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1
00:00:14,280 --> 00:00:16,216
[ KNOCK ON DOOR ]
2
00:00:19,152 --> 00:00:20,353
[ SIGHS ]
3
00:00:25,025 --> 00:00:26,492
HI, JILL.
4
00:00:26,527 --> 00:00:27,861
[ SIGHS ]
I�M SORRY, DIANE.
5
00:00:27,894 --> 00:00:29,730
COME ON IN.
6
00:00:31,532 --> 00:00:33,867
I, UH...
7
00:00:33,900 --> 00:00:36,469
I DON�T KNOW WHAT
TO DO ABOUT DON.
8
00:00:36,503 --> 00:00:38,404
IT�S OKAY, JILL.
SIT DOWN, WE�LL FIGURE IT OUT.
9
00:00:38,438 --> 00:00:40,006
WANT SOME WATER?
10
00:00:40,040 --> 00:00:41,441
YOU GOING TO THROW IT
ON ME?
11
00:00:48,915 --> 00:00:50,684
DID YOU, UM,
12
00:00:50,717 --> 00:00:53,486
DID YOU SEE ANYTHING
ON THE NEWS ABOUT DON�S COLLAR?
13
00:00:53,520 --> 00:00:55,021
Diane: NO.
14
00:00:55,055 --> 00:00:57,023
YEAH,
I DIDN�T SEE ANYTHING.
15
00:00:57,057 --> 00:00:58,559
THAT MUST BE A RELIEF.
16
00:00:58,592 --> 00:01:01,261
YEAH, I WAS AFRAID I WAS GOING
TO SEE IT ON THE NEWS.
17
00:01:02,663 --> 00:01:04,698
HERE YOU GO.
THANKS.
18
00:01:04,731 --> 00:01:05,899
MM?HMM.
19
00:01:08,034 --> 00:01:10,003
I, UH, I FEEL LIKE
20
00:01:10,036 --> 00:01:12,539
I�M ON ONE OF THOSE WHEELS
IN A CAGE,
21
00:01:12,573 --> 00:01:15,141
WHICH WOULD MAKE ME
THE RAT IN THIS STORY,
22
00:01:15,175 --> 00:01:18,011
WHICH I�M TRYING
NOT TO THINK I AM.
23
00:01:18,044 --> 00:01:20,013
WHY WOULD YOU
BE THE RAT?
24
00:01:20,046 --> 00:01:23,950
BECAUSE I MADE HIM
THE BOYS� FATHER.
25
00:01:23,984 --> 00:01:26,186
I LOVED HIM.
26
00:01:26,219 --> 00:01:28,054
HE WAS ALWAYS
IN TROUBLE,
27
00:01:28,088 --> 00:01:30,957
AND ??
28
00:01:30,991 --> 00:01:33,694
AND I LOVED THAT
ABOUT HIM, TOO.
29
00:01:33,727 --> 00:01:36,162
I DON�T KNOW WHAT
TO TELL THE BOYS.
30
00:01:36,196 --> 00:01:38,164
MAYBE THAT MEANS
DON�T SAY ANYTHING.
31
00:01:38,198 --> 00:01:41,334
I DON�T WANT
TO TELL THEM ANYTHING.
32
00:01:41,367 --> 00:01:43,369
WE�LL SEE HOW THINGS
SHAKE OUT
33
00:01:43,403 --> 00:01:46,139
WITH THIS MOVE
THE BOSS IS TRYING.
34
00:01:46,172 --> 00:01:49,209
YEAH, YOU KNOW,
MAYBE IF DON GETS A DEAL
35
00:01:49,242 --> 00:01:51,211
AND THEY DON�T
MAKE HIM TESTIFY,
36
00:01:51,244 --> 00:01:53,880
OR IF THEY USE
HIS INFORMATION
37
00:01:53,914 --> 00:01:56,750
AND THEY DON�T MAKE HIM
TESTIFY AND HE DOESN�T HAVE TO DO TIME ??
38
00:01:56,783 --> 00:01:58,919
JILL.
39
00:02:04,090 --> 00:02:06,827
YOU KNOW, WHAT KIND OF SENSE
DOES IT MAKE, DIANE,
40
00:02:06,860 --> 00:02:08,461
WHEN SOMEONE LIKE DON
41
00:02:08,494 --> 00:02:11,031
HAS GOT PEOPLE GOING CRAZY
OVER HIM,
42
00:02:11,064 --> 00:02:13,900
AND ?? AND SOMEONE
LIKE BOBBY IS DEAD?
43
00:02:17,170 --> 00:02:18,872
WE�LL JUST GET
THROUGH IT, JILL.
44
00:02:18,905 --> 00:02:21,307
WE�LL JUST GET
THROUGH IT.
45
00:02:21,341 --> 00:02:24,377
WE GOT TO GET
TO WORK.
46
00:02:24,410 --> 00:02:26,212
THIS IS WORK.
47
00:02:26,246 --> 00:02:27,413
HA HA.
48
00:02:27,447 --> 00:02:28,549
YEAH.
49
00:04:00,841 --> 00:04:02,676
D.O.A.�s RICARDO MONTEL.
50
00:04:02,709 --> 00:04:05,211
HE WAS WATCHING TV
WITH HIS WIFE AND KID.
51
00:04:05,245 --> 00:04:08,014
SHOOTER ?? DARK MALE ??
JUST WALKS INTO NUMBER 1 ??
52
00:04:08,048 --> 00:04:10,350
COUPLE SHOTGUN BLASTS
TO THE CHEST.
53
00:04:10,383 --> 00:04:13,286
LOOKS LIKE NOTHING WAS TAKEN.
WIFE�S IN NUMBER 6.
54
00:04:13,319 --> 00:04:15,321
YEAH, WE�LL GO TALK
TO HER. Man: NAME�S ROSIE.
55
00:04:15,355 --> 00:04:17,457
SHE�S CRYING UPSTAIRS.
YOU�RE GONNA HAVE TO GET HER OUT OF THE BATHROOM.
56
00:04:17,490 --> 00:04:19,059
WE GOT IT.
57
00:04:19,092 --> 00:04:21,628
D.O.A.�s BROTHER THREW
SHOTS AT HIM WITH THIS.
58
00:04:21,662 --> 00:04:24,364
JOAQUIN ENRIQUEZ.
59
00:04:24,397 --> 00:04:26,533
JOAQUIN?
I LIVE NEXT DOOR.
60
00:04:26,567 --> 00:04:28,502
HOW DO YOU SPELL THAT?
JUST PUT "JOE" DOWN.
61
00:04:28,535 --> 00:04:30,136
YOU THREW SHOTS
AT THE GUY? DAMN RIGHT I DID.
62
00:04:30,170 --> 00:04:33,173
I HEARD THE NOISE,
MY SISTER?IN?LAW SCREAMING.
63
00:04:33,206 --> 00:04:35,375
I GRABBED MY .38,
I COME OUTSIDE,
64
00:04:35,408 --> 00:04:37,911
I SEE THIS PRICK RUNNING,
I THROW SOME SHOTS.
65
00:04:37,944 --> 00:04:39,980
YOU HIT HIM?
COULD BE.
66
00:04:40,013 --> 00:04:41,815
HE TRIPPED,
LOST HIS RIFLE.
67
00:04:41,848 --> 00:04:43,083
SHOTGUN ?? WE GOT THAT.
68
00:04:43,116 --> 00:04:45,318
YOU WERE JUST
WAITING FOR A LULL
69
00:04:45,351 --> 00:04:47,721
TO CONVEY THAT YOU�VE GOT
THE MURDER WEAPON.
70
00:04:47,754 --> 00:04:49,856
SO WHAT DID THIS GUY
LOOK LIKE?
71
00:04:49,890 --> 00:04:51,558
I JUST SAW THE BACK.
72
00:04:51,592 --> 00:04:53,627
YOU GOT A PERMIT
FOR THAT .38?
73
00:04:53,660 --> 00:04:55,962
YEAH. I WORK
IN PLUMBING SUPPLY.
74
00:04:55,996 --> 00:04:58,498
CASH BUSINESS ?? OUR OFFICE
AIN�T EXACTLY PARK AVENUE.
75
00:04:58,532 --> 00:05:00,534
WHO MIGHT WANT
YOUR BROTHER DEAD?
76
00:05:00,567 --> 00:05:02,168
COULD HAVE BEEN ROBBERY.
77
00:05:02,202 --> 00:05:04,137
BROAD DAYLIGHT, NOTHING
MISSING ?? LOOKS PERSONAL.
78
00:05:04,170 --> 00:05:07,808
WHAT KIND OF BUSINESS
WAS RICO IN?
79
00:05:07,841 --> 00:05:10,544
SAME AS ME ?? IT�S
HIS BUSINESS I WORK FOR.
80
00:05:10,577 --> 00:05:12,979
ALSO, UH,
RICO SOMETIMES ??
81
00:05:13,013 --> 00:05:15,081
HE LOANED MONEY.
82
00:05:15,115 --> 00:05:18,051
SOMEONE MIGHT HAVE WANTED
TO CANCEL A LOAN.
83
00:05:18,084 --> 00:05:19,786
GOT ANY IDEA
WHO THAT COULD BE?
84
00:05:19,820 --> 00:05:21,387
I STAYED OUT
OF HIS WAY.
85
00:05:21,421 --> 00:05:23,657
ALL RIGHT, THANKS FOR YOUR HELP,
MR. ENRIQUEZ. WE�LL BE IN TOUCH.
86
00:05:23,690 --> 00:05:26,159
I�M GOING TO GET
MY GUN BACK, RIGHT?
87
00:05:26,192 --> 00:05:29,029
YEAH, YEAH. THAT IS,
IF WE DON�T LOSE IT.
88
00:05:37,738 --> 00:05:40,874
SO I�M WAITING
FOR YOU TO ASK ME
89
00:05:40,907 --> 00:05:43,176
HOW IT WENT
WITH THAT LORETTA BECKWITH
90
00:05:43,209 --> 00:05:44,645
OF E. M. S. LAST NIGHT.
91
00:05:44,678 --> 00:05:46,513
YEAH, HOW�D IT GO?
92
00:05:46,547 --> 00:05:49,049
I HAD SOME MOMENT
OF REALIZATION.
93
00:05:49,082 --> 00:05:51,184
A COUPLE
IN THE BUFFET LINE
94
00:05:51,217 --> 00:05:52,553
AT THAT LANCOTTA�S
RESTAURANT ??
95
00:05:52,586 --> 00:05:56,557
GIRL�S MAYBE A FAST 22,
GUY WITH HER�S MID?40s,
96
00:05:56,590 --> 00:05:58,559
AND I�M THINKING
TO MYSELF,
97
00:05:58,592 --> 00:06:01,562
"WHAT IS
IN THAT MAN�S MIND?
98
00:06:01,595 --> 00:06:04,497
DON�T HE REALIZE
THE DOPEY CONTRAST?"
99
00:06:04,531 --> 00:06:07,501
I THEN LOOK AT THIS
E. M. S. GIRL BESIDE ME
100
00:06:07,534 --> 00:06:12,205
AND I REALIZE,
AS FAR AS AGE DISCREPANCY,
101
00:06:12,238 --> 00:06:14,808
HER AND I ARE NO DIFFERENT
FROM THAT COUPLE.
102
00:06:14,841 --> 00:06:17,243
IN FACT,
WE�RE A MIRROR IMAGE.
103
00:06:17,277 --> 00:06:21,247
BROUGHT ME UP SHORT,
I�LL TELL YOU THAT MUCH.
104
00:06:21,281 --> 00:06:23,917
HEY, GREG, I PASSED
THE SERGEANT�S TEST.
105
00:06:26,486 --> 00:06:27,954
YEAH.
JAMES.
106
00:06:27,988 --> 00:06:29,556
I�M NUMBER 67.
107
00:06:29,590 --> 00:06:32,258
I HEARD THE JOB�S GOING
TO TAKE THE FIRST 100.
108
00:06:35,061 --> 00:06:36,830
CONGRATULATIONS, BUDDY.
109
00:06:36,863 --> 00:06:39,032
I CAN�T FIGURE
I�M ANYTHING BUT NUTS ??
110
00:06:39,065 --> 00:06:41,167
WHEN I FIND OUT I�M IN LINE
FOR A PROMOTION,
111
00:06:41,201 --> 00:06:43,169
IT THROWS ME
FOR A LOOP.
112
00:06:43,203 --> 00:06:45,205
WELL, JAMES,
113
00:06:45,238 --> 00:06:49,175
MOVING UP TO SERGEANT�S
A LIFE?CHANGING CAREER MOVE.
114
00:06:49,209 --> 00:06:52,045
YEAH, MORE SALARY,
115
00:06:52,078 --> 00:06:54,047
BETTER PENSION,
AND STEADIER HOURS ??
116
00:06:54,080 --> 00:06:57,217
WHO WOULDN�T
HAVE MISGIVINGS?
117
00:06:57,250 --> 00:06:59,620
WELL, HOW ABOUT A TOTALLY
NEW WORK ENVIRONMENT
118
00:06:59,653 --> 00:07:01,622
AND LOSS
OF PRIOR FRIENDSHIPS
119
00:07:01,655 --> 00:07:05,458
ON THE OTHER SIDE
OF THE LEDGER, JAMES?
120
00:07:05,491 --> 00:07:08,061
IMAGINE SPENDING
A WHOLE SHIFT BEHIND A DESK.
121
00:07:08,094 --> 00:07:10,531
THAT�S WHAT A LOT
OF THEM GUYS DO.
122
00:07:10,564 --> 00:07:12,899
NOT TO MENTION
LOSS OF PRIOR FRIENDSHIPS.
123
00:07:15,569 --> 00:07:19,139
ANYWAYS, FOOD FOR THOUGHT,
I GUESS, YOU KNOW?
124
00:07:19,172 --> 00:07:20,741
OH, YEAH, YOU ABSOLUTELY
125
00:07:20,774 --> 00:07:23,376
GOT TO GIVE IT
SERIOUS CONSIDERATION.
126
00:07:23,409 --> 00:07:25,145
WELL, ONE THING
I GUARANTEE YOU ??
127
00:07:25,178 --> 00:07:26,713
WHATEVER I DECIDE,
128
00:07:26,747 --> 00:07:29,349
THE FRIENDSHIP BETWEEN
YOU AND ME CONTINUES.
129
00:07:29,382 --> 00:07:31,351
NO, THAT ?? THAT GOES
WITHOUT SAYING.
130
00:07:31,384 --> 00:07:33,620
I MEAN,
YOU�RE MY FRIEND
131
00:07:33,654 --> 00:07:35,789
AND GODFATHER
TO MY CHILD.
132
00:07:35,822 --> 00:07:38,391
ABSOLUTELY GOES
WITHOUT SAYING, JAMES.
133
00:08:01,281 --> 00:08:03,216
GOT A MAN D.O.A.
IN HIS APARTMENT,
134
00:08:03,249 --> 00:08:05,451
MALE HISPANIC,
SHOOTER FLED ON FOOT.
135
00:08:05,485 --> 00:08:08,388
SHOOTER WALKS IN,
GIVES HIM TWO IN THE CHEST.
136
00:08:08,421 --> 00:08:10,123
WIFE GOT SOME KIND
OF LOOK AT THE GUY,
137
00:08:10,156 --> 00:08:12,458
BUT SHE WAS TOO UPSET TO TALK.
LOCKED HERSELF IN THE BATHROOM.
138
00:08:12,492 --> 00:08:14,227
WE GOT HER COMING IN SOON
TO LOOK AT PICTURES.
139
00:08:14,260 --> 00:08:15,862
Danny:
WE GOT A SHOTGUN.
140
00:08:15,896 --> 00:08:18,164
CRIME SCENE�S PROCESSING
THAT FOR PRINTS.
141
00:08:18,198 --> 00:08:20,333
PLUS WE GOT THE D. O. A.�s
BROTHER, LIVES NEXT DOOR,
142
00:08:20,366 --> 00:08:22,569
WHO THREW SHOTS
AT THE GUY.
143
00:08:22,603 --> 00:08:24,070
THAT�S WHEN THE SHOOTER
DROPPED THE SHOTGUN.
144
00:08:24,104 --> 00:08:26,239
HE GET A LOOK?
145
00:08:26,272 --> 00:08:30,076
NO, JOAQUIN SAYS HE ONLY SAW HIM
FROM BEHIND WHILE HE WAS TAKING TARGET PRACTICE.
146
00:08:30,110 --> 00:08:32,245
WE�RE ALSO WORKING
ON DUMPING THE PHONE RECORDS.
147
00:08:32,278 --> 00:08:34,748
GOOD. KEEP ME POSTED.
148
00:08:34,781 --> 00:08:37,217
ARE THERE CASES YOU DON�T
WANT TO KEEP POSTED ON?
149
00:08:37,250 --> 00:08:38,852
WHAT�S THE POINT
OF SAYING THAT?
150
00:08:38,885 --> 00:08:41,187
OKAY. GET OUT
OF MY OFFICE.
151
00:08:41,221 --> 00:08:44,190
Man: LATENT PRINTS. I�D LIKE
TO SPEAK TO A DETECTIVE.
152
00:08:46,693 --> 00:08:49,295
THIS GENTLEMAN WANTS
TO SEE A DETECTIVE.
153
00:08:49,329 --> 00:08:52,065
HE GESTURES AS IF HE�S
ACKNOWLEDGING A CROWD,
154
00:08:52,098 --> 00:08:56,036
AND I THINK HE�S SAYING
HE�S UNCROWNED ROYALTY.
155
00:08:57,604 --> 00:09:00,073
YEAH, DETECTIVE SIPOWICZ,
DETECTIVE SORENSON.
156
00:09:00,106 --> 00:09:02,175
HOW�S IT GOING?
157
00:09:02,208 --> 00:09:03,577
GENTLEMEN,
158
00:09:03,610 --> 00:09:07,480
DO I APPEAR TO HAVE
A FUNGO BAT IN MY HANDS?
159
00:09:07,514 --> 00:09:09,482
DO YOU THINK
YOU HAVE ONE?
160
00:09:09,516 --> 00:09:11,818
PRESTON ROSS ??
LATENT PRINTS.
161
00:09:11,852 --> 00:09:13,353
ON OUR JOB.
162
00:09:13,386 --> 00:09:15,989
LATENT PRINTS ??
PRESTON ROSS.
163
00:09:16,022 --> 00:09:17,991
OUR COMPUTER
KICKED OUT A HIT
164
00:09:18,024 --> 00:09:21,194
ON THOSE PRINTS WE LIFTED
OFF THAT SHOTGUN
165
00:09:21,227 --> 00:09:23,564
FROM YOUR CRIME SCENE,
AND I WAS SO PLEASED,
166
00:09:23,597 --> 00:09:26,299
I CAME TO DELIVER
THE MESSAGE PERSONALLY.
167
00:09:26,332 --> 00:09:28,201
WHO�S OUR MAN, PRESTON?
168
00:09:28,234 --> 00:09:30,003
I�VE GOT SOME CHARTS
RIGHT HERE.
169
00:09:30,036 --> 00:09:32,305
DO WE HAVE SOMEWHERE
WE COULD POST THEM?
170
00:09:32,338 --> 00:09:33,574
AHEM.
171
00:09:46,820 --> 00:09:50,490
DACTYLOSCOPY, GENTLEMEN ??
172
00:09:50,524 --> 00:09:54,294
THE STUDY
OF THE PAPILLARY RIDGES.
173
00:09:54,327 --> 00:09:55,896
Andy: COME ON, ROSS,
174
00:09:55,929 --> 00:09:58,532
YOU SAID THE COMPUTER
KICKED BACK A MATCH.
175
00:09:58,565 --> 00:10:02,035
WELL, AS YOU CAN SEE
ON THESE LIFTS
176
00:10:02,068 --> 00:10:04,170
FROM YOUR SHOTGUN,
177
00:10:04,204 --> 00:10:06,807
TWO, PERHAPS THREE
DIFFERENT PEOPLE
178
00:10:06,840 --> 00:10:08,408
HANDLED THE SUBSTRATE.
179
00:10:08,441 --> 00:10:12,245
BUT ON THE LEFT HERE,
THAT�S YOUR MAN.
180
00:10:12,278 --> 00:10:15,015
ONE OF THE PERSONS
WHO TOUCHED THIS WEAPON
181
00:10:15,048 --> 00:10:16,650
HAD GREASY HANDS.
182
00:10:16,683 --> 00:10:19,653
NOW, BECAUSE HIS HANDS
WERE GREASY,
183
00:10:19,686 --> 00:10:22,288
HIS PRINT ON THE WEAPON
IS PATENT,
184
00:10:22,322 --> 00:10:24,658
AND BECAUSE
THE PATENT PRINT
185
00:10:24,691 --> 00:10:27,393
IS SUPERIMPOSED
ON THE LATENT PRINTS,
186
00:10:27,427 --> 00:10:30,564
WE KNOW
THAT THE MAN WHO LEFT IT
187
00:10:30,597 --> 00:10:32,966
WAS THE FINAL HANDLER
OF THE GUN,
188
00:10:32,999 --> 00:10:36,503
AND HENCE,
THE LIKELY PERPETRATOR.
189
00:10:39,105 --> 00:10:41,341
TERRELL BIGGS,
GENTLEMEN.
190
00:10:41,374 --> 00:10:47,180
I, UH, TOOK THE LIBERTY
OF RUNNING HIM THROUGH BCI.
191
00:10:47,213 --> 00:10:52,118
IT�S MOSTLY
PENNY?ANTE STUFF.
192
00:10:52,152 --> 00:10:54,855
TERRELL TOOK SOME STEP UP
WITH THIS WHACK, HUH?
193
00:10:54,888 --> 00:10:56,422
THIS IS GOOD.
194
00:10:58,024 --> 00:11:01,862
DON�T THANK ME.
THANK THE TECHNOLOGY.
195
00:11:01,895 --> 00:11:03,997
OH, YOU THANK
THE TECHNOLOGY FOR US.
196
00:11:04,030 --> 00:11:06,633
YEAH, IT PROBABLY
UNDERSTANDS YOU BETTER.
197
00:11:06,667 --> 00:11:12,005
I?I�LL JUST TAKE A MOMENT,
IF YOU DON�T MIND.
198
00:11:12,038 --> 00:11:14,007
SUCCESSFUL CASEWORK
IN THE FIELD
199
00:11:14,040 --> 00:11:16,009
IS A LITTLE NEW
FOR ME.
200
00:11:16,042 --> 00:11:18,344
SURE. HAVE A DOUGHNUT.
201
00:11:22,415 --> 00:11:24,417
"HAVE A DOUGHNUT."
202
00:11:38,031 --> 00:11:41,535
THIS IS THE WIDOW.
203
00:11:41,568 --> 00:11:45,972
HI, I�M DETECTIVE RUSSELL,
MRS. ENRIQUEZ.
204
00:11:46,006 --> 00:11:48,909
WE APPRECIATE
YOUR COMING IN.
205
00:11:48,942 --> 00:11:51,077
YEAH, I RECOGNIZE
YOUR VOICE.
206
00:11:51,111 --> 00:11:53,213
I�M SORRY I WOULDN�T
TALK TO YOU BEFORE.
207
00:11:53,246 --> 00:11:54,515
WE UNDERSTAND.
208
00:11:54,548 --> 00:11:56,482
LOCKED HERSELF
IN THE BATHROOM.
209
00:11:56,517 --> 00:11:57,884
WOULDN�T TALK TO THEM.
210
00:11:57,918 --> 00:11:59,786
MY PARTNER
JILL KIRKENDALL.
211
00:11:59,820 --> 00:12:01,021
HI.
212
00:12:01,054 --> 00:12:02,689
SORRY FOR YOUR LOSS.
213
00:12:02,723 --> 00:12:05,992
OH, MY GOD. I RECOGNIZE
YOUR VOICE, TOO.
214
00:12:06,026 --> 00:12:08,328
HER HUSBAND MURDERED
IN THEIR OWN APARTMENT.
215
00:12:08,361 --> 00:12:10,363
THE VICTIM WAS ALSO
YOUR BROTHER, CORRECT?
216
00:12:10,396 --> 00:12:12,799
RICO WAS MY BROTHER,
ALSO. YEAH.
217
00:12:12,833 --> 00:12:14,901
I TRIED TO SHOOT THAT SON
OF A BITCH WHO MURDERED HIM,
218
00:12:14,935 --> 00:12:17,237
BUT I MISSED
THAT SON OF A BITCH.
219
00:12:17,270 --> 00:12:19,540
ROSIE, COME SIT HERE.
220
00:12:19,573 --> 00:12:21,174
COME HERE.
221
00:12:21,207 --> 00:12:24,077
SO WHAT DO YOU WANT
TO ASK ROSIE?
222
00:12:24,110 --> 00:12:26,212
Diane: CAN YOU TELL US
WHAT YOU SAW?
223
00:12:26,246 --> 00:12:30,350
OH, LET ME SEE
IF I CAN COLLECT MYSELF.
224
00:12:30,383 --> 00:12:33,353
UH, GRAB UP SOME PHOTOS
FROM THE CABINET.
225
00:12:33,386 --> 00:12:35,355
BALLPARK
FOR OUR BOY TERRELL?
226
00:12:35,388 --> 00:12:38,124
YEAH, PHOTOS IN HIS AREA.
IT�S A DEEP POOL.
227
00:12:38,158 --> 00:12:40,360
I WAS IN THE KITCHEN
228
00:12:40,393 --> 00:12:42,963
MIXING RICO�S
MAALOX AND CEREAL.
229
00:12:42,996 --> 00:12:46,833
I RAN TO THE LIVING ROOM
WHEN I HEARD THE SHOTS.
230
00:12:46,867 --> 00:12:50,136
RICO WAS JUST LAYING
ON THE COUCH, BLOOD EVERYWHERE.
231
00:12:50,170 --> 00:12:52,839
THE KILLER WAS TRYING
TO GO THROUGH HIS POCKETS,
232
00:12:52,873 --> 00:12:55,408
BUT WHEN HE SAW ME,
HE RAN.
233
00:12:55,441 --> 00:12:57,043
CAN YOU DESCRIBE HIM?
234
00:12:57,077 --> 00:13:00,013
BEST I SAW,
HE WAS A BLACK GUY,
235
00:13:00,046 --> 00:13:05,185
BIG, MAYBE 30, BUT I DIDN�T
SEE HIM THAT GOOD.
236
00:13:05,218 --> 00:13:07,854
OH, MY GOD.
237
00:13:07,888 --> 00:13:10,557
EVERYONE LIKED RICO,
MORE OR LESS.
238
00:13:10,591 --> 00:13:12,559
SUPPOSE YOU COULD LOOK
AT SOME PHOTOS
239
00:13:12,593 --> 00:13:13,994
FOR THE POSSIBLE
PERPETRATOR?
240
00:13:14,027 --> 00:13:15,696
FOR THE GUY
WHO SHOT RICO?
241
00:13:15,729 --> 00:13:16,963
THIS IS
DETECTIVE SIPOWICZ.
242
00:13:16,997 --> 00:13:18,732
I DON�T RECOGNIZE
YOUR VOICE.
243
00:13:18,765 --> 00:13:20,967
HE TALKED TO ME
OUTSIDE THE BUILDING.
244
00:13:21,001 --> 00:13:24,137
YES, HOW ARE YOU?
COULD YOU LOOK AT THESE?
245
00:13:24,170 --> 00:13:26,807
OKAY...
246
00:13:26,840 --> 00:13:30,410
BUT I DON�T WAIVE
MY RIGHTS NOT TO TESTIFY.
247
00:13:30,443 --> 00:13:34,047
MY UNDERSTANDING IS YOU
ONLY SAW THE SHOOTER FROM THE BACK.
248
00:13:34,080 --> 00:13:35,682
YEAH, THE BACK
EXCLUSIVELY.
249
00:13:35,716 --> 00:13:38,184
OKAY, WELL, WHY DON�T
WE GET SOME COFFEE?
250
00:13:38,218 --> 00:13:40,186
NO, I WANT TO SUPPORT
MY SISTER?IN?LAW.
251
00:13:40,220 --> 00:13:43,123
OKAY. WELL, THEN LET�S GO
SIT DOWN OVER HERE, OKAY?
252
00:13:43,156 --> 00:13:44,190
OVER THERE?
253
00:13:44,224 --> 00:13:46,192
YEAH, SURE,
OVER THERE�S FINE.
254
00:13:48,428 --> 00:13:50,897
TELL US IF YOU RECOGNIZE
ANYBODY.
255
00:13:50,931 --> 00:13:54,134
Diane: TAKE A LOOK, ROSIE.
256
00:13:54,167 --> 00:13:56,737
WHAT THE HELL
IS HE DOING HERE?
257
00:13:56,770 --> 00:13:59,372
THIS GUY DIDN�T HAVE
NOTHING TO DO WITH IT.
258
00:13:59,405 --> 00:14:01,407
WHO IS THAT MAN?
259
00:14:01,441 --> 00:14:05,011
THIS GUY IS SOME DRUNKEN BUM,
HANGS AROUND MY NEIGHBORHOOD
260
00:14:05,045 --> 00:14:08,014
PICKING THROUGH GARBAGE,
SLEEPING IN THE ALLEY.
261
00:14:08,048 --> 00:14:10,717
HE WALKS WITH A BIG LIMP.
262
00:14:10,751 --> 00:14:14,287
THE GUY WHO SHOT MY HUSBAND
TOOK OFF LIKE A JACKRABBIT.
263
00:14:14,320 --> 00:14:17,558
WHAT DO YOU PEOPLE DO
WITH THE TAXPAYERS� MONEY?
264
00:14:17,591 --> 00:14:19,793
UH, WHY DON�T YOU LOOK
THROUGH THE REST OF THESE?
265
00:14:19,826 --> 00:14:22,696
Probably picked up
the shotgun when the perp dropped it, this Tyrrell.
266
00:14:22,729 --> 00:14:24,698
That�s why his
is the last print.
267
00:14:24,731 --> 00:14:26,332
Gets rid of it
when he sees all the cops.
268
00:14:26,366 --> 00:14:28,334
So much for ground balls.
269
00:14:28,368 --> 00:14:31,237
I DON�T RECOGNIZE
ANY OF THESE GUYS.
270
00:14:31,271 --> 00:14:34,007
SO THAT�S IT FOR HER?
271
00:14:34,040 --> 00:14:36,510
THAT�S IT FOR NOW.
WE APPRECIATE YOU COMING IN.
272
00:14:36,543 --> 00:14:39,846
BEFORE RICO GOT SHOT,
THE LAST 20 MINUTES,
273
00:14:39,880 --> 00:14:43,183
OUR PHONE RANG
THREE DIFFERENT TIMES.
274
00:14:43,216 --> 00:14:45,786
THE LAST TIME,
I MADE RICO ANSWER IT
275
00:14:45,819 --> 00:14:48,789
SO HE COULD GIVE THE BUSINESS
TO WHOEVER WAS HANGING UP.
276
00:14:48,822 --> 00:14:51,558
LAST WORDS
I HAD TO HEAR HIM SAY ??
277
00:14:51,592 --> 00:14:55,061
"KISS MY ASS.
DIE, YOU DIRTY CREEP."
278
00:14:55,095 --> 00:14:57,998
HE WASN�T LIKE THAT
THAT OFTEN.
279
00:14:58,031 --> 00:15:01,401
WE�RE ALREADY GETTING
ON YOUR PHONE RECORDS AND WE�LL CHECK THOSE CALLS OUT.
280
00:15:01,434 --> 00:15:02,703
THANKS FOR COMING IN.
281
00:15:02,736 --> 00:15:05,238
I�M GOING
TO TAKE HER HOME NOW.
282
00:15:09,075 --> 00:15:11,745
TAKE THE WHOLE DAY
FROM WORK.
283
00:15:11,778 --> 00:15:13,514
WHEW.
284
00:15:13,547 --> 00:15:15,649
HE�S A CANDIDATE
FOR THE HOMICIDE.
285
00:15:15,682 --> 00:15:17,017
OH, YEAH.
286
00:15:17,050 --> 00:15:19,653
YOU GOT
THE HEART TO TELL HIM
287
00:15:19,686 --> 00:15:22,422
HIS FUNGO�S A FOUL?
288
00:15:23,857 --> 00:15:26,492
WOULD YOU MIND
LETTING ME KNOW
289
00:15:26,527 --> 00:15:28,862
WHEN WE COLLAR UP
ON THIS BIGGS?
290
00:15:28,895 --> 00:15:31,297
YEAH, WE THINK
WE MAY EVEN HAVE
291
00:15:31,331 --> 00:15:33,499
A PLACE TO LOOK
FOR THE GUY.
292
00:15:33,534 --> 00:15:35,335
THAT FAST.
293
00:15:35,368 --> 00:15:38,338
YEAH. THEY KNOW ONE
OF BIGGS� RECENT PLACES.
294
00:15:38,371 --> 00:15:41,041
Preston: WOW.
OH, YEAH.
295
00:15:41,074 --> 00:15:42,843
PRESTON ROSS.
296
00:15:42,876 --> 00:15:43,910
DETECTIVES KIRKENDALL
AND RUSSELL.
297
00:15:43,944 --> 00:15:44,911
HI.
298
00:15:44,945 --> 00:15:45,912
HOW�S IT GOING?
299
00:15:45,946 --> 00:15:47,247
LATENT PRINTS.
300
00:15:47,280 --> 00:15:48,949
GLAD TO BE
ON THE TEAM.
301
00:16:08,935 --> 00:16:12,906
SO, UM, DIANE,
SHOULD I ASK
302
00:16:12,939 --> 00:16:15,976
HOW THE NEGOTIATIONS
ARE GOING FOR DON�S DEAL?
303
00:16:16,009 --> 00:16:18,178
YOU KNOW, ASK THE BOSS
HOW THAT�S GOING,
304
00:16:18,211 --> 00:16:20,013
DO YOU THINK?
305
00:16:20,046 --> 00:16:22,215
WHAT DO YOU THINK, JILL?
306
00:16:22,248 --> 00:16:25,519
WHEN HE TOLD ME HE WAS GOING
TO WORK SOMETHING OUT,
307
00:16:25,552 --> 00:16:28,722
THE BOSS SAID IF I DIDN�T
GET DON OUT OF MY HEAD,
308
00:16:28,755 --> 00:16:32,025
NOTHING HE DID WOULD MAKE ANY
DIFFERENCE BECAUSE I�D JUST SCREW EVERYTHING UP,
309
00:16:32,058 --> 00:16:35,161
SO I WASN�T SURE IF THIS
WAS LETTING DON INTO MY HEAD
310
00:16:35,195 --> 00:16:37,163
OR JUST
SEEKING INFORMATION.
311
00:16:37,197 --> 00:16:39,199
THAT�S WHY
I ASKED YOUR ADVICE.
312
00:16:42,002 --> 00:16:44,270
DON�T ASK THE BOSS.
313
00:16:48,208 --> 00:16:49,976
HEY, HOW�S IT GOING?
314
00:16:50,010 --> 00:16:51,177
HEY, GREG.
315
00:16:51,211 --> 00:16:52,478
UH...
316
00:16:52,513 --> 00:16:54,881
PHONE DUMP INFO
317
00:16:54,915 --> 00:16:57,283
FROM THE D. O. A.�s
APARTMENT COMING IN?
318
00:16:57,317 --> 00:16:59,620
THE THREE CALLS THEY GOT
JUST BEFORE THE HOMICIDE
319
00:16:59,653 --> 00:17:02,122
WERE ALL FROM THE SAME
CELL PHONE. AH.
320
00:17:02,155 --> 00:17:03,824
THE D. O. A.�s WIFE
DIDN�T PUT HIM ON
321
00:17:03,857 --> 00:17:05,458
TILL THE LAST CALL.
322
00:17:05,491 --> 00:17:07,227
IF THE SHOOTER
WAS TRYING TO CONFIRM
323
00:17:07,260 --> 00:17:09,696
THE D. O. A. WAS HOME,
THAT WOULD EXPLAIN THREE.
324
00:17:09,730 --> 00:17:11,364
WE�RE WAITING TO GET
325
00:17:11,397 --> 00:17:13,233
THE CELL PHONE SUBSCRIBER�S
PEDIGREE FROM TARU.
326
00:17:13,266 --> 00:17:16,503
ISN�T IT SOMETHING HOW
FAX?DEPENDENT WE�VE BECOME?
327
00:17:16,537 --> 00:17:19,172
WHAT ARE YOU
WAITING FOR, GREG?
328
00:17:19,205 --> 00:17:22,375
I GUESS TECHNICALLY
I�M VIOLATING REGS.
329
00:17:22,408 --> 00:17:24,477
A BUDDY OF MINE
AT THE BUREAU
330
00:17:24,511 --> 00:17:26,880
IS CHECKING
A CREDIT APP SNAFU ??
331
00:17:26,913 --> 00:17:29,149
FAXING ME MY TRW REPORT.
332
00:17:29,182 --> 00:17:30,517
AH.
333
00:17:30,551 --> 00:17:32,686
YEAH, THAT�S A DOCUMENT
334
00:17:32,719 --> 00:17:35,321
I�D AS SOON NOT HAVE
LYING AROUND THE FAX TRAY.
335
00:17:35,355 --> 00:17:36,990
NOT UNDER HERE.
336
00:17:37,023 --> 00:17:38,892
I�VE BEEN CHECKING IT
PRETTY REGULAR.
337
00:17:38,925 --> 00:17:41,461
[ FAX MACHINE RINGS ]
338
00:17:41,494 --> 00:17:44,130
SO HOW�S THIS
FOR A PIECE OF NEWS ??
339
00:17:44,164 --> 00:17:47,000
JAMES MARTINEZ PASSED
THE SERGEANT�S TEST.
340
00:17:47,033 --> 00:17:49,636
HUH. I DIDN�T KNOW
HE HAD TAKEN IT.
341
00:17:49,670 --> 00:17:52,205
HEY, WHEN HE�S OF A MIND,
342
00:17:52,238 --> 00:17:54,841
MY PARTNER PLAYS IT
PLENTY CLOSE TO THE VEST.
343
00:17:54,875 --> 00:17:57,578
KEPT ME IN THE DARK
AS WELL.
344
00:17:57,611 --> 00:18:00,547
[ FAX MACHINE BEEPS ]
345
00:18:00,581 --> 00:18:02,148
WHO�S THAT FOR?
346
00:18:02,182 --> 00:18:03,717
HMM.
347
00:18:03,750 --> 00:18:06,319
CELL PHONE�S REGISTERED
TO A LARRY WATSON.
348
00:18:06,352 --> 00:18:07,721
AH.
349
00:18:07,754 --> 00:18:10,223
SO NOW WE GET
TO RUN LARRY THROUGH BCI.
350
00:18:10,256 --> 00:18:12,659
YEAH, INFORMATION
SUPERHIGHWAY, HUH?
351
00:18:12,693 --> 00:18:14,160
PROCEED AT YOUR OWN PERIL.
352
00:18:16,229 --> 00:18:19,465
ANYWAYS, THAT�S ??
THAT�S GREAT FOR JAMES.
353
00:18:19,499 --> 00:18:20,867
YEAH, WELL, YOU KNOW,
354
00:18:20,901 --> 00:18:23,236
HE�S STILL PROCESSING
THE INS AND OUTS,
355
00:18:23,269 --> 00:18:25,205
AS AM I,
COMPLETELY CANDID,
356
00:18:25,238 --> 00:18:28,909
BUT ON BALANCE,
I?I THINK IT�S GREAT.
357
00:18:35,516 --> 00:18:37,818
JUST GREAT.
358
00:18:37,851 --> 00:18:40,220
IT�S BAD, IT�S BAD,
IT�S BAD, IT�S BAD.
359
00:18:40,253 --> 00:18:41,855
LET IT BE BAD
360
00:18:41,888 --> 00:18:45,191
SPEAKING DIRECTLY DOWN
AT THE FLOOR, TERRELL. CAN WE WORK THAT OUT?
361
00:18:45,225 --> 00:18:47,193
THE WHOLE SITUATION
IS BAD.
362
00:18:47,227 --> 00:18:49,195
ARE YOU CHEWING
THAT GUM?
363
00:18:49,229 --> 00:18:50,831
I ATE THE GUM.
364
00:18:50,864 --> 00:18:52,633
GIVE HIM MORE GUM,
WOULD YOU?
365
00:18:52,666 --> 00:18:54,535
I KNOW MY BREATH SMELLS.
366
00:18:54,568 --> 00:18:57,538
FEELS LIKE I SLEPT
WITH DOG CRAP IN MY MOUTH.
367
00:18:57,571 --> 00:18:59,640
SIT THIS GUY
IN THE POKEY.
368
00:18:59,673 --> 00:19:01,675
MAKE TERRELL CHEW THIS.
369
00:19:01,708 --> 00:19:04,310
YOU CAN�T MAKE ME
DO NOTHING.
370
00:19:04,344 --> 00:19:08,181
I�M HERE
ON MY OWN COOPERATION.
371
00:19:08,214 --> 00:19:11,217
WE GOT THE PHONE DUMP
FROM THE D. O. A.�s APARTMENT.
372
00:19:11,251 --> 00:19:13,887
THE THREE HANG?UPS
THE WIDOW WAS TALKING ABOUT
373
00:19:13,920 --> 00:19:15,722
CAME FROM THE SAME
CELL PHONE.
374
00:19:15,756 --> 00:19:18,391
THE CELLULAR IS REGISTERED
TO A LARRY WATSON.
375
00:19:18,424 --> 00:19:20,060
BCI IS FAXING WATSON�S
PHOTO AND RAP SHEET.
376
00:19:20,093 --> 00:19:22,563
JOIN US TALKING
TO TERRELL?
377
00:19:22,596 --> 00:19:24,531
WE�LL STAY ALERT
FOR THE FAX.
378
00:19:24,565 --> 00:19:26,700
WHY I TEND
TO SWALLOW THEM
379
00:19:26,733 --> 00:19:28,969
IS THE SUGAR
ROTS YOUR TEETH,
380
00:19:29,002 --> 00:19:31,337
AND I GOT A HORROR
OF DYING TOOTHLESS.
381
00:19:31,371 --> 00:19:32,338
YEAH, GOOD.
382
00:19:32,372 --> 00:19:33,740
THANKS, JOSH.
383
00:19:33,774 --> 00:19:35,308
Josh: YEAH, GOOD.
384
00:19:35,341 --> 00:19:37,711
Sipowicz: WHAT ARE YOU
TAKING AN ATTITUDE FOR?
385
00:19:37,744 --> 00:19:39,345
WE�RE THE ONES STAYING.
386
00:19:39,379 --> 00:19:42,315
YOU REALIZE YOU�RE HERE
ON A HOMICIDE, RIGHT, TYRELL?
387
00:19:42,348 --> 00:19:44,350
WHOA!
388
00:19:44,384 --> 00:19:47,487
WHAT YOU TALKING HOMICIDE?
COME ON, FEWER H�s, HUH?
389
00:19:47,521 --> 00:19:50,356
YOUR PRINTS ARE
ON THE MURDER WEAPON. IT�S AN OPEN?AND?SHUT CASE.
390
00:19:50,390 --> 00:19:53,026
YOU BETTER TELL US
ABOUT THAT SHOTGUN, TERRELL,
391
00:19:53,059 --> 00:19:55,128
�CAUSE I DON�T SEE
NO JOHNNIE COCHRAN
392
00:19:55,161 --> 00:19:57,731
GETTING YOU OFF
FOR THEM FINGERPRINTS.
393
00:19:57,764 --> 00:20:00,834
LISTEN TO ME ??
394
00:20:00,867 --> 00:20:03,369
AND STAND BACK, �CAUSE
I�M COMING WITH IT ALL.
395
00:20:04,938 --> 00:20:06,406
GARBAGE DAY.
396
00:20:06,439 --> 00:20:09,209
I�M OUT THE FRONT OF
THE BUILDING I SLEEP BEHIND
397
00:20:09,242 --> 00:20:11,812
CIRCULATING
FOR USEFUL DISPOSABLES,
398
00:20:11,845 --> 00:20:14,214
AND UP JUMPS A FIREFIGHT.
399
00:20:14,247 --> 00:20:16,850
POPPETY, POW, POW,
POW, POW!
400
00:20:16,883 --> 00:20:18,552
FROM INSIDE THE BUILDING.
401
00:20:18,585 --> 00:20:21,822
COUPLE SECONDS LATER,
402
00:20:21,855 --> 00:20:25,726
HERE COMES A BROTHER
DOWN THE OUTSIDE STEPS.
403
00:20:25,759 --> 00:20:29,329
POPPETY COMES FROM A WINDOW
ON THE FIRST FLOOR.
404
00:20:29,362 --> 00:20:32,533
BIG OLD FAT OL� THING
LEANING OUT.
405
00:20:32,566 --> 00:20:37,504
BROTHER DROPS THE SHOTGUN
AND KEEPS ON TRUCKING.
406
00:20:37,538 --> 00:20:40,707
I TOUCHED THAT SHOTGUN,
407
00:20:40,741 --> 00:20:43,309
AND THEN I LEFT IT BE,
408
00:20:43,343 --> 00:20:47,080
AND THAT�S ALL I HAD TO DO
WITH NO MURDER.
409
00:20:50,483 --> 00:20:52,686
ONE OF THOSE A RECENT
ARRIVAL FROM BCI?
410
00:20:52,719 --> 00:20:54,054
UH?HUH, YEAH.
411
00:20:54,087 --> 00:20:57,057
DO YOU RECOGNIZE
THE BROTHER, TERRELL?
412
00:20:57,090 --> 00:20:59,459
I GOT EYES
TO GET BACK TO MY ALLEY.
413
00:20:59,492 --> 00:21:01,027
THINK WE WANT YOU
ON A WITNESS STAND?
414
00:21:14,274 --> 00:21:16,543
THAT THE RECENT ARRIVAL?
415
00:21:16,577 --> 00:21:17,844
THAT�S THE ONE.
416
00:21:23,449 --> 00:21:24,384
WHEW.
417
00:21:38,498 --> 00:21:41,502
UM...
418
00:21:41,535 --> 00:21:43,336
HEY, JOHN.
419
00:21:43,369 --> 00:21:45,806
I NOTICED YOUR NAME
AT THE TOP OF THIS.
420
00:21:45,839 --> 00:21:48,041
YOU WILL NOT
BELIEVE THIS, JOHN,
421
00:21:48,074 --> 00:21:50,511
BUT I�VE SEEN
THIS DOCUMENT.
422
00:21:50,544 --> 00:21:53,179
I MUST HAVE LEFT IT
UPSTAIRS IN THE FAX TRAY
423
00:21:53,213 --> 00:21:55,348
AFTER BEING DOUBLY VIGILANT,
CHECKING HAD IT COME IN.
424
00:21:55,381 --> 00:21:58,184
YOU MUST HAVE
OTHER THINGS ON YOUR MIND.
425
00:21:58,218 --> 00:22:03,323
JAMES MARTINEZ PASSED
THE SERGEANT EXAM, JOHN.
426
00:22:03,356 --> 00:22:04,691
REALLY?
427
00:22:04,725 --> 00:22:06,527
YES, HE DID.
428
00:22:06,560 --> 00:22:09,295
TOOK THE TEST,
UNBEKNOWNST TO ME,
429
00:22:09,329 --> 00:22:11,364
AND WROTE
SOME GOOD SCORE.
430
00:22:11,397 --> 00:22:13,867
67th ON THE LIST.
431
00:22:13,900 --> 00:22:17,070
AM I HAPPY
FOR JAMES, JOHN?
432
00:22:17,103 --> 00:22:18,705
OF COURSE I AM,
433
00:22:18,739 --> 00:22:21,074
BUT WHAT I BET
HE�S FEELING ALSO
434
00:22:21,107 --> 00:22:23,009
IS ONE SIMPLE FACT ??
435
00:22:23,043 --> 00:22:26,312
A BOSS NEVER
HAS A PARTNER.
436
00:22:26,346 --> 00:22:28,715
HE DON�T HAVE
A PARTNER, JOHN,
437
00:22:28,749 --> 00:22:31,351
AND A PARTNER IN A GOOD
WORKING PARTNERSHIP
438
00:22:31,384 --> 00:22:34,888
IS HANDS DOWN THE ABSOLUTE
BEST PART OF THIS JOB.
439
00:22:37,023 --> 00:22:38,424
YOU�D MISS HIM.
440
00:22:41,027 --> 00:22:44,464
AND THAT WOULD
BE TRUE ALSO.
441
00:22:44,497 --> 00:22:47,467
I?I WAS THINKING OF THIS
FROM JAMES� PERSPECTIVE,
442
00:22:47,500 --> 00:22:50,236
BUT, UH, YEAH, IF HE ??
443
00:22:50,270 --> 00:22:53,139
IF HE WERE TO TAKE
THAT PROMOTION,
444
00:22:53,173 --> 00:22:54,875
I�D MISS JAMES PLENTY.
445
00:22:58,512 --> 00:23:01,882
ANYWAYS, THANKS
FOR TAKING MY BACK.
446
00:23:01,915 --> 00:23:04,150
OF COURSE.
447
00:23:04,184 --> 00:23:06,186
UH, IT�S A FIGURE
OF SPEECH.
448
00:23:12,859 --> 00:23:15,061
HA HA.
449
00:23:17,163 --> 00:23:20,133
JEEZ, IT STINKS IN HERE,
FELLAS, DON�T IT?
450
00:23:20,166 --> 00:23:22,302
YEAH, IT STINKS
LIKE A BUM WAS IN HERE
451
00:23:22,335 --> 00:23:24,204
WHO WITNESSED
A SHOOTING INCIDENT.
452
00:23:24,237 --> 00:23:25,471
WHAT?
453
00:23:25,506 --> 00:23:28,274
SOME BUM WITNESSED
A SHOOTING. SIT DOWN.
454
00:23:31,344 --> 00:23:33,847
Danny: WE GOT A GUY
SHOT THIS MORNING, LARRY.
455
00:23:33,880 --> 00:23:36,416
WE GOT THREE PHONE CALLS,
ALL WITHIN A HALF AN HOUR
456
00:23:36,449 --> 00:23:38,719
OF THAT SHOOTING,
ALL TRACED TO YOUR CELL PHONE.
457
00:23:42,055 --> 00:23:45,191
MAYBE SOMEONE
USED MY PHONE.
458
00:23:45,225 --> 00:23:47,561
THIS PHONE? THE ONE
WE PICKED YOU UP WITH?
459
00:23:47,594 --> 00:23:49,462
WHO�D YOU LOAN IT TO?
460
00:23:49,495 --> 00:23:51,698
OH, COME ON, MAN.
461
00:23:51,732 --> 00:23:55,168
YOU KNOW THEY CAN CLONE
THEM PHONES, MAN, PLEASE.
462
00:23:55,201 --> 00:23:57,638
YEAH, THERE�S A CRIMINAL
ELEMENT OUT THERE
463
00:23:57,671 --> 00:23:59,339
EXPLOITS EVERY
TECHNOLOGICAL NICHE.
464
00:24:02,709 --> 00:24:05,045
YEAH, YEAH, YOU KNOW,
NOW THAT YOU�RE SAYING,
465
00:24:05,078 --> 00:24:07,213
I TRIED REACHING
A FRIEND OF MINE,
466
00:24:07,247 --> 00:24:09,916
BUT I KEPT GETTING
A WRONG NUMBER.
467
00:24:09,950 --> 00:24:11,552
YOU�RE PICKED OUT, LARRY.
468
00:24:11,585 --> 00:24:13,954
YOU�RE SEEN RUNNING
OUT THE APARTMENT BUILDING.
469
00:24:13,987 --> 00:24:16,189
YOU�RE SEEN TOSSING
THE MURDER WEAPON.
470
00:24:16,222 --> 00:24:20,493
THE WORLD�S GREATEST EXPERT
LIFTED YOUR LATENT PRINTS OFF THE SHOTGUN.
471
00:24:20,527 --> 00:24:22,128
WE�RE GOING TO BRING
THE WIDOW IN HERE
472
00:24:22,162 --> 00:24:24,197
AND THE GUY WHO THREW THOSE
SHOTS TRYING TO STOP YOU,
473
00:24:24,230 --> 00:24:25,832
AND AFTER THEY
PICK YOU OUT,
474
00:24:25,866 --> 00:24:27,333
YOU KNOW WHAT KIND OF WIGGLE
ROOM YOU�RE GOING TO HAVE?
475
00:24:32,539 --> 00:24:34,575
WHAT KIND OF WIGGLE ROOM?
476
00:24:34,608 --> 00:24:37,343
THE WIGGLE ROOM OF SCRUNCHING
AROUND, GETTING COMFORTABLE IN THE GIFT BOX YOU�RE IN
477
00:24:37,377 --> 00:24:39,479
WHEN WE HAND YOU
TO THE D. A.
478
00:24:39,513 --> 00:24:41,481
HOPE YOUR PERSONAL FRIENDSHIP
479
00:24:41,515 --> 00:24:43,584
WITH GOVERNOR PATAKI
GETS YOU A PARDON.
480
00:24:46,052 --> 00:24:48,855
SO YOU�RE SAYING I GOT
NO WIGGLE ROOM AT ALL. THAT RIGHT?
481
00:24:48,889 --> 00:24:51,057
YOU GOT SOMETHING FOR US?
482
00:24:51,091 --> 00:24:55,195
THE GUY WHO HIRED ME
COUNTS FOR SOMETHING.
483
00:24:55,228 --> 00:24:57,197
THE GUY WHO HIRED YOU
IS BIG.
484
00:24:57,230 --> 00:25:00,634
HE�S A BIG FAT SLOB THAT TRIED
SHOOTING ME AFTERWARDS.
485
00:25:00,667 --> 00:25:04,270
I�M WIGGLING PRETTY GOOD NOW,
AREN�T I, HMM?
486
00:25:12,613 --> 00:25:14,214
I�LL TELL YOU,
487
00:25:14,247 --> 00:25:17,217
I�M SO FULL OF PUBLIC OUTRAGE
HOW I�M BEING HANDLED.
488
00:25:17,250 --> 00:25:19,553
WE APPRECIATE
YOUR COOPERATION.
489
00:25:19,586 --> 00:25:21,154
Man: DETECTIVE RUSSELL?
YEAH?
490
00:25:21,187 --> 00:25:23,890
DETECTIVE DENBY.
YOU GOT A MINUTE FOR ME?
491
00:25:23,924 --> 00:25:25,291
WHAT�S IT ABOUT?
492
00:25:25,325 --> 00:25:27,694
IS THIS YOUNG LADY
ON THE JOB?
493
00:25:27,728 --> 00:25:30,196
COME ON, ROSIE.
494
00:25:30,230 --> 00:25:32,733
Rosie: IF YOU WIND UP
SHOWING ME ANOTHER STREET BUM
495
00:25:32,766 --> 00:25:34,701
OR CAN COLLECTOR
TO IDENTIFY
496
00:25:34,735 --> 00:25:36,870
FOR MY HUSBAND�S
POSSIBLE MURDER SUSPECT,
497
00:25:36,903 --> 00:25:39,172
I�M GOING STRAIGHT
TO THE NATIONAL ENQUIRER.
498
00:25:39,205 --> 00:25:40,507
OKAY, THAT�S A DEAL.
499
00:25:43,276 --> 00:25:46,012
WHAT?
500
00:25:46,046 --> 00:25:47,180
CAN WE TALK OUTSIDE?
501
00:25:47,213 --> 00:25:49,583
NOT TILL I KNOW WHAT
THIS IS ABOUT.
502
00:25:49,616 --> 00:25:51,852
I�M WITH
THE NARCOTICS TASK FORCE.
503
00:25:51,885 --> 00:25:53,854
I�M INVESTIGATING
THE INFORMATION
504
00:25:53,887 --> 00:25:55,455
DETECTIVE KIRKENDALL�S
EX?HUSBAND�S PROVIDING
505
00:25:55,488 --> 00:25:57,390
TO SECURE
HIS PLEA AGREEMENT.
506
00:26:07,067 --> 00:26:09,670
NONE OF THIS
IS OUT OF SCHOOL.
507
00:26:09,703 --> 00:26:12,506
YEAH, I LIKE BEING OUTSIDE
WHEN IT�S A LITTLE NIPPY.
508
00:26:12,539 --> 00:26:14,140
NO, I�M SAYING
509
00:26:14,174 --> 00:26:16,209
IF YOU WANT TO TELL
YOUR PARTNER WE TALKED,
510
00:26:16,242 --> 00:26:18,512
THAT�S PERFECTLY OKAY.
511
00:26:18,545 --> 00:26:21,582
SEE, THAT WAS MY PARTNER I
JUST WALKED IN WITH, SO SHE�S GONNA KNOW THAT WE TALKED.
512
00:26:21,615 --> 00:26:24,317
YEAH, I KNOW. I KNOW
THAT WAS YOUR PARTNER.
513
00:26:24,350 --> 00:26:25,686
HER EX?HUSBAND BEATS JAIL
514
00:26:25,719 --> 00:26:27,988
ONLY FOR A FULL
AND TOTAL FLIP,
515
00:26:28,021 --> 00:26:30,356
WHICH HE IS NOWHERE CLOSE
TO DOING YET,
516
00:26:30,390 --> 00:26:32,626
AND I�M PRESUMING,
FOR HER KIDS,
517
00:26:32,659 --> 00:26:34,561
EVEN IF SHE THINKS
HE�S A HARD?ON,
518
00:26:34,595 --> 00:26:36,730
SHE DON�T WANT
THIS GUY DOING 20.
519
00:26:36,763 --> 00:26:38,665
SO ARE WE GETTING CLOSE
520
00:26:38,699 --> 00:26:41,067
TO WHY I�M OUT HERE
FREEZING?
521
00:26:41,101 --> 00:26:43,670
I�M NOT LOOKING
TO HURT HER.
522
00:26:43,704 --> 00:26:45,305
IF SHE�S GOT SOMETHING,
523
00:26:45,338 --> 00:26:48,308
SHE CAN HELP US WITH PUTTING
PRESSURE ON THIS GUY.
524
00:26:48,341 --> 00:26:51,311
EVEN IF THAT INFORMATION
PUTS HER IN AN AWKWARD LIGHT,
525
00:26:51,344 --> 00:26:53,680
SHE SHOULDN�T BE AFRAID
TO GIVE IT UP.
526
00:26:53,714 --> 00:26:56,082
SHE HAD NOTHING TO DO
527
00:26:56,116 --> 00:26:59,485
WITH WHAT HER EX?HUSBAND
WAS INTO.
528
00:26:59,520 --> 00:27:02,188
IF SHE NEEDED TO GIVE IT UP
THROUGH SOMEONE ELSE,
529
00:27:02,222 --> 00:27:03,624
THAT�D BE OKAY, TOO.
530
00:27:03,657 --> 00:27:05,826
DID YOU HEAR
WHAT I SAID?
531
00:27:05,859 --> 00:27:08,394
JILL HAD NOTHING
TO DO WITH THIS.
532
00:27:08,428 --> 00:27:10,296
HER EX?HUSBAND
INDICATES OTHERWISE.
533
00:27:10,330 --> 00:27:11,297
WHAT?
534
00:27:11,331 --> 00:27:12,899
HE INDICATES SHE HAD
535
00:27:12,933 --> 00:27:15,168
SOME KIND
OF PERIPHERAL CONNECTION,
536
00:27:15,201 --> 00:27:18,171
AND HE�S NOT GOING TO SAY
NOTHING MORE ABOUT HER TO PROTECT HER.
537
00:27:18,204 --> 00:27:20,173
I WANT HER TO KNOW
538
00:27:20,206 --> 00:27:22,809
I COULD CARE LESS ABOUT
HER PERIPHERAL CONNECTION.
539
00:27:22,843 --> 00:27:25,846
I KNOW WHAT WOMEN DO
TO PROTECT THEIR FAMILIES.
540
00:27:25,879 --> 00:27:29,049
MY SOLE INTEREST IS WHAT
SHE CAN TELL ME ABOUT HIM
541
00:27:29,082 --> 00:27:32,385
THAT I CAN USE TO GET HER
ASSHOLE EX UP IN THE AIR.
542
00:27:36,022 --> 00:27:38,424
YOU SHOULD GO IN
AND GET WARM.
543
00:27:50,036 --> 00:27:52,806
ALL THE TEA IN CHINA,
I WILL NOT APPEAR IN COURT.
544
00:27:52,839 --> 00:27:54,407
WE UNDERSTAND THAT,
ROSIE.
545
00:27:54,440 --> 00:27:57,744
THIS I. D., IF I MAKE IT,
IS FOR I. D. PURPOSES ONLY.
546
00:27:57,778 --> 00:28:00,080
LET�S NOT GET AHEAD
OF OURSELVES, ROSIE.
547
00:28:00,113 --> 00:28:03,049
THAT�S RIGHT, ASSUMING I EVEN
SEE THE PERSON IN THERE.
548
00:28:03,083 --> 00:28:04,585
WE READY?
549
00:28:04,618 --> 00:28:05,986
OH, MY GOD.
550
00:28:06,019 --> 00:28:08,989
IF YOU RECOGNIZE ANY
OF THE MEN IN THAT ROOM,
551
00:28:09,022 --> 00:28:10,624
TELL US WHICH NUMBER
552
00:28:10,657 --> 00:28:12,392
AND WHERE
YOU RECOGNIZE HIM FROM.
553
00:28:17,430 --> 00:28:18,932
LIFT THE FRICKIN� SHADE.
554
00:28:23,604 --> 00:28:26,573
OH, YOU DIRTY BASTARD!
555
00:28:26,607 --> 00:28:28,975
SOUNDS LIKE SHE MAY HAVE
PICKED THE GUY OUT.
556
00:28:29,009 --> 00:28:30,911
YEAH, THAT COULD BE
A POSITIVE I. D.
557
00:28:30,944 --> 00:28:32,913
ONLY SHOT
THAT GUY�S GOT,
558
00:28:32,946 --> 00:28:35,916
GIVE A STATEMENT UP WHILE
IT STILL MEANS SOMETHING.
559
00:28:35,949 --> 00:28:37,918
MEANS SOMETHING
AS FAR AS WHAT?
560
00:28:37,951 --> 00:28:39,720
FACILITATING THE PROCESS.
561
00:28:39,753 --> 00:28:41,722
FULL DISCLOSURE ??
ONCE YOU�RE I. D.�d
562
00:28:41,755 --> 00:28:44,157
IN A HOMICIDE,
THAT�S ALL YOU GOT LEFT.
563
00:28:44,190 --> 00:28:47,327
FULL DISCLOSURE SHOWS
COOPERATION AND REMORSE.
564
00:28:47,360 --> 00:28:49,896
ASSUMING HE�S GOT
SOMETHING TO DISCLOSE.
565
00:28:49,930 --> 00:28:52,899
SOME ASPECT OF THE CASE
WE HAVE YET TO FILL IN.
566
00:28:52,933 --> 00:28:56,469
LAST THING THAT GUY IN THERE
HAS GOT GOING FOR HIM.
567
00:28:56,503 --> 00:28:58,672
THE SON OF A BITCH
THAT SHOT RICO
568
00:28:58,705 --> 00:29:00,541
IS IN THAT ROOM, JOAQUIN.
569
00:29:00,574 --> 00:29:02,342
Diane: OKAY, ROSIE, OKAY.
570
00:29:02,375 --> 00:29:04,845
POSITIVE I. D.
GO IN AND CLOSE THE DEAL.
571
00:29:04,878 --> 00:29:06,980
SEE IF THIS GUY�S GOT
ANYONE ELSE TO GIVE YOU.
572
00:29:07,013 --> 00:29:08,749
Rosie: TAKE ME HOME.
573
00:29:08,782 --> 00:29:11,051
I DON�T WANT THAT SON
OF A BITCH GLIMPSING ME.
574
00:29:11,084 --> 00:29:12,953
H?HOLD ON A SECOND.
575
00:29:12,986 --> 00:29:16,623
Rosie: YOU SAY IN MY GRIEF
I CAN LEAN ON YOU.
576
00:29:16,657 --> 00:29:18,792
I�M ASKING YOU
FOR A SIMPLE RIDE HOME!
577
00:29:18,825 --> 00:29:20,961
I MAY HAVE SOME
FACILITATING INFORMATION.
578
00:29:20,994 --> 00:29:22,228
OF WHAT TYPE?
579
00:29:22,262 --> 00:29:24,798
FACILITATING INFORMATION
580
00:29:24,831 --> 00:29:27,634
WHILE AN ASPECT OF THE CASE
IS STILL OPEN,
581
00:29:27,668 --> 00:29:31,071
SHOWING COOPERATION...
582
00:29:31,104 --> 00:29:34,474
AND REMORSE.
583
00:29:34,508 --> 00:29:36,476
YOU KNOW SOMETHING
ABOUT WHAT HAPPENED
584
00:29:36,510 --> 00:29:37,744
TO YOUR BROTHER, JOAQUIN,
585
00:29:37,778 --> 00:29:40,581
THAT RUINED
MY LIFE�S EXPECTATIONS?
586
00:29:40,614 --> 00:29:41,982
WE CAN GIVE YOU
A RIDE HOME, ROSIE.
587
00:29:42,015 --> 00:29:44,685
YEAH, TAKE HER HOME.
TAKE CARE OF HER.
588
00:29:46,086 --> 00:29:48,989
DID YOU RUIN MY LIFE�S
EXPECTATIONS, JOAQUIN,
589
00:29:49,022 --> 00:29:51,792
�CAUSE YOU HAD A HARD?ON
FOR YOUR BROTHER�S WIFE?
590
00:29:51,825 --> 00:29:53,894
SHE NEEDS
TO GO HOME NOW.
591
00:29:53,927 --> 00:29:56,563
IS THAT WHAT THIS FAT STINKING
SLOB IS TALKING ABOUT?
592
00:29:56,597 --> 00:29:58,799
OKAY, ROSIE, OKAY.
593
00:29:58,832 --> 00:30:01,501
[ ROSIE SPEAKING SPANISH ]
594
00:30:03,436 --> 00:30:07,440
MY BROTHER WAS A PRICK.
595
00:30:09,943 --> 00:30:13,146
IF SHE COULD LOVE HIM,
596
00:30:13,179 --> 00:30:16,149
I THOUGHT I COULD
MAKE HER LOVE ME, TOO.
597
00:30:16,182 --> 00:30:18,885
COME ON. WE�LL GO
IN THE COFFEE ROOM AND TALK.
598
00:30:18,919 --> 00:30:21,888
BELIEVE ME,
JAIL�S SOMETIMES PREFERABLE
599
00:30:21,922 --> 00:30:24,224
TO WHAT YOU WOULD HAVE
WOUND UP WITH.
600
00:30:45,245 --> 00:30:46,913
[ INDISTINCT CHATTERING ]
601
00:30:51,652 --> 00:30:53,620
I�LL BET ROSIE
WAS WORKING
602
00:30:53,654 --> 00:30:55,622
ON A PERSONALS AD
RIDING HOME ??
603
00:30:55,656 --> 00:30:58,525
"RECENT WIDOW
SEEKS MEAL TICKET."
604
00:30:58,559 --> 00:31:01,695
WAS IT ABOUT ME ??
HARRY DENBY?
605
00:31:01,728 --> 00:31:04,297
YEAH, IT WAS ABOUT YOU.
606
00:31:04,330 --> 00:31:07,734
AND YOU HAVEN�T
TOLD ME WHY?
607
00:31:07,768 --> 00:31:09,903
AND I HAVEN�T TOLD YOU
608
00:31:09,936 --> 00:31:11,905
BECAUSE I DIDN�T KNOW
WHAT I SHOULD DO.
609
00:31:11,938 --> 00:31:13,974
HE WANTS ME
TO GIVE YOU A MESSAGE.
610
00:31:14,007 --> 00:31:16,142
I DON�T KNOW
IF HE CAN BE TRUSTED.
611
00:31:16,176 --> 00:31:18,545
HE�S A TASK FORCE GUY
THAT�S WORKING WITH DON,
612
00:31:18,579 --> 00:31:20,180
CHECKING OUT HIS STORY.
613
00:31:20,213 --> 00:31:23,684
AND WHAT�S THE MESSAGE
HE WANTS YOU TO GIVE ME?
614
00:31:28,989 --> 00:31:32,325
JILL, LOOKING BACK,
COULD YOU EVER MAYBE
615
00:31:32,358 --> 00:31:34,494
HAVE DONE SOMETHING
FOR DON,
616
00:31:34,528 --> 00:31:36,963
COMPLETELY WITHOUT KNOWING?
617
00:31:36,997 --> 00:31:39,165
SURE, I COULD HAVE.
618
00:31:39,199 --> 00:31:41,167
I COULD HAVE DROPPED OFF
BOXES OF PASTRIES
619
00:31:41,201 --> 00:31:43,136
HIS MOTHER MADE
FOR PRIVATE PARTIES,
620
00:31:43,169 --> 00:31:45,839
HELP BEAT A TAIL.
621
00:31:48,441 --> 00:31:49,843
I DID.
622
00:31:51,512 --> 00:31:52,746
OH.
623
00:31:57,350 --> 00:32:00,053
WHATEVER YOU GAVE,
624
00:32:00,086 --> 00:32:02,055
EVEN IF ANY OF IT
IMPLICATED YOU,
625
00:32:02,088 --> 00:32:04,691
THIS TASK FORCE GUY
SAYS HE�D WRITE IT UP
626
00:32:04,725 --> 00:32:06,326
"INVESTIGATED
AND UNFOUNDED."
627
00:32:06,359 --> 00:32:08,361
AS LONG AS WHAT YOU
DID WAS UNINTENTIONAL,
628
00:32:08,394 --> 00:32:09,730
HE�D SAY
IT NEVER HAPPENED.
629
00:32:09,763 --> 00:32:12,065
AND WE BELIEVE
THE TASK FORCE GUY?
630
00:32:12,098 --> 00:32:14,901
HE WANTS DON TO REALIZE
HE�S GOT NO LEVERAGE.
631
00:32:14,935 --> 00:32:17,037
AND WE BELIEVE HIM?
632
00:32:17,070 --> 00:32:18,739
I DON�T KNOW
IF I BELIEVE HIM.
633
00:32:20,707 --> 00:32:24,878
IF HE�D REALLY WRITE IT
"INVESTIGATED AND UNFOUNDED,"
634
00:32:24,911 --> 00:32:26,246
WHATEVER DON
STARTS SPRAYING,
635
00:32:26,279 --> 00:32:27,648
I�D BE PROTECTED.
636
00:32:27,681 --> 00:32:28,715
YEAH.
637
00:32:28,749 --> 00:32:30,717
IF I CAN TRUST THE GUY.
638
00:32:30,751 --> 00:32:31,685
YEAH.
639
00:32:33,419 --> 00:32:35,121
DO I GIVE IT TO HIM?
640
00:32:35,155 --> 00:32:37,123
NOT YET.
641
00:32:37,157 --> 00:32:38,825
LET ME GET
INTO HIM A LITTLE.
642
00:32:55,375 --> 00:32:56,543
HEY, BOSS.
643
00:32:56,577 --> 00:32:58,579
HEY.
644
00:32:58,612 --> 00:33:00,647
I WANTED TO LET YOU KNOW
645
00:33:00,681 --> 00:33:03,249
I PASSED
THE SERGEANT�S EXAM.
646
00:33:03,283 --> 00:33:05,719
CONGRATULATIONS, JAMES.
YEAH.
647
00:33:05,752 --> 00:33:07,988
I WROTE A 67th
ON THE LIST.
648
00:33:08,021 --> 00:33:10,390
I SURPRISED MYSELF
A LITTLE, I GUESS.
649
00:33:10,423 --> 00:33:12,859
ANY WORD HOW MANY
THEY�RE TAKING?
650
00:33:12,893 --> 00:33:14,294
100.
651
00:33:14,327 --> 00:33:17,330
WELL, THAT�S GREAT, JAMES.
652
00:33:17,363 --> 00:33:21,134
YEAH, SO, UH, I WANTED
TO LET YOU KNOW.
653
00:33:21,167 --> 00:33:23,737
I KNOW A LOT OF GUYS
TAKE THE TEST
654
00:33:23,770 --> 00:33:26,139
BUT DON�T NECESSARILY
GO AHEAD AND LEAVE THE BUREAU.
655
00:33:26,172 --> 00:33:28,675
THEY JUST WANT TO SEE
WHAT THEIR OPTIONS ARE.
656
00:33:28,709 --> 00:33:31,477
THAT�S WHAT
I WAS TELLING MYSELF,
657
00:33:31,512 --> 00:33:33,580
BUT THE THING OF IT IS,
658
00:33:33,614 --> 00:33:36,082
MY WIFE WANTS ME
OFF THE STREET,
659
00:33:36,116 --> 00:33:40,521
SO I GOT TO TAKE IT,
YOU KNOW?
660
00:33:40,554 --> 00:33:43,156
THERE�S A LOT
OF UPSIDE TO IT, JAMES.
661
00:33:43,189 --> 00:33:46,560
OH, THERE�S A HELL OF A LOT
OF UPSIDE, DEFINITELY.
662
00:33:46,593 --> 00:33:48,562
NO, A BIG PART OF ME
663
00:33:48,595 --> 00:33:50,330
IS REALLY LOOKING
FORWARD TO IT.
664
00:33:50,363 --> 00:33:53,867
CONGRATULATIONS.
665
00:33:53,900 --> 00:33:55,836
THANKS VERY MUCH.
666
00:34:06,947 --> 00:34:09,182
I TOLD HER WHAT YOU SAID.
667
00:34:09,215 --> 00:34:11,918
RIGHT NOW
SHE�S LEAVING IT UP TO ME.
668
00:34:13,419 --> 00:34:15,388
WELL, IT WOULDN�T HURT ME
669
00:34:15,421 --> 00:34:18,058
GETTING TO KNOW YOU
A LITTLE BETTER.
670
00:34:18,091 --> 00:34:20,994
DO YOU HAVE
SOME TIME NOW?
671
00:34:21,027 --> 00:34:23,664
SURE. THAT�S GOOD.
672
00:34:23,697 --> 00:34:26,166
OKAY, SEE YOU
IN A LITTLE WHILE.
673
00:34:30,103 --> 00:34:32,205
WHOA. HI.
674
00:34:32,238 --> 00:34:33,974
HEY.
675
00:34:34,007 --> 00:34:37,343
I WAS LOOKING TO SAVE
A TRIP TO THE PHOTO BUREAU ON A SKELL.
676
00:34:37,377 --> 00:34:39,345
SURE. YOU WANT
TO CHECK OUR FILES?
677
00:34:39,379 --> 00:34:40,914
YEAH, PLEASE.
678
00:34:40,947 --> 00:34:42,716
SURE, ABSOLUTELY.
RIGHT OVER HERE.
679
00:34:42,749 --> 00:34:44,484
COME DOWN
FROM ANTI?CRIME?
680
00:34:44,518 --> 00:34:45,752
Mary: YES, I AM.
681
00:34:50,691 --> 00:34:52,458
THEY�RE SPLIT
AT THE M�s.
682
00:34:52,492 --> 00:34:54,294
WHAT DID HE SAY?
683
00:34:54,327 --> 00:34:56,897
I�M GOING
TO MEET HIM AT SMITTY�S.
684
00:34:56,930 --> 00:34:59,533
I MEAN, DID THIS
TASK FORCE GUY SAY ANYTHING?
685
00:34:59,566 --> 00:35:01,167
"MEET YOU THERE."
686
00:35:01,201 --> 00:35:04,571
DID YOU SEE DANNY JUMP
OUT OF HIS SKIN A MINUTE AGO?
687
00:35:04,605 --> 00:35:07,040
YEAH, WHEN THIS GIRL
CAME DOWN FROM ANTI?CRIME. MM?HMM.
688
00:35:07,073 --> 00:35:08,709
SHE�S CUTE.
689
00:35:08,742 --> 00:35:11,144
TOOK TWO PAPER CLIPS
TO SHOW HER THE PHOTO FILES.
690
00:35:11,177 --> 00:35:12,078
UH?OH.
691
00:35:14,180 --> 00:35:16,850
IT LOOKS LIKE I�M NOT
GETTING OFF TILL AROUND 7:00.
692
00:35:16,883 --> 00:35:18,451
THAT�S GOOD, ANYWAYS.
693
00:35:18,484 --> 00:35:20,053
ANDY AND ME,
694
00:35:20,086 --> 00:35:21,755
WE�RE TAKING
THIS GUY�S STATEMENT.
695
00:35:24,090 --> 00:35:26,893
Danny: SO, DO YOU THINK
ANYONE NOTICED ANYTHING?
696
00:35:26,927 --> 00:35:29,863
I THINK IT�S A GOOD
THING YOU GOT OUT OF UNDERCOVER WORK.
697
00:35:29,896 --> 00:35:32,966
MARY FRANCO, JILL KIRKENDALL,
DIANE RUSSELL. Mary: HI.
698
00:35:32,999 --> 00:35:34,535
Diane: HOW�S
IT GOING, MARY?
699
00:35:34,568 --> 00:35:37,303
MARY�S IN ANTI?CRIME,
COME LOOKING FOR A PHOTO.
700
00:35:37,337 --> 00:35:39,305
SAVE A TRIP TO ONE P. P.
701
00:35:39,339 --> 00:35:40,641
YEAH, EXACTLY.
702
00:35:40,674 --> 00:35:42,008
ANYWAYS, GOOD LUCK
WITH THAT ??
703
00:35:42,042 --> 00:35:43,877
PUTTING THAT PHOTO
TO GOOD USE.
704
00:35:43,910 --> 00:35:45,245
OKAY, THANKS.
705
00:35:45,278 --> 00:35:47,413
GOOD MEETIN� YOU, MARY.
SAME HERE.
706
00:35:47,447 --> 00:35:48,549
Jill: BYE.
707
00:35:57,758 --> 00:35:59,059
GOOD NIGHT, DIANE.
708
00:35:59,092 --> 00:36:00,827
NIGHT.
709
00:36:00,861 --> 00:36:02,362
NIGHT.
710
00:36:02,395 --> 00:36:04,865
YEAH, GOOD NIGHT.
711
00:36:04,898 --> 00:36:07,400
SHE�S CUTE, DANNY.
712
00:36:07,433 --> 00:36:09,302
WHO?
713
00:36:09,335 --> 00:36:11,337
OH, YOU MEAN MARY
FROM ANTI?CRIME?
714
00:36:11,371 --> 00:36:12,338
YEAH.
715
00:36:12,372 --> 00:36:13,874
YEAH, SHE IS CUTE.
716
00:36:16,109 --> 00:36:18,745
WHAT DO YOU GOT,
A DATE OF SOME SORT?
717
00:36:18,779 --> 00:36:21,247
YEAH, SORT OF.
718
00:36:23,517 --> 00:36:25,552
GOOD NIGHT.
719
00:36:25,586 --> 00:36:26,553
YEAH.
720
00:36:26,587 --> 00:36:28,188
LET ME GO BACK IN
721
00:36:28,221 --> 00:36:29,923
AND HELP ANDY
WITH THIS STATEMENT.
722
00:36:45,105 --> 00:36:48,408
I WAS ON A FOOT POST
IN THE BRONX,
723
00:36:48,441 --> 00:36:50,043
TWO YEARS A COP.
724
00:36:50,076 --> 00:36:53,046
A COUPLE OF GENIUSES
IN SKI MASKS
725
00:36:53,079 --> 00:36:55,048
COME OUT THE FRONT DOOR
OF A BANK.
726
00:36:55,081 --> 00:36:57,217
I GOT LUCKY
IN THE SHOOTOUT.
727
00:36:57,250 --> 00:36:59,185
JOB GIVES ME
MY GOLD SHIELD,
728
00:36:59,219 --> 00:37:01,622
MAKE SOME LUCKY COLLARS
IN NARCOTICS ??
729
00:37:01,655 --> 00:37:03,056
YOU�RE A LUCKY BOY.
730
00:37:03,089 --> 00:37:04,825
THEY UPPED ME
TO THIS TASK FORCE.
731
00:37:04,858 --> 00:37:06,459
I WORK REGULAR HOURS,
732
00:37:06,492 --> 00:37:08,294
EXCEPT WHEN I�M
BABYSITTING JERKS
733
00:37:08,328 --> 00:37:09,896
LIKE YOUR FRIEND DON.
734
00:37:09,930 --> 00:37:12,498
A NEW CAR EVERY YEAR,
WHICH I DRIVE HOME.
735
00:37:12,533 --> 00:37:15,135
WHO�S GOT IT
BETTER THAN ME? [ CHUCKLES ]
736
00:37:15,168 --> 00:37:16,670
THANKS.
737
00:37:16,703 --> 00:37:18,004
THANK YOU, MY CHILD.
738
00:37:22,042 --> 00:37:23,710
NOW I�M SAFELY
IN THE LEAD,
739
00:37:23,744 --> 00:37:25,478
YOU�RE STILL NOT GOING
TO DRINK WITH ME?
740
00:37:25,512 --> 00:37:27,313
NO. NO.
741
00:37:27,347 --> 00:37:29,315
IS THIS TACTICAL?
742
00:37:29,349 --> 00:37:31,317
YOU ABSTAIN, FIND OUT
WHAT DENBY KNOWS
743
00:37:31,351 --> 00:37:33,286
AS HE YIELDS
TO WHAT IS, ADMITTEDLY,
744
00:37:33,319 --> 00:37:35,155
A SMALL PROBLEM
WITH ALCOHOL,
745
00:37:35,188 --> 00:37:36,890
OR AM I IN THE PRESENCE
OF CONVICTION?
746
00:37:36,923 --> 00:37:38,324
YOU�RE IN THE PRESENCE
747
00:37:38,358 --> 00:37:40,326
OF SOMEONE WHO DOESN�T
WANT A DRINK.
748
00:37:40,360 --> 00:37:43,997
NO, I SENSE WE�RE DRILLING
IN BEDROCK HERE.
749
00:37:44,030 --> 00:37:45,732
IS IT THE OLD STORY?
750
00:37:45,766 --> 00:37:48,068
ONE�S TOO MANY,
50 AREN�T ENOUGH?
751
00:37:48,101 --> 00:37:50,170
THAT�S GOT
A RING TO IT.
752
00:37:50,203 --> 00:37:53,206
AND HAVE YOU NOW
SEEN THE LIGHT?
753
00:37:53,239 --> 00:37:56,176
THIS SEEMS LIKE
A GOOD PLACE
754
00:37:56,209 --> 00:37:59,212
TO TAKE A TURN
IN THE CONVERSATION.
755
00:38:02,783 --> 00:38:05,218
GETS MEAN BEHIND HIS
COCKTAILS, THIS DENBY.
756
00:38:08,589 --> 00:38:09,790
I APOLOGIZE.
757
00:38:09,823 --> 00:38:11,324
IT�S OKAY.
758
00:38:12,926 --> 00:38:15,629
SO, DO YOU COME
BEARING A MESSAGE
759
00:38:15,662 --> 00:38:16,997
FROM DETECTIVE KIRKENDALL?
760
00:38:17,030 --> 00:38:18,632
"I COME IN PEACE"
761
00:38:18,665 --> 00:38:21,702
IS AS FAR AS I�M READY
TO GO AT THE MOMENT.
762
00:38:21,735 --> 00:38:23,236
YOU COME IN PEACE?
HMM.
763
00:38:23,269 --> 00:38:25,872
LOOK WHAT BELIEVING THAT
FROM A STRANGER
764
00:38:25,906 --> 00:38:27,741
GOT THE INDIANS.
765
00:38:27,774 --> 00:38:30,711
IF YOU�RE PREPARED
TO HAVE A DRINK WITH ME,
766
00:38:30,744 --> 00:38:32,679
I COULD SHED
SOME VALUABLE LIGHT
767
00:38:32,713 --> 00:38:34,147
ON YOUR PARTNER�S SITUATION.
768
00:38:34,180 --> 00:38:36,149
HOW ABOUT
DOING THAT ANYWAY
769
00:38:36,182 --> 00:38:37,884
JUST �CAUSE
YOU�RE A GOOD GUY?
770
00:38:37,918 --> 00:38:39,853
TOO INTANGIBLE.
771
00:38:39,886 --> 00:38:41,955
WE NEED WHAT THE DEVIL
WOULD CALL
772
00:38:41,988 --> 00:38:43,323
AN EXCHANGE
OF CONSIDERATION.
773
00:38:43,356 --> 00:38:44,791
I�M NOT DRINKING
WITH YOU.
774
00:38:44,825 --> 00:38:47,493
WILL YOU GIVE ME
A SMALL PECK ON THE CHEEK?
775
00:38:48,829 --> 00:38:50,296
YEAH, YEAH,
776
00:38:50,330 --> 00:38:52,999
I�LL GIVE YOU
A SMALL PECK ON THE CHEEK.
777
00:38:53,033 --> 00:38:55,969
WELL, THIS KISS WOULD
HAVE TO BE A PRIORI.
778
00:38:56,002 --> 00:38:58,238
YOU KNOW
WHAT THAT MEANS?
779
00:38:58,271 --> 00:39:00,674
ARE YOU A VICTIM
OF A JESUIT EDUCATION, TOO?
780
00:39:00,707 --> 00:39:02,075
COME ON, DENBY.
781
00:39:02,108 --> 00:39:05,311
A PRIORI
MEANS YOU GO FIRST.
782
00:39:05,345 --> 00:39:08,248
YOU PECK, I SHED LIGHT.
783
00:39:17,924 --> 00:39:20,794
NOW, DON�T YOU
FEEL LIKE AN ASSHOLE?
784
00:39:20,827 --> 00:39:23,797
NO. ACTUALLY, I FEEL
RATHER GOOD ABOUT THE WORLD.
785
00:39:23,830 --> 00:39:25,498
I FEEL RATHER SET UP.
786
00:39:25,532 --> 00:39:27,801
YOUR TURN.
787
00:39:27,834 --> 00:39:29,703
GOD DID THIS, RIGHT?
788
00:39:29,736 --> 00:39:32,038
WHEN THERE WAS DARKNESS
ON THE WATERS?
789
00:39:35,509 --> 00:39:39,546
I WOULD SAY THIS,
DETECTIVE.
790
00:39:39,580 --> 00:39:41,548
AS IT APPLIES
TO A FEDERAL PROSECUTOR,
791
00:39:41,582 --> 00:39:43,850
ARE YOU FAMILIAR
WITH THE LEGAL TERM "WUSS"?
792
00:39:43,884 --> 00:39:46,820
TALKING ABOUT THE PROSECUTOR
THAT WOULD BE GOING TO BAT
793
00:39:46,853 --> 00:39:49,155
AGAINST MY PARTNER�S
EX?HUSBAND?
794
00:39:49,189 --> 00:39:51,124
I�M TALKING
ABOUT A PROSECUTOR
795
00:39:51,157 --> 00:39:53,293
WHO�S SUPPOSED TO BE
GOING TO BAT
796
00:39:53,326 --> 00:39:55,662
AGAINST SIX DOMINICAN
AND TWO PERUVIAN BAD GUYS ??
797
00:39:55,696 --> 00:39:57,163
AGAINST WHO,
798
00:39:57,197 --> 00:39:59,232
WITHOUT YOUR PARTNER�S
EX?HUSBAND�S TESTIMONY,
799
00:39:59,265 --> 00:40:02,135
WE HAVE GOT EVIDENCE
UP THE ASS.
800
00:40:02,168 --> 00:40:05,205
SO GIVING A DEAL TO DON
801
00:40:05,238 --> 00:40:07,674
IS WHAT MAKES
THE PROSECUTOR A WUSS?
802
00:40:07,708 --> 00:40:10,977
REAL KISS,
YOU GET THE REST.
803
00:40:11,011 --> 00:40:14,981
AND I FIND MYSELF
OUT OF SCOTCH.
804
00:40:15,015 --> 00:40:16,717
COULD HE GET
ANOTHER DRINK?
805
00:40:16,750 --> 00:40:18,051
AND HER, TOO.
806
00:40:18,084 --> 00:40:19,452
SCREW YOU, DENBY.
807
00:40:19,485 --> 00:40:20,887
SCREW ME?
808
00:40:20,921 --> 00:40:23,724
NAH, I�M A REALIST.
MY PRICE ISN�T THAT HIGH.
809
00:40:23,757 --> 00:40:25,025
I�M NOT DRINKING.
810
00:40:25,058 --> 00:40:27,327
I NEED A WET ONE, THEN.
811
00:40:27,360 --> 00:40:28,729
YOU WERE A DECENT GUY
THIS MORNING.
812
00:40:28,762 --> 00:40:30,330
IT�S NOT MORNING ANYMORE
813
00:40:30,363 --> 00:40:32,065
ON THIS PART
OF THE GLOBE.
814
00:40:32,098 --> 00:40:33,700
IT�S GOOD.
815
00:40:33,734 --> 00:40:35,501
THE REST
OF THE STORY�S GOOD.
816
00:40:39,606 --> 00:40:40,707
ALL RIGHT.
817
00:40:44,678 --> 00:40:45,946
YOU FIRST THIS TIME.
818
00:40:50,551 --> 00:40:53,987
I CAN�T RATIONALIZE
THAT, DIANE.
819
00:40:54,020 --> 00:40:56,557
THE WHOLE SORRY HISTORY
OF THE RED MAN�S TRUST
820
00:40:56,590 --> 00:40:58,559
IS STARING ME IN THE FACE.
821
00:40:58,592 --> 00:41:01,962
YOU MUST HATE YOURSELF
IN THE MORNINGS.
822
00:41:01,995 --> 00:41:04,698
ONLY SOMETIMES.
823
00:41:04,731 --> 00:41:07,400
OFTEN, I DON�T REMEMBER
ANYTHING AT ALL.
824
00:41:07,433 --> 00:41:10,370
I MEAN, HOW MUCH DO YOU
CARE ABOUT YOUR PARTNER?
825
00:41:10,403 --> 00:41:12,172
YOU PRICK.
826
00:41:12,205 --> 00:41:13,406
NOW, NOW.
827
00:41:30,490 --> 00:41:33,594
I BELIEVE THIS IS CALLED
HITTING THE DAILY DOUBLE.
828
00:41:38,699 --> 00:41:40,333
AHH.
829
00:41:42,235 --> 00:41:43,537
YOU BETTER TELL ME.
830
00:41:45,706 --> 00:41:48,474
THE PROSECUTOR�S NEW BOSS
IS AN ANTI?WUSS.
831
00:41:48,509 --> 00:41:50,143
I DON�T WANT TO HEAR
ANY CLEVER CRAP.
832
00:41:50,176 --> 00:41:51,745
YOU TELL ME WHAT�S GOING ON.
833
00:41:51,778 --> 00:41:53,479
THE PROSECUTOR�S NEW BOSS
834
00:41:53,514 --> 00:41:55,516
IS GOING TO MAKE
THE PROSECUTOR
835
00:41:55,549 --> 00:41:57,518
GO TO BAT
AGAINST THESE DEALERS,
836
00:41:57,551 --> 00:41:59,119
WITH OR WITHOUT
837
00:41:59,152 --> 00:42:01,121
YOUR PARTNER�S
EX?HUSBAND ON THE TEAM.
838
00:42:01,154 --> 00:42:03,557
TELL ME WHAT
I SHOULD TELL HER.
839
00:42:07,327 --> 00:42:09,530
YOU SHOULD TELL YOUR PARTNER
"SIT TIGHT."
840
00:42:09,563 --> 00:42:11,932
TELL HER NOT
TO GIVE ME ANYTHING.
841
00:42:21,207 --> 00:42:23,243
CAN I HAVE THAT
IF YOU DON�T WANT IT?
842
00:42:28,915 --> 00:42:30,383
GOOD NIGHT.
843
00:42:45,431 --> 00:42:48,168
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844
00:42:48,201 --> 00:42:50,103
845
00:42:50,153 --> 00:42:54,703
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