Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:11,377 --> 00:00:14,347
OH, STAY AWAY.
2
00:00:14,380 --> 00:00:16,182
STAY AWAY.
3
00:00:16,216 --> 00:00:18,151
STAY AWAY. STAY OUT.
4
00:00:18,184 --> 00:00:19,753
GET AWAY FROM ME.
5
00:00:19,786 --> 00:00:22,889
ALL RIGHT, ALL RIGHT.
6
00:00:22,923 --> 00:00:25,491
[ BREATHING HEAVILY ]
7
00:00:25,526 --> 00:00:29,062
OH, BROTHER.
8
00:00:29,095 --> 00:00:30,697
I�M SORRY, MARY.
9
00:00:30,731 --> 00:00:32,533
OKAY.
10
00:00:32,566 --> 00:00:35,001
THERE WAS THIS FIRE.
11
00:00:35,035 --> 00:00:37,003
I COULDN�T GET
THE GIRLS OUT.
12
00:00:37,037 --> 00:00:38,338
YOUR SISTERS?
13
00:00:38,371 --> 00:00:40,340
I COULDN�T GET THEM OUT.
14
00:00:40,373 --> 00:00:41,441
OH, MAN.
15
00:00:42,943 --> 00:00:47,514
YOU KNOW WHO DIDN�T
HELP AT ALL?
16
00:00:47,548 --> 00:00:49,616
JUST STOOD THERE
BITCHING AT ME?
17
00:00:49,650 --> 00:00:51,217
WHO?
18
00:00:51,251 --> 00:00:54,220
SHE WAS STANDING
OUTSIDE THE HOUSE.
19
00:00:54,254 --> 00:00:56,590
I WAS IN THE HALLWAY
OUTSIDE THE GIRLS� BEDROOM,
20
00:00:56,623 --> 00:00:59,860
AND I COULDN�T
GET THROUGH THE FIRE.
21
00:00:59,893 --> 00:01:02,796
MY MOM COULD HAVE LIFTED
THEM RIGHT OUT THE WINDOW.
22
00:01:02,829 --> 00:01:04,798
ANYWAYS, IT�S JUST A DREAM.
23
00:01:04,831 --> 00:01:06,232
YEAH.
24
00:01:06,266 --> 00:01:08,535
YOU TAKE GOOD CARE OF YOUR
SISTERS IN REAL LIFE.
25
00:01:08,569 --> 00:01:10,537
ANYWAYS, GOOD MORNING.
26
00:01:10,571 --> 00:01:14,207
GOOD MORNING.
27
00:01:14,240 --> 00:01:15,776
YOU�RE OFF TODAY, HUH?
28
00:01:15,809 --> 00:01:17,477
YEAH.
29
00:01:17,511 --> 00:01:20,914
I THOUGHT I MIGHT ATTEMPT
MY GNOCCHI EXTRAVAGANZA.
30
00:01:20,947 --> 00:01:22,482
YEAH, HUH?
31
00:01:22,516 --> 00:01:23,950
HERE?
32
00:01:23,984 --> 00:01:25,986
NO, NOT NECESSARILY.
33
00:01:26,019 --> 00:01:28,922
I MEAN, DO IT HERE
IF YOU WANT.
34
00:01:28,955 --> 00:01:31,124
YOU DON�T REALLY HAVE
THE FACILITIES.
35
00:01:31,157 --> 00:01:34,494
LOOK, I GOT TO GO TO WORK.
DO WHAT YOU FEEL LIKE DOING.
36
00:01:34,528 --> 00:01:36,563
WHY ARE YOU ANGRY AT ME?
37
00:01:36,597 --> 00:01:38,498
I DIDN�T MAKE YOU
HAVE A BAD DREAM.
38
00:01:42,803 --> 00:01:44,538
SORRY.
39
00:03:26,973 --> 00:03:29,242
HEY.
40
00:03:29,275 --> 00:03:30,443
WHAT HAVE WE GOT?
41
00:03:30,476 --> 00:03:32,378
D.O.A. SHE�S REALLY
MANGLED UNDER THERE.
42
00:03:32,412 --> 00:03:35,448
THE BUS DRIVER SAW SOMEONE
THROW HER FROM A VAN.
43
00:03:35,481 --> 00:03:37,350
THAT�S HIM THERE.
44
00:03:37,383 --> 00:03:38,552
OKAY.
45
00:03:45,325 --> 00:03:47,594
OH, GOD.
SHE�S ALL TORN UP.
46
00:03:50,764 --> 00:03:51,732
SIR?
47
00:03:51,765 --> 00:03:52,766
YEAH.
48
00:03:52,799 --> 00:03:55,135
YOU WERE DRIVING
THE BUS?
49
00:03:55,168 --> 00:03:56,570
I HIT A CAT,
50
00:03:56,603 --> 00:03:58,739
TOOK MORE THAN A YEAR
TO STOP FEELING SICK.
51
00:03:58,772 --> 00:04:00,541
NOW I RUN OVER A GIRL.
52
00:04:00,574 --> 00:04:01,542
WHAT HAPPENED?
53
00:04:01,575 --> 00:04:03,977
SOME DUDE
IN A VAN NEXT TO ME,
54
00:04:04,010 --> 00:04:06,613
HE THREW HER FACE?FIRST
OUT THE DOOR
55
00:04:06,647 --> 00:04:08,982
RIGHT UNDER MY WHEELS,
LIKE HE WAS AIMING.
56
00:04:09,015 --> 00:04:10,784
DID YOU SEE THE GUY?
57
00:04:10,817 --> 00:04:12,919
NOT ENOUGH
TO DESCRIBE HIM.
58
00:04:12,953 --> 00:04:15,722
I JUST SAW THIS BODY
FLYING IN FRONT OF ME.
59
00:04:15,756 --> 00:04:17,724
THE THUMP I HEARD
GOING OVER HER ??
60
00:04:17,758 --> 00:04:19,960
I KNEW
SHE HAD TO HAVE DIED.
61
00:04:19,993 --> 00:04:22,963
AND YOU�RE CERTAIN SHE WAS
THROWN OUT OF THE CAR.
62
00:04:22,996 --> 00:04:25,766
THIS WAS A DUDE THROWING HER
OUT OF A VAN. I SAW IT.
63
00:04:25,799 --> 00:04:27,568
DID YOU GET
A LICENSE PLATE?
64
00:04:27,601 --> 00:04:29,435
I DIDN�T THINK THAT QUICK.
65
00:04:29,469 --> 00:04:31,071
IT DOESN�T SOUND LIKE
66
00:04:31,104 --> 00:04:33,607
YOU COULD HAVE AVOIDED
WHAT HAPPENED, MR. MOORE.
67
00:04:33,640 --> 00:04:35,241
SHE�S STILL DEAD.
68
00:04:35,275 --> 00:04:38,011
WE�LL BE BACK TO TALK
TO YOU IN A FEW MINUTES.
69
00:04:38,044 --> 00:04:40,213
ALL RIGHT.
70
00:04:43,517 --> 00:04:45,819
THIS WAS LAYING
ON THE STREET BROKEN.
71
00:04:45,852 --> 00:04:47,954
"EDIE AND LUKE FOREVER."
72
00:04:47,988 --> 00:04:49,756
FLATBED THE BUS,
73
00:04:49,790 --> 00:04:52,458
SEE HOW MUCH OF THE REST
OF HER WE CAN FIND.
74
00:05:06,807 --> 00:05:09,676
IS THERE SOMEONE
WE CAN TALK TO?
75
00:05:09,710 --> 00:05:11,678
A DETECTIVE?
76
00:05:11,712 --> 00:05:12,679
DETECTIVE JONES?
77
00:05:12,713 --> 00:05:14,147
CAN I HELP YOU?
78
00:05:14,180 --> 00:05:15,982
IS THERE ANOTHER ONE?
79
00:05:17,584 --> 00:05:20,954
I AM LEAH SHENKOV.
THIS IS MY HUSBAND JOHN.
80
00:05:20,987 --> 00:05:24,390
OUR CHILDREN HAVE BEEN GONE
FOR THREE DAYS.
81
00:05:24,424 --> 00:05:26,192
LEAH, TELL THE TRUTH.
82
00:05:26,226 --> 00:05:27,193
THEY�RE GONE.
83
00:05:27,227 --> 00:05:28,829
MY SISTER HAS THEM.
84
00:05:28,862 --> 00:05:31,532
THIS IS ALL NONSENSE,
IF YOU CAN UNDERSTAND.
85
00:05:31,565 --> 00:05:33,700
WHAT WOULDN�T I BE ABLE
TO UNDERSTAND, MR. SHENKOV?
86
00:05:33,734 --> 00:05:37,203
NOTHING. EXCUSE ME.
NEVER MIND.
87
00:05:37,237 --> 00:05:39,039
WOULD YOU MIND
IF THESE DETECTIVES
88
00:05:39,072 --> 00:05:40,507
TALKED WITH YOU ALSO?
89
00:05:40,541 --> 00:05:43,043
NO. IT�S PREFERABLE.
90
00:05:43,076 --> 00:05:44,477
DETECTIVE SIPOWICZ
AND DETECTIVE SORENSON.
91
00:05:44,511 --> 00:05:45,679
MORNING.
92
00:05:45,712 --> 00:05:47,681
HOW DO YOU DO?
93
00:05:47,714 --> 00:05:49,382
COME ON BACK,
WHY DON�T YOU?
94
00:05:52,886 --> 00:05:54,921
SHOWS ME SOMETHING.
95
00:06:07,200 --> 00:06:08,869
MRS. SHENKOV WAS SAYING
96
00:06:08,902 --> 00:06:10,704
THEIR CHILDREN HAVE BEEN MISSING
FOR THREE DAYS.
97
00:06:10,737 --> 00:06:12,739
OUR BOYS ARE 4 AND 7 ??
98
00:06:12,773 --> 00:06:14,908
TOO YOUNG TO BE AWAY
FROM HOME LIKE THIS.
99
00:06:14,941 --> 00:06:17,343
I TOOK ERIC AND JAMES
TO MY SISTER NADIA
100
00:06:17,377 --> 00:06:19,112
AFTER WE HAD A FIGHT.
101
00:06:19,145 --> 00:06:22,115
WHAT WERE YOU AND YOUR WIFE
FIGHTING ABOUT?
102
00:06:22,148 --> 00:06:25,619
TELL. IT�S TOO STUPID
FOR ME TO SAY.
103
00:06:25,652 --> 00:06:28,354
I CAME HOME FROM WORK LATE.
104
00:06:28,388 --> 00:06:31,024
JOHN�S WITH THE BOYS
HAVING CHINESE FOOD,
105
00:06:31,057 --> 00:06:32,626
SO I SAT DOWN,
106
00:06:32,659 --> 00:06:35,596
TOOK ONE SHRIMP FROM
ERIC�S PLATE FOR MYSELF,
107
00:06:35,629 --> 00:06:37,197
AND HE GOES CRAZY.
108
00:06:37,230 --> 00:06:39,600
WHY DID YOU GET UPSET?
109
00:06:39,633 --> 00:06:42,803
IT WAS ON YOUR SON�S PLATE,
SHE CAN�T HAVE A SHRIMP?
110
00:06:42,836 --> 00:06:44,538
THE FOOD
DID NOT BELONG TO HER.
111
00:06:44,571 --> 00:06:46,406
WE BUY OUR FOOD SEPARATELY.
112
00:06:46,439 --> 00:06:47,440
WHAT?
113
00:06:47,473 --> 00:06:49,075
YES, THAT�S RIGHT.
114
00:06:49,109 --> 00:06:51,444
SHE BUYS FOOD FOR HERSELF,
115
00:06:51,477 --> 00:06:54,414
I BUY FOOD
FOR ME AND THE BOYS.
116
00:06:54,447 --> 00:06:56,382
SHE HAS HER OWN SHELVES,
117
00:06:56,416 --> 00:06:58,752
WE HAVE SHELVES
FOR ME AND THE BOYS.
118
00:06:58,785 --> 00:07:00,253
SEPARATE FOOD.
119
00:07:00,286 --> 00:07:02,556
WHAT HAPPENED
AFTER YOU WENT CRAZY?
120
00:07:02,589 --> 00:07:04,457
I WENT TO THE BEDROOM.
121
00:07:04,490 --> 00:07:06,426
YEAH, FOR MORE CUDINE.
122
00:07:06,459 --> 00:07:10,096
WHAT�S CUDINE?
123
00:07:10,130 --> 00:07:13,499
WHAT�S CUDINE?
YOU DON�T KNOW WHAT�S CUDINE?
124
00:07:13,534 --> 00:07:16,469
CUDINE
IS EXPENSIVE MEDICINE.
125
00:07:16,503 --> 00:07:17,638
PAINKILLERS.
126
00:07:17,671 --> 00:07:19,940
CODEINE.
127
00:07:19,973 --> 00:07:23,276
CODEINE. THAT�S RIGHT.
CONGRATULATIONS.
128
00:07:23,309 --> 00:07:26,246
SHE WENT TO THE BEDROOM.
WHAT DID YOU DO?
129
00:07:26,279 --> 00:07:28,114
GOT ERIC AND JAMES
IN THEIR COATS,
130
00:07:28,148 --> 00:07:29,616
WENT TO NADIA�S.
131
00:07:29,650 --> 00:07:31,017
AND AFTER THAT?
132
00:07:31,051 --> 00:07:33,754
LOOK, I�M SO BUSY
THAT THREE DAYS AGO,
133
00:07:33,787 --> 00:07:35,989
IT�S LIKE A WHOLE LIFETIME.
134
00:07:36,022 --> 00:07:38,491
WELL, DID YOU GO HOME
OR GO SOMEPLACE ELSE?
135
00:07:38,525 --> 00:07:40,527
I CAME HOME.
136
00:07:40,561 --> 00:07:42,529
AND LEFT YOUR BOYS
WITH YOUR SISTER.
137
00:07:42,563 --> 00:07:44,898
IF YOU SENT THEM BACK
TO RUSSIA, I WILL HATE YOU.
138
00:07:47,333 --> 00:07:49,803
MY HEAD�S KILLING ME.
I�M LEAVING.
139
00:07:49,836 --> 00:07:52,005
YOU DON�T KNOW
WHERE YOUR BOYS ARE?
140
00:07:52,038 --> 00:07:53,540
I DON�T KNOW
WHERE THEY ARE.
141
00:07:53,574 --> 00:07:54,841
OR YOUR SISTER?
142
00:07:54,875 --> 00:07:57,010
I DON�T KNOW WHERE SHE IS,
143
00:07:57,043 --> 00:07:58,979
BUT I KNOW EVERYONE�S FINE,
144
00:07:59,012 --> 00:08:01,314
AND THIS IS A WASTE
OF A MORNING.
145
00:08:01,347 --> 00:08:03,717
YOU GOT A PICTURE
OF YOUR SONS?
146
00:08:03,750 --> 00:08:06,152
HE DOESN�T LET ME HAVE
THE PICTURE OF THE BOYS.
147
00:08:06,186 --> 00:08:09,155
I AM NOT THE ONE WHO WORRIED
THEY�RE ABDUCTED BY ALIENS.
148
00:08:09,189 --> 00:08:11,525
WRITE DOWN YOUR SISTER�S
NAME AND ADDRESS,
149
00:08:11,558 --> 00:08:14,127
OKAY, MR. SHENKOV?
150
00:08:14,160 --> 00:08:16,797
JUST STUPID.
151
00:08:16,830 --> 00:08:19,232
I�LL BRING A PHOTO BACK
FROM THE LIVING ROOM.
152
00:08:19,265 --> 00:08:22,035
[ Mocking ] I�LL BRING A PHOTO
BACK FROM THE LIVING ROOM.
153
00:08:22,068 --> 00:08:23,637
BRING IT BACK.
154
00:08:23,670 --> 00:08:24,938
WASTE MORE TIME.
155
00:08:32,879 --> 00:08:35,148
IF YOUR KIDS AREN�T
AT YOUR SISTER�S,
156
00:08:35,181 --> 00:08:37,183
WE�LL BE TALKING
TO YOU AGAIN.
157
00:08:37,217 --> 00:08:40,386
SURE. I HAVE PLENTY
TALKING TO ME ALREADY.
158
00:08:40,420 --> 00:08:42,422
MORNING.
159
00:08:42,455 --> 00:08:44,157
MORNING, GREG.
160
00:08:44,190 --> 00:08:47,260
LOOK AT THIS PLACE
YOU BROUGHT ME TO.
161
00:08:54,267 --> 00:08:56,069
WHAT WAS THAT?
162
00:08:56,102 --> 00:08:57,538
WHAT WAS THAT?
163
00:08:57,571 --> 00:08:59,372
WHAT ARE
THE GLASSES FOR?
164
00:08:59,405 --> 00:09:02,543
OH, EYE REFRACTION.
THEY DILATED MY EYEBALLS.
165
00:09:02,576 --> 00:09:04,344
TAKE OFF THOSE GLASSES.
166
00:09:04,377 --> 00:09:05,946
I CAN�T, ANDY.
167
00:09:05,979 --> 00:09:08,715
THE OPTICIAN SAYS WEAR THEM
UNTIL THE PUPILS ARE NORMAL.
168
00:09:08,749 --> 00:09:11,184
WHICH IS HOW LONG?
169
00:09:11,217 --> 00:09:13,554
TWO HOURS FROM WHEN
THEY PUT THE DROPS IN.
170
00:09:13,587 --> 00:09:15,288
WHAT JUST HAPPENED HERE?
171
00:09:15,321 --> 00:09:17,724
MAYBE THE HUSBAND
TOLD HIS SISTER
172
00:09:17,758 --> 00:09:20,727
TO TAKE THE KIDS SOMEWHERE
THE WIFE DON�T KNOW ABOUT
173
00:09:20,761 --> 00:09:22,729
TO MAKE THE WIFE CRAZY.
174
00:09:22,763 --> 00:09:24,731
WHAT DO YOU THINK HAPPENED?
175
00:09:24,765 --> 00:09:26,900
IF THEY�RE ALIVE,
PROBABLY THAT�S RIGHT.
176
00:09:26,933 --> 00:09:28,702
HE HAD THE SISTER
TAKE THEM AWAY.
177
00:09:28,735 --> 00:09:31,371
THE WIFE SAID HE MAYBE
SENT THEM TO RUSSIA.
178
00:09:31,404 --> 00:09:33,139
HE�S TOO INVOLVED
WITH THOSE KIDS TO SEND THEM
179
00:09:33,173 --> 00:09:35,542
UNLESS HE WAS GOING
TO LEAVE HIMSELF.
180
00:09:35,576 --> 00:09:36,943
IF HE HAD A PLAN,
181
00:09:36,977 --> 00:09:39,079
HE WOULDN�T HAVE GONE CRAZY
OVER THEIR SHRIMP.
182
00:09:39,112 --> 00:09:43,416
THERE�S
HIS SISTER�S ADDRESS.
183
00:09:43,449 --> 00:09:46,086
PROBABLY AN EASIER
INTERVIEW FOR YOU.
184
00:09:46,119 --> 00:09:47,420
YOU DON�T KNOW
185
00:09:47,453 --> 00:09:48,722
IF SHE�S PREJUDICED
LIKE HER BROTHER.
186
00:09:48,755 --> 00:09:50,456
DON�T ANTICIPATE.
187
00:09:50,490 --> 00:09:53,126
IT KEEPS YOU FROM SEEING
WHAT�S IN FRONT OF YOU.
188
00:09:53,159 --> 00:09:55,629
COME ON.
LET�S TAKE A RIDE.
189
00:09:55,662 --> 00:09:57,430
TAKE THOSE OFF
BEFORE YOU TALK
190
00:09:57,463 --> 00:09:59,600
TO ANYBODY
OUTSIDE THIS BUILDING.
191
00:09:59,633 --> 00:10:03,036
I GOT 22 MINUTES LEFT,
AND I�LL FUDGE IF NECESSARY.
192
00:10:26,059 --> 00:10:30,130
YEAH,
THAT�S NOT A PROBLEM.
193
00:10:30,163 --> 00:10:32,165
ALL RIGHT. THANKS.
194
00:10:34,801 --> 00:10:37,470
ANYTHING AT THE D. O. A.�s
APARTMENT?
195
00:10:37,504 --> 00:10:39,973
WE PICKED UP THIS GUY LUKE
WHO WAS LIVING WITH HER,
196
00:10:40,006 --> 00:10:41,942
PRESENTLY PUKING IN THE JOHN.
197
00:10:41,975 --> 00:10:43,810
ALL WE TOLD HIM
IS THERE�D BEEN AN ACCIDENT.
198
00:10:43,844 --> 00:10:45,178
HOW�D HE TAKE THAT?
199
00:10:45,211 --> 00:10:47,380
HARD TO TELL.
HE�S SICK WITH THE FLU.
200
00:10:47,413 --> 00:10:49,550
WE�LL SEE HOW HE TAKES
HER BEING DEAD.
201
00:10:49,583 --> 00:10:51,785
DID CRIME SCENE
PUT HER BACK TOGETHER?
202
00:10:51,818 --> 00:10:53,654
THEY�RE STILL
GOING OVER THE BUS.
203
00:10:53,687 --> 00:10:56,389
IF YOU BUY
WHAT THE BUS DRIVER SAID,
204
00:10:56,422 --> 00:10:58,291
THE BOYFRIEND�S A CANDIDATE
FOR THROWING HER.
205
00:10:58,324 --> 00:11:01,895
THIS GUY DOESN�T LOOK LIKE
HE COULD TOSS A BEANBAG.
206
00:11:09,570 --> 00:11:11,872
EXCUSE ME.
207
00:11:11,905 --> 00:11:14,875
COME ON IN, MRS. SHENKOV.
208
00:11:14,908 --> 00:11:17,878
I ONLY HAVE A LITTLE BREAK
FROM WORK.
209
00:11:17,911 --> 00:11:19,079
THIS IS LAST CHRISTMAS.
210
00:11:19,112 --> 00:11:23,216
ERIC AND JAMES.
211
00:11:23,249 --> 00:11:27,588
JAMES IS WEARING THE JACKET NOW
IN THIS PICTURE ??
212
00:11:27,621 --> 00:11:29,656
GIANT FOOTBALL JACKET ??
213
00:11:29,690 --> 00:11:31,858
BUT ERIC DRESSED NOW
DIFFERENT FROM THE PICTURE.
214
00:11:31,892 --> 00:11:33,493
WHAT�S ERIC WEARING NOW?
215
00:11:33,527 --> 00:11:34,494
BROWN JACKET.
216
00:11:34,528 --> 00:11:35,896
THAT�S REAL HELPFUL,
217
00:11:35,929 --> 00:11:37,698
AND WE APPRECIATE YOU
COMING BACK.
218
00:11:37,731 --> 00:11:41,367
I ALSO WANT TO TELL YOU
THAT JOHN�S SISTER AND ME,
219
00:11:41,401 --> 00:11:43,369
WE TAKE WALKS, WE DRINK TEA.
220
00:11:43,403 --> 00:11:45,606
IT�S JUST JOHN DOESN�T KNOW.
221
00:11:45,639 --> 00:11:47,674
HE WOULDN�T APPROVE OF YOU
AND HIS SISTER BEING FRIENDS?
222
00:11:47,708 --> 00:11:50,210
I�M TELLING YOU THAT
BECAUSE NADIA WOULD NOT
223
00:11:50,243 --> 00:11:52,212
TAKE MY BOYS
AND NOT TELL ME.
224
00:11:52,245 --> 00:11:54,447
WHAT KIND OF WORK
DOES JOHN DO?
225
00:11:54,480 --> 00:11:56,449
MANAGER
OF TWO APARTMENT BUILDINGS,
226
00:11:56,482 --> 00:11:59,753
BUT NOW, MORE AND MORE,
DAY TRADING INTERNET STOCKS.
227
00:11:59,786 --> 00:12:01,588
CAN YOU WRITE DOWN
228
00:12:01,622 --> 00:12:03,724
THE ADDRESSES
OF THE APARTMENTS?
229
00:12:03,757 --> 00:12:07,260
ALSO MY HUSBAND HEARS VOICES,
230
00:12:07,293 --> 00:12:09,630
AND HE�S TO THE HOSPITAL
BECAUSE OF THEM.
231
00:12:09,663 --> 00:12:11,632
HE�S IN THE HOSPITAL NOW?
232
00:12:11,665 --> 00:12:14,267
YEAH, BECAUSE OF
THE HEADACHES AND VOICES.
233
00:12:14,300 --> 00:12:16,269
DO THEY EVER
SIGN HIM IN?
234
00:12:16,302 --> 00:12:18,572
YES. ONCE.
235
00:12:18,605 --> 00:12:21,074
WITH THIS NEW INFORMATION,
WE�LL TALK TO JOHN AGAIN.
236
00:12:21,107 --> 00:12:23,944
DON�T TELL HIM THE INFORMATION
THAT NADIA AND ME ARE FRIENDS.
237
00:12:23,977 --> 00:12:25,646
NO, WE WON�T
LET ON THAT.
238
00:12:25,679 --> 00:12:27,247
HOLD ON.
239
00:12:27,280 --> 00:12:29,082
JOHN SHENKOV�S TRYING
TO PSYCHO HIMSELF.
240
00:12:29,115 --> 00:12:31,117
WE GOT TO STOP THAT.
241
00:12:31,151 --> 00:12:33,754
THE SUPER LET GREG AND JONES
INTO HIS SISTER�S APARTMENT.
242
00:12:33,787 --> 00:12:37,123
THE PLACE IS UNDISTURBED ??
NO SIGN OF HER OR THE BOYS.
243
00:12:37,157 --> 00:12:39,325
WE GOT TO KEEP THIS GUY
OUT OF THE HOSPITAL.
244
00:12:39,359 --> 00:12:41,327
Leah:
PLEASE PHONE MY WORK
245
00:12:41,361 --> 00:12:43,930
IF JOHN SAYS
WHERE THE BOYS ARE.
246
00:12:43,964 --> 00:12:45,932
WE�LL CALL YOU RIGHT AWAY.
247
00:12:45,966 --> 00:12:48,569
YOU KNOW HOW TO GET DOWN,
RIGHT, MRS. SHENKOV?
248
00:12:48,602 --> 00:12:50,871
WE�RE GOING TO GET
RIGHT OUT AND SEE JOHN.
249
00:13:00,146 --> 00:13:02,415
I�M SORRY
YOU�RE FEELING SO LOUSY.
250
00:13:02,448 --> 00:13:04,785
YEAH, THIS STOMACH FLU
KEEPS COMING BACK.
251
00:13:04,818 --> 00:13:07,153
HERE, HAVE A SEAT.
252
00:13:07,187 --> 00:13:08,955
WE�VE, UH...
253
00:13:08,989 --> 00:13:10,323
WE�VE GOT UNHAPPY NEWS
254
00:13:10,356 --> 00:13:12,325
TO TELL YOU
ABOUT EDIE, LUKE.
255
00:13:12,358 --> 00:13:14,460
SHE DIDN�T MAKE IT?
256
00:13:14,494 --> 00:13:17,430
SHE GOT KILLED
IN THAT BUS ACCIDENT?
257
00:13:17,463 --> 00:13:19,332
YES.
258
00:13:19,365 --> 00:13:20,767
OH, GOD.
259
00:13:20,801 --> 00:13:24,437
SHE WAS THE SWEETEST PERSON.
260
00:13:24,470 --> 00:13:26,873
WHERE ARE THEY TAKING HER?
261
00:13:26,907 --> 00:13:29,475
THEY NEED TO DO AN AUTOPSY.
262
00:13:29,510 --> 00:13:32,378
WERE YOU OUT WITH EDIE
AT ALL THIS MORNING, LUKE?
263
00:13:32,412 --> 00:13:36,149
NO, I�VE BEEN HOME, YOU KNOW,
�CAUSE I?I FEEL SO CRAPPY.
264
00:13:36,182 --> 00:13:38,151
DO YOU KNOW
WHAT SHE WAS DOING OUT?
265
00:13:38,184 --> 00:13:40,153
GOING TO WORK, I GUESS.
266
00:13:40,186 --> 00:13:43,056
SHE�S PART?TIME
AT THIS HAIR PLACE,
267
00:13:43,089 --> 00:13:45,291
SETTING UP APPOINTMENTS.
268
00:13:45,325 --> 00:13:47,561
DO YOU KNOW ANYONE WHO HAD
SOMETHING AGAINST EDIE,
269
00:13:47,594 --> 00:13:49,362
WANTED TO SEE HER HURT?
270
00:13:49,395 --> 00:13:50,897
NO. PEOPLE LOVED EDIE.
271
00:13:50,931 --> 00:13:52,899
WAS EDIE INVOLVED
IN ANYTHING
272
00:13:52,933 --> 00:13:55,636
MIGHT HAVE GOTTEN HER
IN TROUBLE?
273
00:13:55,669 --> 00:13:59,072
HOW DOES THAT RELATE
TO A BUS HITTING HER?
274
00:13:59,105 --> 00:14:03,343
EITHER OF YOU KNOW SOMEONE
WHO OWNS A VAN?
275
00:14:03,376 --> 00:14:07,080
I?I DON�T GET
THESE QUESTIONS.
276
00:14:07,113 --> 00:14:08,715
[ GROANS ]
277
00:14:08,749 --> 00:14:11,685
SOMEONE SAID THEY SAW EDIE
THROWN OUT OF A VAN
278
00:14:11,718 --> 00:14:13,687
IN FRONT OF THAT BUS, LUKE.
279
00:14:13,720 --> 00:14:14,921
WHAT?
280
00:14:14,955 --> 00:14:17,991
SAID SHE WAS THROWN
UNDER THE BUS� WHEELS.
281
00:14:18,024 --> 00:14:19,993
I DON�T KNOW ANYONE
WITH A VAN,
282
00:14:20,026 --> 00:14:22,028
AND I DON�T KNOW
THAT SHE DID.
283
00:14:22,062 --> 00:14:23,897
I AM SICK ABOUT THIS,
284
00:14:23,930 --> 00:14:25,832
I�VE BEEN SICK
FOR THREE WEEKS,
285
00:14:25,866 --> 00:14:28,334
I�M DEHYDRATED,
AND I WANT TO LEAVE.
286
00:14:28,368 --> 00:14:30,604
OKAY, LET US TALK
TO OUR BOSS,
287
00:14:30,637 --> 00:14:32,906
AND WE�LL COME BACK
AND GET YOU.
288
00:14:35,208 --> 00:14:38,178
WHY? WHY DO YOU HAVE TO
TALK TO YOUR BOSS?
289
00:14:38,211 --> 00:14:40,313
�CAUSE THAT�S HOW
WE�RE GOING TO DO THIS, OKAY?
290
00:14:46,052 --> 00:14:49,389
CRIME SCENE�S REASSEMBLED
ALL YOUR D. O. A.�s VISCERA
291
00:14:49,422 --> 00:14:51,091
EXCEPT THE INTESTINES.
292
00:14:51,124 --> 00:14:52,793
BLOOD�S COME BACK
LOADED WITH HEROIN.
293
00:14:52,826 --> 00:14:54,227
DRUG MULE.
294
00:14:54,260 --> 00:14:55,796
ONE OF THE BALLOONS BREAKS,
SHE O. D.�s,
295
00:14:55,829 --> 00:14:58,131
THEY CUT HER OPEN
FOR THE REST.
296
00:14:58,164 --> 00:14:59,933
CAN YOU SEE THE BOYFRIEND
297
00:14:59,966 --> 00:15:02,368
TAKING A KNIFE TO HER
LIKE THAT?
298
00:15:02,402 --> 00:15:04,771
IT PUTS HIS STOMACH FLU
IN A DIFFERENT LIGHT.
299
00:15:04,805 --> 00:15:07,040
SOMEONE�S WITH HIM EVERY
TIME HE USES THE TOILET.
300
00:15:07,073 --> 00:15:09,943
HANDS FOR VOLUNTEERS?
301
00:15:15,015 --> 00:15:16,617
WHAT DID HE SAY?
302
00:15:16,650 --> 00:15:17,984
ARE YOU USING THIS?
303
00:15:18,018 --> 00:15:20,120
I MIGHT BE.
304
00:15:20,153 --> 00:15:23,089
JUST GIVE US A HOLLER.
305
00:15:23,123 --> 00:15:25,291
YOU KNOW
WHAT A MULE IS, LUKE?
306
00:15:25,325 --> 00:15:26,927
THE ANIMAL?
307
00:15:26,960 --> 00:15:29,596
IS THAT WHAT YOU THINK
I�M TALKING ABOUT?
308
00:15:29,630 --> 00:15:30,797
A DRUG MULE?
309
00:15:30,831 --> 00:15:32,566
YOU THINK EDIE
HAD HEARD OF THAT ??
310
00:15:32,599 --> 00:15:34,968
SOMEONE WHO SWALLOWS
CONDOMS FULL OF DRUGS,
311
00:15:35,001 --> 00:15:36,770
BRINGING THEM FROM
SOUTH AMERICA TO KENNEDY?
312
00:15:36,803 --> 00:15:39,405
SHE WOULDN�T HAVE
ANYTHING TO DO WITH THAT.
313
00:15:39,439 --> 00:15:42,408
EDIE HAD A MASSIVE AMOUNT
OF HEROIN IN HER BLOODSTREAM.
314
00:15:42,442 --> 00:15:44,778
IT KILLED HER,
AND AFTER SHE DIED,
315
00:15:44,811 --> 00:15:47,981
SOMEONE CUT HER BELLY OPEN
AND GUTTED HER LIKE A FISH.
316
00:15:48,014 --> 00:15:49,616
OH, MY GOD!
317
00:15:49,650 --> 00:15:52,619
ARE YOU TRYING TO TELL US
THAT YOU DIDN�T KNOW
318
00:15:52,653 --> 00:15:54,988
YOUR GIRLFRIEND HAD BEEN
OUT OF THE COUNTRY?
319
00:15:55,021 --> 00:15:57,624
I TOLD YOU,
I�VE BEEN SICK IN BED.
320
00:15:57,658 --> 00:16:00,360
HOW LONG WOULD SHE HAVE
BEEN GONE, LIKE 24 HOURS?
321
00:16:00,393 --> 00:16:02,428
MY PARTNER AND I BOTH THINK
322
00:16:02,462 --> 00:16:04,798
YOU KNOW MORE THAN
YOU�RE SAYING ABOUT THIS, LUKE.
323
00:16:04,831 --> 00:16:07,167
I DON�T. I SWEAR I DON�T.
324
00:16:07,200 --> 00:16:09,435
FOR GOD�S SAKE,
I NEED TO GO HOME.
325
00:16:09,469 --> 00:16:11,705
WE NEED TO FIND OUT WHAT
HAPPENED TO YOUR GIRLFRIEND.
326
00:16:11,738 --> 00:16:14,307
WHAT REASON WOULD YOU HAVE
NOT TO HANG AROUND
327
00:16:14,340 --> 00:16:16,677
TILL WE FIND OUT
WHAT HAPPENED TO EDIE?
328
00:16:16,710 --> 00:16:18,044
BECAUSE I�M SICK.
329
00:16:18,078 --> 00:16:19,846
Jill: SICK HOW, LUKE?
330
00:16:19,880 --> 00:16:21,848
STOMACH FLU.
331
00:16:21,882 --> 00:16:24,384
YOU KNOW WHAT�S GOOD FOR THAT?
PUSH FLUIDS.
332
00:16:24,417 --> 00:16:27,721
JUST LET US KNOW WHEN YOU
NEED TO USE THE FACILITIES.
333
00:16:27,754 --> 00:16:29,155
WE�LL HOOK YOU RIGHT UP.
334
00:16:36,730 --> 00:16:38,732
HAZARD PAY, JOSH.
335
00:16:38,765 --> 00:16:40,366
WHAT�S GOING ON?
336
00:16:40,400 --> 00:16:42,736
THIS GUY MIGHT BE
PASSING SMACK BALLOONS.
337
00:16:42,769 --> 00:16:44,705
I GOT TO BREAK OUT
THE BASIN?
338
00:16:44,738 --> 00:16:47,007
YOU WANT TO CATCH THEM
BAREHANDED?
339
00:17:01,421 --> 00:17:03,089
YOU DR. THIEL?
340
00:17:03,123 --> 00:17:04,357
YES.
341
00:17:04,390 --> 00:17:06,159
DETECTIVES SIPOWICZ
AND SORENSON.
342
00:17:06,192 --> 00:17:07,828
ARE YOU JOHN SHENKOV�S
DOCTOR?
343
00:17:07,861 --> 00:17:09,362
I�VE SEEN JOHN BEFORE.
344
00:17:09,395 --> 00:17:10,731
YOU HAVEN�T
TREATED HIM TODAY YET.
345
00:17:10,764 --> 00:17:12,432
NOT YET.
346
00:17:12,465 --> 00:17:13,867
WHAT�S HIS STORY?
347
00:17:13,900 --> 00:17:16,069
HE SAYS HE�S SEEING
AND HEARING THINGS.
348
00:17:16,102 --> 00:17:19,072
IS THAT SOMETHING YOU TWO
COULD TAKE UP LATER ON?
349
00:17:19,105 --> 00:17:20,507
HE�S NOT IN IMMEDIATE
DANGER, RIGHT?
350
00:17:20,541 --> 00:17:22,576
WHAT ARE YOU AFTER?
351
00:17:22,609 --> 00:17:24,077
WE NEED TO QUESTION HIM.
352
00:17:24,110 --> 00:17:26,379
WE�RE LOOKING
INTO THE DISAPPEARANCE
353
00:17:26,412 --> 00:17:28,081
OF HIS TWO BOYS.
354
00:17:28,114 --> 00:17:31,618
WILL THERE BE SOMEONE
WITH HIM AT ALL TIMES?
355
00:17:31,652 --> 00:17:32,653
EVERY SECOND.
356
00:17:34,420 --> 00:17:37,057
HE CAN COME BACK LATER.
357
00:17:37,090 --> 00:17:39,626
OKAY. THANKS.
358
00:17:39,660 --> 00:17:41,628
[ DOOR BUZZES ]
359
00:17:41,662 --> 00:17:43,196
HI, JOHN.
360
00:17:43,229 --> 00:17:45,532
TERRIBLE PAINS IN MY HEAD
AND THE VOICES.
361
00:17:45,566 --> 00:17:47,100
WE�LL TALK LATER.
362
00:17:47,133 --> 00:17:49,770
THESE MEN ARE GOING
TO TALK TO YOU NOW.
363
00:17:49,803 --> 00:17:51,972
THEY�RE TALKING
WITH YOUR APPROVAL?
364
00:17:52,005 --> 00:17:54,307
YES. YOU TALK
TO THEM NOW, JOHN.
365
00:17:54,340 --> 00:17:56,042
YOU AGAIN.
366
00:17:56,076 --> 00:17:58,912
YEAH, US. WE GOT TO TALK.
367
00:17:58,945 --> 00:18:03,149
YOU ARE HERE
ABOUT ERIC AND JAMES?
368
00:18:03,183 --> 00:18:05,485
YOU WON�T TRUST ME
THAT NADIA HAS THEM?
369
00:18:05,519 --> 00:18:07,554
NO.
370
00:18:07,588 --> 00:18:10,156
YOU CAN�T BELIEVE
SHOOTING PAINS IN MY HEAD
371
00:18:10,190 --> 00:18:11,725
AND THE VOICES.
372
00:18:11,758 --> 00:18:13,059
THEY�RE BAD, HUH?
373
00:18:13,093 --> 00:18:15,195
STOP!
374
00:18:16,930 --> 00:18:19,065
THEY�RE TALKING AGAIN.
375
00:18:19,099 --> 00:18:21,067
WHILE THEY�RE CONVERSING
WITH YOU,
376
00:18:21,101 --> 00:18:23,303
YOUR BIG JOB RIGHT NOW
IS TO STAND UP
377
00:18:23,336 --> 00:18:25,305
AND WALK TO THE CAR.
378
00:18:25,338 --> 00:18:28,274
DR. THIEL IS COMING
TO HELP ME.
379
00:18:28,308 --> 00:18:31,778
NO, DR. THIEL IS GOING
TO BE A LITTLE LATE.
380
00:18:51,514 --> 00:18:52,896
AM I DYING?
381
00:18:52,929 --> 00:18:54,804
YOU�RE NOT DYING.
CLAMP DOWN.
382
00:18:54,838 --> 00:18:55,689
I CAN�T.
383
00:18:55,723 --> 00:18:56,758
THEN SHUT YOUR MOUTH.
384
00:18:56,792 --> 00:18:58,827
OH, HE�S DUMPING.
HE�S PASSING CONDOMS.
385
00:18:58,860 --> 00:19:01,430
THEY�RE ROLLING OUT
THE BOTTOM OF HIS PANTS.
386
00:19:01,463 --> 00:19:04,200
I�VE GOT SOME RUBBER GLOVES
IN MY LOCKER.
387
00:19:04,233 --> 00:19:06,902
STAND GUARD ON THOSE
A SECOND, WOULD YOU, JOHN?
388
00:19:09,205 --> 00:19:11,607
OH, GOD!
389
00:19:11,640 --> 00:19:13,509
BASIN�S UNDER
THE TOILET SEAT?
390
00:19:13,542 --> 00:19:15,511
HAVE ANY OF THEM BUSTED?
391
00:19:15,544 --> 00:19:18,914
IF ANY BUSTED, YOU WOULDN�T
BE CHATTING WITH US, LUKE.
392
00:19:18,947 --> 00:19:21,283
I�LL SHOOT YOU FOR
WHO PICKS UP IN THE HALLWAY.
393
00:19:21,317 --> 00:19:23,051
ODDS. ONCE, TWICE,
THRICE, SHOOT.
394
00:19:23,085 --> 00:19:24,686
DAMN.
395
00:19:24,720 --> 00:19:26,455
Josh: ONCE, TWICE,
THRICE, SHOOT.
396
00:19:26,488 --> 00:19:27,589
SON OF A BITCH.
397
00:19:27,623 --> 00:19:29,725
ONE SMALL WIN
FOR THE BLACK MAN.
398
00:19:29,758 --> 00:19:31,227
JOSH.
399
00:19:31,260 --> 00:19:33,695
DON�T GO ANYWHERE. HE�S GOING
TO FILL THIS THING UP.
400
00:19:33,729 --> 00:19:37,266
I NEED TO KNOW WHO PUT YOU
AND EDIE UP TO THIS, LUKE.
401
00:19:37,299 --> 00:19:39,435
[ GRUNTING ]
402
00:19:39,468 --> 00:19:41,203
WERE YOU AND HER DUPES?
403
00:19:41,237 --> 00:19:42,971
WE WERE DUPES.
404
00:19:43,004 --> 00:19:44,606
GIVE A NAME.
405
00:19:44,640 --> 00:19:46,808
RICO AGUERRO. OH!
406
00:19:46,842 --> 00:19:48,710
THE BASIN�S FULL.
STAND UP A SECOND.
407
00:19:48,744 --> 00:19:50,779
OKAY, BUT I�M ON A ROLL.
408
00:19:50,812 --> 00:19:52,114
HANK?
409
00:19:52,148 --> 00:19:55,217
JUST FLY TO BOGOTA
AND SWALLOW THESE FINGERS
410
00:19:55,251 --> 00:19:58,654
RIGHT BEFORE GETTING
ON THE PLANE HOME,
411
00:19:58,687 --> 00:20:01,323
AND THEN WE PASS THEM
FOR RICO,
412
00:20:01,357 --> 00:20:03,659
WE GET 5,000 BUCKS EACH.
413
00:20:03,692 --> 00:20:05,294
WHERE�S THAT DAMN BASIN?
414
00:20:05,327 --> 00:20:06,662
THE DAMN BASIN�S COMING.
415
00:20:06,695 --> 00:20:08,997
NOBODY STOPPED YOU
AT CUSTOMS?
416
00:20:09,030 --> 00:20:12,068
[ GRUNTS ]
417
00:20:12,101 --> 00:20:14,670
NO, WE ACED CUSTOMS,
418
00:20:14,703 --> 00:20:17,473
BUT EDIE DIDN�T LOOK GOOD
IN THE VAN
419
00:20:17,506 --> 00:20:19,141
COMING BACK FROM THE AIRPORT.
420
00:20:19,175 --> 00:20:23,011
I MEAN, YOU CAN�T BELIEVE
THE SHAKING SHE WENT INTO.
421
00:20:23,044 --> 00:20:25,281
SHE WAS DEAD, LIKE, SO FAST.
422
00:20:25,314 --> 00:20:26,748
RICO CUT HER OPEN
423
00:20:26,782 --> 00:20:28,617
TO GET THE BALLOONS
THAT HADN�T BURST.
424
00:20:28,650 --> 00:20:31,653
UH, I CAN�T SAY FOR CERTAIN.
425
00:20:31,687 --> 00:20:34,123
SO RICO THREW HER
OUT OF THE VAN?
426
00:20:34,156 --> 00:20:36,758
MY EYES WERE CLOSED
THE WHOLE TIME
427
00:20:36,792 --> 00:20:39,628
WITH SICKNESS AND SADNESS
FOR EDIE.
428
00:20:39,661 --> 00:20:41,997
YOU KNOW MY ONE PROBLEM
PICTURING YOU
429
00:20:42,030 --> 00:20:43,999
A BLIND BYSTANDER
IN THIS, LUKE?
430
00:20:44,032 --> 00:20:45,634
IF RICO�S GUTTING EDIE
AND THROWING HER
431
00:20:45,667 --> 00:20:48,104
OUT OF THE VAN,
WHO IS IT THAT�S DRIVING?
432
00:20:48,137 --> 00:20:49,838
UH?OH.
433
00:20:49,871 --> 00:20:50,972
HANK.
434
00:20:52,408 --> 00:20:55,811
THEY ONLY LET YOU
THINK YOU WIN.
435
00:20:55,844 --> 00:20:58,547
ALL RIGHT, I�LL GIVE YOU
WHERE TO FIND RICO.
436
00:20:58,580 --> 00:20:59,581
[ GRUNTS ]
437
00:21:04,820 --> 00:21:08,490
GO AHEAD AND SCREAM.
SCREAM GOOD AND LOUD.
438
00:21:08,524 --> 00:21:10,492
WHAT ARE YOUR VOICES
SCREAMING, JOHN?
439
00:21:10,526 --> 00:21:12,494
LIKE THE ROAR
FROM NIAGARA FALLS.
440
00:21:12,528 --> 00:21:14,563
CAN YOU UNDERSTAND
THAT SOUND?
441
00:21:14,596 --> 00:21:16,198
YOU�LL IMPRISON ME NOW?
442
00:21:16,232 --> 00:21:17,833
NOBODY�S IMPRISONING YOU.
443
00:21:17,866 --> 00:21:20,202
WE NEED HELP FINDING
WHERE YOUR BOYS ARE, JOHN.
444
00:21:20,236 --> 00:21:21,837
ASK MY SISTER NADIA.
445
00:21:21,870 --> 00:21:25,641
MAYBE YOUR VOICES WILL HELP
FIND NADIA AND THE BOYS.
446
00:21:25,674 --> 00:21:29,645
DON�T COUNT
ON ANY FAVORS FROM THEM.
447
00:21:29,678 --> 00:21:31,713
John: SHE�LL BE AWAY
THIS AFTERNOON.
448
00:21:31,747 --> 00:21:34,550
UH, CAN I GIVE HER
A MESSAGE?
449
00:21:34,583 --> 00:21:36,985
WE�VE GOT SHENKOV
IN THE POKEY.
450
00:21:37,018 --> 00:21:39,588
GOT HIS WHOLE ADVISORY
COMMITTEE WITH HIM.
451
00:21:39,621 --> 00:21:41,723
GREG AND JONES CANVASSED
ONE OF THE BUILDINGS
452
00:21:41,757 --> 00:21:43,525
SHENKOV MANAGES,
BROUGHT IN A TENANT
453
00:21:43,559 --> 00:21:45,361
SAID HE WAS BEHAVING
STRANGELY
454
00:21:45,394 --> 00:21:48,997
THE DAY AFTER
THE BOYS WENT MISSING.
455
00:21:49,030 --> 00:21:52,834
I COULD ALMOST IMAGINE YOU
BEING A MALE MODEL.
456
00:21:52,868 --> 00:21:55,171
SHAKING MY BOOTY
ON THE CATWALK, HUH?
457
00:21:55,204 --> 00:21:57,539
MELANIE HERE LIVES
AT 2nd AND HOUSTON.
458
00:21:57,573 --> 00:21:59,608
JOHN SHENKOV�S HER SUPER.
459
00:21:59,641 --> 00:22:01,777
WHY DON�T YOU TELL THEM
THE EXPERIENCE YOU HAD
460
00:22:01,810 --> 00:22:03,379
WITH MR. SHENKOV
TWO DAYS AGO?
461
00:22:03,412 --> 00:22:05,414
I WENT HOME AT LUNCHTIME.
462
00:22:05,447 --> 00:22:07,783
THIS HEAD CASE JOHN
IS IN MY PLACE
463
00:22:07,816 --> 00:22:09,218
SHOWERING IN THE BATHROOM.
464
00:22:09,251 --> 00:22:10,419
IS THAT NERVE?
465
00:22:10,452 --> 00:22:11,587
WHY WAS HE SHOWERING?
466
00:22:11,620 --> 00:22:13,422
BECAUSE HE�S CRAZY.
467
00:22:13,455 --> 00:22:15,724
I ASKED HIM, "WHAT THE HELL�S
GOING ON HERE, JOHN?"
468
00:22:15,757 --> 00:22:17,693
HE SAYS,
"I NEED YOUR SHOWER, MELANIE.
469
00:22:17,726 --> 00:22:19,728
LOOK AT ALL THE BLOOD."
470
00:22:19,761 --> 00:22:23,232
AND I DIDN�T LOOK DOWN,
BUT I WOULDN�T BE SURPRISED
471
00:22:23,265 --> 00:22:28,304
IF AT THAT POINT
HE WAS TOUCHING HIMSELF.
472
00:22:28,337 --> 00:22:30,706
THIS BLOOD HE WAS REFERRING TO,
WAS THERE ANY?
473
00:22:30,739 --> 00:22:32,208
NO.
474
00:22:32,241 --> 00:22:34,876
DID YOU SEE ANY BLOOD
ON THE TOWELS?
475
00:22:34,910 --> 00:22:37,113
IF THERE HAD BEEN BLOOD
ON MY TOWELS,
476
00:22:37,146 --> 00:22:38,880
DON�T YOU THINK
I WOULD HAVE AT LEAST
477
00:22:38,914 --> 00:22:40,282
FILED A FORMAL COMPLAINT?
478
00:22:40,316 --> 00:22:42,718
AS OPPOSED TO WALKING IN
ON A STRANGER SHOWERING
479
00:22:42,751 --> 00:22:45,487
IN YOUR PLACE THAT TELLS YOU
HE�S COVERED WITH BLOOD,
480
00:22:45,521 --> 00:22:47,489
AND YOU DON�T FIGURE
THAT�S WORTH REPORTING?
481
00:22:47,523 --> 00:22:48,924
HE�S THE BUILDING MANAGER.
482
00:22:48,957 --> 00:22:51,327
WHAT DOES THAT MEAN,
HE�S THE BUILDING MANAGER?
483
00:22:51,360 --> 00:22:54,896
WHAT, DOES THAT MEAN THAT
HE COULD BE COVERED WITH BLOOD
484
00:22:54,930 --> 00:22:57,833
AND YOU DON�T HAVE
TO REPORT IT?
485
00:22:57,866 --> 00:22:59,635
HE DIDN�T HAVE
ANY BLOOD ON HIM,
486
00:22:59,668 --> 00:23:01,570
AND IF I REPORTED
JOHN SHENKOV
487
00:23:01,603 --> 00:23:03,905
FOR EVERY STRANGE THING
HE EVER DID,
488
00:23:03,939 --> 00:23:07,609
I WOULDN�T HAVE TIME
TO HOLD DOWN A FULL?TIME JOB.
489
00:23:07,643 --> 00:23:10,579
YOU KNOW, MELANIE,
YOU DID GREAT HERE TODAY.
490
00:23:10,612 --> 00:23:12,648
YOU�VE BEEN A BIG HELP.
491
00:23:12,681 --> 00:23:14,350
SOMEONE
DOESN�T APPRECIATE THAT.
492
00:23:14,383 --> 00:23:16,085
Danny: DID YOU
CHECK THE BUILDING?
493
00:23:16,118 --> 00:23:19,421
THE BASEMENT, GARBAGE CHUTE,
AND COMMON?USE AREAS.
494
00:23:19,455 --> 00:23:21,690
WE GOT TO GO AT THIS GUY.
495
00:23:21,723 --> 00:23:23,592
Danny: THANK YOU
FOR YOUR HELP.
496
00:23:23,625 --> 00:23:25,661
WOULDN�T BE SURPRISED
IF HE WAS TOUCHING HIMSELF.
497
00:23:25,694 --> 00:23:29,498
HE SHOULD TAKE HIS BAD MOOD
OUT ON SOMEONE ELSE.
498
00:23:29,531 --> 00:23:30,466
IT�S OKAY.
499
00:23:30,499 --> 00:23:34,436
SO, YOU WANT MY ADDRESS?
500
00:23:34,470 --> 00:23:36,172
WE GOT HER ADDRESS ALREADY,
501
00:23:36,205 --> 00:23:39,508
AND MY EYES ARE KILLING ME.
502
00:23:42,078 --> 00:23:44,813
SON OF BITCH, ME?
SON OF A BITCH, YOU!
503
00:23:44,846 --> 00:23:47,283
PLAYTIME�S OVER.
504
00:23:47,316 --> 00:23:49,885
YES, HERE COMES THE BEATING
SQUAD YOU HAVE SENT.
505
00:23:49,918 --> 00:23:52,288
JOHN, WHOEVER ELSE YOU THINK
YOU�RE IN TOUCH WITH
506
00:23:52,321 --> 00:23:54,390
AIN�T GOING TO PUT
THE BEATING ON YOU
507
00:23:54,423 --> 00:23:57,393
YOU�RE ABOUT TO TAKE FROM ME,
SO YOU NEED TO LISTEN UP.
508
00:23:57,426 --> 00:23:59,027
YOU CAN�T PUNISH ME.
509
00:23:59,061 --> 00:24:00,996
I�LL LISTEN
AS HARD AS YOU WANT.
510
00:24:01,029 --> 00:24:03,799
WHERE ARE THEM BOYS,
YOU TWITCHY GEEK?
511
00:24:03,832 --> 00:24:05,234
SAFE FROM YOU.
512
00:24:05,267 --> 00:24:06,535
SAFE WHERE, JOHN?
513
00:24:06,568 --> 00:24:08,036
JUST TELL US WHERE.
514
00:24:08,070 --> 00:24:09,838
DON�T YOU WISH I KNEW?
515
00:24:09,871 --> 00:24:12,241
THEN ALL OUR PROBLEMS
ARE SOLVED.
516
00:24:12,274 --> 00:24:15,644
WHAT BLOOD DID YOU THINK
YOU WERE WASHING OFF?
517
00:24:15,677 --> 00:24:17,646
IS THERE BLOOD
ON YOUR HANDS, JOHN?
518
00:24:17,679 --> 00:24:20,182
MY BLOOD IS MY OWN BUSINESS
519
00:24:20,216 --> 00:24:22,384
AND WHO I KEEP
FROM SUFFERING THEM.
520
00:24:22,418 --> 00:24:24,720
DID THE VOICES
MAKE YOU HURT YOUR BOYS?
521
00:24:24,753 --> 00:24:27,089
COME ON THEN, ASSHOLES.
522
00:24:27,123 --> 00:24:29,058
MELANIE�S BUILDING IS BLIND.
523
00:24:29,091 --> 00:24:31,860
I�M GOING
TO FRACTURE HIS SKULL.
524
00:24:31,893 --> 00:24:34,496
YOUR OTHER BUILDING,
IS THAT BLIND, TOO?
525
00:24:34,530 --> 00:24:37,699
OH, IF I CARED, WOULD YOU
THINK THEY COULD TRAP ME?
526
00:24:37,733 --> 00:24:40,001
ARE YOUR BOYS AND SISTER
IN THAT OTHER BUILDING?
527
00:24:40,035 --> 00:24:41,870
I PERMIT THEM TO HEAR.
528
00:24:41,903 --> 00:24:46,175
MAYBE ERIC AND JAMES
I TAKE FROM YOUR DOMINATION.
529
00:24:46,208 --> 00:24:49,711
LET�S GO. LET�S GO
TO THAT OTHER BUILDING.
530
00:24:49,745 --> 00:24:51,413
SCREW YOU!
531
00:24:51,447 --> 00:24:55,417
DIE, YOU BLACK DEVILS.
532
00:24:55,451 --> 00:24:57,519
Andy: WE�RE GOING TO TRY
THE SECOND BUILDING
533
00:24:57,553 --> 00:25:01,056
THIS WACK?JOB MANAGES.
534
00:25:01,090 --> 00:25:04,226
HE GIVE YOU REASON TO THINK
HIS BOYS MIGHT BE THERE?
535
00:25:04,260 --> 00:25:05,961
IN WACK LANGUAGE,
SOUNDED LIKE THEY COULD BE.
536
00:25:05,994 --> 00:25:07,229
WHERE WERE YOU?
537
00:25:07,263 --> 00:25:09,265
GETTING THAT WOMAN
A CAB.
538
00:25:09,298 --> 00:25:13,302
MIGHT BE SOMETHING
TO YOU GOING AT THIS GUY.
539
00:25:13,335 --> 00:25:15,571
HE�S RANTING
ABOUT BLACK DEVILS
540
00:25:15,604 --> 00:25:18,640
AND DOMINATION AND SO FORTH.
541
00:25:18,674 --> 00:25:21,077
WANT ME TO GO IN THERE
IN TRIBAL GEAR?
542
00:25:21,110 --> 00:25:22,944
HEY, YOU DON�T WANT
TO GO AT HIM,
543
00:25:22,978 --> 00:25:24,780
THAT�S UP TO YOU.
544
00:25:24,813 --> 00:25:26,948
I WOULDN�T BE
AN ETHNIC ASSET
545
00:25:26,982 --> 00:25:28,650
ON THIS, BALDWIN.
546
00:25:28,684 --> 00:25:31,120
I�M GOING TO GO
PICK UP MY LENSES,
547
00:25:31,153 --> 00:25:32,488
IF THAT�S OKAY, BOSS.
548
00:25:32,521 --> 00:25:33,889
YEAH.
549
00:25:33,922 --> 00:25:36,992
I MIGHT NEED
TO PICK UP A CANE AS WELL.
550
00:25:39,928 --> 00:25:42,298
YOU WANT ME
TO GO IN THERE?
551
00:25:42,331 --> 00:25:44,100
DO YOU GOT
ANY TRIBAL GEAR?
552
00:26:16,498 --> 00:26:19,535
DON�T YOU
SPEAK ENGLISH YET?
553
00:26:19,568 --> 00:26:21,870
DON�T YOU LEARN?
554
00:26:42,092 --> 00:26:44,461
DON�T THINK I FRIGHTEN
WITH YOUR DEVIL EYES.
555
00:26:44,494 --> 00:26:46,463
I TOOK CARE
FROM YOUR DOMINATION.
556
00:26:46,496 --> 00:26:48,030
NO DAY TRADE HERE.
557
00:26:48,065 --> 00:26:50,300
NO MOUSE
FOR TRICKING ME WITH
558
00:26:50,333 --> 00:26:52,235
AND SAY THE VOICE THROUGH.
559
00:26:52,269 --> 00:26:54,071
I DON�T SEE YOU.
560
00:26:54,104 --> 00:26:56,005
I DON�T HEAR YOU.
561
00:26:56,038 --> 00:26:59,842
MY BOYS ARE SAFE.
562
00:27:03,713 --> 00:27:05,748
GIVE THEM TO ME.
563
00:27:10,753 --> 00:27:16,093
OH, WHY DO YOU
BREAK ME IN TWO?
564
00:27:16,126 --> 00:27:18,728
I CANNOT EVEN
SEND THEM BACK HOME.
565
00:27:18,761 --> 00:27:20,097
YOU TAKE MY MONEY
566
00:27:20,130 --> 00:27:22,265
AND SCREAMING INSIDE
OF MY HEAD.
567
00:27:22,299 --> 00:27:26,603
GIVE THEM TO ME.
I�LL STOP THE SCREAMING
568
00:27:26,636 --> 00:27:29,606
AND GET YOU MORE MONEY.
569
00:27:29,639 --> 00:27:31,941
GIVE THE BOYS TO YOU?
570
00:27:31,974 --> 00:27:34,644
GIVE THEM TO ME.
571
00:27:37,447 --> 00:27:38,815
DEAD.
572
00:27:42,419 --> 00:27:47,124
DEAD, I TOLD YOU.
573
00:27:50,460 --> 00:27:52,429
GIVE THEM TO ME DEAD.
574
00:27:52,462 --> 00:27:54,364
TELL ME WHERE THEY ARE.
575
00:27:54,397 --> 00:27:57,767
I NEVER TELL YOU
WHERE THEY ARE.
576
00:27:57,800 --> 00:28:02,272
I KILL THEM
AGAINST HOW YOU SHAME ME,
577
00:28:02,305 --> 00:28:05,808
SO YOU DON�T HAVE POWER
TO KNOW.
578
00:28:09,579 --> 00:28:13,150
[ CRYING ]
579
00:28:28,765 --> 00:28:29,832
DID YOU TALK TO HIM?
580
00:28:29,866 --> 00:28:31,934
I SAID I COME
TO DO THE FLOORS,
581
00:28:31,968 --> 00:28:33,836
BUT I�LL COME BACK LATER.
582
00:28:33,870 --> 00:28:35,838
HE SAYS, NO,
GO ON AND CLEAN THEM.
583
00:28:35,872 --> 00:28:36,939
WHAT ELSE?
584
00:28:36,973 --> 00:28:38,741
WELL, IT WAS UNUSUAL,
585
00:28:38,775 --> 00:28:40,743
BECAUSE THE FLOORS
WERE PRETTY CLEAN ALREADY.
586
00:28:40,777 --> 00:28:42,745
THERE WAS A STRONG SMELL,
LIKE BLEACH OR SOMETHING.
587
00:28:42,779 --> 00:28:44,514
DID YOU ASK JOHN ABOUT IT?
588
00:28:44,547 --> 00:28:46,783
I DIDN�T WANT
TO MAKE CONVERSATION.
589
00:28:46,816 --> 00:28:48,785
THERE�S THE SMELL
I�M TALKING ABOUT.
590
00:28:48,818 --> 00:28:50,153
BREATHE THROUGH YOUR MOUTH.
591
00:28:50,187 --> 00:28:52,355
WHERE WAS SHENKOV SITTING?
592
00:28:52,389 --> 00:28:54,457
HE WAS SITTING RIGHT HERE
LIKE THIS.
593
00:28:54,491 --> 00:28:57,794
THE OTHER THING IS,
HE WAS HOLDING A KNIFE,
594
00:28:57,827 --> 00:29:00,463
KIND OF TOYING WITH IT
BACK AND FORTH.
595
00:29:00,497 --> 00:29:02,265
LIKE HE WAS GOING
TO HURT HIMSELF?
596
00:29:02,299 --> 00:29:03,666
POSSIBLE.
597
00:29:03,700 --> 00:29:05,835
DID ANY OF THIS
MAKE YOU CONSIDER
598
00:29:05,868 --> 00:29:07,437
CALLING THE POLICE?
599
00:29:07,470 --> 00:29:09,839
YES, BUT I REALLY
NEED THIS JOB.
600
00:29:17,347 --> 00:29:18,848
OH, NO.
601
00:29:18,881 --> 00:29:20,817
ANDY.
602
00:29:20,850 --> 00:29:23,753
OH, GOD.
603
00:29:46,626 --> 00:29:48,799
Jill: CHECK OUT
RICO�S BODY LANGUAGE.
604
00:29:48,833 --> 00:29:51,869
FIGURES CUTTING A BODY UP�S
JUST A HEALTH CODE VIOLATION.
605
00:29:51,902 --> 00:29:53,871
WHAT IF LUKE�S GIRLFRIEND
WAS STILL ALIVE
606
00:29:53,904 --> 00:29:55,673
WHEN YOU CUT HER OPEN?
607
00:29:55,706 --> 00:29:57,908
WHAT IF HE TOLD US
SHE WAS?
608
00:29:57,942 --> 00:29:59,677
THEN YOU�RE LOOKING
AT A HOMICIDE COLLAR.
609
00:29:59,710 --> 00:30:01,379
I DON�T FIND THAT CREDIBLE,
610
00:30:01,412 --> 00:30:02,747
THAT MY FRIEND LUKE
611
00:30:02,780 --> 00:30:05,383
WOULD MAKE HIMSELF
AN ACCESSORY TO MURDER
612
00:30:05,416 --> 00:30:07,418
SAYING HIS GIRLFRIEND
WAS STILL ALIVE.
613
00:30:07,452 --> 00:30:09,354
BUT YOU WERE THERE
IN A VAN?
614
00:30:09,387 --> 00:30:11,389
IF I WAS THERE,
615
00:30:11,422 --> 00:30:13,491
THE LADY HAD PASSED AWAY.
616
00:30:13,524 --> 00:30:15,326
THE LADY.
617
00:30:15,360 --> 00:30:18,596
LISTEN TO RICO STYLE.
618
00:30:18,629 --> 00:30:20,531
LUKE�S DOING A FLIP
ON RICO,
619
00:30:20,565 --> 00:30:23,268
BUT RICO�S NOT FLIPPING
ON ANYBODY.
620
00:30:23,301 --> 00:30:25,070
RICO�S STAND?UP.
621
00:30:25,103 --> 00:30:28,539
WHILE LUKE�S WALKING AROUND,
RICO WANTS TO BE LOOKING
622
00:30:28,573 --> 00:30:31,276
AT HIS RICKY MARTIN POSTER
IN SLAM.
623
00:30:31,309 --> 00:30:32,410
WHO�S THAT, BABY?
624
00:30:32,443 --> 00:30:33,411
NOBODY, RICO.
625
00:30:33,444 --> 00:30:35,246
HA HA.
626
00:30:35,280 --> 00:30:38,349
WHAT�S THAT,
A RACIAL PUT?DOWN?
627
00:30:38,383 --> 00:30:42,120
HEY, RICO, OUR JOB MAKES US
GO THROUGH THE MOTIONS,
628
00:30:42,153 --> 00:30:45,022
TREAT YOU LIKE YOU HAVE A BRAIN.
IT�S JUST PROCEDURE.
629
00:30:45,056 --> 00:30:48,293
WOULD YOU LIKE
TO HEAR SOMETHING RACIAL
630
00:30:48,326 --> 00:30:50,728
ABOUT THESE TWO MUTTS
EDIE AND LUKE?
631
00:30:50,761 --> 00:30:52,297
THEY�RE CHILDREN.
632
00:30:52,330 --> 00:30:54,299
THEY LOOK GOOD,
BEING WHITE,
633
00:30:54,332 --> 00:30:56,867
BUT THEY NEVER LEARNED
HOW TO LIVE.
634
00:30:56,901 --> 00:30:58,869
THEY HEAR
THEY CAN GET 5 GRAND EACH,
635
00:30:58,903 --> 00:31:01,906
AND THEIR EYES JUST
LIGHT UP.
636
00:31:01,939 --> 00:31:04,642
[ High voice ] HONEY,
IF WE JUST DO A FEW RUNS,
637
00:31:04,675 --> 00:31:06,077
WE COULD MOVE.
638
00:31:06,111 --> 00:31:09,247
WE COULD BUILD A BIG HOUSE
IN VERMONT.
639
00:31:09,280 --> 00:31:10,981
HA HA.
640
00:31:11,015 --> 00:31:12,283
STUPID.
641
00:31:12,317 --> 00:31:14,085
THEY�RE STUPID
AND YOU�RE A SCUMBAG.
642
00:31:14,119 --> 00:31:15,886
IGNORANT.
643
00:31:15,920 --> 00:31:19,657
TWO WHITE CHUMPS ??
CLUELESS.
644
00:31:19,690 --> 00:31:22,093
YOU THINK
YOU GET MONEY LIKE THIS
645
00:31:22,127 --> 00:31:23,994
BY DOING SOMETHING EASY?
646
00:31:24,028 --> 00:31:25,763
HEY, RICO, YOU�RE NOT
GIVING YOURSELF ENOUGH CREDIT.
647
00:31:25,796 --> 00:31:28,166
ALL THEY HAD TO DO
WAS GO THROUGH CUSTOMS
648
00:31:28,199 --> 00:31:29,667
WITHOUT LOOKING SWEATY.
649
00:31:29,700 --> 00:31:32,270
YEAH, YOU HAD
TO CUT A GIRL�S GUTS OUT.
650
00:31:32,303 --> 00:31:35,773
IF I DID THAT,
THAT WOULD BE THE TERRITORY,
651
00:31:35,806 --> 00:31:38,008
AND I WOULD UNDERSTAND THAT,
BECAUSE I�M AN ADULT.
652
00:31:38,042 --> 00:31:40,111
AND BEING AN ADULT,
WHAT�S TOSSING
653
00:31:40,145 --> 00:31:42,980
A CORPSE UNDER A BUS
ONCE YOU�VE DISEMBOWELED HER?
654
00:31:43,013 --> 00:31:46,016
YOU ADMIT THAT SHE WAS DEAD,
CALLING HER A CORPSE.
655
00:31:46,051 --> 00:31:49,420
WHOOPS. HE GOT YOU, JILL.
YOU WALKED INTO THAT ONE.
656
00:31:49,454 --> 00:31:51,189
IF YOU ADMIT
THAT SHE WAS A CORPSE,
657
00:31:51,222 --> 00:31:52,957
I CAN STAND THE HEAT
658
00:31:52,990 --> 00:31:54,525
FOR THE HEALTH CODE
VIOLATION.
659
00:31:54,559 --> 00:31:56,294
OF COURSE, UH,
660
00:31:56,327 --> 00:31:58,296
GLOMMING INTESTINES LOADED
WITH SMACK,
661
00:31:58,329 --> 00:32:01,266
YOU DID JUST PUT YOURSELF
A PARTICIPANT IN A FELONY,
662
00:32:01,299 --> 00:32:03,268
BUT A TOUGH GUY LIKE YOU
663
00:32:03,301 --> 00:32:07,205
CAN PROBABLY DO THE 15
STANDING ON HIS HEAD.
664
00:32:09,474 --> 00:32:12,810
I WITHDRAW EVERYTHING
I JUST SAID.
665
00:32:12,843 --> 00:32:15,180
EVER TRY SQUEEZING
THE TOOTHPASTE BACK
666
00:32:15,213 --> 00:32:16,714
INTO THE TUBE, RICO?
667
00:32:25,990 --> 00:32:29,227
WHERE HE�S TELLING YOU
HE KILLED HIS KIDS, BALDWIN,
668
00:32:29,260 --> 00:32:32,997
DEFINITELY PUT I HEARD
SHENKOV SAY THAT ALSO.
669
00:32:33,030 --> 00:32:34,932
YOU HEARD IT?
670
00:32:37,001 --> 00:32:39,370
ORAL CONFESSION ??
671
00:32:39,404 --> 00:32:41,639
YOU DEFINITELY WANT
A CORROBORATIVE WITNESS.
672
00:32:41,672 --> 00:32:44,309
YOU HEARD IT
FROM THE OBSERVATION ROOM?
673
00:32:44,342 --> 00:32:47,145
ABSOLUTELY.
674
00:32:47,178 --> 00:32:49,680
YOU GOING FOR A SIGNED
STATEMENT FROM THIS MANIAC?
675
00:32:49,714 --> 00:32:51,416
I�M GOING TO TRY.
676
00:32:51,449 --> 00:32:54,018
I DON�T KNOW
HOW IT�S GOING TO GO.
677
00:32:54,052 --> 00:32:56,821
I PERSONALLY WITNESSED
THE ORAL CONFESSION.
678
00:32:56,854 --> 00:32:58,523
I HEARD
SHENKOV CONFESS ALSO,
679
00:32:58,556 --> 00:33:00,225
BUT OBVIOUSLY IF BALDWIN
680
00:33:00,258 --> 00:33:02,560
CAN GET A WRITTEN STATEMENT,
THAT WOULD BE PREFERABLE.
681
00:33:02,593 --> 00:33:04,995
IF YOU GET HIM SIGNING,
IT�D BE GOOD
682
00:33:05,029 --> 00:33:07,998
IF YOU WENT FOR ME AND ANDY
GIVING HIM HIS RIGHTS.
683
00:33:08,032 --> 00:33:10,034
AND WHEN WOULD THAT
HAVE HAPPENED?
684
00:33:10,068 --> 00:33:12,603
DRIVING HIM HERE
FROM THE HOSPITAL.
685
00:33:12,637 --> 00:33:14,605
IS HE GOING
TO REMEMBER IT?
686
00:33:14,639 --> 00:33:17,842
YEAH, RIGHT AFTER HE RECALLS
HIS GOOD REASON
687
00:33:17,875 --> 00:33:22,012
HE TOOK A HATCHET
TO HIS BOYS AND HIS SISTER.
688
00:33:22,047 --> 00:33:24,014
OKAY.
689
00:33:24,049 --> 00:33:26,016
YOU�RE RELUCTANT
GETTING HIM TO SIGN
690
00:33:26,051 --> 00:33:28,253
FOR US GIVING HIM HIS RIGHTS,
NO PROBLEM.
691
00:33:28,286 --> 00:33:30,255
YEAH, WE CAN GO IN
AFTER YOU.
692
00:33:30,288 --> 00:33:32,723
DID I SAY
I GOT A PROBLEM?
693
00:33:32,757 --> 00:33:34,092
NO.
694
00:33:34,125 --> 00:33:36,694
YOU WANT TO CUT OUT
READING MY MIND?
695
00:33:36,727 --> 00:33:38,129
SURE.
696
00:33:38,163 --> 00:33:41,632
I�VE GOT THE RAPPORT.
697
00:33:41,666 --> 00:33:44,169
AND IT�S YOUR CASE.
698
00:33:48,306 --> 00:33:51,076
WHEN I GOT A PROBLEM,
YOU�LL KNOW.
699
00:33:51,109 --> 00:33:53,811
AND I DON�T WANT
ANYONE WATCHING ME.
700
00:34:00,818 --> 00:34:03,821
I USED
TO HAVE THEIR RIGHTS
701
00:34:03,854 --> 00:34:05,990
ON A YELLOW
LAMINATED CARD.
702
00:34:06,023 --> 00:34:08,093
WHEN I�D COLLAR UP,
I�D RUB THE CARD
703
00:34:08,126 --> 00:34:10,095
IN THE SKEL�S EYES
A SECOND.
704
00:34:10,128 --> 00:34:12,097
I�D YELL,
"YOU SEE THIS, YOU PRICK?"
705
00:34:12,130 --> 00:34:14,465
THEN I COULD TESTIFY
I GAVE HIM HIS MIRANDA.
706
00:34:14,499 --> 00:34:16,267
YEARS AGO?
707
00:34:16,301 --> 00:34:18,703
OH, YES.
708
00:34:37,055 --> 00:34:39,790
[ CRYING ]
709
00:34:53,904 --> 00:34:56,040
SO THIS PRINTS OUT
710
00:34:56,074 --> 00:34:57,808
WHAT THE DETECTIVES
TOLD YOU BEFORE,
711
00:34:57,842 --> 00:34:59,810
WHERE YOU
CAN REMAIN SILENT
712
00:34:59,844 --> 00:35:01,812
AND REFUSE
TO ANSWER QUESTIONS.
713
00:35:01,846 --> 00:35:03,448
DO YOU UNDERSTAND THAT?
714
00:35:03,481 --> 00:35:07,218
WHO WOULD HAVE THOUGHT
YOU BECAME MY FRIEND?
715
00:35:07,252 --> 00:35:09,820
JUST MARK "YES"
WHERE IT SAYS "REPLY."
716
00:35:09,854 --> 00:35:15,826
YES, YOU ARE MY FRIEND.
717
00:35:15,860 --> 00:35:18,063
THEN IT SAYS,
"ANYTHING YOU SAY
718
00:35:18,096 --> 00:35:21,066
CAN BE USED AGAINST YOU
IN A COURT OF LAW."
719
00:35:21,099 --> 00:35:22,833
MARK "YES"
IF YOU UNDERSTAND THAT.
720
00:35:22,867 --> 00:35:25,736
YES, YOU ARE MY FRIEND.
721
00:35:25,770 --> 00:35:29,540
"YOU CAN CONSULT AN ATTORNEY
BEFORE SPEAKING
722
00:35:29,574 --> 00:35:31,842
"TO THE POLICE
AND HAVE AN ATTORNEY PRESENT
723
00:35:31,876 --> 00:35:34,044
"BEFORE QUESTIONING NOW
OR IN THE FUTURE.
724
00:35:34,079 --> 00:35:36,047
"IF YOU CANNOT
AFFORD AN ATTORNEY,
725
00:35:36,081 --> 00:35:38,183
ONE WILL BE PROVIDED
FOR YOU WITHOUT COST."
726
00:35:38,216 --> 00:35:41,552
"YES" BOTH PLACES
IF YOU UNDERSTAND.
727
00:35:41,586 --> 00:35:46,857
YES AND YES.
728
00:35:46,891 --> 00:35:49,227
NOW THAT I HAVE ADVISED YOU
OF YOUR RIGHTS,
729
00:35:49,260 --> 00:35:51,028
ARE YOU WILLING
TO ANSWER QUESTIONS?
730
00:35:51,062 --> 00:35:53,431
I�VE ANSWERED
YOUR QUESTIONS.
731
00:35:53,464 --> 00:35:56,167
MARK "YES"
THAT YOU UNDERSTAND.
732
00:35:56,201 --> 00:35:58,736
YES.
733
00:35:58,769 --> 00:36:01,206
AND SINCE
THIS IS REALLY
734
00:36:01,239 --> 00:36:03,208
WHAT THE DETECTIVES
TOLD YOU BEFORE,
735
00:36:03,241 --> 00:36:06,177
WHERE IT SAYS "TIME,"
LET�S PUT THE TIME IT WAS
736
00:36:06,211 --> 00:36:08,179
WHEN THEY TALKED TO YOU
IN THE CAR.
737
00:36:08,213 --> 00:36:12,350
SAY 12:15 P. M.
AND PUT YOUR INITIALS.
738
00:36:12,383 --> 00:36:16,354
12:15...
739
00:36:16,387 --> 00:36:21,092
J.S.
740
00:36:23,594 --> 00:36:27,365
AND NOT ONCE
DO THE VOICES COME.
741
00:36:27,398 --> 00:36:28,866
YOU SEE THAT?
742
00:36:28,899 --> 00:36:31,769
THANK GOD TO YOU
743
00:36:31,802 --> 00:36:35,473
THAT I THOUGHT
WAS A BLACK DEVIL.
744
00:36:40,678 --> 00:36:42,913
NOW YOU NEED
TO WRITE WHAT HAPPENED
745
00:36:42,947 --> 00:36:47,885
TO YOUR BOYS
AND YOUR SISTER.
746
00:36:47,918 --> 00:36:51,322
ALL RIGHT,
MY FRIENDLY FRIEND,
747
00:36:51,356 --> 00:36:53,958
IF YOU THINK IT�S BEST.
748
00:37:11,209 --> 00:37:14,845
YOU�RE THINKING
OF MILTON BERLE
749
00:37:14,879 --> 00:37:16,847
ON THE "TEXACO STAR THEATER."
750
00:37:16,881 --> 00:37:18,749
WHAT?
751
00:37:18,783 --> 00:37:21,219
NO? I GUESS YOU WERE RIGHT.
I CAN�T READ YOUR MIND.
752
00:37:24,455 --> 00:37:25,790
I�M GOING FOR A RUN.
753
00:37:25,823 --> 00:37:27,425
YOU GOT A WRITTEN STATEMENT.
754
00:37:27,458 --> 00:37:30,761
A WRITTEN STATEMENT AND HE
SIGNED HIS MIRANDA FORM.
755
00:37:30,795 --> 00:37:33,030
THANKS FOR SAVING US
THE TROUBLE.
756
00:37:33,064 --> 00:37:35,032
YOU GO RUNNING
IN 35?DEGREE WEATHER,
757
00:37:35,066 --> 00:37:37,268
SHOWS THE BUILDING
CAN HOLD MORE
758
00:37:37,302 --> 00:37:39,070
THAN ONE HEADCASE
SIMULTANEOUSLY.
759
00:37:43,141 --> 00:37:45,343
I CAME TO DO SQUAD WORK,
ALL RIGHT?
760
00:37:45,376 --> 00:37:48,279
I GOT NO PROBLEM DOING
WHAT I GOT TO DO.
761
00:37:48,313 --> 00:37:50,648
WE SAW THAT
THE FIRST CASE YOU WORKED.
762
00:37:50,681 --> 00:37:52,650
SOMEONE DISRESPECTS ME
IN THAT ROOM,
763
00:37:52,683 --> 00:37:54,485
HE GETS DEALT WITH
NO PROBLEM,
764
00:37:54,519 --> 00:37:56,187
BUT THIS HERE, IT�S ??
765
00:37:56,221 --> 00:37:58,456
BIAS UNIT, YOU DIDN�T DEAL
WITH THE CONFESSION ASPECTS.
766
00:37:58,489 --> 00:37:59,857
NO.
767
00:37:59,890 --> 00:38:02,893
WRITING IN YOUR 5 YOUR
PARTNER HEARD A STATEMENT
768
00:38:02,927 --> 00:38:04,495
WHEN HE DIDN�T,
769
00:38:04,529 --> 00:38:06,397
SAYING A GUY GOT HIS RIGHTS
WHEN HE DIDN�T ??
770
00:38:06,431 --> 00:38:07,865
LYING.
771
00:38:07,898 --> 00:38:09,467
THIS IS SQUAD WORK.
772
00:38:09,500 --> 00:38:11,836
ONCE YOU KNOW
THE GUY DID WHAT HE DID,
773
00:38:11,869 --> 00:38:14,004
YOU DON�T OWE HIM DICK.
774
00:38:14,038 --> 00:38:16,241
YOU�RE WORKING FOR THE VICTIMS
775
00:38:16,274 --> 00:38:20,411
AND THE PEOPLE THAT COULD BE
IF HE GETS OUT.
776
00:38:20,445 --> 00:38:22,547
ALL�S THAT�S GOING ON
WITH ME ??
777
00:38:22,580 --> 00:38:23,981
I�M LEARNING THE ROPES.
778
00:38:24,014 --> 00:38:25,483
EVERYONE TAKES THAT DIFFERENT.
779
00:38:25,516 --> 00:38:28,819
DON�T WORRY HOW
I�M TAKING IT, ALL RIGHT?
780
00:38:28,853 --> 00:38:30,688
YOU�RE TAKING IT GOOD.
781
00:38:30,721 --> 00:38:34,459
NO, �CAUSE I KNOW YOU GOT
YOUR DOUBTS ABOUT US.
782
00:38:37,528 --> 00:38:40,030
YOU SEE THAT?
783
00:38:46,471 --> 00:38:48,606
DID HE EARN THAT FROM YOU?
784
00:38:48,639 --> 00:38:50,875
I HEAR HE EARNED IT.
785
00:38:50,908 --> 00:38:53,111
NOT FROM YOU HE DIDN�T,
BALDWIN.
786
00:39:22,607 --> 00:39:25,476
GOOD WORK.
787
00:39:25,510 --> 00:39:27,912
AND I MADE A NEW FRIEND
FROM RUSSIA.
788
00:39:27,945 --> 00:39:30,181
IS THAT THE NEW FRIEND
YOU MADE?
789
00:39:37,822 --> 00:39:39,657
GOOD NIGHT, PARTNER.
790
00:39:39,690 --> 00:39:40,658
NIGHT, ANDY.
791
00:39:40,691 --> 00:39:42,060
GOOD NIGHT, MEDAVOY.
792
00:39:42,093 --> 00:39:43,394
NIGHT.
793
00:39:43,428 --> 00:39:45,796
BOSS.
794
00:39:45,830 --> 00:39:49,200
Arthur: YEAH,
GOOD NIGHT, ANDY.
795
00:39:57,041 --> 00:39:59,644
GOOD NIGHT, ANDY.
796
00:39:59,677 --> 00:40:01,279
THANKS FOR YOUR HELP.
797
00:40:04,815 --> 00:40:06,184
THINK NOTHING OF IT.
798
00:40:14,992 --> 00:40:18,496
GOOD WORK.
799
00:40:39,317 --> 00:40:40,285
HEY.
800
00:40:40,318 --> 00:40:41,286
HELLO, THERE.
801
00:40:41,319 --> 00:40:43,321
WAITING FOR MARY?
802
00:40:43,354 --> 00:40:44,955
SHE�S NOT WORKING TODAY.
803
00:40:44,989 --> 00:40:46,691
OH.
804
00:40:46,724 --> 00:40:49,727
WE HAD A BEEF
THIS MORNING ??
805
00:40:49,760 --> 00:40:51,362
ME BEING A JERK.
806
00:40:51,396 --> 00:40:53,531
I�M MEETING HER
AT MY PLACE.
807
00:40:53,564 --> 00:40:56,134
I CALLED HER AN HOUR AGO
AND ASKED HER OVER.
808
00:40:56,167 --> 00:40:57,702
I�LL TELL YOU THE TRUTH,
809
00:40:57,735 --> 00:41:00,971
I DON�T KNOW IF I�M SUPPOSED
TO BE WITH ANYBODY.
810
00:41:01,005 --> 00:41:03,708
DO YOU WANT TO BE?
811
00:41:03,741 --> 00:41:04,875
VERY MUCH,
812
00:41:04,909 --> 00:41:07,712
BUT I DON�T WANT
TO HURT ANYONE.
813
00:41:07,745 --> 00:41:10,848
YOU DON�T SEEM HURTFUL
TO ME, DANNY.
814
00:41:10,881 --> 00:41:14,819
I DON�T WANT TO BE.
THAT�S MY POINT.
815
00:41:14,852 --> 00:41:16,821
WHEN ARE YOU SUPPOSED
TO MEET HER?
816
00:41:16,854 --> 00:41:18,656
YEAH, SOON.
817
00:41:18,689 --> 00:41:20,925
HMM.
818
00:41:20,958 --> 00:41:24,095
I JUST WANTED
TO GET YOUR FEELINGS.
819
00:41:24,129 --> 00:41:25,596
ANYWAYS, NIGHT.
820
00:41:25,630 --> 00:41:26,931
NIGHT.
821
00:41:57,495 --> 00:41:59,397
[ KNOCK ON DOOR ]
822
00:42:06,571 --> 00:42:11,542
MARY FRANCO
WITH HER CASSEROLE DISH.
823
00:42:11,576 --> 00:42:14,279
MY GNOCCHI HAPPENED
TO TURN OUT EXCELLENT, PAL.
824
00:42:14,312 --> 00:42:16,714
YOUR GNOCCHI EXTRAVAGANZA?
825
00:42:16,747 --> 00:42:18,116
YEAH.
826
00:42:18,149 --> 00:42:21,552
PERMIT ME
TO TAKE YOUR COAT
827
00:42:21,586 --> 00:42:25,490
AND STUFF IT
ABOVE MY MICROWAVE.
828
00:42:28,926 --> 00:42:32,230
SORRY, MARY.
829
00:42:32,263 --> 00:42:34,432
HERE�S MY ATTITUDE
ABOUT YOU, DANNY.
830
00:42:34,465 --> 00:42:37,835
YOU LIKE ME,
I HAVE FEELINGS FOR YOU,
831
00:42:37,868 --> 00:42:40,605
AND THERE�S SOMETHING ELSE
THAT UPSETS YOU.
832
00:42:40,638 --> 00:42:43,241
MARY, IF I NEVER
HAD ANOTHER DREAM,
833
00:42:43,274 --> 00:42:46,444
YOU WOULDN�T HEAR
NO BITCHIN� OUT OF ME.
834
00:42:46,477 --> 00:42:48,813
SO HERE I AM
WITH THE GNOCCHI
835
00:42:48,846 --> 00:42:50,948
I MADE FOR OUR DINNER.
836
00:42:53,017 --> 00:42:54,519
GOOD.
837
00:43:04,395 --> 00:43:07,498
AND IT KEEPS WELL
UNREFRIGERATED.
838
00:43:21,912 --> 00:43:24,349
Captioned by VISUAL DATA
Your Closed Captioning Resource
839
00:43:24,399 --> 00:43:28,949
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
59315
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof