEVER MET.
360
00:21:33,527 --> 00:21:36,997
SUGAR ONLY HAS A MOTHER,
AND SHE WAS THRILLED.
361
00:21:37,030 --> 00:21:39,866
WELL, WE�RE GOING TO SHOW
OUR BOSS HERE YOUR DIAGRAM
362
00:21:39,900 --> 00:21:41,835
AND INDICATE
WHAT YOU�VE TOLD US,
363
00:21:41,868 --> 00:21:44,705
AND HE�LL DECIDE IF HE WANTS US
TO TALK TO YOU MORE.
364
00:21:44,738 --> 00:21:45,806
OKAY.
365
00:21:45,839 --> 00:21:47,841
YOU WANT A SODA
OR ANYTHING?
366
00:21:47,874 --> 00:21:49,075
NO.
367
00:21:50,711 --> 00:21:53,213
SUGAR AND I MAY BE GETTING
MARRIED IN THE NEAR FUTURE.
368
00:21:53,246 --> 00:21:55,315
SWELL. LOTS OF LUCK.
369
00:21:57,417 --> 00:21:58,985
HE�S WARMING TO YOU.
370
00:21:59,019 --> 00:22:01,054
THAT�S A NUT JOB,
ALL RIGHT?
371
00:22:01,087 --> 00:22:02,322
I SENSE THAT, TOO.
372
00:22:02,355 --> 00:22:04,324
RAPPORT IS NOT
MY BIG PRIORITY.
373
00:22:04,357 --> 00:22:06,893
HOW DID IT GO
WITH THE GIRL?
374
00:22:06,927 --> 00:22:08,862
WE GOT SOMETHING WORKING.
375
00:22:08,895 --> 00:22:11,064
I HOPE IT�S NOT RAPPORT.
376
00:22:11,097 --> 00:22:13,233
THE BOSS WANTS
TO TALK TO US.
377
00:22:13,266 --> 00:22:15,401
THAT�S YOUR QUOTA,
ALL RIGHT, DANNY?
378
00:22:15,435 --> 00:22:17,904
THAT�S YOUR TOTAL
OF WISECRACKS FOR THE SHIFT.
379
00:22:17,938 --> 00:22:19,205
YEAH, OKAY.
380
00:22:29,382 --> 00:22:30,617
AHEM.
381
00:22:31,752 --> 00:22:35,255
SO, WE GETTING ANYWHERE
WITH ROGER?
382
00:22:35,288 --> 00:22:36,557
NO.
383
00:22:36,590 --> 00:22:38,258
NOT YET.
384
00:22:38,291 --> 00:22:41,528
BALDWIN FEELS LIKE
HE CAN MOVE SUGAR.
385
00:22:41,562 --> 00:22:42,896
I GUESS I�M WONDERING
386
00:22:42,929 --> 00:22:45,498
YOU WANT ME TO MOVE HER
BY HERSELF,
387
00:22:45,532 --> 00:22:48,769
OR TALK TO THEM TOGETHER
AND GET ROGER WORKED UP?
388
00:22:48,802 --> 00:22:50,704
YOU GUESS
YOU�RE WONDERING THAT?
389
00:22:50,737 --> 00:22:52,238
THAT�S WHAT
I�M WONDERING.
390
00:22:52,272 --> 00:22:54,708
YOU FEEL THAT�S A GOOD IDEA,
I TAKE IT?
391
00:22:54,741 --> 00:22:56,510
GAVE IT
YOUR PRE?EXISTING APPROVAL?
392
00:22:56,543 --> 00:22:59,112
I SUGGESTED BALDWIN
GO OVER IT WITH YOU.
393
00:22:59,145 --> 00:23:00,614
THEN WHAT�S THIS
CONVERSATION ABOUT?
394
00:23:00,647 --> 00:23:02,516
I THINK
IT�S A GOOD IDEA.
395
00:23:02,549 --> 00:23:04,384
THIS IS ANOTHER COUNTY
HEARD FROM ??
396
00:23:04,417 --> 00:23:07,053
WHERE THEY COME TO WORK WEARING
CLOTHES FROM THE DAY BEFORE.
397
00:23:07,087 --> 00:23:08,454
HE GIVES HIS APPROVAL.
398
00:23:08,488 --> 00:23:10,456
I�M NOT TRYING
TO TAKE YOUR INTERVIEW.
399
00:23:10,490 --> 00:23:12,726
IF YOU WANT TO KEEP
WORKING THEM SEPARATE...
400
00:23:12,759 --> 00:23:14,528
I�LL KEEP MY OPINION
TO MYSELF,
401
00:23:14,561 --> 00:23:17,831
SINCE IT DON�T COUNT
FOR NOTHING ANYWAYS.
402
00:23:25,071 --> 00:23:28,942
EXCUSE ME
WHILE I GO BURP MY PARTNER.
403
00:23:40,186 --> 00:23:42,989
NOW WE GOT IT WHERE IT�S
SUPPOSED TO BE, RIGHT, ANDY?
404
00:23:43,023 --> 00:23:44,490
KEEPING YOU HAPPY.
405
00:23:44,525 --> 00:23:46,492
YOU GOT
MY ATTITUDES CONFUSED.
406
00:23:46,527 --> 00:23:48,328
NO, I UNDERSTAND
YOU�RE PISSED OFF.
407
00:23:48,361 --> 00:23:49,830
"KEEPING YOU HAPPY"
408
00:23:49,863 --> 00:23:52,232
REFERRED TO WHAT YOU
FIGURE�S MY JOB IN LIFE.
409
00:23:52,265 --> 00:23:54,434
YOU�RE FULL?TIME OCCUPIED
BEING A SMART MOUTH.
410
00:23:54,467 --> 00:23:56,302
I WAS UPSET
THAT KID DIED.
411
00:23:56,336 --> 00:23:58,204
I STAYED THE NIGHT
AT DIANE�S.
412
00:24:01,875 --> 00:24:03,176
YOU DID.
413
00:24:03,209 --> 00:24:05,445
IF I�D BEEN
IN A BAR FIGHT
414
00:24:05,478 --> 00:24:08,782
OR IF I�D SPENT THE NIGHT
PASSED OUT IN AN ALLEY,
415
00:24:08,815 --> 00:24:11,284
DON�T YOU THINK I�D HAVE
MORE MIRE ON ME?
416
00:24:11,317 --> 00:24:13,253
I SEE.
417
00:24:13,286 --> 00:24:15,856
AND WAS SHE
SOME COMFORT TO YOU?
418
00:24:15,889 --> 00:24:18,191
HELL, YEAH,
SHE WAS A COMFORT TO ME.
419
00:24:18,224 --> 00:24:20,694
LET ME SLEEP MY LOAD OFF
ON HER SOFA.
420
00:24:20,727 --> 00:24:22,596
I SEE.
421
00:24:22,629 --> 00:24:24,330
I APPRECIATE
YOUR CONCERN FOR ME.
422
00:24:24,364 --> 00:24:26,667
I GOT OTHER THINGS
TO WORRY ABOUT, BELIEVE ME.
423
00:24:26,700 --> 00:24:27,834
I KNOW.
424
00:24:27,868 --> 00:24:29,169
BELIEVE YOU ME.
425
00:24:29,202 --> 00:24:31,404
I KNOW, ANDY.
426
00:24:33,173 --> 00:24:38,178
I APOLOGIZE
GETTING INTO BALL BREAKING.
427
00:24:38,211 --> 00:24:39,880
THAT�S A NATURAL RECOURSE.
428
00:24:47,654 --> 00:24:51,057
SO YOU WANT TO GO
WATCH JONES DEMONSTRATE
429
00:24:51,091 --> 00:24:53,059
HIS BIG RAPPORT
WITH THIS GIRL?
430
00:24:53,093 --> 00:24:55,562
YOU FIGURE HIS RAPPORT
IS PRETTY BIG?
431
00:24:55,596 --> 00:24:57,864
I DON�T BUY
ANY OF THAT CRAP.
432
00:25:12,913 --> 00:25:14,014
Sugar: I DON�T KNOW
433
00:25:14,047 --> 00:25:16,182
IF I FEEL LIKE TALKING
TO ROGER RIGHT NOW.
434
00:25:16,216 --> 00:25:18,585
WE JUST NEED TO SQUARE
A COUPLE OF THINGS UP.
435
00:25:18,619 --> 00:25:20,320
WHAT DO YOU MEAN?
436
00:25:20,353 --> 00:25:22,856
WE�RE IN HERE,
RIGHT, ANDY?
437
00:25:22,889 --> 00:25:24,224
YEAH, RIGHT IN HERE.
438
00:25:30,030 --> 00:25:31,598
HOPE WE HAVE
ENOUGH CLEAN TOWELS.
439
00:25:31,632 --> 00:25:33,567
OH, GOOD.
HOW ARE YOU?
440
00:25:33,600 --> 00:25:35,035
HOW YOU DOING?
441
00:25:35,068 --> 00:25:37,704
WHY DON�T YOU
SIT HERE, SUGAR?
442
00:25:37,738 --> 00:25:40,273
HOW ARE YOU DOING?
443
00:25:40,306 --> 00:25:41,608
I�M OKAY.
444
00:25:41,642 --> 00:25:45,445
I THINK SHE�S DOING OKAY
UNDER THE CIRCUMSTANCES.
445
00:25:45,478 --> 00:25:46,947
YEAH? THAT�S GREAT.
446
00:25:46,980 --> 00:25:49,182
YOU TOLD ME YOU�RE UPSET,
BUT WITH THE CIRCUMSTANCES,
447
00:25:49,215 --> 00:25:51,618
THAT�S NATURAL
AND EVEN HEALTHY.
448
00:25:51,652 --> 00:25:53,086
WE�RE GOING
TO GET THROUGH THIS.
449
00:25:53,119 --> 00:25:55,055
WE�RE GOING
TO DO SOME GRIEF WORK.
450
00:25:55,088 --> 00:25:57,591
YOU WANT TO ASK
WHATEVER YOU WANT TO ASK
451
00:25:57,624 --> 00:25:59,392
SO HER AND ME
CAN GET OUT?
452
00:25:59,425 --> 00:26:02,896
WE WANTED YOU AND SUGAR
TO GO OVER YOUR DIAGRAM.
453
00:26:02,929 --> 00:26:05,231
THAT�S NATURAL, TOO.
454
00:26:05,265 --> 00:26:07,200
HE�S GOING
TO BE UPSET, TOO.
455
00:26:07,233 --> 00:26:09,536
HEY, SHUT UP, ALL RIGHT?
456
00:26:09,570 --> 00:26:11,271
TAKE IT EASY, ROGER.
457
00:26:11,304 --> 00:26:13,373
WHAT�S COMING OUT NOW
IS NATURAL.
458
00:26:13,406 --> 00:26:14,641
YOU WANT TO TAKE
YOUR ARM OFF HER?
459
00:26:14,675 --> 00:26:18,444
ABSOLUTELY. YOU WANT ME
TO TAKE MY ARM OFF,
460
00:26:18,478 --> 00:26:21,147
OR DOES IT MAKE
YOU FEEL BETTER?
461
00:26:21,181 --> 00:26:23,083
IT DOES
MAKE ME FEEL BETTER.
462
00:26:23,116 --> 00:26:25,886
YOU TELL ME WHEN,
AND I�LL TAKE MY ARM OFF.
463
00:26:25,919 --> 00:26:28,855
ASK HER WHAT YOU WANT
TO ASK HER ABOUT THE DIAGRAM.
464
00:26:30,924 --> 00:26:33,459
SEE DOES THAT SQUARE
WITH HOW SHE REMEMBERS IT.
465
00:26:33,493 --> 00:26:36,897
WHERE IT�S GOT YOU, IS THAT HOW
YOU REMEMBER WHERE YOU WERE?
466
00:26:36,930 --> 00:26:41,167
I DON�T WANT TO HAVE
ANYTHING TO DO WITH IT.
467
00:26:41,201 --> 00:26:43,003
YOU�RE INVOLVED. GIVE US
THIS MUCH COOPERATION.
468
00:26:43,036 --> 00:26:44,337
I WASN�T INVOLVED.
469
00:26:44,370 --> 00:26:45,438
RELAX.
470
00:26:45,471 --> 00:26:48,008
I WASN�T INVOLVED,
AND HE KNOWS IT,
471
00:26:48,041 --> 00:26:49,643
EVEN IF
HE TELLS YOU LIES.
472
00:26:49,676 --> 00:26:51,578
NO ONE SAYS
YOU�RE INVOLVED,
473
00:26:51,612 --> 00:26:53,847
SO JUST SHUT
YOUR STUPID MOUTH!
474
00:26:53,880 --> 00:26:56,850
SUGAR, NOW I�M GETTING A WHOLE
DIFFERENT FEELING OFF THIS.
475
00:26:56,883 --> 00:26:59,920
SHOULD YOU AND ME BE TALKING
BACK IN THE OTHER ROOM?
476
00:26:59,953 --> 00:27:02,523
DON�T BE STUPID.
DON�T BE STUPID.
477
00:27:02,556 --> 00:27:05,325
DON�T CALL ME STUPID.
I TOLD YOU ABOUT THAT.
478
00:27:05,358 --> 00:27:07,260
THEN SHUT
YOUR STUPID MOUTH!
479
00:27:07,293 --> 00:27:09,195
ALL RIGHT.
480
00:27:09,229 --> 00:27:11,532
EVERYONE�S UPSET.
481
00:27:11,565 --> 00:27:13,867
BECAUSE MY PARENTS WERE
MURDERED BY INTRUDERS.
482
00:27:13,900 --> 00:27:16,603
DOES IT MAKE SENSE TO HAVE
SEPARATE CONVERSATIONS?
483
00:27:16,637 --> 00:27:19,139
I THINK THAT�S
THE WAY TO GO.
484
00:27:19,172 --> 00:27:22,008
THEY WERE MURDERED
BY UNKNOWN INTRUDERS.
485
00:27:22,042 --> 00:27:23,544
COME ON, SUGAR,
486
00:27:23,577 --> 00:27:25,746
UNTIL EVERYONE�S
CALMED DOWN.
487
00:27:27,914 --> 00:27:30,684
ALL WE WANT TO DO IS GET ON
WITH THE REST OF OUR LIVES,
488
00:27:30,717 --> 00:27:33,086
TO THE HOUSE
WE HAVE IN LEHIGH.
489
00:27:34,521 --> 00:27:38,792
STUPID BLACK BITCH.
490
00:27:38,825 --> 00:27:41,962
WELL, ROG,
WHAT CAN YOU DO?
491
00:27:41,995 --> 00:27:44,397
HE�S GOING TO TAKE
TOTAL CONTROL OF HER MIND.
492
00:27:44,430 --> 00:27:46,366
THEY DID SEEM
TO HAVE RAPPORT.
493
00:27:46,399 --> 00:27:48,501
GET HER TELLING
SOME INSANE STORY.
494
00:27:53,540 --> 00:27:55,408
I DON�T WANT
TO BE EXECUTED.
495
00:27:55,441 --> 00:27:57,410
YOU�RE NOT GOING
TO BE, SUGAR.
496
00:27:57,443 --> 00:28:00,413
I SWEAR I DIDN�T HAVE
ANYTHING TO DO WITH IT,
497
00:28:00,446 --> 00:28:02,916
BUT ?? BUT ROGER
HAD ME SO SCARED.
498
00:28:02,949 --> 00:28:05,886
DID HE TELL YOU WE�D THINK
YOU WERE AN ACCOMPLICE?
499
00:28:05,919 --> 00:28:07,320
WHEN HE CAME OVER,
500
00:28:07,353 --> 00:28:10,323
HE SAID MY ONLY CHANCE
WAS STICKING WITH THE STORY
501
00:28:10,356 --> 00:28:12,325
AND THEN
LEAVING TOWN WITH HIM.
502
00:28:12,358 --> 00:28:14,327
HE WAS COVERED IN BLOOD,
503
00:28:14,360 --> 00:28:16,863
AND HE SAID ?? HE SAID
IF HE GOT CAUGHT,
504
00:28:16,897 --> 00:28:19,365
HE�D TELL YOU
I WAS A PART OF IT.
505
00:28:19,399 --> 00:28:21,267
ALL RIGHT.
IT�S ALL RIGHT.
506
00:28:21,301 --> 00:28:23,103
I DON�T WANT TO DIE.
507
00:28:23,136 --> 00:28:24,605
YOU KNOW WHAT, SUGAR?
508
00:28:24,638 --> 00:28:27,107
I PROMISE
YOU ARE NOT GOING TO DIE
509
00:28:27,140 --> 00:28:28,609
OR GO TO JAIL.
510
00:28:28,642 --> 00:28:30,677
ALL THE BAD STUFF
IS OVER.
511
00:28:30,711 --> 00:28:34,114
ALL I DID WAS TALK
TO SOMEONE IN A CHAT ROOM.
512
00:28:40,086 --> 00:28:43,123
WHAT A STUPID BITCH,
HUH, ROG?
513
00:28:43,156 --> 00:28:45,759
IF SHE COULD HAVE
JUST GOT THROUGH THIS,
514
00:28:45,792 --> 00:28:48,595
THEN SUGAR
WOULD HAVE HAD IT MADE.
515
00:28:48,629 --> 00:28:50,463
SHE COULD HAVE SPENT
HOWEVER LONG
516
00:28:50,496 --> 00:28:52,465
YOU WERE GOING
TO LET HER LIVE
517
00:28:52,498 --> 00:28:54,968
SHUT UP IN THAT HOUSE
THERE IN LEHIGH
518
00:28:55,001 --> 00:28:57,470
WHERE SHE DIDN�T KNOW
ONE DAMN SOUL,
519
00:28:57,504 --> 00:28:59,472
GETTING BRAINWASHED
WORSE EVERY DAY
520
00:28:59,506 --> 00:29:01,975
HOW SHE WAS CO?CONSPIRATOR
IN A DOUBLE MURDER
521
00:29:02,008 --> 00:29:05,245
EVEN THOUGH SHE DIDN�T KNOW
ONE DAMN THING ABOUT IT
522
00:29:05,278 --> 00:29:07,748
TILL SHE SAW
YOUR PARENTS DEAD.
523
00:29:09,950 --> 00:29:12,786
HOW EVERYONE WAS GOING
TO THINK THAT ANYWAY,
524
00:29:12,819 --> 00:29:15,388
SO SHE BETTER STAY
IN THAT HOUSE WITH YOU
525
00:29:15,421 --> 00:29:18,792
AND DO EVERY DAMN THING
THAT YOU TOLD HER TO,
526
00:29:18,825 --> 00:29:22,262
AND YOU HAD A FEW THINGS
IN MIND, DIDN�T YOU, ROG?
527
00:29:22,295 --> 00:29:24,064
A FEW HOOPS
YOU WERE GOING
528
00:29:24,097 --> 00:29:27,968
TO PUT SUGAR THROUGH TILL
YOU FINALLY KILLED HER, TOO.
529
00:29:28,001 --> 00:29:31,137
OF COURSE, EVEN AFTER, YOU MIGHT
NOT HAVE BEEN DONE WITH HER,
530
00:29:31,171 --> 00:29:32,172
RIGHT, ROG?
531
00:29:32,205 --> 00:29:35,441
POSING YOUR PARENTS
HOW YOU DID ??
532
00:29:35,475 --> 00:29:36,943
AFTER YOU KILLED SUGAR
533
00:29:36,977 --> 00:29:41,014
IS WHEN THINGS MIGHT HAVE
JUST BEEN GETTING STARTED.
534
00:29:41,047 --> 00:29:42,683
YOU ARE SICK.
535
00:29:42,716 --> 00:29:45,351
YOU ARE SICK
FOR KNOWING!
536
00:29:45,385 --> 00:29:48,722
YEAH. YOU WANT TO TELL ME
ALL ABOUT IT?
537
00:30:05,405 --> 00:30:08,308
YOUR FRIEND THAT SPOKE WITH
YOU EARLIER ?? MR. SUNG?
538
00:30:08,341 --> 00:30:09,475
WHAT ABOUT HIM?
539
00:30:09,510 --> 00:30:11,712
HE�S WAITING FOR YOU
IN THE BATHROOM.
540
00:30:25,559 --> 00:30:27,227
WHAT�S THE MATTER,
CHARLIE?
541
00:30:27,260 --> 00:30:28,962
SOME JACKPOT NOW, GREG.
542
00:30:28,995 --> 00:30:31,131
EVERY JACKPOT BELL
GOING OFF.
543
00:30:31,164 --> 00:30:32,799
THE WHOLE CASINO.
544
00:30:32,833 --> 00:30:34,901
OVER WHAT?
545
00:30:34,935 --> 00:30:37,170
GO TO TOMMY CHOW�S
TO TAKE MY MEDICINE,
546
00:30:37,203 --> 00:30:39,039
GIVE UP
THIS DOPEY JO CHANG
547
00:30:39,072 --> 00:30:41,474
PROBABLY PARTYING IN MY PLACE
ON TOMMY�S MONEY,
548
00:30:41,508 --> 00:30:44,044
TOMMY CHOW�S APARTMENT
LOOK LIKE A CYCLONE HIT.
549
00:30:44,077 --> 00:30:46,580
LOOK LIKE MADISON SQUARE
DAMN GARDEN.
550
00:30:46,613 --> 00:30:49,482
RANSACKED,
OR LIKE VIOLENCE WENT ON?
551
00:30:49,516 --> 00:30:52,686
LIKE A CHINAMAN ROLLED UP
IN AN ORIENTAL RUG.
552
00:30:52,719 --> 00:30:55,656
AND YOU�RE MAKING THIS GUY
CARRYING ON IN ROOM 1412
553
00:30:55,689 --> 00:30:58,191
A CANDIDATE FOR GRABBING
TOMMY CHOW UP?
554
00:30:58,224 --> 00:31:01,862
I MAKE THIS DOPEY JO CHANG
ELECTED, GREG ??
555
00:31:01,895 --> 00:31:03,530
100% OF THE VOTE.
556
00:31:03,564 --> 00:31:06,533
ANYWAYS, I GOT A BASIS NOW
FOR GOING OVER THERE.
557
00:31:06,567 --> 00:31:09,002
I�LL SEND A SECTOR CAR
BY TOMMY CHOW�S.
558
00:31:09,035 --> 00:31:10,871
NOT OFF MY SAY?SO.
559
00:31:10,904 --> 00:31:12,873
THE SECTOR CAR
WILL MAKE
560
00:31:12,906 --> 00:31:14,875
A ROUTINE STOP
AT TOMMY CHOW�S,
561
00:31:14,908 --> 00:31:17,878
AND I�LL GO OVER TO THE HOTEL
WITH YOU. RELAX, CHARLIE.
562
00:31:17,911 --> 00:31:20,213
YEAH, RELAX.
563
00:31:20,246 --> 00:31:22,015
CHARLIE SUNG ??
VICE PRESIDENTIAL
564
00:31:22,048 --> 00:31:24,551
RUNNING MATE
FOR DOPEY JO CHANG.
565
00:31:24,585 --> 00:31:28,555
THE BALLS?IN?THE?VISE
DAMN POLITICAL PARTY.
566
00:31:28,589 --> 00:31:29,990
COME ON.
567
00:31:32,993 --> 00:31:36,797
JUST LET ME GO
DRUM UP MY PARTNER.
568
00:31:38,999 --> 00:31:41,434
YOU KNOW WHAT JOHN IRVIN,
OUR P. A. A.,
569
00:31:41,467 --> 00:31:43,537
HAS IN HIS DESK DRAWER,
CHARLIE,
570
00:31:43,570 --> 00:31:47,273
THAT MIGHT VERY MUCH BE
OF INTEREST TO YOU JUST NOW?
571
00:31:47,307 --> 00:31:50,143
A MINIATURE
ZEN ROCK GARDEN.
572
00:31:50,176 --> 00:31:51,645
OH, YEAH?
573
00:31:51,678 --> 00:31:54,114
YES.
574
00:31:54,147 --> 00:31:55,649
WITH A TINY RAKE
575
00:31:55,682 --> 00:31:58,118
YOU RAKE
THE GARDEN SAND WITH.
576
00:31:58,151 --> 00:32:00,486
IT BRINGS YOU HARMONY
577
00:32:00,521 --> 00:32:02,789
WHEN YOU�RE ALL
WROUGHT UP.
578
00:32:02,823 --> 00:32:07,127
GREG, WE GOING OVER
TO MY PLACE OR WHAT?
579
00:32:07,160 --> 00:32:09,029
YEAH. I�LL JUST
GO GET BALDWIN.
580
00:32:10,597 --> 00:32:13,499
I�M SURE
IT�S A NICE GARDEN.
581
00:32:13,534 --> 00:32:17,303
TH?THEY�RE NOT
FOR EVERYONE.
582
00:32:21,508 --> 00:32:23,143
[ KNOCK ON DOOR ]
583
00:32:23,176 --> 00:32:25,478
CHARLIE, YOU DON�T
COME IN STILL?
584
00:32:25,512 --> 00:32:27,614
I�LL COME IN, JOEY.
MY FRIEND GREG.
585
00:32:27,648 --> 00:32:28,615
OKAY, GREG.
586
00:32:28,649 --> 00:32:30,150
MY FRIEND BALDWIN.
587
00:32:30,183 --> 00:32:31,151
OKAY, BALDWIN.
588
00:32:31,184 --> 00:32:32,352
OKAY, JOEY.
589
00:32:32,385 --> 00:32:35,255
PAINT TOENAILS ??
GINGER AND KIM.
590
00:32:35,288 --> 00:32:36,857
HELLO, GIRLS.
591
00:32:36,890 --> 00:32:40,260
THIS GREG AND CHARLIE
AND BALDWIN.
592
00:32:40,293 --> 00:32:42,162
HELLO, GREG
AND CHARLIE. HI, BALDWIN.
593
00:32:42,195 --> 00:32:44,665
YOU WANT TO THROW
HUMP, GREG?
594
00:32:44,698 --> 00:32:46,032
I�M GOOD.
595
00:32:46,066 --> 00:32:47,200
TWO MORE, JACUZZI ??
596
00:32:47,233 --> 00:32:49,836
TIFFY
AND GINGER NUMBER TWO.
597
00:32:49,870 --> 00:32:52,372
YOU KNOW, I THINK MAYBE
THEY SHOULD COME OUT ??
598
00:32:52,405 --> 00:32:54,207
TIFFY AND GINGER NUMBER TWO.
599
00:32:54,240 --> 00:32:55,542
I�LL BE IN THE JACUZZI.
600
00:32:55,576 --> 00:32:57,210
THROW HUMP
ANYONE YOU WANT.
601
00:32:57,243 --> 00:33:01,214
WHY DON�T WE SIT DOWN HERE
AND GET OUR BEARINGS, JOEY?
602
00:33:01,247 --> 00:33:04,885
[ SPEAKS CHINESE ]
603
00:33:04,918 --> 00:33:07,120
I PAY FOR ALL REPAIR,
CHARLIE.
604
00:33:07,153 --> 00:33:08,555
$500 FOR CIGARETTE BURN.
605
00:33:08,589 --> 00:33:10,390
I DON�T SMOKE, GREG.
606
00:33:10,423 --> 00:33:13,026
YEAH, WELL, THAT�S
ONE VICE YOU DON�T HAVE.
607
00:33:14,895 --> 00:33:17,864
NEW SHOOTER, GIRLS.
WANT TO COME OUT A SEC?
608
00:33:17,898 --> 00:33:20,400
YOU WANT TO HELP ME
WORK THIS NOZZLE?
609
00:33:20,433 --> 00:33:22,368
NO. DON�T GET SMART
WITH ME. COME ON OUT.
610
00:33:22,402 --> 00:33:24,037
WHO ARE YOU?
611
00:33:24,070 --> 00:33:26,206
YEAH.
USE YOUR IMAGINATION.
612
00:33:26,239 --> 00:33:28,975
IF I USE MY IMAGINATION,
YOU�RE COMING INTO THIS TUB.
613
00:33:29,009 --> 00:33:31,077
COME ON.
614
00:33:31,111 --> 00:33:33,714
COME ON.
615
00:33:33,747 --> 00:33:36,249
SON OF A BITCH.
[ Speaks Chinese ]
616
00:33:36,282 --> 00:33:38,351
GREG, CIGARETTE BURNS
ON THE WURLITZER.
617
00:33:38,384 --> 00:33:39,753
$500 FOR THE WURLITZER.
618
00:33:39,786 --> 00:33:41,755
DID YOU HIT
THE LOTTERY, JOEY?
619
00:33:41,788 --> 00:33:44,257
I SEND ALL MONEY HOME.
ALL MONEY I EARN.
620
00:33:44,290 --> 00:33:45,926
THIS MONEY, I PARTY.
621
00:33:45,959 --> 00:33:48,829
WHERE THE HELL DID YOU GET
THE MONEY, JOEY?
622
00:33:48,862 --> 00:33:51,231
HEY, LOOK, DO YOU MAYBE
WANT US TO GO?
623
00:33:51,264 --> 00:33:52,599
MAYBE WE SHOULD ALL GO.
624
00:33:52,633 --> 00:33:55,168
NO, I WANT YOU
TO STAY THERE
625
00:33:55,201 --> 00:33:58,071
AND DO EACH OTHER�S TOES
AND BE QUIET UNTIL I�M READY.
626
00:33:58,104 --> 00:33:59,272
THIS MONEY I PARTY!
627
00:33:59,305 --> 00:34:01,908
WE SEE
HOW YOU PARTY, JOEY.
628
00:34:01,942 --> 00:34:03,610
WHAT�S WORRYING CHARLIE
629
00:34:03,644 --> 00:34:06,446
IS IF YOU DID SOMETHING
MAYBE INVOLVING TOMMY CHOW
630
00:34:06,479 --> 00:34:08,782
TO GET THE MONEY
THAT YOU�RE PARTYING WITH.
631
00:34:08,815 --> 00:34:10,250
TOMMY CHOW MY BOSS.
632
00:34:10,283 --> 00:34:12,452
YEAH, AND AT PRESENT,
HE�S MISSING,
633
00:34:12,485 --> 00:34:15,622
AND IT LOOKS AS IF SOMETHING
HAPPENED IN HIS APARTMENT,
634
00:34:15,656 --> 00:34:18,625
AND HERE YOU ARE MAKING WHAT,
A FAST $200 A WEEK?
635
00:34:18,659 --> 00:34:21,061
$145 A WEEK,
AFTER TRANSPORTATION FEE.
636
00:34:21,094 --> 00:34:24,264
[ SPEAKS CHINESE ]
637
00:34:24,297 --> 00:34:26,066
HE WANTS ME TO TELL YOU
638
00:34:26,099 --> 00:34:28,602
THAT FOR THE FIRST
EIGHT YEARS HERE,
639
00:34:28,635 --> 00:34:30,470
THEY TAKE
TRANSPORTATION FEE,
640
00:34:30,504 --> 00:34:33,139
LIKE THAT HAS SOMETHING TO DO
WITH THE PRICE OF EGGS.
641
00:34:33,173 --> 00:34:35,141
LOOK BAD FOR ME, GREG?
642
00:34:35,175 --> 00:34:36,610
I�M A COP, JOEY.
643
00:34:36,643 --> 00:34:39,312
LET�S SEE
IF WE CAN HANDLE THIS.
644
00:34:39,345 --> 00:34:42,115
LOOK BAD.
645
00:34:45,185 --> 00:34:47,554
EASY, JOEY. EASY, EASY.
646
00:34:47,588 --> 00:34:50,156
SON OF A BITCH
BASTARD TOMMY CHOW!
647
00:34:50,190 --> 00:34:52,826
NO MORE TRANSPORTATION FEE
FOR TOMMY!
648
00:34:52,859 --> 00:34:54,394
AW, BROTHER.
649
00:34:54,427 --> 00:34:56,797
PUT YOUR HANDS
BEHIND YOUR HEAD.
650
00:34:56,830 --> 00:34:59,666
SOMEONE COVER THAT UP.
651
00:34:59,700 --> 00:35:01,635
Jo: I�M ARRESTED NOW,
I KNOW.
652
00:35:01,668 --> 00:35:03,336
YEAH, NOW YOU�RE ARRESTED.
653
00:35:03,369 --> 00:35:05,371
I HAVE SOME
TWO GOOD DAYS, CHARLIE.
654
00:35:24,958 --> 00:35:26,192
AHEM.
655
00:35:29,395 --> 00:35:30,564
EXCUSE ME.
656
00:35:35,636 --> 00:35:38,539
AM I TOO CLOSE? YOU WANT ME
TO BACK UP FURTHER?
657
00:35:38,572 --> 00:35:40,641
WHAT DO YOU WANT, DANNY?
658
00:35:40,674 --> 00:35:43,443
I JUST WANTED
TO APOLOGIZE
659
00:35:43,476 --> 00:35:45,979
FOR ANY BAD BEHAVIOR
I MIGHT HAVE DONE.
660
00:35:46,012 --> 00:35:49,115
YOU STILL IFFY IF ANY
OF YOUR BEHAVIOR WAS BAD?
661
00:35:49,149 --> 00:35:51,885
I WANT TO APOLOGIZE.
I�M SORRY, YOU KNOW?
662
00:35:51,918 --> 00:35:54,354
MAYBE I COULD BE
MORE ELOQUENT OVER DINNER.
663
00:35:54,387 --> 00:35:56,990
NO, I DON�T THINK SO.
664
00:35:57,023 --> 00:35:59,225
NO, HUH?
665
00:35:59,259 --> 00:36:01,562
BUT I�D LIKE
TO PICK UP MY CLOTHES.
666
00:36:01,595 --> 00:36:03,196
SURE. OKAY.
667
00:36:03,229 --> 00:36:05,465
MY MOM WOUND UP
HATING MY DAD
668
00:36:05,498 --> 00:36:07,801
FOR THE SAME THINGS
THAT MADE HER FALL IN LOVE.
669
00:36:07,834 --> 00:36:10,571
I�M NOT GOING TO LET MYSELF
GET THAT WAY ABOUT YOU,
670
00:36:10,604 --> 00:36:13,139
BUT I NEED
TO GET MY THINGS.
671
00:36:13,173 --> 00:36:14,875
GOOD.
672
00:36:14,908 --> 00:36:17,410
SO MAYBE WE COULD
HAVE A FRIENDLY DINNER.
673
00:36:17,443 --> 00:36:19,345
WHY DON�T YOU HAVE IT
674
00:36:19,379 --> 00:36:22,315
WITH WHOEVER YOU SPENT
LAST NIGHT WITH?
675
00:36:22,348 --> 00:36:24,150
AH.
676
00:36:24,184 --> 00:36:26,152
ANYWAYS,
THAT�LL HAVE TO BE YOU
677
00:36:26,186 --> 00:36:28,221
COMING TO GET YOUR STUFF.
678
00:36:28,254 --> 00:36:30,824
YEAH, I�LL COME
WHEN I�M DONE WITH WORK.
679
00:36:30,857 --> 00:36:33,059
WELL, THAT�S GOING TO BE
ME ANSWERING THE DOOR.
680
00:36:33,093 --> 00:36:34,861
OKAY.
681
00:36:54,280 --> 00:36:56,182
GOING TO MURDER
THE GIRLFRIEND, TOO,
682
00:36:56,216 --> 00:36:57,684
THIS ROGER.
683
00:36:57,718 --> 00:37:01,287
HE HAD A LITTLE DUNGEON
SET UP FOR HER UPSTATE.
684
00:37:05,225 --> 00:37:06,960
SORENSON HAPPENED TO SAY
685
00:37:06,993 --> 00:37:10,631
THAT HE FLOPPED
ON YOUR SOFA LAST NIGHT.
686
00:37:10,664 --> 00:37:12,633
YEAH.
687
00:37:12,666 --> 00:37:15,802
YOU LET HIM
SLEEP HIS LOAD OFF?
688
00:37:15,836 --> 00:37:17,938
HE HAD A LOUSY DAY
YESTERDAY.
689
00:37:17,971 --> 00:37:20,941
YOU WERE SOME HELP,
690
00:37:20,974 --> 00:37:24,144
WHERE I?I JUST
GET AGGRAVATED
691
00:37:24,177 --> 00:37:27,147
AND I CAN�T GET THROUGH TO
HIS SQUARE?HEADED THINKING.
692
00:37:27,180 --> 00:37:30,551
YOU FIGURE THE BIG OBSTACLE
IS HIS NORWEGIAN HERITAGE.
693
00:37:30,584 --> 00:37:32,853
OR WHATEVER
MY PROBLEM IS.
694
00:37:35,455 --> 00:37:38,458
I GOT TO TELL HIM
A LITTLE BIT ABOUT BOBBY.
695
00:37:38,491 --> 00:37:40,493
YOU DID?
696
00:37:40,527 --> 00:37:44,030
HE�D NEVER SEEN
BOBBY�S PICTURE.
697
00:37:46,132 --> 00:37:50,303
DANNY NEEDS
JUST TO LOVE SOMEONE.
698
00:37:50,336 --> 00:37:52,839
THEN EVERYTHING
WILL CHANGE FOR HIM.
699
00:37:55,208 --> 00:37:58,211
WELL, THAT�S GOOD
YOU HAD THAT OCCASION.
700
00:38:09,022 --> 00:38:10,356
MY PROBLEM ??
701
00:38:10,390 --> 00:38:12,693
I ONLY KNOW NEW YORK.
702
00:38:12,726 --> 00:38:16,196
YEAH, I�VE NEVER LIVED
ANYWHERE ELSE, EITHER.
703
00:38:16,229 --> 00:38:20,033
YOU EVER BEEN TO BILOXI,
MISSISSIPPI, GREG?
704
00:38:20,066 --> 00:38:23,369
NO. HAVE YOU?
705
00:38:23,403 --> 00:38:26,206
A GUEST LEFT
A CASINO BROCHURE.
706
00:38:26,239 --> 00:38:28,208
THEY DEAL PAI GOW
DOWN THERE.
707
00:38:28,241 --> 00:38:29,375
YEAH.
708
00:38:29,409 --> 00:38:31,377
I?I KNOW YOU�RE
QUITE THE ENTHUSIAST
709
00:38:31,411 --> 00:38:34,815
FOR THAT PAI GOW.
710
00:38:34,848 --> 00:38:37,718
ARE YOU SURE IT�S REALLY
THAT BAD FOR YOU, CHARLIE,
711
00:38:37,751 --> 00:38:39,686
YOU GOT TO LEAVE TOWN?
712
00:38:39,720 --> 00:38:42,556
TAKE TOMMY CHOW�S
TERRITORY,
713
00:38:42,589 --> 00:38:45,225
WHO ARE YOU HANGING
BY THEIR THUMBS, GREG?
714
00:38:45,258 --> 00:38:47,694
I GUESS THERE�S
A LOGIC TO THAT ??
715
00:38:47,728 --> 00:38:50,564
THEY WANT TO MAKE
A SHOW OF RESPECT.
716
00:38:50,597 --> 00:38:53,567
YOU KNOW, YOU FIGURE
YOU�LL CHANGE YOUR LIFE
717
00:38:53,600 --> 00:38:56,369
ONCE YOU GOT EVERYTHING
SQUARED AWAY.
718
00:38:56,402 --> 00:39:00,574
ME, I GOT $260,000
TO MY NAME, GREG.
719
00:39:00,607 --> 00:39:04,578
WALK AWAY RIGHT NOW,
I GOT $260,000 TO LIVE ON.
720
00:39:04,611 --> 00:39:07,914
WELL, THAT�S SOME KIND
OF NEST EGG, ANYWAY, CHARLIE.
721
00:39:07,948 --> 00:39:09,516
I�LL TELL YOU SOMETHING ??
722
00:39:09,550 --> 00:39:12,753
I PLANNED
ON HAVING MORE.
723
00:39:16,422 --> 00:39:18,024
I�M GOING TO GO.
724
00:39:18,058 --> 00:39:19,192
RIGHT NOW?
725
00:39:19,225 --> 00:39:21,662
YOU WANT ME TO TALK
MYSELF OUT OF IT,
726
00:39:21,695 --> 00:39:24,430
GO HOME,
AND GET STRANGLED?
727
00:39:27,033 --> 00:39:29,235
YOU SHAKE HANDS, GREG.
728
00:39:29,269 --> 00:39:31,204
AW, CHARLIE...
729
00:39:31,237 --> 00:39:32,405
COME ON.
730
00:39:32,438 --> 00:39:34,107
SHAKE HANDS.
731
00:39:34,140 --> 00:39:35,942
SURE.
732
00:39:35,976 --> 00:39:37,544
HA HA.
733
00:39:37,578 --> 00:39:39,880
YOU KNOW,
TELL YOU THE TRUTH,
734
00:39:39,913 --> 00:39:43,550
SOMETIMES I IMAGINE
JUST HITTING THE ROAD,
735
00:39:43,584 --> 00:39:45,652
SUDDENLY GOING INCOGNITO.
736
00:39:48,388 --> 00:39:50,123
SO LONG, GREG.
737
00:39:50,156 --> 00:39:52,125
SO LONG, CHARLIE.
738
00:39:52,158 --> 00:39:54,695
THANKS FOR EVERYTHING
AND GOOD LUCK.
739
00:39:54,728 --> 00:39:57,130
YOU�RE THE LAST GUY
I�VE TALKED TO
740
00:39:57,163 --> 00:39:58,799
IN NEW YORK CITY.
741
00:40:35,836 --> 00:40:38,371
YOU DROPPED
YOUR SOCK HERE.
742
00:40:42,108 --> 00:40:44,611
I SAW THAT SMILE
ON YOUR MUG.
743
00:40:44,645 --> 00:40:47,080
I WAS REMEMBERING
MY THREE DAYS IN TERROR
744
00:40:47,113 --> 00:40:49,650
BEFORE I LEFT THESE
IN THE CORNER OF YOUR DRAWER.
745
00:40:49,683 --> 00:40:51,952
I WAS GLAD
WHEN I SAW THEM HERE.
746
00:40:51,985 --> 00:40:53,787
AFTER YOU FIRST
RECOILED IN SHOCK.
747
00:40:56,990 --> 00:40:59,826
I WASN�T WITH NO ONE ELSE
LAST NIGHT, MARY.
748
00:40:59,860 --> 00:41:03,329
I GOT DRUNK, FELL OUT
AT DIANE RUSSELL�S PLACE.
749
00:41:06,199 --> 00:41:08,702
WHAT, DIANE DIDN�T
WANT YOU TO DRIVE?
750
00:41:08,735 --> 00:41:10,704
SHE TOOK YOU HOME
FROM MAC�S?
751
00:41:10,737 --> 00:41:13,239
I SLEPT MY LOAD OFF
ON HER SOFA.
752
00:41:15,576 --> 00:41:19,212
I KNOW HOW HARD
YOU TRY WITH ME.
753
00:41:19,245 --> 00:41:21,715
MY ?? MY EYES
ARE OPEN TO THAT.
754
00:41:21,748 --> 00:41:24,217
MY EYES ARE OPEN
TO MORE AND MORE
755
00:41:24,250 --> 00:41:25,819
EACH AND EVERY DAY.
756
00:41:27,721 --> 00:41:31,858
PLEASE DON�T GIVE UP
ON ME YET.
757
00:41:31,892 --> 00:41:34,427
I DON�T WANT
TO GIVE UP ON US.
758
00:41:40,500 --> 00:41:42,468
THE ONE THING
IN OUR RELATIONSHIP
759
00:41:42,503 --> 00:41:44,470
IS THAT PACKING
AND UNPACKING�S
760
00:41:44,505 --> 00:41:46,072
NO BIG PROBLEM.
761
00:41:46,122 --> 00:41:50,672
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