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1
00:00:18,552 --> 00:00:20,453
ARTHUR.
2
00:00:20,486 --> 00:00:22,689
MORNING.
3
00:00:22,723 --> 00:00:26,126
WHEN ARE YOU EVER
GOING TO CALL ME JOE?
4
00:00:26,159 --> 00:00:29,696
I USED TO CALL YOU JOE
WHEN WE WERE COPS.
5
00:00:29,730 --> 00:00:32,132
WELL, WHEN ARE YOU GOING
TO START AGAIN?
6
00:00:32,165 --> 00:00:34,801
WELL, I�M GLAD TO SEE
7
00:00:34,835 --> 00:00:37,070
YOU�RE FEELING
A LITTLE BETTER, JOE.
8
00:00:37,103 --> 00:00:39,305
I�LL JUST HAVE ONE
OF THOSE, TOO,
9
00:00:39,339 --> 00:00:42,075
ALL RIGHT?
10
00:00:45,579 --> 00:00:47,814
JOE.
11
00:00:47,848 --> 00:00:50,984
THE COFFEE ?? "JOE."
12
00:00:51,017 --> 00:00:53,186
ANYWAY, THANKS
FOR MEETING ME.
13
00:00:53,219 --> 00:00:56,590
I JUST FIGURED
I HAD TO WAIT YOU OUT.
14
00:00:56,623 --> 00:00:58,859
I GOT YOUR MESSAGES.
15
00:00:58,892 --> 00:01:03,597
I HAD TO GET THINGS
SETTLED IN MY MIND...
16
00:01:03,630 --> 00:01:06,032
AND IT�S A BURDEN
OFF MY SHOULDERS, ARTHUR.
17
00:01:06,066 --> 00:01:08,268
MM?HMM.
18
00:01:08,301 --> 00:01:10,270
IT�S THE UNCERTAINTY
THAT DRAINS YOU,
19
00:01:10,303 --> 00:01:13,039
THE UNCLARITY.
20
00:01:13,073 --> 00:01:17,377
YOU COME TO A FOCUS,
21
00:01:17,410 --> 00:01:19,279
AND THAT�S
THE SOURCE OF RELIEF.
22
00:01:19,312 --> 00:01:20,547
REMEMBER,
23
00:01:20,581 --> 00:01:22,949
YOU�RE TALKING
TO A COUNTRY BOY, JOE.
24
00:01:22,983 --> 00:01:25,218
YOU NEVER LIVED
IN THE COUNTRY.
25
00:01:25,251 --> 00:01:27,487
I GUESS I MEAN
I ALWAYS FELT LIKE
26
00:01:27,521 --> 00:01:30,423
YOU READ FIVE BOOKS
AND UNDERSTOOD THEM
27
00:01:30,456 --> 00:01:33,093
FOR EVERY MAGAZINE ARTICLE
I EVER GLANCED AT
28
00:01:33,126 --> 00:01:36,963
IN THE DENTIST�S OFFICE.
29
00:01:36,997 --> 00:01:39,099
YOU NEED TO TALK DOWN
TO ME, JOE,
30
00:01:39,132 --> 00:01:41,868
MAKE SURE
I TAKE YOUR MEANING.
31
00:01:43,804 --> 00:01:45,438
OUR DIFFERENCES
32
00:01:45,471 --> 00:01:48,008
ARE THE PRODUCT
OF OUR SAMENESS, ARTHUR.
33
00:01:48,041 --> 00:01:51,277
I CALLED YOU A "GO ALONG
TO GET ALONG" NEGRO
34
00:01:51,311 --> 00:01:53,379
BECAUSE I WAS AFRAID
TO TRUST THE WORLD.
35
00:01:55,816 --> 00:01:57,851
LET�S PUT WHATEVER
POLITICAL DIFFERENCES
36
00:01:57,884 --> 00:02:00,887
WE MAY HAVE HAD
ASIDE FOR A MINUTE, JOE,
37
00:02:00,921 --> 00:02:02,889
�CAUSE I�M GOING
TO TELL YOU FLAT OUT,
38
00:02:02,923 --> 00:02:04,825
I�M WORRIED ABOUT
THE WAY YOU�RE TALKING.
39
00:02:04,858 --> 00:02:06,827
WHAT ARE YOUR PLANS?
40
00:02:06,860 --> 00:02:08,394
MY PLANS?
41
00:02:08,428 --> 00:02:11,064
YOUR PLANS, JOE.
YOUR INTENTIONS.
42
00:02:11,097 --> 00:02:13,734
I FILED MY RETIREMENT
PAPERS YESTERDAY.
43
00:02:13,767 --> 00:02:15,902
I INTEND
TO TAKE A VACATION.
44
00:02:15,936 --> 00:02:17,571
SO WHERE YOU GOING?
45
00:02:17,604 --> 00:02:18,872
TRINIDAD AND TOBAGO.
46
00:02:21,274 --> 00:02:23,677
DO YOU WANT
THE FLIGHT NUMBER?
47
00:02:23,710 --> 00:02:26,680
HAVE YOU GOT IT?
48
00:02:26,713 --> 00:02:29,583
SINCE I�M GOING TO GET
WHILE THE GETTING�S GOOD,
49
00:02:29,616 --> 00:02:33,119
I WILL ASK YOU TO SAY GOODBYE
TO BALDWIN JONES.
50
00:02:33,153 --> 00:02:35,121
TELL HIM I THINK
HE�S IN GOOD HANDS,
51
00:02:35,155 --> 00:02:36,489
WILL YOU, ARTHUR?
52
00:02:38,258 --> 00:02:39,793
CAN I GET YOUR WORD
53
00:02:39,826 --> 00:02:41,294
THAT YOU�LL CONVEY THAT
EXACTLY?
54
00:02:41,327 --> 00:02:43,263
I�LL TELL HIM.
55
00:02:47,501 --> 00:02:50,236
BE WELL, ARTHUR.
56
00:02:50,270 --> 00:02:51,905
TAKE CARE OF YOURSELF, JOE.
57
00:02:51,938 --> 00:02:53,006
ABSOLUTELY.
58
00:04:20,293 --> 00:04:23,263
Greg: I�LL TAKE
A PEEK AROUND.
59
00:04:23,296 --> 00:04:26,499
SEE IF THEY GOT ANY
JERRY VALE ON THE JUKEBOX.
60
00:04:26,533 --> 00:04:28,001
I GOT THE BODY.
61
00:04:28,034 --> 00:04:30,270
WHAT HAVE WE GOT?
62
00:04:30,303 --> 00:04:31,838
D.O.A. IS PATRICK MULLEN.
63
00:04:31,872 --> 00:04:34,274
HIS NAME AND DAVID LORENZ
ON THE LIQUOR LICENSE.
64
00:04:34,307 --> 00:04:35,842
ANYONE NOTIFY
THE PARTNER?
65
00:04:35,876 --> 00:04:37,177
HE�S ON HIS WAY.
66
00:04:37,210 --> 00:04:38,779
WHO FOUND THE BODY?
67
00:04:38,812 --> 00:04:41,615
BARMAN, WHEN HE CAME IN
TO OPEN UP.
68
00:04:41,648 --> 00:04:42,616
THANKS.
69
00:04:42,649 --> 00:04:44,117
YOU GOT IT.
70
00:04:44,150 --> 00:04:48,488
HAVE CRIME SCENE
PROCESS THIS.
71
00:04:48,522 --> 00:04:50,056
YOU FOUND THE BODY?
72
00:04:50,090 --> 00:04:52,058
YEAH, WHEN I CAME
TO OPEN.
73
00:04:52,092 --> 00:04:53,393
WHAT�S YOUR NAME?
74
00:04:53,426 --> 00:04:55,729
JOE SAMBORA.
75
00:04:55,762 --> 00:04:58,498
WAS THAT A SURPRISE, JOE,
HOW YOUR MORNING BEGAN,
76
00:04:58,532 --> 00:05:01,568
OR DID YOU FEEL "THIS HAD
TO HAPPEN TO PAT SOMEDAY,"
77
00:05:01,602 --> 00:05:03,904
WHY YOU TAKE SO WELL,
AT PRESENT,
78
00:05:03,937 --> 00:05:05,572
YOUR BOSS BEING DEAD?
79
00:05:05,606 --> 00:05:08,509
AT PRESENT, I�M MINDING
MY OWN BUSINESS.
80
00:05:08,542 --> 00:05:11,512
OKAY, JOE, LET ME GO DO SOME
OF THE REST OF MY JOB
81
00:05:11,545 --> 00:05:13,580
WHILE YOU DECIDE
IF YOU�RE GOING
82
00:05:13,614 --> 00:05:15,516
TO GIVE ME
SOME CIVIL COOPERATION,
83
00:05:15,549 --> 00:05:17,417
OR I�M GOING
TO DRAG YOU IN.
84
00:05:17,450 --> 00:05:19,620
THERE�S MY OTHER BOSS
OVER THERE.
85
00:05:25,258 --> 00:05:27,961
OH, JESUS.
86
00:05:27,994 --> 00:05:32,132
[ SIGHS ]
87
00:05:32,165 --> 00:05:35,468
ANDY SIPOWICZ.
I�M WITH THE 15th SQUAD.
88
00:05:35,502 --> 00:05:37,470
THAT�S MY PARTNER
DEAD ON THE FLOOR.
89
00:05:37,504 --> 00:05:38,939
YEAH, I�M SORRY.
90
00:05:41,608 --> 00:05:43,644
DAVE LORENZ.
91
00:05:43,677 --> 00:05:45,979
ANDY SIPOWICZ. YOU TWO
BEEN PARTNERS A LONG TIME?
92
00:05:46,012 --> 00:05:49,750
YEAH, FRIENDS SINCE WE WERE,
LIKE, 8 YEARS OLD.
93
00:05:49,783 --> 00:05:52,586
YOUR LOSS,
NOT EVER KNOWING PAT.
94
00:05:52,619 --> 00:05:53,954
IS THAT SO?
95
00:05:55,321 --> 00:05:56,790
POOR PATRICK.
96
00:05:56,823 --> 00:05:58,792
PATRICK
WAS A GOOD BOSS?
97
00:05:58,825 --> 00:06:00,360
A GREAT GUY.
98
00:06:00,393 --> 00:06:01,695
HE WAS GREAT OVERALL.
99
00:06:01,728 --> 00:06:03,630
YEAH, FOR A MANIAC.
100
00:06:03,664 --> 00:06:06,299
UH?OH. PATRICK WAS A MANIAC?
101
00:06:06,332 --> 00:06:07,701
HE LOVED LIFE.
102
00:06:07,734 --> 00:06:09,302
YEAH, HE DID.
103
00:06:09,335 --> 00:06:13,473
GIVE ME AN IMAGE TO WORK WITH,
LIKE HE WAS A HANG GLIDER?
104
00:06:13,507 --> 00:06:16,543
MAYBE IF SOME BIMBO WAS
DANGLING FROM HIS PARACHUTE.
105
00:06:16,577 --> 00:06:19,145
OR SHE HAD A GRIP
ONTO SOMETHING ELSE.
106
00:06:19,179 --> 00:06:20,881
UH?OH.
107
00:06:20,914 --> 00:06:23,817
WE HAD TO LOOK THROUGH
SOME OF YOUR STUFF.
108
00:06:23,850 --> 00:06:25,819
DO WHATEVER YOU HAVE TO.
109
00:06:25,852 --> 00:06:27,921
HERE�S MULLEN�S
ADDRESS BOOK.
110
00:06:27,954 --> 00:06:30,356
Greg: LOT OF FEMALE NAMES.
111
00:06:30,390 --> 00:06:32,926
YOU MIGHT CHECK IF THERE�S
AN ANGELA ZARELLI IN THERE.
112
00:06:32,959 --> 00:06:34,027
WHY?
113
00:06:34,060 --> 00:06:36,096
SHE FORMERLY WENT OUT
114
00:06:36,129 --> 00:06:38,699
WITH THAT DINO FERRERA
THAT�S IN JAIL.
115
00:06:38,732 --> 00:06:40,266
HERE IT IS.
116
00:06:40,300 --> 00:06:43,103
BANGED EVERYTHING
THAT MOVED, THE D. O. A.
117
00:06:43,136 --> 00:06:46,439
NO, HE JUST HAD
ENORMOUS ZEST ?? PAT.
118
00:06:46,472 --> 00:06:48,108
LOT OF ZEST, HUH?
119
00:06:48,141 --> 00:06:51,712
ALL RIGHT, THANKS A LOT
FOR YOUR HELP.
120
00:06:51,745 --> 00:06:53,747
WE�LL BE
CALLING YOU IN LATER.
121
00:06:57,483 --> 00:07:00,453
BRING IN THAT BARTENDER
JUST TO RUIN HIS MORNING.
122
00:07:00,486 --> 00:07:02,756
1729 7th STREET.
123
00:07:02,789 --> 00:07:05,325
OH, RIGHT
IN THE PRECINCT.
124
00:07:05,358 --> 00:07:08,094
HEY, MILLER, THE DISPATCHER
JUST GOT A CALL FROM YOUR WIFE,
125
00:07:08,128 --> 00:07:11,632
REMINDING YOU TO BRING HOME
MILK FOR THE BABY.
126
00:07:23,644 --> 00:07:25,278
LOOKING
FOR SHANICE WARNER.
127
00:07:25,311 --> 00:07:26,947
BACK HERE.
128
00:07:26,980 --> 00:07:29,516
SHE�S BEEN THROUGH A LOT.
HER BOYFRIEND RAPED HER.
129
00:07:29,550 --> 00:07:30,951
DID YOU DO A KIT?
130
00:07:30,984 --> 00:07:32,953
YES, I DID
THE RAPE KIT.
131
00:07:32,986 --> 00:07:34,988
SHANICE,
THE POLICE ARE HERE.
132
00:07:35,021 --> 00:07:36,990
HI, SHANICE.
I�M JILL KIRKENDALL.
133
00:07:37,023 --> 00:07:39,560
ARE YOU SURE
YOU�RE UP TO IT?
134
00:07:39,593 --> 00:07:41,394
YEAH, I�LL TALK
TO THEM.
135
00:07:41,427 --> 00:07:43,830
I�M DIANE RUSSELL. COULD YOU
TELL US WHAT HAPPENED?
136
00:07:43,864 --> 00:07:46,066
PAUL MATSON
DID THIS TO ME.
137
00:07:46,099 --> 00:07:48,735
I WROTE HIS NAME ON MY ARM ??
IN CASE HE KILLED ME,
138
00:07:48,769 --> 00:07:50,737
FOLKS WOULD KNOW
WHO DID IT.
139
00:07:50,771 --> 00:07:53,173
DOCTOR, IF YOU STAY HERE,
140
00:07:53,206 --> 00:07:57,077
YOU COULD WIND UP
BEING CALLED AS A WITNESS.
141
00:07:57,110 --> 00:07:59,012
IS THERE SOMETHING YOU�RE
AFRAID OF ME HEARING?
142
00:07:59,045 --> 00:08:00,747
WE�D LIKE
TO GET SHANICE�S STORY
143
00:08:00,781 --> 00:08:02,749
WITH AS FEW DISTRACTIONS
AS POSSIBLE.
144
00:08:02,783 --> 00:08:06,086
I WANT TO MAKE SURE SHANICE
ISN�T SHAMED OR INTIMIDATED.
145
00:08:06,119 --> 00:08:08,121
I WANT TO TELL IT.
HE RAPED ME
146
00:08:08,154 --> 00:08:10,123
AND GAVE ME
THIS BLACK EYE.
147
00:08:10,156 --> 00:08:12,125
�CAUSE YOU WERE
RESISTING PAUL?
148
00:08:12,158 --> 00:08:14,561
I WAS STICKING UP
FOR MYSELF, THAT�S RIGHT.
149
00:08:14,595 --> 00:08:17,564
AND THEN HE HANDCUFFED ME
NAKED TO THE RADIATOR
150
00:08:17,598 --> 00:08:19,633
AND LEFT ME THERE
ALL NIGHT.
151
00:08:19,666 --> 00:08:22,402
HE UNLOCKED ME
WHEN HE WENT TO WORK.
152
00:08:22,435 --> 00:08:25,138
HERE�S HIS NUMBERS.
I WROTE IT ALL DOWN.
153
00:08:25,171 --> 00:08:27,473
DO YOU AND PAUL
HAVE A LOT OF DISAGREEMENTS?
154
00:08:27,508 --> 00:08:29,475
UNH?UNH.
155
00:08:29,510 --> 00:08:31,978
IS THIS THE FIRST TIME YOU
HAD SEXUAL CONTACT WITH HIM?
156
00:08:32,012 --> 00:08:34,114
WHY SHOULD HAVING CONSENSUAL
SEX ON A PREVIOUS OCCASION
157
00:08:34,147 --> 00:08:36,149
DISQUALIFY HER
FROM BRINGING CHARGES?
158
00:08:36,182 --> 00:08:38,919
IT DOESN�T, DOC, ANY MORE THAN
WHATEVER BAD PRIOR EXPERIENCE
159
00:08:38,952 --> 00:08:41,254
YOU HAD WITH OUR JOB
GIVES YOU A RIGHT
160
00:08:41,287 --> 00:08:43,189
TO INTERFERE
WITH OUR WORK.
161
00:08:43,223 --> 00:08:46,126
I�M SAYING THIS TIME
PAUL RAPED ME.
162
00:08:46,159 --> 00:08:48,294
WE�LL TAKE YOUR FULL STATEMENT
AT THE STATION HOUSE.
163
00:08:48,328 --> 00:08:50,531
COME BY
WHEN YOU�RE READY.
164
00:08:50,564 --> 00:08:53,033
YOU�RE GOING TO WAIT
ON TALKING TO PAUL?
165
00:08:53,066 --> 00:08:54,367
WE�LL CALL PAUL NOW.
166
00:08:54,400 --> 00:08:56,302
FIND THAT SON OF A BITCH.
167
00:08:56,336 --> 00:08:59,806
IF HE RESISTS ARREST
AND YOU GOT TO BUST HIS NOSE,
168
00:08:59,840 --> 00:09:01,542
THAT�S OKAY, TOO.
169
00:09:01,575 --> 00:09:03,076
OKAY, SHANICE.
170
00:09:08,749 --> 00:09:10,216
[ KNOCK ON DOOR ]
171
00:09:10,250 --> 00:09:12,886
WHAT DID IT LOOK LIKE
WITH THAT GIRL?
172
00:09:12,919 --> 00:09:14,655
Diane: SHE COULD�VE
BEEN RAPED.
173
00:09:14,688 --> 00:09:16,356
SHE SURE HAD A SHINER.
174
00:09:16,389 --> 00:09:17,858
HER KIT WAS POSITIVE,
175
00:09:17,891 --> 00:09:20,360
BUT SHE AND THE GUY
HAVE BEEN GOING OUT.
176
00:09:20,393 --> 00:09:22,529
HER DOCTOR WAS SO BUSY
RUNNING INTERFERENCE,
177
00:09:22,563 --> 00:09:24,865
SHE COULDN�T REALLY
GET THE STORY STRAIGHT.
178
00:09:24,898 --> 00:09:26,366
WE�VE GOT PAUL MATSON ??
179
00:09:26,399 --> 00:09:29,102
THE GUY SHE SAYS
DID IT TO HER.
180
00:09:29,135 --> 00:09:32,038
WE THOUGHT WE�D
TAKE A LOOK AT HIM,
181
00:09:32,072 --> 00:09:35,041
THEN MAYBE BETTER IF BALDWIN
AND GREG DO THE INTERVIEW.
182
00:09:35,075 --> 00:09:36,643
THAT MAKES SENSE.
I�LL TELL BALDWIN.
183
00:09:39,079 --> 00:09:41,381
WHO�S THAT?
184
00:09:41,414 --> 00:09:44,785
HE TENDS BAR
WHERE THE D. O. A. WAS KILLED.
185
00:09:44,818 --> 00:09:46,553
ARE YOU
GOING TO TALK TO HIM?
186
00:09:46,587 --> 00:09:49,322
NO. ANDY HAD US DRIVE
SO HE WOULDN�T LOSE RAPPORT.
187
00:09:49,355 --> 00:09:51,424
Greg: ANDY WAS AFRAID
HE MIGHT SMACK HIM.
188
00:09:51,457 --> 00:09:53,594
JILL AND DIANE WANT TO PASS
A GUY TO YOU ??
189
00:09:53,627 --> 00:09:55,829
MIGHT HAVE RAPED
HIS GIRLFRIEND.
190
00:09:55,862 --> 00:09:57,430
WE�LL TALK TO HIM.
191
00:09:57,463 --> 00:09:59,600
Andy: WHAT WAS HIS ATTITUDE
ON THE WAY IN?
192
00:09:59,633 --> 00:10:01,101
SULKY.
193
00:10:01,134 --> 00:10:02,503
SULKY, HUH?
194
00:10:02,536 --> 00:10:05,171
SO NOT HOW MOST PEOPLE
COME INTO THE HOUSE ??
195
00:10:05,205 --> 00:10:06,840
DOING CARTWHEELS
AND CARRYING ON?
196
00:10:06,873 --> 00:10:09,275
ANYWAYS, I NEED
TO TALK TO BALDWIN.
197
00:10:09,309 --> 00:10:11,512
SURE.
198
00:10:11,545 --> 00:10:13,847
YEAH, WE HAVE
THIS PRIOR CONVERSATION
199
00:10:13,880 --> 00:10:15,716
TO CONDUCT ANYHOW.
200
00:10:21,487 --> 00:10:24,725
I WANT YOU TO CALL
JOE ABNER.
201
00:10:24,758 --> 00:10:25,992
OKAY.
202
00:10:26,026 --> 00:10:27,828
I HAD BREAKFAST WITH HIM.
203
00:10:27,861 --> 00:10:30,396
HE SAID HE WAS GOING
TO TAKE A VACATION.
204
00:10:30,430 --> 00:10:33,066
LAST HE WAS IN HERE, HE ACTED
LIKE HE COULD USE ONE.
205
00:10:33,099 --> 00:10:36,002
SAID TO TELL YOU GOODBYE.
THAT COULD BE WHY YOU CALL HIM.
206
00:10:36,036 --> 00:10:37,237
SAY GOODBYE BACK.
207
00:10:37,270 --> 00:10:38,505
YEAH,
SAY GOODBYE BACK,
208
00:10:38,539 --> 00:10:40,073
AND KEEP HIM TALKING ??
209
00:10:40,106 --> 00:10:42,843
FORM A REAL GOOD IMPRESSION
OF HOW HE SEEMS.
210
00:10:42,876 --> 00:10:45,011
SURE.
211
00:10:45,045 --> 00:10:47,413
I�LL DO IT RIGHT NOW.
212
00:10:47,447 --> 00:10:49,282
YEAH,
GO AHEAD AND DO IT.
213
00:11:02,596 --> 00:11:04,731
PAT DIDN�T CARE ENOUGH
ABOUT BUSINESS
214
00:11:04,765 --> 00:11:07,400
TO GET JACKED UP OVER IT.
215
00:11:07,433 --> 00:11:10,136
HIS PARTNER AND HIM
GET ALONG?
216
00:11:10,170 --> 00:11:12,973
THAT�S NOT WHAT HAPPENED.
DAVE AND HIM GOT ALONG GOOD.
217
00:11:13,006 --> 00:11:16,743
THIS GUY LIKED TO HANG OUT,
HAVE A DRINK, CHASE TAIL.
218
00:11:16,777 --> 00:11:18,979
YOU�RE SAYING
THAT�S WHAT GOT HIM KILLED?
219
00:11:19,012 --> 00:11:20,981
SOMETHING IN THAT AREA.
220
00:11:21,014 --> 00:11:22,749
HIS PARTNER MENTIONED
DINO FERRERA�S OLD GIRLFRIEND.
221
00:11:22,783 --> 00:11:25,085
YEAH, PAT WAS PUTTING IT
TO ANGELA.
222
00:11:25,118 --> 00:11:26,319
DINO KNOW ABOUT IT?
223
00:11:26,352 --> 00:11:28,088
WHO�S TO SAY?
224
00:11:28,121 --> 00:11:31,024
HE DIDN�T KNOW THAT PAT WAS
PUTTING IT TO ANGELA LAST NIGHT.
225
00:11:31,057 --> 00:11:33,193
YOU WITNESSED THIS?
226
00:11:33,226 --> 00:11:35,195
INADVERTENTLY.
THEY THOUGHT I�D LEFT.
227
00:11:35,228 --> 00:11:36,963
THIS WAS A HOT,
ONGOING THING?
228
00:11:36,997 --> 00:11:39,633
SAKE OF DISCUSSION ??
IF THAT RAT BASTARD DINO
229
00:11:39,666 --> 00:11:41,635
WAS RESPONSIBLE
FOR HAVING PAT WHACKED,
230
00:11:41,668 --> 00:11:44,304
WOULD THAT RAT BASTARD�S
PLEA BARGAIN COVER IT?
231
00:11:44,337 --> 00:11:47,541
A PLEA BARGAIN, JOE, COVERS
CRIMES THAT HAVE PASSED.
232
00:11:47,574 --> 00:11:50,310
YEAH, NEW CRIMES
AREN�T COVERED.
233
00:11:50,343 --> 00:11:53,213
I�D TAKE
A HARD LOOK AT HIM.
234
00:11:53,246 --> 00:11:56,650
HE COULD�VE REACHED OUT
FROM THE JOINT.
235
00:11:56,683 --> 00:11:58,652
YOU COMING FROM ANY
PERSONAL ANIMOSITY
236
00:11:58,685 --> 00:12:00,721
WITH THAT SUGGESTION
ABOUT DINO, JOE?
237
00:12:00,754 --> 00:12:02,656
NO.
238
00:12:02,689 --> 00:12:05,258
I LOOKED AT THAT CHEESE?EATING
SCUMBAG ON THE MERITS.
239
00:12:09,730 --> 00:12:11,698
CAN�T BE ABOUT A CASE.
240
00:12:11,732 --> 00:12:14,367
NO. THE BOSS
REACHED OUT TO BALDWIN.
241
00:12:14,400 --> 00:12:16,036
WELL,
WHATEVER IT�S ABOUT,
242
00:12:16,069 --> 00:12:18,772
IF I�D KNOWN I�D BE STAYING
AWAY FROM MY DESK THIS LONG,
243
00:12:18,805 --> 00:12:20,607
I�D HAVE TAKEN MY PURSE.
244
00:12:20,641 --> 00:12:23,443
I KNOW HE�S GOT
A MESSAGE MACHINE.
245
00:12:23,476 --> 00:12:27,380
AND IF HE HAS A DOG,
WE�RE DRIVING HIM CRAZY.
246
00:12:27,413 --> 00:12:29,415
I KNOW WHERE
LIEUTENANT ABNER LIVES.
247
00:12:29,449 --> 00:12:31,785
I DROPPED HIM WHEN HIS CAR
WAS GETTING FIXED.
248
00:12:31,818 --> 00:12:33,720
WHY DON�T I
RUN OVER THERE?
249
00:12:33,754 --> 00:12:35,421
NO, I�M GOING TO.
250
00:12:40,460 --> 00:12:42,596
YEAH, THEY CALLED ME
ABOUT MY CAR
251
00:12:42,629 --> 00:12:44,097
LEAVING SOME CAR ACCIDENT.
252
00:12:44,130 --> 00:12:46,166
SAID TO SEE
DETECTIVE KIRKENDALL.
253
00:12:46,199 --> 00:12:47,500
YOU PAUL MATSON?
254
00:12:47,534 --> 00:12:49,169
UH?HUH.
255
00:12:49,202 --> 00:12:50,837
HI,
I�M DETECTIVE KIRKENDALL.
256
00:12:50,871 --> 00:12:53,940
THIS IS MY PARTNER
DETECTIVE RUSSELL.
257
00:12:53,974 --> 00:12:56,442
HEY, MY CAR DIDN�T
LEAVE NO ACCIDENT.
258
00:12:56,476 --> 00:12:58,011
EXCUSE ME.
259
00:12:58,044 --> 00:13:00,313
LOST TIME, JOHN.
260
00:13:02,482 --> 00:13:04,785
LET�S TALK ABOUT IT
IN HERE, PAUL.
261
00:13:04,818 --> 00:13:07,287
I�M THE ONLY ONE
THAT DRIVES MY CAR,
262
00:13:07,320 --> 00:13:09,455
AND I DEFINITELY
WOULD�VE NOTICED IF I�D LEFT.
263
00:13:09,489 --> 00:13:10,724
HERE WE GO.
264
00:13:15,696 --> 00:13:17,163
THAT�S OUR CONVERSATION.
265
00:13:17,197 --> 00:13:18,765
YEAH.
266
00:13:23,537 --> 00:13:25,238
ACTUALLY, PAUL,
267
00:13:25,271 --> 00:13:27,407
WE NEED SOMETHING ELSE
STRAIGHTENED OUT.
268
00:13:27,440 --> 00:13:29,175
COULDN�T BE. I GOT IT.
269
00:13:29,209 --> 00:13:31,077
THIS ISN�T
ABOUT YOUR CAR, PAUL.
270
00:13:31,111 --> 00:13:32,846
NOT MY MUSTANG?
271
00:13:32,879 --> 00:13:33,914
NOT ANY CAR.
272
00:13:33,947 --> 00:13:35,348
THEN WHAT?
273
00:13:35,381 --> 00:13:36,750
THIS IS ABOUT SHANICE.
274
00:13:36,783 --> 00:13:38,519
SHE SAYS YOU RAPED HER.
275
00:13:38,552 --> 00:13:40,754
THAT BITCH IS LUCKY
I�M NOT FILING A COMPLAINT
276
00:13:40,787 --> 00:13:42,422
ON HER STEALING
MY NECK CHAIN.
277
00:13:42,455 --> 00:13:44,958
TRY NOT CALLING HER
A BITCH.
278
00:13:44,991 --> 00:13:47,060
IT MAKES US FEEL
YOU GOT ANGER TOWARD WOMEN.
279
00:13:47,093 --> 00:13:49,395
I WANT TO TALK
TO MEN DETECTIVES.
280
00:13:49,429 --> 00:13:51,231
YOU DON�T GET TO PICK.
281
00:13:51,264 --> 00:13:52,566
TAKE IT EASY, DIANE.
282
00:13:52,599 --> 00:13:55,802
I DON�T HAVE TO LISTEN
TO THAT CRAP.
283
00:13:55,836 --> 00:13:58,739
I TALK TO MEN DETECTIVES,
OR I AIN�T TALKING TO NOBODY.
284
00:13:58,772 --> 00:14:01,474
MATTER OF FACT, I�M ONLY
TALKING TO AN AFRICAN?AMERICAN.
285
00:14:01,508 --> 00:14:03,143
HE ONLY TALKS TO A BROTHER.
286
00:14:03,176 --> 00:14:05,478
DIANE, EASY.
287
00:14:05,512 --> 00:14:07,948
LOOK, UH, WE�LL SEE
WHAT WE CAN DO.
288
00:14:16,122 --> 00:14:17,691
HOME ?? ALL NIGHT.
289
00:14:17,724 --> 00:14:20,126
WHAT ARE YOU GOING
TO LIE ABOUT THAT FOR?
290
00:14:20,160 --> 00:14:22,362
WE KNOW
YOU WERE AT THE CLUB.
291
00:14:22,395 --> 00:14:24,531
WE KNOW PAT MULLEN
THREW A HUMP INTO YOU
292
00:14:24,565 --> 00:14:26,800
ON TOP OF THE BAR.
293
00:14:26,833 --> 00:14:28,969
WHY DON�T YOU ASK
WHOEVER SAW US
294
00:14:29,002 --> 00:14:31,371
WHETHER PAT WAS FINE
WHEN I LEFT?
295
00:14:31,404 --> 00:14:33,540
THE TWO OF YOU DIDN�T
HAVE NO DISAGREEMENT ??
296
00:14:33,574 --> 00:14:35,208
PERHAPS PERTAINING TO DINO?
297
00:14:35,241 --> 00:14:38,545
PAT AND I NEVER FOUGHT.
WE NEVER HAD A CROSS WORD.
298
00:14:38,579 --> 00:14:40,213
PATRICK WAS A GENTLEMAN.
299
00:14:40,246 --> 00:14:41,915
HOW ABOUT DINO?
300
00:14:44,685 --> 00:14:46,219
DINO HAD OTHER QUALITIES.
301
00:14:46,252 --> 00:14:48,221
DO YOU SAY THAT
AFFECTIONATELY, ANGELA,
302
00:14:48,254 --> 00:14:51,024
OR, LIKE, WITH SOME TYPE
OF HOSTILITY TOWARD DINO?
303
00:14:51,057 --> 00:14:53,694
HOW DO MY FEELINGS
TOWARDS DINO
304
00:14:53,727 --> 00:14:55,696
PERTAIN TO PAT
GETTING KILLED?
305
00:14:55,729 --> 00:14:58,765
HOW ABOUT �CAUSE WE�RE
WONDERING IF MAYBE IT WAS DINO
306
00:14:58,799 --> 00:15:01,267
WHO PUSHED THE BUTTON
ON PAT?
307
00:15:01,301 --> 00:15:03,269
OH, COME ON.
308
00:15:03,303 --> 00:15:05,271
THAT DON�T MAKE SENSE
TO YOU, ANGELA ??
309
00:15:05,305 --> 00:15:07,708
DINO GETS RESENTFUL OVER YOU
THINKING THAT PAT�S
310
00:15:07,741 --> 00:15:10,110
SUCH A SWEETHEART
AND A GENTLEMAN
311
00:15:10,143 --> 00:15:12,378
THAT YOU�RE THROWING HUMPS
INTO HIM IN PUBLIC PLACES?
312
00:15:12,412 --> 00:15:14,047
IT DON�T MAKE SENSE.
313
00:15:14,080 --> 00:15:16,216
WITH HIM RATTING EVERYONE OUT,
WHO�S GOING TO ANSWER
314
00:15:16,249 --> 00:15:18,051
ANY BUTTON DINO PUSHES?
315
00:15:18,084 --> 00:15:20,453
THIS IS ANGELA THINKING DINO
WOULD BE RESTRICTING HIMSELF
316
00:15:20,486 --> 00:15:23,123
TO REACHING OUT
TO MOB GUYS EXCLUSIVELY.
317
00:15:23,156 --> 00:15:25,592
THERE�S GUYS ON DINO�S TIER,
GOT BUDDIES OUTSIDE
318
00:15:25,626 --> 00:15:28,161
WHO�LL DO A HIT
FOR 500 BUCKS,
319
00:15:28,194 --> 00:15:30,597
AND THEY NEVER EVEN HEARD
OF DON CORLEONE.
320
00:15:30,631 --> 00:15:32,966
ANYWAYS, THAT�S NOT WHERE
DINO�S AT THESE DAYS.
321
00:15:34,200 --> 00:15:36,002
HE�S BEEN
ENCOURAGING ME TO DATE.
322
00:15:36,036 --> 00:15:38,004
REALLY?
WE�LL BE TALKING TO HIM.
323
00:15:38,038 --> 00:15:40,340
WE�LL BE SURE
TO LET DINO KNOW
324
00:15:40,373 --> 00:15:43,276
WHO GAVE PAT MULLEN HIS
LAST PIECE OF ASS ON EARTH.
325
00:15:43,309 --> 00:15:45,846
DO NOT DRIVE THAT MAN
ANY FURTHER INTO DESPAIR.
326
00:15:45,879 --> 00:15:48,682
IF YOU TALK TO HIM,
YOU�RE GOING TO SEE.
327
00:15:48,715 --> 00:15:52,018
THE DINO OF TODAY IS NOT
THE DINO OF THE PAST.
328
00:15:52,052 --> 00:15:54,855
I KNOW. I VISIT HIM
EVERY TWO WEEKS.
329
00:15:54,888 --> 00:15:57,891
HE NEVER EVEN ASKS
TO SEE MY TITS ANYMORE.
330
00:16:00,193 --> 00:16:01,828
A PERFECT GENTLEMAN.
331
00:16:01,862 --> 00:16:04,731
I DON�T KNOW IF WE�RE EVER
GOING TO SOLVE THE HOMICIDE,
332
00:16:04,765 --> 00:16:07,734
BUT I GUARANTEE YOU WE ARE
GOING TO BE INTERVIEWING
333
00:16:07,768 --> 00:16:10,504
A PROCESSION OF PEOPLE WHO WERE
DAMAGED BY THIS ASSHOLE PAT.
334
00:16:10,537 --> 00:16:12,238
THIS IS A CASE
335
00:16:12,272 --> 00:16:14,575
WHERE THE TRUE PERPETRATOR
IS THE D. O. A.
336
00:16:14,608 --> 00:16:16,176
ON AN UNRELATED SUBJECT,
337
00:16:16,209 --> 00:16:18,845
THAT DINO MUST HAVE
SOME SET OF PROBLEMS
338
00:16:18,879 --> 00:16:20,881
TO TURN DOWN A LOOK
AT HER TITS.
339
00:16:25,218 --> 00:16:27,420
ALL RIGHT.
340
00:16:27,453 --> 00:16:29,355
BALDWIN JONES.
341
00:16:29,389 --> 00:16:30,924
ALL RIGHT. PAUL MATSON.
342
00:16:30,957 --> 00:16:32,292
MY PARTNER GREG MEDAVOY.
343
00:16:32,325 --> 00:16:34,060
HOW�S IT GOING, PAUL?
344
00:16:34,094 --> 00:16:36,396
LOOK, MAN,
I COULDN�T BE STRAIGHT UP
345
00:16:36,429 --> 00:16:38,632
WITH THEM DETECTIVES
I WAS TALKING TO.
346
00:16:38,665 --> 00:16:40,400
YOU KNOW HOW THAT GOES.
347
00:16:40,433 --> 00:16:42,402
SURE.
348
00:16:42,435 --> 00:16:45,138
SO, UH, TELL ME
ABOUT LAST NIGHT.
349
00:16:45,171 --> 00:16:47,240
THIS IS ABOUT THE GIRL
BEING FREAKED OUT
350
00:16:47,273 --> 00:16:49,409
�CAUSE ME AND HER
ARE ON THE DOWNSIDE.
351
00:16:49,442 --> 00:16:50,911
YOU DIDN�T RAPE HER?
352
00:16:50,944 --> 00:16:53,146
I�VE BEEN HITTING THAT THING
FOR THREE MONTHS.
353
00:16:53,179 --> 00:16:55,481
WHAT WOULD I BE NEEDING
TO RAPE HER FOR?
354
00:16:55,516 --> 00:16:57,483
SO HER BEING SO WILLING,
PAUL,
355
00:16:57,518 --> 00:17:00,153
HOW COME SHANICE
WINDS UP WITH A BLACK EYE?
356
00:17:00,186 --> 00:17:02,422
BY HER LIFTING MY GOLD CHAIN
FROM THE NIGHTSTAND.
357
00:17:02,455 --> 00:17:04,858
THAT�S GOT
MY ST. CHRISTOPHER.
358
00:17:04,891 --> 00:17:06,860
MY MOMS GAVE ME THAT.
359
00:17:06,893 --> 00:17:09,195
SO, UH, YOU HIT HER
TO GET IT BACK?
360
00:17:09,229 --> 00:17:11,464
NO, MAN,
IT AIN�T LIKE THAT.
361
00:17:11,497 --> 00:17:14,968
HER TAKING THE CHAIN WAS JUST
PART OF HER GOING PSYCHO.
362
00:17:15,001 --> 00:17:17,370
SHE STARTED SPITTING
AND SCREAMING AND BEATING ME.
363
00:17:17,403 --> 00:17:18,705
WHY?
364
00:17:18,739 --> 00:17:21,708
�CAUSE I WAS LETTING HER KNOW
THAT WAS IT FOR US.
365
00:17:21,742 --> 00:17:23,710
YOU KNOW,
AFTER I FREAKED HER.
366
00:17:23,744 --> 00:17:26,146
SO YOU�RE SAYING
THAT YOU BROKE UP WITH SHANICE,
367
00:17:26,179 --> 00:17:27,714
SHE STARTED HITTING YOU,
368
00:17:27,748 --> 00:17:30,416
AND YOU GAVE HER A BLACK EYE
FENDING HER OFF?
369
00:17:30,450 --> 00:17:32,318
YEAH. I�M TALKING ABOUT
BEATING ME ON MY HEAD.
370
00:17:32,352 --> 00:17:35,556
I HAD TO GRAB
SOME HANDCUFFS ??
371
00:17:35,589 --> 00:17:38,525
FIX HER TO THE RADIATOR
TILL SHE CALMED DOWN.
372
00:17:38,559 --> 00:17:40,927
MM?HMM. NOW, YOU KEEP THESE
HANDCUFFS LYING AROUND?
373
00:17:40,961 --> 00:17:42,696
WELL,
MY BROTHER HENRY ??
374
00:17:42,729 --> 00:17:44,865
HE�S A CORRECTIONS OFFICER
DOWN AT THE TOMBS ??
375
00:17:44,898 --> 00:17:46,199
THEY�RE HIS CUFFS.
376
00:17:46,232 --> 00:17:48,034
TURNS OUT I DIDN�T
HAVE THE KEY.
377
00:17:48,068 --> 00:17:51,104
MY BROTHER WAS ON SHIFT.
I COULDN�T CALL NO LOCKSMITH.
378
00:17:51,137 --> 00:17:52,873
NAKED WOMAN
CUFFED TO MY RADIATOR...
379
00:17:52,906 --> 00:17:54,040
HE MIGHT NOT UNDERSTAND.
380
00:17:54,074 --> 00:17:55,609
EXACTLY.
381
00:17:55,642 --> 00:17:58,444
SO I GAVE HER
A WARM BLANKET, SOME WATER,
382
00:17:58,478 --> 00:18:00,781
A CUP TO PEE IN ??
FIRST THING THIS MORNING
383
00:18:00,814 --> 00:18:04,050
I WENT OUT AND GOT
A METAL DRILL BIT,
384
00:18:04,084 --> 00:18:05,786
CAME BACK,
CUT HER LOOSE.
385
00:18:05,819 --> 00:18:08,388
WELL, PAUL, WE STILL GOT
SHANICE SAYING RAPE.
386
00:18:08,421 --> 00:18:11,825
BROTHER, THAT�S THE THING.
IT AIN�T JUST MY WORD.
387
00:18:11,858 --> 00:18:14,160
I GOT PROOF
THERE WAS NO RAPE.
388
00:18:14,194 --> 00:18:15,762
WHAT KIND OF PROOF?
389
00:18:15,796 --> 00:18:19,600
GOT A VIDEOTAPE ??
ME AND SHANICE BUCK WILD.
390
00:18:19,633 --> 00:18:22,168
YOU CAN SEE FOR YOURSELF
SHE WAS INTO IT.
391
00:18:22,202 --> 00:18:24,505
SHE KNEW
ABOUT THIS VIDEO?
392
00:18:24,538 --> 00:18:27,508
HELL, NO!
GOT THIS RIG SET UP.
393
00:18:27,541 --> 00:18:29,510
COUPLE OF MOTHERBOARDS
AND SOME WIRES
394
00:18:29,543 --> 00:18:31,444
THAT RUN THROUGH
TO MY VCR.
395
00:18:31,477 --> 00:18:33,514
I GOT THE LENS
HIDDEN IN MY CLOSET.
396
00:18:33,547 --> 00:18:36,116
YOU TAPE YOURSELF
HAVING SEX?
397
00:18:36,149 --> 00:18:37,618
YES, SIR.
398
00:18:37,651 --> 00:18:38,785
WHY?
399
00:18:38,819 --> 00:18:40,353
IN CASE
I�M FALSELY ACCUSED.
400
00:18:40,386 --> 00:18:42,789
THESE BITCHES COME AFTER
YOUR NEST EGG.
401
00:18:42,823 --> 00:18:44,958
LOOK WHAT HAPPENED
TO TYSON.
402
00:18:44,991 --> 00:18:46,827
CAN WE SEE THIS TAPE?
403
00:18:46,860 --> 00:18:49,229
I�LL CALL MY BROTHER
AND HAVE HIM BRING IT.
404
00:18:49,262 --> 00:18:50,496
GIVE HIM A CALL.
405
00:18:50,531 --> 00:18:54,568
ALL RIGHT,
GIVE ME THE HORN.
406
00:18:54,601 --> 00:18:55,769
[ KNOCK ON DOOR ]
407
00:20:10,076 --> 00:20:12,713
Andy: HE DOES LOOK GLUM ??
DINO.
408
00:20:12,746 --> 00:20:15,215
SHOULD WE WARM HIM UP
WITH A COUPLE JOKES?
409
00:20:15,248 --> 00:20:17,818
HOW�S IT GOING?
THANKS FOR BRINGING HIM OVER.
410
00:20:17,851 --> 00:20:21,054
DANNY SORENSON, DINO.
MY PARTNER ANDY SIPOWICZ.
411
00:20:21,087 --> 00:20:22,823
DELIGHTED.
412
00:20:22,856 --> 00:20:24,991
COFFEE.
413
00:20:25,025 --> 00:20:26,392
THANKS.
414
00:20:26,426 --> 00:20:28,428
COME ON,
WE�LL TALK DOWN HERE.
415
00:20:28,461 --> 00:20:29,796
SWELL.
416
00:20:33,299 --> 00:20:35,101
IT�S HOT IN HERE.
417
00:20:35,135 --> 00:20:37,437
UH, YOU WANT US
TO TURN IT DOWN?
418
00:20:37,470 --> 00:20:39,706
NO.
IT COULD ABSOLUTELY BE ME.
419
00:20:39,740 --> 00:20:42,943
THEY GOT ME UPSTATE ??
YOU FREEZE YOUR BALLS OFF.
420
00:20:42,976 --> 00:20:45,278
STILL, I�M INTOLERABLY HOT.
421
00:20:45,311 --> 00:20:47,213
HAD YOU DOWN HERE
TO TESTIFY?
422
00:20:47,247 --> 00:20:50,216
ENDLESS.
CASE AFTER CASE.
423
00:20:50,250 --> 00:20:52,553
WELL, YOU�RE SUCH
AN ELOQUENT WITNESS.
424
00:20:52,586 --> 00:20:55,722
IS THAT SOME IMPLICATION?
425
00:20:55,756 --> 00:20:57,724
NEVER. NO.
426
00:20:57,758 --> 00:21:01,427
Danny: SO, WE JUST GOT
A FEW QUESTIONS, DINO.
427
00:21:01,461 --> 00:21:03,329
WHERE WERE YOU GOING
WITH THAT ??
428
00:21:03,363 --> 00:21:04,831
I TURN ON MY OWN?
429
00:21:04,865 --> 00:21:07,467
DINO, YOU AND ME
PROBABLY DON�T GOT
430
00:21:07,500 --> 00:21:09,836
12 GRADES BETWEEN US,
BUT THE LAST I LOOKED,
431
00:21:09,870 --> 00:21:12,272
ELOQUENT WAS LIKE,
UH, JOHN KENNEDY.
432
00:21:12,305 --> 00:21:14,608
OH, WHAT YOU CAN DO
FOR YOUR COUNTRY...
433
00:21:14,641 --> 00:21:16,442
THERE YOU GO.
434
00:21:16,476 --> 00:21:18,679
Danny: DINO,
YOU KNOW PAT MULLEN?
435
00:21:18,712 --> 00:21:20,847
OWNS A PLACE ON LUDLOW.
436
00:21:20,881 --> 00:21:23,850
HAD A COUPLE OF GOOD TIMES
WITH A CERTAIN FRIEND.
437
00:21:23,884 --> 00:21:26,286
WHO WITH?
WHY?
438
00:21:26,319 --> 00:21:27,788
Danny: ANGELA ZARELLI?
439
00:21:27,821 --> 00:21:30,691
LOOK, I TALK TO YOU
OUT OF COURTESY.
440
00:21:30,724 --> 00:21:33,193
YOU TURN YOUR CARDS OVER,
I RESPOND,
441
00:21:33,226 --> 00:21:35,228
YOU LET ME GO BACK UPSTATE.
442
00:21:35,261 --> 00:21:37,898
YOU GOT A POLICY ON ANGELA
FRATERNIZING, DINO?
443
00:21:37,931 --> 00:21:41,067
HANDS OFF. I WANT THE GIRL
TO HAVE A LIFE.
444
00:21:41,101 --> 00:21:43,504
NO FEELINGS WHATSOEVER,
HOWEVER SHE MIGHT CARRY ON?
445
00:21:43,537 --> 00:21:45,405
DO I LOOK LIKE STONE?
446
00:21:45,438 --> 00:21:47,741
DO I LOOK LIKE
SOME GREEK STATUE?
447
00:21:47,774 --> 00:21:49,843
NO, YOU DON�T.
448
00:21:49,876 --> 00:21:51,578
BUT I�M A REALIST.
449
00:21:51,612 --> 00:21:55,248
I�M ALSO GOING THROUGH
A VERY DOWN TIME WITH MY, UH...
450
00:21:55,281 --> 00:21:57,518
RELATIONSHIP ABILITIES,
451
00:21:57,551 --> 00:21:59,920
WHICH I�M HALF WORRIED
HAS TO DO
452
00:21:59,953 --> 00:22:02,589
WITH WHAT THEY�RE
FEEDING ME UP THERE.
453
00:22:02,623 --> 00:22:05,759
SHE WAS SCREWING PAT MULLEN?
454
00:22:05,792 --> 00:22:08,061
SHE WAS SEEN
TALKING TO HIM IS ALL.
455
00:22:08,094 --> 00:22:11,632
BIG REP LIKE YOU GOT,
WE FIGURED WE TAKE A FLIER ??
456
00:22:11,665 --> 00:22:14,467
DID YOU REACH OUT
FOR PAT FROM UPSTATE
457
00:22:14,500 --> 00:22:16,903
IN A FIT
OF HOMICIDAL RAGE?
458
00:22:16,937 --> 00:22:18,905
HEY, THE DINO OF TODAY
459
00:22:18,939 --> 00:22:21,675
IS NOT THE DINO YOU GUYS
MUST HAVE HEARD ABOUT.
460
00:22:23,176 --> 00:22:24,745
HEY, WHO IS?
461
00:22:24,778 --> 00:22:27,080
I HAMMERED IT HOME
TO THIS GUY
462
00:22:27,113 --> 00:22:29,082
THAT THAT ANGELA
WAS BANGING MULLEN.
463
00:22:29,115 --> 00:22:31,484
HE�S TOTALLY UNRELATED
TO THE CASE, THIS DINO?
464
00:22:31,518 --> 00:22:32,919
TOTALLY UNRELATED,
465
00:22:32,953 --> 00:22:36,089
AND THE COMPLETE
DEPRESSION ANYHOW.
466
00:22:36,122 --> 00:22:38,158
WE�RE DONE WITH HIM.
THANKS A LOT.
467
00:22:38,191 --> 00:22:40,594
HEY, TELL THEM UPSTATE
THEY MIGHT TRY CUTTING DOWN
468
00:22:40,627 --> 00:22:42,295
ON DINO�S DOSE
OF SALTPETER.
469
00:22:53,339 --> 00:22:55,542
THIS PAUL�S BROTHER ??
THAT�S THE PRISON GUARD...
470
00:22:55,576 --> 00:22:57,978
THE GUY PAUL HAD
BRING THE TAPE IN?
471
00:22:58,011 --> 00:23:00,046
YEAH. HE OBVIOUSLY FEELS
PAUL�S AN ASSHOLE.
472
00:23:00,080 --> 00:23:02,983
HE SAID, "WHAT KIND OF TROUBLE
IS MY BROTHER IN NOW?"
473
00:23:03,016 --> 00:23:04,918
HE DIDN�T KNOW
WHAT�S ON THE TAPE?
474
00:23:04,951 --> 00:23:07,020
SO HE�S IN THE SAME
BOAT WITH US.
475
00:23:07,053 --> 00:23:09,322
WHO?
476
00:23:09,355 --> 00:23:11,658
WE DON�T KNOW WHAT�S
ON THE TAPE, EITHER, BALDWIN ??
477
00:23:11,692 --> 00:23:14,227
IF HE�S HAVING CONSENSUAL
SEX WITH THIS GIRL
478
00:23:14,260 --> 00:23:16,262
OR BEATING ON HER
OR WHAT.
479
00:23:27,641 --> 00:23:30,043
OOH, YOU FINALLY
MADE THE BED, HUH?
480
00:23:30,076 --> 00:23:31,945
SO, WHERE�S MY COOLER?
481
00:23:31,978 --> 00:23:33,714
I�LL GET YOU
YOUR WINE COOLER
482
00:23:33,747 --> 00:23:35,949
AS SOON AS I GET
MY PROPS.
483
00:23:35,982 --> 00:23:38,451
YOU WALKED RIGHT PAST
THE LIQUOR STORE
484
00:23:38,484 --> 00:23:41,287
AND DIDN�T STOP
TO BUY ME MY COOLERS?
485
00:23:41,321 --> 00:23:43,289
THAT�S �CAUSE
I HAD MY MIND...
486
00:23:43,323 --> 00:23:44,891
YOU KNOW WHAT?
487
00:23:44,925 --> 00:23:47,327
I�M GOING
TO WATCH THIS AFTERWARDS.
488
00:23:51,364 --> 00:23:53,834
[ LAUGHING ]
489
00:23:53,867 --> 00:23:55,802
HARD TO CALL
THAT RESISTANCE.
490
00:23:57,370 --> 00:23:59,873
OF COURSE, SHE HASN�T
GOT THAT SHINER YET.
491
00:24:05,546 --> 00:24:07,447
WHAT DID I MISS?
492
00:24:07,480 --> 00:24:10,016
THEY�RE WATCHING THE TAPE
IN THE COFFEE ROOM.
493
00:24:10,050 --> 00:24:12,018
SHOULDN�T WE BE
WATCHING IT, TOO, D.,
494
00:24:12,052 --> 00:24:14,788
IN CASE WE HAVE TO GO
BACK AT THE GUY?
495
00:24:14,821 --> 00:24:17,190
YOU WANT
TO GO IN THERE, GREG?
496
00:24:17,223 --> 00:24:19,693
GO AHEAD IN
AND WATCH IT.
497
00:24:19,726 --> 00:24:22,729
WELL, WE COULD WATCH
AFTER THE GIRLS.
498
00:24:22,763 --> 00:24:25,398
WOULD YOU BE MORE COMFORTABLE
DOING IT THAT WAY?
499
00:24:25,431 --> 00:24:27,734
I�D BE MORE COMFORTABLE
NOT WATCHING WHITE PEOPLE
500
00:24:27,768 --> 00:24:29,703
WATCH BLACK PEOPLE
HAVE SEX.
501
00:24:33,607 --> 00:24:35,909
I THINK THAT MAY BE
A LITTLE PERSONAL PROBLEM
502
00:24:35,942 --> 00:24:38,111
I NEED TO DEAL WITH
ON MY OWN.
503
00:24:41,281 --> 00:24:43,517
WONDER WHERE
THE BOSS HAS GOT TO.
504
00:24:43,550 --> 00:24:45,185
YEAH.
505
00:24:45,218 --> 00:24:47,020
I GUESS HE�S
WITH LIEUTENANT ABNER.
506
00:24:47,053 --> 00:24:48,955
YEAH, I GUESS SO.
507
00:24:58,765 --> 00:25:02,402
HI. I�M CONCERNED
MY HUSBAND�S IN DANGER.
508
00:25:02,435 --> 00:25:05,305
HIS, UM, BUSINESS PARTNER
WAS MURDERED THIS MORNING,
509
00:25:05,338 --> 00:25:09,142
AND I�M CONCERNED
HE�S IN DANGER, TOO.
510
00:25:09,175 --> 00:25:11,912
I THINK YOU WANT TO SPEAK
WITH DETECTIVE SORENSON.
511
00:25:11,945 --> 00:25:13,246
DETECTIVE?
512
00:25:13,279 --> 00:25:15,782
DANNY SORENSON.
CAN I HELP YOU?
513
00:25:15,816 --> 00:25:17,450
MY NAME IS SARA LORENZ.
514
00:25:17,483 --> 00:25:20,521
RELATED TO DAVE LORENZ?
YEAH, HE�S MY HUSBAND.
515
00:25:20,554 --> 00:25:23,456
THIS IS MRS. LORENZ, ANDY.
MY PARTNER ANDY SIPOWICZ.
516
00:25:23,489 --> 00:25:25,458
HOW DO YOU DO?
517
00:25:25,491 --> 00:25:27,193
WE�RE INVESTIGATING
THE HOMICIDE.
518
00:25:27,227 --> 00:25:29,062
PAT MULLEN�S MURDER.
519
00:25:29,095 --> 00:25:30,664
MRS. LORENZ IS AFRAID
520
00:25:30,697 --> 00:25:32,733
HER HUSBAND DAVE
COULD ALSO BE IN DANGER.
521
00:25:32,766 --> 00:25:34,835
WANT A CUP
FROM A BAD BATCH OF COFFEE?
522
00:25:34,868 --> 00:25:37,203
NO, THANK YOU.
523
00:25:39,606 --> 00:25:41,575
WE�RE APPROACHING THIS
FOR NOW
524
00:25:41,608 --> 00:25:43,176
AS A ROBBERY WENT WRONG.
525
00:25:43,209 --> 00:25:44,745
I SEE.
526
00:25:44,778 --> 00:25:47,748
IN WHICH CASE YOUR HUSBAND
WOULDN�T BE IN ANY DANGER.
527
00:25:47,781 --> 00:25:49,683
I SEE.
528
00:25:49,716 --> 00:25:51,518
THE OTHER HAND,
529
00:25:51,552 --> 00:25:54,755
HIM AND ME ARE OPEN
TO SUGGESTIONS, MRS. LORENZ.
530
00:25:54,788 --> 00:25:56,757
I KNOW THEY HAD TO DEAL
531
00:25:56,790 --> 00:25:59,092
WITH, UM, UNDESIRABLE TYPES.
532
00:25:59,125 --> 00:26:01,094
HAD YOUR HUSBAND
OR HIS PARTNER
533
00:26:01,127 --> 00:26:03,630
BORROWED ANY MONEY OR THE LIKE
FROM SPECIFIC UNDESIRABLES
534
00:26:03,664 --> 00:26:05,732
THEY WERE HAVING TROUBLE
PAYING BACK?
535
00:26:05,766 --> 00:26:08,234
NO, I?I DON�T KNOW.
536
00:26:08,268 --> 00:26:10,070
SO THIS ?? THIS WORRY
537
00:26:10,103 --> 00:26:12,472
FOR YOUR HUSBAND
BEING IN DANGER,
538
00:26:12,506 --> 00:26:14,775
THIS IS MORE LIKE A GENERAL
MISGIVING YOU�VE GOT?
539
00:26:17,778 --> 00:26:19,746
MRS. LORENZ,
540
00:26:19,780 --> 00:26:21,748
UNLESS THEY�VE
GOT MENTAL PROBLEMS,
541
00:26:21,782 --> 00:26:23,584
PEOPLE DON�T TEND TO MAKE
542
00:26:23,617 --> 00:26:25,986
VOLUNTARY TRIPS
INTO THE STATION HOUSE
543
00:26:26,019 --> 00:26:27,588
OFF GENERAL MISGIVINGS.
544
00:26:27,621 --> 00:26:30,591
I THINK
I SPEAK FOR ANDY FEELING
545
00:26:30,624 --> 00:26:32,659
SOMETHING SPECIFIC�S CAUSING
YOUR WORRIES, MRS. LORENZ.
546
00:26:32,693 --> 00:26:36,296
I DON�T KNOW...
547
00:26:36,329 --> 00:26:40,300
BUT SOMEHOW HE...
HE COULD BE UPSET
548
00:26:40,333 --> 00:26:42,703
ABOUT SOME PHONE RECORDS.
549
00:26:42,736 --> 00:26:44,705
WHAT ARE
THE PHONE RECORDS FROM?
550
00:26:44,738 --> 00:26:46,707
OUR HOME ??
551
00:26:46,740 --> 00:26:49,375
BETWEEN OUR HOME
AND HIS WORK
552
00:26:49,409 --> 00:26:51,978
AT TIMES
WHEN DAVE WASN�T AT HOME.
553
00:26:52,012 --> 00:26:53,514
OR AT WORK, EITHER?
554
00:26:56,917 --> 00:26:59,219
AHEM. SO THESE
WOULD BE PHONE CALLS
555
00:26:59,252 --> 00:27:01,888
BETWEEN YOURSELF
AND MAYBE HIS PARTNER?
556
00:27:01,922 --> 00:27:04,658
IS THE DANGER
YOU�RE WORRIED DAVE�S IN
557
00:27:04,691 --> 00:27:06,226
FROM BEING ARRESTED,
MRS. LORENZ?
558
00:27:06,259 --> 00:27:08,494
THAT MAYBE HE WAS SO UPSET
559
00:27:08,529 --> 00:27:11,197
ABOUT THESE PHONE RECORDS
YOU�RE DESCRIBING,
560
00:27:11,231 --> 00:27:14,601
DAVE WENT AND DID SOMETHING
TO PAT AT THE BAR?
561
00:27:14,635 --> 00:27:16,436
THAT�S MY FEAR.
562
00:27:16,469 --> 00:27:19,205
YOU WERE HAVING
AN AFFAIR WITH HIS PARTNER?
563
00:27:19,239 --> 00:27:21,207
THAT�S DAVE�S FEAR.
564
00:27:21,241 --> 00:27:23,810
YOU AND PAT
WERE NOT HAVING AN AFFAIR?
565
00:27:28,649 --> 00:27:32,786
OH...
I�M SO WORRIED ABOUT DAVE.
566
00:27:32,819 --> 00:27:36,623
HOW�D HE COME TO LOOK
AT THE PHONE RECORDS?
567
00:27:36,657 --> 00:27:39,225
HE ASKED TO SEE THEM.
568
00:27:39,259 --> 00:27:41,962
WHEN HE�D HAD TWO SIDECARS,
WHICH HE NEVER DOES,
569
00:27:41,995 --> 00:27:46,266
HE MADE ME SHOW THEM,
AND...
570
00:27:46,299 --> 00:27:48,501
HE DIDN�T SAY ANYTHING,
571
00:27:48,535 --> 00:27:50,771
AND THEN HE LEFT.
572
00:27:50,804 --> 00:27:52,839
DID HE HAVE A GUN?
573
00:27:52,873 --> 00:27:54,875
I THINK HE TOOK
THE GUN WITH HIM.
574
00:27:56,710 --> 00:27:59,846
IT�S MY FAULT.
I BROKE HIS HEART.
575
00:27:59,880 --> 00:28:04,284
SAYING HE HAD A BASIS
ON HIS FEARS ?? DAVE ??
576
00:28:04,317 --> 00:28:06,953
ABOUT YOU AND PAT?
577
00:28:06,987 --> 00:28:10,456
HE WAS SO SORROWFUL
THAT PAT WAS DEAD.
578
00:28:10,490 --> 00:28:13,493
THAT�S THE ONLY HOPE
I HAVE THAT DAVIE DIDN�T...
579
00:28:17,931 --> 00:28:20,433
ALL RIGHT, THANKS VERY MUCH
FOR COMING IN.
580
00:28:29,109 --> 00:28:32,412
HE REALLY WAS SO SORROWFUL.
581
00:28:32,445 --> 00:28:35,582
ISN�T THAT A BASIS
FOR CAUTIOUS OPTIMISM?
582
00:28:35,616 --> 00:28:38,719
YEAH. MAYBE ALL THIS
CAN WORK OUT.
583
00:28:44,625 --> 00:28:47,861
THAT WOMAN ??
SHE COULDN�T FACE THE TRUTH
584
00:28:47,894 --> 00:28:50,130
IF IT JUMPED
OUT OF A MAILBOX.
585
00:28:50,163 --> 00:28:52,298
HOW�D YOU GET HER
TO THE STAIRS,
586
00:28:52,332 --> 00:28:54,568
TELL HER IT�S THE ROOF?
587
00:28:54,601 --> 00:28:57,904
I PICKED THE HUSBAND UP.
WE�RE ASKING HIM TO COME IN.
588
00:28:57,938 --> 00:29:02,142
HE�LL COME IN, THIS POOR MUTT.
JUST TELL HIM WE NEED HELP.
589
00:29:02,175 --> 00:29:04,144
SELFISH BASTARD, THIS PAT.
590
00:29:04,177 --> 00:29:06,412
IF HE�D HAVE LIVED,
591
00:29:06,446 --> 00:29:08,815
THEY�D HAVE FIGURED HIM
FOR THE JERK HE WAS.
592
00:29:08,849 --> 00:29:11,151
THIS CHARM AND STUFF ??
THAT ONLY LASTS A WHILE.
593
00:29:11,184 --> 00:29:12,819
THEN YOU�RE REVEALED
594
00:29:12,853 --> 00:29:14,788
FOR THE SELFISH
DRUNKEN PRICK THAT YOU ARE.
595
00:29:19,693 --> 00:29:21,628
CALL AND GET THIS GUY IN.
596
00:29:38,645 --> 00:29:40,614
PAUL SAYS YOU CAME AT HIM
597
00:29:40,647 --> 00:29:43,183
AFTER HE ACCUSED YOU
OF STEALING HIS GOLD CHAIN
598
00:29:43,216 --> 00:29:46,286
AND YOU GOT THE BLACK EYE
WHEN HE WAS FIGHTING YOU.
599
00:29:46,319 --> 00:29:48,188
EVEN IF HE WAS LYING,
600
00:29:48,221 --> 00:29:50,957
BECAUSE THE VIDEOTAPE SHOWS
THAT YOU DIDN�T TELL THE TRUTH
601
00:29:50,991 --> 00:29:53,694
WHEN YOU SAID HE RAPED YOU,
602
00:29:53,727 --> 00:29:56,897
THE DISTRICT ATTORNEY ISN�T
GOING TO CHARGE PAUL WITH RAPE.
603
00:29:56,930 --> 00:29:58,498
HE GAVE ME THAT CHAIN,
604
00:29:58,532 --> 00:30:01,835
AND HE GAVE ME THIS BLACK EYE
GETTING OVER ON ME,
605
00:30:01,868 --> 00:30:05,071
AND NO DAMN VIDEOTAPE IS GOING
TO SHOW ANY DIFFERENT.
606
00:30:05,105 --> 00:30:08,174
NOW I WANT
TO SEE THAT THING.
607
00:30:08,208 --> 00:30:10,076
WHAT�S THAT GOING
TO ACCOMPLISH
608
00:30:10,110 --> 00:30:11,578
EXCEPT TO UPSET YOU,
SHANICE?
609
00:30:11,612 --> 00:30:13,747
AND HOW ARE YOU SO SURE?
610
00:30:13,780 --> 00:30:15,115
YOU�VE SEEN THE TAPE?
611
00:30:19,452 --> 00:30:21,755
YOU�VE SEEN IT?
612
00:30:21,788 --> 00:30:23,757
I AGREE WITH MY PARTNER.
613
00:30:23,790 --> 00:30:25,692
WITH WHAT THE TAPE SHOWS,
614
00:30:25,726 --> 00:30:28,929
THE D. A.�s OFFICE
WON�T PROSECUTE.
615
00:30:28,962 --> 00:30:31,397
THAT DOESN�T MEAN
WE DON�T HAVE SYMPATHY
616
00:30:31,431 --> 00:30:33,133
FOR YOUR SITUATION...
617
00:30:33,166 --> 00:30:35,902
OR WE BELIEVE THE REST
OF WHAT PAUL�S SAYING.
618
00:30:35,936 --> 00:30:39,072
WE�VE GOT HIM SO WE CAN SEE
IF HE�S GOT OTHER CHARGES.
619
00:30:39,105 --> 00:30:42,308
SO YOU TWO SAT THERE
AND WATCHED HIM DO ME.
620
00:30:42,342 --> 00:30:44,578
TAKE IT EASY, SHANICE.
621
00:30:44,611 --> 00:30:46,647
WELL, MAYBE BECAUSE
IT HAPPENED TO ME,
622
00:30:46,680 --> 00:30:50,116
YOU JUST DON�T THINK
IT COUNTS.
623
00:31:01,461 --> 00:31:04,297
THAT�S A LOUSY ONE.
624
00:31:04,330 --> 00:31:06,567
BOYFRIEND�S DEFINITELY
SUPPOSED TO BE A COLLAR.
625
00:31:08,334 --> 00:31:10,470
I GUESS SHE, UH,
LET HER WOUNDED PRIDE
626
00:31:10,504 --> 00:31:13,073
GET IN THE WAY OF TELLING
WHAT HAPPENED STRAIGHT.
627
00:31:15,341 --> 00:31:17,544
ANYWAYS,
HE�S GOT NO WARRANTS OUT.
628
00:31:17,578 --> 00:31:19,546
SHOULD WE LET HIM GO?
629
00:31:19,580 --> 00:31:21,815
IF NOBODY NEEDS
THE POKEY ROOM,
630
00:31:21,848 --> 00:31:24,551
I WOULDN�T BE IN ANY FRENZY
TO LET THAT PRICK GO.
631
00:31:24,585 --> 00:31:27,654
MAYBE THE DRAFT IN THERE
WILL GIVE HIM THE FLU.
632
00:31:27,688 --> 00:31:30,490
BALDWIN, IF WE DID
SOMETHING TO PISS YOU OFF
633
00:31:30,524 --> 00:31:33,326
WHEN YOU
BROUGHT IN THE TAPE,
634
00:31:33,359 --> 00:31:36,229
DIANE AND I WANTED
TO APOLOGIZE.
635
00:31:36,262 --> 00:31:38,699
YOU MEAN FOR SITTING THERE
BREATHING IN AND OUT?
636
00:31:38,732 --> 00:31:41,267
IT SURE SEEMED
LIKE YOU GOT PISSED OFF.
637
00:31:41,301 --> 00:31:44,037
WELL,
I�VE GOT SOME WORK TO DO,
638
00:31:44,070 --> 00:31:46,039
TOUGHENING UP MY SKIN.
639
00:31:46,072 --> 00:31:47,708
OH.
640
00:31:47,741 --> 00:31:50,777
HERE I SPEND ALL THIS TIME
TRYING TO SOFTEN MINE UP.
641
00:31:50,811 --> 00:31:51,912
I CAN SEE THAT.
642
00:31:57,417 --> 00:31:59,485
ANYWAYS...
643
00:32:03,657 --> 00:32:05,926
BALDWIN.
644
00:32:17,971 --> 00:32:23,176
HE SHOT HIMSELF...
645
00:32:23,209 --> 00:32:26,112
SITTING IN AN EMPTY BATHTUB.
646
00:32:26,146 --> 00:32:28,114
IF HE�D HAVE HAD FAMILY,
647
00:32:28,148 --> 00:32:31,351
I�D HAVE PULLED HIM OUT
AND PUT HIM SOMEPLACE ELSE,
648
00:32:31,384 --> 00:32:33,787
MAKE IT LOOK LIKE
HE WAS CLEANING HIS GUN,
649
00:32:33,820 --> 00:32:35,455
BUT THERE WAS ??
650
00:32:35,488 --> 00:32:37,691
THERE WAS NO FAMILY
OR PENSION TO PROTECT.
651
00:32:37,724 --> 00:32:41,194
HE WAS FAKING IT JUST
TO SAVE HIS REPUTATION ??
652
00:32:41,227 --> 00:32:42,863
THE SAME COPS
653
00:32:42,896 --> 00:32:44,898
THAT YOU�D BE LOOKING
TO PROTECT HIM WITH
654
00:32:44,931 --> 00:32:47,367
WOULD BE THE ONES
WHO�D KNOW WHAT YOU DID.
655
00:32:49,536 --> 00:32:51,337
BUT YOU FEEL GUILTY,
656
00:32:51,371 --> 00:32:54,040
NO MATTER WHAT YOU DID
OR DIDN�T DO.
657
00:32:56,543 --> 00:32:59,012
YOU DID EVERYTHING
YOU COULD.
658
00:32:59,045 --> 00:33:02,015
I HAD CONCERNS,
659
00:33:02,048 --> 00:33:06,086
BUT I COULDN�T SEE A WAY
TO CONSTRUCTIVELY INTERVENE.
660
00:33:06,119 --> 00:33:10,190
JUST HAVE TO ACCEPT
HOW YOU�RE GOING TO FEEL.
661
00:33:10,223 --> 00:33:12,058
HERE�S
AN INTERESTING POINT.
662
00:33:14,060 --> 00:33:15,529
HERE�S
AN INTERESTING POINT.
663
00:33:15,562 --> 00:33:17,197
IF HE HAD BEEN WHITE,
664
00:33:17,230 --> 00:33:19,299
I WOULD HAVE NOTIFIED
EARLY INTERVENTION.
665
00:33:19,332 --> 00:33:22,402
MAN, WHAT ARE YOU TELLING ME
THAT FOR?
666
00:33:22,435 --> 00:33:25,305
I WAS AFRAID HE�D THINK
667
00:33:25,338 --> 00:33:28,474
I WAS TRYING
TO COST HIM HIS JOB.
668
00:33:28,509 --> 00:33:31,745
I WAS MORE COMFORTABLE
RISKING HIM KILLING HIMSELF
669
00:33:31,778 --> 00:33:35,015
THAN THAT HE�D
THINK ABOUT ME THAT WAY.
670
00:33:39,285 --> 00:33:43,489
BUT THAT�S JUST SOMETHING
I HAVE TO LIVE WITH.
671
00:33:43,524 --> 00:33:46,192
HE WASN�T GOING
TO BE STOPPED.
672
00:33:50,697 --> 00:33:53,466
SO WHERE ARE YOU
WITH YOUR CASE?
673
00:33:58,238 --> 00:34:00,373
GIRL MADE
THE WRONG COMPLAINT.
674
00:34:00,406 --> 00:34:03,877
THIS GUY BEAT HER
AND CHAINED HER TO A RADIATOR.
675
00:34:03,910 --> 00:34:06,547
THE ONE THING
HE DIDN�T DO WAS RAPE HER.
676
00:34:06,580 --> 00:34:08,048
SO THE SEX WAS CONSENSUAL.
677
00:34:08,081 --> 00:34:09,650
AND ON TAPE.
678
00:34:09,683 --> 00:34:11,051
HER LYING,
679
00:34:11,084 --> 00:34:13,554
THE DOCTOR WRITING UP
THE RAPE COMPLAINT ??
680
00:34:13,587 --> 00:34:15,488
THERE�S NO WAY
TO MAKE HER CREDIBLE
681
00:34:15,522 --> 00:34:17,724
ON THE STUFF
THAT DID HAPPEN
682
00:34:17,758 --> 00:34:20,160
AND HER ASSHOLE BOYFRIEND
COPS TO.
683
00:34:20,193 --> 00:34:22,162
A LOT OF TIMES, BALDWIN,
684
00:34:22,195 --> 00:34:24,565
A PRECINCT SQUAD�S
THE LAST PART OF THE SYSTEM
685
00:34:24,598 --> 00:34:26,366
THAT�S ABOUT JUSTICE,
686
00:34:26,399 --> 00:34:28,935
ABOUT PEOPLE GETTING
WHAT THEY DESERVE ??
687
00:34:28,969 --> 00:34:31,705
VICTIMS AND SKELS.
688
00:34:31,738 --> 00:34:34,207
I�M GOING TO LET
THIS PAUL MATSON GO
689
00:34:34,240 --> 00:34:35,776
WITH A WARNING.
690
00:34:35,809 --> 00:34:38,211
THE BOYFRIEND THAT BEAT HER UP
AND CHAINED HER?
691
00:34:38,244 --> 00:34:39,946
YEAH, THAT�S HIM.
692
00:34:39,980 --> 00:34:41,381
YEAH.
693
00:34:41,414 --> 00:34:43,316
LET HIM GO
WITH A GOOD WARNING.
694
00:34:53,259 --> 00:34:54,928
I�M SORRY.
695
00:34:57,330 --> 00:35:00,000
I�M SORRY FOR YOU, TOO,
BALDWIN.
696
00:35:23,557 --> 00:35:26,026
SO, HOW�S IT LOOKING?
697
00:35:26,059 --> 00:35:28,461
WE�RE STARTING TO PUT
A FEW THINGS TOGETHER.
698
00:35:28,494 --> 00:35:31,031
UH?HUH. COULD IT HAVE BEEN
DINO FERRERA, YOU THINK,
699
00:35:31,064 --> 00:35:32,666
GETTING IT DONE
FROM PRISON?
700
00:35:32,699 --> 00:35:34,334
WE�RE TENDING TO THINK NO.
701
00:35:34,367 --> 00:35:37,838
NO? I MEAN,
OUT OF JEALOUSY?
702
00:35:37,871 --> 00:35:40,574
PAT COULDN�T KEEP IT
IN HIS PANTS WITH THAT ANGELA.
703
00:35:40,607 --> 00:35:41,908
IT�S NOT LOOKING
LIKE THAT.
704
00:35:41,942 --> 00:35:43,677
[ GROANS ]
705
00:35:43,710 --> 00:35:45,679
POOR PAT.
706
00:35:45,712 --> 00:35:48,448
YOU TALK ABOUT
WHAT A GREAT GUY HE WAS.
707
00:35:48,481 --> 00:35:50,584
GUYS LIKE THAT MAKE ENEMIES.
708
00:35:50,617 --> 00:35:52,252
PAT?
709
00:35:52,285 --> 00:35:54,521
GO AROUND
STICKING IT TO WOMEN
710
00:35:54,555 --> 00:35:56,523
WITH PRIOR RELATIONSHIPS.
711
00:35:56,557 --> 00:35:59,760
GUYS, LOOK,
YOU KNOW THE EXPRESSION
712
00:35:59,793 --> 00:36:02,262
"THINKING WITH YOUR JOINT"?
713
00:36:02,295 --> 00:36:05,298
THAT WAS PAT, AND YOU COULDN�T
HOLD IT AGAINST HIM.
714
00:36:05,331 --> 00:36:07,901
HEY, IF HE WERE
STICKING IT TO MY WIFE,
715
00:36:07,934 --> 00:36:10,070
I COULD HOLD IT
AGAINST HIM REAL EASY.
716
00:36:10,103 --> 00:36:11,805
NO, THAT�S �CAUSE
YOU DIDN�T KNOW PAT.
717
00:36:11,838 --> 00:36:13,974
THAT�S THE ONE POINT
I�M TRYING TO MAKE.
718
00:36:14,007 --> 00:36:16,076
PAT WAS THE SALT OF THE EARTH,
719
00:36:16,109 --> 00:36:18,078
AND THE LAST THING
HE WANTED TO DO
720
00:36:18,111 --> 00:36:21,081
WAS HALF OF THE STUPID STUNTS
THAT HE PULLED.
721
00:36:21,114 --> 00:36:23,416
THAT�S WHY I SAY
"THINKING WITH YOUR JOINT."
722
00:36:23,449 --> 00:36:25,919
I�D STILL FEEL PISSED OFF.
723
00:36:25,952 --> 00:36:28,488
YEAH, THAT�S BECAUSE
YOU DIDN�T KNOW PAT.
724
00:36:28,522 --> 00:36:32,158
YOUR WIFE SARA CAME IN,
725
00:36:32,192 --> 00:36:35,328
WORRIED SICK THAT MAYBE
IT WAS YOU THAT KILLED HIM.
726
00:36:35,361 --> 00:36:36,930
I KILLED HIM?
727
00:36:36,963 --> 00:36:38,431
YEAH,
SHE WAS WORRIED SICK.
728
00:36:38,464 --> 00:36:40,133
WHAT WAS HER BASIS,
729
00:36:40,166 --> 00:36:42,035
SOME BUSINESS?TYPE
DISAGREEMENT?TYPE BASIS?
730
00:36:42,068 --> 00:36:43,704
NO, THAT YOU THOUGHT
731
00:36:43,737 --> 00:36:45,872
SHE WAS HAVING AN AFFAIR
WITH HIM.
732
00:36:45,906 --> 00:36:49,475
AW, NO, COME ON.
COME ?? COME ON.
733
00:36:49,510 --> 00:36:52,045
YOU DIDN�T THINK
SHE WAS HAVING AN AFFAIR?
734
00:36:52,078 --> 00:36:56,149
LOOK, I HAVE IRRATIONAL FEARS,
ALL RIGHT?
735
00:36:56,182 --> 00:36:58,885
AND I HAD IRRATIONAL FEARS
ON THIS SUBJECT
736
00:36:58,919 --> 00:37:02,656
ON THE BASIS THAT
PAT�S A VERY CHARISMATIC GUY.
737
00:37:02,689 --> 00:37:04,691
NOW, I MAY NOT BE
738
00:37:04,725 --> 00:37:07,060
IN THE TOP 100
CHARISMATIC GUYS IN AMERICA...
739
00:37:07,093 --> 00:37:09,429
AND PAT TENDS TO THINK
WITH HIS JOINT.
740
00:37:12,098 --> 00:37:14,100
LOOK, I LOVE PAT,
741
00:37:14,134 --> 00:37:15,869
AND I LOVE MY WIFE,
742
00:37:15,902 --> 00:37:17,871
AND WHATEVER
IRRATIONAL FEARS I HAD
743
00:37:17,904 --> 00:37:19,873
OR IRRATIONAL FEARS
THAT SARA MIGHT HAVE HAD
744
00:37:19,906 --> 00:37:21,875
THAT I MIGHT HAVE DONE,
745
00:37:21,908 --> 00:37:24,878
I DID NOT MURDER PAT.
746
00:37:24,911 --> 00:37:27,147
SO LET�S TAKE THAT ONE
OFF THE RADAR SCREEN.
747
00:37:34,420 --> 00:37:37,057
I THINK
YOU MURDERED HIM.
748
00:37:37,090 --> 00:37:39,726
HEY, I�M SITTING HERE
TELLING YOU I DIDN�T DO IT.
749
00:37:39,760 --> 00:37:41,728
I LOVE PAT.
750
00:37:41,762 --> 00:37:44,064
I THINK YOU LOVED HIM
AND YOU MURDERED HIM.
751
00:37:44,097 --> 00:37:45,932
YOU WENT TO THE CLUB
752
00:37:45,966 --> 00:37:48,434
WITH THE PHONE RECORDS
SHOWING HIM AND YOUR WIFE
753
00:37:48,468 --> 00:37:51,437
TALKING TO EACH OTHER
WHEN YOU WERE OUT OF THE HOUSE,
754
00:37:51,471 --> 00:37:54,675
AND YOU ASKED PAT HOW A GUY
CHARISMATIC AS HE IS
755
00:37:54,708 --> 00:37:57,110
AND FRIENDS AND PARTNERS
WITH YOU
756
00:37:57,143 --> 00:37:59,112
FOR AS LONG AS HE�D BEEN
757
00:37:59,145 --> 00:38:01,281
AND KNOWING HOW YOU LOVED
YOUR WIFE,
758
00:38:01,314 --> 00:38:03,449
THINKING WITH HIS DICK
OR NOT,
759
00:38:03,483 --> 00:38:05,451
HOW COULD HE DO SOMETHING
LIKE THAT?
760
00:38:05,485 --> 00:38:08,188
PAT COULDN�T COME UP
WITH A GOOD ENOUGH ANSWER,
761
00:38:08,221 --> 00:38:10,123
MAYBE BECAUSE HE�D BEEN
THINKING WITH HIS DICK
762
00:38:10,156 --> 00:38:11,525
RECENTLY WITH ANGELA,
763
00:38:11,558 --> 00:38:13,627
OR MAYBE HIS ANSWER
WAS TOO GOOD.
764
00:38:13,660 --> 00:38:15,295
MAYBE HE TOLD YOU,
765
00:38:15,328 --> 00:38:17,698
"HEY, THAT�S ME.
THAT�S WHO I AM."
766
00:38:17,731 --> 00:38:20,233
AND YOU KNEW
IF YOU DIDN�T KILL HIM,
767
00:38:20,266 --> 00:38:23,369
YOU WOULD FORGIVE HIM EVEN
FOR TEARING YOUR LIFE APART.
768
00:38:27,708 --> 00:38:31,512
THAT .38 AT THE CRIME SCENE,
MR. LORENZ,
769
00:38:31,545 --> 00:38:34,014
WE GOT LIFTS OFF THE SHELLS
IN THE OTHER CHAMBERS.
770
00:38:34,047 --> 00:38:37,283
YOUR PRINTS ARE ON FILE
AT THE STATE LIQUOR AUTHORITY.
771
00:38:37,317 --> 00:38:38,752
EARLIER YOU COME FORWARD
772
00:38:38,785 --> 00:38:40,587
BEFORE WE BUILD UP
INCRIMINATING EVIDENCE,
773
00:38:40,621 --> 00:38:42,388
IT GOES BETTER FOR YOU.
774
00:38:50,897 --> 00:38:53,299
DON�T GIVE THE MOTIVE
TO THE PRESS.
775
00:38:53,333 --> 00:38:54,901
I GOT TWO KIDS.
776
00:38:54,935 --> 00:38:58,505
LET THE KIDS THINK
IT WAS A BUSINESS THING.
777
00:39:05,111 --> 00:39:07,748
YOU DID NOT INTEND
FOR THIS TO HAPPEN.
778
00:39:07,781 --> 00:39:10,751
THAT GUN WAS AT THE CLUB.
779
00:39:10,784 --> 00:39:12,853
YOU DID NOT BRING
THAT GUN WITH YOU.
780
00:39:14,855 --> 00:39:18,158
ALL RIGHT.
781
00:39:18,191 --> 00:39:20,293
THANKS FOR THE TIP.
782
00:39:27,901 --> 00:39:30,971
I�VE HAD ALL OF THIS CELL
I NEED.
783
00:39:31,004 --> 00:39:34,040
YEAH, WE�RE GOING
TO LET YOU GO NOW, PAUL.
784
00:39:34,074 --> 00:39:36,042
OPEN THIS UP.
785
00:39:36,076 --> 00:39:38,478
IF ALL YOUR PROPERTIES
ARE IN THERE,
786
00:39:38,512 --> 00:39:40,380
SIGN THE OUTSIDE
OF THE ENVELOPE.
787
00:39:40,413 --> 00:39:42,649
VIDEO SET YOU STRAIGHT?
788
00:39:42,683 --> 00:39:45,552
SHANICE LIED
ON ME RAPING HER.
789
00:39:45,586 --> 00:39:48,154
I WANT TO GIVE YOU A GOOD
WARNING OVER HITTING SHANICE
790
00:39:48,188 --> 00:39:50,156
AND CHAINING HER UP
LIKE YOU DID.
791
00:39:50,190 --> 00:39:52,325
THAT WAS A SPUR?OF?THE?MOMENT?
TYPE THING,
792
00:39:52,358 --> 00:39:53,894
HER COMING AT ME.
793
00:39:53,927 --> 00:39:56,062
SEE, THIS HERE
IS MY ST. CHRISTOPHER
794
00:39:56,096 --> 00:39:58,164
I WAS TELLING YOU ABOUT.
795
00:39:58,198 --> 00:40:01,101
HEY, SURE THERE WASN�T
A $100 BILL IN THERE?
796
00:40:01,134 --> 00:40:02,536
I DIDN�T FIND $100, PAUL.
797
00:40:02,569 --> 00:40:04,370
WELL, I GUESS I�LL SIGN.
798
00:40:04,404 --> 00:40:06,372
YOU KNOW,
�CAUSE I TELL YOU,
799
00:40:06,406 --> 00:40:08,374
IF SHANICE
FILED A COMPLAINT,
800
00:40:08,408 --> 00:40:11,044
THAT�S SOMETHING WE WOULD
DEFINITELY COLLAR YOU FOR.
801
00:40:11,077 --> 00:40:12,713
EASY, MY BROTHER.
802
00:40:12,746 --> 00:40:14,715
WHAT�S THE MATTER?
I HEARD YOU.
803
00:40:14,748 --> 00:40:18,051
A BROTHER YOUR SIZE NEEDS
TO KNOW HIS OWN STRENGTH.
804
00:40:18,084 --> 00:40:20,887
DID YOU THINK ABOUT THAT
WHEN YOU WERE SMACKING SHANICE
805
00:40:20,921 --> 00:40:23,056
AND CHAINING HER
LIKE YOU DO A DOG?
806
00:40:23,089 --> 00:40:25,058
I�M TALKING ABOUT YOU
SMACKING YOUR HAND
807
00:40:25,091 --> 00:40:26,727
DOWN ON MY SHOULDER.
808
00:40:26,760 --> 00:40:28,962
IF I WANTED
TO BREAK YOUR SHOULDER,
809
00:40:28,995 --> 00:40:30,731
YOU�D HAVE A BROKEN SHOULDER
NOW, PAUL.
810
00:40:30,764 --> 00:40:33,433
I WAS TRYING TO GET YOU
TO PAY ATTENTION.
811
00:40:33,466 --> 00:40:34,768
HAVE I GOT IT NOW?
812
00:40:34,801 --> 00:40:36,503
YEAH, MAN,
YOU�VE GOT IT.
813
00:40:36,537 --> 00:40:38,672
HITTING THAT GIRL,
CHAINING HER UP,
814
00:40:38,705 --> 00:40:41,341
HIDING CAMERAS,
TAPING YOURSELF HAVING SEX ??
815
00:40:41,374 --> 00:40:43,276
IT�S THE SAME THING.
816
00:40:43,309 --> 00:40:45,111
YOU�VE GOT A PROBLEM,
PAUL.
817
00:40:45,145 --> 00:40:47,614
IF YOU TAKE IT OUT
ON SHANICE AGAIN,
818
00:40:47,648 --> 00:40:50,283
YOU WILL FIND OUT
WHAT BROKEN BONES FEEL LIKE.
819
00:40:50,316 --> 00:40:53,787
YOU KEEP THIS UP,
I�M GOING TO GET ME A LAWYER.
820
00:40:53,820 --> 00:40:57,023
YOU WANT TO GET
YOURSELF A LAWYER?
821
00:40:57,057 --> 00:41:00,460
YOU LOOK IN ONE HALF,
I�LL LOOK IN THE OTHER.
822
00:41:00,493 --> 00:41:02,128
ALL RIGHT.
823
00:41:02,162 --> 00:41:04,831
YOU WALK YOURSELF OUT.
AND YOU�VE BEEN WARNED!
824
00:41:15,609 --> 00:41:18,078
Jill: HOW�D YOU DO?
825
00:41:18,111 --> 00:41:20,681
HE GAVE IT UP,
THIS POOR SCHMUCK DAVE.
826
00:41:20,714 --> 00:41:22,749
ABNER FROM THE VICE UNIT...
827
00:41:22,783 --> 00:41:24,518
YEAH, THAT BALDWIN
WORKED FOR.
828
00:41:24,551 --> 00:41:25,886
HE ATE HIS GUN.
829
00:41:28,288 --> 00:41:30,524
YEAH, THIS IS
DANNY SORENSON AT THE 15th.
830
00:41:30,557 --> 00:41:32,358
YEAH, WE NEED A D. A.
831
00:41:32,392 --> 00:41:34,895
TO TAKE A STATEMENT
IN A HOMICIDE.
832
00:41:40,000 --> 00:41:43,069
I TALKED TO THE GUY,
ANYWAY.
833
00:41:43,103 --> 00:41:44,805
GOOD.
834
00:41:44,838 --> 00:41:48,074
YEAH, THANKS VERY MUCH.
835
00:41:48,108 --> 00:41:50,243
HE�D REALLY APPRECIATE
A ROOT BEER,
836
00:41:50,276 --> 00:41:52,646
THIS DOPEY DAVE.
837
00:41:52,679 --> 00:41:55,315
ABNER ATE HIS GUN.
838
00:41:55,348 --> 00:41:57,984
YOU WANT ME TO GO DOWN
AND GET THE ROOT BEER?
839
00:41:58,018 --> 00:42:00,120
NO, I GOT IT.
840
00:42:04,357 --> 00:42:07,093
AHEM. DO YOU FEEL
YOU SHOULD GO IN THERE?
841
00:42:07,127 --> 00:42:09,095
I FIGURE
IF HE WANTED COMPANY,
842
00:42:09,129 --> 00:42:11,097
HE WOULDN�T HAVE
THE BLINDS CLOSED, ANDY.
843
00:42:11,131 --> 00:42:13,634
YOU�VE NEVER MET
ANYBODY COMPLICATED ENOUGH,
844
00:42:13,667 --> 00:42:15,969
HE�D DRAW THE BLINDS
SIGNALING HE WANTS COMPANY?
845
00:42:16,002 --> 00:42:18,304
I DON�T THINK THE BOSS
IS SIGNALING THAT.
846
00:42:18,338 --> 00:42:20,306
JUST DON�T TAKE THE TONE
847
00:42:20,340 --> 00:42:22,242
IT�S OUT OF THE REALM
OF POSSIBILITY.
848
00:42:33,186 --> 00:42:38,091
I GUESS EVERYONE�S HEARD
JOE ABNER�S PASSED.
849
00:42:39,860 --> 00:42:41,494
YEAH, THAT�S LOUSY,
850
00:42:41,528 --> 00:42:43,730
NOT THAT HE�D BE HOPING
851
00:42:43,764 --> 00:42:46,266
TO SEE MY NAME FEATURED
IN THE VISITORS� BOOK.
852
00:42:53,974 --> 00:42:55,709
GOOD NIGHT.
853
00:42:55,742 --> 00:42:57,077
GOOD NIGHT.
GOOD NIGHT, BOSS.
854
00:43:07,988 --> 00:43:10,557
WOULD YOU WAIT UP?
855
00:43:10,591 --> 00:43:14,294
I DON�T HAVE THE ANSWERS
FOR YOU, BALDWIN.
856
00:43:14,327 --> 00:43:19,132
I CAN�T TELL YOU
WHY HE DIED.
857
00:43:19,165 --> 00:43:22,435
IT�S ALL RIGHT.
858
00:43:22,468 --> 00:43:25,539
YEAH...
859
00:43:28,374 --> 00:43:31,177
SO, DID YOU GIVE THAT GUY
A TALKING?TO?
860
00:43:31,211 --> 00:43:33,279
YEAH.
861
00:43:33,313 --> 00:43:36,950
YEAH, I GAVE HIM
A GOOD TALKING?TO.
862
00:43:36,983 --> 00:43:39,385
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