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1
00:00:18,018 --> 00:00:19,886
YOU DON�T THINK HE�S ILL
IN SOME WAY,
2
00:00:19,920 --> 00:00:21,522
DO YOU, SORENSON?
3
00:00:21,555 --> 00:00:22,656
ANDY? NAH.
4
00:00:22,689 --> 00:00:24,157
CRULLER, EDDIE?
5
00:00:24,190 --> 00:00:25,892
I JUST PUT THEM OUT.
6
00:00:25,926 --> 00:00:28,094
THANKS, ANYWAY.
7
00:00:28,128 --> 00:00:31,164
NOTE I DIDN�T OFFER COFFEE.
8
00:00:31,197 --> 00:00:33,700
OH, I�D GO THROUGH THE ROOF.
9
00:00:33,734 --> 00:00:36,703
OH, ANDY, THANK GOODNESS.
10
00:00:36,737 --> 00:00:38,104
Danny: MORNING.
11
00:00:38,138 --> 00:00:40,507
HOW HAVE YOU BEEN?
HOW ARE YOU DOING?
12
00:00:40,541 --> 00:00:42,108
OKAY. HOW ARE YOU DOING?
13
00:00:42,142 --> 00:00:44,210
OH, SAME OLD,
SAME OLD, ANDY ??
14
00:00:44,244 --> 00:00:46,613
DOING WHAT I CAN,
WORKING NIGHT WATCH.
15
00:00:46,647 --> 00:00:50,216
I NEED TO SPEAK TO YOU
IMMEDIATELY IN PRIVATE, ANDY.
16
00:00:50,250 --> 00:00:52,452
THAT�S THE LONG
AND SHORT OF IT.
17
00:00:56,122 --> 00:00:58,925
BACK ON THEM
NASAL INHALERS, GIBSON?
18
00:00:58,959 --> 00:01:01,127
NO. THOSE INHALERS
GAVE ME HEART PALPITATIONS,
19
00:01:01,161 --> 00:01:03,597
BESIDES MAKING ME AGITATED.
WHY, DO I SEEM AGITATED?
20
00:01:03,630 --> 00:01:06,466
NO, NOT COMPARED
TO A BANK ROBBER.
21
00:01:15,308 --> 00:01:17,443
THE FIRST THING
I WANT TO ESTABLISH ??
22
00:01:17,477 --> 00:01:19,746
IF YOU AGREE ??
23
00:01:19,780 --> 00:01:22,115
SOUP TO NUTS,
THE WHOLE THING�S ON ME.
24
00:01:22,148 --> 00:01:24,751
YOU WANT ME TO
MURDER SOMEBODY, GIBSON?
25
00:01:24,785 --> 00:01:26,820
BECAUSE FOR 100 BUCKS,
IT AIN�T HAPPENING.
26
00:01:26,853 --> 00:01:30,624
IF I HAD MURDER MONEY,
I KNOW WHO I�D HAVE HIT ??
27
00:01:30,657 --> 00:01:33,126
THAT DICKHEAD JIMMY ELKINS.
28
00:01:33,159 --> 00:01:35,395
FOUR MONTHS IT TOOK ME, ANDY,
29
00:01:35,428 --> 00:01:37,764
GETTING THIS GIRL TO COME UP
FROM PHILADELPHIA.
30
00:01:37,798 --> 00:01:40,100
AND JIMMY ELKINS ??
THAT I ASK ONE LOUSY FAVOR
31
00:01:40,133 --> 00:01:42,936
AND WHO I HAVE
HELD THE BAG FOR
32
00:01:42,969 --> 00:01:45,572
MORE TIMES THAN YOU
CAN SHAKE A STICK AT ??
33
00:01:45,606 --> 00:01:48,474
THIS BUM ELKINS
COMES UP M. I. A. ON ME
34
00:01:48,509 --> 00:01:50,143
WITH EIGHT
LOUSY HOURS NOTICE.
35
00:01:50,176 --> 00:01:52,779
DO I GOT TO SMACK YOU
IN THE HEAD
36
00:01:52,813 --> 00:01:55,415
TO GET YOU TO TELL ME
WHATEVER IT IS
37
00:01:55,448 --> 00:01:57,984
YOU�RE TRYING TO SAY
OUT OF YOUR MOUTH?
38
00:01:58,018 --> 00:02:00,153
ANDY,
MY NIECE IS IN TOWN ??
39
00:02:00,186 --> 00:02:03,423
MY SWEETHEART
OF A 38?YEAR?OLD,
40
00:02:03,456 --> 00:02:06,593
ON?THE?SHY?SIDE,
AND PLAIN?LOOKING NIECE.
41
00:02:06,627 --> 00:02:09,162
ABSOLUTELY NOT, GIBSON,
IF SHE WAS ZSA ZSA GABOR.
42
00:02:09,195 --> 00:02:11,331
ONE OF HIS DOORMEN CANCELED.
43
00:02:11,364 --> 00:02:14,334
HE HAS TO FILL IN.
NOW, YOU TELL ME,
44
00:02:14,367 --> 00:02:16,336
IS THAT A LEGITIMATE EXCUSE
45
00:02:16,369 --> 00:02:19,806
WITH A GIRL WHO CARED
FOR MY OLDER SISTER
46
00:02:19,840 --> 00:02:22,208
THROUGH 16 YEARS
OF MULTIPLE SCLEROSIS?
47
00:02:22,242 --> 00:02:24,811
GOOD, GOOD. YEAH,
TOSS IN A FATAL DISEASE.
48
00:02:24,845 --> 00:02:27,380
ELKINS IS AN 86.
49
00:02:27,413 --> 00:02:29,683
MY NIECE BOUGHT
AN OUTFIT AND SHOES.
50
00:02:29,716 --> 00:02:31,552
SHE�S A SWEET GIRL.
51
00:02:31,585 --> 00:02:33,654
YOU�RE THE MOST
DECENT GUY I KNOW.
52
00:02:33,687 --> 00:02:34,821
AH, NO, NO.
53
00:02:34,855 --> 00:02:37,658
IF YOU NEED IT NOW,
MY ANSWER IS NO.
54
00:02:37,691 --> 00:02:40,694
WHEN CAN I HOPE
FOR AN ALTERNATIVE?
55
00:02:40,727 --> 00:02:43,063
I NEED A COUPLE OF HOURS.
56
00:02:43,096 --> 00:02:44,397
I SEE.
57
00:02:44,430 --> 00:02:46,199
I GOT TO SEEK COUNSEL.
58
00:02:46,232 --> 00:02:48,502
YOU SURE THEY�RE IN,
THESE PEOPLE?
59
00:02:48,535 --> 00:02:50,804
I�M GOING TO GET
SOME ADVICE, GIBSON,
60
00:02:50,837 --> 00:02:53,840
AND I NEED TO SEE
CAN I GET A SITTER.
61
00:02:53,874 --> 00:02:55,542
THE $100�s YOURS REGARDLESS.
62
00:02:55,576 --> 00:02:59,212
GO AWAY. I WILL CALL YOU
IN A COUPLE OF HOURS.
63
00:02:59,245 --> 00:03:01,081
I�LL BE YOUR SITTER.
64
00:03:09,856 --> 00:03:11,324
HEY, LIEU.
65
00:03:11,357 --> 00:03:12,693
HOW�S IT GOING, GIBSON?
66
00:03:12,726 --> 00:03:15,762
OH, YOU KNOW ME.
67
00:03:15,796 --> 00:03:18,398
YEAH, HOMICIDE IN AN APARTMENT.
LOOKS GANG?RELATED.
68
00:03:18,431 --> 00:03:20,701
I�LL PAGE THE OTHERS
TO MEET YOU.
69
00:03:20,734 --> 00:03:24,404
GOOD. HOMICIDE, ANDY.
70
00:03:24,437 --> 00:03:26,740
I�LL LET YOU GUYS
GET TO WORK.
71
00:03:26,773 --> 00:03:28,208
ALL RIGHT, GIBSON.
72
00:03:28,241 --> 00:03:32,278
GREAT GUY, YOUR PARTNER.
ONE OF THE GREATS.
73
00:03:32,312 --> 00:03:34,648
TAKE CARE. BE WELL.
74
00:04:57,698 --> 00:04:59,933
I SMELLED SOMETHING FOUL,
SO I OPENED IT UP,
75
00:04:59,966 --> 00:05:01,935
AND I SAW WHAT YOU SAW.
76
00:05:01,968 --> 00:05:03,537
YOU RECOGNIZE THE D. O. A.?
77
00:05:03,570 --> 00:05:06,306
YOU KIDDING ME?
ONE GOOD WHIFF, I DID A 180.
78
00:05:06,339 --> 00:05:07,974
WHO LIVES THERE?
79
00:05:08,008 --> 00:05:10,343
RICKY GUERRERO,
UP UNTIL THREE WEEKS AGO
80
00:05:10,376 --> 00:05:11,878
WHEN HE GOT EVICTED.
81
00:05:11,912 --> 00:05:13,947
LET�S GO SEE
IF YOU RECOGNIZE HIM.
82
00:05:13,980 --> 00:05:15,381
MY PAYCHECK DON�T INCLUDE
FOR CRIME FIGHTING SERVICES.
83
00:05:15,415 --> 00:05:17,684
HEY, WE GOT
A HOMICIDE HERE, PAL.
84
00:05:17,718 --> 00:05:19,553
COME ON.
BREATHE THROUGH YOUR MOUTH.
85
00:05:19,586 --> 00:05:22,055
MAN, I AIN�T EVEN
HAD MY COFFEE YET.
86
00:05:22,088 --> 00:05:24,891
HOW LONG YOU FIGURE
THE GUY�S BEEN DEAD?
87
00:05:24,925 --> 00:05:26,793
ABOUT THREE OR FOUR DAYS.
88
00:05:26,827 --> 00:05:28,662
HOW�D HE GET IT?
BACK OF THE HEAD.
89
00:05:28,695 --> 00:05:30,831
THERE�S GRAFFITI
ON THE WALL
90
00:05:30,864 --> 00:05:32,365
YOU�RE GOING TO
WANT TO LOOK AT.
91
00:05:32,398 --> 00:05:34,000
IS THAT RICKY GUERRERO?
92
00:05:34,034 --> 00:05:36,202
AFTER HE�D BEEN MICROWAVED
ON HIGH FOR 10 MINUTES.
93
00:05:36,236 --> 00:05:37,804
RICKY HAVE STEADY COMPANY?
94
00:05:37,838 --> 00:05:39,573
MIMI ESQUIBEL ??
95
00:05:39,606 --> 00:05:41,207
ANOTHER WINNER.
96
00:05:41,241 --> 00:05:42,976
THANKS FOR YOUR HELP,
MR. UPCHURCH.
97
00:05:43,009 --> 00:05:44,578
WE�LL BE IN TOUCH
98
00:05:44,611 --> 00:05:46,813
IF WE HAVE
ANY OTHER QUESTIONS.
99
00:05:46,847 --> 00:05:48,481
HOW DO YOU DO IT?
100
00:05:48,515 --> 00:05:50,250
NOT FOR $1 MILLION.
101
00:05:52,218 --> 00:05:53,386
WE�LL CANVASS.
102
00:05:53,419 --> 00:05:54,287
YEAH, GOOD.
103
00:05:57,891 --> 00:06:00,326
GOOD MORNING.
104
00:06:00,360 --> 00:06:03,229
[ FLIES BUZZING ]
105
00:06:03,263 --> 00:06:04,430
WHOA.
106
00:06:19,613 --> 00:06:21,081
OHH.
107
00:06:22,749 --> 00:06:23,950
GOOD MORNING.
108
00:06:23,984 --> 00:06:25,451
MORNING, BALDWIN.
109
00:06:25,485 --> 00:06:27,721
"P.R. GO HOME" I GOT,
THE 9 INSIDE A JEWISH STAR.
110
00:06:27,754 --> 00:06:29,723
WHAT THE HELL IS THIS "NTG"?
111
00:06:29,756 --> 00:06:31,124
NINE TREY GANGSTAS.
112
00:06:31,157 --> 00:06:33,359
I DON�T THINK
THAT�S A JEWISH STAR.
113
00:06:33,393 --> 00:06:35,228
THAT�S A JEWISH STAR.
114
00:06:35,261 --> 00:06:38,064
[ Clears throat ]
SIX POINTS.
115
00:06:40,100 --> 00:06:42,769
ALL RIGHT, SO WE
ELIMINATE THE ISRAELIS.
116
00:06:42,803 --> 00:06:44,771
STEAL YOUR BAILIWICK
FROM THE BIAS UNIT, BALDWIN,
117
00:06:44,805 --> 00:06:46,640
DOES THIS LOOK LIKE
A HATE CRIME
118
00:06:46,673 --> 00:06:47,974
OR A GANG HIT TO YOU?
119
00:06:48,008 --> 00:06:50,210
NOT REALLY.
120
00:06:50,243 --> 00:06:53,479
NO MATTER WHAT IT LOOKS LIKE
TO US MERE MORTALS,
121
00:06:53,514 --> 00:06:55,882
THE BUREAUCRATIC NOTIFICATIONS
HAVE TO GO OUT.
122
00:06:55,916 --> 00:06:57,751
THE STENCH SURE IS TRYING
123
00:06:57,784 --> 00:06:59,753
TO YANK THAT
HOLLANDAISE SAUCE BACK UP.
124
00:06:59,786 --> 00:07:02,088
THEN DO NOT VISUALIZE THINGS
125
00:07:02,122 --> 00:07:03,957
LIKE LICKING A DIRTY ASHTRAY
126
00:07:03,990 --> 00:07:07,661
OR CHUGGING A GALLON
OF COOKING OIL, GREG.
127
00:07:07,694 --> 00:07:10,263
MEDAVOY,
YOU BARF ON A D. O. A.,
128
00:07:10,296 --> 00:07:11,932
YOU�RE WIPING HIM OFF.
129
00:07:15,101 --> 00:07:17,871
TOUGH CROWD.
130
00:07:30,517 --> 00:07:32,318
MM?HMM.
131
00:07:34,988 --> 00:07:36,790
MM?HMM.
132
00:07:36,823 --> 00:07:39,593
OKAY, I GOT IT.
133
00:07:39,626 --> 00:07:42,495
PRINTS YOU ASKED FOR
COME BACK CONFIRMED
134
00:07:42,529 --> 00:07:44,130
FOR A RICKY GUERRERO.
135
00:07:44,164 --> 00:07:46,767
THAT�S WHO THE SUPER
THOUGHT HE WAS ?? THE D. O. A.
136
00:07:46,800 --> 00:07:49,169
WOULDN�T TAKE TOO CLOSE
A LOOK ?? THE SUPER.
137
00:07:49,202 --> 00:07:51,672
ONE TO THE BACK
OF THE HEAD.
138
00:07:51,705 --> 00:07:53,874
DIANE AND JILL
STILL ON CANVASS?
139
00:07:53,907 --> 00:07:55,676
YEAH.
140
00:07:55,709 --> 00:07:56,877
WHERE�S GREG?
141
00:07:56,910 --> 00:07:58,311
HE�S ON CANVASS, TOO.
142
00:07:58,344 --> 00:07:59,946
SO WHAT ARE YOU
DOING HERE?
143
00:07:59,980 --> 00:08:02,182
HATE GRAFFITI
ON THE WALLS.
144
00:08:02,215 --> 00:08:04,551
"P.R. GO HOME"
ABOVE NINE TREY�S GANG TAG.
145
00:08:04,585 --> 00:08:07,220
NINE TREY�S A BLOOD SET.
146
00:08:07,253 --> 00:08:09,856
CRIME SCENE LOOK LIKE
A GANG HIT?
147
00:08:09,890 --> 00:08:12,693
HE COULD HAVE BEEN HOOKED
WITH A GANG ?? GUERRERO.
148
00:08:12,726 --> 00:08:14,895
YEAH, THE EVICTED PUERTO RICAN
149
00:08:14,928 --> 00:08:16,997
HALF?ASSED PIMP
AND SKELL?JUNKIE BUM SET.
150
00:08:17,030 --> 00:08:18,999
SUPER SAID HE BOOTED GUERRERO
THREE WEEKS AGO,
151
00:08:19,032 --> 00:08:21,001
BUT HE WAS HALFWAY SURE
GUERRERO COME BACK
152
00:08:21,034 --> 00:08:22,869
AND SQUATTED
WITH HIS GIRLFRIEND.
153
00:08:22,903 --> 00:08:24,037
HALFWAY SURE?
154
00:08:24,070 --> 00:08:25,672
COMPLETELY SURE,
BUT DIDN�T FEEL
155
00:08:25,706 --> 00:08:27,240
LIKE HE WAS GETTING
PAID ENOUGH
156
00:08:27,273 --> 00:08:29,242
TO DO NOTHING
BUT LOOK THE OTHER WAY.
157
00:08:29,275 --> 00:08:31,244
HE GAVE US THE HOOKER?
GIRLFRIEND�S NAME.
158
00:08:31,277 --> 00:08:33,046
WE�RE GETTING ALL HER PLACES
FROM B.C.I.
159
00:08:33,079 --> 00:08:34,414
WORK THAT,
160
00:08:34,447 --> 00:08:36,817
AND GO AHEAD
AND NOTIFY THE BIAS UNIT
161
00:08:36,850 --> 00:08:38,418
BEHIND THE GRAFFITI.
162
00:08:38,451 --> 00:08:41,688
I GOT TO SAY THE NINE TREY TAG
IS PRETTY CRUDE.
163
00:08:41,722 --> 00:08:44,024
MAYBE A KID TRYING
TO CATCH A REP?
164
00:08:44,057 --> 00:08:46,159
YEAH, IT COULD BE,
165
00:08:46,192 --> 00:08:47,694
OR A MISDIRECT.
166
00:08:47,728 --> 00:08:49,730
SO GO AHEAD AND NOTIFY
LIEUTENANT ABNER,
167
00:08:49,763 --> 00:08:51,097
THE BIAS UNIT.
168
00:08:51,131 --> 00:08:54,100
SURE.
169
00:08:57,137 --> 00:09:00,273
THAT�S SOME PRIVATE THING,
BRINGING ABNER IN.
170
00:09:00,306 --> 00:09:01,908
OH, YEAH.
171
00:09:05,946 --> 00:09:08,915
I WAS TRYING TO STEER THE BOSS
OFF THE HATE ANGLE.
172
00:09:08,949 --> 00:09:10,517
STEERING THE BOSS?
173
00:09:10,551 --> 00:09:12,352
VERY OFTEN,
174
00:09:12,385 --> 00:09:14,921
THE BOSS HAS UNANNOUNCED
LUGGAGE IN THE BOAT.
175
00:09:14,955 --> 00:09:16,923
AND, UH, TIMES LIKE THAT,
176
00:09:16,957 --> 00:09:19,560
YOU LET HIM STEER,
AND YOU JUST PADDLE
177
00:09:19,593 --> 00:09:23,329
UNTIL YOU FIGURE OUT
WHAT�S IN HIS SUITCASE.
178
00:09:27,167 --> 00:09:29,269
WELL, LET ME CALL
MY FORMER BOSS
179
00:09:29,302 --> 00:09:32,573
OVER AT THE BIAS UNIT.
180
00:09:32,606 --> 00:09:36,109
I DIDN�T REALIZE YOU WERE
SO INVOLVED WITH THE SEA.
181
00:09:36,142 --> 00:09:41,314
GENERATIONS OF SIPOWICZES
HAVE BEEN SEAFARERS.
182
00:09:41,347 --> 00:09:42,616
COME HERE.
183
00:09:52,526 --> 00:09:54,961
GIVE ME YOUR OPINION
ON SOMETHING.
184
00:09:54,995 --> 00:09:56,429
SURE.
185
00:10:11,344 --> 00:10:13,179
IS THIS ABOUT GIBSON?
186
00:10:13,213 --> 00:10:15,415
IT IS ABOUT GIBSON.
187
00:10:15,448 --> 00:10:17,483
WHAT DID HE WANT?
188
00:10:17,518 --> 00:10:20,286
ME TO DATE
HIS DISFIGURED NIECE.
189
00:10:20,320 --> 00:10:21,922
SHE�S DISFIGURED?
190
00:10:21,955 --> 00:10:23,790
I GUESS
SHE�S NOT DISFIGURED.
191
00:10:23,824 --> 00:10:26,259
THAT�S NOT THE POINT.
192
00:10:26,292 --> 00:10:28,261
I�M ASKING,
RELEVANT TO MY SITUATION,
193
00:10:28,294 --> 00:10:30,130
HOW DOES THIS STACK UP?
194
00:10:30,163 --> 00:10:32,032
GOING OUT ON A DATE.
195
00:10:32,065 --> 00:10:35,201
IT�S NOT A DATE ??
LIKE KEEP THE DISFIGURED NIECE
196
00:10:35,235 --> 00:10:36,870
FROM GOING OFF
THE CHRYSLER BUILDING
197
00:10:36,903 --> 00:10:38,505
�CAUSE SHE COMES
FROM PHILADELPHIA
198
00:10:38,539 --> 00:10:40,507
TO GET STOOD UP
BY JIMMY ELKINS,
199
00:10:40,541 --> 00:10:42,643
AND SHE�S A RETIRING TYPE
TO BEGIN WITH.
200
00:10:42,676 --> 00:10:46,112
TOOK CARE
OF A SICKLY PARENT 16 YEARS
201
00:10:46,146 --> 00:10:48,114
AND BOUGHT A NEW OUTFIT
AND SHOES ??
202
00:10:48,148 --> 00:10:50,050
PRESUMING
I COULD GET A SITTER.
203
00:10:50,083 --> 00:10:52,485
ANDY, IS SHE
DISFIGURED OR NOT?
204
00:10:52,519 --> 00:10:55,155
SHE�S NOT DISFIGURED.
SHE�S PLAIN.
205
00:10:57,357 --> 00:11:00,561
AS FAR AS THAT GOES,
I�M NOT TYRONE POWER.
206
00:11:02,863 --> 00:11:07,333
I�M NOT WILLIAM HOLDEN,
ALL RIGHT?
207
00:11:07,367 --> 00:11:09,035
I�M NOT RANDOLPH SCOTT.
208
00:11:09,069 --> 00:11:10,571
PRESUMING THE SITTER,
209
00:11:10,604 --> 00:11:13,339
WOULD YOU DO GIBSON
THE SOLID?
210
00:11:13,373 --> 00:11:15,676
WOULD YOU THINK THIS
WOULD BE ALL RIGHT?
211
00:11:29,623 --> 00:11:31,157
I WOULD, YEAH.
212
00:11:31,191 --> 00:11:34,027
YOU WOULD?
213
00:11:34,060 --> 00:11:36,930
DOES IT FEEL OKAY TO YOU?
214
00:11:36,963 --> 00:11:40,366
HEY, DON�T START
THAT TOUCHY?FEELY CRAP.
215
00:11:42,468 --> 00:11:46,239
GO AHEAD, ANDY.
216
00:11:46,272 --> 00:11:47,307
IT�S OKAY.
217
00:11:49,309 --> 00:11:52,045
ALL RIGHT.
THANKS FOR THE ADVICE.
218
00:11:52,078 --> 00:11:53,580
SURE.
219
00:12:05,659 --> 00:12:07,060
THANKS A LOT.
220
00:12:26,780 --> 00:12:31,284
A BLACK MAN HAS BEEN DRAGGED
BEHIND A PICKUP TRUCK
221
00:12:31,317 --> 00:12:33,053
HOWEVER MANY MILES
222
00:12:33,086 --> 00:12:34,955
UNTIL THE FLESH IS TORN
FROM HIS BODY.
223
00:12:34,988 --> 00:12:37,591
FINALLY,
HE GETS HIS SKULL CRUSHED
224
00:12:37,624 --> 00:12:39,726
AGAINST A BRIDGE ABUTMENT.
225
00:12:39,760 --> 00:12:41,962
BIAS UNIT CATCHES.
226
00:12:41,995 --> 00:12:43,930
AT THE CRIME SCENE,
EXAMINING THE BODY,
227
00:12:43,964 --> 00:12:46,567
I NOTE IN WHAT IS LEFT
OF THE POCKET
228
00:12:46,600 --> 00:12:48,168
OF THE D. O. A.�s PANTS,
229
00:12:48,201 --> 00:12:51,437
THERE�S NO FOLDING MONEY ??
NOT A SINGLE DOLLAR.
230
00:12:51,471 --> 00:12:55,776
GIVEN THE CONTEXT,
DO I INVOLVE A PRECINCT SQUAD ??
231
00:12:55,809 --> 00:12:57,611
YOURS, SAY, LIEUTENANT ??
232
00:12:57,644 --> 00:12:59,680
TO INVESTIGATE
THE ROBBERY ANGLE?
233
00:12:59,713 --> 00:13:02,348
NOBODY AFFILIATED
WITH THE NINE TREYS
234
00:13:02,382 --> 00:13:03,817
ADVERTISES LIKE THIS
TO THE COPS.
235
00:13:03,850 --> 00:13:06,186
THE HATE GRAFFITI
IS ALSO A MISDIRECT.
236
00:13:06,219 --> 00:13:07,921
EXCUSE ME.
237
00:13:07,954 --> 00:13:10,490
YOU DON�T SHOW
ENOUGH RESPECT FOR MY TIME.
238
00:13:10,524 --> 00:13:11,925
IF I HADN�T NOTIFIED YOU,
239
00:13:11,958 --> 00:13:13,827
WHEN I RAN THIS CASE
FOR COMSTAT,
240
00:13:13,860 --> 00:13:16,162
YOU�D HAVE BEEN WORKING
THE ROOM.
241
00:13:16,196 --> 00:13:17,931
IF YOU BELIEVE
THAT�S WHY YOU CALLED ME,
242
00:13:17,964 --> 00:13:20,166
THE NEXT TIME YOU�RE LOOKING
IN THE MIRROR,
243
00:13:20,200 --> 00:13:23,504
ASK YOURSELF WHY YOUNG JONES
HAD TO BE PRESENT.
244
00:13:23,537 --> 00:13:25,639
HE TOOK THE PICTURES.
245
00:13:31,545 --> 00:13:34,515
I WOULD HAVE THOUGHT
AFTER 18 MONTHS
246
00:13:34,548 --> 00:13:35,982
IN MY UNIT, DETECTIVE,
247
00:13:36,016 --> 00:13:38,118
SPOTTING SUCH
AN OBVIOUS MISDIRECT
248
00:13:38,151 --> 00:13:40,521
MIGHT HAVE BEEN SOMETHING
YOU�D HAVE PICKED UP.
249
00:13:40,554 --> 00:13:41,955
DECIDING WHAT WEREN�T
HATE CRIMES
250
00:13:41,988 --> 00:13:44,290
IS PART OF OUR WORK, TOO,
LIEUTENANT.
251
00:13:44,324 --> 00:13:45,859
YOU DID LIKE
HAVING THE INFORMATION
252
00:13:45,892 --> 00:13:48,128
AND BEING THE ONE
TO MAKE THAT CALL.
253
00:13:48,161 --> 00:13:50,964
YOU DO KNOW HOW TO HIDE,
SON, DON�T YOU?
254
00:13:50,997 --> 00:13:53,133
THAT�S ALL OF THIS
I�M GOING TO HAVE.
255
00:13:53,166 --> 00:13:55,702
SHALL WE GO ON
TO SOMETHING ELSE?
256
00:14:08,549 --> 00:14:10,884
SHOULD I GO IN THERE?
257
00:14:10,917 --> 00:14:13,019
AND DO WHAT, BALDWIN?
258
00:14:13,053 --> 00:14:15,488
YOU DON�T WANT
TO BE A WITNESS.
259
00:14:15,522 --> 00:14:17,257
YOU DON�T NEED
TO GO IN THERE
260
00:14:17,290 --> 00:14:19,025
UNLESS YOU�RE TRYING
TO KEEP THEM
261
00:14:19,059 --> 00:14:20,493
FROM MURDERING EACH OTHER.
262
00:14:20,527 --> 00:14:22,095
WHAT�S OPEN?
263
00:14:22,128 --> 00:14:23,496
NOT THE COFFEE ROOM.
264
00:14:23,530 --> 00:14:25,666
NOT THE COFFEE ROOM?
265
00:14:25,699 --> 00:14:27,267
I AM NOT MIMI ESQUIBEL.
266
00:14:27,300 --> 00:14:29,269
YOU ANSWER TO MIMI,
WE THINK YOU�RE HER.
267
00:14:29,302 --> 00:14:31,605
WELL, I�M NOT,
AND I HOPE YOU ASSHOLES
268
00:14:31,638 --> 00:14:33,206
SMACK ME AROUND PLENTY.
269
00:14:33,239 --> 00:14:35,108
COUNT ON THAT BEING
JUST AROUND THE CORNER.
270
00:14:35,141 --> 00:14:36,910
GOOD.
I�LL BUILD UP MY I. R. A.
271
00:14:36,943 --> 00:14:38,512
WHO�S IN THE COFFEE ROOM?
272
00:14:38,545 --> 00:14:39,913
LIEUTENANT FANCY
273
00:14:39,946 --> 00:14:42,015
AND MY OLD BOSS
FROM THE BIAS UNIT
274
00:14:42,048 --> 00:14:43,383
GOT THE DOOR CLOSED.
275
00:14:43,416 --> 00:14:44,618
FRANK DISCUSSION.
276
00:14:44,651 --> 00:14:46,286
REAL FRANK.
277
00:14:46,319 --> 00:14:49,389
STAY OUT HERE TILL YOU HEAR
SOMETHING BREAKING.
278
00:14:49,422 --> 00:14:51,357
COME HERE.
279
00:14:51,391 --> 00:14:54,895
DON�T YOU WANT TO CALL ME MIMI
IN FRONT OF MORE WITNESSES?
280
00:15:09,075 --> 00:15:11,277
DON�T YOU EVER
HAND ME MY OVERCOAT
281
00:15:11,311 --> 00:15:13,947
OR CALL ME INTO A CASE
JUST TO EMBARRASS ME
282
00:15:13,980 --> 00:15:15,649
IN FRONT OF A SUBORDINATE.
283
00:15:15,682 --> 00:15:17,651
THERE WAS HATE GRAFFITI
ON THE WALLS
284
00:15:17,684 --> 00:15:19,152
OF A HOMICIDE CRIME SCENE.
285
00:15:19,185 --> 00:15:20,887
IT WAS AN APPROPRIATE
NOTIFICATION.
286
00:15:20,921 --> 00:15:23,156
WHAT THE HELL
IS YOUR PROBLEM?
287
00:15:23,189 --> 00:15:25,158
I AM NOT GOING
TO BE BETRAYED
288
00:15:25,191 --> 00:15:26,793
AS A RACE?PIMPING BUREAUCRAT
289
00:15:26,827 --> 00:15:28,762
OR SOME J. EDGAR HOOVER?
TYPE FANATIC.
290
00:15:28,795 --> 00:15:31,131
JONES WORKED WITH YOU.
HE FORMED HIS OWN OPINIONS,
291
00:15:31,164 --> 00:15:33,133
NOT TO SAY YOU DIDN�T
EMBARRASS YOURSELF
292
00:15:33,166 --> 00:15:35,435
HARASSING HIM
IN THAT SQUAD ROOM.
293
00:15:35,468 --> 00:15:38,171
DID IT EVER OCCUR TO YOU
THAT SENDING HIM OVER HERE,
294
00:15:38,204 --> 00:15:41,174
I MIGHT HAVE BEEN TRYING
TO LOOK OUT FOR JONES?
295
00:15:41,207 --> 00:15:43,243
I DIDN�T THINK HE WAS READY
296
00:15:43,276 --> 00:15:45,946
TO BE LOOKING AT THE WORLD
OUT OF MY WINDOW.
297
00:15:52,218 --> 00:15:56,456
AND YOU RESPOND
BY TRYING TO MARGINALIZE
298
00:15:56,489 --> 00:15:58,659
AND RIDICULE ME
299
00:15:58,692 --> 00:16:00,627
IN HIS EYES?
300
00:16:02,462 --> 00:16:04,665
I WASN�T.
301
00:16:04,698 --> 00:16:08,368
I�M GOING TO ASK YOU
TO BELIEVE ME ABOUT THAT.
302
00:16:08,401 --> 00:16:12,038
WELL, I CAN�T.
303
00:16:12,072 --> 00:16:13,607
I DON�T.
304
00:16:13,640 --> 00:16:16,710
MAYBE YOU�VE BEEN
LOOKING OUT THAT WINDOW
305
00:16:16,743 --> 00:16:20,113
TOO LONG YOURSELF.
306
00:16:20,146 --> 00:16:25,318
THERE�S THAT
PATRONIZING QUALITY AGAIN.
307
00:16:28,221 --> 00:16:31,992
NOW THAT YOU�VE SEEN FIT
TO LUG ME INTO THIS,
308
00:16:32,025 --> 00:16:34,861
I�LL EXPECT TO BE COPIED
ON THE PAPERWORK.
309
00:16:34,895 --> 00:16:37,230
SURE.
310
00:16:49,075 --> 00:16:52,378
COPIES TO LIEUTENANT ABNER
ON ALL YOUR PAPERWORK.
311
00:16:52,412 --> 00:16:53,847
YES, SIR.
312
00:17:07,761 --> 00:17:10,496
LAURA KREBS.
313
00:17:10,531 --> 00:17:13,033
LAURA KREBS.
314
00:17:13,066 --> 00:17:16,737
I MEAN, DON�T YOU PEOPLE
KEEP RECORDS OF WHO�S WHO?
315
00:17:16,770 --> 00:17:18,505
WE�VE GOT A UNIT DEVOTED
TO PHOTOGRAPHS EXCLUSIVELY,
316
00:17:18,539 --> 00:17:20,541
WHICH OCCASIONALLY
MISPLACES THEM.
317
00:17:20,574 --> 00:17:22,843
SAY YOU�RE NOT MIMI ESQUIBEL.
SAY YOU�RE FLORENCE HENDERSON.
318
00:17:22,876 --> 00:17:25,045
IF I WAS FLORENCE HENDERSON,
319
00:17:25,078 --> 00:17:28,048
I�D HAVE KNOWN THAT GUY
I WAS MARRIED TO
320
00:17:28,081 --> 00:17:30,551
ON "THE BRADY BUNCH"
WAS A FRUIT.
321
00:17:30,584 --> 00:17:32,052
WHAT DO YOU GOT FOR US
322
00:17:32,085 --> 00:17:33,854
CONNECTED TO RICKY GUERRERO
THAT IS DEAD?
323
00:17:33,887 --> 00:17:36,923
LIKE I�LL LET GO THAT EASY
ON THIS FALSE ARREST.
324
00:17:36,957 --> 00:17:38,559
YOU�RE NOT ARRESTED.
325
00:17:38,592 --> 00:17:41,294
CUFFS ?? CUFFS ARE THE TIP?OFF
YOU�RE A COLLAR.
326
00:17:41,327 --> 00:17:43,930
I WANT $1,000
TO TELL YOU WHAT I KNOW.
327
00:17:43,964 --> 00:17:45,899
DO YOU KNOW
WHO KILLED RICKY?
328
00:17:45,932 --> 00:17:47,768
I KNOW WHERE
MIMI ESQUIBEL IS.
329
00:17:47,801 --> 00:17:51,104
GOT TO BE A SPEED FREAK.
THEY�RE DELUDED WITH GRANDEUR.
330
00:17:51,137 --> 00:17:53,106
YOU WANT $1,000 TO TELL US
WHERE A HOOKER STROLLS?
331
00:17:53,139 --> 00:17:55,375
DO YOU KNOW?
332
00:17:55,408 --> 00:17:58,144
HOW ABOUT WE GIVE YOU
50 BUCKS AND DON�T EXPLORE
333
00:17:58,178 --> 00:18:00,581
WHAT WARRANTS YOU�VE GOT
UNDER YOUR REAL NAME,
334
00:18:00,614 --> 00:18:02,916
WHICH WOULD EXPLAIN WHY
YOU ANSWERED TO MIMI
335
00:18:02,949 --> 00:18:05,552
WHEN WE CAME TO YOUR DOOR?
336
00:18:05,586 --> 00:18:06,820
ALL RIGHT.
337
00:18:06,853 --> 00:18:08,789
NOW WE�RE IN BUSINESS.
338
00:18:08,822 --> 00:18:11,224
AND I AM NOT
A SPEED FREAK.
339
00:18:11,257 --> 00:18:13,459
MINIMUM, YOU�RE ONE OF THEM
VOLUNTARY PUKERS.
340
00:18:13,493 --> 00:18:15,562
I AM NATURALLY THIN.
341
00:18:15,596 --> 00:18:17,397
YEAH, THAT�S WHAT
THE JAPANESE SAID
342
00:18:17,430 --> 00:18:19,132
ABOUT ALL OUR SOLDIERS
MARCHING FROM BATAAN.
343
00:18:19,165 --> 00:18:22,002
WHERE DO WE FIND
THE TRUE MIMI?
344
00:18:22,035 --> 00:18:23,970
WHEN DO I FIND
THE TRUE $50?
345
00:18:24,004 --> 00:18:25,739
THAT�S THE SECOND PART
OF THE TRANSACTION.
346
00:18:25,772 --> 00:18:28,074
COME ON. I�LL SHOW YOU.
347
00:18:28,108 --> 00:18:30,343
DROP ME OFF.
348
00:18:30,376 --> 00:18:32,646
AND IF MIMI�S KID
WAS INVOLVED,
349
00:18:32,679 --> 00:18:34,147
THAT ASSHOLE RICKY
PROVOKED HIM.
350
00:18:34,180 --> 00:18:37,618
PUT A NAME ON MIMI�S KID.
351
00:18:37,651 --> 00:18:40,086
ISAIAH.
352
00:18:40,120 --> 00:18:43,489
NOW, HE IS SWEET ENOUGH
TO EAT.
353
00:18:57,904 --> 00:19:00,140
I�VE GOT TO TALK TO HIM.
354
00:19:00,173 --> 00:19:02,776
WHEN HE WANTS YOU
TO KNOW SOMETHING, D.,
355
00:19:02,809 --> 00:19:05,646
A BOSS TELLS YOU.
356
00:19:05,679 --> 00:19:07,848
THEN I�M ABOUT
TO MAKE A MISTAKE,
357
00:19:07,881 --> 00:19:09,950
�CAUSE I NEED TO ASK
WHAT WENT ON
358
00:19:09,983 --> 00:19:11,952
BETWEEN HIM
AND LIEUTENANT ABNER.
359
00:19:11,985 --> 00:19:14,320
YOU WILL NOT BE
THE FIRST PERSON IN HISTORY
360
00:19:14,354 --> 00:19:15,656
TO IGNORE MY ADVICE.
361
00:19:25,566 --> 00:19:28,535
CAN WE TALK ABOUT THAT BEEF
WITH LIEUTENANT ABNER?
362
00:19:28,569 --> 00:19:30,704
�CAUSE IT�S REALLY
GOT ME TURNED AROUND.
363
00:19:30,737 --> 00:19:32,539
CLOSE THE DOOR.
364
00:19:38,745 --> 00:19:40,213
TURNED AROUND HOW?
365
00:19:40,246 --> 00:19:42,482
I WAS TRYING TO BE CLEAR
366
00:19:42,516 --> 00:19:44,685
I DIDN�T FEEL
THIS WAS A HATE CRIME.
367
00:19:44,718 --> 00:19:47,353
WITH THAT KIND
OF GRAFFITI ON THE WALLS,
368
00:19:47,387 --> 00:19:49,723
I�D HAVE BEEN DERELICT
NOT HAVING HIM SIGN OFF.
369
00:19:49,756 --> 00:19:52,659
SO YOU WEREN�T LOOKING
TO PICK A FIGHT WITH HIM?
370
00:19:52,693 --> 00:19:54,661
I DON�T KNOW
TOO MANY MOTIVES
371
00:19:54,695 --> 00:19:56,663
THAT DON�T HAVE
A LITTLE OF THIS
372
00:19:56,697 --> 00:19:59,065
AND A LITTLE OF THAT
THROWN INTO IT, BALDWIN,
373
00:19:59,099 --> 00:20:02,002
AND LIEUTENANT ABNER AND I
HAVE OUR DISAGREEMENTS,
374
00:20:02,035 --> 00:20:04,538
BUT I WASN�T LOOKING
FOR HELL TO BREAK LOOSE.
375
00:20:07,774 --> 00:20:10,877
NOW I NEED
TO ASK YOU SOMETHING.
376
00:20:10,911 --> 00:20:12,746
OKAY.
377
00:20:12,779 --> 00:20:14,347
HOW DIFFERENT
378
00:20:14,380 --> 00:20:15,849
WAS LIEUTENANT ABNER�S
BEHAVIOR TODAY
379
00:20:15,882 --> 00:20:18,852
FROM HOW YOU�VE SEEN HIM
OVER THE LAST 18 MONTHS?
380
00:20:18,885 --> 00:20:21,588
LIEUTENANT ABNER�S NEVER BEEN
SHY ABOUT HIS OPINIONS.
381
00:20:21,622 --> 00:20:23,590
I�M NOT ASKING
ABOUT HIS OPINIONS.
382
00:20:23,624 --> 00:20:25,626
I�M ASKING IF HIS BEHAVIOR
WAS DIFFERENT.
383
00:20:27,594 --> 00:20:29,530
YEAH.
384
00:20:29,563 --> 00:20:32,065
HE SEEMED PRETTY HIGH?STRUNG.
385
00:20:32,098 --> 00:20:34,801
THAT LEVEL OF AGITATION
WAS UNCHARACTERISTIC?
386
00:20:34,835 --> 00:20:36,436
YEAH, I�D SAY SO.
387
00:20:36,469 --> 00:20:39,606
ALL RIGHT.
THANK YOU VERY MUCH.
388
00:20:39,640 --> 00:20:43,209
ARE YOU CONCERNED
FOR LIEUTENANT ABNER, BOSS?
389
00:20:43,243 --> 00:20:44,277
THANKS, BALDWIN.
390
00:21:14,770 --> 00:21:16,314
SOME JUNCTURE, SOMEONE
BETTER START TELLING ME
391
00:21:16,347 --> 00:21:18,116
WHAT THE HELL
THIS IS INVOLVING.
392
00:21:18,149 --> 00:21:20,384
IS THAT GENUINE SNAKESKIN?
393
00:21:20,418 --> 00:21:22,453
I GOT TO CALL
ON THIS OTHER THING ??
394
00:21:22,486 --> 00:21:24,222
THIS OTHER SITUATION.
395
00:21:24,255 --> 00:21:25,323
AH.
396
00:21:25,356 --> 00:21:28,192
YOU GUYS COPS OR SPIES?
397
00:21:28,226 --> 00:21:30,361
COME ON, MIMI.
AGENT 99�s WAITING FOR US.
398
00:21:52,083 --> 00:21:55,153
YEAH, YEAH,
IT�S ME ?? SIPOWICZ.
399
00:21:55,186 --> 00:21:59,190
ALL RIGHT, HERE�S MY CONDITIONS,
EDDIE ?? NON?NEGOTIABLE.
400
00:21:59,223 --> 00:22:04,027
"A" ?? DINNER EXCLUSIVELY
WITH NO MOVIE OPTION.
401
00:22:04,062 --> 00:22:07,865
"B" ?? IS SHE AMENABLE
TO ITALIAN FOOD OR SO FORTH,
402
00:22:07,898 --> 00:22:10,033
SOME KIND OF NORMAL CUISINE?
403
00:22:12,136 --> 00:22:13,504
ALL RIGHT.
404
00:22:13,537 --> 00:22:18,042
TELL HER CIRESI�S AROUND 8:00
OR SO FORTH, HUH?
405
00:22:18,076 --> 00:22:19,677
NO, NO, YOU TELL HER.
406
00:22:19,710 --> 00:22:21,745
I DON�T WANT
TO TALK ON THE PHONE.
407
00:22:21,779 --> 00:22:24,182
YEAH, I�LL MEET HER FRESH,
408
00:22:24,215 --> 00:22:27,385
AND YOU�LL TELL HER
HOW TO RECOGNIZE ME, ALL RIGHT?
409
00:22:30,621 --> 00:22:32,956
THE GUY IN THE RESTAURANT
410
00:22:32,990 --> 00:22:34,725
LOOKING MOST
COMPLETELY MISERABLE.
411
00:22:42,666 --> 00:22:47,371
YOU, UH, GOT TIME
FOR A LITTLE TRIM LATER?
412
00:22:47,405 --> 00:22:49,473
CERTAINLY.
413
00:22:49,507 --> 00:22:52,009
OR DON�T YOU
THINK I NEED ONE?
414
00:22:55,012 --> 00:22:58,082
NEVER ANY HARM
IN A BUFF?UP.
415
00:23:02,453 --> 00:23:06,224
IT WAS THAT BITCH LAURA
GIVING ME UP, CORRECT?
416
00:23:06,257 --> 00:23:07,825
INCORRECT.
417
00:23:07,858 --> 00:23:11,129
NO, NO, IT WAS HER
BECAUSE HERE YOU COME,
418
00:23:11,162 --> 00:23:13,431
AND SHE MATERIALIZED
THE OTHER SIDE OF THE STREET,
419
00:23:13,464 --> 00:23:15,466
ALL BUSY,
LOOKING UP AT THE SKY
420
00:23:15,499 --> 00:23:17,501
LIKE THERE�S SOME
METEOR SHOWER.
421
00:23:17,535 --> 00:23:19,503
IT WAS HER.
422
00:23:19,537 --> 00:23:21,805
RICKY GUERRERO.
423
00:23:21,839 --> 00:23:24,575
JUST WHEN I THOUGHT
I COULDN�T FEEL ANY WORSE,
424
00:23:24,608 --> 00:23:25,843
I HAVE TO HEAR THAT NAME.
425
00:23:25,876 --> 00:23:28,746
YOU AND RICKY ON THE OUTS?
426
00:23:28,779 --> 00:23:31,115
WAY PAST THAT ??
FOR WEEKS.
427
00:23:31,149 --> 00:23:33,984
I HOPE I NEVER
SEE THAT FACE AGAIN.
428
00:23:34,017 --> 00:23:36,520
THAT�S WHERE I�M AT
WITH RICKY GUERRERO.
429
00:23:36,554 --> 00:23:39,090
WEEKS SINCE YOU SAW
RICKY LAST?
430
00:23:39,123 --> 00:23:41,492
WEEKS, MONTHS ??
A LONG, LONG TIME.
431
00:23:41,525 --> 00:23:44,595
NOT LONG ENOUGH, THOUGH,
THAT�S FOR SURE.
432
00:23:44,628 --> 00:23:46,864
WELL, BRACE YOURSELF, MIMI.
RICKY�S DEAD.
433
00:23:46,897 --> 00:23:49,200
OH, MY GOD.
434
00:23:49,233 --> 00:23:50,834
ARE YOU SERIOUS?
435
00:23:50,868 --> 00:23:53,971
LET THE FIRST SHOCK WAVE PASS.
436
00:23:54,004 --> 00:23:56,974
I WOULDN�T HAVE SAID
THOSE THINGS ABOUT HIM.
437
00:23:57,007 --> 00:23:58,976
MAY HIS SOUL REST IN PEACE.
438
00:23:59,009 --> 00:24:00,978
SO, MIMI, ABOUT 20 WITNESSES
439
00:24:01,011 --> 00:24:03,347
PUT YOU IN AND OUT
OF THAT APARTMENT
440
00:24:03,381 --> 00:24:06,184
YOU AND RICKY SQUATTED AT
TILL THREE DAYS AGO.
441
00:24:06,217 --> 00:24:08,052
ALSO KNOWN AS THE DAY
RICKY BOUGHT IT.
442
00:24:08,086 --> 00:24:10,354
WHOEVER�S SAYING
IT�S NOT WEEKS
443
00:24:10,388 --> 00:24:13,124
SINCE I LAID EYES
ON RICKY IS ON DRUGS.
444
00:24:13,157 --> 00:24:15,326
MIMI, AWAKE.
445
00:24:15,359 --> 00:24:17,528
WHAT THE HELL�S
THAT ABOUT?
446
00:24:17,561 --> 00:24:19,297
THAT�S MY PARTNER TRYING
TO BRING YOU OUT
447
00:24:19,330 --> 00:24:20,898
OF YOUR DOPEY TRANCE
448
00:24:20,931 --> 00:24:23,134
THIS MURDER�S FALLING
ON ANYONE BUT YOU, MIMI.
449
00:24:23,167 --> 00:24:25,503
YOU WERE THE LAST ONE
SEEN LEAVING THE APARTMENT
450
00:24:25,536 --> 00:24:27,871
AND YOU HATED RICKY�S GUTS ??
YOUR WORDS.
451
00:24:27,905 --> 00:24:30,074
YOU EXPECT ME
TO GIVE UP MY SON?
452
00:24:30,108 --> 00:24:32,310
WHAT�S BEEN HAPPENING
ALL THIS TIME,
453
00:24:32,343 --> 00:24:34,345
MIMI�S BEEN PROTECTING
A LOVED ONE.
454
00:24:34,378 --> 00:24:37,681
ISAIAH AND RICKY
WERE ALWAYS AT EACH OTHER.
455
00:24:37,715 --> 00:24:38,716
OVER WHAT?
456
00:24:38,749 --> 00:24:41,219
ELECTRONICS AND WHATNOT.
457
00:24:41,252 --> 00:24:43,387
LIKE WHO INVENTED
THE LIGHT BULB?
458
00:24:43,421 --> 00:24:45,223
IF, LIKE, RICKY WAS
CONTINUOUSLY BOOSTING
459
00:24:45,256 --> 00:24:46,857
MY SON�S NINTENDO ??
460
00:24:46,890 --> 00:24:48,159
SUPPORTING HIS JONES.
461
00:24:48,192 --> 00:24:49,560
AND WAS HE?
462
00:24:49,593 --> 00:24:52,496
I�M NOT TAKING A POSITION
ON THAT OR ANY MURDER.
463
00:24:52,530 --> 00:24:55,399
ALLS I�M SAYING ??
I LAST SAW RICKY LIVING
464
00:24:55,433 --> 00:24:58,102
WITH A SPIKE
IN HIS ACCUSTOMED ARM.
465
00:24:58,136 --> 00:25:00,804
ISAIAH, MIMI, OR YOU�RE
WEARING THE BULL�S?EYE.
466
00:25:03,074 --> 00:25:05,709
DOES HE HAVE TO KNOW
IT CAME FROM ME?
467
00:25:05,743 --> 00:25:09,380
WE�LL AVOID THAT IF WE CAN.
468
00:25:09,413 --> 00:25:11,749
AND CAN I GO BACK TO WORK?
469
00:25:11,782 --> 00:25:13,717
NOT TILL WE BRING HIM IN.
470
00:25:13,751 --> 00:25:15,919
BUT HE DON�T
HAVE TO SEE ME.
471
00:25:15,953 --> 00:25:18,222
HEY, MIMI, JUST SO WE KEEP
472
00:25:18,256 --> 00:25:20,023
YOUR DEEP MOTHER�S LOVE
IN PERSPECTIVE,
473
00:25:20,058 --> 00:25:21,692
SUPPOSE WE GIVE YOU
THE CHOICE
474
00:25:21,725 --> 00:25:23,894
OF HIM FINDING OUT
YOU GAVE HIM UP
475
00:25:23,927 --> 00:25:27,131
BUT YOU GET TO STROLL OUT
OF HERE AND SCORE,
476
00:25:27,165 --> 00:25:29,567
OR HE NEVER FINDS OUT
IT WAS YOU
477
00:25:29,600 --> 00:25:32,370
BUT YOU GOT TO SIT HERE
AND JONES.
478
00:25:32,403 --> 00:25:34,938
BUILDING ACROSS THE STREET
FROM RICKY�S ??
479
00:25:34,972 --> 00:25:36,940
SHAWN McSOMETHING?OR?OTHER.
480
00:25:36,974 --> 00:25:38,609
SECOND FLOOR, I THINK.
481
00:25:40,911 --> 00:25:42,746
GIVING UP HER SON ??
482
00:25:42,780 --> 00:25:45,716
THAT�S A ROTTEN CHOICE
TO FORCE ON A MOTHER.
483
00:25:45,749 --> 00:25:47,351
SHUT YOUR MOUTH.
484
00:25:58,629 --> 00:26:01,165
Did your sources mention
any specific individuals
485
00:26:01,199 --> 00:26:04,068
in the Nine Treys
who may have done this?
486
00:26:04,102 --> 00:26:05,169
No, man.
487
00:26:05,203 --> 00:26:07,238
WATCH YOUR MAN WORK.
488
00:26:07,271 --> 00:26:08,472
And this is
strictly confidential.
489
00:26:08,506 --> 00:26:09,840
Okay.
490
00:26:09,873 --> 00:26:11,475
Witnesses
in Ricky�s building
491
00:26:11,509 --> 00:26:13,944
SAY HE AND YOUR MOTHER
WERE BOYFRIEND?GIRLFRIEND.
492
00:26:13,977 --> 00:26:16,580
OKAY.
493
00:26:16,614 --> 00:26:18,516
BASED ON YOUR KNOWLEDGE ??
AND THIS IS CRITICAL ??
494
00:26:18,549 --> 00:26:20,751
COULD RICKY GUERRERO
HAVE BEEN AFFILIATED
495
00:26:20,784 --> 00:26:22,920
WITH A RIVAL GANG
OF THE NINE TREYS?
496
00:26:22,953 --> 00:26:24,522
HELL, YEAH. EASILY.
497
00:26:24,555 --> 00:26:25,756
OKAY,
THAT�S VITAL INFORMATION.
498
00:26:25,789 --> 00:26:27,791
YOU KNEW HIM PRETTY GOOD
THROUGH CONTACT
499
00:26:27,825 --> 00:26:29,593
HE HAD WITH YOUR MOM.
500
00:26:29,627 --> 00:26:31,595
YEAH, I KNEW HIM.
501
00:26:31,629 --> 00:26:33,331
YOU STAYED AT HIS APARTMENT
WHEN YOUR MOM DID.
502
00:26:33,364 --> 00:26:35,099
OCCASIONALLY MAYBE, YEAH.
503
00:26:35,133 --> 00:26:37,468
SO, BASED ON YOUR EXPERIENCE,
504
00:26:37,501 --> 00:26:39,770
WHAT KIND
OF A PERSON WAS HE ??
505
00:26:39,803 --> 00:26:41,305
GOOD GUY, BAD GUY?
506
00:26:41,339 --> 00:26:43,541
YEAH, HE WAS AN ASSHOLE,
507
00:26:43,574 --> 00:26:46,710
UNLESS HE WAS PASSED OUT
OR NEEDED SOMETHING FROM YOU.
508
00:26:46,744 --> 00:26:48,512
I�M TRYING TO BUILD
WHAT WE CALL
509
00:26:48,546 --> 00:26:49,880
A CHARACTER COMPOSITE,
ISAIAH.
510
00:26:49,913 --> 00:26:51,949
Give me an example
511
00:26:51,982 --> 00:26:54,318
OF HOW THIS RICKY
WAS AN ASSHOLE.
512
00:26:54,352 --> 00:26:57,488
OKAY, WELL, I COME HOME,
AND RICKY�S ALL,
513
00:26:57,521 --> 00:26:59,490
"YOU�RE NOT GOING
TO BELIEVE IT.
514
00:26:59,523 --> 00:27:02,126
SOMEBODY BROKE IN
AND STOLE ALL OUR STUFF."
515
00:27:02,160 --> 00:27:04,128
ALL MY STUFF
HE�S TALKING ABOUT,
516
00:27:04,162 --> 00:27:07,198
�CAUSE HE ALREADY
SOLD ALL HIS FOR DRUGS,
517
00:27:07,231 --> 00:27:09,500
SO I GET A NEW TV
AND NINTENDO,
518
00:27:09,533 --> 00:27:11,135
AND THE NEXT WEEK ??
519
00:27:11,169 --> 00:27:13,137
"YOU�RE NOT GOING
TO BELIEVE IT."
520
00:27:13,171 --> 00:27:16,006
You tell your mom about this
or handle it on your own?
521
00:27:16,039 --> 00:27:17,641
No, I handled it.
522
00:27:17,675 --> 00:27:19,643
You stand up to him
and confront Ricky
523
00:27:19,677 --> 00:27:21,212
on him selling
your possessions.
524
00:27:21,245 --> 00:27:23,514
HOW DID HE RESPOND?
525
00:27:23,547 --> 00:27:25,249
HE DENIED IT,
BUT HE�S GOT THIS SMILE
526
00:27:25,283 --> 00:27:27,518
LIKE HE�S TRYING
NOT TO LAUGH
527
00:27:27,551 --> 00:27:29,587
OR LIKE HE DON�T
TAKE ME SERIOUSLY.
528
00:27:29,620 --> 00:27:30,888
WHICH, OBVIOUSLY,
HE DOESN�T.
529
00:27:30,921 --> 00:27:32,723
NO, LIKE, HE NEVER DID.
530
00:27:32,756 --> 00:27:34,358
I CAN GO OUT
531
00:27:34,392 --> 00:27:36,727
AND I CAN ROUND ME UP
A NEW SYSTEM,
532
00:27:36,760 --> 00:27:39,763
BUT BEFORE I DO,
I WANT HIM TO ADMIT IT ??
533
00:27:39,797 --> 00:27:43,667
TO ADMIT THAT HE CHUMPED ME
AND HE SOLD THEM FOR DRUGS,
534
00:27:43,701 --> 00:27:44,968
BUT HE WOULDN�T.
535
00:27:46,537 --> 00:27:48,506
AND THEN HE CALLED ME A NAME
536
00:27:48,539 --> 00:27:51,109
THAT I TOLD HIM NEVER
TO CALL ME AGAIN,
537
00:27:51,142 --> 00:27:53,044
AND HE PROMISED ME
THAT HE WOULDN�T.
538
00:27:53,077 --> 00:27:54,612
WHAT�D HE CALL YOU?
539
00:27:54,645 --> 00:27:56,747
JACKASS.
540
00:27:56,780 --> 00:27:59,550
That set you off,
getting called jackass?
541
00:27:59,583 --> 00:28:01,285
HE GOT REALLY MAD
AT ME ONE NIGHT
542
00:28:01,319 --> 00:28:02,920
AND HE CALLED ME THAT.
543
00:28:02,953 --> 00:28:04,922
SAID THAT IT WAS THE BABY
544
00:28:04,955 --> 00:28:07,058
OF A MALE DONKEY
AND A FEMALE HORSE,
545
00:28:07,091 --> 00:28:09,227
AND NO ONE WANTED IT
WHEN IT WAS BORN,
546
00:28:09,260 --> 00:28:11,562
NOT THE HORSES
OR THE DONKEYS,
547
00:28:11,595 --> 00:28:13,797
�CAUSE IT WAS USELESS
AND STUPID.
548
00:28:15,599 --> 00:28:18,636
AND THEN HE SAID
THAT IT WAS JUST LIKE ME
549
00:28:18,669 --> 00:28:21,939
BECAUSE MY MOM IS PUERTO RICAN
AND MY DAD�S BLACK.
550
00:28:21,972 --> 00:28:23,707
But then guess what I did.
551
00:28:23,741 --> 00:28:26,577
WHAT?
552
00:28:26,610 --> 00:28:28,946
I WENT TO THE LIBRARY
AND LOOKED IT UP,
553
00:28:28,979 --> 00:28:30,948
AND I WENT BACK TO RICKY
554
00:28:30,981 --> 00:28:33,084
AND TOLD HIM
THAT HE�S SO STUPID ??
555
00:28:33,117 --> 00:28:35,619
THAT A JACKASS
IS THE SAME AS A DONKEY.
556
00:28:35,653 --> 00:28:37,988
IT WAS A MULE
THAT�S WHAT HAD HAPPENED
557
00:28:38,021 --> 00:28:40,258
WHEN A DONKEY DID A HORSE.
558
00:28:40,291 --> 00:28:42,993
"SO THERE, MAN.
HOW STUPID ARE YOU?"
559
00:28:43,026 --> 00:28:45,729
HE JUST LAUGHED AT ME
AND HE SAID,
560
00:28:45,763 --> 00:28:47,465
"WHATEVER YOU SAY, JACKASS."
561
00:28:47,498 --> 00:28:50,068
AND HE KEPT CALLING YOU
JACKASS, RIGHT?
562
00:28:50,101 --> 00:28:52,803
Whenever he was mad
563
00:28:52,836 --> 00:28:56,740
or my mom wasn�t around.
564
00:28:56,774 --> 00:28:59,643
WHEN YOU HAD THAT FIGHT
OVER HIM STEALING YOUR STUFF,
565
00:28:59,677 --> 00:29:01,879
he called you jackass again.
566
00:29:05,816 --> 00:29:08,018
THEN YOU SHOT HIM, ISAIAH.
567
00:29:18,896 --> 00:29:23,134
AND THEN I SAID,
"CALL ME A JACKASS NOW,"
568
00:29:23,167 --> 00:29:25,303
AND HE DIDN�T.
569
00:29:25,336 --> 00:29:27,671
HE DIDN�T OPEN
HIS MEAN UGLY MOUTH
570
00:29:27,705 --> 00:29:29,707
TO SAY NOTHING.
571
00:29:29,740 --> 00:29:35,446
And then I put the graffiti
on the wall.
572
00:29:35,479 --> 00:29:39,783
DID YOU THINK IT WAS REAL
WHEN YOU SAW IT?
573
00:29:39,817 --> 00:29:41,052
YEAH, ABSOLUTELY.
574
00:29:43,221 --> 00:29:46,390
I WISH MY MOM WAS HERE,
575
00:29:46,424 --> 00:29:49,360
EVEN IF IT WAS HER
GAVE ME UP.
576
00:29:56,067 --> 00:29:58,035
THAT�S A GOOD INTERVIEW.
577
00:29:58,069 --> 00:30:01,939
HE LEARNED HOW TO DO THAT
FROM YOU.
578
00:30:24,395 --> 00:30:26,197
I APPRECIATE THIS, ARTHUR.
579
00:30:26,230 --> 00:30:29,867
THIS WAS A GENEROUS GESTURE.
580
00:30:29,900 --> 00:30:33,237
WHY DON�T WE GET TOGETHER
FOR LUNCH THIS WEEK,
581
00:30:33,271 --> 00:30:35,106
PAT ME ON THE BACK?
582
00:30:37,608 --> 00:30:39,610
EXCUSE ME.
583
00:30:42,046 --> 00:30:46,750
JONES WAS PROBABLY THE FIRST
ADULT AFRICAN?AMERICAN MALE
584
00:30:46,784 --> 00:30:50,054
THAT MADE THAT BOY FEEL
LIKE HE GAVE A DAMN...
585
00:30:55,726 --> 00:30:59,597
AND HE WAS DOING IT
TO GET A CONFESSION.
586
00:31:01,999 --> 00:31:06,770
SO MANY LOST.
587
00:31:06,804 --> 00:31:09,407
SO MANY LOST.
588
00:31:16,347 --> 00:31:19,650
YOU TELL JONES GOOD WORK.
589
00:31:19,683 --> 00:31:21,319
YOU WANT TO TELL HIM?
590
00:31:21,352 --> 00:31:23,787
NO, NO,
YOU HAVE TO TELL HIM,
591
00:31:23,821 --> 00:31:26,657
AND TELL HIM HOW
HE CAN HELP THAT BOY
592
00:31:26,690 --> 00:31:28,392
WITH HIS CONFESSION
593
00:31:28,426 --> 00:31:30,561
SO IT DOESN�T GO
SO BAD WITH HIM.
594
00:31:30,594 --> 00:31:31,995
ALL RIGHT.
595
00:31:32,029 --> 00:31:34,098
THE BOY WHO COULDN�T STAND
BEING CALLED JACKASS.
596
00:31:34,132 --> 00:31:36,033
YEAH, I KNOW.
597
00:31:47,345 --> 00:31:49,313
YOU KNOW HOW
YOU GET TRAPPED
598
00:31:49,347 --> 00:31:50,681
DOING FAVORS FOR FRIENDS?
599
00:31:50,714 --> 00:31:52,616
THAT�S THIS.
600
00:31:52,650 --> 00:31:55,519
I AM CORNERED
LIKE AN ALLEY RAT
601
00:31:55,553 --> 00:31:57,688
WITH THE HOMELY
STOOD?UP NIECE
602
00:31:57,721 --> 00:31:59,090
OF EDDIE GIBSON.
603
00:31:59,123 --> 00:32:01,159
YOU WANT TO SEE
604
00:32:01,192 --> 00:32:04,428
A HUMILIATING AMOUNT OF SWEAT
ON A PERSON�S FOREHEAD?
605
00:32:04,462 --> 00:32:06,830
YOU WATCH ME DINE
WITH A STRANGER.
606
00:32:06,864 --> 00:32:11,869
ANYWAYS, CIRESI�S DOES
A NICE ENOUGH JOB,
607
00:32:11,902 --> 00:32:16,440
AND 9:15 I�LL BE HOME,
9:30 AT THE LATEST.
608
00:32:16,474 --> 00:32:18,742
THE MOVIE
I RULED OUT TOTALLY.
609
00:32:25,149 --> 00:32:27,718
YOU KNOW,
I DON�T NEED TO CARRY
610
00:32:27,751 --> 00:32:30,121
THE CONVERSATIONAL BALL HERE
ON EVERY PLAY.
611
00:32:30,154 --> 00:32:31,155
WE�RE DONE.
612
00:32:33,757 --> 00:32:38,129
OR DO YOU THINK
I�M MAKING A MISTAKE?
613
00:32:38,162 --> 00:32:42,032
NO, I DON�T.
614
00:32:42,066 --> 00:32:44,268
I THINK SHE�D BE GLAD.
615
00:33:06,590 --> 00:33:09,227
HEY, SOME INTERVIEW, D.
616
00:33:09,260 --> 00:33:10,594
THANKS, GREG.
617
00:33:13,931 --> 00:33:17,201
DID YOU KNOW
YOUR OLD BOSS WAS WATCHING?
618
00:33:17,235 --> 00:33:19,237
NO.
619
00:33:19,270 --> 00:33:21,004
OH.
620
00:33:21,038 --> 00:33:23,841
I WAS THINKING MAYBE
IT WAS YOUR INITIATIVE
621
00:33:23,874 --> 00:33:27,178
THAT PREVAILED ON THE BOSS
TO BURY THE HATCHET.
622
00:33:27,211 --> 00:33:31,949
NO, I DIDN�T KNOW
HE WAS THERE.
623
00:33:31,982 --> 00:33:34,218
WELL, FOR WHAT
IT�S WORTH, D.,
624
00:33:34,252 --> 00:33:36,920
I HEARD HIM SAY,
"GOOD INTERVIEW" ??
625
00:33:36,954 --> 00:33:39,557
ABNER.
626
00:33:39,590 --> 00:33:40,958
THANKS.
627
00:33:40,991 --> 00:33:43,594
YOU WANT TO WALK OUT
WITH ME?
628
00:33:43,627 --> 00:33:46,064
PEOPLE WILL THINK
I�M YOUR TRAINER.
629
00:33:46,097 --> 00:33:48,866
NO, YOU GO AHEAD.
630
00:33:48,899 --> 00:33:50,568
YEAH, ALL RIGHT. NIGHT.
631
00:33:50,601 --> 00:33:52,503
GOOD NIGHT.
632
00:34:14,258 --> 00:34:17,428
THE OLD BOSS
WATCHED YOUR INTERVIEW.
633
00:34:17,461 --> 00:34:20,598
HE WAS PROUD OF HOW
YOU HANDLED YOURSELF.
634
00:34:27,171 --> 00:34:28,539
SIT DOWN.
635
00:34:36,480 --> 00:34:38,816
YOU SAY YOU�RE WORRIED
SOMEONE IN THIS JOB
636
00:34:38,849 --> 00:34:42,153
MAY BE A DANGER
TO HIMSELF.
637
00:34:42,186 --> 00:34:44,455
A PHONE CALL TO THE EARLY
INTERVENTION UNIT,
638
00:34:44,488 --> 00:34:46,357
YOU BETTER KNOW
WHAT YOU�RE DOING
639
00:34:46,390 --> 00:34:47,991
TO THAT PERSON�S CAREER.
640
00:34:48,025 --> 00:34:50,928
THEY COME TAKE HIS GUN
TILL THEY CHECK HIM OUT,
641
00:34:50,961 --> 00:34:53,531
AND HE HAS
A SHADOW OVER HIM
642
00:34:53,564 --> 00:34:56,767
FOR THE REST
OF HIS TIME ON THE JOB.
643
00:34:56,800 --> 00:34:59,670
YOU BETTER KNOW
WHAT YOU�RE DOING.
644
00:35:02,673 --> 00:35:05,209
YEAH.
GOOD NIGHT, BALDWIN.
645
00:35:05,243 --> 00:35:08,179
GOOD NIGHT.
646
00:35:08,212 --> 00:35:13,951
HE TOLD ME TO BE SURE
TO TELL YOU HE WAS PROUD.
647
00:35:13,984 --> 00:35:16,220
MAYBE I CAN CALL HIM
AND TELL HIM THANKS.
648
00:35:16,254 --> 00:35:19,557
DO THAT.
649
00:35:19,590 --> 00:35:21,259
THAT�S A GOOD IDEA.
650
00:35:24,362 --> 00:35:25,829
THANKS.
651
00:35:45,083 --> 00:35:47,485
I GOT TO TAKE CARE
OF MY DUCKS.
652
00:35:47,518 --> 00:35:48,786
ALL DONE, THEO.
653
00:35:50,121 --> 00:35:53,524
AUNT KATIE�S GIVING YOU
A GOOD BATH, HUH, SON?
654
00:35:53,557 --> 00:35:55,893
SHE PICKED MY NOSE
WITH THE WASHCLOTH.
655
00:35:55,926 --> 00:35:58,696
YEAH, AND I FOUND
POTATOES IN THERE.
656
00:35:58,729 --> 00:35:59,863
HA HA.
657
00:35:59,897 --> 00:36:01,432
WHERE I�LL BE.
658
00:36:01,465 --> 00:36:02,700
THANK YOU.
659
00:36:02,733 --> 00:36:05,369
WHERE ARE YOU GOING
TO BE, DADDY?
660
00:36:05,403 --> 00:36:08,372
DADDY�S GOING OUT
FOR DINNER.
661
00:36:08,406 --> 00:36:10,174
IS IT SOME
RETIREMENT RACKET?
662
00:36:10,208 --> 00:36:11,575
THIS GUY EDDIE GIBSON.
663
00:36:11,609 --> 00:36:13,911
WHEN I GET BACK,
I�M ASKING YOUR FISHES,
664
00:36:13,944 --> 00:36:16,847
DID YOU TELL THEM
GOOD NIGHT BY NAME?
665
00:36:16,880 --> 00:36:18,082
OKAY, DADDY, I WILL.
666
00:36:18,116 --> 00:36:20,084
I THINK I REMEMBER
EDDIE GIBSON.
667
00:36:20,118 --> 00:36:21,852
HE�S RETIRING?
668
00:36:21,885 --> 00:36:24,288
I COULDN�T BEGIN
TO EXPLAIN IT ALL TO YOU,
669
00:36:24,322 --> 00:36:26,890
WHAT HE ASKED ME TO DO,
IS HOW COMPLICATED IT IS.
670
00:36:26,924 --> 00:36:29,960
I GOT FOUR DUCKS
IN THE BATH.
671
00:36:29,993 --> 00:36:32,430
LET�S DROP IT, ALL RIGHT?
672
00:36:32,463 --> 00:36:34,232
ALL RIGHT.
673
00:36:34,265 --> 00:36:36,800
ANYWAYS, I�LL TRY
NOT TO BE TOO LATE.
674
00:36:36,834 --> 00:36:39,437
ALL RIGHT, ANDY.
675
00:36:39,470 --> 00:36:41,472
I PROMISE
I WON�T BE, OKAY?
676
00:36:41,505 --> 00:36:42,806
SEE YOU, SQUIRT.
677
00:36:45,609 --> 00:36:47,778
DADDY PROMISES.
678
00:36:47,811 --> 00:36:50,314
I HEARD HIM, BABY.
679
00:37:12,536 --> 00:37:14,338
YOU MUST BE ANDY.
680
00:37:14,372 --> 00:37:15,773
HOW DO YOU DO?
681
00:37:19,543 --> 00:37:21,779
I�M CYNTHIA.
682
00:37:21,812 --> 00:37:25,149
HOW DO YOU DO?
683
00:37:27,485 --> 00:37:29,453
I HOPE YOU WEREN�T
WAITING LONG.
684
00:37:29,487 --> 00:37:32,456
THE CAB DRIVER COULDN�T
FIND THE RESTAURANT.
685
00:37:32,490 --> 00:37:34,458
HOW MANY TONGUES
YOU GO THROUGH
686
00:37:34,492 --> 00:37:36,694
TRYING TO MAKE HIM
UNDERSTAND?
687
00:37:39,897 --> 00:37:42,566
CALAMARI�S GOOD HERE, F.Y.I.
688
00:37:46,404 --> 00:37:48,772
IT WAS VERY NICE OF YOU
TO FILL IN
689
00:37:48,806 --> 00:37:50,374
ON SUCH SHORT NOTICE.
690
00:37:50,408 --> 00:37:52,043
DON�T WORRY ABOUT IT.
691
00:37:52,076 --> 00:37:54,212
I�M AFRAID TO THINK
WHAT KIND OF PRESSURE
692
00:37:54,245 --> 00:37:56,180
MY UNCLE EDDIE
PUT ON YOU.
693
00:37:56,214 --> 00:37:58,782
EVERY COP KEEPS
A SET OF THUMBSCREWS
694
00:37:58,816 --> 00:38:01,852
JUST FOR THIS TYPE SITUATION.
695
00:38:32,416 --> 00:38:35,553
CALAMARI�S ONE
OF THE SPECIALTIES HERE,
696
00:38:35,586 --> 00:38:36,920
IF YOU LIKE SQUID.
697
00:38:36,954 --> 00:38:41,159
WE CAN CALL THIS OFF, ANDY.
698
00:38:41,192 --> 00:38:43,594
I�LL GO BOOK SHOPPING,
AND YOU CAN DO
699
00:38:43,627 --> 00:38:45,896
WHATEVER YOU REALLY WANTED
TO DO TONIGHT,
700
00:38:45,929 --> 00:38:48,999
AND WE�LL TELL UNCLE EDDIE
WE HAD A GOOD TIME
701
00:38:49,032 --> 00:38:50,901
SO HE DOESN�T FEEL BAD.
702
00:38:50,934 --> 00:38:52,703
HEY, PUT THAT OUT
OF YOUR MIND.
703
00:38:52,736 --> 00:38:54,438
NO, REALLY,
I ENJOY BOOK SHOPPING,
704
00:38:54,472 --> 00:38:56,074
AND, UM...
705
00:38:56,107 --> 00:38:58,342
I�M NOT REALLY THAT HUNGRY.
706
00:38:58,376 --> 00:39:02,113
"A" ?? IF I�M MAKING
YOU UNCOMFORTABLE,
707
00:39:02,146 --> 00:39:04,115
DON�T TAKE THAT PERSONAL.
708
00:39:04,148 --> 00:39:06,350
I HAVEN�T BEEN OUT TO DINNER
709
00:39:06,384 --> 00:39:09,520
WITH CIRCUMSTANCES LIKE THIS
IN A LONG TIME.
710
00:39:09,553 --> 00:39:11,955
PLUS WHEN YOU�RE NOT HUNGRY,
711
00:39:11,989 --> 00:39:13,724
THAT�S WHEN
YOU�RE SUPPOSED TO EAT
712
00:39:13,757 --> 00:39:15,293
SO YOU DON�T OVERFILL.
713
00:39:15,326 --> 00:39:18,096
MY LITTLE GUY
IS GOING TO BE ASLEEP,
714
00:39:18,129 --> 00:39:21,132
SO AT THIS JUNCTURE,
715
00:39:21,165 --> 00:39:23,234
ALLS YOU�D BE
KEEPING ME FROM
716
00:39:23,267 --> 00:39:25,336
IS FALLING ASLEEP
WATCHING THE NEWS.
717
00:39:28,972 --> 00:39:31,209
OKAY, ANDY.
718
00:39:31,242 --> 00:39:32,243
OKAY?
719
00:39:38,849 --> 00:39:42,920
HOW�S THEIR CALAMARI HERE?
720
00:40:04,375 --> 00:40:06,444
HI.
721
00:40:06,477 --> 00:40:09,012
HOW IS HE?
722
00:40:09,047 --> 00:40:11,049
FINE.
723
00:40:16,120 --> 00:40:18,689
HE WENT TO SLEEP
ALL RIGHT?
724
00:40:18,722 --> 00:40:20,791
HE WAS ASLEEP BY 8:30.
725
00:40:23,227 --> 00:40:26,664
ANYWAYS, THANKS VERY MUCH.
726
00:40:26,697 --> 00:40:28,666
IT�S ALL RIGHT.
727
00:40:34,638 --> 00:40:38,609
YOU SEEM DISTURBED.
728
00:40:38,642 --> 00:40:41,779
MY FEELINGS ARE HURT, ANDY,
THAT YOU LIED TO ME,
729
00:40:41,812 --> 00:40:44,382
BUT THAT�S MY PROBLEM
TO DEAL WITH.
730
00:40:44,415 --> 00:40:46,984
WHAT WAS MY LIE
YOU�RE SAYING I TOLD YOU?
731
00:40:52,423 --> 00:40:54,958
ALL RIGHT, I APOLOGIZE.
732
00:40:54,992 --> 00:40:57,628
AS A FAVOR TO EDDIE GIBSON,
733
00:40:57,661 --> 00:41:00,198
I TOOK EDDIE GIBSON�S NIECE
TO DINNER.
734
00:41:00,231 --> 00:41:05,069
I DON�T NEED TO KNOW THAT,
BUT I ACCEPT YOUR APOLOGY.
735
00:41:05,103 --> 00:41:06,870
I FELT AWKWARD.
736
00:41:06,904 --> 00:41:10,007
I UNDERSTAND, ANDY.
737
00:41:10,041 --> 00:41:12,743
SOMETHING YOU COULD
MISUNDERSTAND MY MOTIVES ON.
738
00:41:12,776 --> 00:41:16,547
I UNDERSTAND.
739
00:41:16,580 --> 00:41:19,817
KATIE...
740
00:41:19,850 --> 00:41:21,419
HURTING YOUR FEELINGS
741
00:41:21,452 --> 00:41:24,021
IS THE LAST THING I WANT
IN THE WORLD.
742
00:41:24,055 --> 00:41:26,257
BUT SOMETIMES
IT HAS TO HAPPEN,
743
00:41:26,290 --> 00:41:29,493
BUT LYING IS HURTFUL
AND IT MAKES YOU ANGRY,
744
00:41:29,527 --> 00:41:32,196
AND THEO HEARD IT.
745
00:41:32,230 --> 00:41:36,834
I�M SORRY.
746
00:41:36,867 --> 00:41:41,205
IT�S ALL RIGHT.
YOU HAVE TO LIVE.
747
00:41:41,239 --> 00:41:43,907
I�LL TRY
AND BE MORE TRUTHFUL,
748
00:41:43,941 --> 00:41:46,510
THEN HE WON�T HEAR ME ANGRY.
749
00:41:46,544 --> 00:41:49,680
I WISHED YOU�D DATED ME.
750
00:41:49,713 --> 00:41:54,085
THAT�S MY PART IN IT.
I WISHED YOU�D DATED ME.
751
00:41:54,118 --> 00:41:56,554
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752
00:41:56,604 --> 00:42:01,154
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